DOCSLIB.ORG

A Film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

ÉRIC MÉLANIE MELANIE MARIE-JOSÉE BRUNEAU THIERRY MERKOSKY CROZE AN EYE FOR BEAUTY A film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS before An Eye for Beauty written and directed by Denys Arcand producers DENISE ROBERT DANIEL LOUIS THEATRICAL RELEASE May 2014 synopsis We spoke of those times, painful and lamented, when passion is the joy and martyrdom of youth. - Chateaubriand, Memoirs from Beyond the Tomb Luc, a talented young architect, lives a peaceful life with his wife Stephanie in the stunning area of Charlevoix. Beautiful house, pretty wife, dinner with friends, golf, tennis, hunting... a perfect life, one might say! One day, he accepts to be a member of an architectural Jury in Toronto. There, he meets Lindsay, a mysterious woman who will turn his life upside down. AN EYE FOR BEAUTY | PRESS KIT cast Luc Éric Bruneau Stéphanie Mélanie Thierry Lindsay Melanie Merkosky Isabelle Marie-Josée Croze Nicolas Mathieu Quesnel Roger Michel Forget Mélissa Geneviève Boivin-Roussy Karine Magalie Lépine-Blondeau Museum Director Yves Jacques Juana Juana Acosta Élise Johanne-Marie Tremblay 3 AN EYE FOR BEAUTY | PRESS KIT crew Director Denys Arcand Producers Denise Robert Daniel Louis Screenwriter Denys Arcand Director of Photography Nathalie Moliavko-Visotzky Production Designer Patrice Bengle Costumes Marie-Chantale Vaillancourt Editor Isabelle Dedieu Music Pierre-Philippe Côté Sound Creation Marie-Claude Gagné Sound Mario Auclair Simon Brien Louis Gignac 1st Assistant Director Anne Sirois Production manager Michelle Quinn Post-Production Manager Pierre Thériault Canadian Distribution Les Films Séville AN EYE FOR BEAUTY | PRESS KIT 4 SCREENWRITER / DIRECTOR DENYS ARCAND An Academy Award winning director, Denys Arcand's films have won over 100 prestigious awards around the world. In 2003, he wrote and directed The Barbarian Invasions which was nominated for Best Original Screenplay and won the Oscar for Best Foreign Language Film. In France, it won three César – Best Film, Best Screenplay and Best Director; in Italy, the Donatello for Best Foreign Language Film; at the Cannes Film Festival, the Best Actress and Best Screenplay awards, amongst many. In 1989, Denys Arcand directed the powerful Jesus of Montreal (Jesus de Montréal) which won the Jury’s Grand Prize and the Ecumenical Prize in Cannes. The film also earned 12 Genie Awards in addition of being nominated for the Oscar in the Best Foreign Language Film category. In 2007, his film Days of Darkness (L’Âge Des ténèbres) was the Official Selection at the Cannes Film Festival for Closing Night, a very special evening as it was the 60th birthday of the festival. His film The Decline of the American Empire (Le déclin de l’empire américain) won the International Critic’s Prize (FIPRESCI) (in Cannes) as well as an Oscar nomination as Best Foreign Language Film. In addition to his work as a filmmaker, Denys Arcand has published several articles and a book entitled Euchariste Moisan (2013). In 2011, he created, with artist Adad Hannah, an installation called SAFARI for the Big Bang Exposition celebrating the 150th Anniversary of the Montreal Museum of Fine Arts. A lover of classical music, he will direct in 2015 the opera Zémire and Azor, with Les Violons du Roy and the students of the school of Opera of Montreal. Denys Arcand is Commander of the Order of Arts and Letters (France); Companion of the Order of Canada and Knight of the National Order of Quebec. He is also a member of the Academy of Motion Pictures Arts and Sciences. Denys Arcand’s films depict his love for history and his passionate look at the human condition. 5 AN EYE FOR BEAUTY | PRESS KIT CAST ÉRIC BRUNEAU Luc ÉRIC BRUNEAU graduated from l'École nationale de théâtre du Canada in 2006. His career is already well started. We have seen him on TV in some popular series like Annie et ses hommes, Musée Éden and Tu m’aimes- tu ? Presently, we can see him in the new detective series Mensonges. His interpretation of Sylvain Régimbald in Toute la vérité has earned him several nominations for the Prix Artis du meilleur rôle masculin dans une télésérie québécoise. On stage, he was part of prestigious plays including Christine, la reine- garçon, Equus, Élisabeth, roi d’Angleterre, Un simple soldat, Tom à la ferme and more recently on Les liaisons dangereuses. On big screen, he played in films like Les Etats-Unis d’Albert and Coteau Rouge (A. Forcier), Les pieds dans le vide (M. Woolfe), Gerry (A. Desrochers) and Les Amours Imaginaires (X. Dolan). MÉLANIE THIERRY Stéphanie Mélanie Thierry began on big screen in Giuseppe Tornatore's film called La légende du pianiste sur l'océan. The very same year, she will be recognized due to her role of Esmeralda in Patrick Timsit's Quasimodo d'el Paris. Thereafter she will appear in several major proJects both on big screen (15 août, Les écorchés, Pardonnez-moi, Chrysalis, Babylon AD...) and small screen (Merci, les enfants vont bien; Fête de famille). She also delivers impressive performances on stage in plays like Le vieux juif blonde (nominated to the Molières « Révélation théâtrale ») and ''Baby Doll'' which earned her nomination to the Molières «Meilleure Actrice». Her career took a new twist in Philipe Godeau's film Le Dernier pour la route: her performance is awarded the César for Most Promising Actress in 2010. Thereafter she played the inaccessible Charlotte Desrives in L'Autre Dumas and Bertrand Tavernier's Princess of Montpensier. The film will be selected for the official competition at Cannes 2010. Another maJor figure of French Cinema, André Téchiné, placed her along with André Dussollier and Carole Bouquet in Impardonnables, presented at the Directors' Fortnight in Cannes in 2011. She invests herself in the first feature film of Stéphane Cazes (Ombline) and Hugo Gelin (Comme Des Frères). In 2013 she starred in Diane Kurys's last film called Pour une femme. Finally, she was on the Official Selection in Venice in September 2013 along with the mythic director Terry Gilliam for his latest film "The Zero Theorem" in which her main partner is Christoph Waltz. AN EYE FOR BEAUTY | PRESS KIT 6 MELANIE MERKOSKY Lindsay A true triple threat, Canadian actress Melanie Merkosky has been performing professionally as an actress, singer and dancer since the age of twelve in film, television and on stages around the world. Melanie is currently shooting a recurring role on The Strain, the new FX series from Guillermo De Toro. Residing in Los Angeles, and studying under master acting teacher Anthony Meindl, Melanie has developed a repertoire of work on both sides of the border. She continues to support and maintain strong ties to the film industry in Canada. Melanie grew up singing and dancing on scholarship with the Young Canadians School of Performing Arts. She trained classically as a singer and dancer through the Royal Conservatory of Music and the Royal Academy of Dance examinations, respectively. Ms. Merkosky has performed across North America in nationally acclaimed theaters and Festivals including Anne of Green Gables at the Charlottetown Festival and the First National Tour of the smash musical Mamma Mia!. Melanie has appeared in numerous film and television series including Runaway for the CW, the American Pie franchise and the award winning Canadian series Slings & Arrows. She's also caught significant attention and acclaim as a pioneer of the online entertainment movement as the star of notable web series including Lonelygirl15 and Harper's Globe for CBS. Melanie was nominated for Best Lead Actress in a drama at the second annual International Academy of Web Television (IAWTV) Awards for her work in the high profile American web series Continuum. MARIE-JOSÉE CROZE Isabelle In 1999, filmmaker Denis Villeneuve decided to assign the lead role of Maelstöm to Marie-Josée Croze, a French- Canadian actress who has distinguished herself through some popular films and series. This film had a maJor impact on her career whether it is in the role of a rebellious young woman in Atom Egoyan's Ararat or in the many interpretation awards that she won at various festivals across the world. Author Cinema now seems to be the path of the actress. Denys Arcand's fabulous film The Barbarian Invasions gives her the opportunity to play a drug addict character that the Jury of The Cannes Film Festival noticed and for which she won Best Actress in 2003. She then succeeds in French Cinema with films such as Guillaume Canet’s Ne le dis à personne, Zabou Breitman’s Je l'aimais, Tony Gatlif’s Liberté, Jean Becker’s Deux jours à tuer and Nicole Garcia’s Un balcon sur la mer. Across the Atlantic, Julian Schnabel who loved her in Steven Spielberg’s Munich offers her a very pretty speech pathologist role in Le Scaphandre et le papillon. At the end of 2013, we admired Marie- Josée Croze in Mensonges d’États, a Xavier Daugreilh’s creation, directed by Nicolas Briançon and produced in the Madelaine Theater in Paris. In 2014, we will see her in several films like John Mc Donagh’s Calvary (selected at Sundance & Berlin), Tala Hadid’s The Narrow Frame of Midnight, Wim Wenders’s Every Thing Wil Be Fine, and Mathieu Delaporte’s Un illustre Inconnu. 7 AN EYE FOR BEAUTY | PRESS KIT MATHIEU QUESNEL Nicolas Mathieu graduated from the Conservatory of Dramatic Art of Montreal in 2006. Since then he has accumulated projects. On stage he is part of various production such as Au Champ de Mars from Théâtre de la Manufacture, L'Assassinat du président from Théâtre du Futur, L'Obsession de la beauté from Lab87, and more recently Les Flâneurs célestes. On TV we saw him in 30 Vies, La Galère, Tout sur moi, Les Rescapés and Penthouse 5-0.
Recommended publications
  • Speech by Carolle Brabant, Quebec MBA

    Speech by Carolle Brabant, Quebec MBA

    QUEBEC MBA ASSOCIATION APRIL 25, 2012 The Canadian audiovisual industry: We mean business Speech delivered by Carolle Brabant, C.P.A., C.A., MBA Executive Director, Telefilm Canada I’d like to thank you for being here today as well as thank the Quebec MBA Association for making culture a part of these lunch-time talks. As an MBA graduate myself, I’m delighted to be able to use this forum to speak to you about a passionate and important industry for the economic and cultural future of Canada: the audiovisual industry. I decided to join this industry over 21 years ago and I’ve never regretted it. It has let me combine my passion for business with my passion for the arts. Every day, I get to work with inspirational, dynamic people who motivate me. 1/24 There’s been much talk of culture in the media these past few weeks as a result of the federal government’s recent budget cuts. But there’s also been much talk about the success garnered by Canadian productions. One need only think of the tremendous box office success enjoyed by Starbuck. It was announced this week that DreamWorks has acquired the remake rights and that Ken Scott would be the director. Then, of course, there’s Monsieur Lazhar, which made it all the way to the Oscars! The Canadian audiovisual industry is a vibrant, active industry that touches us every day through our television screens, at the movies, and increasingly on our computers and phones. It is an industry deserving of our attention, notably because of its contribution to the culture and economy of our country.
  • Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY

    Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY

    Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY CHRONOLOGICAL LIST OF CANADIAN FEATURE FILMS, FEATURE DOCUMENTARIES AND MADE-FOR-TELEVISION FILMS, 1945-2011 COMPILED BY PAUL GRATTON MAY, 2012 2 5.Fast Ones, The (Ivy League Killers) 1945 6.Il était une guerre (There Once Was a War)* 1.Père Chopin, Le 1960 1946 1.Canadians, The 1.Bush Pilot 2.Désoeuvrés, Les (The Mis-Works)# 1947 1961 1.Forteresse, La (Whispering City) 1.Aventures de Ti-Ken, Les* 2.Hired Gun, The (The Last Gunfighter) (The Devil’s Spawn) 1948 3.It Happened in Canada 1.Butler’s Night Off, The 4.Mask, The (Eyes of Hell) 2.Sins of the Fathers 5.Nikki, Wild Dog of the North 1949 6.One Plus One (Exploring the Kinsey Report)# 7.Wings of Chance (Kirby’s Gander) 1.Gros Bill, Le (The Grand Bill) 2. Homme et son péché, Un (A Man and His Sin) 1962 3.On ne triche pas avec la vie (You Can’t Cheat Life) 1.Big Red 2.Seul ou avec d’autres (Alone or With Others)# 1950 3.Ten Girls Ago 1.Curé du village (The Village Priest) 2.Forbidden Journey 1963 3.Inconnue de Montréal, L’ (Son Copain) (The Unknown 1.A tout prendre (Take It All) Montreal Woman) 2.Amanita Pestilens 4.Lumières de ma ville (Lights of My City) 3.Bitter Ash, The 5.Séraphin 4.Drylanders 1951 5.Have Figure, Will Travel# 6.Incredible Journey, The 1.Docteur Louise (Story of Dr.Louise) 7.Pour la suite du monde (So That the World Goes On)# 1952 8.Young Adventurers.The 1.Etienne Brûlé, gibier de potence (The Immortal 1964 Scoundrel) 1.Caressed (Sweet Substitute) 2.Petite Aurore, l’enfant martyre, La (Little Aurore’s 2.Chat dans
  • Le Show Du Refuge

    Le Show Du Refuge

    Communiqué de presse Pour télé-horaires À la Télévision de Radio-Canada le dimanche 19 décembre à 20h LE SHOW DU REFUGE Montréal, le 12 novembre 2004 – Enregistré au Métropolis le 10 novembre dernier, le Show du Refuge sera diffusé à la Télévision de Radio-Canada le dimanche 19 décembre à 20h. Il s’agit de la 14e édition de ce spectacle-bénéfice au profit du Refuge des jeunes de Montréal et de la 12e diffusée à la Télévision de Radio-Canada. Dan Bigras, porte-parole de l’événement, a une fois de plus réuni une impressionnante liste d’invités dont Dany Bédar, Laurent Paquin, Ginette Reno, Pascalin, Ariane Moffatt, Marie Denise Pelletier, Manon Bédard, Luce Dufault, Lulu Hughes, Kathleen et Christian Gagnon du Ville Emard Blues Band, Pierre Lapointe, Les Violons d’Amérique (André Proulx, Myriam Gagné, Guy Gagné). Après avoir fait vibrer la scène du Métropolis, ils réchaufferont le cœur des téléspectateurs avec un spectacle haut en couleur que vous ne serez pas prêts d’oublier ! Le Show du Refuge est une idée originale de Dan Bigras. La mise en scène est de Mouffe et la direction musicale est assurée par Alain Sauvageau et Dan Bigras. La réalisation est signée Pierre Séguin et le producteur est Guy Latraverse, président de Sogestalt Télévision Québec. Une idée originale à l’approche des fêtes : Le Show du Refuge… depuis le début en DVD Disponible depuis l’an dernier, ce DVD intitulé Le Show du Refuge… depuis le début, regroupe une sélection des meilleurs moments du célèbre spectacle. Le choix des chansons et le montage du DVD a entièrement été réalisé par Dan Bigras et le produit final regroupe une vingtaine de prestations mémorables.
  • Feature Films

    Feature Films

    NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
  • French-Language Music Diversity Study (2015)

    French-Language Music Diversity Study (2015)

    French-Language Music Diversity Study (2015) Prepared by: Andrew Forsyth Operations Consultant Nielsen BDSradio, Canada Stephanie Friedman Vice President, Radio Nielsen Entertainment June 2015 ISBN: BC92-82/2015E-PDF Cat. No.: 978-0-660-03159-0 Unless otherwise specified, you may not reproduce materials in this publication, in whole or in part, for the purposes of commercial redistribution without prior written permission from the Canadian Radio- television and Telecommunications Commission's (CRTC) copyright administrator. To obtain permission to reproduce Government of Canada materials for commercial purposes, apply for Crown Copyright Clearance by contacting: The Canadian Radio-television and Telecommunications Commission (CRTC) Ottawa, Ontario Canada K1A ON2 Tel: 819-997-0313 Toll-free: 1-877-249-2782 (in Canada only) https://services.crtc.gc.ca/pub/submissionmu/bibliotheque-library.aspx © Her Majesty the Queen in Right of Canada, represented by the Canadian Radio-television and Telecommunications Commission, 2015. All rights reserved. Aussi disponible en français Table of Contents I. Executive Summary page 4 II. Objectives page 5 III. Methodology page 6 IV. Analysis page 8 Overview page 8 V. Stations Profiles Gatineau page 10 Montréal page 14 Quebec City page 20 Trois-Rivières page 25 VI. Duplication page 30 VII. Conclusion page 34 Appendix 1 – Emerging Artists 2009 page 35 Appendix 2 – Emerging Artists 2015 page 37 3 I. Executive Summary In this study the stations provide their audience with a wide repertoire of French-language music. In 2015 songs shared by 94% of the panel stations are performed by 15 artists indicating a concentration of airplay across more stations. The data indicates the French-language library at the panel stations is an evolving entity that is expanding immersed with new artists which add to, but not displace older performers.
  • Robert Lepage's Scenographic Dramaturgy: the Aesthetic Signature at Work

    Robert Lepage's Scenographic Dramaturgy: the Aesthetic Signature at Work

    1 Robert Lepage’s Scenographic Dramaturgy: The Aesthetic Signature at Work Melissa Poll Abstract Heir to the écriture scénique introduced by theatre’s modern movement, director Robert Lepage’s scenography is his entry point when re-envisioning an extant text. Due to widespread interest in the Québécois auteur’s devised offerings, however, Lepage’s highly visual interpretations of canonical works remain largely neglected in current scholarship. My paper seeks to address this gap, theorizing Lepage’s approach as a three-pronged ‘scenographic dramaturgy’, composed of historical-spatial mapping, metamorphous space and kinetic bodies. By referencing a range of Lepage’s extant text productions and aligning elements of his work to historical and contemporary models of scenography-driven performance, this project will detail how the three components of Lepage’s scenographic dramaturgy ‘write’ meaning-making performance texts. Historical-Spatial Mapping as the foundation for Lepage’s Scenographic Dramaturgy In itself, Lepage’s reliance on evocative scenography is inline with the aesthetics of various theatre-makers. Examples range from Appia and Craig’s early experiments summoning atmosphere through lighting and minimalist sets to Penny Woolcock’s English National Opera production of John Adams’s Dr. Atomic1 which uses digital projections and film clips to revisit the circumstances leading up to Little Boy’s release on Hiroshima in 1945. Other artists known for a signature visual approach to locating narrative include Simon McBurney, who incorporates digital projections to present Moscow via a Google Maps perspective in Complicité’s The Master and Margarita and auteur Benedict Andrews, whose recent production of Three Sisters sees Chekhov’s heroines stranded on a mound of dirt at the play’s conclusion, an apt metaphor for their dreary futures in provincial Russia.
  • Festival Centerpiece Films

    Festival Centerpiece Films

    50 Years! Since 1965, the Chicago International Film Festival has brought you thousands of groundbreaking, highly acclaimed and thought-provoking films from around the globe. In 2014, our mission remains the same: to bring Chicago the unique opportunity to see world- class cinema, from new discoveries to international prizewinners, and hear directly from the talented people who’ve brought them to us. This year is no different, with filmmakers from Scandinavia to Mexico and Hollywood to our backyard, joining us for what is Chicago’s most thrilling movie event of the year. And watch out for this year’s festival guests, including Oliver Stone, Isabelle Huppert, Michael Moore, Taylor Hackford, Denys Arcand, Liv Ullmann, Kathleen Turner, Margarethe von Trotta, Krzysztof Zanussi and many others you will be excited to discover. To all of our guests, past, present and future—we thank you for your continued support, excitement, and most importantly, your love for movies! Happy Anniversary to us! Michael Kutza, Founder & Artistic Director When OCTOBEr 9 – 23, 2014 Now in our 50th year, the Chicago International Film Festival is North America’s oldest What competitive international film festival. Where AMC RIVER EaST 21* (322 E. Illinois St.) *unless otherwise noted Easy access via public transportation! CTA Red Line: Grand Ave. station, walk five blocks east to the theater. CTA Buses: #29 (State St. to Navy Pier), #66 (Chicago Red Line to Navy Pier), #65 (Grand Red Line to Navy Pier). For CTA information, visit transitchicago.com or call 1-888-YOUR-CTA. Festival Parking: Discounted parking available at River East Center Self Park (lower level of AMC River East 21, 300 E.
  • Read Program

    Read Program

    KAIJA SAARIAHO l’amour de loin conductor Opera in five acts Susanna Mälkki Libretto by Amin Maalouf production Robert Lepage Saturday, December 10, 2016 PM associate director 1:00–3:35 Sybille Wilson New Production set and costume designer Michael Curry lighting designer Kevin Adams lightscape image designer Lionel Arnould The production of L’Amour de Loin was made sound designer Mark Grey possible by a generous gift from the Francis Goelet Trusts Additional funding for this production was received from The H.M. Agnes Hsu-Tang, PhD. and Oscar Tang Endowment Fund general manager Peter Gelb music director emeritus James Levine Co-production of the Metropolitan Opera and L’Opéra de Québec principal conductor Fabio Luisi In collaboration with Ex Machina 2016–17 SEASON The 3rd Metropolitan Opera performance of KAIJA SAARIAHO’S This performance l’amour is being broadcast live over The Toll Brothers– de loin Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Susanna Mälkki America’s luxury ® in order of vocal appearance homebuilder , with generous long-term jaufré rudel support from Eric Owens The Annenberg Foundation, The the pilgrim Neubauer Family Tamara Mumford* Foundation, the Vincent A. Stabile clémence Endowment for Susanna Phillips Broadcast Media, and contributions from listeners worldwide. There is no Toll Brothers– Metropolitan Opera Quiz in List Hall today. This performance is also being broadcast live on Metropolitan Opera Radio on SiriusXM channel 74. Saturday, December 10, 2016, 1:00–3:35PM This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation.
  • Mirror of Simulation in Denys Arcand's "Jesus of Montreal"

    Mirror of Simulation in Denys Arcand's "Jesus of Montreal"

    THE MIRROR OF SIMULATION IN DENYS ARCAND ’ S JESUS OF MONTREAL By Robert J. Roy Submitted to the Faculty of the College of Arts and Sciences of American University in Partial Fulfillment of the Requirements for the Degree of Master of Arts In Literature Chair: / Jeffpey MjddenfsSs^ David L. Pike Dean 6f the College Date 0 2006 American University Washington, D.C. 20016 AMERICAN UNIVERSITY LIBRARY Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 1437772 Copyright 2006 by Roy, Robert J. All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 1437772 Copyright 2006 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Ml 48106-1346 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. © COPYRIGHT by Robert J. Roy 2006 ALL RIGHTS RESERVED Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. THE MIRROR OF SIMULATION IN DENYS ARC AND ’ S JESUS OF MONTREAL BY Robert J.
  • Film Reference Guide

    Film Reference Guide

    REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld.
  • Archived Content

    Archived Content

    Archived Content Information identified as archived is provided for reference, research or recordkeeping purposes. It is not subject to the Government of Canada Web Standards and has not been altered or updated since it was archived. Some of this archived content is available only in one official language. Translation by CMHC can be requested and will be provided if demand is sufficient. Contenu archive Le contenu identifie comme archive est fourni a des fins de reference, de recherche ou de tenue des dossiers; il n'est pas assujetti aux normes Web du gouvernement du Canada. Aucune modification ou mise a jour n'y a ete apportee depuis son archivage. Une partie du contenu archive n'existe que dans une seule des langues officielles. La SCHL en fera la traduction dans l'autre langue officielle si la demande est suffisante. Canada mortgage and housing corporation societe canadienne dhypoth Eques et de logement CanadaJl*l RESEARCH REPORT External Research Program Montreal: A Rich Tradition in Medium Density Housing CMHC# SCHL Canada HOME TO CANADIANS CMHC—HOME TO CANADIANS Canada Mortgage and Housing Corporation (CMHC) has been Canada ’s national housing agency for more than 60 years. Together with other housing stakeholders, we help ensure that Canada maintains one of the best housing systems in the world. We are committed to helping Canadians access a wide choice of quality, affordable homes, while making vibrant, healthy communities and cities a reality across the country. For more information, visit our website at www.cmhc.ca You can also reach us by phone at 1-800-668-2642 or by fax at 1-800-245-9274.
  • 1 DIALOGUE & OUTREACH Department OIC Islamophobia

    1 DIALOGUE & OUTREACH Department OIC Islamophobia

    DIALOGUE & OUTREACH Department OIC Islamophobia Observatory Monthly Bulletin – November 2017 MANIFESTATIONS OF ISLAMOPHOBIA: A. In the United States and Canada: US: Police seek man they believe desecrated 2 Brooklyn mosques— A community came together in November 2017 in a show of solidarity, after a Brooklyn mosque was desecrated. Police said the same man desecrated another mosque on the same day. A hammier-wielding man was seen on video breaking a door of the Beit El-Maqdis Islamic Center in Sunset Park, smashing five windows, and damaging a security camera. The attack occurred at a little before 5:30 p.m. Saturday. Police said the man ran off on 62nd St. Police believed the same man used the hammer 30 minutes later to vandalize a second Brooklyn mosque on 8th Ave. near 60th St. See: NY1 News’ entry, in: http://www.ny1.com/news/2017/11/13/brooklyn-mosque-vandalized.html, retrieved on14.11.2017 US: DHS official who made islamophobic comments resigns. Another remains in a senior role.— Rev. Jamie Johnson, a senior official at the Department of Homeland Security, had once said that Islam had given the world only “oil and dead bodies.” He had also argued that Jews became disproportionately wealthy through hard work while African Americans turned cities into “slums because of laziness, drug use, and sexual promiscuity.” Hours later, Johnson resigned as the head of DHS’s Center for Faith-Based and Neighborhood Partnerships. However Frank Wuco, a senior White House adviser at DHS who had made similarly inflammatory comments about Muslims and other groups, was still working at the department in a role with significant implications for Muslims in America and abroad.