News Release. Piers Handling Announces 2018 Will Be His
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Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
A Film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS
ÉRIC MÉLANIE MELANIE MARIE-JOSÉE BRUNEAU THIERRY MERKOSKY CROZE AN EYE FOR BEAUTY A film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS before An Eye for Beauty written and directed by Denys Arcand producers DENISE ROBERT DANIEL LOUIS THEATRICAL RELEASE May 2014 synopsis We spoke of those times, painful and lamented, when passion is the joy and martyrdom of youth. - Chateaubriand, Memoirs from Beyond the Tomb Luc, a talented young architect, lives a peaceful life with his wife Stephanie in the stunning area of Charlevoix. Beautiful house, pretty wife, dinner with friends, golf, tennis, hunting... a perfect life, one might say! One day, he accepts to be a member of an architectural Jury in Toronto. There, he meets Lindsay, a mysterious woman who will turn his life upside down. AN EYE FOR BEAUTY | PRESS KIT cast Luc Éric Bruneau Stéphanie Mélanie Thierry Lindsay Melanie Merkosky Isabelle Marie-Josée Croze Nicolas Mathieu Quesnel Roger Michel Forget Mélissa Geneviève Boivin-Roussy Karine Magalie Lépine-Blondeau Museum Director Yves Jacques Juana Juana Acosta Élise Johanne-Marie Tremblay 3 AN EYE FOR BEAUTY | PRESS KIT crew Director Denys Arcand Producers Denise Robert Daniel Louis Screenwriter Denys Arcand Director of Photography Nathalie Moliavko-Visotzky Production Designer Patrice Bengle Costumes Marie-Chantale Vaillancourt Editor Isabelle Dedieu Music Pierre-Philippe Côté Sound Creation Marie-Claude Gagné Sound Mario Auclair Simon Brien Louis Gignac 1st Assistant Director Anne Sirois Production manager Michelle Quinn Post-Production Manager Pierre Thériault Canadian Distribution Les Films Séville AN EYE FOR BEAUTY | PRESS KIT 4 SCREENWRITER / DIRECTOR DENYS ARCAND An Academy Award winning director, Denys Arcand's films have won over 100 prestigious awards around the world. -
Festival Centerpiece Films
50 Years! Since 1965, the Chicago International Film Festival has brought you thousands of groundbreaking, highly acclaimed and thought-provoking films from around the globe. In 2014, our mission remains the same: to bring Chicago the unique opportunity to see world- class cinema, from new discoveries to international prizewinners, and hear directly from the talented people who’ve brought them to us. This year is no different, with filmmakers from Scandinavia to Mexico and Hollywood to our backyard, joining us for what is Chicago’s most thrilling movie event of the year. And watch out for this year’s festival guests, including Oliver Stone, Isabelle Huppert, Michael Moore, Taylor Hackford, Denys Arcand, Liv Ullmann, Kathleen Turner, Margarethe von Trotta, Krzysztof Zanussi and many others you will be excited to discover. To all of our guests, past, present and future—we thank you for your continued support, excitement, and most importantly, your love for movies! Happy Anniversary to us! Michael Kutza, Founder & Artistic Director When OCTOBEr 9 – 23, 2014 Now in our 50th year, the Chicago International Film Festival is North America’s oldest What competitive international film festival. Where AMC RIVER EaST 21* (322 E. Illinois St.) *unless otherwise noted Easy access via public transportation! CTA Red Line: Grand Ave. station, walk five blocks east to the theater. CTA Buses: #29 (State St. to Navy Pier), #66 (Chicago Red Line to Navy Pier), #65 (Grand Red Line to Navy Pier). For CTA information, visit transitchicago.com or call 1-888-YOUR-CTA. Festival Parking: Discounted parking available at River East Center Self Park (lower level of AMC River East 21, 300 E. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
As Promised, Faculty, Admin, and Tech Have All Been Coming up with Works to Watch While Shuttered Inside (In the Physical, and Not Psychological, Sense)
As promised, Faculty, Admin, and Tech have all been coming up with works to watch while shuttered inside (in the physical, and not psychological, sense). We will have more forthcoming from other members of the department, I’d hope next week, to get you through the exam period and beyond. The range below is eclectic, at times challenging, and most of all fun of all sorts. A lot of the material is easily streamable and/or downloadable; I’m sure there are other ways you can find material too. We hope you find stuff here to get you through the days and nights and days and nights and days and nights. We are all in this together, so feel free to come up with lists (on your own, or even better, get together digitally and socialize) of works you think faculty, admin, and techs ought to be watching. Teach us something and make it a two- way street! UPDATE, April 14: See below for new recommendations from Adonay, Tama, and Karine! Films for Students: From Karine Here is my Top Ten list of Road Movies (from around the world) to watch while in Quarantine (Traveling without risk): 1. Traveling to France: Agnes Varda's Faces Places (2017). 2. Traveling to Germany: Wim Wenders' Kings of the Road (1976). 3. Traveling to New Zealand: Taika Waititi's Hunt for the Wilderpeople (2016). 4. Traveling to Mexico: Alfonso Curaon's Y Tu Mama Tambien (2001) 5. Traveling to Argentina: Lucrecia Martel's La Mujer Sin Cabeza (2008) 6. Traveling to Australia: Ivan Sen's Beneath Clouds (2002) 7. -
Kingcanfilmfest.Com FEB 26 to MAR 1
presented by FEB 26 to MAR1 2O15 kingcanfilmfest kingcanfilmfest.com TiVo Service¹ lets you record up to 6 shows at once, access Netflix² and watch your recordings on the go. Get it only from Cogeco. 1-877-449-4474 • Cogeco.ca/TiVo How can we help you? TABLE OF CONTENTS Sponsors 2 tickets and Venues 5 Schedule 6 festival greetings 8 FILMS SHORT FILM PROGRAMS Big neWS from grand roCk 10 Canadian ShortS Program 24 after the BaLL 11 LoCaL ShortS Program 25 aLL the time in the WorLd 11 Youth ShortS Program 25 BerkShire CountY 12 C iS for Canada 26 dirtY SingLeS 13 muSiC Video ShortS Program 26 the father of hoCkeY 13 fauLt 14 feLix and meira 14 Workshops 28 in her PLaCe 15 music 30 La Petite reine 15 receptions 31 LuCk’S hard 17 maPS to the StarS 17 mommY 18 monSoon 18 PorCh StorieS 19 the PriCe We PaY 19 retroSPeCtiVe: manY kingStonS 20 SoL 21 the StronghoLd 21 tu dorS niCoLe 22 VioLent 22 PRESENTING SPONSORS PRIMETIME/PROGRAM SPONSORS SUPPORTERS FEATURE FILM SPONSORS 2 MEDIA SPONSORS the Queen’s University FILM SPONSORS FESTIVAL FRIENDS HOSPITALITY FRIENDS MEDIA FRIENDS Le Centre culturel Frontenac Amadeus Fusix Kamik AquaTerra by Clark Kingstonist Kingston Community Olivea Point of View Magazine Credit Union Pan Chancho Queen’s TV Petrie Ford Tango Nuevo Rogers K-Rock Centre SGPS Tir Nan Og Snapd Staples Station 14 Wellington Foreign Exchange FESTIVAL PARTNERS Film Circuit (TIFF), George Taylor Richardson Memorial Fund, National Film Board of Canada, Original Hockey Hall of Fame, Queen’s University AMS, Ubisoft, The Screening Room COMMUNITY SPONSORS Brew Pub, Brian’s Record Option, Campus One Stop, Card’s Bakery, Classic Video, David’s Tea, Five Guys Burger and Fries, Genene Maurice RMT, LSP Designs, Novel Idea, Pasta Genova, The Pita Pit, QFLIC, Rankin Productions, Secret Garden Inn, Sima Sushi, Ta-Ke Sushi, Tommy’s, The Works 3 For 15 years KCFF has been dedicated to exhibiting Canadian ƓOPDQGLVGHHSO\FRPPLWWHGWR ensuring its continued development & growth. -
Cinéma Canadien
Document generated on 09/28/2021 3:10 a.m. Séquences La revue de cinéma Cinéma canadien Number 108, April 1982 URI: https://id.erudit.org/iderudit/51021ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review (1982). Review of [Cinéma canadien]. Séquences, (108), 16–21. Tous droits réservés © La revue Séquences Inc., 1982 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ f jKj ** - « " > * CINEMA CANADIEN AVRIL 1982 15 proportions qu'elle aurait pu avoir en réalité. Une seule chose m'a un peu embarrassé: la disparité des paysages. On passe sans transitions de la luxuriance du Kenya à l'aus tère (et pelée!) grandeur des monts Grampian, en Ecosse, puis le long des côtaux verdoyants du Haut-Ontario. Cela m'a semblé un peu brusque et parfois difficilement plausi ble. Je pense que c'était une question — non résolue — de montage. Mais ce n'est vraiment qu'un défaut mineur parmi tant de qualités. À Saint-Césaire, en France, on vient de mettre la main sur une preuve. Voilà trente mille ans seulement, il y avait encore des Néanderthaliens (la tribu rivale de celle à laquelle appartient Naoh, le héros du film) sur le territoire français. -
Winter Film Highlights
The Museum off Modern Art For Immediate Release December 1992 WINTER FILM HIGHLIGHTS The Museum of Modern Art's winter season features programs ranging from the New York premieres of two new Canadian films to African-American films made in the late silent/early-sound era, as well as a look at Ken Russell's films of the 1980s. THIS FILM IS FROM CANADA January 5, 1993 In Montreal vu par... (Montreal Sextet) (1991), six of Canada's most talented filmmakers joined forces to offer a cinematic tribute to the city of Montreal on the occasion of its 350th birthday. The diversity, idiosyncrasy, and romance of the city and its citizens are captured in sketches by Denys Arcand, Michel Brault, Atom Egoyan, Jacques Leduc, Lea Pool, and Patricia Rozema. Organized by Adrienne Mancia, curator, Department of Film. AFRICAN-AMERICAN PIONEERS January 16 - 18, 1993 Six films from the late silent/early sound era, in which African-American artists participated either in front of or behind the camera, are presented in this three-day program. Selected from the Circulating Film and Video Library, the series includes films with two vastly different starring roles by Paul Robeson, the melodrama Body and Soul (1924) and the experimental narrative Borderline (1928). Also featured are St. Louis Blues (1928), with Bessie Smith, and Black and Tan (1929), with Duke Ellington. Organized by Jytte Jensen, assistant curator, Department of Film. FROM THE ARCHIVES: CONRAD VEIDT January 22 - 26, 1993 The actor Conrad Veidt (1883-1943) is remembered with a program of four films, beginning on the 100th anniversary of his birth. -
And the Beau
MEDIA MANIA and the Beau by Maurie Alioff Jessica Pare "Beauty is a beautiful girl" — Plato ndy Warhol's everybody–will–get–their-15–minutes Schatzberg's 1970 directorial debut, Puzzle of a Downfall Child, revelation has materialized on a scale that would shows Faye Dunaway grappling with the aftermath of a have astounded the king of pop art. Ordinary peo- crack–up. And in Gia, Angelina Jolie's performance electrifies ple are acting out a rampant yearning to be glam- the story of real–life, wild–spirited Gia Carangi, who died of ourized and mythologized by eagerly submitting the AIDS virus she probably picked up by mainlining heroin. to reality TV's 24 / 7 camera surveillance. A While Stardom's storyline recalls Darling's, the film plays far Among the Survivor "castaways" and Big Brother "house more light–heartedly. It even bursts into irreverent slapstick in guests," who provide spellbinding voyeurism for the millions scenes like the one where a fur–coated Tina punches out an who gawk at them, Survivor's Jenna admits she craved the obnoxious animal–rights activist. From its first shot, Arcand's spotlight as much as the show's prize money. Her fellow cast- movie is a giddy whirl, vibrating with sensuous detail away Sean, a successful neurologist, dreams about acting on (Fellini's Ginger and Fred comes to mind) and closing on a ten- ER and coming home to find the National Enquirer checking tatively happy ending. Perhaps, as the film implies, Tina's out his garbage. The most subtle of the new reality stars is Who journey through mindless superficiality ultimately liberates Wants to Marry a Multimillionaire?'s Darya Conger. -
Cinéclub De L'alliance: Mommy
Press Release: CinéClub de l'Alliance: Mommy Contact: Joshua Stone [email protected] 617.912.0400 ext. 410 CinéClub de l'Alliance: Mommy Directed by Xavier Dolan Wednesday, September 21, 6:30 PM 9:00 PM French Cultural Center 53 Marlborough Street Boston, MA 02116 frenchculturalcenter.org 617.912.0400 Boston, MA– After a long summer hiatus, the French Cultural Center is pleased to announce the return of its monthly CinéClub program with an affecting drama from one of international cinema’s most promising and prolific young filmmakers, Xavier Dolan. His haunting film, Mommy, will be screened at the Center on Wednesday, September 21. Mommy portrays the story of a workingclass Quebec mother who struggles to care for her troubled teenage son until a chance encounter with their shy neighbor offers unexpected hope for a brighter future. The film will be followed by an informal reception and an open discussion led by our in house film expert, Barbara Bouquegneau. 140 minutes | French and English with English subtitles | Drama Pricing Members: Free Nonmembers: $8 Advance registration required. About the Director Xavier Dolan (né Xavier DolanTadros in March 1989 in Montreal) is an actor, director, writer, producer, editor and costume designer. As a precocious practitioner of auteurist art cinema, Xavier Dolan went from child actor to filmmaking wunderkind, garnering international acclaim at age 20 for his debut feature, J’ai tué ma mère (I Killed My Mother, 2009). His next four films — Les amours imaginaires (Heartbeats, 2010), Laurence Anyways (2012), Tom à la ferme (Tom at the Farm, 2013) and Mommy (2014) — were all completed by the time he was 25. -
PAJ77/No.03 Chin-C
AIN’T NO SUNSHINE The Cinema in 2003 Larry Qualls and Daryl Chin s 2003 came to a close, the usual plethora of critics’ awards found themselves usurped by the decision of the Motion Picture Producers Association of A America to disallow the distribution of screeners to its members, and to any organization which adheres to MPAA guidelines (which includes the Motion Picture Academy of Arts and Sciences). This became the rallying cry of the Independent Feature Project, as those producers who had created some of the most notable “independent” films of the year tried to find a way to guarantee visibility during award season. This issue soon swamped all discussions of year-end appraisals, as everyone, from critics to filmmakers to studio executives, seemed to weigh in with an opinion on the matter of screeners. Yet, despite this media tempest, the actual situation of film continues to be precarious. As an example, in the summer of 2003 the distribution of films proved even more restrictive, as theatres throughout the United States were block-booked with the endless cycle of sequels that came from the studios (Legally Blonde 2, Charlie’s Angels: Full Throttle, Terminator 3, The Matrix Revolutions, X-2: X-Men United, etc.). A number of smaller films, such as the nature documentary Winged Migration and the New Zealand coming-of-age saga Whale Rider, managed to infiltrate the summer doldrums, but the continued conglomeration of distribution and exhibition has brought the motion picture industry to a stultifying crisis. And the issue of the screeners was the rallying cry for those working on the fringes of the industry, the “independent” producers and directors and small distributors. -
Mary in Film
PONT~CALFACULTYOFTHEOLOGY "MARIANUM" INTERNATIONAL MARIAN RESEARCH INSTITUTE (UNIVERSITY OF DAYTON) MARY IN FILM AN ANALYSIS OF CINEMATIC PRESENTATIONS OF THE VIRGIN MARY FROM 1897- 1999: A THEOLOGICAL APPRAISAL OF A SOCIO-CULTURAL REALITY A thesis submitted to The International Marian Research Institute In Partial Fulfillment of the Requirements for the degree Licentiate of Sacred Theology (with Specialization in Mariology) By: Michael P. Durley Director: Rev. Johann G. Roten, S.M. IMRI Dayton, Ohio (USA) 45469-1390 2000 Table of Contents I) Purpose and Method 4-7 ll) Review of Literature on 'Mary in Film'- Stlltus Quaestionis 8-25 lli) Catholic Teaching on the Instruments of Social Communication Overview 26-28 Vigilanti Cura (1936) 29-32 Miranda Prorsus (1957) 33-35 Inter Miri.fica (1963) 36-40 Communio et Progressio (1971) 41-48 Aetatis Novae (1992) 49-52 Summary 53-54 IV) General Review of Trends in Film History and Mary's Place Therein Introduction 55-56 Actuality Films (1895-1915) 57 Early 'Life of Christ' films (1898-1929) 58-61 Melodramas (1910-1930) 62-64 Fantasy Epics and the Golden Age ofHollywood (1930-1950) 65-67 Realistic Movements (1946-1959) 68-70 Various 'New Waves' (1959-1990) 71-75 Religious and Marian Revival (1985-Present) 76-78 V) Thematic Survey of Mary in Films Classification Criteria 79-84 Lectures 85-92 Filmographies of Marian Lectures Catechetical 93-94 Apparitions 95 Miscellaneous 96 Documentaries 97-106 Filmographies of Marian Documentaries Marian Art 107-108 Apparitions 109-112 Miscellaneous 113-115 Dramas