University of Birmingham Television News and Its Satirical Interpretation in Medvedev's Russia

Total Page:16

File Type:pdf, Size:1020Kb

University of Birmingham Television News and Its Satirical Interpretation in Medvedev's Russia University of Birmingham Television News and Its Satirical Interpretation in Medvedev's Russia: Is Glasnost Back? Rulyova, Natalia Citation for published version (Harvard): Rulyova, N 2010, 'Television News and Its Satirical Interpretation in Medvedev's Russia: Is Glasnost Back?', The Russian Journal of Communication, vol. 3, no. 3-4, pp. 228-47. Link to publication on Research at Birmingham portal General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive. If you believe that this is the case for this document, please contact [email protected] providing details and we will remove access to the work immediately and investigate. Download date: 30. Sep. 2021 RUSSIAN JOURNAL OF COMMUNICATION Official Journal of the Russian Communication Association Edited by IGOR E. KLYUKANOV Eastern Washington University ASSOCIATE EDITORS Donal A. Carbaugh, University of Massachusetts-Amherst, U.S.A. Irina N. Rozina, Institute of Management, Business and Law, Rostov-on-Don, Russia EDITORIAL BOARD MEMBERS Ol’ga V. Aleksandrova Viktoriya V. Krasnykh Moscow State University, Russia Moscow State University, Russia Steven A. Beebe Richard L. Lanigan Texas State University, San Marcos, U.S.A. Southern Illinois University, U.S.A. Mira B. Bergel’son Olga A. Leontovich Moscow State University, Russia Volgograd State Pedagogical Pedro J. Chamizo-Domínguez University, Russia University of Málaga, Spain Mikhail L. Makarov Michael Cole Tver State University, Russia University of California, San Diego, U.S.A. Brigitte B. Nerlich John Corner University of Nottingham, England University of Liverpool, England John Parish-Sprowl Robert T. Craig Indiana University-Purdue University University of Colorado at Boulder, U.S.A. Indianapolis, USA Marcel Danesi Barnett W. Pearce University of Toronto, Canada Fielding Graduate University, U.S.A. Mikhail N. Epstein Aila Pesonen Emory University, U.S.A. University of Vaasa, Finland William Graves III Susan Petrilli Bryant University, U.S.A. University of Bari, Italy Nadezhda L. Greidina Vera A. Pichal’nikova Pyatigorskii State Linguistic University, Russia Moscow State Linguistic University, Russia Boris L. Gubman Dmitri N. Shalin Tver State University, Russia University of Nevada, Las Vegas, U.S.A. Michael Hazen Peter Shields Wake Forest University, U.S.A. Eastern Washington University, U.S.A. Vyacheslav V. Ivanov Svetlana G. Ter-Minasova University of California, Los Angeles, U.S.A. Moscow State University, Russia Moscow State University, Russia Viktoriya I. Tuzlukova Vladimir I. Karasik Rostov-on-Don State Pedagogical Volgograd State Pedagogical University, Russia University, Russia Vadim B. Kasevich Viktor A. Vinogradov St. Petersburg State University, Russia Russian Academy of Sciences, Russia Antonina A. Khar’kovskaya Alexander E. Voiskounsky Samara State University, Russia Moscow State University, Russia Sergei V. Klyagin David C. Williams Russian State University for the Florida Atlantic University, U.S.A. Humanities, Russia Alexandra A. Zalevskaya Tver State University, Russia Copyright © 2010. The authors of the articles published in this issue own the copyrights to their works. For permission to reprint, please contact the authors (see title page of each article for e-mail contact information). Russian Journal of Communication (RJC) is an international peer-reviewed academic journal that publishes theoretical and empirical papers and essays and books reviews that advance an understanding of communication in, with and about Russia. The journal welcomes original theoretical, empirical, critical, comparative, and historical studies and is open to all methodological perspectives. The journal is published in cooperation with the Russian Communication Association (RCA) and the North American Russian Communication Association (NARCA). For more information about RCA, visit http://www.russcomm.ru (Russian language version) or www.russcomm.ru/eng (English language version). For more information about RJC and other academic journals published by Marquette Books LLC, visit www.MarquetteJournals.org. For more information about subscribing or submitting manuscripts, see the information at the end of this journal. Information for Authors/Author Guidelines All manuscripts should be original and not under consideration by another publisher. Submitted manuscripts should be no more than 8,000 words or 30 double-spaced pages (12-point Times Roman), including references, tables and figures. Longer manuscripts will be considered when space is available. Manuscripts should be prepared according to the guidelines of the Publication Manual of the American Psychological Association (5th edition). Manuscripts should be double-spaced, and all pages should be numbered. The title page should include the title of the manuscript; names and affiliations of all authors, as well as their addresses, phone numbers and e-mail addresses. Only the title page should contain identifying information. The second page should include the manuscript title and an abstract of 150 to 250 words, as well as 4-7 key words describing the contents of the manuscript. All figures must be camera ready and formatted to no more than 5.5 inches in width and 7.8 inches in height. Endnotes (no footnotes please) must be manually inserted. All manuscripts should be prepared using Microsoft Word or WordPerfect or converted to that format and submitted electronically to the Editor at [email protected]. All manuscripts will be evaluated through a blind peer-review. The normal review period is about two months. Once a manuscript is accepted for publication, electronic page proofs will be sent to authors in a PDF format. Authors will notify the publisher of any essential corrections within specified time line. Authors are responsible for obtaining permission from copyright owners to use lengthy quotations (450 words or more) or to reprint or adapt a table or figure that has been published elsewhere. Authors should write to the original copyright holder requesting nonexclusive permission to reproduce the material in this journal and in future publications generated by Marquette Books. Authors shall retain the copyright to their works published in Russian Journal of Communication. Authors shall give Marquette Books LLC a nonexclusive right to publish the work in its journals or in other publications or books that it may produce at the same time or in the future. Questions about the submission and production process should be directed to the Editor, Igor I. Klyukanov at [email protected] or Associate Editors, Donal Carbaugh at [email protected] or Irina Rozina at [email protected] Cover design by Nick Brown / Cover concept by Igor E. Klyukanov Russian Journal of Communication is published by MARQUETTE BOOKS LLC 3107 East 62nd Avenue, Spokane, Washington 99223 509-443-7047 voice • 509-448-2191 fax www.MarquetteJournals.org • [email protected] RUSSIAN JOURNAL OF COMMUNICATION Volume 3, Numbers 3/4 Summer/Fall 2010 SPECIAL ISSUE Television, Nation Building and the Everyday in Contemporary Russia EDITORS’ PREFACE 173 Stephen Hutchings and Galina Miazhevich Television, Nation Building and the Everyday in Contemporary Russia ARTICLES 185 Elena Prokhorova Flushing Out the Soviet: Common Places, Global Genres and Modernization in Russian Television Serial Productions 205 Stephen Hutchings Comparing Russian, French and British Television News Commemorations of 9/11: Terror, Everyday Nation Building and the Struggle for the Universal 228 Natalia Rulyova Television News and Its Satirical Interpretation in Medvedev's Russia: Is Glasnost Back? 248 Galina Miazhevich Sexual Excess in Russia's Eurovision Performances as a Nation Branding Tool 265 Vera Zvereva Lifestyle Programs on Russian Television 280 Anna Novikova Myths about Soviet Values and Contemporary Russian Television FORUM 295 Stephen Hutchings, Galina Miazhevich, Henri Nickels, Chris Flood Daily Television News Coverage of Islamism as Security Threat: A Comparative Analysis (Russia, France, Britain) BOOK REVIEWS 313 Arseniy Khitrov reviews Almira Ousmanova’s Belarusian Format: An Invisible Reality 316 Birgit Beumers reviews Anna Arutunyan’s The Media in Russia 318 Tatiana V. Vorontsova reviews The Image of a Decent Life in the Contemporary Russian Mass Media 320 Sue-Ann Harding reviews Negotiating Democracy: Media Transformations in Emerging Democracies 322 David Greenberg reviews Mass
Recommended publications
  • Organisational Structure, Programme Production and Audience
    OBSERVATOIRE EUROPÉEN DE L'AUDIOVISUEL EUROPEAN AUDIOVISUAL OBSERVATORY EUROPÄISCHE AUDIOVISUELLE INFORMATIONSSTELLE http://www.obs.coe.int TELEVISION IN THE RUSSIAN FEDERATION: ORGANISATIONAL STRUCTURE, PROGRAMME PRODUCTION AND AUDIENCE March 2006 This report was prepared by Internews Russia for the European Audiovisual Observatory based on sources current as of December 2005. Authors: Anna Kachkaeva Ilya Kiriya Grigory Libergal Edited by Manana Aslamazyan and Gillian McCormack Media Law Consultant: Andrei Richter The analyses expressed in this report are the authors’ own opinions and cannot in any way be considered as representing the point of view of the European Audiovisual Observatory, its members and the Council of Europe. CONTENT INTRODUCTION ...........................................................................................................................................6 1. INSTITUTIONAL FRAMEWORK........................................................................................................13 1.1. LEGISLATION ....................................................................................................................................13 1.1.1. Key Media Legislation and Its Problems .......................................................................... 13 1.1.2. Advertising ....................................................................................................................... 22 1.1.3. Copyright and Related Rights .........................................................................................
    [Show full text]
  • Queer As Alla: Subversion And/Or Re-Affirmation of the Homophobic Nationalist Discourse of Normality in Post-Soviet Vilnius
    RASA NAVICKAITE Queer as Alla: Subversion and/or re-affirmation of the homophobic nationalist discourse of normality in post-Soviet Vilnius IF YOU ARE non-heterosexual and you live in Vilnius, then gay- friendly options for going out are pretty limited for you. You would probably end up in the same place each weekend – a little under- ground gay club, called Soho. While for the gay community it is a well-known place to have drinks, to dance and to flirt, those who do not clearly identify as lesbian, gay, bi or trans usually have never even heard about this place. And those who do hear about it tend to imagine it as a place ”outside” the boundaries of normality and mo- rality, a place for those who live on the margins of society, delimited according to the axis of sexuality, or, to put it in a coarse language – a ”nest of whores” (Tereškinas 2004, 32). Although the times of the totalitarian Communist regime are gone since more than twenty years, the strict boundaries between what is normal and what is not, persist and in some cases have be- come even more rigid (Stukuls 1999, 537). The high level of soci- etal homophobia,1 encouraged by nationalist discourse is a perfect example of this boundary control. Although LGBT organisations present visibility and openness of non-heteronormative sexualities lambda nordica 4/2012 127 © Föreningen Lambda Nordica 2012 Queer as Alla as their main goal, it does not change the situation, where the ma- jority of gays are ”in the closet” (Atviri.lt 2012a).
    [Show full text]
  • Full Results of Survey of Songs
    Existential Songs Full results Supplementary material for Mick Cooper’s Existential psychotherapy and counselling: Contributions to a pluralistic practice (Sage, 2015), Appendix. One of the great strengths of existential philosophy is that it stretches far beyond psychotherapy and counselling; into art, literature and many other forms of popular culture. This means that there are many – including films, novels and songs that convey the key messages of existentialism. These may be useful for trainees of existential therapy, and also as recommendations for clients to deepen an understanding of this way of seeing the world. In order to identify the most helpful resources, an online survey was conducted in the summer of 2014 to identify the key existential films, books and novels. Invites were sent out via email to existential training institutes and societies, and through social media. Participants were invited to nominate up to three of each art media that ‘most strongly communicate the core messages of existentialism’. In total, 119 people took part in the survey (i.e., gave one or more response). Approximately half were female (n = 57) and half were male (n = 56), with one of other gender. The average age was 47 years old (range 26–89). The participants were primarily distributed across the UK (n = 37), continental Europe (n = 34), North America (n = 24), Australia (n = 15) and Asia (n = 6). Around 90% of the respondents were either qualified therapists (n = 78) or in training (n = 26). Of these, around two-thirds (n = 69) considered themselves existential therapists, and one third (n = 32) did not. There were 235 nominations for the key existential song, with enormous variation across the different respondents.
    [Show full text]
  • Verbotsliste Zum Members´ Favourite 2012 (MF 2012)
    Verbotsliste zum Members´ Favourite 2012 (MF 2012) Interpret Titel Wettbewerb MF = Members´ Favourite (ab 01) OGAEVC = OGAE Video Contest OGAESC = OGAE Song Contest SCC = Second Chance Contest MSC = Member Song Contest (bis 00) auch nicht erlaubt: alle ESC-Final-Lieder von 1956 - 2012 auch nicht erlaubt: alle ESC-Semifinal-Lieder von 2004 - 2012 auch nicht erlaubt: alle ESC- Vorentscheidungs-Titel 2012 2 Eivissa Viva la fiesta MF 02 2Raumwohnung 2 von Millionen von Sternen MF 05 2raumwohnung Besser geht's nicht OGAEVC 07 3Js De stroom SCC 11 4 Elements Kludu labojums MF 04 4´33" Ave Maria Laudata SCC 02 7 Up Daj, spusti se SCC 99 A1 Don´t wanna lose you again SCC 10 Aalto, Saara Blessed with love SCC 11 Aardvarks Disguised by the night MSC 97 ABBA oder Abba As good as new MF 05 ABBA oder Abba Dream world MSC 95 ABBA oder Abba No hay a quien culpar MSC 99 ABBA oder Abba One of us MSC 99 ABBA oder Abba Put on your white sombrero MSC 00 ABBA oder Abba S.O.S. MSC 00 ABBA oder Abba Slipping through my fingers MF 11 Abel Ademloos MF 05 Abel Onderweg MF 02 Abel, Morten The Birmingham Ho OGAEVC 04 Abi 93 Lauf, Siggi, lauf MSC 95 Abrahamsen, Jannicke Rocket ride MF 08 Abreu, Anna Perdone-me MF 09 Academia Operación Triunfo Mi música es tu voz MF 02 Acapella Army of the Lord MSC 00 Ace of Base Black Sea MF 11 Adam Yachad na'amod SCC 91 Adams, Oleta Get here MSC 98 Adele Set fire to the rain MF 11 Adele Someone like you OGAESC 11 Adini, Dana & Salomon, Daniel Rabot hadrachim MF 08 Adler, Ines Ich war so lange nicht verliebt MF 11 Adomaitis, Linas Floating to you SCC 11 Adoro Horizont MF 11 Adrian, Benedicte & Ingrid oder Björnov Kanskje i morgen OGAESC 00 After Dark (Åh) När ni tar saken i egna händer MF 07 Agnes Release me MF 10 Aguilar, Feddy Anak MSC 98 Aharoni, Chen Or SCC 11 Aika Stay SCC 02 Aikakone Alla vaahterapuun OGAESC 96 Ainbrusk Singers Lassie OGAESC 91 Ainhoa Mi razón de vivir SCC 03 Air & Hardy, Françoise oder Francoise Jeanne MSC 99 Airport Impressions Freedom OGAESC 11 Åkerström, C.-S.
    [Show full text]
  • The Source and Action of Immunoglobulins in the Dog Intestine
    2i .j.")-¡, THE SOURCE AND ACT]ON OF IMMUNOGLOBULINS IN THE DOG INTESTINE by Robent John Heddle, M.8., B.S ) Depantment of Micnobioì-ogy, Univensity of Adelaide Thesis submitted fon the degnee of Docton of Philosophy, Univensity of Adelaide Apni 1 19 76 ',t ,,'," :.1'. TABLE OF CONTENTS Page SUI"O4ARY I DECLARATION t-l-l ACKNOV,ILEDGEMENTS IV CHAPTER I INTRODUCTION I A The Impontance of Host-panasite Intenactions and of Othen Events at Mucous Membnanes in Continuity with the External Envinonment t B Evidence that Pnevious Expenience of a (Potential) Pathogen Can Prevent Disease Attnibutable to trl,ocalrt Infecti.on by that Pathogen 2 Development of the Concept of the Local- Immune System 4 7 The poo:r cornelation of senum and secnetory antibody titnes and of serum antibody titnes and local- immunity 4 2 The isol-ation of IgA and the demonstration of its abundance in a chanactenistic fonm in rrextennal secnetionstl 5 rrsecretony D The Present Concept of the IgA Systemrr 7 t Synthesis of IgA 7 2 The secretion of IgA 7t 3 Resistance to pnoteolysis of sec::etony IgA T2 4 Actiwities of secnetony IgA antibodies against micro-o:rganisms 16 5 Majon deficiencies in pnesent knowledge of the rrsecr.etony IgA system. rl 19 .t Roles of Antibodies of othen Classes and of Antibody Fnagments in Extennal Secnetions 22 7 (and 2.) Synthesis and secnetion 22 3 Susceptibility to pnoteolYsis 2B 4 Antibactenial activities 28 5 ltre antibactenial activities of antibody fnagments 30 Table of Contents (Cont. ) Page F Aims of the Study 30 I Oniginal aims 30 2 [Í¡dification of the oniginal aims 32 G Cholena as a Mode1 Disease 33 t The localised natune of the human and (selected) model diseases 33 rrantibacter- 2 The natur-e of ímmunity to cholena - ial-rt on rrantitoxicrr 34 3 The infant mouse cholena nodel 36 4 Penspectives on cholera as a model fon the nol-e of immunity in a localised bactenial infection of the gut 37 5 Cell mediated immunity and choler-a 38 H The rrsecnetony IgA Systemrr of the Dog 3B CHAPTER II MATERIALS AND METHODS 39 A.
    [Show full text]
  • Lesbian Camp 02/07
    SQS Bespectacular and over the top. On the genealogy of lesbian camp 02/07 Annamari Vänskä 66 In May 2007, the foundations of the queer Eurovision world seemed to shake once again as Serbia’s representative, Queer Mirror: Perspectives Marija Šerifović inspired people all over Europe vote for her and her song “Molitva”, “Prayer”. The song was praised, the singer, daughter of a famous Serbian singer, was hailed, and the whole song contest was by many seen in a new light: removed from its flamboyantly campy gay aesthetics which seems to have become one of the main signifiers of the whole contest in recent decades. As the contest had al- ready lost the Danish drag performer DQ in the semi finals, the victory of Serbia’s subtle hymn-like invocation placed the whole contest in a much more serious ballpark. With “Molitva” the contest seemed to shrug off its prominent gay appeal restoring the contest to its roots, to the idea of a Grand Prix of European Song, where the aim has been Marija Šerifović’s performance was said to lack camp and restore the to find the best European pop song in a contest between contest to its roots, to the idea of a Grand Prix of European Song. different European nations. The serious singer posed in masculine attire: tuxedo, white riosity was appeased: not only was Šerifović identified as shirt, loosely hanging bow tie and white sneakers, and was a lesbian but also as a Romany person.1 Šerifović seemed surrounded by a chorus of five femininely coded women.
    [Show full text]
  • Zhuk Outcover.Indd
    The Carl Beck Papers in Russian & East European Studies Sergei I. Zhuk Number 1906 Popular Culture, Identity, and Soviet Youth in Dniepropetrovsk, 1959–84 The Carl Beck Papers in Russian & East European Studies Number 1906 Sergei I. Zhuk Popular Culture, Identity, and Soviet Youth in Dniepropetrovsk, 1959–84 Sergei I. Zhuk is Associate Professor of Russian and East European History at Ball State University. His paper is part of a new research project, “The West in the ‘Closed City’: Cultural Consumption, Identities, and Ideology of Late Socialism in Soviet Ukraine, 1964–84.” Formerly a Professor of American History at Dniepropetrovsk University in Ukraine, he completed his doctorate degree in Russian History at the Johns Hopkins University in 2002 and recently published Russia’s Lost Reformation: Peasants, Millennialism, and Radical Sects in Southern Russia and Ukraine, 1830–1917 (2004). No. 1906, June 2008 © 2008 by The Center for Russian and East European Studies, a program of the University Center for International Studies, University of Pittsburgh ISSN 0889-275X Image from cover: Rock performance by Dniepriane near the main building of Dniepropetrovsk University, August 31, 1980. Photograph taken by author. The Carl Beck Papers Editors: William Chase, Bob Donnorummo, Ronald H. Linden Managing Editor: Eileen O’Malley Editorial Assistant: Vera Dorosh Sebulsky Submissions to The Carl Beck Papers are welcome. Manuscripts must be in English, double-spaced throughout, and between 40 and 90 pages in length. Acceptance is based on anonymous review. Mail submissions to: Editor, The Carl Beck Papers, Center for Russian and East European Studies, 4400 Wesley W. Posvar Hall, University of Pittsburgh, Pittsburgh, PA 15260.
    [Show full text]
  • Resisting Foreign State Propaganda in the New Information Environment: the Case of the EU, Russia, and the Eastern Partnership Countries ISBN 978-9934-8536-9-2
    RESISTING FOREIGN STATE PROPAGANDA IN THE NEW INFORMATION ENVIRONMENT: THE CASE OF THE EU, RUSSIA, AND THE EASTERN PARTNERSHIP COUNTRIES ISBN 978-9934-8536-9-2 UDK 32.019.5 Re708 This publication is a part of the project “Resisting state propaganda in the new information environment: The case of EU member states and EU Eastern Partnership states vis-à-vis the Russian Federation publication/re- search” organised by the Foundation for European Pro- gressive Studies (FEPS) with the support of Brīvības un Solidaritātes Fonds (BSF). RESISTING FOREIGN STATE PROPAGANDA IN THE NEW INFORMATION ENVIRONMENT: THE CASE OF THE EU, RUSSIA, AND THE EASTERN PARTNERSHIP COUNTRIES Table of contents Foreword Dr. Ernst Stetter 11 Foreword Ervins Labanovskis 17 PART I: INCREASING RESISTANCE TO PROPAGANDA WITHIN THE EU Countering propaganda in Europe: Responses and options Ben Nimmo 23 The role of national strategic narrative in raising resilience to hostile foreign propaganda in European societies Māris Cepurītis 39 Increasing the resistance of democratic states to hostile foreign propaganda— what is the right recipe? Elīna Lange-Ionatamišvili 52 The Audiovisual Media Services Directive and propaganda Andris Mellakauls 71 7 Key findings of the EED’s Feasibility PART III: THE VIEW FROM Study on independent Russian- THE EASTERN PARTNERSHIP COUNTRIES language media initiatives in the Eastern Partnership and beyond Farther from Russky Mir, Jerzy Pomianowski 89 Closer to the West Tamar Kintsurashvili 173 PART II: THE VIEW FROM THE BALTIC STATES Russian propaganda
    [Show full text]
  • Reform and Human Rights the Gorbachev Record
    100TH-CONGRESS HOUSE OF REPRESENTATIVES [ 1023 REFORM AND HUMAN RIGHTS THE GORBACHEV RECORD REPORT SUBMITTED TO THE CONGRESS OF THE UNITED STATES BY THE COMMISSION ON SECURITY AND COOPERATION IN EUROPE MAY 1988 Printed for the use of the Commission on Security and Cooperation in Europe U.S. GOVERNMENT PRINTING OFFICE WASHINGTON: 1988 84-979 = For sale by the Superintendent of Documents, Congressional Sales Office U.S. Government Printing Office, Washington, DC 20402 COMMISSION ON SECURITY AND COOPERATION IN EUROPE STENY H. HOYER, Maryland, Chairman DENNIS DeCONCINI, Arizona, Cochairman DANTE B. FASCELL, Florida FRANK LAUTENBERG, New Jersey EDWARD J. MARKEY, Massachusetts TIMOTHY WIRTH, Colorado BILL RICHARDSON, New Mexico WYCHE FOWLER, Georgia EDWARD FEIGHAN, Ohio HARRY REED, Nevada DON RITTER, Pennslyvania ALFONSE M. D'AMATO, New York CHRISTOPHER H. SMITH, New Jersey JOHN HEINZ, Pennsylvania JACK F. KEMP, New York JAMES McCLURE, Idaho JOHN EDWARD PORTER, Illinois MALCOLM WALLOP, Wyoming EXECUTIvR BRANCH HON. RICHARD SCHIFIER, Department of State Vacancy, Department of Defense Vacancy, Department of Commerce Samuel G. Wise, Staff Director Mary Sue Hafner, Deputy Staff Director and General Counsel Jane S. Fisher, Senior Staff Consultant Michael Amitay, Staff Assistant Catherine Cosman, Staff Assistant Orest Deychakiwsky, Staff Assistant Josh Dorosin, Staff Assistant John Finerty, Staff Assistant Robert Hand, Staff Assistant Gina M. Harner, Administrative Assistant Judy Ingram, Staff Assistant Jesse L. Jacobs, Staff Assistant Judi Kerns, Ofrice Manager Ronald McNamara, Staff Assistant Michael Ochs, Staff Assistant Spencer Oliver, Consultant Erika B. Schlager, Staff Assistant Thomas Warner, Pinting Clerk (11) CONTENTS Page Summary Letter of Transmittal .................... V........................................V Reform and Human Rights: The Gorbachev Record ................................................
    [Show full text]
  • Russian Content Revolution Set to Shake up Mipcom 2017
    16-19 October 2017, Palais des Festivals, Cannes, France Press Release RUSSIAN CONTENT REVOLUTION SET TO SHAKE UP MIPCOM 2017 PREMIERE DRAMA AND ANIMATION SCREENINGS TO REVEAL NEW VITALITY FROM RUSSIA Paris, 4 October 2017 – A century after the October Revolution in Russia, the Russian Content Revolution is taking place and will be in the spotlight at MIPCOM 2017. World Premiere Screenings, a series of International Screenings, conferences and networking opportunities will bring fresh high-end content from Russia to the attention of global TV industry. “This autumn marks the 100th anniversary of the Russian Revolution. Two of its protagonists were Lenin and Trotsky. Channel One will showcase on this occasion the docu-drama about Lenin based on previously-unseen archives, while Trotsky will be presented to audiences as the hero of a drama series,” said Konstantin Ernst, CEO of Channel One Russia, producer of the series “Trotsky”. The World Premiere Screening of “Trotsky”, presented by Channel One and Sreda Production, will be the flagship event of the Russian Content Revolution showcase. Its creators hope the series will be an international hit due to its high production values, compelling script, and its complex lead character. “Leon Trotsky was the real mastermind and executive of the October upheaval, virtually its producer. He is an international star of the last 100 years, a real pop-icon, a man of great achievements, who met a tragic fate. Our series is the first drama dedicated to Trotsky in the history of Russia, so we hope to rouse both Russian and international audiences’ interest in this project,” added Ernst.
    [Show full text]
  • S:\FULLCO~1\HEARIN~1\Committee Print 2018\Henry\Jan. 9 Report
    Embargoed for Media Publication / Coverage until 6:00AM EST Wednesday, January 10. 1 115TH CONGRESS " ! S. PRT. 2d Session COMMITTEE PRINT 115–21 PUTIN’S ASYMMETRIC ASSAULT ON DEMOCRACY IN RUSSIA AND EUROPE: IMPLICATIONS FOR U.S. NATIONAL SECURITY A MINORITY STAFF REPORT PREPARED FOR THE USE OF THE COMMITTEE ON FOREIGN RELATIONS UNITED STATES SENATE ONE HUNDRED FIFTEENTH CONGRESS SECOND SESSION JANUARY 10, 2018 Printed for the use of the Committee on Foreign Relations Available via World Wide Web: http://www.gpoaccess.gov/congress/index.html U.S. GOVERNMENT PUBLISHING OFFICE 28–110 PDF WASHINGTON : 2018 For sale by the Superintendent of Documents, U.S. Government Publishing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2104 Mail: Stop IDCC, Washington, DC 20402–0001 VerDate Mar 15 2010 04:06 Jan 09, 2018 Jkt 000000 PO 00000 Frm 00001 Fmt 5012 Sfmt 5012 S:\FULL COMMITTEE\HEARING FILES\COMMITTEE PRINT 2018\HENRY\JAN. 9 REPORT FOREI-42327 with DISTILLER seneagle Embargoed for Media Publication / Coverage until 6:00AM EST Wednesday, January 10. COMMITTEE ON FOREIGN RELATIONS BOB CORKER, Tennessee, Chairman JAMES E. RISCH, Idaho BENJAMIN L. CARDIN, Maryland MARCO RUBIO, Florida ROBERT MENENDEZ, New Jersey RON JOHNSON, Wisconsin JEANNE SHAHEEN, New Hampshire JEFF FLAKE, Arizona CHRISTOPHER A. COONS, Delaware CORY GARDNER, Colorado TOM UDALL, New Mexico TODD YOUNG, Indiana CHRISTOPHER MURPHY, Connecticut JOHN BARRASSO, Wyoming TIM KAINE, Virginia JOHNNY ISAKSON, Georgia EDWARD J. MARKEY, Massachusetts ROB PORTMAN, Ohio JEFF MERKLEY, Oregon RAND PAUL, Kentucky CORY A. BOOKER, New Jersey TODD WOMACK, Staff Director JESSICA LEWIS, Democratic Staff Director JOHN DUTTON, Chief Clerk (II) VerDate Mar 15 2010 04:06 Jan 09, 2018 Jkt 000000 PO 00000 Frm 00002 Fmt 5904 Sfmt 5904 S:\FULL COMMITTEE\HEARING FILES\COMMITTEE PRINT 2018\HENRY\JAN.
    [Show full text]
  • Pdf Liste Totale Des Chansons
    40ú Comórtas Amhrán Eoraifíse 1995 Finale - Le samedi 13 mai 1995 à Dublin - Présenté par : Mary Kennedy Sama (Seule) 1 - Pologne par Justyna Steczkowska 15 points / 18e Auteur : Wojciech Waglewski / Compositeurs : Mateusz Pospiezalski, Wojciech Waglewski Dreamin' (Révant) 2 - Irlande par Eddie Friel 44 points / 14e Auteurs/Compositeurs : Richard Abott, Barry Woods Verliebt in dich (Amoureux de toi) 3 - Allemagne par Stone Und Stone 1 point / 23e Auteur/Compositeur : Cheyenne Stone Dvadeset i prvi vijek (Vingt-et-unième siècle) 4 - Bosnie-Herzégovine par Tavorin Popovic 14 points / 19e Auteurs/Compositeurs : Zlatan Fazlić, Sinan Alimanović Nocturne 5 - Norvège par Secret Garden 148 points / 1er Auteur : Petter Skavlan / Compositeur : Rolf Løvland Колыбельная для вулкана - Kolybelnaya dlya vulkana - (Berceuse pour un volcan) 6 - Russie par Philipp Kirkorov 17 points / 17e Auteur : Igor Bershadsky / Compositeur : Ilya Reznyk Núna (Maintenant) 7 - Islande par Bo Halldarsson 31 points / 15e Auteur : Jón Örn Marinósson / Compositeurs : Ed Welch, Björgvin Halldarsson Die welt dreht sich verkehrt (Le monde tourne sens dessus dessous) 8 - Autriche par Stella Jones 67 points / 13e Auteur/Compositeur : Micha Krausz Vuelve conmigo (Reviens vers moi) 9 - Espagne par Anabel Conde 119 points / 2e Auteur/Compositeur : José Maria Purón Sev ! (Aime !) 10 - Turquie par Arzu Ece 21 points / 16e Auteur : Zenep Talu Kursuncu / Compositeur : Melih Kibar Nostalgija (Nostalgie) 11 - Croatie par Magazin & Lidija Horvat 91 points / 6e Auteur : Vjekoslava Huljić
    [Show full text]