ƒÓÓ„Ë ‰ÛÁ¸ˇ! Dear friends! ŒÚ ËÏÂÌË ÃËÌËÒÚÂÒÚ‚‡ ÍÛθÚÛ˚ Ë Ï‡ÒÒÓ‚˚ı On behalf of the Ministry of Culture and Mass ÍÓÏÏÛÌË͇ˆËÈ –ÓÒÒËÈÒÍÓÈ ‘‰‡ˆËË Communications of the Russian Federation I ÔË‚ÂÚÒÚ‚Û˛ ‚ÒÂı Û˜‡ÒÚÌËÍÓ‚ Ë „ÓÒÚÂÈ XVIII welcome all participants and visitors of the 18th ŒÚÍ˚ÚÓ„Ó ÓÒÒËÈÒÍÓ„Ó ÍËÌÓÙÂÒÚË‚‡Îˇ Open Russian Film Festival ´Kinotavrª! ´üËÌÓÚ‡‚ª! This annual event is an integral part of our ≈„Ó ÂÊ„ӉÌÓ Ôӂ‰ÂÌË ˇ‚ΡÂÚÒˇ ÌÂÓÚ˙ÂÏÎÂÏÓÈ State policy on the support of the national ˜‡ÒÚ¸˛ „ÓÒÛ‰‡ÒÚ‚ÂÌÌÓÈ ÔÓÎËÚËÍË ÔÓ ÔÓ‰‰ÂÊÍ cinema. ´Kinotavrª can, without exaggeration, ÓÚ˜ÂÒÚ‚ÂÌÌÓ„Ó ÍËÌÂχÚÓ„‡Ù‡. ´üËÌÓÚ‡‚ª be called the most anticipated event in the ÏÓÊÌÓ ·ÂÁ ÔÂÛ‚Â΢ÂÌˡ ̇Á‚‡Ú¸ Ò‡Ï˚Ï Russian film-season. For the 17 years of its ÓÊˉ‡ÂÏ˚Ï ÒÓ·˚ÚËÂÏ ÓÒÒËÈÒÍÓ„Ó ÍËÌÓÒÂÁÓ̇. «‡ existence this main national cinema event has ÒÂÏ̇‰ˆ‡Ú¸ ÎÂÚ Ò‚ÓÂ„Ó ÒÛ˘ÂÒÚ‚Ó‚‡Ìˡ „·‚Ì˚È gained a strong position, both in the Russian ̇ˆËÓ̇θÌ˚È ÍËÌÓÒÏÓÚ Á‡‚Ó‚‡Î ÔÓ˜Ì˚È film world and abroad. ‡‚ÚÓËÚÂÚ, Í‡Í ‚ ÓÒÒËÈÒÍÓÈ The festival is developing fast, becoming more ÍËÌÂχÚÓ„‡Ù˘ÂÒÍÓÈ Ò‰Â, Ú‡Í Ë ‚ Á‡Û·ÂÊÌÓÈ. dynamic and alive, saturated and informative. ‘ÂÒÚË‚‡Î¸ ÒÚÂÏËÚÂθÌÓ ‡Á‚Ë‚‡ÂÚÒˇ, ÒÚ‡ÌÓ‚ˇÒ¸ The success of festival films among Russian ·ÓΠ‰Ë̇Ï˘Ì˚Ï Ë ÊË‚˚Ï, ̇Ò˚˘ÂÌÌ˚Ï Ë audiences once again confirms that there is a ËÌÙÓχÚË‚Ì˚Ï. ”ÒÔÂı ÙÂÒÚË‚‡Î¸ÌÓ„Ó ÍËÌÓ Û ´noncommercialª spectator in the country who ÓÒÒËÈÒÍÓÈ ÔÛ·ÎËÍË Î˯ÌËÈ ‡Á ÔÓ‰Ú‚Âʉ‡ÂÚ desperately needs good cinema. Wholeheartedly, ÚÓÚ Ù‡ÍÚ, ˜ÚÓ ‚ Òڇ̠ÂÒÚ¸ ´ÌÂÍÓÏϘÂÒÍËȪ I wish all the visitors and participants of the 1 ÁËÚÂθ, ÍÓÚÓ˚È ÓÒÚÓ ÌÛʉ‡ÂÚÒˇ ‚ ıÓÓ¯ÂÏ festival new creative and professional ÍËÌÓ. » ˇ ÓÚ ‚ÒÂÈ ‰Û¯Ë Ê·˛ „ÓÒÚˇÏ Ë discoveries. I wish the competition films a Û˜‡ÒÚÌËÍ‡Ï ÙÂÒÚË‚‡Îˇ ÌÓ‚˚ı ÓÚÍ˚ÚËÈ, sparkling and long life on the screens of the Ú‚Ó˜ÂÒÍËı Ë ÔÓÙÂÒÒËÓ̇θÌ˚ı, ÍÓÌÍÛÒÌ˚Ï country. And I wish the organizers success and ͇ÚËÌ‡Ï ñ ˇÍÓÈ Ë ÔÓ‰ÓÎÊËÚÂθÌÓÈ ÊËÁÌË recognition during the festival. ̇ ˝Í‡Ì‡ı ÒÚ‡Ì˚, ‡ Ëı ÒÓÁ‰‡ÚÂÎˇÏ ñ Û‰‡˜Ë Ë ÔËÁ̇Ìˡ ̇ ÙÂÒÚË‚‡ÎÂ. With best regards, Minister of Culture and Mass Communications — ̇ËÎÛ˜¯ËÏË ÔÓÊ·ÌˡÏË, of the Russian Federation ÃËÌËÒÚ ÍÛθÚÛ˚ Ë Ï‡ÒÒÓ‚˚ı A. S. Sokolov ÍÓÏÏÛÌË͇ˆËÈ –ÓÒÒËÈÒÍÓÈ ‘‰‡ˆËË ¿. —. —ÓÍÓÎÓ‚.
ƒÓÓ„Ë ‰ÛÁ¸ˇ! Dear friends! ŒÚ ËÏÂÌË ‘‰‡θÌÓ„Ó ‡„ÂÌÚÒÚ‚‡ ÔÓ ÍÛθÚÛ On behalf of the Federal Agency of Culture and Ë ÍËÌÂχÚÓ„‡ÙËË ÔÓÁ‰‡‚Ρ˛ ‚ÒÂı Ò Ì‡˜‡ÎÓÏ Cinematography I congratulate you on the start ‡·ÓÚ˚ XVIII ŒÚÍ˚ÚÓ„Ó ÓÒÒËÈÒÍÓ„Ó of the 18th Open Russian Film Festival ÍËÌÓÙÂÒÚË‚‡Îˇ ´üËÌÓÚ‡‚ª. ´Kinotavrª. »Á „Ó‰‡ ‚ „Ó‰ ÙÂÒÚË‚‡Î¸ ‡‰ÛÂÚ ÁËÚÂÎÂÈ Ë Year after year the festival delights audiences ÍËÌÂχÚÓ„‡Ù˘ÂÒÍÛ˛ Ó·˘ÂÒÚ‚ÂÌÌÓÒÚ¸ ÌÓ‚˚ÏË and the cinematic community with new ÓÚÍ˚ÚˡÏË. ¬ Ôӯ‰¯ÂÏ „Ó‰Û Î‡Û‡Ú˚ discoveries. The winners of last yearís ´üËÌÓÚ‡‚‡ª ÚËÛÏهθÌÓ ‚˚ÒÚÛÔËÎË Ì‡ ´Kinotavrª triumphed at the biggest ÍÛÔÌÂȯËı ÏÂʉÛ̇ӉÌ˚ı ÍËÌÓÙÂÒÚË‚‡Îˇı, international film festivals, garnering numerous Á‡‚Ó‚‡‚ ÏÌÓÊÂÒÚ‚Ó ÔÂÒÚËÊÌ˚ı ̇„‡‰ Ë prestigious awards and prizes. This bears ÔÂÏËÈ. ›ÚÓ Ò‚Ë‰ÂÚÂθÒÚ‚ÛÂÚ Ó ÚÓÏ, ˜ÚÓ evidence to the fact that ´Kinotavrª shows films ´üËÌÓÚ‡‚ª ‰ÂÏÓÌÒÚËÛÂÚ Ò‡ÏÓ ͇˜ÂÒÚ‚ÂÌÌÓÂ Ë of great quality and talent; it defines trends in ڇ·ÌÚÎË‚Ó ÍËÌÓ, ÓÔ‰ÂΡÂÚ ÚẨÂ̈ËË the cinematic developments, opens urgent issues ‡Á‚ËÚˡ ÍËÌÂχÚÓ„‡Ù‡, ‚˚ÌÓÒËÚ Ì‡ of creativity and industry to professional ÔÓÙÂÒÒËÓ̇θÌÓ ӷÒÛʉÂÌË ̇˷ÓΠdiscussion, and helps in building a favorable ‡ÍÚۇθÌ˚ ‚ÓÔÓÒ˚ Ú‚Ó˜ÂÒÚ‚‡ Ë Ë̉ÛÒÚËË, climate for the development of Russian film art. ÒÔÓÒÓ·ÒÚ‚ÛÂÚ ÛÍÂÔÎÂÌ˲ ·Î‡„ÓÔˡÚÌÓ„Ó ÍÎËχڇ Wholeheartedly, I wish the organizers of ‰Îˇ ‡Á‚ËÚˡ ÓÚ˜ÂÒÚ‚ÂÌÌÓ„Ó ÍËÌÓËÒÍÛÒÒÚ‚‡. ´Kinotavrª continuing success in their fruitful ŒÚ ‚ÒÂÈ ‰Û¯Ë Ê·˛ Ó„‡ÌËÁ‡ÚÓ‡Ï activity. I wish victories to the participants of ´üËÌÓÚ‡‚‡ª ‰‡Î¸ÌÂȯÂÈ ÔÎÓ‰ÓÚ‚ÓÌÓÈ the festival, and a good mood through the ‰ÂˇÚÂθÌÓÒÚË, Û˜‡ÒÚÌËÍ‡Ï ÙÂÒÚË‚‡Îˇ ñ Ôӷ‰, ‡ encounters with good cinema to the spectators. ÁËÚÂÎˇÏ ñ ÔÂ͇ÒÌÓ„Ó Ì‡ÒÚÓÂÌˡ ÓÚ ‚ÒÚ˜ Ò ıÓÓ¯ËÏË ÙËθχÏË. M.E. Shvydkoi Head of the Federal Agency for Culture and Ã.≈. ÿ‚˚‰ÍÓÈ Cinematography –ÛÍÓ‚Ó‰ËÚÂθ ‘‰‡θÌÓ„Ó ‡„ÂÌÚÒÚ‚‡ ÔÓ ÍÛθÚÛÂ Ë ÍËÌÂχÚÓ„‡ÙËË ƒÓÓ„Ë ‰ÛÁ¸ˇ! Dear friends! ´üËÌÓÚ‡‚ª ñ ˝ÚÓ Ì ÚÓθÍÓ ÙÂÒÚË‚‡Î¸, ÌÓ Ë ´Kinotavrª is not only a festival, but also sea, ÏÓÂ, ÒÓÎ̈Â, üÛ·‡Ì¸! ŒÚ‡‰ÌÓ, ˜ÚÓ ‚ÓÚ ÛÊ sun, and Kuban! It is a pleasure that for 18 ‚ÓÒÂÏ̇‰ˆ‡Ú¸ ÎÂÚ Ï˚ „Ó‚ÓËÏ ´üËÌÓÚ‡‚ª ñ years that we mean Sochi when we say ÔÓ‰‡ÁÛÏ‚‡ÂÏ —Ó˜Ë! »ÏÂÌÌÓ ´üËÌÓÚ‡‚ÓϪ ‚ ´Kinotavrª! ´Kinotavrª in Russiaís prime ÍÛÓÚÌÓÈ ÒÚÓÎˈ –ÓÒÒËË ÓÚÍ˚‚‡ÂÚÒˇ holiday resort opens the real southern summer! ̇ÒÚÓˇ˘Â ˛ÊÌÓ ÎÂÚÓ! On the Kuban the attitude to national cinema Õ‡ üÛ·‡ÌË ÓÚÌÓ¯ÂÌËÂ Í ÍËÌÂχÚÓ„‡ÙÛ Ë Â„Ó and its best examples has always been a special ÎÛ˜¯ËÏ ÓÚ˜ÂÒÚ‚ÂÌÌ˚Ï Ó·‡Áˆ‡Ï ‚Ò„‰‡ ·˚ÎÓ one. The people from the Kuban loved and ÓÒÓ·ÓÂ. üÛ·‡Ìˆ˚ β·ËÎË Ë ÔÓ‰ÓÎʇ˛Ú β·ËÚ¸ continue to love our cinema. Going by the ̇¯Â ÍËÌÓ. » Ò‡Ï Í‡È ÔÓ ÍÓ΢ÂÒÚ‚Û number of films shot here, the region risks t ÓÚÒÌˇÚ˚ı Á‰ÂÒ¸ ÎÂÌÚ ËÒÍÛÂÚ Ô‚‡ÚËÚ¸Òˇ ‚ become one big film set. Ó‰ÌÛ ·Óθ¯Û˛ Ò˙ÂÏÓ˜ÌÛ˛ ÔÎÓ˘‡‰ÍÛ. Our festival is deservedly recognized as one of Õ‡¯ ÙÂÒÚË‚‡Î¸ Á‡ÒÎÛÊÂÌÌÓ ÔËÁÌ‡Ì Ó‰ÌËÏ ËÁ the most popular and representative ìcinema Ò‡Ï˚ı ÔÓÔÛΡÌ˚ı Ë Ô‰ÒÚ‡‚ËÚÂθÌ˚ı reviewsî in the country. It not only prides itself ´ÒÏÓÚÓ‚ ÍËÌÓËÒÍÛÒÒÚ‚‡ª ‚ ÒÚ‡ÌÂ. ŒÌ Ì ÚÓθÍÓ with an inexpressible atmosphere of creativity, Ò·‚ËÚÒˇ ÌÂÔ‰‡‚‡ÂÏÓÈ ‡ÚÏÓÒÙÂÓÈ Ú‚Ó˜ÂÒÚ‚‡, remarkable premieres, meetings with the masters Á‡Ï˜‡ÚÂθÌ˚ÏË ÔÂϸ‡ÏË, ‚ÒÚ˜‡ÏË Ò of cinema and young ´starsª, but it also sets in χÒÚ‡ÏË ÍËÌÓ Ë ÏÓÎÓ‰˚ÏË ´Á‚ÂÁ‰‡Ï˪, ÌÓ Ë ‚Ó many respects the tone for other film festivals. ÏÌÓ„ÓÏ Á‡‰‡ÂÚ ÚÓÌ ‰Û„ËÏ ÍËÌÓÙÂÒÚË‚‡ÎˇÏ. However, most importantly ´Kinotavrª is Œ‰Ì‡ÍÓ Ò‡ÏÓ „·‚ÌÓ ñ ´üËÌÓÚ‡‚ª ÔÓ- genuinely interesting and vital for the ̇ÒÚÓˇ˘ÂÏÛ ËÌÚÂÂÒÂÌ Ë ÌÛÊÂÌ ÁËÚÂΡÏ! spectators! ¬Â˛, ˜ÚÓ Ì˚̯ÌËÈ ÙÂÒÚË‚‡Î¸ ÔÓȉÂÚ Ì ÏÂÌ I believe that the present festival will be no less ÛÒÔ¯ÌÓ, ˜ÂÏ ‚Ò Ô‰˚‰Û˘Ë ´üËÌÓÚ‡‚˚ª Ë successful than all the previous ´Kinotavrsª and 2 ÓÚÍÓÂÚ Ì‡ Ì·ÓÒÍÎÓÌ ÍËÌÓ ÌÓ‚˚ Á‚ÂÁ‰˚. will discover new stars in the cinematic skies. ŒÚ ‚ÒÂÈ ‰Û¯Ë Ê·˛ Û˜‡ÒÚÌËÍ‡Ï XVIII From the bottom of my heart I wish the ŒÚÍ˚ÚÓ„Ó ÓÒÒËÈÒÍÓ„Ó ÙÂÒÚË‚‡Îˇ ´üËÌÓÚ‡‚ª participants of the 18th Open Russian Festival Ú‚Ó˜ÂÒÍÓÈ Ë ÔÎÓ‰ÓÚ‚ÓÌÓÈ ‡·ÓÚ˚, ‰ÂÎÓ‚˚ı ´Kinotavrª creative and fruitful work, good ‚ÒÚ˜ Ë ÔˡÚÌÓ„Ó ÓÚ‰˚ı‡! business meetings and a pleasant rest!
¿.Õ. “͇˜Â‚ ¿.N. Tkachiov √·‚‡ ‡‰ÏËÌËÒÚ‡ˆËË ü‡ÒÌÓ‰‡ÒÍÓ„Ó Í‡ˇ Head of Administration of the Krasnodar Region
¬ 2006 „Ó‰Û ‚ ÔÓ„‡ÏÏÛ ü»ÕŒ“¿¬–¿ Û‰‡ÎÓÒ¸ In 2006 we could include in the programme of ÓÚÓ·‡Ú¸ ̇ ۉ˂ÎÂÌË ÏÌÓ„Ó ÔÂϸÂÌ˚ı ÙËθÏÓ‚. KINOTAVR surprisingly many film premieres. ‘ËθÏÓ‚, ‡ÒÒ˜ËÚ‡ÌÌ˚ı ̇ β·ËÚÂÎÂÈ Ë ˆÂÌËÚÂÎÂÈ Films made for film fans and for those who appreciate ÍËÌÓˇÁ˚͇. film language. ‘ËθÏÓ‚ ‡ÁÌ˚ı ʇÌÓ‚ Ë ‰Ë‡ÏÂڇθÌÓ Films of different genres and contrasting styles. ÔÓÚË‚ÓÔÓÎÓÊÌ˚ı ÒÚËÎÂÈ. It was possible to compile a competition program ”‰‡ÎÓÒ¸ ÒÓ·‡Ú¸ ÍÓÌÍÛÒÌÛ˛ ÔÓ„‡ÏÏÛ ·ÂÁ ÌÓ‚˚ı without new Russian ìblockbustersî. They were shown ÓÒÒËÈÒÍËı ´·ÎÓÍ·‡ÒÚÂÓ‚ª. ŒÌË ·˚ÎË ÔÓ͇Á‡Ì˚ to thousands of spectators on the square in front of Ú˚Òˇ˜‡Ï ÁËÚÂÎÂÈ Ì‡ ÔÎÓ˘‡‰Ë Ô‰ «ËÏÌËÏ the Winter Theatre, probably very much how Ú‡ÚÓÏ. ü‡Í, ‚ÂÓˇÚÌÓ, Ë ıÓÚÂÎÓÒ¸ Ëı ÒÓÁ‰‡ÚÂΡÏ. producers and creators would have wanted it. »Á ÔÓ„‡ÏÏ˚ ü»ÕŒ“¿¬–¿ Ô‡ÍÚ˘ÂÒÍË ‚Ò Practically all the winners from KINOTAVR have been ÙËθÏ˚-Ôӷ‰ËÚÂÎË ·˚ÎË ÓÚÓ·‡Ì˚ ÍÛÔÌÂȯËÏË selected by the big international film festivals: ÏÂʉÛ̇ӉÌ˚ÏË ÍËÌÓÙÂÒÚË‚‡ÎˇÏË: ´œÂ„Ó̪ Ë ìTransitî and ìThe Spotî by Karlovy Vary, ´“Ә͇ª ñ ü‡ÎÓ‚˚ÏË ¬‡‡ÏË, ´›ÈÙÓˡª, ìEuphoriaî, ìFree Floatingî, ìThe Islandî by Venice, ´—‚Ó·Ó‰ÌÓ Ô·‚‡Ì˪, ´ŒÒÚÓ‚ª ñ ¬Â̈ËÂÈ, ìPlaying the Victimî by Rome, ìThe Man without ´»ÁÓ·‡Ê‡ˇ ÊÂÚ‚Ûª ñ –ËÏÓÏ, ´◊ÂÎÓ‚ÂÍ Returnî by Rotterdam. ·ÂÁ‚ÓÁ‚‡ÚÌ˚Ȫ ñ –ÓÚÚ‰‡ÏÓÏ. During the festival there were many press conferences, Õ‡ ÙÂÒÚË‚‡Î ·˚ÎÓ ÏÌÓ„Ó ÔÂÒÒ-ÍÓÌÙÂÂ̈ËÈ, discussions and disputes. ‰ËÒÍÛÒÒËÈ Ë ÒÔÓÓ‚. It is for this purpose that KINOTAVR exits. ƒÎˇ ˝ÚÓ„Ó Ë ÒÛ˘ÂÒÚ‚ÛÂÚ ü»ÕŒ“¿¬–. In 2007 the agenda is the much same: film premieres, ¬ 2007 „Ó‰Û ÔÓ‚ÂÒÚ͇ ‰Ìˇ Ú‡ ÊÂ: ÔÂϸÂÌ˚ a lot of debuts, an accent on the creative approach and ÙËθÏ˚, ÏÌÓ„Ó ‰Â·˛ÚÓ‚, ‡ÍˆÂÌÚ Ì‡ Ú‚Ó˜ÂÒÍËı new searches. ¯ÂÌˡı Ë ÔÓËÒ͇ı. Russian directors, scriptwriters, producers, directors of –ÓÒÒËÈÒÍË ÂÊËÒÒÂ˚, ÒˆÂ̇ËÒÚ˚, ÔÓ‰˛ÒÂ˚, photography and actors ñ everyone who makes modern ÓÔ‡ÚÓ˚ Ë ‡ÍÚÂ˚ ñ ‚ÒÂ, ÍÚÓ ‰Â·ÂÚ ÒÓ‚ÂÏÂÌÌÓ Russian cinema and composes what is called the ÓÒÒËÈÒÍÓ ÍËÌÓ Ë ÒÓÁ‰‡˛Ú ÚÓ, ˜ÚÓ ·Û‰ÂÚ industry ñ are participants. ̇Á˚‚‡Ú¸Òˇ Ë̉ÛÒÚËÂÈ, ñ ‚ ͇˜ÂÒÚ‚Â Û˜‡ÒÚÌËÍÓ‚. International production companies interested in ÃÂʉÛ̇ӉÌ˚ ÔÓ‰˛ÒÂÒÍË ÍÓÏÔ‡ÌËË, cooperation are visitors. Á‡ËÌÚÂÂÒÓ‚‡ÌÌ˚ ‚ ÒÓÚÛ‰Ì˘ÂÒÚ‚Â, ñ ‚ ͇˜ÂÒÚ‚Â Selectors and heads of large international festivals are „ÓÒÚÂÈ. KINOTAVRís partners. —ÂÎÂ͈ËÓÌÂ˚ Ë ÛÍÓ‚Ó‰ËÚÂÎË ÍÛÔÌÂȯËı Numerous round tables, pitching projects, and press ÏÂʉÛ̇ӉÌ˚ı ÙÂÒÚË‚‡ÎÂÈ ñ ‚ ͇˜ÂÒÚ‚Â Ô‡ÚÌÂÓ‚ conferences make KINOTAVR a platform for ü»ÕŒ“¿¬–¿. discussions and exchange of views about Russian ÃÌÓ„Ó ´ÍÛ„Î˚ı ÒÚÓÎÓ‚ª, ÔËÚ˜ËÌ„-ÔÓÂÍÚÓ‚, ÔÂÒÒ- cinema. ÍÓÌÙÂÂ̈ËË ñ ü»ÕŒ“¿¬– Í‡Í ÔÎÓ˘‡‰Í‡ ‰Îˇ Thus we want to see the festival in 2007: alive, ‰ËÒÍÛÒÒËÈ Ë Ó·ÏÂ̇ ÏÌÂÌˡÏË, ͇ÍËÏ ·˚Ú¸ competitive, engaged in discussion and, above all, ÓÒÒËÈÒÍÓÏÛ ÍËÌÓ. useful for those thousands of our colleagues and “‡ÍËÏ Ï˚ ıÓÚËÏ ‚ˉÂÚ¸ ÙÂÒÚË‚‡Î¸ ‚ 2007 „Ó‰Û: friends who honour us by coming to Sochi. ÊË‚˚Ï, ÍÓÌÍÛÂÌÚÌ˚Ï, ‰ËÒÍÛÒÒËÓÌÌ˚Ï Ë, „·‚ÌÓÂ, ÔÓÎÂÁÌ˚Ï ÚÂÏ Ú˚Òˇ˜‡Ï ̇¯Ëı ÍÓÎ΄ Ë ‰ÛÁÂÈ, Alexander Rodnyansky ÍÓÚÓ˚ Ó͇Á˚‚‡˛Ú Ì‡Ï ˜ÂÒÚ¸, ÔËÂÁʇˇ ‚ —Ó˜Ë. President of the Media Holding CTC Chairman of the Board of Trustees ¿ÎÂÍ҇̉ –Ó‰ÌˇÌÒÍËÈ of the Festival ìKinotavrî œÂÁˉÂÌÚ ıÓΉËÌ„‡ ´—“— ɡª, œÂ‰Ò‰‡ÚÂθ ÔÓÔ˜ËÚÂθÒÍÓ„Ó ÒÓ‚ÂÚ‡ ÙÂÒÚË‚‡Îˇ ´üËÌÓÚ‡‚ª œÓ¯ÎÓ„Ó‰ÌËÈ, XVII ´üËÌÓÚ‡‚ª ÔÓ͇Á‡Î ‚ Last yearís 17th ìKinotavrî included in the ÍÓÌÍÛÒÌÓÈ ÔÓ„‡ÏÏÂ Ë Ì‡„‡‰ËÎ ÙËθÏ˚, competition programme ñ and awarded prizes to ñ ÍÓÚÓ˚ ÓÔ‰ÂÎËÎË ÍËÌÂχÚÓ„‡Ù˘ÂÒÍÛ˛ films that defined the cinematic profile of the ´Í‡ÚËÌÛª Ôӯ‰¯Â„Ó „Ó‰‡. last year. ÃÌÓ„Ë ͇ÚËÌ˚, ̇ ÍÓÚÓ˚ Ô‚˚Ï Ó·‡ÚËÎ Many films that first came into the focus of ‚ÌËχÌË ´üËÌÓÚ‡‚ª, ÒÚ‡ÎË Ó·Î‡‰‡ÚÂΡÏË attention at ìKinotavrî subsequently won „·‚Ì˚ı ÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ̇„‡‰ Ë ÔÂÏËÈ Á‡ national awards and prizes for 2006, such as the 2006 „Ó‰, ÔËÁ‡ÏË ´«ÓÎÓÚÓ„Ó ŒÎ‡ª, ´ÕËÍ˪, ìGolden Eagleî, the ìNikaî, or the ìWhite ´¡ÂÎÓ„Ó ÒÎÓ̇ª. Elephantî. — ÔÓÏÓ˘¸˛ ´üËÌÓÚ‡‚‡ª ÏÌÓ„Ë ÓÒÒËÈÒÍË With the help of ìKinotavrî many Russian films ÎÂÌÚ˚ Ó·ÂÎË Ë Á‡Û·ÂÊÌÛ˛ ÙÂÒÚË‚‡Î¸ÌÛ˛ have also reached foreign festivals. During the ÒÛ‰¸·Û. Õ‡ ÔÓÚˇÊÂÌËË ˆÂÎÓ„Ó „Ó‰‡ ÙËθÏ˚, entire year those films which premiered at our ˜¸Ë ÔÂϸÂ˚ ÒÓÒÚÓˇÎËÒ¸ ̇ ̇¯ÂÏ ÙÂÒÚË‚‡ÎÂ, festival have been surrounded by dozens of ·˚ÎË ÓÍÛÊÂÌ˚ ‚ÌËχÌËÂÏ ‰ÂÒˇÚÍÓ‚ European, American and Asian festivals. ‚ÓÔÂÈÒÍËı, ‡ÏÂË͇ÌÒÍËı Ë ‡ÁˇÚÒÍËı ìKinotavrî has really become a genuine launch ÙÂÒÚË‚‡ÎÂÈ. position for films both of well-known and new ´üËÌÓÚ‡‚ª ‰ÂÈÒÚ‚ËÚÂθÌÓ ÒڇΠ̇ÒÚÓˇ˘ÂÈ authors and directors. ÒÚ‡ÚÓ‚ÓÈ ÔÎÓ˘‡‰ÍÓÈ ‰Îˇ ÙËθÏÓ‚ Í‡Í The present 18th ìKinotavrî is already the third Á̇ÏÂÌËÚ˚ı, Ú‡Í Ë Ì‡˜Ë̇˛˘Ëı ‡‚ÚÓÓ‚ Ë festival to be carried out by our team. In the ÂÊËÒÒÂÓ‚. past we have declared that we want to transform 3 Õ˚̯ÌËÈ, XVIII ´üËÌÓÚ‡‚ª ñ ÛÊ ÚÂÚËÈ ÔÓ the festival into a creative laboratory of Ò˜ÂÚÛ, ÍÓÚÓ˚È ÔÓ‚Ó‰ËÚ Ì‡¯‡ ÍÓχ̉‡. cinematographers, into a platform where the best ¬ ÔÓ¯Î˚ „Ó‰˚ Ï˚ ‰ÂÍ·ËÓ‚‡ÎË, ˜ÚÓ ıÓÚËÏ and most topical films created during the year Ô‚‡ÚËÚ¸ ÙÂÒÚË‚‡Î¸ ‚ Ú‚Ó˜ÂÒÍÛ˛ will be screened, and where films find their first ··Ó‡ÚÓ˲ ÍËÌÂχÚÓ„‡ÙËÒÚÓ‚, ‚ ‡·Ó˜Û˛ spectators and receive a first public opinion, and ÔÎÓ˘‡‰ÍÛ, „‰Â ·Û‰ÂÚ Ô‰ÒÚ‡‚ÎÂÌÓ ‚Ò ÎÛ˜¯ÂÂ Ë where new projects are born. ‡ÍÚۇθÌÓÂ, ÒÓÁ‰‡ÌÌÓ ‚ ÓÒÒËÈÒÍÓÏ ÍËÌÓ Á‡ These tasks are still ahead of us. But now, based „Ó‰, „‰Â ÙËθÏ˚ Ó·ÂÚ‡˛Ú Ò‚ÓËı Ô‚˚ı on the success of the previous festivals, we aim ÁËÚÂÎÂÈ Ë Ô‚Ó ӷ˘ÂÒÚ‚ÂÌÌÓ ÏÌÂÌËÂ, „‰Â to debug the working mechanism of ìKinotavrî Óʉ‡˛ÚÒˇ ÌÓ‚˚ ÔÓÂÍÚ˚. and polish the fine details. We specify the rules ›ÚË Á‡‰‡˜Ë ÔÓ-ÔÂÊÌÂÏÛ ÒÚÓˇÚ Ô‰ ̇ÏË. ÕÓ ad regulations, we create a more convenient ÚÂÔ¸, Á‡ÍÂÔΡˇ ÛÒÔÂıË Ô‰˚‰Û˘Ëı schedule of activities, we organize the festival ÙÂÒÚË‚‡ÎÂÈ, Ï˚ ̇ˆÂÎÂÌ˚ ̇ ÓÚ·‰ÍÛ ‡·Ó˜Â„Ó space in a more logical manner. ´ÏÂı‡ÌËÁχª ´üËÌÓÚ‡‚‡ª, ̇ Â„Ó ìKinotavrî is interested in the fruitful ÛÒӂ¯ÂÌÒÚ‚Ó‚‡ÌË ‚ ‰ÂڇΡı. Ã˚ ÛÚÓ˜ÌˇÂÏ cooperation with the film-market, which takes „·ÏÂÌÚ, ‚˚Òڇ˂‡ÂÏ ·ÓΠۉӷÌÛ˛ ÒÂÚÍÛ place in Sochi simultaneously with the festival. ÏÂÓÔˡÚËÈ, Îӄ˘ÌÂÂ, Í‡Í Ì‡Ï Í‡ÊÂÚÒˇ, Together with the management of the film- Ó„‡ÌËÁÓ‚˚‚‡ÂÏ ÙÂÒÚË‚‡Î¸ÌÓ ÔÓÒÚ‡ÌÒÚ‚Ó. market we search and find effective forms of ´üËÌÓÚ‡‚ª Á‡ËÌÚÂÂÒÓ‚‡Ì ‚ ÔÎÓ‰ÓÚ‚ÓÌÓÏ interaction and, we hope, shall achieve further ÒÓÚÛ‰Ì˘ÂÒÚ‚Â Ò ÍËÌÓ˚ÌÍÓÏ, ÍÓÚÓ˚È success this year. ÔÓıÓ‰ËÚ ‚ —Ó˜Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò ÙÂÒÚË‚‡ÎÂÏ. Dear colleagues! At this stage feedback from film ¬ÏÂÒÚÂ Ò ÛÍÓ‚Ó‰ÒÚ‚ÓÏ ÍËÌÓ˚Ì͇ Ï˚ ˢÂÏ Ë professionals is especially important for us: your ̇ıÓ‰ËÏ ˝ÙÙÂÍÚË‚Ì˚ ÙÓÏ˚ ‚Á‡ËÏÓ‰ÂÈÒڂˡ advice and your opinion will help the festival Ë, ̇‰Â˛Ò¸, ‰Ó·¸ÂÏÒˇ ‚ ˝ÚÓÏ „Ó‰Û ÂÁÛθڇÚÓ‚. develop. üÓÎ΄Ë! —ÂȘ‡Ò ‰Îˇ Ì‡Ò ÓÒÓ·ÂÌÌÓ ‚‡Ê̇ ´Ó·‡Ú̇ˇ Ò‚ˇÁ¸ª ÒÓ ‚ÒÂÏË ÔÓÙÂÒÒËÓ̇·ÏË Igor Tolstunov ÍËÌÂχÚÓ„‡Ù‡: ‚‡¯Ë ÒÓ‚ÂÚ˚, ‚‡¯Â ÏÌÂÌË General Producer of the Festival ìKinotavrî ÔÓÏÓ„ÛÚ ÙÂÒÚË‚‡Î˛ ‡Á‚Ë‚‡Ú¸Òˇ.
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Meeting with Russian producers and directors, I Modern Russian cinema does not have not hear only one word: money. ìWe plan to spendî. enough of this sincerity and simplicity. Why do ìWe plan to gainî. Conversations with investors, we work with clichÈs? Similar scripts, similar millions, budgetsÖ Independent investors have heroes. The mainstream of 2006: a household or appeared in the country? Thatís excellent! The adventure comedy. This is easy to explain: today film-industry is growing? Wonderful! Only these many people try to make cinema ìfor the accounts have nothing to do with art. Over the spectatorsî, thinking only about income. last year more than 100 films have been made in However, whatever the plans may have been, the Russia. But for the competition programme of box office shows: these stories, composed with a ìKinotavrî we have selected only 14 premiere nod to the investor, rarely meet the films. I think that it was a great success to find expectations. Unfortunately, first-time directors these films: thanks to them the festival remains ñ the avant-garde of the cinematic process ñ are a place where conversations about money cease to a priori not free; their films are frequently take place. Because in Russia today there are amorphous or very pretentious. If this is the many such conversations. And not enough film industry, the spectators will cease to watch cinema that to be proud of. Russian films, and the temporary splash of In the last season, as a judge in East European interest in Russian cinema will soon vanish. On 5 and the Asian festivals, I have seen many the one hand, we do not have new commercial impressive low-budget films. Some of them were perspectives; on the other hand, we forget abut shot digitally and then transferred onto film. the traditions of serious auteur cinema, which The themes, genres, and styles of festival films also plays a role in macroeconomics. In Europe are incredibly diverse. Each of them has some the producer who puts a million into a film kind of history of distribution at home and knows how and though which audience he will abroad. But neither their makers nor the retrieve his money. There will be such-and-such distributors call the films ìgoodsî or ìproductsî. festival, such-and-such distributor will join Cinema ñ be it assertive or depressing ñ remains force, and such-and-such a television channel art. One of the best-known European films of the will buy his film. Europe sees and understands last year is the tragicomedy ì12:08 East of its spectator. But the Russian film process has Bucharestî, which the director Corneliu already turned its back on art and does not yet Porumboiu has shot for 150000 euros that he know how to become a business. borrowed from his father. The result is the In this season I received for selection some ìGolden Cameraî at Cannes and over twenty ridiculous auteur films and no commercial international awards, including large monetary films; I deduce from this that there is money prizes. The film has had resonance because of its in cinema, but not enough ideas. But our delicate, light, simple and humorous approach to selection committee has done everything so its story about the fallen Ceausescu regime: that ìKinotavrî remains a platform for Three heroes in a television studio, telephone experts, giving this faceless chaos a genuinely calls to the studio ñ that is enough to tell about personal dimension. And, trust me, we are oneself, to tell a story, to express pain and oneís grateful to all those who have given us their relation to what happened! premiere films. The best films completed in Russia by June 2007.
Sitora Alieva Programme Director œŒœ≈◊»“≈À‹—ü»… BOARD OF TRUSTEES —Œ¬≈“ ‘≈—“»¬¿Àfl OF THE FESTIVAL
¿À≈ü—¿Õƒ– –ŒƒÕflÕ—ü»… ALEXANDER RODNYANSKY œÂÁˉÂÌÚ ıÓΉËÌ„‡ ´—“— ɡª President of the Media Holding CTC œÂ‰Ò‰‡ÚÂθ ÔÓÔ˜ËÚÂθÒÍÓ„Ó ÒÓ‚ÂÚ‡ Chairman of the Board of Trustees of the ÙÂÒÚË‚‡Îˇ ´üËÌÓÚ‡‚ª Kinotavr Festival
œ≈“– ¿¬≈Õ PETER AVEN œÂÁˉÂÌÚ Œ¿Œ ´¿Î¸Ù‡-¡‡Ìͪ President of ìAlpha Bankî
ŒÀ≈√ ƒ≈–»œ¿—ü¿ OLEG DERIPASKA √Â̇θÌ˚È ‰ËÂÍÚÓ Œ¿Œ ´–ÛÒÒÍËÈ ‡Î˛ÏËÌËȪ General Director of ìRussian Aluminiumî
6 ¬»“¿À»… »√Õ¿“≈ÕüŒ VITALY IGNATENKO √Â̇θÌ˚È ‰ËÂÍÚÓ ´»“¿–-“¿——ª General Director of ìITAR-TASSî
¿À≈ü—¿Õƒ– “ü¿◊≈¬ ALEXANDER TKACHIOV √·‚‡ ‡‰ÏËÌËÒÚ‡ˆËË ü‡ÒÌÓ‰‡ÒÍÓ„Ó Í‡ˇ Governor of the Krasnodar Region
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üŒÕ—“¿Õ“»Õ ›–Õ—“ KONSTANTIN ERNST √Â̇θÌ˚È ‰ËÂÍÚÓ Œ¿Œ ´œÂ‚˚È Í‡Ì‡Îª General Director of ìFirst Channelî
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»√Œ–‹ “ŒÀ—“”ÕŒ¬ IGOR TOLSTUNOV √Â̇θÌ˚È ÔÓ‰˛Ò General Director
—»“Œ–¿ ¿À»≈¬¿ SITORA ALIEVA œÓ„‡ÏÏÌ˚È ‰ËÂÍÚÓ Programme Director
≈À≈Õ¿ À¿œ»Õ¿ ELENA LAPINA ƒËÂÍÚÓ Director
œŒÀ»Õ¿ «”≈¬¿ POLINA ZUEVA üÓÏϘÂÒÍËÈ ‰ËÂÍÚÓ Commercial Director
¿Õ¿—“¿—»fl ¡”À√¿üŒ¬¿ ANASTASIA BULGAKOVA –ÛÍÓ‚Ó‰ËÚÂθ PR-ÒÎÛÊ·˚ Head of PR Service
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Õ¿“¿À‹fl flü”ÿü»Õ¿ NATALIA YAKUSHKINA –ÛÍÓ‚Ó‰ËÚÂθ ÒÎÛÊ·˚ ÔÓÚÓÍÓ· Head of Protocol
¬»“¿À»… ¡”◊»Õ—ü»… VITALI BUCHINSKY ‘Ë̇ÌÒÓ‚˚È ‰ËÂÍÚÓ Finance Director Œ“ü–¤“»≈ 8 OPENING GALA —œ≈÷»¿À‹ÕŒ≈ —Œ¡¤“»≈ 10 SPECIAL EVENT
«¿ü–¤“»≈ 12 CLOSING GALA ÒÓ‰ÂʇÌË contents 7 üŒÕü”–— 14 COMPETITION
ü»ÕŒ“¿¬–. üŒ–Œ“ü»… Ã≈“– 42 KINOTAVR. SHORTS
À≈“Õflfl ›…‘Œ–»fl 72 SUMMER EUPHORIA
ü»ÕŒ Õ¿ œÀŒŸ¿ƒ» 85 CINEMA ON THE SQUARE
œŒ–“–≈“ Õ¿—“ŒflŸ≈√Œ 115 PORTRAIT OF THE PRESENT
¿Õ“ŒÀŒ√»fl –Œ——»…—üŒ√Œ ü»ÕŒ 124 ANTHOLOGY OF RUSSIAN CINEMA
ü»ÕŒ“≈¿“–.DOC 126 KINOTEATR.DOC
¬≈À»üŒÀ≈œÕ¿fl —≈Ã≈–ü¿ 139 THE MAGNIFICENT SEVEN
50 ¬¤¡»–¿fi“ 50 (˜‡ÒÚ¸ I) 148 50 CHOOSE 50 (part 1)
»Õ‘Œ–ÿ÷»ŒÕÕ¤… œŒü¿« 180 INFORMATION SCREENING 8 ÓÚÍ˚ÚË opening gala GLOSS √ÀflÕ≈÷ www.konchalovsky.ru œÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó ¿ÎÂÍ҇̉ œÓ‰˛ÒÂ˚ ¿ÎÂÍÒÂÈ üÓ΄‡Ì,“ËÏÓÙÂÈ“Ë·Û̈‚ ŒÎ¸„‡ ÃÂÎÓˇÌË̇,¿ÚÂÏËÈ“ÓˈÍËÈ,“‡Ú¸ˇÌ‡¿ÌÚ„Óθˆ, ¿ÎÂÍ҇̉ ƒÓÏÓ„‡Ó‚,¿ÎÂÍÒÂȗ·ˇÍÓ‚,¿Ì‰ÂÈÕÓÒÍÓ‚, ŒÎ¸„‡ ¿ÌÚ„Óθˆ,≈ÙËÏÿËÙËÌ,√ÂÌ̇‰ËÈ—ÏËÌÓ‚, ¬ ÓΡı: ÏÓÌڇʇ –ÂÊËÒÒ «‚ÛÍ »ÒÔÓÎÌËÚÂθ ÔÂÒÂÌ üÓÏÔÓÁËÚÓ ‘ÓÚÓıÛ‰ÓÊÌËÍ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2007, –ÓÒÒˡ,118ÏËÌ.,ˆ‚.,1:2.35,DolbyDigital5.1 ¿ÎÂÍ √ÛÒÒ ´÷ÂÌڇΠœ‡Ú̯ËÔª fiÎˡ ¬˚Òӈ͇ˇ,»Î¸ˇ»Ò‡Â‚,»Ë̇–ÓÁ‡ÌÓ‚‡, Ã‡Ëˇ —ÓÎÓ‚¸Â‚‡ ¿Ì‰ÂÈ üÓ̘‡ÎÓ‚ÒÍËÈ ≈͇ÚÂË̇ ƒ˚ÏËÌÒ͇ˇ ≈͇ÚÂË̇ «‡ÎÂڇ‚‡ ¡Ó‚‡Âˆ, ŒÎ¸„‡¬‡ÒË肇 ¿Ì‰ÂÈ üÓ̘‡ÎÓ‚ÒÍËÈ,≈‚„ÂÌËÈ—ÚÂÔ‡ÌÓ‚, ¡ÓËÒ ‘ÛÏÍËÌ ´œÓ‰˛ÒÂÒÍËÈ ˆÂÌÚ¿Ì‰ÂˇüÓ̘‡ÎÓ‚ÒÍÓ„Óª ¬Î‡‰ ÀÓÍÚ‚ ¿Ì‰ÂÈ üÓ̘‡ÎÓ‚ÒÍËÈ,ƒÛÌˇ—ÏËÌÓ‚‡ ŒÎ¸„‡ √Ë̯ÔÛÌ ƒËχ ¡ËÎ‡Ì Distribution Production Alexander Brovarets,OlgaVasilieva Producers Alexei Kolgan,TimofeiTribuntsev Olga Meloyanina,ArtemyTroitsky,TatianaArntgolts, Alexander Domogarov,AlexeiSerebriakov,AndreiNoskov, Olga Arntgolts,EfimShifrin,GennadiSmirnov, Cast: Editing Sound Songs Composer Photographer Costume Design Design Production Director Director Scriptwriters 2007, Russia,118min,col.,1:2.35,DolbyDigital5.1 Julia Vysotskaya,IlyaIsaev,IrinaRozanova, performed byDimaBilan Alek Goosse Olga Grinshpun of PhotographyMariaSolovieva Andrei Konchalovsky Boris Frumkin Andrei Konchalovsky,EvgeniStepanov, ìAndrei KonchalovskyProducerísCentreî ìCentral Partnershipî Andrei Konchalovsky,DuniaSmirnova Vlad Loktev Ekaterina Dyminskaya Ekaterina Zaletaeva ÓÚÍ˚ÚË opening gala
¿Ì‰ÂÈ üÓ̘‡ÎÓ‚ÒÍËÈ Õ‡Ó‰Ì˚È ‡ÚËÒÚ –ÓÒÒËË, ÔËÁ ÏÂʉÛ̇ӉÌ˚ı (Ãü‘ ‚ ü‡Ì̇ı, ‰‚‡Ê‰˚ ñ ‚ ¬Â̈ËË) Ë ÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ÍËÌÓÙÂÒÚË‚‡ÎÂÈ, ·ÛÂ‡Ú ÔÓÙÂÒÒËÓ̇θÌ˚ı ÍËÌÓÔÂÏËÈ, √ÓÒÛ‰‡ÒÚ‚ÂÌÌÓÈ ÔÂÏËË –‘ Ë √ÓÒÛ‰‡ÒÚ‚ÂÌÌÓÈ ÔÂÏËË ü‡Á‡ıÒڇ̇. –Ó‰ËÎÒˇ 20 ‡‚„ÛÒÚ‡ 1937 „Ó‰‡ ‚ ÃÓÒÍ‚Â. ŒÍÓ̘ËÎ ÂÊËÒÒÂÒÍËÈ Ù‡ÍÛθÚÂÚ ¬√»ü‡ (1965, Û˜ÂÌËÍ ÃËı‡Ë· –ÓÏχ). üËÌÓÂÊËÒÒÂ, ‡‚ÚÓ ÓÍÓÎÓ 30 ‡ÎËÁÓ‚‡ÌÌ˚ı ÍËÌÓÒˆÂ̇Ë‚, ÏÌÓ„Ó˜ËÒÎÂÌÌ˚ı ÍÌË„ Ë ÒÚ‡ÚÂÈ, ÔÓÒÚ‡ÌÓ‚˘ËÍ Ú‡ڇθÌ˚ı ÒÔÂÍÚ‡ÍÎÂÈ, ÓÔ (Ú‡Ú˚ ´À‡ —͇·ª, ´ŒÔ‡-¡‡ÒÚËÎˡª, 9 ÇËËÌÒÍËÈ), Ú‡ڇÎËÁÓ‚‡ÌÌ˚ı ‡ÍˆËÈ Ë ‰ÓÍÛÏÂÌڇθÌ˚ı ÚÂÎÂÔÓÂÍÚÓ‚.
‘ËθÏÓ„‡Ùˡ ÂÊËÒÒ‡ (Ë„Ó‚Ó ÍËÌÓ): 1965 ...... œÂ‚˚È Û˜ËÚÂθ (‰ËÔÎÓÏ) 1967-87 ...... »ÒÚÓˡ ¿ÒË üΡ˜ËÌÓÈ, ÍÓÚÓ‡ˇ β·Ë·, ‰‡ Ì ‚˚¯Î‡ Á‡ÏÛÊ 1969 ...... ƒ‚ÓˇÌÒÍÓ „ÌÂÁ‰Ó 1970 ...... ƒˇ‰ˇ ¬‡Ìˇ 1974 ...... –ÓχÌÒ Ó ‚β·ÎÂÌÌ˚ı 1979 ...... —˷ˡ‰‡ 1982 ...... —ÎÓχÌÌÓ ‚˯Ì‚Ó ‰Â‚ˆÂ (—ÿ¿, Í/Ï) 1983 ...... ¬ÓÁβ·ÎÂÌÌ˚ ÇËË (—ÿ¿) 1985 ...... œÓÂÁ‰-·Â„Έ (—ÿ¿) 1986 ...... ƒÛ˝Ú ‰Îˇ ÒÓÎËÒÚÍË (—ÿ¿) 1987 ...... —Ú˚‰ÎË‚˚ β‰Ë (—ÿ¿) 1989 ...... √ÓÏÂ Ë ›‰‰Ë (—ÿ¿) 1989 ...... “‡Ì„Ó Ë ü˝¯ (—ÿ¿) 1992 ...... ¡ÎËÊÌËÈ ÍÛ„ 1994 ...... üÛӘ͇ –ˇ·‡ 1997 ...... Œ‰ËÒÒ¡ (—ÿ¿, Ò¡Î) 2002 ...... ƒÓÏ ‰Û‡ÍÓ‚ 2003 ...... À‚ ÁËÏÓÈ (—ÿ¿, Ú‚) 2007 ...... √Ρ̈
Andrei Konchalovsky ƒ‡Ï‡Ú˘ÂÒ͇ˇ ÍÓωˡ. Peopleís actor of the RSFSR (1980), prizewinner of international (Cannes, twice in Venice) and national ¬ ÃÓÒÍ‚Û ËÁ ÓÒÚÓ‚ÒÍÓÈ ÔÓ‚Ë̈ËË ÔËÂÁʇÂÚ ¯‚¡ √‡Îˇ. ≈ Ï˜ڇ ñ ÒÚ‡Ú¸ film festivals, winner of professional film awards. ÒÛÔÂÏÓ‰Âθ˛, ÌÓ ÏÓ‰Âθ˛ ÂÈ ÒÚ‡Ú¸ Ì ÒÛʉÂÌÓ. ›ÚÓ ÂÈ Ó·˙ˇÒÌˇÚ Ò‡ÁÛ, Ë ‚ State Prize of the Russian Federation and State Prize ˝ÚÓÏ Ó̇ ҇χ ۷‰ËÚÒˇ Í ÍÓÌˆÛ ÙËθχ, ÔÓ‡·ÓÚ‡‚ ¯‚ÂÂÈ Û ËÁ‚ÂÒÚÌÓ„Ó of Kazakhstan. Born on 20 August 1937 in Moscow. ÏÓ‰Âθ‡, ÔÓÏÓ˘ÌˈÂÈ ‚·‰Âθˆ‡ ˝ÎËÚÌÓ„Ó ˜‡ÒÚÌÓ„Ó ÏÓ‰ÂθÌÓ„Ó ‡„ÂÌÚÒÚ‚‡, Graduated from the directorís faculty at the Film Institute VGIK (1965, pupil of Mikhail Romm). Á‡ÌËχ˛˘Â„ÓÒˇ ÔÓ‰·ÓÓÏ Ì‚ÂÒÚ ‰Îˇ ·Ó„‡Ú˚ı β‰ÂÈ, ÔÓÁ̇ÂÚ ·Ó„‡ÚÒÚ‚Ó Ë Filmmaker; author of about thirty filmscripts, books ÛÁ̇ÂÚ, ͇ÍÓ‚‡ Ô·ڇ Á‡ Ò˜‡ÒÚÎË‚Û˛ ÊËÁ̸ ‚ ÓÒÍÓ¯Ì˚ı ÓÒÓ·ÌˇÍ‡ı. ¬ and article; director of theatre productions and operas Ò˛ÊÂÚ ÙËθχ ËÒÔÓθÁÓ‚‡Ì˚ ‡θÌ˚Â Ò˛ÊÂÚ˚ Ë ÒÓ·˚Úˡ. (La Scala, Bastille Opera, Mariinsky); director of theatre events and documentary television projects. Dramatic comedy. Filmography: The simple seamstress Galia arrives in Moscow from the Rostov province. She 1965 ...... The First Teacher (diploma) dreams of a career as a supermodel, but she is not destined to become a model. 1967-87 ...... The Story of Asya Kliachina Who Loved Indeed, she is told so right away, and reaches this conclusion herself by the but did not Get Married (Asyaís Happiness) 1969 ...... A Nest of Gentlefolk end of film, having worked as seamstress with a well-known fashion designer, 1970 ...... Uncle Vanya as assistant to the owner of an elite model agency engaged in the selection of 1974 ...... Romance for Lovers brides for rich people ñ where she learns how much the rich pay for the happy 1979 ...... Siberiade life in their villas. The film is based on real events. 1982 ...... Split Cherry Tree (USA, short) 1983 ...... Mariaís Lovers, USA 1985 ...... Runaway-Train (USA) 1986 ...... Duet for One (USA) 1987 ...... Shy People (USA) 1989 ...... Homer and Eddie (USA) 1989 ...... Tango & Cash (USA) 1992 ...... The Inner Circle 1994 ...... Riaba ma Poule 1997 ...... The Odyssey (USA, television) 2002 ...... House of Fools 2003 ...... The Lion in Winter (USA, television) 2007 ...... Gloss 10 ÒÔˆˇθÌÓ ÒÓ·˚ÚË special event ALEXANDRA ¿À≈ü—¿Õƒ–¿ www.proline-film.ru (‘‡ÌˆËˇ) Ë ÍËÌÂχÚÓ„‡ÙËË,CentreNationaldelaCinematographie ÔË ÔÓ‰‰ÂÊÍ‘‰‡θÌÓ„Ó‡„ÂÌÚÒÚ‚‡ÔÓÍÛθÚÛ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ ¿ÎÂÍ҇̉ ü·‰¸ÍÓ –‡ËÒ‡ √˘‡Â‚‡,≈‚„ÂÌËȓ͇˜ÛÍ,¿Ì‰ÂÈ¡Ó„‰‡ÌÓ‚, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2007, –ÓÒÒˡ/‘‡ÌˆËˇ,92ÏËÌ.,ˆ‚.,1:1.66,DolbyDigital5.1 ¬Î‡‰ËÏË œÂÒÓ‚ —„ÂÈ »‚‡ÌÓ‚ √‡ÎË̇ ¬Ë¯Ì‚Ò͇ˇ,¬‡ÒËÎËÈÿ‚ˆÓ‚, ¿ÎÂÍ҇̉ ¡ÛÓ‚ Àˉˡ ü˛ÍÓ‚‡ ƒÏËÚËÈ Ã‡Î˘-üÓ̸ÍÓ‚ ¿Ì‰ÂÈ —Ë„ÎÂ,ÀӇ̃‡ÌËÂÎÛ ¿Ì‰ÂÈ —˄Π´Proline-filmª (–ÓÒÒˡ),Rezofilm(‘‡ÌˆËˇ) ¿ÎÂÍ҇̉ —ÓÍÛÓ‚ (France) Cinematography, CentreNationaldelaCinematographie the supportofFederalAgencyCultureand Production ìProlineFilmî(Russia),Rezofilm(France)with Producers AndreiSigle,LaurentDanielou Evgeni Tkachuk,AndreiBogdanov,AlexanderKladko Cast: Editing Sound Composer Design Costume Design Production Director Scriptwriter andDirector 2007, Russia/France,92min.,col.,1:1.66,DolbyDigital5.1 Galina Vishnevskaya,VasiliShevtsov,RaisaGichaeva, Vladimir Persov Sergei Ivanov of PhotographyAlexanderBurov Andrei Sigle Lydia Kriukova Dmitri Malich-Konkov Alexander Sokurov special event
¿ÎÂÍ҇̉ —ÓÍÛÓ‚ –ÂÊËÒÒÂ Ë„Ó‚Ó„Ó Ë ‰ÓÍÛÏÂÌڇθÌÓ„Ó ÍËÌÓ. Õ‡Ó‰Ì˚È ‡ÚËÒÚ –ÓÒÒËË , ·Û‡Ú
√ÓÒÛ‰‡ÒÚ‚ÂÌÌÓÈ ÔÂÏËË –ÓÒÒËË, ÒÔˆˇθÌÓ ÒÓ·˚ÚË ̇ˆËÓ̇θÌ˚ı ÍËÌÓÔÂÏËÈ, ÔËÁ ÏÂʉÛ̇ӉÌ˚ı Ë ÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ÍËÌÓÙÂÒÚË‚‡ÎÂÈ. –Ó‰ËÎÒˇ 14 Ë˛Ìˇ 1951 „Ó‰‡ ‚ —Ë·ËË. ¬ 1974 ÓÍÓ̘ËÎ ËÒÚÓ˘ÂÒÍËÈ Ù‡ÍÛθÚÂÚ √Ó¸ÍÓ‚ÒÍÓ„Ó „ÓÒÛ‰‡ÒÚ‚ÂÌÌÓ„Ó ÛÌË‚ÂÒËÚÂÚ‡, ‚ 1979 ñ ¬√»ü (χÒÚÂÒ͇ˇ ‰ÓÍÛÏÂÌڇθÌÓ„Ó ÍËÌÓ ¿ÎÂÍ҇̉‡ «„ÛˉË). ¿‚ÚÓ Ë„Ó‚˚ı Ë ‰ÓÍÛÏÂÌڇθÌ˚ı ÙËθÏÓ‚, ÍÓÚÓ˚ ‡‚ÌÓ 11 ‚‡ÊÌ˚ Ë Ë‰ÂÈÌÓ ‚Á‡ËÏÓÒ‚ˇÁ‡Ì˚ ‚ Ú‚Ó˜ÂÒڂ χÒÚ‡ ‰ÛıÓ‚ÌÓÈ ‰‡Ï˚. œÓÎÌÛ˛ ÙËθÏÓ„‡Ù˲ (Ë„Ó‚ÓÂ Ë ‰ÓÍÛÏÂÌڇθÌÓ ÍËÌÓ, Ú‡ڇθÌ˚ ‡·ÓÚ˚) Ë ‰Û„Ë χÚ¡Î˚ Ó ÊËÁÌË Ë Ú‚Ó˜ÂÒÚ‚Â ÂÊËÒÒ‡ Ô‰ÒÚ‡‚ÎÂÌ˚ ̇ Ò‡ÈÚ www.sokurov.spb.ru.
‘ËθÏÓ„‡Ùˡ (Ë„Ó‚Ó ÍËÌÓ): 1978-87 ....Œ‰ËÌÓÍËÈ „ÓÎÓÒ ˜ÂÎÓ‚Â͇ 1980 ....–‡ÁʇÎÓ‚‡ÌÌ˚È 1983-87 ....—ÍÓ·ÌÓ ·ÂÒ˜Û‚ÒÚ‚Ë 1986 ....¿ÏÔË 1988 ....ƒÌË Á‡ÚÏÂÌˡ 1989 ....—Ô‡ÒË Ë ÒÓı‡ÌË 1990 ....üÛ„ ‚ÚÓÓÈ 1992 ....ü‡ÏÂ̸ 1993 ....“ËıË ÒÚ‡Ìˈ˚ 1997 ....Çڸ Ë Ò˚Ì 1999 ....ÃÓÎÓı 2000 ....“ÂΈ 2002 ....–ÛÒÒÍËÈ ÍÓ‚˜Â„ 2003 ....ŒÚˆ Ë Ò˚Ì 2005 ....—ÓÎ̈ 2007 ....¿ÎÂÍ҇̉‡
Alexander Sokurov ƒ‡Ï‡. Director of narrative and documentary cinema. National Artist of Russia, winner of œÓÊË·ˇ ÊÂÌ˘Ë̇ ¿ÎÂÍ҇̉‡ ÔËÂÁʇÂÚ ‚ ‚ÓÂÌÌÛ˛ ˜‡ÒÚ¸ ̇‚ÂÒÚËÚ¸ ‚ÌÛ͇, the State Prize of Russia, national film ÓÙˈ‡ –ÓÒÒËÈÒÍÓÈ ‡ÏËË, ÒÎÛʇ˘Â„Ó ‚ ◊˜ÌÂ. —Ó·˚Úˡ ˝ÚËı ‰‚Ûı ‰ÌÂÈ ñ awards, prize-winner of international and ‰Ó΄ËÈ ÌÓ˜ÌÓÈ ‡Á„Ó‚Ó Ò ‚ÌÛÍÓÏ, Í‡Í ÌÂÔÓÒÚÓÈ ÔÛÚ¸ ̇‚ÒÚÂ˜Û ‰Û„ Í national film festivals. Born on 14 June 1951 in Siberia. In 1974 graduated from the ‰Û„Û. —ÎÛ˜‡È̇ˇ ‚ÒÚ˜‡ Ò ÌÂÁ̇ÍÓÏÓÈ ÏÂÒÚÌÓÈ ÊÂÌ˘ËÌÓÈ, ‚ÂÌÛ‚¯‡ˇ faculty of history of Gorky State University; ÔÓÚ¡ÌÌÛ˛ ̇‰ÂʉÛ, ÔÓ„ÛÎ͇ ÔÓ ´‡ÌÂÌÓÏÛª „ÓÓ‰Û ñ „ÎÛ·ÓÍÓ ÚÓÌÛÚ Â in 1979 graduated from the Film Institute VGIK (workshop of documentary cinema of ‰Û¯Û. ‘ËÎ¸Ï ÔÓ‚ÂÒÚ‚ÛÂÚ Ó ÒÎÓÊÌÓÈ Ú͇ÌË ˜ÂÎӂ˜ÂÒÍËı ÓÚÌÓ¯ÂÌËÈ. ¬ ˜ÂÏ- Alexander Zguridi). Author of feature and ÚÓ ´¿ÎÂÍ҇̉‡ª ÔÂÂÍÎË͇ÂÚÒˇ Ò Ô‰˚‰Û˘ËÏË ´˝Î„ˡÏ˪ χÒÚ‡ (´ŒÚˆ documentary films, which are of equal Ë Ò˚̪, ´Ã‡Ú¸ Ë Ò˚̪), ÌÓ ˝Ú‡ ËÒÚÓˡ ñ ‰‡‚ÌËÈ Á‡Ï˚ÒÂÎ ÂÊËÒÒ‡ ÒÌˇÚ¸ importance and ideologically interconnected in the masterís creativity of spiritual drama. ÙËÎ¸Ï Ò Û˜‡ÒÚËÂÏ ‚ÂÎËÍÓÈ ÓÔÂÌÓÈ Ô‚ˈ˚ √‡ÎËÌ˚ ¬Ë¯Ì‚ÒÍÓÈ. A full filmography (feature and documentary ÃËÓ‚‡ˇ ÔÂϸ‡ ñ 24.05.2007 ñ Ãü‘ ‚ ü‡Ì̇ı cinema, theatre works) and other materials about the directorís life and creativity can be found at www.sokurov.spb.ru. Drama. The elderly woman Alexandra arrives at a military base to visit her grandson, Directorís filmography (features): an Russian Army officer serving in Chechnya. The events of these two days ñ 1978-87 ....The Lonely Voice of Man 1980 ....The Degraded a long night of conversations with the grandson ñ form an uneasy path of the 1983-87 ....Mournful Indifference two becoming closer to each other. The casual meeting with an unknown local (Anaesthesia Dolorosa) woman, returning lost hope and a walk around the ìinjuredî city deeply touch 1986 ....Empire 1988 ....Days of Eclipse her soul. The film tells about the complex fabric of human relations. Somehow 1989 ....Save and Protect ìAlexandraî echoes the previous ìelegiesî of the master (ìFather and Sonî, 1990 ....The Second Circle ìMother and Sonî), but this story is based on an old plan by the director to 1992 ....Stone 1993 ....Whispering Pages (Verborgene Seiten) make a film with the participation of the great opera diva Galina 1997 ....Mother and Son Vishnevskaya. 1999 ....Moloch World premiere 24.05.2007 ñ IFF Cannes 2000 ....Taurus 2002 ....Russian Ark 2003 ....Father and Son 2005 ....The Sun 2007 ....Alexandra 12 Á‡Í˚ÚË closing gala ÃÂʉÛ̇ӉÌ˚È ÔÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ ƒÏËÚËÈ ”θˇÌÓ‚,¿ÎÂÍÒÂȬÂÚÍÓ‚ ¿ÎÂÍ҇̉ ¡‡ÎÛ‚,ÇÍÒËÏÿË·‡Â‚,ü‡ÚˇüÛθÍË̇, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ÔË Û˜‡ÒÚËË¿ÚÂχÃÂÎÍÛÏˇÌ‡ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2007, –ÓÒÒˡ,150ÏËÌ.,ˆ‚.,1:2.35,DolbyDigital5.1 THE BANISHMENT »«√Õ¿Õ»≈ ¿Ì‰ÂÈ ƒÂ„‡˜Â‚ ¿Ì̇ ÇÒÒ Ã‡Ë ¡ÓÌÌ‚Ë,üÓÌÒÚ‡ÌÚËÌÀ‡‚ÓÌÂÌÍÓ, ÃËı‡ËÎ üË˜Ï‡Ì ¿Ì‰ÂÈ «‚ˇ„Ë̈‚ ¿Ì̇ ¡‡ÚÛÎË ¿Ì‰ÂÈ œÓÌ͇ÚÓ‚ ƒÏËÚËÈ ÀÂÒÌ‚ÒÍËÈ ¿Ì‰ÂÈ ƒÂ„‡˜Â‚,¿‚ÓœˇÚ REN-‘ËÎ¸Ï ŒÎ„ Õ„ËÌ,¿Ì‰ÂÈ«‚ˇ„Ë̈‚, Intercinema XXICentury Distribution Production Producer Dmitri Ulianov,AlexeiVertkov Alexander Baluev,MaximShibaev,KatiaKulkina, Cast: Editor Sound Composers Costume Design Production Design Director ofPhotography Director with participationofArtemMelkumian Scriptwriters 2007, Russia,150min.,col.,1:2.35,DolbyDigital5.1 Maria Bonnevie,KonstantinLavronenko, Anna Mass Andrei Dergachev Andrei Zviagintsev Dmitri Lesnevsky Andrei Dergachiov,ArvoPart REN Film Intercinema XXICentury Oleg Negin,AndreiZviagintsev, Anna Bartuli Andrei Ponkratov Mikhail Krichman Á‡Í˚ÚË closing gala
¿Ì‰ÂÈ «‚ˇ„Ë̈‚ –ÂÊËÒÒÂ Ë„Ó‚Ó„Ó ÍËÌÓ, ‡ÍÚÂ. –Ó‰ËÎÒˇ 6 Ù‚‡Îˇ 1964 „Ó‰‡ ‚ ÕÓ‚ÓÒË·ËÒÍÂ. ŒÍÓ̘ËÎ ÕÓ‚ÓÒË·ËÒÍÓ Ú‡ڇθÌÓ ۘËÎˢÂ, ‡ÍÚÂÒÍËÈ Ù‡ÍÛθÚÂÚ √»“»—‡ (1990). ü‡Í ‡ÍÚ ۘ‡ÒÚ‚Ó‚‡Î ‚ ÌÂÁ‡‚ËÒËÏ˚ı Ú‡ڇθÌ˚ı ÔÓÂÍÚ‡ı ¬Î‡‰ËÏˇ ¿„‚‡, ÒÌËχÎÒˇ ‚ ÍËÌÓ, ‡·ÓڇΠ‚ ÂÍ·ÏÂ. ¬ 2003 ÒÌˇÎ Ô‚˚È ÔÓÎÌÓÏÂÚ‡ÊÌ˚È ÙËÎ¸Ï ´¬ÓÁ‚‡˘ÂÌ˪ ñ 13 ´«ÓÎÓÚÓÈ À‚ Ò‚. Ç͇ª, ÔËÁ ÀÛˉÊË ‰Â À‡ÛÂÌÚËÒ‡ Á‡ ÎÛ˜¯ËÈ ‰Â·˛Ú (´À‚ ·Û‰Û˘Â„Óª) ñ Ãü‘ ‚ ¬Â̈ËË Ë ÏÌÓÊÂÒÚ‚Ó ‰Û„Ëı ÔËÁÓ‚ Ë ÔÓÙÂÒÒËÓ̇θÌ˚ı ÔÂÏËÈ „Ó‰‡, ·ÛÂ‡Ú ÔÂÏËÈ ÍËÌӇ͇‰ÂÏËÈ ´ÕË͇ª Ë ´«ÓÎÓÚÓÈ ŒÂΪ.
‘ËθÏÓ„‡Ùˡ ÂÊËÒÒ‡: 2000 ....¬˚·Ó; Obscure; ¡ÛÒË‰Ó (ÌÓ‚ÂÎÎ˚ Ò¡· ´◊Â̇ˇ ÍÓÏ̇ڇª) 2003 ....¬ÓÁ‚‡˘ÂÌË 2007 ....»Á„̇ÌË Andrei Zviagintsev Director of feature films, actor. Born on 6 February 1964 in Novosibirsk. Graduated from Novosibirsk Theatre School, then from the acting faculty of the Moscow State Theatre Institute GITIS (1990). As actor participated in Vladimir Ageevís independent theatre projects, acted in films, worked in ƒ‡Ï‡Ú˘ÂÒ͇ˇ ÔËÚ˜‡. advertising. In 2003 he made his first feature ÃÛÊ, ÊÂ̇ Ë ‰‚Ó ‰ÂÚÂÈ (χθ˜ËÍ Ë ‰Â‚Ә͇) ÔËÂÁʇ˛Ú ËÁ film ìThe Returnî, which received the Ë̉ÛÒÚˇθÌÓ„Ó „ÓÓ‰‡ ‚ ÒÂθÒÍÛ˛ ÏÂÒÚÌÓÒÚ¸, ̇ Ó‰ËÌÛ ÏÛʇ, ‚ ÒÚ‡˚È ìGolden Lion of St Markî and the Luigi de ÓÚˆÓ‚ÒÍËÈ ‰ÓÏÖ ´ü‡Í Ë Î˛·‡ˇ ‰Û„‡ˇ ͇ÚË̇ ñ ˝ÚÓ ÍËÌÓ Ú‡Í ËÎË Ë̇˜Â Laurentiis Award for Best Debut (ìLion of ´ÔÓ Ì‡Ò, ÔÓ ‚ÒÂıª: ‰Ó·˚Â, ͇ÒË‚˚ β‰Ë ‚ Ú‡„˘ÂÒÍËı Ó·ÒÚÓˇÚÂθÒÚ‚‡ı the Futureî) at the IFF in Venice, and a host ·ÂÁ˚ÒıÓ‰ÌÓÒÚË. of other prizes and professional annual awards; winner of awards of the film ÃËÓ‚‡ˇ ÔÂϸ‡ ñ 18.05.2007, Ãü‘ ‚ ü‡Ì̇ı. academies ìNikaî and ìGolden Eagleî.
Filmography: Dramatic parable. 2000 ....Choice; Obscure; Bushido (novellas of A husband, wife and two children (a boy and a girl) arrive from an industrial the serial ìThe Black Roomî) town to the countryside, to the husbandís birthplace, to stay in his fatherís old 2003 ....The Return house ìJust like any other film, in one way or another, this film is about all of 2007 ....The Banishment us ñ kind, beautiful people in the tragic circumstances of hopelessnessî.
World Premiere ñ 18.05.2007, IFF in Cannes. ÍÓÌÍÛÒ 14 competition
∆fi–» / JURY
¬‡‰ËÏ ¿·‰‡¯ËÚÓ‚ Ô‰Ò‰‡ÚÂθ Ê˛Ë ÍËÌÓÂÊËÒÒÂ
Vadim Abdrashitov jury chairman film director
»„Ó¸ ≈‚„ÂÌˡ ¿ÎÂÍ҇̉ üη‡ÌÓ‚ —ËÏÓÌÓ‚‡ flˆÂÌÍÓ
ÍËÌÓÓÔ‡ÚÓ www. mk.ru ‡ÍÚËÒ‡ ‡ÍÚÂ
Igor Evgeniya фото: Аня Чибисова Alexander Klebanov Simonova Yatsenko
Фото: Анатолий Морковкин cinematographer actress actor
—„ÂÈ ¡ÓËÒ ≈ÎÂ̇ À‡‚ÂÌڸ‚ ’ηÌËÍÓ‚ flˆÛ‡ ËÒÚÓËÍ ÍËÌÓ, ÍËÌÓÂÊËÒÒ ÔÓ‰˛Ò ÍËÚËÍ Boris Elena Sergei Khlebnikov Yatsura Lavrentiev film director producer film historian, critic „ÛÁ 200 CARGO 200 ‰‚‡ ‚ Ó‰ÌÓÏ TWO IN ONE ‰Â̸ ÓʉÂÌˡ ËÌÙ‡ÌÚ˚ INFANTE'S BIRTHDAY ÊÂÒÚÓÍÓÒÚ¸ CRUELTY 15 ËÌÁÂÂ̸-χÎË̇ INZEEN-RASPBERRY ÍÂÏÂ̸ HARD-HEARTED ÍÛ͇ KUKA ̇ÚÛ˘Ëˆ‡ INSPIRING ÓÚ˚‚ SOAR ÔÓÒÚ˚ ‚Â˘Ë SIMPLE THINGS ÛÒ‡Î͇ THE MERMAID ÚËÒÍË VICE ˇ THE HOLLOW 16 ÍÓÌÍÛÒ competition CARGO 200 √–”« 200 www.gruz200.ru; www.ctb.ru œÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ »Î¸ˇ œÎˇˆÍÓ‚ÒÍËÈ,»Ë̇–‡Í¯Ë̇,¿ÎÂÍ҇̉¡‡¯ËÓ‚ ƒÏËÚËÈ ü‡ÔÓ‚,À˛‰ÏË·≈„ÓÓ‚‡,¬‡ÎÂÌÚË̇¿Ì‰˛ÍÓ‚‡, ¿Ì‰ÂÈ ÃÓÍ‚,¿ÎÂ̇‘‡Î‡Î‚‡,ÀˇÎˇÃËÓÔÓθÒ͇ˇ, Շڇθˇ ¿ÍËÏÓ‚‡,fiËÈ—ÚÂÔ‡ÌÓ‚,ÃËı‡ËΗ͡·ËÌ, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2007, –ÓÒÒˡ,94ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital5.1 ÀÂÓÌˉ √ÓÏÓ‚,¿ÎÂÍÒÂȗ·ˇÍÓ‚,¡Ë˜Â‚ËÌ, ÃËı‡ËÎ ÕËÍÓ·‚ ´Õ‡¯Â ÍËÌÓª,´ü‡ÓÔÓ͇ڪ “‡Ú¸ˇÌ‡ üÛÁ¸Ï˘‚‡ ¿„Ìˡ üÛÁ̈ӂ‡,¿ÎÂÍÒÂÈœÓÎÛˇÌ, ¿ÎÂÍ҇̉ —ËÏÓÌÓ‚ Õ‡‰Âʉ‡ ¬‡ÒË肇 œ‡‚ÂÎ œ‡ıÓÏÂÌÍÓ —„ÂÈ —ÂθˇÌÓ‚,ÇÍÒËÏ”ı‡ÌÓ‚ —“¬ ¿ÎÂÍÒÂÈ ¡‡Î‡·‡ÌÓ‚ Distribution Production Producers Irina Rakshina,AlexanderBashirov Liudmila Egorova,ValentinaAndriukova,IlyaPliatskovsky, Alena Falaleeva,LialiaMiropolskaya,DmitriKarpov, Yuri Stepanov,MikhailSkriabin,AndreiMokeev, Alexei Serebriakov,LeonidBichevin,NataliaAkimova, Cast: Editing Sound Design Costume Design Production Camera Scriptwriter andDirector 2007, Russia,94min,col.,1:1.85,DolbyDigital5.1 Agniya Kuznetsova,AlexeiPoluyan,LeonidGromov, Mikhail Nikolaev Tatiana Kuzmicheva Alexander Simonov Sergei Selyanov,MaximUkhanov CTB FilmCompany Nashe Kino,Karoprokat Nadezhda Vasilieva Pavel Parkhomenko Alexei Balabanov ÍÓÌÍÛÒ competition
¿ÎÂÍÒÂÈ ¡‡Î‡·‡ÌÓ‚ –ÂÊËÒÒÂ, ÒˆÂ̇ËÒÚ, ÔÓ‰˛ÒÂ. œËÁ ÏÂʉÛ̇ӉÌ˚ı Ë ÓÒÒËÈÒÍËı ÍËÌÓÙÂÒÚË‚‡ÎÂÈ, ·ÛÂ‡Ú ÔÓÙÂÒÒËÓ̇θÌ˚ı ÍËÌÓÔÂÏËÈ. –Ó‰ËÎÒˇ ‚ —‚‰ÎÓ‚ÒÍ 25 Ù‚‡Îˇ 1959 „Ó‰‡. ŒÍÓ̘ËÎ Ô‚Ӊ˜ÂÒÍËÈ Ù‡ÍÛθÚÂÚ √Ó¸ÍÓ‚ÒÍÓ„Ó Ô‰‡„ӄ˘ÂÒÍÓ„Ó ËÌÒÚËÚÛÚ‡ (1981), ¬˚үˠÍÛÒ˚ ÒˆÂ̇ËÒÚÓ‚ Ë ÂÊËÒÒÂÓ‚ (1990, ˝ÍÒÔÂËÏÂÌڇθÌ˚È ÍÛÒ ´¿‚ÚÓÒÍÓ 17 ÍËÌÓª). ¬ 1992 „Ó‰Û ‚ÏÂÒÚÂ Ò —„ÂÂÏ —ÂθˇÌÓ‚˚Ï Ë ¬‡ÒËÎËÂÏ √˄Ӹ‚˚Ï ÓÒÌÓ‚‡Î üËÌÓÍÓÏÔ‡Ì˲ —“¬, ÔË Û˜‡ÒÚËË ÍÓÚÓÓÈ ÓÌ ‚ ÓÒÌÓ‚ÌÓÏ Ë ÒÌËχÂÚ Ò‚ÓË ÙËθÏ˚.
»Á·‡Ì̇ˇ ÙËθÏÓ„‡Ùˡ ÂÊËÒÒ‡: 1991 ....—˜‡ÒÚÎË‚˚ ‰ÌË 1994 ....«‡ÏÓÍ 1995 ....“ÓÙËÏ˙ (Í/Ï) 1997 ....¡‡Ú 1998 ....œÓ ÛÓ‰Ó‚ Ë Î˛‰ÂÈ 2000 ....¡‡Ú-2 2000 ....–Â͇ 2002 ....¬ÓÈ̇ 2005 ....∆ÏÛÍË 2006 ....ÃÌ Ì ·ÓθÌÓ Alexei Balabanov Director, scriptwriter, producer. Prize-winner of international and national film festivals, ƒ‡Ï‡. winner of professional film awards. Born 25 ———–. 1984 „Ó‰ ñ ͇ÌÛÌ ÔÂÂÒÚÓÈÍË Ë ‚ÂÏˇ ‚ÓÈÌ˚ ‚ ¿Ù„‡ÌËÒÚ‡ÌÂ. February 1959 in Sverdlovsk. Graduated from ¬ÓÂÌÌ˚ ҇ÏÓÎÂÚ˚ Ò ˆËÌÍÓ‚˚ÏË „Ó·‡ÏË (´„ÛÁÓÏ 200ª) Ì ӷıÓ‰ˇÚ the Translation Department of Gorky ÒÚÓÓÌÓÈ Ë ÔÓ‚Ë̈ˇθÌ˚È „ÓÓ‰ÓÍ ÀÂÌËÌÒÍ. «‰ÂÒ¸ ÊË‚ÂÚ ˛Ì‡ˇ ‰Â‚ۯ͇. Pedagogical Institute (1981), and from the ŒÌ‡ ‚β·ÎÂ̇ ‚ Ô‡Ìˇ, ÍÓÚÓ˚È ÒÎÛÊËÚ ‰ÂÒ‡ÌÚÌËÍÓÏ ‚ ¿Ù„‡ÌËÒÚ‡ÌÂ. Higher Courses for Directors and œ‡Â̸ ÔÓ„Ë·‡ÂÚ. ¿ ‰Â‚Û¯ÍÛ Î˛·ËÚ ÏËÎˈËÓÌ ∆ÛÓ‚ ñ Ó·˚˜Ì˚È Scriptwriters at the Film Institute (1990, ÒÓ‚ÂÚÒÍËÈ ÒÛχү‰¯ËÈ. ÃÂÊ‰Û ÚÂÏ ÔÓÒΠӘ‰ÌÓÈ ‰ËÒÍÓÚÂÍË ÔÓÔ‡‰‡ÂÚ experimental course of ëdirectorís cinemaí). In ‰Ó˜¸ ÒÂÍÂÚ‡ˇ Ô‡ÚÍÓχ Ô‡ÚËË. —‚ˉÂÚÂÎÂÈ ÌÂÚ, ‚ËÌÓ‚Ì˚ Ì ӷ̇ÛÊÂÌ˚. 1992 he founded, together with Sergei ¬ ˝ÚÓÚ Ê ‚˜ ‚ ‰ÓÏ ̇ Ó͇ËÌ „ÓÓ‰‡ ÔÓËÒıÓ‰ËÚ ÊÂÒÚÓÍÓ ۷ËÈÒÚ‚Ó. Selianov and Vasili Grigoriev, the film ¬ËÌÓ‚Ì˚È ñ ıÓÁˇËÌ ‰Óχ. Œ·‡ ‡ÒÒΉӂ‡Ìˡ ÔÓÛ˜ÂÌ˚ ͇ÔËÚ‡ÌÛ ÏËÎˈËË company —“¬, with whom he subsequently ∆ÛÓ‚Û... made all his films. Drama. Selected Filmography: USSR 1984. On the eve of perestroika, during the Afghan war. Military planes 1991 ....Happy Days with zinc coffins (cargo 200) do not bypass the small provincial town of 1994 ....The Castle Leninsk. A young girl lives here; she is in love with a lad who serves in 1995 ....Trofim (short) Afghanistan. He perishes. The militiaman Zhurov, a typical Soviet madman, is 1997 ....Brother in love with the girl. After a disco, the daughter of the Communist Party 1998 ....Of Freaks and Men committeeís secretary goes missing. There are no witnesses, and the culprit is 2000 ....Brother 2 not found. On the same evening, a gruesome murder happens in a house on the 2001 ....The River townís periphery. The house owner is guilty of the crime. Both investigations 2002 ....War are led by police captain Zhurov... 2005 ....Blind Manís Bluff 2006 ....It Doesnít Hurt 18 ÍÓÌÍÛÒ competition www.sota.net.ua œÓÍ‡Ú ÃËÌËÒÚÂÒÚ‚‡ ÍÛθÚÛ˚”͇ËÌ˚,"÷ÂÌڇΜ‡Ú̯ËÔ œÓËÁ‚Ó‰ÒÚ‚Ó —ÓÔÓ‰˛Ò √Â̇θÌ˚È ÔÓ‰˛Ò Շڇθˇ ¡ÛÁ¸ÍÓ,¿ÎÂÍ҇̉¡‡¯ËÓ‚,∆‡Ìƒ‡Ì˽θ ¡Ó„‰‡Ì —ÚÛÔ͇,ÕË̇–ÛÒ·ÌÓ‚‡,¬Î‡‰ËÏË√ÓˇÌÒÍËÈ, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ TWO INONE ƒ¬¿ ¬ŒƒÕŒÃ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2006, ”͇Ë̇/–ÓÒÒˡ,ˆ‚.,124ÏËÌ. ≈ÙËÏ “ÛˆÍËÈ ´÷ÂÌڇΠœ‡Ú̯ËÔª “‡Ï‡‡ ƒÂÌËÒÓ‚‡ –Â̇ڇ ÀËÚ‚ËÌÓ‚‡,≈‚„ÂÌËÈ√ÓÎÛ·ÂÌÍÓ, ¬Î‡‰ËÏË œ‡ÌÍÓ‚ üˇ ÃÛ‡ÚÓ‚‡ ≈‚„ÂÌËÈ √ÓÎÛ·ÂÌÍÓ –Û·ÂÌ ƒË¯‰Ë¯ˇÌ ¬‡ÎÂÌÚËÌ —Ëθ‚ÂÒÚÓ‚ Sota cinemagroup,ÔËÛ˜‡ÒÚËË –Â̇ڇ ÀËÚ‚ËÌÓ‚‡,≈‚„ÂÌËÈ√ÓÎÛ·ÂÌÍÓ ŒÎ„ üÓı‡Ì " Distribution Ministry ofCultureUkraine,"CentralPartnership" Production Co-producer General Producer Alexander Bashirov,JeanDaniel Nina Ruslanova,VladimirGoriansky,NataliaBuzko, Cast: Editing Sound Composer Design Production Director Director Scriptwriters 2006, Ukraine/Russia,col.,124min. Renata Litvinova,EvgeniGolubenko,BogdanStupka, Efim Turetsky Tamara Denisova of PhotographyVladimirPankov Kira Muratova Valentin Silvestrov Sota CinemaGroup,withparticipationfromthe Ruben Dishdishian Central Partnership Renata Litvinova,EvgeniGolubenko Oleg Kohan Evgeni Golubenko ÍÓÌÍÛÒ competition
üˇ ÃÛ‡ÚÓ‚‡ üËÌÓÂÊËÒÒÂ, ÒˆÂ̇ËÒÚ, ‡ÍÚËÒ‡. ՇӉ̇ˇ ‡ÚËÒÚ͇ ”͇ËÌ˚, ·ÛÂ‡Ú ÔÓÙÂÒÒËÓ̇θÌ˚ı ÔÂÏËÈ –ÓÒÒËË, ”͇ËÌ˚, √ÂχÌËË, ‘‡ÌˆËË, ÿ‚ÂȈ‡ËË, —ÿ¿, ÔËÁ ÏÂʉÛ̇ӉÌ˚ı Ë ÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ÍËÌÓÙÂÒÚË‚‡ÎÂÈ. ∆Ë· ‚ –ÛÏ˚ÌËË, –ÓÒÒËË, ”Á·ÂÍËÒÚ‡ÌÂ, ÃÓΉ‡‚ËË, ÓÔˇÚ¸ ‚ –ÛÏ˚ÌËË, –ÓÒÒËË Ë Á‡ÚÂÏ ‚ ”͇ËÌÂ. ”˜Ë·Ҹ ̇ ÙËÎÓÎӄ˘ÂÒÍÓÏ Ù‡ÍÛθÚÂÚ Ã√”, ÓÍÓ̘Ë· ÂÊËÒÒÂÒÍËÈ Ù‡ÍÛθÚÂÚ ¬√»ü‡ (1959, 19 Û˜ÂÌˈ‡ —„¡ √‡ÒËÏÓ‚‡). — 1961ñ ÂÊËÒÒ Œ‰ÂÒÒÍÓÈ ÍËÌÓÒÚÛ‰ËË. œÂ‚˚ ÙËθÏ˚ ñ ‰ËÔÎÓÏ̇ˇ ‡·ÓÚ‡ ´” ÍÛÚÓ„Ó ˇ‡ª Ë ´Õ‡¯ ˜ÂÒÚÌ˚È ıηª ñ ÔÓÒÚ‡‚ÎÂÌ˚ ÒÓ‚ÏÂÒÚÌÓ Ò ¿ÎÂÍ҇̉ÓÏ ÃÛ‡ÚÓ‚˚Ï.
‘ËθÏÓ„‡Ùˡ ÂÊËÒÒ‡: 1967 ....üÓÓÚÍË ‚ÒÚÂ˜Ë 1971 ....ƒÓ΄Ë ÔÓ‚Ó‰˚ 1978 ....œÓÁ̇‚‡ˇ ·ÂÎ˚È Ò‚ÂÚ 1983 ....—Â‰Ë ÒÂ˚ı ͇ÏÌÂÈ 1987 ....œÂÂÏÂ̇ Û˜‡ÒÚË 1989 ....¿ÒÚÂÌ˘ÂÒÍËÈ ÒË̉ÓÏ 1992 ....◊Û‚ÒÚ‚ËÚÂθÌ˚È ÏËÎˈËÓÌ 1994 ....”‚ΘÂ̸ˇ 1997 ....“Ë ËÒÚÓËË 1999 ....œËÒ¸ÏÓ ‚ ¿ÏÂËÍÛ (Í/Ï) 2001 ....¬ÚÓÓÒÚÂÔÂÌÌ˚ β‰Ë 2002 ....◊ÂıÓ‚ÒÍË ÏÓÚË‚˚ 2004 ....Õ‡ÒÚÓÈ˘ËÍ 2004 ....—Ô‡‚͇ (Í/Ï) 2006 ....ƒ‚‡ ‚ Ó‰ÌÓÏ 2006 ....üÛÍ· Kira Muratova Film director, scriptwriter, actress. Peopleís “‡„ËÍÓÏ˘ÂÒ͇ˇ ‰‡Ï‡ ËÁ ÊËÁÌË Î˛‰ÂÈ ‚ ‰‚Ûı ÌÓ‚Âηı. actress of Ukraine, winner of professional Õ‡ ÒˆÂÌ Ú‡ڇ ÔÓ‚ÂÒËÎÒˇ ‡ÍÚÂ. ü‡ÍËÏ-ÚÓ Ó·‡ÁÓÏ ‚ ˝ÚÓÏ Á‡Ï¯‡Ì ‡·Ó˜ËÈ awards in Russia, Ukraine, Germany, France, ÒˆÂÌ˚. ÕÓ ÚÂÎÓ ÎËˆÂ‰Âˇ ‚ ÔÂÚΠñ ‰‡ÎÂÍÓ Ì ҇χˇ Á‡ı‚‡Ú˚‚‡˛˘‡ˇ ËÌÚË„‡, Switzerland, USA; prizewinner of international and national film festivals. ‡Á‰Ë‡˛˘‡ˇ ÚÛÔÔÛ. » Ì‚ÓÁÏÓÊÌÓ Ô‰ÔÓÎÓÊËÚ¸, ÍÛ‰‡ Á‡‚‰ÂÚ ˜Â‰‡ Lived in Romania, Russia, Uzbekistan, ÒÓ·˚ÚËÈ Ë ÒÍÓθÍÓ Â˘Â ÒÏÂÚÂÈ Ê‰ÂÚ ˝ÚÛ ÚÛÔÔÛ... Moldova, then again in Romania, Russia and —ڇ²˘ËÈ ÎÓ‚ÂÎ‡Ò Ì ÏÓÊÂÚ ÒÏËËÚ¸Òˇ Ò Ó‰ËÌÓ˜ÂÒÚ‚ÓÏ. ” ÌÂ„Ó ÂÒÚ¸ ‚ÒÂ, Ukraine. Studied at the faculty of philology ÍÓÏ ӉÌÓ„Ó ñ ÊÂÌ˘ËÌ˚ Â„Ó ÊËÁÌË, Ë ÓÌ „ÓÚÓ‚ ËÒ͇ڸ  ‰Ó ËÁÌÂÏÓÊÂÌˡ, at Moscow State University, graduated from the directorís faculty of the Film Institute ‰Ó Ò‡ÏÓÈ ÒÏÂÚË. ≈‰ËÌÒÚ‚ÂÌ̇ˇ ÊÂÌ˘Ë̇ ˇ‰ÓÏ Ò ÌËÏ ñ Â„Ó ÚÂÔÂÎË‚‡ˇ VGIK (1959, class of Sergei Gerasimov). ‰Ó˜¸. Õ ‚˚‰Âʇ‚ Ú‡ÍÓ„Ó ÔÓÎÓÊÂÌˡ, Ó̇ ÔË‚Ó‰ËÚ ‚ ‰ÓÏ Ò‚Ó˛ ÔÓ‰Û„Û, Since 1961 director at the Odessa film studio. ÔÓÒÚÓ‰Û¯ÌÛ˛ ‡·ÓÚÌËˆÛ Ú‡Ï‚‡ÈÌÓ„Ó ‰ÂÔÓÖ Her first films and diploma works ìBy the Steep Ravineî and ìOur Honest Breadî were directed together with Alexander Muratov. Tragicomic drama in two short stories from the life of people. On a theatre stage an actor has hung himself. Somehow a stage worker gets Filmography: involved in the case. But the actorís body in the sling is by far not the most 1967 ....Short Encounters fascinating intrigue that is capturing the attention of the troupe. It is 1971 ....Long Farewells impossible to see where the series of events will lead and how many deathse 1978 ....Getting to Know the World 1983-87 ....Among the Grey Stones await the troupe... 1987 ....A Change of Fate An aging ladyís man cannot reconcile himself with loneliness. He has 1989 ....The Asthenic Syndrome everything, except for the women of his life, and he is ready to search for her 1992 ....The Sentimental Policeman until the end, or death. The only woman close to him is his patient daughter. 1994 ....Enthusiasms 1997 ....Three Stories Unable to cope with her fate, she brings along her friend, a simple working 1999 ....Letter to America (short) girl of the tram depotÖ 2001 ....Minor People 2002 ....Chekhov Motifs 2004 ....The Tuner 2004 ....The Certificate (short) 2006 ....Two in One 2006 ....The Dummy (short) 20 ÍÓÌÍÛÒ competition œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ ≈ÎËÁ‡‚ÂÚ‡ “ÓÙËÏÓ‚‡ —„ÂÈ ŒÎÓ‚,ŒÎ„ÀÓ„ÓÚ‡,“‡Ú¸ˇÌ‡ ¬ ÓΡı: «‚ÛÍ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ŒÎ¸„‡ GellaœÓ‰ÓθÒ͇ˇ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2007, –ÓÒÒˡ,65ÏËÌ.,ˆ‚.,ÒÚÂÂÓ,BetacamSP INFANTEíS BIRTHDAY ƒ≈Õ‹ –Œ∆ƒ≈Õ»fl»Õ‘¿Õ“¤ ¬ËÍÚÓ “ËϯËÌ,—„ÂÈŒ‚˜‡ÂÌÍÓ WishMaster, ”ÏÌˈ‡ÀËÎ,»Ë̇ŒÎÓ‚‡, »‚‡Ì ‘ËÌӄ‚ ¬‡ÎÂˡ-√‡È √ÂχÌË͇ œÓÎË̇ ¡‡ıÚË̇ √ˡ ÀÓ‰ÍËÔ‡ÌˉÁÂ,¿ÎÂÍ҇̉ÿÂÈÌ ´¿ÚƒËÁ‡È̪ ¬‡ÎÂˡ-√‡È √ÂχÌË͇, Production Producers Elizaveta Trofimova Sergei Orlov,OlegLogota,Tatiana Cast: Sound Design Production ofPhotograph Director Director Scriptwriters 2007, Russia,65min.,col.,stereo,BetacamSP WishMaster, UmnitsaLil(CleverLil),IrinaOrlova, Viktor Timshin,SergeiOvcharenko Valeria-Gai Germanika Giya Lordkipanidze,AlexanderShein ìArtDesignî Valeria Gai-Germanika,OlgaGellaPodolskaya Polina Bakhtina y IvanFinogeev ÍÓÌÍÛÒ competition
¬‡ÎÂˡ-√‡È √ÂχÌË͇ –Ӊ˷Ҹ ‚ ÃÓÒÍ‚Â ‚ 1984 „Ó‰Û. ŒÍÓ̘Ë· ÌÂÁ‡‚ËÒËÏÛ˛ ¯ÍÓÎÛ ÍËÌÓ Ë “¬ ´Internewsª (2005, χÒÚÂÒ͇ˇ ÇËÌ˚ –‡Á·ÂÊÍËÌÓÈ). ƒÂ·˛ÚËÓ‚‡Î‡ ÙËθÏÓÏ ´ƒÂ‚Ó˜Í˪ ñ „·‚Ì˚È ÔËÁ ÍÓÌÍÛÒ‡ ´üÓÓÚÍËÈ ÏÂÚª Œ–ü‘ ´üËÌÓÚ‡‚ª (2006). ´ƒÂ̸ ÓʉÂÌˡ »ÌÙ‡ÌÚ˚ª ñ Ë„Ó‚ÓÈ ÔÓÎÌÓÏÂÚ‡ÊÌ˚È ‰Â·˛Ú. 21 ‘ËθÏÓ„‡Ùˡ (‰ÓÍ.): 2005 ....ƒÂ‚Ó˜ÍË 2005 ....—ÂÒÚ˚ 2006 ....Çθ˜ËÍË 2007 ....”Âı‡Î (Ò ¡ÓËÒÓÏ ’ηÌËÍÓ‚˚Ï) Valeria-Gai Germanika Born in Moscow in 1984. Graduated from the Independent School of Cinema and Television ìInternewsî (2005, workshop of Marina Razbezhkina). Debut film ìGirlsî: Main Prize of the Short Film Competition ORFF ìKinotavrî (2006). ìInfanteís Birthdayî is her feature film debut.
Filmography (doc.): 2005 ....Girls 2005 ....Sisters 2006 ....Boys 2007 ....Heís Gone (with Boris Khlebnikov) ƒÓÍÛÏÂÌڇθÌÓ-Ë„Ó‚‡ˇ ‰‡Ï‡. WishMaster, ”ÏÌˈ‡ ÀËÎ, Õ¸˛, —ÍÛÌÒ, ÀËÒ, ÀËÒÂ̇, üÓ¯Í‡Ö ñ ˝ÚÓ „ÛÔÔ‡ β‰ÂÈ, ÍÓÚÓ˚ ҘËÚ‡˛Ú, ˜ÚÓ Ëı ‚˚‰ÛχÌ̇ˇ ÊËÁ̸, „Ó‡Á‰Ó ·ÓΠ‚‡Ê̇ Ë Â‡Î¸Ì‡, ˜ÂÏ Ú‡, ÍÓÚÓ‡ˇ ·˚· Û„ÓÚÓ‚‡Ì‡ ËÏ ÓÚ ÓʉÂÌˡ. ›ÚÓ ÚÂ, ÍÚÓ Ô‡ÍÚËÍÛ˛Ú ‚ Ò‚ÓÂÈ Â‡Î¸ÌÓÒÚË Ò‡‰ÓχÁÓıËÁÏ, ÒÓÁ‰‡‚‡ˇ ‚ÓÍÛ„ Ò‚ÓÂÈ ÒÚ‡ÒÚË ÓχÌÚ˘ÂÒÍËÈ Ó·‡Á ‰Û„Ó„Ó, ‚ˉËÏÓ„Ó ÚÓθÍÓ ËÏË Ïˇ. — ÔÓÁˈËË Ó·˚‚‡ÚÂΡ ÓÌË ˇ‚Ρ˛ÚÒˇ Ì ·ÓΠ˜ÂÏ ËÁ‚‡˘Â̈‡ÏË Ò ÔÒËı˘ÂÒÍËÏË ÓÚÍÎÓÌÂÌˡÏË. » ‚Ò ÊÂ, ÍÚÓ ÓÌË? ü‡Í ÓÌË ‚˚ÊË‚‡˛Ú ‚ ÏËÂ, ÍÓÚÓ˚È Ò‡ÏË ÓÌË Ì‡Á˚‚‡˛Ú ´‚‡ÌËθÌ˚Ϫ? » Á‡˜ÂÏ ˝ÚËÏ Î˛‰ˇÏ Ú‡ÍË ÒÚ‡ÌÌ˚ ÔÓÁ‚ˢ‡, Í ˜ÂÏÛ Ú‡Í‡ˇ Ú˘‡ÚÂθÌÓ ÔÓ‡·ÓÚ‡Ì̇ˇ ÁÎӂ¢‡ˇ ‡ÚË·ÛÚË͇: ÔÎÂÚÍË-ÙÎÓ„„Â˚ ËÎË Î‡ÚÂÍÒÌ˚ ÍÓÒÚ˛Ï˚? ◊ÚÓ ‚ˉˇÚ ÓÌË ‚ Ò‚ÓÂÏ Û‚Î˜ÂÌËË, ˜Â„Ó Ì ‚ˉËÏ Ï˚ Ë ÌËÍÓ„‰‡ Ì ۂˉËÏ, ÂÒÎË Ó„‡Ì˘ËÏÒˇ ÚÓθÍÓ ‰ÓÍÛÏÂÌڇθÌ˚Ï Ó·ÁÓÓÏ?
Documentary-narrative drama. WishMaster, Clever Lil, New, Skunk, Fox, Foxy, CatÖ this is a group of people who reckon that their invented life is much more important and real than what their birth held in store for them. They practice a sado-masochism, creating around their passions the romantic image of another world visible only to them. From the position of ordinary citizens they are no more than perverts with mental deviations. And still, who are they? How do they survive in a world that they call ìvanillaî? And why do they use these strange nicknames and carefully chosen, ominous attributes: flogging scourges or latex suits? What do they see in their hobby that we do not see ñ and never shall see, if we limit ourselves by a documentary approach? 22 ÍÓÌÍÛÒ competition www.lunginstudio.ru œÓËÁ‚Ó‰ÒÚ‚Ó –ËÏχ ÿÛθ„Ë̇ œÓ‰˛ÒÂ˚ ÔÓ‰˛ÒÂ˚ √Â̇θÌ˚ —‡¯‡ ¿ÒÚ‡ıÓ‚‡ ŒÎ¸„‡ ŒÌˢÂÌÍÓ,≈‚„ÂÌËÈ—ÂÓ‚,¿ÎÂÍÒÂÈ‘‡Ì‰ÂÚÚË, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ ’Û‰ÓÊÂÒÚ‚ÂÌÌ˚È ÛÍÓ‚Ó‰ËÚÂθ –ÂÊËÒÒ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2007, –ÓÒÒˡ,90ÏËÌ.,ˆ‚.,1:1.85,DolbySRD CRUELTY ∆≈—“ŒüŒ—“‹ —„ÂÈ √ÛÒËÌÒÍËÈ,¬Î‡‰ËÏËÀËÚÓ‚ÌËÍ ¿Î¸·Ë̇ ¿ÌÚËÔÂÌÍÓ –Â̇ڇ ÀËÚ‚ËÌÓ‚‡,¿Ì̇¡Â„ÛÌÓ‚‡, ¿ÌÚÓÌ ƒÓÁ‰Ó‚ ÇË̇ À˛·‡ÍÓ‚‡ ¿Ì‡ÒÚ‡Òˡ ÕÂÙ‰ӂ‡ —„ÂÈ ¿„ËÌ œ‡‚ÂÎ ÀÛÌ„ËÌ,ŒÎ¸„‡¬‡ÒË肇, ƒ‡ÚÓ ≈‚„ÂÌˉÁ BFG-Media Production,—ÚÛ‰Ëˇœ‡‚·ÀÛÌ„Ë̇ ÇË̇ À˛·‡ÍÓ‚‡,ƒÂÌËÒ–Ó‰ËÏËÌ fiËÈ √ÎÓˆÂ,Õ‡‰Âʉ‡—ÓÎÓ‚¸Â‚‡ œ‡‚ÂÎ ÀÛÌ„ËÌ Production Producers General Producers Evgeni Serov,AlexeiFrandetti,SashaAstakhov Cast: Editing Sound Composer Design Costume Design Production ofPhotography Director Artistic Director Scriptwriters 2007, Russia,90min.,col.,1:1.85,DolbySRD Renata Litvinova,AnnaBegunova,OlgaOnishchenko, Sergei Gusinsky,VladimirLitrovnik Albina Antipenko Director PavelLungin Marina Liubakova Dato Evgenidze Pavel Lungin,OlgaVasilieva,RimmaShulgina BFG-Media Production,LunginStudio Marina Liubakova,DenisRodimin Anastasia Nefedova Sergei Agin Yuri Glotser,NadezhdaSolovieva Anton Drozdov ÍÓÌÍÛÒ competition
ÇË̇ À˛·‡ÍÓ‚‡ –ÂÊËÒÒÂ Ë„Ó‚Ó„Ó Ë ‰ÓÍÛÏÂÌڇθÌÓ„Ó ÍËÌÓ. ŒÍÓ̘Ë· ËÒÚÓ˘ÂÒÍËÈ Ù‡ÍÛθÚÂÚ ¬Ó΄ӄ‡‰ÒÍÓ„Ó Ô‰‡„ӄ˘ÂÒÍÓ„Ó ËÌÒÚËÚÛÚ‡ (1986), ¬»œœü (1994, ÂÊËÒÒÂÒ͇ˇ χÒÚÂÒ͇ˇ Ã.». “ÛχÌ˯‚ËÎË, ¬.¬. ¿ÍËÏÓ‚‡). –‡·Óڇ· ̇ ´œÂ‚ÓÏ Í‡Ì‡Îª, ÚÂÎÂ͇̇Π´—ÚÓÎˈ‡ª, ‚ ÚÂÎÂÍÓÏÔ‡ÌËË ´Õ“¬ª. ´∆ÂÒÚÓÍÓÒÚ¸ª ñ Ô‚˚È Ë„Ó‚ÓÈ ÔÓÎÌÓÏÂÚ‡ÊÌ˚È ÙËÎ¸Ï ÂÊËÒÒ‡. 23
‘ËθÏÓ„‡Ùˡ: 1994 ....œÓ„ÓÌˇ (Í/Ï) 1996 ....ÕÂÊË‚ÓÈ Á‚¸ (Í/Ï) 1997 ....Õ ‚ˉˇ ‰Û„ ‰Û„‡ (Í/Ï, ‰ÓÍ.) 2002 ....ŒÒÚÓ‚‡. Õ‡‰Âʉ‡ üÓÊÛ¯‡Ì‡ˇ (‰ÓÍ.) 2003 ....ŒÒÚÓ‚‡. ¬‡ÎÂËÈ ‘ˉ (‰ÓÍ.) 2004 ....“ÂÏÌ˚È ÃÛ (‰ÓÍ.) 2007 ....∆ÂÒÚÓÍÓÒÚ¸ Marina Liubakova Director of feature and documentary films. Graduated from the history faculty of the Volgograd Pedagogical Institute (1986), qualified as director from the Russian Institute for Upgrading of Qualifications in the Cinema Sector (VIPPK) (1994, class of Mikhail Tumanishvili and Vladimir Akimov). Worked on the First Channel, channel ´Stolitsaª, and NTV. ´Crueltyª is her first œÒËıÓÎӄ˘ÂÒ͇ˇ ‰‡Ï‡. feature film. «Óˇ ñ ·Î‡„ÓÔÓÎۘ̇ˇ, ÌÓ Ó‰ËÌÓ͇ˇ ÊÂÌ˘Ë̇ Ò‰ÌËı ÎÂÚ. ¬Ë͇ ñ Ê‡Ê‰Û˘‡ˇ ÌÂÁ‡‚ËÒËÏÓÒÚË ‰Â‚Ә͇-ÚËÌÂȉÊÂ. — Í˚¯Ë Ò‚ÓÂÈ ´ıÛ˘Â‚Í˪ Filmography: ¬Ë͇ ̇·Î˛‰‡ÂÚ ÊËÁ̸ Á‡ ÓÍ̇ÏË ÒÓÒ‰ÌÂ„Ó ‰Óχ. ≈ ÙÓÚÓ‡ÔÔ‡‡Ú 1994 ....Pursuit (short) ÙËÍÒËÛÂÚ Î˛·Ó‚ÌÛ˛ ÒˆÂÌÛ ÏÂÊ‰Û «ÓÂÈ Ë Â ÊÂ̇Ú˚Ï ÒÓÒ‰ÓÏ. ¬ËÍ 1996 ....A lifeless animal (short) ÔËıÓ‰ËÚ ‚ „ÓÎÓ‚Û ´„ÂÌˇθ̇ˇª ˉ¡ ñ ¯‡ÌÚ‡ÊËÓ‚‡Ú¸ Ì‚ÂÌÓ„Ó 1997 ....Without seeing each other (short, doc.) ÏÛʘËÌÛ. — ÔÓÏÓ˘¸˛ ˜‡ÒÚÌ˚ı ‰ÂÚÂÍÚË‚Ó‚ ÚÓÚ ·˚ÒÚÓ ‡Áӷ·˜‡ÂÚ 2002 ....Islands. Nadezhda Kozhushannaya (doc). ¯‡ÌÚ‡ÊËÒÚÍÛ, ÌÓ, ËÒÔÛ„‡‚¯ËÒ¸ ӄ·ÒÍË, ‚Ò Ê ·ÓÒ‡ÂÚ «Ó˛. œÓÒÚÂÔÂÌÌÓ 2003 ....Islands. Valery Fried (doc). ÊÂÌ˘ËÌ˚ Ò·ÎËʇ˛ÚÒˇ, Ë ¬Ë͇ Û„Ó‚‡Ë‚‡ÂÚ ÌÓ‚Û˛ Á̇ÍÓÏÛ˛ ÓÚÓÏÒÚËÚ¸ 2004 ....Dark Ãu (doc). ·˚‚¯ÂÏÛ Î˛·Ó‚ÌËÍÛ. œÓ‰Û„Ë ´‚ıÓ‰ˇÚ ‚Ó ‚ÍÛÒª, ÏÂÒÚ¸ ÔËÓ·ÂÚ‡ÂÚ 2007 ....Cruelty ÍËÏË̇θÌ˚ χүڇ·˚. «Óˇ Ë ¬Ë͇ ÛÊ ÌËÍÓ„‰‡ Ì ·Û‰ÛÚ Ú‡ÍËÏË, Í‡Í ÔÂʉÂÖ
Psychological drama. Zoya is a secure, but lonely middle-aged woman. Vika is a typical teenager longing for independence. From the roof of her apartment block Vika observes life behind the windows of the house opposite. Her photo-camera captures a love scene between Zoya and her married neighbour. Vika has the ingenious idea of blackmailing the unfaithful husband. With the help of a private detective the latter quickly exposes Vika, but, scared of the publicity, he nevertheless ends his affair with Zoya. Gradually the two women get closer, and Vika persuades her new friend to take revenge on her former lover. The women take to the idea, and their revenge reaches criminal dimensions. Zoya and Vika will never be the same as beforeÖ 24 ÍÓÌÍÛÒ competition œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò ¿ÎÂÍ҇̉ ü‡ÈÌÓ‚,œÓÎË̇ÀÓ„‡˜Â‚‡,√ÂÓ„ËȬ·ÒÂÌÍÓ ≈͇ÚÂË̇ É‚‰‚‡,üÓÌÒÚ‡ÌÚËÌÇÎÍÓ‚, ¬ ÓΡı: ÃÓÌڇʠ«‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ Dolby Digital5.1 2007, –ÂÒÔÛ·ÎË͇“‡Ú‡ÒÚ‡Ì(–‘),75ÏËÌ.,ˆ‚., INZEEN-RASPBERRY »Õ«≈≈Õ‹-ÿÀ»Õ¿ ŒÎ„ «Û‚ œ‡‚ÂÎ √ÛÒÚÓ‚,≈͇ÚÂË̇—ÚÓΡ, —„ÂÈ ÀËÚӂˆ ¬Î‡‰ËÏË —Ë‚ÍÓ‚ ÃËı‡ËÎ ÃËı‡ÈÎÓ‚ œ‡‚ÂÎ —ÓÍÓÎÓ‚ÒÍËÈ Ã‡Èˇ ’‚‡Ì “‡Ú¸ˇÌ‡ ÀËÚӂˆ ü‡Á‡ÌÒ͇ˇ ÍËÌÓÒÚÛ‰Ëˇ ƒÂÌËÒ ŒÒÓÍËÌ,¬Î‡‰ËÏË—Ë‚ÍÓ‚ Production Producer Georgi Vlasenko Konstantin Malkov,AlexanderKrainov,PolinaLogacheva, Cast: Editing Sound Composer Design Production Director ofPhotography Director Scriptwriters Dolby Digital5.1 2007, RepublicTatarstan(RussianFederation),75min.,col., Pavel Gustov,EkaterinaStoliar,Medvedeva, Oleg Zuev Pavel Sokolovsky Vladimir Sivkov Mikhail Mikhailov Tatiana Litovets Kazan FilmStudio Denis Osokin,VladimirSivkov Maya Khvan Sergei Litovets ÍÓÌÍÛÒ competition
¬Î‡‰ËÏË —Ë‚ÍÓ‚ –ÂÊËÒÒÂ, ‰‡Ï‡ÚÛ„ Ú‡ڇ Ë ÍËÌÓ. À‡ÛÂ‡Ú ÔÂÏËË ËÏÂÌË √.ÀÓÔ‡ÚË̇ (Á‡ ÒˆÂ̇ËË ÍÓÓÚÍÓÏÂÚ‡ÊÌ˚ı ÍÓωËÈÌ˚ı ÙËθÏÓ‚), Û˜‡ÒÚÌËÍ ÏÂʉÛ̇ӉÌ˚ı ÙÂÒÚË‚‡ÎÂÈ. ŒÍÓ̘ËÎ ¬˚үˠÍÛÒ˚ ÒˆÂ̇ËÒÚÓ‚ Ë ÂÊËÒÒÂÓ‚: χÒÚÂÒÍÛ˛ ÍËÌÓ‰‡Ï‡ÚÛ„ËË À.ÕËÍÓ·‚‡ Ë fi.ü‡‡‚ÍË̇ (1990) Ë Ï‡ÒÚÂÒÍÛ˛ ÍËÌÓÂÊËÒÒÛ˚ —.«ÂÎËÍË̇ Ë œ.ÃÓÒÚÓ‚Ó„Ó 25 (1993). ¿‚ÚÓ ÏÌÓ„Ó˜ËÒÎÂÌÌ˚ı ÍËÌÓÒˆÂ̇Ë‚, ÔÓ ÍÓÚÓ˚Ï ÒÌˇÚÓ 15 ͇ÚËÌ. ¬ 1987ñ92 ‡·ÓڇΠ̇ –ÓÒÚÓ‚ÒÍÓÈ ÒÚÛ‰ËË ÍËÌÓıÓÌËÍË, ‚ 1993ñ99 ñ ‚ ÃÓÒÍ‚Â (–÷—ƒ‘), Ò 2001 ñ ̇ ü‡Á‡ÌÒÍÓÈ ÒÚÛ‰ËË ÍËÌÓıÓÌËÍË, Û˜‡ÒÚÌËÍ ˇ‰‡ ÏÂʉÛ̇ӉÌ˚ı ‰ÓÍÛÏÂÌڇθÌ˚ı ÔÓÂÍÚÓ‚. ¿‚ÚÓ-Ô‚Ӊ˜ËÍ Ù‡ÌˆÛÁÒÍËı Ë„Ó‚˚ı ÙËθÏÓ‚. ´»ÌÁÂÂ̸-χÎË̇ª ñ ‰Â·˛Ú ‚ Ë„Ó‚ÓÏ ÍËÌÓ. Vladimir Sivkov Director, playwright and scriptwriter. Winner of the Lopatin Prize (for scripts of short comedy films), participant of international festivals. Graduated from the Higher Courses of Scriptwriters and Directors, workshop of scriptwriting of L. Nikolaev and Yu. Karavkin (1990), and workshop of film direction of S. Zelikin and P. Mostovoy (1993). Author of numerous film scripts, on “ˉˆ‡ÚËÎÂÚÌËÈ ¿ÎÂÍÒÂÈ, ̇˜‡Î¸ÌËÍ ‡ÈÓÌÌÓ„Ó Óډ· ÍÛθÚÛ˚ ñ Ò‡Ï˚È the basis of which 15 films were made. From ̇ÒÚÓˇ˘ËÈ ˜Û‰ËÍ. ŒÌ ÔÓ·ÛÂÚ ËÒÓ‚‡Ú¸ ‚ χÌ ÿ‡„‡Î‡, Ô˚Ú‡ÂÚÒˇ ÓÚÍ˚Ú¸ 1987-92 worked at the Rostov Studio of Film ÏÛÁÂÈ ÔÓ‚Ë̈ˇθÌÓ„Ó ÛÒÒÍÓ„Ó ‡‚‡Ì„‡‰‡, Á‡ÌËχÂÚÒˇ ‡ıÂÓÎӄ˘ÂÒÍËÏË Chronicles, from 1993-99 in Moscow at the ‡ÒÍÓÔ͇ÏË, Û˜ËÚÒˇ ÎÂÚ‡Ú¸ ̇ Ô‡‡Ô·ÌÂÖ Russian Central Studio of Documentary Films ¬ÓÒÂϸ ‡Ú-ı‡ÛÒÌ˚ı ÍËÌÓÌÓ‚ÂÎÎ, Ò‚ÓÂ„Ó Ó‰‡ ´Ú‡ÍÚ‡Ú Ó ÔÛÒÚÓÚª, (RTsSDF), since 2001 at the Kazan Studio of ̇ÔÓÎÌÂÌÌ˚È ‰ÛıÓ‚ÌÓÈ ˝Ì„ËÂÈ. » ‚Ò ÊÂ, „‰Â ‚ıÓ‰ Ë „‰Â ‚˚ıÓ‰ ‚ ˝ÚÓÈ Film Chronicles. Participant of international ÊËÁÌË? ÃÓÊÂÚ, ÔÓÒÚÓ Á‡Í˚Ú¸ „·Á‡, ÔÓ‚ÂÒËÚ¸ Ò· ̇ Û¯Ë ÎÓÊÍË Ë ÚËıÓ documentary projects. Author and translator ÔÓ‚ÚÓˇÚ¸ ‚Óί·ÌÓ ÒÎÓ‚Ó ´»ÌÁÂÂ̸ª. of French fiction films. ìInzeen-Raspberryî is his debut feature film. The 30-year-old Alexei, head of the regional department of culture, is a real crank. He tries to paint in the style of Chagall, to open a museum of provincial Russian avant-garde, to engage in archeological excavations, to learn paraglidingÖ Eight art-house film novellas, some kind of ìtreatise about emptinessî, filled with spiritual energy. But where is the entrance and where is the exit in this life? Maybe it can be found just by closing oneís eyes, hanging spoons over oneís ears, and silently repeating the magic word ìInzeenî. 26 ÍÓÌÍÛÒ competition HARD-HEARTED ü–≈Ã≈Õ‹ www.ctb.ru œÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò “‡Ú¸ˇÌ‡ Õ‡ÒÚ‡¯Â‚Ò͇ˇ,¿ÎÂÍ҇̉√ÓÎ۷‚,ü‡˝Ì¡‡‰‡ÎÓ‚ —„ÂÈ ÿÂıÓ‚ˆÓ‚,¿Ì‡ÒÚ‡Òˡ¡ÂÁ·ÓÓ‰Ó‚‡, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ÔË Û˜‡ÒÚËËfiˡü·‚‰Ë‚‡ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 2007, –ÓÒÒˡ,90ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital ≈‚„ÂÌˡ œÓÚӈ͇ˇ ´Õ‡¯Â ÍËÌÓª,´ü‡ÓÔÓ͇ڪ Շڇθˇ üÛ˜ÂÂÌÍÓ ≈‚„ÂÌËÈ ¿ÌÚÓÔÓ‚,ƒÏËÚËÈüÛ΢ÍÓ‚, ¬‡‰ËÏ ƒÂ‚ ¿ÎÂÍÒÂÈ ÃËÁ„Ë‚ fiÎˡ ÇÚÓÒÓ‚‡ —„ÂÈ —ÂθˇÌÓ‚ ƒÂÌËÒ ÿË·‡ÌÓ‚ ´—“¬ª ¿ÎÂÍÒÂÈ ÃËÁ„Ë‚, Distribution Production Producer Tatiana Nastashevskaya,AlexanderGolubev,KarenBadalov Sergei Shekhovtsov,AnastasiaBezborodova, Cast: Editing Sound Costume Design Design Production Director ofPhotography Director with participationofYuriKlavdiev Scriptwriter 2007, Russia,90min,col.,1:1.85,DolbyDigital Evgeni Antropov,DmitriKulichkov, Evgenia Pototskaya Natalia Kucherenko Alexei Mizgiryov Sergei Selyanov CTB FilmCompany Nashe Kino,Karoprokat Alexei Mizgiryov, Yulia Matrosova Denis Shibanov Vadim Deev ÍÓÌÍÛÒ competition
¿ÎÂÍÒÂÈ ÃËÁ„Ë‚ üËÌÓÂÊËÒÒÂ, ÒˆÂ̇ËÒÚ. –Ó‰ËÎÒˇ 1 ˲Ρ 1974 „Ó‰‡ ‚ „ÓӉ Ã˚ÒÍË üÂÏÂÓ‚ÒÍÓÈ Ó·Î‡ÒÚË. ŒÍÓ̘ËÎ ÙËÎÓÒÓÙÒÍËÈ Ù‡ÍÛθÚÂÚ “ÓÏÒÍÓ„Ó ÛÌË‚ÂÒËÚÂÚ‡ (1997), ÂÊËÒÒÂÒÍËÈ Ù‡ÍÛθÚÂÚ ¬√»ü‡ (2004, χÒÚÂÒ͇ˇ ¬.fi. ¿·‰‡¯ËÚÓ‚‡). ¬Ó ‚ÂÏˇ ۘ·˚ ÒÌˇÎ ÌÂÒÍÓθÍÓ ÍÓÓÚÍÓÏÂÚ‡ÊÌ˚ı ÙËθÏÓ‚, Ò ÍÓÚÓ˚ÏË ÂÁÛθڇÚË‚ÌÓ Û˜‡ÒÚ‚Ó‚‡Î ‚ ÒÚÛ‰Â̘ÂÒÍËı ÍËÌÓÙÓÛχı, 27 ·˚Î ÂÊËÒÒÂÓÏ-ÒÚ‡ÊÂÓÏ Ì‡ ÙËθÏ ¬‡‰Ëχ ¿·‰‡¯ËÚÓ‚‡ ´Ã‡„ÌËÚÌ˚ ·Û˪ (2003). ¬ 2006 „Ó‰Û ‡·ÓڇΠ‚ ÏÌÓ„ÓÒÂËÈÌÓÏ ÚÂÎÂÔÓÂÍÚ ´üÛ·„ËÌ Ë Ô‡ÚÌÂ˚ª (͇̇Π´–ÓÒÒˡª). ´üÂÏÂ̸ª ñ Ô‚˚È ÔÓÎÌÓÏÂÚ‡ÊÌ˚È ÙËθÏ. Alexei Mizgiryov Film director, scriptwriter. Born 1 July 1974 in Myski, Kemerovo Region. Graduated from the faculty of philosophy of Tomsk University (1997), and from the directorsí faculty of the Film Institute VGIK (2004, workshop of Vadim Abdrashitov). During his studies he made some short films, which participated in student film forums. He was as trainee director on Abdrashitovís ìMagnetic Stormsî (2003). In 2006 he worked on the multi-serial television project ìKulagin and Coî (channel Rossiya). ìHard-heartedî is his first feature film. ƒ‡Ï‡. —Ó‚ÂÏÂÌ̇ˇ ÃÓÒÍ‚‡. √ÓÓ‰ ̇‰Âʉ Ë Ó·Ï‡ÌÛÚ˚ı ÓÊˉ‡ÌËÈ. «‰ÂÒ¸ ‰ÂÈÒÚ‚ÛÂÚ Á‡ÍÓÌ ‚˚ÊË‚‡Ìˡ. œÓ·Âʉ‡ÂÚ ÒËθÌÂȯËÈ. ¿ÌÚÓÌ ÔËÂÁʇÂÚ ‚ ÒÚÓÎËˆÛ Á‡ β·ËÏÓÈ ‰Â‚Û¯ÍÓÈ. ŒÌ‡ Óڂ„‡ÂÚ Â„Ó. ÕÓ ÓÌ Ì ÔË‚˚Í ÓÚÒÚÛÔ‡Ú¸. ≈ÏÛ ÔËıÓ‰ËÚ¸Òˇ ÒÚ‡Ú¸ Ò‚ÓËÏ ‚ ˜ÛÊÓÏ „ÓÓ‰Â. –‡‰Ë Ò‚ÓÂÈ ˆÂÎË ¿ÌÚÓÌ „ÓÚÓ‚ ̇ β·˚ ÔÓÒÚÛÔÍË. ” ÌÂ„Ó ñ Ò‚ÓË Ô‡‚Ë·. ŒÌ ñ ´üÂÏÂ̸ª.
Drama. Modern Moscow is a glamorous, European, harsh city of hopes and deceived expectations. Here the law of the survival of the fittest applies. Anton comes to the capital because of the girl he loves. She rejects him. But Anton is not used to recede and becomes ëour owní in a strange city. For the sake of his goal he is prepared to go the whole way. He has his own rules: he is hard-hearted. 28 ÍÓÌÍÛÒ competition www.staralis.ru œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ ¿Ì‰ÂÈ »Î¸ËÌ,fiËÈ¡ÂΡ‚ ¿ÎÂÍ҇̉ œÓÎÓ‚ˆÂ‚,»Ë̇üÛÔ˜ÂÌÍÓ,Ã‡Ëˇ√ÓÎÛ·, œ‡‚ÂÎ ƒÂ‚ˇÌÍÓ,ƒÏËÚËȃ˛Ê‚,fiËÈüÓÎÓÍÓθÌËÍÓ‚, ¬ ÓΡı: ÏÓÌڇʇ –ÂÊËÒÒ «‚ÛÍ —„ÂÈ œ‡‡ÏÓÌÓ‚ —„ÂÈ ¡‡Ì‚˘,ŒÎ„¬ÓÈÎẨÓ,fiËÈ»„̇ÚÓ‚, ÃÛÁ˚͇ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2007, –ÓÒÒˡ,104ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital5.1 KUKA ü”ü¿ ¿ÎÂÍ҇̉ Œ·‡ÌÚ,¬ËÍÚÓ“ËϯËÌ Ã‡ÍÒËÏ ‘‡‰Â‚,¿Ì‡ÒÚ‡ÒËˇÃ‡ÍÒËÏÓ‚‡, ƒË̇ üÓÁÛÌ,Õ‡ÒÚˇƒÓ·˚ÌË̇, ¿ÌÚÛ‡Ì ¬Ë‚‡ÒƒÂÌËÒÓ‚ ƒÂÌËÒ üÛÔËÌ Õ‡Ú· ¿·Û·‰ÁÂ,ÇÍÒËό҇‰˜ËÈ ´Staralisª ÕËÍÓÎ‡È ¡ÛÎ˚„ËÌ flÓÒ·‚ ◊‚‡Ê‚ÒÍËÈ Production ìStaralisî General ProducersNatelaAbuladze,MaximOsadchi Irina Kupchenko,MariaGolub,AndreiIlyin,YuriBeliayev Dmitri Diuzhev,YuriKolokolnikov,AlexanderPolovtsev, Cast: Editing Sound Oleg Voilendo,YuriIgnatov,SergeiParamonov Music Design Production Director ofPhotography Scriptwriter andDirector 2007, Russia,104min.,col.,1:1.85,DolbyDigital5.1 Dina Korzun,NastiaDobrynina,PavelDerevianko, Maxim Fadeev,AnastasiaMaximova,SergeiBanevich, Alexander Obrant,ViktorTimoshin Nikolai Bulygin Denis Kuprin Antoine VivasDenisov Yaroslav Chevazhevsky ÍÓÌÍÛÒ competition
flÓÒ·‚ ◊‚‡Ê‚ÒÍËÈ –Ó‰ËÎÒˇ ‚ ÃÓÒÍ‚Â ‚ 1968 „Ó‰Û. –ÂÊËÒÒ ÂÍ·Ï˚, ÍÓÔˇÈÚÂ, ÔÓ‰˛ÒÂ. ¬ÓÁ„·‚ΡÂÚ ÒÚÛ‰Ë˛ ´fl◊Â! ‘ËθϪ. ¿‚ÚÓ ÒˆÂ̇Ë‚ Ë ÂÊËÒÒ ·ÓΠ1000 ÂÍ·ÏÌ˚ı ÓÎËÍÓ‚. ¿Í‡‰ÂÏËÍ –ÓÒÒËÈÒÍÓÈ ¿Í‡‰ÂÏËË ÂÍ·Ï˚, ÏÌÓ„Ó͇ÚÌ˚È ÔËÁ ÃÓÒÍÓ‚ÒÍÓ„Ó ÏÂʉÛ̇ӉÌÓ„Ó ÙÂÒÚË‚‡Îˇ ÂÍ·Ï˚. ‘ËÎ¸Ï ´üÛ͇ª ñ ‰Â·˛Ú ‚ ÔÓÎÌÓÏÂÚ‡ÊÌÓÏ ÍËÌÓ. 29 Yaroslav Chevazhevsky Born in Moscow in 1968. Director of advertising, copywriter, producer. Heads the studio ìYarCheî (BrighTer). Author of scripts and director of over 1000 advertising clips. Member of the Russian Academy of Advertising, repeatedly prize winner of the Moscow International Festival of Advertising. ìKukaî is his debut full-length feature.
ÃÂÎÓ‰‡Ï‡. ÀÂÌ 38 ÎÂÚ. ∆ËÁ̸, ͇Á‡ÎÓÒ¸ ·˚, ̇·ÊÂ̇ ñ ÃÓÒÍ‚‡, ͇¸Â‡, ´ÔÂÒÚËÊÌ˚Ȫ ·ÓÈÙẨ. ÕÓ ÀÂ̇ ÒÓÁ̇ÂÚ, ˜ÚÓ ˝ÚÓ ñ ÔÛÚ¸ ‚ ÌËÍÛ‰‡, ˜ÚÓ ÔË ‚̯ÌÂÏ ·Î‡„ÓÔÓÎÛ˜ËË Ó̇ ÔÓÚ¡· ˜ÚÓ-ÚÓ Ó˜Â̸ ‚‡ÊÌÓÂ Ë ˜ÚÓ Ô˯· ÔÓ‡ ̇ÍÓ̈ ÔÂÂÒÏÓÚÂÚ¸ Ò‚Ó˛ ÊËÁ̸. ÀË·Ó ÒÂȘ‡Ò, ÎË·Ó ÛÊ ÌËÍÓ„‰‡. ÀÂ̇ ·ÓÒ‡ÂÚ ‚ÒÂ Ë ÓÚÔ‡‚ΡÂÚÒˇ ‚ œÂÚ·ۄ, „‰Â ÛÒڇ˂‡ÂÚÒˇ ̇ ÔÂ‚Û˛ ÔÓÔ‡‚¯Û˛Òˇ ‡·ÓÚÛ ÔÓ Ó·˙ˇ‚ÎÂÌ˲ ñ ‚ ‡ÈÓÌÌÛ˛ ÒÓˆÒÎÛÊ·ÛÖ üÛ͇ ÊË‚ÂÚ ‚ œÂÚ·ۄ Òӂ¯ÂÌÌÓ Ó‰Ì‡. ŒÌ‡ ÒÏ·ˇ, ÒÏ˚¯ÎÂ̇ˇ Ë Ó˜Â̸ ‚ÁÓÒ·ˇ ‰Â‚Ә͇, ÂÈ 6 ÎÂÚ. Œ‰Ì‡Ê‰˚ ÀÂ̇ Ë üÛ͇ ‚ÒÚ˜‡˛ÚÒˇ. ÀÂ̇ ıÓ˜ÂÚ ÔÓÏÓ˜¸ ˝ÚÓÈ ÒÚ‡ÌÌÓÈ ‰Â‚˜Û¯ÍÂ. ÕÓ üÛ͇, Á‡‚ˉ‚ Ò‰ӷÓθÌÛ˛ ÚÂÚ˛, ÏÓÏÂÌڇθÌÓ ËÒÔ‡ˇÂÚÒˇ, ‚‰¸  ÏÓ„ÛÚ ´Ò‰‡Ú¸ª ‚ ‰ÂÚÒÍËÈ ‰ÓÏ!..
Melodrama. Lena is 38 years old. Her life, it seems, is all mapped out: Moscow, a career, a ìprestigiousî boyfriend. But Lena understands that all this leads nowhere, that underneath the appearance she has lost something very important; thus, finally, she reconsiders her life ñ either now or never. Lena throws it all in and goes to St Petersburg, where she accepts the first available job: in the local social servicesÖ Kuka lives in Petersburg, completely on her own. The six-year-old girl is courageous, clever and very mature for her age. Lena and Kuka meet one day. Lena wants to help this strange little girl. But Kuka, having noticed Lenaís compassion, instantly disappears, because Lena could turn her in to an orphanage!.. 30 ÍÓÌÍÛÒ competition INSPIRING Õ¿“”–Ÿ»÷¿ www.inspiring.ru; www.rossfilm.ru œÓÍ‡Ú ‘‰‡θÌÓ ‡„ÂÌÚÒÚ‚ÓÔÓÍÛθÚÛÂËÍËÌÂχÚÓ„‡ÙËË œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò “‡Ú¸ˇÌ‡ ü‡‚˜ÂÌÍÓ,Ç͖ۉË̯ÚÂÈÌ,À˛‰ÏË·œÓΡÍÓ‚‡ ÕËÍÓÎ‡È ‘ÓÏÂÌÍÓ,ƒ‡ÌËËΗڇıÓ‚,¬ËÚ‡ÎËÈ≈„ÓÓ‚, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍË ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 2006, –ÓÒÒˡ,117ÏËÌ.,ˆ‚.,1:1.66,DolbySR ¿Ì‰ÂÈ üÓËÌÒÍËÈ ´ü‡Ò͇‰ ÙËθϪ ÕÂÎÎË ∆‰‡ÌÓ‚‡,—‚ÂÚ·̇ÀËÔË̇ ¬ËÍÚÓˡ “ÓÎÒÚÓ„‡ÌÓ‚‡,ƒ‡ÌËËΗÔË‚‡ÍÓ‚ÒÍËÈ, ÕËÍÓÎ‡È ÕÂÏÓΡ‚ “‡Ú¸ˇÌ‡ ¬ÓÓ͇̈ˇ Շڇθˇ ƒË‡ÌÓ‚‡ “‡Ú¸ˇÌ‡ ¬ÓÓ͇̈ˇ »„Ó¸ ÀÂϯ‚,fiËÈŒÒËÔÂÌÍÓ ƒÏËÚËÈ üÛÎˇÌ‰ÒÍËÈ ´–ÓÒÒÙËθϪ, „ÛÔÔ‡ÍÓÏÔ‡ÌËÈ´–ÂÌÓ‚‡ª, ƒÏËÚËÈ —Ó·Ó΂ Distribution Agency forCultureandCinematography,Renova-Media Production Producer Tatiana Kravchenko,MarkRudinshtein,LiudmilaPoliakova Nikolai Fomenko,DaniilStrakhov,VitaliEgorov, Cast: Editing Sound Composer Design Costume Art Directors Camera Director Scriptwriter 2006, Russia,117min,col.,1:1.66,DolbySR Victoria Tolstoganova,DaniilSpivakovsky, Andrei Korinsky Nelli Zhdanova,SvetlanaLipina Nikolai Nemoliaev Tatiana Voronetskaya Tatiana Voronetskaya Dmitri Kurliandsky Rossfilm, withparticipationoftheFederal ´Cascade Filmª Dmitri Sobolev Igor Lemeshev,YuriOsipenko Natalia Dianova ÍÓÌÍÛÒ competition
“‡Ú¸ˇÌ‡ ¬ÓÓ͇̈ˇ œÓ‰˛ÒÂ, ÂÊËÒÒ ‰ÓÍÛÏÂÌڇθÌÓ„Ó Ë Ë„Ó‚Ó„Ó ÍËÌÓ, „Â̇θÌ˚È ‰ËÂÍÚÓ Ë ÓÒÌÓ‚‡ÚÂθ ÍËÌÓÍÓÏÔ‡ÌËË ´–ÓÒÒÙËθϪ. ŒÍÓ̘Ë· ÒˆÂ̇ÌÓ-ÍËÌӂ‰˜ÂÒÍËÈ Ù‡ÍÛθÚÂÚ ¬√»ü‡ (1981), ‡ÒÔˇÌÚÛÛ (1989). — 1981 ñ ÒÚ‡¯ËÈ Â‰‡ÍÚÓ ÍËÌÓÒÚÛ‰ËË ´—Ó˛ÁÏÛθÚÙËθϪ, ‚ 1983ñ90 ñ ‰ËÂÍÚÓ Ì‡Û˜ÌÓ-ÏÂÚӉ˘ÂÒÍÓ„Ó Í‡·ËÌÂÚ‡ √ÓÒÍËÌÓ ———–, Ò 1990 ñ Á‡ÏÂÒÚËÚÂθ 31 ‰ËÂÍÚÓ‡ “‡ڇ-ÒÚÛ‰ËË ´¿–—-90ª ÔË ¬√»ü (˝ÍÒÔÂËÏÂÌڇθ̇ˇ χÒÚÂÒ͇ˇ —„¡ —ÓÎÓ‚¸Â‚‡), Ô‰‡„Ó„ ¬√»ü‡. ¿‚ÚÓ ÍÌË„Ë ´ÀÂÓÌˉ ‘Ë·ÚÓ‚ª (1991), ÍËÚ˘ÂÒÍËı ÒÚ‡ÚÂÈ Ó ÍËÌÓ.
‘ËθÏÓ„‡Ùˡ ÂÊËÒÒ‡: 2000 ....Œ, Ì ÎÂÚË Ú‡Í, ÊËÁ̸... ÀÂÓÌˉ ‘Ë·ÚÓ‚ (‰ÓÍ.) 2002 ....¡Ó„ ı‡ÌËÚ ‚ÒÂÖ (‰ÓÍ.) 2003 ....Çڸ ¬Î‡‰ËÏËÒ͇ˇ (‰ÓÍ.) 2003 ....–ˆÂÔÚ ÍÓΉÛÌ¸Ë 2004 ....ÕÂÁ̇ÍÓÏ͇ (‰ÓÍ.) 2004 ....–ÓÒÒˡ, ÍÓÚÓÛ˛ Ï˚ Ó·ÂÎË (‰ÓÍ.) 2005 ....ÀË„‡ ӷχÌÛÚ˚ı ÊÂÌ (Ò¡Î) 2005 ....—Ô‡Ò‡ÚÂÎË (‰ÓÍ.) 2006 ....◊ËÒÚÓ ÊÂÌÒ͇ˇ ËÒÚÓˡ (‰ÓÍ.) 2006 ....Õ‡ÚÛ˘Ëˆ‡ Tatiana Voronetskaya Producer, director of documentary and feature films, general director and founder of
ìRossfilmî Company (Moscow). Graduated œÒËıÓÎӄ˘ÂÒ͇ˇ ÏÂÎÓ‰‡Ï‡ ÔÓ ÏÓÚË‚‡Ï ‡ÒÒ͇Á‡ fiˡ Õ‡„Ë·Ë̇ ´“ÓÂ Ë from the scriptwriting department of the Ӊ̇, Ë Â˘Â Ó‰Ë̪. Film Institute VGIK (1981), and completed a Õ‡˜‡ÎÓ XX ‚Â͇. ÃÓÎÓ‰‡ˇ ÒÛÔÛÊÂÒ͇ˇ Ô‡‡, ¬Î‡‰ËÒ·‚ ›¯ÂÌ·‡ı Ë —ÓÙ¸ˇ higher degree in 1989. From 1981 she worked œ¯Ë·˚¯Â‚Ò͇ˇ, ÔËÂÁʇ˛Ú ‚ “ËÙÎËÒ, „‰Â Ëı ʉÛÚ ÒÓÎ̈Â, ‚ËÌÓ, ‰Â‚Ìˇˇ as chief editor of Soyuzmultfilm animation ‡ıËÚÂÍÚÛ‡ Ë ÌÓ‚˚ ‚Ô˜‡ÚÎÂÌˡ. ŒÌ‡ ñ ‚˜̇ˇ β·Ó‚Ìˈ‡, ˝ÚÓ ñ  studio; from 1983-90 she was director of the ÔÓÙÂÒÒˡ, Ó·‡Á ÊËÁÌË Ë Ó·‡Á Ï˚ÒÎÂÈ. ŒÌ ˝ÚÓ ÔÓÌˇÎ Â˘Â ‰Ó ÊÂÌËÚ¸·˚, ÌÓ scientific-methodical department of Goskino Ì ÏÓÊÂÚ Ò ˝ÚËÏ ÒÏËËÚ¸Òˇ. »ı Ó‰Ó΂‡ÂÚ Ò‡ÏÓβ·ËÂ, Ê·ÌË ·˚Ú¸ of the USSR. Since 1990 she worked as ÔÓÌˇÚ˚Ï Ë ‰‡Ê ÓÚ˜‡ˇÌËÂ. ƒÎˇ Í‡Ê‰Ó„Ó ËÁ ÌËı ‚Á„Ρ‰˚ ‰Û„Ó„Ó ñ deputy director for the Theatrical Studio „ÎÛÔÓÒÚ¸, Ë ‚Ò Ê ÓÌË Ô˚Ú‡˛ÚÒˇ ÊËÚ¸ ‚ÏÂÒÚÂ. »ÒıÓ‰ Ú‡ÍÓÈ ËÒÚÓËË, ìArs-90î at VGIK (experimental class of ͇Á‡ÎÓÒ¸ ·˚, Ә‚ˉÂÌ. ÕÓ Ó̇ ÔËÓ·ÂÚ‡ÂÚ Òӂ¯ÂÌÌÓ ËÌÓÈ ÔÓ‚ÓÓÚ: ‚ Sergei Soloviov), and has taught at the Film ÊËÁÌË ÒÚ‡ÌÌÓÈ Ô‡˚ ̇ÒÚÛÔ‡ÂÚ ÏÓÏÂÌÚ, ÍÓ„‰‡ ͇ʉ˚È ËÁ ÌËı ‰ÓÎÊÂÌ Institute. Author of the book ìLeonid ¯ËÚ¸ Ò‡Ï˚È ‚‡ÊÌ˚È ‰Îˇ Ò·ˇ ‚ÓÔÓÒÖ Filatovî (1991), and of critical articles about cinema. Psychological melodrama based on the motives of Yuri Nagibinís story ìThree men and one woman, and one more manî. Directorís filmography: The beginning of the 20th century. The young couple Vladislav Eschenbach and 2000 ....Oh, do not fly past, life... Leonid Filatov (doc.) Sofia Pshebyshevskaya arrive in Tiflis, where sun, wine, ancient architecture 2002 ....God protects allÖ (doc.) and new impressions await them. She is the eternal mistress; it is her trade, 2002 ....Sacred Mother Vladimirskaya (doc.) her way of life and thinking. He understood this well before their marriage, 2004 ....The Sorceressís Recipe but he cannot come to terms with her way of life. They are overcome by 2004 ....The Unknown Woman (doc.) 2004 ....The Russia that we have found (doc.) vanity, by the desire for understanding, and even by despair. For each of them 2005 ....The League of Deceived Wives (serial) the views of the other are nonsense, but they still try to live together. The 2005 ....Rescuers (doc.) outcome of this story seems obvious. But it takes an unexpected turn: in the 2006 ....An Absolutely Female Story (doc.) life of the strange couple there occurs a moment when each of them has to 2006 ....Inspiring resolve the single most important questionÖ 32 ÍÓÌÍÛÒ competition SOAR Œ“–¤¬ √Â̇θÌ˚È ÔÓ‰˛Ò ≈͇ÚÂË̇ fi‰Ë̇ Ã‡Ëˇ Çڂ‚‡,ü·‚‰ËˇüÓ¯ÛÌÓ‚‡,»Ë̇Շı‡Â‚‡, ¿ÎÂÍ҇̉ –Ó·‡Í,—„ÂÈ≈Ô˯‚,—Ú‡ÌËÒ·‚ƒÛÊÌËÍÓ‚, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2007, –ÓÒÒˡ,85ÏËÌ.,1:1.66,DolbySRD www.passengerstudio.ru; www.centpart.ru œÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ üËËÎÎ ¬‡ÒËÎÂÌÍÓ ´÷ÂÌڇΠœ‡Ú̯ËÔª »‚‡Ì À·‰‚,ƒ‡¸ˇƒ‡ÌËÎÓ‚‡ ¬ËÚ‡ÎËÈ üˢÂÌÍÓ,ÇÍÒËÏ¡ËÚ˛ÍÓ‚, ÿ‡Ì‰Ó ¡ÂÍÂ¯Ë »Ë̇ √‡Ê‰‡ÌÍË̇,≈͇ÚÂË̇’ËÏ˘‚‡ ¿ÎÂÍ҇̉ ◊ÂÚӂ˘ —„ÂÈ ƒ‡ÌËÂΡÌ,¿‡ÏÃÓ‚ÒÂÒˇÌ,fiËÈÃÓÓÁ ´œ‡ÒÒ‡Ê˪ ÔÓÁ‡Í‡ÁÛ´÷ÂÌڇΜ‡Ú̯ËÔª –Û·ÂÌ ƒË¯‰Ë¯ˇÌ ¿ÎÂÍ҇̉ ÃË̉‡‰Á Distribution Production Producers General Producer Klavdia Korshunova,IrinaNakhaeva,EkaterinaYudina Sergei Epishev,StanislavDuzhnikov,MariaMatveeva, Cast: Editing Sound Design Costume Design Production ofPhotography Director Scriptwriter andDirector 2007, Russia,85min.,col.,1:1.66,DolbySRD Vitali Kishchenko,MaximBitiukov,AlexanderRobak, Kirill Vasilenko Ivan Lebedev,DashaDanilova Sergei Danielian,AramMovsesian,YuriMoroz ´Passengerª, commissionedbyCentralPartnership Central Partnership Irina Grazhdankina,EkaterinaKhimicheva Ruben Dishdishian Alexander Chertovich Sandor Berkesi Alexander Mindadze ÍÓÌÍÛÒ competition
¿ÎÂÍ҇̉ ÃË̉‡‰Á —ˆÂ̇ËÒÚ Ë ÂÊËÒÒÂ. «‡ÒÎÛÊÂÌÌ˚È ‰ÂˇÚÂθ ËÒÍÛÒÒÚ‚ –—‘—–, ·ÛÂ‡Ú √ÓÒÛ‰‡ÒÚ‚ÂÌÌÓÈ ÔÂÏËË ———–, √ÓÒÛ‰‡ÒÚ‚ÂÌÌÓÈ ÔÂÏËË –—‘—– ËÏÂÌË ¡‡Ú¸Â‚ ¬‡ÒËθ‚˚ı, ÏÂʉÛ̇ӉÌ˚ı Ë ÓÒÒËÈÒÍËı ÔÓÙÂÒÒËÓ̇θÌ˚ı ÍËÌÓÔÂÏËÈ. –Ó‰ËÎÒˇ 28 ‡ÔÂΡ 1949 „Ó‰‡ ‚ ÃÓÒÍ‚Â. ŒÍÓ̘ËÎ ÒˆÂ̇Ì˚È Ù‡ÍÛθÚÂÚ ¬√»ü‡ (1971). ¿‚ÚÓ ÒˆÂ̇Ë‚ ÙËθÏÓ‚, 33 ‚ӯ‰¯Ëı ‚ ´ÁÓÎÓÚÓÈ ÙÓ̉ª ÓÚ˜ÂÒÚ‚ÂÌÌÓ„Ó ÒӈˇθÌÓ-ÔÒËıÓÎӄ˘ÂÒÍÓ„Ó ÍËÌÓ: ´ŒıÓÚ‡ ̇ ÎËÒª, ´ŒÒÚ‡ÌÓ‚ËÎÒˇ ÔÓÂÁ‰ª, ´œ‡‡‰ Ô·ÌÂÚª, ´œÎ˛Ï·ÛÏ, ËÎË ŒÔ‡Ò̇ˇ Ë„‡ª, ´—ÎÛ„‡ª, ´¿Ï‡‚˪, ´œ¸ÂÒ‡ ‰Îˇ Ô‡ÒÒ‡Êˇª, ´¬ÂÏˇ ڇ̈Ӈª, ´Ã‡„ÌËÚÌ˚ ·Û˪ (ÂÊËÒÒ ¬‡‰ËÏ ¿·‰‡¯ËÚÓ‚); ´“ËÓª (ÂÊ. ¿ÎÂÍ҇̉ œÓ¯ÍËÌ), ´üÓÒÏÓÒ Í‡Í Ô‰˜Û‚Òڂ˪ (ÂÊ. ¿ÎÂÍÒÂÈ ”˜ËÚÂθ)Ö ´ŒÚ˚‚ª ñ ÂÊËÒÒÂÒÍËÈ ‰Â·˛Ú Í·ÒÒË͇ ÍËÌÓ‰‡Ï‡ÚÛ„ËË. Alexander Mindadze Scriptwriter, winner of the State Prize of the USSR, the Vasiliev Brothersí State Prize of the RSFSR, and other national and international awards. Born on 28 April 1949 in Moscow. Graduated from the scriptwriting department of the Film Institute VGIK (1971). Author of scripts for films that form part of the ìgolden fundî of Russiaís socio- ƒ‡Ï‡. psychological cinema: ìFox Huntingî, ìThe ◊ÂÎÓ‚ÂÍ, ÔÓÚ¡‚¯ËÈ ‚ ‡‚ˇ͇ڇÒÚÓÙ ÊÂÌÛ, Ô˚Ú‡ÂÚÒˇ ‚˚ˇÒÌËÚ¸ ËÒÚËÌÌÛ˛ Train Stoppedî, ìParade of Planetsî, Ô˘ËÌÛ ÔÓËү‰¯Â„Ó. œÂÓ‰Ó΂‡ˇ ÍÛ„Ó‚Û˛ ÔÓÛÍÛ ÎÊË, ÓÌ ‚˚ÌÛʉÂÌ ìPlumbum, or a Dangerous Gameî, ìThe ̇ ‚ÂÏˇ Á‡·˚Ú¸ Ó „ÓÂ. ¬Ì‰˂¯ËÒ¸ ‚ ÍÓÏÔ‡Ì˲ ÔËÎÓÚÓ‚ ‰Û„Ó„Ó, Servantî, ìArmavirî, ìPlay for the ¯Â‰¯Â„Ó Ì‡‚ÒÚ˜Û, ÌÓ ËÁ·Âʇ‚¯Â„Ó Ô‡‰ÂÌˡ Ò‡ÏÓÎÂÚ‡, ÓÌ Ô‡Á‰ÌÛÂÚ ÒÓ Passengerî, ìTime of the Dancerî, ìMagnetic ÒÔ‡Ò¯ËÏÒˇ ˝ÍËÔ‡ÊÂÏ Â„Ó ‚ÚÓÓ ÓʉÂÌËÂ. ÕÂÓÊˉ‡ÌÌÓ ÏËÌÛÚ˚ „Óˇ Stormsî (director Vadim Abdrashitov); Ó·Ó‡˜Ë‚‡˛ÚÒˇ ‰Îˇ ÌÂ„Ó Ì‚ˉ‡ÌÌÓÈ, ‰ÓÒÂΠÌËÍÓ„‰‡ Ì ËÒÔ˚Ú˚‚‡ÂÏÓÈ ìDreaming of Spaceî (director Alexei ‚ÒÔ˚¯ÍÓÈ Ò‚Ó·Ó‰˚. ¿ χÒÍËӂ͇ ÒÚ‡ÌÓ‚ËÚÒˇ Ò·‰ÍÓÈ ÎÓ‚Û¯ÍÓÈ, ÔÓÔ‡‚ ‚ Uchitel)Ö ìSoarî is the directorial debut of ÍÓÚÓÛ˛ ÓÌ ÔÓÊË‚‡ÂÚ ˇÍË ˜‡Ò˚ Ò‚ÓÂÈ ÊËÁÌË. this classical scriptwriter. Drama. Having lost his wife in a plane crash, a man tries to find out the true reason for the disaster. While surmounting the collective lie all around, he is forced to forget his grief for a time. He joins a group of pilots from another aircraft that has just missed a crash, and he celebrates his rebirth with the saved crew. Unexpectedly, moments of grief turn into an unprecedented, hitherto never experienced flash of freedom for him. The masking becomes a lulling trap, from whence he relives the happiest hours of his life. 34 ÍÓÌÍÛÒ competition www.koktebel.cinemax.ru œÓÍ‡Ú ‡„ÂÌÚÒÚ‚‡ ÔÓÍÛθÚÛÂËÍËÌÂχÚÓ„‡ÙËË œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò À˛·Ó‚¸ ÇÍ‚‡,√ÂÌ̇‰ËÈ¡Ó„‡˜Â‚,ƒÏËÚËÈ¡˚ÍÓ‚ÒÍËÈ Ã‡Îı‡Á ∆‚‡Ìˡ,»‚‡Ìÿ‚‰ӂ,ÀÛËÁ‡Ã‡ÍÓ‚‡, —‚ÂÚ·̇ ü‡Ï˚ÌË̇,ƒË̇‡üÛÚÛ‚‡,»‚‡ÌŒÒËÔÓ‚, ¬ ÓΡı: SIMPLE THINGS œ–Œ—“¤≈ ¬≈Ÿ» ÂËÒÏÓÌڇʇ –ÂÊËÒÒ «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2006, –ÓÒÒˡ,108ÏËÌ.,ˆ‚.,1:1.66,DolbyDigital5.1 ¬Î‡‰ËÏË √ÓÎÓ‚ÌˈÍËÈ ´üËÌÓ ·ÂÁ„‡Ìˈª —„ÂÈ œÛÒÍÂÔ‡ÎËÒ,ÀÂÓÌˉ¡ÓÌ‚ÓÈ, œ‡‚ÂÎ üÓÒÚÓχӂ ŒÎ¸„‡ —ÏÓÎË̇ –ÓÏ‡Ì ¡ÓËÒ‚˘ ŒÎ¸„‡ ŒÒËÔÓ‚‡ ƒÏËÚËÈ ü‡Úı‡ÌÓ‚ ´üÓÍÚ·Âθª, ÔËÛ˜‡ÒÚËˑ‰‡θÌÓ„Ó »‚‡Ì À·‰‚ ¿ÎÂÍÒÂÈ œÓÔӄ·ÒÍËÈ Distribution Agency ofCultureandCinematography Production Producer Gennadi Bogachev,DmitriBykovsky Ivan Shvedov,LuizaMarkova,LiubovMakeeva, Dinara Kutuyeva,IvanOsipov,MalkhazZhvaniya, Cast: Editing Sound Composer Design Costume Design Production Director ofPhotography Scriptwriter andDirector 2006, Russia,108min,col.,1:1.66,DolbyDigital5.1 Sergei Puskepalis,LeonidBronevoy,SvetlanaKamynina, Vladimir Golovnitsky Ivan Lebedev Roman Borisevich Dmitri Katkhanov Koktebel, withparticipationoftheFederal Cinema WithoutFrontiers Olga Smolina Olga Osipova Pavel Kostomarov Alexei Popogrebsky ÍÓÌÍÛÒ competition
¿ÎÂÍÒÂÈ œÓÔӄ·ÒÍËÈ üËÌÓÂÊËÒÒÂ, ÒˆÂ̇ËÒÚ. –Ó‰ËÎÒˇ 7 ‡‚„ÛÒÚ‡ 1972 „Ó‰‡ ‚ ÃÓÒÍ‚Â. ŒÍÓ̘ËÎ Ù‡ÍÛθÚÂÚ ÔÒËıÓÎÓ„ËË Ã√” (1995). œÓÒΠÓÍÓ̘‡Ìˡ ÛÌË‚ÂÒËÚÂÚ‡ Á‡ÌËχÎÒˇ Ô‚ӉÓÏ. — ¡ÓËÒÓÏ ’ηÌËÍÓ‚˚Ï ÒÌˇÎ ÍÓÓÚÍÓÏÂÚ‡ÊÌ˚ ÙËθÏ˚ ´ÃËÏÓıÓ‰ª (1997, ‰ÓÍ.) Ë ´’ËÚ‡ˇ Ρ„ۯ͇ª (2000, Ë„Ó‚ÓÈ). —ÎÂ‰Û˛˘‡ˇ Ëı ÒÓ‚ÏÂÒÚ̇ˇ ÔÓÎÌÓÏÂÚ‡Ê̇ˇ ͇ÚË̇ ´üÓÍÚ·Âθª 35 (2003) Òڇ· Ó‰ÌÓÈ ËÁ Ò‡Ï˚ı ÙÂÒÚË‚‡Î¸Ì˚ı ͇ÚËÌ „Ó‰‡ (´—·ˇÌ˚È √ÂÓ„ËȪ ‚ ÃÓÒÍ‚Â, ´«ÓÎÓÚ‡ˇ ÎËÎˡª ‚ ¬ËÒ·‡‰ÂÌÂ). ´œÓÒÚ˚ ‚Â˘Ëª ñ Ò‡ÏÓÒÚÓˇÚÂθÌ˚È ÔÓÎÌÓÏÂÚ‡ÊÌ˚È ‰Â·˛Ú ÛÊ ËÁ‚ÂÒÚÌÓ„Ó ÂÊËÒÒ‡. Alexei Popogrebsky Film director, scriptwriter. Born on 7 August 1972 in Moscow. Graduated from the faculty of psychology of Moscow State University (1995). After university he worked as translator. Together with Boris Khebnikov he made the short films ìPassing Byî (1997, doc.) and ìThe Tricky Frogî (2000). Their following joint full-length film ìRoads to Koktebelî (2003) became the festival hit of the year (ìSilver Georgeî in Moscow, ìGolden Lilyî in Wiesbaden). ìSimple Thingsî is the independent full-length debut film of this already well-known director. œÒËıÓÎӄ˘ÂÒ͇ˇ ‰‡Ï‡. Õ‡‰ÂˇÒ¸ ÔÓÔ‡‚ËÚ¸ χÚ¡θÌÓ ÔÓÎÓÊÂÌË ҂ÓÂÈ ÒÂϸË, ÊË‚Û˘ÂÈ ‚ ÍÓÏÏÛ̇ÎÍÂ, ‚‡˜-‡ÌÂÒÚÂÁËÓÎÓ„ —„ÂÈ Ã‡ÒÎÓ‚ ̇ÌËχÂÚÒˇ Ûı‡ÊË‚‡Ú¸ Á‡ ¬Î‡‰ËÏËÓÏ ∆Û‡‚΂˚Ï, ÒÚ‡˚Ï ‡ÍÚÂÓÏ, ÌÂÍÓ„‰‡ Á̇ÏÂÌËÚ˚Ï, ‡ ÒÂȘ‡Ò ÔÓ˜ÚË Á‡·˚Ú˚Ï. ∆Û‡‚΂ Ó·‡˘‡ÂÚÒˇ Í Ã‡ÒÎÓ‚Û Ò ÌÂÓ·˚˜ÌÓÈ ÔÓÒ¸·ÓÈ, ÍÓÚÓ‡ˇ ÒÚ‡‚ËÚ —„¡ Ô‰ ÌÂÔÓÒÚ˚Ï ‚˚·ÓÓÏ. œË‚˚ÍÌÛ‚ ‚Ó ‚ÒÂÏ ËÁ·Â„‡Ú¸ ÒÎÓÊÌÓÒÚÂÈ, —„ÂÈ Ì‡˜Ë̇ÂÚ ‰ÂÈÒÚ‚Ó‚‡Ú¸ ñ Ë Ì ҇Ï˚Ï ÎÛ˜¯ËÏ Ó·‡ÁÓÏ... ›ÚÓ ÙËÎ¸Ï Ó ÔÓÒÚ˚ı ‚¢‡ı, ÍÓÚÓ˚ β‰Ë ÌÓÓ‚ˇÚ Á‡ÔÛÚ‡Ú¸, ÌÓ ÍÓÚÓ˚ ҇ÏË ‚ÒÚ‡˛Ú ̇ Ò‚ÓË ÏÂÒÚ‡, ÒÚÓËÚ Î˯¸ ‚Á„ΡÌÛÚ¸ ̇ ÌËı ÔÓ- ‰Û„ÓÏÛ.
Psychological drama. Hoping to improve the financial situation of his family who live in a communal apartment, the anaesthetist Sergei Maslov is hired to look after Vladimir Zhuravlyov, an old actor who was once well-known and is now almost forgotten. Zhuravlyov addresses Maslov with an unusual request, which puts Sergei before an uneasy choice. Sergei, who is used to avoid complexities, takes action ñ albeit not in the best way... This is a film about simple things, which people muddle, but which fall into place if only you look at them in a different way. 36 ÍÓÌÍÛÒ competition THE MERMAID –”—¿Àü¿ www.centpart.ru œÓÍ‡Ú ÍÛθÚÛ ËÍËÌÂχÚÓ„‡ÙËË œ‡Ú̯ËÔª, ÔËÛ˜‡ÒÚËˑ‰‡θÌÓ„Ó‡„ÂÌÚÒÚ‚‡ÔÓ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò ՇÒÚˇ ƒÓ̈ӂ‡,»Ë̇—ÍËÌ˘ÂÌÍÓ,¬ÂÓÌË͇—ÍÛ„Ë̇ ¬ ÓΡı «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2007, –ÓÒÒˡ,113ÏËÌ.,ˆ‚.,1:1.85,DolbySRD ƒÏËÚËÈ —ÏËÌÓ‚ ´÷ÂÌڇΠœ‡Ú̯ËÔª : Ã‡Ëˇÿ‡Î‡Â‚‡,≈‚„ÂÌËÈ÷˚„‡ÌÓ‚,—ÓÍÓ‚‡, ŒÎ„ üˢÂÌÍÓ »Ë̇ √‡Ê‰‡ÌÍË̇ –Û·ÂÌ ƒË¯‰Ë¯ˇÌ ”θˇÌ‡ –ˇ·Ó‚‡ »„Ó¸ ¬‰Ó‚ËÌ ´Magnumª ÔÓÁ‡Í‡ÁÛ´÷ÂÌڇΠ¿Ì̇ ÃÂÎËÍˇÌ Distribution Cinematography with participationoftheFederalAgencyCultureand Production Producer Nastia Dontsova,IrinaSkrinichenko,VeronikaSkugina Cast: Sound Composer Design Costume Design Production Director ofPhotography Scriptwriter andDirector 2007, Russia,113minutes,col.,1:1.85,DolbySRD Maria Shalaeva,EvgeniTsyganov,Sokova, Dmitri Smirnov Ruben Dishdishian Igor Vdovin ´Magnumª, commissionedbyCentralPartnership, Central Partnership Irina Grazhdankina Uliana Riabova Oleg Kirichenko Anna Melikian ÍÓÌÍÛÒ competition
¿Ì̇ ÃÂÎËÍˇÌ –ÂÊËÒÒÂ Ë„Ó‚Ó„Ó Ë ‰ÓÍÛÏÂÌڇθÌÓ„Ó ÍËÌÓ, ÒˆÂ̇ËÒÚ. œËÁ ÏÂʉÛ̇ӉÌ˚ı Ë ÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ÙÂÒÚË‚‡ÎÂÈ Ë ÒÚÛ‰Â̘ÂÒÍËı ÍËÌÓÙÓÛÏÓ‚. –Ӊ˷Ҹ ‚ ¡‡ÍÛ, ‚˚ÓÒ· ‚ ≈‚‡ÌÂ, ÊË‚ÂÚ ‚ ÃÓÒÍ‚Â. ŒÍÓ̘Ë· ÂÊËÒÒÂÒÍËÈ Ù‡ÍÛθÚÂÚ ¬√»ü‡ (2002, χÒÚÂÒ͇ˇ —.¿. —ÓÎÓ‚¸Â‚‡ Ë ¬.ƒ. –Û·Ë̘Ë͇), ÒÚ‡ÊËÓ‚‡Î‡Ò¸ ‚ ÍËÌÓÍÓÏÔ‡Ìˡı-ÔÓÒÚÔÓ‰‡Í¯Ì √ÂχÌËË ÔÓ 37 „‡ÌÚÛ üËÌÓËÌÒÚËÚÛÚ‡ ËÏÂÌË √ÂÚÂ. ¬ 1998 „Ó‰Û ñ ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ ˆÂÂÏÓÌËÈ ÓÚÍ˚Úˡ Ë Á‡Í˚Úˡ Ãü‘ ‚ ÃÓÒÍ‚Â (ÔÂÁˉÂÌÚ ÙÂÒÚË‚‡Îˇ ñ —.¿. —ÓÎÓ‚¸Â‚), ‚ 2002ñ2005 ñ ÂÊËÒÒ ˇ‰‡ ÚÂÎÂÔÓ„‡ÏÏ Ì‡ ˆÂÌڇθÌ˚ı ͇̇·ı.
‘ËθÏÓ„‡Ùˡ: 1997 ....Andante (Í/Ï, ۘ·̇ˇ) 1999 ....œÓÎÂÚÂÎË (Í/Ï, ÍÛÒÓ‚‡ˇ) 2000 ....ƒÓ ‚ÓÒÚ·ӂ‡Ìˡ (Í/Ï, ÍÛÒÓ‚‡ˇ) 2002 ....üÓÌÚ‡·‡Ò (Í/Ï, ‰ËÔÎÓÏ) 2003 ....flœœ» (ÙËÎ¸Ï ‰ÓÍ.ÔÓÂÍÚ‡ ´ŒÚ‡ÊÂÌ˪, RenTV) 2004 ....Ã‡Ò 2005 ....œÓÍΡÚË Í·̇ ŒÌ‡ÒÒËÒÓ‚ (‰ÓÍ., –“–) 2005 ....¬Â˘Ë ‚ÓÈÌ˚ (‰ÓÍ., œÂ‚˚È Í‡Ì‡Î) 2007 ....–ÛÒ‡Î͇
Anna Melikian ƒ‡Ï‡. Director of feature and documentary films, ≈ Á‚‡ÎË ¿ÎËÒ‡, Ó̇ ÊË· Û ÏÓˇ. ≈ ÊËÁ̸ Ì˘ÂÏ Ì ÓÚ΢‡Î‡Ò¸ ÓÚ ‰Û„Ëı. scriptwriter. Prizewinner at national and ŒÌ‡ Ϙڇ· Ó ·‡ÎÂÚÂ, Ô· ‚ ‰ÂÚÒÍÓÏ ıÓÂ Ë Û˜Ë·Ҹ ‚ ¯ÍÓΠ‰Îˇ ‰Û‡ÍÓ‚. international festivals, as well as student film ¬ ¯ÂÒÚ¸ ÎÂÚ Ó̇ ÔÂÂÒڇ· „Ó‚ÓËÚ¸. ¬ 17 ÔÂÂÂı‡Î‡ ‚ ÃÓÒÍ‚Û. –Ó‚ÌÓ ‚ 18 forums. Born in Baku and raised in Yerevan, ‚ÒÚÂÚË· ≈„ÓÖ Ë ËÒ˜ÂÁÎ‡Ö “‡ÍÓ ˜‡ÒÚÓ ÒÎÛ˜‡ÂÚÒˇ ‚ Ï„‡ÔÓÎËÒÂ. she lives in Moscow. Graduated from the directorís faculty at the Film Institute VGIK Drama. (2002, class of Sergei Soloviev and Valeri She was called Alisa and lived by the sea. Her life differed in no way from that Rubinchik), post-production training in of others. She dreamt about ballet, sang in a childrenís choir and went to a Germany with a grant from the Goethe school for fools. At the age of six she ceased to speak. At the age of 17 she Institute. In 1998 she directed the opening moved to Moscow. At the age of 18 she met HimÖ and disappearedÖ Such and closing ceremonies of the International things frequently happens in a megapolis. Film Festival in Moscow (president: Sergei Soloviev); from 2002-2005 director of television programs on the central channels.
Filmography: 1997 ....Andante (short, study) 1999 ....Letís Fly (short, course work) 2000 ....Poste Restante (short, course work) 2002 ....Contrabass (short, diploma) 2003 ....YaPPI (doc. project ìReflectionî, RenTV) 2004 ....Mars 2005 ....The Curse of the Onassis Clan (doc., RTR) 2005 ....Things of the War (doc., First Channel) 2007 ....The Mermaid 38 ÍÓÌÍÛÒ competition www.tiskifilm.ru œ‡‚‡ œÓËÁ‚Ó‰ÒÚ‚Ó ¬‡ÎÂËÈ “Ó‰ÓÓ‚ÒÍËÈ,ÀÂÓÌˉflÏÓθÌËÍ œÓ‰˛ÒÂ˚ ƒÂÌËÒ ¡‡Î‡Ì‰ËÌ,flÒËÍ ¿ÌÚÓÌ ÿ‡„ËÌ,»„Ó¸¬ÓÈ̇ӂÒÍËÈ,—„ÂÈœËÌˇÍ, ¿ÎÂÍÒÂÈ —·ˇÍÓ‚,≈‚„ÂÌˡ’ËË‚Ò͇ˇ,ü‡Úˇ¬ËÎÍÓ‚‡, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ˚ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 2007, –ÓÒÒˡ,126ÏËÌ.,ˆ‚.,1:2.35,DolbyDigital5.1 VICE “»—ü» —„ÂÈ ◊ÛÔÓ‚ ´ü‡Ò̇ˇ —Ú·ª ¿Î· ”‡Á·‡Â‚‡ ÇÍÒËÏ Ã‡Ú‚Â‚,‘‰ӡÓ̉‡˜ÛÍ, –ÓÏ‡Ì ¬‡Ò¸ˇÌÓ‚ ¬‡ÎÂËÈ “Ó‰ÓÓ‚ÒÍËÈ ¿ÎÂÍ҇̉ ŒÒËÔÓ‚ ¬Î‡‰ËÏË √Û‰ËÎËÌ ¬‡‰ËÏ √ÓˇËÌÓ‚,ÀÂÓÌˉÀ·‰‚, ´–ÂÍÛÌ-—ËÌÂχª ¿ÎÂÍ҇̉ ¿Ì‰Â‚,¬Î‡‰ËÏË›„ÎËÚËÒ ŒÎ„ ÇÎӂ˘ÍÓ Rights Production Valeri Todorovsky,LeonidYarmolnik Producers Igor Voinarovsky,SergeiPirniak,DenisBalandin,Yasik Evgenia Khirivskaya,KatiaVilkova,AntonShagin, Cast: Editing Sound Composers Design Costume Design Production Director ofPhotography Director Scriptwriter 2007, Russia,126min,col.,1:2.35,DolbyDigital5.1 Maxim Matveev,FedorBondarchuk,AlexeiSerebriakov, Red Arrow Sergei Tchuprov Alla Urazbaeva Valeri Todorovsky Vadim Goriaynov,LeonidLebedev, Alexander Andreev,VladimirEglitis Rekun Cinema Oleg Malovichko Alexander Osipov Vladimir Gudilin Roman Vasianov ÍÓÌÍÛÒ competition
¬‡ÎÂËÈ “Ó‰ÓÓ‚ÒÍËÈ üËÌÓÂÊËÒÒÂ, ‰‡Ï‡ÚÛ„, ÔÓ‰˛ÒÂ. —Ó‚ÂÚÌËÍ „Â̇θÌÓ„Ó ‰ËÂÍÚÓ‡ ÚÂÎÂ͇̇· ´–ÓÒÒˡª ÔÓ ÍËÌÓÔÓËÁ‚Ó‰ÒÚ‚Û. À‡ÛÂ‡Ú ÔÓÙÂÒÒËÓ̇θÌ˚ı ÍËÌÓÔÂÏËÈ, ÔËÁ ÏÂʉÛ̇ӉÌ˚ı Ë ÓÒÒËÈÒÍËı ÍËÌÓÙÂÒÚË‚‡ÎÂÈ. –Ó‰ËÎÒˇ 8 χˇ 1962 „Ó‰‡ ‚ Œ‰ÂÒÒÂ. ŒÍÓ̘ËÎ ÒˆÂ̇ÌÓ ÓÚ‰ÂÎÂÌË ҈Â̇ÌÓ-ÍËÌӂ‰˜ÂÒÍÓ„Ó Ù‡ÍÛθÚÂÚ‡ ¬√»ü‡ (1984). ¬ ÍËÌÓ ‰Â·˛ÚËÓ‚‡Î Í‡Í ÒˆÂ̇ËÒÚ: ´ƒ‚ÓÈÌËͪ (1986, Ò ¿. üÓη„ÒÓÏ), ´◊ÂÎÓ‚ÂÍ Ò‚ËÚ˚ª (1987), ´√‡Ï·ËÌÛÒª (1990), ´ÃÓÒÍÓÈ ‚ÓÎͪ (1990), 39 ´ŒÚ‰Û¯Ë̇ª, ´÷ËÌËÍ˪, ´À˛·Ó‚¸ª (1991), ´Õ‡‰ ÚÂÏÌÓÈ ‚Ó‰ÓȪ (1993) Ë ‰.
‘ËθÏÓ„‡Ùˡ ÂÊËÒÒ‡: 1990 ....ü‡Ú‡Ù‡ÎÍ 1991 ....À˛·Ó‚¸ 1994 ....œÓ‰ÏÓÒÍÓ‚Ì˚ ‚˜‡ 1998 ....—ڇ̇ „ÎÛıËı 2002 ....À˛·Ó‚ÌËÍ 2004 ....ÃÓÈ Ò‚Ó‰Ì˚È ·‡Ú ‘‡ÌÍÂ̯ÚÂÈÌ 2007 ....“ËÒÍË Valeri Todorovsky Film director, scriptwriter, producer. Adviser to the General Director of the television channel ´Russiaª on film production; winner of professional film awards, prize winner of international and Russian film festivals. Born on 8 May 1962 in Odessa. Graduated from the scriptwriting and film history department of the Film Institute VGIK (1984). Debut in cinema as scriptwriter: ìThe Doubleî (1986, with Andris Kolbergs), ìThe Man of ƒÂÌËÒ ŒÎÓ‚ ñ ÏÓÎÓ‰ÓÈ ‡Ï·ËˆËÓÁÌ˚È ‰Ë‰ÊÂÈ ‚ ÌÓ˜ÌÓÏ ÍÎÛ·Â ÍÛÔÌÓ„Ó Followingî (1987), ìGambrinusî (1990), ìThe ˛ÊÌÓ„Ó „ÓÓ‰‡. ” ÌÂ„Ó ÂÒÚ¸ ‚Ò ñ ڇ·ÌÚ, β·Ó‚¸, ‰ÛÁ¸ˇ. ŒÌ ϘڇÂÚ ÒÚ‡Ú¸ Sea Wolfî (1990), ìA Ventî, ìThe Cynicsî, ÔÓÙÂÒÒËÓ̇θÌ˚Ï ÏÛÁ˚͇ÌÚÓÏ Ë ÒÏÂÌËÚ¸ ÔÎÓ˘‡‰ÍÛ Ò Ú‡ÌˆÔÓ· ̇ ìLoveî (1991), ìOver Dark Waterî (1993), etc. ÒÚ‡‰ËÓÌ˚ Ë ÍÓ̈ÂÚÌ˚ Á‡Î˚. ∆ËÁ̸ ƒÂÌËÒ‡ ñ ‰ÓÓ„‡ ‚Ô‰, ÒÛΡ˘‡ˇ ÏÌÓÊÂÒÚ‚Ó Ò˛ÔËÁÓ‚. ÕÓ Ì ‚Ò„‰‡ ÔˡÚÌ˚ı. ◊ÚÓ·˚ ÒÓ˜ÌÓ ‡Á‰Ó·˚Ú¸ Filmography: ‰ÂÌ„, ƒÂÌËÒ Òӄ·¯‡ÂÚÒˇ ̇ Ó‰ÌÛ ñ ‚ÒÂ„Ó Î˯¸ Ó‰ÌÛ ñ Ò‰ÂÎÍÛ ÔÓ ÔÓ‰‡Ê 1990 ....The Funeral Hearse ΄ÍËı ̇ÍÓÚËÍÓ‚. ÕÓ ËÏÂÌÌÓ Ì‡ ˝ÚÓÈ Ò‰ÂÎÍ ƒÂÌËÒ ÔÂÂıÓ‰ËÚ ‰ÓÓ„Û 1991 ....Love ‡ÈÓÌÌÓÏÛ ÍËÏË̇θÌÓÏÛ ‡‚ÚÓËÚÂÚÛ ¬ÂÌÂÛ. ƒÂÌËÒ‡ Ë Â„Ó ‰ÛÁÂÈ ÒÚ‡‚ˇÚ 1994 ....Katia Ismailova 1998 ....The Land of the Deaf Ô‰ ‚˚·ÓÓÏ ñ ËÎË ´ÓÚ‡·ÓÚ͇ „ÂıÓ‚ª ‚ ÒÚÛÍÚÛ ¬Â̇, ËÎË 2002 ....The Lover ·ÂÁ˚ÏˇÌ̇ˇ ÏÓ„Ë· ̇ ÔÛÒÚ˚ Á‡ „ÓÓ‰ÓÏÖ 2004 ....My Stepbrother Frankenstein 2007 ....Vice Denis Orlov is a young and arrogant DJ in a nightclub in a large southern city. He has everything: talent, love, friends. He dreams of becoming a professional musician and of exchanging the dance floor for stadiums and concert halls. Denisís life strives towards the future, with a promising set of surprises ñ but not always pleasant. In order to make quick money Denis agrees to deal drugs once, just once. But during this one deal Denis crosses the path of the regional criminal authority, Verner. Denis and his friends face a choice: to ìworking off their sinsî for Verner, or an anonymous grave on the wasteland behind the cityÖ 40 ÍÓÌÍÛÒ competition www.lenfilm.ru Ë ÍËÌÂχÚÓ„‡ÙËË ÔÓ‰‰ÂÊÍ ‘‰‡θÌÓ„Ó ‡„ÂÌÚÒÚ‚‡ÔÓÍÛθÚÛ ÔË œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍÓÂÊËÒÒ üÓÏÔÓÁËÚÓ ÔÓÍÓÒÚ˛Ï‡Ï ’Û‰ÓÊÌËÍË ’Û‰ÓÊÌËÍË ŒÔ‡ÚÓ –ÂÊËÒÒ ÔË Û˜‡ÒÚËËÇËÌ˚–‡Á·ÂÊÍËÌÓÈ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2007, –ÓÒÒˡ,103ÏËÌ.,ˆ‚..,1:1.66,DolbySR THE HOLLOW fl– fiËÈ √‰ÂÚ ÃËı‡ËÎ ≈‚·ÌÓ‚,œÓÎË̇‘ËÎÓÌÂÌÍÓ,—„ÂÈ√‡ÏÓ‚ »Ë̇ ”‡Î¸Ò͇ˇ ÇË̇ –‡Á·ÂÊÍË̇ ŒÎ¸„‡ ¿„‡ÙÂÌË̇ —„ÂÈ –‡ÍÛÚÓ‚,ÕËÍÓθÒÍËÈ ¿ÌÚÓÌ —Ë·‚ ´üËÌÓÏÂθÌˈ‡ª, ´ÀÂÌÙËθϪ, »„Ó¸ “ÂÂıÓ‚ œ‡‚ÂÎ ‘ËÌÌ,Àˉˡ¡Ó·Ó‚‡, “‡Ï‡‡ —ÂÙÂˇÌ and Cinematography with supportfromtheFederalAgencyofCulture Production Producer Cast: Editing Sound Composer Design Costume Design Production Director ofPhotography Director with MarinaRazbezhkina Scriptwriters 2007, Russia,103min.,col.,1:1.66,DolbySR Mikhail Evlanov,PolinaFilonenko,SergeiGamov Igor Terekhov Yuri Gedert Marina Razbezhkina Olga Agrafenina Anton Silayev ìLenfilmî, ìKino-Melnitsaî(Film-Mill), Pavel Finn,LydiaBobrova, Tamara Seferian Sergei Rakutov,Nikolsky Irina Uralskaya ÍÓÌÍÛÒ competition
ÇË̇ –‡Á·ÂÊÍË̇ –ÂÊËÒÒÂ Ë„Ó‚Ó„Ó Ë ‰ÓÍÛÏÂÌڇθÌÓ„Ó ÍËÌÓ, ÒˆÂ̇ËÒÚ. œËÁ ÏÂʉÛ̇ӉÌ˚ı Ë ÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ÍËÌÓÙÂÒÚË‚‡ÎÂÈ. –Ӊ˷Ҹ ‚ ÃÓÒÍ‚Â 17 ˲Ρ 1948 „Ó‰‡. ŒÍÓ̘Ë· ÙËÎÓÎӄ˘ÂÒÍËÈ Ù‡ÍÛθÚÂÚ ü‡Á‡ÌÒÍÓ„Ó ÛÌË‚ÂÒËÚÂÚ‡ (1971). ¿‚ÚÓ-ÂÊËÒÒ ·ÓΠ30 ‰ÓÍÛÏÂÌڇθÌ˚ı ÙËθÏÓ‚, ÒÌˇÚ˚ı ‰Îˇ ü‡Á‡ÌÒÍÓÈ ÒÚÛ‰ËË ÍËÌÓıÓÌËÍË, ÍËÌӂˉËÓÒÚÛ‰ËÈ ´ÃËÁ„ÂΪ (ü‡Á‡Ì¸), 41 ´—Ó‚ÂÏÂÌÌËͪ, Õ›÷ü» ËÏÂÌË —‡‚‚˚ üÛÎ˯‡, ´–ËÒͪ, œÂ‚Ó„Ó Í‡Ì‡Î‡ Ë ÚÂÎÂ͇̇· ´üÛθÚÛ‡ª. –ÛÍÓ‚Ó‰ËÚ ÂÊËÒÒÂÒÍÓÈ Ï‡ÒÚÂÒÍÓÈ ‚ ÕÂÁ‡‚ËÒËÏÓÈ ¯ÍÓΠÍËÌÓ Ë ÚÂ΂ˉÂÌˡ ´Internewsª. ¬ 2004 „Ó‰Û ‰Â·˛ÚËÓ‚‡Î‡ Ë„Ó‚˚Ï ÙËθÏÓÏ ´¬ÂÏˇ ʇڂ˚ª, ÍÓÚÓ˚È ÒڇΠ҇Ï˚Ï ÛÒÔ¯Ì˚Ï ‰Â·˛ÚÓÏ „Ó‰‡. ´flª ñ ‚ÚÓÓÈ Ë„Ó‚ÓÈ ÙËθÏ. Marina Razbezhkina Director of narrative and documentary cinema, scriptwriter. Prize-winner of international and national film festivals. Born in Moscow on 17 July 1948. Graduated from the faculty of philology of Kazan University (1971). Author and director of over 30 documentary films made for the Kazan Studio of Film Chronicles, the film video studios ìMizgelî (Kazan), ìSovremennikî (Contemporary), NETsKI ƒ‡Ï‡Ú˘ÂÒ͇ˇ ÔËÚ˜‡ ÔÓ Ó‰ÌÓËÏÂÌÌÓÈ ÔÓ‚ÂÒÚË —„¡ ≈ÒÂÌË̇. ìSavva Kulishî, ìRiskî, First Channel and fl ñ ˝ÚÓ ÏÂÒÚÓ, ÍÓÚÓÓ β‰ÂÈ ‰ÂÊËÚ Ë Ò ÍÓÚÓ˚Ï ÓÌË Ì ÏÓ„ÛÚ the television channel ìKulturaî. Runs a ‡ÒÒÚ‡Ú¸Òˇ. ≈ÒÎË ÛȉÛÚ ñ ÔÓ„Ë·ÌÛÚ. ≈‰ËÌÒÚ‚ÂÌÌ˚È, ÍÚÓ ıÓ˜ÂÚ ‚˚‚‡Ú¸Òˇ ËÁ directorís workshop at the Independent School fl‡, ñ ˝ÚÓ „·‚Ì˚È „ÂÓÈ ü‡Â‚. ÕÓ, ÛıÓ‰ˇ ËÁ fl‡, ÓÌ ÚÂÏ Ò‡Ï˚Ï ÔÓ˚‚‡ÂÚ of Cinema and Television ìInternewsî.. In ÒÓ ‚ÒÂÏË Ú‡‰ËˆËÓÌÌ˚ÏË ˆÂÌÌÓÒÚˇÏË Ë Ì‚ÓθÌÓ ÒÚ‡ÌÓ‚ËÚÒˇ Ô˘ËÌÓÈ 2004 debuted with a fiction film ìHarvest „Ë·ÂÎË ‰ÓÓ„Ëı ÂÏÛ Î˛‰ÂÈ. Timeî, which became the most successful debut of the year. ìThe Hollowî is her second Dramatic parable based on Sergei Eseninís story of the same title. feature film. ëHollowí is a place that keeps people in, and that they cannot leave. If they leave they will perish. The only one who wants to escape from ëHollowí is the main hero, Karev. But leaving ëHollowí he breaks off with all traditional values, and involuntarily causes the destruction of those dear to him. ÍËÌÓÚ‡‚ ÍÓÓÚÍËÈ ÏÂÚ 4242 kinotavr shorts
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À˛·Ó‚¸ ¿ÍÛÒ - Ô‰Ò‰‡ÚÂθ Ê˛Ë ÍËÌӂ‰, „·‚Ì˚È Â‰‡ÍÚÓ ËÁ‰‡ÚÂθÒÚ‚‡ "—‡ÌÒ"
Liubov Arkus (jury chairwoman) Film scholar, chief editor of the publishing house "Seans"
¡‡Ú¸ˇ ¬ˇ˜ÂÒ·‚ ¿ÎÂ̇ œÂÒÌˇÍÓ‚˚ “ÂθÌÓ‚ ÿÛχÍÓ‚‡ ‰‡Ï‡ÚÛ„Ë ÔÓ‰˛Ò ÙÂÒÚË‚‡Î¸Ì˚È ÍÓÌÒÛθڇÌÚ Ãü‘ Presnyakov Viacheslav ‚ ¬Â̈ËË, Brothers Telnov ÔÓ‰˛Ò playwrights producer Alena Shumakova Festival consultant for the IFF Venice, producer 9:00 ÔÓˆÂÎÛÈ KISS ME O-NINE HUNDRED 14 02 14 02 „‡ÎÓÔÓÏ ÔÓ Â‚ÓÔ‡Ï GALLOP ACROSS EUROPE „·‡ËÈ HERBARIUM ‰Â‚Ә͇ ‰Û‡ THE SILLY GIRL ‰Â̸ Á̇ÌËÈ DAY OF KNOWLEDGE ‰ÂÚË ‡‰‡Ï‡ CHILDREN OF ADAM ‰Á˝Ì-‰‡È‚ ZEN DRIVE 43 ‰Û„‡ˇ ÏÓÒÍ‚‡ THE OTHER MOSCOW Á‚ÓÌÓÍ THE CALL ˉËÓÚ IDIOT ÍÓÁ‡ GOAT ÍÓÎÓ·ÓÍ KOLOBOK ÍÓÎ˚·Âθ̇ˇ LULLABY Í˚ÒÍË Ë ÍÌË„‡ RATS AND THE BOOK β‰Ë ËÁ ͇ÏÌˇ STONE PEOPLE Ï‡Ú 1943 „Ó‰‡ MARCH 1943 ÏÓÒÍ‚‡ MOSCOW Ó‰ËÌ ALONE ÔˇÚ¸ ÏËÌÛÚ FIVE MINUTES Ò͇Á͇, ‡ÒÒ͇Á‡Ì̇ˇ ̇ ÌÓ˜¸ A TALE TOLD BY NIGHT ÒÍËÔ‡˜ THE VIOLINIST ÛÂı‡Î HEíS GONE ¯ÂÎÓÍ ıÓÎÏÒ Ë ‰ÓÍÚÓ ‚‡ÚÒÓÌ SHERLOCK HOLMES AND DOCTOR WATSON ˝ÒÔÂÒÒÓ ESPRESSO ˛ËÈ ‡‡·Ó‚. ÏÂı‡ÌË͇ ÒÛ‰¸·˚ YURI ARABOV. MECHANICS OF FATE 44 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts quite rare.Youjustneedtonoticethem. finding interestingheroesinthemostunexpectedplaces;thereareinventors, formalists,artistsandevenhumorists,whichis tomorrowís bigcinemainperspective.Inmyopinion,thisprospectis quiteencouraging:thereareauthorswhocapableof understand thatthisartsyformatdoesnotcomeeasytoeverybody.Todayís shortsisthecinemathatgrows;theyare However, evenwhenyouwatchanalmanacofshortsbymastersworld cinema,likethefilmìParis,jetíaimeî,you television stylistics,loadingtheirfilmswithìtalkingheadsîandother signsofìformatî. as aplenipotentiaryofcinema.Nolensvolensthemajoritydirectors, especiallydocumentaryfilmmakers,areguidedby themes andexpressivemeans,comeacrossalmostlikemasterpieces.Besides, televisionhasplayedabadjoke,presentingitself remain somewhereonthelevelofcinema1960s-70s.Therefore thoseworks,whichatleastcontainanechooftopical education areonlytooobvious:almostnoneofthestudentsVGIK appears tohaveafeelformoderncinema;insteadthey Thegapsinfilm to scrupulouslyexaminethisìsmallîcinema,themajorityofgraduates fromfilmschoolsprefercliches. Institute andtheHigherCoursesforDirectorsScriptwriterswants toinventabicycle.Asseveralyearsago,whenIbegan Poverty: thescourgeofshortfilms.Notintermsmoney,butideas.ItisashamethatalmostnonestudentsFi The smallbudgetandsizeallowtheauthorsofsuchfilmstobefreerthaninfull-lengthnarrativefilms. just thefirstattemptatwriting,butaspecialstyleofstory-tellingplacedinProcrusteanbedfifthnormalsi The gloriousshine:theadvantageofshorts.Undercondition,course,thatbrevityissistertalent.Thatitn finding outalotaboutselectionwithallitsgloriousshineandpoverty. of films.Fate,intheformfestivalísart-directorSitoraAlieva,quicklytookmetotaskandgaveopportunityo A yearagoIsaidthatitwouldbebetternottohaveacompetitionofshortfilmsatìKinotavrîthanscreensuchsadrang Better lessandbetter ‰‡Ê ˛ÏÓËÒÚ˚,˜ÚÓ·Óθ¯‡ˇÂ‰ÍÓÒÚ¸.ŒÒÚ‡ÂÚÒˇËıÚÓθÍÓÁ‡ÏÂÚËÚ¸. „ÂÓ‚ ‚Ò‡Ï˚ıÌÂÓÊˉ‡ÌÌ˚ıÏÂÒÚ‡ı,ÂÒÚ¸‚˚‰ÛÏ˘ËÍË,ÙÓχÎËÒÚ˚,‡ÚËÒÚ˚Ë ‚ÔÓÎÌ ӷ̇‰ÂÊË‚‡˛˘‡ˇ:ÂÒÚ¸‡‚ÚÓ˚,ÍÓÚÓ˚ÂÒÔÓÒÓ·Ì˚̇ÈÚËËÌÚÂÂÒÌ˚ı ̇¯Â Á‡‚Ú‡¯Ì·Óθ¯ÓÂÍËÌÓ‚ÔÂÒÔÂÍÚË‚Â.Õ‡ÏÓÈ‚Á„Ρ‰,ÔÂÒÔÂÍÚË‚‡ ‰‡ÂÚÒˇ ˝ÚÓÚÍÓ‚‡Ì˚ȇÁÏÂ.—Â„Ó‰Ìˇ¯ÌËÈÍÓÓÚÍËÈÏÂÚñ˝ÚÓÍËÌÓ̇‚˚ÓÒÚ, ÍËÌÂχÚÓ„‡Ù‡, ‚Ó‰ÂÙËθχ´œ‡ËÊ,ˇÚ·ˇÎ˛·Î˛ª,ÔÓÌËχ¯¸,˜ÚÓÌ‚ÒÂÏ ¬ÔÓ˜ÂÏ, ‰‡ÊÂÍÓ„‰‡ÒÏÓÚ˯¸Ò·ÓÌËÍÍÓÓÚÍÓÏÂÚ‡ÊÂÍÏ˝ÚÓ‚ÏËÓ‚Ó„Ó ÔÓ˜ËÏË ÔËÏÂÚ‡ÏË´ÙÓχڇª. ÓËÂÌÚËÛ˛ÚÒˇ ̇ÚÂÎÂÒÚËÎËÒÚËÍÛ,Á‡„ÛʇˇÙËθÏ˚´„Ó‚Óˇ˘ËÏË„ÓÎÓ‚‡ÏËªË ÍËÌÓ. ¬ÓθÌÓËÎËÌ‚ÓθÌÓ,·Óθ¯ËÌÒÚ‚ÓÂÊËÒÒÂÓ‚,ÓÒÓ·ÂÌÌÓ‰ÓÍÛÏÂÌÚ‡ÎËÒÚÓ‚, ÚÂ΂ˉÂÌË Ò˚„‡ÎÓÁÎÛ˛¯ÛÚÍÛ,Ô‰ÒÚ‡‚Ë‚Ò·ˇÔÓÎÌÓÏÓ˜Ì˚ÏÔ‰ÒÚ‡‚ËÚÂÎÂÏ ÚÂÏ Ë‚˚‡ÁËÚÂθÌ˚ıÒ‰ÒÚ‚,ÒÏÓÚˇÚÒˇÔÓ˜Ú˯‰‚‡ÏË.üÚÓÏÛÊ ÚÓ Ì‡ÛÓ‚ÌÂ60ñ70-ı„Ó‰Ó‚.œÓ˝ÚÓÏÛÚ‡·ÓÚ˚,„‰ÂÂÒÚ¸ıÓÚˇ·˚˝ıÓ‡ÍÚۇθÌ˚ı ÔÓ˜ÚË ÌËÍÚÓËÁÒÚÛ‰ÂÌÚÓ‚¬√»ü‡Ì˜ۂÒÚ‚ÛÂÚÒÓ‚ÂÏÂÌÌÓ„ÓÍËÌÓ,ÓÒÚ‡‚‡ˇÒ¸„‰Â- —Î˯ÍÓÏ ıÓÓ¯ÓÁ‡ÏÂÚÌ˚ËÔÓ·ÂÎ˚‚ÍËÌÓÓ·‡ÁÓ‚‡ÌËË:Ú‡ÍÓ‚Ô˜‡ÚÎÂÌËÂ,˜ÚÓ ˝ÚÓ ´ÏÂÎÍÓªÍËÌÓ,·Óθ¯ËÌÒÚ‚Ó‚˚ÔÛÒÍÌËÍÓ‚ÍËÌÓ¯ÍÓÎÔ‰ÔÓ˜ËÚ‡˛Ú¯Ú‡ÏÔ˚. ‚ÂÎÓÒËÔ‰. ü‡ÍËÌÂÒÍÓθÍÓÎÂÚ̇Á‡‰,ÍÓ„‰‡ˇÌ‡˜‡Î‡ÔËÒڇθÌÓ‡Á„Ρ‰˚‚‡Ú¸ Œ·Ë‰ÌÓ, ˜ÚÓÔÓ˜ÚËÌËÍÚÓËÁÒÚÛ‰ÂÌÚÓ‚¬√»ü‡Ë¬ü—–ÌÂıÓ˜ÂÚËÁÓ·ÂÚ‡Ú¸ ÕˢÂÚ‡ ñ·Ë˜ÍÓÓÚÍÓ„ÓÏÂÚ‡.ƒÂÎÓ,ÂÒÚÂÒÚ‚ÂÌÌÓ,Ì‚‰Â̸„‡ı,‡Ë‰Âˇı. Ò‚Ó·Ó‰Ì˚ÏË, ˜ÂÏ‚ÔÓÎÌÓÏÏÂÚÂ. ÇÎÂ̸ÍËÈ ·˛‰ÊÂÚˇÁÏÂÔÓÁ‚ÓΡÂÚ‡‚ÚÓ‡ÏÚ‡ÍËıÙËθÏÓ‚·˚Ú¸·ÓΠÒÚËθ ‡ÒÒ͇Á‡,ÍÓÚÓ˚È̇‰ÓÛÎÓÊËÚ¸‚ÔÓÍÛÒÚÓ‚ÓÎÓÊÂÓ‰ÌÓÈ-ÔˇÚ˘‡ÒÚÂÈ. ÓÒÓ·˚È ÔÓÒÚÓÍËÌÓÔÓ·‡Ô‡,‡ ͇ÚÍÓÒÚ¸ ñÒÂÒڇڇ·ÌÚ‡.“Ó„‰‡˝ÚÓÛÊÂÌ ¡ÎÂÒÍ ñ„·‚ÌÓ‰ÓÒÚÓËÌÒÚ‚ÓÍÓÓÚÍÓ„ÓÏÂÚ‡.œËÛÒÎÓ‚ËË,ÍÓ̘ÌÓ,˜ÚÓ ·ÎÂÒÍ ËÌˢÂÚÂ. ÓÚ‚ÂÚÛ. »Ô‰ÓÒÚ‡‚Ë·ÏÌ‚ÓÁÏÓÊÌÓÒÚ¸ÛÁ̇ڸÓÚ·ÓÓ˜ÌÛ˛ÍÛıÌ˛‚Ó‚ÒÂÏ —Û‰¸·‡ ‚Îˈ‡Ú-‰ËÂÍÚÓ‡ÙÂÒÚË‚‡Îˇ—ËÚÓ˚¿ÎË‚ÓÈ·˚ÒÚÓÔËÁ‚‡Î‡ÏÂÌˇÍ ÍÓÓÚÍÓÏÂÚ‡ÊÌ˚ı ÙËθÏÓ‚,˜ÂÏÔ‰ÒÚ‡‚ΡڸÒÚÓθÛÌ˚Î˚È̇·Ó͇ÚËÌ. √Ó‰ ̇Á‡‰ˇÒ͇Á‡Î‡,˜ÚÓÎÛ˜¯Â·˚̇´üËÌÓÚ‡‚ªÌ·˚ÎÓÍÓÌÍÛÒ‡ ÀÛ˜¯Â ÏÂ̸¯Â‰‡ÎÛ˜¯Â ÍÛ‡ÚÓ ÔÓ„‡ÏÏ˚ »Ë̇ À˛·‡Ò͇ˇ, Programme Curator Irina Liubarskaya, ze. ot f lm e is coursework. cinemaî, ORFFKinotavr,2006),ìKissî contemporaneity ofadirectorísviewon diploma ìForlaconismand in Sweden.Films:ìCamomilesî(2006, executive producer,bothinRussiaand correspondent, editingdirector,and Before enrollingatVGIKheworkedas Khotinenko, V.Fenchenko,I.Vlasov). Institute VGIK(workshopV. at thefacultyofdirectingFilm Born in1973.Studentofthe3rdcourse Filipp Korshunov ´œÓˆÂÎÛȪ ñۘ·̇ˇ‡·ÓÚ‡. ÍËÌÓª, Œ–ü‘´üËÌÓÚ‡‚ª,2006), ÂÊËÒÒÂÒÍÓ„Ó ‚Á„Ρ‰‡Ì‡Ë„Ó‚Ó ·ÍÓÌËÁÏ ËÒÓ‚ÂÏÂÌÌÓÒÚ¸ ´–Óχ¯Í˪ (2006,‰ËÔÎÓÏ´«‡ ‚ –ÓÒÒËËËÿ‚ˆËË.‘ËθÏ˚: ÏÓÌڇʇ, ËÒÔÓÎÌËÚÂθÌ˚ÏÔÓ‰˛ÒÂÓÏ ÍÓÂÒÔÓ̉ÂÌÚÓÏ, ÂÊËÒÒÂÓÏ ÔÓÒÚÛÔÎÂÌˡ ‚Ó¬√»ü‡·ÓڇΠ¬.¿. ‘Â̘ÂÌÍÓ,».œ.¬Î‡ÒÓ‚‡).ƒÓ ¬√»ü (χÒÚÂÒ͇ˇ¬.».’ÓÚËÌÂÌÍÓ, ÍÛÒ‡ ÂÊËÒÒÂÒÍÓ„ÓÙ‡ÍÛθÚÂÚ‡ –Ó‰ËÎÒˇ ‚1973„Ó‰Û.—ÚÛ‰ÂÌÚ3ñ„Ó ‘ËÎËÔÔ üÓ¯ÛÌÓ‚ KISS MEO-NINEHUNDRED 9:00 œŒ÷≈À”… ¯‡ÌÒ Ì‡ÈÚË‚ÂÌÓ¯ÂÌËÂÖ »ÎËÖ. 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45 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 46 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts œÓ‰˛Ò —ÂÌˇ À‡ıÚËÍÓ‚ ¬ ÓΡı: ¬‡Î‡ œ‡ıÓÎÓÍ ’Û‰ÓÊÌËÍË üÓÏÔÓÁËÚÓ ŒÔ‡ÚÓ üÓÌÒÚ‡ÌÚËÌ —Ú‡ÚÒÍËÈ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ ÒÚÂÂÓ, 35ÏÏ 2006, –ÓÒÒˡ,14ÏËÌ.,1:1.65, ÂÏÛ ñüÛÔˉÓÌÖ –‡ÌÓ ËÎËÔÓÁ‰ÌÓÓÌ̇ȉÂÚÚ·ˇ.»Ïˇ ˆÂθ. ¡Â„Ë-Ì·„Ë,Ú˚ñ„ÓÊÂÚ‚‡. √‰Â ·˚Ú˚ÌË·˚Î,ñ‚Ò„‰‡Â„Ó 14 02 üËËÎÎ ¿ÊÏˇÍÓ‚, ¿ÚÂÏ œÓÎÓÒ‡Ú˚È üÓÌÒÚ‡ÌÚËÌ —Ú‡ÚÒÍËÈ Ã‡¯‡ √Ë̸, —‚ˇÚÓÒ·‚ üÛ‡¯Ó‚ you. HisnameisCupidon. his victim.Soonerorlaterhewillfind target. Whetheryourunornot,are Wherever youare,arealwayshis Producer Senya Lakhtikov Cast: Valera Pakholok Production Design Composer Artem Polosaty Director ofPhotography Konstantin Statsky S stereo, 35mm 2006, Russia,14min.,1:1.65, criptwriter andDirector Kirill Azhmiakov, Konstantin Statsky Sviatoslav Kurashov Masha Grin, ÍÛÒ‡ ¬√»ü‡. ¬ ̇ÒÚÓˇ˘Â‚ÂÏˇñÒÚÛ‰ÂÌÚÔˇÚÓ„Ó ´–ÛÒÒÍÓ ‡‰ËÓ-2ª(—‡ÌÍÚ-œÂÚ·ۄ). ÍÓÔˇÈÚ‡ ´–ÛÒÒÍÓ‡‰ËÓªË 2002-Ï ÔÓÎÛ˜ËΉÓÎÊÌÓÒÚ¸„·‚ÌÓ„Ó ÔÓ‰˛ÒÂÓÏ ÏÛÁ˚͇θÌÓ„Ó͇̇·.¬ (2000), ÔÓÒΘ„Ӈ·ÓÚ‡ÎÍÓ̈ÂÚÌ˚Ï ÛÌË‚ÂÒËÚÂÚ ˝ÍÓÌÓÏËÍËËÙË̇ÌÒÓ‚ —‡ÌÍÚ-œÂÚ·ۄÒÍËÈ „ÓÒÛ‰‡ÒÚ‚ÂÌÌ˚È ÔÓ‚ÂΠ̇ü‡ÈÌÂÏÒ‚ÂÂ.ŒÍÓ̘ËÎ ÔÓ‰‚Ó‰ÌÓÏ ÙÎÓÚ———–‚Ò‰ÂÚÒÚ‚Ó „Ó‰‡. œÓÔ˘ËÌÂÒÎÛÊ·˚ÓÚˆ‡‚ –Ó‰ËÎÒˇ ‚ÀÂÌËÌ„‡‰Â29χˇ1978 üÓÌÒÚ‡ÌÚËÌ —Ú‡ÚÒÍËÈ the FilmInstituteVGIK. At presentheisafifth-yearstudentat and ìRussianRadio2î(StPetersburg). chief copywriterforìRussianRadioî channel. In2002receivedapostas worked asconcertproducerofamusic for EconomyandFinance(2000),then from St.PetersburgStateUniversity childhood intheFarNorth.Graduated USSRís submarinefleet,hespenthis Due tohisfatherísserviceinthe Born inLeningradon29May1978. Konstantin Statsky across Europeîishisdirectorísdebut. films andtelevisionserials).ìGallop designer (morethan30documentary director. Since2002editorandvideo than 20clipsandvideoassecond director onediting;tookpartinmore after graduationworkedasassistant Cinema, TelevisionandAdvertisingî; 1968. In1998enrolledattheìSchoolof Born inMagnitogorskon11September Igor Morozov ÂÊËÒÒÂÒÍËÈ ‰Â·˛Ú. ÚÂÎÂÒ¡ÎÓ‚). ´√‡ÎÓÔÓÏÔÓ≈‚ÓԇϪñ ‰ÓÍÛÏÂÌڇθÌ˚ı ÙËθÏÓ‚Ë ‚ˉÂÓ‰ËÁ‡ÈÌ (·ÓÎÂÂ30 ÂÊËÒÒ‡. —2002„Ó‰‡ñÏÓÌÚ‡ÊÂË ËÒÔÓÎÌˇÎ Ó·ˇÁ‡ÌÌÓÒÚË‚ÚÓÓ„Ó ÔÓÒÚ‡ÌÓ‚Ó˜Ì˚ı ÓÎË͇ı˂ˉÂÓÍÎËÔ‡ı, ÏÓÌÚ‡ÊÛ, ÔËÌËχÎÛ˜‡ÒÚË‚·ÓÎÂÂ20 ‡·ÓڇΠ‡ÒÒËÒÚÂÌÚÓÏÂÊËÒÒ‡ÔÓ Ë ÂÍ·Ï˚ª,ÔÓÓÍÓ̘‡ÌËËÍÓÚÓÓÈ ÔÓÒÚÛÔËÎ ‚´ÿÍÓÎÛÍËÌÓ,ÚÂ΂ˉÂÌˡ ÒÂÌÚˇ·ˇ 1968„Ó‰‡.¬1998„Ó‰Û –Ó‰ËÎÒˇ ‚„ÓÓ‰ÂÇ„ÌËÚÓ„ÓÒÍÂ11 »„Ó¸ ÃÓÓÁÓ‚ GALLOP ACROSSEUROPE √¿ÀŒœŒÃ œŒ≈¬–Œœ¿Ã ´ÛÒÒ͇ˇ ≈‚ÓÔ‡ª?.. ‰Â‚ÌË, ÔÓÒÂÎÍËËÒ·.ü‡Í‡ˇÚ˚, ¡ÂÎËÌ, ÀÂÈԈ˄,¬‡Ì‡Ë‰Û„Ë ÁÂÏÎÂÈ ´Ï‡ÎÂ̸͇ˇ≈‚ÓÔ‡ª:œ‡ËÊ, 200 ÎÂÚ͇ÍÒÓ‰ÌË·ҸÒÛÒÒÍÓÈ ” ÔÓ‰ÌÓʸˇ”‡Î¸ÒÍËı„Ó·ÂÁχÎÓ„Ó œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò ŒÎ„ “ÓˇÌÓ‚ÒÍËÈ üÓÏÔÓÁËÚÓ˚ Ë Á‚ÛÍÓÂÊËÒÒ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ,ÂÊËÒÒÂ,ÓÔ‡ÚÓ ÒÚÂÂÓ, BetacamSP,‰ÓÍ. 2007, –ÓÒÒˡ,26ÏËÌ.,ˆ‚.,4:3, »„Ó¸ ÃÓÓÁÓ‚ ´Goramo Filmsª —‡¯‡ “Ó, »„Ó¸ ÃÓÓÁÓ‚ ìRussian Europeî?.. villages andsettlements.Whatareyou, Paris, Berlin,Leipzig,Varnaandother was linkedwiththeìlittleEuropeî: less than200yearsagotheRussiansoil At thefootofUralmountains,no Production Producer Oleg Troyanovsky Composers and Sound Scriptwriter, Director,Photography Betacam SP,doc. 2007, Russia,26min.,col,4:3,stereo, Igor Morozov Sasha Torr, Igor Morozov ìGoramo Filmsî
47 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 48 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts ÛÒÔÂıÓÏ ˝ÚËÏÓÛÊËÂÏÔÓθÁÛ˛ÚÒˇ. ‚Â͇ ÊÂÌÒÍÓÂÓÛÊËÂ.»ÒÚ‡ÛıËÒ Ú‡·ÎÂÚÓÍ Ôˇ˜ÂÚÒˇÌÂËÁÏÂÌÌÓ‚ӂÒ Ó͇Á˚‚‡ÂÚÒˇ, ̇˝ÚËıÔÓÎ͇ıÒÂ‰Ë ˝ÚÓ ÔÓÎÍËÒÎÂ͇ÒÚ‚‡ÏË.ÕÓ ‰Ûχ˛Ú: Ëı‰ËÌÒÚ‚ÂÌÌÓÂÛÚ¯ÂÌËÂñ ‡Ì¸¯Â Ëıӷ·‰‡ÚÂθÌˈ?¬Ò ‡Á‡ÚÌ˚È ·ÎÂÒÍ‚„·Á‡ıÛÏˇ˛Ú ˜ÚÓ ÊÂÌÒÚ‚ÂÌÌÓÒÚ¸,͇ÒÓÚ‡Ë ÂΠ‰˚¯‡Ú!ª.¿‚ÓÚËÌÂÚ!üÚÓÒ͇Á‡Î, ´∆ÛÚ¸! ñÒ͇ÊÂÚ‚˚ŒÌËÊÂÚ‡Ï üÓÌÍÛÒ Í‡ÒÓÚ˚‚‰ÓÏÂÔÂÒÚ‡ÂÎ˚ı? ƒÓÍÛÏÂÌڇθ̇ˇ Ú‡„ËÍÓωˡ. www.kinoteatrdoc.ru œÓÍ‡Ú ´œ‡ÒÒ‡Ê˪ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò ÃËı‡ËÎ —Ú‡Ó‚ÓÈÚÓ‚ ŒÔ‡ÚÓ˚ Õ‡Ú‡Îˡ â‡ÌËÌÓ‚‡ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ MiniDV, ‰ÓÍ. 2007, –ÓÒÒˡ,57ÏËÌ.,ˆ‚.,4:3,ÏÓÌÓ, HERBARIUM √≈–¡¿–»… ´üËÌÓÚ‡Ú.DOCª ÃËı‡ËÎ —ËÌ‚ Õ‡Ú‡Îˡ â‡ÌËÌÓ‚‡, ´üËÌÓÚ‡Ú.DOCª, And theoldwomenuseitwithsuccess. female weaponhasbeenhiddenaway. shelves, amongthetablets,anage-old medicines. Butitappearsthatonthese their uniqueconsolationisshelveswith earlier theirowners?Everyonethinks: hazardous shineintheeyesperish said thatfemininity,beautyand can hardlybreathe!îNo,nothere!Who old? ìWhathorror!î,youwillsay;ìthey Beauty competitionsatahomeforthe Documentary tragicomedy. www.kinoteatrdoc.ru Distribution ìPassengerî Production Producer Mikhail Starovoitov Natalia Meshchaninova, Directors ofPhotography Meshchaninova Scriptwriter andDirector MiniDV, doc. 2007, Russia,57min.,col.,4:3,mono, Mikhail Sinev ìKinoteatr.DOCî, ìKinoteatr.DOCî Natalia ÍËÌÓ Ë·ÓÒËÚ¸‡·ÓÚÛ̇“¬. Ï˪ (2006),¯Ë·‚Ò¸ÂÁÁ‡ÌˇÚ¸Òˇ ÒÌˇÎ‡ ‰ÓÍÛÏÂÌڇθÌ˚ÈÙËθϴÃÓÈ ÕËÍÓ·ˇ »Á‚ÓÎÓ‚‡).¬Ó‚ÂÏˇÛ˜Â·˚ (χÒÚÂÒ͇ˇ ÇËÌ˚–‡Á·ÂÊÍËÌÓÈË ‚ÂÏˇ-2ª ÔË¿ÕŒ´Internewsª ‰ÓÍÛÏÂÌڇθÌÓ„Ó ÍËÌÓ´–‡θÌÓ ÚÂÎÂÂÊËÒÒÛ‡ª), ÿÍÓÎÛ (2005, ÒÔˆˇθÌÓÒÚ¸ñ´ÍËÌÓ-Ë ÛÌË‚ÂÒËÚÂÚ ÍÛθÚÛ˚ËËÒÍÛÒÒÚ‚ ŒÍÓ̘Ë· üÛ·‡ÌÒÍËÈ„ÓÒÛ‰‡ÒÚ‚ÂÌÌ˚È –Ӊ˷Ҹ ‚ü‡ÒÌÓ‰‡Â1982„Ó‰Û. â‡ÌËÌÓ‚‡ Õ‡Ú‡Îˡ and giveupworkingfortelevision. become aprofessionalcinematographer film ìMyWorldî(2006);decidedto During herstudymadethedocumentary Razbezhkina andNikolaiIzvolov). ìInternewsî (workshopMarina Documentary CinemaìRealTime2îat and televisiondirecting),Schoolof and Arts(2005,specializingincinema from KubanStateUniversityofCulture Born inKrasnodar1982.Graduated Meshchaninova Natalia THE SILLYGIRL ƒ≈¬Œ◊ü¿ ƒ”–¿ ìThe SillyGirlîisherdebutasdirector. advertising clipsandvideoinstallations. of severalanimationandlive-action Olshvang, OksanaCherkasova.Director Sergei Seryogin,DmitriGeller,Valentin animation filmsofAndreiZolotukhin, Director ofPhotographyonthe worked attheSverdlovskfilmstudio. (SPbKiT). Whilestillastudent,she Institute ofCinemaandTelevision Graduated fromtheSt.Petersburg Zoya Kireeva ‰Â·˛Ú ÂÊËÒÒ‡. ‚ˉÂÓËÌÒÚ‡ÎΡˆËÈ. ´ƒÂ‚Ә͇‰Û‡ªñ Ë„Ó‚˚ı ÂÍ·ÏÌ˚ıÓÎËÍÓ‚Ë –ÂÊËÒÒ ÏÌÓÊÂÒÚ‚‡‡ÌËχˆËÓÌÌ˚ıË ŒÎ¸¯‚‡Ì„‡, ŒÍÒ‡Ì˚◊Â͇ÒÓ‚ÓÈ. ƒÏËÚˡ √Âη,¬‡ÎÂÌÚË̇ ¿Ì‰Âˇ «ÓÎÓÚÛıË,—„¡—„Ë̇, ÓÔ‡ÚÓÓÏ Ì‡‡ÌËχˆËÓÌÌ˚ıÙËθχı ̇ —‚‰ÎÓ‚ÒÍÛ˛ÍËÌÓÒÚÛ‰Ë˛.¡˚· —œ·√”üË“. ≈˘ÂÒÚÛ‰ÂÌÚÍÓÈÔ˯· ÛÌË‚ÂÒËÚÂÚ ÍËÌÓËÚÂ΂ˉÂÌˡñ ŒÍÓ̘Ë· —‡ÌÍÚ-œÂÚ·ۄÒÍËÈ «Óˇ üË‚‡ ÌÂÓ·˚˜ÌÓÈ ‰Â‚Ó˜ÍË. »ÒÚÓˡ Ó·˚ÍÌÓ‚ÂÌÌÓÈβ·‚Ë œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò «Óˇ üË‚‡ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ,ÂÊËÒÒÂ,ıÛ‰ÓÊÌËÍ ÍÓÏÔ¸˛ÚÂ̇ˇ „‡ÙË͇ 2006, –ÓÒÒˡ,6í3î,ˆ‚.,‡ÌËχˆËˇ, ¬‡ÎÂÌÚË̇ ’ËÊÌˇÍÓ‚‡ ´¿-ÙËθϪ unusual girl. The storyoftheordinarylovean Production Producer Design Scriptwriter, Director,Production animation, computergraphics 2006, Russia,6min.3sec.,col., Zoya Kireeva Valentina Khizhniakova ìA-Filmî
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ÂÁ‚‡ (1990),ÒˆÂ̇Ì˚ÈÙ‡ÍÛθÚÂÚ „Ó‰Û. ŒÍÓ̘ËÎÛ˜ËÎË˘ÂŒÎËÏÔËÈÒÍÓ„Ó –Ó‰ËÎÒˇ ‚–ÓÒÚÓ‚Â-̇-ƒÓÌÛ1972 ÃËı‡ËÎ “ÓÙËÏÂÌÍÓ ìDay ofKnowledgeî(2006). Actressî (2003,withPavelStrelnikov), Pavel Strelnikov),ìTheAdmiralandthe (2001), ìMusicastrictaî(2002,with Director ofshortfilms:ìRedFishî the playìNirvanaî(dir.YuriGrymov). dir. RamilSalakhutdinov),authorof ìSpinning insidetheRingRoadî(2006, ìOn theEveî,co-authorofscript films: ìTheywereMuzhiksî,ìPortraitî, Arabov). Authorofscriptsforshort Institute VGIK(2000,workshopYuri scriptwriting facultyoftheFilm Olympic Reserve(1990),andfromthe Graduated fromtheSchoolof Born inRostov-on-Don1972. Mikhail Trofimenko CHILDREN OFADAM ƒ≈“» ¿ƒ¿Ã¿ 05.. OurDayswillbe Long .... 2005 ....CinemaphoniaofShostakovichís 2004 ....IDiedinChildhood(doc). 2004 ....Russia...Belief...Army... 2003 ....IamaSeagull!(doc) 2000 ....Djado(short) 1993 ....FuneralSeason(short) 1991 Filmography: Academy. workshop), trainingattheRomeFilm VGIK (1994,VladimirNaumovís directorís facultyoftheFilmInstitute scriptwriter, graduatedfromthe literature atthePushkinInstitute.As Institute (1983),inparallelstudied Graduated fromtheTbilisiTheatre Born inTbilision9August1963. programme oftheIFFinVenice(2005). participant ofthecompetition international andRussianfilmfestivals, the IFFinLocarno(1993)andother Director, scriptwriter.Prizewinnerof Georgi Paradzhanov ....ƒ‡·Û‰ÛÚ‰ÌË̇¯Ë‰ÎËÌÌ˚ÏË 2005 ....—ËÌÂχÙÓÌˡ7-ÈÒËÏÙÓÌËË 2004 ....flÛÏ‚‰ÂÚÒÚ‚Â(‰ÓÍ.) 2004 ....–ÓÒÒˡ...¬Â‡...¿Ïˡ... 2003 ....flñ˜‡È͇!(‰ÓÍ.) 2000 ....ƒÊ‡‰Ó(Í/Ï) 1993 ....—ÂÁÓÌÔÓıÓÓÌ(Í/Ï) 1991 ‘ËθÏÓ„‡Ùˡ: ÍËÌӇ͇‰ÂÏËË. Õ‡ÛÏÓ‚‡), ÒÚ‡ÊËÓ‚‡ÎÒˇ‚–ËÏÒÍÓÈ (1994, χÒÚÂÒ͇ˇ¬Î‡‰ËÏˇ ÂÊËÒÒÂÒÍËÈ Ù‡ÍÛθÚÂÚ¬√»ü‡ ¡Û‰Û˜Ë ÒˆÂ̇ËÒÚÓÏ,ÓÍÓ̘ËÎ »ÌÒÚËÚÛÚ ËÏÂÌË¿.—.œÛ¯ÍË̇. Ô‡‡ÎÎÂθÌÓ ËÁÛ˜‡ÎÎËÚ‡ÚÛÛ‚ Ú‡ڇθÌ˚È ËÌÒÚËÚÛÚ(1983), „Ó‰‡. ŒÍÓ̘ËΓ·ËÎËÒÒÍËÈ –Ó‰ËÎÒˇ ‚“·ËÎËÒË9‡‚„ÛÒÚ‡1963 ÔÓ„‡ÏÏ˚ Ãü‘‚¬Â̈ËË(2005). ÍËÌÓÙÂÒÚË‚‡ÎÂÈ, Û˜‡ÒÚÌËÍÍÓÌÍÛÒÌÓÈ ÏÂʉÛ̇ӉÌ˚ı ËÓÒÒËÈÒÍËı ÀÓ͇ÌÓ (1993)ˉۄËı –ÂÊËÒÒÂ, ÒˆÂ̇ËÒÚ.œËÁÂÃü‘‚ √ÂÓ„ËÈ œ‡‡‰Ê‡ÌÓ‚ Seventh Symphony People (doc.serial) ƒ.ƒ.ÿÓÒÚ‡Íӂ˘‡ Õ‡Ó‰ (‰ÓÍ.Ò¡Î) œ‡‡‰Ê‡ÌÓ‚. 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55 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 56 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts –ÓÒÒËÈÒÍËÈ ‘Ó̉ÍÛθÚÛ˚ œÓËÁ‚Ó‰ÒÚ‚Ó ËÔ‡‚‡ ÇÍÒËÏ üÓÓ΂ œÓ‰˛ÒÂ˚ ¿Ì‰ÂÈ ’‡·‡Ó‚ ¬Î‡‰ËÏË —ÓÓÍÓÎËÚ‡, ¬ ÓΡı: «‚ÛÍ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿ÎÂÍÒÂÈ ÿËÔÂÌÍÓ ˜Â˜ÂÌÒÍÓÈ ‚ÓÈÌÂÖ ÔÓ„Ë·¯Â„Ó ‚Á‚Ó‰‡ÒÔˆ̇Á‡Ì‡ ´üÓÁ‡ª ñ‡‰ËÓÔÓÁ˚‚ÌÓÈÒ˄̇Π¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ ÒÚÂÂÓ 2007, –ÓÒÒˡ,10ÏËÌ.,ˆ‚.,1:1.85, GOAT üŒ«¿ ¿ÎÂÍ҇̉ üÓÔÂÈÍËÌ ÃËı‡ËÎ ≈‚·ÌÓ‚, ¿Ì‰ÂÈ Õ‡È‰ÂÌÓ‚ »„Ó¸ ¬ÓÎÓ¯ËÌ ∆‡Ì̇ œ‡ıÓÏÓ‚‡ ¿Ì̇ ÃËı‡ÎÍÓ‚‡, »„Ó¸ ¬ÓÎÓ¯ËÌ, warÖ platoon ofspecialtroopsintheChechen ìGoatî istheradiosignalofalost Production Maxim Korolev Producers Vladimir Sorokolita,AndreiKhabarov Cast: Sound Design Production Andrei Naidenov Director ofPhotography Director Alexei Shipenko Scriptwriters stereo 2007, Russia,10min.,col.,1:1.85, Mikhail Evlanov, Alexander Kopeikin Igor Voloshin Anna Mikhalkova, Russian FundofCulture Igor Voloshin, Zhanna Pakhomova 07....üÓÁ‡ 2007 ....√Û·˚ 2005 ....ŒıÓڇ̇Á‡ÈˆÂ‚ 2003 ....—Û͇ 2001 ....ÃÂÒË‚Ó 2000 ‘ËθÏÓ„‡Ùˡ: ÙËθχ ¬.¿.Ç̇(2000). χÒÚÂÒÍÛ˛ ÂÊËÒÒÛ˚‡‚ÚÓÒÍÓ„Ó ◊ÂÌ˚ı‡ ËÀ.¿.◊ÂÌ˚ı,ÓÍÓ̘ËΠχÒÚÂÒÍÛ˛ ‰‡Ï‡ÚÛ„Ëˬ.ü. ÔÓÙÂÒÒËÓ̇θÌÓ„Ó Ó·‡ÁÓ‚‡Ìˡ)‚ (Ù‡ÍÛθÚÂÚ ‰ÓÔÓÎÌËÚÂθÌÓ„Ó ¬ 1998-ÏÔÓÒÚÛÔË΂Ӭ√»ü flÓÒ·‚ÒÍÓ„Ó Ú‡ڇθÌÓ„ÓÛ˜ËÎˢ‡. Û˜ËÎÒˇ ‚Ò‚‡ÒÚÓÔÓθÒÍÓÏÙËΡΠÃÓÒÍÓȪ Ô/¬.¿.Œ¯‡ÌÒÍÓ„Ó, ‰‡Ï‡Ú˘ÂÒÍÓ„Ó ´“‡ڇ̇¡Óθ¯ÓÈ „Ó‰Û. —1992ñ‡ÍÚÂÃÓÎÓ‰ÂÊÌÓ„Ó ÍËÌÓ. –Ó‰ËÎÒˇ‚—‚‡ÒÚÓÔÓÎÂ1974 ÍËÌÓÙÂÒÚË‚‡ÎÂÈ ËÙÓÛÏÓ‚ÌÂË„Ó‚Ó„Ó ÏÂʉÛ̇ӉÌ˚ı ËÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ÔÂÏËË ´“ËÛÏÙª,ÔËÁ üËÌÓÂÊËÒÒÂ, ·Û‡Ú̇ˆËÓ̇θÌÓÈ »„Ó¸ ¬ÓÎÓ¯ËÌ 07....Goat 2007 ....Lips 2005 ....HareHunting 2003 ....TheBitch 2001 ....Medley 2000 Filmography: auteur films(2000). from V.Manísworkshopofdirection art ofV.andL.Chernykh,graduated training) intheworkshopofdramatic VGIK (facultyofadditionalvocational In 1998enrolledattheFilmInstitute branch oftheYaroslavlTheatreSchool. Orshansky, studiedattheSevastopol Bolshaya MorskayaStreetunderV. actor oftheYouthDramaTheatreon Born inSevastopol1974.Since1992 and forumsofdocumentarycinema. international andnationalfilmfestivals prize ìTriumphî,prize-winnerof Film director,winnerofthenational Igor Voloshin 96....—͇ÁÍËÌÓ‚ÓÈ–ÓÒÒËË 1996 ....People(3D,ËÒÓ‚‡ÌÌ˚È) 1995 ....ƒËÍËÂη‰Ë(ËÒÓ‚‡ÌÌ˚È) 1994 ....—ÌÂÊ̇ˇÍÓÓ΂‡(ËÒÓ‚‡ÌÌ˚È) 1992 ..üÛ·ËÍ–Û·ËÍÍÎÓÛ̇‰‡ 199-91 ....–ÓÍÓ‚‡ˇÎ˛·Ó‚¸,ËÎË¡Â‰ÌˇÊ͇ 1989 ....–ÓÍÓ‚‡ˇÎ˛·Ó‚¸(ÍÛÍÎ˚) 1987 ....√ÓÏÌ„ˇÌÂÚ(ËÒÓ‚‡ÌÌ˚È) 1986 ....ŒÒÚ‡ÌÓ‚ËÎÒˇÔÓÂÁ‰(ËÒÓ‚‡ÌÌ˚È) 1982 ....ÕÓ‚Ó„Ó‰ÌÂÂÔÛÚ¯ÂÒÚ‚Ë 1982 ....¿ËÒÚÂÌÓÍ‚ÍÎÂÚÓ˜ÍÛ 1978 ....≈ÒÎË‚ÂËÚ¸‚Ò͇ÁÍÛ 1977 »Á·‡Ì̇ˇ ÙËθÏÓ„‡ÙˡÂÊËÒÒ‡: ‡ÌËχˆËÓÌÌÓÈ ÒÚÛ‰ËË´ü·ÒÒË͇ª. „Â̇θÌ˚È ‰ËÂÍÚÓËÂÊËÒÒ ÒÚÛ‰ËË ´œËÎÓÚª.—1991ñ ´ÃÓΉӂ‡-ÙËÎϪ, ‚“œŒ´›Í‡Ìª,̇ (1981). –‡·ÓÚ‡Î̇ÍËÌÓÒÚÛ‰ËË Ï‡Ú‡ 1960„Ó‰‡.ŒÍÓ̘Ëάü—– ÔÓÙÂÒÒËÓ̇θÌ˚ı ÔÂÏËÈ.–Ó‰ËÎÒˇ8 ÏÂʉÛ̇ӉÌ˚ı ËÓÒÒËÈÒÍËı ıÛ‰ÓÊÌËÍ, ÔÓ‰˛ÒÂ.À‡ÛÂ‡Ú –ÂÊËÒÒ ‡ÌËχˆËÓÌÌÓ„ÓÍËÌÓ, ¬Î‡‰ ¡‡·˝ KOLOBOK üŒÀŒ¡Œü 1996 ....Fairy TalesoftheNew Russia 1996 ....People (3D,drawn) 1995 ....Wild Swans(drawn) 1994 ....The SnowQueen(drawn) 1992 CubeClownerie 1990-91....Rubikís ....Fatal Love,orPoorLulu 1989 ....Fatal Love(puppet) 1987 ....The Thunderwillnotthunder 1986 ....The TrainStopped(drawn) 1982 ....New YearísJourney(drawn) 1982 ....The LittleStorkinaCage 1978 ....Believing inaFairyTale 1977 Select Filmography: animation studioìKlassikaî. director andartisticofthe studio ìPilotî.Since1991heisgeneral Filmî, forcompanyìScreenî,atthe Worked atthefilmstudioìMoldova Scriptwriters andDirectors(1981). Graduated fromtheHigherCoursesfor awards. Bornon8March1960. international andRussianprofessional Director, animator,producer.Winnerof Vlad Barbe (Ò˛ÊÂÚ˚ Ò¡·) (Ò¡Î, ËÒÓ‚‡ÌÌ˚È) ÀÛÎÛ (ÍÛÍÎ˚) (ËÒÓ‚‡ÌÌ˚È) (ËÒÓ‚‡ÌÌ˚È) (ËÒÓ‚‡ÌÌ˚È) (parts ofaserial) (serial, drawn) (puppet) (drawn) (drawn) (drawn) ̇ӉÌÓÈ Ò͇ÁÍË). √ÛÒÚ̇ˇ ËÒÚÓˡ(ÔÓÏÓÚË‚‡ÏÛÒÒÍÓÈ ÂÒÚ¸ ·Óθ¯ÓÈÒÏ˚ÒÎÖ‡,·‰ÌÓ. ÊËÎ Ò·ÂˉÛχÎ,˜ÚÓ‚Ú‚ÓÂÈÊËÁÌË Ë ÒÌ˚‰Û‡ˆÍËÂÔÓÌÓ˜‡ÏÌÂÏÛ˜ËÎË ‚‰¸ ˉÛÁ¸ˇ·˚ÎË‚‡„Ë Ì ÔÓÒÚÓڇ͘ÚÓ·˚:ˉÛÒ·ÂñË Í‡Í-ÚÓ ÔÓ‚ÓÁ‚˚¯ÂÌÌÂÂ,˜ÚÓÎË Í‡Í-ÚÓ ÔÓ-‰Û„ÓÏÛ, ւ‰¸ ‚Ò‰ÓÎÊÌÓ·˚ÎÓÒÎÓÊËÚ¸Òˇ ÍËÌÂχÚÓ„‡ÙËË ‘‰‡θÌÓ„Ó ‡„ÂÌÚÒÚ‚‡ÔÓÍÛθÚÛÂË œÓËÁ‚Ó‰ÒÚ‚Ó ¬ËÍÚÓ ‘‰ÓÚÓ‚,–ÓχÌüÓÎÚÛÌÓ‚ œÓ‰˛ÒÂ˚ ‘Â‰Ó Ë¬ËÍÚÓƒÓ·Ó̇‚Ó‚˚ ›‰Û‡‰ –‡‰Á˛Í‚˘, ¿ÍÚÂ˚ ÓÁ‚Û˜‡Ìˡ: ¿ÎÂÍ҇̉ ¡‡Ú˚‚ «‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ –ÂÊËÒÒ ¬Î‡‰ ¡‡·˝ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ Dolby Digital5.1,35ÏÏ,3D-‡ÌËχˆËˇ 2006, –ÓÒÒˡ,20ÏËÌ.,ˆ‚.,1:1.66, ¬‡‰ËÏ üÛ„ÎÓ‚, ¬Î‡‰ ¡‡·˝ ¬‡ÎÂËÈ ◊ÛËÍ √‡ÎË̇ ƒ‡ÌÂÎˡ, ¬Î‡‰ËÒ·‚ ÿ‡Ú‡ÎËÌ ´ü·ÒÒË͇ª, ÔÓÁ‡Í‡ÁÛ ¬‡ÎÂËÈ œÛ„‡¯ÍËÌ, Russian fairytale). A sadstory(onthemotivesofapopular right. your lifethereismeaningÖoh,all I livedtomyselfandthoughtthatin torment And foolishdreamsatnightdidnot enemies Because therewerebothfriendsand Not simply:Iamgoing,sogo, Somehow inanelevatingway, happened somehowdifferently, Öin facteverythingshouldhave Cinematography by theFederalAgencyofCultureand Production: Viktor Fedotov,RomanKoltunov Producers Fedor andViktorDobronravov Voices: Alexander Batyrev Sound Composer Design Production Director Vlad Barbe Scriptwriters Dolby Digital5.1,35mm.,3D-animation 2006, Russia,20min.,col.,1:1.66, Vadim Kruglov, Eduard Radziukevich, Vlad Barbe Vladislav Shatalin Galina Danelia, ìKlassikaî, commissioned Valeri Pugashkin, Valeri Churik
57 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 58 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts ÒÓ‚ÂÏÂÌÌÓÈ Â‡Î¸ÌÓÒÚË. Ò˜‡ÒÚ¸ˇ ÍÒÂ„Ó‰Ìˇ¯ÌËÏ„ÂÓËÌˇÏË ¬ÂÚÓ‚˚Ï, ÔËÏ¡ˇÂ„ÓÙÓÏÛÎ˚ ÙËÎÓÒÓÙÒÍËÈ Ë˝ÒÚÂÚ˘ÂÒÍËȉˇÎÓ„Ò ‚ÂÒËË ´üÓÎ˚·ÂθÌÓȪ‚ÒÚÛÔ‡˛Ú‚ ÒÓ‚ÂÚÒÍÓÈ ÊÂÌ˘ËÌ˚.—ÓÁ‰‡ÚÂÎËÌÓ‚ÓÈ ¬ÂÚÓ‚‡ (1937)ÓÒ˜‡ÒÚÎË‚ÓÈÒÛ‰¸·Â –ËÏÂÈÍ Ó‰ÌÓËÏÂÌÌÓ„ÓÙËθχƒÁË„Ë ÍÛθÚÛ ËÍËÌÂχÚÓ„‡ÙËË ÔÓ‰‰ÂÊÍ ‘‰‡θÌÓ„Ó‡„ÂÌÚÒÚ‚‡ÔÓ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò ¿Ì̇ “ËÚӂˆ,Õ‡‰Âʉ‡’ÂÌÍÓ‚‡ ÇË̇ ÃÓÒÍ‚Ë̇,¿Ì‡ÒÚ‡Òˡ“ËÚӂˆ, ¬ ÓΡı: «‚ÛÍ –ÓÏ‡Ì ƒÛ·ËÌÌËÍÓ‚ ÃÛÁ˚͇ ¿ÎÂÍÒÂÈ ÀÓ·‡ÌÓ‚ ’Û‰ÓÊÌËÍË ŒÔ‡ÚÓ üÒÂÌˡ œÂÂÚÛıË̇ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ ÒÚÂÂÓ, Super16ÏÏ/BetacamSP 2006, –ÓÒÒˡ,26ÏËÌ.,ˆ‚.,1:1.66, LULLABY üŒÀ¤¡≈À‹Õ¿fl ¬ËÍÚÓ “ËϯËÌ ≈‚„ÂÌËÈ ü‡‰ËÏÒÍËÈ, ≈ÎÂ̇ À‡ÒÍÓ‚‡ˇ, »Î¸ˇ Œ‚ÒÂÌ‚ ¬‡ÒËÎËÈ —ÂËÍÓ‚ flÍÓ‚ ü‡Ê‰‡Ì, ´»ÎβÁËÓ̪, ÔË women andmodernreality. formulae ofhappinessagainsttodayís dialogue withVertov,testinghis enter aphilosophicalandaesthetic creators ofthenewversion´Lullabyª destiny oftheSovietwoman.The Dziga Vertov(1937)aboutthehappy Remake ofthefilmsametitleby Cinematography from theFederalAgencyofCultureand Production Producer Titovets, NadezhdaKhrenkova Moskvina, AnastasiaTitovets,Anna Cast: Sound Dubinnikov Composers Alexei Lobanov Design Production Director ofPhotography Ksenia Peretrukhina Scriptwriter andDirector stereo, Super16mm/BetacamSP 2006, Russia,26min.,col.,1:1.66, Elena Laskovaya,Marina Viktor Timshin Vasili Serikov Evgeni Kadimsky,Roman ìIllusionî withsupport Yakov Kazhdan, Ilya Ovsenev ‰Â·˛Ú. ´üÓÎ˚·Âθ̇ˇª ñÂÊËÒÒÂÒÍËÈ ¿.ü‡Á‡ÌˆÂ‚‡ ËÃ.–Ó˘Ë̇. ‰‡Ï‡ÚÛ„ËË ËÂÊËÒÒÛ˚Ô/ ´œ‡ÍÚË͇ª Ë´“‡Ú.docª,÷ÂÌÚ‡ ÔÓÂÍÚ‡ı, ‚ÒÔÂÍÚ‡ÍΡıÚ‡ÚÓ‚ ıÛ‰ÓÊÌËÍ Û˜‡ÒÚ‚ÛÂÚ‚‚˚ÒÚ‡‚Ó˜Ì˚ı ÙÂÒÚË‚‡Îˇ ‚ˉÂÓ‡Ú‡´œ”—“Œª.ü‡Í „Ó‰‡ ñ‡Ú-‰ËÂÍÚÓÛ΢ÌÓ„Ó Û˜ËÚÒˇ ‚‡ÒÔˇÌÚÛ¬√»ü‡.—2002 ƒÊ.—ÓÓÒ‡. ¬Ì‡ÒÚÓˇ˘ËÈÏÓÏÂÌÚ ÒÓ‚ÂÏÂÌÌÓ„Ó ËÒÍÛÒÒÚ‚‡ÔË‘Ó̉ ËÒÍÛÒÒÚ‚‡ ÔË–√√”,ÿÍÓÎÛ ¬√»ü‡, ÿÍÓÎÛÒÓ‚ÂÏÂÌÌÓ„Ó ŒÍÓ̘Ë· ÍËÌӂ‰˜ÂÒÍËÈÙ‡ÍÛθÚÂÚ üÒÂÌˡ œÂÂÚÛıË̇ ´Lullabyª isthedirectorísdebut. A. KazantsevandM.Roshchin. the CentreofDramaandDirecting the theatresìPraktikaîandìTeatrdocî, exhibition projectsandperformancesof ìEMPTYî. Asartistparticipatedin of thestreetfestivalvideo-art study atVGIK.Since2002art-director Foundation. Currentlypostgraduate School ofModernArtattheSoros School ofModernArtatRGGU,the studies oftheFilmInstituteVGIK, Graduated fromthefacultyoffilm Ksenia Peretrukhina ìRats andtheBookî(2006). animation): ìStopintheDesertî(2004), A. Khrzhanovsky.Films(shorts, as directorofanimationfilm,class of directingtheFilmInstituteVGIK completing hereducationatthefaculty games; scriptwriter.Currentlyis animator; developmentofcomputer (Moscow Region).Since1991worksas Born on1August1971inPodolsk Natalia Nilova (2004), ´ü˚ÒÍËËÍÌË„‡ª(2006). ‡ÌËχˆËˇ): ´ŒÒÚ‡Ìӂ͇‚ÔÛÒÚ˚̪ ¿.fi. ’ʇÌÓ‚ÒÍÓ„Ó.‘ËθÏ˚(Í/Ï, ‡ÌËχˆËÓÌÌÓ„Ó ÙËθχª,χÒÚÂÒ͇ˇ ÒÔˆˇθÌÓÒÚË ´ÂÊËÒÒ ÂÊËÒÒÂÒÍÓÏ Ù‡ÍÛθÚÂÚ¬√»ü‡ÔÓ Á‡‚¯‡ÂÚ Ó·‡ÁÓ‚‡ÌËÂ̇ ÔË҇· ÒˆÂ̇ËË.¬Ì‡ÒÚÓˇ˘Â‚ÂÏˇ ‡Á‡·ÓÚÍÓÈ ÍÓÏÔ¸˛ÚÂÌ˚ıË„, „Ó ‡·ÓÚ‡ÂÚ‡ÌËχÚÓÓÏ,Á‡ÌËχ·Ҹ œÓ‰ÓθÒÍ (ÃÓÒÍÓ‚Ò͇ˇÓ·Î.).—1991- –Ӊ˷Ҹ 1‡‚„ÛÒÚ‡1971„Ó‰‡‚ Շڇθˇ ÕËÎÓ‚‡ RATS ANDTHEBOOK ü–¤—ü» »üÕ»√¿ Í˚ÒÂÌÍÓÏ ÍÒ‚ÓÂÈ„Û‰Ë. ÁÂÌ˚¯ÂÍ ËÔËʇÎÍ˚ÒÛ-χÏÛÒ Ì‡¯ÂÎ ‰ÎˇÍ˚ÒÓÍÌÂÒÍÓθÍÓ Ú˚Òˇ˜Ë β‰ÂÈÒÂϸ˛ıη‡ÏË,ÓÌ —Ô‡ÒËÚÂΡ. üÓ„‰‡-ÚÓ̇ÍÓÏË‚¯ËÈ Ì‡ ‚ÒÂıÔÓÒÚˇÂÚÒˇÎ˛·Ó‚¸Ë‰Ó·ÓÚ‡ Á‡˘ËÚ ˉÓÒÚÓÈÌ˚ıÓÓ¯ÂÈÊËÁÌË, Í˚Ò‡ ÒÍ˚ÒÂÌÍÓÏ,‚ÒÂÌÛʉ‡˛ÚÒˇ‚ ‡‚Ì˚ ñljÓÌ̇ÒÏ·‰Â̈ÂÏËÎË üÌË„Ë. ¬ÒÂÊË‚˚ÂÒÛ˘ÂÒÚ‚‡Ì‡ÁÂÏΠ—Ô‡ÒËÚÂΡ, ÔÓ‰Ìˇ‚¯Â„ÓÒˇËÁ‚ÂÎËÍÓÈ ‡ ̇¯ÎË·ÒÍÛËÒÓÒÚ‡‰‡ÌË „ÓÚÓ‚˚ ·˚ÎË„˚ÁÚ¸ÍÌË„Ë̇ÔÓÎ͇ı, ‚ ·Ë·ÎËÓÚÂÍÛ,Í˚Ò˚ËÒ͇Îˉ˚.ŒÌË √ÓÎÓ‰Ì˚ ÔÓ‰‰ÓʉÂÏ,ÒÎÛ˜‡ÈÌÓÔÓÔ‡‚ œÓËÁ‚Ó‰ÒÚ‚Ó «‚ÛÍ ÀÓËÒ —ÚÛÔÂ̸ÍÓ‚‡ ’Û‰ÓÊÌËÍË ¿Ì‰ÂÈ ’ʇÌÓ‚ÒÍËÈ,¬Î‡‰¡‡·˝ ’Û‰ÓÊÂÒÚ‚ÂÌÌ˚ ÛÍÓ‚Ó‰ËÚÂÎË Õ‡Ú‡Î¸ˇ ÕËÎÓ‚‡ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ Betacam SP,‡ÌËχˆËˇ 2006, –ÓÒÒˡ,4í30î,ˆ‚.,4:3,ÒÚÂÂÓ, ´ŒÂΪ Շڇθˇ ÕËÎÓ‚‡, ´ü·ÒÒË͇ª, ¬√»ü his arm. holds themotherratwithbabyin found somekernelsfortheratsand thousands ofpeoplewithbread,hehas Savior reacheseverybody.Oncefeeding good life.Theloveandkindnessofthe needs protectionandisworthyofa and theratwithababyrat,everyone are equal:theMadonnawithinfant Great Book.Alllivingbeingsonearth from theSaviorwhohasrisen when theyfindcareandcompassion to nibbleatthebooksonshelves, begin tosearchforfood.Theyareready have accidentallygotintothelibrary Hungry andintherain,someratsthat Production Sound Loris Stupenkova Artists Vlad Barbe Art Directors Natalia Nilova Scriptwriter andDirector stereo, BetacamSP,animation 2006, Russia,4min.30sec.,col.,4:3, ìOrelî Natalia Nilova, ìKlassikaî, VGIK Andrei Khrzhanovsky,
59 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 60 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts ÊËÁ̸. ÛθڇÍÓωˡ ÔÓ̇¯Û·ÂÁӷ·˜ÌÛ˛ ÔÒ‚‰Ó(Í‚‡ÁË)‰ÓÍÛÏÂÌڇθ̇ˇ 19-ÏËÌÛÚ̇ˇ ´˜Â̇ˇª ‘Ó̉ ÍÛθÚÛ˚ ËÔÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó Ã‡ÍÒËÏ üÓÓ΂ œÓ‰˛ÒÂ˚ “‡¯Î˚ÍÓ‚, »‚Ó‘ÂÈχÌËÒ ¬Î‡‰ËÏË ¬ÓÎÍÓ‚, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ ÀÂÓÌˉ –˚·‡ÍÓ‚ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ ÒÚÂÂÓ, 35ÏÏ 2007, –ÓÒÒˡ,19ÏËÌ.,ˆ‚.,1:1.66, STONE PEOPLE Àfiƒ» »«ü¿ÃÕfl ƒÏËÚËÈ —„‚ ¬ËÍÚÓ üÂÒÚÓ‚, ¿ÚÂÏ œÓÎÓÒ‡Ú˚È ∆‡Ì̇ œ‡ıÓÏÓ‚‡ ¿Ì̇ ÃËı‡ÎÍÓ‚‡, ¿ÎÂÍ҇̉ œ‡ÌÚ˚ÍËÌ –ÓÒÒËÈÒÍËÈ ultra-comedy aboutourcloudlesslife. A blackpseudo(quasi)documentary Fund ofCulture Distribution and Production Maxim Korolev Producers Vladimir Tashlykov,IwoFreimanis Cast: Sound Composer Production Design Director ofPhotography Rybakov Scriptwriter andDirector stereo, 35mm 2007, Russia,19min.,col.,1:1.66, Viktor Krestov,VladimirVolkov, Dmitri Sergeev Alexander Pantykin Anna Mikhalkova, Zhanna Pakhomova Artem Polosaty Leonid Russian 04....À˛‰ËËÁ͇ÏÌˇ(Í/Ï) 2004 ....œÓıËÚËÚÂÎËÍÌË„ 2004 ....LJÍÛÚ‡(Í/Ï) 1990 ‘ËθÏÓ„‡Ùˡ: (1991, χÒÚÂÒ͇ˇ¬.Õ.Õ‡ÛÏÓ‚‡). —ˆÂ̇ËÒÚ, ÂÊËÒÒÂ.ŒÍÓ̘Ëά√»ü ÀÂÓÌˉ –˚·‡ÍÓ‚ 04....StonePeople(short) 2004 ....BookThieves 2004 ....Marakuta (short) 1990 Filmography: Vladimir Naumov). the FilmInstituteVGIK(1991,classof Scriptwriter, director.Graduatedfrom Leonid Rybakov 1943î ishiscourseworkfilm. (workshop V.Abdrashitov).ìMarch, directing attheFilmInstituteVGIK Since 2003studentofthefaculty Born inMoscowon8October1969. Viacheslav Klevtsov ۘ·̇ˇ ‡·ÓÚ‡. ¿·‰‡‡¯ËÚÓ‚‡). ´Ã‡Ú1943„Ó‰‡ªñ Ù‡ÍÛθÚÂÚ‡ ¬√»ü‡(χÒÚÂÒ͇ˇ¬.fi. „Ó‰‡. —2003ñÒÚÛ‰ÂÌÚÂÊËÒÒÂÒÍÓ„Ó –Ó‰ËÎÒˇ ‚ÃÓÒÍ‚Â8ÓÍÚˇ·ˇ1969 ¬ˇ˜ÂÒ·‚ ü΂ˆÓ‚ MARCH 1943 ÿ–“ 1943√Œƒ¿ ‚ÂÏˇ. ËÒÔ˚Ú‡ÌË ̇˜ÂÎӂ˜ÌÓÒÚ¸‚‚ÓÂÌÌÓ ÌÓ‚˚È Ì‡‚ÒÚ‚ÂÌÌ˚ÈÓÔ˚Ú,¢ÂÓ‰ÌÓ Ã‡Ú 1943„Ó‰‡.√ÂÓËÔÓÎÛ˜‡˛Ú œÓËÁ‚Ó‰ÒÚ‚Ó ¿Ì‰ÂÈ ‘ËÓÌÓ‚,¿Ì‡ÒÚ‡Òˡ‘ÛÌË̇ ¬ ÓΡı: «‚ÛÍ ≈͇ÚÂË̇ ¬˚ıÓ‰ˆÂ‚‡ ’Û‰ÓÊÌËÍË ŒÔ‡ÚÓ ¬ˇ˜ÂÒ·‚ ü΂ˆÓ‚ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2006, –ÓÒÒˡ,13ÏËÌ.,˜/·,35ÏÏ ƒÏËÚËÈ üÓÏËÒÒ‡Ó‚ À‡ËÒ‡ ÿ‡ı‚ÓÓÒÚÓ‚‡, »‚‡Ì ¡Û·ÍÓ‚ ≈ÎÂ̇ “‡ÔÂÁÌËÍÓ‚‡, ¬√»ü humanity inwartime. moral experience,anothertestof March 1943.Theheroesgainanew Production Andrei Fironov,AnastasiaFunina Cast: Sound Ekaterina Vykhodtseva Design Production Director ofPhotography Viacheslav Klevtsov Scriptwriter andDirector 2006, Russia,13min.,b/w,35mm Larissa Shakhvorostova, Dmitri Komissarov VGIK Elena Trapeznikova, Ivan Burlakov
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Graduatedfromthefacultyof festivals. BorninKazanon25November winner ofinternationalandRussianfilm Director ofphotography,director.Prize- Sergei Litovets ´üÛθÚÛ‡ª) (‰ÓÍ. Ò¡Î,͇̇ΠœÂÚ œÂ‚˚È(‰ÓÍ.) ۂˉËÏ ü‡Á‡Ì¸(Ë„Ó‚ÓÈ,Í/Ï) ‰Â̸ Á‡‰ÌÂÏ(‰ÓÍ.,‡Î¸Ï‡Ì‡ı) (doc. serial,channel ìKulturaî) Peter theGreat(doc) Microscope (short) after Day(doc.,almanac) 06....—‚Ó·Ó‰ÌÓÂÔ·‚‡ÌË 2006 ....üÓÍÚ·Âθ(Ò¿ÎÂÍÒÂÂÏ 2003 ....œÂ‰Î‡„‡ÂÏ˚ÂÓ·ÒÚÓˇÚÂθÒÚ‚‡ 2004 ....ÃËı‡ËΡÛ΄‡ÍÓ‚.◊ÂÌ˚È 2002 ....’ËÚ‡ˇÎˇ„ۯ͇(Í/Ï) 2001 ....ÃËÏÓıÓ‰(Í/Ï,Ò¿ÎÂÍÒÂÂÏ 1994 ‘ËθÏÓ„‡Ùˡ: (1998, χÒÚÂÒ͇ˇÃ.œ.¬Î‡ÒÓ‚‡). 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Director, scriptwriter.Prize-winnerof Boris Khlebnikov œÓÔӄ·ÒÍËÏ) (‰ÓÍ., Ò¡Î) ÒÌ„ (‰ÓÍ.,Ò¡Î) œÓÔӄ·ÒÍËÏ) (with AlexeiPopogrebsky) (doc., serial) (doc., serial) Popogrebsky) ̇ ˝ÚÓÚ‚ÓÔÓÒ. ¡Â·ÛÒË, ‰‡ÂÚÌÂÓÊˉ‡ÌÌ˚ÂÓÚ‚ÂÚ˚ ÚÓÈ ÊËÁ̸˛,ÍÓÚÓ‡ˇÓÒڇ·ҸÛÌ„ӂ Û ŒÎ„‡?¡ÓηÎËÁÍÓÂÁ̇ÍÓÏÒÚ‚ÓÒ ÌÂÚ). »‚ÒÂÊÂ,͇͇ˇÔ˘Ë̇ËÏÂÌÌÓ Ì‡ Ú‡ÍÓÈÔÓÒÚÛÔÓÍ(Ú‡ÏÎÛ˜¯Â,„‰ÂÌ‡Ò Á‡‡·ÓÚÍË ñÊËÁ̸ÏÌÓ„Ëı‚˚ÌÛʉ‡ÂÚ ÏÓÏÂÌÚ Ó̯‡ÂÚÛÂı‡Ú¸‚ÃÓÒÍ‚Û̇ ÚÂıÌËÍ ‚ÏÂÒÚÌÓȯÍÓÎÂ...¬Í‡ÍÓÈ-ÚÓ ÔÓÙÂÒÒ˲: Ô‡ÔÓ˘ËÍ,Ú‡ÍÚÓËÒÚ, Ë ÚÂÒÚÂÏ.ŒÌÒÏÂÌËÎÌÂÓ‰ÌÛ ‰Â‚Ì ÒÊÂÌÓÈ,ÚÂÏˇ‰ÂÚ¸ÏË,Ú¢ÂÈ ŒÎ„ ÊË‚ÂÚ‚Ì·Óθ¯ÓÈ·ÂÎÓÛÒÒÍÓÈ 07....Infante's Birthday 2007 ....He'sGone 2007 ....Boys 2006 ....Sisters 2005 ....Girls 2005 Filmography (doc): full-length featuredebut. of theporno-industryandpreparesher makes adocumentaryfilmaboutpeople first filmattheageof19.Currently Marina Razbezhkina).Shemadeher school ìInternewsî(2005,workshopof Graduated fromthefilmandtelevision Born inMoscowon1March1984. Prize-winner ofRussianfilmfestivals. Director, scriptwriter,cinematographer. 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67 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 68 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts ‚ÓÁÌË͇˛Ú ‚ÒÂÌÓ‚˚ÂË‚ÂÒËËÖ ”ÓÚ·Û͇. ¬ıÓ‰ÂÒΉÒڂˡ ‡ÒÒÎÂ‰Û˛Ú Û·ËÈÒÚ‚ÓÎÓ‰‡ ÿÂÎÓÍ ’ÓÎÏÒˉÓÍÚÓ¬‡ÚÒÓÌ ÍËÌÂχÚÓ„‡ÙËË ‡„ÂÌÚÒÚ‚‡ ÔÓÍÛθÚÛÂË ÔË ÔÓ‰‰ÂÊÍ‘‰‡θÌÓ„Ó œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò ¿ÎÂÍ҇̉ ¡Û·ÌÓ‚ ıÛ‰ÓÊÌËÍ, ‡ÌËχÚÓ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ,ÂÊËÒÒÂ, Betacam SP,‡ÌËχˆËˇ 2005, –ÓÒÒˡ,18í30íí,ˆ‚.,DVD/ SHERLOCK HOLMESANDDOCTORWATSON ÿ≈–ÀŒü ’ŒÀ×»ƒŒü“Œ–¬¿“—ŒÕ ¿ÎÂÍ҇̉ √‡ÒËÏÓ‚ ´√Û·ÂÌˡª, there arenewversionsÖ Waterbrook. Duringtheinvestigation investigate themurderofLord Sherlock HolmesandDoctorWatson Cinematography from theFederalAgencyofCultureand Production Animator AlexanderBubnov Scriptwriter, Director,Artist, DVD/Betacam SP,animation 2005, Russia,18min.30sec.,col., ìGuberniyaî, withsupport 05....ÿÂÎÓÍ’ÓÎÏÒ 2005 ....œÓÒÎÂ‰ÌˇˇÊÂ̇ 1996 ....üÎËÌË͇ 1993 ‘ËθÏÓ„‡Ùˡ ÂÊËÒÒ‡ ÒÚÛ‰Ëˇı ‘‡ÌˆËË. ÍÓ̈ÂÔˆËË ËÒÓÁ‰‡ÚÂθÔÂÒÓ̇ÊÂÈ̇ ‡ÌËχÚÓ, ‡Á‡·ÓÚ˜ËÍ„‡Ù˘ÂÒÍÓÈ Ë ›.Õ‡Á‡Ó‚‡).—2002ñ2004ñ ÓÍÓ̘ËÎ ¬ü—–(χÒÚÂÒ͇ˇ‘.’ËÚÛ͇ ÏÛθÚËÔÎË͇ÚÓ ˝ÚÓÈÒÚÛ‰ËË.¬1992-Ï ≈‚„. —Ë‚ÓÍÓÌˇ),Ò1989-„ÓñıÛ‰ÓÊÌËÍ- ÙËθÏÓ‚ (1989,χÒÚÂÒ͇ˇ üË‚ÒÍÓÈ ÒÚÛ‰ËË̇ۘÌÓ-ÔÓÔÛΡÌ˚ı ıÛ‰ÓÊÌËÍÓ‚-ÏÛθÚËÔÎË͇ÚÓÓ‚ ÔË ÒÚÓËÚÂθÌ˚È ËÌÒÚËÚÛÚ,ÍÛÒ˚ ŒÍÓ̘ËÎ üË‚ÒÍËÈËÌÊÂÌÂÌÓ- ÙÂÒÚË‚‡ÎÂÈ. –Ó‰ËÎÒˇ‚1959„Ó‰Û. ÍËÌÓ, ÔËÁÂÏÂʉÛ̇ӉÌ˚ı ’Û‰ÓÊÌËÍ ËÂÊËÒÒ‡ÌËχˆËÓÌÌÓ„Ó ¿ÎÂÍ҇̉ ¡Û·ÌÓ‚ 05....SherlockHolmes 2005 ....TheLastWifeofBluebeard 1996 ....Clinic 1993 Filmography: at Frenchstudios. graphic conceptsandcharactercreator 2002ñ2004 animator,developerof F. KhitrukandE.Nazarov).From Scriptwriters andDirectors(classof graduated fromtheHigherCoursesof animator atthisstudio.In1992 E. Sivokon);since1989artistand educational films(1989,workshop animation attheKievstudioof Construction Institute,coursesof Born in1959.GraduatedfromtheKiev prizewinner ofinternationalfestivals. Artist anddirectorofanimation, Alexander Bubnov Ë ‰ÓÍÚÓ¬‡ÚÒÓÌ —ËÌÂÈ ¡ÓÓ‰˚ (‡ÌËχˆËˇ, Í/Ï): and DoctorWatson (2006). ìCharlotteî (2000,diploma),ìEspressoî radio productions.Films(shorts): ìFirst Channelî,ìC“¬î),directoroftwo Doctorî, publishinghouseìTerraî, (ìMosfilmî, magazineìPersonal director, editor,photoeditor (2000). Workedasmanager,assistant specializing asdirectoroftelevision Television andBroadcasting, Litovchin HumanitiesInstituteof 26 February1978.Graduatedfromthe Born inZhukovsk(MoscowRegion)on Natalia Volkova ‰ËÔÎÓÏ), ´›ÒÔÂÒÒÓª(2006). ‘ËθÏ˚ (Í/Ï):´ÿ‡ÎÓÚÚ‡ª(2000, ÂÊËÒÒ ‰‚Ûı‡‰ËÓÔÓÒÚ‡ÌÓ‚ÓÍ. ´“‡ª, ´œÂ‚˚È͇̇Ϊ,´—“¬ª), ´À˘Ì˚È ‰ÓÍÚÓª,ËÁ‰‡ÚÂθÒÚ‚Ó ÙÓÚÓ‰‡ÍÚÓ‡ (´ÃÓÒÙËθϪ,ÊÛ̇ΠÂÊËÒÒ‡, ÏÓÌڇʇ, ͇˜ÂÒÚ‚Â ‡‰ÏËÌËÒÚ‡ÚÓ‡,‡ÒÒËÒÚÂÌÚ‡ ÚÂ΂ˉÂÌˡª (2000).–‡·Óڇ·‚ ÔÓ ÒÔˆˇθÌÓÒÚË´ÂÊËÒÒ ‡‰Ëӂ¢‡Ìˡ ËÏÂÌËÃ.¿.ÀËÚÓ‚˜Ë̇ √ÛχÌËÚ‡Ì˚È ËÌÒÚËÚÛÚÚÂ΂ˉÂÌËˇË Ó·Î.) 26Ù‚‡ÎÂ1978„Ó‰‡.ŒÍÓ̘Ë· –Ӊ˷Ҹ ‚∆ÛÍÓ‚ÒÍÓÏ(ÃÓÒÍÓ‚Ò͇ˇ Õ‡Ú‡Îˡ ¬ÓÎÍÓ‚‡ ESPRESSO ›—œ–≈——Œ ËÒÚÓËË, Ӊ̇ʉ˚ÒÎۘ˂¯ÂÈÒˇ‚͇ÙÂ. ‚ÓÒÔˡÚˡ ̇ÓÒÌÓ‚ÂÌÂÁ‡Ï˚ÒÎÓ‚‡ÚÓÈ ÔÒËıÓÎӄ˘ÂÒÍË ÒÚÂÂÓÚËÔ˚ ÍËÌÂχÚÓ„‡Ù˘ÂÒÍËÂ Ë »„‡ ÒÓÁËÚÂÎÂÏ‚ www.artchance.ru ÔË ÔÓ‰‰ÂÊÍ´ParkProductionª œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò ¿ÎÂÍ҇̉ üÓÊÓ‚ ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ ŒÔ‡ÚÓ –ÂÊËÒÒ ՇڇÎˡ ¬ÓÎÍÓ‚‡ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2006, –ÓÒÒˡ,13ÏËÌ.,ˆ‚.,DVD ≈„Ó ‘‡ÒÚӂˆ,»Î¸ˇ—ÂÎËıÓ‚ ÕË̇ √Ó„‡Â‚‡, ƒÏËÚËÈ ÿÎ˚ÍÓ‚ Õ‡Ú‡Îˡ ¬ÓÎÍÓ‚‡ ƒÏËÚËÈ ƒÓ·ÛÊËÌÒÍËÈ ¿Ì‰ÂÈ üÓÏËÒÒ‡Ó‚ ´Art Chanceª, ≈‚„ÂÌËÈ ü‡Á‡˜ÍÓ‚, event thatoncehappenedinacafe. of perception,onthebasisareal cinematic andpsychologicalstereotypes A game,withthespectator,in with supportofìParkProductionî Production Producer Cast: Sound Composer Dmitri Shlykov Director ofPhotography Director Natalia Volkova Scriptwriters 2006, Russia,13min.,col.,DVD Nina Gogaeva,AlexanderKorzhov Egor Fastovets,IlyaSelikhov Natalia Volkova Dmitri Dobuzhinsky Andrei Komissarov ìArt Chanceî, Evgeni Kazachkov,
69 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 70 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts ‰‡‚ÌÓ Ò˜ËÚ‡ÎÛϯËÏÖ ÎÂÚ Ì‡Á‡‰,ËÍÓÚÓÓ„Ó҇Ͽ‡·Ó‚ ÓÚˆ, ۯ‰¯ËÈÓÚÌ„ÓÒχÚ¸˛40 ˜ÂÎÓ‚ÂÍ, ÛÚ‚Âʉ‡‚¯ËÈ,˜ÚÓÓÌñÂ„Ó ‚Á„Ρ‰, ÒÓ·˚ÚËÂ.≈ÏÛÔÓÁ‚ÓÌËÎ ÔÓËÁÓ¯ÎÓ ÌÂÓ·˙ˇÒÌËÏÓÂ,̇Ô‚˚È Œ‰Ì‡Ê‰˚ ‚ÒÛ‰¸·ÂÒ‡ÏÓ„Ó¿‡·Ó‚‡ ÍËÌÓÙÂÒÚË‚‡Îˇ fiËÈ¿‡·Ó‚. ÒˆÂ̇ËÒÚ, ·Û‡Úü‡ÌÌÒÍÓ„Ó Ú‡Í Ò˜ËÚ‡ÂÚËÁ‚ÂÒÚÌ˚ÈÓÒÒËÈÒÍËÈ ÍÓÚÓ˚Ï ÒÚÓËÚÒˇÍËÌÓÒˆÂ̇ËȪñ ÔÓθÁÛˇÒ¸ ÚÂÏËÊÂÁ‡ÍÓ̇ÏË,ÔÓ Ó·˙ˇÒÌËÚ¸, ÌÓËÔ‰Ò͇Á‡Ú¸, ´—Û‰¸·Û ˜ÂÎÓ‚Â͇ÏÓÊÌÓÌÂÚÓθÍÓ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò «‚ÛÍ üÓÏÔÓÁËÚÓ Ã‡Ú˚̸¯ œÛ̇ÌÒ ŒÔ‡ÚÓ˚ ¿Í‡‰ËÈ üÓ„‡Ì ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ ˆ‚., ˆËÙÓ‚Ó‚ˉÂÓ,‰ÓÍ. 2007, –ÓÒÒˡ,52ÏËÌ., YURI ARABOV.MECHANICSOFFATE fi–»… ¿–¿¡Œ¬.Ã≈’¿Õ»ü¿—”ƒ‹¡¤ ¬ËÍÚÓ ¡ÛÒ Õ‡Ú‡Îˡ √Û„Û‚‡ ¿Í‡‰ËÈ üÓ„‡Ì, ÃËı‡ËÎ üÓ„‡Ì ´¬ÒÚ˜‡ª had foralongtimeconsidereddeadÖ years ago,andwhomArabovhimself and whohadpartedwithhismother40 who assertedthathewashisfather, inexplicable. Hewascalledbyaperson happened thatwasatfirstsight Once inArabovíslifesomething the Cannesfilmfestival,YuryArabov. known Russianscriptwriter,winnerof script isbuilt:thusreckonsthewell- same lawsaccordingtowhichafilm explained, butalsopredicted,usingthe ìThe fateofamancannotonlybe Production Producer Sound Composer Arkadi Kogan,MartynsPounance Director ofPhotography Arkadi Kogan Scriptwriter andDirector video, doc. 2007, Russia,52min.,col.,digital Viktor Brus Natalia Gugueva Michael Kogan ìVstrechaî 05....¬Ò‰ÂÚËÓʉ‡˛ÚÒˇÁˇ˜ËÏË 2005 ....Çڇ(ÒÕ‡Ú‡ÎËÂÈ√Û„Û‚ÓÈ) 2004 ....üÓÒÚˇ÷Á˛.¡˚Ú¸Ô‚˚Ï! 2004 ....ƒÓ·ÓÂÛÚÓ,¬¸ÂÚÌ‡Ï 2003 ....ÃÂÒÚÓ 2001 ....ƒÂ̸ÓʉÂÌˡ 2000 ....«‚ÂÁ‰‡ƒ‡‚ˉ‡ 1998 ....œÛÚ¯ÂÒÚ‚Ë‚ÇÎËÌ 1997 ....”Î˚·Í‡üÌˇÊËÌÒÍÓ„Ó 1997 ....∆ËÚ¸‰Ó΄ÓËÛÏÂÂÚ¸ 1996 ....≈‚„‡Ù 1993 ....fl·Ó˛Ò¸! 1991 ....›‰ÂÌË,ËÎËÒÓÍӂˢ»ÒËÌ„Ë 1991 ....¬Â‡ 1990 ‘ËθÏÓ„‡Ùˡ (‰ÓÍ.): Ù‡ÍÛθÚÂÚ ¬√»ü‡(1993). ÀÂÌËÌ„‡‰Â (1982)ËÂÊËÒÒÂÒÍËÈ Ù‡ÍÛθÚÂÚ ¿Í‡‰ÂÏËËıÛ‰ÓÊÂÒÚ‚‚ 1957 „Ó‰Û.ŒÍÓ̘Ë·ıËÚÂÍÚÛÌ˚È ÙÂÒÚË‚‡ÎÂÈ. –Ó‰ËÎÒˇ‚ÕÓ‚ÓÒË·ËÒÍ ÏÂʉÛ̇ӉÌ˚ı ËÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ´À‡‚Ó‚‡ˇ ‚ÂÚ‚¸ª(2001,2004),ÔËÁ ÌÂË„Ó‚Ó„Ó ÍËÌÓËÚÂ΂ˉÂÌˡ ͇̇·ª. À‡Û‡ÚÔÂÏËË√Ëθ‰ËË ÔÓÔÛΡÌ˚ı ÔÓ„‡ÏÏ´œÂ‚Ó„Ó √·‚Ì˚È ÂÊËÒÒ‰ËÂ͈ËË̇ۘÌÓ- ¿Í‡‰ËÈ üÓ„‡Ì 05....All Childrencanseewhenthey 2005 ....March(withNataliaGugueva) 2004 ....KostiaTsyu.Bethefirst! 2004 ....GoodMorning, Vietnam 2003 ....ThePlace 2001 ....Birthday 2000 ....DavidísStar 1998 ....TraveltoMalines 1997 ....KnyazhinskyísSmile 1997 ....LiveLongandDieYoung. 1996 ....Evgraf 1993 ....Iamafraid! 1991 ....Erdeni,ortheTreasureofIsinga 1991 ....Vera 1990 Filmography (doc): (1993). directing attheFilmInstituteVGIK Leningrad (1982)andthefacultyof architecture oftheAcademyArtsin in 1957.Graduatedfromthefacultyof national festivals.BorninNovosibirsk prize-winner ofinternationaland Television FilmìLaurelî(2001,2004), the GuildofDocumentaryand ìFirst Channelî.Winneroftheprize of popularscientificprogrammesat Chief directoroftheManagementBoard Arkadi Kogan (Ò Õ‡Ú‡ÎËÂÈ√Û„Û‚ÓÈ) ÏÓÎÓ‰˚Ï. ÃËı‡ËÎ∆‚‡ÌˆÍËÈ are born (with NataliaGugueva) Michael Zhvanetsky www.kinotavr.ru ÀÂÚÌˇˇ Summer ˝ÈÙÓˡ Euphoria
´üËÌÓÚ‡‚ª ÔÓıÓ‰ËÚ ÎÂÚÓÏ Ì‡ ÏÓÂ: ìKinotavrî takes place in the summer ‚ÂÏˇ Ë ÏÂÒÚÓ ‡ÒÔÓ·„‡˛Ú Í ÚÓÏÛ, ˜ÚÓ·˚ by the sea: time and place indicate ‡ÒÒ··ËÚ¸Òˇ Ë ÔÓÎÛ˜‡Ú¸ Û‰Ó‚ÓθÒÚ‚ËÂ. relaxation and pleasure. But you have ÕÓ ‚˚ ÔÓÔ‡ÎË Ì‡ ÙÂÒÚË‚‡Î¸, ÍÓÚÓ˚È come to a festival that calls itself a ̇Á˚‚‡ÂÚ Ò·ˇ ··Ó‡ÚÓËÂÈ ÔÓ research laboratory of national ËÒÒΉӂ‡Ì˲ ̇ˆËÓ̇θÌÓ„Ó cinematic processes. Donít be afraid: ÍËÌÓÔÓˆÂÒÒ‡. Õ ÔÛ„‡ÈÚÂÒ¸: Á‰ÂÒ¸ ÂÒÚ¸ here is an opportunity to simply watch ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓÒÚÓ ÔÓÒÏÓÚÂÚ¸ ÍËÌÓ. cinema. The programme ìSummer œÓ„‡Ïχ ´ÀÂÚÌˇˇ ˝ÈÙÓˡª ÒÓ·‡Î‡ Euphoriaî gathers films which, directly ÙËθÏ˚, ‚ ÍÓÚÓ˚ı ÚÓÊÂ, ÔˇÏÓ ÎË·Ó or indirectly, reflect serious problems ÍÓÒ‚ÂÌÌÓ, ÓÚ‡ÊÂÌ˚ Ò¸ÂÁÌ˚ ÔÓ·ÎÂÏ˚ and links to reality. But ñ each of these Ë Ò‚ˇÁË Ò Â‡Î¸ÌÓÒÚ¸˛. ÕÓ Í‡Ê‰˚È ËÁ five films is also pure imagination, ˝ÚËı ÔˇÚË ÙËθÏÓ‚ ñ ˝ÚÓ Â˘Â Ë ˜ËÒÚ‡ˇ dream, a waking dream. By its nature Ù‡ÌÚ‡Áˡ, Ϙڇ, ÒÓÌ Ì‡ˇ‚Û. üËÌÓ ÔÓ cinema reminds us of a dream, and 72 Ò‚ÓÂÈ ÔËӉ ̇ÔÓÏË̇ÂÚ ÒÓÌ, ‡ ̇ during a festival can successfully ÙÂÒÚË‚‡Î ÛÒÔ¯ÌÓ Á‡ÏÂÌˇÂÚ Â„Ó. replace it. —̇˜‡Î‡ Ï˚ ıÓÚÂÎË Ì‡Á‚‡Ú¸ ÔÓ„‡ÏÏÛ First we wanted to call the programme ´–ÛÒÒ͇ˇ ˝ÈÙÓˡª, Í‡Í ˝ÚÓ ·˚ÎÓ ‚ ìRussian Euphoriaî, as last year. But ÔÓ¯ÎÓÏ „Ó‰Û. ÕÓ ÙËθÏ˚, ÍÓÚÓ˚ the films that came together were far ÒÚ‡ÎË ÔÓ‰·Ë‡Ú¸Òˇ, ‰‡ÎÂÍÓ Ì ‚Ò from being purely Russian, though they ˜ËÒÚÓ ÛÒÒÍËÂ, ıÓÚˇ Ë ÒÌˇÚ˚ ̇ are made in the Russian language ñ but ÛÒÒÍÓÏ ˇÁ˚Í ÂÊËÒÒ‡ÏË ‡ÁÌ˚ı by directors of different nationalities, ̇ˆËÓ̇θÌÓÒÚÂÈ ñ ÓÚ ÓÒÂÚË̇ ‰Ó from Ossetian to Hungarian. ‚ÂÌ„‡. ¿Á·‡È‰Ê‡Ì, ŒÒÂÚˡ, Azerbaijan, Ossetia, Kazakhstan, Asia ü‡Á‡ıÒÚ‡Ì, ¿Áˡ Ë —˷˸ Ò ‰ÛıÓÏ and Siberia, with the spirit of ¯‡Ï‡ÌÒÚ‚‡ Ë ı‡ÌÚ˚-χÌÒËÈÒÍËı shamanism and the tribes of Khanty- ÔÎÂÏÂÌ ñ ‚ÓÚ „‡Ìˈ˚ ÚÓ„Ó ˇÁ˚ÍÓ‚Ó„Ó Mansiisk, form the borders of that Ë ÍÛθÚÛÌÓ„Ó ‡Â‡Î‡, ‚ ÍÓÚÓÓÏ linguistic and cultural area in which ‚ËÚ‡ÂÚ ´ÀÂÚÌˇˇ ˝ÈÙÓˡª. ìSummer Euphoriaî grows. Russian- –ÛÒÒÍÓˇÁ˚˜ÌÓ ÍËÌÓ ñ ÔÓÌˇÚË ·ÓΠlanguage cinema is a wider concept than ¯ËÓÍÓ ‚ Ò‡‚ÌÂÌËË Ò ÍËÌÓ ÛÒÒÍËÏ, Russian cinema, and it is not yet Ë Â˘Â Ì ÛÒÚ‡ÌÓ‚Ë‚¯ÂÂÒˇ. established. ¬ Ó‰ÌÓÏ ËÁ ÙËθÏÓ‚ ̇¯ÂÈ ÔÓ„‡ÏÏ˚ ñ One of the films of our programme, ´À‡ÒÚÓ˜ÍË ÔËÎÂÚÂÎ˪ ¿Ò·̇ √‡Î‡ÁÓ‚‡ ìThe Swallows have Arrivedî by Aslan ñ ˜¸ ˉÂÚ Ó ‰‡Ï ̇ÍÓχÌËË. Galazov, deals with the issue of drugs. »ÒÔÓθÁÛˇ „Óη̉ÒÍËÈ ÓÔ˚Ú, Ï˚ Drawing on the Dutch experience, we ÔËÁ˚‚‡ÂÏ ·ÓÓÚ¸Òˇ Ò ÚˇÊÂÎ˚ÏË appeal to fight heavy drugs by means of ̇ÍÓÚË͇ÏË ÔÓÒ‰ÒÚ‚ÓÏ Î„ÍËı. light ones. Cinemania is also a light üËÌÓχÌˡ ñ ˝ÚÓ Ë ÂÒÚ¸ Ú‡ ΄͇ˇ form of narcotic euphoria, which allows ÙÓχ ̇ÍÓÚ˘ÂÒÍÓÈ ˝ÈÙÓËË, ÍÓÚÓ‡ˇ ñ without destroying the psyche and ÔÓÁ‚ÓΡÂÚ, Ì ‡ÁÛ¯‡ˇ ÔÒËıËÍÛ Ë Ì without spending much on distant Ú‡ÚˇÒ¸ ̇ ‰ÓÓ„Ë ÔÛÚ¯ÂÒڂˡ, travel ñ to test out new sensations, to ËÒÔ˚Ú‡Ú¸ ÌÓ‚˚Â Ó˘Û˘ÂÌˡ, ÔÓÁ̇ڸ learn about other worlds and to discover ‰Û„Ë ÏË˚ Ë ‰‡Ê ÓÚÍ˚Ú¸ ´‰Û„Ó„Óª new worlds, and ìanotherî self: and this Ò·ˇ, ˜Â„Ó Ï˚ ‚‡Ï ËÒÍÂÌÌ Ê·ÂÏ. is what we sincerely wish you.
üÛ‡ÚÓ ÔÓ„‡ÏÏ˚ Programme Curator, ¿Ì‰ÂÈ œÎ‡ıÓ‚, Andrei Plakhov, ÔÂÁˉÂÌÚ ‘»œ–≈——» President of FIPRESCI
— ËÒÚÓËÂÈ Ë ‡ÍÚۇθÌ˚ÏË ÌÓ‚ÓÒÚˇÏË You can familiarize yourself with the ÔÓ„‡ÏÏ˚ ´›ÈÙÓˡª ÏÓÊÌÓ history and current news of the ÓÁ̇ÍÓÏËÚ¸Òˇ ̇ Ò‡ÈÚ programme ìEuphoriaî on the site www.plakhov.com www.plakhov.com ÎÂÚÌˇˇ ˝ÈÙÓˡ summer euphoria
73 ‚ÓÎÍ WOLF ·ÒÚÓ˜ÍË ÔËÎÂÚÂÎË THE SWALLOWS HAVE ARRIVED Ô‡‰ÂÌË ‚ Ì·ÂÒ‡ FALLING INTO HEAVEN ÔÓ˘‡È, ˛ÊÌ˚È „ÓÓ‰ GOOD BYE, SOUTHERN CITY ˜ÂÎÓ‚ÂÍ-‚ÂÚ WIND-MAN 74 ÎÂÚÌˇˇ ˝ÈÙÓˡ summer euphoria www.tomartstudio.hu www.ugra-tv.ru œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ ¬ „·‚Ì˚ıÓΡı: üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ ¿ÎÂÍ҇̉ ¡‡¯ËÓ‚ ¿‚ÚÓ˚ ÒˆÂÌ‡ËˇËÂÊËÒÒÂ˚ 2006, –ÓÒÒˡ/¬ÂÌ„Ëˇ,70ÏËÌ.,ˆ‚. WOLF ¬ŒÀü/ FARKAS ¬Î‡‰ËÏË ¡˚ΡÍÓ‚ “‡Ï‡¯ “ÓÚ ŒÎ„ ”ۯ‚,“‡Ï‡¯“ÓÚ «ÓÎÚ‡Ì üÛÎËÍ ´fi„‡ª, TomartStudio(¬ÂÌ„Ëˇ),´Solivsª ¿ÎÂÍ҇̉ ¡‡¯ËÓ‚,¬Î‡‰ËÏËÃËÓ‚ “‡Ï‡¯ “ÓÚ, Production Producers Cast Composer Design Production Director ofPhotography Scriptwriters andDirectors 2006, Russia/Hungary,70min.,col. Alexander Bashirov,VladimirMirov Zoltan Krulik Oleg Urushev,Tam‡sToth ìYurgaî, TomartStudio(Hungary),ìSolivsî Tam‡s Toth Vladimir Bryliakov Tam‡s Toth,AlexanderBashirov 07....Wolf(withAlexanderBashirov) 2007 ....ìCadillacDriveî(doc.,serial) 2006 ....Kornal(short) 2004 ....Rinaldo 2003 ....Anarchists 2001 ....The Knife(short) 1999 ....Natasha (Russia/Hungary) 1997 ....EnvoysoftheEmpires(doc) 1996 ....LeadersoftheEmpire(doc., TV) 1995 ....The FalloftheKGB(doc.,TV) 1995 ChildrenofIronGods(Russia) .... 1993 TheFoolandtheAngel(short, .... 1990 “‡Ï‡¯ “ÓÚ ....Wolf(withTam·sTÛth) 2007 ....SuccesstoYou,Investigator(serial) 2003 ....Belgrade,Belgrade(doc) 1999 ....TheIronHeelofOligarchy 1998 Alexander Bashirov ¬ÓÎÍ(Ò“‡Ï‡¯ÂÏ“ÓÚÓÏ) ”‰‡˜ËÚ·Â,Ò˚˘ËÍ(Ò¡Î) 2007 ¡Â΄‡‰,¡Â΄‡‰(‰ÓÍ.) 2003 ∆ÂÎÂÁ̇ˇÔˇÚ‡ÓÎË„‡ıËË 1999 1998 ‡ÍÚÂ, ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ: ¿ÎÂÍ҇̉ ¡‡¯ËÓ‚ Tamas Toth 07....¬ÓÎÍ(Ò¿ÎÂÍ҇̉ÓÏ¡‡¯ËÓ‚˚Ï) 2007 ....ìCaddillacDriveî(‰ÓÍ.,Ò¡Î) 2006 ....üÓÌÂθ(Í/Ï) 2004 ....–Ë̇θ‰Ó 2003 ....¿Ì‡ıËÒÚ˚ 2001 ....ÕÓÊ(ÍÏ) 1999 ....Õ‡Ú‡¯‡(–ÓÒÒˡ/¬ÂÌ„Ëˇ) 1997 ....œÓÒ·ÌÌËÍËËÏÔÂËË(‰ÓÍ.) 1996 ....¬ÓʉËËÏÔÂËË(‰ÓÍ.,Ú‚) 1995 ....«‡Í‡Úü√¡/TheFalloftheKGB 1995 ....ƒÂÚ˘ۄÛÌÌ˚ı·Ó„Ó‚(–ÓÒÒˡ) 1993 ....—Ûχү‰¯ËÈË¿Ì„ÂÎ 1990 ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ: diploma VGIK) (‰ÓÍ., Ú‚) (Í/Ï, ‰ËÔÎÓϬ√»ü‡) (¬ÂÌ„Ëˇ) (Hungary) original ritualofsacrifice,andtheevilforcesleavearea. what peopleexpected;neverthelesshesolvestheproblem.Heperforms an language ofanimals.NikolaiSergeevicharrives,butheiscompletely unlike Reindeer breederscallonamanfromdistantcity,whoisabletospeak the only suckouttheblood.Theownersofherdsexperiencegreatest losses. turned intovampires.Theyattacktheirvictims,butdonotkillthem: they In asmallnorthernsettlementrumoursarespreadingthatthewolves have Film-Ballad/ EthnographicThriller Ò‚ÓÂÓ·‡ÁÌ˚È ËÚÛ‡ÎÊÂÚ‚ÓÔËÌÓ¯ÂÌˡ,ËÁÎÓÔÓÍˉ‡ÂÚ˝ÚÓÚ͇È. Ô‰ÒÚ‡‚ΡÎË, ËÚÂÏÌÂÏÂÌÂÂÓ̯‡ÂÚÔÓ·ÎÂÏÛ.ŒÌÒӂ¯‡ÂÚ ÔËÂÁʇÂÚ, ÌÓÓÌÓ͇Á˚‚‡ÂÚÒˇÒÓ‚ÒÂÏÌÂÚ‡ÍËÏ,͇ÍËÏ„ÓÁ‰ÂÒ¸ ÍÓÚÓ˚È ÛÏÂÂÚ„Ó‚ÓËڸ̇ˇÁ˚ÍÂÊË‚ÓÚÌ˚ı.ÕËÍÓ·ȗ„‚˘ ‚·‰Âθˆ‡Ï ÒÚ‡‰.ŒÎÂÌ‚Ӊ˚‚˚Á˚‚‡˛Ú˜ÂÎÓ‚Â͇ËÁ‰‡ÎÂÍÓ„Ó„ÓÓ‰‡, ‡ ÚÓθÍÓ‚˚Ò‡Ò˚‚‡˛ÚÍÓ‚¸.—‡Ï˚·Óθ¯ËÂÔÓÚÂË‚‡ÏÔË˚̇ÌÓÒˇÚ Ô‚‡ÚËÎËÒ¸ ‚‚‡ÏÔËÓ‚.ŒÌË̇ԇ‰‡˛Ú̇҂ÓËÊÂÚ‚˚,ÌÓÌÂÛ·Ë‚‡˛ÚËı, ¬ Ì·Óθ¯ÓÏÒ‚ÂÌÓÏÔÓÒÂÎ͇ÒÔÓÒÚ‡Ìˇ˛ÚÒˇÒÎÛıË,˜ÚÓ‚ÓÎÍË üËÌÓ·‡Î·‰‡/ ›ÚÌÓ„‡Ù˘ÂÒÍËÈÚËÎÎÂ.
75 ÎÂÚÌˇˇ ˝ÈÙÓˡ summer euphoria 76 ÎÂÚÌˇˇ ˝ÈÙÓˡ summer euphoria www.narti-movies.ru œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò ¬ˇ˜ÂÒ·‚ ¬Â¯ËÌËÌ “Ë„‡Ì ü‡ÈÚχÁÓ‚,ÀÂÈ·“·ÎÓ‚‡,«ÂÏÙˇ√‡Î‡ÁÓ‚‡, —ÓÒÎ‡Ì ÷‡Î·„Ó‚,LJڃÁ‡„ÛÓ‚,›ÎË̇«‡ı‡Ó‚‡, ¬ ÓΡı ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ˚ –ÂÊËÒÒ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2006, —‚Â̇ˇŒÒÂÚˡ,91ÏËÌ.,ˆ‚.,DolbySRD THE SWALLOWSHAVEARRIVED À¿—“Œ◊ü» œ–»À≈“≈À» ¿ÎÂÍ҇̉ ü‡Ï‡Î‰ËÌÓ‚ : »Î‡Ì’Û„‡Â‚,¿ÚÛ’‡Ú‡„Ó‚,¬ˇ˜ÂÒ·‚√ÛË‚, ¬ËÚ‡ÎËÈ «ËıÎËÌÒÍËÈ ¿ÒÎ‡Ì √‡Î‡ÁÓ‚ ¿Î‡Ì √‡Î‡ÁÓ‚ “Ë„‡Ì ü‡ÈÚχÁÓ‚ ÀÂÓÌˉ ƒÂˇ„ËÌ,¿Ì̇«‡·ÎÛ‰Ó‚Ò͇ˇ ÿË‚‡ÌË ◊‡Î‡Â‚ Narti moviesstudio »Î‡Ì ’Û„‡Â‚,¿Ò·Ì√‡Î‡ÁÓ‚ Production Producer Viacheslav Vershinin Tigran Kaitmazov,LeilaTebloeva,ZemfiraGalazova, Soslan Tsallagov,MaratDzagurov,ElinaZakharova, Cast: Editing Sound Composer Production Design Director ofPhotography Director Scriptwriters 2006, NorthernOssetia,91min.,col.,DolbySRD Irlan Khugaev,ArthurKhatagov,ViacheslavGuriev, Alexander Kamaldinov Vitali Zikhlinsky Aslan Galazov Alan Galazov Shirvani Chalaev Narti MoviesStudio Irlan Khugaev,AslanGalazov Tigran Kaitmazov Leonid Deriagin,AnnaZabludovskaya 06....TheSwallowshaveArrived 2006 ....FifteenYears(short) 2005 ....VeronikaDudarova(doc) 2005 ....WomenoftheCaucasusin 2004 ....RememberingRasula(doc) 2003 ....Ascension(short) 2003 film director: Aslan Galazov ....À‡ÒÚÓ˜ÍËÔËÎÂÚÂÎË 2006 ....œˇÚ̇‰ˆ‡Ú¸ÎÂÚ(Í/Ï) 2005 ....¬ÂÓÌË͇ƒÛ‰‡Ó‚‡(‰ÓÍ.) 2005 .... 2004 ....¬ÒÔÓÏË̇ˇ–‡ÒÛ·(‰ÓÍ.) 2003 ....¬ÓÒıÓʉÂÌËÂ(Í/Ï) 2003 ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ: ¿ÒÎ‡Ì √‡Î‡ÁÓ‚ and Graphics(doc) Photographs, Painting,Sculpture, ÊË‚ÓÔËÒË, ÒÍÛθÔÚÛÂ,„‡ÙËÍÂ(‰ÓÍ.) ∆ÂÌ˘ËÌ˚ ü‡‚͇Á‡‚ÙÓÚÓ„‡Ùˡı, GrandPrize"Goldentaiga"-IFFofdebuts"Spiritfire", - that people,includinghisoldparents,knowhewasanaddict. has worriedhim;hewantsnothing.Butnotbeenreconciledwith thefact is ateacherattheVladikavkazInstitute;heveryill.Forlongtime nothing The forty-yearoldphilologistKonstantinSergeevich,bythenickname ofPeak, Psychological drama. √‡Ì-ÔË"«ÓÎÓÚ‡ˇÚ‡È„‡"-Ãü‘‰Â·˛ÚÓ‚"ƒÛıÓ„Ìˇ", - ‚Íβ˜‡ˇ ÒÓÒڇ˂¯ËıÒˇÓ‰ËÚÂÎÂÈ,Á̇˛ÚÓÚÓÏ,˜ÚÓÓÌ´ÔÓ‰ÒÂÎ̇˄ÎÛª. ‚ÓÎÌÛÂÚ, ÓÌÌ˘„ÓÌÂıÓ˜ÂÚ,ÌÓ¢ÂÒÏËËÎÒˇÒÚÂÏ,˜ÚÓ„ӷÎËÁÍËÂ, ËÌÒÚËÚÛÚ‡ „ÓÓ‰‡¬Î‡‰Ë͇‚͇Á‡,Ó˜Â̸˷ÓÎÂÌ.≈„ÓÛÊÂÌ˘„ÓÌ —ÓÓ͇ÎÂÚÌËÈ ÙËÎÓÎÓ„üÓÌÒÚ‡ÌÚË̗„‚˘ÔÓÔÓÁ‚Ë˘ÛœËÍ,Ô‰‡„Ó„ œÒËıÓÎӄ˘ÂÒ͇ˇ ‰‡Ï‡. Khanty-Mansiysk, 2007. ’‡ÌÚ˚-ÇÌÒËÈÒÍ, 2007.
77 ÎÂÚÌˇˇ ˝ÈÙÓˡ summer euphoria 78 ÎÂÚÌˇˇ ˝ÈÙÓˡ summer euphoria œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò »Î¸ˇ —„‚ ¿ÎÂÍ҇̉ √ÓˇËÌÓ‚,¿Ì‰ÂÈü‡Á‡ÍÓ‚,fiÎˡ¡ÂıÓ‚‡, ÀÂÓÌˉ —ÓÎÓ‚¸Â‚,Ç„‡ËÚ‡¡ÓËÒÓ‚‡,ÃËı‡ËΡÛ·ÍÓ‚, ¬ ÓΡı: «‚ÛÍ “ÂÍÒÚ ÔÂÒÂÌ ÃÛÁ˚͇ ÔÂÒÂÌ »ÒÔÓθÁÛÂχˇ ÏÛÁ˚͇ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ˚ –ÂÊËÒÒ ŒÎ¸„‡ «‡‚‡Á‡Î¸Ò͇ˇ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2005, –ÓÒÒˡ,82ÏËÌ.,˜/· FALLING INTOHEAVEN œ¿ƒ≈Õ»≈ ¬Õ≈¡≈—¿ ≈‚„ÂÌËÈ ü‡‰ËÏÒÍËÈ,üÓÌÒÚ‡ÌÚËÌÿÏ˚‚ ¿ÎÂÍ҇̉ –‡ıχÌËÌ,¡ÓËÒü‡Á‡ÍÓ‚, Շڇθˇ ÃËÚÓ¯Ë̇ ŒÎ¸„‡ üÓθˆÓ‚‡,»Ë̇«ÓÁÛΡ “‡Ú¸ˇÌ‡ »Î¸Ë̇ Õ‡Ú‡Îˡ ü˚ʇÌÓ‚Ò͇ˇ —„ÂÈ —ÓÎÓ‚¸Â‚,–ÓχÌÀÂÓÌÓ‚ ƒ‡ÌËËÎ ’‡ÏÒ üÓÌÒÚ‡ÌÚËÌ ÿÏ˚‚ —Ó‰ÛÊÂÒÚ‚Ó ÊÂÌ˘ËÌÍËÌÓ ÀÂÓÌˉ ƒÂÒˇÚÌËÍÓ‚ Շڇθˇ ÃËÚÓ¯Ë̇,“‡Ï‡‡fi¯Ï‡ÌÓ‚‡, ≈‚„ÂÌËÈ —··ËÍÓ‚ Production Producer Andrei Kazakov,YuliaBrekhova,IlyaSergeev Margarita Borisova,MikhailBurlakov,AlexanderGoriainov, Cast Sound Lyrics by Songs by Music by Composer Costume Design Production Design Directors ofPhotography Director Olga Zavazalskaya Scriptwriters 2005, Russia,82min,b/w Alexander Rakhmanin,BorisKazakov,LeonidSoloviev, Evgeni Kadimsky,KonstantinShmyrev Natalia Mitroshina Evgeni Slabikov Tatiana Ilyina Leonid Desiatnikov Daniil Kharms Konstantin Shmyrev Commonwealth ofWomeninCinema Natalia Mitroshina,TamaraYushmanova, Olga Koltsova,IrinaZozulia Natalia Kryzhanovskaya Sergei Soloviev,RomanLeonov 05....FallingintoHeaven 2005 ....GoodEvening,Designer(short) 2001 ....TheIncident(short) 1999 ....Cinema(short) 1996 ....TheRuthlessSky(short) 1991 Film director: Natalia Mitroshina ....œ‡‰ÂÌË‚Ì·ÂÒ‡ 2005 ....ƒÓ·˚Ȃ˜Â,ÍÓÌÒÚÛÍÚÓ(Í/Ï) 2001 ....œÓËÒ¯ÂÒÚ‚ËÂ(Í/Ï) 1999 ....üËÌÓ(Í/Ï) 1996 ....¡ÂÁʇÎÓÒÚÌÓÂÌ·Ó(Í/Ï) 1991 ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ: Շڇθˇ ÃËÚÓ¯Ë̇ (full-length debut) (ÔÓÎÌÓÏÂÚ‡ÊÌ˚È ‰Â·˛Ú) presence ofKharms,towhomthisfilmisdevoted. little birdthathasflownintoacagewithbigunpleasantbirdsî)inthe earth intoheaven)fromthelifeofanenamouredelectricengineer(ìI ama Nine-and-a-half black-and-whitedays(thetimeittakesthesoultofly fromthe Tragicomic dramabasedonDaniilKharms. ÔËÒÛÚÒÚ‚ËË ’‡ÏÒ‡,ÍÓÚÓÓÏÛËÔÓÒ‚ˇ˘ÂÌ˝ÚÓÚÙËθÏ. ÔÚ‡¯Í‡, Á‡ÎÂÚ‚¯‡ˇ‚ÍÎÂÚÍÛÍ·Óθ¯ËÏÌÂÔˡÚÌ˚ÏÔÚˈ‡Ïª) Ò ÁÂÏÎË̇Ì·ÂÒ‡)ËÁÊËÁÌ˂β·ÎÂÌÌÓ„Ó˝ÎÂÍÚÓÏÓÌÚ‡(´ˇÏÂÎ͇ˇ ƒÂ‚ˇÚ¸ ÒÔÓÎÓ‚ËÌÓȘÂÌÓ-·ÂÎ˚ı‰ÌÂÈ(ËÏÂÌÌÓÒÚÓθÍÓ‚ÂÏÂÌËÎÂÚËÚ‰Û¯‡ “‡„ËÍÓÏ˘ÂÒ͇ˇ ‰‡Ï‡ÔÓÔÓËÁ‚‰ÂÌËˇÏƒ‡ÌËË·’‡ÏÒ‡.
79 ÎÂÚÌˇˇ ˝ÈÙÓˡ summer euphoria 80 ÎÂÚÌˇˇ ˝ÈÙÓˡ summer euphoria GOOD BYE,SOUTHERNCITY œ–ŒŸ¿…, fi∆Õ¤…√Œ–Œƒ œÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ ¿ÎÂÍ҇̉‡ ¿ÌËÍÛ¯Ë̇,“ÓÙËÍÃËÁÓ‚ √‡‰ÊË »ÒχËÎÓ‚,›Î¸Ïˇÿ‡·‡ÌÓ‚‡,–‡ÙËÍ¿ÎË‚, üˇÏ‡Î ’Û‰‡‚‰˚‚,—‡ÌÛ·‡»ÒÍẨ‡ÎË, ‘‡ı‡Ú‰ËÌ Ã‡Ì‡ÙÓ‚,ÃÂıË·‡Ì«‡ÍË,—‡‰˚Í¿ıωӂ, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 2006, –ÓÒÒˡ/¿Á·‡È‰Ê‡Ì,90ÏËÌ.,ˆ‚.,1:1.37 ¿Ò‡‰ ¿Ò‡‰Ó‚ ´ÕËÍÓ· ÙËθϪ √˛Î¸¯‡Ì —‡ÎËÏÓ‚‡ “ËÏÛ ¡‡‰‡Î·ÂÈÎË,‘Û‡‰œÓ·‰Ó‚, ÃÛ‡Ú ¿ÎË‚ ŒÎ„ —‡Ù‡‡ÎË‚ Ç·ı‡Ú √ÛÏ·‡ÚÓ‚‡ ÇËÒ ¿„‡·ÂÍÓ‚ –ÛÒÚ‡Ï »·‡„ËÏ·ÂÍÓ‚,¿‰˚Î√ÛΡÏÓ‚ —ˡ‚Û¯ üÂËÏÎË ´¿Á·‡È‰Ê‡ÌÙËθϪ, ´»·ÛÒª –ÛÒÚ‡Ï »·‡„ËÏ·ÂÍÓ‚ Distribution Production Producers Rafik Aliev,AlexandraAnikushina,TofikMirzoev Sanubar Iskendarli,GadzhiIsmailov,ElmiraShabanova, Mekhriban Zaki,SadykAhmedov,KiamalKhudaverdyev, Cast: Editing Sound Composer Costume Design Production Design Director ofPhotography Director Scriptwriter 2006, Russia/Azerbaijan,90min.,col.,1:1.37 Timur Badalbeili,FuadPoladov,FarkhatdinManafov, Asad Asadov Gulshan Salimova Oleg Safaraliev Siyavush Kerimli Rustam Ibragimbekov,AdylGuliamov Azerbaijanfilm, Ibrus Nikola Film Rustan Ibragimbekov Malakhat Gumbatova Mais Agabekov Murat Aliev 06....Good-Bye,SouthernCity 2006 ....TheManwhoTried(withRustam 1993 ....DirectTranslation 1989 ....Murat-Sade(short,diploma) 1987 ....ExperiencesofMagneticAttractions 1986 film director: Oleg Safaraliev ....œÓ˘‡È,˛ÊÌ˚È„ÓÓ‰ 2006 ....◊ÂÎÓ‚ÂÍ,ÍÓÚÓ˚ÈÒÚ‡‡ÎÒˇ(Ò 1993 ....œˇÏ‡ˇÚ‡ÌÒΡˆËˇ 1989 ....ÃÛ‡‰-—‡‰(Í/Ï,‰ËÔÎÓÏ) 1987 ....ŒÔ˚Ú˚χ„ÌËÚ˘ÂÒÍÓ„ÓÔËÚˇÊÂÌˡ 1986 ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ: ŒÎ„ —‡Ù‡‡ÎË‚ Ibragimbekov) (short, coursework) –ÛÒÚ‡ÏÓÏ »·‡„ËÏ·ÂÍÓ‚˚Ï) (Í/Ï, ÍÛÒÓ‚‡ˇ) ñ IFF inBerlin:ìPanoramaì, 2007. ñ Prize ìForthemost courageous roleî(TimurBadalbeili) ñIFF´East-Westª, ñ National FilmPrizeofAzerbaijanìGoldenLightî(GyzylChigar),2006 for laws oflivingtogetherÖ abilities. Thenastrangerappeared inthecourtyardandbegantoassertnew They livednotinfamilies,butbycourtyards ñaccordingtotheirwishesand bad. Theydrank,sang,quarreled, made peace,loved,gavebirthandburied. Azeri, Armenians,JewsñcitizensofBaku.Theylivednotwell,but also not once completelydifferent.Themostdifferentpeoplelivedthere:Russian, the courtyardsofthissoutherninternationalcity,thesesmall were ceased tobeaSovietcityandpeoplehadlearnhowliveoncemore. Asall Lyrical dramaabouttheturning-pointinhistoryofAzerbaijan,when Baku ñ Ãü‘‚¡ÂÎËÌÂ:´œ‡ÌӇχª,2007. ñ œËÁ ´«‡Ò‡ÏÛ˛ÏÛÊÂÒÚ‚ÂÌÌÛ˛Óθª(“ËÏÛ¡‡‰‡Î·ÂÈÎË)ñÃü‘ ñ Õ‡ˆËÓ̇θÌ˚ ÍËÌÓÔÂÏËË¿Á·‡È‰Ê‡Ì‡´«ÓÎÓÚÓÈÒ‚ÂÚËθÌËͪ/ ÔÓˇ‚ËÎÒˇ ‚Ó‰‚Ó˜ÛʇÍËÒÚ‡ÎÛÚ‚Âʉ‡Ú¸Ò‚ÓËÁ‡ÍÓÌ˚Ó·˘ÂÊËÚËˇÖ ÒÂϸˇÏË, ‡Â‰ËÌ˚ω‚ÓÓÏñÔÓÒ‚ÓËÏÊ·ÌˡÏË‚ÓÁÏÓÊÌÓÒÚˇÏ.¿Á‡ÚÂÏ œËÎË, ÔÂÎË,ÒÒÓËÎËÒ¸,ÏËËÎËÒ¸,β·ËÎË,ÓʇÎËËıÓÓÌËÎË.∆ËÎËÌ ‡ÏˇÌÂ, ‚ÂËñ·‡ÍË̈˚.∆ËÎËÌÂÚÓ˜ÚÓ·˚Ó˜Â̸ıÓÓ¯Ó,ÌÓËÔÎÓıÓ. ÒÓ‚ÒÂÏ ‰Û„ËÏ.«‰ÂÒ¸ÊËÎËÒ‡Ï˚‡ÁÌ˚Âβ‰Ë:ÛÒÒÍËÂ,‡Á·‡È‰Ê‡Ìˆ˚, ˝ÚÓ„Ó ˛ÊÌÓ„ÓËÌÚÂ̇ˆËÓ̇θÌÓ„Ó„ÓÓ‰‡,χÎÂ̸ÍËȉ‚ÓËÍÍÓ„‰‡-ÚÓ·˚Î ·˚Ú¸ ÒÓ‚ÂÚÒÍËÏ„ÓÓ‰ÓÏ,Ë̇‰Ó·˚ÎÓÛ˜ËÚ¸ÒˇÊËÚ¸Ò˚ÁÌÓ‚‡.ü‡Í‚Ò‰‚Ó˚ ÀˢÂÒ͇ˇ ‰‡Ï‡ÓÔÂÂÎÓÏÌÓÏÏÓÏÂÌÚ‚ËÒÚÓËË¡‡ÍÛ,ÍÓ„‰‡ÓÌÔÂÂÒڇΠBaku, 2006; best film,script,actor(Timur Badalbeili); ´¬ÓÒÚÓÍ-«‡Ô‡‰ª, ¡‡ÍÛ,2006; ÏÛÊÒÍÛ˛ Óθ(“ËÏÛ¡‡‰‡Î·ÂÈÎË); ´√˚Á˚Î ◊ˇ„ª(2006)ñÁ‡ÎÛ˜¯ËÈÙËθÏ,ÒˆÂ̇ËÈ,ÎÛ˜¯Û˛
81 ÎÂÚÌˇˇ ˝ÈÙÓˡ summer euphoria 82 ÎÂÚÌˇˇ ˝ÈÙÓˡ summer euphoria www.umpstudio.com ËÏÂÌË Ã.√Ó¸ÍÓ„Ó œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ √Ûθ̇‡ ƒÛÒχÚÓ‚‡,‘‡ı‡Ú¿·‰‡ËÏÓ‚ ¿ˇÌ‡ ≈Òχ„‡Ï·ÂÚÓ‚‡,‘‡ıÓ‰¿·‰Ûη‚, ¬ ÓΡı: «‚ÛÍ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2007, –ÓÒÒˡ,95ÏËÌ.,ˆ‚.,DolbyDigital WIND-MAN ◊≈ÀŒ¬≈ü-¬≈“≈– ¿Ì‰ÂÈ ÃÓΘ‡ÌÓ‚ –ËÙÍ‡Ú »·‡„ËÏÓ‚ »„Ó¸ flÒÛÎӂ˘,üۇ̉˚Íü˚ÒÚ˚Í·‡Â‚, ’Û‡Ú ¿ıÏÂÚÓ‚ «Â·Ó Õ‡Ò˚Ó‚‡ ÕË„Ï‡Ú ƒÊۇ‚ –‡ÛÙ ¿Ú‡Ï‡ÎË·ÂÍÓ‚,—Ú‡ÌËÒ·‚≈¯Ó‚ United MultimediaProjects,üËÌÓÒÚÛ‰Ëˇ Œ‰Âθ¯‡ ¿„˯‚,’Û‡Ú¿ıÏÂÚÓ‚ Production Producers Gulnara Dusmatova,FarkhatAbdraimov Aiana Esmagambetova,FarkhodAbdullaev, Cast: Sound Costume Design Design Production Director ofPhotography Director Scriptwriters 2007, Russia,95min,col.,DolbyDigital Igor Yasulovich,KuandykKystykbaev, Andrei Molchanov Khuat Akhmetov Rauf Atamalikekov,StanislavErshov United MultimediaProjects,GorkyFilmStudio Odelsha Agishev,KhuatAkhmetov Zebo Nasyrova Nigmat Dzhuraev Rifkat Ibragimov 07....Wind-man 2007 ....APassengerwithoutLuggage(TV) 2003 ....NakedNature 2002 ....Strawberry(filmsofaserial) 1996 ....Gap(short,coursework) 1992 film director: Khuat Akhmetov ....◊ÂÎÓ‚ÂÍ-‚ÂÚ 2007 ....œ‡ÒÒ‡ÊË·ÂÁ·‡„‡Ê‡(“¬) 2003 ....Œ·Ì‡ÊÂÌ̇ˇÌ‡ÚÛ‡ 2002 ....üÎÛ·Ì˘͇(ÙËθÏ˚Ò¡·) 1996 ....√‡Ô(Í/Ï,ÍÛÒÓ‚‡ˇ) 1992 ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ: ’Û‡Ú ¿ıÏÂÚÓ‚ wings andflyupintotheskytohisbestfriend,OldAngel. man perishesandtheboyliveswithdreamthat,sometime,hewill grow finds atruefriendinhim.Once,whensavingtheboyíslife,old winged and leavehimalone,eveniftheydonítquitetaketohim.Onlyalittle boy scared andwanttokillthiscreature,butgraduallytheygetused the man huge brokenwingsñcrashesduringathunderstorm.Thepeople are In atinyaul,forgotteninthesteppe,strangecreatureñanoldman with Poetic parable ‰Û„ ñ—Ú‡˚È¿Ì„ÂÎ. ÌÂ„Ó ‚˚‡ÒÚÛÚÍ˚θˇ,ËÓÌ‚ÁÎÂÚËÚ‚Ì·Ó,ÍÛ‰‡Ú‡ÍÒÚÂÏËÎÒˇÂ„Ó ÎÛ˜¯ËÈ ÔÓ„Ë·‡ÂÚ, ‡Ï‡Î¸˜ËÍÓÒÚ‡ÂÚÒˇÊËÚ¸ËϘڇڸÓÚÓÏ,˜ÚÓÍÓ„‰‡-ÌË·Û‰¸ ËÛ ‰Û„‡. Œ‰Ì‡Ê‰˚,ÒÔ‡Ò‡ˇÊËÁ̸χθ˜Ë͇,ÒÚ‡˚ȘÂÎÓ‚ÂÍÒÍ˚θˇÏË ÔËÏÂÌÂÌˡ. »ÚÓθÍÓÓ‰ËÌχÎÂ̸ÍËÈχθ˜ËÍ̇¯Â΂ÌÂÏ̇ÒÚÓˇ˘Â„Ó ÔË‚˚͇˛Ú ÍÌÂÏÛËÓÒÚ‡‚Ρ˛Ú„ӂÔÓÍÓÂ,Ô‡‚‰‡,Ú‡ÍÌÂ̇ȉˇÂÏÛ Õ‡ÔÛ„‡ÌÌ˚ β‰ËÒӷˇ˛ÚÒˇÛ·ËÚ¸˝ÚÓÒÛ˘ÂÒÚ‚Ó,Ӊ̇ÍÓÔÓÌÂÏÌÓ„Û ÒÛ˘ÂÒÚ‚Ó ñÒÚ‡˚ȘÂÎÓ‚ÂÍÒÓÒÎÓχÌÌ˚ÏË‚·Û·Óθ¯ËÏËÍ˚θˇÏË. ¬ ÍÓıÓÚÌ˚ȇÛÎ,Á‡Ú¡ÌÌ˚È‚ÒÚÂÔË,‚Ó‚ÂÏˇ„ÓÁ˚Ô‡‰‡ÂÚÒÚ‡ÌÌÓ œÓ˝Ú˘ÂÒ͇ˇ ÔËÚ˜‡.
83 ÎÂÚÌˇˇ ˝ÈÙÓˡ summer euphoria 84
www.kinotavr.ru ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square ‚ ÓÊˉ‡ÌËË ˜Û‰‡ AWAITING THE MIRACLE ‚ÌÛÍ „‡„‡Ë̇ GAGARIN'S GRANDSON 85 ‚ÓÎÍÓ‰‡‚ ËÁ Ó‰‡ ÒÂ˚ı ÔÒÓ‚ WOLFHOUND ‰ÂÁÍË ‰ÌË DARING DAYS ʇ‡ HEAT ÊËÁ̸ ‚‡ÒÔÎÓı LIFE BY SURPRISE ÎÓ‚Ë ‚ÓÎÌÛ SURF'S UP β·Ó‚¸-ÏÓÍÓ‚¸ LOVEY-DOVEY Ì‚‡Îˇ¯Í‡ NEVALYASHKA ("TUMBLER TOY") Ӊ̇ β·Ó‚¸ ̇ ÏËÎÎËÓÌ ONE LOVE IN A MILLION Ô‡‡„‡Ù 78. ÙËÎ¸Ï Ô‚˚È Ô‡‡„‡Ù 78. ÙËÎ¸Ï ‚ÚÓÓÈ PARAGRAPH 78 ÔˇÚ˚ ͇˷ÒÍÓ„Ó ÏÓˇ: ̇ ͇˛ Ò‚ÂÚ‡ PIRATES OF THE CARIBBEAN: AT WORLD'S END ÔÓ‚Ó‰˚¸ THE GUIDE-DOG ˇ ÓÒÚ‡˛Ò¸ I STAY 86 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square AWAITING THEMIRACLE ¬ Œ∆»ƒ¿Õ»»◊”ƒ¿ www.chudo-film.ru œÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó —‡Û̉-ÔÓ‰˛Ò œÓ‰˛ÒÂ˚ »‚‡Ì üÓÍÓËÌ ¿ÌÚÓÌ Ã‡Í‡ÒÍËÈ,Ã‡Ëˇ¿ÓÌÓ‚‡,¬Î‡‰ËÏ˃ÓÎËÌÒÍËÈ, ÃËı‡ËÎ ’ËÏ˘‚,—Ú‡ÌËÒ·‚¡Ó̉‡ÂÌÍÓ,ÀËÎˡüÓ̉ӂ‡, “‡Ú¸ˇÌ‡ ¬‡ÒË肇,ÕË̇–ÛÒ·ÌÓ‚‡,ŒÎÂÒˇ—Û‰ÁËÎÓ‚Ò͇ˇ, ¬ ÓΡı: œÂÒÌË ËÒÔÓÎÌˇ˛Ú üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍË ŒÔ‡ÚÓ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 93 ÏËÌ.,ˆ‚.,1:2.35,DolbyDigital5.1 ´20-È ‚ÂÍ‘ÓÍÒ—Õ√ª ≈͇ÚÂË̇ üÓÔ‡ÌÓ‚‡,¬Î‡‰ËÏËü˚ÎÓ‚, ÇÍÒËÏ ÿËÌÍÓÂÌÍÓ ŒÎ¸„‡ ¬‡ÒË̇ ÃËı‡˝Î¸ ÿÎËıÚ,œÓÎ’ÂÚ,—„ÂÈ√Ë·ÍÓ‚ “‡Ú¸ˇÌ‡ ”χ̈,»ÌÂÒÒ‡“Ûı‚‡ÚÛÎË̇ Monumental Pictures ¿Ì‰ÂÈ ÀÛÍËÌÓ‚ ¿ˇ, fiÎˡ—‡‚˘‚‡,¬ËÍÚÓˡƒ‡ÈÌÂÍÓ ≈‚„ÂÌËÈ ¡Â‰‡Â‚ Distribution Production Producer Sound Producers Ivan Kokorin Anton Makarsky,MariaAronova,VladimirDolinsky, Mikhail Khimichev,StanislavBondarenko,LilyaKondrova, Tatiana Vasilieva,NinaRuslanova,OlessiaSudzilovskaya, Cast: performed Songs Design Costume Production Design ofPhotography Director Scriptwriter andDirector 93 min.,col.,1:2.35,DolbyDigital5.1 Ekaterina Kopanova,VladimirKrylov, Michael Schlicht,PaulHeth,SergeiGribkov Monumental Pictures 20th CenturyFoxCIS Olga Vasina Andrei Lukinov by Aya,YuliaSavicheva,ViktoriaDaineko Tatiana Umanets,InessaTukhvatulina Maxim Shinkorenko Evgeni Bedarev ≈‚„ÂÌËÈ ¡Â‰‡Â‚ ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ:
2004 ....fl β·ËÚ¸ Ú·ˇ ·Û‰Û ‚˜ÌÓ (Í/Ï) cinema on the square 2007 ....¬ ÓÊˉ‡ÌËË ˜Û‰‡ Evgeni Bedarev film director: 2004 ....I shall Love you Forever (short) 2007 ....Awaiting the Miracle 87
–ÓχÌÚ˘ÂÒ͇ˇ ÍÓωˡ. ÇÈ 23 „Ó‰‡. ŒÌ‡ ‡·ÓÚ‡ÂÚ ‚ ÂÍ·ÏÌÓÏ ‡„ÂÌÚÒÚ‚Â, ÍÓÎÎÂ„Ë ÔÓ ‡·ÓÚ ‚ÓÛ˛Ú Â ˉÂË, ÏÓÎÓ‰˚ β‰Ë Ó·ıÓ‰ˇÚ  ÒÚÓÓÌÓÈ, ÌÂÏÌÓ„Ó˜ËÒÎÂÌÌ˚ ‰ÛÁ¸ˇ Ò˜ËÚ‡˛Ú  ÒÚ‡ÌÌÓÈ. ÕÓ Ó‰Ì‡Ê‰˚ ‚ ÊËÁÌË ÌÂÎÂÔÓÈ ‰Â‚˜ÓÌÍË ‚Ò ËÁÏÂÌËÚÒˇ, Ë Ò‡Ï˚È ÎÛ˜¯ËÈ Ô‡Â̸ ̇ ÁÂÏΠԂ‡ÚËÚ Â ÊËÁ̸ ‚ Ò͇ÁÍÛ...
Romantic comedy. Maya is 23 years old. She works in an advertising agency; her colleagues steal her ideas; young men ignore her; her few friends reckon she is rather strange. But once in life everything will change for this ridiculous little girl, and the best guy on earth will transform her life into a fairy tale... 88 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square GAGARINíS GRANDSON ¬Õ”ü √¿√¿–»Õ¿ www.centpart.ru œÓÍ‡Ú ÍËÌÂχÚÓ„‡ÙËË ÔË ÔÓ‰‰ÂÊÍ‘‰‡θÌÓ„Ó‡„ÂÌÚÒÚ‚‡ÔÓÍÛθÚÛÂË œÓËÁ‚Ó‰ÒÚ‚Ó ¿‡Ï ÃÓ‚ÒÂÒˇÌ √ÂÌ̇‰ËÈ ŒÒÚÓ‚ÒÍËÈ,—„Âȃ‡ÌËÂΡÌ,fiËÈÃÓÓÁ, œÓ‰˛ÒÂ˚ ¿Ì‰ÂÈ ¡ÓÌÌËÍÓ‚ Շڇθˇ –Ó„ÓÊÍË̇,—„ÂÈ”„˛ÏÓ‚,ÀË̉‡“‡·‡„‡Ë, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍË ŒÔ‡ÚÓ –ÂÊËÒÒÂ˚ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 2007, –ÓÒÒˡ,85ÏËÌ.,ˆ‚.1:1.85,DolbyDigital51 ¬ˇ˜ÂÒ·‚ ü‡‡Ò‚ ´÷ÂÌڇΠœ‡Ú̯ËÔª »„Ó¸ ÀËÚÓÌËÌÒÍËÈ √ÂÌ̇‰ËÈ Õ‡Á‡Ó‚,ƒ‡Ì˝ÀÛÍÛÏ·Ó,¿Ì‰ÂÈœ‡ÌËÌ, ¿ÚÛ √ËÏÔÂθ ¿ÎË̇ ¡Û‰ÌËÍÓ‚‡ ¿Ì‰ÂÈ œ‡ÌËÌ,“‡Ï‡‡¬Î‡‰ËÏˈ‚‡ –Û·ÂÌ ƒË¯‰Ë¯ˇÌ,¡‡ıÚˡ’Û‰ÓÈ̇Á‡Ó‚, ¬Î‡‰ËÏË ¿ÓÌËÌ,¬‡ÎÂËÈ—ÂÏÂÌÓ‚ »„Ó¸ «Û·ÍÓ‚ ´¬‚˚Ò¸ª ÔÓÁ‡Í‡ÁÛ´÷ÂÌڇΜ‡Ú̯ËÔª, Õ‡Ú‡Îˡ Õ‡Á‡Ó‚‡ Distribution Cinematography with supportfromtheFederalAgencyofCultureand Production Aram Movsesian Gennadi Ostrovsky,SergeiDanielian,YuriMoroz, Producers Andrei Bronnikov Natalia Rogozhkina,SergeiUgriumov,LindaTabagari, Cast: Editing Sound Composer Design Costume Design Production Director ofPhotography Directors Scriptwriter 2007, Russia,85min.,col.1:1.85,DolbyDigital51 Gennadi Nazarov,DaneLukumbo,AndreiPanin, Viacheslav Karasev Igor Litoninsky Andrei Panin,TamaraVladimirtseva Igor Zubkov Ruben Dishdishian,BakhtierKhudoinazarov, ìVvysî commissionedbyìCentralPartnershipî, ìCentral Partnershipî Natalia Nazarova Alina Budnikova Vladimir Aronin,ValeriSemenov Arthur Gimpel ¿Ì‰ÂÈ œ‡ÌËÌ ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë ‡ÍÚÂ, ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ:
2004 ....œÓÎÌ˚È ‚Ô‰! (Ò¡Î) cinema on the square 2007 ....¬ÌÛÍ √‡„‡Ë̇ Andrei Panin actor, director: 2004 ....Forward! (serial) 2007 ....Gagarinís Grandson 89
“‡Ï‡‡ ¬Î‡‰ËÏˈ‚‡ ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ: ‘ËθÏÓ„‡Ùˡ ÂÊËÒÒ‡: 2004 ....œÓÎÌ˚È ‚Ô‰! (Ò¡Î) 2007 ....¬ÌÛÍ √‡„‡Ë̇ Tamara Vladimirtseva film director: 2004 ....Forward! (serial) 2007 ....Gagarinís Grandson
ƒ‡Ï‡. ‘Â‰Ó ÌÂÓÊˉ‡ÌÌÓ ÛÁ̇ÂÚ, ˜ÚÓ Û ÌÂ„Ó ÂÒÚ¸ Ó‰ÌÓÈ ·‡Ú, ÍÓÚÓ˚È ÊË‚ÂÚ ‚ ‰ÂÚÒÍÓÏ ‰ÓÏÂ, ÌÓ ÓÌ ÌËÍ‡Í Ì ÓÊˉ‡Î ۂˉÂÚ¸ ÚÂÏÌÓÍÓÊÂ„Ó Â·ÂÌ͇, Ò ÔÓÎÌ˚Ï ·ÛÍÂÚÓÏ ‰ÛÌ˚ı ÔË‚˚˜ÂÍ Ë Û΢Ì˚ı Ô‰ÒÚ‡‚ÎÂÌËÈ Ó ÊËÁÌË. «‡·‡‚ √ÂÌÛ ËÁ ‰ÂÚ‰Óχ, ‘Â‰Ó Ó·Â͇ÂÚ Ò·ˇ ̇ ·Ó¸·Û Ì ÚÓθÍÓ ÒÓ ‚ÒÂÏ ÓÍÛʇ˛˘ËÏ ÏËÓÏ, Ì „ÓÚÓ‚˚Ï ÔËÌˇÚ¸ ÌÂÒڇ̉‡ÚÌÓ„Ó Â·ÂÌ͇, ÌÓ Ë Ò Î˛‰¸ÏË, ÍÓÚÓ˚ı ‰Ó ÔÓˇ‚ÎÂÌˡ √ÂÌ˚ ÓÌ Ò˜ËڇΠ҇Ï˚ÏË ·ÎËÁÍËÏË Ì‡ Ò‚ÂÚÂ. ¡‡Ú¸ˇÏ ÔÓ ÍÓ‚Ë Ô‰ÒÚÓËÚ ÔÓÈÚË ÌÂ΄ÍËÈ ÔÛÚ¸, ÔÂʉ ˜ÂÏ ÓÌË Ì‡Û˜‡ÚÒˇ ÔÓÌËχڸ ‰Û„ ‰Û„‡.
Drama. Fedor discovers unexpectedly that he has a brother who lives in an orphanage; but no way did he expect to find a dark-skinned child with the full bouquet of bad habits and street wisdom. Having fetched Gena from the orphanage, Fedor finds himself struggling not only against the world around him, which is not prepared to accept his non-standard-looking brother, but also with those people who before Genaís appearance were his closest friends. The brothers by birth have to pass a hard test before they learn to understand each other. 90 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square www.volkodaw.ru œÓÍ‡Ú ‘‰‡θÌÓ„Ó ‡„ÂÌÚÒÚ‚‡ÔÓÍÛθÚÛ ËÍËÌÂχÚÓ„‡ÙËË œÓËÁ‚Ó‰ÒÚ‚Ó fiËÈ ÃÓÓÁ œÓ‰˛ÒÂ˚ √ÂÌ̇‰ËÈ Ã‡Í‚,œÂÚ«‡È˜ÂÌÍÓ ÕË̇ ”Ò‡ÚÓ‚‡,“‡Ú¸ˇÌ‡À˛Ú‡Â‚‡,ÀÂÓÌˉüÛ·„ËÌ, ¿Ì‰ÂÈ –Û‰ÂÌÒÍËÈ,≈‚„ÂÌˡ—‚Ëˉӂ‡,¿ÚÂÏ—ÂχÍËÌ, –ÂÁÓ ›Ò‡‰ÁÂ,Շڇθˇ¬‡ÎÂÈ,fiÓÁ‡Ò¡Û‰‡ÈÚËÒ, »„Ó¸ œÂÚÂÌÍÓ,¿ÎÂÍ҇̉ƒÓÏÓ„‡Ó‚,¿Ì‡ÚÓÎËÈ¡ÂÎ˚È, ¬ ÓΡı: «‚ÛÍ ÀËÎˡ ≈ÓıË̇ WOLFHOUND ¬ŒÀüŒƒ¿¬ »«–Œƒ¿—≈–¤’œ—Œ¬ »ÒÔÓÎÌÂÌË ÔÂÒÂÌ: “ÂÍÒÚ ÔÂÒÂÌ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ¿Ú-‰ËÂÍÚÓ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ˚ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2006, –ÓÒÒˡ,136ÏËÌ.,ˆ‚.,DolbyStereo5.1+7.8Prologic ¿ÎÂÍ҇̉ œÓ„ÓÒˇÌ ´÷ÂÌڇΠœ‡Ú̯ËÔª ¿ÎÂÍ҇̉ ¡Ûı‡Ó‚,ŒÍ҇̇¿ÍË̸¯Ë̇, —‚ÂÚ·̇ “ËÚÓ‚‡ À˛‰ÏË· üÛÒ‡ÍÓ‚‡ ¬‡ÎÂËÈ Ã‡Ú˚ÌÓ‚,»ÂÍ’‡Úӂ˘ –Û·ÂÌ ƒË¯‰Ë¯ˇÌ,—„Âȃ‡ÌËÂΡÌ, Ã‡Ëˇ —ÂÏÂÌÓ‚‡ ¿ÎÂÍÒÂÈ –˚·ÌËÍÓ‚ Ç‡Ú üËÏ ´÷ÂÌڇΠœ‡Ú̯ËÔª,ÔËÛ˜‡ÒÚËË œÂ·„¡, »Ë̇¡‡Á„ӂ͇, ÕËÍÓÎ‡È À·‰‚ Distribution Federal AgencyofCultureandCinematography Production Producers Leonid Kulagin,GennadiMakeev,PetrZaichenko Sviridova, ArtemSemakin,NinaUsatova,TatianaLiutaeva, Varlei, JuozasBudraitis,AndreiRudensky,Evgeniya Alexander Domogarov,AnatoliBely,RezoEsadze,Natalia Cast: Sound Lilia Yerokhina Songs performedby by Lyrics Composer Design Costume Direction Art Design Production Directors ofPhotography Scriptwriter andDirector 2006, Russia,136min.,col.,DolbyStereo5.1+7.8Prologic Alexander Bukharov,OksanaAkinshina,IgorPetrenko, Alexander Pogosian Maria Semenova Alexei Rybnikov Ruben Dishdishian,SergeiDanelian,YuriMoroz Central Partnership,withparticipation fromthe Central Partnership Marat Kim Svetlana Titova Liudmila Kusakova Pelageya, IrinaBrazgovka, Valeri Martynov,IrekHartowicz Nikolai Lebedev ÕËÍÓÎ‡È À·‰‚ ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ:
1991 ....ÕӘ΄. œˇÚÌˈ‡ (Í/Ï) cinema on the square 1997 ....«ÏÂËÌ˚È ËÒÚÓ˜ÌËÍ 1999 ....œÓÍÎÓÌÌËÍ 2002 ....«‚ÂÁ‰‡ 2003 ....»Á„̇ÌÌËÍ/ ›ÙÙÂÍÚ »ËÒ‡ (—ÿ¿) 2006 ....¬ÓÎÍÓ‰‡‚ ËÁ Ó‰‡ ÒÂ˚ı ÔÒÓ‚ Nikolai Lebedev 91 film director: 1991 ....Night Stand. Friday (short) 1997 ....The Snake Spring 1999 ....The Admirer 2002 ....The Star 2003 ....ExLife/ The Iris Effect (USA) 2006 ....Wolfhound
Fantasy/ –ÓχÌÚ˘ÂÒÍËÈ ·Ó‚ËÍ ÔÓ Ó‰ÌÓËÏÂÌÌÓÏÛ ÓχÌÛ Ã‡ËË —ÂÏÂÌÓ‚ÓÈ. ŒÚ‚‡ÊÌ˚È Ë ·Î‡„ÓÓ‰Ì˚È ¬ÓÎÍÓ‰‡‚, ÔÓÒΉÌËÈ ‚ÓËÌ ËÁ Ó‰‡ —ÂÓ„Ó œÒ‡ ÔÎÂÏÂÌË ‚ÂÌÌÓ‚, Ë Â„Ó ‚ÂÌ˚È ‰Û„ ÕÂÎÂÚÛ˜ËÈ Ã˚¯ ÒÔ‡Ò‡˛Ú Ïۉˆ‡ “ËÎÓ̇ Ë ‡·˚Ì˛ ÕËËÎËÚ ÓÚ Á‡ÍΡÚÓ„Ó ‚‡„‡ À˛‰Ó‰‡, ÛÌ˘ÚÓÊË‚¯Â„Ó ‰ÂÂ‚Ì˛ —Â˚ı œÒÓ‚, Ë ‰ÂÊ‡Ú ÔÛÚ¸ ̇ ÔÂÂÊË‚‡˛˘ËÈ ÒÏÛÚÌ˚ ‚ÂÏÂ̇ „ÓÓ‰ √‡Îˇ‰. ◊ÚÓ·˚ ÒÔ‡ÒÚË „ÓÓ‰ ÓÚ ‡ÁÓÂÌˡ, üÌÂÒ √‡Îˇ‰‡ Ò‚‡Ú‡ÂÚ Ò‚Ó˛ ‰Ó˜¸ ≈ÎÂ̸ Á‡ ÏÓÎÓ‰Ó„Ó ‚ÓË̇ ¬ËÌËÚ‡‡, ӷ¢‡˛˘Â„Ó Á‡˘ËÚÛ √‡Îˇ‰Û. fiÌÓÈ ÍÌÂÒËÌÍ Ô‰ÒÚÓËÚ ‰‡Î¸Ìˇˇ ‰ÓÓ„‡ ‚ ÁÂÏÎË ·Û‰Û˘Â„Ó ÏÛʇ. ŒÌ‡ ÔÓÒËÚ ¬ÓÎÍÓ‰‡‚‡ ÒÚ‡Ú¸  ÚÂÎÓı‡ÌËÚÂÎÂÏ ‚ ÓÔ‡ÒÌÓÏ ÔÛÚ¯ÂÒÚ‚ËË. —ӄ·ÒË‚¯ËÒ¸ ÒÎÛÊËÚ¸ ÍÌÂÒËÌÍÂ, ¬ÓÎÍÓ‰‡‚ Ó͇Á˚‚‡ÂÚÒˇ ‚ÚˇÌÛÚ˚Ï ‚ ‚Ó‰Ó‚ÓÓÚ Ú‡ËÌÒÚ‚ÂÌÌ˚ı ÒÓ·˚ÚËÈ, ÔÓÎË‚‡˛˘Ëı Ò‚ÂÚ Ì‡ ËÒÚËÌÌÛ˛ ˆÂθ ÔÓÂÁ‰ÍË...
Fantasy/Romantic action movie based on Maria Semenovaís novel of the same title. The brave and noble Wolfhound, the last warrior of the tribe of the Grey Hounds, and his true friend ëNeletuchaya myshí (a bat that cannot fly), rescue the wise Tillorn and the slave Neelith from their sworn enemy, the Cannibal, who has destroyed village of the Grey Hounds. They head for the city of Galirad, which is living through troubled times. To rescue city from ruin, the Prince of Galirad has promised his daughter Helena to the young warrior Vinitar in marriage, who guarantees the protection of Galirad. The young princess has to make a long journey to reach the land of her future husband. She asks Wolfhound to become her bodyguard on the dangerous journey. Having agreed to serve the princess, Wolfhound is drawn into a whirlpool of mysterious events, which ultimately cast light on the genuine purpose of the journey... 92 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square DARING DAYS ƒ≈–«ü»≈ ƒÕ» www.derzkiedni.com œÓÍ‡Ú ´œÓ‰˛ÒÂÒÍËÈ ˆÂÌÚ´œ‡‡‰ËÁª œÓËÁ‚Ó‰ÒÚ‚Ó ¿ÎÂÍ҇̉ –Ó·‡Í œÓ‰˛ÒÂ˚ ƒÏËÚËÈ √ÓÈÒÏ‡Ì üÒÂÌˡ üÎËÏÓ‚‡,ÇÍÒËÏü‡Ì,¿ÎÂÍ҇̉–Ó·‡Í, “‡Ú¸ˇÌ‡ «ÓÎÓÚÓ‚Ò͇ˇ,≈ÎËÁ‡‚ÂÚ‡«‡‰ÓË̇, ¬ËÍÚÓ —ÛıÓÛÍÓ‚,À‡ÕÓ‚ËÍÓ‚‡,»‚‡Ì“ËÙÓÌÓ‚, ¿Ì‰ÂÈ ƒÂÏÂÌڸ‚,ÇڂÂÈ«Û·‡Î‚˘,√Ó¯‡üÛˆÂÌÍÓ, ¬ ÓΡı ÃÓÌÚ‡Ê «‚ÛÍ ÃÛÁ˚͇ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2007, –ÓÒÒˡ,90ÏËÌ.,ˆ‚.,1:2.35,DolbySR ¿ÎÂÍÒÂÈ —‡ÏÓ‰ÂÎÍÓ ´œ‡‡‰ËÁª : –ÛÒڇϒ‡ÁË‚,ÇË̇»„̇ÚÓ‚‡, ´¡Ó̘-¡Û-¡Ó̘ª, ÇÍÒ¡‡Ì‰Ú ÇÒÂθ ÿ‡Ï¯ÛÎËÌ ¿ÎÂÍÒÂÈ À‡Ï‡ı ¿ÎÂÍ҇̉‡ ¡Óθ¯‡ÍÓ‚‡ ›‰Û‡‰ √ËÁ‡ÚÚÛÎÎËÌ √‚ӄ ÕÂÒËÒˇÌ,ÇÍÒËÏÀ‡„‡¯ÍËÌ, ´‘Ó —ËÌÂχœÓ‰‡Í¯Ìª, –ÛÒÎ‡Ì ¡‡Î¸ÚˆÂ Distribution ìParadiseî Production Alexander Robak Producers Alexander Robak,DmitriGroisman Elizaveta Zadorina,KseniaKlimova,MaximKan, Lera Novikova,IvanTrifonov,TatianaZolotorevskaya, Matvei Zubalevich,GoshaKutsenko,ViktorSukhorukov, Cast: Editing Sound Music Design Costume Design Production Director ofPhotography Scriptwriter andDirector 2007, Russia,90min.,col.,1:2.35,DolbySR Rustam Khaziev,MarinaIgnatova,AndreiDementiev, ìBonch-Bru-Bonchî, MaxBrandt Alexei Samodelko Marcel Shamshulin Gevorg Nersisian,MaximLagashkin, ìFor CinemaProductionî,ProducersíCentre ìParadiseî Alexandra Bolshakova Eduard Gizattullin Alexei Lamakh Ruslan Baltser –ÛÒÎ‡Ì ¡‡Î¸ÚˆÂ ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ:
2003 ....ƒ‡Ê Ì ‰ÛχÈ! cinema on the square 2004 ....ƒ‡Ê Ì ‰ÛχÈ!! “Â̸ ÌÂÁ‡‚ËÒËÏÓÒÚË 2006 ....ÕÂ̇Ò˚ÚÌ˚ 2007 ....ƒÂÁÍË ‰ÌË Ruslan Baltser film director: 2003 ....Donít Even Think! 93 2004 ....Donít Even Think! The Shadow of Independence 2006 ....Insatiable 2007 ....Daring Days
–ÓχÌÚ˘ÂÒ͇ˇ ˝ÍÒÚËÏ-ÍÓωˡ. üÛÓÚÌ˚È „ÓÓ‰ ̇ ◊ÂÌÓÏ ÏÓÂ, Á‰ÂÒ¸ ͇ʉ˚È ‚ÂÒÂÎËÚÒˇ, Í‡Í ÛÏÂÂÚ. —ÍÂÈÚ·Ó‰ËÌ„, ÏÓÚÓÙËÒÚ‡ÈÎ, Ô‡ÍÛ Ë, ÍÓ̘ÌÓ, β·Ó‚¸. ü‡Í-ÚÓ Ê‡ÍËÏ ÎÂÚÌËÏ ‰ÌÂÏ ‚Ó ‚ÂÏˇ Ô‡ÍÛÓ‚ÒÍÓÈ ‚˚·ÁÍË »„Ì‡Ú Á̇ÍÓÏËÚÒˇ Ò Ì‡˜Ë̇˛˘ÂÈ Ô‚ˈÂÈ ÀËÌÓÈ. ŒÌË ‚ÒÚ˜‡˛ÚÒˇ Ë ‚β·Îˇ˛ÚÒˇ. ¬Ò ·˚ ıÓÓ¯Ó, ÌÓ Ó‰Ì‡Ê‰˚ ÀË̇ ÒÚ‡ÌÓ‚ËÚÒˇ ҂ˉÂÚÂθÌˈÂÈ ÔÂÒÚÛÔÎÂÌˡ Ë Ó͇Á˚‚‡ÂÚÒˇ Á‡ÎÓÊÌˈÂÈ ·‡Ì‰ËÚÓ‚. Õ‡ ÔÓÏÓ˘¸ ÏÓÊÂÚ ÔËÈÚË ÚÓθÍÓ »„̇Ú. –‡‰Ë ÀËÌ˚ ÓÌ „ÓÚÓ‚ ÔÓÈÚË Ì‡ ‚ÒÂ, ‰‡Ê ̇ ÌÂÒÎ˚ı‡ÌÌÛ˛ ‡ÙÂÛ... œÓÂÍÚ Ì ËÏÂÂÚ ‡Ì‡ÎÓ„Ó‚ ‚ ÏËÓ‚ÓÏ ÍËÌÂχÚÓ„‡Ù ñ 10 Û˜‡ÒÚÌËÍÓ‚ ·˚ÎË ÓÚÓ·‡Ì˚ ‚ ıӉ ‚ÒÂÓÒÒËÈÒÍÓ„Ó Í‡ÒÚËÌ„‡ ´“˚ ñ ÍËÌÓÁ‚ÂÁ‰‡!ª.
Romantic Extreme-Comedy. A holiday resort on the Black Sea, where everyone has fun in his own way: Skateboarding, motor-freestyle, parkour and, of course, love. On a hot afternoon Ignat runs into the upcoming singer Lina during parkour. They meet and fall in love. All is well, but one day Lina witnesses a crime and is kidnapped by the gangsters. Only Ignat can help her. For the sake of Lina he is ready to risk everything, even an unprecedented swindle... The project has no analogies in world cinema: 10 participants were selected during the all-Russian casting session ìYou are a movie star!î 94 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square HEAT ∆¿–¿ www.zharafilm.ru œÓÍ‡Ú œÓ Á‡Í‡ÁÛ ÔÓ ÍÛθÚÛÂËÍËÌÂχÚÓ„‡ÙËË œÓËÁ‚Ó‰ÒÚ‚Ó ƒÏËÚËÈ –Û‰Ó‚ÒÍËÈ œÓ‰˛ÒÂ˚ “‡Ú¸ˇÌ‡ ŒÎÓ‚‡,ÀÂÓÌˉ√ÓÏÓ‚,ƒÏËÚËÈÃÛı‡Ï‡‰Â‚ ¿ÎÂÍ҇̉ √ÓÎ۷‚,—„ÂÈüÓÁËÍ,—ÂÓ‚, »„Ó¸ À˚ÒÓ‚,ŒÎ¸„‡¡Óθ·Ûı,ÃËı‡Ëά·‰ËÏËÓ‚, »Ë̇ –‡ıχÌÓ‚‡,“‡Ú¸ˇÌ‡À˛Ú‡Â‚‡,¬ËÍÚÓ–Û‰Ì˘ÂÌÍÓ, ¿„Ìˡ ƒËÚÍÓ‚ÒÍËÚÂ,ƒ˝Ì˃‡‰‡Â‚,¿ÎÂÍ҇̉–‡ÔÓÔÓÚ, üÓÌÒÚ‡ÌÚËÌ ü˛ÍÓ‚,“ËχÚË,¿Ì‡ÒÚ‡ÒˡüÓ˜ÂÚÍÓ‚‡, ¬ ÓΡı: ¬Î‡‰ËÏË ŸÂ·ËÌËÌ «‚ÛÍ —‡Û̉ÚÂÍ üÓÏÔÓÁËÚÓ˚ ¿Î· üË‚‡ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ ¿‚ÚÓ Ë‰ÂËËÂÊËÒÒ 2006, –ÓÒÒˡ,97ÏËÌ.,ˆ‚.,1:2.35,DolbyDigital5.1 üËËÎÎ ¬‡ÒËÎÂÌÍÓ,ÇÍÒËÏ«‡‰Óˇ, ´ƒ‚‡‰ˆ‡Ú˚È ‚ÂÍ‘ÓÍÒ—Õ√ª/´√ÂÏËÌË ÙËθϪ ¿ÎÂÍÒÂÈ ◊‡‰Ó‚,¿ÚÛ—ÏÓθˇÌËÌÓ‚, ÇÍÒËÏ ŒÒ‡‰˜ËÈ —‚ÂÚ·̇ ¡Ó̉‡˜ÛÍ,“‡Ú¸ˇÌ‡”·ÂÈ‚ÓÎÍ, —“— ´“ÓÍËÓª, ü‡Ë̇üÓÍÒ,¬‡Î¸ÚÂ&ƒËχ,“ËχÚË ¿ÎÂÍ҇̉ üËÏ ‘Â‰Ó ¡Ó̉‡˜ÛÍ,¿ÎÂÍ҇̉–Ó‰ÌˇÌÒÍËÈ, Art PicturesGroup,‘‰‡θÌÓ ‡„ÂÌÚÒÚ‚Ó ÕËÌÓ ü‡Ú‡Ï‡‰ÁÂ,ƒ‡ÚÓ≈‚„ÂÌˉÁ –ÂÁÓ √Ë„ËÌÂȯ‚ËÎË Distribution Commissioned and Cinematography Production Dmitri Rudovsky Producers Dmitri Mukhamadeev Kozik, SergeiSerov,TatianaOrlova,LeonidGromov, Olga Bolbukh,MikhailVladimirov,AlexanderGolubev,Sergei Tatiana Liutaeva,ViktorRudnichenko,IgorLysov, Deni Danayev,AlexanderRappoport,IrinaRakhmanova, Timati, AnastasiaKochetkova,AgniyaDitkovskite, Cast: Sound Soundtrack Composers Alla Kireeva Design Costume Design Production Director ofPhotography Scriptwriter andDirector 2006, Russia,97min.,col.,1:2.35,DolbyDigital5.1 Alexei Chadov,ArturSmolianinov,KonstantinKriukov, Kirill Vasilenko,MaximZadoya,VladimirShcherbinin Fedor Bondarchuk,AlexanderRodniansky, Nino Katamadze,DatoEvgenidze Art PicturesGroup,FederalAgency ofCulture Twentieth-Century FoxCIS,Gemini Film ìTokyoî, KarinaKoks,Walter&Dimar,Timati by —“— Svetlana Bondarchuk,TatianaUbeivolk, Alexander Kim Maxim Osadchy Rezo Gigineishvili –ÂÁÓ √Ë„ËÌÂȯ‚ËÎË ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ:
2006 ....9 ÏÂÒˇˆÂ‚ (Ò¡Î) cinema on the square 2006 ....∆‡‡ (‰Â·˛Ú ‚ ÍËÌÓ) Rezo Gigineishvili film director: 2006 ....Nine Months (serial) 2006 ....Heat (cinema debut) 95
ÀˢÂÒ͇ˇ ÍÓωˡ/ √ÓÓ‰Ò͇ˇ Ò͇Á͇. ...ÀÂÚÓ 2006 „Ó‰‡. ∆‡‡. ◊ÂÚ‚ÂÓ ¯ÍÓθÌ˚ı ‰ÛÁÂÈ ‚ÒÚ˜‡˛ÚÒˇ ‚ ͇Ù ÔÓÒΠ‰Ó΄ÓÈ ‡ÁÎÛÍË. ¿ÎÂÍÒÂÈ ÓÚÒÎÛÊËΠ̇ ÙÎÓÚÂ. ¿ÚÛ, ̇˜Ë̇˛˘ËÈ ‡ÚËÒÚ, ÔÓ‚Ó‰ËÚ ÎÂÚÓ ‚ ·ÂÁÂÁÛθڇÚÌ˚ı ÔÓËÒ͇ı ‡·ÓÚ˚. “ËχÚË ‰Â·ÂÚ ÛÒÔ¯ÌÛ˛ ͇¸ÂÛ ˝Ô-ÏÛÁ˚͇ÌÚ‡. ¿ üÓÒÚˇ, Ò˚Ì ÒÓÒÚÓˇÚÂθÌÓ„Ó ˜ÂÎÓ‚Â͇, Ì ÓÍÓ̘˂ Û˜Â·Û ‚ ÀÓ̉ÓÌÂ, ¯‡ÂÚ ‚ÂÌÛÚ¸Òˇ ‰ÓÏÓÈ. ›ÚÓÚ Ê‡ÍËÈ ‰Â̸ ÒÚ‡ÌÓ‚ËÚÒˇ ÒÛ‰¸·ÓÌÓÒÌ˚Ï ‰Îˇ ‰ÛÁÂÈ. ¬ Ú˜ÂÌË 24 ˜‡ÒÓ‚ ͇ʉ˚È ËÁ „ÂÓ‚ ̇ıÓ‰ËÚ ÚÓ, ‚ ˜ÂÏ ÓÌ ÌÛʉ‡ÎÒˇ ·Óθ¯Â ‚Ò„ÓÖ
Lyrical comedy/Urban Fairytale. The summer of 2006. Heat. After years of separation four school friends meet in a cafe. Alexei has served in the navy. Artur, a beginning actor, spends the summer in futile search of work. Timati has a successful career as rapper. And Kostya, the son of a rich man, has returned home without completing his study in London. This hot day becomes decisive for the four friends. Within 24 hours each of our heroes finds what he most wanted. 96 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square LIFE BYSURPRISE ∆»«Õ‹ ¬–¿—œÀŒ’ œÓÍ‡Ú Ë ÍËÌÂχÚÓ„‡ÙËË ÔË ÔÓ‰‰ÂÊÍ‘‰‡θÌÓ„Ó‡„ÂÌÚÒÚ‚‡ ÔÓÍÛθÚÛ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ ¿ÎÂÍ҇̉ ¡Û̸ÍÓ‚ÒÍËÈ ¿ÎÂÍ҇̉ ÿÔ‡„ËÌ,¿Ì‰˛¯‡¡Û̸ÍÓ‚ÒÍËÈ, √‡ÎË̇ ¿‚¸ˇÌÓ‚‡,ƒÏËÚËÈüÛ·‡ÒÓ‚,üÓÁÎÓ‚, ÃË͇ Õ¸˛ÚÓÌ,“‡Ú¸ˇÌ‡À‡‚ÂÌڸ‚‡,¬Ò‚ÓÎÓ‰ÿËÎÓ‚ÒÍËÈ, Շڇθˇ ÕÓÁ‰Ë̇,ÇË̇flÍӂ΂‡,—„ÂÈ¡‡Ú‡ÎÓ‚, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿Ì̇ flÓ‚ÂÌÍÓ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2006, –ÓÒÒˡ,87ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital5.1 ÀÂÓÌˉ ¬ÂÈÚÍÓ‚ ´√ÂÏËÌË ÙËθϪ,´20-È‚ÂÍ‘ÓÍÒ —Õ√ª ¿ÎÂÍ҇̉‡ œÓÍÓٸ‚‡,ÇÍÛÒüÛ̈Â, ƒÏËÚËÈ ”β͇‚ ¿ÎÂÍ҇̉ ¡Û̸ÍÓ‚ÒÍËÈ ¿ÎÂÍ҇̉‡ ¿Ì‰Â‚‡ ¿ÎÂÍ҇̉ ¡Û̸ÍÓ‚ÒÍËÈ fiËÈ Œ·ÛıÓ‚,—Ú‡ÌËÒ·‚≈¯Ó‚ –ÛÒÎ‡Ì ü‚ËÌÚ‡ ´üËÌÓÔÓ·‡ª, ´¿Ï‡‰ÂÛÒ-‘ËθϪ, ¿ÎÂÍ҇̉ ¡Û̸ÍÓ‚ÒÍËÈ, Distribution the FederalAgencyofCultureandCinematography Production Producers Andriusha Brunkovsky,AlexanderBrunkovsky Dmitri Kubasov,Kozlov,AlexanderShpagin, Lavrentieva, VsevolodShilovsky,GalinaAverianova, Marina Yakovleva,SergeiBatalov,MikaNewton,Tatiana Cast: Sound Composer Design Costume Design Production Director ofPhotography Director Scriptwriters 2006, Russia,87min.,col.,1:1.85,DolbyDigital5.1 Alexandra Prokofieva,MarkusKunze,NataliaNozdrina, Leonid Veitkov Alexander Brunkovsky Ruslan Kvinta Yuri Obukhov,StanislavErshov ìKinoprobaî, ìAmadeusFilmî,withsupportfrom ìGemini Filmî,ì20thCenturyFoxCISî Alexander Brunkovsky,AnnaYarovenko Alexandra Andreeva Alexander Brunkovsky Dmitri Uliukaev ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square ¿ÎÂÍ҇̉ ¡Û̸ÍÓ‚ÒÍËÈ ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ: 1994 ....¬ÓÁ‚‡˘ÂÌË ¡Û‰‰˚ (‰ËÔÎÓÏ) 1998 ....¬Óί·Ì˚È Á‡ÏÓÍ (‰ÓÍ.) 1999 ....◊ÂÌÓ-·ÂÎ˚È œÛ¯ÍËÌ (‰ÓÍ.) 97 2001 ....»ÒÚÓˡ ÇËÌ˚ (‰ÓÍ.) 2002 ....»Ë̇ —ÍÓ·ˆÂ‚‡. ∆ËÁ̸ ƒÂÁ‰ÂÏÓÌ˚ (‰ÓÍ.) 2003 ....∆ÂÌËÚ¸·‡ ÔÓ-ËڇθˇÌÒÍË (‰ÓÍ.) 2003 ....ǯ‡Î ÀÂÎËÍ “‡·‡ÍÓ‚ (‰ÓÍ.) 2005 ....ƒÓÔÓÎÌËÚÂθÌÓ ‚ÂÏˇ 2006 ....∆ËÁ̸ ‚‡ÒÔÎÓı Alexander Brunkovsky film director: 1994 ....The Return of the Buddha (diploma) 1998 ....The Magic Castle (doc) 1999 ....Black-and-white Pushkin (doc) 2001 ....Marinaís Story (doc) 2002 ....Irina Skobtseva. Desdemonaís Life (doc) 2003 ....An Italian Marriage (doc) 2003 ....Marshal Lolik Tabakov (doc) 2005 ....Extra Time 2006 ....Life by Surprise ÃÂÎÓ‰‡Ï‡. œÂ‰ ˛ÌÓÈ ‰Â‚Û¯ÍÓÈ, Û˜‡ÒÚÌˈÂÈ ÚÂ΂ËÁËÓÌÌÓ„Ó Â‡ÎËÚË-¯ÓÛ, ‚ÒÚ‡˛Ú Ò¸ÂÁÌ˚ ̇‚ÒÚ‚ÂÌÌ˚ ÔÓ·ÎÂÏ˚, ÓÚ Â¯ÂÌˡ ÍÓÚÓ˚ı Á‡‚ËÒËÚ Â ÊËÁ̸...
Melodrama. A young woman, who participates in a reality show on television, faces serious problems: her life depends on their solution. 98 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square SURFíS UP ÀŒ¬» ¬ŒÀÕ” www.sonypictures.com œÓÍ‡Ú ‚–ÓÒÒËË œÓËÁ‚Ó‰ÒÚ‚Ó –ÓÎË ‰Û·ÎËÛ˛Ú: üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒÂ˚ ƒÓÌ –‡ÈÏÂ,ƒÊÓ—‡È‡Í˛Á ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2007, —ÿ¿,80ÏËÌ.,ˆ‚. ¿Ì‰ÂÒ Ã‡ÚËÌÂÁ œÓθ À‡ÒÂ̸ ›¯ ¡˝ÌÌÓÌ,üËÒ¡‡Í ÇÈÍÎ ƒ‡Ì̇ ìSony PicturesAnimationî Sony PicturesReleasingCIS “ËχÚË, œ‡‚ÂάÓΡ,¿ÎÂÍ҇̉÷Â͇ÎÓ ÀËÁ‡ ¿‰‰‡ËÓ,üËÒÚ¸ˇÌƒ‡ÂÌ, Distribution inRussia Production Producer by Music Design Production Director ofPhotography Directors Joe Syracuse Scriptwriters 2007, USA,80min,col. Mychael Danna Chris Jenkins Ash Brannon,ChrisBuck ìSony PicturesAnimationî Lisa Addario,ChristianDarren,DonRhymer, by PaulLasaine Sony PicturesReleasingCIS Andres Martinez ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square
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¿ÌËχˆËÓÌ̇ˇ ÍÓωˡ. ÕÓ‚˚‚È ÔÓÂÍÚ ÓÚ ÒÓÁ‰‡ÚÂÎÂÈ ´—ÂÁÓ̇ ÓıÓÚ˚ª. —‡Ï˚ ÔÓÔÛΡÌ˚ ‡ÌËχˆËÓÌÌ˚ „ÂÓË - ÔËÌ„‚ËÌ˚ ñ ÒÌÓ‚‡ ‚ ‰ÂÎÂ. Õ‡ ÂÊ„ӉÌÓÏ ÒÓ‚ÌÓ‚‡ÌËË ÔËÌ„Ë‚ÌÓ‚-ÒÂÙÂÓ‚, „‰Â ÍËÔˇÚ ‰‡ÎÂÍÓ Ì ÔËÌ„‚ËÌ¸Ë ÒÚ‡ÒÚË, ÔÓˇ‚ΡÂÚÒˇ Ìӂ˘ÓÍ ñ ÚËÌÂȉÊ üÓ‰Ë. ŒÌ ϘڇÂÚ ÒÚ‡Ú¸ ‚Â΢‡È¯ËÏ ÔÓÍÓËÚÂÎÂÏ ‚ÓÎÌ, Í‡Í Â„Ó ÍÛÏË ñ ΄Ẩ‡Ì˚È ÒÂÙ ¡Óθ¯ÓÈ «Ë. üÓ‰Ë Ï˜ڇÂÚ, ‚Ó ˜ÚÓ ·˚ ÚÓ ÌË ÒÚ‡ÎÓ, Á‡ÌˇÚ¸ Ô‚Ó ÏÂÒÚÓ Ë Â˘Â Ì Á̇ÂÚ, ˜ÚÓ ËÌÓ„‰‡ ‚ ÒÓ‚ÌÓ‚‡ÌËË Ò‡ÏÓ Û˜‡ÒÚË ñ ˝ÚÓ ÛÊ Ôӷ‰‡.
Animation comedy. A new project from the creators of ìOpen Seasonî. The most popular animation heroes, penguins, are once again in business. At the annual competition of penguin-surfers, where penguin passions are far from on the boil, there is newcomer: the teenager Cody. He dreams of becoming the greatest lord of the waves, like his idol, the legendary surfer Big Z. Cody dreams of winning the first place by all means, but he does not yet understand that sometimes in a competition it is already a victory to participate in it. 100 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square LOVEY-DOVEY Àfi¡Œ¬‹-ÃŒ–üŒ¬‹ www.lubovmorkov.ru œÓÍ‡Ú ´ü‡ÓÔÓ͇ڪ,´Õ‡¯ÂÍËÌÓª ‡„ÂÌÚÒÚ‚‡ ÔÓÍÛθÚÛÂËÍËÌÂχÚÓ„‡ÙËË œÓËÁ‚Ó‰ÒÚ‚Ó ¿ÎÂÍ҇̉ ŒÎÂÈÌËÍÓ‚ œÓ‰˛ÒÂ˚ ›‚ÍÎˉ ü˛‰ÁˉËÒ,—Ú‡ÌËÒ·‚ƒÛÊÌËÍÓ‚ ¿ÎÂÍ҇̉ —ÚËÊÂÌÓ‚,ƒ‡¸ˇƒÓÁ‰Ó‚Ò͇ˇ,üÒÂÌˡüÌˇÁ‚‡, ÃËı‡ËÎ üÓÁ‡ÍÓ‚,ŒÎ¸„‡ŒÎÓ‚‡,¿Ì‰ÂÈ”„‡ÌÚ, ≈‚„ÂÌËÈ —Ú˚˜ÍËÌ,¿Ì‰ÂÈü‡ÒÍÓ,≈͇ÚÂË̇—ÚËÊÂÌÓ‚‡, ¬ ÓΡı: ÏÓÌڇʇ –ÂÊËÒÒ «‚ÛÍ Ã‡Èˇ üËÒÚ‡ÎËÌÒ͇ˇ,ŒÎ¸„‡ŒÎÓ‚‡,´—‰ˆ‡ªÖ œÂÒÌË ËÒÔÓÎÌˇ˛Ú üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿ÎÂÍ҇̉‡ ŒÎÂÈÌËÍÓ‚‡ ÔË Û˜‡ÒÚËË–Â̇ڇƒ‡‚ÎÂÚ¸ˇÓ‚‡,¿ÎÂÍ҇̉‡—ÚËÊÂÌÓ‚‡, ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 2006, –ÓÒÒˡ,104/109ÏËÌ.,ˆ‚.,1:2.35,DolbyDigital5.1 —Ú‡ÌËÒ·‚ ƒÏËÚË‚ üËÒÚË̇ Œ·‡Í‡ÈÚÂ,√Ó¯‡üÛˆÂÌÍÓ, ¬ˇ˜ÂÒ·‚ À‡Á‡Â‚ ¿ÎÂÍ҇̉ —ÚËÊÂÌÓ‚ ¬ËÍÚÓˡ ¿Ì‰ÂˇÌÓ‚‡ ¿ÎÂÍÒÂÈ ¿ÍÒÂÌÓ‚ –ÂÌ‡Ú ƒ‡‚ÎÂÚ¸ˇÓ‚,¿ÎÂÍ҇̉üÓÚÂ΂ÒÍËÈ, ¿Í‡‰ËÈ ”ÍÛÔÌËÍ ´–‡Î-ƒ‡ÍÓÚ‡ª, ÔËÛ˜‡ÒÚËˑ‰‡θÌÓ„Ó ¿Ì‰ÂÈ üÛÂȘËÍ,fiËÈüÓÓÚÍÓ‚, üËÒÚË̇ Œ·‡Í‡ÈÚÂ,À‡ËÒ‡ƒÓÎË̇, »„Ó¸ ŒÚ‰ÂθÌÓ‚ Distribution Agency ofCultureandCinematography Production Alexander Oleinikov Producers Stanislav Duzhnikov Daria Drozdovskaya,KseniyaKniazeva,EvklidKiurdzidis, Olga Orlova,AndreiUrgant,AlexanderStrizhenov, Andrei Krasko,EkaterinaStrizhenova,MikhailKozakov, Cast: Editing Sound Maya Kristalinskaya,OlgaOrlova,ìHeartsî(Serdtsa)Ö by performed Songs Composer Design Costume Design Production Director ofPhotography Director Strizhenov, andAlexanderOleinikov with participationofRenatDavletiarov,Alexander Scriptwriters 2006, Russia,104/109min.,col.,1:2.35,DolbyDigital5.1 Kristina Orbakaite,GoshaKutsenko,EvgeniStychkin, Stanislav Dmitriev Igor Otdelnov Alexander Strizhenov Arkadi Ukupnik Renat Davletiarov,AlexanderKotelevsky, ìReal-Dakotaî, withparticipationof theFederal Karo, NasheKino Andrei Kureichik,YuriKorotkov, Viktoria Andreyanova Alexei Aksenov Kristina Orbakaite,LarisaDolina, Viacheslav Lazarev ¿ÎÂÍ҇̉ —ÚËÊÂÌÓ‚ ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ:
2002 ....”Ô‡ÒÚ¸ ‚‚Âı cinema on the square (Ò —„ÂÂÏ √ËÌÁ·Û„ÓÏ) 2005 ....ŒÚ 180 Ë ‚˚¯Â 2006 ....À˛·Ó‚¸-ÏÓÍÓ‚¸ Alexander Strizhenov film director: 2002 ....Falling Up (with Sergei Ginzburg) 101 2005 ....From 180 and Taller 2006 ....Lovey-Dovey
ÀˢÂÒ͇ˇ ÍÓωˡ-fantasy. Õ‡ Ò‚‡‰¸·Â ÒÛÔÛ„Ë √ÓÎ۷‚˚ (ÓÌ ñ ¿Ì‰ÂÈ, Ó̇ ñ ÇË̇) ÍΡÎËÒ¸ ‰Û„ ‰Û„Û ‚ ‚˜ÌÓÈ Î˛·‚Ë. —Ó ‚ÂÏÂÌÂÏ ÒÚ‡ÒÚ¸ ۯ·, ‡  ÏÂÒÚÓ Á‡ÌˇÎË Í‡¸Â‡, ·˚Ú, ‰ÛÁ¸ˇ Ë Î˘Ì˚ ۂΘÂÌˡ. ŒÌË ‚Ò ·Óθ¯Â Û„‡˛ÚÒˇ ÔÓ ÔÛÒڡ͇Ï, ‚Ò ÏÂ̸¯Â ÔÓ‚Ó‰ˇÚ ‚ÂÏÂÌË ‚ÏÂÒÚÂ... œÂ‰ ÒÛÔÛ„‡ÏË Á‡Ï‡ˇ˜Ë· ÔÂÒÔÂÍÚË‚‡ ‡Á‚Ó‰‡. œÓÒΉÌËÈ ¯‡ÌÒ ÒÔ‡ÒÚË ÒÂϸ˛ ñ ÍÓÌÒÛθڇˆËˇ Û ÒÂÏÂÈÌÓ„Ó ÔÒËıÓÎÓ„‡ ‰ÓÍÚÓ‡ üÓ„‡Ì‡. ÕÓ ‰ÓÍÚÓ üÓ„‡Ì ΘËÚ ÒÂÏÂÈÌ˚ ÓÚÌÓ¯ÂÌˡ Ì ‚ÔÓÎÌ ڇ‰ËˆËÓÌÌ˚Ï ÏÂÚÓ‰ÓÏ: ÛÚÓÏ ÓÌË ÔÓÒ˚Ô‡˛ÚÒˇ Û Ò·ˇ ‰Óχ, ÌÓ ÚÂÔ¸ ÓÌ ñ ÇË̇, ‡ Ó̇ ñ ¿Ì‰ÂÈ. »Ï Ô‰ÒÚÓËÚ Ì‡Û˜ËÚ¸Òˇ ÔÓÌËχڸ Ê·Ìˡ ‰Û„ ‰Û„‡, Í‡Í Ò‚ÓË ÒÓ·ÒÚ‚ÂÌÌ˚Â...
Lyrical comedy, fantasy. At their wedding Andrei and Marina Golubev vowed each other eternal love. In due course their passion vanishes to make room for career, everyday life, friends and personal hobbies. More and more they argue over trifles and spend less and less time together...The prospect of divorce is looming. The last chance to rescue the marriage lies in the consultation of the family psychologist, Doctor Kogan. But Doctor Kogan treats family relations in a rather untraditional way: in the morning the Golubevs wake up at home, but now he is Marina and she is Andrei. They must learn to understand the desires of the other like their own... 102 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square www.nevalyashka-film.ru œÓÍ‡Ú ÍËÌÂχÚÓ„‡ÙËË ÔË ÔÓ‰‰ÂÊÍ‘‰‡θÌÓ„Ó‡„ÂÌÚÒÚ‚‡ÔÓÍÛθÚÛÂË œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò »‚‡Ì ”„‡ÌÚ,¿ÎÂÍ҇̉œÓÎÓ‚ˆÂ‚,fiÎˡ—Ó·Ó΂Ò͇ˇ ¬ËÍÚÓˡ ü‡ÒÚÓ,¬ËÚ‡ÎËÈü‡˜‡ÌÓ‚ÒÍËÈ,¿Ì‰ÂÈ—‚Ëˉӂ, Õӽθ ¿Ì‰ÂÒÓÌ,ÀË̉‡Õ˄χÚÛÎË̇,¿Ì‰ÂȬ‡ÒËθ‚, ≈ÎÂ̇ ÕËÍÓ·‚‡,¿ÎÂÍÒÂÈœ‡ÌËÌ,¿ÚÂÏËÈ“ÓˈÍËÈ, ¬ ÓΡı: ÃÛÁ˚͇θÌ˚È ÔÓ‰˛Ò ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ÇÍÒËχ üÛÓ˜ÍË̇˖Óχ̇ü‡˜‡ÌÓ‚‡ √Ë„ÓËÈ üÓÌÒÚ‡ÌÚËÌÓÔÓθÒÍËÈ,ÔËÛ˜‡ÒÚËË NEVALYASHKA (ìTumblerToyî) Õ≈¬¿Àflÿü¿ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2007, –ÓÒÒˡ,92ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital5.1 ´√ÂÏËÌË ÙËθϪ/´20-È‚ÂÍ‘ÓÍÒ —Õ√ª œ‡‚ÂÎ ƒÂ‚ˇÌÍÓ,—„ÂÈÇÍӂˆÍËÈ, ÇÍÒËÏ “‡ÔÓ –ÓÏ‡Ì ü‡˜‡ÌÓ‚ ¬ËÍÚÓ √ÎÛıÓ‚ ¿ÎÂÍ҇̉ “ÂÎËÌ œÓ‰˛ÒÂÒ͇ˇ ÍÓÏÔ‡Ìˡ´—ÎÓ‚Óª, ”θˇÌ‡ ÿËÎÍË̇, ŒÎ„ ÕÂÒÚÂÓ‚ Distribution the FederalAgencyofCultureandCinematography Production Producer Alexander Polovtsev,YuliaSobolevskaya Vitali Kachanovsky,AndreiSviridov,IvanUrgant, Linda Nigmatulina,AndreiVasiliev,ViktoriaCastro, Alexei Panin,ArtemiTroitsky,NoelAnderson, Cast: Producer Musical Design Production Director ofPhotography Director with participationMaximKurochkin,RomanKachanov Scriptwriters 2007, Russia,92min.,col.,DolbyDigital Pavel Derevianko,SergeiMakovetsky,ElenaNikolaeva, Roman Kachanov Viktor Glukhov Producerís CompanyìSlovoî,withsupportfrom ìGemini Filmî,ì20th-CenturyFoxCISî Uliana Shilkina.GrigoriKonstantinopolsky, Oleg Nesterov Alexander Telin Maxim Trapo –ÓÏ‡Ì ü‡˜‡ÌÓ‚ ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ:
1991 ....Õ ÒÔ‡¯Ë‚‡È ÏÂÌˇ ÌË Ó ˜ÂÏ cinema on the square (Ò »‚‡ÌÓÏ ¡Ë˛ÍÓ‚˚Ï) 1993 ....”Ó‰ 1999 ....ÇÍÒËÏËÎË‡Ì 2000 ....ƒÃ¡ 2001 ....ƒ‡ÛÌ ’‡ÛÒ 2004 ....¿¸Â 2005 ....¬ÁˇÚ¸ “‡‡ÌÚËÌÛ 103 2007 ....Õ‚‡Îˇ¯Í‡ Roman Kachanov film director: 1991 ....Donít Ask me about Anything (with Ivan Biriukov) 1993 ....The Freak 1999 ....Maximilian 2000 ....Demobbed 2001 ....Down-House 2004 ....Arrier 2005 ....Taking Tarantino 2007 ....Nevalyashka
—ÔÓÚ˂̇ˇ ÍÓωˡ. ´Õ‚‡Îˇ¯Í‡ª ñ ÔÓÁ‚ˢ ÏÓÎÓ‰Ó„Ó ·ÓÍÒ‡, ‚˚ÒÚÛÔ‡˛˘Â„Ó ‚ ΄ÍÓÏ ‚ÂÒÂ. —Â‰Ë Ò‚ÓËı ÒÓÔÂÌËÍÓ‚ ÓÌ ‚˚‰ÂΡÂÚÒˇ Ì‚ÂÓˇÚÌÓÈ ÊË‚ÓÒÚ¸˛ Ë Ù‡ÌÚ‡ÒÚ˘ÂÒÍÓÈ ‚ÓÎÂÈ Í Ôӷ‰Â. ÕËÍÓÏÛ ËÁ Â„Ó ÒÓÔÂÌËÍÓ‚ Ì ۉ‡‚‡ÎÓÒ¸ ÓÚÔ‡‚ËÚ¸ Â„Ó ‚ ÌÓ͇ÛÚ, ÓÌ ‚Ò„‰‡ ÔÓ‰ÌËχÎÒˇ ̇ ÌÓ„Ë (ÓÚÒ˛‰‡ Ë ÔÓÁ‚ˢÂ). ÕÓ Ò‡ÏÓÏÛ Õ‚‡Îˇ¯Í ÒÍÛ˜ÌÓ ÒÓ‚ÌÓ‚‡Ú¸Òˇ Ò ÛÒÚÛÔ‡˛˘ËÏË ÂÏÛ ÒÓÔÂÌË͇ÏË. ŒÌ ϘڇÂÚ Ó ·Óθ¯ÂÏ!..
Sports comedy. Nevalyashka (a tumbler toy) is the nickname of a young light-weight boxer. He stands out from his competitors through incredible liveliness and a phenomenal drive to win. None of his contenders can knock him out, he always gets back on his feet (hence his nickname). But Nevalyashka himself is bored to compete with contenders who concede to him. He dreams of something greater!.. 104 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square www.onelovemovie.ru œÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó ÔÓ‰˛Ò ÃÛÁ˚͇θÌ˚È œÓ‰˛Ò fiËÈ —‡Ù‡Ó‚,œ‡‚ÂÎü‡ÒÒËÌÒÍËÈ ¿ÎÂÍ҇̉ ¡Â‰‡,ü‡‡ÏÌÓ‚,–ÛÒڇϔ‡Á‡Â‚, ƒÏËÚËÈ Ã‡¸ˇÌÓ‚,≈ÎÂ̇ÃÓÓÁÓ‚‡,¿Ì‰ÂÈü‡ÒÍÓ, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¬‡ÎÂÌÚËÌ —ÔËˉÓÌÓ‚,¿ÎÂÍÒÂÈ«ÂÌÓ‚ ONE LOVEINAMILLION ŒƒÕ¿ Àfi¡Œ¬‹Õ¿Ã»ÀÀ»ŒÕ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2007, –ÓÒÒˡ,105ÏËÌ.,ˆ‚.,1:2.35,DolbyDigital5.1 ¬Î‡‰ËÏË ÀËÚÓ‚ÌËÍ ´÷ÂÌڇΠœ‡Ú̯ËÔª ¿Î¸·Ë̇ ¿ÌÚËÔÂÌÍÓ –ÛÒÎ‡Ì üÛËÍ,ÀË̇ÃËËÏÒ͇ˇ, œÂÚ ƒÛıÓ‚ÒÍÓÈ ¬Î‡‰ËÏË ŸÂ„ÓθÍÓ‚ ¿Ì̇ ¡‡ÚÛÎË,fl̇œÓΠ≈‚„ÂÌËÈ √Ë̉ËÎËÒ ¬Î‡‰ËÏË “‡ÔÂÁÌËÍÓ‚ ´“‚Ë̉˪ —„ÂÈ ŒÒËÔ¸ˇÌ,ÃËı‡ËÎÕÓ‚ËÍÓ‚, ŒÎ„ ÕÂÒÚÂÓ‚ Distribution Production Producer Musical Producer Pavel Kassinsky Alexander Karamnov,RustamUrazaev,YuriSafarov, Elena Morozova,AndreiKrasko,AlexanderBerda, Cast: Editing Sound Design Costume Design Production Director ofPhotography Director Valentin Spiridonov,AlexeiZernov Scriptwriters 2007, Russia,105min.,col.,1:2.35,DolbyDigital5.1 Ruslan Kurik,LinaMirimskaya,DmitriMarianov, Vladimir Litrovnik Albina Antipenko Vladimir Shchegolkov Evgeni Gindilis ìTvindieî ìCentral Partnershipî Sergey Osipian,MikhailNovikov, Anna Bartuli,YanaPole Oleg Nesterov Vladimir Trapeznikov Peter Dukhovskoy ¬Î‡‰ËÏË ŸÂ„ÓθÍÓ‚ ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ:
2001 ....— ‰ÌÂÏ ÓʉÂÌˡ, ÀÓ·! cinema on the square 2003 ....ÃÓÒÍ‚‡. ÷ÂÌڇθÌ˚È ÓÍÛ„ (Ò¡Î) 2004 ....¬ËÓ· “‡‡Í‡ÌÓ‚‡. ¬ ÏË ÔÂÒÚÛÔÌ˚ı ÒÚ‡ÒÚÂÈ (Ò¡Î) 2007 ....Œ‰Ì‡ β·Ó‚¸ ̇ ÏËÎÎËÓÌ Vladimir Shchegolkov 105 film director: 2001 ....Happy Birthday, Lola! 2003 ....Moscow. Central District (serial) 2004 ....Viola Tarakanova. In the World of Criminal Passions (serial) 2007 ....One Love in a Million
üËÏË̇θ̇ˇ ÏÂÎÓ‰‡Ï‡. œÂÚ·ۄ ̇˜‡Î‡ ‰Â‚ˇÌÓÒÚ˚ı. ÃËÚˇÈ, ·ÂÒÍÓÏÔÓÏËÒÒÌ˚È Î˛·ËÚÂθ ıÓÓ¯ÂÈ ÏÛÁ˚ÍË, ÚÓ„ÛÂÚ Â‰ÍËÏË Á‡ÔËÒˇÏË Ì‡ ¿Ô‡ÍÒËÌÓÏ ‰‚ÓÂ. ¿Ìˇ ϘڇÂÚ Ó ÎÛ˜¯ÂÈ ÊËÁÌË, ‡ ÔÓ͇ ÔÓ‰‡·‡Ú˚‚‡ÂÚ ÔÓÒÚËÚÛˆËÂÈ ‚ ´¿ÒÚÓË˪. ŒÌË ÏÓ„ÎË ·˚ Ë Ì ‚ÒÚÂÚËÚ¸Òˇ, ÌÓ Ó‰Ì‡Ê‰˚ Òӄ·ÒËÎËÒ¸ ÔËÌˇÚ¸ Û˜‡ÒÚË ‚ ÒÓÏÌËÚÂθÌÓÈ ‡‚‡ÌÚ˛Â: ÓÌ ñ ˜ÚÓ·˚ ‚˚Û˜ËÚ¸ ‰Û„‡, Ó̇ ñ ˜ÚÓ·˚ Á‡‡·ÓÚ‡Ú¸. ¬ ËÚÓ„Â ˛Ì˚Ï „ÂÓˇÏ ÔËıÓ‰ËÚÒˇ ·Âʇڸ ‚ ÃÓÒÍ‚Û Ò ÏËÎÎËÓÌÓÏ Ù‡Î¸¯Ë‚˚ı ‰Óηӂ ñ ˜ÚÓ·˚ ÔÓÌˇÚ¸, ˜ÚÓ Ëı ̇ÒÚ˄· ҇χˇ ̇ÒÚÓˇ˘‡ˇ β·Ó‚¸Ö
Criminal melodrama. Petersburg at the beginnings of the 1990s. Mitya, an uncompromising fan of good music, trades with rare recordings on Apraksin Court. Anya dreams of a better life, but for now she earns her living by prostitution in the hotel ìAstoriaî. They could have never met, but one day they agree to take part in a dubious adventure: he in order to help a friend; she in order to make money. As a result, the young heroes have to run to Moscow with a million in false dollars ñ in order to understand that they have found real loveÖ 106 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square PARAGRAPH 78 œ¿–¿√–¿‘ 78. œ¿–¿√–¿‘ 78. www.mbpro.ru www.p78.ru œÓÍ‡Ú ´Stimul MProductionª,´WayFilmCompanyª œÓËÁ‚Ó‰ÒÚ‚Ó ÔÓ‰˛Ò ÃÛÁ˚͇θÌ˚È ¬ËÍÚÓ “‡ÍÌÓ‚ œÓ‰˛ÒÂ˚ ¿Ì‡ÚÓÎËÈ ¡ÂÎ˚È,fiÒÛÔ¡‡ı¯Ë‚ √Ë„ÓËÈ —ˡڂË̉‡,—Ú‡ÌËÒ·‚ƒÛÊÌËÍÓ‚, ¿Ì‡ÒÚ‡Òˡ —·Ì‚Ò͇ˇ,¿ÁËÁ¡ÂȯÂ̇ÎË‚, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍË ŒÔ‡ÚÓ œÓ ÏÓÚË‚‡Ï‡ÒÒ͇Á‡ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2007, –ÓÒÒˡ,(90+90)ÏËÌ.,ˆ‚.,1:2.35,DolbyDigital5.1 —„ÂÈ ü‡ÔÂÌÍÓ ´÷ÂÌڇΠœ‡Ú̯ËÔª ÃËı‡ËÎ ’ηÓÓ‰Ó‚,¿ÎÂÍ҇̉¿Ì‰˛˘ÂÌÍÓ √Ó¯‡ üÛˆÂÌÍÓ,¬Î‡‰ËÏˬ‰Ó‚˘ÂÌÍÓ, —„ÂÈ üÓÁÎÓ‚ ÇÍÒËÏ œ‡ÁËÎÓ‚,Õ‡‰Âʉ‡¡‡Î‡Ì‰Ë̇ fiÒÛÔ ¡‡ı¯Ë‚,¿Ì‡ÚÓÎËȃ‡ÌËÎˈÍËÈ, üÓÌÒÚ‡ÌÚËÌ ÃÂθÌËÍÓ‚,ÇÍÒËÏ‘ÂÒ˛Ì ´MB Productionsª,´StarMagicª, »‚‡Ì‡ ŒıÎÓ·˚ÒÚË̇ ¿Ì‰ÂÈ —‡ÏÓÛÍÓ‚ ÃËı‡ËÎ ’ηÓÓ‰Ó‚ ‘ËÎ¸Ï ‚ÚÓÓÈ ‘ËÎ¸Ï Ô‚˚È Distribution ìStimul MProductionî,ìWayFilmCompanyî Production Musical Producer Viktor Taknov Producers Stanislav Duzhnikov,AnatoliBely,YusupBakhshiev Anastasia Slanevskaya,AzizBeishenaliev,GrigoriSiyatvinda, Cast: Editing Sound Design Costume Design Production Director ofPhotography Based onthemotivesofastoryby Scriptwriters andDirector 2007, Russia,(90+90)min.,col.,1:2.35,DolbyDigital5.1 Gosha Kutsenko,VladimirVdovichenko, Sergei Karpenko Mikhail Khleborodov,AlexanderAndriushchenko Yusup Bakhshiev,AnatoliDanilitsky, ìMB Productionsî,ìStarMagicî, ìCentral Partnershipî Maxim Pazilov,NadezhdaBalandina Andrei Samorukov Konstantin Melnikov,MaximFesiun Sergei Kozlov Mikhail Khleborodov Ivan Ohlobystin ÃËı‡ËÎ ’ηÓÓ‰Ó‚ ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë ñ ÒÓÁ‰‡ÚÂθ ÏÌÓÊÂÒÚ‚‡ ÓÚ˜ÂÒÚ‚ÂÌÌ˚ı
‚ˉÂÓÍÎËÔÓ‚ Ë ÂÍ·ÏÌ˚ı ÓÎËÍÓ‚. cinema on the square ´œ‡‡„‡Ù 78ª ñ ‰Â·˛Ú ‚ ÍËÌÓ. Mikhail Khleborodov is the maker of a series of video clips and advertising clips. ìParagraph 78î is his debut in cinema. 107
‘‡ÌÚ‡ÒÚ˘ÂÒÍËÈ ·Ó‚ËÍ. √Û‰‚ËÌ, —ÍËÙ, À˛·‡, œ‡È, —Ô‡Ï, ‘ÂÒÚË‚‡Î¸, ÀËÒ‡... —Ó‚ÒÂÏ Ì‰‡‚ÌÓ ÓÌË ·˚ÎË ÎÛ˜¯ËÏ ÓÚˇ‰ÓÏ ÒÔˆˇθÌÓ„Ó Ì‡Á̇˜ÂÌˡ, ̇ÁÎÛ˜Ì˚Â, Í‡Í ÔÛÎË ‚ Ó·ÓÈÏÂ, Ë ÒÔÓÒÓ·Ì˚ ‚˚ÔÓÎÌËÚ¸ β·Ó Á‡‰‡ÌËÂ. ÕÓ Ëı ÔÓÒÎÂ‰Ìˇˇ ÒÓ‚ÏÂÒÚ̇ˇ ÏËÒÒˡ Ó·ÂÌÛ·Ҹ ÓÒÚ˚Ï ÍÓÌÙÎËÍÚÓÏ ‚ÌÛÚË „ÛÔÔ˚ ñ ·˚ÎÓ„Ó Â‰ËÌÓ‰Û¯Ëˇ Í‡Í ÌË ·˚‚‡ÎÓ. Œ‰Ì‡ÍÓ Ò ÌÓ‚˚Ï ÓÒÓ·Ó ‚‡ÊÌ˚Ï Á‡‰‡ÌËÂÏ ÏÓ„ÛÚ ÒÔ‡‚ËÚ¸Òˇ ÚÓθÍÓ ÓÌË ñ Ë ÚÓθÍÓ ‚ÏÂÒÚÂ. “‡Í ˜ÚÓ ·˚‚¯ËÈ ÍÓÏ‡Ì‰Ë ÓÚˇ‰‡ √Û‰‚ËÌ, ‰ËÌÒÚ‚ÂÌÌ˚È, ÍÚÓ ÒÓı‡ÌËÎ ÓÚÌÓ¯ÂÌˡ Ò ÒËÎÓ‚˚ÏË ÒÚÛÍÚÛ‡ÏË, ‚˚ÌÛʉÂÌ ñ Ì ·ÂÁ Ò¸ÂÁÌ˚ı ÔÓ·ÎÂÏ ñ ÒÓ·‡Ú¸ Ò‚ÓËı Ó‰ÌÓÔÓΘ‡Ì. ◊ÚÓ-ÚÓ Ó˜Â̸ Ò¸ÂÁÌÓ ÒÎÛ˜ËÎÓÒ¸ ̇ ÒÂÍÂÚÌÓÈ ·‡ÁÂ, „‰Â ‡·ÓÚ‡ÎË Ì‡‰ ÒÓÁ‰‡ÌËÂÏ ÌÓ‚Ó„Ó ·ÓÂ‚Ó„Ó ‚ËÛÒ‡Ö
Fantastic Thriller. Goodwin, Scythian, Lyuba, Pie, Spam, Festival, Fox... Until recently they were the best special force unit, inseparable like bullets in the charger, capable of any task. But their last mission has created a sharp conflict in group and the former unanimity has gone for good. However, a new and very important task comes up, which only their unit can solve ñ and only together. The former commander of the unit, Goodwin, the only one to have maintained relations with the power structures, is forced ñ not without serious problems ñ to assemble his colleagues. Something very serious has happened on a secret base for the development of a new virus to be used in combatÖ 108 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square www.sonypictures.com www.disney.go.com ´¡Û˝Ì‡ ¬ËÒÚ‡—ÓÌËœË͘Âc–ÂÎËÁËÌ„—Õ√ª ‚–ÓÒÒËË œÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ “ÓÏ ’Óη̉Â,ü‚ËÌÇÍÕÓÎÎË ƒÊÂÙÙË –‡¯,ƒÊÓ̇ڇ̜‡ÈÒ,¡ËÎÎÕ‡ÈË,◊ÓÛ-fiÌ-‘‡Ú, ¬ ÓΡı: üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2007, —ÿ¿,155ÏËÌ.,ˆ‚.,1:2.35,DolbyDigital5.1 PIRATES OFTHECARIBBEAN:ATWORLDíSEND œ»–¿“¤ ü¿–»¡—üŒ√ŒÃŒ–fl:Õ¿ü–¿fi—¬≈“¿ ƒÊÓÌÌË ƒÂÔÔ,ŒÎ‡Ì‰Ó¡ÎÛÏ,üÂȇՇÈÚÎË, ƒ‡ËÛÒ ¬ÓθÒÍËÈ √Ó ¬Â·ËÌÒÍË –ËÍ ’ÂÈÌËÍÒ ƒÊÂË ¡ÛÍı˝ÈÏÂ,¡˛Ò’ẨËÍÒ ’‡ÌÒ ÷ËÏ Jerry BruckheimerFilms, ´”ÓÎÚ ƒËÒÌÂÈüÓÏÔ‡ÌË—Õ√ª, “˝‰ ›ÎËÓÚ,“ÂË–ÛÒÒÓ Sony PicturesReleasingCIS Distribution inRussia Production Producers Tom Hollander,KevinMcNally Geoffrey Rush,JonathanPryce,BillNighy,Yun-FatChow, Cast: Composer Production Design Director ofPhotography Director Scriptwriters 2007, USA,155min,col.,1:2.35,DolbyDigital5.1 Johnny Depp,OrlandoBloom,KeiraKnightley, Gore Verbinski Hans Zimmer Jerry Bruckheimer,BruceHendricks Jerry BruckheimerFilms,WaltDisneyPictures Ted Elliott,TerryRossio Rick Heinrichs Walt DisneyCompanyCIS, Dariusz Wolski ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square
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œËÍβ˜Â̘ÂÒÍËÈ ÙËθÏ/ Fantasy. «ÓÎÓÚÓÈ ‚ÂÍ Í‡Ë·ÒÍËı ÔˇÚÓ‚ ̇ ËÒıӉ ñ ‡Ï‡‰‡, ÔÓ‰˜ËÌˇ˛˘‡ˇÒˇ ŒÒÚ- »Ì‰ËÈÒÍÓÈ ÍÓÏÔ‡ÌËË ‚Ó „·‚Â Ò ´ÀÂÚÛ˜ËÏ √Óη̉ˆÂϪ Ë Â„Ó ‰¸ˇ‚ÓθÒÍËÏ Í‡ÔËÚ‡ÌÓÏ ƒ˝‚Ë ƒÊÓÌÒÓÏ, ·ÂÁ ÒÛ‰‡ Ë ÒΉÒڂˡ ÛÌ˘ÚÓʇÂÚ ‚ÓθÌ˚ı ‡Á·ÓÈÌËÍÓ‚ ̇ ÏÓÒÍËı ÔÓÒÚÓ‡ı ÓÚ ¡‡„‡Ï ‰Ó “ËÌˉ‡‰‡. ”ËÎÎ “ÂÌÂ, ›ÎËÁ‡·ÂÚ —‚‡Ì Ë Í‡ÔËÚ‡Ì ¡‡·ÓÒÒ‡ Ô‰ÔËÌËχ˛Ú ÓÚ˜‡ˇÌÌÓ ÔÛÚ¯ÂÒÚ‚Ë ‚ ‰‡ÎÂÍËÈ —ËÌ„‡ÔÛ, ˜ÚÓ·˚ Ò‡ÁËÚ¸Òˇ Ò Ô‰‚Ó‰ËÚÂÎÂÏ ÍËÚ‡ÈÒÍËı ÔˇÚÓ‚ ñ ͇ÔËÚ‡ÌÓÏ —‡Ó ‘ÂÌ„ÓÏ, Á‡Û˜ËÚ¸Òˇ ÔÓ‰‰ÂÊÍÓÈ ÏÓ„Û˘ÂÒÚ‚ÂÌÌÓ„Ó ¡‡ÚÒÚ‚‡ ‰Â‚ˇÚË ÎÓ‰Ó‚, ‚ÂÌÛÚ¸ ´◊ÂÌÛ˛ ÊÂϘÛÊËÌÛª ËÁ ÏÓÒÍÓÈ ÔÛ˜ËÌ˚ Ë ‚˚‚‡Ú¸ ƒÊÂ͇ ¬ÓÓ·¸ˇ ËÁ ÔÎÂ̇ ƒ˝‚Ë ƒÊÓÌÒ‡.
Adventure film / Fantasy. The Golden Age of the Caribbean pirates is drawing to a close: the armada, subordinated to the East Indian Trading Company led by the ìFlying Dutchmanî and his devilish captain Davy Jones, destroys ñ without trial or investigation ñ the free robbers on the sea between the Bahamas and Trinidad. Will Turner, Elizabeth Swann and Captain Barbossa undertake a desperate journey to the distant Singapore to fight the leader of the Chinese pirates, Captain Sao Feng, to get support from the powerful Brotherhood of the Nine Lords, to retrieve the ìBlack Pearlî from bottom of the sea, and to free Jack Sparrow from Davy Jonesís captivity. 110 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ À‡ËÒ‡ Ç΂‡Ì̇ˇ,≈‚„ÂÌËÈÃÂÍ۸‚,ŒÍ҇̇¡‡ÁË΂˘ ¬ ÓΡı: –ÂÊËÒÒ «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 2007, –ÓÒÒˡ,99ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital5.1 THE GUIDE-DOG œŒ¬Œƒ¤–‹ ¿ÎÂÍ҇̉ —˚ÒÓΡÚËÌ »„Ó¸ ÀËÙ‡ÌÓ‚,¬Î‡‰ËÏË√ÓÎÓ‚ËÌ, »‚‡Ì ¡‡„‡Â‚ ÏÓÌڇʇ üÓÌÒÚ‡ÌÚËÌ‘Ë‚˘ ¿ÎÂÍ҇̉ ’‚‡Ì √‡ÎË̇ ¿ÌÚËÔË̇ Õ‡Ú‡Îˡ üӘ„Ë̇ ¿Ì‰ÂÈ —Ë„ÎÂ,ƒÏËÚËÈ—‚ÂÚÓÁ‡Ó‚ ¬ËÚ‡ÎËÈ »ÒÚÓÏËÌ ´¿—ƒ—ª ¿Í‡‰ËÈ ü‡ÒËθ˘ËÍÓ‚ Production Producers Evgeni Merkuriev,OksanaBazilevich Cast: Editing Sound Composer Design Costume Design Production Director ofPhotography Director Scriptwriter 2007, Russia,90min,col.,1:1.85,DolbyDigital5.1 Igor Lifanov,VladimirGolovin,LarissaMalevannaya, Alexander Sysoliatin Konstantin Firevich Alexander Khvan Vitali Istomin Andrei Sigle,DmitriSvetozarov ìASDSî Arkadi Krasilshchikov Galina Antipina Natalia Kochergina Ivan Bagayev ¿ÎÂÍ҇̉ ’‚‡Ì ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ:
1980 ....ÿÌÛ (‰ËÔÎÓÏ, Í/Ï) cinema on the square 1988 ....’ÓÁˇËÌ (Í/Ï) 1992 ....ƒ˛·‡-‰˛·‡ 1995 ....—‚‡‰Â·Ì˚È Ï‡¯ (Í/Ï) 1998 ....ƒˇÌ¸ ıÓÓ¯‡ˇ, ‰ˇÌ¸ ÔÎÓı‡ˇ... 1999 ....”Ïˇڸ ΄ÍÓ 2000 ....¬Â‰¸Ï‡ (ÌÓ‚Âη ‚ Ò¡Π´◊Â̇ˇ ÍÓÏ̇ڇª) 111 2001 ....üÎÂÓÔ‡Ú‡ (ÌÓ‚Âη ‚ Ò¡Π´◊Â̇ˇ ÍÓÏ̇ڇª) 2002 ....ÿ‡ÚÛÌ (Ò¡Î) 2003 ....ü‡ÏÂÌ 2005 ....–ËÂÎÚÓ (Ò¡Î) 2006 ....—ÂÍÂÚÌ˚ ÔÓÛ˜ÂÌˡ (Ò¡Î) 2007 ....œÓ‚Ó‰˚¸ Alexander Khvan film director: 1980 ....The Cord (diploma, short) 1988 ....The Landlord (short) 1992 ....Diuba-Diuba 1995 ....Wedding March (short) 1998 ....Good Trash, Bad Trash... 1999 ....It is Easy to Die 2000 ....The Witch (novella in the serial ìThe Black Roomî) 2001 ....Cleopatra (novella in the serial ìThe Black Roomî) 2002 ....Rod (mini-serial) ƒ‡Ï‡ ÔÓ ÔÓ‚ÂÒÚË ¿Í‡‰Ëˇ ü‡ÒËθ˘ËÍÓ‚‡ ´—Ó·‡Í‡ —ÎÂÔÓ„Óª. 2003 ....Carmen œ‡‚ÂÎ ÿÌ˚‚ ñ ÔÓÙÂÒÒËÓ̇θÌ˚È ÍËÎÎÂ, Û ÌÂ„Ó ÏÌÓ„Ó ‚‡„Ó‚ Ë Ï‡ÒÒ‡ 2005 ....The Realtor (serial) ÔÓ·ÎÂÏ. ŒÚ χÚÂË œ‡‚ÂÎ ÛÁ̇ÂÚ, ˜ÚÓ Â„Ó ÓÚˆ ÊË‚. œ‡‚ÂΠ‰ÂÚ ‚ ‰‡ÎÂÍÛ˛ 2006 ....Confidential Assignments (serial) ‰ÂÂ‚Ì˛ Ë Ì‡ıÓ‰ËÚ ÓÚˆ‡, ÍÓÚÓ˚È ‰‡‚ÌÓ ÓÒÎÂÔ Ë Ò ÍÓÚÓ˚Ï ‚Ò„‰‡ ˇ‰ÓÏ 2007 ....The Guide-Dog ‚ÂÌ˚È ÔÓÏÓ˘ÌËÍ ñ ÒÓ·‡Í‡-ÔÓ‚Ó‰˚¸. ƒÛ„‡ˇ ÊËÁ̸ ÓÚÍ˚‚‡ÂÚÒˇ œ‡‚ÎÛ ñ ‰Â‚ÂÌÒÍË ÊËÚÂÎË, Ëı ÔÓÒÚÓÈ ·˚Ú, Á‡·ÓÚ˚ ÓÚˆ‡. œ‡‚ÂÎ ÔËÌËχÂÚ Â¯ÂÌË ͇‰Ë̇θÌÓ ËÁÏÂÌËÚ¸ Ò‚Ó˛ ÊËÁ̸. ¬ÒÍÓ ÔËÂÁʇÂÚ Ë Ï‡Ú¸. œÂ‰˜Û‚ÒÚ‚Ûˇ ·Â‰Û, Ó̇ ıÓ˜ÂÚ Û‚ÂÁÚË Ë ÒÔˇÚ‡Ú¸ Ò˚̇. ÕÓ Ì ÛıÓ‰ËÚ œ‡‚ÂÎ ÓÚ ÒÚ‡Ë͇ ñ ÚÂÔ¸ ‚Ò ·Û‰ÂÚ Ë̇˜ÂÖ
Drama based on Arkadi Krasilshchikovís story ìThe Guide Dogî. Pavel Shnyrev is a professional killer with a number of enemies and a multitude of problems. One day he learns from his mother that his father is alive. Pavel goes to the remote village where he finds his father who has long gone blind, but who has at his side a loyal helper ñ a guide dog. Another life opens up to Pavel: the village people, their simple life, his fatherís troubles. Pavel takes the decision to change his life in a cardinal way. Then his mother arrives: with a presentiment of trouble ahead, she wants to take away and hide Pavel. But Pavel does not leave his old man ñ now everything will be differentÖ 112 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square I STAY fl Œ—“¿fi—‹ www.centpart.ru œÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ √Â̇θÌ˚È ÔÓ‰˛Ò »Ë̇ √ËÌ‚‡ ¿Ì‰ÂÈ —ÓÍÓÎÓ‚,¬Î‡‰ËÏË≈ÔËه̈‚,√‡ÎË̇œÓθÒÍËı, ‘Â‰Ó ¡Ó̉‡˜ÛÍ,¿ÎÂ̇≈ÎÂ̇flÍӂ΂‡, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ˚ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2007, Poccˡ,100ÏËÌ.,ˆ‚.1:1.85,DolbyDigital51 ¿Ì‰ÂÈ ¡ÎÛ‰Û¯ÍËÌ ´÷ÂÌڇΠœ‡Ú̯ËÔª ≈‚„ÂÌËÈ œË‚ËÌ ¿Ì‰ÂÈ ü‡ÒÍÓ,ÕÂÎÎË”‚‡Ó‚‡, ü‡ÂÌ Œ„‡ÌÂÒˇÌ “‡Ú¸ˇÌ‡ ¡Ë˜Â‚Ò͇ˇ —„ÂÈ ƒ‡ÌËÎÓ‚ —„ÂÈ ƒ‡ÌËÂΡÌ,¿‡ÏÃÓ‚ÒÂÒˇÌ,fiËÈÃÓÓÁ MG MediaÔÓÁ‡Í‡ÁÛ´÷ÂÌڇΜ‡Ú̯ËÔª ¿ÚÂÏ ≈ÁËÌ͡Ì,√‡ËÍ—‡Ë·ÂÍˇÌ ƒÏËÚËÈ üÓÌÒÚ‡ÌÚËÌÓ‚,¿ÎÂ̇«‚‡ÌˆÓ‚‡ –Û·ÂÌ ƒË¯‰Ë¯ˇÌ Distribution Production Producers General ProducerRubenDishdishian Vladimir Epifantsev,GalinaPolskikh,IrinaGrineva Alena Bondarchuk,ElenaYakovleva,AndreiSokolov, Cast: Sound Composers Design Costume Design Production Director ofPhotography Director Scriptwriters 2007, Russia,100min.,col.1:1.85,DolbyDigital51 Andrei Krasko,NelliUvarova,FedorBondarchuk, Andrei Bludushkin Karen Oganesian Sergei Danielian,AramMovsesian,YuriMoroz Artem Erzinkian,GarikSaribekian MG MediacommissionedbyìCentralPartnershipî ìCentral Partnershipî Dmitri Konstantinov,AlenaZvantsova Tatiana Bichevskaya Sergei Danilov Evgeni Privin ü‡ÂÌ Œ„‡ÌÂÒˇÌ ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ:
1999 ....ƒ‚ÂË ‚ Ò·ˇ (Í/Ï) cinema on the square 2007 ....fl ÓÒÚ‡˛Ò¸ (ÔÓÎÌÓÏÂÚ‡ÊÌ˚È ‰Â·˛Ú) Karen Oganesian film director: 1999 ....Doors to Oneself (short) 2007 ....I Stay (debut) 113
“‡„ËÍÓωˡ. ÃÌÓ„Ë ÔÓ‰ÓÁ‚‡˛Ú, ˜ÚÓ ÔÓÒΠÒÏÂÚË ÊËÁ̸ Ì ÍÓ̘‡ÂÚÒˇ. ƒÓÍÚÓ “˚Ò‡, ˜ÂÎÓ‚ÂÍ Ô‡ÍÚ˘Ì˚È Ë ÒÍÂÔÚ˘ÂÒÍË Ì‡ÒÚÓÂÌÌ˚È ÔÓ ÓÚÌÓ¯ÂÌ˲ ÍÓ ‚ÒÂÏÛ, ‚ Ú‡ÍÛ˛ ÂÛÌ‰Û ÌËÍÓ„‰‡ Ì ‚ÂËÎ. œÓ͇ ÔÓ ‚ËÌ ÌÂÎÓ‚ÍÓ ·Ó¯ÂÌÌÓ„Ó ¯‡‡ ‰Îˇ ·ÓÛÎËÌ„‡ Ì Ó͇Á‡ÎÒˇ ̇ ÔÛÒÚ˚ÌÌÓÈ ‡‚ÌËÌ ‚ÏÂÒÚÂ Ò Ú‡ÍËÏË ÊÂ, Í‡Í ÓÌ ñ β‰¸ÏË ÛÊ Ì ÔË̇‰ÎÂʇ˘ËÏË ˝ÚÓÏÛ ÏËÛ, ÌÓ Â˘Â Ë Ì ÔËÌˇÚ˚ÏË ‚ ÏË ËÌÓÈ. “ÛÚ-ÚÓ Ë ÔÓÌˇÎ ¬ËÍÚÓ œ‡Î˚˜ “˚Ò‡, ˜ÚÓ ÊËÁ̸, ÍÓÚÓÓÈ ÓÌ ÊËÎ ‰Ó ÒËı ÔÓ ÌÂ Ú‡Í ÛÊ Ë ÔÎÓı‡, Ë Û ÌÂ„Ó ÂÒÚ¸ ÓÒÌÓ‚‡ÚÂθ̇ˇ Ô˘Ë̇, ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òˇ ̇Á‡‰Ö œ‡ÏˇÚË ¿Ì‰Âˇ ü‡ÒÍÓ ÔÓÒ‚ˇ˘‡ÂÚÒˇ.
Tragicomedy. Many people suspect that life does not end after death. Doctor Tyrsa, a generally practical and skeptical man, never believed in such nonsense. UntilÖ because of an awkwardly thrown bowling ball he lands on a deserted plain together with others like him: people who no longer belong to this world, but who have not been let into the other world. Viktor Palych Tyrsa understands that the life which he lived hitherto has not been so bad at all, and that he has a sound reason to returnÖ Dedicated to Andrei Kraskoís memory. 114
www.kinotavr.ru ÔÓÚÂÚ Ì‡ÒÚÓˇ˘Â„Ó portrait of the present
‡ÎÎÂ-ÓÔ! ALLEZ-HOP! 115 ‡ÚÂθ ARTEL ‰Û„‡ˇ ÊËÁ̸ A DIFFERENT LIFE ‰Û„Ë ÛÒÒÍË THE OTHER RUSSIANS ÊËÎ-·˚Î Û ‰Â‰Û¯ÍËÖ PAYING GUEST ÎÂÌËÌ ÍÓ̸ Ë ÎÂÌˇ LYONYA'S HORSE AND LYONYA ÓÚÒÚ‡‚ÌÓÈ Û˜ËÚÂθ THE RETIRED TEACHER ÔÓ̉ÂθÌËÍ MONDAY ÓχÌÒ Ì‡‰Ë‡ THE ROMANCE OF NADIR ÓÒÒÓ¯¸Ö „ڇÈÏ ROSSOSHÖ RAGTIMEÖ Ú‡Ì„Ó ‰Îˇ "ÁÍ" TANGO FOR A CONVICT ˆÂÎÛÈ ÏÂÌˇ ÍÂԘ BESAME MUCHO ˇÔÚËÍ-ı˝Ò YAPTIK-HASSE 116 ÔÓÚÂÚ Ì‡ÒÚÓˇ˘Â„Ó portrait of the present presented. real: oftheactual,presentandoriginal. Worthybeing ardent supporterÖButinallfilms thereisanelementofthe of aprojectísfinancewastheauthorís ownmoneyorofan financial supportfromtheState;sometimesbasicsource were shotbypeopleofdifferentgenerations;withandwithout Novosibirsk, Kirov,VladikavkazandevenintheCrimea.They were madeatdifferentstudios:inMoscow,StPetersburg, course, evenifdelicatelymediated,aboutthemselves.They about thecountry,theircompatriots,time;andof enamoured. Allthesefilmsaredistinctauthorísstatements but notimpartial:theirviewisbiased,captivating,sometimes The authorsfocusonthepresent.Theircameraisobserving, reality. REAL. ThisprogrammeincludesfilmsrepresentingRussian is equallyvalid,butIwouldputthestressonfirstword: CINEMAî. ForKinotavrísdocumentaryprogrammetheslogan the festivalíssloganliesclearlyonlastword:ìRealRussian In thefeaturefilmprogrammeof´Kinotavrªaccentin ÔÓ‰ÎËÌÌÓÂ. —ÚŒˇ˘ÂÂ. ÒÏ˚Ò·ı ÒÎÓ‚‡‡ÍÚۇθÌÓÂ,ÚÂÍÛ˘ÂÂ(ËÔÂıÓ‰ˇ˘ÂÂ)Ë ‡‚ÚÓ‡-ÔÓ‰‚ËÊÌËÍ‡Ö ÕÓ‚Ó‚ÒÂıÂÒڸ̇ÒÚÓˇ˘Â‚ӷÓËı ËÒÚÓ˜ÌËÍÓÏ ÙË̇ÌÒËÓ‚‡ÌˡÔÓÂÍÚ‡Ó͇Á˚‚‡ÎÒˇÍ‡Ï‡ÌÂ„Ó ÙË̇ÌÒÓ‚ÓÈ ÔÓ‰‰ÂÊÍÓÈË·ÂÁÌÂÂ.»ÌÓ„‰‡ÓÒÌÓ‚Ì˚Ï ÒÌˇÚ˚ β‰¸ÏˇÁÌ˚ıÔÓÍÓÎÂÌËÈ.—„ÓÒÛ‰‡ÒÚ‚ÂÌÌÓÈ ÕÓ‚ÓÒË·ËÒÍÂ, üËÓ‚Â,¬Î‡‰Ë͇‚͇ÁÂˉ‡Ê‚ü˚ÏÛ.ŒÌË ŒÌË Ò‰Â·Ì˚̇‡ÁÌ˚ıÒÚÛ‰Ëˇı‚ÃÓÒÍ‚Â,—‡ÌÍÚ-œÂÚ·ۄÂ, ‚ÂÏÂÌË. »,ÂÒÚÂÒÚ‚ÂÌÌÓÌÓ‰ÂÎË͇ÚÌÓ-ÓÔÓÒ‰ӂ‡ÌÌÓÓÒ·Â. ‚ÌˇÚÌ˚ ‡‚ÚÓÒÍË‚˚Ò͇Á˚‚‡ÌˡÓÒÚ‡ÌÂ,ÒÓÓÚ˜ÂÒÚ‚ÂÌÌË͇ı, ÔËÒÚ‡ÒÚÂÌ, Ôˉ˘˂,ËÌÓ„‰‡‚β·ÎÂÌ.¬Ò½ÚË͇ÚËÌ˚ ̇·Î˛‰‡˛˘ÂÈ Í‡ÏÂÓÈ,ÌÓ‚Ó‚ÒÂÌ·ÂÒÔËÒÚ‡ÒÚÌÓÈËı‚Á„Ρ‰ ¿‚ÚÓ˚ ÒÓÒ‰ÓÚÓ˜ÂÌ˚̇ÒÂ„Ó‰Ìˇ¯ÌÂωÌÂ,ÒÌËχ˛ÚÂ„Ó ÓÒÒËÈÒÍÓÂ, ̇ÒÚÓˇ˘ÂÂ. ¬ ˝ÚÛÔÓ„‡ÏÏÛ‚Ó¯ÎËÙËθÏ˚,Ô‰ÒÚ‡‚Ρ˛˘ËÂ̇¯Â, ÔÓÒÚ‡‚Ë· ̇„ÓÔ‚ÓÏÒÎÓ‚ÂÕ¿—“ŒflŸ≈≈. ÍËÌÓÚ‡‚Ó‚ÒÍËÈ ÒÎÓ„‡ÌÒÚÓθʇÍÚÛ‡ÎÂÌ,ÌӇ͈ÂÌÚˇ·˚ ÓÒÒËÈÒÍÓ ü»ÕŒª.ƒÎˇÔÓ„‡ÏÏ˚‰ÓÍÛÏÂÌڇθÌÓÈ ‚ „ÓÒÎÓ„‡Ì¡‚ÌÓÒÚÓËÚ̇ÔÓÒΉÌÂÏÒÎÓ‚Â:´Õ‡ÒÚÓˇ˘Â ¬ ÒÎÛ˜‡ÂÒË„Ó‚ÓÈÔÓ„‡ÏÏÓÈ´üËÌÓÚ‡‚‡ªÒÏ˚ÒÎÓ‚Óȇ͈ÂÌÚ PRESENT PORTRAIT OFTHE œŒ–“–≈“ Õ¿—“ŒflŸ≈√Œ DOCUMENTARY FILMS OF RUSSIAN PROGRAMME ‘»À‹ÃŒ¬ ƒŒü”Ã≈Õ“¿À‹Õ¤’ –Œ——»…—ü»’ œ–Œ√–¿Ãÿ ¬ËÍÚÓˡ ¡ÂÎÓÔÓθÒ͇ˇ, Victoria Belopolskaya, ÍÛ‡ÚÓ ÔÓ„‡ÏÏ˚ Programme Curator 007, –ÓÒÒˡ,25ÏËÌ.,ˆ‚.,BetaSP ALLEZ-HOP! ¿ÀÀ≈-Œœ! ̇ıÓ‰ËÚÒˇ ÏÂÒÚÓ‰ÎˇÏ‡ÎÂ̸ÍËıÖ Ï‡ÎÂ̸͇ˇ. ¿ÏËÓÌÓ„ÓÏÂÌ.ÕÓ‚ÌÂÏÌ‚Ò„‰‡ Ó˜Â̸, Ó˜Â̸·Óθ¯ÓÂÒ‰ˆÂ.“ÓθÍÓ‚ÓÚ҇χÓ̇ Ó̇ Ú‡ÏÊË·.»‰Û„ÓÈÒÂϸËÛÕËÌ˚ÌÂÚ.’ÓÚˇÌ ÕË̇ ÌÂÔÓÒÚÓ‚Ò˛ÊËÁ̸ÔÓ‡·Óڇ·‚ˆËÍÂÍÎÓÛÌÂÒÒÓÈ, œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò ›Î‚ËÒ œÂÒÎË(´LoveMeTenderª) ÃÛÁ˚͇ ŒÔ‡ÚÓ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ,ÂÊËÒÒÂ,Á‚ÛÍ,ÏÓÌÚ‡Ê the smallÖ the worldishuge.Buttherenotalwaysaplaceinitfor Although shehasabigheart,isherselfverysmall.And but shehaslivedinthecircus.Ninanootherfamily. Nina hasnotjustworkedallherlifeinthecircusasaclown, Production Producer (´Love MeTenderª) Music Director ofPhotography Scriptwriter, Director,Sound,Editing 2007, Russia,25minutes,col.,BetaSP Alex Tsibilev,JohannSebastianBach,ElvisPresley ¿ÎÂÍÒ ÷Ë·Ë΂,»Ó„‡ÌÌ-—·‡ÒÚ¸ˇÌ¡‡ı, David Bondarevsky fiËÈ ¡‡ÍÛÎËÌ ƒ‡‚ˉ ¡Ó̉‡Â‚ÒÍËÈ ìReproducer Videoî ´–ÂÔÓ‰ÛÍÚÓª Yuri Bakulin Sergei Zinoviev —„ÂÈ «ËÌÓ‚¸Â‚ ¿–“≈À‹ ƒ–”√¿fl ∆»«Õ‹ ARTEL A DIFFERENT LIFE ÔÓÚÂÚ Ì‡ÒÚÓˇ˘Â„Ó portrait of the present
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2006, –ÓÒÒˡ, 30 ÏËÌ., ˜/·, 35 ÏÏ 2007, –ÓÒÒˡ, 26 ÏËÌ., ˆ‚., Beta SP
¿‚ÚÓ ÒˆÂÌ‡Ëˇ Ë ÂÊËÒÒ —„ÂÈ ÀÓÁÌˈ‡ ŒÔ‡ÚÓ —„ÂÈ ÃËı‡Î¸˜ÛÍ –ÂÊËÒÒÂ, ‡‚ÚÓ ÒˆÂÌ‡Ëˇ Ë ÔÓ‰˛Ò ¬Î‡‰ËÏË ›ÈÒÌ «‚ÛÍ ¬Î‡‰ËÏË √ÓÎÓ‚ÌˈÍËÈ ŒÔ‡ÚÓ ≈‚„ÂÌËÈ üÓÁÛÌ –ÂÊËÒÒ ÏÓÌڇʇ —„ÂÈ ÀÓÁÌˈ‡ œÓ‰˛Ò ¬ˇ˜ÂÒ·‚ “ÂθÌÓ‚ «‚ÛÍ ŒÎ„ ’ÓÌ œÓËÁ‚Ó‰ÒÚ‚Ó —ƒ‘ (—‡ÌÍÚ-œÂÚ·ۄÒ͇ˇ ÒÚÛ‰Ëˇ –ÂÊËÒÒ ÏÓÌڇʇ ¬Î‡‰ËÏË ›ÈÒÌ ‰ÓÍÛÏÂÌڇθÌ˚ı ÙËθÏÓ‚) œÓËÁ‚Ó‰ÒÚ‚Ó ´¿Áˡ-ÙËθϪ ŒÌË ‡ÚÂθ ˚·‡ÍÓ‚-ÔÓÏÓÓ‚. ÕÓ ‰Îˇ Ì‡Ò ÓÌË ˜ÂÌ˚ ÒËÎÛ˝Ú˚ ̇ ·ÂÎÓÏ ÒÌ„Û. Àˈ‡ ̇Á΢ËÏ˚. œÓ‰ ÒÌ„ÓÏ Ë ´ƒÛ„‡ˇ ÊËÁ̸ª ÙËÎ¸Ï Ó· Ó‰ÌÓÈ ÒË·ËÒÍÓÈ ‰Â‚ÌÂ Ë Ó·Ó ‚ÒÂÈ Î¸‰ÓÏ Ëı ‰Ó·˚˜‡, ˚·‡. –˚·‡ÍË ÍÓÔÓ¯‡ÚÒˇ ̇ θ‰Û, Ëı –ÓÒÒËË, ÎÂʇ˘ÂÈ Á‡ ԉ·ÏË „ÓÓ‰Ó‚-ÏËÎÎËÓÌÌËÍÓ‚. «‰ÂÒ¸ Á‡ÔÓ‡¯Ë‚‡ÂÚ ÒÌ„, ÓÌË ÔÓ‰ÓÎ„Û Ô·ˇ˛Ú ‰Â‰Ó‚ÒÍË ÒÂÚË, ˉÂÚ ÒÓ‚ÒÂÏ ‰Û„‡ˇ ÊËÁ̸, ˜ÂÏ ‚ ´ˆÂÌÚ‡ı ˆË‚ËÎËÁ‡ˆË˪. » ÒÚ‡ÌÓ‚ˇÚÒˇ ÚӘ͇ÏË ‚ ·ÂÒ͇ÈÌÂÈ ÓÒÒËÈÒÍÓÈ ·ÂÎËÁÌÂ. ≈ÒÎË ˝Ú‡ ÊËÁ̸, ÔÓıÓÊÂ, Óڂ„‡ÂÚ ÔËÌˇÚ˚ ´ˆË‚ËÎËÁÓ‚‡ÌÌ˚ª ·˚ ‡ÚÂθ Ì ËÒÔÓθÁÓ‚‡Î‡ ˝ÎÂÍÚÓÔËÎÛ, ˜ÚÓ·˚ ‰Â·ڸ ÌÓÏ˚. ’ÓÚˇ ·˚ ÔÓÚÓÏÛ, ˜ÚÓ ÚÂÚ¸ ÊËÚÂÎÂÈ ÓÒÒËÈÒÍÓ„Ó Ò·, ÓÚ‚ÂÒÚˡ ‚Ó Î¸‰Û, Ï˚ ÏÓ„ÎË ·˚ Ò˜ÂÒÚ¸, ˜ÚÓ ´¿ÚÂθª ÒÌˇÚ‡ ÔÓ ÒÂ„Ó‰Ìˇ¯ÌÂÈ „Ó¸ÍÓÈ ÒÚ‡ÚËÒÚËÍ ‡ÎÍÓ„ÓÎËÍË. » ÔÓÚÓÏÛ, 100 ÎÂÚ Ì‡Á‡‰: ÔÓ ·Óθ¯ÓÏÛ Ò˜ÂÚÛ, ÊËÁ̸ Ú‡ÍËı β‰ÂÈ ‚ –ÓÒÒËË Ì ÏÂÌˇÎ‡Ò¸ ÒÚÓÎÂÚˡÏË. » ‚ÓÁÏÓÊÌÓ, Ô·ۉÂÚ ˜ÚÓ, Í‡Í Ë ‚Â͇ ̇Á‡‰, ‚˚ÊË‚‡ÌË Á‰ÂÒ¸ Á‡‚ËÒËÚ Î˯¸ ÓÚ Ú‡ÍÓÈ ‚Ò„‰‡. ÕÓ Ó‰Ì‡Ê‰˚ Ή ÚÓ„‡ÂÚÒˇ. ÍÓ΢ÂÒÚ‚‡ ‚˚‡˘ÂÌÌÓÈ Í‡ÚÓ¯ÍË. » ÔÓÚÓÏÛ, ˜ÚÓ Â‰ËÌÒÚ‚ÂÌÌÓÈ Â‡Î¸ÌÓÈ ‚·ÒÚ¸˛ ÒÚ‡ÌÓ‚ËÚÒˇ ÛÒÚ‡Î˚È ‘ÂÒÚË‚‡ÎË: Û˜‡ÒÚÍÓ‚˚È ÏËÎˈËÓÌÂ: ÓÌ ÒÔ‡Ò‡ÂÚ ÓÚ ÔÓ·Ó‚ ‰ÂÚÂÈ Ë ÃÂʉÛ̇ӉÌ˚È ÙÂÒÚË‚‡Î¸ ‰ÓÍÛÏÂÌڇθÌ˚ı ÙËθÏÓ‚ ‚ ÒÚ‡ËÍÓ‚, ÓÌ Ô˚Ú‡ÂÚÒˇ Ó·‡ÁÛÏËÚ¸ ÒÔË‚¯ËıÒˇ, ÓÌ Ó‰ËÌ ÚˇÌÂÚ ¿ÏÒÚ‰‡ÏÂ; ̇ Ò· ‚ÂÒ¸ „ÛÁ „ÓÒÛ‰‡ÒÚ‚ÂÌÌ˚ı ÒӈˇθÌ˚ı Á‡‰‡˜Ö ÃÂʉÛ̇ӉÌ˚È ÍËÌÓÙÂÒÚË‚‡Î¸ ‚ Ç-‰Âθ-œÎ‡ÚÂ; ÃÂʉÛ̇ӉÌ˚È ÙÂÒÚË‚‡Î¸ ‰ÓÍÛÏÂÌڇθÌ˚ı ÙËθÏÓ‚ ‚ «‡„· ZagrebDox; ‘ÂÒÚË‚‡ÎË: ÃÂʉÛ̇ӉÌ˚È ÍËÌÓÙÂÒÚË‚‡Î¸ ‚ √ÂÌÚÂ; ÃÂʉÛ̇ӉÌ˚È ÙÂÒÚË‚‡Î¸ ÍÓÓÚÍÓÏÂÚ‡ÊÌ˚ı ÙËθÏÓ‚ ÃÂʉÛ̇ӉÌ˚È ÙÂÒÚË‚‡Î¸ ‰ÓÍÛÏÂÌڇθÌ˚ı ÙËθÏÓ‚ ‚ ljˉ DocumentaMadrid Ë ‰. ‚ ü‡ÍÓ‚Â
2006, Russia, 30 min., b/w, 35 mm 2007, Russia, 26 min., col., Beta SP
Scriptwriter and Director Sergei Loznitsa Director of Photography Sergei Mikhalchuk Director, Scriptwriter and Producer Vladimir Eisner Sound Vladimir Golovnitsky Director of Photography Evgeni Korzun Editing Sergei Loznitsa Sound Oleg Khon Producer Viacheslav Telnov Production SDF (St. Petersburg Studio of Documentary Films) Editing Vladimir Eisner Production ìAsia-Filmî They are an artel (workshop) of fishermen and coast-dwellers. But for us they are black silhouettes against the white snow. People are indiscernible. Under the snow and ice lies their ìA Different Lifeî is a film about a Siberian village and about the target: fish. The fishermen potter about on the ice, they are Russia that lies beyond the large cities. Here life is completely covered in snow, they take long to pull in their old nets, used different than in the ìcentres of civilizationî. And this life, it already by their ancestors, they become dots in the boundless Russian whiteness. If the artel would not use an electric saw seems, rejects the accepted norms of civilization. Even if we just to make holes in the ice, we could think that ìArtelî was consider that a third of the inhabitants of Russian villages, filmed a hundred years ago: by and large, the life of these according to todayís bitter statistics, are alcoholics. Because, like people in Russia has not changed for centuries. And probably centuries ago, survival here depends only on the quantity of the it will always stay like that. But once the ice moves... home-grown potatoes. Because the only real authority remains the Festivals: tired militiaman on the beat: he saves the children and old men International Documentary Film Festival in Amsterdam; from fights, he tries to reason with the drunkard, he shoulders Mar del Plata International Film Festival; the burden of the stateís social tasksÖ International Documentary Film Festival ZagrebDox; International Film Festival Ghent; International Documentary Film Festival of Madrid Festivals: DocumentaMadrid Krakow International Short Film Festival 118 ÔÓÚÂÚ Ì‡ÒÚÓˇ˘Â„Ó portrait of the present THE OTHERRUSSIANS ƒ–”√»≈ –”——ü»≈ Russian-speaking populationfromtherepublicsofCentralAsia. One ofthemostseriousconsequencesisexodus The collapseoftheSovietUnioncausednumeroustragedies. Production Producer ofPhotography Directors Authors 2006, Russia,52min.,col.,4:3,mono ÛÒÒÍÓˇÁ˚˜ÌÓ„Ó Ì‡ÒÂÎÂÌˡËÁÂÒÔÛ·ÎË͗‰ÌÂÈ¿ÁËË. Ú‡„‰ËË. Œ‰ÌÓÈËÁÒ‡Ï˚ıÚˇÊÂÎ˚ıÒÚ‡ÎËÒıÓ‰ –‡Á‚‡Î —Ó‚ÂÚÒÍÓ„Ó—Ó˛Á‡ÔÓ‚ÎÂÍÁ‡ÒÓ·ÓÈÏÌÓ„Ó˜ËÒÎÂÌÌ˚ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò ŒÔ‡ÚÓ˚ ¿‚ÚÓ˚ 2006, –ÓÒÒˡ,52ÏËÌ.,ˆ‚.,4:3,ÏÓÌÓ Ã‡È‡Ï fiÒÛÔÓ‚‡,ÇË̇ÕÂ͇ÒÓ‚‡ Mairam Yusupova,MarinaNekrasova Mairam Yusupova Ã‡È‡Ï fiÒÛÔÓ‚‡ ìAugustî ÃËı‡ËÎ ®ÍËÌ,»Ë̇”‡Î¸Ò͇ˇ ´¿‚„ÛÒÚª Mikhail Yorkin,IrinaUralskaya ÚÛÚ ÌÂÚÍ·ÒÒÓ‚Ó„ÓÒÓÁ̇Ìˡ,Á‡ÚÓÏÌÓ„Ó˜Û‚ÒÚ‚. Ó͇¯ÂÌ˚ ‚ÌÂÔÓ‚ÚÓËÏ˚ÂÓÚ˜ÂÒÚ‚ÂÌÌ˚ÂÚÓ̇.ÕËÛÍÓ„Ó ÕÓ‚˚ ‰ÎˇÌ‡¯Âȉ‚ÌË͇ÔËÚ‡ÎËÒÚ˘ÂÒÍËÂÓÚÌÓ¯ÂÌˡ ·˚‚¯ÂÏÛ Û˜ËÚÂβÚÛ‰‡Ò‚Ó˛Ô‰‡„ӄ˘ÂÒÍÛ˛˝Ì„˲? ‚ÓÒÔËÚ‡ÚÂΡ Ë‚ÓÒÔËÚÛÂÏÓ„Ó:̇ÍÓ„Ó,ÍÓÏ—ÂÂÊË,Ú‡ÚËÚ¸ ıÓÁˇËÌ »‚‡ÌÕËÍËÚӂ˘ÌÛʉ‡ÂÚÒˇ‚‡·ÓÚÌËÍÂ.¬Ó-‚ÚÓ˚ı, ÛÁ˚. ¬Ó-Ô‚˚ı,´ÓÚÌÓ¯ÂÌˡÚÛ‰‡Ë͇ÔËڇ·ª:ÍÂÔÍËÈ ıÓ˜ÂÚÒˇ. ÕÓ˝ÚËıÒÚÓθ‡ÁÌ˚ıβ‰ÂÈÒ‚ˇÁ˚‚‡˛ÚÔÓ˜Ì˚ ÔÂÂ͇ÚË ÔÓΡ·ÓÚ‡ÂÚÚÓθÍÓÚÓ„‰‡,ÍÓ„‰‡ÛÊÓ˜Â̸ÂÒÚ¸ —ÂÂʇ ÒÚËıËÈ̇ˇÒ·‚ˇÌÒ͇ˇ‰Û¯‡.ÕËÍÓ·,Ìˉ‚Ó‡, ÂÒÚ¸, Ë‚ËÌÓ„‡‰ÌËÍ. »‚‡Ì ÕËÍËÚӂ˘ÍÂÔÍËÈÒÂθÒÍËÈıÓÁˇËÌ.»ÍÓÁ˚ÛÌÂ„Ó œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò ÃÓÌÚ‡Ê ¬‡ÒËÎËÈ √ÎË„ÓÎ˛Ì‡Ò,¬ËÍÚÓ¡˚Ò «‚ÛÍ üÓÏÔÓÁËÚÓ ŒÔ‡ÚÓ˚ –ÂÊËÒÒ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 2007, –ÓÒÒˡ,42ÏËÌ.,ˆ‚.,BetaSP PAYING GUEST ∆»À-¡¤À ”ƒ≈ƒ”ÿü»Ö has anyclass-consciousness, buttherearealotoffeelings. are newtovillagelifepaintedin uniquetones.Nobodyhere teacher releasehispedagogicalenergy? Capitalistattitudesthat and thetutee:onwhom,exceptSerezha, shouldtheformer landowner IvanNikitovichneedsaworker. Second,thetutor different men.First,theìrelations of workandthecapitalî: wants to.Buttherearestrongbonds thatconnectthese nor home,hewalksthefieldsandworksonlywhenreally vineyard. SerezhaisanuncontrolledSlavicsoul.Neitherhouse Ivan Nikitovichisastrongfarmer.Hehasgoatsand Production Producer Editing Viktor Brys Sound Composer Director ofPhotography Director Scriptwriters 2007, Russia,42min.,col.,BetaSP ‘ËÎËÔÔ –˚·‡,ÕËÍÓ·ȔÒÚËÏÂÌÍÓ, Phillip Ryba,NikolaiUstimenko,VasiliGligoliunas, Timur Belov,BorisAndrievsky “ËÏÛ ¡ÂÎÓ‚,¡ÓËҿ̉Ë‚ÒÍËÈ Sergei Bosenko Natalia Zheltukhina —„ÂÈ ¡ÓÒÂÌÍÓ Ekaterina Kamelkova Շڇθˇ ∆ÂÎÚÛıË̇ Film andVideoStudioìRiskî »Ë̇ ”‡Î¸Ò͇ˇ,»‚‡Ì¿ÎÙÂÓ‚ ≈͇ÚÂË̇ ü‡ÏÂθÍÓ‚‡ Irina Semashko üËÌӂˉÂÓÒÚÛ‰Ëˇ ´–ËÒͪ »Ë̇ —Âχ¯ÍÓ Irina Uralskaya,IvanAlferov À®Õ»Õ üŒÕ‹ » À®Õfl Œ“—“¿¬ÕŒ… ”◊»“≈À‹ LYONYAíS HORSE AND LYONYA THE RETIRED TEACHER ÔÓÚÂÚ Ì‡ÒÚÓˇ˘Â„Ó portrait of the present
119
2007, –ÓÒÒˡ, 30 ÏËÌ., ˆ‚., 35 ÏÏ 2006, –ÓÒÒˡ, 43 ÏËÌ., ˆ‚., Beta SP
¿‚ÚÓ ÒˆÂÌ‡Ëˇ Ë ÂÊËÒÒ »ÓÒËÙ “‡ıÚÂ̄ˆ –ÂÊËÒÒ ¬‡‰ËÏ ÷‡ÎËÍÓ‚ ŒÔ‡ÚÓ —„ÂÈ Ã‡ÍÒËÏÓ‚ ŒÔ‡ÚÓ ¬Î‡‰ËÏË œÓΡÌÒÍËÈ üÓÏÔÓÁËÚÓ ÃËı‡ËÎ üÛίËÌ üÓÏÔÓÁËÚÓ ÀÂÓÌˉ ü‡·‡ÌÓ‚ «‚ÛÍ ÀÂÓÌˉ ÀÂÌÂ, ¬Î‡‰ËÏË Ã‡ËÌËÌ «‚ÛÍ Õ‡Ì‡ “·Ë‚‡, ¬ËÍÚÓ ¡˚Ò ÃÓÌÚ‡Ê À‡ËÒ‡ —ÓÎÓ‚ˆÓ‚‡ ÃÓÌÚ‡Ê »„Ó¸ ÿÂÎ˛Í œÓ‰˛Ò ¬ˇ˜ÂÒ·‚ “ÂθÌÓ‚ üÓÌÒÛθڇÌÚ ‘‡ÚËχ ¿ÎËÍÓ‚‡ œÓËÁ‚Ó‰ÒÚ‚Ó —ƒ‘ (—‡ÌÍÚ-œÂÚ·ۄÒ͇ˇ ÒÚÛ‰Ëˇ œÓ‰˛Ò ÃËı‡ËÎ üÓÒ˚‚-ÕÂÒÚÂÓ‚ ‰ÓÍÛÏÂÌڇθÌ˚ı ÙËθÏÓ‚) œÓËÁ‚Ó‰ÒÚ‚Ó ´Ã-ÙËθϪ
ÀÂÌˇ ÊË‚ÂÚ Ó‰ËÌ. Œ‰ËÌ ‚‰ÂÚ ‰Â‚ÂÌÒÍÓ ıÓÁˇÈÒÚ‚Ó, Ó‰ËÌ Ë «‡Û·ÂÍÛ ’‡ËÚÓÌÓ‚Ë˜Û √ÛÚËÂ‚Û Á‡ 80. ÕÓ ‚Ò ‡‚ÌÓ ÛÚÓÏ ÒÂÂÚ, Ë Ô‡¯ÂÚ, Ë ÒӷˇÂÚ Ò‚ÓÈ Ì·Óθ¯ÓÈ ÛÓʇÈ. ÕÓ 1 ÒÂÌÚˇ·ˇ 2002 „Ó‰‡ ÓÌ ÔÓ Ú‡‰ËˆËË ÓÚÔ‡‚ΡÂÚÒˇ ÌÂθÁˇ Ò͇Á‡Ú¸, ˜ÚÓ ÀÂÌˇ Ó‰ËÌÓÍ: Û ÌÂ„Ó ÂÒÚ¸ ÍÓ̸ Ë Ô‡Á‰ÌÓ‚‡Ú¸ ƒÂ̸ Á̇ÌËÈ ‚ ¯ÍÓÎÛ, „‰Â ÔÓ‡·ÓڇΠ‚Ò˛ ÔÓÓÒÂÌÓÍ. ÀÂÌˇ β·ËÚ ÍÓÌˇ Ë ÔÓÓÒÂÌ͇, ÔÓÓÒÂÌÓÍ ÊËÁ̸, ñ ‚ ¯ÍÓÎÛ π 1 „ÓÓ‰‡ ¡ÂÒ·̇. ¬ÏÂÒÚ ÒÓ Ò‚ÓËÏË ÔË‚ˇÁ‡ÎÒˇ Í ÍÓÌ˛, ‡ ÍÓ̸ Óı‡ÌˇÂÚ ÔÓÓÒÂÌ͇. ÀÂÌˇ Ô‡¯ÂÚ ·˚‚¯ËÏË Û˜ÂÌË͇ÏË Ë ÍÓÎ΄‡ÏË ÓÌ ÔÂÂÊËÎ ÛÊ‡Ò Ì‡ ÍÓÌÂ Ë ‚ÓÁËÚ Ì‡ ÌÂÏ ÔÓÍ·ÊÛ, ‡ ÔÓÓÒÂÌÓÍ Ëı ‚ÂÒÂÎËÚ. Á‡ÎÓÊÌ˘ÂÒÚ‚‡. » ‚˚ÊËÎ, ˜ÚÓ·˚ ÚÂÔ¸ ҂ˉÂÚÂθÒÚ‚Ó‚‡Ú¸ ›ÚË ÚÓ ÔË‚ˇÁ‡Ì˚ ‰Û„ Í ‰Û„Û Ë Á̇˛Ú ‰Û„ ÔÓ ‰Û„‡ ÓÚ Îˈ‡ ÊË‚˚ı Ë ÏÂÚ‚˚ı ÊÂÚ‚ ¡ÂÒ·̇. ‚ÒÂ. ¿ ÔÓÚÓÏÛ ÀÂÌˇ Û‰Ë‚ÎˇÂÚÒˇ, Í‡Í ˝ÚÓ ‚ ´’ÓÎÒÚÓϪ “ÓÎÒÚÓÈ ÏÓ„ ËÁÓ·‡ÁËÚ¸ ´ÍÓÌˇ-Ò‡‰ÓχÁÓıËÒÚ‡ª, ‡ „Ó‚ÓˇÚ, ıÓÓ¯ËÈ ÔËÒ‡ÚÂθ...
2007, Russia, 30 min., col., 35 mm 2006, Russia, 43 minutes, col., Beta SP
Scriptwriter and Director Iosif Trakhtengerts Director Vadim Tsalikov Director of Photography Sergei Maksimov Director of Photography Vladimir Poliansky Composer Mikhail Kuleshin Composer Leonid Kabanov Sound Leonid Lerner, Vladimir Marinin Sound Nana Tebieva, Victor Brys Editing Larissa Solovtsova Editing Igor Sheliuk Producer Viacheslav Telnov Adviser Fatima Alikova Production SDF (St. Petersburg Studio of Documentary Films) Producer Michael Kosyrev-Nesterov Production ìM-Filmî Lyonya lives alone. Alone, he runs a farm; alone, he sows, ploughs, and reaps the small harvest. But it is impossible to Zaurbek Kharitonovich Gutiev is over 80 years old. All the say that Lyonya is lonely: he has a horse and a piglet. Lyonya same, on the morning of 1 September 2002 he sets off, as loves the horse and the pig; the pig has got attached to the usual, to celebrate the Day of Knowledge in the school where horse, and the horse protects the pig. Lyonya ploughs and he worked all his life: in the School No. 1 of Beslan. Together carries loads on horseback and the pig amuses them both. with his former pupils and colleagues he lived through the These three are glued to each other and know everything horror of captivity, and survived to testify on behalf of the about each other. That is why Lyonya is surprised how living and the dead victims of Beslan. Tolstoy could portray a sadomasochistic horse in ìKholstomerî (The Strider), whilst people say he is a good writer... 120 ÔÓÚÂÚ Ì‡ÒÚÓˇ˘Â„Ó portrait of the present Monday. AreceptiondeskbeforetheNewYearÖ Production ìAugustî Producer MairamYusupova Director ofPhotographyIrinaUralskaya Scriptwriter andDirectorTatianaSkabard 2006, Russia,26min.,col.,mono,4:3 œÓ̉ÂθÌËÍ. œËÂÏÌÓÂÓÚ‰ÂÎÂÌËÂÔÓ‰ÕÓ‚˚È„Ó‰Ö œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò ŒÔ‡ÚÓ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2006, –ÓÒÒˡ,26ÏËÌ.,ˆ‚.,ÏÓÌÓ,4:3 MONDAY œŒÕ≈ƒ≈À‹Õ»ü »Ë̇ ”‡Î¸Ò͇ˇ Ã‡È‡Ï fiÒÛÔÓ‚‡ ´¿‚„ÛÒÚª “‡Ú¸ˇÌ‡ —͇·‡‰ Film FestivalofMadrid. Festivals: may lieinthepast,butmusicstayswithher. market inasmallCrimeantown.Herpopularityandherlife Now theelderlyviolinistearnsalivingbyplayingon Some timeagoTatianaYurievawasawell-knownmusician. Production Producer Musi Editing Sound Director ofPhotography Scriptwriter andDirector 2007, Russia,19min.,col.,BetaSP ÙÂÒÚË‚‡Î¸ ‰ÓÍÛÏÂÌڇθÌ˚ıÙËθÏÓ‚‚ljˉ ‘ÂÒÚË‚‡ÎË ÔÓ-ÔÂÊÌÂÏÛ ÒÌÂÈ. ËÁ‚ÂÒÚÌÓÒÚ¸ ‰‡Ë҇χÊËÁ̸ÛÊ‚ÔÓ¯ÎÓÏ.ÕÓÏÛÁ˚͇ Ë„‡ˇ ̇˚ÌÍ‚Ì·Óθ¯ÓÏÍ˚ÏÒÍÓÏ„ÓÓ‰ÍÂ.≈ “ÂÔ¸ ÊÂÔÓÊË·ˇÒÍËÔ‡˜Í‡Á‡‡·‡Ú˚‚‡ÂÚ̇ÊËÁ̸, üÓ„‰‡-ÚÓ “‡Ú¸ˇÌ‡fi¸Â‚‡·˚·ËÁ‚ÂÒÚÌ˚ÏÏÛÁ˚͇ÌÚÓÏ. œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò ̇Ӊ̇ˇ ÏÛÁ˚͇ ÃÛÁ˚͇ ÃÓÌÚ‡Ê «‚ÛÍ ŒÔ‡ÚÓ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2007, –ÓÒÒˡ,19ÏËÌ.,ˆ‚.,BetaSP THE ROMANCEOFNADIR –ŒÃ¿Õ— Õ¿ƒ»–¿ c Bizet,Schubert,Vivaldi,Schumann,Mozart,folkmusic œ‡‚ÂÎ ƒÛ‰ËÌ Pavel Dudin Sergei Garkavi ¡ËÁÂ, ÿÛ·ÂÚ,¬Ë‚‡Î¸‰Ë,ÿÛχÌ,ÃÓˆ‡Ú, —„ÂÈ √‡Í‡‚Ë Tatiana Nechaeva DocumentaMadrid ñInternational Documentary ¬ˇ˜ÂÒ·‚ —‡˜ÍÓ‚ “‡Ú¸ˇÌ‡ Õ˜‡Â‚‡ Valeri BalayanStudio : DocumentaMadridñÃÂʉÛ̇ӉÌ˚È —ÚÛ‰Ëˇ ¬‡ÎÂˡ¡‡Î‡ˇÌ‡ Viacheslav Sachkov Valeri Balayan ¬‡ÎÂËÈ ¡‡Î‡ˇÌ –Œ——Œÿ‹Ö –≈√“¿…à “¿Õ√Œ ƒÀfl ´«üª ROSSOSHÖ RAGTIMEÖ TANGO FOR A CONVICT ÔÓÚÂÚ Ì‡ÒÚÓˇ˘Â„Ó portrait of the present
121
2006, –ÓÒÒˡ, 52 ÏËÌ., ˆ‚., Beta SP 2006, –ÓÒÒˡ, 30 ÏËÌ., ˆ‚., Beta SP
¿‚ÚÓ ÒˆÂÌ‡Ëˇ, ÂÊËÒÒÂ, Á‚ÛÍ, ÏÓÌÚ‡Ê œÛ·‰ ¿ıχÚÓ‚ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ Ë ÂÊËÒÒ –‡¯Ë‰ ƒ‡‚ÎÂÚ¯ËÌ ü‡Ï‡ ÃËı‡ËÎ ÕÂÏ˚ÒÒÍËÈ ŒÔ‡ÚÓ˚ —„ÂÈ üÎËÏÓ‚, —„ÂÈ œÓÒÍÛˇÍÓ‚, –‡¯Ë‰ ƒ‡‚ÎÂÚ¯ËÌ œÓ‰˛Ò “ÂÏË̇ “ۇ‚‡ ÃÛÁ˚͇ √ÂÌ̇‰ËÈ ÿËӄ·ÁÓ‚ œÓËÁ‚Ó‰ÒÚ‚Ó ´Õ‡Ú-¿Úª «‚ÛÍ √ÂÌ̇‰ËÈ ÿËӄ·ÁÓ‚ ÃÓÌÚ‡Ê —„ÂÈ œÓÒÍÛˇÍÓ‚ ∆ËÁ̸ ‚ χÎÂ̸ÍÓÏ „ÓӉ͠–ÓÒÒÓ¯¸ ڇ͇ˇ ÊÂ, Í‡Í Ë ‚ œÓ‰˛Ò œ‡‚ÂÎ œÂ˜ÂÌÍËÌ œÓËÁ‚Ó‰ÒÚ‚Ó ´ÕÓ‚˚È ÍÛÒª ÓÒڇθÌÓÈ –ÓÒÒËË. –ÓÒÒÓ¯‡Ì ·Ó˛ÚÒˇ Á‡ ‚˚ÊË‚‡ÌËÂ,
‡‰Û˛ÚÒˇ Á‡‡·ÓÚ‡ÌÌÓÏÛ Û·Î˛, ʇÎÛ˛ÚÒˇ ̇ ÊËÚÂÈÒÍË “˛¸Ï‡ ˝ÚÓ, Í‡Í ËÁ‚ÂÒÚÌÓ, ÏÂÒÚÓ, „‰Â ˜ÂÎÓ‚Â͇ Î˯‡˛Ú Úˇ„ÓÚ˚. Õ‡ıÓ‰ˇÚ ËÌÓ„‰‡ ˝ÍÁÓÚ˘ÂÒÍË ÒÔÓÒÓ·˚ ÔÓ‰‡·ÓÚ‡Ú¸ Ò‚Ó·Ó‰˚. ‘ÓθÍÎÓÌÓ-Á̇ÏÂÌËÚ‡ˇ Ú˛¸Ï‡ ´¡ÂÎ˚È Î·‰¸ª ÒÓ‚Ï¢‡ˇ, ̇ÔËÏÂ, ‚˚Ô˜ÍÛ Ë ÔÓ‰‡ÊÛ ÔËÓÊÍÓ‚ ̇ ˝ÚÓ ÏÂÒÚÓ, „‰Â Î˯‡˛Ú Ò‚Ó·Ó‰˚ ̇˷ÓΠ‡‰Ë͇θÌ˚Ï ÏÂÒÚÌÓÈ Òڇ̈ËË ‰ÌÂÏ ÒÓ ÒÚËÔ-‰‡ÌÒÓÏ ‚ ÏÂÒÚÌÓÏ ÌÓ˜ÌÓÏ Ó·‡ÁÓÏ. ÕÓ ‰‡ÊÂ Ú‡Ï Â˜¸ Ì ÏÓÊÂÚ Ë‰ÚË Ó Î˯ÂÌËË Ò‚Ó·Ó‰˚ ‚ÌÛÚÂÌÌÂÈ. ŒÒÓ·ÂÌÌÓ Ò‚Ó·Ó‰˚ ˜Û‚ÒÚ‚. ÍÎÛ·Â. ÕÓ ÂÒÎË Ô˄Ρ‰ÂÚ¸Òˇ ‚ÌËχÚÂθÌÓ, Í‡Í ˝ÚÓ Ò‰Â·Π«‡Íβ˜ÂÌÌ˚È fi‡ Ó˜Â̸ ËÌÚÂÂÒÛÂÚÒˇ Á‡Íβ˜ÂÌÌÓÈ ‡‚ÚÓ ´–˝„Ú‡Èχª, ÚÓ Ó͇ÊÂÚÒˇ, ˜ÚÓ Á‰Â¯ÌË ÊËÚÂÎË Õ‡Ú‡¯ÂÈ. ¿ Á‡Íβ˜ÂÌ̇ˇ Õ‡Ú‡¯‡ Ó˜‡Ó‚‡Ì‡ Á‡Íβ˜ÂÌÌ˚Ï ÒÔÓÒÓ·Ì˚ ÓÒÚ‡ÌÓ‚ËÚ¸ Ò‚ÓÈ ÊËÚÂÈÒÍËÈ Á‡·Â„ Ë —‡¯ÂÈ Ë ÔËÌËχÂÚ Û˜‡ÒÚË ‚ ÏÂÊÚ˛ÂÏÌÓÈ Ë„Â ü¬Õ. » ÒÓÒ‰ÓÚÓ˜ËÚ¸Òˇ ̇ ‚¢‡ı ÍÛ‰‡ ·ÓΠÒÛ˘ÌÓÒÚÌ˚ı. ̇‰ÂÂÚÒˇ ¢ ·˚Ú¸ ÒÓ‚ÒÂÏ Ò‚Ó·Ó‰ÌÓÈ Ë ËÏÂÚ¸ ‰ÂÚÂÈ. ÕË͇͇ˇ Ú˛¸Ï‡ Ì ‚ ÒË·ı Î˯ËÚ¸ ˜ÂÎÓ‚Â͇ Ò‚Ó·Ó‰˚ ̇‰ÂˇÚ¸Òˇ.
‘ÂÒÚË‚‡Î¸ ˆÂÌڇθÌÓ- Ë ‚ÓÒÚÓ˜ÌÓ‚ÓÔÂÈÒÍÓ„Ó ÍËÌÓ ‚ ñ œËÁ ÙÓ̉‡ ËÏÂÌË –Óχ̇ ü‡ÏÂ̇ Œ‘ƒü ´–ÓÒÒˡª, ¬ËÒ·‡‰ÂÌ GoEast. ≈͇ÚÂËÌ·Û„; ñ ƒËÔÎÓÏ ÷ÂÌÚ‡ Ó·˘ÂÒÚ‚ÂÌÌÓÈ ËÌÙÓχˆËË ñ Ãü‘ Ó Ô‡‚‡ı ˜ÂÎÓ‚Â͇ ´—Ú‡Îͪ, ÃÓÒÍ‚‡.
2006, Russia, 52 min., col., Beta SP 2006, Russia, 30 min., col., Beta SP
Scriptwriter and Director Rashid Davletshin Scriptwriter, Director, Sound, Editing Pulad Akhmatov Directors of Photography Sergei Klimov, Director of Photography Mikhail Nemyssky Sergei Proskuriakov, Rashid Davletshin Producer Temina Tuayeva Music Gennadi Shiroglazov Production ìNart-Artî Sound Gennadi Shiroglazov Editing Sergei Proskuriakov Producer Pavel Pechenkin The life in the small town Rossosh is the same as in the rest Production ìNovy Kursî of Russia. The citizens of Rossosh struggle for survival, enjoy every earned rouble, complain about everyday burdens. Prison, as we know, is a place where the people are deprived Sometimes they find exotic ways to earn extra money ñ of freedom. The prison ìWhite Swanî ñ well known in folklore ñ is a place where the depravation of freedom takes combining, for example, baking and selling pies at the local the most radical form. But even here we cannot talk about the station during the day with striptease dancing in a local depravation of inner freedom, especially the freedom of nightclub. But if you look closely, as the author of ìRagtimeî emotions. does, it seems that the local inhabitants are capable of The prisoner Yura is interested in the prisoner Natasha. And stopping the everyday routine to concentrate on more essential the prisoner Natasha is fascinated by the prisoner Sasha, and takes part in the prisonersí amateur entertainment issues. programme. She hopes to be absolutely free one day and have children. No prison can deprive man of the freedom to hope. Festivals: GoEast ñ Festival of Central and Eastern European Film, Wiesbaden ñ Prize of Roman Karmen Fund ñ Russian Documentary FF ´Russiaª, Ekaterinburg; ñ Diploma of the Centre of Public Information ñ IFF of Human Rights ìStalkerî, Moscow. 122 ÔÓÚÂÚ Ì‡ÒÚÓˇ˘Â„Ó portrait of the present 2007, –ÓÒÒˡ,39ÏËÌ.,ˆ‚.,35ÏÏ BESAME MUCHO ÷≈À”… Ã≈Õflü–≈œ◊≈ ‰ÓÍÛÏÂÌڇθÌ˚ı ÙËθÏÓ‚‚ljˉÂ. ‘ÂÒÚË‚‡ÎË ˜ÂÏ-ÚÓ ·Óθ¯ËÏ,˜ÂÏÓ·˚‰ÂÌÌÓÂ̇ÒÚÓˇ˘ÂÂ. ÔÂÌˡ. »Ó·Ó‚ÒÂıÚÂı,ÍÓÏÛχÎÓÔÓÒÚÓÊËÁÌË,ÍÚÓÊË‚ÂÚ ÚÓ‚‡Í‡ı ÔÓ“Ëı‚ËÌÒÍÓÏۇ͇‰ÂÏ˘ÂÒÍÓÏÛıÓÛβ·ËÚÂÎÂÈ Ó·‡ÁÓÏ À˛·Ó˜Í‡ñÔ‚ˈ‡.›ÚÓÚÙËθÏÓÀ˛·Ó˜ÍÂË ÔÓÚÓÏÛ, ˜Úӄ·‚ÌÓ‰ΡÀ˛·Ó˜ÍËÒÓ‚ÒÂωۄÓÂ.√·‚Ì˚Ï ÔÓÎÛ˜‡ÂÚÒˇ, ˜ÚÓÀ˛·Ó˜Í‡ËÚÓ,˝ÚÓ,Ú‡ÏÁ‰ÂÒ¸.›ÚÓ Û·Ó˘Ëˆ‡, ÌÓË‚ÓÎÓÌÚ‚ÏÂÒÚÌÓÈ·ÓθÌˈÂ.“‡ÍÛÊ ŒÌ‡ ÛÊÂÌÂÏÓÎÓ‰‡,ÌӉΡ‚ÒÂıÔÓ-ÔÂÊÌÂÏÛÀ˛·Ó˜Í‡. À˛·Ó˜Í‡ ÊË‚ÂÚ‚“Ëı‚ËÌ„ÓÓ‰Â,ÌÓÌÂÏÌÓÊÍÓˉ‚ÌÂ. ‰ÓÍÛÏÂÌڇθÌ˚ı ÙËθÏÓ‚) œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò ÃÓÌÚ‡Ê «‚ÛÍ ŒÔ‡ÚÓ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ Film FestivalofMadrid Festivals: everyday. whom basiclifeisnotenoughand who liveformorethanthe Academic ChoirofSingingAmateurs. Andaboutthosefor about LittleLubaandherfellow-singers oftheTikhvin something else:LittleLubais,aboveall,asinger.Thisfilmis and everywhere.ButthemainthingforLittleLubais work inthelocalhospital.SoLittleLubaishereandthere Little Luba.Sheisacleaner,andshealsodoesvoluntary village. Sheisnotveryyoung,butforeverybodyshejust Little LubalivesinTikhvinñatown,butreallysmall Production Producer Editing Sound Director ofPhotography Scriptwriter andDirector 2007, Russia,39min.,col.,35mm. ¿ÎÂÍ҇̉ ƒÏËÚË‚,¿ÎÂÍÒÂÈ¿ÌÚÓÌÓ‚ Alexander Dmitriev,AlexeiAntonov Larissa Solovtsova À‡ËÒ‡ —ÓÎÓ‚ˆÓ‚‡ Viacheslav Telnov —„ÂÈ Ã‡ÍÒËÏÓ‚ DocumentaMadrid ñInternational Documentary ¬ˇ˜ÂÒ·‚ “ÂθÌÓ‚ SDF (St.PetersburgStudioofDocumentaryFilms) : DocumentaMadridÃÂʉÛ̇ӉÌ˚ÈÙÂÒÚË‚‡Î¸ —ƒ‘ (—‡ÌÍÚ-œÂÚ·ۄÒ͇ˇÒÚÛ‰Ëˇ Sergei Maksimov Alina Rudnitskaya ¿ÎË̇ –Û‰Ìˈ͇ˇ ñ œËÁ Á‡ÎÛ˜¯ËÈÍÓÓÚÍÓÏÂÚ‡ÊÌ˚ÈÙËθÏ,ÔËÁ ñ œËÁ Á‡ÎÛ˜¯ËÈÍÓÓÚÍÓÏÂÚ‡ÊÌ˚ȉÓÍÛÏÂÌڇθÌ˚È ñ œËÁ ´«ÓÎÓÚÓÈ„ÓÎÛ·¸ªÁ‡ÎÛ˜¯ËÈÍÓÓÚÍÓÏÂÚ‡ÊÌ˚È ÕËÍÚÓ ÌËÍÓ„‰‡ÌÂۂˉËÚ„ÓÎˈ‡. 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YAPTIK-HASSE flœ“»ü-’›—≈ ‘ÂÒÚË‚‡Î¸ ÍËÌÓ—Õ√Ë¡‡ÎÚËË´üËÌÓ¯Óͪ,¿Ì‡Ô‡Ö ÓÒÒËÈÒÍÓÈ √Ëθ‰ËËÍËÌӂ‰ӂËÍËÌÓÍËÚËÍÓ‚´—ÎÓ̪ñ ˜ÂÎÓ‚ÂÍÛª, —‡ÌÍÚ-œÂÚ·ۄ; ÙËÎ¸Ï ñÃÂʉÛ̇ӉÌ˚ÈÍËÌÓÙÂÒÚË‚‡Î¸´œÓÒ·ÌËÂÍ ÙËθÏÓ‚ ‚ÀÂÈԈ˄Â; ÙËÎ¸Ï ñ‘ÂÒÚË‚‡Î¸‰ÓÍÛÏÂÌڇθÌ˚ıˇÌËχˆËÓÌÌ˚ı of theCISandBaltic StatesìKinoShokî,Anapa Film Scholarsand CriticsìElephantîñFestivalof Cinema Film FestivalìMessagetoManî,St. Petersburg; Documentary &AnimationFilmFestival DOK,Leipzig; »‚‡Ì √ÛÒ‡ÍÓ‚ Andrei Orlov Ivan Gusakov Alexander Dmitriev ¿Ì‰ÂÈ ŒÎÓ‚ ¿ÎÂÍ҇̉ ƒÏËÚË‚ Vyacheslav Telnov ¿ÎÂÍ҇̉ ‘ËÎËÔÔÓ‚ ¬ˇ˜ÂÒ·‚ “ÂθÌÓ‚ SDF (St.PetersburgStudioofDocumentaryFilms) —ƒ‘ Alexander Filippov Edgar Bartenev ›‰„‡ ¡‡ÚÂÌ‚ www.kinotavr.ru 124 ÒÔˆˇθÌ˚È ÔÓ͇Á special screening ‘‰‡θÌÓ ‡„ÂÌÚÒÚ‚ÓÔÓÍÛθÚÛÂËÍËÌÂχÚÓ„‡ÙËË œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò “ÂÍÒÚ ˜ËÚ‡ÂÚ «‚ÛÍ üÓÏÔÓÁËÚÓ –ÂÊËÒÒ ÏÓÌڇʇ –ÂÊËÒÒ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2006, –ÓÒÒˡ,(59+58)ÏËÌ.,‰ÓÍ. ‘»À‹Ã 9-…:´◊”∆»≈ƒ≈“»ª(1955ñ1963) ‘»À‹Ã 8-…:´ü¿Ã≈ÕÕ¤…÷¬≈“Œüª(1944ñ1956) ANTHOLOGY OFRUSSIANCINEMA ¿Õ“ŒÀŒ√»fl –Œ——»…—üŒ√Œü»ÕŒ √‡ÎË̇ —˂ ÇˇÌ̇ üË‚‡ ÇË̇ “Û¯ ¿ÎÂÍ҇̉ ◊‡ÈÍÓ‚ÒÍËÈ ¿ÎÂÍ҇̉ √Ó‰ÓÌ ´¿ÚËχª, ǡÌ̇ üË‚‡,≈‚„ÂÌËÈÇ„ÓÎËÚ fiËÈ üÓÚÓ‚ Cinematography Production Producer Text readby Sound Composer Editing Director Script 2006, Russia,(59+58)min,doc. FILM 9:ìTHECHILDRENOFOTHERSî(1955ñ1963) FILM 8:ìTHESTONEFLOWERî(1944ñ1956) Marianna Kireeva,EvgeniMargolit Galina Siver Yuri Kotov Marianna Kireeva Marina Trush Alexander Chaikovsky Artima Studio,FederalAgencyofCultureand Alexander Gordon special screening ÒÔˆˇθÌ˚È ÔÓ͇Á
ǡÌ̇ üË‚‡ ÓÍÓ̘Ë· ÍËÌӂ‰˜ÂÒÍËÈ Ù‡ÍÛθÚÂÚ ¬√»ü‡ (1987, χÒÚÂÒ͇ˇ À. ÇχÚÓ‚ÓÈ, ≈. —ÛÍÓ‚‡), Á‡ÚÂÏ ñ ‡ÒÔˇÌÚÛÛ. ¬ 125 1992ñ2002 ‡·Óڇ· ̇ ‡Á΢Ì˚ı ‘»À‹Ã 8-…: ´ü¿Ã≈ÕÕ¤… ÷¬≈“Œüª (1944 ñ 1956). ‰ÓÎÊÌÓÒÚˇı ‚ ÒËÒÚÂÏ ÍËÌÓÔÓ͇Á‡ —˛ÊÂÚ Á̇ÏÂÌËÚÓÈ ÔÓÒ΂ÓÂÌÌÓÈ ÍËÌÓÒ͇ÁÍË ÒÚ‡ÌÓ‚ËÚÒˇ Á‰ÂÒ¸ ÏÂÚ‡ÙÓÓÈ –ÓÒÒËÈÒÍÓ„Ó ÚÂ΂ˉÂÌˡ. —Ó‡‚ÚÓ Ë ‰‡Ï‡Ú˘ÂÒÍÓ„Ó ÔÛÚË ÓÚ˜ÂÒÚ‚ÂÌÌÓ„Ó ÍËÌÓ ËÁ Ô˚¯ÌÓ ‰ÂÍÓËÓ‚‡ÌÌ˚ı ÂÊËÒÒ ˆËÍÎÓ‚ÓÈ ÔÓ„‡ÏÏ˚ ´ÃÛÁÂÈ Ô‡‚ËθÓÌÓ‚ ˝ÔÓıË ´Ï‡ÎÓ͇ÚË̸ˇª Í ÊË‚ÓÈ Â‡Î¸ÌÓÒÚË ´ÓÚÚÂÔÂθÌÓ„Óª ÍËÌÓª (´ÿ‰‚˚ ÒÚ‡Ó„Ó ÍËÌÓª, ÔÂËÓ‰‡. 1993ñ1997, ÚÂÎÂ͇̇Î˚ ´–ÓÒÒˡª Ë ´–ÓÒÒËÈÒÍË ÛÌË‚ÂÒËÚÂÚ˚ª). —Ó‡‚ÚÓ Ë ‘»À‹Ã 9-…: ´◊”∆»≈ ƒ≈“»ª (1955 ñ 1963). ÒÓÂÊËÒÒ ÙËθχ Ó —„ ›ÈÁÂ̯ÚÂÈÌ ƒ‚‡ ÔÓÍÓÎÂÌˡ ÍËÌÂχÚÓ„‡ÙËÒÚÓ‚ ñ ÓÚˆ˚ Ë ‰ÂÚË ñ ‚ ÔÓËÒ͇ı ÌÓ‚Ó„Ó ´ƒÓÏ Ã‡ÒÚ‡ª (ÔÂÏˡ ´“›‘»ª). — 2002 Ó·˘Â„Ó ˇÁ˚͇: ‚ ÊËÁÌË, ̇ ˝Í‡ÌÂ, ̇ Ò˙ÂÏÓ˜ÌÓÈ ÔÎÓ˘‡‰ÍÂÖ ‡·ÓÚ‡ÂÚ Ì‡‰ ‰ÓÍÛÏÂÌڇθÌ˚Ï ˆËÍÎÓÏ ´¿ÌÚÓÎӄˡ ÓÒÒËÈÒÍÓ„Ó ÍËÌÓª. FILM 8: ìTHE STONE FLOWERî (1944 ñ 1956). The plot of the well-known post-war fairy tale film here turns into a metaphor Marianna Kireeva for the dramatic way in which Russian cinema moved from magnificently Graduated in cinema studies from the Film decorated pavilions of the period when few films were made to the living Institute VGIK (1987, course of L. reality of the Thaw era. Mamatova, E. Surkov), then postgraduate study. From 1992-2002 worked in various FILM 9: ìTHE CHILDREN OF OTHERSî (1955 ñ 1963). jobs in film programming for Russian Two generations of cinematographers ñ fathers and children ñ in search of a television. Co-author and director of the cycle new common language: in life, on the screen, on the setÖ ìMuseum of Cinemaî (ìMasterpieces of Old Cinemaî, 1993-1997, television channels ìRussiaî and ìRussian Universitiesî). Co- author and co-director of a film about Sergei Eisenstein, ìThe House of the Masterî (TEFI award). Since 2002 works on the documentary cycle ìAnthology of Russian Cinemaî. 126 üËÌÓÚ‡Ú.doc Kinoteatr.doc
127 ‡ Ò ‰ÂÚ¸ÏË - ¯ÂÒÚÂÓ SIX WITH THE CHILDREN ·ÂÒ DEMON „ GER ÍÓ‚˜Â„ ARK β·‡ LYUBA χθ˜ËÍË BOYS ÌËÍËÚ‡ Ë ÌËÍËÚ‡ NIKITA AND NIKITA Ô˚θ DUST ÚËÛÏÙ ·ÓÎË TRIUMPH OF PAIN 128 ÍËÌÓÚ‡Ú.doc kinoteatr.doc ‚Á‡ËÏÓ‰ÂÈÒÚ‚ÛÂÚ. Õ‡Ò ËÌÚÂÂÒÛÂÚ‰ÂÈÒÚ‚ËÚÂθ̇ˇÊËÁ̸ËÍËÌÓ,ÍÓÚÓÓÂÒÌÂÈ ÒÏÓÚËÚ. ÒÓÒÚÓˇÚ¸Òˇ ÚÓθÍÓ͇ÍÓ·˘Â‰ÂÎÓÚÂı,ÍÚÓÒÌËχÂÚË Ï‡ÌËÔÛÎËÓ‚‡ÌËÂÏ. œÓÂÍÚü»ÕŒ“≈¿“–.DOCÏÓÊÂÚ ÔÓÚ·ÌÓÒÚˇÏË ÔÓÍÛÔ‡ÚÂÎÂÈ,‡ÌÂ̇‚ˇÁ˚‚‡ÂÚÒˇËÏÚÓڇθÌ˚Ï ÏÓÎÓÚ͇, ÏÓ˜‡ÎÍËËÏÓÎÓ͇,ÌÓ„‰Â‡ÒÒÓÚËÏÂÌÚÓÔ‰ÂΡÂÚÒˇ ÓÚÒÚÓˇÚ¸ ˉ²ÒÂθÒÍÓÈ·‚ÍË,„‰ÂÚ‡ÍÊ‚ÓÁÏÓÊÌÓÒÓ˜ÂÚ‡ÌË ¬ ÔÓÛ,ÍÓ„‰‡‚ÂÒ¸ÏËÒÚ‡ÌÓ‚ËÚÒˇÒÛÔÂχÍÂÚÓÏ,Ï˚ıÓÚËÏ ÔÓÙÂÒÒËÓ̇ÎËÁχ ËÔ. Ì‡Ï ËÌÚÂÂÒÂÌ,ÌÂÒÏÓÚˇÌ‡Ì‰ÓÒÚ‡ÚÍËχÒÚÂÒÚ‚‡, ωËÈÌÓ„Ó „ÎˇÌˆ‡.»ÂÒÎËÏ˚˝ÚÓÁ‡Ï˜‡ÂÏ,ÙËθÏÒÚ‡ÌÓ‚ËÚÒˇ ÛÒÔÂÎË Á‡‚ÂÚÂÚ¸Òˇ,Á‡ÍÓÒÌÂÚ¸,ÌÂÒÚ‡ÎËÓ·˘ËÏÏÂÒÚÓÏχÒÒ- ÒÂ„Ó‰Ìˇ¯ÌÂÈ ÊËÁÌË.«‡ÚÂÏˡ‚ÎÂÌˡÏË,ÍÓÚÓ˚¢ÂÌ ÌÂÛÎÓ‚ÎÂÌÌ˚ÏË ËÎËÔÓÔÛ˘ÂÌÌ˚ÏË„‡ÌˇÏË̇¯ÂÈ Ô‰ÒÚ‡‚ΡÂÏ ÙËθÏ˚,˜¸Ë‡‚ÚÓ˚,̇̇¯‚Á„Ρ‰,ÒΉËÎËÁ‡ ÁÂÌ˲ Ó·˙ÂÍÚË‚ÌÓÒÚ¸,‡‚Ô˜‡ÚÎÂÌˡÏñËÒÍÂÌÌÓÒÚ¸.Ã˚ ̇ԇ‚ÎÂÌË „ÓÍËÚËÍË,ÔÓ̇¯ÂÏÛÏÌÂÌ˲,‰ÓÎÊÂÌ‚ÂÌÛÚ¸ ´ÕÓ‚˚È Ì‡ÚÛ‡ÎËÁϪ,͇ÍËÌÓ„‰‡Ì‡Á˚‚‡˛Ú‚˚·‡ÌÌÓÂ̇ÏË ‰‡ÂÚ ÌÂÍÓÚÓÛ˛„‡‡ÌÚ˲ÓÚÔÓ‚ÂıÌÓÒÚÌ˚ıÒÛʉÂÌËÈ. ‚ÌËχÚÂθÌÓ ËÛ‚‡ÊËÚÂθÌÓÂ̇·Î˛‰ÂÌˇθÌÓÈÊËÁÌË ‚ÎˡÌ˲ ¯Ú‡ÏÔÓ‚ËÓ·‡ÁˆÓ‚χÒÒÓ‚ÓÈÍÛθÚÛ˚, ÒÂ„Ó‰Ìˇ, ÍÓ„‰‡Ì‡¯Â‚ÓÒÔˡÚËÂÓÒÓ·ÂÌÌÓÒËθÌÓÔÓ‰‚ÂÊÂÌÓ ‚ÓÓ·‡ÊÂÌˡ ËÙ‡ÌÚ‡ÁËÈËı‡‚ÚÓÓ‚.Ã˚Ò˜ËÚ‡ÂÏ,˜ÚÓ Ò‚ˇÁ¸ ÒÒÓ‚ÂÏÂÌÌÓȇθÌÓÒÚ¸˛,‡Ì·˚Ú¸ÂÁÛθڇÚÓÏ ‰ÓÍÛÏÂÌڇθÌ˚Â, ‚ÔÂ‚Û˛Ó˜Â‰¸‰ÓÎÊÌ˚ËÏÂÚ¸·ÎËÁÍÛ˛ ‘ËθÏ˚, ÍÓÚÓ˚Â̇ÒËÌÚÂÂÒÛ˛Ú,Ë„Ó‚˚ÂËÎË ‡Á‚ΘÂÌËÂ, ·ÂÁ‰ÛÏÌÛ˛Ë„Û¯ÍÛ. ÚÓÔÚ‡Ú¸Òˇ ̇ÏÂÒÚÂ,Ô‚‡˘‡ˇÒ¸‚·ÂÒÒÏ˚ÒÎÂÌÌÓ Ëı ‰ÂˇÚÂθÌÓÒÚ¸ÌÂÓ·ıÓ‰Ëχ,·ÂÁÌÂÂËÒÍÛÒÒÚ‚Óӷ˜ÂÌÓ ÏÓ„ÛÚ ·˚Ú¸ËÁ‡·‡ÍÓ‚‡Ì˚,ËÎËÔÓÒÚÓÌÂÔË„Ó‰ËÚ¸Òˇ.ÕÓ Ò‚Â‰ÂÌˡ ¢ÂÌÛʉ‡˛ÚÒˇ‚‡Ì‡ÎËÁÂ,ÍÓÂÍÚËÓ‚ÍÂ,ÓÌË ÏÂÒÚÌÓÒÚË ÔÓÎÛ‚ÒÎÂÔÛ˛,Ì‡Ó˘ÛÔ¸,̇ۉ‡˜Û. ÚÓ˜Ì˚ı ҂‰ÂÌËÈÓÚÓÏ,ÍÛ‰‡‰‚Ë„‡Ú¸Òˇ,ÓËÂÌÚËÛ˛ÚÒˇÌ‡ ËÒÍÛÒÒÚ‚‡. ›ÚË΄ÍÓÓÒ̇˘ÂÌÌ˚ÂÏÓ·ËθÌ˚ÂÓÚˇ‰˚ÌÂËÏÂ˛Ú ÒΉӂ‡Ú¸ ÔÓÎÍËÒ̇˜‡Î‡‡‚ÚÓÒÍÓ„Ó,‡Á‡ÚÂÏËÍÓÏϘÂÒÍÓ„Ó Ì‡˘ÛÔ˚‚‡˛˘Ëı ÌÓ‚˚‰ÓÓ„Ë,ÔÓÍÓÚÓ˚ÏÔÓÚÓÏ·Û‰ÛÚ ÓÚˇ‰Ó‚ ‡Á‚‰˜ËÍÓ‚,Ë‰Û˘Ëı‚Ô‰˄ÛΡÌÓ„Ó‚ÓÈÒÍ‡Ë ÏË. üÛθÚÛÂÌÂÓ·ıÓ‰ËÏÌÂÍËÈÔ‰-‡‚‡Ì„‡‰,˜ÚÓ-ÚӂӉ ÌÓ‚˚ ÒÏ˚ÒÎ˚ËÔÓ·ÛÂÚÔÓÌˇÚ¸ÒÓ‚ÂÏÂÌÌ˚ÈÏÂÌˇ˛˘ËÈÒˇ ËÒÒΉӂ‡ÚÂθÒÍËÏ ËÒÍÛÒÒÚ‚ÓÏ,ÚÂÏ,ÍÓÚÓÓÂ̇˘ÛÔ˚‚‡ÂÚ ıÛÊ ‚Ò„ÓÓ·ÒÚÓËÚ‰ÂÎÓÒ˝ÍÒÔÂËÏÂÌڇθÌ˚Ï, œÓ ̇¯ÂÏÛÏÌÂÌ˲,ÒÂȘ‡Ò‚ÓÚ˜ÂÒÚ‚ÂÌÌÓÏÍËÌÂχÚÓ„‡Ù ԇ‚‰Ë‚Ó ÓڇʇÂÚÒÓ‚ÂÏÂÌÌÛ˛ÊËÁ̸. ÓÒÒËÈÒÍËı ÍËÌÓÂÊËÒÒÂÓ‚ËÔ‰ÒÚ‡‚ΡÂÚÍËÌÓ,ÍÓÚÓÓ œÓÂÍÚ ü»ÕŒ“≈¿“–.DOCÓ·˙‰ËÌˇÂÚÏÓÎÓ‰ÓÂÔÓÍÓÎÂÌË ÍÛ‡ÚÓ ÔÓ„‡ÏÏ˚ ƒÓ·˚Ú˚ ËÏË ÃËı‡ËÎ —ËÌ‚, engages withit. We areinterestedintherealityoflifeandacinemathat those whomakecinemaandallwatchit. KINOTEATR.DOC canhappenonlyasacommoncauseofall imposed throughcompletemanipulation.Theproject determined bytheneedsofcustomersinsteadbeing you cangeteverythingneed,wheretheproductrangeis we wanttodefendtheideaofaround-the-cornershopwhere In atimewhenthewholeworldhasbecomesupermarket, skill, professionalismandsoforth. notice this,thefilmsbecomeinteresting,despitelacksof yet becomeplatitudesofmassmediaglamour.Andifwe phenomena thathavenotyetbeenexposed, cameraís captureorweremissedout.Theyobservethose those aspectsofourlifethatremainedhithertobeyondthe We presentfilmswhoseauthors,inouropinion,observe vision andsinceritytoourimpressions. chosen, mustñinouropinionreturnobjectivityto naturalismî, ascriticssometimescallthedirectionwehave warrants againstsuperficialjudgments.Theìnew culture, theattentiveandrespectfulobservationofreallife subjected totheinfluenceofclichesandimagesmass that today,whenourperceptionisparticularlystrongly stem fromtheauthorsíimaginationandfantasy.Wereckon first ofallhaveacloselinkwithmodernrealityratherthan The filmsthatinterestusñfeatureordocumentaryshould senseless entertainmentorathoughtlesstoy. without it,artisdoomedandwillnotmoveon,turninginto useful. Buttheactivityofvanguardisnecessary; subject tocorrection;thedatamaybeerroneousorjustnot chance. Thedatatheycollectstillrequiresanalysisandis they orientthemselveshalf-blind,relyingontouchand mobile unitshavenoexactinformationonwheretomove; later commercialart,canfollow.Theselightlyequipped to explorenewroadsonwhichthetroopsofart-house,and garde, groupsofscoutswhorunaheadtheregulararmy changing, modernworld.Cultureneedsacertainavant- who touchuponnewmeaningsandtrytounderstandour worse ofallinexperimental,searchingart:forthoseartists We thinkthatinthesphereofRussiancinemamattersare reflects modernlife. Russian filmmakersandrepresentscinemawhichtruthfully The projectKINOTEATR.DOCunitestheyounggenerationof Programme Curator Mikhail Sinev ¿ — ƒ≈“‹Ã» ñ ÿ≈—“≈–Œ SIX WITH THE CHILDREN kinoteatr.doc ÍËÌÓÚ‡Ú.doc
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¿ÎÂÍ҇̉ ÇÎËÌËÌ 2005, –ÓÒÒˡ, 69 ÏËÌ., ˆ‚., 4:3, ÏÓÌÓ, 2005, Russia, 69 min., col., 4:3, mono, miniDV, doc. ŒÍÓ̘ËÎ Ù‡ÍÛθÚÂÚ ÍËÌÓ- Ë miniDV, ‰ÓÍ. ÚÂÎÂÂÊËÒÒÛ˚ »ÌÒÚËÚÛÚ‡ Director and Photography ÒÓ‚ÂÏÂÌÌÓ„Ó ËÒÍÛÒÒÚ‚‡ (2006, ¿‚ÚÓ-ÂÊËÒÒÂ, ÓÔ‡ÚÓ Alexander Malinin χÒÚÂÒ͇ˇ ÀÂÓÌˉ‡ œ˜ÂÎÍË̇ Ë –ÂÈ̇ ¿ÎÂÍ҇̉ ÇÎËÌËÌ Editing Karen Arutiunian ÀË·ÎË͇). ÃÓÌÚ‡Ê ü‡ÂÌ ¿ÛÚ˛ÌˇÌ Producer Mikhail Sinev ‘ËθÏÓ„‡Ùˡ (‰ÓÍ.): œÓ‰˛Ò ÃËı‡ËÎ —ËÌ‚ Production Alexander Malinin 2005 ....¿ Ò ‰ÂÚ¸ÏË ñ ¯ÂÒÚÂÓ (‰ÓÍ.) œÓËÁ‚Ó‰ÒÚ‚Ó ¿ÎÂÍ҇̉ ÇÎËÌËÌ Rights and Distribution 2006 ....¬˚‰Óı (‰ÓÍ.) œ‡‚‡ Ë ÔÓÍ‡Ú ü»ÕŒ“≈¿“–.DOC KINOTEATR.DOC 2007 ....¡ÂÒ (‰ÓÍ.) www.kinoteatrdoc.ru
Alexander Malinin œÓ β·Ó‚¸, ÍÓÚÓ‡ˇ ˆ‚ÂÚÂÚ, Ì ‚‰‡ˇ About love which blossoms, shamelessly, ÒÚ˚‰‡, ̇ β·˚ı ÍÛ˜‡ı ÒÓ‡, Ë ÍÓ„‰‡ on heaps of rubbish; when there is love, Graduated from the faculty of cinema Ó̇ ÂÒÚ¸, ÚÓ ‚Ò ÓÒڇθÌÓ Ì ËÏÂÂÚ everything else is unimportant. It may and television direction of the Institute ·Óθ¯Ó„Ó Á̇˜ÂÌˡ. ƒ‡, Ú‡Í ÊËÚ¸, Í‡Í not be desirable to live like these of Modern Art (2006, workshop of ˝ÚË Î˛‰Ë, Ì ıÓ˜ÂÚÒˇ, ÌÓ ÂÒÎË ·˚Ú¸ people, but if you are not prejudiced, it Leonid Pchelkin and Rein Liblik). ÌÂÔ‰‚ÁˇÚ˚Ï, ÚÓ ÔÓÌˇÚÌÓ, ˜ÚÓ ÓÌË becomes clear that they live self- ÊË‚ÛÚ Ò‡ÏÓ‰ÓÒÚ‡ÚÓ˜ÌÓ Ë ÛÔÓÂÌÌÓ, ˜ÚÓ sufficiently and are intoxicated with Filmography (doc.): ˝Ú‡ ÊËÁ̸, ÒÓ ‚ÒÂÏË Â „Ëχ҇ÏË, Ëı life. This life ñ with all its grimaces ñ 2005 ....Six with the Children (doc.) ‚ÔÓÎÌ ÛÒڇ˂‡ÂÚ, Ë ˜ÚÓ Ó̇ ̇ Ò‡ÏÓÏ suits them, and it actually is a full life 2006 ....Exhale (doc.) ‰ÂΠñ ÊËÁ̸ Ë ÂÒÚ¸. ¬Ì Á‡‚ËÒËÏÓÒÚË ñ independent of speculative judgments 2007 ....Demon (doc.) ÓÚ ÛÏÓÁËÚÂθÌ˚ı ÓˆÂÌÓÍ, ÍÓÚÓ˚ Ï˚ that we rush to make. ÂÈ ÚÓÓÔËÏÒˇ ‚˚ÒÚ‡‚ËÚ¸. ñ Prizes of the Festival of Real Cinema ñ œËÁ˚ ‘ÂÒÚË‚‡Îˇ ‰ÂÈÒÚ‚ËÚÂθÌÓ„Ó ìKinoteatr.DOCî and of the ÍËÌÓ ´üËÌÓÚ‡Ú.DOCª Ë üÓÌÍÛÒ‡ Competition of Debut Films ìSt. ‰Â·˛ÚÌ˚ı ÙËθÏÓ‚ ´—‚. ¿Ì̇ª, 2006. Annaî (2006). 130 ÍËÌÓÚ‡Ú.doc kinoteatr.doc www.kinoteatrdoc.ru ÚÂÔÎ˚È, ‰Û¯ËÒÚ˚È,‰˚¯‡˘ËÈ... ‡ÒÍËÌÛÎÒˇ Ú‡ÍÌÂÊÌÓˉӂ˜˂Óñ ÔÛ„‡˛˘Û˛ ΢ËÌÛ?¿ÏË‚ÓÍÛ„ÌÂ„Ó ÌÓχθÌ˚È ÏÛÊËÍ,̇‰Â‚¯ËÈ ÔËÍËÌÛ‚¯ËÈÒˇ Ó·˚‚‡ÚÂÎÂÏ,ËÎË ÚÂ΂ËÁÓ... “‡ÍÍÚÓÊÂÓÌñÏÓÌÒÚ, Ó·˚˜Ì‡ˇ ÊËÁ̸.ƒÂÚË,ÊÂ̇,ÍÛıÌˇ, Ú‡Í ËÌÂÔÓ͇Á˚‚‡˛ÚñÓ·˚˜Ì‡ˇÒÂϸˇ, ÓÒÚ‡‚ΡÂÚ. ’ÓÚˇÌ˘„ÓÛʇÒÌÓ„ÓÌ‡Ï ËÒıÓ‰ˇ˘ÂÈ ÓÚ˝ÚÓ„Ó˜ÂÎÓ‚Â͇,ÛÊÂÌ ÔÓËÁÓȉÂÚ, ÌÓÓ˘Û˘ÂÌËÂÛ„ÓÁ˚, ·Ô˚ ËÔ‡ÒÚ¸.Ã˚¢ÂÌÂÁ̇ÂÏ,˜ÚÓ ŒÌ ÚÓ˜ËÚÌÓÊ,ÔÓÚÓÏÒ‚ˇÁ˚‚‡ÂÚÔÒÛ œ‡‚‡ ËÔÓÍ‡Ú œÓ‰˛Ò ÃÓÌÚ‡Ê ¿ÎÂÍ҇̉ ÇÎËÌËÌ ¿‚ÚÓ Ë‰ÂË,ÂÊËÒÒÂ,ÓÔ‡ÚÓ –ÓÒÒˡ,55ÏËÌ.,ˆ‚.,miniDV,‰ÓÍ. 2007, DEMON ¡≈— ü‡ÂÌ ¿ÛÚ˛ÌˇÌ ÃËı‡ËÎ —ËÌ‚ ü»ÕŒ“≈¿“–.DOC breathing... gently andtrustfullyñwarm,fragrant, The worldaroundhimisstretchedso a normalguywhoputonscarymask? monster whopretendstobeacitizen,or kitchen, television...Sowhoisheña a usualfamily,life.Children,wife, from thisman.Nothingawfulisshownñ of thesensationthreatemanating what willhappen,butwecannotgetrid paws andsnout.Wedonotyetknow He sharpensaknife,thentiesthedogís KINOTEATR.DOC Rights and Producer Editing Photography Concept, Director,Directorof 2007, Russia,55min.,col.,miniDV,doc. Karen Arutiunian Mikhail Sinev Distribution Alexander Malinin 07....¡ÂÒ(‰ÓÍ.) 2007 ....¬˚‰Óı(‰ÓÍ.) 2006 ....¿Ò‰ÂÚ¸ÏËñ¯ÂÒÚÂÓ(‰ÓÍ.) 2005 ‘ËθÏÓ„‡Ùˡ (‰ÓÍ.): χÒÚÂÒ͇ˇ ÀÂÓÌˉ‡œ˜ÂÎÍË̇ ÒÓ‚ÂÏÂÌÌÓ„Ó ËÒÍÛÒÒÚ‚‡(2006, ÚÂÎÂÂÊËÒÒÛ˚ »ÌÒÚËÚÛÚ‡ ŒÍÓ̘ËÎ Ù‡ÍÛθÚÂÚÍËÌÓ-Ë ¿ÎÂÍ҇̉ ÇÎËÌËÌ 07....Demon(doc.) 2007 ....Exhale(doc.) 2006 ....Six withtheChildren(doc.) 2005 Filmography (doc.): Leonid PchelkinandReinLiblik). of ModernArt(2006,workshop and televisiondirectionoftheInstitute Graduated fromthefacultyofcinema Alexander Malinin –ÂÈ̇ ÀË·ÎË͇). √≈– GER kinoteatr.doc ÍËÌÓÚ‡Ú.doc
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¿ÎÂÍÒÂÈ üβÍËÌ 2006, –ÓÒÒˡ, 14 ÏËÌ., DVCam, ‰ÓÍ. 2006, Russia, 14 min., DVCam, doc. ŒÍÓ̘ËÎ ÍÛÒ˚ ÂÊËÒÒÂÓ‚ Director Alexei Kliukin ‰ÓÍÛÏÂÌڇθÌÓ„Ó ÍËÌÓ ´–‡θÌÓ ¿‚ÚÓ-ÂÊËÒÒ ¿ÎÂÍÒÂÈ üβÍËÌ Director of Photography Maxim Kataev ‚ÂÏˇ 2ª ÔË ¿ÕŒ ´Internewsª (2006, ŒÔ‡ÚÓ Ã‡ÍÒËÏ ü‡Ú‡Â‚ Producer Mikhail Sinev χÒÚÂÒ͇ˇ ÇËÌ˚ –‡Á·ÂÊÍËÌÓÈ Ë œÓ‰˛Ò ÃËı‡ËÎ —ËÌ‚ Production Alexei Kliukin ÕËÍÓ·ˇ »Á‚ÓÎÓ‚‡). œÓËÁ‚Ó‰ÒÚ‚Ó ¿ÎÂÍÒÂÈ üβÍËÌ œ‡‚‡ ü»ÕŒ“≈¿“–.DOC Rights KINOTEATR.DOC
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Alexei Kliukin –ÓÒÒˡ. 2006 „Ó‰. ƒ‚Ó ÏÓÎÓ‰˚ı β‰ÂÈ Russia. 2006. Two young people support ÔÓ‰‰ÂÊË‚‡˛Ú ˉÂË Ì‡ˆËÓ̇Î- national socialist ideas. They consider Graduated from the Courses for ÒӈˇÎËÁχ. ŒÌË Ò˜ËÚ‡˛Ú Ò·ˇ themselves skinheads and look for Directors of Documentary Cinema ìReal ÒÍËÌı‰‡ÏË, ‡ ˉÂÈÌÛ˛ ÔÓ‰ÔËÚÍÛ ideological sources in paganism. One of Time 2î at ìInternewsî (2006, workshop ˜ÂÔ‡˛Ú ‚ ˇÁ˚˜ÂÒÚ‚Â. Œ‰ËÌ ËÁ ÌËı them is more experienced, bearing the of Marina Razbezhkina and Nikolai ·ÓΠÓÔ˚ÚÌ˚È, Ëϲ˘ËÈ ˇÁ˚˜ÂÒÍÓ pagan name Ogneyar; he helps the Izvolov). ËÏˇ Œ„Ì¡, ÔÓÏÓ„‡ÂÚ ‚ÚÓÓÏÛ second to reach the deserted village ‰Ó·‡Ú¸Òˇ ‰Ó Á‡·Ó¯ÂÌÌÓÈ ‰Â‚ۯÍË, where Dobroslav, the ideological Filmography: „‰Â ÊË‚ÂÚ Ë‰ÂÈÌ˚È ‚‰ÓıÌÓ‚ËÚÂθ inspirer of Russian paganism, lives. The 2005 ....The Secret of Youth (doc.) ÓÒÒËÈÒÍËı ˇÁ˚˜ÌËÍÓ‚ ƒÓ·ÓÒ·‚. second skinhead must also adopt a 2006 ....Water of Life (doc.) ¬ÚÓÓÏÛ ÒÍËÌıÂ‰Û Ú‡ÍÊ Ô‰ÒÚÓËÚ pagan name. On the way they talk about 2006 ....Holy Week (doc.) ÔËÌˇÚ¸ ˇÁ˚˜ÂÒÍÓ ËÏˇ. ¬ ÔÛÚË ÓÌË what led them to nationalist and pagan 2006 ....Ger (doc.) ·ÂÒÂ‰Û˛Ú Ó ÚÓÏ, ˜ÚÓ ÔË‚ÂÎÓ Ëı Í ideas, and try to explain their point of ̇ˆËÓ̇ÎËÒÚ‡Ï Ë ˇÁ˚˜ÌË͇Ï, viewÖ Ô˚Ú‡˛ÚÒˇ Ó·˙ˇÒÌËÚ¸ Ò‚Ó˛ ÚÓ˜ÍÛ ÁÂÌˡ ‰Û„ËÏ Î˛‰ˇÏÖ 132 ÍËÌÓÚ‡Ú.doc kinoteatr.doc β‰¸ÏË. ̇ ͇ÍÓÂ-ÚÓ‚ÂÏˇÒ‡Ï˚ÏË·ÎËÁÍËÏË ÒÚ‡ÌÛÚ ‚˝ÚÓÏÍÓıÓÚÌÓÏÔÓÒÚ‡ÌÒÚ‚Â ÔÓ ÒÎÛ˜‡ÈÌÓÒÚË‚˚Ô‡‚¯Ëı·ËÎÂÚÓ‚ñ ÎË ÔÓ‚Ó΂˚ү„ÓÔӂ‰ÂÌˡ,ÚÓ ¯ÂÒÚ¸ ‰ÌÂÈÔ‡ÒÒ‡ÊË˚-ÔÓÔÛÚ˜ËÍËñÚÓ ¬ ÚÂÒÌÓÚÂÔ·ˆÍ‡ÚÌÓ„Ó‚‡„Ó̇Á‡ Á‡ÔÓΡÌÓ„Ó ”ÂÌ„ÓˇÍ◊ÂÌÓÏÛÏÓ˛. ÓÒÒËÈÒÍËı ÔÓÒÚÓÓ‚ÊËÚÂÎÂÈ ÔÓÂÁ‰ ˜ÂÂÁ4500ÍËÎÓÏÂÚÓ‚ Úˉˆ‡ÚË„‡‰ÛÒÌÛ˛ ʇۿ‰Î‡‚ÂÁÂÚ »Á ‚˜ÌÓÈÏÂÁÎÓÚ˚—‚‡‚ www.kinoteatrdoc.ru ´œ‡ÒÒ‡Ê˪ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò ≈ÎÂ̇ ƒÂÏˉӂ‡ ¿‚ÚÓ-ÂÊËÒÒÂ, ÓÔ‡ÚÓ 2007, –ÓÒÒˡ,42ÏËÌ.,‰ÓÍ. ARK üŒ¬◊≈√ ÃËı‡ËÎ —ËÌ‚ ´üËÌÓÚ‡Ú.DOCª, through thelotteryofseatallocation. whether atthewillofahigherforceor to eachotheroverthesixdayjourneyñ compartment thepassengerscomeclose narrowness ofthethird-class polar UrengoytotheBlackSea.In train carriestheinhabitantsof permafrost toAdlerís39degreesheata vastness ñfromtheNorthern Across 4500kilometresofRussiaís ´Passengerª Production Producer Elena Demidova Director, DirectorofPhotography 2007, Russia,42min.,doc. Mikhail Sinev KINOTEATR.DOC, 07....üÓ‚˜Â„ 2007 ....—Ú‡ÒÚ̇ˇÌ‰ÂΡ 2006 ....∆Ë‚‡ˇ‚Ó‰‡ 2006 ....—ÂÍÂÚÏÓÎÓ‰ÓÒÚË 2005 ‘ËθÏÓ„‡Ùˡ (‰ÓÍ.): ÕËÍÓ·ˇ »Á‚ÓÎÓ‚‡). χÒÚÂÒ͇ˇ ÇËÌ˚–‡Á·ÂÊÍËÌÓÈË ‚ÂÏˇ 2ªÔË¿ÕŒ´Internewsª(2006, ‰ÓÍÛÏÂÌڇθÌÓ„Ó ÍËÌÓ´–‡θÌÓ ŒÍÓ̘Ë· ÍÛÒ˚ÂÊËÒÒÂÓ‚ ≈ÎÂ̇ ƒÂÏˉӂ‡ 07....Ark 2007 ....HolyWeek 2006 ....TheLiveWater 2006 ....SecretOfYouth 2005 Filmography (doc.) Izvolov). of MarinaRazbezhkinaandNikolai Time 2îatìInternewsî(2006,workshop Directors ofDocumentaryCinemaìReal Graduated fromtheCoursesfor Elena Demidova Àfi¡¿ LYUBA kinoteatr.doc ÍËÌÓÚ‡Ú.doc
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≈ÎÂ̇ —ˉÂθÌËÍÓ‚‡ 2006, –ÓÒÒˡ, 13 ÏËÌ., miniDV, ‰ÓÍ. 2006, Russia, 13 minutes, miniDV, doc. ŒÍÓ̘Ë· Ç„ÌËÚÓ„ÓÒÍËÈ „ÓÌÓ- Scriptwriter, Director, Director of ÏÂÚ‡ÎÎۄ˘ÂÒÍËÈ ËÌÒÚËÚÛÚ (1993), ¿‚ÚÓ ÒˆÂÌ‡Ëˇ, ÂÊËÒÒÂ, ÓÔ‡ÚÓ Photography Elena Sidelnikova ÌÂÁ‡‚ËÒËÏÛ˛ ¯ÍÓÎÛ ÍËÌÓ Ë ≈ÎÂ̇ —ˉÂθÌËÍÓ‚‡ Producer Michael Sinev ÚÂ΂ˉÂÌˡ ´–‡θÌÓ ÍËÌÓ 2ª ÔË œÓ‰˛Ò ÃËı‡ËÎ —ËÌ‚ Production Elena Sidelnikova ¿ÕŒ ´Internewsª (2005, χÒÚÂÒ͇ˇ œÓËÁ‚Ó‰ÒÚ‚Ó ≈ÎÂ̇ —ˉÂθÌËÍÓ‚‡ Rights KINOTEATR.DOC ÇËÌ˚ –‡Á·ÂÊÍËÌÓÈ Ë ÕËÍÓ·ˇ œ‡‚‡ ü»ÕŒ“≈¿“–.DOC »Á‚ÓÎÓ‚‡). www.kinoteatrdoc.ru
Elena Sidelnikova À˛·‡ ñ ÌÂÏÓÎÓ‰‡ˇ, Á‡‰Â„‡Ì̇ˇ Lyuba is an elderly woman worn out by ÊËÁ̸˛ ÊÂÌ˘Ë̇ ñ ‡·ÓÚ‡ÂÚ life; she works as secretary in the Graduated from the Magnitogorsk ÒÂÍÂÚ‡ÂÏ ‚ ‰Â͇̇ÚÂ. ŒÌ‡, Í‡Í Ë deanís office. She, like many of her Mining and Metallurgical Institute ÏÌӄˠ ӂÂÒÌˈ˚, ÔË‚˚Í· ‚Ò contemporaries, has got used to (1993), Independent School of Cinema Ú‡˘ËÚ¸ ̇ Ò·Â: Ë ‰ÂÚÂÈ, Ë ‰ÓÏ. ÕÓ carrying all the burdens of life herself: and Television ìReal Time 2î at ÊËÁ̸ ÔÓıÓ‰ËÚ. ” ‰ÂÚÂÈ ÛÊ ҂ÓË children and household. But life goes ìInternewsî (2005, workshop of Marina ÒÂϸË, ÓÌË ÊË‚ÛÚ ÓÚ‰ÂθÌÓ, Ë À˛·‡ by. The children already have their own Razbezhkina and Nikolai Izvolov). Ó͇Á‡Î‡Ò¸ Òӂ¯ÂÌÌÓ Ó‰Ì‡. ƒÌÂÏ Ì‡ families, they live separately, and Lyuba ‡·ÓÚ ñ ÚÓÎÔ˚ ÒÚÛ‰ÂÌÚÓ‚, ‚Ò ÒÔ¯‡Ú, is now entirely on her own. During the ‚ÒÂÏ ˜Â„Ó-ÚÓ ÌÛÊÌÓ, Û ‚ÒÂı ÍËÔËÚ day she is at work ñ crowds of ÊËÁ̸. ” À˛·˚ Ê ÌË˜Â„Ó Ì students, everyone is in a rush, ÏÂÌˇÂÚÒˇ, Ë Ó̇ ÁÎËÚÒˇ ̇ ÏÓÎÓ‰Âʸ. everybody needs something, life is »ÁÓ ‰Ìˇ ‚ ‰Â̸, ËÁ „Ó‰‡ „Ó‰ Ó̇ bubbling. For Lyuba nothing changes, ÓÚ‡·‡Ú˚‚‡ÂÚ ÒÛÂÚÎË‚˚È ‡·Ó˜ËÈ ‰Â̸, and she gets angry with the young. Day Á‡ÚÂÏ Û·Ë‡ÂÚ ‰ÂÍ‡Ì‡Ú (Î˯ÌË ‰Â̸„Ë after day, year after year, she fulfils ÌËÍÓÏÛ Ì ÔÓϯ‡˛Ú) Ë ÒÔ¯ËÚ her busy working schedule, then cleans ‰ÓÏÓÈ. ƒÓχ Û Ì Íӯ͇, Á‡ÌˇÚˡ the deanís office (extra money always Û¯Û Ë ÚÂÎÂÙÓÌÌ˚ Á‚ÓÌÍË ‰ÂÚˇÏ ñ ‚ helps) and rushes home. At home she ÌËı  ÊËÁ̸. has a cat, her wushu exercises and phone calls to her children ñ and that is her entire life. 134 ÍËÌÓÚ‡Ú.doc kinoteatr.doc Ó‰ËÌÓ˜ÂÒÚ‚ÓÏ ËÔ‰‡ÚÂθÒÚ‚ÓÏ. Ô‚˚È ‡ÁÒÚÓÎÍÌÛÚËıÒ Ò‚ÓËÏ „ÂÓˇÏÓÒ‚ÓÈÒÚ‚‡ıÏˇ,‚ ‚ÒˇÍÓ ÓÛ‰-ÏÛ‚Ë,ÏÌÓ„Ó‡ÒÒ͇ÊÛÚ ƒ‡Ï‡Ú˘ÂÒÍË ÔËÍβ˜ÂÌˡ,͇ÍË Ú‡·Ó ËÌ‚ÂÒÂÎÓ‚ÓÁ‚‡˘ÂÌˉÓÏÓÈ. χÚÂË, ‰ÂÚÒÍËÈËÌÚÂ̇Ú,ˆ˚„‡ÌÒÍËÈ ÔÓ‰˙ÂÁ‰˚ ‚—ÚÓ„ËÌÂ,Í‚‡Úˇ Œ‰ËÒÒ¡ ‰‚Ûı·‡Ú¸Â‚9Ë11ÎÂÚ: www.kinoteatrdoc.ru ü»ÕŒ“≈¿“–.DOC œÓËÁ‚Ó‰ÒÚ‚Ó ËÔÓÍ‡Ú œÓ‰˛Ò Á‚ÛÍ, ÏÓÌÚ‡Ê ¿‚ÚÓ Ë‰ÂË,ÂÊËÒÒÂ,ÓÔ‡ÚÓ, 2006, –ÓÒÒˡ,36ÏËÌ.,ˆ‚.,miniDV,‰ÓÍ. BOYS ÿÀ‹◊»ü» ÃËı‡ËÎ —ËÌ‚ ¬‡ÎÂˡ-√‡È √ÂχÌË͇ into lonelinessandtreachery. for thefirsttimetheyarepushedoff protagonists alotabouttheworld,and in everyroadmovie,teachthe homecomings. Dramaticadventures,as school, agipsycampandgloomy the motherísapartment,aboarding and eleven:houseentrancesinStrogino, The odysseyoftwobrothersagednine KINOTEATR.DOC Production Producer Valeria-Gai Germanika Photography, Sound,Editing Concept, Director,Directorof 2006, Russia,36minutes,col.,miniDV,doc. Mikhail Sinev and Distribution 07....ƒÂ̸ÓʉÂÌˡ»ÌÙ‡ÌÚ˚ 2007 ....”Âı‡Î(Ò¡ÓËÒÓÏ 2007 ....Çθ˜ËÍË 2006 ....—ÂÒÚ˚ 2005 ....ƒÂ‚Ó˜ÍË 2005 ‘ËθÏÓ„‡Ùˡ (‰ÓÍ.): ´üËÌÓÚ‡‚ª (2006). ÍÓÌÍÛÒ‡ ´üÓÓÚÍËÈÏÂÚªŒ–ü‘ ÙËθÏÓÏ ´ƒÂ‚Ó˜Í˪ñ„·‚Ì˚ÈÔËÁ ÇËÌ˚ –‡Á·ÂÊÍËÌÓÈ).ƒÂ·˛ÚËÓ‚‡Î‡ “¬ ´Internewsª(2005,χÒÚÂÒ͇ˇ ŒÍÓ̘Ë· ÌÂÁ‡‚ËÒËÏÛ˛¯ÍÓÎÛÍËÌÓË –Ӊ˷Ҹ ‚ÃÓÒÍ‚Â1984„Ó‰Û. √ÂχÌË͇ ¬‡ÎÂˡ-√‡È 07....Infante'sBirthday 2007 ....He'sGone(withBoris 2007 ....Boys 2006 ....Sisters 2005 ....Girls 2005 Filmography (doc.) ìKinotavrî (2006). Short FilmCompetitionORFF Debut filmìGirlsî:MainPrizeofthe workshop ofMarinaRazbezhkina). and TelevisionìInternewsî(2005, from theIndependentSchoolofCinema Born inMoscow1984.Graduated Germanika Valeria-G‡i (Ë„Ó‚ÓÈ ÔÓÎÌÓÏÂÚ‡ÊÌ˚ȉ·˛Ú) ’ηÌËÍÓ‚˚Ï) (feature filmdebut) Khlebnikov) Õ»ü»“¿ » Õ»ü»“¿ NIKITA AND NIKITA kinoteatr.doc ÍËÌÓÚ‡Ú.doc
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Maria Tiuliaeva ¬ÓÒ¸ÏËÎÂÚÌËÈ Ï‡Î¸˜ËÍ ÕËÍËÚ‡ The eight-year-old Nikita suffers from ÒÚ‡‰‡ÂÚ ƒ÷œ. œÓÒÚ˚ ‚Â˘Ë ñ ıÓ‰ËÚ¸, cerebral palsy. Simple things, such as Graduated from the Moscow Linguistic „Ó‚ÓËÚ¸ ‰‡˛ÚÒˇ ÂÏÛ Ò ÚÛ‰ÓÏ. ◊ÚÓ·˚ walking and speaking, pose huge University MGLU (2000), School of ÔÂÓ‰ÓÎÂÚ¸ ·ÓÎÂÁ̸, ÓÌ Á‡ÌËχÂÚÒˇ problems. In order to overcome his Documentary Cinema ìReal Time 2î at Ô˚Ê͇ÏË ‚ ‚Ó‰Û. “ÂÌ ÓÚÌÓÒËÚÒˇ Í illness, he does jumps into the water. ìInternewsî (2006, workshop of Marina ÕËÍËÚÂ Ú‡Í ÊÂ, Í‡Í Ë Í ÓÒڇθÌ˚Ï, Ì The trainer relates to Nikita in the Razbezhkina). ‰Â·ˇ ÒÍˉÓÍ Ì‡ ËÌ‚‡ÎˉÌÓÒÚ¸. » Û same way as to all the others, without χθ˜Ë͇ ̇˜Ë̇ÂÚ ÔÓÎÛ˜‡Ú¸Òˇ: ÓÌ making any concessions to his physical Ô˚„‡ÂÚ Ò 3, 5 Ë 7 ÏÂÚÓ‚. ŒÒÚ‡ÂÚÒˇ inability. And the boy manages: he ÔÓÒΉÌËÈ Û·ÂÊ ñ 10-ÏÂÚÓ‚‡ˇ jumps from 3, 5 and 7 metres. There is ‚˚¯Í‡Ö ÕÓ ÔË„ÓÚÓ‚ÎÂÌÌ˚È ‰Îˇ ÌÂ„Ó one last target: the 10-metre tower Ö ÔÓ‰‡ÓÍ ñ ÊÂÎÂÁ̇ˇ ‰ÓÓ„‡ ñ ‰ÓÒÚ‡ÂÚÒˇ But the gift prepared for the winner, a ‰Û„ÓÏÛ Ï‡Î¸˜ËÍÛ, ÚÓÊ ÕËÍËÚÂ, railway, goes to another boy, who is ÍÓÚÓ˚È Òӂ¯‡ÂÚ Ò‚ÓÈ Ô‚˚È ‚ also called Nikita and who takes the ÊËÁÌË Ô˚ÊÓÍ. first jump in his life. 136 ÍËÌÓÚ‡Ú.doc kinoteatr.doc www.kinoteatrdoc.ru œ‡‚‡ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò À‡ËÒ‡ œˇÚÌˈ͇ˇ ƒÏËÚËÈ œËÏÂÌÓ‚,¿ÎÂÍÒÂÈ¿„‚, œÂÚ Ã‡ÏÓÌÓ‚,œÒÓÈüÓÓÎÂÌÍÓ, ¬ ÓΡı: “Ë„‡Ì √‡·ËÂÎˇÌ «‚ÛÍ üÓÏÔÓÁËÚÓ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 2005, –ÓÒÒˡ,107ÏËÌ.,DigitalVidio ñ —ÔˆˇθÌ˚È ‰ËÔÎÓÏÊ˛Ë-Ãü‘Ó ñ œËÁ Á‡ÎÛ˜¯ËÈÔÓÎÌÓÏÂÚ‡ÊÌ˚È ñ œËÁ Œ„ÍÓÏËÚÂÚ‡ñ‘ÂÒÚË‚‡Î¸ ñ ƒËÔÎÓÏ √Ëθ‰ËËÍËÌÓ‚Â‰Ó‚Ë ÊËÁ̸... ˜ÚÓ·˚ ‚ÂÌÛÚ¸ËÒ‚ÓÂÚÂÎÓ,Ò‚Ó˛ ÚÂÎÂ, ¿Î¯‡ÚÂÔ¸„ÓÚӂ̇‚ÒÂ, ÌÂÍÓÚÓÓ ‚ÂÏˇ‚ÍÂÔÍÓÏÁ‰ÓÓ‚ÓÏ ˚ıÎ˚È Ë·ÎËÁÓÛÍËÈ.œÓ·˚‚‡‚ ËÌÙ‡ÌÚËθÌ˚È ¿Î¯‡—„‚ñ Ó·ÒΉӂ‡ÌË ÔÓÔ‡‰‡ÂÚ24-ÎÂÚÌËÈ ‘—¡, ·Î‡„Ó‰‡ˇ˜ÂÏÛÍÌÂÏÛ̇ ”˜ÂÌ˚È Ì·ÂÁ„ÛÂÚÒÓÚÛ‰Ì˘‡Ú¸Ò ‚ÔÓÎÌ ËÒÒΉÛÂÏ˚ËËÁΘËÏ˚. ¬ÒÂÎÂÌÌÓÈ. ŒÌÁ̇ÂÚ,˜ÚÓÔ˚ÎËÌÍË Á̇˛˘ËÈ ·Óθ¯Â‰Û„ËıÓ·ÛÒÚÓÈÒÚ‚Â ÔÓ„ÛÊÂÌ˚ β‰Ë.ÕÓÂÒÚ¸Û˜ÂÌ˚È, œ˚θ -˝ÚÓÒÛÂÚ‡,‚ÍÓÚÓÛ˛ Ù‡ÌÚ‡ÒÚËÍË. ›ÍÁËÒÚÂ̈ˇθ̇ˇ ‰‡Ï‡Ò˝ÎÂÏÂÌÚ‡ÏË DUST œ¤À‹ 2005. Ô‡‚‡ı ˜ÂÎÓ‚Â͇´—Ú‡Îͪ,ÃÓÒÍ‚‡, ¿Ì‡Ô‡, 2005; ÍËÌÓÔÎÂÌÍ˪) ñŒ‘ü´üËÌÓ¯Óͪ, ÙËÎ¸Ï (ÍÓÌÍÛÒ´üËÌÓ·ÂÁ ´üËÌÓÚ‡Ú.DOCª, ÃÓÒÍ‚‡,2005; ‰ÂÈÒÚ‚ËÚÂθÌÓ„Ó ÍËÌÓ (ÔÓ„‡Ïχ ´œÂÒÔÂÍÚË‚‡ª,2005; ÍËÌÓÍËÚËÍÓ‚ ñÃü‘‚ÃÓÒÍ‚Â ƒÂÌËÒ √˄Ӹ‚, ü»ÕŒ“≈¿“–.DOC ¿ÎÂÍÒÂÈ œÓ‰ÓθÒÍËÈ, ƒÏËÚËÈ ÃÓ‰Âθ —„ÂÈ ÀÓ·‡Ì ¿ÎÂÍÒÂÈ À‚ËÌ œ‡‚ÂÎ ÿ‚˜ÂÌÍÓ ´—‚ÓË 2000ª ÇË̇ œÓÚ‡ÔÓ‚‡ Rights KINOTEATR.DOC Production Producer Alexei Ageev,LarissaPiatnitskaya Psoi Korolenko,DmitriPimenov, Cast: Tigran Gabrielian Sound Composer Director ofPhotography Director Scriptwriter 2005, Russia,107min.,DigitalVidio ñ Special JuryDiplomañIFFof ñ FFìKinoShockî,Anapa,2005; ñ Prize forthebestfeaturefilm ñ Prize oftheOrganizingCommitteeñ ñ retrieve boththebodyandthatlife... Alesha ispreparedtodoanything life islikeinastrongandhealthybody, Having experiencedforsometimewhat friable, flabby,andshortsighted. who visitshimfortests.Aleshais 24-year-old infantileAleshaSergeev, Bureau, thankstowhomhefindsthe cooperation withtheFederalSecurity scientist doesnotrefrainfrom dust canberesearchedandcured.The the universe.Heknowsthatspecksof more thanothersabouttheworkingsof day. Butthereisascientistwhoknows Dust ñthatispeoplerushingevery fantasy. Existential dramawithelementsof 2005. Human Rights´Stalkerª,Moscow, (competition ìCinemawithoutFilmî) ìKinoteatr.DOCî, Moscow,2005; Festival ofRealCinema (programme ´Perspectivesª,2005); and CriticsñIFFinMoscow Diploma oftheGuildFilmScholars Alexei Podolsky,PetrMamonov, Denis Grigoriev, Sergei Loban Alexei Levin Pavel Shevchenko SVOI 2000 Marina Potapova Dmitri Model 05....œ˚θ 2005 ....Widmen(Í/Ï) 2003 ....—ÓÒË·‡Ì‡Ì(Í/Ï) 2002 ....—ÎÛ˜‡ÈÒÔ‡ˆ‡ÌÓÏ 2001 ....ÃÓ„ÎÓ·˚Ú¸„Ó‡Á‰ÓıÛÊ 2000 ‘ËθÏÓ„‡Ùˡ: (1995). ˝ÎÂÍÚÓÌËÍË ËχÚÂχÚËÍËñû›Ã ŒÍÓ̘ËÎ ÃÓÒÍÓ‚ÒÍËÈËÌÒÚËÚÛÚ —„ÂÈ ÀÓ·‡Ì 05....Dust 2005 ....Wid Men(short) 2003 ....Suck theBanana(short) 2002 ....The CasewiththeBoy 2001 ....ItCouldbeWorse(short) 2000 Filmography (1995). of ElectronicsandMathematicsMIEM Graduated fromtheMoscowInstitute Sergei Loban (Í/Ï) : “–»”Ñ ¡ŒÀ» TRIUMPH OF PAIN kinoteatr.doc ÍËÌÓÚ‡Ú.doc
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Daria Basalaeva œÓÔ˚Ú͇ ‡Ò¯ËËÚ¸ ÒÓÁ̇ÌË ‚ The attempt to expand consciousness in ‰Ó·Ó‚ÓθÌÓÏ ËÒÔ˚Ú‡ÌËË ÙËÁ˘ÂÒÍÓÈ a voluntary test with physical pain. Graduated from the Independent School ·Óθ˛. ñ Jury Prize ìFor Closeness to the of Cinema and Television ìInternewsî ñ œËÁ Ê˛Ë ´«‡ ·ÎËÁÓÒÚ¸ Í Ò‚ÓËÏ Heroesî (photography of Valeria Gui (2005). „ÂÓˇÏª (ÓÔ‡ÚÓ ¬‡ÎÂˡ √‡È Germanika) ñ Festival of Real Cinema Filmography: √ÂχÌË͇) ñ ‘ÂÒÚË‚‡Î¸ ìKinoteatr.docî, Moscow, 2006 2005 ....Triumph of Pain (doc.) ‰ÂÈÒÚ‚ËÚÂθÌÓ„Ó ÍËÌÓ ñ Special Jury Diploma ñ IFF of 2005 ....Special Reason (doc.) ´üËÌÓÚ‡Ú.Docª, ÃÓÒÍ‚‡, 2006; student films ìBeginningî, St. ñ —ÔˆˇθÌ˚È ‰ËÔÎÓÏ Ê˛Ë ñ Ãü‘ Petersburg, 2005. ÒÚÛ‰Â̘ÂÒÍËı ÙËθÏÓ‚ ´Õ‡˜‡ÎÓª, —‡ÌÍÚ-œÂÚ·ۄ, 2005. 138
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›Í‡ÌËÁ‡ˆËˇ Ó‰ÌÓËÏÂÌÌÓÈ ÔÓ‚ÂÒÚË 2004, –ÓÒÒˡ, 106 ÏËÌ., ˆ‚., 1:1.66, 2004, Russia, 106 min., col., 1:1.66, fiˡ “ËÙÓÌÓ‚‡. Dolby SRD Dolby SRD Õ‡˜‡ÎÓ 50-ı „Ó‰Ó‚. ÃÓÎÓ‰‡ˇ ÔÓ‚Ë̈ˇθ̇ˇ ‡ÍÚËÒ‡ ÒÚ‡ÌÓ‚ËÚÒˇ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ ›Î¸„‡ À˚̉Ë̇, Scriptwriters Elga Lyndina, ÔËÏÓÈ Ó‰ÌÓ„Ó ËÁ ÒÚÓ΢Ì˚ı Ú‡ÚÓ‚. ≈ β·ˇÚ ‰‚Ó ÏÛʘËÌ ñ —„ÂÈ ”ÒÛÎˇÍ Sergei Ursuliak ÔÂÛÒÔ‚‡˛˘ËÈ ‰‡Ï‡ÚÛ„ —ÏÓΡÌÓ‚ Ë –ÂÊËÒÒ —„ÂÈ ”ÒÛÎˇÍ Director Sergei Ursuliak ÒÓ·ÒÚ‚ÂÌÌ˚È ÏÛÊ ñ ÌÂÛ‰‡˜ÎË‚˚È ŒÔ‡ÚÓ ÃËı‡ËÎ —ÛÒÎÓ‚ Director of Photography ÙËÎÓÎÓ„ √˯‡ –·ӂ, ÍÓÚÓÓ„Ó Ó̇ ’Û‰ÓÊÌËÍ √Ë„ÓËÈ ÿËÓÍÓ‚ Mikhail Suslov ÚÓÊ ÌÂÊÌÓ Î˛·ËÚ. ÀˇÎˇ Ó˜Â̸ ̇‰ÂÂÚÒˇ ̇ ÚÓ, ˜ÚÓ —ÏÓΡÌÓ‚ ÔÓÏÓÊÂÚ üÓÒÚ˛Ï˚ ≈ÎÂ̇ —Ú‡ÌÍ‚‡, Production Design Grigori Shirokov √˯ ÔÓ·ËÚ¸Òˇ ‚ Ô˜‡Ú¸, Ë ‡‰Ë Â„Ó ¿ÎÂÍÒÂÈ ü‡Ï˚¯Ó‚ Costume Design Elena Stankeyeva, Ú‚Ó˜ÂÒÍËı ÛÒÔÂıÓ‚ „ÓÚÓ‚‡ ̇ β·˚ «‚ÛÍ fiÎˡ ≈„ÓÓ‚‡ Alexei Kamyshov ÊÂÚ‚˚... ¬ ÓΡı: ¿Ì‰ÂÈ ŸÂÌÌËÍÓ‚, Sound Yulia Egorova œÓÎË̇ ¿„Û‚‡, ¡ÓËÒ ü‡ÏÓÁËÌ, Cast: Andrei Shchennikov, “‡Ú¸ˇÌ‡ À·‰¸ÍÓ‚‡, üÓÌÒÚ‡ÌÚËÌ Polina Agureeva, Boris Kamorzin, ∆ÂΉËÌ, √ÂÌËÂÚÚ‡ ≈„ÓÓ‚‡, Tatiana Lebedkova, Konstantin Zheldin, ÕËÍÓÎ‡È ÿÂÈÍÓ, fiÎËÈ Ã‡Î‡ÍˇÌˆ, Genrietta Egorova, Nikolai Sheiko, ≈‚„ÂÌËÈ üË̉ËÌÓ‚, Yuli Malakiants, Evgeni Kindinov, ¬‡ÎÂÌÚË̇ ÿ‡˚ÍË̇ Valentina Sharykina œÓ‰˛Ò ≈‚„ÂÌËÈ ”β¯ÍËÌ Producer Evgeni Uliushkin —ÓÔÓ‰˛Ò —„ÂÈ ”ÒÛÎˇÍ Co-Producer Sergei Ursuliak Screen Adaptation of Yuri Trifonovís œÓËÁ‚Ó‰ÒÚ‚Ó ´‘ËÎÏ-œÓª, ÔË Production ìFilm-Proî, story of the same title. Û˜‡ÒÚËË ÃËÌËÒÚÂÒÚ‚‡ ÍÛθÚÛ˚ –‘ with participation of the Russian The beginning of the 1950s. Lialia, a young actress from the provinces, Ministry of Culture becomes the leading star of one of the capitalís theatres. Two men are in love with her: the successful playwright Smolianov and her husband, the unsuccessful philologist Grisha Rebrov, whom she loves tenderly. Lialia hopes that Smolianov may help Grisha with ñ œËÁ Á‡ ÎÛ˜¯Û˛ ÊÂÌÒÍÛ˛ Óθ ñ Prize for Best Actress (Polina the publication of his works, and for (œÓÎË̇ ¿„Û‚‡) ñ –ü‘ Agureeva), Russian Film Festival the sake of his creative success she is ´üËÌÓÚ‡‚ª, —Ó˜Ë, 2004; ìKinotavrî, Sochi, 2004 ready for any sacrifice. ñ œÂÏËË üËÌÓÍËÚËÍË Ë ñ ìGolden Ariesî Award of Film Critics ÍËÌÓÔÂÒÒ˚ ´«ÓÎÓÚÓÈ Œ‚Â̪ (2004) and the Film Press, 2004, in the ‚ ÌÓÏË̇ˆËˇı ´ÎÛ˜¯‡ˇ ÊÂÌÒ͇ˇ categories ëBest Actressí (Polina Óθª (œÓÎË̇ ¿„Û‚‡), ´ÎÛ˜¯‡ˇ Agureeva), ëBest Supporting Actorí ÏÛÊÒ͇ˇ Óθ ‚ÚÓÓ„Ó Ô·̇ª (Boris Kamorzin); Miron Chernenko (¡ÓËÒ ü‡ÏÓÁËÌ), œÂÏˡ ËÏÂÌË Prize (Sergei Ursuliak); ÃËÓ̇ ◊ÂÌÂÌÍÓ (—„ÂÈ ñ Prize of the Russian Guild of Film ”ÒÛΡÍ); Critics, IFF of Human Rights ñ œËÁ √Ëθ‰ËË ÍËÌÓÂÊËÒÒÂÓ‚ –‘ ñ ìStalkerî, Moscow, 2004; Ãü‘ Ó Ô‡‚‡ı ˜ÂÎÓ‚Â͇ ´—Ú‡Îͪ, ñ Prize for Best Actress (Polina ÃÓÒÍ‚‡, 2004; Agureeva), Andrei Moskvin Prize for ñ œËÁ Á‡ ÎÛ˜¯Û˛ ÊÂÌÒÍÛ˛ Óθ Best Photography at the Russian (œÓÎË̇ ¿„Û‚‡), ÔËÁ ËÏÂÌË Festival ìLiterature and Cinemaî, ¿Ì‰Âˇ ÃÓÒÍ‚Ë̇ Á‡ ÎÛ˜¯Û˛ Gatchina, 2005. ÓÔ‡ÚÓÒÍÛ˛ ‡·ÓÚÛ ñ ü‘ ´ÀËÚ‡ÚÛ‡ Ë ÍËÌÓª, √‡Ú˜Ë̇, 2005. 144 ‚ÂÎËÍÓÎÂÔ̇ˇ ÒÂÏÂ͇ the magnificent seven ´ƒÂ·Ó¯Ë-‘ËθϪ œÓËÁ‚Ó‰ÒÚ‚Ó –Ó‰ËÓÌ »ÒχÈÎÓ‚,¿ÎÂÍ҇̉¡‡¯ËÓ‚ œÓ‰˛ÒÂ˚ “ÂÍÒÚ ˜ËÚ‡ÂÚ ¿ÎÂÍ҇̉ –ÓÁ‡ÌÓ‚,“˛ËÌ ŒÎ„ ¬ÂÂÒÓ‚,»Ë̇ÿ‡Ó‚‡ÚÓ‚‡, ¿ÎÂÍ҇̉ ¬ÓÓÌÓ‚,—„ÂÈü‡„‡‰Â‚, üÓÌÒÚ‡ÌÚËÌ ‘‰ÓÓ‚, ≈‚„ÂÌËÈ ‘‰ÓÓ‚, »Ì̇ ¬ÓÎÍÓ‚‡,Õ‡Ú‡ÎˡœË‚Ó‚‡Ó‚‡, –ËÚ‡ Ç„Ó,≈ÎÂ̇fi‰‡ÌÓ‚‡, ¬ ÓΡı: ›‰„‡ ‘Ë„ÌÂ,—„ÂÈ‘Ë„Ì «‚ÛÍ ¿‚ÚÓ ÔÂÒÂÌ,‚Ó͇ΠüÓÏÔÓÁËÚÓ À˛‰ÏË· –ÓχÌÓ‚Ò͇ˇ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ¬Î‡‰ËÏË ¡˚ΡÍÓ‚ ŒÔ‡ÚÓ˚ ¿ÎÂÍ҇̉ ¡‡¯ËÓ‚ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ –ÓÒÒˡ, 1998,68ÏËÌ.,ˆ‚. THE IRONHEELOFOLIGARCHY ∆≈À≈«Õ¿fl œfl“¿ŒÀ»√¿–’»» ñ Ãü‘‚¿ÎÂÍ҇̉ËË, 1999ˉ. ñ œËÁÁ‡ÎÛ˜¯ËÈ Â‚ÓÔÂÈÒÍËÈÙËÎ¸Ï ñ ¡Óθ¯ÓÈ ÔËÁÊ˛Ë,Á‡ÎÛ˜¯Û˛ ñ œËÁ ´“Ë„ªñÃü‘‚ ñ œËÁ Ê˛ËÁ‡ÎÛ˜¯Û˛ ñ œËÁ ´—·ˇÌ˚È„‚ÓÁ‰¸ª(ÍÓÌÍÛÒ ñ œÂÏˡ Ê˛Ë‘»œ–≈——»ñ ñ ´ÀËÚ‡ÚÛ‡ ËÍËÌÓª,√‡Ú˜Ë̇,1999; ÍËÌÓÍËÚËÍÓ‚ –ÓÒÒËËñü‘ ÔËÁ √Ëθ‰ËËÍËÌÓ‚Â‰Ó‚Ë ÏÛÊÒÍÛ˛ Óθ(¿ÎÂÍ҇̉¡‡¯ËÓ‚), –ÓÚÚ‰‡ÏÂ, 1999; ‚ ≈‚ÓÔÛª,¬˚·Ó„,1998; ÔËÁ Ê˛ËÍËÚËÍÓ‚ñ‘–ü´ŒÍÌÓ ÓÔ‡ÚÓÒÍÛ˛ ‡·ÓÚÛ,ÒÔˆˇθÌ˚È ´—·ˇÌ˚È „‚ÓÁ‰¸ª,flÎÚ‡,1998; ‰Â·˛ÚÓ‚) ñüËÌÓÙÓÛÏ Œ–ü‘ ´üËÌÓÚ‡‚ª,—Ó˜Ë,1998; Ãü‘ ‚¬Â̈ËË,1998; œËÁ ÊÛ̇·´‘ËθÏÍËÚËͪñ ›ÎÂÓÌÓ‡ ü‡Á‡ÌÒ͇ˇ, ¿ÎÂÍ҇̉ ¡‡¯ËÓ‚, ≈͇ÚÂË̇ ÿ‡Ô͇Ȉ, ¬Î‡‰ËÏË —‚ÂÚÓÁ‡Ó‚ —„ÂÈ À‡Ì‰Ó, —„ÂÈ ¬Î‡‰ËÏËÓ‚, ≈‚„ÂÌËÈ ‘‰ÓÓ‚ –ËÚ‡ Ç„Ó Ë Ô‡‚‡ »Ì̇ ¬ÓÎÍÓ‚‡ Deboshir-Film Production Rodion Ismailov,AlexanderBashirov Producers Text readby Alexander Rozanov,Tyurin Oleg Veresov,IrinaSharovatova, Voronov, SergeiKagadeev, Konstantin Fedorov,Alexander Natalia Pivovarova,EvgeniFedorov, Elena Yudanova,InnaVolkova, Cast: Edgar Figner,SergeiFigner Sound Songs andVocals Music Liudmila Romanovskaya Costume Design Production Design Sergei Lando,VladimirBryliakov Director ofPhotography Alexander Bashirov Director andScriptwriter Russia, 1998,68min.,col. ñ Best EuropeanFilm ñ IFF ñ Grand JuryPrize,AwardforBest ñ ëTigerí Award,ñIFFRotterdam, ñ Jury Prizeforthebestcamerawork, ñ FilmForumëSilverNailí,—Ó˜Ë,1998; ñ Prize ëSilverNailí(debut ñ Prize ofFIPRESCIJuryñORFF ñ Alexandria, 1999. and Cinemaí,Gatchina,1999; Russian FilmFestivalëLiterature the GuildofRussianFilmCriticsñ Actor (AlexanderBashirov),Prize of 1999; Europeí, Vyborg,1998; Russian FilmFestivalëWindowon Special PrizeofCriticsíJuryñ competition) ëKinotavrí, Sochi,1998; IFF Venice,1998; Prize ofthemagazineëFilmCriticíñ Alexander Bashirov,RitaMargo, Evgeni Fedorov Eleonora Kazanskaya, Sergei Vladimirov, Company andSales Rita Margo Ekaterina Shapkaits, Inna Volkova Vladimir Svetozarov Alexander Bashirovhimself. rallies andwhoisvividlyportrayedby character whofrequentsgatheringsand ëTequilajazzzí, featuringaveryfamiliar music ofthegroupsëKolibriíand St.Petersburg inthelate1990sto Marx setintheinteriorsofasunny citations) andìTheCapitalîbyKarl ìIron HeelîbyJackLondon(with Social extravaganzabasedonthenovel Ë„‡ÂÚ Ò‡Ï¡‡¯ËÓ‚. ‰ÂÏÓÌÒÚ‡ˆËÈ, ÍÓÚÓÓ„Ó‚‰ÓıÌÓ‚ÂÌÌÓ ÔÂÒÓ̇ÊÂÏ ñÛ˜‡ÒÚÌËÍÓÏÒıÓ‰ÓÍË TEQUILAJAZZZ Ò‚ÂҸχÛÁ̇‚‡ÂÏ˚Ï 90-ı ÔÓ‰ÏÛÁ˚ÍÛ„ÛÔÔ´üÓÎË·ËªË ÒÓÎ̘ÌÓ„Ó —‡ÌÍÚ-œÂÚ·ۄ‡ÍÓ̈‡ ü‡Î‡ ÇÍÒ‡‚ËÌÚ¸‡ı ËÒÔÓθÁÓ‚‡ÌËÂÏ ˆËÚ‡Ú)Ë´ü‡ÔËڇ·ª ´∆ÂÎÂÁ̇ˇ ÔˇÚ‡ªƒÊÂ͇ÀÓ̉Ó̇(Ò —ӈˇθ̇ˇ ÙÂÂËˇÌ‡ÚÂÏ˚Óχ̇ ü–”∆≈Õ»≈ ¬ œ–≈ƒ≈À¿’ üŒÀ‹÷≈¬Œ… SPINNING INSIDE THE RING ROAD the magnificent seven ‚ÂÎËÍÓÎÂÔ̇ˇ ÒÂÏÂ͇
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—ӈˇθÌÓ-ÔÒËıÓÎӄ˘ÂÒ͇ˇ ‰‡Ï‡. 2006, –ÓÒÒˡ, 112 ÏËÌ., ˆ‚., Dolby SRD 2006, Russia, 112 min., col., Dolby SRD ÕÂÒÍÓθÍÓ ËÒÚÓËÈ ËÁ ÊËÁÌË ‡ÁÌ˚ı β‰ÂÈ, Ó·˙‰ËÌÂÌÌ˚ı ‚ÂÏÂÌÂÏ Ë ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ Scriptwriters Ramil Salakhutdinov, ÏÂÒÚÓÏ ÔÓÊË‚‡Ìˡ: ÓÒÒËÈÒÍËÈ –‡ÏËθ —‡Î‡ıÛÚ‰ËÌÓ‚, Mikhail Trofimenko Ï„‡ÔÓÎËÒ, 2005 „Ó‰. ÃËı‡ËÎ “ÓÙËÏÂÌÍÓ Director Ramil Salakhutdinov –ÂÊËÒÒ –‡ÏËθ —‡Î‡ıÛÚ‰ËÌÓ‚ Artistic Directors Alexei German, ’Û‰.ÛÍ. ¿ÎÂÍÒÂÈ √ÂχÌ, Svetlana Karmalita —‚ÂÚ·̇ ü‡Ï‡ÎËÚ‡ Director of Photography ŒÔ‡ÚÓ ¿ÎÂÍ҇̉ üÛÁ̈ӂ Alexander Kuznetsov ’Û‰ÓÊÌËÍ fiËÈ —ÓÚÌËÍÓ‚ Production Design Yuri Sotnikov üÓÒÚ˛Ï˚ ŒÎ¸„‡ ÕÂÒÚÂÂÌÍÓ Costume Design Olga Nesterenko «‚ÛÍ ¬Î‡‰ËÏË œÂÒÓ‚ Sound Vladimir Persov ¬ ÓΡı: ƒÏËÚËÈ ¬ÓÓ·¸Â‚, Cast: Dmitri Vorobiev, —‚ÂÚ·̇ œËÒ¸Ï˘ÂÌÍÓ, ŒÎ„ üÓ‚‡ÎÓ‚, Svetlana Pismichenko, Oleg Kovalov, ≈ÎÂ̇ œÓÔÓ‚‡, ƒÏËÚËÈ ¬ÓÓ̈, Elena Popova, Dmitri Voronets, üÓÌÒÚ‡ÌÚËÌ ¡Û‰ÛÍÓ‚, Konstantin Burdukov, ¡ÓËÒ ¬ÓȈÂıÓ‚ÒÍËÈ, Boris Voitsekhovsky, üÓÌÒÚ‡ÌÚËÌ «Û·ËˆÍËÈ, Konstantin Zubritsky, Sergei Koshonin, —„ÂÈ üÓ¯ÓÌËÌ, ¿ÎÂÍÒÂÈ ¡‡‡·‡¯, Alexei Barabash, Olga Shuvalova, ŒÎ¸„‡ ÿÛ‚‡ÎÓ‚‡, »„Ó¸ √˄Ӹ‚, Igor Grigoriev, Gennadi Golubev, Some stories from the life of different √ÂÌ̇‰ËÈ √ÓÎ۷‚, »„Ó¸ –ÓχÌÓ‚ Igor Romanov people, united by the time and place œÓ‰˛Ò ¬ËÍÚÓ »Á‚ÂÍÓ‚ Producer Viktor Izvekov where they live: a megapolis, Russia, œÓËÁ‚Ó‰ÒÚ‚Ó ´—‚ª, ÔË Û˜‡ÒÚËË Production ´Severª, with participation 2005. ‘‰‡θÌÓ„Ó ‡„ÂÌÚÒÚ‚‡ ÔÓ ÍÛθÚÛÂ Ë from the Federal Agency of Culture and ÍËÌÂχÚÓ„‡ÙËË Cinematography
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ƒ‡Ï‡. 2000, –ÓÒÒˡ, 115 ÏËÌ., ˆ‚., 1:1.66, 2000, Russia, 115 min., col., 1:1.66, ¬ÌÛÍ Á̇ÏÂÌËÚÓ„Ó „Â̇·-ÎÂÚ˜Ë͇ Dolby SRD Dolby SRD √ÓÏÓ‚‡, »‚‡Ì √ÓÏÓ‚, 1974 „Ó‰‡ ÓʉÂÌˡ, ÔÓÔ‡‰‡ÂÚ Ì‡ ÔÂ‚Û˛ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ ƒÏËÚËÈ —ÓÎÓ‚¸Â‚, Scriptwriters Dmitri Soloviev, ˜Â˜ÂÌÒÍÛ˛ ‚ÓÈÌÛ. ¬Ó ‚ÂÏˇ ‰ÂÒ‡ÌÚ‡ ̇ —„ÂÈ —ÓÎÓ‚¸Â‚ Sergei Soloviev »‚‡Ì‡ Ô‡‰‡ÂÚ Ò Ô‡‡¯˛Ú‡ Ô‡ÚÓÌÌ˚È –ÂÊËÒÒ —„ÂÈ —ÓÎÓ‚¸Â‚ Director Sergei Soloviev ˇ˘ËÍ, ÔÓÒΠ˜Â„Ó, ‚ ˆÂΡı ‚˚ˇÒÌÂÌˡ ŒÔ‡ÚÓ œ‡‚ÂÎ À·¯‚ Director of Photography ÔÓÒÎÂÚ‡‚χÚ˘ÂÒÍÓÈ ‡‰ÂÍ‚‡ÚÌÓÒÚË, ’Û‰ÓÊÌËÍ —„ÂÈ »‚‡ÌÓ‚ Pavel Lebeshev »‚‡Ì ‰ÓÎÊÂÌ ÔÓ‰Ó·ÌÂȯËÏ Ó·‡ÁÓÏ üÓÒÚ˛Ï˚ Շڇθˇ »‚‡ÌÓ‚‡ Production Design Sergei Ivanov ËÁÎÓÊËÚ¸ ÔÒËıӇ̇ÎËÚËÍÛ ‚Ò˛ Ò‚Ó˛ üÓÏÔÓÁËÚÓ ›ÌË ÀÓ·¯‚ËÎË Costume Design Natalia Ivanova Ô‰˚‰Û˘Û˛ ÊËÁÌ¸Ö «‚ÛÍ ¬ˇ˜ÂÒ·‚ üβ˜ÌËÍÓ‚ Composer Enri Lolashvili “Âı˜‡ÒÚ̇ˇ ´ËÒÚÓˡ ÔÓ ‚ÂÎËÍÛ˛ ¬ ÓΡı: ƒÏËÚËÈ —ÓÎÓ‚¸Â‚, Sound Viacheslav Kliuchnikov ÊË‚Û˜ÂÒÚ¸ª (´»‰ËÓÚª, ´ŒÚˆ˚ Ë ‰ÂÚ˪, ≈ÎÂ̇ ü‡Ï‡Â‚‡, ŒÎ¸„‡ —ˉÓÓ‚‡, Cast: Dmitri Soloviev, Elena Kamayeva, ´¬ÓÈ̇ Ë Ï˪), ‚ ÍÓÚÓÓÈ ·Óθ¯Â »‚‡Ì ¡ÂÁËÌ, ¿Ì‰ÂÈ —‡‚ÓÒÚ¸ˇÌÓ‚, Olga Sidorova, Ivan Berzin, ÔÓ˝ÁËË, ˜ÂÏ ‰ÓÍÛÏÂÌÚ‡. »Ë̇ √˄Ӹ‚‡, ¿ÎÂÍÒÂÈ ƒ‡„‡Â‚, Andrei Savostianov, Irina Grigorieva, À˛‰ÏË· —‡‚Â肇, üËËÎÎ À‡‚Ó‚, Alexei Dagayev, Liudmila Savelieva, —„ÂÈ √‡Ï‡¯, »‚‡Ì ¿ÎËÏÓ‚, Kirill Lavrov, Sergei Garmash, ¬‡ÎÂÌÚËÌ √‡ÙÚ, ¿ÌÚÓÌ ’‡ÔÓ‚, Ivan Alimov, Valentin Gaft, “Óχ¯ ¡ˇÎÍÓ‚ÒÍËÈ, Anton Khrapov, Tomasz Bialkowski, The grandson of the well-known ÕËÍÓÎ‡È ◊Ë̉ˇÈÍËÌ, ¿Ì‰ÂÈ œ‡ÌËÌ, Nikolai Chindyaikin, Andrei Panin, Aviation General Gromov, Ivan Gromov, ¡ÓËÒ √·ÂÌ˘ËÍÓ‚ Boris Grebenshchikov born 1974, is drafted into the first œÓ‰˛ÒÂ˚ ÕËÍËÚ‡ ÃËı‡ÎÍÓ‚, Producers Nikita Mikhalkov, Chechen war. During a landing exercise ÀÂÓÌˉ ¬Â¢‡„ËÌ Leonid Vereshchagin a box of ammunition drops from a œÓËÁ‚Ó‰ÒÚ‚Ó ´“Ë“˝ª, ÔË Û˜‡ÒÚËË Production TriTe, with participation parachute right next to Ivan, who, as a √ÓÒÍËÌÓ –‘, ´—¿—ª from Goskino, SAS consequence, has to undergo psychotherapy to ward off any possible post-traumatic effect. In this process he has to provide the therapist with a ñ œËÁ üËÌӇ͇‰ÂÏËË ´ÕË͇ª (2000) ñ Prize of the Film Academy NIKA detailed account of his life. A history of ‚ ÌÓÏË̇ˆËË ´ÎÛ˜¯‡ˇ Óθ ‚ÚÓÓ„Ó (2000) in the category Best ëgreat survivabilityí in three parts Ô·̇ª (—„ÂÈ √‡Ï‡¯); Supporting Actor (Sergei Garmash); (ëIdiotí, ëFathers and Sonsí, ëWar and ñ œËÁ ´«ÓÎÓÚ‡ˇ ÓÁ‡ª, ÔËÁ ËÏÂÌË ñ Prize ëGolden Roseí, Mikael Tariverdiev Peaceí), which has poetic rather than ÃË͇˝Î‡ “‡Ë‚‰Ë‚‡ Á‡ ÎÛ˜¯Û˛ Award for Best Film Music, Prize of documentary character. ÏÛÁ˚ÍÛ Í ÙËθÏÛ, ÔËÁ √Ëθ‰ËË the Russian Guild of Film Critics and ÍËÌӂ‰ӂ Ë ÍËÌÓÍËÚËÍÓ‚ ñ Œ–ü‘ Film Press, Open Russian Film Festival ´üËÌÓÚ‡‚ª, —Ó˜Ë, 2001; ëKinotavrí, Sochi, 2001; ñ œÂÏˡ ÍËÌÓÍËÚËÍË Ë ÍËÌÓÔÂÒÒ˚ ñ ëGolden Ariesí Award of Film Critics ´«ÓÎÓÚÓÈ Œ‚Â̪ (2001) ‚ ÌÓÏË̇ˆËË and the Film Press, (2001) in the ´ÎÛ˜¯‡ˇ ÏÛÊÒ͇ˇ Óθ ‚ÚÓÓ„Ó category Best Supporting Actor Ô·̇ª (—„ÂÈ √‡Ï‡¯) Ë ‰. (Sergei Garmash); etc. ¬ ÓÔÓÒ ۘ‡ÒÚ‚Ó‚‡ÎË:
50 choose (part I) Survey participants
«‡‡ ¿·‰Û炇/ Zara Abdullaeva 50 ‚˚·Ë‡˛Ú (˜‡ÒÚ¸ I) À‚ ¿ÌÌËÌÒÍËÈ/ Lev Anninsky À˛·Ó‚¸ ¿ÍÛÒ/ Liubov Arkus ¿ÌÊÂÎË͇ ¿Ú˛ı/ Angelica Artyukh œÂÚ ¡‡„Ó‚/ Peter Bagrov 148 fiËÈ ¡Ó„ÓÏÓÎÓ‚/ Yuri Bogomolov ¬‡ÎÂËÈ ¡ÓÒÂÌÍÓ/ Valeri Bosenko fiËÈ √·‰Ëθ˘ËÍÓ‚/ Yuri Gladilshchikov ƒÂÌËÒ √ÓÂÎÓ‚/ Denis Gorelov ¬‡ÎÂˡ √ÓÂÎÓ‚‡/ Valeria Gorelova »Ë̇ √‡˘ÂÌÍÓ‚‡/ Irina Grashchenkova ≈‚„ÂÌËÈ √ÛÒˇÚËÌÒÍËÈ/ Evgeni Gusiatinsky ¬Î‡‰ËÏË ƒÏËÚË‚/ Vladimir Dmitriev ¿ÌÚÓÌ ƒÓÎËÌ/ Anton Dolin “‡Ú¸ˇÌ‡ »ÂÌÒÂÌ/ Tatiana Iensen ÕËÍÓÎ‡È »Á‚ÓÎÓ‚/ Nikolai Izvolov »Ë̇ »Á‚ÓÎÓ‚‡/ Irina Izvolova Ã‡Í «‡Í/ Mark Zak À‚ ü‡‡ı‡Ì/ Lev Karakhan ¬‡ÎÂËÈ ü˘ËÌ/ Valeri Kichin —„ÂÈ üÛ‰ˇ‚ˆÂ‚/ Sergei Kudriavtsev Ã‡Í üÛ¯ÌËӂ˘/ Mark Kushnirovich —„ÂÈ À‡‚ÂÌڸ‚/ Sergei Lavrentiev ≈‚„ÂÌˡ ÀÂÓÌÓ‚‡/ Evgenia Leonova À‡ËÒ‡ Ã‡Î˛ÍÓ‚‡/ Larissa Maliukova ¬ËÍÚÓ Ã‡ÚËÁÂÌ/ Viktor Matizen ¿ÏÂÌ Ã‰‚‰‚/ Armen Medvedev ≈‚„ÂÌËÈ Ã‡„ÓÎËÚ/ Evgeni Margolit Շڇθˇ ÕÛÒËÌÓ‚‡/ Natalia Nusinova »Ë̇ œ‡‚ÎÓ‚‡/ Irina Pavlova ÀÂÓÌˉ œ‡‚β˜ËÍ/ Leonid Pavliuchik ¿Ì‰ÂÈ œÎ‡ıÓ‚/ Andrei Plakhov ≈ÎÂ̇ œÎ‡ıÓ‚‡/ Elena Plakhova üËËÎÎ –‡ÁÎÓ„Ó‚/ Kirill Razlogov —Ú‡ÌËÒ·‚ –ÓÒÚÓˆÍËÈ/ Stanislav Rostotsky »Ë̇ –Û·‡ÌÓ‚‡/ Irina Rubanova ƒÏËÚËÈ —‡Î˚ÌÒÍËÈ/ Dmitri Salynsky ≈ÎÂ̇ —Ú˯ӂ‡/ Elena Stishova ƒËΡ‡ “‡Ò·Û·ÚÓ‚‡/ Diliara Tasbulatova ≈‚„ÂÌˡ “ˉ‡ÚÓ‚‡/ Evgenia Tirdatova ¿ÎÂÍ҇̉ “Ó¯ËÌ/ Alexander Troshin ¬ËÚ‡ÎËÈ “ÓˇÌÓ‚ÒÍËÈ/ Vitali Troyanovsky ¬‡ÎÂËÈ ‘ÓÏËÌ/ Valeri Fomin ≈͇ÚÂË̇ ’ÓıÎÓ‚‡/ Ekaterina Khokhlova —‚ÂÚ·̇ ’ÓıˇÍÓ‚‡/ Svetlana Khokhriakova ÕË̇ ÷˚ÍÛÌ/ Nina Tsyrkun ¿Ì‰ÂÈ ÿÂÏˇÍËÌ/ Andrei Shemiakin ¬‡ÎÂÌÚË̇ ÿÂÏˇÍË̇/ Valentina Shemiakina ¿ÎÂÍ҇̉ ÿÔ‡„ËÌ/ Alexander Shpagin œÂÚ ÿÂÔÓÚËÌÌËÍ/ Peter Shepotinnik 50 ‚˚·Ë‡˛Ú 50 (˜‡ÒÚ¸ I) 50 choose 50 (part I) ÎÂÚˇÚ ÊÛ‡‚ÎË THE CRANES ARE FLYING ˜‡Ô‡Â‚ CHAPAEV Ë‚‡Ì „ÓÁÌ˚È IVAN THE TERRIBLE Ó͇Ë̇ OUTSKIRTS ·ÓÌÂÌÓÒˆ "ÔÓÚÂÏÍËÌ" 149 THE BATTLESHIP POTEMKIN ÚÂÚ¸ˇ Ï¢‡ÌÒ͇ˇ BED AND SOFA ("THREE IN LOVE") Ò˜‡Òڸ HAPPINESS ‚ÂÒ̇ ̇ Á‡Â˜ÌÓÈ ÛÎˈ SPRING ON ZARECHNAYA STREET ÔÓ Á‡ÍÓÌÛ BY THE LAW/ DURA LEX χ¯Â̸͇ MASHENKA ÒÚÓ„ËÈ ˛ÌÓ¯‡ A SEVERE YOUNG MAN ¯ËÌÂθ THE OVERCOAT ÒÚ‡˜Í‡ STRIKE Ϙڇ THE DREAM ÓÚˆ Ò„ËÈ FATHER SERGIUS ‰ÓÏ Ì‡ ÚÛ·ÌÓÈ THE HOUSE ON TRUBNAYA SQUARE ÒÓÓÍ Ô‚˚È FORTY-FIRST ÔÓÚÓÏÓÍ ˜ËÌ„ËÒ-ı‡Ì‡ STORM OVER ASIA ÁÓÎۯ͇ CINDERELLA ÔÛÚ‚͇ ‚ ÊËÁ̸ ROAD TO LIFE ‚ÂÒÂÎ˚ ·ˇÚ‡ HAPPY GUYS/ JOLLY FELLOWS (AKA "MOSCOW LAUGHS") Ó·ÎÓÏÓÍ ËÏÔÂËË A FRAGMENT OF EMPIRE ͇̇‚‡Î¸Ì‡ˇ ÌÓ˜¸ CARNIVAL NIGHT ‡ÎÂÍ҇̉ Ì‚ÒÍËÈ ALEXANDER NEVSKY ˛ÌÓÒÚ¸ χÍÒËχ THE YOUTH OF MAXIM 150 50 ‚˚·Ë‡˛Ú 50 (˜‡ÒÚ¸ I) 50 choose 50 (part I) ÒÔ‡‚‰ÎË‚˚ ԇ‚Ë·‚˚·Ó‡ñÁ‡‡Ì ÒÔ‡ÒË·Ó. ÍËÌÓÔÓËÁ‚Ó‰ÒÚ‚‡ ‚–ÓÒÒËË.≈ÒÎË ÍÚÓ-ÚÓÔ‰ÎÓÊËÚ·ÓΠ̇Á‚‡Ú¸ 100ÎÛ˜¯Ëı͇ÚËÌ,ÒÓÁ‰‡ÌÌ˚ıÁ‡ÎÂÚ ˜ÎÂÌ‡Ï √Ëθ‰ËËÍËÌӂ‰ӂËÍËÌÓÍËÚËÍÓ‚Ô‰ÒÚÓËÚ ÒÓÁ‰‡ÌÌ˚ı ‚1958ñ2008„„.üÓÏÂÚÓ„Ó,·Û‰Û˘ÂÏ„Ó‰Û100 Á‡ÍÓ̘ÂÌ. ¬Ó-Ô‚˚ı,Á‡50˝ÍÒÔÂÚ‡ÏË¢Â25͇ÚËÌ, ¬ÓÔÓÒÓ‚ ·Óθ¯Â,˜ÂÏÓÚ‚ÂÚÓ‚,ÌÓ˝ÍÒÔÂËÏÂÌÚ¢ÂÌÂ Í‡Ê‰Ó„Ó ‚ÂÏÂÌËÙËθÏ˚? ´ÎÛ˜¯Ëª, ‡Ò͇ÊÂÏ,´Ì‡Ë·ÓÎÂÂÂÔÂÁÂÌÚ‡ÚË‚Ì˚ª‰Îˇ ÕÂËÁ‚ÂÒÚÌÓ. ¿ÂÒÎË·˚ËÏÂÍÓÏẨӂ‡ÎËÓڷˇڸÌ ҂ÓÂÈ Ô‡ÏˇÚËËÍ͇ڇÎÓ„‡ÏÓÚ˜ÂÒÚ‚ÂÌÌÓÈÍËÌÓÔÓ‰Û͈ËË? ‡ÁÌ˚ı ËÒÚÓ˜ÌËÍÓ‚,‡Ô‰ÎÓÊËÎË·˚Ó·‡˘‡Ú¸ÒˇÚÓθÍÓÍ Î˯ÌËÏ ÙËθÏÓ‚1908ñ1957„„.,ÒÍÓÏÔËÎËÓ‚‡ÌÌÓ„ÓËÁ ˝ÍÒÔÂÚ‡Ï Ì‡ÁÓÒ·ÎËÓËÂÌÚËÓ‚Ó˜ÌÓ„ÓÒÔËÒ͇ËÁÒÚ‡Ò ‚˚ÚÂÒÌËÎË ÙËθÏ˚‰Ó‚ÓβˆËÓÌÌÓ„Ó‚ÂÏÂÌË.¿ÂÒÎË·˚ ÊÂ, ͇ÍÙËθÏ˚20ñ30-ı‚Ô‰·„‡ÂÏÓÈÔÓ„‡ÏÏ ‚ÒÂ„Ó ÙËθÏ˚60-ıÔÓÚÂÒÌËÎË·˚30-ıñÚÓ˜ÌÓÚ‡Í Ì‡Á‚‡ÎË ÎÛ˜¯ËÂ50͇ÚËÌÁ‡100ÎÂÚ?¬ˇ‰ÎË.—ÍÓ ÓÚ·Ó‡? ¡˚η˚ÂÁÛθڇÚÚÂÏÊÂ,ÂÒÎË˝ÍÒÔÂÚ˚Ò‡ÁÛ ¬ÚÓÓÈ ‚ÓÔÓÒ:͇͂Îˡ˛Ú̇ÙË̇θÌ˚ÈÒÔËÒÓÍÛÒÎӂˡ ÍËÌÓÓ·ÓÁ‚‡ÚÂÎÂÈ —ûÌ·˚ÎË·˚ˉÂÌÚ˘Ì˚. ‡ÌÍÂÚËÓ‚‡Ìˡ „ÛÔÔ˚ËÒÚÓËÍÓ‚ÍËÌÓË ÍÓÌÒÓÎˉËÓ‚‡ÌÌÓ ÒÓÓ·˘ÂÒÚ‚Ó.’ÓÚˇ,‡ÁÛÏÂÂÚÒˇ,ÂÁÛθڇÚ˚ ‚ÒÂı ‡ÒıÓʉÂÌˡıÏÂʉÛÒÓ·ÓÈ,Ô‰ÒÚ‡‚Ρ˛Ú˝ÒÚÂÚ˘ÂÒÍË ÙËθÏÓ‚-ÎˉÂÓ‚. ›ÚÓÓ·˙ˇÒÌˇÂÚÒˇÚÂÏ,˜ÚÓÍËÌÓÍËÚËÍË,ÔË ÒÏ˚ÒÎÂ, ˜ÚÓÛ‚Â΢ÂÌ˘ËÒ·˝ÍÒÔÂÚÓ‚ÌÂËÁÏÂÌËÎÓ·˚ÒÔËÒ͇ „Â̇θÌ˚È ÒÔËÒÓÍËÁ25ÙËθÏÓ‚‚ÔÓÎÌÂÛÒÚÓȘ˂‚ÚÓÏ ÔÓÎÌÓ ÒÓ‚Ô‡‰ÂÌËÂËÚÓ„Ó‚˚ıÒÔËÒÍÓ‚.“‡ÍËÏÓ·‡ÁÓÏ, ͇ʉÓÈ „ÛÔÔ˚Ôӂ‰ÂÌÓÚ‰ÂθÌ˚ÈÔÓ‰Ò˜ÂÚ.ŒÌ‚˚ˇ‚ËÎÔÓ˜ÚË ÒÎÛ˜‡ÈÌ˚Ï Ó·‡ÁÓχÁ·ËÚ˚̇‰‚‡‚Ì˚„ÛÔÔ˚,ˉΡ œË Ó·‡·ÓÚ͇ÌÍÂÚ·˚ÎÔӂ‰ÂÌÓÔ˚Ú.50·˚ÎË ÙË̇θÌ˚È ÎËÒÚ. „ÓÎÓÒÓ‚. 25͇ÚËÌ,Á‡Ìˇ‚¯ËÂÔ‚˚ÂÏÂÒÚ,Ó·‡ÁÓ‚‡ÎË ÍÓÚÓ˚ı ÓÌÙË„ÛËÓ‚‡Î,ÚÓÂÒÚ¸˜ËÒÎÓÔÓ‰‡ÌÌ˚ıÁ‡Ì ıÓÚˇ ·˚Ó‰ÌËÏ˝ÍÒÔÂÚÓÏ,·˚ÎÓÒÓÒ˜ËÚ‡ÌÓ˜ËÒÎÓ‡ÌÍÂÚ,‚ œÓ‰Ò˜ÂÚ˚ ‚ÂÎËÒ¸Ú‡Í:‰ÎˇÍ‡Ê‰ÓÈ͇ÚËÌ˚,ÛÔÓÏˇÌÛÚÓÈ ´ÓÚ‰‡Ì˚ª ”͇ËÌÂ,ÎÂÊËÚ̇ÒÓÒÚ‡‚ËÚÂÎÂ. Ë Œ‰ÂÒÒÂ,´ÓÒÚ‡ÎËÒ¸ªÁ‡–ÓÒÒËÂÈ,‡´«ÂÏΡª´ŸÓÒª·˚ÎË ˛ÌÓ¯‡ª Ë´¬ÂÒ̇̇«‡Â˜ÌÓÈÛÎˈª,ÔÓËÁ‚‰ÂÌÌ˚‚üË‚ ”ˇÁ‚ËÏÓ Î˛·Ó‰ÂÎÂÌËÂ,ËÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚ¸Á‡ÚÓ,˜ÚÓ´—ÚÓ„ËÈ ˇÁ˚ÍÛ? œÓ̇ˆËÓ̇θÌÓÒÚËÂÊËÒÒÂÓ‚?ÏÂÌÚ‡ÎËÚÂÚÛ? ‰Û„ËÏ ÂÒÔÛ·ÎË͇ϗ——–.—Û‰ËÚ¸ÔÓÏÂÒÚÛÔÓËÁ‚Ó‰ÒÚ‚‡?œÓ ÙËθÏ˚ ÒΉÛÂÚÒ˜ËÚ‡Ú¸ÓÒÒËÈÒÍËÏË,‡Í‡ÍË´ÓÚ‰‡Ú¸ª ≈ÒÚÂÒÚ‚ÂÌÌÓ, Ò‡ÁÛÊ‚ÓÁÌËÍÚˇÊÍËÈ‚ÓÔÓÒ,͇ÍËÂÒÓ‚ÂÚÒÍË ÔÓ΂Â͇ ÒÏÓÏÂÌÚ‡‚˚ıÓ‰‡´œÓÌËÁÓ‚ÓÈ‚ÓθÌˈ˚ª. ÙËθÏÓ‚, ‚˚ÔÛ˘ÂÌÌ˚ı‚1908ñ1957„„.ñÁ‡Ô‚˚ Ô‰ÎÓÊÂÌÓ Ì‡Á‚‡Ú¸25ÎÛ˜¯ËıÒ„ÓÚÓ˜ÍËÁÂÌˡ ‚ÂÏˇ. ¬˝ÚÓÏ„Ó‰Û͇ʉÓÏÛËÁ„ÓÎÓÒÓ‚‡‚¯Ëı·˚ÎÓ ‡·ÓڇΠ‚ÒÓ‚ÂÚÒÍË„Ӊ˚,ËÚÂ,ÍÚÓ̇˜‡Î‡·ÓÚ‡Ú¸ÌÓ‚Ó ÍËÌӂ‰ӂ ËÍËÌÓÍËÚËÍÓ‚‚ÒÂıÔÓÍÓÎÂÌËÈñÚÂ,ÍÚÓ ÔÓÎÓ‚ËÌÛ ‚ÒÎÂ‰Û˛˘ÂÏ.¬ÓÚ·ÓÂ͇ÚËÌÛ˜‡ÒÚ‚Ó‚‡ÎË50 ÓÒÒËÈÒÍËı ÙËθÏÓ‚ñÔÓÎÓ‚ËÌÛ‚Ì˚̯ÌÂÏ„Ó‰ÛË ‚ Ú˜ÂÌˉ‚ÛıÒÂÁÓÌÓ‚ÔÓ͇Á‡Ú¸ÔÓ„‡ÏÏÛËÁ50ÎÛ˜¯Ëı ü ÒÚÓÎÂÚ˲ÍËÌÓÔÓËÁ‚Ó‰ÒÚ‚‡‚–ÓÒÒËË´üËÌÓÚ‡‚ªÂ¯ËÎ œˇÚ¸‰ÂÒˇÚ Ì‡ÔˇÚ¸‰ÂÒˇÚ ÔÂÁˉÂÌÚ √Ëθ‰ËËÍËÌӂ‰ӂËÍËÌÓÍËÚËÍÓ‚ ¬ËÍÚÓ Ã‡ÚËÁÂÌ, the selectionñthesewouldbegratefully received. Russia. Ifanyonehasanyideasfor moreequitablerulesfor 100 bestfilmscreatedinyearsoffilmproduction of theGuildFilmScholarsandCriticshavetolist await fiftyexperts.Moreover,nextyearonehundredmembers not completeyet.First,another25filmscreatedin1958-2008 There aremorequestionsthananswers,buttheexperimentis but themostrepresentativefilms? Well, andiftheyhadbeenaskedtocommendnotthebest, catalogues ofRussianfilmproduction?Wedonotknow. but wouldhavehadtorelyontheirmemoryand hundred filmsof1908-1957,compiledfromdifferentsources, films. Andiftheexpertshadnotreceivedalistofsome 1930s inthecurrentlisthavepushedoutpre-Revolutionary the filmsof1930s,justlike1920sand Most likely,thefilmsof1960swouldhavebrushedaside experts hadnamedthebestfiftyfilmsfor100years?Hardly. conditions ofselection?Wouldtheresultbesameif The secondquestion:howisthefinallistinfluencedby would notconcur. group offilmhistoriansandmassmediacorrespondents community. Though,certainly,theresultsofquestioninga divergences inopinion,representanaestheticallyunited the listofleadingfilms.Thismeansthatfilmcritics,despite an increaseinthenumberofexpertswouldnothavechanged the generallistof25filmsisquitereliableinsensethat revealed analmostfullconcurrencewiththefinallist.Thus, separate evaluationwasdoneforeachgroup.Thisprocess made: fiftyquestionnairesweredividedintotwogroupsanda While processingthequestionnaires,acuriousdiscoverywas final list. The 25filmsrankedonthefirstplacesthusformed named (thatis,thenumberofvotesitreceived)werecounted. by anyoneexpert,thenumberofquestionnaireswhereitwas The calculationswereconductedthus:foreachfilmmentioned ìsurrenderedî toUkraine,remainswiththeeditor. Ukrainian territory,whileìEarthîandìShchorsîwere ìSpring onZarechnayaStreetî,althoughallweremade ìkeepingî asRussianfilmsìASevereYoungManî,and By mentality?Anydivisionispainful;theresponsibilityfor production place?Bylanguage?thedirectorísnationality? to theformerSovietrepublics.Shoulddecisionbemadeby should beconsideredRussianandwhichdesignated Naturally, asetofcomplexquestionsarose:whichSovietfilms from themomentofappearanceìStenkaRazinî. view, releasedduring1908-1957,thefirsthalfofcentury were askedtonamethe25bestfilms,fromtheirpointof participated intheselectionofthosefilms.Thisyearthey those whotobeganworkinthepost-Sovieterañhave generations ñfromthosewhowroteintheSovietperiodand next year.Fiftyfilmscholarsandcriticsofdifferent Russian filmsovertwoyears:halfofthethisyear, ´Kinotavrª hasdecidedtopresentaprogramofthefiftybest In ordertomarkthecentenaryoffilmproductioninRussia Fifty-Fifty President oftheGuildFilmScholars andFilmCritics Viktor Matizen, 50 choose (part I) ŒÒÍÓÎÍË ‡Á·ËÚÓ„Ó Splinters: Smashed 50 ‚˚·Ë‡˛Ú (˜‡ÒÚ¸ I) ‚‰Â·ÂÁ„Ë? to Smithereens?
üÓ„‰‡-ÚÓ, ‰‡‚Ì˚Ï-‰‡‚ÌÓ, ̇ Á‡Â ͇ÔËÚ‡ÎËÁχ ˛Ì˚È Once, a long time ago, at the beginning of capitalism, a young ÓÒÒËÈÒÍËÈ ÂÊËÒÒ ÒÓÁ‰‡Î ÙËθÏ, ‚ ÍÓÚÓÓÏ, ÔÓ Â„Ó Russian director made a film in which, as he said, he 151 ÒÎÓ‚‡Ï, ̇Ï‚‡ÎÒˇ ‚ÓÁ‰‡Ú¸ ‰ÓÎÊÌÓ Á‡Ï˜‡ÚÂθÌÓÏÛ intended to do justice to the remarkable Soviet cinema of the ÒÓ‚ÂÚÒÍÓÏÛ ÍËÌÓ ÔˇÚˉÂÒˇÚ˚ı-ÒÂÏˉÂÒˇÚ˚ı „Ó‰Ó‚. 50s-70s. œÓÏÌ˛, Í‡Í Û‰Ë‚ËÎÓ ˝ÚÓ ´ÔˇÚˉÂÒˇÚ˚ı-ÒÂÏˉÂÒˇÚ˚ıª. ¬Â‰¸ I remember how dazzling these decades were. In fact, even in ‰‡Ê ‚ ÔˇÚˉÂÒˇÚ˚ „Ó‰˚ ÂÒÚ¸ Í‡Í ÏËÌËÏÛÏ ÚË ÔÂËÓ‰‡, Ë the 1950s there were at least three periods: the films released ÙËθÏ˚, ‚˚ÔÛ˘ÂÌÌ˚ ‚ 1951ñ1953 „Ó‰‡ı ÓÚ΢‡˛ÚÒˇ ÓÚ ÎÂÌÚ in 1951-1953 differ from those released between 1954-1957 to 1954ñ1957-„Ó Ì‡ÒÚÓθÍÓ, ˜ÚÓ Í‡ÊÂÚÒˇ, ·Û‰ÚÓ Ò‰Â·Ì˚ ÓÌË Ì‡ such an extent that they seem to have been made on a ‡ÁÌ˚ı Ô·ÌÂÚ‡ı. ÿÂÒÚˉÂÒˇÚ˚ ñ ˝ÚÓ Ë ‚Ó‚Ò ˆÂ·ˇ ˝ÔÓı‡. different planet. The 1960s are an entire epoch: the films of ‘ËθÏ˚ ÔÓÒΉÌËı ıÛ˘Â‚ÒÍËı ÎÂÚ, ÔÓËÁ‚‰ÂÌˡ ‚˚‰‡˛˘Â„ÓÒˇ Khrushchevís last years, the films of the outstanding period ÔÂËÓ‰‡ 1965ñ1968 „Ó‰Ó‚, ÎÂÌÚ˚ ¯ÂÒÚ¸‰ÂÒˇÚ ‰Â‚ˇÚÓ„ÓÖ of 1965-1968, the films of 1968Ö. —ÎÓ‚ÓÏ, ÚÓ ÍËÌÂχÚÓ„‡Ù˘ÂÒÍÓ ÔÓËÁ‚‰ÂÌËÂ, ‚ ÍÓÚÓÓÏ In a word, the work where ìCarnival Nightî fancifully ´ü‡Ì‡‚‡Î¸Ì‡ˇ ÌÓ˜¸ª Ô˘ۉÎË‚Ó ÒÚ‡ÎÍË‚‡Î‡Ò¸ Ò ´ü‡ÎËÌÓÈ collided with ìRed Guelderbushî turned out chaotic, because ͇ÒÌÓȪ, ‚˚¯ÎÓ ÒÛÏ·ÛÌ˚Ï ËÏÂÌÌÓ ÔÓÚÓÏÛ, ˜ÚÓ ‰Îˇ the author treated the young Riazanov and the mature ‡‚ÚÓ‡ ˛Ì˚È –ˇÁ‡ÌÓ‚ Ë ÁÂÎ˚È ÿÛͯËÌ ·˚ÎË Shukshin as characters of the same era. ÔÂÒÓ̇ʇÏË Ó‰ÌÓ„Ó ‚ÂÏÂÌË. The present is a different matter. “ÂÔ¸ ñ ÌÓ‚Ó ‰ÂÎÓ. It is difficult to say how many thick volumes have been «‡ÚÛ‰ÌËÚÂθÌÓ Ò͇Á‡Ú¸, ÒÍÓθÍÓ ÚÓÎÒÚÂÌÌ˚ı ÚÓÏÓ‚ ̇ÔËÒ‡ÌÓ written about our cinema of the first fifty of years of its ÔÓ Ì‡¯Â ÍËÌÓ, ÔÓˇ‚Ë‚¯ÂÂÒˇ Á‡ Ô‚˚ ԡڸ‰ÂÒˇÚ ÎÂÚ Ò‚ÓÂ„Ó existence, how many outstanding minds have struggled with ÒÛ˘ÂÒÚ‚Ó‚‡Ìˡ, ÒÍÓθÍÓ ‚˚‰‡˛˘ËıÒˇ ÛÏÓ‚ ·ËÎËÒ¸ ̇‰ the riddles of Russian film history. And here we have a list Á‡„‡‰Í‡ÏË ÓÚ˜ÂÒÚ‚ÂÌÌÓÈ ÍËÌÓËÒÚÓËË. ¿ Û Ì‡Ò ÚÂÔ¸ ñ of the best Russian films from 1908 to 1958. ÒÔËÒÓÍ ÎÛ˜¯Ëı ÓÒÒËÈÒÍËı ÙËθÏÓ‚ Ò 1908 ÔÓ 1958 „Ó‰. Film history and criticism are dead already, and there is üËÌӂ‰ÂÌËÂ Ë ÍËÌÓÍËÚË͇ ÛÊ ÏÂÚ‚˚ Ë, ̇‚ÂÌÓÂ, ÂÒÚ¸ probably a certain degree of justice in leaving behind lists of ÓÔ‰ÂÎÂÌ̇ˇ ÒÔ‡‚‰ÎË‚ÓÒÚ¸ ‚ ÚÓÏ, ˜ÚÓ ‚ Ô‡ÏˇÚ¸ Ó Ò· Ï˚ what once made up the meaning of our lives. In fact, this list ÓÒÚ‡‚ΡÂÏ ÒÔËÒÍË ÚÓ„Ó, ˜ÚÓ ·˚ÎÓ ÍÓ„‰‡-ÚÓ ÒÏ˚ÒÎÓÏ Ì‡¯Â„Ó will form the basis for a retrospective. Perhaps some future ÒÛ˘ÂÒÚ‚Ó‚‡Ìˡ. ¬Â‰¸ Òӄ·ÒÌÓ ˝ÚÓÏÛ ÂÂÒÚÛ ·Û‰ÂÚ film genius will glance into the projection hall and see the Ôӂ‰Â̇ ÂÚÓÒÔÂÍÚË‚‡. ¡˚Ú¸ ÏÓÊÂÚ, ÍÚÓ-ÚÓ ËÁ ·Û‰Û˘Ëı great ìStrikeî and the great ìCranesî for the first time on a ÍËÌÓ„ÂÌË‚ Á‡„ΡÌÂÚ ‚ ÍËÌÓÁ‡Î Ë Û‚Ë‰ËÚ ‚ÂÎËÍÛ˛ ´—Ú‡˜ÍÛª large screen ñ and understand, suddenly, that the cinema is Ë ‚ÂÎËÍËı ´∆Û‡‚ÎÂȪ. ”‚ˉËÚ ‚Ô‚˚Â, ̇ ̇ÒÚÓˇ˘ÂÏ great art. ˝Í‡ÌÂ, ̇ ÍËÌÓÔÎÂÌÍ ñ Ë ÔÓÈÏÂÚ ‚‰Û„, ˜ÚÓ ÍËÌÓ ñ ˝ÚÓ I would like to warn of attempts to speak of Soviet cinema of ·Óθ¯Ó ËÒÍÛÒÒÚ‚Ó. the 20s-30s or 40s-50s. ’ÓÚÂÎÓÒ¸ ·˚ ÚÓθÍÓ Ô‰ÓÒÚ˜¸ ÓÚ Ó˜Â‰Ì˚ı ÔÓÔ˚ÚÓÍ Certainly, the modest charm of ìMashenkaî emerges only in „Ó‚ÓËÚ¸ Ó ÒÓ‚ÂÚÒÍÓÏ ÍËÌÓ ´‰‚‡‰ˆ‡Ú˚ı-Úˉˆ‡Ú˚ıª ËÎË contrast with the main films of the most shameful, ´ÒÓÓÍÓ‚˚ı-ÔˇÚˉÂÒˇÚ˚ıª. cannibalistic period of 1935-1939. Only the acquaintance with –‡ÁÛÏÂÂÚÒˇ, ÒÍÓÏÌÓ Ә‡Ó‚‡ÌË ´Ã‡¯Â̸Í˪ ÏÓÊÂÚ ·˚Ú¸ the main films of this horrible time can explain the ban on ìA ÔÓÌˇÚÌÓ Î˯¸ ‚ ÍÓÌÚ‡ÒÚÂ Ò „·‚Ì˚ÏË Í‡ÚË̇ÏË Ò‡ÏÓ„Ó Severe Young Manî. The full absence of pre-Revolutionary ÔÓÁÓÌÓ„Ó, β‰Ó‰ÒÍÓ„Ó ÍËÌÓÔÂËÓ‰‡ 1935ñ1939 „Ó‰Ó‚. “ÓθÍÓ films in the list is caused not by their artistic imperfection, Á̇ÍÓÏÒÚ‚Ó Ò „·‚Ì˚ÏË Í‡ÚË̇ÏË ÓÚ‚‡ÚËÚÂθÌÓ„Ó ‚ÂÏÂÌË but because film scholars, too, are human beings with their ÒÔÓÒÓ·ÌÓ Ó·˙ˇÒÌËÚ¸ Á‡ÔÂÚ ´—ÚÓ„Ó„Ó ˛Ìӯ˪. ¿ ÔÓÎÌÓ own predilections and preferences. Some like ìThe Queen of ÓÚÒÛÚÒÚ‚Ë ‚ ÒÔËÒÍ ‰Ó‚ÓβˆËÓÌÌ˚ı ÎÂÌÚ Ó·ÛÒÎÓ‚ÎÂÌÓ Ì Ëı Spadesî, others ìMaximís YouthîÖ ıÛ‰ÓÊÂÒÚ‚ÂÌÌ˚Ï ÌÂÒӂ¯ÂÌÒÚ‚ÓÏ, ‡ ÚÂÏ, ˜ÚÓ ÍËÌӂ‰˚ ñ ÚÓÊ But all this is poetry, so to say. The reality is that the β‰Ë, Ë Û Í‡Ê‰Ó„Ó ÂÒÚ¸ Ò‚ÓË ÔËÒÚ‡ÒÚˡ. üÓÏÛ-ÚÓ Ì‡‚ËÚÒˇ announced retrospective is capable of arousing pride in ´œËÍÓ‚‡ˇ ‰‡Ï‡ª, ÍÓÏÛ-ÚÓ ñ ´fiÌÓÒÚ¸ ÇÍÒËχªÖ national cinema ñ not placard-like and patriotic, but genuine ÕÓ ‚Ò ˝ÚÓ, Ú‡Í Ò͇Á‡Ú¸, ÎËË͇. –‡θÌÓÒÚ¸ ÒÓÒÚÓËÚ ‚ ÚÓÏ, pride ñ and trigger the creation of new films, which can ˜ÚÓ, ‚Ó-Ô‚˚ı, ÓÁ̇˜ÂÌ̇ˇ ÂÚÓÒÔÂÍÚË‚‡ ÒÏÓÊÂÚ adequately join the list. ÔÓ·Û‰ËÚ¸ ‚ ÍÓÏ-ÚÓ „Ó‰ÓÒÚ¸ Á‡ ÓÚ˜ÂÒÚ‚ÂÌÌ˚È Moreover, a colourful and celebratory ñ maybe even profitable ñ ÍËÌÂχÚÓ„‡Ù ñ Ì Ô·͇ÚÌÓ-Ô‡ÚËÓÚ˘ÂÒÍÛ˛, ‡ ̇ÒÚÓˇ˘Û˛ ñ book might emerge to coincide with the 2008 centenary of the Ë ÔÓ‰‚Ë„ÌÛÚ¸ ̇ ÒÓÁ‰‡ÌË ÌÓ‚˚ı ÍËÌÓÔÓËÁ‚‰ÂÌËÈ, premiere of ìStenka Razinî. Not a book for film scholars, ‰ÓÒÚÓÈÌÓ ÔÓÔÓÎÌˇ˛˘Ëı ÒÂÈ ‚˚‰‡˛˘ËÈÒˇ ˇ‰. though, but for those who make money out of art. ¿ ‚Ó-‚ÚÓ˚ı, ËÁÓ ‚ÒÂÈ ˝ÚÓÈ Á‡ÚÂË ‚ÔÓÎÌ ÏÓÊÂÚ ÔÓÎÛ˜ËÚ¸Òˇ ÍÌË„‡, ÍÓÚÓ‡ˇ ‚˚ȉÂÚ ‚ 2008 „Ó‰Û Í ÒÚÓÎÂÚÌÂÏÛ ˛·Ëβ Sergei Lavrentiev ÔÂϸÂ˚ ´œÓÌËÁÓ‚ÓÈ ‚ÓθÌˈ˚ª. üÌË„‡ ·Û‰ÂÚ ˇÍÓÈ Ë Film historian, critic Ô‡Á‰Ì˘ÌÓÈ. ÃÓÊÂÚ, ‰‡ÊÂ Ë ÔË·˚θ ÔËÌÂÒÂÚ. Õ ÍËÌӂ‰‡Ï-ÍËÌÓÍËÚË͇Ï, ‡ÁÛÏÂÂÚÒˇ. “ÂÏ, ÍÚÓ ÛÏÂÂÚ Ì‡ ËÒÍÛÒÒÚ‚Â Á‡‡·‡Ú˚‚‡Ú¸.
—„ÂÈ À‡‚ÂÌڸ‚ ËÒÚÓËÍ ÍËÌÓ, ÍËÚËÍ 152 50 ‚˚·Ë‡˛Ú 50 (˜‡ÒÚ¸ I) 50 choose 50 (part I) Ò˛ÊÂÚ ÒÎÂ‰Û˛˘Â„ÓÔÓÎÛ‚Â͇. Ë ·ÂÁÁ‡˘ËÚÌÛ˛,˜ÂÏÚ˚.»Ì‡˜ÌÂÚÒˇ‚ÁÓÒÎÂÌË„ÂÓ‚ñ Ò‡ÏÓÏÛ Ì‡ÈÚËËÒÔ‡ÒÚˉۯÛ,¢·ÓÎÂÂÌÂÔË͇ˇÌÌÛ˛ ¬ÂÓÌËÍË. »Ó͇ÊÂÚÒˇ:ÒÔ‡ÒÂÌËÂ,·˚Ú¸ÏÓÊÂÚ,‚ÚÓÏ,˜ÚÓ· ÌÂÁ‡·˚‚‡ÂÏ˚Ï Ì‚ÂÓˇÚÌ˚ÏÎˈÓÏ“‡Ú¸ˇÌ˚—‡ÏÓÈÎÓ‚ÓÈñ Í ÍÓ̈Û50-ıÔÓ‚ÂÌÛÚ¸ÒˇÌ‡Ï̇Ô‰ÂÎÂÓÚ˜‡ˇÌˡ Ë Ï‡Î˚ÂÏ·‰Â̈˚,ÔÓÎÛÊÂÌ˘ËÌ˚-ÔÓÎۉ‚ӘÍË,˜ÚÓ·˚ ÔÓÎÛ‚Â͇, ‰ÂÚË,·Â„Û˘ËÂñ·ÂÁÛÒÔ¯ÌÓÓÚ„ÓÁ˚:ÒÚ‡˚ ˜ÚÓ ÛÏˇڸÌÂ̇‰Óª.»˜Â‰ÓÈˉÛÚÔӽ͇ÌÛ‰ÂÚË ÔÓÓ‰ËÌÓ˜ÍÂ, ‚̇‰Âʉ‚˚ÊËڸˉÓÊËÚ¸‰Ó´Ú‡ÍÓÈÊËÁÌË, ‚ Ó„‡ÌËÁÓ‚‡ÌÌ˚ÂÎËÔÓÎÂÚ‡ÒÍË¡‰˚ñ˜ÚÓ·ÌÂÔÓÔ‡ÒÚ¸ ‚ˉËÚÒˇ: Ò·ËÚ¸Òˇ‚ÏÂÒÚÂñ‚·ÂÒÔËÁÓÌ˘¸˛ÎËÒÚ‡˛, ·ÂÒÔÓÏÓ˘Ì˚, ͇͉ÂÚËχÎ˚Â.»ÚÓ„‰‡‚Ó‰ÌÓÏÒÔ‡ÒÂÌË » ÓÚˆÒχÚ¸˛ÌÂÁ‡˘ËÚ‡(ÂÒÎËÓÌËÂÒÚ¸)ñÒ‡ÏË ´—˜‡ÒÚ¸ˇª (´‰ÓÔÓÎÛÒÏÂÚË,ÌÓÚ‡Í,˜ÚÓ·˚ÊË‚ÓÒÚ‡ÎÒˇª). ÌÂψÍÓ„Ó ÔÎÂÌÌÓ„Ó‚´ŒÍ‡Ë̪˄ÓÂÏ˚˜ÌÓ„Ó’Ï˚ˇËÁ ÃÛÒÚ‡ÙÛ ÒüÓθÍÓÈ-—‚ËÒÚÓÏ˲ÌÓ„ÓÇÍÒËχ,·¸˛Ú ËÁ‰Â‚‡ÚÂθÒÍË ıÓÓ‚Ó‰˚.»·¸˛Ú,·¸˛ÚÖ¡¸˛Ú Ò̇ˇ‰‡ÏË Ë„ÛÒÂÌˈ‡ÏËÚ‡ÌÍÓ‚,‚‰ÛÚ‚ÓÍÛ„„ÓÂÏ˚˜Ì˚ı –‡ÒÒÚÂÎË‚‡˛Ú, ·ÓÒ‡˛Ú‚Ó„Ó̸,‚‰‡‚ÎË‚‡˛ÚÁÂÏβ ÏÓÚË‚ ËÁ·ËÂÌˡÏ·‰Â̈‚ñ·Óθ¯ËıËχÎ˚ı. » ̇‚ˇÁ˜Ë‚˚ςˉÂÌËÂÏËÁÙËθχ‚ÙËθÏÔÂÂıÓ‰ËÚ Ô‰ ÎˈÓÏ·Û¯Û˛˘ËıËÒÚÓ˘ÂÒÍËıÒÚËıËÈ’’‚Â͇. ˝ÚÓ Ë͇ڇÒÚÓÙ˘ÂÒÍË·ÂÁÁ‡˘ËÚÌÓÂÛˇÁ‚ËÏÓÂ,ÓÒÓ·ÂÌÌÓ ‚ ÒÔËÒÍÂ̇¯‡ÏË·ˇËÒÍÓÏ̇ˇ«ÓÎۯ͇.ÕÓ‰ÂÚÒÍÓÂñ ÔÓÒÂ‰Ë ÙËθÏÓ‚,ÔÓÚˇÒ‡‚¯ËıÏË,Û‚ÂÂÌÌÓÛÒڇ˂‡ÂÚÒˇ Ú‡‚Ï˚. ƒÂÚÒÍÓÂñ͇ÍÔ‚ÓÁ‰‡ÌÌÓ˜ËÒÚÓÂˡÒÌÓÂ:‚ÓÚ ÒÓÓ·‡ÁÌÓÒÚË, ÒÍÓθÍÓËÁ„ÓÌÂÁ‡ÊË‚‡˛˘ÂȉÂÚÒÍÓÈ ›ÈÁÂ̯ÚÂÈÌ ‚˚‚Ó‰ËÚÌÂÒÚÓθÍÓËÁËÒÚÓ˘ÂÒÍÓÈ Ò „ÓÁÌ˚ϻӇÌÌÓÏñ̉‡ÓÏʈÂÎËËÏÂÚÓ‰˚„ÂÓˇ ̇˜‡ÎÓ ˝ÚÓÓ‰ÌËÚÌÂÛÌ˚‚‡˛˘Â-ÎÛ˜ÂÁ‡Ì˚ı‚ÂÒÂÎ˚ı·ˇÚ ‰Ó‚ÓβˆËÓÌÌÓ ÍËÌÓ?).ŒÚËÒÚÓ͇ÒÓ‚ÂÚÒÍËı‚ÂÏÂÌ ÎËıÓ‡‰Ó˜ÌÓ ‚ÁÓÒ΂¯Â‚Ô‰˜Û‚ÒÚ‚ËËÒÍÓÓ„ÓÍÓ̈‡ ÌÓ ñ·ÂÌÓÍ(ÌÂÔÓÚÓÏÛÎËÙ‡ÍÚ˘ÂÒÍË‚˚Ô‡ÎÓËÁÒÔËÒ͇ ̇ӉÌ˚ χÒÒ˚,ÌÂÏÓÌÛÏÂÌÚ˚‚ÓʉÂÈ‚ÒÂıӉӂ˂ˉӂ, ÌÂÓÊˉ‡ÌÌÓÒÚ¸: ‚Ó·˘ÂÏÁ̇ÏÂ̇ÚÂÎÂÓ͇Á˚‚‡˛ÚÒˇÌ ÔÂ͇ÒÌÓ„Ó, ÌÓñ·ÂÒÒÔÓÌÓ,‰‡ÎÂ͇?√·‚̇ˇ ÔÓ΂Â͇ ÓÒÒËÈÒÍÓ„ÓÍËÌÓËÁ̇¯Â„ÓñÔÂ͇ÒÌÓ„Ó-Ì ü‡ÍËÏ ÊÂ,ÒÛ‰ˇÔÓ˝ÚÓÏÛÒÔËÒÍÛ,Ô‰ÒÚ‡˛ÚÔ‚˚ ƒÂÚË ÔÓÎÛ‚Â͇ ËÒÚÓËÍ ÍËÌÓ,ÍËÚËÍ ≈‚„ÂÌËÈ Ã‡„ÓÎËÚ on, butthatisthesubjectmatterfornextfiftyyears. than yourown.Thentheprocessofheroísmaturationsets rescuing asoulthatisevenmorerestlessanddefenceless Samoilova ñVeronika.Perhapssalvationliesinfindingand through theunforgettableandincrediblefaceofTatiana return attheendof1950s,onthresholddespair, storm: oldandsmallbabies,half-girlshalf-womenwho screen, runningawayinvainfromthehistoricalthunder- Sequentially thechildrenofhalf-centurywalkacross that youdoníthavetodieî. perishing alone,hopingtosurviveandreachìsuchlife organized proletarianlines,thechildrenescapefrom loneliness: whetherinacrowdofhomelesschildren,or helpless asthechildren.Salvationappearsinfightagainst Father andmother(ifpresent)offernoprotection:theyareas ìHappinessî (ìhalttodeath,butsothatheremainedaliveî). ìOutskirtsî isbeatenaswellthehaplessKhmyrin beaten, asisyoungMaxim;theGermancaptivein beaten, beatenÖMustafaandwhistlingKolkaare humiliating round-dancesaroundthehapless.Theyare the fire,buriedinsoilbyshellsandtanks,theyconduct of beatingbabies,largeandsmall.Theyareshot,throwninto A persuasivevisionthatrunsthroughthefilmsismotive historical eventsofthe20thcentury. defenceless andvulnerable,especiallybeforethestormof confidently populatesthelist.Butchildhoodisalsoterribly suddenly ourlovelyandmodestCinderella,quite and clear:amongthefilmsthatshookworldappears own, unhealedchildhoodtrauma.Childhoodisinitiallypure the heronotsomuchfromhistoricalconformity,buthis deduces ñnotwithoutreasonthepurposeandmethodof radiant, cheerfulguyswithIvantheTerrible.Eisenstein Since theSovietperiodthisthemelinksnon-dejected, in anticipationofitsfastendñwaspushedfromthelist? cinema ñfeverishlyengagedintheprocessofgrowingupand and kinds,butthechild.Maybethereforepre-Revolutionary not thebroadmasses,monumentstoleadersofallsorts past? Itismostunexpectedtofindascommondenominator the centurypresentourhappy(andnotsohappy)distant According tothislist,howdothefilmsoffirsthalf Children ofahalf-century Film historian,critic Evgeni Margolit, À≈“fl“ ∆”–¿¬À» THE CRANES ARE FLYING 50 choose (part I) 50 ‚˚·Ë‡˛Ú (˜‡ÒÚ¸ I)
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ƒ‡Ï‡Ú˘ÂÒ͇ˇ ËÒÚÓˡ ‰Â‚Û¯ÍË, 1957, ———–, 97 ÏËÌ., ˜/· 1957, USSR, 97 min, b/w ËÁÏÂÌË‚¯ÂÈ Ô‡ÏˇÚË Î˛·ËÏÓ„Ó, ۯ‰¯Â„Ó Ì‡ ‚ÓÈÌÛ. œÓ Ô¸ÂÒ ¬ËÍÚÓ‡ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ ¬ËÍÚÓ –ÓÁÓ‚ Scriptwriter Viktor Rozov –ÓÁÓ‚‡ ´¬Â˜ÌÓ ÊË‚˚ª. ≈‰ËÌÒÚ‚ÂÌÌ˚È –ÂÊËÒÒ ÃËı‡ËÎ ü‡Î‡ÚÓÁÓ‚ Director Mikhail Kalatozov Ë„Ó‚ÓÈ ÔÓÎÌÓÏÂÚ‡ÊÌ˚È ŒÔ‡ÚÓ —„ÂÈ ”ÛÒ‚ÒÍËÈ Director of Photography Sergei ÓÚ˜ÂÒÚ‚ÂÌÌ˚È ÙËθÏ, ÔÓÎۘ˂¯ËÈ ‚ ’Û‰ÓÊÌËÍ ≈‚„ÂÌËÈ —‚ˉÂÚÂ΂ Urusevsky ü‡ÌÌ ´«ÓÎÓÚÛ˛ ԇθÏÓ‚Û˛ ‚ÂÚ‚¸ª. üÓÒÚ˛Ï˚ Àˉˡ Õ‡ÛÏÓ‚‡ Production Design Evgeni Svidetelev üÓÏÔÓÁËÚÓ ÃÓËÒÂÈ ¬‡È̷„ Costume Design Lidia Naumova “ÂÍÒÚ ÔÂÒÌË ¬‡‰ËÏ üÓÓÒÚ˚΂ Composer Moisei Vainberg «‚ÛÍ »„Ó¸ ÇÈÓÓ‚ Sound Igor Mayorov ¬ ÓΡı: “‡Ú¸ˇÌ‡ —‡ÏÓÈÎÓ‚‡, ¿ÎÂÍÒÂÈ Cast: Tatiana Samoilova, Alexei ¡‡Ú‡ÎÓ‚, ¬‡ÒËÎËÈ ÃÂÍ۸‚, Batalov, Vasili Merkuriev, Alexander ¿ÎÂÍ҇̉ ÿ‚ÓËÌ, —‚ÂÚ·̇ Shvorin, Svetlana Kharitonova, ’‡ËÚÓÌÓ‚‡, üÓÌÒÚ‡ÌÚËÌ ÕËÍËÚËÌ, Konstantin Nikitin, Valentin Zubkov, ¬‡ÎÂÌÚËÌ «Û·ÍÓ‚, ¿ÌÚÓÌË̇ ¡Ó„‰‡ÌÓ‚‡, Antonina Bogdanova, Boris Kokovkin, ¡ÓËÒ üÓÍÓ‚ÍËÌ, ¬‡ÎÂÌÚË̇ ¿Ì‡Ì¸Ë̇, Valentina Ananyina, Valentina ¬‡ÎÂÌÚË̇ ¬Î‡‰ËÏËÓ‚‡, ÀÂÓÌˉ Vladimirova, Leonid Kniazev, üÌˇÁ‚, ÕËÍÓÎ‡È —ÏÓ˜ÍÓ‚ Nikolai Smorchkov œÓËÁ‚Ó‰ÒÚ‚Ó üËÌÓÒÚÛ‰Ëˇ Production Mosfilm Studio ´ÃÓÒÙËθϪ Restored by Mosfilm (1973) ¬ÓÒÒÚ‡ÌÓ‚ÎÂÌË ´ÃÓÒÙËθϪ (1973)
Dramatic story of a girl who betrays the ñ «ÓÎÓÚ‡ˇ ԇθÏÓ‚‡ˇ ‚ÂÚ‚¸ ´«‡ ñ Golden Palm ìFor high artistic memory of her beloved when he leaves ‚˚ÒÓÍË ıÛ‰ÓÊÂÒÚ‚ÂÌÌ˚ achievements and humanismî, while for the war. Based on Viktor Rozovís ‰ÓÒÚÓËÌÒÚ‚‡ Ë „ÛχÌËÁϪ, ÔË the jury also noted the exceptional play ìAlive Foreverî. ˝ÚÓÏ Ê˛Ë ÓÚÏÂÚËÎÓ performance of the actress Tatiana ËÒÍβ˜ËÚÂθÌÛ˛ Ë„Û ‡ÍÚËÒ˚ Samoilova; Prize of the Supreme “‡Ú¸ˇÌ˚ —‡ÏÓÈÎÓ‚ÓÈ; ÔËÁ Technical Commission of France for ¬˚Ò¯ÂÈ ÚÂıÌ˘ÂÒÍÓÈ ÍÓÏËÒÒËË camerawork ñ IFF Cannes, 1958; ‘‡ÌˆËË Á‡ ÓÔ‡ÚÓÒÍÛ˛ ‡·ÓÚÛ ñ ñ Prize of the French Academy of Ãü‘ ‚ ü‡ÌÌÂ, 1958; Cinematography ìCrystal Starî to ñ œÂÏˡ ‘‡ÌˆÛÁÒÍÓÈ ‡Í‡‰ÂÏËË Tatiana Samoilova for her ÍËÌÂχÚÓ„‡ÙËË ´’ÛÒڇθ̇ˇ performance in a lead role in the Á‚ÂÁ‰‡ª “‡Ú¸ˇÌ —‡ÏÓÈÎÓ‚ÓÈ Á‡ film ìThe Cranes are Flyingî; ËÒÔÓÎÌÂÌË „·‚ÌÓÈ ÓÎË ‚ ÙËθÏ ñ Honorary Prize ìFor the unusual and ´ÀÂÚˇÚ ÊÛ‡‚Î˪; deeply emotional embodiment of the ñ œÓ˜ÂÚÌ˚È ÔËÁ ´«‡ ÌÂÓ·˚˜ÌÛ˛ Ë noble idea of love for motherland, for „ÎÛ·ÓÍÓ ˝ÏÓˆËÓ̇θÌÛ˛ ÙÓÏÛ the poetic story about the romantic ‚ÓÔÎÓ˘ÂÌˡ ·Î‡„ÓÓ‰ÌÓÈ Ë‰ÂË feelings of young heroes, rendered β·‚Ë Í –Ó‰ËÌÂ, Á‡ ÔÓ˝Ú˘ÂÒÍËÈ with exceptional skill by the director ‡ÒÒ͇Á Ó ÓχÌÚ˘ÂÒÍËı ˜Û‚ÒÚ‚‡ı and the director of photographyî ñ ÏÓÎÓ‰˚ı „ÂÓ‚, Ô‰‡ÌÌ˚È Ò IFF Mexico, 1958; ‚˚ÒÓÍËÏ ÂÊËÒÒÂÒÍËÏ Ë ñ Honorary Diploma ñ IFF Locarno, ÓÔ‡ÚÓÒÍËÏ Ï‡ÒÚÂÒÚ‚ÓϪ ñ 1958; Ãü‘ ‚ ÃÂıËÍÓ, 1958; ñ Special Prize ñ FF in Moscow, 1958; ñ œÓ˜ÂÚÌ˚È ‰ËÔÎÓÏ ñ Ãü‘ ‚ ñ Honorary Certificateñ IFF ÀÓ͇ÌÓ, 1958; Vancouver, 1958; ñ ŒÒÓ·˚È ÔËÁ ñ ¬ü‘ ‚ ÃÓÒÍ‚Â, 1958; ñ According to a survey of the ñ œÓ˜ÂÚ̇ˇ „‡ÏÓÚ‡ ñ Ãü‘ ‚ newspaper ìSovetskaya kulturaî: one ¬‡ÌÍÛ‚ÂÂ, 1958; of the best films of 1957. ñ œÓ ÓÔÓÒÛ „‡ÁÂÚ˚ ´—Ó‚ÂÚÒ͇ˇ ÍÛθÚÛ‡ª ñ Ó‰ËÌ ËÁ ÎÛ˜¯Ëı ÙËθÏÓ‚ 1957 „Ó‰‡. 154 50 ‚˚·Ë‡˛Ú 50 (˜‡ÒÚ¸ I) 50 choose 50 (part I) ¬ÓÒÒÚ‡ÌÓ‚ÎÂÌË œÓËÁ‚Ó‰ÒÚ‚Ó √ÂÓ„ËÈ ¬‡ÒËθ‚,∆ÊÂÌÓ‚ ÕËÍÓÎ‡È —ËÏÓÌÓ‚,¡ÓËÒ◊ËÍÓ‚, —ÚÂÔ‡Ì ÿÍÛ‡Ú,¬ˇ˜ÂÒ·‚¬ÓÎÍÓ‚, ¡ÓËÒ ¡ÎËÌÓ‚,»Î·ËÓ̜‚ˆÓ‚, ÀÂÓÌˉ üÏËÚ,¬‡‚‡‡ÃˇÒÌËÍÓ‚‡, ¬ ÓΡı: ¬ËÌÓ„‡‰Ó‚ (1963) «‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ¿ÎÂÍ҇̉ üÒÂÌÓÙÓÌÚÓ‚ ŒÔ‡ÚÓ˚ (—„ÂÈ ¬‡ÒËθ‚,√ÂÓ„ËȬ‡ÒËθ‚) ¡‡Ú¸ˇ ¬‡ÒËθ‚˚ ¿‚ÚÓ˚ ÒˆÂÌ‡ËˇËÂÊËÒÒÂ˚ 1934, ———–,95ÏËÌ.,˜/· CHAPAEV ◊¿œ¿≈¬ ñ ¡ÓÌÁÓ‚‡ˇ ω‡Î¸ñ ñ √‡Ì-ÔË Ë‰ËÔÎÓÏñ ñ œÂ‚‡ˇÔÂÏˡ´—·ˇÌ˚È ñ —Ú‡ÎËÌÒ͇ˇ ÔÂÏˡIÒÚÂÔÂÌË Ãü‘ ‚ÃÓÒÍ‚Â,1935; ÇÍÒËχª, ´üÂÒÚ¸ˇÌª)ñ ÍÛ·Óͪ (ÒÙËθχÏË´fiÌÓÒÚ¸ Ãü‘ ‚¬Â̈ËË,1946 œ‡ËÊÂ, 1937; ÃÂʉÛ̇Ӊ̇ˇ ‚˚ÒÚ‡‚͇‚ (1941); ¿ÎÂÍ҇̉ ¡ÂÍÍÂ,¬Î‡‰ËÏË ¡ÓËÒ ¡‡·Ó˜ÍËÌ, »Ò‡‡Í ÇıÎËÒ ¿ÎÂÍ҇̉ —Ë„‡Â‚, √‡‚ËËÎ œÓÔÓ‚ ´ÀÂÌÙËθϪ ´ÃÓÒÙËθϪ (1963) . Restored by Production Georgy Zhzhenov Boris Chirkov,GeorgyVasiliev, Viacheslav Volkov,NikolaiSimonov, Illarion Pevtsov,StepanShkurat, Varbara Miasnikova,BorisBlinov, Cast: Vinogradov (1963) Sound Composer Design Production Alexander Ksenofontov Alexander Sigaev, Directors ofPhotography (Sergei Vasiliev,GeorgyVasiliev) Vasiliev Brothers Scriptwriters andDirectors 1934, USSR,95min.,b/w ñ Bronze MedalñIFFVenice,1946. ñ Grand PrixandDiplomañ ñ First PrizeìSilverCupî(jointlywith ñ Stalin Prize,1stclass(1941); 1937; International ExhibitioninParis, IFF Moscow,1935; ìMaximís YouthîandìPeasantsî)ñ Boris Babochkin,LeonidKmit, Alexander Bekker,Vladimir Gavriil Popov Lenfilm Mosfilm (1963). Isaak Makhlis (1887-1919). ‚ÓÈÌ˚ ¬‡ÒËÎËË»‚‡Ìӂ˘Â◊‡Ô‡Â‚Â Ó Î„Ẩ‡ÌÓÏ„ÂÓÂ√‡Ê‰‡ÌÒÍÓÈ ƒ.¿. ‘ÛχÌÓ‚‡Ë¿.Õ.‘ÛχÌÓ‚ÓÈ ·ËÓ„‡Ù˘ÂÒÍËÏ Ï‡ÚÂË‡Î‡Ï √ÂÓ˘ÂÒ͇ˇ ‰‡Ï‡ÔÓËÒÚÓËÍÓ- Ivanovich Chapaev(1887-1919). legendary CivilWarheroVasili and A.N.Furmanovaaboutthe biographic materialofD.A.Furmanov Heroic dramabasedonhistorical »¬¿Õ √–Œ«Õ¤… IVAN THE TERRIBLE 50 choose (part I) 50 ‚˚·Ë‡˛Ú (˜‡ÒÚ¸ I)
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»ÒÚÓ˘ÂÒ͇ˇ ‰‡Ï‡ ‚ ‰‚Ûı ÙËθχı Ó 1944ñ1945, ———–, (100+100) ÏËÌ., 1944ñ1945, USSR, (100+100) min., ·Ó¸·Â »‚‡Ì‡ √ÓÁÌÓ„Ó Á‡ Ó·˙‰ËÌÂÌË ˜/·+ˆ‚. b/w+col. ÙÂÓ‰‡Î¸ÌÓÈ –ÛÒË ‚ ÏÓ˘ÌÓ ˆÂÌÚ‡ÎËÁÓ‚‡ÌÌÓ „ÓÒÛ‰‡ÒÚ‚Ó. œÂ‚‡ˇ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ Ë ÂÊËÒÒ Scriptwriter and Director Sergei ÒÂˡ ·˚· ıÓÓ¯Ó ÔËÌˇÚ‡ Í‡Í —„ÂÈ ›ÈÁÂ̯ÚÂÈÌ Eisenstein ÁËÚÂΡÏË, Ú‡Í Ë Ô‡‚ËÚÂθÒÚ‚ÓÏ, ÌÓ ŒÔ‡ÚÓ˚ ¿Ì‰ÂÈ ÃÓÒÍ‚ËÌ, Director of Photography Andrei ‚Ó ‚ÚÓÓÈ —Ú‡ÎËÌ Û‚Ë‰ÂÎ ÔˇÏ˚ ›‰Û‡‰ “ËÒÒ˝ Moskvin, Eduard Tisse Ô‡‡ÎÎÂÎË ˝Í‡ÌÌÓ„Ó ‰ÂÈÒڂˡ Ò ’Û‰ÓÊÌËÍ »ÓÒËÙ ÿÔËÌÂθ Production Design Joseph Shpinel ‡ÎˡÏË ÒÓ·ÒÚ‚ÂÌÌÓÈ ‚·ÒÚË. ¬ üÓÒÚ˛Ï˚ ¬Ò‚ÓÎÓ‰ ¬ÓËÌÓ‚, flÍÓ‚ Costume Design Vsevolod Voinov, ÂÁÛθڇÚ 2-ˇ ÒÂˡ ÔÓˇ‚Ë·Ҹ ̇ –‡ÈÁχÌ, Àˉˡ Õ‡ÛÏÓ‚‡ Yakov Raizman, ˝Í‡Ì‡ı ÚÓθÍÓ ‚ 1958 „Ó‰Û. üÓÏÔÓÁËÚÓ —„ÂÈ œÓÍÓٸ‚ Lidia Naumova “ÂÍÒÚ ÔÂÒÂÌ ¬Î‡‰ËÏË ÀÛ„Ó‚ÒÍÓÈ Composer Sergei Prokofiev «‚ÛÍ ¬Î‡‰ËÏË ¡Ó„‰‡ÌÍ‚˘, ¡ÓËÒ Lyrics Vladimir Lugovskoy ¬ÓθÒÍËÈ Sound Vladimir Bogdankevich, ¬ ÓΡı: ÕËÍÓÎ‡È ◊Â͇ÒÓ‚, À˛‰ÏË· Boris Volsky ÷ÂÎËÍÓ‚Ò͇ˇ, —‡ÙËχ ¡ËχÌ, Cast: Nikolai Cherkasov, Liudmila œ‡‚ÂÎ ü‡‰Ó˜ÌËÍÓ‚, ÃËı‡ËÎ ∆‡Ó‚, Tselikovskaya, Serafima Birman, Pavel ¿Ï‚ÓÒËÈ ¡Û˜Ï‡, ÃËı‡ËÎ üÛÁ̈ӂ, Kadochnikov, Mikhail Zharov, Ambrosius ÃËı‡ËÎ Õ‡Á‚‡ÌÓ‚, ¿Ì‰ÂÈ ¿·ËÍÓÒÓ‚, Buchma, Mikhail Kuznetsov, Mikhail ¬Ò‚ÓÎÓ‰ œÛ‰Ó‚ÍËÌ, ¿ÎÂÍ҇̉ Nazvanov, Andrei Abrikosov, Vsevolod Ä·ӂ, ÇÍÒËÏ ÃËı‡ÈÎÓ‚, œ‡‚ÂÎ Pudovkin, Alexander Mgebrov, Maxim ÇÒ҇θÒÍËÈ, ›ËÍ œ˚¸Â‚, —„ÂÈ Mikhailov, Pavel Massalsky, Eric Pyriev, —ÚÓΡӂ, √ÂÓ„ËÈ fiχÚÓ‚, —ÂÏÂÌ Sergei Stoliarov, Georgy Yumatov, Semen “ËÏÓ¯ÂÌÍÓ, ¿ÎÂÍ҇̉ –ÛÏÌ‚, Timoshenko, Alexander Rumnev, Vladimir Historical drama in two films about ¬Î‡‰ËÏË ¡‡Î‡¯Ó‚, √ÂÓ„ËÈ ¬ËˆËÌ, Balashov, Georgy Vitsin, Anelle Ivan the Terribleís struggle for the ¿ÌÂθ —Û‰‡Í‚˘, ¿‰‡ ¬ÓȈËÍ Sudakevich, Ada Voitsik unification of feudal Rus into a œÓËÁ‚Ó‰ÒÚ‚Ó ÷Œü—, ´ÃÓÒÙËθϪ Production TsOKS, Mosfilm powerful, centralized state. The first ¬ÓÒÒÚ‡ÌÓ‚ÎÂÌË ´ÃÓÒÙËθϪ Restored by Mosfilm (1986ñ1987) film was well received by spectators and (1986ñ1987) the government, but in the second film Stalin saw a direct parallel between the action on screen and his own, real power and authority. As a result the second film was released only in 1958. ñ —Ú‡ÎËÌÒ͇ˇ ÔÂÏˡ I ÒÚÂÔÂÌË ñ Stalin Prize, 1st class (Part I); (Ô‚‡ˇ ÒÂˡ); ñ Jury Prize for best camera work ñ œËÁ Ê˛Ë Á‡ ÎÛ˜¯Û˛ (Part I) ñ IFF in Locarno, 1946; ÓÔ‡ÚÓÒÍÛ˛ ‡·ÓÚÛ (Ô‚‡ˇ ñ According to the results of a criticsí ÒÂˡ) ñ Ãü‘ ‚ ÀÓ͇ÌÓ, 1946; survey conducted by the British film ñ œÓ ËÚÓ„‡Ï ÂÙÂẨÛχ ÍËÚËÍÓ‚, magazine ìSight and Soundî (1962), Ôӂ‰ÂÌÌÓ„Ó ‡Ì„ÎËÈÒÍËÏ the film (Parts I and II) is rated ÊÛ̇ÎÓÏ ´—‡ÈÚ ˝Ì‰ —‡Û̉ª 7th among the ten best films in film (1962), ÙËÎ¸Ï (Ó·Â ÒÂËË) ̇Á‚‡Ì history; Ò‰¸Ï˚Ï ‚ ‰ÂÒˇÚÍ ÎÛ˜¯Ëı ñAccording to a survey of world film ÙËθÏÓ‚ ‚ ËÒÚÓËË ÍËÌÓËÒÍÛÒÒÚ‚‡; scholars conducted by the Milan ñ œÓ ËÚÓ„‡Ï ÓÔÓÒ‡ ÍËÌӂ‰ӂ Ïˇ, publishing house Mondadori (1978), Ôӂ‰ÂÌÌÓ„Ó ÏË·ÌÒÍËÏ the film (Parts I and II) is ranked ËÁ‰‡ÚÂθÒÚ‚ÓÏ ´¿. ÃÓ̉‡‰Ó˪ 8th among the ten best films of (1978), ÙËÎ¸Ï (Ó·Â ÒÂËË) ̇Á‚‡Ì world cinema. ‚ÓÒ¸Ï˚Ï ‚ ‰ÂÒˇÚÍ ÎÛ˜¯Ëı ÙËθÏÓ‚ ÏËÓ‚Ó„Ó ÍËÌÓËÒÍÛÒÒÚ‚‡. 156 50 ‚˚·Ë‡˛Ú 50 (˜‡ÒÚ¸ I) 50 choose 50 (part I) Ã.√Ó¸ÍÓ„Ó (1965) ¬ÓÒÒÚ‡ÌÓ‚ÎÂÌË œÓËÁ‚Ó‰ÒÚ‚Ó ¬Î‡‰ËÏË ”‡Î¸ÒÍËÈ ¿Ì‰ÂÈ ‘‡ÈÚ,ƒ‡ÌËËά‚‰ÂÌÒÍËÈ, üÎÂËÌ„, ∆‡Ó‚, ÃËı‡ËÎfl̯ËÌ,√‡ÌÒ ≈χÍÓ‚, ÕËÍÓ·ȿÍËÏÓ‚,ÃËı‡ËÎ ÕËÍÓÎ‡È ü˛˜ÍÓ‚,¿ÎÂÍ҇̉ ◊ËÒÚˇÍÓ‚, ÕËÍÓ·ȡӄÓβ·Ó‚, üÛÁ¸ÏË̇, –Ó·ÂÚ›‰Ï‡Ì,¿ÎÂÍ҇̉ ¬ ÓΡı: ŒÁÓÌÓ‚ «‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ¿Ì‰ÂÈ —ÔËˉÓÌÓ‚ ŒÔ‡ÚÓ˚ –ÂÊËÒÒ ¡ÓËÒ ¡‡ÌÂÚ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 1933, ———–,98ÏËÌ.,˜/· OUTSKIRTS Œü–¿»Õ¿ ñ ´«ÓÎÓÚÓÈ ÍÛ·ÓͪÁ‡ÎÛ˜¯Û˛ ¬Â̈ËË, 1934. ÍËÌÂχÚÓ„‡Ù˘ÂÒ͇ˇ ‚˚ÒÚ‡‚͇‚ ̇ ÙÂÒÚË‚‡ÎÂñÃÂʉÛ̇Ӊ̇ˇ ‰.), Ô‰ÒÚ‡‚ÎÂÌÌÛ˛„ÓÒÛ‰‡ÒÚ‚ÓÏ √ÛÎÎ˂ª, ´œ˚¯Í‡ª,´◊ÂβÒÍËÌªË ´»‚‡Ìª, ´ŒÍ‡Ë̇ª,´ÕÓ‚˚È ´√ÓÁ‡ª, ´œÂÚ·ۄÒ͇ˇÌÓ˜¸ª, ÔÓ„‡ÏÏÛ (´¬ÂÒÂÎ˚·ˇÚ‡ª, ÀÂÓÌˉ Œ·ÓÎÂÌÒÍËÈ,ÕËÍÓÎ‡È —„ÂÈ üÓχӂ,≈ÎÂ̇ ¡ÓËÒ ¡‡ÌÂÚ —„ÂÈ üÓÁÎÓ‚ÒÍËÈ ÃËı‡ËÎ üËËÎÎÓ‚, —„ÂÈ ¬‡ÒËÎÂÌÍÓ ´ÃÂʇ·ÔÓÏÙËθϪ üËÌÓÒÚÛ‰Ëˇ ËÏÂÌË üÓÌÒÚ‡ÌÚËÌ ‘ËÌÌ, (1965) Restored by Production Vladimir Uralsky Klering, AndreiFait,DanielVvedensky, Mikhail Zharov,Yanshin,Hans Alexander Ermakov,NikolaiAkimov, Nikolai Bogoliubov,Kriuchkov, Robert Erdman,AlexanderChistiakov, Cast: Ozornov Sound Composer Production Design Kirillov, AndreiSpiridonov Director ofPhotography Director Boris Barnet Scriptwriters Konstantin 1933, USSR,98min.,b/w ñ ìGolden Cupîforthebestprogramme Cinema ExhibitioninVenice,1934. state atthefestivalñInternational ìChelyuskinî, etc.),representedbythe ìNew Gulliverî,ìBouledeSuifî, ìPetersburg Nightî,ìIvanî,ìOutskirtsî, (ìHappy Guysî,ìTheStormî, Sergei Komarov,ElenaKuzmina, Leonid Obolensky,Nikolai Boris Barnet Sergei Vasilenko Mezhrabpomfilm the GorkyFilmStudio Sergei Kozlovsky Mikhail Finn, Ã˛ÎÎÂ‡Ö Ã‡ËË ËÌÂψÍÓ„Ó‚ÓÂÌÌÓÔÎÂÌÌÓ„Ó ‰Ó˜ÂË ıÓÁˇË̇҇ÔÓÊÌÓÈχÒÚÂÒÍÓÈ ÙËθχ ñÕËÍÓ·ˇ,„ÓÒ˚ÌÓ‚ÂÈ, ÕÂ΄ÍÓ ÒÍ·‰˚‚‡˛ÚÒˇÒÛ‰¸·˚„ÂÓ‚ „ÓÌˇÚ Ú˚Òˇ˜ËËÒÓΉ‡Ú... —Â̸͇. ¬·ÂÒÒÏ˚ÒÎÂÌÌÓÂ̇ÒÚÛÔÎÂÌË ƒÓ·Ó‚ÓθˆÂÏ ÛıÓ‰ËÚË„ӷ‡Ú ü‡‰ÍËÌ ÛıÓ‰ËÚ̇ÙÓÌÚ. ‚ÓÈÌÛ –ÓÒÒË˪.–‡·Ó˜ËÈÕËÍÓÎ‡È ÚÂ΄‡Ïχ: ´√ÂχÌˡӷ˙ˇ‚Ë· —ÓÌÌÛ˛ ÊËÁ̸Ï¢‡ÌÔÓ·Ûʉ‡ÂÚ √ÎÛı‡ˇ Ó͇Ë̇ˆ‡ÒÍÓÈ–ÓÒÒËË. ÔÓ‚ÂÒÚË üÓÌÒÚ‡ÌÚË̇‘ËÌ̇. ƒ‡Ï‡ ÔÓÏÓÚË‚‡ÏÓ‰ÌÓËÏÂÌÌÓÈ MuellerÖ cobbler; andtheGermancaptive and hissons;Maria,thedaughterof the filmísheroesarecomplex:Nikolai into asenselessfight...Thedestiniesof and thousandsofsoldiersaredriven brother Senkavolunteers.Thousands Nikolai Kadkinleavesforthefront;his declared waronRussiaî.Theworker shaken bythetelegram:ìGermanyhas sleepy lifeofthepettybourgeoisieis A remoteareaofimperialRussia.The title byKonstantinFinn. Drama basedonthestoryofsame ¡–ŒÕ≈ÕŒ—≈÷ ´œŒ“≈Ãü»Õª THE BATTLESHIP POTEMKIN 50 choose (part I) 50 ‚˚·Ë‡˛Ú (˜‡ÒÚ¸ I)
157
»ÒÚÓËÍÓ-‚ÓβˆËÓÌ̇ˇ ‰‡Ï‡ Ó 1925, ———–, 75 ÏËÌ., ˜/· 1925, USSR, 75 min., b/w ‚ÓÒÒÚ‡ÌËË Ì‡ ·ÓÌÂÌÓ҈ ´üÌˇÁ¸ œÓÚÂÏÍËÌ “‡‚˘ÂÒÍËȪ (Ë˛Ì¸ 1905 ¿‚ÚÓ ÒˆÂÌ‡Ëˇ ÕË̇ ¿„‡‰Ê‡ÌÓ‚‡ Scriptwriter Nina Agadzhanova „Ó‰‡). ¿‚ÚÓ Ì‡‰ÔËÒÂÈ ÕËÍÓÎ‡È ¿Ò‚ Intertitles Nikolai Aseev –ÂÊËÒÒ —„ÂÈ ›ÈÁÂ̯ÚÂÈÌ Director Sergei Eisenstein —ÓÂÊËÒÒ √Ë„ÓËÈ ¿ÎÂÍ҇̉ӂ Co-Director Grigori Alexandrov ŒÔ‡ÚÓ ›‰Û‡‰ “ËÒÒ˝ Director of Photography Eduard Tisse ’Û‰ÓÊÌËÍ ¬‡ÒËÎËÈ –‡ı‡Î¸Ò Production Design Vasili Rakhals üÓÏÔÓÁËÚÓ˚ ›‰Û‡‰ ÇÈÁÂθ (1930), Composers Edmund Meisel (1930), ÕËÍÓÎ‡È ü˛ÍÓ‚ (1950), ƒÏËÚËÈ Nikolai Kriukov (1950), Dmitri ÿÓÒÚ‡Íӂ˘ (1976) Shostakovich (1976) «‚ÛÍ ≈‚„ÂÌËÈ ü‡¯Í‚˘ (1930) Sound Evgeni Kashkevich (1930) ¬ ÓΡı: ¿ÎÂÍ҇̉ ¿ÌÚÓÌÓ‚, Cast: Alexander Antonov, Vladimir ¬Î‡‰ËÏË ¡‡ÒÍËÈ, √Ë„ÓËÈ Barsky, Grigori Aleksandrov, Mikhail ¿ÎÂÍ҇̉ӂ, ÃËı‡ËÎ √ÓÏÓÓ‚, Gomorov, Marusov, Ivan Bobrov, ÇÛÒÓ‚, »‚‡Ì ¡Ó·Ó‚, –ÂÔÌËÍÓ‚‡, Repnikova, Alexander Levshin, Andrei ¿ÎÂÍ҇̉ À‚¯ËÌ, ¿Ì‰ÂÈ ‘‡ÈÚ, Fait, Vladimir Uralsky, Vera Chmeleva ¬Î‡‰ËÏË ”‡Î¸ÒÍËÈ, ¬Â‡ ◊ÏÂ΂‡ Production First Factory of Goskino œÓËÁ‚Ó‰ÒÚ‚Ó 1-ˇ Ù‡·Ë͇ √ÓÒÍËÌÓ Restored by Mosfilm (1950, 1976) ¬ÓÒÒÚ‡ÌÓ‚ÎÂÌË ´ÃÓÒÙËθϪ (1950, 1976)
Historical revolutionary drama about ñ «ÓÎÓÚ‡ˇ ω‡Î¸ ñ ÃÂʉÛ̇Ӊ̇ˇ ñ Gold Medal ñ International the uprising on the battleship ìPrince ‚˚ÒÚ‡‚͇ ‚ œ‡ËÊÂ, 1926; Exhibition in Paris, 1926; Potemkin Tavricheskyî (June 1905). ñ ´ÀÛ˜¯ËÈ ÙËθϪ ñ ¿ÏÂË͇ÌÒ͇ˇ ñ ìBest Filmî ñ American Academy of ¿Í‡‰ÂÏˡ ÍËÌÓËÒÍÛÒÒÚ‚‡, 1926; Motion Pictures, 1926; ñ œÂ‚˚È ‚ ˜ËÒΠ12 ÎÛ˜¯Ëı ÙËθÏÓ‚ ñ First among the twelve best films of ‚ÒÂı ‚ÂÏÂÌ Ë Ì‡Ó‰Ó‚ ÔÓ all times and peoples according to ÂÁÛÎ¸Ú‡Ú‡Ï ÏÂʉÛ̇ӉÌÓ„Ó the results of an international ÓÔÓÒ‡ ÍËÚËÍÓ‚ ‚ ¡˛ÒÒÂΠ‚ 1958 criticsí survey in Brussels in 1958 „Ó‰Û (110 „ÓÎÓÒÓ‚ ËÁ 117); (110 votes of 117); ñ œÂ‚˚È ÒÂ‰Ë ÒÚ‡ ÎÛ˜¯Ëı ÙËθÏÓ‚ ñ First among 1000 best films ÔÓ ÓÔÓÒÛ ÍËÌӂ‰ӂ Ïˇ (1978, according to a survey of world film ÓÔÓÒ Ôӂ‰ÂÌ ËڇθˇÌÒÍËÏ scholars (1978, survey by the Italian ËÁ‰‡ÚÂθÒÚ‚ÓÏ ´¿.ÃÓ̉‡‰Ó˪ ‚ publishing house Mondadori in ÃË·ÌÂ); Milan); ñ ´ÀÛ˜¯ËÈ Â‚ÓÔÂÈÒÍËı ÙËÎ¸Ï ‚ÒÂı ñ ìBest European Film of All Timesî ñ ‚ÂÏÂ̪ ñ ÓÔÓÒ Â‚ÓÔÂÈÒÍËı survey of European ÍËÌÂχÚÓ„‡ÙËÒÚÓ‚ (6000 cinematographers (6000 ÂÒÔÓ̉ÂÌÚÓ‚) ñ ‘ÂÒÚË‚‡Î¸ respondents) ñ Festival of European ‚ÓÔÂÈÒÍÓ„Ó ÍËÌÓ ‚ „ÓӉ Àˇ-¡Óθ, Cinema in La Baule, France, 1990. ‘‡ÌˆËˇ, 1990. 158 50 ‚˚·Ë‡˛Ú 50 (˜‡ÒÚ¸ I) 50 choose 50 (part I) œÓËÁ‚Ó‰ÒÚ‚Ó Ã‡Ëˇ flӈ͇ˇ ≈ÎÂ̇ —ÓÍÓÎÓ‚‡, ¬Î‡‰ËÏË ‘Ó„Âθ,ÀÂÓÌˉfiÂÌ‚, À˛‰ÏË· —ÂÏÂÌÓ‚‡, ¬ ÓΡı: fiÚÍ‚˘ ’Û‰ÓÊÌËÍË ŒÔ‡ÚÓ –ÂÊËÒÒ ¿·‡Ï –ÓÓÏ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 1927, ———–,74ÏËÌ.,˜/· BED ANDSOFA/THREEINLOVE “–≈“‹fl Ã≈Ÿ¿Õ—ü¿fl ÕËÍÓÎ‡È ¡‡Ú‡ÎÓ‚, √Ë„ÓËÈ √Ë·Â ¿·‡Ï –ÓÓÏ ¬‡ÒËÎËÈ –‡ı‡Î¸Ò,—„ÂÈ ´—Ó‚ÍËÌÓª ¬ËÍÚÓ ÿÍÎÓ‚ÒÍËÈ, Production Maria Yarotskaya Leonid Yurenev,ElenaSokolova, Liudmila Semenova,VladimirFogel, Cast Sergei Yutkevich Production Design Director ofPhotography Director Abram Room Scriptwriters 1927, USSR,74min.,b/w Nikolai Batalov, Abram Room Sovkino Viktor Shklovsky, (ìTretya Meshchanskayaî) Vasili Rakhals, Grigori Giber Òڇ̇ı ñ͇ʹ“Ó‚ÔÓ‰‚‡Îª. ´üÓ‚‡Ú¸ ËÒÓÙ‡ª,‚‰Û„Ëı‚ÓÔÂÈÒÍËı √ÂχÌËË Ó̇¯Î‡ÔӉ̇Á‚‡ÌËÂÏ Ì‡Á‚‡ÌË ÙËθχñ´À˛·Ó‚¸‚ÚÓÂϪ,‚ Á‡Ô¢Â̇ ÍÔÓ͇ÁÛ‚‡ÏËË).œÂ‚Ó ÏÂÎÓ‰‡Ï ÓÌÓ‚ÓÏ·˚ÚÂ(͇ÚË̇·˚· Œ‰Ì‡ ËÁÒ‡Ï˚ıËÒÍÓ‚‡ÌÌ˚ıÒÓ‚ÂÚÒÍËı ·ÂÌ͇, ËÌÂÔÓÌˇÚÌÓ,ÍÚÓÊ„ÓÓÚÂˆÖ ÚÓÏÛ Ê‚˚ˇÒÌˇÂÚÒˇ,˜ÚÓÀ˛‰ÏË·ʉÂÚ ÏÓ„ÛÚ ‚˚ÈÚËËÁÚÛÔËÍÓ‚ÓÈÒËÚÛ‡ˆËË.ü ÚÓ ÔÓÌËχ˛Ú,˜ÚÓÔÓËÒıÓ‰ËÚ,ÌÓÌ ËÁÏÂÌˇÚ¸ ÒÌËÏÒ‚ÓÂÏÛβ·Ó‚ÌËÍÛ.¬Ò ≈„Ó ·˚‚¯‡ˇÊÂ̇ÚÂÔ¸̇˜Ë̇ÂÚ ÕÓ Ë‰ÚËÂÏÛÌÂÍÛ‰‡.ŒÌ‚ÓÁ‚‡˘‡ÂÚÒˇ. ÚÓÏ, ˜ÚÓÔÓËÁÓ¯ÎÓ,ËÛıÓ‰ËÚËÁ‰Óχ. ‘Ó„ÂÎÂÏ. ¬ÂÌÛ‚¯ËÈÒˇ¡‡Ú‡ÎÓ‚ÛÁ̇ÂÚÓ ÕËÍÓ·ˇ „ÓÊÂ̇À˛‰ÏË·ÒıÓ‰ËÚÒˇÒ ¡‡Ú‡ÎÓ‚‡. ¬Ó‚ÂÏˇÍÓχ̉ËÓ‚ÍË ‰Û„‡ ñËÌÊÂ̇-ÒÚÓËÚÂΡÕËÍÓ·ˇ ÔÓÒÂΡÂÚÒˇ ‚ÍÓÏ̇ÚÂÒ‚Ó„ÓÙÓÌÚÓ‚Ó„Ó ÔËÂÁʇÂÚ Ô˜‡ÚÌËÍ‘Ó„Âθ˂ÂÏÂÌÌÓ ¬ÂÏÂ̇ Õ›œ‡.»ÁÔÓ‚Ë̈ËË‚ÃÓÒÍ‚Û ÃÂÎÓ‰‡Ï‡. ìThree intheBasementî. under thetitleìBedandSofaî,or other Europeancountriesitwasreleased was ìThreeinLoveî;Germanyand armed forces).Thefirsttitleofthe film was bannedfromscreeningstothe melodramas aboutthenewlife(the film One ofthemostriskySoviet the fatherisÖ expecting achild,butisnotclearwho Besides, ittranspiresthatLiudmilais on, buttheycannotleavethisimpasse. him. Allthreeunderstandwhatisgoing wife nowstartstobetrayherloverwith go to,sohecomesback.Hisformer leaves thehouse.Buthehasnoplaceto Batalov findsoutabouttheiraffairand Liudmila getcloser.Uponhisreturn, business tripFogelandNikolaiíswife Batalov. WhenNikolaiisawayona the constructionengineerNikolai settles inaroomofhiswartimefriend, the provincetoMoscowandtemporarily 1921-24). TheprinterFogelcomesfrom The timeofNEP(NewEconomicPolicy, Melodrama. —◊¿—“‹≈ HAPPINESS 50 choose (part I) 50 ‚˚·Ë‡˛Ú (˜‡ÒÚ¸ I)
159
‘ËÎÓÒÓÙÒ͇ˇ Ò͇Á͇, ÒÌˇÚ‡ˇ ‚ 1934, ———–, 66 ÏËÌ., ˜/· 1934, USSR, 66 min., b/w ˝ÒÚÂÚËÍ ÛÒÒÍÓ„Ó Î۷͇, Ó „ÓÂÏ˚˜ÌÓÏ ÒÚˇÊ‡ÚÂΠ’Ï˚Â, Ó Â„Ó ¿‚ÚÓ ÒˆÂÌ‡Ëˇ Ë ÂÊËÒÒ Scriptwriter and Director ÊÂÌÂ-ÎÓ¯‡‰Ë ¿ÌÌÂ, Ó Ò˚ÚÓÏ ÒÓÒ‰ ¿ÎÂÍ҇̉ É‚‰ÍËÌ Alexander Medvedkin ‘ÓÍÂ, ‡ Ú‡ÍÊÂ Ó ÔÓÔÂ, Ó ÏÓ̇¯ÍÂ Ë Ó ŒÔ‡ÚÓ √η “ÓˇÌÒÍËÈ Director of Photography ‰Û„Ëı ˜Û˜Â·ı. "œÓÒ‚ˇ˘‡ÂÚÒˇ ’Û‰ÓÊÌËÍ ¿ÎÂÍÒÂÈ ”ÚÍËÌ Gleb Troyansky ÔÓÒΉÌÂÏÛ ÍÓÎıÓÁÌÓÏÛ ÎÓ‰˚˛". üÓÏÔÓÁËÚÓ ¿ÎÂÍÒÂÈ ¿È„Ë (2000) Production Design Alexei Utkin ‘ËÎ¸Ï "—˜‡ÒÚ¸Â" ÔËÌÂÒ ¿ÎÂÍÒ‡Ì‰Û ¬ ÓΡı: œÂÚ «ËÌÓ‚¸Â‚, Composer Alexei Aigi (2000) É‚‰ÍËÌÛ ¯ËÓÍÛ˛ ËÁ‚ÂÒÚÌÓÒÚ¸, ÓÌ ≈ÎÂ̇ ≈„ÓÓ‚‡, Àˉˡ ÕÂ̇¯Â‚‡, Cast: Petr Zinoviev, Elena Egorova, ·˚Î ‚˚ÒÓÍÓ ÓˆÂÌÂÌ ›ÈÁÂ̯ÚÂÈÌÓÏ, ¬.”ÒÔÂÌÒÍËÈ, √.ÃË„Ó¸ˇÌ, Lidia Nenasheva, V. Uspensky, œÛ‰Ó‚ÍËÌ˚Ï Ë ƒÓ‚ÊÂÌÍÓ. ¬ 70- „Ó‰˚ ¬.À‡‚ÂÌڸ‚ G. Mirgorian, V. Lavrentiev ·˚Î ÔÓ͇Á‡Ì ÔÓ “¬ ‚ Òڇ̇ı ≈‚ÓÔ˚ œÓËÁ‚Ó‰ÒÚ‚Ó ´ÃÓÒÍËÌÓÍÓÏ·Ë̇ڪ Production Moskinokombinat Ë ¿ÏÂËÍË.. ¬ÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ Ë ÏÓÌÚ‡Ê Á‚Û͇ Restored and sound edited by √ÓÒÙËθÏÓÙÓ̉ –‘, Œ–“ (2000) Gosfilmofond of Russia and ORT (2000)
A philosophical fairy tale made in the style of Russian lubok, about the hapless money-grubber Khmyr, his horse-wife Anna, about the fat neighbour Foka, and about the priest, about the nun and other scarecrows. "Devoted to last collective-farm idler". The film "Happiness" brought Alexander Medvedkin wide popularity, and it was highly praised by Eisenstein, Pudovkin and Dovzhenko. In the 1970s it was shown on TV in Europe and America. 160 50 ‚˚·Ë‡˛Ú 50 (˜‡ÒÚ¸ I) 50 choose 50 (part I) œÓËÁ‚Ó‰ÒÚ‚Ó Ã‡ÍÒËÏÓ‚‡, —‡¯‡ÃÓÓÁ ÇÍËÌ, ≈ÎÂ̇üÓ‚‡ÎÂÌÍÓ,À˛Òˇ ¡ÂÎÓ‚, ¬‡ÎÂÌÚËÌ¡˚΂,¬ËÍÚÓ üβ˜Ì‚, Ã‡Ëˇ√‡‚ËÎÍÓ,fiËÈ fiıÚËÌ, –ËÏχÿÓÓıÓ‚‡,ÕËÍÓÎ‡È ¬‡ÎÂÌÚË̇ œÛ„‡˜Â‚‡,√ÂÌ̇‰ËÈ ÕËÍÓÎ‡È –˚·ÌËÍÓ‚,¬Î‡‰ËÏË√ÛΡ‚, ¬ ÓΡı: «‚ÛÍ —ÓÎÓ Ì‡„Ëڇ ¬Ó͇Π“ÂÍÒÚ ÔÂÒÂÌ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ œÂÚ “Ó‰ÓÓ‚ÒÍËÈ ŒÔ‡ÚÓ˚ ÇÎÂÌ ’ۈ˂ –ÂÊËÒÒÂ˚ ‘ÂÎËÍÒÃËÓÌÂ, ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 1956, ———–,95ÏËÌ.,˜/· SPRING ONZARECHNAYASTREET ¬≈—Õ¿ Õ¿«¿–≈◊ÕŒ…”À»÷≈ ñ ¡ÓÌÁÓ‚‡ˇÏ‰‡Î¸Ãü‘‚ ÒÚÛ‰ÂÌÚÓ‚, 1957. ¬ÒÂÏËÌÓ„Ó ÙÂÒÚË‚‡ÎˇÏÓÎÓ‰ÂÊËË ÃÓÒÍ‚Â, Ôӂ‰ÂÌÌÓ„Ó‚‡Ï͇ı ¬Î‡‰ËÏË üÛ„‡ÌÒÍËÈ ÕËÍÓÎ‡È –˚·ÌËÍÓ‚ ÕË̇ »‚‡ÌÓ‚‡, ¬‡ÒËÎËÈ «‡˜ËÌˇÂ‚ –‡‰ÓÏË ¬‡ÒË΂ÒÍËÈ, ¿ÎÂÍÒÂÈ ‘‡Ú¸ˇÌÓ‚ ¡ÓËÒ ÃÓÍÓÛÒÓ‚ Œ‰ÂÒÒ͇ˇ ÍËÌÓÒÚÛ‰Ëˇ œÂÚ “Ó‰ÓÓ‚ÒÍËÈ ‘ÂÎËÍÒ ÃËÓÌ Production Sasha Moroz Elena Kovalenko,LiusyaMaximova, Valentin Bryleev,ViktorMarkin, Maria Gavrilko,YuriBelov, Rimma Shorokhova,NikolaiKliuchnev, Pugacheva, GennadiYukhtin, Vladimir Guliayev,Valentina Cast Sound Guitar Solo Vocals by Lyrics by Composer Production Design Radomir Vasilevsky,PetrTodorovsky Directors ofPhotography Marlen Khutsiev Directors Scriptwriter 1956, USSR,95min.,b/w ñ BronzeMedalIFFinMoscow,held Youth Festival,1957. in thecontextofInternational Nina Ivanova,NikolaiRybnikov, Vladimir Kurgansky Alexei Fatianov Felix Mironer, Boris Mokrousov Nikolai Rybnikov Odessa FilmStudio Petr Todorovsky Felix Mironer Vasili Zachiniayev ‚ÂÒ̇, ÚÓ˜ÚÓÊÂ?.. ÛÒÎÓÊÌˇ˛Ú ÂÂÊËÁ̸.ÕÓÂÒÎË˝ÚÓÌ ËÁ·‡ÎÓ‚‡ÌÌÓ„Ó ‚ÌËχÌËÂω‚ۯÂÍ, Òڇ΂‡‡-‡ˆËÓ̇ÎËÁ‡ÚÓ‡, —‡‚˜ÂÌÍÓ, ÔÓÒÚÓ„Ó,ÔˇÏÓÎËÌÂÈÌÓ„Ó Õ‡ÒÚÓȘ˂˚ Ûı‡ÊË‚‡Ìˡ¿ÎÂÍ҇̉‡ ‰Îˇ ̇˜Ë̇˛˘Â„ÓÔ‰‡„Ó„‡. ÒÎÓÊÌ˚È, ÌÓËÌÚÂÂÒÌ˚ȴχÚÂˇΪ —ڇ΂‡˚, ͇ÌÓ‚˘ËÍË,¯ÓÙÂ˚ñ Ô‰ËÌÒÚËÚÛÚ‡ “‡Ú¸ˇÌ‡—„‚̇. ÌÓ‚‡ˇ Û˜ËÚÂθÌˈ‡ñ‚˚ÔÛÒÍÌˈ‡ ÔÓÏ˚¯ÎÂÌÌÓ„Ó ÔÓÒÂÎ͇ÔÓˇ‚ΡÂÚÒˇ ¬ ¯ÍÓ··Ó˜ÂÈÏÓÎÓ‰ÂÊË ÃÂÎÓ‰‡Ï‡. spring, then?.. complicates herlife.Butifthisisnot is spoiltbytheattentionofgirls, simple, straightforwardsteel-makerwho courtship ofAlexanderSavchenko,a a young,beginningteacher.Thestern complex, butinterestingìmaterialîfor workers, craneoperators,driversmake graduate ofateacheríscollege.Steel- settlement: TatianaSergeevnaisa young workersinanindustrial A newteacherarrivesattheschoolfor Melodrama. œŒ «¿üŒÕ” BY THE LAW/ DURA LEX 50 choose (part I) 50 ‚˚·Ë‡˛Ú (˜‡ÒÚ¸ I)
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œÒËıÓÎӄ˘ÂÒ͇ˇ ‰‡Ï‡ ÔÓ ÏÓÚË‚‡Ï 1926, ———–, 61 ÏËÌ., ˜/· 1926, USSR, 61 min., b/w ‡ÒÒ͇Á‡ ƒÊÂ͇ ÀÓ̉Ó̇ ´ÕÂÓÊˉ‡ÌÌÓª. ¿‚ÚÓ ÒˆÂÌ‡Ëˇ ¬ËÍÚÓ ÿÍÎÓ‚ÒÍËÈ Scriptwriter Viktor Shklovsky Õ·Óθ¯‡ˇ „ÛÔÔ‡ ÁÓÎÓÚÓËÒ͇ÚÂÎÂÈ Ì‡ıÓ‰ËÚ ‚ üÎÓ̉‡ÈÍ ÁÓÎÓÚÓ. –ÂÊËÒÒ À‚ üÛίӂ Director Lev Kuleshov –‡Á‡·ÓÚ͇ ÔËËÒ͇ ÔÓ‰ÓÎʇÂÚÒˇ ‚Ò˛ ŒÔ‡ÚÓ üÓÌÒÚ‡ÌÚËÌ üÛÁ̈ӂ Director of Photography Konstantin ÁËÏÛ ñ ÁÓÎÓÚ‡ ÏÌÓ„Ó. ÕÓ Ó‰Ì‡Ê‰˚ ‚Ó ’Û‰ÓÊÌËÍ »Ò‡‡Í ÇıÎËÒ Kuznetsov ‚ÂÏˇ ‡·ÓÚ˚ ÔÓËÒıÓ‰ËÚ ¬ ÓΡı: ¿ÎÂÍ҇̉‡ ’ÓıÎÓ‚‡, Production Design Isaak Makhlis ÌÂÓÊˉ‡ÌÌÓÂ: ÇÈÍÎ ƒ‡ÈÌÂÌ ÔËıÓ‰ËÚ —„ÂÈ üÓχӂ, ¬Î‡‰ËÏË ‘Ó„Âθ, Cast: Alexandra Khokhlova, Ò ÛʸÂÏ Ë Ì‡˜Ë̇ÂÚ ÒÚÂΡڸ ÔÓ ÚÓ‚‡Ë˘‡Ï. ŒÌ Ì ÛÒÔ‚‡ÂÚ Û·ËÚ¸ œÓÙËËÈ œÓ‰Ó·Â‰, œÂÚ √‡Î‡‰Ê‚ Sergei Komarov, Vladimir Fogel, ‰‚ÓËı ñ ÚÂı, ÍÓÚÓ˚ ·˚ÎË ÏÛÊÂÏ Ë œÓËÁ‚Ó‰ÒÚ‚Ó 1-ˇ Ù‡·Ë͇ √ÓÒÍËÌÓ Porfiry Podobed, Petr Galadzhev ÊÂÌÓÈ. ∆ÂÌ˘Ë̇ Â„Ó ı‚‡Ú‡ÂÚ Á‡ Production First Factory of Goskino ÛʸÂ. Õ‡‰Ó ·˚ÎÓ ·˚ Â„Ó Û·ËÚ¸. ÕÓ ÊÂÌ˘Ë̇ „Ó‚ÓËÚ, ˜ÚÓ Ì‡‰Ó ÒÛ‰ËÚ¸ ˜ÂÎÓ‚Â͇. ¿ ÒÛ‰ËÚ¸ Â„Ó ÌÂÍÓ„‰‡, Ì„‰Â Ë ÌÂÍÓÏÛ. ’ËÊË̇ Á‡Ò˚ԇ̇ ÒÌ„ÓÏ. ÀÂÊËÚ Ò‚ˇÁ‡ÌÌ˚È ÔÂÒÚÛÔÌËÍ. —ˉˇÚ ‰‚Ó β‰ÂÈ. ŒÌË Â„Ó ÒÛ‰ˇÚ, Ô˘ÂÏ ÓÌË Ò‡ÏË ñ Ë Ò‚Ë‰ÂÚÂÎË, Ë ÔÓÍÛÓÖ
Psychological drama based on the motives of Jack Londonís story ìThe Unexpectedî. A small group of gold diggers find gold in Klondike, Yukon. The exploitation of the mine continues all winter, as there is a lot of gold. But one day something unexpected happens: Michael Dennen arrives with a gun and begins to shoot his comrades. The only two survivors are husband and wife. The woman seizes the gun. She should kill him. But the woman says that he must be judged. Yet there is no time to judge him, there is no place and nobody. The hut is covered in snow. The tied-up criminal lies on the ground while the two people sit court. They judge him, being both witnesses and prosecutionÖ 162 50 ‚˚·Ë‡˛Ú 50 (˜‡ÒÚ¸ I) 50 choose 50 (part I) ¬ÓÒÒÚ‡ÌÓ‚ÎÂÌË ´ÃÓÒÙËθϪ(1985) œÓËÁ‚Ó‰ÒÚ‚Ó —ÚÊÂθ˜ËÍ ÕËÍÓÎ‡È √ˈÂÌÍÓ,¬Î‡‰ËÒ·‚ ¬Â‡ ¿ÎÚ‡ÈÒ͇ˇ,√ÂÓ„ËÈ—‚ÂÚ·ÌË, ÃËı‡ËÎ üÛÁ̈ӂ,ƒ.œ‡Ì͇ÚÓ‚‡, ¬ ÓΡı: «‚ÛÍ ÃÛÁ˚͇ ÃËı‡ËÎ “ËÛÌÓ‚ ’Û‰ÓÊÌËÍË ŒÔ‡ÚÓ –ÂÊËÒÒ —„ÂÈ ≈ÏÓÎËÌÒÍËÈ ≈‚„ÂÌËÈ √‡·ËÎӂ˘, ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 1942, ———–,77ÏËÌ.,˜/· MASHENKA ÿÿ≈Õ‹ü¿ ñ —Ú‡ÎËÌÒ͇ˇÔÂÏˡIIÒÚÂÔÂÌË (1943). ¬ËÍÚÓ «ÓËÌ ¿ÎÂÍ҇̉ √·ÁÛÌÓ‚ ¬‡ÎÂÌÚË̇ ü‡‡‚‡Â‚‡, ≈‚„ÂÌËÈ ¿Ì‰Ë͇ÌËÒ fiÎËÈ –‡ÈÁÏ‡Ì »ÓÒËÙ ÿÔËÌÂθ, ´ÃÓÒÙËθϪ, ÷Œü— Restored by Production Gritsenko, VladislavStrzhelchik Altaiskaya, GeorgySvetlani,Nikolai Kuznetsov, D.Pankratov,Vera Cast: Sound Music Mikhail Tiunov Production Design Evgeni Andrikanis Director ofPhotography Director Sergei Ermolinsky Scriptwriters Evgeni 1942, USSR,77min.,b/w ñ StalinPrizeofthe2ndclass(1943). Valentina Karavaeva,Michael Alexander Glazunov Viktor Zorin Yuli Raizman Mosfilm, TsOKS Mosfilm (1985) Iosif Shpinel, Gabrilovich, Ú˚ÎÓ‚˚ı „ÓÓ‰‡ı. ÙÓÌÚÓ‚˚ı ˝Í‡Ì‡ı,‚„ÓÒÔËڇΡı, ‡ÔÂΠ1942„Ó‰‡.≈„ÓÒÏÓÚÂÎË̇ ÙÓÌÚ‡Ö ‘Ëθς˚¯Â΂ÔÓÍ‡Ú ÏÌÓ„Ó ÏÂÒˇˆÂ‚̇Ô‰ӂÓÈÎËÌËË ‚ÒÂ„Ó Ì‡ÌÂÒÍÓθÍÓÏËÌÛÚÎ˯¸ÒÔÛÒÚˇ ‡ÒÒÚ‡˛ÚÒˇ. ŒÌË‚ÒÚÂÚˇÚÒˇÒÌÓ‚‡ ÔË‚Ó‰ËÚ ÍÚÓÏÛ,˜ÚÓÏÓÎÓ‰˚Âβ‰Ë ۂΘÂÌË ¿Î¯ˉۄÓȉ‚ۯÍÓÈ ˝ÍÁ‡ÏÂÌ˚ ‚ÚÂıÌËÍÛÏ.ÃËÏÓÎÂÚÌÓ ÔÓÏÓ„‡ÂÚ ÂÏÛÒ‰‡Ú¸‚ÒÚÛÔËÚÂθÌ˚ ¿ÎÂ¯Û ‚ÚÓÏ,˜ÚÓÂÏÛ̇‰ÓÛ˜ËÚ¸ÒˇË Ì‡˜Ë̇˛Ú ‚ÒÚ˜‡Ú¸Òˇ.ǯ‡Û·Âʉ‡ÂÚ Í‡ÒË‚˚Ï ËÌÂÔÓÒÚ˚ÏÔ‡ÌÂÏ.ŒÌË Ú‡ÍÒË ¿ÎÂÍÒÂÂÏ—ÓÎÓ‚¸Â‚˚Ï, Œ‰Ì‡Ê‰˚ Ó̇Á̇ÍÓÏËÚÒˇÒ¯ÓÙÂÓÏ Á‡ÌËχÂÚÒˇ ̇ÙÂθ‰¯ÂÒÍËıÍÛÒ‡ı. ǯ‡ —ÚÂÔ‡ÌÓ‚‡ÔÓ‚Â˜Â‡Ï (1939ñ1940). —ÎÛʇ˘‡ˇÚÂ΄‡Ù‡ ƒÌË ‚ÓÈÌ˚Ò·ÂÎÓÙËÌ̇ÏË üËÌÓÔÓ‚ÂÒÚ¸ ‚ÓÂÌÌ˚ıÎÂÚ. hospitals, inremotecities. seen oncinemascreensatthefront,in film wasreleasedinApril1942.It later, ontheadvancedfrontlineÖThe again forsomeminutesonlymonths girl leadstotheirseparation.Theymeet fleeting interestofAlexeiinanother entrance examstotechnicalcollege.The he muststudyandhelpshimpassthe each other.MashaconvincesAlexeithat and complexguy.Theystarttodate taxi driverAlexeiSoloviev,ahandsome assistant. Shegetsacquaintedwiththe evening classestobecomeamedical office MashaStepanovastudiesin (1939-1940). Theemployeeoftelegraph The timeoftheRusso-Finnishwar Wartime story —“–Œ√»… fiÕŒÿ¿ A SEVERE YOUNG MAN 50 choose (part I) 50 ‚˚·Ë‡˛Ú (˜‡ÒÚ¸ I)
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‘ËÎÓÒÓÙÒÍÓ-ÓχÌÚ˘ÂÒ͇ˇ ‰‡Ï‡, 1936, ———–, 100 ÏËÌ., ˜/· 1936, USSR, 100 min., b/w ‚ÌÛÚÂÌÌ ҂ˇÁ‡Ì̇ˇ Ò ÌÂÍÓÚÓ˚ÏË ÏÓÚË‚‡ÏË Óχ̇ fi.ü. ŒÎÂ¯Ë ¿‚ÚÓ ÒˆÂÌ‡Ëˇ fiËÈ ŒÎ¯‡ Scriptwriter Yuri Olesha ´«‡‚ËÒÚ¸ª. ¬ ˆÂÌÚÂ Ò˛ÊÂÚ‡ ñ –ÂÊËÒÒ ¿·‡Ï –ÓÓÏ Director Abram Room β·Ó‚Ì˚È ÚÂÛ„ÓθÌËÍ, ‚ÓÁÌËͯËÈ ‚ ŒÔ‡ÚÓ fiËÈ ≈ÍÂθ˜ËÍ Director of Photography Yuri Ekelchik ÂÁÛθڇÚ ÒÚ‡ÒÚË, ‚ÌÂÁ‡ÔÌÓ ’Û‰ÓÊÌËÍË ¬Î‡‰ËÏË ü‡ÔÎÛÌÓ‚ÒÍËÈ, Production Design Vladimir Óı‚‡ÚË‚¯ÂÈ ˛ÌÓ„Ó ÒÔÓÚÒÏÂ̇- ÃÓˈ ”χÌÒÍËÈ Kaplunovsky, Moritz Umansky ÍÓÏÒÓÏÓθˆ‡ ÔÓ ÓÚÌÓ¯ÂÌ˲ Í üÓÏÔÓÁËÚÓ √‡‚ËËÎ œÓÔÓ‚ Composer Gavriil Popov ÊÂÌ˘ËÌ ´·‡Î¸Á‡ÍÓ‚ÒÍÓ„Ó ‚ÓÁ‡ÒÚ‡ª, «‚ÛÍ ¿Ì‰ÂÈ ƒÂÏˉÂÌÍÓ, Sound Andrei Demidenko, ÊÂÌ ÍÛÔÌÓ„Ó ÒÓ‚ÂÚÒÍÓ„Ó ¿ÎÂÍ҇̉ ¡‡·ËÈ Alexander Baby ‚ÓÂ̇˜‡Î¸ÌË͇... ƒÂ͇‰ÂÌÚÒÍËÈ, Ò‡Ï˚È ¬ ÓΡı: ƒÏËÚËÈ ƒÓΡÍ, Cast Dmitri Dorliak, Yuri Yuriev, Ò‚ÓÂÓ·‡ÁÌ˚È ÙËÎ¸Ï ¿.Ã.–ÓÓχ fiËÈ fi¸Â‚, ŒÎ¸„‡ ∆ËÁÌ‚‡, Olga Zhizneva, Maxim Shtraukh, (Ë ‚ÓÓ·˘Â ÒÓ‚ÂÚÒÍÓ„Ó ÍËÌÓ 30ñ50-ı) ÇÍÒËÏ ÿÚ‡Ûı, √ÂÓ„ËÈ —Ә‚ÍÓ, Georgy Sochevko, Valentina Serova, ·˚Î Ó·‚ËÌÂÌ ‚ ÙÓχÎËÁÏÂ Ë ¬‡ÎÂÌÚË̇ —ÂÓ‚‡, »Ë̇ ¬ÓÎÓ‰ÍÓ, Irina Volodko, Alexander Chistiakov, Á‡Ô¢ÂÌ Í ÔÓ͇ÁÛ. ¿ÎÂÍ҇̉ ◊ËÒÚˇÍÓ‚, Ivan Kononenko-Kozelsky, Dmitri »‚‡Ì üÓÌÓÌÂÌÍÓ-üÓÁÂθÒÍËÈ, Golubinsky, Ivan Koval-Samborsky, ƒÏËÚËÈ √ÓÎÛ·ËÌÒÍËÈ, »‚‡Ì üÓ‚‡Î¸- Elena Melnikova, Peter Repnin —‡Ï·ÓÒÍËÈ, ≈ÎÂ̇ ÃÂθÌËÍÓ‚‡, Production Ukrainfilm œÂÚ –ÂÔÌËÌ œÓËÁ‚Ó‰ÒÚ‚Ó ´”͇ËÌÙËθϪ A philosophical-romantic drama, connected to some motives of Yuri Oleshaís novel ´Envyª. In the center of the attention stands a love triangle which has arisen as the result of a passion that has suddenly seized a young sportsman and komsomol member in relation to a woman of Balzacian age, the wife of a great Soviet military leader... Roomís decadent, most original film (in the context of Soviet cinema of the 1930sñ50s) was accused of formalism and banned from the screens. 164 50 ‚˚·Ë‡˛Ú 50 (˜‡ÒÚ¸ I) 50 choose 50 (part I) ´ÀÂÌËÌ„‡‰ÍËÌÓª œÓËÁ‚Ó‰ÒÚ‚Ó ¡ÓËÒ ÿÔËÒ,üËËÎÎ√ÛÌ ›ÏËθ √‡Î¸,—„ÂÈ¡‡Ï˘‚, œÂÚ —Ó·Ó΂ÒÍËÈ,ŒÎ„∆‡ÍÓ‚, flÌË̇ ∆ÂÈÏÓ,¬ËÍÚÓœÎÓÚÌËÍÓ‚, ¿ÎÂÍÒÂÈ ü‡ÔÎÂ,¬Î‡‰ËÏËÀÂÔÍÓ, ¿ÌÚÓÌË̇ ≈ÂÏ‚‡,—„ÂÈ√‡ÒËÏÓ‚, ¬ ÓΡı: ¿ÎÂÍÒÂÈ ÿÂÎ˚„ËÌ ÃÛÁ˚͇θÌÓ ÒÓÔÓ‚ÓʉÂÌË ’Û‰ÓÊÌËÍ ≈‚„ÂÌËÈ ÃËı‡ÈÎÓ‚ ŒÔ‡ÚÓ˚ ÀÂÓÌˉ “‡Û·Â„ –ÂÊËÒÒÂ˚ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 1926, ———–,65ÏËÌ.,˜/· THE OVERCOAT ÿ»Õ≈À‹ ¿Ì‰ÂÈ üÓÒÚ˘ÍËÌ, ≈‚„ÂÌËÈ ≈ÌÂÈ ¿Ì‰ÂÈ ÃÓÒÍ‚ËÌ, √Ë„ÓËÈ üÓÁË̈‚, ‘›ü—, fiËÈ “˚ÌˇÌÓ‚ (´üËÌÓÔÓ‚ÂÒÚ¸ ‚χÌÂÂ√Ó„ÓΡª) Production Boris Shpis,KirillGun Emile Gal,SergeiBarmichev, Petr Sobolevsky,OlegZhakov, Yanina Zheimo,ViktorPlotnikov, Alexei Kapler,VladimirLepko, Antonina Eremeeva,SergeiGerasimov, Cast: Musical Production Design Andrei Moskvin,EvgeniMikhailov Director ofPhotography Leonid Trauberg Directors Scriptwriter 1926, USSR,65min.,b/w Andrei Kostrichkin, Accompaniment AlexeiShelygin Grigori Kozintsev, FEKS, Leningradkino Yuri Tynianov Evgeni Yenei ÒË·ıÖ ÒÛ‰¸·˚, ‚˚ÌÂÒÚËÍÓÚÓ˚ÈÓÌÛÊÂÌ‚ ² Ó·Á‡‚Ó‰ËÚÒˇ,„ÓʉÂÚÌÓ‚˚ÈÛ‰‡ ¯ËÌÂθ. œÓÒÎÂÚÓ„Ó,͇ÍÓÌ̇ÍÓ̈ ÓÒÚ‡ÂÚÒˇ ‰ËÌÒÚ‚ÂÌ̇ˇÏ˜ڇñÌÓ‚‡ˇ Ò ‰‡Ï‡ÏË.œÓıÓ‰ˇÚ„Ó‰˚,ËÛÌÂ„Ó ÓÚ·Ë‚‡ÂÚ ÛÌ„ÓÊ·ÌËÂÁ̇ÍÓÏËÚ¸Òˇ ÌÓÏÂÓ‚ª. ¬˚ÌÂÒÂÌÌ˚ÈÛÓÍ̇ÔÓ˜¸ Ó͇Á˚‚‡ÂÚÒˇ ‚Ò„ÓÎ˯¸´‰Â‚ˈÂÈËÁ ¿Í‡Íˡ ¿Í‡ÍË‚˘‡¡‡¯Ï‡˜ÍË̇ñ ˜ÂÒÚÌÓ„Ó ËÚÛ‰Óβ·Ë‚Ó„Ó˜ËÌÓ‚ÌË͇ œÂ͇Ò̇ˇ ‰‡Ï‡ñÔ‰ÏÂÚϘڇÌËÈ ´Õ‚ÒÍËÈ ÔÓÒÔÂÍÚª. ÔÓ‚ÂÒÚÂÈ Õ.¬.√Ó„ÓΡ´ÿËÌÂθªË ›ÍÒˆÂÌÚ˘ÂÒ͇ˇ ‰‡Ï‡ÔÓÏÓÚË‚‡Ï of fate,andthistimehecannotbearit. garment, Akakyreceivesanotherblow overcoat. Afterhefinallygetsthis pass, butonedreamremains:anew the acquaintancewithladies.Years learns hislessonandfearsfromnowon out tobeaëwomanondemandí.Akaky Akakievich Bashmachkin;butsheturns dreams ofthehardworkingclerkAkaky A FineLadyisthesubjectof and ìNevskyProspectî. Nikolai GogolísstoriesìTheOvercoatî Eccentric dramabasedonthemotivesof —“¿◊ü¿ STRIKE 50 choose (part I) 50 ‚˚·Ë‡˛Ú (˜‡ÒÚ¸ I)
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»ÒÚÓËÍÓ-‚ÓβˆËÓÌÌ˚È ÙËÎ¸Ï Ó· 1924, ———–, 66 ÏËÌ., ˜/· 1924, USSR, 66 min., b/w Ó„‡ÌËÁ‡ˆËË ÒÚ‡˜ÍË Ì‡ Ó‰ÌÓÏ ËÁ ÍÛÔÌÂȯËı Á‡‚Ó‰Ó‚ –ÓÒÒËË, ÔÓ‚Ó‰ÓÏ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ ¬‡ÎÂËÈ œÎÂÚÌ‚, Scriptwriters Valeri Pletnev, ‰Îˇ ÍÓÚÓÓÈ ÔÓÒÎÛÊËÎÓ Ò‡ÏÓÛ·ËÈÒÚ‚Ó —„ÂÈ ›ÈÁÂ̯ÚÂÈÌ, Sergei Eisenstein, Ilya Kravchunovsky, ‡·Ó˜Â„Ó, ÌÂÒÔ‡‚‰ÎË‚Ó Ó·‚ËÌÂÌÌÓ„Ó »Î¸ˇ ü‡‚˜ÛÌÓ‚ÒÍËÈ, Grigori Alexandrov ‡‰ÏËÌËÒÚ‡ˆËÂÈ Á‡‚Ó‰‡ ‚ ͇Ê √Ë„ÓËÈ ¿ÎÂÍ҇̉ӂ Director Sergei Eisenstein ËÌÒÚÛÏÂÌÚÓ‚. –ÂÊËÒÒ —„ÂÈ ›ÈÁÂ̯ÚÂÈÌ Directors of Photography ¬ ÙËθÏ ڇÍÊ ÒÌËχÎËÒ¸ ‡ÍÚÂ˚ ŒÔ‡ÚÓ˚ ›‰Û‡‰ “ËÒÒ˝, Eduard Tisse, Vasili Khvatov œÂ‚Ó„Ó ‡·Ó˜Â„Ó Ú‡ڇ. ¬‡ÒËÎËÈ ’‚‡ÚÓ‚ Production Design Vasili Rakhals œÓÎÌÓÏÂÚ‡ÊÌ˚È ‰Â·˛Ú —.Ã. ’Û‰ÓÊÌËÍ ¬‡ÒËÎËÈ –‡ı‡Î¸Ò Cast Ivan Kliukvin, Alexander ›ÈÁÂ̯ÚÂÈ̇. ¬ ÓΡı: »‚‡Ì üβ͂ËÌ, Antonov, Grigori Alexandrov, ¿ÎÂÍ҇̉ ¿ÌÚÓÌÓ‚, √Ë„ÓËÈ Mikhail Gomorov, Maxim Shtraukh, ¿ÎÂÍ҇̉ӂ, ÃËı‡ËÎ √ÓÏÓÓ‚, Boris Yurtsev, Yufid Glizer, ÇÍÒËÏ ÿÚ‡Ûı, ¡ÓËÒ fiˆÂ‚, Vera Yanukova, Misha Mamin, fi‰ËÙ¸ √ÎËÁÂ, ¬Â‡ flÌÛÍÓ‚‡, Vladimir Uralsky Ã˯‡ ÇÏËÌ, ¬Î‡‰ËÏË ”‡Î¸ÒÍËÈ Production Goskino, Proletkult œÓËÁ‚Ó‰ÒÚ‚Ó √ÓÒÍËÌÓ, ´œÓÎÂÚÍÛθڪ Restored by the Gorky Film Studio ¬ÓÒÒÚ‡ÌÓ‚ÎÂÌË üËÌÓÒÚÛ‰Ëˇ ËÏÂÌË (1969) Ã.√Ó¸ÍÓ„Ó (1969)
Historical revolutionary film about the ñ «ÓÎÓÚ‡ˇ ω‡Î¸ ñ ÃÂʉÛ̇Ӊ̇ˇ ñ Gold Medal ñ International organization of a strike in one of the ‚˚ÒÚ‡‚͇ ‰ÂÍÓ‡ÚË‚Ì˚ı ËÒÍÛÒÒÚ‚ Exhibition of Decorative Arts in ‚ œ‡ËÊÂ, 1925. Paris, 1925. largest factories in Russia, triggered by the suicide of a worker unfairly accused of theft of tools by the factory administration. The actors of the First Workersí Theatre feature. Eisensteinís full-length feature film debut. 166 50 ‚˚·Ë‡˛Ú 50 (˜‡ÒÚ¸ I) 50 choose 50 (part I) ¬ÓÒÒÚ‡ÌÓ‚ÎÂÌË œÓËÁ‚Ó‰ÒÚ‚Ó ¬ËÍÚÓ À‡Á‡Â‚ ÃËı‡ËÎ ¡ÓΉÛχÌ,–ÓÒÚËÒ·‚œÎˇÚÚ, ¿‰‡ ¬ÓȈËÍ,ÃËı‡ËοÒڇ̄ӂ, ‘‡Ë̇ –‡Ì‚Ò͇ˇ,¿Í‡‰ËÈüËÒΡÍÓ‚, ¬Î‡‰ËÏË —ÓÎÓ‚¸Â‚,¬ËÍÚӟ„ÎÓ‚, ¬ ÓΡı: ≈‚„ÂÌËÈ ü‡¯Í‚˘ «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ √‡·ËÎӂ˘, ÃËı‡ËΖÓÏÏ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 1941, ———–,100ÏËÌ.,˜/· THE DREAM Ã≈◊“¿ ¬ˇ˜ÂÒ·‚ À¢‚, ≈ÎÂ̇ üÛÁ¸ÏË̇, ¡ÓËÒ ¬ÓΘÂÍ ÃËı‡ËÎ –ÓÏÏ üÓÌÒÚ‡ÌÚËÌ ≈ÙËÏÓ‚ ¬Î‡‰ËÏË ü‡ÔÎÛÌÓ‚ÒÍËÈ √ÂÌËÍ ¬‡Ò ´ÃÓÒÙËθϪ ´ÃÓÒÙËθϪ (1972) ≈‚„ÂÌËÈ Restored by Production Pliatt, ViktorLazarev Astangov, MikhailBolduman,Rostislav Arkadi Kisliakov,AdaVoitsik,Michael Viktor Shcheglov,FainaRanevskaya, Cast: Evgeni Kashkevich Sound Composer Costume Design Vladimir Kaplunovsky Production Design Director ofPhotography Director Mikhail Romm Script 1941, USSR,100min.,b/w Elena Kuzmina,VladimirSoloviev, Evgeni Gabrilovich, Viacheslav Leshchev, Mikhail Romm Genrik Vars Mosfilm Mosfilm (1972) Konstantin Efimov Boris Volchek and breathethefreshairofreallifeÖ desire togetoutofthestuffyrooms tenants areunitedbytheirpassionate projects fornewfactories.Allthe been tryingtointerestcompaniesin his Lazar Skorokhod,whohasfor15years mistressís son,thetalentedengineer for arichhusband;and,atlast,the is eatingupherdowrywhilewaiting engraver Dombek;thebrideVanda,who to tinsaucepans;theformerartistand the ìhotelî:cabdriverYanek,forced shelter inthecloseanddustyroomsof Skorokhod. Differentpeoplehavefound house ìDreamîofMadameRosa restaurant andabedinthelodging she findsaplaceasdoorkeeperof Anna Kolechko.Sheisluckyinthecity: work. Amongthemisthecountrygirl, in thecitysearchofhappinessand poor villagesofWesternUkrainearrive 1933. Thousandsofpeoplefromthe Drama. ̇ÒÚÓˇ˘ÂÈ ÊËÁÌËÖ „ÎÓÚÌÛÚ¸ Ò‚ÂÊ„ӂÓÁ‰Ûı‡·Óθ¯ÓÈ, ‚˚·‡Ú¸Òˇ ËÁ‰Û¯Ì˚ıÏ·Îˇ¯ÂÍ, ÓÚÂΡ Ó·˙‰ËÌˇÂÚÒÚ‡ÒÚÌÓÂÊ·ÌË ÔÓÂÍÚ˚ ÌÓ‚˚ıÁ‡‚Ó‰Ó‚.¬ÒÂıÊËθˆÓ‚ ‡ÍˆËÓÌÂÌ˚ı Ó·˘ÂÒÚ‚,Ô‰·„‡ˇ ·ÂÁÂÁÛθڇÚÌÓ Ó·Ë‚‡˛˘ËÈÔÓÓ„Ë À‡Á‡¸ —ÍÓÓıÓ‰,‚ÓÚÛÊÂ15ÎÂÚ ıÓÁˇÈÍË ñڇ·ÌÚÎË‚˚ÈËÌÊÂÌ Ôˉ‡ÌÓ Ì‚ÂÒÚ‡¬‡Ì‰‡Ë̇ÍÓ̈Ò˚Ì ‚ ÓÊˉ‡ÌËË·Ó„‡ÚÓ„ÓÊÂÌËı‡Ò‚Ó ıÛ‰ÓÊÌËÍ-„‡‚ ƒÓÏ·ÂÍ,ÔÓ‰‡˛˘‡ˇ ‚˚ÌÛʉÂÌÌ˚È ÎÛ‰Ëڸ͇ÒÚ˛ÎË ´ÓÚÂΡª: ËÁ‚ÓÁ˜ËÍflÌÂÍ, ÚÂÒÌ˚ı ËÔ˚θÌ˚ıÍÓÏ̇Úۯ͇ı —ÍÓÓıÓ‰. –‡ÁÌ˚Âβ‰ËÒÓ·‡ÎËÒ¸‚ ÍÓÏ̇ڇı ´Ã˜ڇªÏ‡‰‡Ï–ÓÁ˚ ÂÒÚӇ̇ ËÍÓÈÍÛ‚Ï·ÎËÓ‚‡ÌÌ˚ı Ó̇ ÔÓÎۘ˷ÏÂÒÚÓ¯‚ÂȈ‡‡ ¿Ì̇ üÓΘÍÓ.¬„ÓÓ‰ÂÂÈÔÓ‚ÂÁÎÓ: —Â‰Ë ÌËıÍÂÒÚ¸ˇÌÒ͇ˇ‰Â‚ۯ͇ ÔË·˚‚‡˛Ú ‚„ÓÓ‰Ú˚Òˇ˜Ëβ‰ÂÈ. ”͇ËÌ˚ ‚ÔÓËÒ͇ıÒ˜‡ÒÚ¸ˇË‡·ÓÚ˚ 1933 „Ó‰.»ÁÌˢËıÒÂΫ‡Ô‡‰ÌÓÈ ƒ‡Ï‡. Œ“≈÷ —≈–√»… FATHER SERGIUS 50 choose (part I) 50 ‚˚·Ë‡˛Ú (˜‡ÒÚ¸ I)
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œÒËıÓÎӄ˘ÂÒ͇ˇ ‰‡Ï‡ ÔÓ 1918, –ÓÒÒˡ, 70 ÏËÌ., ˜/· 1918, Russia, 70 min., b/w Ó‰ÌÓËÏÂÌÌÓÈ ÔÓ‚ÂÒÚË À.Õ. “ÓÎÒÚÓ„Ó. üÌˇÁ¸ ü‡Ò‡ÚÒÍËÈ ·˚Î ·Ó„‡Ú Ë ¿‚ÚÓ ÒˆÂÌ‡Ëˇ ¿ÎÂÍ҇̉ ¬ÓÎÍÓ‚ Script Alexander Volkov ˜ÂÒÚÓβ·Ë‚. ŒÌ ÏÂ˜Ú‡Î Ó ‚ÓÂÌÌÓÈ –ÂÊËÒÒ flÍÓ‚ œÓÚ‡Á‡ÌÓ‚ Director Yakov Protazanov ͇¸ÂÂ Ë Ó Î˛·‚Ë Ò‚ÂÚÒÍÓÈ Í‡Ò‡‚ˈ˚ ŒÔ‡ÚÓ˚ ÕËÍÓÎ‡È –Û‰‡ÍÓ‚, Director of Photography Ã˝Ë, ÓÎˈÂÚ‚ÓÂÌËË Î˛·‚Ë Ë ‘Â‰Ó ¡Û„‡ÒÓ‚ Nikolai Rudakov, Fedor Burgasov ˜ËÒÚÓÚ˚. » ÓÌ ·˚Πβ·ËÏ. Œ‰Ì‡ÍÓ ’Û‰ÓÊÌËÍË ¬Î‡‰ËÏË ¡‡ÎβÁÂÍ, Production Design Vladimir Balliuzek, ͇̇ÌÛÌ ҂‡‰¸·˚ Ã˝Ë Â¯Ë· ¿ÎÂÍ҇̉ ÀÓ¯‡ÍÓ‚ Alexander Loshakov ÔËÁÌ‡Ú¸Òˇ ÂÏÛ ‚ ÚÓÏ, ˜ÚÓ ·˚· üÓÒÚ˛Ï˚ ¬.¬ÓÓ·¸Â‚ Costume Design V. Vorobiev β·Ó‚ÌˈÂÈ ËÏÔ‡ÚÓ‡. ¬ ÓÚ˜‡ˇÌËË ÃÛÁ˚͇θÌÓ ÒÓÔÓ‚ÓʉÂÌË Musical Accompaniment Evgeni Bukke ÍÌˇÁ¸ ÓÚÂÍÒˇ ÓÚ Ïˇ Ë Û¯ÂÎ ‚ ≈‚„ÂÌËÈ ¡ÛÍÍ Cast: Ivan Mozzhuhin, Olga Kondorova, ÏÓ̇ÒÚ˚¸. ´œÓÒÚÛÔ‡ˇ ‚ ÏÓ̇ıË, ÓÌ ¬ ÓΡı: »‚‡Ì ÃÓÁÊÛıËÌ, Vera Dzhnneva, Vladimir Gaidarov, ÔÓ͇Á˚‚‡Î, ˜ÚÓ ÔÂÁˇÂÚ ‚Ò ÚÓ, ˜ÚÓ ŒÎ¸„‡ üÓ̉ÓÓ‚‡, ¬Â‡ ƒÊÂÌ‚‡, Nikolai Panov, Natalia Lisenko, Iona ͇Á‡ÎÓÒ¸ ÒÚÓθ ‚‡ÊÌ˚Ï ‰Û„ËÏ Ë ÂÏÛ ¬Î‡‰ËÏË √‡È‰‡Ó‚, ÕËÍÓÎ‡È œ‡ÌÓ‚, Talanov, Vera Orlova, Peter Baksheev, Ò‡ÏÓÏÛ ‚ ÚÓ ‚ÂÏˇ, Í‡Í ÓÌ ÒÎÛÊËÎ, Ë Õ‡Ú‡Îˡ ÀËÒÂÌÍÓ, »Ó̇ “‡Î‡ÌÓ‚, ¬Â‡ Polikarp Pavlov, Nikolai Rimsky ÒÚ‡ÌÓ‚ËÎÒˇ ̇ ÌÓ‚Û˛ Ú‡ÍÛ˛ ‚˚ÒÓÚÛ, Ò ŒÎÓ‚‡, œÂÚ ¡‡Í¯Â‚, œÓÎËÍ‡Ô œ‡‚ÎÓ‚, Production Ermolieff Company ÍÓÚÓÓÈ ÓÌ ÏÓ„ Ò‚ÂıÛ ‚ÌËÁ ÒÏÓÚÂÚ¸ ÕËÍÓÎ‡È –ËÏÒÍËÈ Ì‡ ÚÂı β‰ÂÈ, ÍÓÚÓ˚Ï ÓÌ ÔÂʉ œÓËÁ‚Ó‰ÒÚ‚Ó “Ó‚‡Ë˘ÂÒÚ‚Ó ´».≈ÏÓ肪 Á‡‚ˉӂ‡ÎªÖ
Psychological drama based on L. N. Tolstoyís story of the same title. Prince Kasatsky was rich and ambitious. He dreamt of a military career and about the worldly beauty Mary, embodying love and cleanliness. She responds to his love. However, before the wedding Mary confesses that she was the emperorís mistress. In despair, the prince renounces from the world and goes into a monastery. ìEntering priesthood, he showed that he despised everything that seemed so important to others and to himself while he served, and he reached such height that he could look down on those people whom he envied beforeî. 168 50 ‚˚·Ë‡˛Ú 50 (˜‡ÒÚ¸ I) 50 choose 50 (part I) ÔÓ‰‰ÂÊÍ √ÓÒÍËÌÓ–‘ (1997) √ÓÒÙËθÏÓÙÓ̉–‘,Œ–“ÔË ¬ÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÏÓÌÚ‡ÊÁ‚Û͇ ËÏÂÌË Ã.√Ó¸ÍÓ„Ó ÃÓÌÚ‡Ê Á‚Û͇ œÓËÁ‚Ó‰ÒÚ‚Ó ¡ÓËÒ ¡‡ÌÂÚ ¬Î‡‰ËÏË ”‡Î¸ÒÍËÈ,œÂÚ¡‡Í¯Â‚, ¿ÎÂÍ҇̉ √ÓÏÓ‚, ¿‰‡ ¬ÓȈËÍ,¬Î‡‰ËÏË¡‡Ú‡ÎÓ‚, —„ÂÈ üÓχӂ,¿ÌÂθ—Û‰‡Í‚˘, ¬Î‡‰ËÏË ‘Ó„Âθ,≈ÎÂ̇“ˇÔÍË̇, ¬ ÓΡı: ǡÌ̇ üË‚‡ –ÂÊËÒÒ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌˡ —„ÂÈ “ËÚÂÌÍÓ‚(1997) œÓ‰˛Ò ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌˡ «‚ÛÍ ¿ÎÂÍÒÂÈ ¿È„Ë(1997) “‡‡Ò ¡Û‚ÒÍËÈ(1995), üÓÏÔÓÁËÚÓ˚ ÓÁ‚Û˜‡Ìˡ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ÕËÍÓÎ‡È ›‰Ï‡Ì ÿ¯ÂÌ‚˘, ¬ËÍÚÓÿÍÎÓ‚ÒÍËÈ, ¿Ì‡ÚÓÎËÈ Ã‡ËÂÌ„ÓÙ,¬‡‰ËÏ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 1928, ———–,64ÏËÌ.,˜/· THE HOUSEONTRUBNAYASQUARE ƒŒÃ Õ¿“–”¡ÕŒ… »Ë̇ ÃÓËÒ‚‡(1997) ¬Â‡ Lj͇ˇ, ≈‚„ÂÌËÈ ¿ÎÂÍÒ‚ ¡ÓËÒ ¡‡ÌÂÚ —„ÂÈ üÓÁÎÓ‚ÒÍËÈ ´ÃÂʇ·ÔÓÏ-–ÛÒ¸ª (1995) üËÌÓÒÚÛ‰Ëˇ ¡Âη «Ó˘, with supportofGoskino (1997) GosfilmofondofRussia,ORT Restoration andeditingofsound Gorky FilmStudio restoration Sound Production Boris Barnet Vladimir Uralsky,PeterBaksheev, Vladimir Batalov,AlexanderGromov, Anelle Sudakevich,AdaVoitsik, Elena Tiapkina,SergeiKomarov, Cast: Marianna Kireeva Director oftherestoredversion Sergei Titenkov(1997) Producer ofrestoredversion Sound Buyevsky (1995),AlexeiAigi(1997) there-recording of Composers Production Design Director ofPhotography Director Nikolai Erdman Shershenevich, ViktorShklovsky, Anatoli Mariengof,Vadim Scriptwriters 1928, USSR,64min.,b/w Vera Maretskaya,VladimirFogel, Irina Moiseeva(1997) Boris Barnet ìMezhrabpom-Rusî Bella Zorich, (1995) Sergei Kozlovsky Evgeni Alexeev Taras œ‡‡¯Û... ÔËÂı‡‚¯Û˛ ËÁ‰Â‚ÌË‚ÃÓÒÍ‚Û ÔÓÙÒÓ˛Á‡. ≈„Ó‚˚·ÓÔ‡‰‡ÂÚ̇ ‰Óχ·ÓÚÌˈÛ, ÌÓÚÓθÍÓ̘ÎÂ̇ œ‡ËÍχı √ÓÎËÍӂ¯‡ÂÚÌ‡ÌˇÚ¸ ‰ÂÎ˯ÍË, ‡„Ó‚Ó˜ËÍË,ÒÔÎÂÚÌË. Ì˝ÔχÌÓ‚ÒÍÓÈ ÔÛ·ÎËÍÓÈ.ÃÂÎÍË ƒÓÏ Ì‡“Û·ÌÓÈÁ‡ÒÂÎÂÌÏ¢‡ÌÒÍÓÈ, Ò‡ÚË˚. ÀˢÂÒ͇ˇ ÍÓÏÂ‰ËˇÒ˝ÎÂÏÂÌÚ‡ÏË from thevillage... Parasha, whohasarrivedinMoscow of thetradeunion.Hischoicefallson to hireahousekeeper,butnotmember gossip. ThehairdresserGolikovdecides and NEP-men.Smalldeals,affairs, populated bypetty-bourgeoiscitizens The houseonTrubnayaSquareis Lyrical comedywithelementsofsatire. —Œ–Œü œ≈–¬¤… FORTY-FIRST 50 choose (part I) 50 ‚˚·Ë‡˛Ú (˜‡ÒÚ¸ I)
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ƒ‡Ï‡ ÔÓ Ó‰ÌÓËÏÂÌÌÓÏÛ ‡ÒÒ͇ÁÛ 1956, ———–, 93 ÏËÌ., ˆ‚. 1956, USSR, 93 min., col. ¡ÓËÒ‡ À‡‚ÂÌ‚‡. √‡Ê‰‡ÌÒ͇ˇ ‚ÓÈ̇. œÓ ·ÂÎ˚Ï ÔÂÒÍ‡Ï ¿‚ÚÓ ÒˆÂÌ‡Ëˇ √Ë„ÓËÈ üÓÎÚÛÌÓ‚ Scriptwriter Grigori Koltunov —‰ÌÂÈ ¿ÁËË ‰‚ËÊÂÚÒˇ ÓÚˇ‰ –ÂÊËÒÒ √Ë„ÓËÈ ◊Ûı‡È Director Grigori Chukhrai ͇ÒÌÓ‡ÏÂȈ‚. Õ‡ ·Ó‚ÓÏ Ò˜ÂÚÛ Û ’Û‰ÓÊÂÒÚ‚ÂÌÌ˚È ÛÍÓ‚Ó‰ËÚÂθ Artistic Director Mikhail Romm DzÚÍË, ÎÛ˜¯Â„Ó ÒÚÂÎ͇ ÓÚˇ‰‡, ÃËı‡ËÎ –ÓÏÏ Director of Photography ÒÓÓÍ Û·ËÚ˚ı ·ÂÎÓ„‚‡‰ÂȈ‚. ¬ ŒÔ‡ÚÓ —„ÂÈ ”ÛÒ‚ÒÍËÈ Sergei Urusevsky ÔÓÒΉÌÂÈ ÔÂÂÒÚÂÎÍ ‚ÁˇÚ ‚ ÔÎÂÌ ’Û‰ÓÊÌËÍË ¬Î‡‰ËÏË ü‡ÏÒÍËÈ, Production Design Vladimir Kamsky, ÔÓÛ˜ËÍ √Ó‚ÓÛı‡-ŒÚÓÍ. ŒÌ ÒÚ‡ÌÂÚ üÓÌÒÚ‡ÌÚËÌ —ÚÂÔ‡ÌÓ‚ Konstantin Stepanov ÒÓÓÍ Ô‚˚Ï ‚  ÔÓÒÎÛÊÌÓÏ ÒÔËÒÍÂ, üÓÒÚ˛Ï˚ ¿ÎÂÍ҇̉ ƒ‡Ì‰ÛˇÌ Costume Design Alexander Dandurian ‡ ÔÓ͇ ÓÌË, Ó‰ËÌ Ì‡ Ó‰ËÌ, ÓÒÚ‡˛ÚÒˇ ‚ üÓÏÔÓÁËÚÓ ÕËÍÓÎ‡È ü˛ÍÓ‚ Composer Nikolai Kriukov ÔÓÒÚ‡ÌÒÚ‚Â ÔÂÒ͇, Ì·‡, ÏÓˇ Ë «‚ÛÍ ÀÂÓÌˉ ¡Û΄‡ÍÓ‚ Sound Leonid Bulgakov ÒËθÌ˚ı ÔÓÚË‚Ó˜˂˚ı ˜Û‚ÒÚ‚Ö ¬ ÓΡı: »ÁÓ艇 »Á‚ˈ͇ˇ, Cast: Izolda Izvitskaya, ŒÎ„ —ÚËÊÂÌÓ‚, ÕËÍÓÎ‡È ü˛˜ÍÓ‚, Oleg Strizhenov, Nikolai Kriuchkov, ÕËÍÓÎ‡È ƒÛÔ‡Í, √ÂÓ„ËÈ ÿ‡ÔÓ‚‡ÎÓ‚, Nikolai Dupak, Georgy Shapovalov, œÂÚ À˛·Â¯ÍËÌ, ƒ‡ÌËËÎ ÕÂÚ·ËÌ, Petr Liubeshkin, Daniel Netrebin, ¿Ò‡Ì·ÂÍ ”ÏÛ‡ÎË‚, ¿Ì‡ÚÓÎËÈ Asanbek Umuraliev, Anatoli Kokorin, üÓÍÓËÌ, ¬‡‰ËÏ «‡ı‡˜ÂÌÍÓ, Vadim Zakharchenko, Alexander ¿ÎÂÍ҇̉ √˜‡Ì˚È, Grechany, Muratbek Ryskulov ÃÛ‡Ú·ÂÍ –˚ÒÍÛÎÓ‚ Production Mosfilm Drama based on Boris Lavrenevís story œÓËÁ‚Ó‰ÒÚ‚Ó ´ÃÓÒÙËθϪ of the same title. The Civil War. Across the white sand of Central Asia travels a Red Army detachment. According to the battle count, Maryutka is the best shooter in the detachment: he has killed 40 White Guards. In last fight, lieutenant Govorukha has been taken captive. He becomes the forty-first in Maryutkaís ñ —Ôˆˇθ̇ˇ ÔÂÏˡ ´«‡ ñ Special Prize ìFor original script, track record, but for now they remain ÓË„Ë̇θÌ˚È ÒˆÂ̇ËÈ, „ÛχÌËÁÏ Ë ÓχÌÚ˘ÂÒÍÓ ‚ÂÎ˘Ëª ñ Ãü‘ humanism and romantic magnitudeî alone, one to one, in the sand, under ‚ ü‡ÌÌÂ, 1957; ñ IFF in Cannes, 1957; the sky and by the sea, with their ñ œÓ˜ÂÚÌ˚È ‰ËÔÎÓÏ ñ Ãü‘ ‚ ñ Honorary Diploma ñ IFF in strong and contradictory feelingsÖ ›‰ËÌ·Û„Â, 1957. Edinburgh, 1957. 170 50 ‚˚·Ë‡˛Ú 50 (˜‡ÒÚ¸ I) 50 choose 50 (part I) Ã.√Ó¸ÍÓ„Ó (1964) ¬ÓÒÒÚ‡ÌÓ‚ÎÂÌË ÃÓÌÚ‡Ê Á‚Û͇ œÓËÁ‚Ó‰ÒÚ‚Ó ‘.»‚‡ÌÓ‚, ÀÂÓÌˉŒ·ÓÎÂÌÒÍËÈ ¿ÎÂÍ҇̉ ◊ËÒÚˇÍÓ‚,¬.œÓ, ü‡Î √ÛÌˇÍ,¡ÓËÒ¡‡ÌÂÚ, —Û‰‡Í‚˘, ¬Î‡‰ËÏË÷ÓÔÔË, À.ƒÂ‰Ë̈‚, À.¡ÂÎËÌÒ͇ˇ,¿ÌÂθ ¬ ÓΡı: «‚ÛÍ ÃÛÁ˚͇ Ã. ¿ÓÌÒÓÌ ’Û‰ÓÊÌËÍË ŒÔ‡ÚÓ –ÂÊËÒÒ À‚ —·‚ËÌ,¬Î‡‰ËÏË√Ó̘ÛÍÓ‚(1949) ¿‚ÚÓ˚ ‰ËÍÚÓÒÍÓ„ÓÚÂÍÒÚ‡ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 1928, ———–,89ÏËÌ.,˜/· STORM OVERASIA œŒ“ŒÃŒü ◊»Õ√»—-’¿Õ¿ ≈‚„ÂÌËÈ ü‡¯Í‚˘(1949) ÕËÍÓÎ‡È ü˛ÍÓ‚(1949) ¬‡ÎÂË‡Ì »ÌÍËÊËÌÓ‚, ¿Ì‡ÚÓÎËÈ √ÓÎÓ‚Ìˇ ¬Ò‚ÓÎÓ‰ œÛ‰Ó‚ÍËÌ —„ÂÈ üÓÁÎÓ‚ÒÍËÈ, ´ÃÂʇ·ÔÓÏÙËθϪ ´ÃÓÒÙËθϪ (1949) üËÌÓÒÚÛ‰Ëˇ ËÏÂÌË ŒÒËÔ ¡ËÍ (1964) Restored by Sound restoration Production F. Ivanov,LeonidObolensky Barnet, AlexanderChistiakov,V.Pro, Vladimir Tsoppi,KarlGurniak,Boris L. Belinskaya,AnelleSudakevich, Cast: Sound Music M. Aronson Production Design Anatoli Golovnia Director ofPhotography Director Vladimir Gonchukov(1949) Text readby Scriptwriter 1928, USSR,89min.,b/w Valerian Inkizhinov,L.Dedintsev, Nikolai Kriukov(1949) Evgeni Kashkevich(1949) Vsevolod Pudovkin Mezhrabpomfilm the GorkyFilmStudio Osip Brik Lev Slavin, Mosfilm (1949) Sergei Kozlovsky, ´Eisensteinª). Asiaî intheWest (ViktorShklovsky, the filmbeingentitled ìStormover there isastorm,whichthereason for him; hetearsoffthefur.Inend the furwhichwastakenawayfrom he seesaladysittingattablewearing a coat,makespeechesbeforehim. Then understands nothing.Theydresshim in is treatedandlookedafter.He execution. TheMongolisstillalive;he carried outtheexecutiontoplaceof shot. Theysendtheverysoldierwho but theyoungMongolhasalreadybeen make himtheheadofapuppetstate, tribe ofChinghisKhan.Theydecideto family tree:theMongolbelongsto chest theyfindanamuletwiththe an ordinarysoldier.OntheMongolís execution iscarriedoutreluctantlyby criminal, arrestedandshot.The Mongol woundsthefurtrader:heisa invaders surroundtheplace.The price beingpaid.Landlordsand is thrownontoaheap,withoutthereal trader: hisvaluablefurofasilverfox A youngMongolischeatedbyafur Novokshonovís novelofthesametitle. Drama basedonthemotivesofIvan (¬ËÍÚÓ ÿÍÎÓ‚ÒÍËÈ.´›ÈÁÂ̯ÚÂÈ̪). ̇Á‚‡ÎË Ì‡«‡Ô‡‰Â´¡ÛˇÌ‡‰¿ÁËÂȪ ÔÓËÒıÓ‰ËÚ ·Ûˇ,Á‡ÍÓÚÓÛ˛ÙËÎ¸Ï Ò˚‚‡ÂÚ ˝ÚÛ¯ÍÛÛ.¬ÙË̇Π¯ÍÛÛ, ÍÓÚÓÛ˛ÛÌ„ÓÓÚÌˇÎË;ÓÌ ‚ˉËÚ Ì‡‰‡ÏÂ,Òˉˇ˘ÂÈÁ‡ÒÚÓÎÓÏ,ÚÛ Ù‡Í, Ô‰ÌËÏ„Ó‚ÓˇÚ˜Ë.ŒÌ ÌË˜Â„Ó ÌÂÔÓÌËχÂÚ.≈„ÓӉ‚‡˛Ú‚Ó ÊË‚, „ÓΘ‡Ú,Á‡ÌËÏÛı‡ÊË‚‡˛Ú.ŒÌ ‡ÒÒÚÂΡΠÏÓÌ„Ó·.ü‡ÁÌÂÌÌ˚È¢ ÚÓ„Ó Ò‡ÏÓ„ÓÒÓΉ‡Ú‡,ÍÓÚÓ˚È ‡ÒÒÚÂΡÌ. œÓÒ˚·˛Ú̇ÏÂÒÚÓ͇ÁÌË „ÓÒÛ‰‡ÒÚ‚‡. ÕÓÏÓÎÓ‰ÓÈÏÓÌ„ÓÎÛÊ ҉·ڸ „ӄ·‚ÓÈχËÓÌÂÚÓ˜ÌÓ„Ó Ó‰Û ◊ËÌ„ËÒ-ı‡Ì‡.¬ÓÁÌË͇ÂÚˉ¡ Ó‰ÓÒÎӂ̇ˇ ñÏÓÌ„ÓÎÔË̇‰ÎÂÊËÚÍ ÏÓÌ„Ó· ̇ȉÂ̇·‰‡Ì͇,‚·‰‡ÌÍ ÔÓËÁ‚Ó‰ËÚ ˇ‰Ó‚ÓÈÒÓΉ‡Ú.Õ‡„Û‰Ë ‡ÒÒÚÂÎË‚‡˛Ú. –‡ÒÒÚÂÎÌÂÓıÓÚÌÓ ŒÌ ÔÂÒÚÛÔÌËÍ,„ӇÂÒÚÓ‚˚‚‡˛Ú, ÓÍÍÛÔ‡ÌÚ˚. ÃÓÌ„Ó·ÌËÎÒÍÛÔ˘Ë͇. ̇ÒÚÓˇ˘Û˛ ˆÂÌÛ.üÛ„ÓÏıÓÁˇÂ‚‡, ·ÓÒ‡ÂÚÒˇ ‚ÍÛ˜Û.«‡ÌÂÂÔ·ڡÚÌ ˜ÂÌÓ·ÛÓÈ ÎËÒˈ˚ÔËÂÏ˘ËÍÓÏ ÒÍÛÔ˘Ë͇ ¯ÍÛ.Œ˜Â̸ˆÂÌ̇ˇ¯ÍÛ‡ ÃÓÎÓ‰ÓÈ ÏÓÌ„ÓÎÒÚ‡ÌÓ‚ËÚÒˇÊÂÚ‚ÓÈ Óχ̇ »‚‡Ì‡ÕÓ‚ÓͯÓÌÓ‚‡. ƒ‡Ï‡ ÔÓÏÓÚË‚‡ÏÓ‰ÌÓËÏÂÌÌÓ„Ó «ŒÀ”ÿü¿ CINDERELLA 50 choose (part I) 50 ‚˚·Ë‡˛Ú (˜‡ÒÚ¸ I)
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‘ËθÏ-Ò͇Á͇ ÔÓ ÏÓÚË‚‡Ï 1947, ———–, 84 ÏËÌ., ˜/· 1947, USSR, 84 min., b/w Ú‡‰ËˆËÓÌÌÓ„Ó Ò͇ÁÓ˜ÌÓ„Ó Ò˛ÊÂÚ‡ Ó ÚÛ‰Óβ·Ë‚ÓÈ «ÓÎÛ¯ÍÂ, ÁÎÓÈ Ï‡˜ÂıÂ Ë ¿‚ÚÓ ÒˆÂÌ‡Ëˇ ≈‚„ÂÌËÈ ÿ‚‡ˆ Scriptwriter Evgeni Schwarz ÎÂÌË‚˚ı ÒÂÒÚ‡ı. –ÂÊËÒÒÂ˚ Õ‡‰Âʉ‡ üӯ‚ÂÓ‚‡, Directors Nadezhda Kosheverova, Àˉ ÔÓ͇ڇ (1947, 4- ÏÂÒÚÓ) ñ ÃËı‡ËÎ ÿ‡ÔËÓ Mikhail Shapiro 18.27 ÏÎÌ. ÁËÚÂÎÂÈ. ŒÔ‡ÚÓ ≈‚„ÂÌËÈ ÿ‡ÔËÓ Director of Photography Evgeni Shapiro ’Û‰ÓÊÌËÍ »Ò‡‡Í ÇıÎËÒ Production Design Isaak Makhlis ƒÂÍÓ‡ˆËË ÕËÍÓÎ‡È ¿ÍËÏÓ‚ (˝ÒÍËÁ˚) Set Nikolai Akimov (sketches) üÓÒÚ˛Ï˚ “‡Ï‡‡ À‚ˈ͇ˇ, Costume Design Tamara Levitskaya, ≈.ÿË·ËÌÒ͇ˇ, ÕËÍÓÎ‡È ¿ÍËÏÓ‚ E. Shibinskaya, Nikolai Akimov (sketches) (˝ÒÍËÁ˚) Composer Antonio Spadavecchia üÓÏÔÓÁËÚÓ ¿ÌÚÓÌËÓ —Ô‡‰‡‚ÂÍ͡ Sound Alexander Ostrovsky «‚ÛÍ ¿ÎÂÍ҇̉ ŒÒÚÓ‚ÒÍËÈ Cast: Yanina Zheimo, ¬ ÓΡı: flÌË̇ ∆ÂÈÏÓ, Alexei Konsovsky, Erast Garin, ¿ÎÂÍÒÂÈ üÓÌÒÓ‚ÒÍËÈ, ›‡ÒÚ √‡ËÌ, Vasili Merkuriev, Faina Ranevskaya, ¬‡ÒËÎËÈ ÃÂÍ۸‚, ‘‡Ë̇ –‡Ì‚Ò͇ˇ, Elena Yunger, Varvara Miasnikova, Igor ≈ÎÂ̇ fiÌ„Â, ¬‡‚‡‡ ÃˇÒÌËÍÓ‚‡, Klimenkov, Sergei Filippov, Alexander »„Ó¸ üÎËÏÂÌÍÓ‚, —„ÂÈ ‘ËÎËÔÔÓ‚, Rumnev, Tatiana Sezenevskaya ¿ÎÂÍ҇̉ –ÛÏÌ‚, Production Lenfilm “‡Ú¸ˇÌ‡ —ÂÁÂÌ‚Ò͇ˇ Fairy tale film based on the motives of œÓËÁ‚Ó‰ÒÚ‚Ó ´ÀÂÌÙËθϪ the traditional fairy-tale plot about the hardworking Cinderella, her malicious stepmother and her lazy sisters. Box Office Leader (1947, 4th place) ñ 18.27 million spectators. 172 50 ‚˚·Ë‡˛Ú 50 (˜‡ÒÚ¸ I) 50 choose 50 (part I) Ã.√Ó¸ÍÓ„Ó (1957,1977) ¬ÓÒÒÚ‡ÌÓ‚ÎÂÌË œÓËÁ‚Ó‰ÒÚ‚Ó ¬‡ÒËÎËÈ ü‡˜‡ÎÓ‚ “ÂÍÒÚ ÓÚ‡‚ÚÓ‡ËÒÚËıË ¬ËÍÚÓ À‡Á‡Â‚,ÕËÍÓ·ȖÓχÌÓ‚ Ã‡Ëˇ ¿ÌÚÓÔÓ‚‡,–Ë̇«ÂÎÂ̇ˇ, Ã‡Ëˇ √ÓÌÚ‡,¿ÎÂÍ҇̉ÕÓ‚ËÍÓ‚, –„Ë̇ flÌۯ͂˘,ÃËı‡ËÎ∆‡Ó‚, ¬Î‡‰ËÏË ¬ÂÒÌÓ‚ÒÍËÈ, …˚‚‡Ì ü˚Ρ,ÃËı‡Ë΃ʇ„ÓÙ‡Ó‚, ¬ ÓΡı: «‚ÛÍ ≈‚„ÂÌËÈ ÌÓÊÍÓÈ ÚÓÔÌÛ·...ª,1-ˇÂ‰.), ¬Ó͇ΠüÓÏÔÓÁËÚÓ ¿ÎÂÍ҇̉ ≈‚ÏÂÌÂÌÍÓ ’Û‰ÓÊÌËÍË ŒÔ‡ÚÓ –ÂÊËÒÒ ¿ÎÂÍ҇̉ —ÚÓÎÔ –„Ë̇ flÌۯ͂˘, ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 1931, ———–,95ÏËÌ.,˜/· ROAD TOLIFE œ”“≈¬ü¿ ¬∆»«Õ‹ ñ ÀÛ˜¯ËÈÂÊËÒÒÂ(ÕËÍÓ·țÍÍ) ÍËÌÓËÒÍÛÒÒÚ‚‡), 1932. ¬Â̈ËË (¬˚ÒÚ‡‚͇ ÔÓ ÓÔÓÒÛÓ„ÍÓÏËÚÂÚ‡IÃü‘‚ ≈‚„ÂÌËÈ ÕÂÒÚÂÓ‚ ÃËı‡ËÎ ∆‡Ó‚(´¬˚¯Î‡ˇË Ã.∆‡Ó‚ (3-ˇÂ‰.) ÕËÍÓÎ‡È ¡‡Ú‡ÎÓ‚, ¬‡ÒËÎËÈ œÓÌËÌ ÕËÍÓÎ‡È ›ÍÍ »‚‡Ì —ÚÂÔ‡ÌÓ‚, flÍÓ‚ —ÚÓΡ ´ÃÂʇ·ÔÓÏÙËθϪ üËÌÓÒÚÛ‰Ëˇ ËÏÂÌË ÕËÍÓÎ‡È ›ÍÍ, ˜ËÚ‡ÂÚ 1977) Restored by Production Kachalov Authorís textandverses Viktor Lazarev,NikolaiRomanov Maria Antropova,RinaZelenaya, Maria Gonta,AlexanderNovikov, Regina Yanushkevich,MikhailZharov, Vladimir Vesnovsky, Mikhail Dzhagofarov, Cast: Sound Evgeni M.Zharov(thirded.) Stamped witmyFootî,firsted.), Vocals Composer Alexander Evmenenko Production Design Director ofPhotography Director Yanushkevich,AlexanderStolper Regina Scriptwriters 1931, USSR,95min.,b/w ñ BestDirector(NikolaiEkk) Pictures), 1932. IFF inVenice(ExhibitionofMotion organizing committeeoftheFirst according toasurveyofthe Nikolai Batalov,JyvanKyrlia, Evgeni Nesterov Mikhail Zharov(ìILeftand Nikolai Ekk Yakov Stoliar ìMezhrabpomfilmî Gorky FilmStudio(1957, Nikolai Ekk, Ivan Stepanov, Vasili Pronin read byVasili (ÍÛÔÎÂÌ 26Òڇ̇ÏË). ÔÓÎۘ˂¯ËÈ ÏËÓ‚ÓÂÔËÁ̇ÌË œÂ‚˚È ÒÓ‚ÂÚÒÍËÈÁ‚ÛÍÓ‚ÓÈÙËθÏ, ÍÓÏÏÛÌ ‚Ô‚˚„Ӊ˚ÒÓ‚ÂÚÒÍÓȂ·ÒÚË. Ô‚ÓÒÔËÚ‡ÌË ÔÓ‰ÓÒÚÍÓ‚‚ÚÛ‰Ó‚ÓÈ ·Ó¸·‡ Ò·ÂÒÔËÁÓ˘ËÌÓÈË ¬ ÓÒÌÓ‚ÂÒ˛ÊÂÚ‡ñ̇˜‡Ú‡ˇ‚1923„Ó‰Û ƒ‡Ï‡. 26 countries). received worldrecognition(boughtby The firstSovietsoundfilm,which of theSovietregime. in alabourcommunethefirstyears 1923 withthere-educationofteenagers against ìneglectedîchildren,begunin At theheartofplotliesfight Drama. ¬≈—≈À¤≈ –≈¡fl“¿ HAPPY GUYS/ JOLLY FELLOWS (aka ´Moscow Laughsª) 50 choose (part I) 50 ‚˚·Ë‡˛Ú (˜‡ÒÚ¸ I)
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ÃÛÁ˚͇θ̇ˇ ÎˢÂÒ͇ˇ ÍÓωˡ Ó 1934, ———–, 96 ÏËÌ., ˜/· 1934, USSR, 96 min, b/w ÚÓÏ, Í‡Í Ú‡Î‡ÌÚÎË‚˚È Ô‡ÒÚÛı- ÏÛÁ˚͇ÌÚ üÓÒÚˇ ÒڇΠ‰ËËÊÂÓÏ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ ¬Î‡‰ËÏË Ã‡ÒÒ, Scriptwriters Vladimir Mass, ‰Ê‡ÁÓ‚Ó„Ó ÓÍÂÒÚ‡, ‡ ‰Óχ¯Ìˇˇ ÕËÍÓÎ‡È ›‰Ï‡Ì, Nikolai Erdman, Grigori Alexandrov ‡·ÓÚÌˈ‡ ¿Ì˛Ú‡ ñ Ô‚ˈÂÈ Ë Á‚ÂÁ‰ÓÈ √Ë„ÓËÈ ¿ÎÂÍ҇̉ӂ Director Grigori Alexandrov ˝ÒÚ‡‰˚. ‘ËθÏ, ÔÂÂÔÓÎÌÂÌÌ˚È –ÂÊËÒÒ √Ë„ÓËÈ ¿ÎÂÍ҇̉ӂ Director of Photography Ú‚Ó˜ÂÒÍÓÈ ˝Ì„ËÂÈ Ë Á‡‰ÓÌ˚Ï ŒÔ‡ÚÓ ¬Î‡‰ËÏË ÕËθÒÂÌ Vladimir Nilsen ıÛÎË„‡ÌÒÚ‚ÓÏ ‚ ‡‰ÂÒ Ï¢‡ÌÒÍÓ„Ó ’Û‰ÓÊÌËÍ ¿ÎÂÍÒÂÈ ”ÚÍËÌ Production Design Alexei Utkin ·˚Ú‡ Ì˝ÔÓ‚ÒÍÓ„Ó ‚ÂÏÂÌË, ÌÂÒÏÓÚˇ ̇ üÓÏÔÓÁËÚÓ »Ò‡‡Í ƒÛ̇‚ÒÍËÈ Composer Isaak Dunaevsky ÊÂÒÚÍÓ ÌÂÔˡÚË ˜ËÌÓ‚ÌËÍÓ‚, “ÂÍÒÚ ÔÂÒÂÌ ¬‡ÒËÎËÈ À·‰‚-üÛχ˜ Lyrics Vasili Lebedev-Kumach Ó·‚ËÌˇ‚¯Ëı ÂÊËÒÒ‡ ‚ ÔÓÔ‡„‡Ì‰Â œÂÒÌË ËÒÔÓÎÌˇ˛Ú ÀÂÓÌˉ ”ÚÂÒÓ‚, Songs performed by Leonid Utesov, ·ÛÊÛ‡ÁÌÓÈ ÏÓ‡ÎË, ·˚Î ·Î‡„ÓÒÎÓ‚ÎÂÌ À˛·Ó‚¸ ŒÎÓ‚‡ (1-ˇ ‰.); ¬Î‡‰ËÏË Liubov Orlova (first ed.); Vladimir —Ú‡ÎËÌ˚Ï, ÍÓÚÓ˚È Ë ÔˉÛχΠÂÏÛ “Ó¯ËÌ, ÀÂÓ͇‰Ëˇ ÇÒÎÂÌÌËÍÓ‚‡ (3-ˇ ‰.) Troshin, Leokadiya Maslennikova (third ed.) ̇Á‚‡ÌË ´¬ÂÒÂÎ˚ ·ˇÚ‡ª. ü‡ÚË̇ «‚ÛÍ ÕËÍÓÎ‡È “ËχˆÂ‚ Sound Nikolai Timartsev ËÏ· ·Óθ¯ÓÈ ÛÒÔÂı Í‡Í Û Ì‡Ò, Ú‡Í Ë ¬ ÓΡı: ÀÂÓÌˉ ”ÚÂÒÓ‚, Cast: Leonid Utesov, Liubov Orlova, Á‡ Û·ÂÊÓÏ (´ÃÓÒÍ‚‡ ÒÏÂÂÚÒˇª). À˛·Ó‚¸ ŒÎÓ‚‡, Ã‡Ëˇ —ÚÂÎÍÓ‚‡, Maria Strelkova, Elena Tiapkina, œÂ‚‡ˇ ÒÓ‚ÂÚÒ͇ˇ ÏÛÁ˚͇θ̇ˇ ≈ÎÂ̇ “ˇÔÍË̇, ‘Â‰Ó üÛËıËÌ, Fedor Kurikhin, Emmanuil Geller, ÍÓωˡ Òڇ· Í·ÒÒËÍÓÈ ÏËÓ‚Ó„Ó ›ÏχÌÛËÎ √ÂÎÎÂ, ¿ÌÓθ‰ ¿ÌÓθ‰, Arnold Arnold, Robert Erdman, ÍËÌÓËÒÍÛÒÒÚ‚‡. –Ó·ÂÚ ›‰Ï‡Ì, —„ÂÈ ü‡¯ÚÂΡÌ, Sergei Kashtelian, Nikolai Pavlovsky œÂ‚˚È ÔÓÎÌÓÏÂÚ‡ÊÌ˚È ÙËÎ¸Ï ÕËÍÓÎ‡È œ‡‚ÎÓ‚ÒÍËÈ Production Moskinokombinat √Ë„Óˡ ¿ÎÂÍ҇̉ӂ‡ Ë Ô‚‡ˇ œÓËÁ‚Ó‰ÒÚ‚Ó ´ÃÓÒÍËÌÓÍÓÏ·Ë̇ڪ Restored and re-edited for sound by ÎËËÍÓ-ÍÓωËÈ̇ˇ Óθ À˛·Ó‚Ë ¬ÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ Ë ÔÂÂÏÓÌÚ‡Ê Á‚Û͇ Mosfilm (1968, 1978) ŒÎÓ‚ÓÈ. ´ÃÓÒÙËθϪ (1968, 1978)
Lyrical musical comedy about a talented shepherd and musician, Kostya, who became the conductor of a jazz ñ ´«ÓÎÓÚÓÈ ÍÛ·Óͪ Á‡ ÎÛ˜¯Û˛ ñ ìGolden Cupî for the best programme orchestra, and the maid Anyuta who ÔÓ„‡ÏÏÛ (´¬ÂÒÂÎ˚ ·ˇÚ‡ª, (ìHappy Guysî, ìThe Stormî, ìPetersburg Nightî, ìIvanî, turned into a singer and stage star. The ´√ÓÁ‡ª, ´œÂÚ·ۄÒ͇ˇ ÌÓ˜¸ª, ´»‚‡Ìª, ´ŒÍ‡Ë̇ª, ´ÕÓ‚˚È ìOutskirtsî, ìNew Gulliverî, ìBoule film, overflowing with creative energy √ÛÎÎ˂ª, ´œ˚¯Í‡ª, ´◊ÂβÒÍË̪ Ë de Suifî, ìChelyuskinî, etc.), and fervent hooliganism against the ‰.), Ô‰ÒÚ‡‚ÎÂÌÌÛ˛ „ÓÒÛ‰‡ÒÚ‚ÓÏ represented by the state at the petty-bourgeois lifestyle of the NEP ̇ ÙÂÒÚË‚‡Î ñ ÃÂʉÛ̇Ӊ̇ˇ festival ñ International Cinema period, was ñ despite the officialsí ÍËÌÂχÚÓ„‡Ù˘ÂÒ͇ˇ ‚˚ÒÚ‡‚͇ ‚ Exhibition in Venice, 1934. ¬Â̈ËË, 1934; ñ Military Order of the Red Star ìFor strong dislike and their accusation of ñ ¡Ó‚ÓÈ Ó‰ÂÌ ü‡ÒÌÓÈ Á‚ÂÁ‰˚ ñ bravery and boldness in the struggle propaganda of bourgeois morals ñ ´«‡ ı‡·ÓÒÚ¸ Ë ÒÏÂÎÓÒÚ¸ ‚ ·Ó¸·Â with difficulties in a comedy filmî blessed by Stalin, who suggested the Ò ÚÛ‰ÌÓÒÚˇÏË ÍËÌÓÍÓωË˪ (Grigori Alexandrov), 1935. title ìHappy Guysî. The film made a (√Ë„ÓËÈ ¿ÎÂÍ҇̉ӂ), 1935. big splash in the USSR and abroad. This first Soviet musical comedy became a classic of world cinema. Grigori Aleksandrovís first feature film and the first lyrical comedy role for Liubov Orlova. 174 50 ‚˚·Ë‡˛Ú 50 (˜‡ÒÚ¸ I) 50 choose 50 (part I) ´ÀÂÌÙËθϪ (1967) ¬ÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÏÓÌÚ‡ÊÁ‚Û͇ œÓËÁ‚Ó‰ÒÚ‚Ó ¬‡‚‡‡ ÃˇÒÌËÍÓ‚‡,—„ÂÈ√‡ÒËÏÓ‚ ¬ˇ˜ÂÒ·‚ ¬ËÒÍÓ‚ÒÍËÈ, ¬‡ÎÂËÈ —ÓÎÓ‚ˆÓ‚,flÍÓ‚√Û‰ÍËÌ, À˛‰ÏË· —ÂÏÂÌÓ‚‡, ¬ ÓΡı: ‘Â‰Ó ÕËÍËÚËÌ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌˡ –ÂÊËÒÒ «‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ü‡ÚÂË̇ ¬ËÌÓ„‡‰Ò͇ˇ,‘ˉËı›ÏΠ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 1929, ———–,80ÏËÌ.,˜/· A FRAGMENTOFEMPIRE Œ¡ÀŒÃŒü »Ãœ≈–»» √Ë„ÓËÈ ›Î¸·ÂÚ(1967) ‘Â‰Ó ÕËÍËÚËÌ, ≈‚„ÂÌËÈ ÿÌÂȉ ‘ˉËı ›ÏΠ≈‚„ÂÌËÈ ≈ÌÂÈ ¬Î‡‰ËÏË ƒÂ¯Â‚Ó‚(1967) ´—Ó‚ÍËÌÓª (ÀÂÌËÌ„‡‰) Lenfilm (1967) Restored andre-editedforsoundby Production Fedor Nikitin Director ofrestoredversion Miasnikova, SergeiGerasimov Gudkin, ViacheslavViskovsky,Varvara Semenova, ValeriSolovtsov,Yakov Cast: Sound Composer Production Design Evgeni Schneider Director ofPhotography Director Fridrikh Ermler Scriptwriters 1929, USSR,80min.,b/w Fedor Nikitin,Liudmila Grigori Elbert(1967) Fridrikh Ermler Vladimir Deshevov(1967) Sovkino (Leningrad) Katerina Vinogradskaya, Evgeni Enei „Ó‰˚Ö ÔÓËÁÓ¯ÎÓ ‚ÒÚ‡ÌÂÁ‡Ôӯ‰¯Ë ‚ÂÏˇ ÌÂÏÓÊÂÚÔÓÌˇÚ¸,˜ÚÓ ŒÍ‡Á‡‚¯ËÒ¸ ‚ÀÂÌËÌ„‡‰Â,Ó̉Ó΄Ó ÛÒÚÓËÚ¸Òˇ ÍÌÂÏÛ̇‡·ÓÚÛ. ‡Á˚Ò͇ڸ ÊÂÌÛ,ıÓÁˇË̇Á‡‚Ó‰‡Ë ŒÌ ¯‡ÂÚÔÓÂı‡Ú¸‚œÂÚ·ۄ, ÚÓ, ˜ÚÓÔÓËÁÓ¯ÎÓÒÌËωÓÍÓÌÚÛÁËË. Ô‡ÏˇÚ¸. Œ‰Ì‡ÍÓÓÌ‚ÒÔÓÏË̇ÂÚÎ˯¸ ÊÂÌÛ. ›ÚÓÒÓ·˚ÚËÂÔÓ·Ûʉ‡ÂÚÂ„Ó ÔÓÂÁ‰‡ ÊÂÌ˘ËÌÛËÛÁ̇ÂÚ‚ÌÂÈÒ‚Ó˛ Ӊ̇ʉ˚ ‚ˉËÚ‚ÓÍÌÂÔÓıÓ‰ˇ˘Â„Ó ‚ÂÏˇ Ô‚ÓÈÏËÓ‚ÓÈ‚ÓÈÌ˚, Òڇ̈ËË ‘ËÎËÏÓÌÓ‚,ÍÓÌÚÛÊÂÌÌ˚È‚Ó —ÚÓÓÊ Ì·Óθ¯ÓÈÊÂÎÂÁÌÓ‰ÓÓÊÌÓÈ Õ.‘. œÓ„Ó‰Ë̇´√ÓÒÚ¸ÒÚÓ„ÓÒ‚ÂÚ‡ª. ŒÔÚËÏËÒÚ˘ÂÒ͇ˇ ‰‡Ï‡ÔÓÓ˜ÂÍÛ country inrecentyearsÖ understand whathappenedinthe Leningrad hecannot,foralongtime, at afactory.Whenhearrivesin to findhiswife,andgetshimselfajob trauma. HedecidestogoPetersburg only whathappenedtohimbeforehis brings backhismemory,buthecan recognizes hiswifeinher.Thisevent the windowofapassingtrainand War. Onedayheseesawomanthrough injuries sustainedintheFirstWorld Filimonov losthismemorydueto The watchmanofasmallrailwaystation Worldî. sketch ìTheGuestfromtheOther Optimistic dramabasedonN.Pogodinís ü¿–Õ¿¬¿À‹Õ¿fl ÕŒ◊‹ CARNIVAL NIGHT 50 choose (part I) 50 ‚˚·Ë‡˛Ú (˜‡ÒÚ¸ I)
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ÕÓ‚Ó„Ó‰Ìˇˇ ÏÛÁ˚͇θ̇ˇ ÍÓωˡ. 1956, ———–, 77 ÏËÌ., ˆ‚. 1956, USSR, 77 min., col. ÃÓÎÓ‰˚ ˝ÌÚÛÁˇÒÚ˚ ‚Ó „·‚Â Ò ÀÂÌÓÈ ü˚ÎÓ‚ÓÈ ‚ÓÔÂÍË ‚ÂÏÂÌÌÓ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ ¡ÓËÒ À‡ÒÍËÌ, Scriptwriters Boris Laskin, ËÒÔÓÎÌˇ˛˘ÂÏÛ Ó·ˇÁ‡ÌÌÓÒÚË ¬Î‡‰ËÏË œÓΡÍÓ‚ Vladimir Poliakov ̇˜‡Î¸ÌË͇ ƒÓχ ÍÛθÚÛ˚ ñ –ÂÊËÒÒ ›Î¸‰‡ –ˇÁ‡ÌÓ‚ Director Eldar Ryazanov ·˛Ó͇ÚÛ Œ„ÛˆÓ‚Û ñ ¯‡˛Ú ŒÔ‡ÚÓ ¿Í‡‰ËÈ ü‡Î¸ˆ‡Ú˚È Director of Photography Ó„‡ÌËÁÓ‚‡Ú¸ ÔÓ-̇ÒÚÓˇ˘ÂÏÛ ‚ÂÒÂÎ˚È ’Û‰ÓÊÌËÍË üÓÌÒÚ‡ÌÚËÌ ≈ÙËÏÓ‚, Arkadi Kaltsaty ÌÓ‚Ó„Ó‰ÌËÈ ·‡Î. » ˝ÚÓ ËÏ Û‰‡ÂÚÒˇ. ŒÎ„ √ÓÒÒ Production Design Konstantin Efimov, Àˉ ÔÓ͇ڇ (1956, 1- ÏÂÒÚÓ) ñ üÓÏÔÓÁËÚÓ ¿Ì‡ÚÓÎËÈ ÀÂÔËÌ Oleg Grosse 45.64 ÏÎÌ. ÁËÚÂÎÂÈ. “ÂÍÒÚ ÔÂÒÂÌ ¬Î‡‰ËÏË ÀËٯˈ, Composer Anatoli Lepin ¬‡‰ËÏ üÓÓÒÚ˚΂ Lyrics Vladimir Lifshits, «‚ÛÍ ¬ËÍÚÓ «ÓËÌ Vadim Korostylev ¬ ÓΡı: »„Ó¸ »Î¸ËÌÒÍËÈ, Sound Viktor Zorin À˛‰ÏË· √Û˜ÂÌÍÓ, fiËÈ ¡ÂÎÓ‚, Cast: Igor Ilyinsky, Liudmila √ÂÓ„ËÈ üÛÎËÍÓ‚, —„ÂÈ ‘ËÎËÔÔÓ‚, Gurchenko,Yuri Belov, Georgy Kulikov, ŒÎ¸„‡ ¬Î‡ÒÓ‚‡, ¿Ì‰ÂÈ “ÛÚ˚¯ÍËÌ, Sergei Filippov, Olga Vlasova, Andrei “‡Ï‡‡ ÕÓÒÓ‚‡, √ÂÌ̇‰ËÈ fi‰ËÌ, Tutyshkin, Tamara Nosova, Gennadi ¬Î‡‰ËÏË «Âθ‰ËÌ, ¡ÓËÒ œÂÚÍÂ, Yudin, Vladimir Zeldin, Boris Petker, ¬‡ÎÂÌÚËÌ ¡˚΂, ¿ÎÂÍÒÂÈ œÓ΂ÓÈ, Valentin Bryleev, Alexei Polevoy, ¬Î‡‰ËÏË œËˆÂÍ Vladimir Pitsek New Yearís musical comedy. œÓËÁ‚Ó‰ÒÚ‚Ó ´ÃÓÒÙËθϪ Production Mosfilm Some young enthusiasts, led by Lena Krylova, go against the will of the acting head of the House of Culture, the bureaucrat Ogurtsov, when they decide to organize a rather cheerful New Yearís ball. And it is possible. ñ ƒËÔÎÓÏ Ãü‘ ‚ ›‰ËÌ·Û„Â, 1957; ñ Diploma ñ IFF in Edinburgh, 1957; Box Office Leader (1956, 1st place) ñ ñ ¬ÚÓ‡ˇ ÔÂÏˡ ÙËθÏÛ, ñ Second Prize for the film, personal 45.64 million spectators. ÔÂÒÓ̇θÌ˚ ÔÂÏËË ‡ÍÚÂÛ prizes for the actor (Igor Ilyinsky) (»„Ó¸»Î¸ËÌÒÍËÈ) Ë and the sound producer ñ FF in Á‚ÛÍÓÂÊËÒÒÂÛ ñ ¬ü‘ ‚ ÃÓÒÍ‚Â, Moscow, 1958; 1958; ñ One of the best (4th out of 82) films ñ Œ‰ËÌ ËÁ ÎÛ˜¯Ëı (˜ÂÚ‚ÂÚ˚È ËÁ in distribution in 1956, according to 82) ÙËθÏÓ‚, ‚˚ÔÛ˘ÂÌÌ˚ı ‚ a survey of the readers of the ÔÓÍ‡Ú ‚ 1956 „Ó‰Û, ÔÓ newspaper ìSovetskaya Kulturaî. ÂÁÛÎ¸Ú‡Ú‡Ï ÓÔÓÒ‡ ˜ËÚ‡ÚÂÎÂÈ „‡ÁÂÚ˚ ´—Ó‚ÂÚÒ͇ˇ ÍÛθÚÛ‡ª. 176 50 ‚˚·Ë‡˛Ú 50 (˜‡ÒÚ¸ I) 50 choose 50 (part I) œÓËÁ‚Ó‰ÒÚ‚Ó ÀÂÓÌˉ »Û‰Ó‚ À‚ ‘ÂÌËÌ,»‚‡Ìüβ͂ËÌ, Õ‡ÛÏ –Ó„ÓÊËÌ,‘‰ӌ‰ËÌÓÍÓ‚, —„ÂÈ ¡ÎËÌÌËÍÓ‚,»‚‡ÌÀ‡„ÛÚËÌ, ƒ‡ÌËÎÓ‚‡, ¬Î‡‰ËÏË≈¯Ó‚, ¬‡ÎÂÌÚË̇ »‚‡¯Â‚‡,¿ÎÂÍ҇̉‡ ÕËÍÓÎ‡È ¿ÒÍËÈ,¬‡‚‡‡Ã‡ÒÒ‡ÎËÚËÌÓ‚‡, ƒÏËÚËÈ ŒÎÓ‚,¬‡ÒËÎËÈÕÓ‚ËÍÓ‚, ŒıÎÓÔÍÓ‚, ¿Ì‰ÂÈ¿·ËÍÓÒÓ‚, ¬ ÓΡı: «‚ÛÍ “ÂÍÒÚ ÔÂÒÂÌ üÓÏÔÓÁËÚÓ üÓÌÒÚ‡ÌÚËÌ üÓÒÚ˛Ï˚ ÕËÍÓÎ‡È —ÓÎÓ‚¸Â‚ ’Û‰ÓÊÌËÍË »ÓÒËÙ ÿÔËÌÂθ ’Û‰ÓÊÌËÍ-ÔÓÒÚ‡ÌÓ‚˘ËÍ ŒÔ‡ÚÓ ƒÏËÚËÈ ¬‡ÒËθ‚ –ÂÊËÒÒÂ˚ —„ÂÈ ›ÈÁÂ̯ÚÂÈÌ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 1938, ———–,111ÏËÌ.,˜/· ALEXANDER NEVSKY ¿À≈ü—¿Õƒ– Õ≈¬—ü»… ñ œÓÓÔÓÒÛÍËÌӂ‰ӂÏˇ, ñ —Ú‡ÎËÌÒ͇ˇÔÂÏˡIÒÚÂÔÂÌË ÍËÌÓ. ÒÚ‡ ÎÛ˜¯ËıÙËθÏÓ‚‚ËÒÚÓËË (ÃË·Ì), ÙËθςÍβ˜ÂÌ‚ÒÔËÒÓÍ ´¿.ÃÓ̉‡‰Ó˪ ‚1978„Ó‰Û Ôӂ‰ÂÌÌÓÏ ËÁ‰‡ÚÂθÒÚ‚ÓÏ (1941); ¬Î‡‰ËÏË ¡Ó„‰‡ÌÍ‚˘ ÕËÍÓÎ‡È ◊Â͇ÒÓ‚, ›‰Û‡‰ “ËÒÒ˝ —„ÂÈ ›ÈÁÂ̯ÚÂÈÌ, —„ÂÈ ›ÈÁÂ̯ÚÂÈÌ, —„ÂÈ ›ÈÁÂ̯ÚÂÈÌ, ¬Î‡‰ËÏË ÀÛ„Ó‚ÒÍÓÈ ≈ÎËÒ‚ —„ÂÈ œÓÍÓٸ‚ ´ÃÓÒÙËθϪ œÂÚ œ‡‚ÎÂÌÍÓ, Production Fenin, IvanKliukvin,LeonidYudov Naum Rogozhin,FedorOdinokov,Lev Ershov, SergeiBlinnikov,IvanLagutin, Ivasheva, AlexandraDanilova,Vladimir Varvara Massalitinova,Valentina Orlov, VasiliNovikov,NikolaiArsky, Ohlopkov, AndreuAbrikosov,Dmitri Cast: Sound Lyrics Composer Konstantin Eliseev Costume Design Nikolai Soloviev Designers Production Design Director ofPhotography Dmitri Vasiliev Directors Sergei Eisenstein Scriptwriters 1938, USSR,111min.,b/w ñ Accordingtoasurveyofworldfilm ñ StalinPrizeofthe1stClass(1941); history among hundredbestfilmsincinema house MondadoriinMilan(1978), critics conductedbythepublishing Nikolai Cherkasov, Vladimir Lugovskoy Vladimir Bogdankevich Sergei Eisenstein, Sergeiy Prokofiev Sergei Eisenstein, Mosfilm Peter Pavlenko, Sergei Eisenstein, Iosif Shpinel Eduard Tisse 1242 „Ó‰Û. Ú‚ÚÓÌÒÍÓ„Ó Ó‰Â̇̇◊Û‰ÒÍÓÏÓÁ‚ Ó‰ÌÛ˛ ÁÂÏβ‚·ËÚ‚ÂÒ˚ˆ‡ˇÏË ‚Ó‰ËÚÂθÒÚ‚ÓÏ ¿ÎÂÍ҇̉‡Õ‚ÒÍÓ„Ó ‰ÛÊËÌ, ÓÚÒÚÓˇ‚¯ËıÔÓ‰ Œ Ô‡ÚËÓÚ˘ÂÒÍÓÏÔÓ‰‚Ë„ÂÛÒÒÍËı Chud in1242. fight withtheTeutonicknightsonLake Alexander Nevsky,thenativelandina who defended,undertheguidanceof About thepatrioticfeatofRussians fiÕŒ—“‹ ÿü—»Ã¿ THE YOUTH OF MAXIM 50 choose (part I) 50 ‚˚·Ë‡˛Ú (˜‡ÒÚ¸ I)
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ÀËËÍÓ-˝Ô˘ÂÒ͇ˇ ‰‡Ï‡. 1934, ———–, 98 ÏËÌ., ˜/· 1934, USSR, 98 min., b/w œÂ‚˚È ÙËÎ¸Ï ËÒÚÓËÍÓ-‚ÓβˆËÓÌÌÓÈ ÚËÎÓ„ËË (ÔÓ‰ÓÎÊÂÌËÂ: ´¬ÓÁ‚‡˘ÂÌË ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ Ë ÂÊËÒÒÂ˚ Scriptwriters and directors ÇÍÒËχª Ë ´¬˚·Ó„Ò͇ˇ ÒÚÓÓ̇ª). √Ë„ÓËÈ üÓÁË̈‚, ÀÂÓÌˉ “‡Û·Â„ Grigori Kozintsev, Leonid Trauberg 1910 „Ó‰. œÓÒÚÓ‚‡Ú˚È Ë ‚ÂÒÂÎ˚È ŒÔ‡ÚÓ ¿Ì‰ÂÈ ÃÓÒÍ‚ËÌ Director of Photography ÔÂÚ·ۄÒÍËÈ ‡·Ó˜ËÈ Ô‡ÂÌÂÍ Ò ’Û‰ÓÊÌËÍ ≈‚„ÂÌËÈ ≈ÌÂÈ Andrei Moskvin Õ‡‚ÒÍÓÈ Á‡ÒÚ‡‚˚ ÔÓ ËÏÂÌË Ã‡ÍÒËÏ üÓÏÔÓÁËÚÓ ƒÏËÚËÈ ÿÓÒÚ‡Íӂ˘ Production Design Evgeni Eney ÔÓÒΠÌÂÓÔ‡‚‰‡ÌÌÓÈ „Ë·ÂÎË Ò‚ÓÂ„Ó «‚ÛÍ »Î¸ˇ ¬ÓÎÍ Composer Dmitri Shostakovich Á‡‚Ó‰ÒÍÓ„Ó ‰Û„‡ ¿Ì‰Âˇ Ò‚ˇÁ˚‚‡ÂÚÒˇ Ò ¬ ÓΡı: ¡ÓËÒ ◊ËÍÓ‚, Sound Ilya Volk ÔÓ‰ÔÓθ˘Ë͇ÏË ˜ÂÂÁ Û˜ËÚÂθÌËˆÛ —ÚÂÔ‡Ì ü‡˛ÍÓ‚, ¿ÎÂÍ҇̉ üÛ·ÍÓ‚, Cast: Boris Chirkov, Stepan Kayukov, Õ‡Ú‡¯Û Ë Ì‡˜Ë̇ÂÚ ÂÈ ÔÓÏÓ„‡Ú¸ ‚ ¬‡ÎÂÌÚË̇ üË·‡‰Ë̇, Alexander Kulakov, ‚ÓβˆËÓÌÌÓÈ ‰ÂˇÚÂθÌÓÒÚË. ¬ÏÂÒÚÂ Ò ÃËı‡ËÎ “‡ı‡ÌÓ‚, œ‡‚ÂÎ ¬ÓÎÍÓ‚, Valentina Kibardina, ƒÂÏÓÈ ÓÌ ÔÓÔ‡‰‡ÂÚ ‚ Ú˛¸ÏÛ. œÓÒΠ¬Î‡‰ËÏË —·‰ÍÓÔ‚ˆÂ‚, ¡ÓËÒ ¡ÎËÌÓ‚ Mikhail Tarkhanov, Pavel Volkov, ‡ÒÒÚ· ‚ÚÓÓ„Ó ‰Û„‡ ÇÍÒËÏ œÓËÁ‚Ó‰ÒÚ‚Ó ´ÀÂÌÙËθϪ Vladimir Sladkopevtsev, Boris Blinov ‚˚·Ë‡ÂÚ ÔÛÚ¸ ÔÓÙÂÒÒËÓ̇θÌÓ„Ó ¬ÓÒÒÚ‡ÌÓ‚ÎÂÌË ´ÃÓÒÙËθϪ (1965) Production Lenfilm ‚ÓβˆËÓÌÂ‡Ö Restored by Mosfilm (1965)
Lyrical epic drama. ñ œÂ‚‡ˇ ÔÂÏˡ Ê˛Ë ñ ñ First Jury Prize ìSilver Cupî The first film of the historical ´—·ˇÌ˚È ÍÛ·Óͪ (Ò ÙËθχÏË (jointly with ìChapaevî and ´◊‡Ô‡Â‚ª Ë ´üÂÒÚ¸ˇÌª) ñ Ãü‘ ‚ ìPeasantsî) ñ IFF in Moscow, 1935; revolutionary trilogy (continued with ÃÓÒÍ‚Â, 1935; ñ Stalin Prize of the 1st Class (1941, ìThe Return of Maximî and ìThe ñ —Ú‡ÎËÌÒ͇ˇ ÔÂÏˡ I ÒÚÂÔÂÌË for the trilogy). Vyborg Sideî). (1941, Á‡ ÍËÌÓÚËÎӄ˲). 1910. The simple and cheerful Petersburg guy Maxim, who works for the Narva guard, joins the underground workers with the help of the teacher Natasha after the unjustified death of his factory friend Andrei. He starts to help her with her revolutionary activity. Together with the comrade Dema he ends up in prison. After the execution of his second best friend Maxim turns into a professional revolutionaryÖ Ã‡ÍÓ Ã˛ÎÎÂ
≈ÒÎË ·˚ Ì ·˚ÎÓ ÍËÚ‡ÈÒÍÓ„Ó ÍËÌÓ, ÍÓÚÓÓ ÇÍÓ Ã˛ÎΠ‰ÓÒÍÓ̇θÌÓ ËÁÛ˜ËÎ ‚ÏÂÒÚÂ Ò ˇÁ˚ÍÓÏ Ë Â„Ó ‰Ë‡ÎÂÍÚ‡ÏË, ̇‚ÂÌÓÂ, ÓÌ ·˚ ÒڇΠ„·‚Ì˚Ï ÒÔˆˇÎËÒÚÓÏ ‚ ÏË ÔÓ ÛÒÒÍÓÏÛ ÍËÌÓ. — Ò‡ÏÓ„Ó Ì‡˜‡Î‡ Ò‚ÓÂÈ ‰ÂˇÚÂθÌÓÒÚË ˝ÚÓÚ ˜ÂÎÓ‚ÂÍ ÒÏÓÚÂΠ̇ ¬ÓÒÚÓÍ, „ÎÛ·ÓÍÓ ÔÓÌË͇ˇ ‚ ËÒÚÓ˘ÂÒÍË ԇ‡‰ÓÍÒ˚ ÛÒÒÍÓÈ Ë ÒÓ‚ÂÚÒÍÓÈ ÍÛθÚÛ˚, ÌËÍÓ„‰‡ Ì ‰Ó‚ÓθÒÚ‚ÛˇÒ¸ Òڇ̉‡ÚÌ˚ÏË Á‡Ô‡‰Ì˚ÏË Ô‰ÒÚ‡‚ÎÂÌˡÏË Ó ´Á‡„‡‰Ó˜ÌÓÈ ÛÒÒÍÓÈ ‰Û¯Âª. ≈ÒÎË ÍÓÏÛ ˝Ú‡ ‰Û¯‡ Ë ÓÚÍ˚· Ò‚Ó˛ Á‡„‡‰ÍÛ, ÚÓ Ã‡ÍÓ Ã˛ÎÎÂÛ. ŒÌ Ò‡ÁÛ ÒÏÓ„ ۂˉÂÚ¸ ‚ ÙËθχı üË˚ ÃÛ‡ÚÓ‚ÓÈ Ò‚ˇÁ¸ Ò Ú‡‰ËˆËÂÈ ‡‚‡Ì„‡‰‡ 20-ı „Ó‰Ó‚, ‚ ¿ÎÂÍ҇̉ —ÓÍÛÓ‚Â ‡ÒÔÓÁ̇ڸ ıÛ‰ÓÊÌË͇ ·Óθ¯Ó„Ó ÒÚËΡ, ‡ ‚ —‚ÂÚ·Ì œÓÒÍÛËÌÓÈ ñ ̘ÚÓ ·Óθ¯ÂÂ, ˜ÂÏ ËÁ˚ÒÍË ´ÊÂÌÒÍÓÈ ÂÊËÒÒÛ˚ª. Ã˛ÎΠñ ÍÓÒÏÓÔÓÎËÚ, ÏÛθÚËÍÛθÚÛÌ˚È ˜ÂÎÓ‚ÂÍ, ÔÓ‰˛ÒÂ, ÙÂÒÚË‚‡Î¸Ì˚È ÍÛ‡ÚÓ Ë ÍËÌÂχÚÓ„‡Ù˘ÂÒÍËÈ ‰ÂˇÚÂθ ñ ÔÓ‰‰ÂÊË‚‡Î ÒÓ‚ÂÚÒÍÓÂ, ÛÒÒÍÓÂ Ë ÔÓÒÚÒÓ‚ÂÚÒÍÓ ÍËÌÓ ‚Ò˛‰Û, „‰Â ·˚ ÓÌ ÌË ‡·ÓÚ‡Î, ñ ̇ ÙÂÒÚË‚‡Îˇı ‚ œÂÁ‡Ó, –ÓÚÚ‰‡ÏÂ, ÀÓ͇ÌÓ, ¬Â̈ËË, ‚ Ò‚ÓËı ÏÂʉÛ̇ӉÌ˚ı ÔÓÂÍÚ‡ı ÍÓÏÔ‡ÌËË ´‘‡·Ë͇ª. ÃÓÊÌÓ ·˚ÎÓ ·˚ ̇Á‚‡Ú¸ Â„Ó Ì‡¯ËÏ ‡„ÂÌÚÓÏ ‚ÎˡÌˡ ‚ ÏËÂ, ÂÒÎË ·˚ Ì ӉÌÓ ´ÌÓª. ÇÍÓ Ã˛ÎΠ‚Ò„‰‡ ÔÓ‰‰ÂÊË‚‡Î ıÓÓ¯ÂÂ Ë ıÛ‰ÓÊÂÒÚ‚ÂÌÌÓ ÍËÌÓ, ͇ÍÓÈ ·˚ ̇ˆËÓ̇θÌÓÒÚË ÓÌÓ ÌË ·˚ÎÓ. ¿Ì‰ÂÈ œÎ‡ıÓ‚, ÔÂÁˉÂÌÚ ‘»œ–≈——»
ÍÓÌÚÂÍÒÚ‡ ´ÎÂÌËÌ„‡‰ÒÍÓÈ ¯ÍÓÎ˚ª Ë ÔÛ·ÎËÍÛÂÚ ÔÂ‚Û˛, ÇÍÓ Ã˛ÎΠӉËÎÒˇ ‚ –ËÏ 7 Ë˛Ìˇ 1953 ‚˚¯Â‰¯Û˛ ̇ Á‡Ô‡‰Â ÍÌË„Û Ó —ÓÍÛÓ‚Â Ë ‡‚ÚÓÒÍÓÏ ÍËÌÓ „Ó‰‡, ÓÚˆ ¯‚ÂȈ‡Âˆ, χڸ ËÚ‡ÎÓ-·‡ÁËθÒÍÓ„Ó ÔÓËÁ‚Ó‰ÒÚ‚‡ ÍËÌÓÒÚÛ‰ËË ´ÀÂÌÙËθϪ. ¬ ÚÓ Ê ‚ÂÏˇ ÓÌ ÊË‚Ó ÔÓËÒıÓʉÂÌˡ. Ã˛ÎΠÓÍÓ̘ËÎ Ù‡ÍÛθÚÂÚ ÍËڇ‚‰ÂÌˡ Ë ËÌÚÂÂÒÛÂÚÒˇ ‡·ÓÚ‡ÏË ÒÓ‚ÒÂÏ ÏÓÎÓ‰˚ı Ô‰ÒÚ‡‚ËÚÂÎÂÈ ÔÓ‚ÂÎ ÌÂÒÍÓθÍÓ ÎÂÚ ‚ üËÚ‡Â, ÒÚ‡‚ Ó‰ÌËÏ ËÁ Ô‚˚ı ÒÓ‚ÂÚÒÍÓ„Ó ÍËÌÓ, ‚ÌËχÚÂθÌÓ ÒΉˇ Á‡ ÍÓÓÚÍÓÏÂÚ‡ÊÌ˚ÏË Ë Á‡Ô‡‰Ì˚ı ÒÚÛ‰ÂÌÚÓ‚ ‚ ˝ÚÓÈ ÒÚ‡ÌÂ. «‡ÌËχÎÒˇ ‰ËÔÎÓÏÌ˚ÏË ÙËθχÏË ¬√»ü‡. ¡Î‡„Ó‰‡ˇ ˝ÚÓÏÛ Ì‡ ËÒÒΉӂ‡ÌˡÏË ‚ ӷ·ÒÚË ˝ÚÌÓÎÓ„ËË, ˝ÚÌÓÏÛÁ˚Íӂ‰ÂÌˡ, ÏÂʉÛ̇ӉÌÓÈ Ô‡ÌӇϠÔÓˇ‚Ρ˛ÚÒˇ ËÏÂ̇ ÚÓ„‰‡ ¢ ÌËÍÓÏÛ ‚ËÁۇθÌÓÈ ‡ÌÚÓÔÓÎÓ„ËË. — 1980 „Ó‰‡ ÓÌ Ì‡˜Ë̇ÂÚ ÌÂËÁ‚ÂÒÚÌ˚ı ÂÊËÒÒÂÓ‚ ñ ÓÚ ÎËÚÓ‚ˆ‡ ÿ‡Û̇҇ ¡‡Ú‡Ò‡ ‰Ó ‰ÂˇÚÂθÌÓÒÚ¸ ÍËÚË͇ Ë ÍËÌӂ‰‡, ÔÛ·ÎËÍÛÂÚ ÒÚ‡Ú¸Ë Ë ÛÒÒÍÓ-χ‚ËÚ‡ÌÒÍÓ„Ó ¿·‰Û‡ıχ̇ —ËÒÒ‡ÍÓ. ≈‰ËÌÒÚ‚ÂÌÌ˚È ËÒÒΉӂ‡Ìˡ ‚ ËڇθˇÌÒÍËı ËÁ‰‡Ìˡı, ‡ Ú‡ÍÊ ‚Ó ÒÂ‰Ë ‰ËÂÍÚÓÓ‚ ÙÂÒÚË‚‡ÎÂÈ, ÓÌ Á‡‰ÛÏ˚‚‡ÂÚ Ë Â‡ÎËÁÛÂÚ ‘‡ÌˆËË, Õˉ·̉‡ı, ÿ‚ÂȈ‡ËË. ‚‡ÊÌÂȯËÈ ‰Îˇ ÓʉÂÌˡ ÌÓ‚˚ı ÙËθÏÓ‚ ÔÓÂÍÚ: Ò̇˜‡Î‡ ¬ ÍÓ̈ ÒÂÏˉÂÒˇÚ˚ı „Ó‰Ó‚ Ã˛ÎΠ̇˜Ë̇ÂÚ ÒÓÚÛ‰Ì˘ÂÒÚ‚Ó Ò ÒÓÁ‰‡ÂÚ ‚ –ÓÚÚ‰‡Ï ‘Ó̉ ’Û·ÂÚ‡ ¡ÓÎÒ‡ Ë –˚ÌÓÍ ÍËÌÓÙÂÒÚË‚‡ÎˇÏË ‚ »Ú‡ÎËË Ë Á‡ „‡ÌˈÂÈ. —ÍÓÓ ÓÌ ÍÓÔÓ‰Û͈ËË (ÍÓÚÓ˚È ÒÂ„Ó‰Ìˇ ̇Á˚‚‡ÂÚÒˇ ´—ËÌÂχڪ). ›ÚÓ ñ ÒÚ‡ÌÓ‚ËÚÒˇ Ó‰ÌÓÈ ËÁ ‚Â‰Û˘Ëı ÙË„Û Ì‡ ÏÂʉÛ̇ӉÌÓÈ ‡ÂÌ ‰‚‡ ‚‡ÊÌÂȯËı ˝ÎÂÏÂÌÚ‡ ‰Îˇ ÙË̇ÌÒÓ‚ÓÈ Ë ÍÛθÚÛÌÓÈ ÙÂÒÚË‚‡ÎÂÈ. ŒÌ ̇˜Ë̇ÂÚ ‡·ÓÚÛ ÔÓ ÓÚÍ˚Ú˲ ÌÓ‚˚ı ÔÓ‰‰ÂÊÍË ÔÓÂÍÚÓ‚ ÌÂÁ‡‚ËÒËÏÓ„Ó ÍËÌÓ ‚ÓÒÚÓ˜ÌÓÈ ≈‚ÓÔ˚. ¬ ÚÂËÚÓËÈ ‚ ÍËÌÓ, Û„ÎÛ·Îˇˇ ˝ÚË ËÒÒΉӂ‡Ìˡ Á‡ ÏÌÓ„Ë „Ó‰˚ 1991ñ2000 „. Ã˛ÎΠÛÍÓ‚Ó‰ËÚ ÙÂÒÚË‚‡ÎÂÏ ‚ ÀÓ͇ÌÓ Ë ‡·ÓÚ˚ ‰ËÂÍÚÓÓÏ ÙÂÒÚË‚‡ÎÂÈ ‚ œÂÁ‡Ó, –ÓÚÚ‰‡ÏÂ, ÀÓ͇ÌÓ Ô‡‡ÎÎÂθÌÓ ÒÓÁ‰‡ÂÚ ÔÓ ÚÓÈ Ê ÏÓ‰ÂÎË, ÛÊ ËÒÔÓθÁÓ‚‡ÌÌÓÈ Ë ÒÂȘ‡Ò ‚ ¬Â̈ËË. ¬ÏÂÒÚÂ Ò ‰Û„ÓÏ Ë Û˜ËÚÂÎÂÏ ƒÊÓ‚‡ÌÌË ËÏ ‚ √Óη̉ËË, ‘Ó̉ ÃÓÌÚ˜ËÌÂχ ¬ÂËÚ‡, ÍÓÚÓ˚È ¡ÛÚÚ‡Ù‡‚‡ (1940ñ1991) Ã˛ÎΠӷÂÒÔ˜˂‡ÂÚ ÔÓÒÚÓˇÌÌÓ ÔÓ‰ÓÎʇÂÚ ÔÓ‰‰ÂÊË‚‡Ú¸ ÍËÌÓ ¬ÓÒÚÓ˜ÌÓÈ ≈‚ÓÔ˚. Û˜‡ÒÚË ÒÓ‚ÂÚÒÍËı ÙËθÏÓ‚ ‚ Ú˜ÂÌË ÌÂÒÍÓθÍËı ÎÂÚ ‚ "Prize for Long-standing Promotion of and Loyalty to Russian Cinema" ‘ÂÒÚË‚‡Î¸ ‚ ÀÓ͇ÌÓ ÒÚ‡ÌÓ‚ËÚÒˇ ‚ ˝ÚË „Ó‰˚ ‚ËÚËÌÓÈ ‡·ÓÚ ÔÓ„‡ÏÏ ÙÂÒÚË‚‡Îˇ ‚ œÂÁ‡Ó. ŒÌ ÓÚÍ˚‚‡ÂÚ ËڇθˇÌÒÍÓÏÛ ÌÓ‚˚ı, ÌÂËÁ‚ÂÒÚÌ˚ı ÂÊËÒÒÂÓ‚, ÓÚ ÓÒÒËÈÒÍËı ‰Ó ÁËÚÂβ ÍËÌÓ Ò‰Ì‡ÁˇÚÒÍËı ÂÒÔÛ·ÎËÍ, Òӂ¯ÂÌÌÓ ‡ÁˇÚÒÍËı, ÍÓÚÓ˚ı Ã˛ÎΠÓÚÍ˚‚‡ÂÚ ‚ ıӉ ҂ÓËı ÌÂËÁ‚ÂÒÚÌÓ ̇ Á‡Ô‡‰Â. ¬ ˝ÚË „Ó‰˚ Ã˛ÎΠÒÓÚÛ‰Ì˘‡ÂÚ Ò ÔÓÂÁ‰ÓÍ ÔÓ ÔÓÒÚÒÓ‚ÂÚÒÍÓÏÛ ÔÓÒÚ‡ÌÒÚ‚Û, ‚ ıӉ ÍÓÚÓ˚ı, üÓÌÙÎËÍÚÌÓÈ ÍÓÏËÒÒËÂÈ —Ó˛Á‡ ÍËÌÂχÚÓ„‡ÙËÒÚÓ‚ Ë ÔÓÒΠÔÓÏËÏÓ ÛÒÒÍÓ„Ó, ÓÌ Ó‚Î‡‰Â‚‡ÂÚ Ë ÏÂÒÚÌ˚ÏË ˇÁ˚͇ÏË. ÛÚÓÏËÚÂθÌ˚ı ‰Û˝ÎÂÈ Ò ÒÓ‚ÂÚÒÍÓÈ ÒËÒÚÂÏÓÈ ˆÂÌÁÛ˚ ‚˚‚ÓÁËÚ ‚ »ÏÂ̇ ƒ‡Âʇ̇ ŒÏË·‡Â‚‡, ≈ÏÂ͇ ÿË̇·‡Â‚‡, ¿Íڇ̇ ≈‚ÓÔÛ ¯Â‰Â‚˚ ÒÓ‚ÂÚÒÍÓ„Ó ÍËÌÓ. ›ÚÓ ·˚ÎË ÙËθÏ˚ üË˚
"œËÁ Á‡ ÏÌÓ„ÓÎÂÚÌ ÔÓ‰‚ËÊÂÌË ÓÒÒËÈÒÍÓ„Ó ÍËÌÂχÚÓ„‡Ù‡ Ë ‚ÂÌÓÒÚ¸ ÂÏÛ" ¿·‰˚͇Î˚ÍÓ‚‡ ÓÚÍ˚‚‡˛ÚÒˇ ‚ ÀÓ͇ÌÓ. Õ‡˜‡Ú‡ˇ Ò ƒÊ‡ÌÌË ÃÛ‡ÚÓ‚ÓÈ Ë ¿ÎÂÍ҇̉‡ —ÓÍÛÓ‚‡, Ô‚˚È ÏËÓ‚ÓÈ ÔÓ͇Á ¡ÛÚÚ‡Ù‡‚‡ ‡·ÓÚ‡ ÔÓ ÂÚÓÒÔÂÍÚË‚Ì˚Ï ÔÓ͇Á‡Ï ÒÓ‚ÂÚÒÍÓ„Ó ÔÓÒΠ˜ÂÚ˚Âı ÎÂÚ Ô„ӂÓÓ‚ ´»ÒÚÓËË ¿ÒË üΡ˜ËÌÓȪ ÍËÌÓ ÔÓ‰ÓÎʇÂÚÒˇ ‚ 2000 „Ó‰Û Ï‡Ò¯Ú‡·ÌÓÈ ÂÚÓÒÔÂÍÚË‚ÓÈ ¿Ì‰Ó̇ üÓ̘‡ÎÓ‚ÒÍÓ„Ó ‚ œÂÁ‡Ó, ÔÓ͇Á Á‡Ô¢ÂÌÌ˚ı ´“‡È̇ˇ ËÒÚÓËË ÒÓ‚ÂÚÒÍÓ„Ó ÍËÌÓª, ÓÚ ¡‡ÌÂÚ‡ ‰Ó ¯Â‰Â‚Ó‚ Û͇ËÌÒÍÓ„Ó, ÔË·‡ÎÚËÈÒÍÓ„Ó Ë Ò‰Ì‡ÁˇÚÒÍÓ„Ó ’ʇÌÓ‚ÒÍÓ„Ó. — 1998 „Ó‰‡ Ã˛ÎΠ̇˜Ë̇ÂÚ ‰ÂˇÚÂθÌÓÒÚ¸ ÍËÌÂχÚÓ„‡Ù‡. Õ‡˜Ë̇ˇ Ò œÂÁ‡Ó, ÂÚÓÒÔÂÍÚË‚˚ ÒÓ‚ÂÚÒÍÓ„Ó ‰ËÂÍÚÓ‡ ƒÂÔ‡Ú‡ÏÂÌÚ‡ ÔÓ ÍËÌÓ Ë ‚ˉÂÓ ´‘‡·Ë͇ª ÍËÌÓ Ã˛Î· ÒÓÔÓ‚Óʉ‡˛ÚÒˇ ÔÛ·ÎË͇ˆËˇÏË ËÒÒΉӂ‡ÌËÈ Ë (»ÒÒΉӂ‡ÚÂθÒÍËÈ ˆÂÌÚ ÍÓÏÔ‡ÌËË ´¡ÂÌÂÚÚÓ̪) Ë Ï‡Ú¡ÎÓ‚, ÍÓÚÓ˚ ÒÚ‡ÌÓ‚ˇÚÒˇ ‚‡ÊÌÓÈ ‚ÂıÓÈ ‰Îˇ Á‡Ô‡‰Ì˚ı ÒÚ‡ÌÓ‚ËÚÒˇ ÔÓ‰˛ÒÂÓÏ. ´‘‡·Ë͇ ◊ËÌÂχª Û˜‡ÒÚ‚ÛÂÚ ‚ ËÒÚÓËÍÓ‚ ÍËÌÓ. ≈„Ó Î˛·Ó‚¸ Í ÓÚÍ˚ÚËˇÏ Ú‡ÈÌÓÈ ËÒÚÓËË ÒÓÁ‰‡ÌËË ÙËθÏÓ‚ ´ÃÓÎÓıª ¿ÎÂÍ҇̉‡ —ÓÍÛÓ‚‡ Ë ÍËÌÂχÚÓ„‡Ù‡ ÒÚ‡ÌÓ‚ËÚÒˇ Ó‰ÌËÏ ËÁ ÓÒÌÓ‚Ì˚ı ̇ԇ‚ÎÂÌËÈ Â„Ó ´¿Ì„· ÒÔ‡‚‡ª ƒÊ‡Ï¯Â‰‡ ”ÒÏÓÌÓ‚‡. — ÌÓ‚ÓÈ ÍÓÏÔ‡ÌËÂÈ ‡·ÓÚ˚ Í‡Í ‰ËÂÍÚÓ‡ ‡Á΢Ì˚ı ÙÂÒÚË‚‡ÎÂÈ, Ú‡Í Ë ‡ÁÌ˚ı ´ƒ‡ÛÌÚ‡ÛÌ œËÍÚÛÂÒª Ã˛ÎΠÔÓ‰˛ÒËÛÂÚ ´—ÓÎ̈ª, ÙÓ̉ӂ. Õ‡ ÙÂÒÚË‚‡Î ‚ –ÓÚÚ‰‡ÏÂ, „‰Â ÓÌ ·˚Î ‰ËÂÍÚÓÓÏ Ò ÚÂÚ¸˛ ˜‡ÒÚ¸ ÚÂÚ‡ÎÓ„ËË —ÓÍÛÓ‚‡. 1989 ÔÓ 1991 „Ó‰, ÓÌ ÔÓ͇Á˚‚‡ÂÚ ÎÂÌÚ˚ ÎÛ˜¯Ëı ÒÓ‚ÂÚÒÍËı — 2004 „Ó‰‡ Ã˛ÎΠÛÍÓ‚Ó‰ËÚ ¬Â̈ˇÌÒÍËÏ ÂÊËÒÒÂÓ‚, ÍÓÚÓ˚ ËÏÂÎË ÔÓ·ÎÂÏ˚ Ò ÓÙˈˇθÌ˚Ï ÍËÌÓÙÂÒÚË‚‡ÎÂÏ, ÔÓ‰ÓÎʇˇ ÔÓ‰Ú‚Âʉ‡Ú¸ Ò‚ÓÈ ÌÂËÁÏÂÌÌ˚È ÔËÁ̇ÌËÂÏ ‚ –ÓÒÒËË. œÎÓ‰ ÛÚÓÏËÚÂθÌ˚ı ‰Û˝ÎÂÈ Ò ÒÓ‚ÂÚÒÍÓÈ ËÌÚÂÂÒ Í ÍËÌÓ –ÓÒÒËË, ÍÓÚÓÓ ۘ‡ÒÚ‚ÛÂÚ ‚ ÓÒÌÓ‚ÌÓÏ Ë ÒËÒÚÂÏÓÈ ˆÂÌÁÛ˚. ÇÍÓ ˜‡ÒÚÓ Ô˄·¯‡ÂÚ Í Ò· ‡ÍÚÂÓ‚, Ô‡‡ÎÎÂθÌÓÏ ÍÓÌÍÛÒ‡ı, ‡ Ú‡ÍÊ ÔÓ‚Ó‰ËÚ ÂÚÓÒÔÂÍÚË‚Û ÂÊËÒÒÂÓ‚, ÓÚÍ˚‚ Ò‚ÓÈ ‰ÓÏ ‰Îˇ ‚ÒÂı. ¬ ˝ÚË „Ó‰˚ ¿ÎÂÍ҇̉ ÒÓ‚ÂÚÒÍÓ„Ó ÏÛÁ˚͇θÌÓ„Ó ÍËÌÓ. ¬ ̇ÒÚÓˇ˘ËÈ ÏÓÏÂÌÚ Ã‡ÍÓ ü‡È‰‡ÌÓ‚ÒÍËÈ, ÔÓθÁÛˇÒ¸ ÔÓÏÓ˘¸˛ Ã˛Î· Ë ÔÓ‰‰ÂÊÍÓÈ Ã˛ÎΠ„ÓÚÓ‚ËÚ ÌÓ‚Û˛ ÛÒÒÍÓ-ËڇθˇÌÒÍÛ˛ ÍÓÔÓ‰ÛÍˆË˛. –ÓÚÚ‰‡ÏÒÍÓ„Ó ÙÂÒÚË‚‡Îˇ, Á‡Í‡Ì˜Ë‚‡ÂÚ Ò‚ÓÈ ÙËÎ¸Ï Ó œ‡‡‰Ê‡ÌÓ‚Â. Ã˛ÎΠԂ˚Ï Ó„‡ÌËÁÓ‚˚‚‡ÂÚ ÔÓÎÌÛ˛ ¿ÎÂ̇ ÿÛχÍÓ‚‡ ÂÚÓÒÔÂÍÚË‚Û ÙËθÏÓ‚ ¿ÎÂÍ҇̉‡ —ÓÍÛÓ‚‡, ‚ ‡Ï͇ı ÙÂÒÚË‚‡Î¸Ì˚È ÍÓÌÒÛθڇÌÚ Ãü‘ ‚ ¬Â̈ËË, ÔÓ‰˛Ò .. Marco Muller
If there were no Chinese cinema, which he studied thoroughly together with the language and its dialects, Marco Muller would probably have become the worldís expert in Russian cinema. From the very beginning of his activity he looked eastwards, deeply engaging with the historical paradoxes of Russian and Soviet culture, never content with standard western notions of the ìmysterious Russian soulî. If this soul ever opened up for anyone, it is for Marco Muller. He could see at once the connection with the tradition of the avant-garde of the 1920s in the films of Kira Muratova, distinguish the artist of great style in Alexander Sokurov, and see something greater than ìsearches of womenís cinemaî in the films of Svetlana Proskurina. Muller is a cosmopolitan, a multicultural person, a producer, a festival curator and a film figure who has supported Soviet, Russian and post-Soviet cinema everywhere he has worked: at festivals in Pesaro, Rotterdam, Locarno, Venice, through the international projects of the company ìFabricaî. He could be called our influential agent in the world, if there were not one ìbutî: Marco Muller always supported good artistic cinema, whatever its nationality.
Andrei Plakhov President of FIPRESCI
.. Sokurov and auteur cinema at Lenfilm. At the same time he is Marco Muller ‚orn in Rome on 7 June 1953 to a .. very interested in the works of young representatives of Swiss father and an Italo-Brazilian mother. Muller graduated Soviet cinema, watching attentively both short and diploma from the faculty of sinology and spent some years in China, films at the Film Institute VGIK. Due to his activity, the becoming one of the first western students in this country. names of then still unknown directors, from the Lithuanian Research in ethnology, ethnomusicology, and visual Sharunas Bartas to the Russo-Mauritanian Abderrahmane anthropology. From 1980 onwards film criticism and film Sissako appear in the international panorama. He is the only scholarship: articles and research with Italian publications, as festival director to conceive and realize a major project for the well as in France, Netherlands, Switzerland. .. inception of new films: first he creates in Rotterdam the At the end of the 1970s Muller begins cooperation with film Hubert Bals Fund and the Market of co-production (today festivals in Italy and abroad. He soon becomes one of leading known as ìCinemartî). These are two major sources for figures in the international festival circuit. He devoted his financial and cultural support of independent cinema projects work to the discovery of new territories in cinema, deepening .. from Eastern Europe. From 1991-2000 Muller presides over this research during many years as festival director in Pesaro, the festival in Locarno, and in parallel creates (on the same Rotterdam, Locarno and now in Venice. Together with his .. model used in Holland) the Fondazione Montecinemaverita, friend and teacher Giovanni Buttafava (1940-1991) Muller which supports cinema of Eastern Europe. In these years the ensures the regular participation of Soviet films in the festival in Locarno becomes a showcase for works of new, festival program of Pesaro during several years. He uncovers .. unknown directors from Russian and Asia, which Muller for the Italian audiences the cinema of the Central Asian discovers during his trips to the post-Soviet countries during republics, completely unknown in the West. In these years .. which, besides Russian, he also acquires local languages. The
Muller cooperates with the Conflict Commission of the Union "Prize for Long-standing Promotion of and Loyalty to Russian Cinema" names of Darejan Omirbaev, Ermek Shinarbaev, Aktan of Cinematographers and, after tiresome battles with the Abdykalykov are discovered in Locarno. The work on Soviet censorship system, brings the masterpieces of Soviet retrospectives of Soviet cinema, begun with Gianni Buttafava, cinema to Europe: the films of Kira Muratova and Alexander continues in 2000 and develops into a major retrospective of Sokurov, the world premiere of ìThe Story of Asya Kliachinaî the ìSecret History of Soviet cinemaî, from Barnet to by Andron Konchalovsky in Pesaro ñ after four years of .. Khrzhanovsky. In 1998 Muller takes up the post of director of negotiations, the screenings of forbidden masterpieces of the Department on cinema and video of ìFabricaî (Research "œËÁ Á‡ ÏÌÓ„ÓÎÂÚÌ ÔÓ‰‚ËÊÂÌË ÓÒÒËÈÒÍÓ„Ó ÍËÌÂχÚÓ„‡Ù‡ Ë ‚ÂÌÓÒÚ¸ ÂÏÛ" Ukrainian, Baltic and Central Asian cinema. Since Pesaro, .. Centre of the company ìBenettonî) and becomes a producer. Mullerís retrospectives of Soviet cinema are accompanied by ìFabrica Cinemaî participates in the creation of Alexander publications of research and materials, which have become a Sokurovís ìThe Molochî and Djamshed Usmonovís ìAngel on major landmark for western film historians. His love for the Rightî. With his new company, ìDowntown Picturesî, discoveries from the secret history of cinema is one of the .. Muller produces ìThe Sunî, the third part of Sokurovís basic directions of his work, both as director of various tetralogy. festivals and of different funds. At the Rotterdam festival, .. Since 2004 Muller heads the Venice film festival, continuing which he heads from 1989 to 1991, he shows films of the best his interest in Russian cinema, which has participated in the Soviet directors, which had not been officially recognized in main and parallel competitions; he also runs a retrospective of Russia: the fruit of more tiresome duels with the Soviet .. Soviet musical cinema. At the moment Marco Muller prepares censorship. Marco frequently invites actors and directors, a new Russian-Italian co-production. opening his house to everybody. In these years Alexander Kaidanovsky finishes his film about Paradzhanov, with .. Alena Shumakova Mullerís help and the support of the Rotterdam festival. .. Festival consultant for the IFF Venice, producer Muller first organizes a full retrospective of the films of Alexander Sokurov within the framework of the ìLeningrad schoolî and publishes the first book in the West about œ–»Ã≈◊¿Õ»fl ü œ–ŒÿÀŒÃ” NOTES TO THE PAST information screening ËÌÙÓχˆËÓÌÌ˚È ÔÓ͇Á
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2006, –ÓÒÒˡ, 59 ÏËÌ., ˆ‚., 35 ÏÏ, ‰ÓÍ. 2006, Russia, 59 min., col., 35 mm, doc. √‡ÎË̇ ƒÓÎχÚÓ‚Ò͇ˇ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ Ë ÂÊËÒÒ Scriptwriter and Director ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ (‰ÓÍ.): √‡ÎË̇ ƒÓÎχÚÓ‚Ò͇ˇ Galina Dolmatovskaya 1992 ....¬ ÔÂÂÛÎÓÍ ÒıÓ‰Ë ŒÔ‡ÚÓ˚ ¬ËÍÚÓ üÒÂÌÓÙÓÌÚÓ‚, Directors of Photography “ÂıÔÛ‰Ì˚È... »„Ó¸ ÃÓ‰ÏËÎÎӂ˘ Viktor Ksenofontov, Igor Mordmillovich 1993 ....—‚‡ı‡ üÓÏÔÓÁËÚÓ ¿Ì‰ÂÈ ›¯Ô‡È Composer Andrei Eshpai 1995 ....¬ ‰‡ÎÂÍËÈ Í‡È... œÂÒÌ˛ ¿.›¯Ô‡ˇ ̇ ÒÚËıË ≈‚„. Song by A. Eshpai to the lyrics of Evg. 1996 ....¿‰ÂÒ ÍËÌÓ ñ ü‡ÒÌÓ„ÓÒÍ ƒÓÎχÚÓ‚ÒÍÓ„Ó ÔÓÂÚ —„ÂÈ ÿÌÛÓ‚ Dolmatovsky, performed by 1999 ....»‚‡Ì ÃÓÁÊÛıËÌ, ËÎË ƒËÚˇ «‚ÛÍ ¬‡ÎÂÌÚË̇ √ÂÓ„Ë‚Ò͇ˇ, Sergei Shnurov ͇̇‚‡Î‡ ÕËÍÓÎ‡È ”ÒÚËÏÂÌÍÓ Sound Valentina Georgievskaya, Nikolai 2001 ....ƒÂÊÛÒÚ‚Ó ÃÓÌÚ‡Ê “‡Ú¸ˇÌ‡ ՇȉÂÌÓ‚‡ Ustimenko 2002 ....∆ÂÌ˘Ë̇ ̇ Ç‚ÁÓΠœÓ‰˛ÒÂ˚ Շڇθˇ »‚‡ÌÓ‚‡, Editing Tatiana Naidenova 2003 ....»Î¸Ù ñ ‰‚ÓÈ̇ˇ ˝ÍÒÔÓÁËˆËˇ √‡ÎË̇ ƒÓÎχÚÓ‚Ò͇ˇ Producers Natalia Ivanova, 2005 ....¬.—. ¬ÓÁβ·ÎÂÌ̇ˇ ÒÓΉ‡Ú‡ œÓËÁ‚Ó‰ÒÚ‚Ó ´’ÓÓ¯Ó œÓ‰‡Í¯Ìª Galina Dolmatovskaya 2006 ....œËϘ‡Ìˡ Í ÔÓ¯ÎÓÏÛ Production ìKhorosho Productionî
≈„Ó ÒÌËÏÍË Á̇ÂÚ ‚ÂÒ¸ ÏË ñ «Ì‡Ïˇ His photos are known around the world ñ Galina œÓ·Â‰˚ ̇‰ ¡ÂÎËÌÓÏ, „ÛÎËÓ‚˘Ëˆ‡, the Banner of Victory over Berlin, the Dolmatovskaja Ô‡‡‰ œÓ·Â‰˚. Õ‡Ô˜‡Ú‡ÌÌ˚ traffic controller, the Victory Parade. film director (doc.): ÏËÎÎËÓÌÌ˚ÏË ÚˇʇÏË, ÓÚ˜Â͇ÌÂÌÌ˚ Printed in millions, minted on golden 1992 ....In a Lane like Trekhprudny... ̇ ÁÓÎÓÚ˚ı ÏÓÌÂÚ‡ı, ‚ӯ‰¯Ë ‚Ó ‚Ò coins, included in encyclopedias and 1993 ....The Matchmaker ˝ÌˆËÍÎÓÔ‰ËË Ë Û˜Â·ÌËÍË, ÓÌË ÒÚ‡ÎË textbooks, they became signs and symbols 1995 ....In the Far Corner... Á͇̇ÏË, ÒËÏ‚Ó·ÏË ¬ÚÓÓÈ ÏËÓ‚ÓÈ. of the Second World War. Only few 1996 ....Address of Cinema: “ÓθÍÓ Ï‡ÎÓ ÍÚÓ ÔÓÏÌËÚ ËÏˇ Ëı people remember the name of their Krasnogorsk ‡‚ÚÓ‡. author. 1999 ....Ivan Mozzhukhin, or the ≈„Ó ÁÓ‚ÛÚ ≈‚„ÂÌËÈ ’‡Î‰ÂÈ. ¬ÓÒÔÂÚ˚È ‚ His name is Evgeni Khaldei. Although Carnival Child ÍÌË„‡ı Ë ÙËθχı Á‡ Û·ÂÊÓÏ, ‚ he was celebrated in books and films 2001 ....Watch Ò‰ËÌ 90-ı ÓÌ Ó͇Á‡ÎÒˇ ÔÓ˜ÚË abroad, in Russia of the mid 90s he was 2002 ....The Woman on the Mausoleum Á‡·˚Ú˚Ï Û Ì‡Ò (ÚÓ„‰‡-ÚÓ Â„Ó Ë ÒÌËχÎË almost forgotten (it was then that he 2003 ....Ilf ñ A Double Exposition ÒÓÁ‰‡ÚÂÎË ˝ÚÓ„Ó ÙËθχ). ÕÓ ’‡Î‰ÂÈ was visited by the makers of this film). 2005 ....V.S. ñ The Soldierís Beloved Ì ÚÓθÍÓ ‚ÓÈ̇ ñ Ú˚Òˇ˜Ë ÙÓÚÓ„‡ÙËÈ But Khaldei photographed not only the 2006 ....Notes to the Past ÓÚÍ˚ÎËÒ¸ ÒÂ„Ó‰Ìˇ ‚ ‡ı˂ ÇÒÚ‡. war: thousands of photos have been ´œËϘ‡Ìˡ Í ÔÓ¯ÎÓÏÛª ñ ˝ÚÓ Ë Â„Ó discovered in the masterís archive. ÒÓ·ÒÚ‚ÂÌÌ˚È ÍÓÏÏÂÌÚ‡ËÈ Í ìNotes to the Pastî is Khaldeiís own ËÁ‚ÂÒÚÌ˚Ï Ë ÌÂËÁ‚ÂÒÚÌ˚Ï ˝ÔËÁÓ‰‡Ï comment on better and lesser known ÊËÁÌË ÒÚ‡Ì˚, Á‡Ô˜‡ÚÎÂÌÌ˚Ï episodes of the countryís life, captured ͇ÏÂÓÈ ’‡Î‰Âˇ Ë ËÒÚÓˡ ‚ÂÏÂÌË ÒÓ by his camera; it is also the history of ‚ÒÂÏË Â„Ó „ÂÓ˘ÂÒÍËÏË Ë ÔÓÓÈ an era with all its heroic, but often not ÓÚÌ˛‰¸ ÌÂÔÂÁÂÌÚ‡·ÂθÌ˚ÏË ˜ÂÚ‡ÏË. at all representative features. Now “ÂÔ¸ Á‡ ˝ÚË ÒÌËÏÍË ·Ó˛ÚÒˇ collectors are bidding for these photos ÍÓÎÎÂ͈ËÓÌÂ˚ ̇ ‡Û͈ËÓ̇ı. at auctions ü–”√À¤≈ —“ŒÀ¤
üÛ‡ÚÓ ÔÓ„‡ÏÏ-ÒÂÏË̇ӂ ´üËÌÓÚ‡‚‡ª ñ ¿Ì̇ √Û‰ÍÓ‚‡
œÓ„‡Ïχ ´ÍÛ„Î˚ı ÒÚÓÎÓ‚ª Ë Ó·ÒÛʉÂÌËÈ ÙÂÒÚË‚‡Îˇ ‚ ˝ÚÓÏ „Ó‰Û ‚Íβ˜‡ÂÚ ‚ Ò·ˇ Í‡Í Ú‡‰ËˆËÓÌÌ˚Â, Ú‡Í Ë ‚ÔÓÎÌ ÌÓ‚˚ ‰Îˇ Ì‡Ò ÏÂÓÔˡÚˡ. 10 Ë˛Ìˇ ‚ „ÓÒÚËÌˈ ´∆ÂϘÛÊË̇ª ÔÓȉÂÚ ´ÍÛ„Î˚È ÒÚÓΪ ̇ ÚÂÏÛ ´–ÓÒÒËÈÒ͇ˇ ÍËÌÓ‰‡Ï‡ÚÛ„Ëˇ: ÍËÁËÒ ÔÓÙÂÒÒËË ËÎË ÍËÁËÒ Ë̉ÛÒÚËË?ª. ŒÚÒÛÚÒÚ‚Ë ڇ·ÌÚÎË‚˚ı ÒˆÂ̇Ë‚ ‚ ÒÓ‚ÂÏÂÌÌÓÏ round tables ÓÚ˜ÂÒÚ‚ÂÌÌÓÏ ÍËÌÓ ñ ÔÓ·ÎÂχ ‰‡ÎÂÍÓ Ì ÌÓ‚‡ˇ. “ÂÏ Ì ÏÂÌÂÂ
‚ ÛÒÎӂˡı ·ÛÌÓ ‡Á‚Ë‚‡˛˘ÂÈÒˇ Ë̉ÛÒÚËË ÌÂı‚‡Ú͇ Ò‚ÂÊËı ROUND TABLES ÍÛ„Î˚ ÒÚÓÎ˚ Ò˛ÊÂÚÓ‚, ˇÍËı Ë ÊË‚˚ı „ÂÓ‚ ÏÓÊÂÚ Ó·ÂÌÛÚ¸Òˇ ̇ÒÚÓˇ˘ÂÈ Í‡Ú‡ÒÚÓÙÓÈ. —ÔÓÒ Ì‡ ͇˜ÂÒÚ‚ÂÌÌÓ ÍËÌÓ ‰Îˇ ÍËÌÓÚ‡ÚÓ‚, Ì ìKinotavrî Seminar Programme Curator ñ Anna Gudkova „Ó‚Óˇ Ó ÌÂÓ·ıÓ‰ËÏÓÏ ÍÓ΢ÂÒÚ‚Â ˜‡ÒÓ‚ ‰Îˇ ÚÂ΂ˉÂÌˡ, Ò¸ÂÁÌÓ Ô‚˚¯‡ÂÚ Ô‰ÎÓÊÂÌË ‚ ÚÓÏ ˜ËÒÎÂ Ë ËÁ-Á‡ This year the programme of round tables and discussions of the ÓÚÒÛÚÒڂˡ ÓË„Ë̇θÌ˚ı ˉÂÈ Ë Ú‡Î‡ÌÚÎË‚˚ı ‡‚ÚÓÓ‚. ¬ ˝ÚÓÈ festival includes both traditional and innovative events. There will be ÒËÚÛ‡ˆËË ÒÚ‡‰‡˛Ú ‚ÒÂ: ÔÓ‰˛ÒÂ˚, ÍÓÚÓ˚Ï ÔËıÓ‰ËÚÒˇ a round table on the theme of ìThe Russian script writing: crisis of ‰Ó‚ÓθÒÚ‚Ó‚‡Ú¸Òˇ ‚ÂҸχ Ò‰ÌËÏ ÛÓ‚ÌÂÏ ËÒÚÓËÈ, ‡ ÔÓÓÈ the profession or crisis of the industry?î in the hotel ìZhemchuzhinaî ‰‡Ê Òӄ·¯‡Ú¸Òˇ ̇ Á‡ÔÛÒÍ ÙËθχ ‚ ÔÓËÁ‚Ó‰ÒÚ‚Ó ‚ ÏÓÏÂÌÚ, on 10 June. The lack of talented scripts in modern Russian cinema is ÍÓ„‰‡ ÒˆÂ̇ËÈ Â˘Â ‰ÓÔËÒ˚‚‡ÂÚÒˇ; ÂÊËÒÒÂ˚, ÍÓÚÓ˚Ï ‚Ò not a new problem. Nevertheless, under the conditions of a ˜‡˘Â ÔËıÓ‰ËÚÒˇ Ò‡ÏËÏ ·‡Ú¸Òˇ Á‡ ÔÂÓ ñ ‰Îˇ ÚÓ„Ó, ˜ÚÓ·˚ turbulently developing industry the shortage of fresh stories and ËÏÂÚ¸ ‚ÓÁÏÓÊÌÓÒÚ¸ ÒÌËχڸ ÚÓ, ˜ÚÓ ıÓ˜ÂÚÒˇ, Ë Ì‡ÍÓ̈ striking and vivid heroes can turn into a real disaster. The demand ÁËÚÂθ, ÍÓÚÓÓÏÛ ÔËıÓ‰ËÚÒˇ ‰Ó‚ÓθÒÚ‚Ó‚‡Ú¸Òˇ for good films for cinemas, not to speak about the required amount of ÍËÌÓÙËθχÏË, ‚ ÍÓÚÓÓÏ ÍÓ̈˚ Ò ÍÓ̈‡ÏË Ì ÒıÓ‰ˇÚÒˇ. hours for television, significantly exceeds the offers ñ for lack of 10 Ë˛Ìˇ ‚ 15.00 ̇ ´ÍÛ„ÎÓÏ ÒÚÓΪ, ÍÓÚÓ˚È Ôӂ‰ÂÚ original ideas and talented authors. In this situation everybody „·‚Ì˚È Â‰‡ÍÚÓ ÊÛ̇· ´»ÒÍÛÒÒÚ‚Ó ÍËÌÓª ƒ‡ÌËËÎ suffers. Producers have to be content with average stories and often 181 ƒÓ̉ÛÂÈ, ÔÓ·ÎÂÏ˚ ÓÚ˜ÂÒÚ‚ÂÌÌÓÈ ÍËÌÓ‰‡Ï‡ÚÛ„ËË, Ô˘ËÌ˚ have to agree to begin film production before the script is completed; Ë ÒÔÓÒÓ·˚ ÔÂÓ‰ÓÎÂÌˡ ÒˆÂ̇ÌÓ„Ó ÍËÁËÒ‡ Ó·ÒÛ‰ˇÚ „·‚˚ directors more and more often have to take the pen in their own ÚÂÎÂ͇̇ÎÓ‚, ÍÛÔÌÂȯË ÓÒÒËÈÒÍË ÔÓ‰˛ÒÂ˚ Ë ËÁ‚ÂÒÚÌ˚ hands in order to have adequate material for realising their cinematic ÍËÌÓ‰‡Ï‡ÚÛ„Ë ñ Í‡Í ´ÒÓ‚ÂÚÒÍÓ„Óª, Ú‡Í Ë ´ÌÓ‚Âȯ„Ӫ ideas. Finally, the spectator more and more frequently has be ÔÓÍÓÎÂÌËÈ. satisfied with films where the plotlines donít add up.
¡ÂÒ‰‡ ·Û‰ÂÚ ÔÓÎÌÓÒÚ¸˛ ÓÔÛ·ÎËÍÓ‚‡Ì‡ ‚ ÊÛ̇Π´»ÒÍÛÒÒÚ‚Ó On 10 June at 15.00 at the round table, which will be lead by the ÍËÌÓª. editor-in-chief of the journal Iskusstvo kino (Film Art) Daniel Dondurei, the heads of television channels, important Russian ƒËÒÍÛÒÒˡ, ÍÓÚÓÛ˛ 11 Ë˛Ìˇ ‚ 14.00 Ôӂ‰ÂÚ ÍËÌÓÍËÚËÍ, producers and well-known script writers of both the ìSovietî and ÔÂÁˉÂÌÚ ‘»œ–≈——» ¿Ì‰ÂÈ œÎ‡ıÓ‚, ÔÓÒ‚ˇ˘Â̇ ¢ ӉÌÓÈ ìnewî generation will talk about the reasons for and ways of ‚‡ÊÌÓÈ ÚÂÏ ñ ´≈ÒÚ¸ ÎË ‚ –ÓÒÒËË ‡ÍÚۇθÌÓ ÍËÌÓ?ª. overcoming this crisis in scriptwriting, which for the last fifteen œËÒÛÚÒÚ‚Ë ÌÓ‚˚ı ÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ͇ÚËÌ ‚ ÔÓ„‡Ïχı years has attained quite disturbing proportions. ÏËÓ‚˚ı ÍËÌÓÙÂÒÚË‚‡ÎÂÈ ÚÛ‰ÌÓ Ì‡Á‚‡Ú¸ „ÛΡÌ˚Ï. “ÂÏ Ì ÏÂÌ ÓÚ‰ÂθÌ˚ ÙËθÏ˚ Ì ÚÓθÍÓ ÔÓ˚‚‡˛ÚÒˇ ̇ The conversation will be published in full in the journal ÍÛÔÌÂȯË ‚ÓÔÂÈÒÍË ÒÏÓÚ˚, ÌÓ Ë ÔÓÎÛ˜‡˛Ú Ú‡Ï ‚˚үˠìIskusstvo kinoî. ̇„‡‰˚. ¬ ˜ÂÏ Ô˘Ë̇ Ú‡ÍÓ„Ó ´Ì‡‚ÌÓÏÂÌÓ„Óª Û˜‡ÒÚˡ –ÓÒÒËË ‚ ÏËÓ‚ÓÏ ÍËÌÓÔÓˆÂÒÒÂ? ≈ÒÚ¸ ÎË ÌÂÍËÈ ´ÂˆÂÔÚª On 11 June at 14.00 a discussion will be led by the film critic and Á‡‚Ó‚‡Ìˡ β·‚Ë Á‡Ô‡‰Ì˚ı ÁËÚÂÎÂÈ Ë ÔÓÙÂÒÒËÓ̇ÎÓ‚? ÃÓ„ÛÚ FIPRESCI president Andrei Plakhov. It is devoted to another ÎË Ë‰ÂË ÓÚ˜ÂÒÚ‚ÂÌÌ˚ı χÒÚÂÓ‚ ÍËÌÓ ÒÓ‚Ô‡ÒÚ¸ Ò Ó·˘ËÏ important theme: whether there is topical cinema in Russia. The ̇ԇ‚ÎÂÌËÂÏ ‡Á‚ËÚˡ ÏËÓ‚Ó„Ó ÍËÌÓÔÓˆÂÒÒ‡ ñ ËÎË Ì‡Ï presence of new Russian films in the programmes of international ÒΉÛÂÚ ËÒ͇ڸ Ò‚ÓÈ ÒÓ·ÒÚ‚ÂÌÌ˚È ÔÛÚ¸, Ì ӄΡ‰˚‚‡ˇÒ¸ ̇ film festivals can hardly be called regular. Nevertheless, individual ˜ÛÊË ‚ÍÛÒ˚ Ë ÒıÂÏ˚ ‡·ÓÚ˚? Õ‡ ˝ÚË ‚ÓÔÓÒ˚ ÔÓÔÓ·Û˛Ú films not only break through to the largest European screenings, but ̇ÈÚË ÓÚ‚ÂÚ˚ Ó„‡ÌËÁ‡ÚÓ˚ Ë ÓÚ·Ó˘ËÍË ÍÛÔÌÂȯËı they also receive top awards there. What is the reason for such a ‚ÓÔÂÈÒÍËı ÍËÌÓÙÂÒÚË‚‡ÎÂÈ, ‚Â‰Û˘Ë ÍËÌӂ‰˚ Ë non-uniform participation of Russia in the global film-process? Is ÍËÌÓÍËÚËÍË. there a recipe for gaining the love of western spectators and professionals? Can national masters of cinema fit into the overall œÓÎÌÓÒÚ¸˛ χÚ¡Î˚ ´ÍÛ„ÎÓ„Ó ÒÚÓ·ª ·Û‰ÛÚ ÓÔÛ·ÎËÍÓ‚‡Ì˚ ‚ direction of the development of world cinema, or should we search ÊÛ̇Π´üËÌÓÔÓˆÂÒÒª. for our own way, not looking at othersí tastes and work habits? These questions will be discussed within the framework of the round ≈ÒÎË ´ÍÛ„Î˚ ÒÚÓÎ˚ª ÛÊ ÒÚ‡ÎË ÌÂÓÚ˙ÂÏÎÂÏÓÈ ˜‡ÒÚ¸˛ table on 11 June at 14.00 by the foreign visitors of ìKinotavrî, the ÍËÌÓÙÂÒÚË‚‡Îˇ ‚ —Ó˜Ë, ÚÓ ÔÓ‰˛ÒÂÒÍËÈ ÔËÚ˜ËÌ„ ‰Îˇ directors and selectors of the largest European film festivals, leading ÓÒÒËÈÒÍÓÈ Ë̉ÛÒÚËË ñ ÒÓ·˚ÚË Òӂ¯ÂÌÌÓ ÌÓ‚ÓÂ. film scholars and critics. œËÚ˜ËÌ„ ñ Ó„‡Ì˘ÂÌ̇ˇ ‚Ó ‚ÂÏÂÌË ÔÂÁÂÌÚ‡ˆËˇ ÔÓÂÍÚ‡, ÍÓÚÓÛ˛ ‰Â·ÂÚ ÔÓ‰˛Ò ñ ËÎË ´ÒÓÎÓª, ËÎË ‚ ÒÓÒÚ‡‚ The materials of this round table will be published in the journal ´ÍÓχ̉˚ª, ‚Íβ˜‡˛˘ÂÈ ‚ Ò·ˇ ÂÊËÒÒ‡, ‡ ‚ÓÁÏÓÊÌÓ, Ë ìKino-Processî. ÒˆÂ̇ËÒÚ‡. ‘Óχ ÔËÚ˜ËÌ„‡ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓ‰˛ÒÂÛ ˇÍÓ Á‡ˇ‚ËÚ¸ Ó Ò‚ÓÂÏ ÌÓ‚ÓÏ ´‰ÂÚË˘Âª, Ì Ô‰‡‚‡ˇ ÌÂÓ·ıÓ‰ËÏÛ˛ If the round tables have already became an integral part of the film ËÌÙÓχˆË˛ ´ËÁ ÛÒÚ ‚ ÛÒÚ‡ª Ë ËÁ Ó‰ÌÓ„Ó ÏÓ·ËθÌÓ„Ó ÚÂÎÂÙÓ̇ festival in Sochi, then the producersí pitching is an entirely new ‚ ‰Û„ÓÈ. ¬ ÒËÎÛ Ó„‡Ì˘ÂÌÌÓÒÚË ‚Ó ‚ÂÏÂÌË ÔËÚ˜ËÌ„ event for the Russian industry. Pitching is the presentation of a ‰ËÒˆËÔÎËÌËÛÂÚ „Ó‚Óˇ˘Â„Ó, Á‡ÒÚ‡‚Ρˇ ‚˚‰ÂÎËÚ¸ ̇˷ÓΠproject in a limited amount of time, delivered by the producer, Á̇˜ËÏ˚Â, Íβ˜Â‚˚ ه„ÏÂÌÚ˚ ‚ ÒÓ·ÒÚ‚ÂÌÌÓÏ ÒˆÂ̇ËË. either on his own or with the creative team, including the director œÂ‰ÒÚ‡‚Ρˇ ÔÓÂÍÚ ËÒÍÛ¯ÂÌÌÓÈ Ë ÔÓÙÂÒÒËÓ̇θÌÓÈ and possibly the script writer. The form of the pitching firstly ‡Û‰ËÚÓËË, ̇·Î˛‰‡ˇ Á‡  ‡͈ËÂÈ, ÔÓ‰˛Ò ̇˜Ë̇ÂÚ enables the producer to speak about his new creation without ‚ˉÂÚ¸ ‚Ò ‰ÓÒÚÓËÌÒÚ‚‡, ‚˚Ë„˚¯Ì˚ ˝ÔËÁÓ‰˚ ñ Ë, ̇ÔÓÚË‚, having to rely word-of-mouth propaganda of mobile phone ÔÓ‚‡Î¸Ì˚ ه„ÏÂÌÚ˚ Ò‚ÓÂÈ ·Û‰Û˘ÂÈ Í‡ÚËÌ˚ Á‡‰ÓÎ„Ó ‰Ó conversations. By virtue of the time limit, the format of pitching Ò˙ÂÏÓÍ, ˜ÚÓ ÔÓÁ‚ÓΡÂÚ ÂÏÛ ÔË ÌÂÓ·ıÓ‰ËÏÓÒÚË ÒÍÓÂÍÚËÓ‚‡Ú¸ disciplines the speaker, forcing him to concentrate on the most ÔÓÂÍÚ. ¬ ͇ÍÓÏ-ÚÓ ÒÏ˚ÒΠ‡Û‰ËÚÓˡ ÔËÚ˜ËÌ„‡ ñ ˝ÚÓ significant aspects of his script. Presenting the project to an ˉ‡θ̇ˇ ÙÓÍÛÒ-„ÛÔÔ‡, Á‡ËÌÚÂÂÒÓ‚‡Ì̇ˇ Ë experienced and professional audience and observing its reaction, ÔÓÙÂÒÒËÓ̇θ̇ˇ, ‡ Ò‡Ï ÔËÚ˜ËÌ„ ñ ˜ÂÁ‚˚˜‡ÈÌÓ ˝ÙÙÂÍÚË‚Ì˚È the producer begins to see the advantages and effective episodes, ËÌÒÚÛÏÂÌÚ ‡Ì‡ÎËÁ‡. and also on the contrary, the flawed fragments of the future film œÂ‰ÔÓ·„‡Âχˇ ÒıÂχ ÏÂÓÔˡÚˡ, ÍÓÚÓÓ ÔÓȉÂÚ 9 Ë˛Ìˇ, long before the shooting, which allows him to correct the project, if Ú‡ÍÓ‚‡. —ÂÏÂ˚Ï ÏÓÎÓ‰˚Ï ÔÓ‰˛ÒÂ‡Ï ·Û‰ÂÚ ‰‡ÌÓ ÔÓ 10ñ15 necessary. In some sense the audience of a pitching is an ideal focus ÏËÌÛÚ Ì‡ ÔÂÁÂÌÚ‡ˆË˛ Ò‚ÓÂ„Ó ÔÓÂÍÚ‡. «‡ ˝ÚÓ ‚ÂÏˇ ÓÌË group: interested and professional; the pitching itself becomes an ‰ÓÎÊÌ˚ ·Û‰ÛÚ Ì ÚÓθÍÓ ˝ÙÙÂÍÚÌÓ Ë Û·Â‰ËÚÂθÌÓ Ô‰ÒÚ‡‚ËÚ¸ extremely effective tool for analysis. ÓÒÌÓ‚ÌÛ˛ ˉ², ´ÔÓÒ·Ì˪ Ò‚ÓÂ„Ó ‰ÂÚˢ‡, ÌÓ Ë ËÁÎÓÊËÚ¸ The prospective schedule of events, which will take place on 9 June ÓÒÌÓ‚ÌÛ˛ ‰ÂÎÓ‚Û˛ ËÌÙÓχˆË˛ ñ ÓÁ̇ÍÓÏËÚ¸ ‡Û‰ËÚÓ˲ Ò is thus: seven young producers will have 10-15 minutes for the Ô‰‚‡ËÚÂθÌ˚Ï Í‡ÒÚËÌ„ÓÏ, ‰‡Ú¸ Ô‰ÒÚ‡‚ÎÂÌËÂ Ó Ò˙ÂÏÓ˜Ì˚ı presentation of their project. In this time they should not only Ó·˙ÂÍÚ‡ı Ë Ì‡ÚÛÂ, ‡ Ú‡ÍÊ ÒÓÓ·˘ËÚ¸ Ó ÙË̇ÌÒÓ‚˚ı present effectively and convincingly the basic idea, the ´messageª of Ó·ÒÚÓˇÚÂθÒÚ‚‡ı ÔÓÂÍÚ‡. —‚ÓË ÌÓ‚˚ ÔÓÂÍÚ˚ Ô‰ÒÚ‡‚ˇÚ the project, but also state the basic business information, such as ÔÓ‰˛ÒÂ˚ Շڇθˇ ÃÓÍˈ͇ˇ (´»ÁÓ·‡Ê‡ˇ ÊÂÚ‚Ûª), ŒÎ¸„‡ preliminary casting, choice of location, and financial situation of the ¬‡ÒË肇 (´ŒÒÚÓ‚ª), –ÓÏ‡Ì ¡ÓËÒ‚˘ (´—‚Ó·Ó‰ÌÓ project. New projects are presented by the producers Natalia Ô·‚‡Ì˪), ≈ÎÂ̇ √ÎËÍÏ‡Ì (´œËÚ FMª) Ë ‰Û„Ë ÏÓÎÓ‰˚Â, Mokritskaya (ìPlaying the Victimî), Olga Vasilieva (ìIslandî), ÌÓ ÛÊ ‰ÓÒÚË„¯Ë ÓÔ‰ÂÎÂÌÌÓ„Ó ÛÓ‚Ìˇ ÔÓÙÂÒÒËÓ̇Î˚. Roman Borisevich (ìFree Floatingî), Elena Glikman (ìPiter FMî) and —ÎÛ¯‡ÚÂΡÏË ÔËÚ˜ËÌ„‡ ÒÚ‡ÌÛÚ ÍÛÔÌÂȯË ˄ÓÍË ÓÒÒËÈÒÍÓ„Ó other young professionals who have already achieved a certain level. ÍËÌÓ˚Ì͇: ÔÓ‰˛ÒÂ˚, ‰ËÒÚË·¸˛ÚÓ˚, Ô‰ÒÚ‡‚ËÚÂÎË The audience of the pitchings will include the key players in the ÚÂÎÂ͇̇ÎÓ‚. –ÂÁÛθڇÚÓÏ ÔËÚ˜ËÌ„‡ ‰ÓÎÊÌÓ ÒÚ‡Ú¸ ÒÓÁ‰‡ÌË Russian film-market: producers, distributors, representatives of ÌÓ‚˚ı Ô‡ÚÌÂÒÍËı Ó·˙‰ËÌÂÌËÈ, ÛÒÚ‡ÌÓ‚ÎÂÌË ‡·Ó˜Ëı Ë television channels. The result of the pitching should be the ΢Ì˚ı ÍÓÌÚ‡ÍÚÓ‚ ñ Ë, Í‡Í ÒΉÒÚ‚Ë ñ ÔÓˇ‚ÎÂÌË ̇ creation of new associations, the establishment of both working ÓÚ˜ÂÒÚ‚ÂÌÌÓÏ ˝Í‡Ì ҂ÂÊËı, ˇÍËı Ë Ú‡Î‡ÌÚÎË‚˚ı and personal contacts, and, as a consequence, the appearance of ÍËÌÓÙËθÏÓ‚. fresh, impressive and talented films on the national screens.
ü ÔËÚ˜ËÌ„Û ËÁ‰‡Ì ÓÚ‰ÂθÌ˚È Í‡Ú‡ÎÓ„, ‚ ÍÓÚÓÓÏ ÒÓ‰ÂÊËÚÒˇ For the pitching a separate catalogue with information on ËÌÙÓχˆËˇ Ó· Û˜‡ÒÚÌË͇ı Ë Ëı ÔÓÂÍÚ‡ı. participants and their projects will be issued. ƒÊÂÈÏË ¡˝‰¯ÓÛ/ Jamie Bradshaw
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»Ì̇ “͇˜ÂÌÍÓ/ Inna Tkachenko —≈ûտ– ´ü»ÕŒ–≈üÀ¿Ã¿: ”œ–¿¬À≈Õ»≈ œŒÀ≈“ŒÃª
ÃӉ‡ÚÓ ñ »Ì̇ “͇˜ÂÌÍÓ
—ÓÁ‰‡ÌË Ô·͇ڇ ÙËθχ Ë Ì‡ÛÊÌÓÈ ÂÍ·Ï˚. œÓËÁ‚Ó‰ÒÚ‚Ó ÍËÌÓÓÎË͇. √η ¿ÎÂÈÌËÍÓ‚/ Gleb Aleinikov —ÓÒÚ‡‚ÎÂÌË ÂÍ·ÏÌÓ„Ó ÚÂÍÒÚ‡. —Â„Ó‰Ìˇ ÔÓ‰˛ÒÂ˚ Ë ÔÓ͇ÚÌ˚ ÍÓÏÔ‡ÌËË Ô‰˙ˇ‚Ρ˛Ú ‚˚ÒÓÍË Ú·ӂ‡Ìˡ Í Í‡˜ÂÒÚ‚Û ÂÍ·ÏÌÓ„Ó Ô‡ÍÂÚ‡, ÒÚ‡‚¯Â„Ó „·‚Ì˚Ï ˝ÎÂÏÂÌÚÓÏ ÔÓ‰‚ËÊÂÌˡ ͇ÚËÌ˚. ÕÓ ËÏÂÌÌÓ ´Í‡˜ÂÒÚ‚Óª Í‡Í ÒÛ·˙ÂÍÚË‚ÌÓ ÔÓÌËχÂÏÓ ´Ì˜ÚÓª ˇ‚ΡÂÚÒˇ Ô‰ÏÂÚÓÏ ÒÔÓÓ‚ ÏÂÊ‰Û Á‡Í‡Á˜Ë͇ÏË ÍËÌÓÂÍ·Ï˚ Ë Â ‡‚ÚÓ‡ÏË-ÔÓËÁ‚Ó‰ËÚÂΡÏË. ü‡ÍËÏË ÒÓÓ·‡ÊÂÌˡÏË ÛÍÓ‚Ó‰ÒÚ‚Û˛ÚÒˇ ‰ËÁ‡ÈÌÂ˚ Ë ÂÊËÒÒÂ˚, ‰Â·ˇ Ò‚ÓË Ô‰ÎÓÊÂÌˡ ÔÓ‰˛ÒÂ‡Ï Ë ÔÓ͇ÚÌ˚Ï ÍÓÏÔ‡ÌˡÏ? Õ‡ÒÍÓθÍÓ Û‚ÂÂÌÌÓ ÒÓÁ‰‡ÚÂÎË ÓÚ˜ÂÒÚ‚ÂÌÌÓÈ ÍËÌÓÂÍ·Ï˚ ÓËÂÌÚËÛ˛ÚÒˇ ‚ ÏËÓ‚ÓÏ Ë ËÒÚÓ˘ÂÒÍÓÏ ÍÓÌÚÂÍÒÚ‡ı ¡ÓËÒ fiı‡Ì‡ÌÓ‚/ Boris Yukhananov ‰‡ÌÌÓÈ Ó·Î‡ÒÚË? √·‚Ì˚ ÔÓËÁ‚Ó‰ËÚÂÎË Ë ÎÛ˜¯Ë ‡‚ÚÓ˚ ÓÚ˜ÂÒÚ‚ÂÌÌÓÈ ÍËÌÓÂÍ·Ï˚ Ô‰ÒÚ‡‚ˇÚ Ò‚ÓË ‡·ÓÚ˚, Á̇Ìˡ Ë Ë‰ÂË ‚ ÙÓÏ ¯ÓÛ-χÒÚÂ-Í·ÒÒÓ‚ ÔÓ ÏÓÌÚ‡ÊÛ Ë ‰ËÁ‡ÈÌÛ. —ÔˆˇθÌÓ ÒÓ·˚ÚË ÒÂÏË̇‡ ñ χÒÚÂ-Í·ÒÒ ƒÊÂÈÏË ¡˝‰¯ÓÛ (Jamie Bradshaw, —ÿ¿), ͇ÚË‚ÌÓ„Ó ‰ËÂÍÚÓ‡ Ë Òӂ·‰Âθˆ‡ ÍÓÏÔ‡ÌËË Ignition Creative, Ó‰ÌÓ„Ó ËÁ ÎˉÂÓ‚ ÂÍ·ÏÌÓ„Ó ˚Ì͇ √ÓÎÎÛ‚Û‰‡. —Â‰Ë ÔÓÂÍÚÓ‚ ƒÊÂÈÏË ¡˝‰¯ÓÛ: ´√ÓÓ‰ „ÂıÓ‚ª (Sin City), ´¿‚ˇÚÓª (The Aviator), ´«‚ÂÁ‰Ì˚ ‚ÓÈÌ˚: ›ÔËÁÓ‰ 2ª (Star Wars: Episode 2), ´ÃËÒÚÂ Ë ÏËÒÒËÒ —ÏËÚª (Mr. And Mrs. Smith), ´◊ÂÎÓ‚ÂÍ-Ô‡ÛÍ 1ñ2ª (Spiderman, Spiderman 2), ´“ÛÔ Ì‚ÂÒÚ˚ª (Tim Burtonís Corpse Bride), ´”·ËÚ¸ ¡Ëη 1ñ2ª (Kill Bill (Volís 1ñ2)), ´√ÂÓȪ (Hero), ´—ÚÂÎÓͪ (Shooter). ≈‚„ÂÌËÈ –‡ÈˆÂÒ/ Evgeni Raitses
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SEMINAR ÇڂÂÈ ≈‚ÒÚË„Ì‚/ Matvei Yevstigneyev ìFILM ADVERTISING: FLIGHT MANAGEMENTî
Moderator ñ Inna Tkachenko
The creation of film posters and outdoor advertising. The production of trailers. The drafting of the advertising text. ¿Ì‰ÂÈ —Ëθ‚ÂÒÚÓ‚/ Andrei Silvestrov Today producers and distributors demand high quality of the advertising package, which has become the main element in the promotion of a film. But ìqualityî as a subjectively understood ìsomethingî often becomes an issue of dissent between the customers of film advertising and its authors- producers. What are the motives that guide designers and directors who make suggestions to producers and distributors? How well versed are the makers of domestic film advertising in the global and historical context of a given area? The main producers and the authors of the best Russian film advertising will present their work, knowledge and ideas in —„ÂÈ ÿ‡Ìӂ˘/ Sergei Shanovich the form of a show-seminar on editing and design.
A special event of the seminar is a masterclass by Jamie Bradshaw, USA, creative director and the co-owner of the company Ignition Creative, one of the leaders in the Hollywood advertising market. Among Jamie Bradshawís projects are ìSin Cityî, ìThe Aviatorî, ìStar Wars: Episode 2î, ìMr. and Mrs. Smithî, ìSpidermanî, ìSpiderman 2î, ìTim Burtonís Corpse Brideî, ìKill Billî (Vols 1ñ2), ìHeroî, ìShooterî. 1 1 $8 /2...... 141 $8 /2...... 141 14 02 ...... 46 14 02 ...... 46 9:00 œŒ÷≈À”… ...... 45 ALEXANDER NEVSKY ...... 176 ¿ — ƒ≈“‹Ã» - ÿ≈—“≈–Œ ...... 129 ALEXANDRA ...... 10 ¿À≈ü—¿Õƒ– Õ≈¬—ü»… ...... 176 ALLEZ-HOP! ...... 116 ¿À≈ü—¿Õƒ–¿ ...... 10 ALONE...... 63 ¿ÀÀ≈-Œœ! ...... 116 ARK...... 132 ¿–“≈À‹ ...... 117 ARTEL ...... 117 ¡≈— ...... 130 AWAITING THE MIRACLE ...... 86 √≈– ...... 131 BANISHMENT, THE ...... 12 ¡–ŒÕ≈ÕŒ—≈÷ "œŒ“≈Ãü»Õ"...... 157 BATTLESHIP POTEMKIN, THE ...... 157 ¬ Œ∆»ƒ¿Õ»» ◊”ƒ¿...... 86 BED AND SOFA (Three in Love) ...... 158 ¬≈—≈À¤≈ –≈¡fl“¿...... 173 BESAME MUCHO ...... 122 ¬≈—Õ¿ Õ¿ «¿–≈◊ÕŒ… ”À»÷≈ ...... 160 BOYS ...... 134 ¬Õ”ü √¿√¿–»Õ¿ ...... 88 BY THE LAW (Dura Lex) ...... 161 Index of films ¬ŒÀü ...... 74 CALL, THE ...... 54 ¬ŒÀüŒƒ¿¬ »« –Œƒ¿ —≈–¤’ œ—Œ¬ ...... 90 CARGO 200 ...... 16 ¬–≈Ãfl ∆¿“¬¤ ...... 142 CARNIVAL NIGHT ...... 175 »Ì‰ÂÍÒ ÙËθÏÓ‚ √¿ÀŒœŒÃ œŒ ≈¬–Œœ¿Ã ...... 47 CHAPAEV...... 154 √≈–¡¿–»… ...... 48 CHILDREN OF ADAM ...... 51 √ÀflÕ≈÷ ...... 8 CHILDREN OF OTHERS (1955 - 1963), THE...... 124 √–”« 200 ...... 16 CINDERELLA ...... 171 ƒ¬¿ ¬ ŒƒÕŒÃ ...... 18 CRANES ARE FLYING, THE ...... 153 ƒ≈¬Œ◊ü¿ ƒ”–¿ ...... 49 CRUELTY...... 22 ƒ≈Õ‹ «Õ¿Õ»… ...... 50 DARING DAYS ...... 92 ƒ≈Õ‹ –Œ∆ƒ≈Õ»fl »Õ‘¿Õ“¤ ...... 20 DAY OF KNOWLEDGE ...... 50 ƒ≈–«ü»≈ ƒÕ» ...... 92 DEMON ...... 130 ƒ≈“» ¿ƒ¿Ã¿ ...... 51 GER ...... 131 ƒ«›Õ-ƒ–¿…¬ ...... 52 DIFFERENT LIFE, A ...... 117 ƒŒÀ√Œ≈ œ–ŒŸ¿Õ»≈ ...... 143 DREAM, THE ...... 166 ƒŒÃ Õ¿ “–”¡ÕŒ…...... 168 DUST ...... 136 ƒ–”√¿fl ∆»«Õ‹ ...... 117 ESPRESSO ...... 69 ƒ–”√¿fl ÃŒ—ü¬¿ ...... 53 FALLING INTO HEAVEN...... 78 ƒ–”√»≈ –”——ü»≈ ...... 118 FATHER SERGIUS ...... 167 ∆¿–¿ ...... 94 FIVE MINUTES...... 64 ∆≈À≈«Õ¿fl œfl“¿ ŒÀ»√¿–’»» ...... 144 FORTY-FIRST ...... 169 ∆≈—“ŒüŒ—“‹ ...... 22 FRAGMENT OF EMPIRE, A ...... 174 ∆»«Õ‹ ¬–¿—œÀŒ’...... 96 GAGARIN'S GRANDSON ...... 88 184 ∆»À-¡¤À ” ƒ≈ƒ”ÿü»Ö ...... 118 GALLOP ACROSS EUROPE ...... 47 «¬ŒÕŒü ...... 54 GENTLE AGE, THE ...... 147 «ŒÀ”ÿü¿ ...... 171 GLOSS ...... 8 »¬¿Õ √–Œ«Õ¤… ...... 155 GOAT...... 56 »ƒ»Œ“ ...... 55 GOOD BYE, SOUTHERN CITY ...... 80 »«√Õ¿Õ»≈ ...... 12 GUIDE-DOG, THE ...... 110 »Õ«≈≈Õ‹-ÿÀ»Õ¿...... 24 HAPPINESS ...... 159 ü¿Ã≈ÕÕ¤… ÷¬≈“Œü (1944 - 1956) ...... 124 HAPPY GUYS/ JOLLY FELLOWS ...... 173 ü¿–Õ¿¬¿À‹Õ¿fl ÕŒ◊‹...... 175 HARD-HEARTED ...... 26 üŒ¬◊≈√ ...... 132 HARVEST TIME ...... 142 üŒ«¿...... 56 HEAT...... 94 üŒÀŒ¡Œü ...... 57 HERBARIUM ...... 48 üŒÀ¤¡≈À‹Õ¿fl ...... 58 HE'S GONE ...... 67 ü–≈Ã≈Õ‹ ...... 26 HOLLOW, THE ...... 40 ü–”∆≈Õ»≈ ¬ œ–≈ƒ≈À¿’ üŒÀ‹÷≈¬Œ… ...... 145 HOUSE ON TRUBNAYA SQUARE, THE...... 168 ü–¤—ü» » üÕ»√¿ ...... 59 I STAY ...... 112 ü”ü¿ ...... 28 IDIOT...... 55 À¿—“Œ◊ü» œ–»À≈“≈À» ...... 76 INFANTE'S BIRTHDAY ...... 20 À≈Õ»Õ üŒÕ‹ » À≈Õfl ...... 119 INSPIRING...... 30 À≈“fl“ ∆”–¿¬À» ...... 153 INZEEN-RASPBERRY ...... 24 ÀŒ¬» ¬ŒÀÕ” ...... 98 IRON HEEL OF OLIGARCHY, THE ...... 144 Àfi¡¿ ...... 133 IVAN THE TERRIBLE ...... 155 Àfi¡Œ¬‹-ÃŒ–üŒ¬‹ ...... 100 KISS ME O-NINE HUNDRED ...... 45 Àfiƒ» »« ü¿ÃÕfl...... 60 KOLOBOK ...... 57 ÿÀ‹◊»ü»...... 134 KUKA ...... 28 ÿ–“ 1943 √Œƒ¿ ...... 61 LIFE BY SURPRISE ...... 96 ÿÿ≈Õ‹ü¿ ...... 162 LONG FAREWELL...... 143 Ã≈’¿Õ»◊≈—ü¿fl —fi»“¿ ...... 146 LOVEY-DOVEY ...... 100 Ã≈◊“¿ ...... 166 LULLABY...... 58 ÃŒ—ü¬¿ ...... 62 LYONYA'S HORSE AND LYONYA ...... 119 Õ¿“”–Ÿ»÷¿ ...... 30 LYUBA...... 133 Õ≈¬¿Àflÿü¿ ...... 102 MARCH 1943 ...... 61 Õ≈∆Õ¤… ¬Œ«–¿—“ ...... 147 MASHENKA ...... 162 Õ»ü»“¿ » Õ»ü»“¿ ...... 135 MECHANICAL SUITE, A ...... 146 Œ¡ÀŒÃŒü »Ãœ≈–»»...... 174 MERMAID, THE ...... 36 Œƒ»Õ ...... 63 MONDAY ...... 120 ŒƒÕ¿ Àfi¡Œ¬‹ Õ¿ ûÀÀ»ŒÕ ...... 104 MOSCOW ...... 62 Œü–¿»Õ¿ ...... 156 NEVALYASHKA ("Tumbler Toy")...... 102 Œ“≈÷ —≈–√»… ...... 167 NIKITA AND NIKITA ...... 135 Œ“–¤¬ ...... 32 NOTES TO THE PAST ...... 180 Œ“—“¿¬ÕŒ… ”◊»“≈À‹...... 119 ONE LOVE IN A MILLION ...... 104 œ¿ƒ≈Õ»≈ ¬ Õ≈¡≈—¿...... 78 OTHER MOSCOW, THE ...... 53 œ¿–¿√–¿‘ 78 ...... 106 OTHER RUSSIANS, THE ...... 118 œ»–¿“¤ ü¿–»¡—üŒ√Œ ÃŒ–fl: Õ¿ ü–¿fi —¬≈“¿ ...... 108 OUTSKIRTS ...... 156 œŒ «¿üŒÕ”...... 161 OVERCOAT, THE...... 164 œŒ¬Œƒ¤–‹ ...... 110 PARAGRAPH 78 ...... 106 œŒÕ≈ƒ≈À‹Õ»ü ...... 120 PAYING GUEST ...... 118 œŒ“ŒÃŒü ◊»Õ√»—-’¿Õ¿ ...... 170 PIRATES OF THE CARIBBEAN: AT WORLD'S END ...... 108 œ–»Ã≈◊¿Õ»fl ü œ–ŒÿÀŒÃ”...... 180 RATS AND THE BOOK ...... 59 œ–Œ—“¤≈ ¬≈Ÿ» ...... 34 RETIRED TEACHER, THE ...... 119 œ–ŒŸ¿…, fi∆Õ¤… √Œ–Œƒ ...... 80 ROAD TO LIFE ...... 172 œ”“≈¬ü¿ ¬ ∆»«Õ‹ ...... 172 ROMANCE OF NADIR, THE ...... 120 œ¤À‹ ...... 136 ROSSOSHÖ RAGTIMEÖ ...... 121 œfl“‹ ûՔ“ ...... 64 SEVERE YOUNG MAN, A ...... 163 –ŒÃ¿Õ— Õ¿ƒ»–¿ ...... 120 SHERLOCK HOLMES AND DOCTOR WATSON...... 68 –Œ——Œÿ‹Ö –≈√“¿…à ...... 121 SILLY GIRL, THE ...... 49 –”—¿Àü¿ ...... 36 SIMPLE THINGS ...... 34 —ü¿«ü¿, –¿——ü¿«¿ÕÕ¿fl Õ¿ ÕŒ◊‹ ...... 65 SIX WITH THE CHILDREN ...... 129 —ü–»œ¿◊ ...... 66 SOAR...... 32 —Œ–Œü œ≈–¬¤… ...... 169 SPINNING INSIDE THE RING ROAD ...... 145 —“¿◊ü¿...... 165 SPRING ON ZARECHNAYA STREET...... 160 —“–Œ√»… fiÕŒÿ¿ ...... 163 STONE FLOWER (1944 - 1956), THE ...... 124 —◊¿—“‹≈ ...... 159 STONE PEOPLE ...... 60 “¿Õ√Œ ƒÀfl "«ü" ...... 121 STORM OVER ASIA...... 170 “»—ü» ...... 38 STRIKE ...... 165 “–≈“‹fl Ã≈Ÿ¿Õ—ü¿fl ...... 158 SURF'S UP ...... 98 “–»”Ñ ¡ŒÀ» ...... 137 SWALLOWS HAVE ARRIVED, THE ...... 76 ”≈’¿À ...... 67 TALE TOLD BY NIGHT, A ...... 65 ÷≈À”… Ã≈Õfl ü–≈œ◊≈ ...... 122 TANGO FOR A CONVICT ...... 121 ◊¿œ¿≈¬ ...... 154 TRIUMPH OF PAIN ...... 137 ◊≈ÀŒ¬≈ü-¬≈“≈– ...... 82 TWO IN ONE ...... 18 ◊”∆»≈ ƒ≈“» (1955 - 1963) ...... 124 VICE ...... 38 ÿ≈–ÀŒü ’ŒÀ× » ƒŒü“Œ– ¬¿“—ŒÕ ...... 68 VIOLINIST, THE ...... 66 ÿ»Õ≈À‹ ...... 164 WIND-MAN ...... 82 ›—œ–≈——Œ ...... 69 WOLF ...... 74 fiÕŒ—“‹ ÿü—»Ã¿...... 177 WOLFHOUND ...... 90 fi–»… ¿–¿¡Œ¬. Ã≈’¿Õ»ü¿ —”ƒ‹¡¤ ...... 70 YAPTIK-HASSE...... 122 fl Œ—“¿fi—‹ ...... 112 YOUTH OF MAXIM, THE ...... 177 flœ“»ü-’›—≈ ...... 122 YURI ARABOV. MECHANICS OF FATE ...... 70 fl– ...... 40 ZEN DRIVE ...... 52 ¿ÎÂÍ҇̉ӂ √Ë„ÓËÈ ...... 173 Akhmatov, Pulad ...... 121 ¿ıχÚÓ‚ œÛ·‰ ...... 121 Akhmetov, Khuat ...... 82, 83 ¿ıÏÂÚÓ‚ ’Û‡Ú ...... 82, 83 Alexandrov, Grigori ...... 173 ¡‡Í, üËÒ ...... 98 Bakuradze, Bakur...... 62 ¡‡ÍÛ‡‰Á ¡‡ÍÛ ...... 62 Balabanov, Alexei ...... 16, 17 ¡‡Î‡·‡ÌÓ‚ ¿ÎÂÍÒÂÈ...... 16, 17 Balayan, Valeri...... 120 ¡‡Î‡ˇÌ ¬‡ÎÂËÈ...... 120 Baltser, Ruslan...... 92, 93 ¡‡Î¸ÚˆÂ –ÛÒÎ‡Ì ...... 92, 93 Barbe, Vlad ...... 57 ¡‡·˝ ¬Î‡‰ ...... 57 Barnet, Boris ...... 156, 168 ¡‡ÌÂÚ ¡ÓËÒ ...... 156, 168 Bartenev, Edgar ...... 122 ¡‡ÚÂÌ‚ ›‰„‡ ...... 122 Basalaeva, Daria...... 137 ¡‡Ò‡Î‡Â‚‡ ƒ‡¸ˇ ...... 137 Bashirov, Alexander...... 74, 75, 144 ¡‡¯ËÓ‚ ¿ÎÂÍ҇̉ ...... 74, 75, 144 Bedarev, Evgeni ...... 86, 87 ¡Â‰‡Â‚ ≈‚„ÂÌËÈ ...... 86, 87 Bosenko, Sergei ...... 118 ¡ÓÒÂÌÍÓ —„ÂÈ ...... 118 Brannon, Ash ...... 98 ¡Û̸ÍÓ‚ÒÍËÈ ¿ÎÂÍ҇̉ ...... 96, 97 Brunkovsky, Alexander ...... 96, 97 ¡˝ÌÌÓÌ, ›¯ ...... 98 Bubnov, Alexander ...... 68 ¡Û·ÌÓ‚ ¿ÎÂÍ҇̉ ...... 68 Buck, Chris ...... 98 ¬‡ÒËθ‚ √ÂÓ„ËÈ...... 154 Chevazhevsky, Yaroslav...... 28, 29 ¬‡ÒËθ‚ ƒÏËÚËÈ ...... 176 Chukhrai, Grigori ...... 169 Index of directors ¬Â·ËÌÒÍË, √Ó ...... 108 Davletshin, Rashid ...... 121 ¬Î‡‰ËÏˈ‚‡ “‡Ï‡‡ ...... 88, 89 Demidova, Elena...... 132 »Ì‰ÂÍÒ ÂÊËÒÒÂÓ‚ ¬ÓÎÍÓ‚‡ Õ‡Ú‡Îˡ...... 69 Dolmatovskaya, Galina ...... 180 ¬ÓÎÓ¯ËÌ »„Ó¸ ...... 56 Eisenstein, Sergei ...... 155, 157, 165, 176 ¬ÓÓ͇̈ˇ “‡Ú¸ˇÌ‡ ...... 30, 31 Eisner, Vladimir ...... 117 √‡Î‡ÁÓ‚ ¿ÒÎ‡Ì ...... 76, 77 Ekk, Nikolai ...... 172 √ÂχÌË͇ ¬‡ÎÂˡ-√‡È ...... 20, 21, 67, 134 Ermler, Fridrikh...... 174 √Ë„ËÌÂȯ‚ËÎË –ÂÁÓ ...... 94, 95 Galazov, Aslan ...... 76, 77 √ÓӉˆ͇ˇ ŒÎ¸„‡ ...... 65 Germanika, Valeria-Gai ...... 20, 21, 67, 134 ƒ‡‚ÎÂÚ¯ËÌ –‡¯Ë‰ ...... 121 Gigineishvili, Rezo ...... 94, 95 ƒÂÏˉӂ‡ ≈ÎÂ̇...... 132 Gorodetskaya, Olga...... 65 ƒÓÎχÚÓ‚Ò͇ˇ √‡ÎË̇...... 180 Ivanov, Konstantin...... 64 «‚ÂÍÓ‚ ŒÏ‡Ë ...... 53 Kachanov, Roman ...... 102, 103 «‚ˇ„Ë̈‚ ¿Ì‰ÂÈ ...... 12, 13 Kalatozov, Mikhail ...... 153 «ËÌÓ‚¸Â‚ —„ÂÈ ...... 116 Khlebnikov, Boris...... 67 »‚‡ÌÓ‚ üÓÌÒÚ‡ÌÚËÌ ...... 64 Khleborodov, Mikhail...... 106, 107 ü‡Î‡ÚÓÁÓ‚ ÃËı‡ËÎ ...... 153 Khutsiev, Marlen ...... 160 ü‡˜‡ÌÓ‚ –ÓÏ‡Ì ...... 102, 103 Khvan, Alexander ...... 110, 111 üË‚‡ «Óˇ ...... 49 Kireeva, Marianna ...... 124, 125 üË‚‡ ǡÌ̇ ...... 124, 125 Kireeva, Zoya ...... 49 185 ü΂ˆÓ‚ ¬ˇ˜ÂÒ·‚ ...... 61 Klevtsov Viacheslav ...... 61 üβÍËÌ ¿ÎÂÍÒÂÈ ...... 131 Kliukin, Alexei...... 131 üÓ„‡Ì ¿Í‡‰ËÈ ...... 70 Kogan, Arkadi ...... 70 üÓÁË̈‚ √Ë„ÓËÈ...... 164, 177 Konchalovsky, Andrei ...... 8, 9 üÓÌÒÚ‡ÌÚËÌÓÔÓθÒÍËÈ √Ë„ÓËÈ ...... 141 Konstantinopolsky, Grigori ...... 141 üÓ̘‡ÎÓ‚ÒÍËÈ ¿Ì‰ÂÈ ...... 8, 9 Korshunov, Filipp ...... 45 üÓÊ‡Ì »Ë̇ ...... 54 Korzhan, Irina ...... 54 üÓ¯ÛÌÓ‚ ‘ËÎËÔÔ ...... 45 Kosheverova, Nadezhda ...... 171 üӯ‚ÂÓ‚‡ Õ‡‰Âʉ‡ ...... 171 Kozintsev, Grigori ...... 164, 177 üÛίӂ À‚...... 161 Kuleshov, Lev ...... 161 À‡‚Ó‚ ¬ˇ˜ÂÒ·‚ ...... 52 Lavrov, Viacheslav ...... 52 À·‰‚ ÕËÍÓÎ‡È ...... 90, 91 Lebedev, Nikolai ...... 90, 91 ÀËÚӂˆ —„ÂÈ ...... 66 Litovets, Sergei ...... 66 ÀÓ·‡Ì —„ÂÈ...... 136 Liubakova, Marina ...... 22, 23 ÀÓÁÌˈ‡ —„ÂÈ ...... 117 Loban, Sergei ...... 136 À˛·‡ÍÓ‚‡ ÇË̇ ...... 22, 23 Loznitsa, Sergei ...... 117 ÇÎËÌËÌ ¿ÎÂÍ҇̉ ...... 129, 130 Malinin, Alexander ...... 129, 130 ÇÏÛÎˡ ƒÏËÚËÈ...... 62 Medvedkin, Alexander...... 159 É‚‰ÍËÌ ¿ÎÂÍ҇̉ ...... 159 Melikian, Anna...... 36, 37 ÃÂÎËÍˇÌ ¿Ì̇...... 36, 37 Meshchaninova, Natalia ...... 48 ÃÂÒıË‚ ƒÏËÚËÈ ...... 146 Meskhiev, Dmitri ...... 146 â‡ÌËÌÓ‚‡ Õ‡Ú‡Îˡ ...... 48 Mindadze, Alexander...... 32, 33 ÃËÁ„Ë‚ ¿ÎÂÍÒÂÈ ...... 26, 27 Mironer, Felix ...... 160 ÃË̉‡‰Á ¿ÎÂÍ҇̉ ...... 32, 33 Mitroshina, Natalia ...... 78, 79 ÃËÓÌ ‘ÂÎËÍÒ ...... 160 Mizgiryov, Alexei ...... 26, 27 ÃËÚÓ¯Ë̇ Շڇθˇ ...... 78, 79 Morozov, Igor ...... 47 ÃÛ‡ÚÓ‚‡ üˇ ...... 18, 19 Muratova, Kira...... 18, 19 ÕÂ͇ÒÓ‚‡ ÇË̇ ...... 118 Nekrasova, Marina ...... 118 ÕËÎÓ‚‡ Շڇθˇ ...... 59 Nilova, Natalia ...... 59 Œ„‡ÌÂÒˇÌ ü‡ÂÌ ...... 112, 113 Oganesian, Karen ...... 112, 113 œ‡Ì‡ÒÂÌÍÓ fiÎˡ ...... 55 Panasenko Yulia...... 55 œ‡ÌËÌ ¿Ì‰ÂÈ ...... 88, 89 Panin, Andrei...... 88, 89 œ‡‡‰Ê‡ÌÓ‚ √ÂÓ„ËÈ ...... 51 Paradzhanov, Georgi...... 51 œÂÂÚÛıË̇ üÒÂÌˡ ...... 58 Peretrukhina, Ksenia ...... 58 œÓÔӄ·ÒÍËÈ ¿ÎÂÍÒÂÈ ...... 34, 35 Popogrebsky, Alexei ...... 34, 35 œÓÚ‡Á‡ÌÓ‚ flÍÓ‚ ...... 167 Protazanov, Yakov ...... 167 œÛ‰Ó‚ÍËÌ ¬Ò‚ÓÎÓ‰ ...... 170 Pudovkin, Vsevolod...... 170 –‡Á·ÂÊÍË̇ ÇË̇ ...... 40, 41, 142 Raizman, Yuli ...... 162 –‡ÈÁÏ‡Ì fiÎËÈ ...... 162 Razbezhkina, Marina ...... 40, 41, 142 –ÂÛˆÍËÈ ¿ÎÂÍ҇̉ ...... 63 Reutsky, Alexander ...... 63 –ÓÏÏ ÃËı‡ËÎ ...... 166 Romm, Mikhail ...... 166 –ÓÓÏ ¿·‡Ï ...... 158, 163 Room, Abram ...... 158, 163 –Û‰Ìˈ͇ˇ ¿ÎË̇ ...... 122 Rudnitskaya, Alina ...... 122 –˚·‡ÍÓ‚ ÀÂÓÌˉ ...... 60 Ryazanov, Eldar ...... 175 –ˇÁ‡ÌÓ‚ ›Î¸‰‡ ...... 175 Rybakov, Leonid ...... 60 —‡Î‡ıÛÚ‰ËÌÓ‚ –‡ÏËθ...... 145 Safaraliev, Oleg ...... 80, 81 —‡Ù‡‡ÎË‚ ŒÎ„ ...... 80, 81 Salakhutdinov, Ramil ...... 145 —Ë‚ÍÓ‚ ¬Î‡‰ËÏË...... 24, 25 Shapiro, Mikhail...... 171 —ˉÂθÌËÍÓ‚‡ ≈ÎÂ̇...... 133 Shchegolkov, Vladimir ...... 104, 105 —͇·‡‰ “‡Ú¸ˇÌ‡ ...... 120 Sidelnikova, Elena ...... 133 —ÓÍÛÓ‚ ¿ÎÂÍ҇̉ ...... 10, 11 Sivkov, Vladimir...... 24, 25 —ÓÎÓ‚¸Â‚ —„ÂÈ...... 147 Skabard, Tatiana ...... 120 —Ú‡ÚÒÍËÈ üÓÌÒÚ‡ÌÚËÌ...... 46 Sokurov, Alexander...... 10, 11 ÃÓÓÁÓ‚ »„Ó¸ ...... 47 Soloviev, Sergei ...... 147 —ÚÂθÌËÍÓ‚‡ —‚ÂÚ·̇ ...... 55 Statsky, Konstantin ...... 46 —ÚËÊÂÌÓ‚ ¿ÎÂÍ҇̉ ...... 100, 101 Strelnikova Svetlana ...... 55 “Ó‰ÓÓ‚ÒÍËÈ ¬‡ÎÂËÈ ...... 38, 39 Strizhenov, Alexander ...... 100, 101 “ÓÚ, “‡Ï‡¯ ...... 74, 75 Tiuliaeva, Maria ...... 135 “‡Û·Â„ ÀÂÓÌˉ...... 164, 177 Todorovsky, Valeri ...... 38, 39 “‡ıÚÂ̄ˆ »ÓÒËÙ ...... 119 Toth, Tamas ...... 74, 75 “ÓÙËÏÂÌÍÓ ÃËı‡ËÎ ...... 50 Trakhtengerts, Iosif ...... 119 “˛ÎˇÂ‚‡ Ã‡Ëˇ ...... 135 Trauberg, Leonid ...... 164, 177 ”ÒÛÎˇÍ —„ÂÈ ...... 143 Trofimenko, Mikhail ...... 50 ’‚‡Ì ¿ÎÂÍ҇̉ ...... 110, 111 Tsalikov, Vadim ...... 119 ’ηÌËÍÓ‚ ¡ÓËÒ...... 67 Ursuliak, Sergei ...... 143 ’ηÓÓ‰Ó‚ ÃËı‡ËÎ ...... 106, 107 Vasiliev, Dmitri ...... 176 ’ۈ˂ ÇÎÂÌ ...... 160 Vasiliev, Georgy ...... 154 ÷‡ÎËÍÓ‚ ¬‡‰ËÏ ...... 119 Vasiliev, Sergei ...... 154 ◊‚‡Ê‚ÒÍËÈ flÓÒ·‚ ...... 28, 29 Verbinsky, Gore ...... 108 ◊Ûı‡È √Ë„ÓËÈ...... 169 Vladimirtseva, Tamara...... 88, 89 ÿ‡ÔËÓ ÃËı‡ËÎ ...... 171 Volkova, Natalia ...... 69 ŸÂ„ÓθÍÓ‚ ¬Î‡‰ËÏË ...... 104, 105 Voloshin Igor ...... 56 ›ÈÁÂ̯ÚÂÈÌ —„ÂÈ...... 155, 157, 165, 176 Voronetskaya, Tatiana ...... 30, 31 ›ÈÒÌ ¬Î‡‰ËÏË...... 117 Yusupova, Mairam ...... 118 ›ÍÍ ÕËÍÓ·È...... 172 Zinoviev, Sergei ...... 116 ›ÏΠ‘ˉËı ...... 174 Zverkov, Omari ...... 53 fiÒÛÔÓ‚‡ Ã‡È‡Ï ...... 118 Zviagintsev, Andrei...... 12, 13 A-Film (Ekaterinburg)/ ¿-ÙËÎ¸Ï For Cinema Production (Moscow)/ ‘Ó —ËÌÂχ œÓ‰‡Í¯Ì Tel.: (343) 350-00-94; e-mail: [email protected] Tel.: (495) 916-90-51; fax: (495) 916-90-93 E-mail: [email protected] Andrei Konchalovsky Foundation (Moscow) ‘Ó̉ ¿Ì‰Âˇ üÓ̘‡ÎÓ‚ÒÍÓ„Ó Gala Production (Moscow)/ √ÛÔÔ‡ ÍÓÏÔ‡ÌËÈ GP Tel.: (495) 737-88-03; Tel.: (495) 291-47-87, 291-87-13, 291-16-63 E-mail: [email protected]; [email protected] Fax: (495) 291-89-60 www.konchalovsky.ru E-mail: [email protected]; [email protected]; www.gpfilm.ru
ARPvision Studio (St. Petersburg)/¿–œvision Goramo Films (Moscow) Tel.: (812) 315-68-40 Mob. 8-910-434-7476; e-mail: [email protected] Mob.: (812) 922-26-97; 8-911-230-6628 E-mail: [email protected]. Gemini Film Company (Moscow)/ √ÂÏËÌË ‘ËÎ¸Ï Tel.: (495) 780-01-04; fax: (495) 780-01-05 Art Chance (Moscow) E-mail: [email protected]; www.geminifilm.ru Tel.: (495) 922-04-93; 960-29-39 E-mail: [email protected], [email protected] Globus Studio (Moscow)/ √ÎÓ·ÛÒ
Companies/ Contacts www.artchance.ru Tel.: (495) 916-93-72; 916-90-36 E-mail: [email protected] ArtDesign (Moscow)/ ¿ÚƒËÁ‡ÈÌ Tel.: (495) 143-91-62 Gubernia (Moscow)/ √Û·ÂÌˡ Œ„‡ÌËÁ‡ˆËË/ üÓÌÚ‡ÍÚ˚ Mob.: 8 926-528-5345 Tel.: (495) 995-10-75, 406-52-14 E-mail: [email protected] E-mail: [email protected] www.masterfilm.ru Art Pictures Group (Moscow) Tel.: (495) 143-49-44; e-mail: [email protected] HCSF - High Courses of Scriptwriters and Film Directors (Moscow) Artima Studio (Moscow)/ ¿ÚËχ ¬ü—– - ¬˚үˠÍÛÒ˚ ÒˆÂ̇ËÒÚÓ‚ Ë ÂÊËÒÒÂÓ‚ Mob. (495) 792-76-73; e-mail: [email protected] Tel.: (495) 253-64-88, 253-39-57; fax: (495) 253-87-09 E-mail: [email protected]; http://www.kinobraz.ru ASDS (St. Petersburg)/ ¿—ƒ— 186 Tel.: (812) 233-10-51 Ibrus Film Studio (Moscow)/ »·ÛÒ [email protected], [email protected] Tel./fax: (495) 699-70-20, 699-38-80 www.proline-film.ru E-mail: [email protected]; [email protected]
Atlantic Studio (Moscow)/ ¿Ú·ÌÚËÍ Illuzion Studio (Moscow)/ »ÎβÁËÓÌ Tel./ fax: (495) 181-03-86; e-mail: [email protected] Tel.: (495)181-04-28, 181-04-19 Fax: (495) 181-04-19 August (Moscow)/ ¿‚„ÛÒÚ E-mail: [email protected] Tel.: (495) 707-27-99; mob.: 8-905 719-07-25 E-mail: [email protected] Karoprokat (Moscow)/ ü‡ÓÔÓÍ‡Ú Tel.: (495) 209-26-67, www.karofilm.ru Azerbaijanfilm Studio (Baku, Azerbaijan)/ ¿Á·‡È‰Ê‡ÌÙËÎ¸Ï Kazan Film Studio (Kazan, Tatarstan Republic, RF) Tel./fax: (412) 430-17-91; e-mail: [email protected] ü‡Á‡ÌÒ͇ˇ ÍËÌÓÒÚÛ‰Ëˇ (ü‡Á‡Ì¸) Tel./ fax: (843) 542-28-20 Azia-Film Studio (Novosibirsk)/ ¿Áˡ-‘ËÎ¸Ï E-mail: [email protected] Tel.: (383) 361-06-42; e-mail: [email protected] Khorosho Production (Moscow)/ ’ÓÓ¯Ó œÓ‰‡Í¯Ì BFG-Media Production (Moscow) Tel.: (495) 252-40-13; 252-44-64 Tel.: (495) 241-74-28, 241-15-99 E-mail: [email protected]; [email protected] E-mail: [email protected]; www.bfgmedia.ru Kinoforum 2000 (Moscow)/ üËÌÓÙÓÛÏ 2000 Cascade Film (Moscow)/ ü‡Ò͇‰ ÙËÎ¸Ï Tel.: (495) 291-7050, 291-16-63; 203-36-84 Tel.: (495) 241-16-02; 241-30-16 E-mail: [email protected]; www.gpfilm.ru Fax: (495) 241-25-05 E-mail: [email protected]; www. cascadefilm.ru Kinoproba (Moscow)/ üËÌÓÔÓ·‡ Tel.: (495) 181-35-29 Central Partnership (Moscow)/ ÷ÂÌڇΠœ‡Ú̯ËÔ E-mail: [email protected] Tel: (495) 777-49-53, 777-49-61; fax: (495) 799-56-70 E-mail: [email protected]; www.centpart.ru Kinoteatr.DOC (Moscow)/ üËÌÓÚ‡Ú.DOC Tel./fax: (495) 143-94-68; mob: +7 910-409-4081 Cinema Without Frontiers (Moscow)/ üËÌÓ ·ÂÁ „‡Ìˈ E-mail: [email protected]; [email protected] Tel: (495) 980-75-68; fax: (495) 681-63-44 [email protected]; www.kinoteatrdoc.ru E-mail: [email protected]; www.arthouse.ru Klassika (Moscow)/ ü·ÒÒË͇ CTB (Moscow - St. Petersburg) E-mail: [email protected] Tel./ fax (Moscow): (495) 688-88-48, 684-58-17, 631-02-45; Tel. (St. Petersburg): (812) 326-83-30, 8289; Koktebel Film Company (Moscow)/ üÓÍÚ·Âθ fax: (812) 326-83-31 Tel.: (495) 107-05-95 E-mail: [email protected], [email protected]; www.ctb.ru E-mail: [email protected]; www.koktebel.cinemax.ru
CTC Television (Moscow) Krasnaia Strela ("Red Arrow", Moscow)/ ü‡Ò̇ˇ —Ú· Tel/: (495) 797-41-00; fax: (495) 797-41-01 Tel.: (495) 981-00-76; fax: (495) 725-73-05 E-mail: [email protected]; www.ctc-tv.ru E-mail: [email protected]
Deboshir-Film-Studio (St. Petersburg)/ Lemonfilms Studio (Moscow)/ ÀÂÏÓÌ-ÙËÎÏÁ ƒÂ·Ó¯Ë-ÙËθÏ-ÒÚÛ‰Ëˇ Tel.: (495) 699-32-90 (812) 572-10-63 E-mail: [email protected]; www.deboshirfilm.ru Lenfilm (St. Petersburg)/ ÀÂÌÙËÎ¸Ï Tel.: (812) 326-83-83/81; 326-82-24 Federal Agency for Culture and Cinematography (Moscow) Tel./fax: (812) 237-05-57; 233-88-81 ‘‰‡θÌÓ ‡„ÂÌÚÒÚ‚Ó ÔÓ ÍÛθÚÛÂ Ë ÍËÌÂχÚÓ„‡ÙËË F‡x: (812) 232-88-81 Tel.: (495) 629-37-04; 707-27-99 E-mail: [email protected]; [email protected] www.mkmk.ru; www.roskultura.ru www.lenfilm.ru
Film-Pro (Moscow)/ ‘ËÎÏ-œÓ Lungin Studio (Moscow)/ —ÚÛ‰Ëˇ œ‡‚· ÀÛÌ„Ë̇ Tel./fax: (495) 502-98-53 Tel.: (495) 143-93-88, 143-91-27 E-mail: [email protected]; [email protected] E-mail: [email protected]; www.lunginstudio.ru
Magnum Studio (Moscow) Tel.: (495) 143-95-93, 143-93-90 E-mail: [email protected] Maxim Gorky Film Studio (Moscow) SDF (St. Petersburg Studio of Documentary Films) üËÌÓÒÚÛ‰Ëˇ ËÏÂÌË Ã‡ÍÒËχ √Ó¸ÍÓ„Ó (ÃÓÒÍ‚‡) —ƒ‘ (—ÚÛ‰Ëˇ ‰ÓÍÛÏÂÌڇθÌ˚ı ÙËθÏÓ‚, —œ·) Tel.: (495) 181-04-34; 181-01- 83, 181-04-30 Tel: (812) 714-53-12, 714-08-06 E-mail: [email protected]; [email protected] E-mail: [email protected] www.gorkyfilm.ru Sever Studio (St. Petersburg)/ —‚ MB Production (Moscow) Tel.: (812) 236-83-58, 236-82-96 Tel.: (495) 540-91-60; 540-66-36 E-mail: [email protected] Mob.: +7 909-904-0182; icq: 308 022 069 E-mail: [email protected]; [email protected] Slavfilm Studio (St. Petersburg)/ —·‚ÙËÎ¸Ï www.mbpro.ru Mob.: 921-390-8889; e-mail: [email protected]
M-Film Studio (Moscow)/ Ã-ÙËÎ¸Ï Slon Studio (Moscow)/ —ÎÓÌ Tel.: (495) 631-32-78; e-mail: [email protected] Tel.: (495) 181-03-86, 181-33-24 Fax: (495) 181-03-86 Mosfilm (Moscow)/ ÃÓÒÙËÎ¸Ï E-mail: [email protected] Tel.: +495 143-91-18, -19; fax: (495) 938-20-83 E-mail: [email protected] Slovo, Producer's Company (Moscow) Companies/ Contacts œÓ‰˛ÒÂÒ͇ˇ ÍÓÏÔ‡Ìˡ "—ÎÓ‚Ó" Nart-Art Studio (Vladikavkaz)/ Õ‡Ú-¿Ú Tel.: (495) 143-49-17; 143-97-25; 143-91-60 Tel.: (8672) 532-195 E-mail: [email protected]; [email protected] E-mail: [email protected] Œ„‡ÌËÁ‡ˆËË/ üÓÌÚ‡ÍÚ˚ Sony Pictures Releasing CIS (Moscow) Narti Movies Studio (Moscow) Tel.: (495) 225-85-43 Tel.: (495) 207-72-92, 798-34-67 Mob.: +7 903 674 11 24 Mob.: 8-926-242-18-15 (Olga Kochetkova) E-mail: [email protected] E-mail: [email protected] www.narti-movies.ru Sota Cinema Group (Kiev) Tel.: (38 044) 537-09-45, 278-60-95 Nashe Kino (Moscow)/ Õ‡¯Â ÍËÌÓ www.sota.net.ua Tel./fax: (495) 681-51-41 Mob.: 8-916-532-4643 SPbGUKiT (St. Petersburg)/ —œ·√”üË“ 187 E-mail: [email protected]; www.nashekino.ctb.ru Tel.: (812) 315-71-42, 315-72-85 Fax: (812) 315-01-72 Nikola Film International (St. Petersburg)/ E-mail: [email protected]; [email protected] ÕËÍÓ· ‘ËÎ¸Ï »ÌÚÂÌ˝¯ÌÎ www.gucit.spb.ru Tel: (812) 933-02-44; fax: (812) 714-57-17 E-mail: [email protected]; www.nikolafilm.ru Staralis (Moscow) Tel.: (495) 510-58-48 (+105) Noviy Kurs (Perm, Russia)/ ÕÓ‚˚È ÍÛÒ E-mail: [email protected] Tel.: (342) 216-93-81; fax: (342) 216-00-58 www.staralis.ru E-mail: [email protected] Swoi 2000 (Moscow)/ —‚ÓË 2000 Paradise Group (Moscow)/ œ‡‡‰ËÁ E-mail: [email protected] Tel./fax: (495) 916-90-18; (495) 916 92 20 (+558) Fax: (495) 924-13-31 Tomart Studio (Budapest, Hungary) E-mail: pr@ paradisegroup.ru Tel./ Fax: 361-3262782 www.paradisegroup.ru E-mail: [email protected] www.tomartstudio.hu Passenger Studio (Moscow)/ œ‡ÒÒ‡ÊË www.passengerstudio.ru TriTe Studio (Moscow)/ “Ë“˝ Tel.: (495) 299-98-08; 299-31-02, 299-52-78 Proba Studio (Moscow)/ œÓ·‡ E-mail: [email protected]; www.trite.ru Tel.: (495) 143-92-21 Tvindie (Moscow)/ “‚ËÌ‰Ë ProFIT (Igor Tolstunov's Studio, Moscow)/ Tel.: (495) 255-71-12; 255-71-14 œÓ‘»“ (œÓ‰˛ÒÂÒ͇ˇ ÙËχ »„Óˇ “ÓÎÒÚÛÌÓ‚‡) Fax: (495) 255-71-13 Tel.: (495) 915-33-01; 916-93-49 E-mail: [email protected] E-mail: [email protected]; [email protected] Twentieth-Century Fox CIS (Moscow) Proline-film (St. Petersburg) 20-È ‚ÂÍ ‘ÓÍÒ —Õ√ Tel.: (812) 233-10-51 Tel.: (495) 780-01-04; e-mail: [email protected] Mob.: +7 911-132-2310 www.gemini.ru icq 227-777-478 [email protected] Ugra (Khanty-Mansiysk)/ fi„‡ www.proline-film.ru Tel.: (34671) 93-706; 93-821, 93-804 Fax: (34671) 93-886 Real-Dakota (Moscow)/ –‡Î-ƒ‡ÍÓÚ‡ E-mail: [email protected]; [email protected] Tel.: (495) 917-24-86; 916-32-61 www.ugra-tv.ru Mob.: 8-903-160-57-63 (Roman Gorelkin) E-mail: [email protected]; [email protected] United Multimedia Projects - UMP (Moscow) Tel.: (495) 181-16-42; 181-14-29 Red Arrow (Krasnaia Strela, Moscow)/ ü‡Ò̇ˇ —Ú· E-mail: [email protected]; www.umpstudio.com Tel.: (495) 981-00-76; fax: (495) 725-73-05 E-mail: [email protected] Valeri Balaian's Studio (Moscow) E-mail: [email protected] Rekun-Cinema (Moscow)/ –ÂÍÛÌ-—ËÌÂχ Tel.: (495) 143-91-99 VGIK(Moscow)/ ¬√»ü E-mail: [email protected] Tel.: (495) 181-38-68; 181-17-60; 181-26-80 Fax: (495) 187-71-74 ReproduÒer Video (Viatka)/ –ÂÔÓ‰ÛÍÚÓ E-mail: [email protected]; [email protected] Tel.: (8332) 386-412, e-mail: [email protected] www.vgik-edu.ru
Risk (Moscow)/ –ËÒÍ Vstrecha (Moscow)/ ¬ÒÚ˜‡ Tel.: (495) 650-40-55 Tel./fax: (495) 251-28-96 E-mail: [email protected] E-mail: [email protected]
Rossfilm (Moscow)/ –ÓÒÒÙËÎ¸Ï Vviss (Moscow)/ ¬‚˚Ò¸ Tel.: (495) 688-40-66, 911-91-29; fax: (495) 911-91-26 Tel.: (495) 143-92-16 E-mail: [email protected] E-mail: [email protected]
Russian Fund of Culture (Moscow) –ÓÒÒËÈÒÍËÈ ‘Ó̉ üÛθÚÛ˚ Tel.: (495) 204-36-94; 748-85-08 E-mail: [email protected] Œ—Œ¡¿fl ¡À¿√Œƒ¿–ÕŒ—“‹
√”¡≈–Õ¿“Œ–” ü–¿—ÕŒƒ¿–—üŒ√Œ ü–¿fl Óü” ´“¬Œ–◊≈—üŒ≈ Œ¡⁄≈ƒ»Õ≈Õ»≈ “ü¿◊≈¬” ¿À≈ü—¿Õƒ–” Õ»üŒÀ¿≈¬»◊” ´—Œ◊»Õ—ü¿fl ‘»À¿–Ìջflª: ÷≈ƒ–»ü” —≈–√≈fi —≈–√≈≈¬»◊” √À¿¬≈ √Œ–Œƒ¿ —Œ◊» »¬ŒÀ√≈ √≈ÕÕ¿ƒ»fi »¬¿ÕŒ¬»◊” üŒÀŒƒfl∆ՌÔ ¬»ü“Œ–” ¬»ü“Œ–Œ¬»◊” ¡≈«ÕŒ—fiü Õ¿“¿À‹≈ ≈¬√≈Õ‹≈¬Õ≈ ƒÃ»“–»≈¬” fi–»fi —≈–√≈≈¬»◊” ‘≈ƒ≈–¿À‹ÕŒÃ” ¿√≈Õ“—“¬” œŒ ü”À‹“”–≈ » ü»Õ≈ÿ“Œ√–¿‘»»: ¿¬»¿üŒÃœ¿Õ»» ´¿›–Œ‘ÀŒ“ª: ÿ¬¤ƒüŒÃ” û’¿»À” ≈‘»ÃŒ¬»◊” Õ¿◊¿À‹Õ»ü” Œ“ƒ≈À¿ ”œ–¿¬À≈Õ»fl √ŒÀ”“¬≈ ¿À≈ü—¿Õƒ–” ¿À≈ü—≈≈¬»◊” ƒŒ’Œƒ¿Ã» –‘ » —Õ√ À¿«¿–”ü” —≈–√≈fi ¬À¿ƒ»Ã»–Œ¬»◊” —üŒ–Œ¡Œ√¿“Œ¬” ≈¬√≈Õ»fi ¿Õ¿“ŒÀ‹≈¬»◊” —“–Œ◊üŒ¬Œ… √¿À»Õ≈ ÿ–üŒ¬Õ≈ Õ¿◊¿À‹Õ»ü” Œ“ƒ≈À¿ √–”œœŒ¬¤’ —Œ–Œü»ÕŒ… »–»Õ≈ ¿Õ¿“ŒÀ‹≈¬Õ≈ œ≈–≈¬Œ«Œü ü”«»ÕŒ… —¬≈“À¿Õ≈ ¬¿À≈Õ“»ÕŒ¬Õ≈ √Œ—‘»À‹ÃŒ‘ŒÕƒ” –‘: 188 ¡Œ–Œƒ¿◊≈¬” Õ»üŒÀ¿fi û’¿…ÀŒ¬»◊” ¿√≈Õ—“¬” ´TRANSTOUR TRAVELª ƒÃ»“–»≈¬” ¬À¿ƒ»Ã»–” fi–‹≈¬»◊” ¬»÷≈-œ–≈«»ƒ≈Õ“” œŒ –¿¡Œ“≈ — ¿¬»¿üŒÃœ¿Õ»flû » œ–Œƒ¿∆≈ ¡»À≈“Œ¬ «¿Ã≈—“»“≈Àfi √À¿¬¤ ¿ƒÃ»Õ»—“–¿÷»» ¿¡–¿ÃŒ¬” û’¿»À” ü–¿—ÕŒƒ¿–—üŒ√Œ ü–¿fl «ŒÀ»ÕŒ… √¿À»Õ≈ ƒÃ»“–»≈¬Õ≈ ¿¬“Œ“–¿Õ—œŒ–“ՌÔ ¿√≈Õ“—“¬” ´¿√¿“¿ª ¿À¿ƒƒ»ÕŒ… »–»Õ≈ ¬¿ƒ»ÃŒ¬Õ≈ ƒ≈œ¿–“¿Ã≈Õ“” ü”À‹“”–¤ ü–¿—ÕŒƒ¿–—üŒ√Œ ü–¿fl üŒÃœ¿Õ»» ´ü»ÕŒœ–Œ≈ü“ª: –”üŒ¬Œƒ»“≈Àfi ƒ≈œ¿–“¿Ã≈Õ“¿ –”¡»Õ” ¿À≈ü—¿Õƒ–” ü”À‹“”–¤ ü–¿—ÕŒƒ¿–—üŒ√Œ ü–¿fl œ”√¿◊≈¬Œ… Õ¿“¿À‹≈ √≈Œ–√»≈¬Õ≈ üŒÃœ¿Õ»» ´—Œ”ƒ —Œ◊»Õ—ü»≈ ¬¤—“¿¬ü»ª: «¿’¿–◊≈ÕüŒ fi–»fi ¿À≈ü—¿Õƒ–Œ¬»◊” Õ¿◊¿À‹Õ»ü” Œ“ƒ≈À¿ ü»Õ≈ÿ“Œ√–¿‘»» «¿’¿–◊≈ÕüŒ »ÕÕ≈ »¬¿ÕŒ¬Õ≈ ƒ≈œ¿–“¿Ã≈Õ“¿ ü”À‹“”–¤ ü–¿—ÕŒƒ¿–—üŒ√Œ ü–¿fl ‘√”œ ´ ¿›–ŒœŒ–“ —Œ◊»ª: ¿–“¿ÿ≈¬»◊ “¿“‹flÕ≈ —≈–√≈≈¬Õ≈ ¡À»«ÕfiüŒ¬” ¿À≈ü—≈fi √≈Œ–√≈¬»◊” ü”Õ¿’Œ¬Œ… —¬≈“À¿Õ≈ ¬¿—»À‹≈¬Õ≈ «¿Ã≈—“»“≈Àfi √À¿¬¤ √Œ–Œƒ¿ —Œ◊» Õ¿◊¿À‹Õ»ü” ”œ–¿¬À≈Õ»fl œŒ PRODUCTION ¡fi–Œ ´EXITª: Œ¡–¿«Œ¬¿Õ»fi » ü”À‹“”–≈ ü¿À»Õü»Õ” ¿Õ“ŒÕ” ¡¿ƒ¿flÕ »–»Õ≈ û’¿…ÀŒ¬Õ≈ œŒÕŒÃ¿–≈ÕüŒ ¬À¿ƒ»Ã»–”
”œ–¿¬À≈Õ»fi ü”À‹“”–¤ Œ’–¿ÕՌÔ œ–≈ƒœ–»fl“»fi ´ü¿–¿“-÷ª ¿ƒÃ»Õ»—“–¿÷»» √Œ–Œƒ¿ —Œ◊» √≈Õ≈–¿À‹ÕŒÃ” ƒ»–≈ü“Œ–” Õ¿◊¿À‹Õ»ü” ”œ–¿¬À≈Õ»fl ü”À‹“”–¤ —¬≈“ÀŒ¬” ¬¿À≈–»fi ¿ƒÃ»Õ»—“–¿÷»» √Œ–Œƒ¿ —Œ◊» ¡¿–—≈√flÕ –”«¿ÕÕ≈ √≈Œ–√»≈¬Õ≈ –≈üÀ¿ÃÕŒ… —À”∆¡≈ √Œ–Œƒ¿ —Œ◊» » À»◊ÕŒ √À¿¬ÕŒÃ” —œ≈÷»¿À»—“” ”œ–¿¬À≈Õ»fl ¡Œ…üŒ “¿“‹flÕ≈ ¿Õ¿“ŒÀ‹≈¬Õ≈ ü”À‹“”–¤ ¿ƒÃ»Õ»—“–¿÷»» √Œ–Œƒ¿ —Œ◊» —ÃŒÀ≈Õ÷≈¬” »√Œ–fi œ≈“–Œ¬»◊” –≈üÀ¿ÃՌÔ ¿√≈Õ“—“¬” ´—ÀŒÕª
Œ¿Œ √ü ´∆≈Ã◊”∆»Õ¿ª: ü¿¡»Õ≈“” Œ“≈◊≈—“¬≈ÕÕŒ√Œ ü»ÕŒ ¬√»ü¿: ¿–»Õ÷≈¬” fi–»fi Õ»üŒÀ¿≈¬»◊” ◊≈–“Œ¬Œ… Õ¿“¿À‹≈ √–»√Œ–‹≈¬Õ≈ √–”ÿüŒ —≈–√≈fi ¬»ü“Œ–Œ¬»◊” üŒ¬¿À≈¬” √≈ÕÕ¿ƒ»fi ≈√Œ–Œ¬»◊” Ãü–“¤◊¿Õ ›À‹¬»–≈ ƒ∆ŒÕŒ¬Õ≈ ÿü¿–Œ¬Œ… ≈À≈Õ≈ ¬¿À≈–‹≈¬Õ≈ SPECIAL THANKS TO:
CREATIVE ASSOCIATION GOVERNOR OF THE KRASNODAR REGION ìSOCHI PHILHARMONIC SOCIETYî: ALEXANDER TKACHIOV SERGEI TSEDRIK GENNADI IVOLGA HEAD OF THE CITY OF SOCHI NATALIA BEZNOSIUK VIKTOR KOLODIAZHNY YURI DMITRIEV FEDERAL AGENCY OF CULTURE AND AEROFLOT AIRLINES: CINEMATOGRAPHY: HEAD OF RUSSIA AND CIS INCOMES MIKHAIL SHVYDKOI EVGENI SKOROBOGATOV ALEXANDER GOLUTVA SERGEI LAZARUK HEAD OF GROUP TRAVEL GALINA STROCHKOVA SVETLANA KUZINA IRINA SOROKINA
AGENCY TRANSTOUR TRAVEL GOSFILMOFOND OF RUSSIA: VICE-PRESIDENT IN AIR TRAVEL AND NIKOLAI BORODACHIOV 189 AIRLINE TICKET SALES VLADIMIR DMITRIEV MIKHAIL ABRAMOV DEPUTY HEAD OF THE KRASNODAR CAR TRANSPORT AGENCY ìAGATHAî REGIONAL ADMINISTRATION IRINA ALADDINA GALINA ZOLINA
COMPANY ìKINOPROEKT ì CULTURAL DEPARTMENT ALEXANDER RUBIN OF THE KRASNODAR REGION: HEAD OF CULTURAL DEPARTMENT OF COMPANY SOUD SOCHI EXHIBITIONS: KRASNODAR REGION YURI ZAKHARCHENKO NATALIA PUGACHEVA INNA ZAKHARCHENKO HEAD OF CINEMA SECTION IN THE SOCHI AIRPORT: CULTURAL DEPARTMENT OF THE ALEXEI BLIZNIUKOV KRASNODAR REGION SVETLANA KUNAKHOVA TATIANA ARTASHEVICH
PRODUCTION BURO EXIT: DEPUTY HEAD OF THE CITY OF SOCHI, ANTON KALINKIN HEAD OF THE EDUCATION AND CULTURE VLADIMIR PONOMARIOV ADMINISTRATION IRINA BADAYAN SECURITY AGENCY ìKARAT-TSî, GENERAL DIRECTOR CULTURAL ADMINISTRATION OF SOCHI VALERI SVETLOV HEAD OF THE CULTURAL DIRECTORATE OF SOCHI CITY ADMINISTRATION ADVERTISING SERVICES SOCHI, PERSONALLY RUZANNA BARSEGIAN TATIANA BOIKO CHIEF EXPERT OF THE CULTURAL ADVERTISING AGENCY SLON DIRECTORATE OF SOCHI CITY ADMINISTRATION RUSSIAN CINEMA SECTION AT THE FILM IGOR SMOLENTSEV INSTITUTE VGIK, NATALIA CHERTOVA HOTEL COMPLEX ìZHEMCHUZHINAî: YURI ARINTSEV SERGEI GRUSHKO GENNADI KOVALIOV ELVIRA MRTCHIAN ELENA MAKAROVA. –”üŒ¬Œƒ—“¬Œ MANAGEMENT » —À”∆¡¤ ‘≈—“»¬¿Àfl AND SERVICES
»√Œ–‹ “ŒÀ—“”ÕŒ¬ fiÀ»fl ¿…«≈Õ¡≈–√ IGOR TOLSTUNOV JULIA AIZENBERG √Â̇θÌ˚È ÔÓ‰˛Ò –ÛÍÓ‚Ó‰ËÚÂθ ÏÓÒÍÓ‚ÒÍÓ„Ó ¯Ú‡·‡ General Producer Head of Moscow Office
—»“Œ–¿ ¿À»≈¬¿ ¿ÕÕ¿ √”ƒüŒ¬¿ SITORA ALIEVA ANNA GUDKOVA ƒËÂÍÚÓ ÍËÌÓÔÓ„‡ÏÏ üÛ‡ÚÓ ÔÓ„‡ÏÏ-ÒÂÏË̇ӂ Programme Director Curator of Seminar Programmes
≈¬√≈Õ»… ÿ–√ŒÀ»“ ≈ü¿“≈–»Õ¿ ü–¿—ÕŒ¬—ü¿fl EVGENI MARGOLIT EKATERINA KRASNOVSKAYA ≈¬√≈Õ»… √”—fl“Õ»üŒ¬ –ÛÍÓ‚Ó‰ËÚÂθ ÏÂʉÛ̇ӉÌÓ„Ó EVGENI GUSIATINSKY Head of International ŒÚ·ÓӘ̇ˇ ÍÓÏËÒÒˡ Óډ· Selection Commission Department
≈À≈Õ¿ À¿œ»Õ¿ ŒÀ‹√¿ œ≈–¬”ÿ»Õ¿ ELENA LAPINA OLGA PERVUSHINA ƒËÂÍÚÓ –ÛÍÓ‚Ó‰ËÚÂθ ÔÓ ‡·ÓÚ Director Head of Co-Ordination of Film Ò ÙËθÏÓ„ÛÔÔ‡ÏË Delegations üŒÃÃ≈–◊≈—ü¿fl ƒ»–≈ü÷»fl: COMMERCIAL DIRECTION: œŒÀ»Õ¿ «”≈¬¿ ÿ–»fl ¿ü“¿≈¬¿ POLINA ZUEVA MARIA AKTAEVA üÓÏϘÂÒÍËÈ ‰ËÂÍÚÓ üÓÓ‰Ë̇ÚÓ ÍËÌÓÔÓ͇Á‡ Commercial Director Projection Coordinator Õ»ü»“¿ √¿Àfi«Œ¬ NIKITA GALIUZOV ≈ü¿“≈–»Õ¿ ÿ¿ÿüŒ¬¿ √≈ÕÕ¿ƒ»… ¿Õ»—‹üŒ EKATERINA SHASHKOVA GENNADI ANISKO —ÎÛÊ·‡ ÍËÌÓÔÓ͇Á‡ Projection Service »–»Õ¿ ◊≈—“ÕŒ¬¿ IRINA CHESTNOVA ¿‰ÏËÌËÒÚ‡ÚË‚Ì˚È ‰ËÂÍÚÓ ¿Õ√≈À»Õ¿ ‘≈ƒŒ–Œ¬—ü¿fl Administrative Director ANGELINA FEDOROVSKAYA 190 –ÛÍÓ‚Ó‰ËÚÂθ ÒÎÛÊ·˚ Ô‚Ӊ‡ Head of Translation Department ‘»Õ¿Õ—Œ¬Œ-fi–»ƒ»◊≈—ü¿fl FINANCIAL AND JURIDICIAL —À”∆¡¿: »–»Õ¿ äÿü»Õ¿ SERVICES: IRINA MYSHKINA ¬»“¿À»… ¡”◊»Õ—ü»… —ÂÍÂÚ‡¸ ·Óθ¯Ó„Ó Ê˛Ë VITALI BUCHINSKY Grand Jury Secretary ‘Ë̇ÌÒÓ‚˚È ‰ËÂÍÚÓ Financial Director ŒÀ≈√ ƒ∆”Õ”—Œ¬ ÿ–“¿ ’”ÿ¬¿’“Œ¬¿ OLEG DZHUNUSOV MARTHA KHUSHVAKHTOVA Õ»Õ¿ ü”«Õ≈÷Œ¬¿ —ÂÍÂÚ‡¸ Ê˛Ë ÍÓÌÍÛÒ‡ NINA KUZNETSOVA Secretary of the Jury of the »–»Õ¿ ü”À»üŒ¬¿ "üËÌÓÚ‡‚. üÓÓÚÍËÈ ÏÂÚ" IRINA KULIKOVA Competition "Kinotavr. Shorts" À¿–»—¿ ü¿«¿Õ»Õ¿ LARISA KAZANINA Àfi¡Œ¬‹ ÀŒ¡¿ÕŒ¬¿ ¬—≈¬ŒÀŒƒ üŒ—¿–≈ÕüŒ¬ LIUBOV LOBANOVA VSEVOLOD KOSARENKOV “ÂıÌ˘ÂÒÍËÈ ‰ËÂÍÚÓ Technical Director PR-—À”∆¡¿: PR SERVICE: ¿Õ¿—“¿—»fl ¡”À√¿üŒ¬¿ IT - Œ“ƒ≈À: ANASTASIA BULGAKOVA IT DEPARTMENT: –ÛÍÓ‚Ó‰ËÚÂθ PR-ÒÎÛÊ·˚ »À‹fl ≈√Œ–Œ¬ Head of PR-Service ILYA EGOROV ≈À≈Õ¿ ü”œ–»flÕŒ¬¿ –ŒÃ¿Õ ÿ”—“Œ¬ ELENA KUPRIANOVA ROMAN SHUSTOV –ÛÍÓ‚Ó‰ËÚÂθ œÂÒÒ-ˆÂÌÚ‡ Head of Press Centre ÿ–√¿–»“¿ û’¿À≈¬¿ —À”∆¡¿ œ»“¿Õ»fl: MARGARITA MIKHALEVA CATERING SERVICE: —¬≈“À¿Õ¿ œ≈ÿ≈’ŒÕŒ¬¿ ≈À≈Õ¿ üŒ¬–¤√»Õ¿ SVETLANA PESHEKHONOVA ELENA KOVRYGINA »–»Õ¿ ü¿–ƒ¿ÿ –ÛÍÓ‚Ó‰ËÚÂθ ÒÎÛÊ·˚ ÔËÚ‡Ìˡ IRINA KARDASH Head of Catering ÿ–»fl ‘¿“fiÿ»Õ¿ MARIA FATIUSHINA »ÕÕ¿ “ü¿◊≈ÕüŒ »ÀŒÕ¿ Ã≈“≈À‹Õ»üŒ¬¿ INNA TKACHENKO ILONA METELNIKOVA ÃӉ‡ÚÓ ÔÂÒÒ-ÍÓÌÙÂÂ̈ËÈ Moderator of Press Conferences —≈–√≈… ÀŒ—‹ SERGEI LOS ƒ¿–‹fl ü–Œ¬flüŒ¬¿ –ÛÍÓ‚Ó‰ËÚÂθ Ú‡ÌÒÔÓÚÌÓÈ DARIA KROVIAKOVA Head of –ÛÍÓ‚Ó‰ËÚÂθ ÒÎÛÊ·˚ Promotion ÒÎÛÊ·˚ Head of Promotion Transport Service
≈À»«¿¬≈“¿ ü¿—‹flÕ ¬¿À≈–»… ◊»√¿–≈¬ ELIZAVETA KASIAN VALERI CHIGAREV —ÎÛÊ·‡ ËÌÙÓχˆËË üÓÓ‰Ë̇ÚÓ ÒÎÛÊ· Information Service Coordinator ÍËÌÓÙÂÒÚË‚‡Îˇ of Festival Services Õ¿ƒ≈∆ƒ¿ üŒÀ≈—Õ»üŒ¬¿ NADEZHDA KOLESNIKOVA —ÎÛÊ·‡ ‡ÁÏ¢ÂÌˡ ¿ÀÀ¿ ü”«Õ≈÷Œ¬¿ Accommodation Service ALLA KUZNETSOVA "üËÌÓÚ‡‚ - “¬" Kinotavr-Television —À”∆¡¿ œ–Œ“ŒüŒÀ¿: PROTOCOL SERVICE: Õ¿“¿À‹fl flü”ÿü»Õ¿ NATALIA YAKUSHKINA –ÛÍÓ‚Ó‰ËÚÂθ ÒÎÛÊ·˚ ÔÓÚÓÍÓ· Head of Protocol “¿“‹flÕ¿ À»¬¿ÕüŒ¬¿ TATIANA LIVANKOVA Õ¿“¿À‹fl ¡¿–¿¡¿ÕŒ¬¿ NATALIA BARABANOVA VIP-ÒÎÛÊ·‡ VIP - Service
ü¿“¿ÀŒ√ CATALOGUE
ÿÂÙ-‰‡ÍÚÓ Chief editor û–Œ—À¿¬¿ —≈√»ƒ¿ MIROSLAVA SEGIDA
œÂ‚Ӊ Translation ¡»–√»“ ¡Œ…Ã≈–— BIRGIT BEUMERS
Œ·ÎÓÊ͇ Cover Design "SHAN-DESIGN" "SHAN-DESIGN"
ÇÍÂÚ Ë ‚ÂÒÚ͇ Layout and Typesetting ƒÃ»“–»… »¬ÀflÕŒ¬ DMITRY IVLIANOV
üÓÂÍÚÓ Proof-Reader ≈À≈Õ¿ üŒœ¤À≈¬¿ ELENA KOPYLEVA