Welcome

Dear Friends, UPCOMING It has been an exhilarating summer at The Old Globe. We began with our Open House in June, which drew thousands of visitors to experience what goes on behind the scenes SHAKESPEARE at this extraordinary three-theatre complex. Our Summer Shakespeare Festival garnered raves from critics and audiences across the board, while our production of The Sisters FESTIVAL Rosensweig was one of the best-selling plays in Globe history. June 18 - October 1 Lowell Davies Festival Theatre We now begin our 2006/7 Winter Season with the acclaimed production of Hershey Felder as George Gershwin Alone, a fascinating musical play about the life and work of one of America’s most celebrated composers. The Carter plays host to Pig Farm, a co-world nnnn premiere by Tony Award-winner Greg Kotis (Urinetown) that takes a satirical look at farming in America today.

Hershey Felder as This fall the Globe will be represented heavily on Broadway as well. In October, last season’s sold-out production of the Twyla Tharp/Bob Dylan musical, THE TIMES THEY GEORGE GERSHWIN ARE A-CHANGIN’, will open at the Brooks Atkinson Theatre, and just two weeks later, ALONE our annual holiday favorite – Dr. Seuss’ How the Grinch Stole Christmas! – will open at the September 9 - October 22 Hilton Theatre. 2006 will have seen four Globe shows playing in New York, including Dirty Rotten Scoundrels, and the thrilling Chita Rivera: The Dancer’s Life, bringing the total Old Globe Theatre to 19 Globe shows that have transferred to Broadway! nnnn These incredible offerings would not be possible without your ongoing support. To consistently produce these works of the highest caliber, send shows to Broadway, and offer the unparalleled plays and artists you’ve come to expect on our stages — requires DR. SEUSS’ a devoted patron and donor base. Having recently launched a $75 million capital campaign to help build the Globe’s endowment and enhance our facilities, we rely on HOW THE GRINCH STOLE your tax-deductible contributions more than ever to ensure our continued commitment CHRISTMAS! to artistic excellence and to help sustain the Theatre’s esteemed place among the nation’s leading arts organizations, as well as within the cultural fabric of the San Diego November 11 - December 24 community. Old Globe Theatre nnnn LOUIS G. SPISTO JACK O’BRIEN JERRY PATCH Executive Director Artistic Director Resident Artistic Director LA PASTORELA December 7 - 24 Cassius Carter Centre Stage

PERFORMANCES MAGAZINE P1 Season Sponsors

The Old Globe is deeply grateful to its Season Sponsors, each of whom has made an annual donation of $50,000 or greater. These gifts are critical to maintaining the Theatre’s high quality of artistic programming and award-winning work in the community.

The Lipinsky Family Donald and Darlene Shiley Sheryl and Harvey P. White Karen and Donald Cohn Conrad Prebys Valerie and Harry Cooper Audrey S. Geisel Supervisor Pam Slater-Price and the County of San Diego Anonymous

To become a Season Sponsor, please contact Director of Development Todd R. Schultz at (619) 231-1941 x2310.

P2 PERFORMANCES MAGAZINE PRESENTS

PIG FARM BY Greg Kotis

SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Takeshi Kata Jenny Mannis Chris Rynne Paul Peterson

FIGHT DIRECTOR STAGE MANAGER Steve Rankin✝ Esther Emery

DIRECTED BY Matt August

Casting by Samantha Barrie

Developed in collaboration with Roundabout Theatre Company, New York, New York. Todd Haimes, Artistic Director; Harold Wolpert, Managing Director; Julia C. Levy, Executive Director.

✝Associate Artist of The Old Globe

PERFORMANCES MAGAZINE P3 Cast of Characters IN ORDER OF APPEARANCE

Tom ...... Ted Koch- Tim ...... Ian White Tina ...... Colleen Quinlan Teddy ...... Ken Land

Stage Manager ...... Esther Emery

Setting: A pig farm somewhere in the U.S. There will be one 15-minute intermission. The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Si desea una sinopsis de esta obra en Español, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher.

“FOLLOW THE BARD” TOURS Education Experiences Middle and high school student groups are invited to take a field trip to the Globe for a behind-the-scenes “Shakespeare Scavenger Hunt." Throughout the tour, students discover how the magic of theatre is created on the Globe’s three stages and search for hidden objects that introduce details of Shakespeare's plays and characters, as well as Elizabethan history and folklore. For reservations or more information about tours, contact Holly Ward at (619) 238-0043 x2142.

P4 PERFORMANCES MAGAZINE Board of Directors

Dear Friends, Children throughout San Diego County are returning to their classrooms, and The Old Globe is joining them with some of our best education programs yet. With these programs, the Globe provides learning experiences for young audiences through the exploration of language, history and human nature. For our in-school touring program this fall the featured play is The Stones, a powerful story of two teenagers who discover the harsh consequences of seemingly harmless decisions. Based on a true story, The Stones was written specifically for at-risk youth and helps encourage discussions about peer pressure and personal responsibility. Other Globe education programs this fall include the Shakespeare Initiatives and the ever-popular Grinch Children’s Initiatives, which includes more than 14,000 free and discounted tickets for children to attend a performance of Dr. Seuss’ How the Grinch Stole Christmas! Education programs are a significant component of the Globe’s mission. Currently through our Capital Campaign, The Old Globe is raising critical funds to build a new Education Center on the Globe campus. This facility will greatly enhance the Globe’s ability to present education and outreach programs, performances and workshops. To support these efforts, we are seeking special funding, and many of you will soon receive gift requests by mail. Please consider giving generously to help the Globe and its mission to reach out to students throughout our community. On behalf of the Board, I thank you for making the Globe a part of your life.

Kathryn Hattox, Chair, Board of Directors

BOARD OF DIRECTORS / OFFICERS Kathryn Hattox* Tim K. Zinn* Anthony S. Thornley* Sandra Redman* Deni S. Carpenter* Chair Treasurer Vice Chair Development Vice Chair Nominating Secretary

DIRECTORS Robert H. Gleason* Nancy A. Spector Delza Martin (1915–2005) Mary Beth Adderley Carol Hanson Louis G. Spisto* Patsy Shumway Joseph Benoit Ronald Heller, M.D. Daniel L. Sullivan, Ph.D. Harvey P. White Charles Brazell Viviana Ibañez Julie H. Sullivan, Ph.D. Carolyn Yorston Trina Brown Katherine Kennedy Anne C. Taubman Karen Cohn* Ruth Leonardi Dean Thorp HONORARY DIRECTORS Peter J. Cooper Sheila Lipinsky* Evelyn Mack Truitt Mrs. Richard C. Adams Valerie S. Cooper Timothy A. MacDonald Debra Turner (1912–2005) Darlene G. Davies Carlos D. Malamud Stewart J. Weissman Clair Burgener Bruce M. Dunlap Arthur Neumann Sheryl White* Mrs. John H. Fox Sue Ebner Robin Nordhoff Carolyn Yorston (1908–2003) Bea Epsten Rafael Pastor Audrey Geisel Pam Farr John Rebelo EMERITUS DIRECTORS Paul Harter Jake Figi Mike Samson Garet B. Clark Gordon Luce Sally Furay, R.S.C.J. Kelly Sanders J. Dallas Clark (1913–2005) Dolly Poet Victor P. Gálvez Tom Sayles Bernard Lipinsky Deborah Szekely F. George Gilman Phyllis Schwartz (1914–2001) Hon. Pete Wilson *Executive Committee Member

The Old Globe is supported in part by grants from The City of San Diego Commission for Arts and Culture, Supervisor Pam Slater-Price and The County of San Diego.

PERFORMANCES MAGAZINE P5 Production Sponsors The Old Globe would like to thank the following sponsors:

JAKE AND J. TODD FIGI

Jake and J. Todd Figi have been supporters of The Old Globe for many years. Jake currently serves on the Board of Directors of the Globe and is a Co-Chair of this year’s Globe Gala, and Todd was a Co-Chair of the 70th Anniversary Globe Gala in 2005. The Figis are actively involved arts patrons and volunteers in San Diego. Todd is a Trustee, Co-Chair of the 21st Century Campaign, and Executive Vice President of the Museum of Contemporary Art San Diego, where Jake is also active. Todd has also served on the Board of the San Diego Museum of Man for four years. They are avid collectors of Latin American Art and reside in La Jolla with their two dogs, Niki and Guapo.

The mission of The James Irvine Foundation is to expand opportunity for the people of California to participate in a vibrant, successful and inclusive society. The Foundation generously supports the arts, fostering creativity and nurturing a rich cultural environment throughout California. Thanks to a three-year grant of $500,000, The Old Globe now has a comprehensive play development program that is yielding exciting world-premiere theatre like Pig Farm for San Diego audiences to enjoy. With the Foundation’s support, the Globe’s broad repertoire is expanding to include more new plays as well as classical works, revivals and large- scale musical projects.

A few of the Globe productions supported by The James Irvine Foundation: Top left: Chita Rivera, The Dancer’s Life; photo by Joan Marcus Bottom left: Michael Arden and Charlie Neshyba-Hodges, THE TIMES THEY ARE A- CHANGIN’; photo by Craig Schwartz Top right: Randy Graff, The Lady with All the Answers; photo by Craig Schwartz Bottom right: Patch Darragh and Kristen Bush, TheViolet Hour; photo by Craig Schwartz

P6 PERFORMANCES MAGAZINE A Benefit for The Old Globe Children’s Education Don’t miss out! Programs

the Family Experience Sunday, December 3 Reserve your place early for the family event of the year! (Last year’s event sold out - buy your tickets now!)

11:00 am Exclusive Luncheon & Merriment 2:00 pm Special matinee Performance

Together, you and your child will experience the Magic of Theatre and the Merriment of Who-ville in an afternoon where you play, sing, and have a FUNtastic time.

Book & Lyrics by Timothy Mason Music by Mel Marvin reservations & more information Directed by Jack O’Brien (619) 231-1941 x2317 [email protected] Your heart may just grow three sizes that day! Dr. Seuss All properties Rights ™ reserved.Dr. & © SeussL.P. 1957 and Enterprises, 2003 Dr. Lead Corporate Underwriter:

PERFORMANCES MAGAZINE P7 P rofiles - TED KOCH Sex Sex Sex & Sex, Matrix Theatre, LA; Romeo Consortium; Othello, Translations, A Bright (Tom) and Juliet, Goodspeed; I’m Not Rappaport, The Room Called Day, Henry V, Julius Caesar, BROADWAY: The Sunshine Boys, Birmingham Theatre; Guys and Brown University. EDUCATION/ Pillowman, Death Dolls, Indiana Rep. FILM/TV: Back to You TRAINING: MFA in Acting, Brown of a Salesman, Cat and Me, 44 Minutes: A Shootout in North University/Trinity Rep Consortium on a Hot Tin Roof. Hollywood, Cloned, Boston Legal, Six Feet Under, (Providence, RI); BA in Theatre, Brown OFF-BROAD- Law & Order, Malcolm in the Middle, Law & University (Providence, RI). WAY: Meshugah, Order: SVU, Strong Medicine, Judging Amy, The Naked Angels; District, Crossing Jordan, One on One, Star Trek: GREG KOTIS The Chaos Theories, Voyager. (Playwright) Shotgun Productions. NATIONAL TOUR: Greg Kotis wrote the book and co-wrote Death of a Salesman. REGIONAL: Sweet Bird COLLEEN QUINLAN the lyrics for Urinetown The Musical, for of Youth, Williamstown Theater Festival; True (Tina) which he won two Tony Awards in 2002. West, Arena Stage (Helen Hayes nomina- OFF BROAD- His new play, Pig Farm, opened at the tion, Outstanding Lead Actor); Ella, WAY: Almost Roundabout Theatre in New York City this Crossroads Theatre; Broadway, Pittsburgh Maine. NEW June. Currently, he is developing two new Public; A Streetcar Named Desire, Buffalo YORK: Armless, musicals, including Yeast Nation (the triumph Studio Arena; Orphans, CT-20 Ensemble NY Fringe of life), an original story that tells the tale of (Joseph Jefferson Award, Best Actor); As You Festival/Vineyard the dawn of life on Earth, and The Man in Like It , Goodman Theatre; Guys and Dolls, Theatre; A Home the White Suit, a musical version of the 1951 North Carolina Theatre; Macbeth, Next Without..., Lincoln Alec Guiness film. Other plays include Eat Theatre. TV: The Sopranos, The West Wing, Law Center Play Lab; the Taste, Jobey and Katherine, Baron von & Order, Law & Order Criminal Intent, Ed, Third A Woman's Work, The Working Group; The Siebenburg Melts through the Floorboards, and Watch, Hack, Guiding Light, Chicago Hope, Early Eight..., The Duplex. REGIONAL Give the People What They Want. Greg lives in Edition. FILM: A Crime, Griffin and Phoenix, CREDITS: The Rose Tattoo and Betty's Brooklyn with his wife Ayun, his daughter Hannibal, Autumn in New York, Dinner Rush, Summer Vacation (both starring Andrea India, and his son Milo. Strangers, Death of a Salesman for Showtime. Martin), Huntington Theatre, Williamstown Theatre Festival, The Cape MATT AUGUST KEN LAND Playhouse and Hartford Theatre Works. (Director) (Teddy) FILM: The Limbo Room and Never Forever. THE OLD GLOBE: Time Flies, The Food THE OLD Chain, Imaginary Friends, Associate GLOBE: Dr. Seuss’ IAN WHITE Director, Resident Assistant Director How the Grinch (Tim) 1998 season. BROADWAY: How the Stole Christmas! THEATRE: The Grinch Stole Christmas! (upcoming), Henry (’04 and ’05) Merry Wives of IV, Imaginary Friends, The Invention of Love, BROADWAY: The Windsor, A The Full Monty, National Tour, Associate Scarlet Pimpernel Christmas Carol, Director. OFF-BROADWAY: Two (all three ver- Proof, Trinity Gentlemen of Verona,The Acting Company; sions); Victor/Victoria with Julie Andrews Repertory Sixteen Wounded, Cherry Lane; and Liza Minelli. OFF-BROADWAY: The Company; It Isn’t Mimesophobia, SPF; Romeo and Juliet, Gig, Manhattan Theatre Club; Little Shop of the Moon, National Shakespeare Co; Meet John Doe, Horrors, Orpheum Theatre; The Death of Von Manhattan Theatre Source; Smart, Lark Play NYMTF. REGIONAL: A Christmas Carol, Richthofen, Public Theatre. NATIONAL Development Center; Trumpery (readings), Ford's Theater; Baby Taj ,Theatreworks, TOURS: Sweet Charity (dir. Bob Fosse), The The Public Theater; The Seagull, The Infernal CA; Sixteen Wounded, Long Wharf Scarlet Pimpernel, Little Shop of Horrors (dir. Machine, Yemaya’s Belly, Killer Joe, The Moliere Theatre; All in the Timing, Complete History Howard Ashman), The Secret Garden, Evita Project, Galileo, All’s Well That Ends Well, of America Abridged, Hanger Theatre; The (dir. Harold Prince). REGIONAL: Sex Sex Machinal, Mud Prints, Brown/Trinity Real Dr. Strangelove,LATW; …And Jesus

P8 PERFORMANCES MAGAZINE Moonwalks on the Mississippi, Sundance Where We’re Born, Rattlestick. REGIONAL: Brixton, I Just Stopped By to See the Man, Theatre Lab; Jump Rope, Next Stages; Romeo and Juliet, Bus Stop, Williamstown Fiction, Lucky Duck, The Intelligent Design of Oregon Shakespeare Festival Killian Theatre Festival; Sleuth, Bay Street; Titus Jenny Chow, The Food Chain, Two Sisters and a Fellow; New York Stage and Film; Mark Andronicus, Milwaukee Shakespeare; Kingdom Piano, Resurrection Blues, Bus Stop, Rough Taper Forum; Huntington Theatre; assis- of Earth, Yale Repertory Theatre. EDUCA- Crossing, Blue/Orange, Time Flies, Pentecost, tant to Robert Wilson, Orlando; TION: MFA from the Yale School of Drama Knowing Cairo, Loves & Hours, Splendour, All EDUCATION: Drama League Fellow; (Leo Lerman Fellowship in Design). My Sons, Faith Healer, Smash, An Infinite Ache, MFA, CalArts. Compleat Female Stage Beauty, Betrayal, The CHRIS RYNNE SantaLand Diaries, Dr. Seuss’ How the Grinch TAKESHI KATA (Lighting Design) Stole Christmas!, The Pavilion, Enter the (Scenic Design) THE OLD GLOBE: Lincolnesque, Trying, Guardsman, The Boswell Sisters, Vita and NEW YORK: Birth and After Birth, The The Lady with All the Answers, Vincent in Virginia, The Countess, Crumbs from the Table Intelligent Design of Jenny Chow, Atlantic Brixton (San Diego Critics Circle Award), of Joy, Orson's Shadow, God's Man in Texas, Theatre Co; A Small Melodramatic Story The Food Chain, Two Sisters and a Piano, Travels with My Aunt. ELSEWHERE: LAByrinth; Orson’s Shadow, Barrow St. Blue/Orange, Time Flies, Knowing Cairo, Milwaukee Rep, La Jolla Playhouse, Theatre; BFE, Playwrights Horizons; The Beyond Therapy, The SantaLand Diaries Sledgehammer Theatre (Associate Artist), Last Sunday in June, The Pavilion, Where We’re (2001); Assistant designer for over 30 Mo’olelo Performing Arts Company, The Born,Rattlestick; Gone Missing, The Civilians, productions on the Globe and Festival Wilma Theatre, L.A. TheatreWorks, San The Happy Journey and Pullman Car Hiawatha, stages. With The Old Globe/USD Diego Repertory Theatre, Florida Studio Keen Company. REGIONAL CREDITS: Professional Actor Training Program: Theatre, Lorraine Hansberry Theatre, Boston Marriage (dir. David Mamet), Geffen Twelfth Night, All in the Timing, The Winter's North Coast Rep, Diversionary Theatre, Playhouse; Rosencrantz and Guildenstern Are Tale, Two Gentlemen of Verona, Macbeth, Cape Fear Regional Theatre, Hope Dead (dir. Darko Tresnjak), Romeo and Juliet, Getting Married. ELSEWHERE: La Boheme, Summer Repertory Theatre, Malashock Bus Stop, The Sugar Syndrome, Williamstown La Traviata, Norma (Associate Designer), Dance & Company, The University of San Theatre Festival; BFE, Long Wharf Theatre; San Diego Opera; Wind in the Willows, Diego, San Diego State University, and Heaven, Yale Repertory Theatre; Alley South Coast Rep; Tosca, Turandot, Madison the Freud Theatre at UCLA. EDUCA- Theatre, Hartford Stage, Dallas Theatre Opera; U.S. premiere of Noel Coward's TION: BFA in Drama with an emphasis Center, American Players Theatre, Skylight Star Quality at the Pasadena Playhouse; in Technical Design from San Diego State Opera Theatre, Milwaukee Shakespeare, Luis Valdez’s Mummified Deer, San Diego University. Southern Rep, Triad Stage. EDUCATION: Rep; Hedwig and the Angry Inch, Cygnet MFA, Yale School of Drama; BFA, Ithaca Theatre; Collected Stories, Smell of the Kill, STEVE RANKIN College Department of Theatre Arts. The Rainmaker, Travesties, The Importance of (Fight Director) Being Earnest, A Perfect Ganesh, Summer and THE OLD GLOBE: Mr. Rankin is an JENNY MANNIS Smoke, The African Company Presents Associate Artist of The Old Globe as an (Costume Design) Richard III, Auntie Mame, North Coast Rep; actor and fight director. He has been NEW YORK: The Right Kind of People, The Mystery of Irma Vep, Fifth of July, Boys in staging fights for The Old Globe for the Primary Stages; Dog Sees God, Century the Band, Love! Valour! Compassion! (Patté past 20 seasons, including the 2006, Center; Pen, Manic Flight Reaction, Award), Destiny of Me, Diversionary 2005 & 2004 Summer Shakespeare Playwrights Horizons; The Intelligent Design Theatre; Crazy for You, Starlight Theatre. Festivals, Pentecost, Compleat Female Stage of Jenny Chow, The Atlantic; Swimming in the Beauty, Twelfth Night, Cymbeline, Romeo and Shallows, Second Stage; Living Room in Africa, PAUL PETERSON Juliet, As You Like it, The Two Noble Kinsmen, Orange Flower Water, Edge; Heddatron, Boozy, (Sound Design) Antony and Cleopatra, Othello, The Taming of Les Freres Corbusier; The Cherry Orchard, THE OLD GLOBE: The Sisters Rosensweig, the Shrew, King Lear, Hamlet, White Linen, Classical Theater of Harlem; The Happy Christmas on Mars, The Violet Hour, Trying, Julius Caesar, Henry V and Richard II. Journey and Pullman Car Hiawatha, Keen The Constant Wife, The Prince of L.A., The BROADWAY: Henry IV Parts 1 & 2 Company; Animal Farm (2004 Drama Desk Lady with All the Answers, Moonlight and (directed by Jack O'Brien), Jersey Boys, Award nomination), Synapse Productions; Magnolias, Lobby Hero, Misalliance, Vincent in Twelfth Night, Getting Away with Murder,

PERFORMANCES MAGAZINE P9 Profiles continued

Dracula the Musical, The Who's Tommy, Anna Speaking. With The Old Globe Education UNDERSTUDIES Department: If the Shoe Fits. REGIONAL: A Christie, The Real Inspector Hound, Two Tom ...... Chip Brookes Christmas Carol (2004 and 2005), San Shakespearean Actors. OFF-BROADWAY: Tim ...... Chris Bresky The Night Hank Williams Died and Richard Diego Repertory Theatre; Uncle Vanya, La Dresser's Below the Belt. REGIONAL: La Jolla Playhouse. ELSEWHERE: Rapunzel, Tina ...... Summer Shirey Jolla Playhouse, Mark Taper Forum, The Lost Players; The Breeze, The Gust, the Gale Teddy ...... Rhett Henckel Ahmanson, Geffen Playhouse, Center and the Wind, La Jolla Playhouse POP Tour; Stage, GeVa, Asolo, Philadelphia Drama Nickels and Dimes, Two Clowns Entertain- Guild, Virginia Stage Company and the ment; A Divine Comedy, Festival of Christmas SPECIAL THANKS Actors Theatre of Louisville. FILM: (2002), Lamb's Players Theatre; Triple The Stein Family Farm in National City Renaissance Man, Human Error, Espresso, Triple Espresso LLC; The Merry Tumbleweeds. OPERA: San Diego Opera Wives of Windsor, Beehive, Forever Plaid, The Outfit, Idaho Repertory Theatre. This theatre operates under an agreement between the and the Metropolitan Opera. League of Resident Theatres and Actors’ Equity Association, the union of professional actors and stage managers in the United States. ESTHER EMERY ADDITIONAL STAFF FOR The Directors are members of the Society of Stage (Stage Manager) Directors and Choreographers, an independent national THIS PRODUCTION labor union. THE OLD GLOBE: 2006 Shakespeare

Festival, Trying, Chita Rivera: The Dancer’s The Scenic, Costume, Lighting and Sound Designers in Casting Consultant ...... Mele Nagler LORT Theatres are represented by United Scenic Artists Life, Himself and Nora, 2004 Shakespeare Assistant Director/ Local USA-826, IATSE. Festival, Two Sisters and a Piano. With The Drama League Fellow . . . .Jaime Castañeda Old Globe/USD Professional Actor’s This Theatre operates under an Agreement with the Production Assistant . . . .Cassidy Lubben International Alliance of Theatrical Stage Employees Training Program: Twelfth Night, Relatively Local No. 122.

P10 PERFORMANCES MAGAZINE Education Experiences CALL TODAY TO BRING THE THRILL OF LIVE THEATRE TO YOUR SCHOOL! A life can change in an instant. DON’T LET YOUR CHILD MISS THIS COMPELLING PLAY EXPLORING ACTIONS AND CONSEQUENCES.

Rarely is “theater for young audiences as arresting and provocative as this. Lynn Heffley, L.A. TIMES”

To schedule a performance for your school or community site, please contact Raúl Moncada via email at THE STONES RMoncada@The Old Globe.org or By Tom Lycos and Stefo Nantsou Directed by Lise Bruneau call (619) 238-0043 x2141. October, 2006

The Old Globe presents the acclaimed play, THE STONES, as part of its theatre for young audiences touring program. Based on a true story, THE STONES presents two teenagers who playfully dare each other to commit various pranks escalating to a stone-tossing competition from a freeway overpass which ends with tragically unexpected results. The teens instantly collide with the law and the consequences of their actions.

THE STONES is a theatrical roller coaster ride as two actors portray all the characters in the story. The high-energy performances are thrilling to audiences of all ages. This topical story will inspire deep thought and powerful classroom discussions on the consequences of ones actions. The traveling production is adaptable to any venue. Study guides are available.

PERFORMANCES MAGAZINE P11 Program Notes

PIG FARM FACTS:

• A pig’s tail indicates how the pig is • A pig’s squeal can reach up to 115 feeling. A curly tail shows health and decibels, 3 decibels higher than the happiness while a straight tail shows sound of a supersonic Concorde. sickness or distress. • The pig is rated the 4th most • Pigs can drink up to 4 gallons of water intelligent animal. a day. • One sow produces 3.5 gallons of • Factory-raised pigs never see the light of manure and waste per day. day. Male and female pigs never meet. • Each 220-pound live hog produces The sows are artificially inseminated. about 145 pounds of saleable pork, • Factory sows give birth to and wean including ham, pork chops and sausages, litters of 8 to 12 piglets, producing 3 or bacon, ribs, ground pork, hocks and

Photo credit: Delta Photo Hunter credit: more litters a year. stewing meat. • Piglets are separated from the pigs to • North Carolina and Iowa rank highest in keep them from being eaten. They also pork production. need special attention, including being • In the past 15 years, the number of pig kept in warm temperatures. farms has dropped from 600,000 to TITLES BY KOTIS (UH-OH…) • Pigs have no sweat glands: they rely on 157,000, yet the country’s pig inventory shade and water to keep cool. Some has remained the same; 3% of the barns have sprinkler systems for cooling nations pig farms produce more than Greg Kotis’ show titles make theatre pigs. So,“sweating like a pig” is to not 50% of the nation’s pork. marketing directors nervous. sweat at all. Kotis’ Broadway debut was the infa- — compiled by Jaime Castañeda mously-titled Urinetown, a collaboration with composer Mark Hollmann that began at the paper account of Hurricane Floyd’s devasta- “[It’s] a very odd piece that takes place New York Fringe Festival, and then burst tion in North Carolina, which left 100,000 underwater, in the primordial soup,” he onto the Great White Way with a new comic factory pigs drowned and floating in neigh- said. vision. Urinetown, in spite (or because?) of boring rivers. For all the humor and provocation in its title, ran for more than two years on “It was a catastrophe of biblical propor- the titles of his shows, his intent in writing Broadway and went on to win three Tony tions,” Kotis said in an interview with the is clear. “What makes sense to me is this: Awards, and was nominated for Best Roundabout Theatre Company’s Randy Our situation as a people is, I suspect, Musical. The story of a town that charges its Gener. “Pig farming has gone from 200 going to be tougher and tougher, if we citizens a fee to use public urinals, Urinetown’s years ago [where] you had a small number believe the scientists. [But] we’re collective- outrageous premise and irreverent style of pigs on the farm that you would slaugh- ly choosing to look the other way. …That struck a chord with critics and audiences ter periodically – to today where we have insecurity is why I feel I’m connected to alike. these industrial confinement factory this issue – the world is fragile and very Urinetown came out of Kotis’ trip to Paris, farming operations.” delicate.” where public toilets are for rent. He won- He was alarmed by the “apocalyptic At least for now, we have the luxury of dered how an American city might react if vision” of thousands of dead pigs, and still being able to laugh at those apocalyptic their right to free toilet use was taken away, began to think of two men discussing a pig predicaments of the characters in Kotis’ and began creating the show with Hollmann, count. plays. Ironically, that laughter might bring with whom Kotis shares what he calls an “I wanted to know who these men us to take them seriously. “offbeat, unlikely humor.” were,” he said in an L.A. Times interview “[With Urinetown] we wanted to be funny with Jan Breslauer. “[I wanted to know] —Kim Montelibano Heil and be true to how we see things,” Kotis told why knowing the number of pigs mat- More than any other time in history, Playbill magazine. “We're trying to reveal tered.” mankind faces a crossroads. One path things we think we know [about] organiza- His exploration of human consumption leads to despair and utter hopelessness; the tions, consumption — and that we live in a and its consequences will take an alternate other, to total extinction. Let us pray we time of peril whether we know it or not.” form in his next project, another musical have the wisdom to choose correctly. Pig Farm began with a similar train of collaboration with Hollman, appropriately- –Woody Allen thought. In 1999, Kotis was reading a news- titled (for Kotis, anyway) Yeast Nation.

P12 PERFORMANCES MAGAZINE more fixed costs and government regula- tion. And government is charged by law to regulate economic activity that threatens public health, welfare and the environment. “There are expectations from the last century that don’t match up with life as we now live it,” said director Matt August. “The play’s tensions come from American myths and promises from earlier genera- photo The Fifties Web tions set against the realities of an increas- ingly hostile economic environment; one Dennis Weaver and Dennis James Weaver Arness from Gunsmoke, that is becoming more ‘them versus us,’ if not ‘every man for himself.’ It’s the American dream turned upside down by diminishing returns.”

- Amazingly, Kotis makes a comedy out of all this by taking the melodramatic style and simpler values of the American western and placing them in today’s complex stew of turmoil, conflicting interests and eroded

Colleen Quinlan and Ted Koch; Koch; Colleen Quinlan and Ted MacMillan photo by J.T. ideals. What’s good for the pig farmer — say sludge dumping — is no good for the HOW YA GONNA from military force than from the forces of public or the EPA. What’s good for the gov- KEEP ‘EM DOWN ON economics. Consider: in 1950, a can of ernment — say increased regulation — is THE FARM? tennis balls cost nearly $3; in 2006 that punishing the small businessman. And can, now a plastic tube, can be bought for what’s good for the consumer — lower Greg Kotis’ Pig Farm begins in the $2.25. A golf ball that sold for $1 in 1950 prices that eliminate profit margins — puts manner of many Hollywood westerns. A costs less than a dollar today. Technological the pig farmer out of business. lone hero (say Gary Cooper in High Noon) advances and marketing competition have Winston Churchill’s statement that — or a hero, his sidekick and his good turned profit margins razor thin, and those democracy is the worst form of government, woman (say Matt, Chester and Kitty from companies and entrepreneurs that can’t except for all the others, has been often Gunsmoke) fuss and fret on a fateful show- compete disappear from the market. been paraphrased into a comment on capi- down day, trying to beat outrageous odds The same has been true for the talism. We must admit it is cutthroat — dead set against them. American farmer. Despite price supports but it also preserves initiative, rewards The circumstances in those films were and other band-aid remedies, prices paid for excellence, and provides the kind of oppor- always as heightened and overblown as the farm produced foods in America have not tunity America has always promised. alliteration used above to describe them; kept pace with inflation. Today the price of Part of Kotis’ view is that the black hats and always the white hats, like the Duke or pork chops is up six times ($.60 to $3.60 and white hats of yesteryear have now all Clint, were clearly distinguished from the per lb.) over 1953’s prices; wages for equiva- run together and become shades of gray. black ones. lent work are up 15-20 times higher. There are no pure heroes or villains on Those westerns embodying American Farmers must make up ground lost in Kotis’ pig farm, and he serves it all up, in all myths of success and right vs. wrong came pricing with volume. For pig farmers, it has its comic absurdity, without apology, out of simpler times, when opportunities meant raising and selling more pigs with without finger-pointing or blame, and and new technologies abounded, and the the same resources, and cutting corners without suggestions for solutions. world was beset by two villains with brush- wherever possible. Apparently, as it should be in a mustaches who between them killed tens of The metaphor of Kotis’ pig farm is true democracy, that last part is up to us. millions without reason. Where Hitler and for most of America. Today labor and — Jerry Patch Stalin were concerned, there was no ques- salaried workers are paid a smaller percent- tion as to the color of their hats, even to age of employers’ total budgets than at any many of their own citizens. time since record keeping began in 1947. As FOR MORE INFORMATION ABOUT OLD GLOBE competition intensifies and margins shrink, PRODUCTIONS, PLEASE VISIT OUR WEBSITE AT But in half a century, the world has www.TheOldGlobe.org. changed, and those changes have come less entrepreneurs are saddled with more and

PERFORMANCES MAGAZINE P13 Donor Spotlight: Conrad Prebys

“I live everyday like it’s my last,” says Conrad BUILDING FOR Prebys, “and I’m having a hell of a time doing it!” THE FUTURE: Mr. Prebys is the owner of Progress Construction A NEW THEATRE COMPLEX and Management Company. He is also one of San Diego’s greatest charitable philanthropists. Ensuring the long-term stability “After the loss of a close friend, I got to think- of The Old Globe is the goal of the ing that I don’t exactly have a lot of birthdays left, Theatre’s Capital Campaign, so it’s time to get prepared.” says Mr. Prebys. “I Securing a San Diego Landmark, suppose I‘ve accumulated quite an estate over the and will be achieved through three years, and I plan to set up 90% of this into a key initiatives: increasing the charitable foundation to be distributed after I Globe’s endowment; strengthening pass from this scene. However, sometimes, I have the Theatre’s annual fund; and realized that it’s just more fun to do it while I’m improving facilities on The Old alive.” While Conrad does not enjoy the term Globe campus. ‘giving back,’ he notes that “San Diego has been Conrad Prebys; photo by Sandy Huffaker To accomplish the facilities goal, very good to me, and I just want to do good things a renovation and construction with my money, such as funding worthy causes in the area. I really get a kick out project is being planned to create a of it!” new theatre and education center on Mr. Prebys is very proud to be a long-time supporter of the East County Boys and the site of the Cassius Carter Centre Girls Club, and to support the arts throughout San Diego. His voice seems to fill Stage and attached to the Old Globe with awe as he says, “I love the arts and always have. Thank God I have that in my Theatre. This facility will include life.” His love of the arts in San Diego was expressed this year when Mr. Prebys front-of-house and backstage donated $10 million to The Old Globe’s Securing a Landmark Capital Campaign. improvements that address current As he explains it, “I know the difference between a friend and an acquaintance.” issues of safety and audience As a friend of the Globe, he had the opportunity to meet one of his favorite comfort, which have arisen during playwrights in 2004. “I treasure a picture I have of me and my wonderful sweetheart the 40-year life of this facility. Debbie Turner when we met Arthur Miller at The Old Globe.” The quality of the In recognition of his $10 million Globe’s productions and the dedication of its staff are another reason for Mr. Prebys’ gift, the two-theatre complex, which support. “I’ve never known a more talented group of people, and doggone it, the will house the new Education Globe has only one direction to go and I want to be a part of that and support it.” Center, lobbies, work spaces, green room, dressing rooms and Lady Carolyn’s Pub, will be named the Conrad Prebys Theatre Center. OLD GLOBE The most significant addition to the campus will be a new state-of- COSTUME & PROP the-art Education Center, which will allow the Globe to expand educa- tion and outreach programs which SALE serve more than 40,000 each year. DATE: Saturday, October 14, 2006 TIME: 8:00 am to 2:00 pm For more information about The LOCATION: Lowell Davies Festival Theatre Stage Old Globe’s Capital Campaign, please contact Director of Just in time for Halloween! Development, Todd R. Schultz at (619) 231-1941, x. 2310.

(619) 23-GLOBE / www.TheOldGlobe.org

P14 PERFORMANCES MAGAZINE The Craig Noel League Paving a Bright Future for The Old Globe Through Planned Gifts The Old Globe has many thoughtful friends who are ensuring its future by making gifts to the Theatre in their wills and estate plans. The League honors today these thoughtful friends whose generosity will sustain the excellence of The Old Globe for generations, and we hope you’ll consider joining the Craig Noel League, the planned giving society of The Old Globe. Examples of ways friends are helping include making simple bequests, gifts of life insurance, gifts of real estate and charitable trusts. For more information, please contact Associate Director of Development Brad Ballard at (619) 231-1941 x2309 or via e-mail at [email protected].

Anonymous (14) Jerry Lester Foundation B. Sy and Ruth Ann Silver Robert S. Albritton* Dr. Bernard Lipinsky* Stephen M. Silverman Nancine Belfiore Heather Manion Roberta Simpson Alan Benaryoa Calvin Manning Dolores and Rod Smith Dr. and Mrs. Edgar D. Canada Paul I. and Margaret W. Meyer John and Cindy Sorensen Garet and Wendy Clark Judy and George Miller Marje Spear J. Dallas* and Mary H. Clark Steve Miller Nancy A. Spector and Alan R. Spector R. Patrick and Sharon Connell Dr. Robert W. Miner Jeanette Stevens Patricia W. Crigler, Ph.D., CAPT/USN/Ret. Shirley Mulcahy Eric Leighton Swenson Patricia* and Donn DeMarce Laurie Dale Munday Anne C. Taubman Mrs. Philip H. Dickinson Stanley Nadel and Cecilia Carrick Cherie Halladay Tirschwell Dr. and Mrs. Robert Epsten Alice B. Nesnow Marian Trevor (Mrs. Walter M.)* Frank A. Frye, III Arthur and Marilyn Neumann Evelyn Mack Truitt Nancy Reed Gibson Craig Noel Ginny Unanue Robert Gleason and Marc Matys Greg and Polly Noel Carol and Lawrence Veit Marcy Goldstone PACEM (Pacific Academy of Ecclesiastical Harvey and Jordine Von Wantoch Kathryn Crippen Hattox Music) Merle and Phil Wahl David and Debbie Hawkins Mrs. Margaret F. Peninger* Holly J.B. Ward Craig and Mary Hunter Velda Pirtle* Sheryl and Harvey P. White Barbara Iredale* Florence Borgeson Plunkert* Mrs. Jack Galen Whitney Bob Jacobs Dolly and Jim Poet Stanley E. Willis II* Joseph E. Jessop* Dorothy Shorb Prough* Julie Meier Wright J. Robert and Gladys H. King Brenda Marsh-Rebelo and John Rebelo Marilyn Kneeland Donald and Darlene Shiley *Deceased Jean and David Laing Patsy and Forrest Shumway

CRAIG NOEL, Founding Director During Craig Noel's distinguished 67-year career with The Old Globe, the much-honored director has staged over 225 productions of all styles and periods. Craig has been associated with The Old Globe since its community-theatre inception in 1937 when he made his debut as an actor. Two years later he accepted his first directorial assignments, staging four of the season's seven productions. Since then, Craig has guided the organization through its metamorphosis from a community theatre of the highest standards to one of the nation's most successful not-for-profit theatres. In doing so, he has enriched the quality of life in San Diego for generations of citizens who have become today's theatre-goers and arts supporters.

PERFORMANCES MAGAZINE P15 Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 3,500 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 625 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight. Benefactors ($100,000 and above) American Express Audrey S. Geisel/The San Diego Donald & Darlene Shiley City of San Diego, Foundation Dr. Seuss Fund Chairwoman Pam Slater-Price Commission for Arts & Culture William Randolph Hearst Foundation and the County of San Diego The James Irvine Foundation The Shubert Foundation The San Diego Union-Tribune Season Sponsors ($50,000 to $99,999) AT&T Karen & Donald Cohn Conrad Prebys California Bank & Trust Valerie & Harry Cooper Qualcomm, Inc. J. Dallas & Mary H. Clark Fund at Globe Guilders Union Bank of California The San Diego Foundation The Lipinsky Family Wells Fargo Sheryl & Harvey P. White Production Sponsors ($25,000 to $49,999) Mary Beth Adderley & Richard Wright Continental Airlines Sempra Energy American Airlines County of San Diego Sheraton San Diego Hotel & Bank of America Mrs. Danah H. Fayman Marina Alan Benaroya Kathryn & John Hattox Mandell Weiss Charitable Trust John A. Berol HM Electronics, Inc. Jake & Todd Figi Cohn Restaurant Group/Prado Restaurant Joan & Irwin Jacobs Director Circle ($10,000 to $24,999) Anonymous (2) Lee & Frank Goldberg Patsy & Forrest Shumway Mary Ann Blair Susan & Dr. Ronald Heller Nancy & Alan Spector and Family Charles & Molly Brazell Dr. & Mrs. Harry F. Hixson, Jr. Anne Taubman & David Boyle The Louis Yager Cantwell Supervisor Bill Horn Gillian & Tony Thornley Private Foundation and the County of San Diego Evelyn Mack Truitt Deni & Ken Carpenter Deni & Jeff Jacobs Christopher & Patricia Weil Supervisor Greg Cox Joseph E. Jessop, Jr.* Weingart-Price Fund at and the County of San Diego Mr. & Mrs. Neil Kjos The San Diego Foundation Darlene G. Davies Sue & John Major Stewart & Brenda Weissman in memory of Lowell Davies Neiman Marcus Brent V. Woods & Laurie C. Mitchell Mr. & Mrs. Brian Devine Robin & Hank Nordhoff Carolyn W. Yorston Bea & Dr. Robert M. Epsten The Kenneth T. & Eileen L. Norris Ellen & Tim Zinn Pam & Chuck Farr Foundation *Deceased F. George Gilman Sandra Redman For more information on becoming a donor to The Old Globe, please contact Brad Ballard at (619) 231-1941 x2309 or visit us online at www.TheOldGlobe.org.

P16 PERFORMANCES MAGAZINE FOUNDER CIRCLE Fred & Alicia Hallett Noddy & Ira Epstein ($5,000 to $9,999) Alexa Kirkwood Hirsch Carol Fink Lawrence G. Alldredge & Dawn Moore Tish & Jere Horsley Dieter & Susan Fischer/Dieter’s Mercedes Service Dr. Bob & Jill Andres Richard & Janet Hunter Mary & David Fitz Anonymous (1) Mary & Russell Johnson Susanna & Michael Flaster Ken & Ginger Baldwin Dr. & Mrs. Richard L. Kahler Dr. & Mrs. George Flint Jane Smisor Bastien Bob & Gladys King Karen & Orrin Gabsch Blachford-Cooper Foundation, Inc. Dr. Ronald & Mrs. Ruth Leonardi Mrs. Deede Gales The Ariel W. Coggeshall Fund at Peter & Inge Manes Elaine & Murray Galinson The San Diego Foundation Dr. Marianne McDonald Barbara & Albert Garlinghouse Nina & Robert Doede Judy & George Miller Bill & Judy Garrett Mary Ann & Arnold Ginnow Harle Garth Montgomery Drs. Thomas H. & Jane D. Gawronski Robert Gleason & Marc Matys David & Noreen Mulliken Mr. & Mrs. Daniel Genis Leo S. Guthman Fund Patrons of the Prado Teresa C. George Melissa & James Hoffmann Dolly & Jim Poet Martin & Enid Gleich Carol & George Lattimer Mr. & Mrs. Matthew Pollack Tom & Sheila Gorey Bob Martinet & Susan Parkin The Pratt Memorial Fund at Dr. & Mrs. William Gott Paul I. & Margaret W. Meyer Union Bank of California Ms. Cheryl Haimsohn Money/Arenz Foundation, Inc. Brenda Marsh-Rebelo & John Rebelo Jay & Mary Hanson Drs. Francis & Patricia Montalbano Julie & Bob Sullivan Norm Hapke & Valerie Jacobs Hapke Arthur & Marilyn Neumann Jay & Diane Sweeney Drs. Patrick Harrison & Eleanor Lynch Allison & Robert Price Marilyn Elizabeth Thompson Dr. & Mrs. Peter K. Hellwig Patti & Mike Rabbitt Dixie & Ken Unruh Stephanie & Scott Herman Ellen C. Revelle Carol Vassiliadis Rhonda Heth & Tom Mabie Jeannie & Arthur Rivkin WD-40 Company Leonard & Elaine Hirsch Boyd S. Smith Helene & Allan Ziman Michael & Jill Holmes Ms. Jeanette Stevens Dr. David K. Hostetler Katie & Dan Sullivan CRAIG NOEL CIRCLE Gary & Carrie Huckell Deborah Szekely ($1,500 to $2,499) Roberta Hussey Erna & Andrew Viterbi The Family of Richard & Mary Adams Alfred & Pat JaCoby Pam & Martin Wygod Richard Addesso Mr. & Mrs. David J. Johnson June E. Yoder Anonymous (1) William W. Karatz Robert & Deborah Young Edwin Bacher Katleman Family Fund of the Mr. & Mrs. John E. Barbey, Jr. Jewish Community Foundation PLAYWRIGHT CIRCLE Diana Barliant & Nowell Wisch William & Edythe Kenton ($2,500 to $4,999) Dr. C. K. Barta & Inge Lehman Mr. & Mrs. Irving J. Kern Dr. & Mrs. Wayne Akeson Lanie Bernhard in memory of Lazare F. Bernhard Jo Ann Kilty Gail, John & Jennifer Andrade Sally & John Berry Ken & Sheryl King Mr. & Mrs. Richard Baldwin Charles & Charlotte Bird James Klein Insurance Melissa Garfield Bartell & Michael Bartell Paul Black Kerri Klein & Mark Weiser Joan & Jeremy Berg Cynthia Bolker & Greg Rizzi Dr. & Mrs. Ara S. Klijian, M.D. Arthur & Sophie Brody Fund of the Terry & Bill Burd Dr. & Mrs. R.W. Klofkorn Jewish Community Foundation Clint & Susie Burdett Brooke & Dan Koehler Cecilia Carrick & Stan Nadel Dr. & Mrs. Robert M. Callicott Phyllis & Martin Kornfeld Judy Carter Ruth Mary Campbell Rosalie Kostanzer & Mike Keefe City of Chula Vista Office of Cultural Arts Dr. & Mrs. Edgar D. Canada Bob & Laura Kyle Garet & Wendy Clark Pamela & Jerry Cesak William Ladd & Anita Busquets The Colwell Family Fund at Carol & Rudy Cesena Mr. & Mrs. Richard S. Ledford The San Diego Foundation Carol & Jeff Chang Terry & Mary Lehr Ms. Heidi Conlan/The Sahan Daywi Foundation Roger Cornell, M.D. Ms. Sherrill Leist R. Patrick & Sharon Connell Richard & Stephanie Coutts James & Pamela Lester John & Ann Davies Susan B. Cowell Jerry Lester, M.D./Rosarito, Mexico Bernard J. Eggertsen & Florence Nemkov Sally & Pat Crahan Mr. & Mrs. Paul Levin Marion Eggertsen Gigi Guin Cramer Sandy & Arthur Levinson Samuel I. & John Henry Fox Foundation Mrs. Willard T. Cudney Jerry & Elsa Lewis Millicent & Charles Froehlich Dr. & Mrs. Francis C. Cushing, Jr. Kitty Lombardo Martha & George Gafford Mrs. Gail Powell Davis Mathew & Barbara Loonin Madeline L. & Milton D. Goldberg Family Pat & Dan Derbes Merriel Mandell Foundation Dean & Mrs. M.H. Dessent Charlie & Jackie Mann Geraldo & Scarrain Gomes Mrs. Philip H. Dickinson R.J. Maus, Architects

PERFORMANCES MAGAZINE P17 Annual Fund Donors

Nancy McCune Mark & Hanna Gleiberman Doug & Elisabeth Clark Bill & Jeri McGaw Sandra Gulden & Leon J. Goldberger Jack & Carol Clark Elizabeth & Edward McIntyre Gulden Private Foundation Sue & Keith Colestock Elizabeth Meyer Drs. Barbara & Leonard Gosink Mike Conley & Sue Steele Joel & Deirdre Mick Suzanne & Lawrence Hess Steve & Carolyn Conner Estelle & Jim Milch Dr. & Mrs. James E. Lasry Jane Cowgill Rena Minisi & Rich Paul Mr. & Mrs. James Lim In Memory of Edith Dolnick Judith & Neil Morgan Don & Mary Jane Lincoln Silvia Dreyfuss/LABS, Inc. Ruth & Jim Mulvaney Donald Lipkis, M.D. & Arlene Pollard Dan & Phyllis Epstein Josiah & Rita Neeper Ms. Jo Bobbie MacConnell Mr. & Mrs. Jesse Fadick Lisa & Tom Pierce Christopher Maxin & Stephanie Buttell-Maxin Dr. Susan Dersnah Fee Marcia & Jim Piper Valorie McClelland Richard & Beverly Fink Family Foundation Martha Meade Pitzer Akiko Charlene Morimoto & Fred & Joy Frye Mo & Bill Popp Hubert Frank Hamilton, Jr. Sally Fuller Dr. & Mrs. Daniel Porte Dick & Rosemary Pinney Arthur & Judy Getis Joanne Powers John & Marcia Price Family Foundation The Golemb Family Jim & Claudia Prescott Jeanette Rubin Family Fund of the Louise & Doug Goodman RAdm. Arthur & Peggy Price, Jr. Jewish Community Foundation Robert & Edry Goot Don & Marie Prisby Don & Darlene Russell Carol & Don Green Joseph Rascoff Marilies Schoepflin, Ph.D. Mr. George Guerra Nancy J. Robertson Dee E. Silver, M.D. Alex & Mary Hart Lorna Rosenberg Lewis & Alice Silverberg Mr. & Mrs. Thomas M. Henry Rachel A. Rosenthal In Memory of Edward Silverstein Arnie & Barbara Hess Mr. & Mrs. Charles P. Royce Robert H. Stickel Mr. Stephen Hopkins & Dr. Carey Pratt Warren & Beverly Sanborn Mrs. John R. Stitt Margot Reinke Humphreys Susan & Edward Sanderson John & Margery Swanson Gary & Jerri-Ann Jacobs Margery P. Schneider Dr. Charles & Brita Tesar Neil & Sonya Johnson Drs. Joseph & Gloria Shurman Janet & Bernard Trabin Kathy & Rob Jones Roberta J. Simpson W. Bruce & Cynthia Tuckerman Kenneth & Marilyn Jones Dotti & Joel Sollender Stan & Anita Ulrich Miriam & Jerome Katzin Marisa SorBello & Peter Czipott Ellen & James Weil Drs. Irvin & Nancy Kaufman Nancy Steinhart & Rebecca Goodpasture The Grey White Family Fund Lloyd & Joanna Kendall Eugene L. & Hannah Step Keith J. Wong Gayle & Jerry Klusky Marc R. Tarasuck, AIA Christy Hawes Zatkin Jo Ann & Lee Knutson The Tarlov Family Curt & Nancy Koch Mr. & Mrs. Charles Taubman GOLD Bill & Linda Kolb Cherie Halladay Tirschwell ($500 to $999) Marvin Krichman & Francy Starr Mr. & Mrs. Gene Trepte Anonymous (2) Lou Krueger Carol & Larry Veit Arthur Family Fund at The San Diego John Q. Lalas, Jr. Doris & Lou Vettese Foundation Janet & Dan La Marche Jordine & Harvey Von Wantoch Earl Asbury Dr. Eric Lasley Pamela J. Wagner Rhoda & Mike Auer Richard C. Levi Merle & Phil Wahl John Randolph Backman, M.D. & Sherry & Rick Levin Jan Harden Webster & Raul Ortega Carolyn Darrow Dr. & Mrs. Leeland M. Lovaas Michael & Penny Wilkes Ina S. Bartell Ed & Nancy Lyon Mr. & Mrs. Harold B. Williams Richard & Linda Basinger Dr. Carl Maguire & Margaret Sheehan Alice Marie Young Judy & Larry Belinsky Dr. Robert & Marcia Malkus Brad Young Lee & Amnon Ben-Yehuda F. Dale & Lois Marriott Allan & Bev Zukor Nicholas B. Binkley Dr. & Mrs. Joseph McGreevy Drs. Gary & Barbara Blake Mr. & Mrs. William McKenzie PLATINUM Robert & Nancy Blayney Harold O. McNeil, Esq. ($1,000 to $1,499) Joyce & Robert Blumberg Susan & Charles Muha In Memory of Charles R. Allen In Memory of Eleanore Boaz-Lopez Katherine Newton Ronda & Stanley Breitbard Mrs. Suzanne I. Bond Willene D. Nichols Mr. & Mrs. Blaine A. Briggs H.L. & Irene Boschken Jack & Virginia Oliver Sandra & Harry Carter Mrs. Henri Brandais Rod & Barbara Orth Deloitte/Mauricio Monroy Bob Buchner/Marie Buckey Susan Parker Ron & Devora Eisenberg–Great News! Dr. Cynthia Cartwright William & Sandra Peavey Richard & Donna Ferrier Greg & Loretta Cass Deborah Brooks Pettry Hal & Pam Fuson Harry & Carol Cebron Dr. Ken Pischel & Dr. Katherine Ozanich Dr. Lynne Champagne & Dr. Wilfred Kearse Dr. Julie Prazich & Dr. Sara Rosenthal

P18 PERFORMANCES MAGAZINE Eileen Prisby Helen M. Caldwell Jane & Richard Haskel Stuart & Linda Robinson Beth & Tim Cann Lucy & Jim Haugh Dr. H. Warren Ross Jane Carrigan Mr. & Mrs. William Hawkins Mr. Joseph Rusche Ellen Casey Michele D. Hearns, Inc. Cheryl & Frank Ruyak Luc & Ann Marie Cayet-Pleska Dr. Charles & Joan Henkelmann Dr. Joseph & Carol Sabatini Charlene Chatham & William Price Donald J. Hickey Phoebe & David Sackett Andy & Kay Chisel Raymond L. Higgins Ned Schmidtke Elaine & Peter Chortek Mr. & Mrs. Thomas O. Hippie Mr. & Mrs. John Seiber Mr. & Mrs. Owen Clinton Leslie Hodge Richard Shapiro & Marsha Janger Mr. & Mrs. Art Cohen Paul & Anne Hofflund Alan & Esther Siman Robin & William Comer John & Peggy Holl Rodney & Dolores Smith Fund at Alan L. & Frances E. Cornell Paul & Barbara Holz The San Diego Foundation Ronald D. Culbertson Nancy & Bill Homeyer Herbert & Elene Solomon Glenn Currie Photography Bonnie & Cecil Hornbeck Gwen Stoughton Dewey & Cindy Dasher Mr. & Mrs. Lee Horowitt Clifford & Kay Sweet John Wm. Davis & William M. Hughes Kendyl & Merri Houdyshell Ms. C. Anne Turhollow & Mr. Michael Perkins Mr. & Mrs. William Deatrick Steven & Nancy Howard Will & Vanessa Van Loben Sels Dr. Gregory J. Del Zoppo Stephanie B. & Carl A. Hurst Natalie C. Venezia & Paul A. Sager Mr. & Mrs. Wes Dillon Joseph & Donna Hynes Kenneth & Lorelei Warburton Dr. & Mrs. Donald B. Dose Mr. & Mrs. Joseph & Eileen Innecken Pat & Allen Weckerly Patricia & Glen Doughty Susan D. Inot Zona Weekley Sean & Kellie Doyle Mr. & Mrs. David Ives Mr. & Mrs. David Weinrieb Stephen & Sandra Drew Bill & Cheri James Dennis & Carol Wilson Clay Dupray Nancy B. James Mr. & Mrs. C.E. Wylie/C.E. Wylie Elisabeth Ecke Richard & Katherine Jarvis Construction Company Lizbeth Ecke & David Meyer In Memory of Donald Jenkins Kaye I. Wynne Patricia Eichelberger Kenneth & Catherine Jones Dr. Joseph Yedid & Susan Sincoff Judge & Mrs. Harry Elias Judge & Mrs. Anthony C. Joseph Peggy Elliott Dr. & Mrs. James Justeson SILVER Peter & Doris Ellsworth Elaine R. Kalin ($250 to $499) Barbara & Dick Enberg Andrew & Denise Kaplan Margaret Acampora Drs. Lawrence & Irene Fine Patricia & Alexander Kelley Mr. Gale Acker & Dr. Nancy Acker Ms. Donna J. Flor & Mr. R. Kirk Keel Charles & Gail Kendall Michael Albo Dr. Ruth M. Forbis David C. & Betty J. Kennedy George Amerault Larry & Jan Ford Jennifer Kent Anonymous (7) Lee Forte/J. Narvid Kathleen Kim & Zachary Rattner Drs. Michael & Gabriela Antos Clare & Paul Friedman Mr. & Mrs. Webster B. Kinnaird Mr. & Mrs. Bill Arnold Dr. Richard & Randee Friedman Marvin M. Kripps, M.D. John & Elizabeth Bagby Natacha Furlan Bernard J. Kuchta & Elizabeth Zeigler Lewis & Lynne Baker Charles & Jeanne Gahagan Betty & Richard Kuhn Beverly Bartlett & Barbara Sailors Mr. David N. Garrison & Vic & Mary Landa Sharon & Bill Beamer Mr. David M. Pierce Elizabeth Lasley Mr. & Mrs. T.K. Bell Ferdinand Gasang Dixon & Pat Lee Karlene Knieps Bergold Gaspare Trust Tom & Terry Lewis Armand Bernheim, Jr. Mr. & Mrs. Peter Gault Roy Long Mr. & Mrs. Stanley Birstein Norman & Patricia Gillespie Sally & Bill Luster Drs. Gordon & Karen Bishop Dr. & Mrs. Michael Goldbaum Jerry & Beverly Lynn Robert D. Blanton & Ann Clark Howard & Carole Goldfeder Jeanne Maltese Ms. Sheila M. Bobenhouse & Marilyn & Mel Goldzband Judge & Mrs. Frederick Mandabach Mr. Jeffrey C. Truesdell Drs. Thomas & Cynthia Goodman Ron & Mercy Mandelbaum Dr. James Lewis Bowers Euvoughn L. Greenan Mr. & Mrs. Norman Mann Mrs. Wyloma Bradshaw Mr. & Mrs. Arthur A. Greenberg Kathleen Markham Mr. & Mrs. Ronald Brady Jerome & Anita Gutkin Harold & Beverly Martyn Ed Brookins Margaret Hall Joanne D. Marugg Dr. & Mrs. Simon C. Brumbaugh, Jr. Virgil & Jean Hamblin Bruce & Brenda Mason Beth Bruton Robert W. & Helen M. Hammond Susan B. Mason Mr. Glenn Buberl Robert M. & Helen M. Hansen Cdr. & Mrs. John C. Mathews III David & Diane Burns Linda E. Hanson Ronald McCaskill & Robyn Rogers John & Kirk Butler C. Harbordt Oliver McElroy & Karen Delaurier Stuart & Joanne Butler Mr. & Mrs. James Harris Teresa McEuen

PERFORMANCES MAGAZINE P19 Annual Fund Donors continued

Steve McIntee Lori Severson & Eric Longstreet Charles & Billie McKnight Prof. K. Barry & Jan Sharpless ADVISORY COUNCIL MEMBERS Mr. & Mrs. David McNair Ken Sherborne Mr. Lawrence Alldredge Mr. & Mrs. Jim Melcher Sandy & Stella Shvil Dr. Paul L. Black Dr. & Mrs. Robert Meredith Hano & Charlotte Siegel Clint Burdett Christine Mersten Kevin & Diane Silke Dr. & Mrs. Edgar D. Canada Drs. John Meyers & Betty Joan Maly Jerry & Beth Silverman Dr. & Mrs. Paul Michelson Mr. & Mrs. Randall Silvia Mary Clark James & Dorothy Mildice Eunice M. Simmons, M.D. Steven J. Cologne Joel, Annette & Arianna Millman Anne & Ronald Simon R. Patrick & Sharon Connell Stan & Phyllis Minick Terrence & Kathryn Slavin Mrs. Susan B. Cowell Margaret Mitchell Tom Sowers Pat & Dan Derbes Dr. & Mrs. Izaac Mizrahi Mr. & Mrs. Fred C. Stalder Mrs. Philip H. Dickinson Mark Morel Alan M. Stall Mr. & Mrs. Robert W. Doede Michael Morris Ann & Robert Steiner Ms. Marion Eggertsen Mary Jo Murphy Mr. & Mrs. Harris Steiner Dr. Bernard Eggertsen & Anne Myers Mickey Stern Mr. & Mrs. H. Martin Nash Richard Stevenson Ms. Florence Nemkov Tom & Doris Neuman Edward Stickgold & Steven Cande Mrs. Danah H. Fayman Mark Niblack Sharon S. Storey Hawthorn’s Restaurant Charlotte Nielsen Helga & Sam Strong Mr. & Mrs. Arnold Ginnow Carolann Pagliuso Abbe Wolfsheimer Stutz Ms. Alexa Hirsch Pamela Palisoul Ron & Susan Styn Mr. & Mrs. Leonard Hirsch Mr. & Mrs. Jean-Louis Paroz Mrs. J.B. Swedelius Mr. & Mrs. Alfred W. JaCoby In Memory of Margaret Peninger Drs. Paul Sylvan & Ellen Heyneman Russell & Mary Johnson Clifford T. Pentrack & Mary E. Giovaniello Franklin & Phyllis Tabor Mr. & Mrs. J. Robert King Marion D. Perlman Dr. Blake S. & Mrs. Peggy Jean Talbot Drs. Mark & Darcey Perlman Dr. Terry & Naomi Tanaka Ken & Sheryl King Lawrence Roy Perrin Dr. Marshall & Leila Taylor Rosalie Kostanzer & Michael Keefe Peterson & Associates Judge & Mrs. David R. Thompson Bob & Laura Kyle Mr. & Mrs. David J. Pettitt Mr. & Mrs. John Torell Terry & Mary Lehr Barbara Pricola Doris Trauner, M.D. Ruth & Ron Leonardi Mr. & Mrs. Merlin Puck Robert C. & Melesse W. Traylor Peter & Inge Manes Kedar Pyatt Iwona A. Trybus Bob Martinet & Susan Parkin Anne Ratner Fund of the Ginny Unanue Dr. Marianne McDonald Jewish Community Foundation Midgie Vandenberg Paul I. Meyer Mrs. Charlotte Rees Kathy & Jim Waring Henry & Deborah Rieger William Weeks Mr. & Mrs. George Miller Andrew Ries, M.D. & Vivian Reznik, M.D. Janice L. Weinrick Mrs. Harle Montgomery Mr. & Mrs. Brent Robinson Jean & Tim Weiss David & Noreen Mulliken Joseph W. Robinson Mr. & Mrs. James D. Welterlen Bette Nagelberg Isabella & Jody Rogers Ross & Barbara White Nicholas-Applegate Gerald & Ruth Rosenbaum Patrick & Phyllis Whitney Charles Noell Ursula R. Roth Loreen & Roland Wilhelmy Mr. & Mrs. Victor H. Ottenstein Dr. & Mrs. Richard Rowen Ron & Beverly Wilson Mr. & Mrs. Arthur Rivkin Dr. Norman & Barbara Rozansky Cass Witkowski Family Donald & Darlene Shiley Peter & Donna Russell Mr. & Mrs. John W. Witt Fran & Tom Ryan Janet Wolf Ms. Roberta Simpson George & Karen Sachs Dr. Dolores Wozniak Dorothy & Joel Sollender Debbie & Wayne Sakarias Sandra Zarcades Gail Squires & Yaman Sencan Joan & Jack Salb Mr. & Mrs. Paul Zimmer Ms. Jeanette Stevens Samiljan Family Fund of the Vicky Zollweg & Michael Dunteman Dr. & Mrs. Jay Sweeney Jewish Community Foundation Josef B. Zwass Marc R. Tarasuck, AIA Josiah & Abigail Sand This list is current as of August 15, 2006 Dixie & Ken Unruh Barbara A. Sawrey June Yoder Simon & Ruth Sayre To learn more about supporting The Old Globe’s Mr. & Mrs. Robert D. Young Dr. & Mrs. Roger H. Schmitt performances and education and outreach Martin & Connie Schroeder programs, please visit our website at RAdm. & Mrs. H. James T. Sears For more information, please contact www.TheOldGlobe.org or call Courtney Quinn Courtney Quinn at (619) 231-1941 x2311. Kathy A. Seger at (619) 231-1941 x2311. Linda J. Seifert

P20 PERFORMANCES MAGAZINE Special Thanks to our Corporate Donors

SEASON SPONSORS ($50,000 and more)

PRODUCTION SPONSORS ($25,000-$49,999)

DIRECTOR CIRCLE ($10,000-$24,999)

Break-Away Tours Nokia Science Applications Sycuan Resort & Casino Evans Hotels Relocation Coordinates International Corporation Time Warner Cable Higgs, Fletcher & Mack, LLP ResMed Foundation Showtime U.S. Bank KPMG, LLP San Diego National Bank Starbucks Mercer Health & Benefits FOUNDER CIRCLE ($5,000-$9,999) Citigroup Foundation/ Hawthorn’s Restaurant Oakwood Worldwide The Westgate Hotel Smith Barney Nissan Foundation Pfizer XLNC1 Fleishman-Hillard Northern Trust Bank Stewart Title of California

PLAYWRIGHT CIRCLE ($2,500-$4,999) Ashworth, Blanchet, Mission Federal Credit Union Seltzer Caplan McMahon Vitek Christenson, Kalemkiarian Nicholas-Applegate WD-40 Company

Corporate Partners enjoy exclusive benefits and recognition, especially the opportunity to entertain clients and employees with exclusive receptions in our Patron and Lipinsky Family Suites, behind-the-scenes tours, and preferred seating at our shows. For information, please contact Todd Schultz at (619) 231-1941 x2310.

PERFORMANCES MAGAZINE P21 Associate Artists of The Old Globe In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as ASSOCIATE ARTISTS OF THE OLD GLOBE, the following who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of this theatre.

Louis G. Spisto, Executive Director Jack O’Brien, Artistic Director Jerry Patch, Resident Artistic Director Craig Noel, Founding Director

William Anton Tovah Feldshuh Mark Harelik John McLain Steven Rubin Deborah Taylor Jacqueline Brookes Monique Fowler Bob James Jonathan McMurtry Ken Ruta Sada Thompson Lewis Brown Ralph Funicello Tom Lacy Stephen Metcalfe Douglas W. Schmidt Paxton Whitehead Kandis Chappell Lillian Garrett-Groag Diana Maddox Robert Morgan Seret Scott James R. Winker George Deloy Harry Groener Dakin Matthews Steve Rankin David F. Segal Robert Wojewodski Tim Donoghue A.R. Gurney Deborah May Robin Pearson Rose Don Sparks Richard Easton Joseph Hardy Katherine McGrath Marion Ross David Ogden Stiers Conrad Susa PATRON INFORMATION TICKET SERVICES HOURS SEATING OF LATECOMERS Monday: noon – 6pm Although we understand parking is often at a premium, the seating Tuesday through Sunday: noon – last curtain of latecomers is extremely disruptive. Latecomers may be given alter- Hours subject to change. Please call ahead. native seating and will be seated at an appropriate interval. Phone (619) 23-GLOBE or (619) 234-5623 FAX (619) 231-6752 YOUNG CHILDREN Email [email protected] Children five years of age and under will not be admitted to perfor- mances. ADMINISTRATION HOURS Monday - Friday : 9am – 5pm PHONE (619) 231-1941 ELECTRONIC DEVICES AND CAMERAS WEBSITE www.TheOldGlobe.org Use of recording devices and cameras is not permitted. If you are ADDRESS The Old Globe wearing a digital watch or pager, or if you are carrying a cellular P.O. Box 122171 phone, please silence it prior to entering the theatre. San Diego, CA 92112-2171 SENNHEISER® LISTENING SYSTEM ORDERING TICKETS / CHANGE OF ADDRESS For the convenience of the hearing impaired, the Sennheiser® The Old Globe accepts Visa, Discover, MasterCard, or American Listening System is available in the Old Globe Theatre. Lightweight Express. Phone orders for non-subscibers are subject to a $3 per headsets may be obtained from the house manager prior to perfor- ticket service charge, not to exceed $12. Ticket exchanges are subject mances, free of charge. to a service charge for non-subscribers. If you have moved, please notify the Ticket Services Office to update our records. Call (619) PUBLIC TOURS 234-5623 during Ticket Services hours, mail your change of address Go behind the scenes at The Old Globe to learn about the history, to the Ticket Services Office, or email us at [email protected]. three stages, shop and craft areas. Open tours: most Saturdays and Sundays at 10:30am. Groups by reservation. $5 adults; $3 seniors UNABLE TO ATTEND? and students. Phone (619) 231-1941 x2142 for information/reserva- If you find you are unable to use your tickets, please give them to a tions. friend, or turn them in to the Ticket Serivces Office and receive a tax receipt for your donation. Tickets must be received by show time. LOST AND FOUND If you have misplaced a personal item while at the theatre, please RESTROOMS AND TELEPHONES contact the Ticket Services Office or Security as soon as possible. If Restrooms are located in the lower lobby of the Old Globe Theatre we are unable to locate your item, we’ll happily take down your and adjacent to the Festival Theatre; pay phones may be found in the contact information as well as a description of the item and contact lower Globe Theatre lobby and next to the Gift Shop. you if it is found. The Old Globe does not assume liability for items left behind on premises. Ricola Cough Drops are available upon request. Please ask an Usher. P22 PERFORMANCES MAGAZINE Director Profiles

LOUIS G. SPISTO JERRY PATCH JACK O’BRIEN Executive Director Resident Artistic Director Artistic Director Louis G. Spisto has been Executive Director of The Jerry Patch was appointed Resident Artistic Recent Globe productions include Dirty Rotten Old Globe since October, 2002. During his tenure, Director of The Old Globe in February 2005. He Scoundrels (currently playing on Broadway), Spisto spearheaded the return of the Globe’s most recently served as the Dramaturg and a Imaginary Friends, Twelfth Night, The Full Monty, The acclaimed Shakespeare Repertory Season and pro- member of the long standing artistic team at Seagull, The Magic Fire, Dr. Seuss’ How the Grinch Stole duced several world-premiere plays and musicals, Southern California’s Tony Award®-winning South Christmas!, the world premieres of Associate Artist including the current Broadway musical Dirty Rotten Coast Repertory (SCR), where he coordinated the A.R. Gurney’s Labor Day and Tina Howe’s Pride’s Scoundrels. During the past two seasons, the organiza- development of 150 new plays, including three Crossing, as well as Time and Again, The Doctor Is Out tion has grown its subscription audience an unprece- Pulitzer Prize winners and numerous other final- (Getting Away With Murder) by Stephen Sondheim dented amount, countering a trend in the non-profit ists. Patch became the top choice for this new role and George Furth, plus productions of Henry IV, theatre industry and resulting in the highest level of at the Globe due to his many years of artistic Much Ado About Nothing, Oleanna, Damn Yankees, King attendance in over a decade. Prior to coming to the accomplishments, his exceptional relationships Lear, Ghosts, Hamlet, Uncle Vanya, and world pre- Globe, Spisto served as the Executive Director of with the nation’s leading directors and playwrights, mieres of Terrence McNally’s Up in Saratoga, A.R. American Ballet Theatre in New York City. While and his enthusiastic commitment to new work. Gurney’s The Snow Ball and The Cocktail Hour, Tom there, he increased ticket income and annual contribu- While at SCR, Patch worked as Dramaturg on Dulack’s Breaking Legs, Stephen Metcalfe’s Emily. tions for the organization by nearly 20 percent. He numerous new works, including Donald ELSEWHERE: Henry IV (Tony Award®); Hairspray also tripled the Ballet’s touring weeks and the Margulies’ Sight Unseen and Brooklyn Boy, which just (Tony Award®); The Invention of Love (Tony nomina- resources devoted to education and training pro- opened to critical acclaim on Broadway, Margaret tions, best director and play), Lincoln Center grams. Spisto has also served as the President of the Edson’s Pulitzer Prize-winning Wit, Howard Theatre; The Full Monty (Tony nominations, best Detroit Symphony Orchestra, where he provided Korder’s Search and Destroy, Amy Freed’s The Beard of director and musical), Eugene O’Neill Theatre; fundraising leadership and creative direction for the Avon, as well as Intimate Apparel, Freedomland and More to Love; Labor Day, Manhattan Theatre Club; St. orchestra’s $60 million renovation project, and helped several world-premieres plays by Richard Louis Woman, City Center Encores!; Pride’s Crossing, dramatically increase ticket sales while initiating Greenberg, including Three Days of Rain and A The Little Foxes, Hapgood (Lucille Lortel Award for several new series for the orchestra. Spisto established Naked Girl on the Appian Way. In addition, he co- Direction, 1995), Lincoln Center; Damn Yankees a reputation as a superb arts executive here in conceived The Education of Randy Newman with (Tony nomination, best musical revival); Two California, where he spent over ten years as the Michael Roth and Mr. Newman. Patch also served Shakespearean Actors (Tony nominations, best direc- Executive Director of the Pacific Symphony Orchestra as the project director of SCR’s renowned Pacific tor and play) on Broadway; Porgy and Bess for in Orange County. During his tenure there, he tripled Playwrights Festival, which annually introduces Houston Grand Opera and Broadway (Tony the orchestra’s annual budget, all while eliminating a seven new plays to an audience of national theatre Award), as well as Radio City Music Hall; The Magic prior deficit and successfully completing the orches- leaders. Typically, more than 75% of the plays pre- Flute, San Francisco Opera; Tosca, Santa Fe Opera; tra’s first endowment campaign. In addition, he estab- sented receive multiple productions in theatres Così fan Tutte and Aida, Houston Grand Opera; The lished a series of innovative recording projects with across the country. During his tenure at SCR, Most Happy Fella, Michigan Opera and Broadway. Sony Classical and oversaw a number of nationally Patch also held the position of Artistic Director TV: An Enemy of the People, All My Sons, I Never Sang recognized commissioning projects. A strong advocate (1990-1997) of The Sundance Theatre Program, for My Father, Painting Churches, and The Skin of Our of arts education, Spisto built one of the largest and which included the Sundance Playwrights Teeth, all for PBS’s American Playhouse. Recent most respected music training and outreach efforts. Laboratory, one of the nation’s leading new play awards: 2004 Thomas Degaetani Award (USITT), During his career, Spisto has also served as Director development programs. Additionally, he ran the 2002 “Mr. Abbott” Award (SDCF), 2001 Joan of Marketing for the Pittsburgh Symphony Orchestra Sundance Summer Theatre, a repertory of 2-3 pro- Cullman Award for Extraordinary Creativity, 2001 and Director of Operations and Development for the ductions staged outdoors for Utah audiences and Joe A. Callaway Award (SDCF), the Drama League’s Performing Arts Center, UC Berkeley. He holds a The Sundance Children’s Theatre, which is dedicat- Julia Hansen Award for Excellence in Directing, Masters degree from the University of Wisconsin in ed to the development and presentation of new 2001. Member, College of Fellows of the American Arts Administration and a Bachelors of Business works for family audiences by leading American Theatre; Honorary Doctor of Humane Letters, Administration from the University of Notre Dame, playwrights. He has also served as a consulting University of San Diego. Mr. O’Brien a member of and spent many years acting, directing and producing Dramaturg for New York’s renowned Roundabout the College of Fellows of the American Theatre. plays and musicals throughout his student days, as Theatre Company, one of two of the largest theatre well as in professional summer theatre. companies in the country.

PERFORMANCES MAGAZINE P23 Louis G. Spisto Jack O’Brien Jerry Patch Craig Noel Staff Executive Director Artistic Director Resident Artistic Director Founding Director

Michael G. Murphy ...... General Manager Pat Cain ...... Property Master, Globe Courtney Quinn ...... Development Coordinator, Marcus Polk ...... Property Master, Carter Individual Annual Giving Dave Henson ...... Director of Marketing Diane Addis ...... Membership Administrator and Communications Trevor Hay ...... Property Master, Festival Jennifer Gittings, Erin McKown ...... Development Assistant Todd Schultz ...... Director of Development Kristine Hummel-Rosen ...... Properties Assistants Diana Steffen ...... Development Assistant Mark Somers ...... Director of Finance Lighting Donor Services Chris Rynne ...... Lighting Director Babs Behling, Jackie Cain, Eve Childs, Barbara Lekes, Richard Seer ...... Director of Professional Training Megan Fonseca ...... Lighting Assistant Landin Rice, Stephen Serieka, Robert Drake ...... Director of Production Tonnie Ficken ...... Master Electrician, Globe Judy Zimmerman ...... Suite Concierges Jim Dodd ...... Master Electrician, Carter Roberta Wells-Famula ...... Director of Education Kevin Liddell ...... Master Electrician, Festival MARKETING Darko Tresnjak . .Artistic Director Shakespeare Festival Meghan Bourdeau, Jason Bieber, James Feinberg, Becky Biegelsen ...... Public Relations Director Kristen Flores, Sandy Flores, Allyson Guertin, Samantha Frank Teplin ...... Audience Development Manager Hartzell, Matt Hibbs, Tricia Lesinski, Andy Lowe, Leah Phillip Sanchez ...... Group Sales Manager ARTISTIC Nellman, Michael Paolini, Elvira Perez, Ashley Roberts, Jackie Anderson ...... Publications Coordinator Samantha Barrie ...... Artistic Coordinator Steve Schmitz, Stacey Schrom, Chad Stanner, Erin Anderson ...... Public Relations Assistant Diane Sinor ...... Dramaturgy Associate Chris Walsh ...... Electricians Claire Kennelly ...... Marketing Assistant Kim Montelibano Heil ...... Literary Associate Masha Tsimring ...... Intern Judy Zimmerman ...... Marketing/Events Assistant Jan Gist ...... Voice and Speech Coach Sound Erica Dei ...... Graphic Designer Bernadette Hobson ...... Artistic Assistant Craig Schwartz, J.T. MacMillanProduction Paul Peterson ...... Sound Director Photographers Stage Management Erik Carstensen ...... Master Sound Technician, Globe Subscription Sales Leila Knox ...... Production Stage Manager Rachel Eaves ...... Master Sound Technician, Carter Scott Cooke ...... Subscription Sales Manager Tracy Skoczelas ...... Assistant Stage Manager Jeremy Nelson ...... Master Sound Technician, Festival Russ Allen, Anna Bowen-Davies, Arthur Faro, Jinny L. Parron ...... Douglas Pagliotti Jeremy Siebert ...... Mic Runner, Festival Stage Management Intern Andrew Fink, Randi Hawkins, Justin Lang, Pamela Malone, Jessica Morrow, Ken Seper, ADMINISTRATION Grant Walpole ...... Subscription Sales Representatives PRODUCTION Darla Lopez ...... Executive Assistant Ticket Services Debra Pratt Ballard . . . .Associate Director of Production Brian Ulery ...... Assistant to the General Manager Ellen Dieter ...... Company Manager Shari Ressel ...... Ticket Services Manager Information Technology Carol Donahue ...... Production Coordinator Marsi Roche ...... Ticket Operations Manager Dean Yager ...... Information Technology Manager Lyle Wilson ...... Ticket Services Supervisor Technical ThadSteffen ...... Information Technology Assistant Josh Rowland, Shouna Shoemake ...... Lead Ticket Benjamin Thoron ...... Technical Director James Lawrence ...... Conversion Support Assistant Services Representatives Liz Bonnett, Wendy StymerskiAssistant Technical Randy Acosta, Tim Cole, Melanie Galati, Dru Garcia, Directors Human Resources Mame Gile, Jessica Hanley, John Houghton, , Michael Amanda Stephens ...... Resident Design Assistant Sandra Parde ...... Human Resources Administrator Knudsen, Alicia Lerner, Jenna Long, Grace Manuel, Christian Thorsen ...... Stage Carpenter/ Maintenance Kendra McCall, Caryn Morgan, Carlos Quezada, Flyman, Globe Chad Oakley ...... Facilities Manager Gary Rachac, Arksan Siarak, Brandon Smithey, Brittany Summers ...... Ticket Services Bob Dougherty ...... Shop Foreman/ Violanda Corona, Ismael Delgado, David Gaspar, Master Carpenter, Festival Miguel Gaspar, Roberto Gonzalez, Reyna Huerta, Representatives Carole Payette ...... Charge Scenic Artist Margarita Meza, Jose Morales, Maria Rios, Adam Bernard, Steven High ...... Scenic Artists Nicolas Torres ...... Building Staff PATRON SERVICES Matthew Clark, Kevin Fain, Jim Hopper, Mike Callaway ...... Theatre Manager Ryan Meinhart ...... Carpenters PROFESSIONAL TRAINING Danielle Burnett ...... Front of House Assistant Stephan Aldrich-Lutz ...... Charge Carpenter, Carter Llance Bower ...... Program Coordinator Merlin D. “Tommy” Thompson . . . .Patron Services Rep. Costumes Maria Carrera, Cynthia Caywood, Sabin Epstein, Robert Colin Hanley, Rob Novak, Ashley RobertsHouse Barry Fleming, Gerhard Gessner, Jan Gist, Peter Kanelos, Managers Fred Robinson, Liz Shipman ...... MFA Faculty Stacy Sutton ...... Costume Director Dana Juhl ...... Food & Beverage Manager Charlotte Devaux ...... Resident Design Assistant Alysha Haran, Corey Johnston, Robin Sanford Roberts, Ben Siebert ...... MFA Production Staff Haydee Aldas, Lauren Burnet, Kristin Dishman, Maureen MacNiallais ...... Assistant to the Director Ashley Gregory, Brandi Mahan, Roland Roberge, Shelly Williams ...... Design Assistant/Shopper Tess Rowley, Anne-Marie Shafer, Felicia Tobias, Gwen Dunham, Louise M. Herman ...... Drapers EDUCATION Melissa Whirlow ...... Pub Staff Babs Behling, Gloria Bradford, Raúl Moncada ...... Education Associate Babs Behling, Rose Espiritu, Anne Glidden Grace ...... Assistant Cutters Holly Ward ...... Tour Coordinator Stephanie Rakowski ...... Gift Shop Supervisors Mary Miller ...... Costume Assistant Carol Green ...... Speakers Bureau Coordinator Security/Parking Services Judith Craigo ...... Lead Crafts Person-Painter/Dyer Sandra Ruiz ...... Teaching Artist Rachel “Beahr” Garcia ...... Security/Parking Molly O’Connor ...... Wig & Makeup Supervisor Services Supervisor Melyssa Swensen ...... Assistant to Wig & Makeup FINANCE Irene Herrig ...... Acting Security Supervisor Supervisor Paula S. Nickodemus ...... Senior Accountant Sherisa Eselin, Janet Larson, Michael Mackey, Jasmin Mellado ...... Wardrobe Assistant J. Adam Latham . . . . .Payroll Clerk/Accounting Assistant Sonia Paul ...... Security Officers Diane Jenkins ...... Accounting Assistant Chanel Boxx, Sean Busby, Michael Conroy, Kim Parker ...... Wig Assistant Deborah Elliot, Catrina McQuerry, Jeremy Neitzel, Cassidy Lubben ...... Carter Running Crew Lynn Dougherty ...... Receptionist Kaneisha Rose ...... Parking Lot Attendants Properties Ryan Barsotti, Mark Brickman, DEVELOPMENT David Nguyen ...... V.I.P. Valet Attendants Neil A. Holmes ...... Properties Director Brad Ballard ...... Associate Director, M.H. Schrenkeisen ...... Shop Foreman Major & Planned Gifts Rory Murphy ...... Lead Craftsman Annamarie Maricle ...... Associate Director, Ryan Buckalew, David Buess, Institutional Grants Kristin Steva Campbell, ...... Craftspersons Eileen A. Prisby ...... Events Manager

P24 PERFORMANCES MAGAZINE