Bluesletterjuly 2019
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Petronius' Satyricon Teacher's Manual
Petronius' Satyricon Mosaic from House with Workshops, Pompeii Selections from Cena Trimalchionis Teacher's Manual Ashley Newman Table of Contents I. Introduction and teaching suggestions……………………...………………….pg 3 II. Lesson plans and handouts……………………………….....……………pgs 4 - 12 III. Large versions of text for overhead………………………………..……..pgs 13-19 IV. English translation…………….…………………………….……………pgs 20-23 V. Multiple choice quiz and key..…………………………………………. pgs 24 -25 VI. Vocabulary Quiz………..…………………………………………………….pg 26 VII. Translation Quest and key..………………………………………………pgs 27-28 VIII. Test and key………………………………………………………………pgs 29-35 IX. Bibliography………………………………………………………………….pg 36 2 Introduction and teaching suggestions The purpose of this teaching project is to guide Latin III students through Petronius' Satyricon with ease. By Latin III, the students should be reading unaltered texts in Latin. It is important that the students read texts written by Romans, instead of teachers. Students can learn information about culture and language from reading the words of the Romans. This project is designed to help young students navigate their way through an authentic text. This unit has been designed to take about 12 days. The lesson plans are laid out for group work. This Petronius project lends itself to be incorporated into a larger Roman author unit. I incorporate Petronius as one of the six Romans authors whom I expose my students during a semester. This unit could be longer. Students could translate and discuss only one page a day with daily review of the previous page. Using the suggested extension activities would also extend the unit. It is important to read and discuss the introduction with the students in order to familiarize them with the time period, author, and genre of the Satyricon. -
Joe Louis Walker
Issue #218 LIVING BLUES #218 • APRIL 2012 Vol. 43, #2 ® © JOE LOUIS WA JOE LOUIS L KER - LEE GATES - KER - LEE GATES WALKER K IRK F L ETCHER - R LEE GATES OSCOE C HENIER - PAU KIRK L RISHE FLETCHER LL - 2012 B L UES FESTIVA ROSCOE L GUIDE CHENIER $6.95 US $6.95 CAN www.livingblues.com 2012 Festival Guide Inside! Joseph A. Rosen Rhythm andBluesCruise,Rhythm October 2007. onthe Legendary Joe LouisWalker In 1985, after a decade of playing and singing nothing but gospel music with a quartet called the Spiritual Corinthians, 35-year-old Joe Louis Walker decided to get back to the blues. The San Francisco–born singer-guitarist had begun playing blues when he was 14, at first with a band of relatives and then with blues-singing pimp Fillmore Slim before becoming a fixture at the Matrix, the city’s preeminent rock club during the psychedelic Summer of Love, backing such visiting artists as Earl Hooker and Magic Sam. Michael Bloomfield became a close friend and mentor. The two musicians lived together for a period, and the famous guitarist even produced a Walker demo for Buddah Records, though nothing came of it. Then, in 1975, Walker walked away from the blues completely in order to escape the fast life and the drugs and alcohol associated with it that he saw negatively affecting Bloomfield and other musician friends. Walker knew nothing about the blues business when he started doing blues gigs again around the Bay Area with a band he’d put together, as a member of Oakland blues singer-guitarist Haskell “Cool Papa” Sadler’s band, and (for a tour of Europe) with the ad hoc Mississippi Delta Blues Band. -
April 2019 BLUESLETTER Washington Blues Society in This Issue
LETTER FROM THE PRESIDENT Hi Blues Fans, The final ballots for the 2019 WASHINGTON BLUES SOCIETY Best of the Blues (“BB Awards”) Proud Recipient of a 2009 of the Washington Blues Society are due in to us by April 9th! You Keeping the Blues Alive Award can mail them in, email them OFFICERS from the email address associ- President, Tony Frederickson [email protected] ated with your membership, or maybe even better yet, turn Vice President, Rick Bowen [email protected] them in at the April Blues Bash Secretary, Open [email protected] (Remember it’s free!) at Collec- Treasurer, Ray Kurth [email protected] tor’s Choice in Snohomish! This Editor, Eric Steiner [email protected] is one of the perks of Washing- ton Blues Society membership. DIRECTORS You get to express your opinion Music Director, Amy Sassenberg [email protected] on the Best of the Blues Awards Membership, Open [email protected] nomination and voting ballots! Education, Open [email protected] Please make plans to attend the Volunteers, Rhea Rolfe [email protected] BB Awards show and after party Merchandise, Tony Frederickson [email protected] this month. Your Music Director Amy Sassenburg and Vice President Advertising, Open [email protected] Rick Bowen are busy working behind the scenes putting the show to- gether. I have heard some of their ideas and it will be a stellar show and THANKS TO THE WASHINGTON BLUES SOCIETY 2017 STREET TEAM exceptional party! True Tone Audio will provide state-of-the-art sound, Downtown Seattle, Tim & Michelle -
Steve Cropper | Primary Wave Music
STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band. -
Toronto! Welcome to the 118Th Joint Annual Meeting of the Archaeological Institute of America and the Society for Classical Studies
TORONTO, ONTARIO JANUARY 5–8, 2017 Welcome to Toronto! Welcome to the 118th Joint Annual Meeting of the Archaeological Institute of America and the Society for Classical Studies. This year we return to Toronto, one of North America’s most vibrant and cosmopolitan cities. Our sessions will take place at the Sheraton Centre Toronto Hotel in the heart of the city, near its famed museums and other cultural organizations. Close by, you will find numerous restaurants representing the diverse cuisines of the citizens of this great metropolis. We are delighted to take this opportunity of celebrating the cultural heritage of Canada. The academic program is rich in sessions that explore advances in archaeology in Europe, the Table of Contents Mediterranean, Western Asia, and beyond. Among the highlights are thematic sessions and workshops on archaeological method and theory, museology, and also professional career General Information .........3 challenges. I thank Ellen Perry, Chair, and all the members of the Program for the Annual Meeting Program-at-a-Glance .....4-7 Committee for putting together such an excellent program. I also want to commend and thank our friends in Toronto who have worked so hard to make this meeting a success, including Vice Present Exhibitors .......................8-9 Margaret Morden, Professor Michael Chazan, Professor Catherine Sutton, and Ms. Adele Keyes. Thursday, January 5 The Opening Night Public Lecture will be delivered by Dr. James P. Delgado, one of the world’s Day-at-a-Glance ..........10 most distinguished maritime archaeologists. Among other important responsibilities, Dr. Delgado was Executive Director of the Vancouver Maritime Museum, Canada, for 15 years. -
The Very Best of Aaron Neville Press Release
1 THE VERY BEST OF AARON NEVILLE IS FIRST COMPREHENSIVE COLLECTION OF HIS GREATEST RECORDINGS FROM THE ‘60S TO THE ‘90S The most familiar figure of New Orleans’ first family of music, Aaron Neville and his sweet soulful voice have graced recordings for four incredible decades. Yet there has never been a comprehensive collection of his greatest songs. Now there is. The Very Best Of Aaron Neville (A&M/UME), released January 11, 2000, brings together the original recordings of his most popular hits plus other outstanding tracks from his albums and guest appearances on the albums of others. The 18 selections span 37 years, from the Top 40 R&B hit “Over You” (1960) to the biographical “To Make Me Who I Am” from his 1997 A&M album of the same title. Also spotlighted are his #2 pop/#1 R&B classic “Tell It Like It Is” (1966), #2 pop smash duet with Linda Ronstadt “Don’t Know Much” (1989) and his Top 10 solo masterpiece “Everybody Plays The Fool” (1991). Attesting to his continued longevity, many of the songs on this collection are from the ‘90s, the decade during which he enjoyed his greatest commercial success. Featured are songs from each of his four non-Christmas A&M albums of the ‘90s, two of which are platinum (1993’s The Grand Tour and 1991’s Warm Your Heart) and one is gold (1995’s Tattooed Heart). The Very Best Of Aaron Neville includes his take on originals such as “Angola Bound” as well as his inspired versions of such famed songs as “Betcha By Golly Wow,” Bill Withers’ “Use Me,” Chuck Berry’s “You Never Can Tell” and the Peaches & Herb love song perennial “Close Your Eyes” (another duet with Ronstadt). -
Buddy Guy Releases “Blue No More” Feat. James Bay, from Forthcoming Album the Blues Is Alive and Well out Everywhere June 15Th, 2018
BUDDY GUY RELEASES “BLUE NO MORE” FEAT. JAMES BAY, FROM FORTHCOMING ALBUM THE BLUES IS ALIVE AND WELL OUT EVERYWHERE JUNE 15TH, 2018 Listen to “Blue No More” Feat. James Bay: http://smarturl.it/bgBNM GUY TO RECEIVE THE AMERICANA MUSIC ASSOCIATION’S LIFETIME ACHIEVEMENT AWARD ON SEPTEMBER 12TH IN NASHVILLE, TN SUMMER AND FALL TOUR DATES ANNOUNCED [New York, NY – May 30, 2018] Today, seven-time Grammy Award winning blues icon Buddy Guy releases a brand new song “Blue No More” featuring James Bay. The song is featured on his forthcoming album THE BLUES IS ALIVE AND WELL, set for release June 15th on Silvertone/RCA Records. Today, Billboard Magazine shared a video clip from James Bay speaking excitedly about recording with the legendary blues musician. BUY/STREAM “Blue No More” Feat. James Bay: http://smarturl.it/bgBNM Just last week, the Americana Music Association announced that Buddy Guy will be the recipient of their Lifetime Achievement Award. Buddy will receive the honor at a September 12th ceremony at Nashville’s Ryman Auditorium. Visit http://americanamusic.org/ for more information. THE BLUES IS ALIVE AND WELL is Buddy Guy’s follow up to his 2015 album Born To Play Guitar, which won “Best Blues Album” at the 2016 Grammy Awards, debuted at #1 on Billboard’s Top Blues Album charts and marked Guy’s fifth #1 album on the chart and twelfth Top 10 Billboard Blues album. THE BLUES IS ALIVE AND WELL features guest appearances by Mick Jagger on “You Did The Crime,” Keith Richards & Jeff Beck on “Cognac,” and James Bay on “Blue No More.” Grammy Award winning producer/songwriter and longtime collaborator Tom Hambridge produced the album. -
Blues Breakers with John Mayall & Eric Clapton: Guitar Play-Along Vol
FREE BLUES BREAKERS WITH JOHN MAYALL & ERIC CLAPTON: GUITAR PLAY-ALONG VOL. 176 PDF John Mayall | 88 pages | 26 Nov 2014 | Hal Leonard Publishing Corporation | 9781480354227 | English | United States John Mayall & the Bluesbreakers - Wikipedia Eric Patrick Clapton born March 30, is an English musician, singer-songwriter and guitarist. He is the only three-time inductee to the Rock and Roll Hall of Fame: once as a solo artist and separately as a member of the Yardbirds and Cream. Clapton has been referred to as one of the most important and influential guitarists of all time. Because of this, he was Blues Breakers with John Mayall & Eric Clapton: Guitar Play-Along Vol. 176 coined with the nickname "Clapton is God" in graffiti on the wall at an Islington Underground station in The phrase began to appear in other areas throughout the mids. Clapton grew up with his grandparents in Surrey, England. He studied at the Kingston College of Art but was dismissed because his focus was more on music than art. At age 17 he began playing with bands. Two of his most popular recordings were "Layla", recorded while he was a member of band Derek and the Dominos; and Robert Johnson's "Crossroads", recorded by band Cream. Following the freak accident which killed his son Conor inClapton's grief was expressed in the song "Tears in Heaven", which featured in his Unplugged album. InClapton, a recovering alcoholic and drug addict, founded the Crossroads Centre on Antigua, a medical facility for recovering substance abusers. Clapton was awarded a Grammy Lifetime Achievement Award in as a member of the rock group, Cream. -
BBB-2017E.Pdf
Big Blues Bender Official Program 2017 1 Welcome to the Bender! It’s our honor and privilege to welcome you all to the 4th installment of the Big Blues Bender! To our veterans, we hope you can see the attention we have given to the feedback from our community to make this event even better, year after year. To the virgins, welcome to the family - you’re one of us now! You’ll be hard pressed to find a more fun-loving, friendly, and all around excellent group of people than are surrounding you this week. Make new friends of your fellow guests, and be sure to come say hi to all of us. We are here to make your experience the best it can be, and we’re excited to prove it! Finally, we would like to acknowledge the hard work and support of the Plaza Hotel staff and CEO Jonathan Jossel. We could not ask for a better team to make the Bender feel at home. -Much Love, Team Bender BENDER SUPPORT PRE & POST HOURS : Wed, 9/6: 12:00p-11:00p • Mon, 9/11: 10:00a-12:00p PANELS & PARTIES Appear in yellow on the schedule Bender Party With H.A.R.T • Wed, Sept. 6 • 8:00p • Showroom $30 GA - The Official Bender Pre-party is proud to support H.A.R.T. 100% of proceeds benefit the Handy Artists Relief Trust. Veterans Welcome the Virgins Party! • Thu, Sept. 7 • 4:00p • Pool Join Bender veteran and host, Marice Maples, in welcoming this year’s crop of Bender Virgins! The F.A.C.E Of Women In Blues Panel • Fri, Sept. -
Capital Blues Messenger Capital Blues Messenger
CapitalCapital BluesBlues MessengerMessenger Celebrating the Blues in the District of Columbia, Maryland and Virginia July 2012 Volume 6 Issue 7 DCBS & Lamont’s Presents Memphis Blues Blowout Saturday, July 21 Photo by Thomas Hawk DCBS Hotter Than July Inside Fish Fry ‘n’ Blues DCBS July Events Saturday, July 14 Aug. 3 Zac Harmon Show and more Blues News & Reviews THE DC BLUES SOCIETY Become a DCBS member! Inside This Issue P.O. BOX 77315 Members are key to the livelihood of the President’s Drum 3 DCBS. Members’ dues play an important DCBS & Lamont’s Presents Memphis WASHINGTON, DC 4 part in helping DCBS fulfill its mission to Blues Blowout 20013-7315 promote the Blues and the musicians who keep the music alive, exciting and accessi- CD Review: Rick Estrin 5 www.dcblues.org DCBS Hotter Than July Fish Fry ‘n ble. Members receive discounts on advance 6 - 7 Blues; Blues Foundation Efforts The DC Blues Society is a non-profit 501(c)(3) sale tickets to DCBS events, DCBS merchan- organization dedicated to keeping the Blues alive dise and from area merchants and clubs Zac Harmon Interview 8 when you present your DCBS membership through outreach and education. The DC Blues Blues Calendar 9 Society is a proud affiliate of the Blues Foundation. card (see p 11). Members also receive the monthly Capital Blues Messenger (CBM) CD Review: Lil’ Ed & Blues Imperials 10 The Capital Blues Messenger is published monthly newsletter and those with e-mail access get DCBS Discounts, Miscelleneous 11 (unless otherwise noted) and sent by e-mail or U.S. -
Classic Rock- 60'S & 70'S
Classic Rock- 60's & 70's All Right Now - Free (listen to the band) American Girl - Tom Petty and the Heartbreakers Beatles Medley - The Beatles Birthday - The Beatles Blue Suede Shoes - Elvis Presley Brown Eyed Girl - Van Morrison But It's All Right - JJ Jackson Can't Get Enough - Bad Company Can't Hurry Love - Diana Ross & The Supremes Can't Help Falling in Love - Elvis Presley Come and Get Your Love - Redbone Cover of the Rolling Stone - Dr. Hook Crazy Love - Van Morrison Crazy Love - Poco (listen to the band) -featuring Mark Todd on lead vocals Dancing in the Streets - Martha Reeves Don't Be Cruel - Elvis Presley Down on the Corner - Credence Clearwater Revival Europa - Santana (listen to the band) Evil Ways - Santana Feelin Alright - Joe Cocker Fire - Jimi Hendrix Forever Young- Bob Dylan/Joan Baez Get Down Tonight - KC and the Sunshine Band (Listen to the Band - LIVE) Gimme Some Lovin - Spenser Davis Group (listen to the band) Good Lovin - Young Rascals Honky Tonk Woman - Rolling Stones I Got A Line On You - Spirit I Want You To Want Me - Cheap Trick I Will Survive - Gloria Gaynor (Listen to the band - LIVE) I've Just Seen a Face - The Beatles Jumping Jack Flash - Rolling Stones Jailhouse Rock - Elvis Presley Keep Your Hands To Yourself - Georgia Satellites Knocking on Heaven's Door - Bob Dylan Let's Groove Tonight- Earth, Wind and Fire Love The One You're With - Stephan Stills Moondance - Van Morrison Move Over - Janis Joplin Old Time Rock & Roll - Bob Seeger Pretty Woman - Roy Oberson Proud Mary - Credence Clearwater Revival Since -
Precious but Not Precious UP-RE-CYCLING
The sounds of ideas forming , Volume 3 Alan Dunn, 22 July 2020 presents precious but not precious UP-RE-CYCLING This is the recycle tip at Clatterbridge. In February 2020, we’re dropping off some stuff when Brigitte shouts “if you get to the plastic section sharpish, someone’s throwing out a pile of records.” I leg it round and within seconds, eyes and brain honed from years in dank backrooms and charity shops, I smell good stuff. I lean inside, grabbing a pile of vinyl and sticking it up my top. There’s compilations with Blondie, Boomtown Rats and Devo and a couple of odd 2001: A Space Odyssey and Close Encounters soundtracks. COVER (VERSIONS) www.alandunn67.co.uk/coverversions.html For those that read the last text, you’ll enjoy the irony in this introduction. This story is about vinyl but not as a precious and passive hands-off medium but about using it to generate and form ideas, abusing it to paginate a digital sketchbook and continuing to be astonished by its magic. We re-enter the story, the story of the sounds of ideas forming, after the COVER (VERSIONS) exhibition in collaboration with Aidan Winterburn that brings together the ideas from July 2018 – December 2019. Staged at Leeds Beckett University, it presents the greatest hits of the first 18 months and some extracts from that first text that Aidan responds to (https://tinyurl.com/y4tza6jq), with me in turn responding back, via some ‘OUR PRICE’ style stickers with quotes/stats. For the exhibition, the mock-up sleeves fabricated by Tom Rodgers look stunning, turning the digital detournements into believable double-sided artefacts.