Blues CD Reviews

Total Page:16

File Type:pdf, Size:1020Kb

Blues CD Reviews In This Issue... April Blues Bash: Son Jack, Jr. KBA Photographer Suzanne Swanson Dawn Tyler Watson (IBC First Place Band) (Photo by Daniel Sheehan) (Photo by Paul Brown) (Photo by Paul Brown) Letter from the President 2 Remembering James Cotton 6 Membership Opportunities 14 Letter from the Editor 3 April Blues Bash Preview 11 B Sharp Coffee House 15 Officers and Directors 4 Memphis Memo 12 Extended CD Review 16 On the Cover 4 New Venue: Cask & Trotter 14 Hawkeye Herman in Spokane! 17 Letter from Washington Blues Society President Tony Frederickson Kevin Sutton & the Blue Monday Band opening American Indian Chief and several bidders really Hi Blues Fans, the show and getting the crowd in a fevered pitch went to work on this item and provided as much that never let up the whole evening. We had many excitement as the music we had already heard. The This past month the Washington Blues Society, special guests throughout the show and the Blue silent auction closed and almost every item had Lee Oskar Harmonicas, and Anacortes Brewery Monday Band invited Jimmy Fadden to sit in multiple bids and displayed the generosity of those (H2O & Rockfish) sponsored the first of what we with them which raised the bar even higher. After in attendance. Our last special guest of the evening hope will be an annual fundraising event for the a brief break for a set change and live auction, was Mark Dufresne who led the Lee Oskar band Washington Blues Society’s Musician Relief Fund Bobby Holland & the Breadline took the stage with a few songs in memory of James Cotton, who at the Historic Everett Theater. and kept the energy building and had fun sharing recently passed away, along with a few of his own stories about Jim. Towards the end of their set they originals that put the house into still another level As we have grown as an organization, the invited Dave Mathis up and pushed the excitement of frenzy. awareness of our programs has also grown and up even higher. With the second set change and the need in our music community for help and live auction action it quickly became apparent that You wouldn’t think it could get any better, but then support from the Musician’s Relief Fund has this was going to be a very successful evening. Lee Oskar came back up and invited all the harp increased because of this. We need the support of players in the audience up on stage and closed music fans so we can keep up with the increase The live auction featured a guitar signed by Walter out the evening with a rousing rendition of “Low in requests for help and keep our “Blues” music Trout and included a ton of autographed swag. It Rider” that closed out the show! No one wanted community healthy and vibrant! If this first show started slowly then took off and generated a hefty to leave! is any indication of the love and generosity of sum and set the stage for the rest of the live auction Pacific Northwest music fans we are going to be items. Lee Oskar and Friends took the stage next I was totally overwhelmed with the love and very successful in this important facet of our Blues and played many classics from early in Lee’s support or community showed this night and Society. career and some of his new arrangements also! The what we are capable of doing when given the audience just could not sit still and many popped opportunity! Thank you all so much! This first show was in support of Jim McLaughlin up to dance. After their rousing set we had the and we called it “For the Love of Jimmy”! It was an third set change and live auction which included a Tony Frederickson, President incredible day with well over four hundred music second autographed guitar that had been auctioned Washington Blues Society fans and friends of Jim in attendance. The amount off at an earlier fundraiser for Jim and was donated Member, Board of Directors, The Blues Foundation of love and funds generated to help Jim with his to this event to be auctioned again. We had three recent and upcoming medical expenses showed different bidders that really drove up the bids and the generosity of “Blues” fans in our little corner a handsome sum was generated. The last item that of the world. The entertainment was fantastic with was auctioned off was a craved lawn statue of an 2 Stanislove at the IBC in Memphis April Blues Bash: Teri Wilson Joseph Barton at Cask & Trotter! (Photo by Paul Brown) (Photo by Phil Tauran) (Photo by Stephen Jones) Blues CD Reviews 18 Membership Form 24 Flat 5 Blues Cartoon 27 Blues Festival Preview 19 Updated Blues Jam Listings 25 More IBC Coverage 28 Blues Calendar 20 Updated Open Mic Listings 25 IBC Instructions 30 Blues Venue Guide 22 Blues Talent Guide 26 IBC Application Form 31 Eric Steiner’s Letter from the Editor Dear Bluesletter Readers, Each of my fellow volunteer Board members of resolution 300 dpi images formatted as CMYK the Washington Blues Society has been working photos; for black and white, please submit photos I’m pleased to introduce several articles that make hard to promote blues music at events across the in grayscale at the 300 dpi resolution. up one of the most informative Bluesletters I’ve Evergreen State. edited in a long time. Regrettably, I cannot use over 90% of the images I This issue includes an expanded calendar of receive every month because they are not formatted First of all, during the production of this month’s new listings from Spokane-area venues and I’ve for print publication. While the image may look issue, we lost a true giant of the blues. I am pleased included a full-page announcement from Hawkeye great online, please double-check that the image that Phil Chesnut’s photos of his long-time friend, Herman on his Blues in the Schools work in the is formatted correctly and at the right resolution. James Cotton, are on this month’s cover. Inland Empire this month. This issue also features information on a new live blues music venue in my Until next month, go see some live blues! I’ve reprinted Alligator Records’ obituary and ran new hometown, Lynnwood plus a review of one of a full-page photo of “Mr. Superharp” next to it. the newer music venues in Tacoma from first-time Eric Steiner, Editor For me, that image from Phil Chesnut captures Mr. Bluesletter contributor Phil Bradford. His unique Washington Blues Society Bluesletter Cotton. I am also pleased that Kim Field’s fond take on the B Sharp Coffee House is a must-read! Member, Board of Directors, The Blues Foundation remembrance of Mr. Cotton is in this issue as well.. (2010-2013) This issue also includes an updated blues jam Jane Henderson returns to these pages with an and open mic listing thanks to Rick J. Bowen’s extended CD review of the Rhythmatics’ latest CD detective work. In future months, I will update our and Gary Grape sent in a preview of the 2017 Gray blues talent guide - one of the most popular pages Sky Blues Music Festival in Tacoma. in this magazine - as I regularly receive updates for it. I hope to recruit a volunteer to help keep One of the many standout articles in this issue the talent guide more up-to-date: If any reader has is a “Memphis Memo” from 2017 International an interest in maintaining our print talent guide, Blues Challenge participant Polly O’Keary. I please email me today at [email protected]. am also pleased to include some excellent blues photography from frequent contributor Paul Finally, I’ll close my Letter from the Editor with Brown. I’m convinced he cloned himself in a reminder of the formats that our printer requires Memphis: everywhere I went during my short visit for all images in this print publication. at this year’s International Blues Challenge, I saw Paul capturing the action on Beale Street and he Please help me help all contributors build a better seemed like he was in three places at once. Bluesletter by submitting color images only in high 3 Washington Blues Society May 2017 Bluesletter Deadlines Proud Recipient of a 2009 Keeping the Blues Alive Award Ad Reservations: April 5th - [email protected] Officers Calendar: April 10th - [email protected] President Tony Frederickson [email protected] Editorial: April 5th - [email protected] Vice President Rick Bowen [email protected] Camera-Ready Ads: April 12th - [email protected] Secretary Carolyn Palmer-Burch [email protected] Treasurer (Acting) Chad Creamer [email protected] Editor Eric Steiner [email protected] Please Note All camera ready art and photos need to be in CMYK format (for color) Directors or grayscale (for black and white) at 300 dpi or higher and sent only as Music Director Amy Sassenberg [email protected] attachments (and not embedded in emails). Text: Plain .txt or Microsoft Membership Michelle Burge [email protected] Word (only as an attachment) Education Open [email protected] Volunteers Rhea Rolfe [email protected] B/W COLOR HT X WIDTH Merchandise Tony Frederickson [email protected] Full Page: $300 $375 (11” x 8.5”) Advertising Open [email protected] Half Page: $175 $220 (5.5” x 8.5”) IT Sherie Roberts-Greimes [email protected] Back Half Page: $260 $325 (5.5” x 8.5”) Quarter Page: $100 $125 (5.5” x 4.25”) Thank You to the Washington Blues Society 2017 Street Team Fifth Page: $75 $95 (3.5” x 4.25”) Downtown Seattle Tim & Michelle Burge [email protected] Business Card: $30 $38 (2” x 3.5”) West Seattle Jeff Weibe (206) 932-0546 North Sound Malcolm Kennedy [email protected] Northern Washington Lloyd Peterson [email protected] Bluesletter Advertising Discounts Penninsula Dan Wilson [email protected] 20% off - 12 month pre-payment Pt Townsend & PtAngeles Alvin Owen [email protected] 15% off - 6 month pre-payment Central Washington Stephen J.
Recommended publications
  • Song Artist 25 Or 6 to 4 Chicago 5 Years Time Noah and the Whale A
    A B 1 Song Artist 2 25 or 6 to 4 Chicago 3 5 Years Time Noah and the Whale 4 A Horse with No Name America 5 Achy Breaky Heart Billy Ray Cyrus 6 Adelaide Old 97's 7 Adelaide 8 Africa Bamba Santana 9 Against the Wind Bob Seeger 10 Ain't to Proud to Beg The Temptations 11 All Along the W…. Dylan/ Hendrix 12 Back in Black ACDC 13 Bad Leroy Brown Jim Croce 14 Bad Moon Risin' CCR 15 Bad to the Bone George Thorogood 16 Bamboleo Gipsy Kings 17 Black Horse and… KT Tunstall 18 Born to be Wild Steelers Wheels 19 Brain Stew Green Day 20 Brown Eyed Girl Van Morrison 21 Chasing Cars Snow Patrol 22 Cheesburger in Para… Jimmy Buffett 23 Clocks Coldplay 24 Close to You JLS 25 Close to You 26 Come as you Are Nirvana 27 Dead Flowers Rolling Stones 28 Down on the Corner CCR 29 Drift Away Dobie Gray 30 Duende Gipsy Kings 31 Dust in the Wind Kansas 32 El Condor Pasa Simon and Garfunkle 33 Every Breath You Take Sting 34 Evil Ways Santana 35 Fire Bruce Springsteen Pointer Sis.. 36 Fire and Rain James Taylor A B 37 Firework Katy Perry 38 For What it's Worth Buffalo Springfield 39 Forgiveness Collective Soul 40 Free Bird Lynyrd Skynyrd 41 Free Fallin Tom Petty 42 Give me One Reason Tracy Chapman 43 Gloria Van Morrison 44 Good Riddance Green Day 45 Have You Ever Seen… CCR 46 Heaven Los Lonely Boys 47 Hey Joe Hendrix 48 Hey Ya! Outcast 49 Honkytonk Woman Rolling Stones 50 Hotel California Eagles 51 Hotel California 52 Hotel California Eagles 53 Hotel California 54 I Won't Back Down Tom Petty 55 I'll Be Missing You Puff Daddy 56 Iko Iko Dr.
    [Show full text]
  • Playing Harmonica with Guitar & Ukulele
    Playing Harmonica with Guitar & Ukulele IT’S EASY WITH THE LEE OSKAR HARMONICA SYSTEM... SpiceSpice upup youryour songssongs withwith thethe soulfulsoulful soundsound ofof thethe harmonicaharmonica alongalong withwith youryour GuitarGuitar oror UkuleleUkulele playing!playing! Information all in one place! Online Video Guides Scan or visit: leeoskarquickguide.com ©2013-2016 Lee Oskar Productions Inc. - All Rights Reserved Major Diatonic Key labeled in 1st Position (Straight Harp) Available in 14 keys: Low F, G, Ab, A, Bb, B, C, Db, D, Eb, E, F, F#, High G Key of C MAJOR DIATONIC BLOW DRAW The Major Diatonic harmonica uses a standard Blues tuning and can be played in the 1st Position (Folk & Country) or the 2 nd Position (Blues, Rock/Pop Country). 1 st Position: Folk & Country Most Folk and Country music is played on the harmonica in the key of the blow (exhale) chord. This is called 1 st Position, or straight harp, playing. Begin by strumming your guitar / ukulele: C F G7 C F G7 With your C Major Diatonic harmonica Key of C MIDRANGE in its holder, starting from blow (exhale), BLOW try to pick out a melody in the midrange of the harmonica. DRAW Do Re Mi Fa So La Ti Do C Major scale played in 1st Position C D E F G A B C on a C Major Diatonic harmonica. 4 4 5 5 6 6 7 7 ©2013-2016 Lee Oskar Productions Inc. All Rights Reserved 2nd Position: Blues, Rock/Pop, Country Most Blues, Rock, and modern Country music is played on the harmonica in the key of the draw (inhale) chord.
    [Show full text]
  • The Washington Blues Society and Lee Oskar Harmonicas Present
    In Th s Issue... From the IBC in Memphis: Rum Boogie! From the IBC in Memphis: Sun Studio Jim Valley (Photo by Eric Steiner) (Photo by Eric Steiner) (Photo by ML Sutton) Letter from the President 2 March Blues Bash Preview 6 Report from Memphis 12 Letter from the Editor 3 Valentine’s Day Blues Bash 7 Membership Opportunities 14 Offic s and Directors 4 Street Team Report: Rocky Nelson 10 Walla Walla Festival Preview 14 On the Cover 4 Street Team Report 12 File Gumbo 30th Anniversary 15 Letter from Washington Blues Society President Tony Frederickson Hi Blues Fans, purchase of tickets. You can also purchase tickets start at 5:00 PM, and we wrap up at 8:00 PM so at the door! So save the date Sunday, April 9th and you can still get home in plenty of time to get a full The Best of the Blues due date for the final ballot make your plans to come to the Best of the Blues night’s sleep before work on Monday! It’s a one of is creeping up on us! Please be sure that you have Award show and the after party! Please see the ad those must do deals! See the ad in this issue of the your ballot to us by Tuesday, March 14th. in this edition of the Bluesletter! Bluesletter for this month’s show lineup! You can mail it in to our PO Box address (WBS, The International Blues Challenge was this past Festival season is coming up quickly! We kick off PO Box 70604, Seattle, WA 98127); give it to any month and our band (Polly O’Keary & the Rhythm the year with the Coeur de Alene Blues Festival in current Board of Director before March 14th, scan Method), our solo/duo
    [Show full text]
  • BO DIDDLEY's UNCONVENTIONAL 1950'S SOUND and ITS
    BO DIDDLEY’S UNCONVENTIONAL 1950’s SOUND AND ITS ANTICIPATION OF HIP HOP OVERVIEW ESSENTIAL QUESTION How were Bo Diddley’s recordings an anomaly in relation to 1950s Pop music, and how is his rhythm-driven sound and self-presentation a precursor to Hip Hop style? OVERVIEW From his first appearance on the Billboard R&B chart in 1955 and continuing over his five- decade career, Bo Diddley has been celebrated for the rhythm-driven, percussive sound of his ensemble, at the center of which was Diddley’s guitar playing. If by the Rock era the guitar solo became a symbolic centerpiece in recordings and performances, Diddley’s emphasis was always on the rhythm guitar. His approach didn’t revolve around the single- and double-note leads that came to dominate the music. Instead, Bo Diddley pioneered a sound that involved every member of his combo playing with a percussive sensibility. Rhythm was emphasized over melody, with a vocal style that often approximated Rap set against that rhythmic backdrop. Earlier even than James Brown, Diddley inadvertently pointed to a Hip Hop future. His best-known rhythm guitar pattern (three strokes/rest/two strokes, or “shave and a haircut, two bits”) influenced many. The “Bo Diddley beat,” as it came to be known, appeared on records by Buddy Holly, the Rolling Stones, Bruce Springsteen, U2, rapper B.o.B., and many others. In Bo Diddley’s own songs, the “Bo Diddley beat” was often combined with remarkably simple chord changes, as can be heard on his self-titled debut single, “Bo Diddley.” Throughout that single-chord song, which went to No.
    [Show full text]
  • Living Blues 2021 Festival Guide
    Compiled by Melanie Young Specific dates are provided where possible. However, some festivals had not set their 2021 dates at press time. Due to COVID-19, some dates are tentative. Please contact the festivals directly for the latest information. You can also view this list year-round at www.LivingBlues.com. Living Blues Festival Guide ALABAMA Foley BBQ & Blues Cook-Off March 13, 2021 Blues, Bikes & BBQ Festival Juneau Jazz & Classics Heritage Park TBA TBA Foley, Alabama Alabama International Dragway Juneau, Alaska 251.943.5590 2021Steele, Alabama 907.463.3378 www.foleybbqandblues.net www.bluesbikesbbqfestival.eventbrite.com jazzandclassics.org W.C. Handy Music Festival Johnny Shines Blues Festival Spenard Jazz Fest July 16-27, 2021 TBA TBA Florence, Alabama McAbee Activity Center Anchorage, Alaska 256.766.7642 Tuscaloosa, Alabama spenardjazzfest.org wchandymusicfestival.com 205.887.6859 23rd Annual Gulf Coast Ethnic & Heritage Jazz Black Belt Folk Roots Festival ARIZONA Festival TBA Chandler Jazz Festival July 30-August 1, 2021 Historic Greene County Courthouse Square Mobile, Alabama April 8-10, 2021 Eutaw, Alabama Chandler, Arizona 251.478.4027 205.372.0525 gcehjazzfest.org 480.782.2000 blackbeltfolkrootsfestival.weebly.com chandleraz.gov/special-events Spring Fling Cruise 2021 Alabama Blues Week October 3-10, 2021 Woodystock Blues Festival TBA May 8-9, 2021 Carnival Glory Cruise from New Orleans, Louisiana Tuscaloosa, Alabama to Montego Bay, Jamaica, Grand Cayman Islands, Davis Camp Park 205.752.6263 Bullhead City, Arizona and Cozumel,
    [Show full text]
  • “Stan Martin Is a Celebration of What's Best About Country Music. His
    “Stan Martin is a celebration of what’s best about country music. His rolling, popping Telecaster runs are the kinds that cause players to adopt that beloved plank as their ax of choice. This boy sure can play.” –Rick Allen, Vintage Guitar Magazine- Stan Martin is hitting full stride as a consummate artist with his fifth studio album “Whiskey Morning”. His competence to author and deliver a three minute tale with infectious choruses, honest vocals and colorful Telecaster precision deliver appeal broad enough to not only satiate the appetites of devote honky tonk fans but to seduce those who find themselves straddling between Americana and classic country. His performances lure audience anticipation as he sizes up the room and delivers just the right energy to bring everyone along for the ride! Born and raised in the projects of South Boston, Stan Martin sounds more like a direct disciple of country greats such as Merle Haggard and Buck Owens with resemblent vocal tone to Dwight Yoakam and Tele skills like Pete Anderson. Stan played lead guitar for mainstay country rockers, The Merles, and for award winning New England singer/songwriter, John Lincoln Wright and the Sour Mash Boys. An invitation and a trip to Warner Brothers, after arranging and producing a Demo for a local singer/songwriter, spurred Martin to write, produce and record his own songs while continuing to master his passion; the Telecaster . His talent has not gone unnoticed and Stan has received accolades from high places. His album “Cigarettes and Cheap Whiskey” pinnacled at #1 on XM Satellite Radio X-Country for 3 weeks and remained in the top 5 for 18 weeks.
    [Show full text]
  • Jerry Garcia Song Book – Ver
    JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106.
    [Show full text]
  • Samantha Fish Homemade Jamz Jarekus Singleton
    Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs.
    [Show full text]
  • Robert Johnson, Folk Revivalism, and Disremembering the American Past
    The Green Fields of the Mind: Robert Johnson, Folk Revivalism, and Disremembering the American Past Blaine Quincy Waide A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Folklore Program, Department of American Studies Chapel Hill 2009 Approved by: William Ferris Robert Cantwell Timothy Marr ©2009 Blaine Quincy Waide ALL RIGHTS RESERVED ii Abstract Blaine Quincy Waide: The Green Fields of the Mind: Robert Johnson, Folk Revivalism, and Disremembering the American Past (Under the direction of William Ferris) This thesis seeks to understand the phenomenon of folk revivalism as it occurred in America during several moments in the twentieth and twenty-first centuries. More specifically, I examine how and why often marginalized southern vernacular musicians, especially Mississippi blues singer Robert Johnson, were celebrated during the folk revivals of the 1930s and 1960s as possessing something inherently American, and differentiate these periods of intense interest in the traditional music of the American South from the most recent example of revivalism early in the new millennium. In the process, I suggest the term “disremembering” to elucidate the ways in which the intent of some vernacular traditions, such as blues music, has often been redirected towards a different social or political purpose when communities with divergent needs in a stratified society have convened around a common interest in cultural practice. iii Table of Contents Chapter Introduction: Imagining America in an Iowa Cornfield and at a Mississippi Crossroads…………………………………………………………………………1 I. Discovering America in the Mouth of Jim Crow: Alan Lomax, Robert Johnson, and the Mississippi Paradox…………………………………...23 II.
    [Show full text]
  • “Bo Diddley” and “I'm a Man” (1955)
    “Bo Diddley” and “I’m a Man” (1955) Added to the National Registry: 2011 Essay by Ed Komara (guest post)* Bo Diddley While waiting in Bo Diddley’s house to conduct an interview for the February 12, 1987 issue of “Rolling Stone,” journalist Kurt Loder noticed a poster. “If You Think Rock and Roll Started With Elvis,” it proclaimed, “You Don’t Know Diddley.” This statement seems exaggerated, but upon listening to Diddley’s April 1955 debut 78 on Checker 814, “Bo Diddley” backed with “I’m A Man,” it becomes apt, perhaps even understated. Bo Diddley (1928-2008) described his own place in music history to Loder. “People wouldn’t even bother with no stuff like ‘Bo Diddley’ and ‘I’m A Man’ and stuff like that ten years earlier [circa 1945] or even a year earlier [1954]. Then Leonard and Phil Chess decided to take a chance, and suddenly a whole different scene, a different kind of music, came in. And that was the beginning of rock and roll.” The composer credit for Checker 814 reads “E. McDaniels,” and there begins the tale. Bo Diddley was born Ellas Otha Bates in McComb, Mississippi on December 30, 1928 to a teenage mother and her local boyfriend. He was raised, however, by his maternal first cousin, Gussie McDaniel, to whom he was taken to Chicago, and given her surname McDaniel. He grew up on the South Side of the city, where he learned violin, trombone and, at age 12, the guitar. Before long, he was playing for change on the local streets.
    [Show full text]
  • Lennar's First Quarter Earnings Conference Call. at This Time, A
    LENNAR CORP Page 1 LENNAR CORP March 19, 2020 11:00 am EST Operator: Welcome to Lennar’s first quarter earnings conference call. At this time, all participants are in a listen-only mode. After the presentation, we will conduct a question-and-answer session. Today’s conference is being recorded. If you have any objections, please disconnect at this time. I will now turn the call over to Alexandra Lumpkin for the reading of the forward-looking statements. Alexandra Lumpkin: Thank you and good morning. Today’s conference call may include forward-looking statements, including statements regarding Lennar’s business, financial condition, results of operations, cash flows, strategies and prospects. Forward-looking statements represent only Lennar’s estimates on the date of this conference call and are not intended to give any assurance as to actual future results. Because forward-looking statements relate to matters that have not yet occurred, these statements are inherently subject to risks and uncertainties. Many factors could affect future results and may cause Lennar’s actual activities or results to differ materially from the activities and results anticipated in forward-looking statements. These factors include those described in this morning’s press release and our SEC filings, including those under the caption Risk Factors contained in Lennar’s Annual Report on Form 10-K, most recently filed with the SEC. Please note that Lennar assumes no obligation to update any forward-looking statements. LENNAR CORP Page 2 Coordinator: Thank you. I would like to introduce your host, Mr. Stuart Miller, Executive Chairman. Sir, you may begin.
    [Show full text]
  • The 35 Best Folk Music Venues in the U.S
    The 35 Best Folk Music Venues in the U.S. Tweet Like 2.9K Share Save (https://www.reddit.com/submit) Click a state to view its venue(s) Although folk music may have hit its zenith in the 1960s, the genre still thrives today, along with a dedicated base of fans. It lives in music venues on each coast as well as hundreds of places in between. ARIZONA Folk music is still with us because it connects the listener, and the artist, to our cultural heritage. The tunes and lyrics CALIFORNIA describe who we are and where we came from. COLORADO Below is a list of the top 35 folk venues in the United States. We've listed the venues alphabetically by state. CONNECTICUT These 35 venues are not necessarily dedicated to folk music, but they are places where folk music indeed thrives. They ILLINOIS are also elite live music venues with superb acoustics, sightlines, and atmospheres, all qualities needed to make our list. MARYLAND The deciding factor, however, was enthusiasm. The following 35 venues exhibit a fervor for folk music that is almost MASSACHUSETTS palatable. MICHIGAN The people behind these venues love what they do and they love folk music. And, as you'll soon read, many of these NEW YORK venues are run by volunteers. NORTH CAROLINA OREGON PENNSYLVANIA RHODE ISLAND Arizona TEXAS VIRGINIA The Lost Leaf Bar & Gallery 914 North 5th Street Phoenix, AZ The Lost Leaf Bar & Gallery is an amazing venue for any type of show, especially folk music. For one, all their shows are free.
    [Show full text]