February 2019 BLUESLETTER Washington Blues Society in This Issue
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Dani Felber Big Band Explosion – Glenn Gould Plays Bach (3-DVD-Box), Sony Thank You Fos Stabe Z Fehlt
Das Schweizer Jazz & Blues Magazin Nov./Dez. 6/2012 S Schweiz CHF 11.– / Deutschland € 5.90 / Österreich € 6.10 , ROOT ‚ N BLUES ‘‘ NN ''MMOORREE MICHEL Legrand HowlIN’ WolF Andreas VARADY MATTHIAS SPILLMANN OMRI ZIegele FABIAN Anderhub DAVE FEUSI & FRIends STRAYMONK LESTER MENEZES Don LI'S OrbITAL Garden MALI MUSIC IIRO RANTALA Sarah BÜCHI ANSON Funderburgh Andrew HILL URS LEImgruber ChrIS MARK SATTLER MAX FRANKL ED PARTYKA WIesendanger ORIOXY AUS DEM Innern MEHR ALS 80 CD-BESPRECHUNGEN JNM_06_2012_01_def.indd 1 26.10.12 09:41 Andreas Homoki wird nicht ruhen, das Opernhaus Zürich neuen Künstlern und neuen Besuchern zu öffnen. Qualität. Das verbindet uns mit dem Intendanten des Opernhauses Zürich. Als eine der weltweit erfolgreichsten Bühnen zeigt das Opernhaus Zürich seit Jahren Opern und Ballette auf höchstem Niveau. Andreas Homoki sichert mit Zuhören, präzisen Analysen und harmonischem Zusammenspiel des ganzen Ensembles künstlerische Spitzenleistungen, die ein breites Publikum begeistern. Unermüdliches Streben nach dem Besten und leidenschaftliches Teamwork kennzeichnen auch unsere Arbeit für alle Kunden in der Schweiz. Deshalb unterstützt UBS das Opernhaus Zürich seit 1987 als Partner. Bis Sie von der Nachhaltigkeit unseres Engagements überzeugt sind, dürfen Sie sich auf eines verlassen: Wir werden nicht ruhen www.ubs.com/sponsoring Die Verwendung von Namen oder sonstiger Bezeichnungen Dritter in dieser Werbung erfolgt mit der entsprechenden Genehmigung. © UBS 2012. Alle Rechte vorbehalten. 10157_Ad Andreas Homoki Opernhaus Bühne - Publication Jazz'n'More_2012_10_12.indd 1 10/15/2012 4:03:21 PM JNM_06_2012_02-03.indd 2 26.10.12 09:43 EDITORIAL INHALT Andreas Homoki wird nicht ruhen, das Opernhaus Zürich neuen Künstlern und neuen Besuchern zu öffnen. -
April 2019 BLUESLETTER Washington Blues Society in This Issue
LETTER FROM THE PRESIDENT Hi Blues Fans, The final ballots for the 2019 WASHINGTON BLUES SOCIETY Best of the Blues (“BB Awards”) Proud Recipient of a 2009 of the Washington Blues Society are due in to us by April 9th! You Keeping the Blues Alive Award can mail them in, email them OFFICERS from the email address associ- President, Tony Frederickson [email protected] ated with your membership, or maybe even better yet, turn Vice President, Rick Bowen [email protected] them in at the April Blues Bash Secretary, Open [email protected] (Remember it’s free!) at Collec- Treasurer, Ray Kurth [email protected] tor’s Choice in Snohomish! This Editor, Eric Steiner [email protected] is one of the perks of Washing- ton Blues Society membership. DIRECTORS You get to express your opinion Music Director, Amy Sassenberg [email protected] on the Best of the Blues Awards Membership, Open [email protected] nomination and voting ballots! Education, Open [email protected] Please make plans to attend the Volunteers, Rhea Rolfe [email protected] BB Awards show and after party Merchandise, Tony Frederickson [email protected] this month. Your Music Director Amy Sassenburg and Vice President Advertising, Open [email protected] Rick Bowen are busy working behind the scenes putting the show to- gether. I have heard some of their ideas and it will be a stellar show and THANKS TO THE WASHINGTON BLUES SOCIETY 2017 STREET TEAM exceptional party! True Tone Audio will provide state-of-the-art sound, Downtown Seattle, Tim & Michelle -
Candye Kane * Jessie Galante Stacie Collins * Innes Sibun
N° 135 Mensuel Juin / Juillet 2011 BELGIQUE – BELGIE Ne paraît pas en Août N° Agréation : P202253 Bureau de dépôt : 4700 EUPEN 1 P.P. Editeur responsable : Francis GERON 4700 EUPEN 1 LOOK AT MUSIC Asbl : N° Entree. 0859.992.102 Avenue Reine Astrid 99a, 4831 LIMBOURG 9/1518 SPIRIT OF 66 LARRY CARLTON Trio SONNY LANDRETH DOC HOLLIDAY POINT BLANK CANDYE KANE * JESSIE GALANTE STACIE COLLINS * INNES SIBUN GUNSLINGER * TOMMY TALTON ROY METTE * RYAN McGARVEY ANIMA MUNDI * PAUL SIMUL CANNON BALL * YESsongs * TEEN SPIRIT NOVOTONES * CHICK FIGHT * LAST ROW MORRISON HOTEL * MONDAY MORNING SPIRIT OF 66 www.spiritof66.be Place du Martyr 16 Tél.087/35.24.24 e-mail : [email protected] VERVIERS Organ. Look at Music ASBL Mer.20h Blues, 08/06 CANDYE KANE (USA) The Thoughest Girl Alive! Swing & New album : SUPERHERO 13 € Rockabilly Jeu.20h Blues 09/06 JESSIE GALANTE (USA) + support : MONDAY MORNING (B) GRATUIT / FREE Rock Concert GRATUIT filmé pour une chaîne de télé américaine FREE show recorded for an important US Cable TV Network Ven.21h Supertramp 10/06 Tribute to SUPERTRAMP by CANNON BALL (B) Pour la 17 ème fois !! 13 € Hits Sam.21h Yes 11/06 YESSONGS (IT) play YES Un gros challenge … 12 € Hits Mar.20h PREV/PRES Slide 22 € 14/06 RECOM Guitar SONNY LANDRETH (USA) SLIDE GUITAR MAESTRO Maestro Mer.20h Blues 15/06 Ryan Mc GARVEY (USA) Le nouveau jeune prodige de la guitare aux USA 12 € Rock Jeu.20h Rock n 16/06 PAUL SIMUL & Rockett 88 (B) Anniversaire de + fêté par notre ami PAUL SIMUL 10 € Roll Ven.21h Nirvana 17/06 Tribute to NIRVANA by TEEN SPIRIT -
Golden Gate Grooves
THE GOLDEN GATE BLUES SOCIETY NEWSLETTER Issue 6, July 2010 GOLDEN GATE GROOVES FROM THE EDITOR Deb Lubin The period since the last newsletter was published was very busy, with planning for upcoming blues society events, going out to hear our favorite local blues bands, and our annual pilgrimage to Memphis in May for the Blues Music Awards. The BMAs are a wonderful event that all blues lovers should attend at least once. This year in Memphis, we got to see many of our favorite musicians from the Bay Area, among them Rick Estrin and the Nightcats, including Kid Andersen; the entire Tommy Castro Band, which took home several awards; Laura Chavez and Kennan Shaw from Candye Kane's band; Maria Muldaur, and others with Bay Area ties. I had so much fun reconnecting with old friends both on and off the stage. Meanwhile, the GGBS is rolling. We're getting ready for several big events that we're either sponsoring, partnering with, or supporting, including the 5th annual Redwood City Blues Festival in July, the first U.S. events of the European-based charity United by Music , the San Jose Jazz Festival in August, and events to select a member band to compete in the Blues Foundation's International Blues Challenge (IBC) in Memphis in February 2011, among others. Please look for information about all of these events in this issue of the newsletter. In addition, East Bay musician/cat lover/pre-war blues specialist Joel Fritz reviews four CDs by local bands. SF-based singer Cathy Lemons reviews E.C. -
1. Sitting on Top of the World 9. Miss Kelly Sings the Blues 2. Sunset
1. Sitting on Top of the World 9. Miss Kelly Sings the Blues - Traditional - By Burns/Head 2. Sunset Blues 10. Kind Hearted Woman - By Seaman Dan - By Robert Johnson 3. Your Feets too Big 11. Thieves in the Temple - By Benson/Fisher/Inkspots - By Prince 4. Stormy Weather 12. Midnight Train to Georgia - By Arlen/Koeler - By J Weatherly 5. I can`t Dance (Ive got Ants in my Pants) 13. One O`Clock Jump - By Galnes -Williams - By Count Bassie 6. Singing in the Bathtub 14. Kissing Angels - Composer Unknown - By Geoff Achison 7. Little Red Rooster 15. Mystery Train - By Willie Dixon - By Parker/Phillips 8. Key to the Highway 16. The Sky is Crying - By Big Bill Broonzy - By Elmore James 17. Walking Blues 25. Write me a Few Lines Mississipi - By Robert Johnson - Fred Mc Dowell 18. Bright Lights Big City 26. Moon Going Down - By Jimmy Reed - By Charlie Patton 19. The House of the Rising Sun 27. I`m Going Down - Traditional - By Junior Wells 20. Boom Boom 28. Black Betty - By John Lee Hooker - By Chester Burnett (Howlin` Wolf) 21. Roadrunner 29. Smokestack Lightning - By E. Mc Daniel - By Chester Burnett (Howlin` Wolf) 22. King Bee 30. Whole Lotta Shakin` Goin On - By James Moore ( Slim Harpo) - By Big Joe Williams 23. Sing Sing Sing 31. Hound Dog - By Prima - By J.Leiber and M. Stoller 24. Walking on the Cracks 32. I Can't Stand the Rain - By Dom Turner - By Bryant/Peebles/Miller 33. Aint Nobody here but us Chickens 41. -
Número 112 – Septiembre 2020 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1
Número 112 – septiembre 2020 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1 Contenido PORTADA Kim Simmonds. Foto (Imagen de su CD: Ain’t Done Directorio Yet) (1) ……………………………………………………………………………………….…. 1 CONTENIDO - DIRECTORIO …..………………………..………..….… 2 Cultura Blues. La Revista Electrónica EDITORIAL ¡Siempre hay otra opción! (2) …………….…………….….. 3 www.culturablues.com PLANETA BLUES Kim Simmonds: Rockin' The Blues (3) ….……. 4 Número 112 – septiembre de 2020 DELMARK RECORDS PRESENTA Par de reyes (2) ……….. 11 LADO B Bob Koester, Delmark Records y el Blues 2 (4) ……………. 14 © Derechos Reservados BLUES A LA CARTA Álbumes en el Salón de la Fama del Director general y editor: Blues (2) ………………………………………………………………………………….….. 19 José Luis García Fernández + COVERS Love in vain (2) ……………..…………………………………….... 27 Subdirector general: José Luis García Vázquez EN VIDEO Come and See About Me (2) ……………………….….….….. 29 Diseño: DE COLECCIÓN Sentir el Blues II (2) ......................................... 30 Aida Castillo Arroyo ESPECIAL DE MEDIANOCHE El disco más raro del Consejo Editorial: mundo – cuento (5) ………………………………………………………………….…. 32 María Luisa Méndez Mario Martínez Valdez CULTURA BLUES DE VISITA Más artistas en Chicago (2) . 35 Octavio Espinosa Cabrera HUELLA AZUL Steelwood Guitars, en el camino de los guitarristas (6) ……………………………………………………………………….….… 40 Colaboradores en este número: DIVÁN EL TERRIBLE Una entrevista sin preguntas. Daniel 1. José Luis García Vázquez Reséndiz. Parte 1 (7) …………………………………………………………………... 43 2. José Luis García Fernández BLA BLE BLI BLO BLUES Let it Blues: Blues Beatles (7) ..... 48 3. Michael Limnios 4. Juan Carlos Oblea The Smoke Wagon 5. Luis Eduardo Alcántara DE FRANK ROSZAK PROMOTIONS Blues Band (2) ………………………………………………….…………………….…… 52 6. María Luisa Méndez 7. Octavio Espinosa DE BLIND RACCOON Wily Bo Walker & Danny Flam (2) …... 53 8. -
Son Sealsseals 1942-2004
January/February 2005 Issue 272 Free 30th Anniversary Year www.jazz-blues.com SonSon SealsSeals 1942-2004 INSIDE... CD REVIEWS FROM THE VAULT January/February 2005 • Issue 272 Son Seals 1942-2004 The blues world lost another star Son’s 1973 debut recording, “The when W.C. Handy Award-winning and Published by Martin Wahl Son Seals Blues Band,” on the fledging Communications Grammy-nominated master Chicago Alligator Records label, established him bluesman Son Seals, 62, died Mon- as a blazing, original blues performer and Editor & Founder Bill Wahl day, December 20 in Chicago, IL of composer. Son’s audience base grew as comlications with diabetes. The criti- he toured extensively, playing colleges, Layout & Design Bill Wahl cally acclaimed, younger generation clubs and festivals throughout the coun- guitarist, vocalist and songwriter – try. The New York Times called him “the Operations Jim Martin credited with redefining Chicago blues most exciting young blues guitarist and Pilar Martin for a new audience in the 1970s – was singer in years.” His 1977 follow-up, Contributors known for his intense, razor-sharp gui- “Midnight Son,” received widespread ac- Michael Braxton, Mark Cole, tar work, gruff singing style and his claim from every major music publica- Chris Hovan, Nancy Ann Lee, charismatic stage presence. Accord- tion. Rolling Stone called it ~one of the David McPherson, Tim Murrett, ing to Guitar World, most significant blues Peanuts, Mark Smith, Duane “Seals carves guitar albums of the decade.” Verh and Ron Weinstock. licks like a chain On the strength of saw through solid “Midnight Son,” Seals Check out our new, updated web oak and sings like began touring Europe page. -
Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach. -
Cistercian Preparatory School: the First 50 Year
CISTERCIAN PREPARATORY SCHOOL THE FIRST 50 YEARS 1962 2012 David E. Stewart Headmasters CISTercIAN PreparaTORY SCHOOL 1962 - 2012 Fr. Damian Szödényi, 1962 - 1969 Fr. Denis Farkasfalvy, 1969 - 1974 Fr. Henry Marton 1974 - 1975 Fr. Denis Farkasfalvy, 1975 - 1981 Fr. Bernard Marton, 1981 - 1996 Fr. Peter Verhalen ’73, 1996 - 2012 Fr. Paul McCormick, 2012 - Fr. Damian Szödényi Fr. Henry Marton Headmaster, 1962 - 1969 Headmaster, 1974 - 1975 (b. 1912, d. 1998) (b. 1925, d. 2006) Pictured on the cover (l-r): Fr. Bernard Marton, Abbot Peter Verhalen ’73, Fr. Paul McCormick, and Abbot Emeritus Denis Farkasfalvy. Cover photo by Jim Reisch CISTERCIAN PREPARATORY SCHOOL THE FIRST 50 YEARS David E. Stewart ’74 Thanks and acknowledgements The heart of this book comes from over ten years of stories published in The Continuum, the alumni magazine for Cistercian Prep School. Thanks to Abbot Peter Verhalen and Abbot Emeritus Denis Farkasfalvy and many other monks, faculty members, staff, alumni, and parents for their trust and willingness to share so much in the pages of the magazine and this book. Christine Medaille contributed her time and talent to writing Chapter 8 and Brian Melton ’71 contributed mightily to Chapter 11. Thanks to Jim Reisch for his outstanding photography throughout this book, and especially for the cover shot. Priceless moments from the sixties were captured by or provided by Jane Bret and Fr. Melchior Chladek. Thanks to Rodney Walter for collecting the yearbook photographs used in the book and identifying the students in them. Thanks to Fr. Bernard Marton, Sylvia Najera, and Bridgette Gimenez for their help in editing and proofing. -
88-Page Mega Version 2016 2015 2014 2013 2012 2011 2010
The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! 88-PAGE MEGA VERSION 2017 2016 2015 2014 2013 2012 2011 2010 COMBINED jazz & blues report jazz-blues.com The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! INDEX 2017 Gift Guide •••••• 3 2016 Gift Guide •••••• 9 2015 Gift Guide •••••• 25 2014 Gift Guide •••••• 44 2013 Gift Guide •••••• 54 2012 Gift Guide •••••• 60 2011 Gift Guide •••••• 68 2010 Gift Guide •••••• 83 jazz &blues report jazz & blues report jazz-blues.com 2017 Gift Guide While our annual Gift Guide appears every year at this time, the gift ideas covered are in no way just to be thought of as holiday gifts only. Obviously, these items would be a good gift idea for any occasion year-round, as well as a gift for yourself! We do not include many, if any at all, single CDs in the guide. Most everything contained will be multiple CD sets, DVDs, CD/DVD sets, books and the like. Of course, you can always look though our back issues to see what came out in 2017 (and prior years), but none of us would want to attempt to decide which CDs would be a fitting ad- dition to this guide. As with 2016, the year 2017 was a bit on the lean side as far as reviews go of box sets, books and DVDs - it appears tht the days of mass quantities of boxed sets are over - but we do have some to check out. These are in no particular order in terms of importance or release dates. -
BBB-2017E.Pdf
Big Blues Bender Official Program 2017 1 Welcome to the Bender! It’s our honor and privilege to welcome you all to the 4th installment of the Big Blues Bender! To our veterans, we hope you can see the attention we have given to the feedback from our community to make this event even better, year after year. To the virgins, welcome to the family - you’re one of us now! You’ll be hard pressed to find a more fun-loving, friendly, and all around excellent group of people than are surrounding you this week. Make new friends of your fellow guests, and be sure to come say hi to all of us. We are here to make your experience the best it can be, and we’re excited to prove it! Finally, we would like to acknowledge the hard work and support of the Plaza Hotel staff and CEO Jonathan Jossel. We could not ask for a better team to make the Bender feel at home. -Much Love, Team Bender BENDER SUPPORT PRE & POST HOURS : Wed, 9/6: 12:00p-11:00p • Mon, 9/11: 10:00a-12:00p PANELS & PARTIES Appear in yellow on the schedule Bender Party With H.A.R.T • Wed, Sept. 6 • 8:00p • Showroom $30 GA - The Official Bender Pre-party is proud to support H.A.R.T. 100% of proceeds benefit the Handy Artists Relief Trust. Veterans Welcome the Virgins Party! • Thu, Sept. 7 • 4:00p • Pool Join Bender veteran and host, Marice Maples, in welcoming this year’s crop of Bender Virgins! The F.A.C.E Of Women In Blues Panel • Fri, Sept. -
Blueink Newsletter April 2016
B L U E I N K APRIL 2016 Gator By the Bay Brings Musicians Together in Exciting Pairings Now in its 15th year, Gator By the Bay, May 5-8, 2016, has become a wildly popular San Diego festival tradition known for presenting an eclectic mix of musical styles and a fun- filled atmosphere. Wander among the festival’s seven stages and you can listen to everything from authentic Louisiana Cajun and Zydeco music to Chicago and West Coast Blues, from Latin to Rockabilly and Swing. In recent years, Gator By the Bay has also earned a stand-out reputation for bringing together stellar combinations of musicians in innovative mash-up performances, presenting musical groupings you won’t hear anywhere else. This year is no exception. On Saturday, May 7, San Diego’s own multiple gold guitarist Johnny Vernazza will share the Mardi Gras Stage with blues greats Roy Rogers and John Németh. Often lauded as the “Master of the Slide Guitar”, Roy Rogers’ distinctive style is instantly recognizable. He’s shared duets with such greats as John Lee Hooker and Allen Toussaint, and teamed up with the likes of Norton Buffalo and Ray Manzarek. Harmonica virtuoso, vocalist and songwriter John Németh has multiple Blues Music Awards nominations to his name, and his album, ‘Memphis Grease’, won Best Soul Blues Album at the 2015 Blues Music Awards. He has been nominated for the Blues Music Awards 2016 B.B. King Entertainer of the Year Award, to be given out on May 5. Other notable combined artists’ performances include Sugaray Rayford, Alabama Mike & the Drop Ins with harmonica master Rick Estrin and harmonica and guitar whiz-kid Jon Atkinson on Friday evening, May 6, and Jon Atkinson with Rick Estrin and Fabulous Thunderbird alumna Kim Wilson on Saturday, May 7.