Living Blues 2021 Festival Guide
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Palo Alto Jazz Alliance Newsletter September 2012 PO BOX 60397, PALO ALTO, CA 94306 Ed Fox, Editor
www.pajazzalliance.org Palo Alto Jazz Alliance Newsletter September 2012 PO BOX 60397, PALO ALTO, CA 94306 Ed Fox, Editor who came by for a Sunday afternoon jam. This was a dif- FROM THE CHAIR ferent kind of investment for PAJA, and it is certain to Summer offers so many opportunities for doing fun be beneficial to the CSMA jazz program. Thanks to Ben things, and, as the old Gershwin song says, the living can Deovlet, John Neves, Carmen Cansino and Marty Honda be easy. Unfortunately, the summer of 2012 has not been for setting all this up for PAJA. so much fun for many people. Take the East Coast, with Speaking of the Community School, we hope to see record-breaking high temperatures and that everlast- you at the Free Member Party there on Sunday, Septem- ing humidity. Or the Midwest, with the worst drought ber 9 (details below). Do come by and hear some live since the 1930’s—even the mighty Mississippi isn’t roll- music, meet old friends, find new fellow lovers of jazz, ing along too well. Tough going for those folks. All this enjoy some libations and toast the end of a beautiful sum- while here on the Midpeninsula we’ve had one day after mer. We are dedicating this party to the memory of Phil another of lovely sun and moderate temperatures. Makes Sorenson, longtime PAJA board member who, for many one wonder why every jazz friend one might have from years, provided invaluable support to our operation. He those areas didn’t come to visit—not only for the weather maintained membership information on his somewhat but also because we had so many great gigs on offer. -
ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
Pocket Calendar & Stakes Schedule
2020-2021 POCKET SCHEDULE 149th THOROUGHBRED RACING SEASON NOVEMBER 2020 DECEMBER 2020 JANUARY 2021 SS M T W TH F SS SS MM TT WW TH F S S SS M TT WW THTH FF SS * * * * * * * * * 3 4 5 1 2 * * * * * * * 6 * * * 10 11 12 3 * * 6 7 8 9 * * * * * * * 13 * * 16 17 18 19 10 * * * 14 15 16 * * * * 26 27 28 20 * * * * * 26 17 18 * * 21 22 23 29 * 27 28 * * 31 24 * * * 28 29 30 31 FEBRUARY 2021 MARCH 2021 PROGRAMMING S M T W TH F S S M T TH F S NOVEMBER 26 S M T W TH F S S M T W TH F S THANKSGIVING CLASSIC DECEMBER 12 * * 3 4 5 6 * * * 4 5 6 LOUISIANA CHAMPIONS DAY (LA) 7 * * * 11 12 13 7 * * * 11 12 13 DECEMBER 19 SANTA SUPER SATURDAY * 15 16 * 18 19 20 14 * * * 18 19 20 JANUARY 16 ROAD TO THE DERBY KICKOFF DAY 21 * * * 25 26 27 21 * * * 25 26 27 FEBUARY 13 LOUISIANA DERBY PREVIEW DAY 28 28 * * * MARCH 20 LOUISIANA DERBY DAY POST TIME 1PM UNLESS STATED BELOW: POST TIME - 11:00 AM POST TIME - 12:00 PM \ GRADED STAKES DAYS (DEC. 12, JAN. 16, FEB. 13 & MAR. 20) POST TIMES ARE SUBJECT TO CHANGE. 2020-2021 THOROUGHBRED RACING SEASON STAKES SCHEDULE DATE PURSE STAKES RUNNING CONDITIONS DISTANCE / SURFACE NOV 26 125,000 THANKSGIVING CLASSIC 96th 3YO/UP 6 FURLONGS DEC 5 75,000 PAN ZARETA STAKES 55th 3YO/UP FILLIES & MARES 5 1/2 FURLONGS* (T) DEC 11 50,000 THE MAGIC CITY CLASSIC 10th 3YO/UP ONE MILE DEC 12 LOUISIANA CHAMPIONS DAY (LA) 100,000 LA CHAMPIONS DAY QH JUVENILE STAKES - GRADE II 30th 2YO 350 YARDS 100,000 LA CHAMPIONS DAY QH DERBY - GRADE III 30th 3YO 400 YARDS 100,000 LA CHAMPIONS DAY QH CLASSIC - GRADE II 30th 4YO/UP 440 YARDS 100,000 LA CHAMPIONS -
Chicago Blues Festival Millennium Park + Citywide Programs June 7-9, 2019
36th Annual Chicago Blues Festival Millennium Park + Citywide Programs June 7-9, 2019 Open Invitation to Cross-Promote Blues during 36th Annual Chicago Blues Festival MISSION The Department of Cultural Affairs and Special Events (DCASE) is dedicated to enriching Chicago’s artistic vitality and cultural vibrancy. This includes fostering the development of Chicago’s non-profit arts sector, independent working artists and for-profit arts businesses; providing a framework to guide the City’s future cultural and economic growth, via the Chicago Cultural Plan; marketing the City’s cultural assets to a worldwide audience; and presenting high-quality, free and affordable cultural programs for residents and visitors. BACKGROUND The Chicago Blues Festival is the largest free blues festival in the world and remains the largest of Chicago's music festivals. During three days on seven stages, blues fans enjoy free live music by top-tier blues musicians, both old favorites and the up-and-coming in the “Blues Capital of the World.” Past performers include Bonnie Raitt, the late Ray Charles, the late B.B. King, the late Bo Diddley, Buddy Guy, the late Koko Taylor, Mavis Staples, Shemekia Copeland, Gary Clark Jr, Rhiannon Giddens, Willie Clayton and Bobby Rush. With a diverse line-up celebrating the Chicago Blues’ past, present and future, the Chicago Blues Festival features live music performances of over 60 local, national and international artists and groups celebrating the city’s rich Blues tradition while shining a spotlight on the genre’s contributions to soul, R&B, gospel, rock, hip-hop and more. AVAILABLE OPPORTUNITY In honor of the 36th Annual Chicago Blues Festival in 2019, DCASE will extend an open invitation to existing Blues venues and promoters to have their event marketed along with the 36th Annual Chicago Blues Festival. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
Midwest Non-Deal Roadshow
Midwest Non-Deal Roadshow Prepared For: Investor Relations (NASDAQ: CHDN) October 7-8, 2014 Bill Mudd, President and CFO Mike Anderson, VP Finance & IR / Treasurer Forward-Looking Statements This document contains various “forward-looking statements” within the meaning of Section 27A of the Securities Act of 1933 and Section 21E of the Securities Exchange Act of 1934. The Private Securities Litigation Reform Act of 1995 (the “Act”) provides certain “safe harbor” provisions for forward-looking statements. All forward-looking statements are made pursuant to the Act. The reader is cautioned that such forward-looking statements are based on information available at the time and/or management’s good faith belief with respect to future events, and are subject to risks and uncertainties that could cause actual performance or results to differ materially from those expressed in the statements. Forward-looking statements speak only as of the date the statement was made. We assume no obligation to update forward-looking information to reflect actual results, changes in assumptions or changes in other factors affecting forward-looking information. Forward-looking statements are typically identified by the use of terms such as “anticipate,” “believe,” “could,” “estimate,” “expect,” “intend,” “may,” “might,” “plan,” “predict,” “project,” “hope,” “should,” “will,” and similar words, although some forward-looking statements are expressed differently. Although we believe that the expectations reflected in such forward-looking statements are reasonable, -
The Big Easy and All That Jazz
©2014 JCO, Inc. May not be distributed without permission. www.jco-online.com The Big Easy and All that Jazz fter Hurricane Katrina forced a change of A venue to Las Vegas in 2006, the AAO is finally returning to New Orleans April 25-29. While parts of the city have been slow to recover from the disastrous flooding, the main draws for tourists—music, cuisine, and architecture—are thriving. With its unique blend of European, Caribbean, and Southern cultures and styles, New Orleans remains a destination city for travelers from around the United States and abroad. Transportation and Weather The renovated Ernest N. Morial Convention Center opened a new grand entrance and Great Hall in 2013. Its location in the Central Business District is convenient to both the French Quarter Bourbon Street in the French Quarter at night. Photo © Jorg Hackemann, Dreamstime.com. to the north and the Garden District to the south. Museums, galleries, and other attractions, as well as several of the convention hotels, are within Tours walking distance, as is the Riverfront Streetcar line that travels along the Mississippi into the Get to know popular attractions in the city French Quarter. center by using the hop-on-hop-off double-decker Louis Armstrong International Airport is City Sightseeing buses, which make the rounds about 15 miles from the city center. A shuttle with of a dozen attractions and convenient locations service to many hotels is $20 one-way; taxi fares every 30 minutes (daily and weekly passes are are about $35 from the airport, although fares will available). -
Mississippi Education Association Convention Program Mississippi Education Association
University of Mississippi eGrove Mississippi Education Collection General Special Collections 1968 Mississippi Education Association Convention Program Mississippi Education Association Follow this and additional works at: https://egrove.olemiss.edu/ms_educ Part of the Education Commons Recommended Citation Mississippi Education Association, "Mississippi Education Association Convention Program" (1968). Mississippi Education Collection. 16. https://egrove.olemiss.edu/ms_educ/16 This Book is brought to you for free and open access by the General Special Collections at eGrove. It has been accepted for inclusion in Mississippi Education Collection by an authorized administrator of eGrove. For more information, please contact [email protected]. Official Program 82nd Annual Convention MISSISSIPPI EDUCATION ASSOCIATION March 13-14-15, 1968 Jackson, Mississippi Program Cover b y : Gilbert Ford, Hiatt-Ford Photographers, Ja ckson 1 Officers, 1967-1968 INDEX President: W. L. Rigby ___________ . ___________________________ Gulfport President-Elect: Mrs. Elise Curtis ____________________________ Utica Officers & Board of Directors ___________ 00 ___________________________ 3 Executive Secretary: C. A. Johnson _____________________ Jackson Mr. Rigby ____________________________________________ 00 __________________________ 4 Welcome from the President _00 _____________________________________ 5 Board of Directors Convention Committees ____________________________________________ 00 6-7 Emma Ruth Corban-Immediate MEA Section Chairmen ______ 00 _______________________________________ -
SUBMIT an EVENT and Submit Your Event with As Much Information As Possible and We Will Review and Add to Our Calendar of Events
Responsibility for the information contained in this calendar rests solely with the individual event planners. The festivals and events listed represent the major annual events in the Lafayette area. For a complete, detailed listing of events, visit www.LafayetteTravel.com. Circumstances sometimes require changes in the dates of events. It is best to confirm dates before making plans. Schedule subject to change without notice. 167 20 20 49 165 35 55 45 84 165 49 12 10 10 90 COVER PHOTOS BY DENNY CULBERT, PAUL KIEU AND LAFAYETTE TRAVEL VISITOR INFORMATION CENTER Intersection of I-10 & I-49 1400 NW Evangeline Thruway I-10 Exit 103-A I-49 South of I-10 HOURS OF OPERATION Monday-Friday, 8:30 a.m.-5:00 p.m. Saturday-Sunday, 9:00 a.m.-5:00 p.m. [email protected] · 337.232.3737 APRIL 2019 - APRIL 2020 800.346.1958 U.S. 800.543.5340 Canada [email protected] · 337.232.3737 800.346.1958 U.S. 800.543.5340 Canada Do you have an event taking place in Lafayette Parish that you would like to share? Simply go to LafayetteTravel.com/events SUBMIT AN EVENT and submit your event with as much information as possible and we will review and add to our calendar of events. APR Festival des Fleurs de Louisiane. Blackham Coliseum, 2330 Johnston ONGOING EVENTS 13 St., Lafayette. 337-482-5339, Inhc.Louisiana.edu/Festival.html. ZooLive. Zoo of Acadiana, 5601 Hwy. 90 E, Broussard. APR Lao New Year Celebration. Wat Thammarattanaram Temple, 337-837-4325, ZooOfAcadiana.org. -
CSR of Mahindra and Mahindra
Corporate Social Responsibility Project Report on Critical analysis of Sustainability report of Mahindra & Mahindra Ltd. Submitted by: Group 10 Avinash Kumar G034 Saurabh Mishra G040 Abhiroop Mukherjee G042 Amartya Sen G055 Vuda Anurag Naveen Theja G062 Corporate Social Responsibility 2 Index 1. The Mahindra Group 3 2. CSR policy of Mahindra Group 3 3. Sustainability challenges / materiality issues 6 4. Integration of Sustainability into business strategy 6 5. Sustainability structure of Mahindra 7 6. Measurement of social performance indicators 8 7. Measurement of environmental performance indicators 9 8. Achievement of past targets 10 9. Approach to stakeholder engagement 11 10. Other pertinent things 14 11. Three key learnings for the team 15 The Mahindra Group Mahindra is a USD 16.7 billion multinational group based in Mumbai, India, with more than 180,000 people in over 100 countries. In addition to being leaders in fields of utility vehicle manufacturing, information technology, tractors, financial services, real estate and vacation homes, they also have a presence in aerospace, aftermarket, components, consulting services, defence, energy, logistics, retail and two wheelers. The group has transformed its core purpose which is, “To challenge conventional thinking and innovatively use all our resources to drive positive change in the lives of our stakeholders and communities across the world - to enable them to Rise.” The new purpose aims in taking along all the communities and stakeholders across the world to grow and rise move beyond the conventional thinking by engaging all its resources. This goes in tandem to their core values to rise and lead by sustainability. These values guide their actions, personal and corporate both. -
Jerry Garcia Song Book – Ver
JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106. -
Robert Johnson, Folk Revivalism, and Disremembering the American Past
The Green Fields of the Mind: Robert Johnson, Folk Revivalism, and Disremembering the American Past Blaine Quincy Waide A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Folklore Program, Department of American Studies Chapel Hill 2009 Approved by: William Ferris Robert Cantwell Timothy Marr ©2009 Blaine Quincy Waide ALL RIGHTS RESERVED ii Abstract Blaine Quincy Waide: The Green Fields of the Mind: Robert Johnson, Folk Revivalism, and Disremembering the American Past (Under the direction of William Ferris) This thesis seeks to understand the phenomenon of folk revivalism as it occurred in America during several moments in the twentieth and twenty-first centuries. More specifically, I examine how and why often marginalized southern vernacular musicians, especially Mississippi blues singer Robert Johnson, were celebrated during the folk revivals of the 1930s and 1960s as possessing something inherently American, and differentiate these periods of intense interest in the traditional music of the American South from the most recent example of revivalism early in the new millennium. In the process, I suggest the term “disremembering” to elucidate the ways in which the intent of some vernacular traditions, such as blues music, has often been redirected towards a different social or political purpose when communities with divergent needs in a stratified society have convened around a common interest in cultural practice. iii Table of Contents Chapter Introduction: Imagining America in an Iowa Cornfield and at a Mississippi Crossroads…………………………………………………………………………1 I. Discovering America in the Mouth of Jim Crow: Alan Lomax, Robert Johnson, and the Mississippi Paradox…………………………………...23 II.