DOCSLIB.ORG

SEPTEMBER 1987 I'm Happy to Announce the Availability of Mod- Poll

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SEPTEMBER 1987 I'm Happy to Announce the Availability of Mod- Poll VOLUME 11, NUMBER 9, ISSUE 95 Features Columns Cover Photo by Leslie Burke EDUCATION JAZZ DRUMMERS' WORKSHOP Burke The Ride Cymbal by Peter Erskine 66 Leslie SHOW DRUMMERS' SEMINAR by Subbing A Broadway Show by Larry Spivack 68 Photo TEACHERS' FORUM Child Drummers by Brooke Sheffield Comer 70 DRUM SOLOIST Roy Haynes: "Snap Crackle" by Karl Sterling 80 ROCK PERSPECTIVES Recreating Beats by Kenny Aronoff 82 THE MACHINE SHOP Heavy Rock From Light Plastic by Clive Brooks 84 ROCK 'N' JAZZ CLINIC Styles are Related: Part 2 by Rod Morgenstein 92 TAKING CARE OF BUSINESS Consumer Rights And Options by Clifford J. Sherry, Ph.D. 94 CONCEPTS Showmanship Features by Roy Burns 110 RICK MAROTTA EQUIPMENT He didn't start playing drums until he was 19, but within a few SETUP UPDATE months, Rick Marotta was being asked to do sessions in New Marc Droubay and Mike Clark 108 York. He talks about his work with such artists as Steely Dan, PRODUCT CLOSE-UP Jackson Browne, and Larry Carlton, and explains what is Joe Montineri Custom Snare Drums behind his personal style. by Bob Saydlowski, Jr. 112 by Robyn Flans 16 ELECTRONIC REVIEW Headset Microphones GARY BURKE by Rick Van Horn 114 JUST DRUMS 122 Currently working with Joe Jackson, Gary Burke's credits also include such diverse artists as Bob Dylan and Steve Reich. He discusses his training and experiences, and gives examples of the charts he had to play for Jackson's Will Power album. PROFILES by Jeff Potter 22 UP AND COMING The Smithereens' Dennis Diken by Brooke Sheffield Comer 36 STEVE WHITE PORTRAITS After studying with no less than Bill Bruford, Steve White was Ralph Pace invited to join The Style Council at the age of 17. He recalls by William F. Miller 42 his early training and talks about the group he formed, The Jazz Renegades. 26 NEWS by Simon Goodwin UPDATE 6 WILLIAM F. INDUSTRY HAPPENINGS 120 LUDWIG, JR. DEPARTMENTS Having been literally born into the drum business, William F. EDITOR'S OVERVIEW 2 Ludwig, Jr., traces the development of the American drum READERS' PLATFORM 4 industry from the early 1900s to the present. ASK A PRO 10 by Paul Schrnidt 30 IT'S QUESTIONABLE 12 DRUM MARKET 106 SEPTEMBER 1987 I'm happy to announce the availability of Mod- poll. Awards were given for Best Quality and ern Drummer's 1987 Equipment Annual. Similar Craftsmanship, Most Consumer Service Oriented, to last year, the annual will be distributed free of Most Innovative Company, and Most Needed charge to MD subscribers, and can be purchased at New Product. But more important than the major music stores, drum shops, bookstores, or awards was the feedback it offered the drum indus- newsstands for $5.95. try: feedback directly from the readers of Modern For anyone who may have missed our first Drummer—the most serious drumming audience Equipment Annual, the publication contains in the world. Companies are continually looking nearly every imaginable percussion item from a for input to improve their product lines and main- wide selection of manufacturers, along with prod- tain a leading edge. And feedback, particularly uct specifications and suggested retail prices. Com- from the drummers themselves, is the best source pany addresses are included, as well as informa- for gathering that information. tion on major music stores and drum shops across Obviously, there's no need to wait for a Con- the country. A feature article on the state of the sumer Poll to express your opinion. Let the com- industry offers equally important information for panies know how you honestly feel by writing all drummers. Our 1986 guide has been called the directly to them, by going through your local On most comprehensive listing of percussion equip- music dealer or drum shop, or by speaking to com- ment ever published. pany reps at clinics sponsored by individual firms. While I'm on the subject of equipment, let me If you've discovered real value in a product and it's Honest point out something that can be beneficial from the made your life as a drummer that much easier, tell consumers' standpoint as well as the manufactur- the manufacturer about it! Likewise, should you ers'. That "something" is called feedback. One find a distinct shortcoming with certain merchan- Feedback good example of feedback is when you write to tell dise, let the manufacturer know about that as well. us what you like or don't like about Modern When you do this, you supply that all-important Drummer That flow of positive or negative feed- feedback from which a company can draw. And, if back helps make MD an even more useful publica- in doing so, should just one company update a tion for drummers. It shows us where improve- valuable old product, redesign a poor one, or ments, adjustments, or fresh new ideas can be spring forward with a totally unique idea as a result incorporated into the magazine. of that feedback, then we've all gained from it, Another good example of healthy feedback haven't we? Keep this in mind as you browse occurred a while back with Modern Drummer's through the new Equipment Annual or anytime Consumer Poll. We asked for your opinion on for that matter. major manufacturers and their products in that EDITOR/PUBLISHER ADMINISTRATIVE MANAGER CONTRIBUTING WRITERS Ronald Spagnardi Tracy Kearney Susan Alexander, Chip Deffaa, Robyn Flans, Simon Goodwin, Jeff Potter, Teri ASSOCIATE PUBLISHER Saccone, Robert Santelli, Bob Saydlowski, Isabel Spagnardi DEALER SERVICE MANAGER Jr.,T. Bruce Wittet. Sharon M. Leary SENIOR EDITOR MODERN DRUMMER Magazine (ISSN 0194- 4533) is published monthly by MODERN Rick Mattingly CIRCULATION DRUMMER Publications, Inc., 870 Pompton Leo Spagnardi Avenue, Cedar Grove, NJ 07009. Second-Class MANAGING EDITOR Crystal W. Van Horn Postage paid at Cedar Grove, NJ 07009 and at Rick Van Horn Tara Shah additional mailing offices. Copyright 1987 by Modern Drummer Publications, Inc. All rights ASSOCIATE EDITORS reserved. Reproduction without the permission of Susan Hannum SALES PROMOTION MANAGER the publisher is prohibited. William F. Miller Evelyn Urry SUBSCRIPTIONS: $22.95 per year; $41.95, two years. Single copies $2.95. MANUSCRIPTS: Modern Drummer welcomes EDITORIAL ASSISTANT manuscripts, however, cannot assume responsi- Cynthia Huang MODERN DRUMMER ADVISORY bility for them. Manuscripts must be accompa- BOARD nied by a self-addressed, stamped envelope. Henry Adler, Carmine Appice, Louie CHANGE OF ADDRESS: Allow at least six Bellson, Bill Bruford, Roy Burns, Jim weeks for a change. Please provide both old and ART DIRECTOR Chapin, Les DeMerle, Len DiMuzio, new address. David H. Creamer Charlie Donnelly, Peter Erskine, Danny MUSIC DEALERS: Modern Drummer is avail- able for resale at bulk rates. Direct correspon- Gottlieb, Sonny Igoe, Jim Keltner, Mel dence to Modern Drummer, Dealer Service, 870 Lewis, Larrie Londin, Peter Magadini, Pompton Ave., Cedar Grove, NJ 07009. Tel: 800- George Marsh, Butch Miles, Joe Morello, 522-DRUM or 201-239-4140. ADVERTISING DIRECTOR Andy Newmark, Neil Peart, Charlie Perry, POSTMASTER: Send address changes to Mod- Kevin W. Kearns Paul T. Riddle, Ed Shaughnessy, Steve ern Drummer, P.O. Box 469, Cedar Grove, NJ Smith, Ed Thigpen. 07009. ISSUE DATE: September 1987 LARS ULRICH erature, it is nice to see a magazine that industry is geared towards the manufac- I would like to thank you for your great gives the "little guys" exposure along with ture of a (by and large) uniform sound in article on Lars Ulrich in your June issue. the "big guys." its efforts to sell the maximum number of Lars is definitely one of the most innova- Dave Penna units (i.e., records). tive drummers in the metal scene today, Valley Stream NY Acoustic drums are difficult to record, and he blows away the boring and predict- take a long time to set up and EQ, and are able playing of the drummers in many limited by the drummer's ability to play. other "metal" bands. Metallica sets an Modern computer technology, on the example for those who play music that ONE READER'S PERSPECTIVE other hand, is capable of sampling any comes from deep inside. Since first subscribing to Modern Drum- desired sound and reproducing it at any I'd also like to compliment you on your mer nine years ago, I have read about a pop tempo or rhythm—all in perfect time. great magazine. You keep an open mind— number of controversial issues, the most This saves space, time, and money—all of which is unusual. recent of which seems to center on the so- which makes economic sense. It also Carl Moller called electronic revolution and its adverse allows non-drumming composers to Sterling VA effect on the drumming profession. I record rhythm tracks without having to would like to put this issue into its proper use drummers. I want to thank you for your article on I believe it is this philosophy that has Lars Ulrich. Lars has a definite style to his perspective. Electronic drums, and in particular resulted in the proliferation of electronic playing and has affected the way I play. drums. While this has appeared alarming One item that I found to be incorrect in the computerized drum machines, are a logical consequence of today's pop music to some of the readers and name drummers interview, however, was Lars' comment whose opinions have been expressed in the regarding Dave Lombardo, formerly of trends—especially the disco craze of the late '70s. Pop and rock music, in general, pages of MD, it is not clear that it will nec- Slayer. Dave uses double-bass work as essarily be detrimental.
Load more

Recommended publications
  • Surround Sound Auteurs and the Fragmenting of Genre
    Alan Williams: Surround Sound Auteurs and the Fragmenting of Genre Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi Williams, A. (2019). Surround Sound Auteurs and the Fragmenting of Genre. In J.-O. Gullö (Ed.), Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi (pp. 319-328). Stockholm: Royal College of Music (KMH) & Art of Record Production. Alan Williams: Surround Sound Auteurs and the Fragmenting of Genre Abstract Multi-channel sonic experience is derived from a myriad of technological processes, shaped by market forces, configured by creative decision makers and translated through audience taste preferences. From the failed launch of quadrophonic sound in the 1970s, through the currently limited, yet sustained niche market for 5.1 music releases, a select number of mix engineers and producers established paradigms for defining expanded sound stages. Whe- reas stereophonic mix practices in popular music became ever more codified during the 1970s, the relative paucity of multi-channel releases has preserved the individual sonic fingerprint of mixers working in surround sound. More- over, market forces have constricted their work to musical genres that appeal to the audiophile community that supports the format. This study examines the work of Elliot Scheiner, Bob Clearmountain, Giles Martin, and Steven Wilson to not only analyze the sonic signatures of their mixes, but to address how their conceptions of the soundstage become associated with specific genres, and serve to establish micro-genres of their own. I conclude by ar- guing that auteurs such as Steven Wilson have amassed an audience for their mixes, with a catalog that crosses genre boundaries, establishing a mode of listening that in itself represents an emergent genre – surround rock.
    [Show full text]
  • November 15, 1974
    -53=** e ^Br&eze VoLLI Madison College.Harrisonburg.Va.,Friday ^November 15,1974 No. 20 Debaters Expand; 2 Divisions Now Cross-Section of Students By JENNIFER GOINS opportunity to meet Inter- Intercollegiate debate has esting people." evolved from a bawdy battle Madison's coaches, John of wits, which too after re- Morello and Eaiie Malman, sulted In a battle of fists, both former debaters, state Into a highly structured game their motives for debating In of verbal ping-pong. Twen- terms of a three-fold goal. tieth century debate Is less They see debate first as an emotional, more stylish and educational opportunity that success relies on careful ar- teaches students how to re- gumentation rather than brute search arguements, present force. them logically, and defend Madison's five-year old them heartily. Secondly, de- debate team has grown from a bate helps students achieve a fledgling group of four stud- greater form of current ents with one coach, to a awareness. Finally, debate twelve member squad with has social value, it offers the two coaches. Madison's team student a chance to travel has two divisions, with nine meet Interesting people, work members In varsity and three with people, and exchange new members In the novice divi- Idee*. Tournament Upcoming sion. To sophomore Roger Wells, debate Is a game that satis- DEBATORS PREPARE FOR Madison's fifth son Halls. Although debating requires up to Traditionally, Intercolle- fies his InteUectual curiosity and largest annual tournament, which Is be- fifteen hours of work a week, tne rewards giate debate Is a year long and takes his mind off bis ing held this weekend In Jackson and Harri- a debater gains are tremendous.
    [Show full text]
  • Amy Roloff of Little People, Big World at Homecoming October 11
    Volume 77 • Number 3 • Fall 2008 centralightCentral Michigan University Alumni Magazine Join alumna Amy Roloff of Little People, Big World at Homecoming October 11. On the cover Volume 77 • Number 3 • Fall 2008 centralight 8 Humble celebrity centralightCentral Michigan University Alumni Magazine Volume 77 • Number 3 • Fall 2008 Meet Amy Roloff, ’85, star of Little People, Big World, who visited campus with her kids during their summer vacation and will be back this fall as Executive Editor and Executive Director of Alumni Relations Homecoming grand marshal. Mary Lu Yardley, ’90 MSA ’92 Join alumna Editor Amy Roloff of Little People, Big World Barbara Sutherland Chovanec Cover photograph by at Homecoming October 11. Robert Barclay Photographers Robert Barclay CMU Alumni Peggy Brisbane Writers Sarah Chuby, ’03 Dan Digmann Wanted Cynthia J. Drake, MA ’08 Mark Lagerwey, MA ‘01 The CMU Alumni Association is looking Scott Rex for new and returning Gold Members. 12 18 22 Graphic designer Qualified applicants will possess the Amanda St. Juliana, ’06 Features following characteristics: Communications committee 4 A CMU medical school • Pride in their alma mater Kevin Campbell, ’74 MA ’76 Addressing the growing needs of mid- and Raymond Jones, ’73 MA ’80 northern Michigan. Darcy Orlik, ’92 MSA ’95 • Connection with their CMU friends Shirley Posk, ’60 10 Homecoming 2008 and experiences Get geared up with the Homecoming schedule and Vice President of Development a heartwarming story of two friends who reunited and Alumni Relations after 75 years. • Commitment to supporting Homecoming Michael Leto weekends and other alumni activities 12 Let’s go to college! See how grandparents and grandchildren Associate Vice President explored campus.
    [Show full text]
  • Some Advice for Phone-Addicted Youth Who Want To
    The Roots Report: Look What’s Going Down: Artists have a duty to voice their opinions Okee dokee folks… “It’s s time we stop, hey, what’s that sound, everybody look what’s going down.” This is from one of the most famous protest songs ever written, “For What It’s Worth,” by Stephen Stills (Buffalo Springfield). It was written more than 50 years ago in response to the Sunset Strip curfew riots in California and is still revered as one of the best songs of that generation. A few years later, Neil Young wrote his song “Ohio” about the Kent State shootings. Crosby, Stills, Nash and Young quickly recorded this song, and when it was released as a single, it was backed with another Stephen Stills protest anthem “Find The Cost Freedom.” At the time, “Ohio” was banned by some radio stations, but today it is one of the few actual protest songs still being played on radio. These songs, the bands and the writers were major inspirations and influences for me as a musician and songwriter. Not only do I perform “Ohio” with my band Forever Young and “For What It’s Worth” when I play solo, but I have written many sociopolitical songs of my own that are part of my body of solo work. I feel protest songs need to be written, but they are the hardest type of song to get right. They need to express the concern and anger of the subject matter and marry it perfectly with a melody to make the song viable.
    [Show full text]
  • Downbeat.Com March 2014 U.K. £3.50
    £3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene
    [Show full text]
  • (I Can't Get No) Satisfaction Rolling Stones 1965 4 Open Ar
    1 Hey Jude The Beatles 1968 2 Stairway To Heaven Led Zeppelin 1971 3 (I Can't Get No) Satisfaction Rolling Stones 1965 4 Open Arms Journey 1982 5 Yesterday The Beatles 1965 6 American Pie Don McLean 1972 7 Imagine John Lennon 1971 8 Jailhouse Rock Elvis Presley 1957 9 Ebony And Ivory Paul McCartney & Stevie Wonder 1982 10 (We're Gonna) Rock Around The Clock Bill Haley & His Comets 1955 11 Start Me Up Rolling Stones 1981 12 Centerfold J. Geils Band 1982 13 I Want To Hold Your Hand The Beatles 1964 14 I Love Rock And Roll Joan Jett & The Blackhearts 1982 15 Hotel California The Eagles 1977 16 Do You Believe In Love Huey Lewis & The News 1982 17 The House Of The Rising Sun The Animals 1964 18 Don't Talk To Strangers Rick Springfield 1982 19 Won't Get Fooled Again The Who 1971 20 867-5309/Jenny Tommy Tutone 1982 21 Bridge Over Troubled Water Simon & Garfunkel 1970 22 '65 Love Affair Paul Davis 1982 23 Help! The Beatles 1965 24 Don't Stop Believin' Journey 1981 25 Endless Love Diana Ross & Lionel Richie 1981 26 Brown Sugar Rolling Stones 1971 27 Let It Be The Beatles 1970 28 Free Bird Lynyrd Skynyrd 1975 29 Woman John Lennon 1981 30 Nights In White Satin Moody Blues 1972 31 She Loves You The Beatles 1964 32 The Sounds Of Silence Simon & Garfunkel 1966 33 The Twist Chubby Checker 1960 34 Jumpin' Jack Flash Rolling Stones 1968 35 Jessie's Girl Rick Springfield 1981 36 Born To Run Bruce Springsteen 1975 37 A Hard Day's Night The Beatles 1964 38 California Dreamin' The Mamas & The Papas 1966 39 Lola The Kinks 1970 40 Lights Journey 1978 41 Proud
    [Show full text]
  • NEW MUSIC on COMPACT DISC 4/16/04 – 8/31/04 Amnesia
    NEW MUSIC ON COMPACT DISC 4/16/04 – 8/31/04 Amnesia / Richard Thompson. AVRDM3225 Flashback / 38 Special. AVRDM3226 Ear-resistible / the Temptations. AVRDM3227 Koko Taylor. AVRDM3228 Like never before / Taj Mahal. AVRDM3229 Super hits of the '80s. AVRDM3230 Is this it / the Strokes. AVRDM3231 As time goes by : great love songs of the century / Ettore Stratta & his orchestra. AVRDM3232 Tiny music-- : songs from the Vatican gift shop / Stone Temple Pilots. AVRDM3233 Numbers : a Pythagorean theory tale / Cat Stevens. AVRDM3234 Back to earth / Cat Stevens. AVRDM3235 Izitso / Cat Stevens. AVRDM3236 Vertical man / Ringo Starr. AVRDM3237 Live in New York City / Bruce Springsteen & the E Street Band. AVRDM3238 Dusty in Memphis / Dusty Springfield. AVRDM3239 I'll be around : and other hits. AVRDM3240 No one does it better / SoulDecision. AVRDM3241 Doin' something / Soulive. AVRDM3242 The very thought of you: the Decca years, 1951-1957 /Jeri Southern. AVRDM3243 Mighty love / Spinners. AVRDM3244 Candy from a stranger / Soul Asylum. AVRDM3245 Gone again / Patti Smith. AVRDM3246 Gung ho / Patti Smith. AVRDM3247 Freak show / Silverchair. AVRDM3248 '60s rock. The beat goes on. AVRDM3249 ‘60s rock. The beat goes on. AVRDM3250 Frank Sinatra sings his greatest hits / Frank Sinatra. AVRDM3251 The essence of Frank Sinatra / Frank Sinatra. AVRDM3252 Learn to croon / Frank Sinatra & Tommy Dorsey and his orchestra. AVRDM3253 It's all so new / Frank Sinatra & Tommy Dorsey and his orchestra. AVRDM3254 Film noir / Carly Simon. AVRDM3255 '70s radio hits. Volume 4. AVRDM3256 '70s radio hits. Volume 3. AVRV3257 '70s radio hits. Volume 1. AVRDM3258 Sentimental favorites. AVRDM3259 The very best of Neil Sedaka. AVRDM3260 Every day I have the blues / Jimmy Rushing.
    [Show full text]
  • Right Arm Resource Update
    RIGHT ARM RESOURCE UPDATE JESSE BARNETT [email protected] (508) 238-5654 www.rightarmresource.com www.facebook.com/rightarmresource 1/9/2019 Guster “Overexcited” The first single from Look Alive, in stores 1/18 Most Added early with over 25 stations on board immediately including: WFUV, WXRV, WNCS, WRNR, KJAC, WEHM, KVNA, WXCT, WTMD, KVNV, KTBG, WZEW, KYSL, WBJB, KMMS, KNBA, KMTN, WCNR... WXPN Free At Noon this week! CBS Saturay Morning coming up National tour kicks off the month and runs through April The Devil Makes Three “Paint My Face” The new single from Chains Are Broken, out now Early adds at KYSL, KRML and KSLU Catch them on tour now: 1/16 Saxapahaw NC, 1/17 Asheville NC, 1/18 Atlanta GA, 1/19 Knoxville TN, 1/20 Nashville TN, 1/23 Penscaola FL, 1/24 New Orleans LA, 1/25 Houston TX, 1/26 Austin TX, 1/27 Dallas TX, 1/30 St. Louis MO, 1/31 Madison WI... Joe Jackson “Friend Better” The first radio single from Fool, in stores January 18 New: WFPK, KPND, WCBE, WMWV, KNBA, WBZS, WZLO, WYCE... Early: WXPN, WFUV, KCSN, WEHM, KTBG, KVNA, KVNV, WAPS, WYEP, WDST, WBJB, KYSL, WNRN, WFIV, KROK, WKZE, KUMT, KBAC, WVOD and more 2019 marks 40 years since the release of the Look Sharp album 40 Years Of Music tour dates kick off in February Citizen Cope “Justice” The first single from Heroin and Helicopters, in stores March 1 Mediabase 50*, BDS Monitored Debut 37*, Indicator Debut 25*, FMQB Public Debut 44*! Tour kicks off March 1 First week: WPYA, KTHX, KVNA, KTBG, WCNR, WEXT, WMWV, KCLC, KNBA, KHUM, XM Loft..
    [Show full text]
  • Foghat in the Studio: Fool for the City Mp3, Flac, Wma
    Foghat In The Studio: Fool For The City mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Non Music Album: In The Studio: Fool For The City Country: US Released: 1991 Style: Blues Rock, Classic Rock, Radioplay, Spoken Word MP3 version RAR size: 1782 mb FLAC version RAR size: 1917 mb WMA version RAR size: 1114 mb Rating: 4.1 Votes: 539 Other Formats: MMF DMF AHX AAC AUD DTS AC3 Tracklist 1 Segment One 19:03 2 Segment Two 19:31 3 Segment Three 20:30 4 Segment Four 0:53 Companies, etc. Record Company – Bullet Productions Made By – Discovery Systems Notes Show number 148 for the air week of April 22, 1991. Barcode and Other Identifiers Matrix / Runout (Mirrored): MADE BY DISCOVERY SYSTEMS - AN AMERICAN COMPANY A2YE0100A Other versions Category Artist Title (Format) Label Category Country Year Fool For The City (LP, BR 6959 Foghat Bearsville BR 6959 US 1975 Album) Fool For The City (CD, Rhino Records , 8122-70882-2 Foghat 8122-70882-2 Europe Unknown Album, RE, RM) Bearsville Fool For The City (Cass, BEA M5 6959 Foghat Bearsville BEA M5 6959 US 1975 Album) Fool For The City (LP, BRK 6980 Foghat Bearsville BRK 6980 US 1975 Album, Gol) Warner Bros. Fool For The City (LP, 3-01-404-086 Foghat Records, 3-01-404-086 Brazil 1977 Album) Bearsville Related Music albums to In The Studio: Fool For The City by Foghat Foghat - Energized Foghat - The Best Of Foghat Foghat - Drivin' Wheel Foghat - Stone Blue Foghat - Live Little Feat - In The Studio: "Waiting For Columbus" Foghat - I Just Want To Make Love To You Foghat - Fool For The City Foghat - Night Shift Foghat - Stranger In My Home Town.
    [Show full text]
  • Major New Festival Features Legendary Rock Band Spring and Fall Are the Busy Times in Southern Maryland for Festivals, Fairs
    Major new festival features legendary rock band Posted by Dick.Myers_Editor On 05/29/2013 Spring and fall are the busy times in Southern Maryland for festivals, fairs and other special events. But there was that short window of opportunity right after Memorial Day for another major event. Summerseat Farm on Route 235 in Oakville has seized that opportunity. This Saturday, June 1st will be the first Beer, Bands & BBQ. The bands part of the event features legendary rockers the Smithereens. To order tickets for Beer, Bands and BBQ, go to the Summerseat website at http://www.summerseat.org/Home/tabid/36/Default.aspx The Smithereens formed in1980 and continue to this day with most of the original members, including lead vocalist and guitarist Pat DiNizio. All the original members were from New Jersey. The only change from the original band occurred in 2006 when Severo Jomacion took over bass guitar from Mike Mesaros. Other members are Jim Babjak (guitar and vocals), and Dennis Diken (drums and percussion). The band is noted for writing and playing catchy 19060’s influenced power pop. Their first album, “Blood and Roses” was included in the soundtrack for the 1986 movie “Dangerously Close.” This month and next the Smithereens will be special guests of Tom Petty and the Heartbreakers for six concerts. They have collaborated in the studio with musicians such as Suzanne Vega and Belinda Carlisle and on stage with Graham Parker and the Kinks. Other bands performing from Beer, Bands and BBQ from 1-8 p.m. are 80’s Metal Hair tribute band “One Louder” and local favorites “Justin Myles Experience” and the “Sam Grow Band.” Rounding out the other two “B’s” in the title of the event are 10 premium and craft beers and plenty of finger lickin’ food.
    [Show full text]
  • Frank Zappa, Captain Beefheart and the Secret History of Maximalism
    Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville is a writer and musician living in Liège, Belgium. He is the author of several books including J.G. Ballard and The American Prose Poem, which won the 1998 SAMLA Studies Book Award. He teaches English and American literatures, as well as comparative literatures, at the University of Liège, where he directs the Interdisciplinary Center for Applied Poetics. He has been playing and composing music since the mid-eighties. His most recently formed rock-jazz band, the Wrong Object, plays the music of Frank Zappa and a few tunes of their own (http://www.wrongobject.be.tf). Andrew Norris is a writer and musician resident in Brussels. He has worked with a number of groups as vocalist and guitarist and has a special weakness for the interface between avant garde poetry and the blues. He teaches English and translation studies in Brussels and is currently writing a book on post-epiphanic style in James Joyce. Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville and Andrew Norris Cambridge published by salt publishing PO Box 937, Great Wilbraham PDO, Cambridge cb1 5jx United Kingdom All rights reserved © Michel Delville and Andrew Norris, 2005 The right of Michel Delville and Andrew Norris to be identified as the authors of this work has been asserted by them in accordance with Section 77 of the Copyright, Designs and Patents Act 1988. This book is in copyright. Subject to statutory exception and to provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Salt Publishing.
    [Show full text]
  • Robert Walser Published Titles My Music by Susan D
    Running With the Devil : Power, Gender, title: and Madness in Heavy Metal Music Music/culture author: Walser, Robert. publisher: Wesleyan University Press isbn10 | asin: 0819562602 print isbn13: 9780819562609 ebook isbn13: 9780585372914 language: English Heavy metal (Music)--History and subject criticism. publication date: 1993 lcc: ML3534.W29 1993eb ddc: 781.66 Heavy metal (Music)--History and subject: criticism. Page i Running with the Devil Page ii MUSIC / CULTURE A series from Wesleyan University Press Edited by George Lipsitz, Susan McClary, and Robert Walser Published titles My Music by Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser Subcultural Sounds: Micromusics of the West by Mark Slobin Page iii Running with the Devil Power, Gender, and Madness in Heavy Metal Music Robert Walser Page iv WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, NH 03755 © 1993 by Robert Walser All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book Acknowledgments for song lyrics quoted: "Electric Eye": Words and music by Glenn Tipton, Rob Halford, and K. K. Downing, © 1982 EMI APRIL MUSIC, INC. / CREWGLEN LTD. / EBONYTREE LTD. / GEARGATE LTD. All rights controlled and administered by EMI APRIL MUSIC, INC. International copyright secured. All rights reserved. Used by permission. "Suicide Solution": Words and music by John Osbourne, Robert Daisley, and Randy Rhoads, TRO© Copyright 1981 Essex Music International, Inc. and Kord Music Publishers, New York, N.Y.
    [Show full text]