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Press Release
curator: Lorella Scacco Venice International University San Servolo Isle, Venice June 7 – 9, 2007 The “MOBILE JOURNEY” art project will take place between June 7 and 9, 2007on San Servolo Isle, the location of Venice International University. The project is the result of creative and technological collaboration between visual artists, Vodafone and university researchers. The project is part of the fringe events planned for the Venice Biennale 2007. The “MOBILE JOURNEY” project takes art to new levels of experimentation by enabling the visitor to interact, via their cell phone, with the works of art on display from June 7 to 9, 2007 at Venice International University, located on the fascinating San Servolo Isle. “MOBILE JOURNEY”, an exhibition conceived and curated by Lorella Scacco, is the result of creative and technological collaboration between visual artists, Vodafone and Venice International University researchers. “For several years VIU, under the presidency of Ambassador Umberto Vattani, has launched numerous initiatives involving the figurative arts. The Campus, which is frequented by professors and students of many different nationalities (Italians, Germans, Chinese, Americans, Japanese, Spanish, etc.), has over time become an exhibition space for contemporary art. In addition to the works on permanent display on San Servolo Island, the Campus is also host to artistic and scientific experiments and research that bring the two worlds together. The University’s collaboration with the Venice Biennale has proved particularly productive, and once again this year an initiative put forward by Venice International University has been included in the programme of events.” The project starts from the idea of mobility, which increasingly characterises today’s space-time dimension, bringing together art, technology and the mobile lifestyle. -
Einsichten Und Perspektiven
Bayerische Landeszentrale 4 | 11 für politische Bildungsarbeit Einsichten und Perspektiven Bayerische Zeitschrift für Politik und Geschichte Bürgerengagement oder politischer Aktivismus? Wie steht es mit der Integration? Das Bindestrich-Land Nordrhein-Westfalen NS-Gedenkstätten in Frankreich Bayerisch-israelische Absichtserklärung zur Bildungskooperation Neue Publikationen Jahresausblick 2012 Einsichten und Perspektiven Autoren dieses HeftesImpressum Dr. Christian Babka von Gostomski, Afra Gieloff, Martin Kohls, Dr. Harald Lederer und Einsichten Stefan Rühl sind Mitarbeiter der Gruppe 22 „Grundsatzfragen der Migration, Migrationsfor- und Perspektiven schung, Ausländerzentralregister, Statistik“ im Bundesamt für Migration und Flüchtlinge in Nürnberg. Verantwortlich: Eva Feldmann-Wojtachnia ist wissenschaftliche Mitarbeiterin der Forschungsgruppe Jugend und Monika Franz, Europa am Centrum für angewandte Politikforschung der Ludwig-Maximilians-Universität Praterinsel 2, München. 80538 München Dr. Manuela Glaab ist Akademische Oberrätin am Geschwister-Scholl-Institut für Politikwissen- schaft der Ludwig-Maximilians-Universität München und Leiterin der Forschungsgruppe Deutsch- Redaktion: land am Centrum für angewandte Politikforschung. Monika Franz, Stephan Hildensperger und Christoph Huber sind Mitarbeiter der Landeszentrale für politische Dr. Christof Hangkofer, Bildungsarbeit. Christoph Huber, Dr. Guido Hitze ist Historiker mit den Schwerpunkten Landes- und Parteiengeschichte (Nord- Werner Karg rhein-Westfalen, Schlesien, politischer Katholizismus, -
Conference Radius of Art Creative Politicisation of the Public Sphere Cultural Potentials for Social Transformation
Introduction Conference radius of art Creative politicisation of the public sphere Cultural potentials for social transformation 8th-9th February 2012 Heinrich Böll Foundation, Berlin Conference aim The conference is designed to contribute to the international discussion around the effects art and culture have on social transformation, in particular on demo- cratisation processes and forms of political participation and social empower- ment, political awareness-raising and the forming of public opinion. Finally, we will discuss how the basic structural and financial frameworks governing pro- jects can be re-thought within the framework of the above-mentioned contexts. The conference offers an international dialogue and exchange of ideas and experiences between key actors within the cultural, academic, and political sec- tors. It is our wish to strengthen and expand existing structures and networks, initiate long-term partnerships between German and international organisa- tions, and launch shared learning processes. Another aim is to analyse the basic stipulations set for the realisation of projects in the above-listed fields, to examine the structural frameworks that govern them, and to introduce new concepts for sponsoring and finance structures. In this context it is also important to discuss the widespread expectations around the measurability of the effect of art and cultural projects. Thematic windows The conference will be focussing on the presentation and discussion of pro- jects, basic concepts, and experiences within the field dealing with international art and cultural projects that have immanent relevance for the public sphere, for processes of democratisation, for the discourse surrounding growth and sustainability, and for the development of civil society. -
Percorsi Etruschi "In Verità È Impressionante Constatare Che Per Due Volte, Nel VII Secolo A
2 Prefazione "L’uomo che non è mai stato in Italia, è sempre cosciente di un’inferiorità." Samuel Johnson Perché possiamo parlare dell’Italia come Opera Unica? Certo è che in essa sono concentrati la maggior parte dei beni artistici esistenti sul pianeta Terra, questo senza tener conto delle enormi ricchezze che ci rappresentano in alcuni tra i musei più importanti del mondo come il Louvre a Parigi, l’Heritage a San Pietroburgo o la National Gallery a Londra, visto e considerato che, insieme all’Egitto e alla Grecia, siamo tra i paesi più depauperati da un punto di vista patrimoniale, oltre che, da sempre, l’Arte Italiana fa scuola a studenti e artisti provenienti da ogni dove, talvolta diventati celeberrimi come Balthus, Picas- so e Turner, e che hanno affrontato i viaggi più avventurosi per studiare i no- stri capolavori i quali hanno influenzato visibilmente le loro opere. La famosa "Sindrome di Stendhal" prende nome proprio dalla reazione emo- tiva ansiogena che colse il famoso scrittore Francese e che egli racconta nel suo libro "Roma, Napoli e Firenze" descrivendola come una sintomatologia paralizzante dovuta all’improvvisa bellezza di un monumento e che lo colse uscendo dalla chiesa di Santa Croce, nel capoluogo toscano. Nel solo territorio Italiano contiamo cinquantacinque siti UNESCO a cui va aggiunto il Vaticano e senza tener conto che luoghi come Ercolano e Pompei sono considerati un unico sito. Trattasi di un numero pari a quello che può vantare la Cina, ma l’estensione dell’Italia, come si sa, è ben più ridotta. In sostanza, ovunque ci si trovi, nel nostro bel paese, si rischia di essere colpiti dalla stessa Sindrome che colse Stendhal. -
Last Tango in Paris (1972) Dramas Bernardo Bertolucci
S.No. Film Name Genre Director 1 Last Tango in Paris (1972) Dramas Bernardo Bertolucci . 2 The Dreamers (2003) Bernardo Bertolucci . 3 Stealing Beauty (1996) H1.M Bernardo Bertolucci . 4 The Sheltering Sky (1990) I1.M Bernardo Bertolucci . 5 Nine 1/2 Weeks (1986) Adrian Lyne . 6 Lolita (1997) Stanley Kubrick . 7 Eyes Wide Shut – 1999 H1.M Stanley Kubrick . 8 A Clockwork Orange [1971] Stanley Kubrick . 9 Poison Ivy (1992) Katt Shea Ruben, Andy Ruben . 1 Irréversible (2002) Gaspar Noe 0 . 1 Emmanuelle (1974) Just Jaeckin 1 . 1 Latitude Zero (2000) Toni Venturi 2 . 1 Killing Me Softly (2002) Chen Kaige 3 . 1 The Hurt Locker (2008) Kathryn Bigelow 4 . 1 Double Jeopardy (1999) H1.M Bruce Beresford 5 . 1 Blame It on Rio (1984) H1.M Stanley Donen 6 . 1 It's Complicated (2009) Nancy Meyers 7 . 1 Anna Karenina (1997) Bernard Rose Page 1 of 303 1 Fanny Hill: Memoirs of a Woman of Pleasure (1964) Russ Meyer 9 . 2 Vixen! By Russ Meyer (1975) By Russ Meyer 0 . 2 Deep Throat (1972) Fenton Bailey, Randy Barbato 1 . 2 A STREETCAR NAMED DESIRE (1951) Elia Kazan 2 . 2 Pandora Peaks (2001) Russ Meyer 3 . 2 The Lover (L'amant) 1992 Jean-Jacques Annaud 4 . 2 Damage (1992) Louis Malle 5 . 2 Close My Eyes (1991) Stephen Poliakoff 6 . 2 Casablanca 1942 H1.M Michael Curtiz 7 . 2 Duel in the Sun (film) (1946) I1.M King Vidor 8 . 2 The Bridge on the River Kwai (1957) H1.M David Lean 9 . 3 Caligula (1979) Tinto Brass 0 . -
Skruger2006.Pdf (1.625Mb)
Die letzten Tage Adolf Hitlers --- Eine Darstellung für das 21. Jahrhundert in Oliver HIRSCHBIEGEL s Der Untergang by Stefanie Krüger A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Master of Arts in German Waterloo, Ontario, Canada, 2006 © Stefanie Krüger 2006 Author’s declaration for electronic submission of a thesis I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. iii Abstract The film Der Untergang (2004), directed by Oliver HIRSCHBIEGEL and written and produced by Bernd EICHINGER , is based on Joachim FEST ’s historical monograph Der Untergang (2002) and Traudl JUNGE ’s and Melissa MÜLLER ’s Bis zur letzten Stunde (2003). Taking place in April, 1945, the movie depicts the last days of Adolf Hitler and his staff in the ‘Führerbunker’. The appearance of the film sparked wide-spread controversy concerning the propriety of Germans illuminating this most controversial aspect of their history. Specifically, the debate centred on the historical accuracy of the film and the dangers associated with the filmmakers’ goal of portraying Hitler not as a caricature or one-sided figure but rather as a complete human being whose troubles and human qualities might well earn the sympathy of the viewers. After surveying a variety of films that portray Adolf Hitler, the thesis analyses Der Untergang by focusing first on the cinematic and narrative aspects of the film itself and then on the figure of Hitler. -
Dok. Fest München 03.–14. Mai 2017 32
DOK. fest MÜNCHEN 03.–14. MAI 2017 32. Internationales Dokumentarfilmfestival München www.dokfest-muenchen.de EYES WIDE OPEN Die Welt scheint aus den Fugen: Großbritannien The world seems to have turned upside down: verlässt Hals über Kopf die Europäische Union, the UK is tumbling out of the European Union, quasi vor unserer Haustür in Syrien tobt ein virtually on our doorstep in Syria a barbaric war is grausamer Krieg, die Flüchtlinge aus der Region und wreaking destruction, refugees from the region and anderen Krisengebieten scheitern großteils an den other areas of conflict are stranded en masse on Außengrenzen Europas. Politisch rechts orientierte Europe’s external borders, right-wing political Kräfte gewinnen beinahe täglich an Boden und im powers are gaining ground almost daily and in the wichtigsten demokratischen Staat der Welt regiert most important democracy in the world there reigns ein Immobilienmilliardär auf dem Egotrip. Große The- a property billionaire on an ego trip. These are big men für relevante und spannende Dokumentarfilme. issues for relevant and captivating documentary Wir sorgen für den Eyes wide open. films. Eyes wide open. Aus den hier benannten Gründen, präsentieren For the reasons above, in our focus section we Filmnachwuchs. wir in unserer Fokusreihe Filme, die dem Zustand present films that assess the state and future of und der Zukunft Europas auf den Nerv fühlen – Europe – DOK.euro.vision is the title of this series Das kleine Fernsehspiel DOK.euro.vision, so der Titel dieser Reihe mit zwölf of twelve films. As the private realm is also always | Filmen. Da das Private auch immer politisch ist und political, and vice versa, we have once again in- montags ab 0:00 umgekehrt, haben wir wieder einige Beiträge im cluded films in the programme that take us from the Programm, die mit großer Intimität und Intensität micro to the macro level with great intimacy and vom Kleinen ins Große erzählen und dabei existen- intensity and thereby ask existential questions anew. -
2018 Ich War Noch Niemals in New York (Service Production) Directed by Philipp Stölzl UFA Fiction Gmbh with Heike Makatsch, Moritz Bleibtreu, Katharina Thalbach And
COMPANY PROFILE - MMC MOVIES COLOGNE MMC Movies Köln GmbH co-produces and co-finances national and international feature films for cinema and TV. As co-producer, we participate in, and contribute financially to, film projects. If required, we can also assume the executive production in Cologne, Germany and Europe, bearing full financial responsibility—from pre-production to filming and post-production, up to execution. As co-production partner and film financer, we make substantial contributions to your production, while offering you a wide range of financing options. These include private equity, regional, national and European funding, Gap-financing and pre-sales. Thanks to our location in North Rhine-Westphalia, we also benefit from the support of the Film Foundation North Rhine-Westphalia—the Film- und Medienstiftung NRW—one of Germany’s largest regional film grant programs. On this basis, and together with you, we will draw up plans for a reliable and efficient financing structure for your project. Numerous national and international film productions have already benefited from MMC Movies’ superior location and the many years of experience in the financing and realization of film projects. Parallel to the production activity, MMC Movies also provides services for film productions. Our production services include leasing of soundstages and production offices, as well as set construction, among others. FILMOGRAPHY MMC MOVIES COLOGNE (May 2018) 2018 Ich war noch niemals in New York (Service Production) directed by Philipp Stölzl UFA -
Warning Concerning Copyright Restrictions
Warning Concerning Copyright Restrictions The Copyright Law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be used for any purpose other than private study, scholarship, or research. If electronic transmission of reserve material is used for purposes in excess of what constitutes "fair use," that user may be liable for copyright infringement. The electronic reserve readings accessible from this page are for use only by students registered in this Smith College course. Further distribution of these documents in any form is prohibited. ., ..... __..,:::~· • ...,.. .• ~ ._ ..T . -~ Van Gogh on De·a nd Van Gogh on o: and Van Gogh on · mand Van Gogh od .emand ~~~NRAE:~:MADE Van Gogh o1 Demand 1 Van Gogh, " Demand Van GogH n Demand Van Gog·.·on Demand Van Go on Demand ~~nnn~~nwong Van G. h on Demand Un.iversityofChicagoPress I ~an '. gh on Demand Chicago and London V ' , {;J.o!:s) Van!pgh on Demand · Va·c ogh on Demand \{j r Gogh on Demand lpterone tapterOne ~hapterOne Imagining the Great Chapter One Pa inting Factory There is now to be a great painting factory, in which, they telt us, they intend to copy any painting, rapidly, cheaply, and indistinguishably from the original, Chapter On by means of totally mechanical operations such as any child can be employed to perform. -
3. Kunstareal Fest
DAS MAGAZIN —— 3. KUNSTAREAL FEST: 24. / 25. JUNI 130 EVENTS, 32 ORTE! EINTRITT FREI! ANZEIGE EDITORIAL INHALT GALERIE 04 Areal als Agora OPENING Ein Gespräch mit Matthias Mühling, Angelika Nollert und Guido Redlich über Denkanstöße und Begegnungen. 08 Köpfe im kunstAreal WEEKEND Welche historischen Persönlichkeiten haben wo im Kunstareal gewohnt und gewirkt? staunen, nachdenken, genießen oder einfach nur lachen – das macht das Leben spannend und erweitert den eigenen 10 Lieblingsorte 24. UND 25. JUNI . 11-18 UHR im Kunstareal München Horizont. Kunst, Kultur und Wissen machen besonders viel Abschalten, Sonne tanken, Gedanken schweifen lassen – GABELSBERGERSTR. 51 . IM KUNSTAREAL Spaß zusammen mit Freunden, Familie, Bekannten oder das gelingt an diesen Orten besonders gut. spontan mit einem Nachbarn, der gerade neben einem steht. Genau das erwartet Sie beim 3. Kunstareal-Fest, zu dem wir 26 Gewinnspiel: Bilderrätsel für Kids Sie herzlich einladen. Erkennst du die Fassade? Haben Sie schon einmal darüber nachgedacht, was Jazz mit 28 Unterwegs im Kunstareal #GREETINGS FROM MUNICH dem Almauftrieb zu tun hat? Oder Architektur mit Film? Nein? München Dann freuen Sie sich auf ein abwechslungsreiches Programm 1000 Mal gesehen, aber was wollen die KünstlerInnen Benedikt Gahl . Raymond Gantner . Claus Hugo Nielsen damit sagen? Wir stellen drei Kunstwerke im öffentlichen für Jung und Alt mit Workshops, Vorträgen, Führungen, Kon- Raum vor. Asta von Unger . Elisabeth Wieser zerten und thematischen Spaziergängen durchs Kunstareal, das in diesem Jahr unter dem Motto „Denkanstöße“ steht. 30 Zahlen bitte Vor allem Kinder und Jugendliche haben mit dem „Jungen Interessantes und Kurioses aus dem Kunstareal München. Programm“ die Qual der Wahl. Und die gesperrte Gabelsber- gerstraße lädt am Sonntag alle zum Flanieren und Ausruhen ein. -
A Corpus-Based Critical Discourse Analysis
“The Wreckognition”: Discourse of the British and the US Press on Germany's Recognition of Croatia and Slovenia: A Corpus-based Critical Discourse Analysis Masterarbeit zur Erlangung des akademischen Grades MASTER OF ARTS an der Geisteswissenschaftlichen Fakultät der Karl-Franzens-Universität Graz vorgelegt von Morana Lukač am Institut für Anglistik Begutachter: Univ.-Prof. Mag. Dr. Bernhard Kettemann Graz, im Juni 2012 ACKNOWLEDGMENTS First of all, I would like to thank my supervisor Professor Bernhard Kettemann not only for his guidance in writing this thesis, but also for his constant encouragement and support of my academic work. Furthermore, I would like to thank Nancy Campbell, PhD who advanced my writing skills and provided her assistance in occasions too numerous to recall them all. Thanks also go to Professor Georg Marko for his technical support, and introducing me to the field of corpus linguistics. I would like to thank my colleagues at the Zadar Linguistics Department and Professor Hans Bickes with his students at the Department of German Studies at the University of Hannover for the fruitful discussions which stirred me in the right direction in my research. Additional thanks to Professor Ruth Wodak in the course of whose seminar the idea for this thesis was conceived and developed. I thank my former lecturers at my Croatian alma mater, Dr Marija Omazić, Dr Višnja Pavičić- Takač and Dr Mario Brdar, among others, who continuously take care of their students. Finally, this thesis would not be possible without the loving support of Zdenka, Slavica and Robert. 2 Contents 1. Introduction ......................................................................................................................................................... 4 2. Independence and Recognition of Croatia and Slovenia ....................................................................................... -
Transformationen
TRANSFORMATIONEN 30 KÜNSTLER GESTALTEN STADTBEKANNTE SCHEIBEN DANIEL AMADEUS SKULPTURAL . EVA BLANCHÈ MALEREI MISCHTECHNIK . NICK BÖTTICHER BLEIVERGLASTE ZEICHNUNG . ELISABETH BROCKMANN LEUCHTKASTEN . JAN DAVIDOFF MALEREI . DUO EMPFANGSHALLE SANDSTRAHL MIT LEUCHTSTOFFRÖHREN . ANITA EDENHOFER FIGUREN AUSGESCHNITTEN SKULPTURAL . MANFRED EGENDER MALEREI . ANDREAS FEIST SKULPTURAL . WOLFGANG FLATZ 3 SCHEIBEN: GRAFFITI / EINSCHUSSLOCH / ? . ROGER FRITZ FOTOGRAFIE AUFGEDRUCKT. MARINA HERRMANN MALEREI . OTTMAR HÖRL FOTOGRAFIE AUFGEZOGEN . MICHAEL HOFSTETTER SCHRIFTBILD SIEBDRUCK . PETER KEES VERGOLDET MIT DIRIGAT . FRANZISKA KNEIDL KERZENBILD MALEREI . HANNE KROLL MALEREI . ALFRED KURZ SKULPTUR . VOLLRAD KUTSCHER SAND- STRAHLZEICHNUNG . PETER REILL SIEBDRUCK DIGITAL . RIVKA RINN FOTO AUFGEZOGEN . ROMER & RÖMER MALEREI . IVAN SCHMIDT SCHRIFTBILD . MAXIMILIAN SEITZ MALEREI . VOLKER SIEBEN MALEREI . BARBARA SPAETT SKULPTURAL . ALIREZA VARZANDEH MALEREI . ADRIAN WALD MALEREI . YUSOB KIM MALEREI Die Fassade des ehemaligen Heizkraftwerks in der Müllerstrasse war Grundlage einer kreativen Auseinandersetzung mit einem Stück Gärtnerplatzviertel. Aus Bauelementen wurde Kunst. Seit 1954 gehörte die Verglasung der Fassade zum vertrauten Stadtbild im Münchner Zentrum. Sie sollte nicht sang- und klanglos verschwinden, sie sollte in eine Form gebracht werden, die Erinnerung möglich macht und zugleich Neues kreiert. 30 von Galeristen, Kuratoren, Kunstjournalisten und Professoren der Akademien vorgeschlagene Künstler haben sich mit dieser Idee und dem ungewöhnlichen,