Last Tango in Paris (1972) Dramas Bernardo Bertolucci

Total Page:16

File Type:pdf, Size:1020Kb

Last Tango in Paris (1972) Dramas Bernardo Bertolucci S.No. Film Name Genre Director 1 Last Tango in Paris (1972) Dramas Bernardo Bertolucci . 2 The Dreamers (2003) Bernardo Bertolucci . 3 Stealing Beauty (1996) H1.M Bernardo Bertolucci . 4 The Sheltering Sky (1990) I1.M Bernardo Bertolucci . 5 Nine 1/2 Weeks (1986) Adrian Lyne . 6 Lolita (1997) Stanley Kubrick . 7 Eyes Wide Shut – 1999 H1.M Stanley Kubrick . 8 A Clockwork Orange [1971] Stanley Kubrick . 9 Poison Ivy (1992) Katt Shea Ruben, Andy Ruben . 1 Irréversible (2002) Gaspar Noe 0 . 1 Emmanuelle (1974) Just Jaeckin 1 . 1 Latitude Zero (2000) Toni Venturi 2 . 1 Killing Me Softly (2002) Chen Kaige 3 . 1 The Hurt Locker (2008) Kathryn Bigelow 4 . 1 Double Jeopardy (1999) H1.M Bruce Beresford 5 . 1 Blame It on Rio (1984) H1.M Stanley Donen 6 . 1 It's Complicated (2009) Nancy Meyers 7 . 1 Anna Karenina (1997) Bernard Rose Page 1 of 303 1 Fanny Hill: Memoirs of a Woman of Pleasure (1964) Russ Meyer 9 . 2 Vixen! By Russ Meyer (1975) By Russ Meyer 0 . 2 Deep Throat (1972) Fenton Bailey, Randy Barbato 1 . 2 A STREETCAR NAMED DESIRE (1951) Elia Kazan 2 . 2 Pandora Peaks (2001) Russ Meyer 3 . 2 The Lover (L'amant) 1992 Jean-Jacques Annaud 4 . 2 Damage (1992) Louis Malle 5 . 2 Close My Eyes (1991) Stephen Poliakoff 6 . 2 Casablanca 1942 H1.M Michael Curtiz 7 . 2 Duel in the Sun (film) (1946) I1.M King Vidor 8 . 2 The Bridge on the River Kwai (1957) H1.M David Lean 9 . 3 Caligula (1979) Tinto Brass 0 . 3 CHINATOWN (1974) H1.M Roman Polanski 1 . 3 Bitter Moon (1994) Roman Polanski 2 . 3 Apocalypse Now (1979) H1.M Francis Ford Coppola 3 . Page 2 of 303 3 10 Things I Hate About You (1999) H1.M Gil Junger 4 . 3 Eternal Sunshine of the Spotless Mind (2004) H1.M Michel Gondry 5 . 3 TITANIC 1997 James Cameron 6 . 3 The Bridges Of Madison County[1995] Clint Eastwood 7 . 3 NOTTING HILL 1999 Roger Michell 8 . 3 Love actually (2003) H1.M Richard Curtis 9 . 4 GHOST 1990 H1.M Jerry Zucker 0 . 4 Valentine's Day (2010) Garry Marshall 1 . 4 Runaway Bride (1999) H1.M Garry Marshall 2 . 4 The Notebook (2004) H1.M Nick Cassavetes 3 . 4 Shakespeare in Love – 1998 John Madden 4 . 4 Wall – E Andrew Stanton 5 . 4 The Player (1992) H1.M Robert Altman 6 . 4 The Seven Year Itch (1955) Billy Wilder 7 . 4 The Shawshank Redemption (1994) Frank Darabont 8 . 4 Page 3 of 303 5 0 . 5 The Last Song (film) Julie Ann Robinson 1 . 5 It Happened One Night Frank Capra 2 . 5 Sweet Smell of Success H1.M Alexander Mackendrick 3 . 5 The Apartment (1960) H1.M Billy Wilder 4 . 5 The Graduate H1.M Mike Nichols 5 . 5 Death In Love 2008 Boaz Yakin 6 . 5 City of Motherly Love Natalie Paige Bentley 7 . 5 The Quiet Man (1952) John Ford 8 . 5 Woman In Berlin 2009 Max Faerberboeck 9 . 6 Antaheen (Bengali with English subtitles) Aniruddha Roy Chowdhury 0 . 6 Dosar (Dir: Rituparno Ghosh) H1.M Rituparno Ghosh 1 . 6 Double Indemnity (1944) Billy Wilder 2 . 6 Abahoman H1.M Rituparno Ghosh 3 . 6 Shob Charitro Kalponik H1.M Rituparno Ghosh 4 . Page 4 of 303 6 Antarmahal Rituparno Ghosh 5 . 6 Rashomon (1950) Akira Kurosawa 6 . 6 RaaJneeti H1.M Prakash Jha 7 . 6 The Seven Samurai (Shichinin no Samurai) (1954) Akira Kurosawa 8 . 6 High and Low (Tengoku to Jigoku) (Heaven and Akira Kurosawa 9 Hell) (1962) . 7 Ran (1985) Akira Kurosawa 0 . 7 (Throne of Blood) (Macbeth) (1957) Akira Kurosawa` 1 . 7 Intimacy (2001) H1.M Lukas Moodysson 2 . 7 Drag Me to Hell (2009) Sam Raimi 3 . 7 Show Me Love (Fucking Amal) (1998) H1.M Patrice Chéreau 4 . 7 The Cook the Thief His Wife & Her Lover (1989) H1.M Peter Greenaway 5 . 7 Creation (2009) H1.M Jon Amiel 6 . 7 In.the.City.of.Sylvia.2007 H1.M José Luis Guerín 7 . 7 EROS H1.M Kar Wai Wong , Michelangelo Antonioni 8 . 7 Indecent Proposal (1993) Adrian Lyne 9 . 8 OUT OF AFRICA H1.M Sydney Pollack Page 5 of 303 8 Beyond the Clouds (1995 film) H1.M Michelangelo Antonioni , Wim Wenders 1 . 8 Brief Crossing) (2001) H1.M Catherine Breillat 2 . 8 Roger Dodger[2002] H1.M Dylan Kidd 3 . 8 Ricordati di me (2003) Remember Me, My Love H1.M Gabriele Muccino 4 . 8 Malena 2000 Giuseppe Tornatore 5 . 8 Brokeback Mountain (2005) H1.M Ang Lee 6 . 8 Dracula (1992) Francis Ford Coppola 7 . 8 Doctor Zhivago (1965) H1.M David Lean 8 . 8 Twilight (2008/I) Catherine Hardwicke 9 . 9 Remember Me (2010) H1.M Allen Coulter 0 . 9 Couples Retreat (2009) H1.M Peter Billingsley 1 . 9 The Virginity Hit (2010) H1.M Huck Botko , Andrew Gurland 2 . 9 Pride & PreJudice (2005) H1.M Joe Wright 3 . 9 Nine (2009) H1.M Rob Marshall 4 . 9 L'Avventura (The Adventure) (1960) H1.M Michelangelo Antonioni 5 . Page 6 of 303 9 L'Eclisse (1962), aka The Eclipse H1.M Michelangelo Antonioni 6 . 9 Michelangelo Antonioni - La Notte (1961) H1.M Michelangelo Antonioni 7 . 9 Luis Bunuel - Tristana (1970) Luis Buñuel 8 . 9 MuJeres al Borde de un Ataque de Nervios (Women H1.M Pedro Almodóvar 9 on the Verge of a Nervous Breakdown) (1988) . 1 The Bitter Tears of Petra von Kant (1972) Rainer Werner Fassbinder 0 0 . 1 Black Book (2006) Zwartboek (original title) Paul Verhoeven 0 1 . 1 A Cool Dry Place (1999) H1.M John N. Smith 0 2 . 1 Abohoman H1.M Rituparno Ghosh 0 3 . 1 A Short Film About Love (1988) H1.M Krzysztof Kieslowski 0 4 . 1 Wicker Park H1.M Paul McGuigan 0 5 . 1 The Curious Case of BenJamin Button (2008) H1.M David Fincher 0 6 . 1 A Walk To Remember H1.M Adam Shankman 0 7 . 1 Serendipity H1.M Peter Chelsom 0 8 . Page 7 of 303 1 Truly Madly Deeply (1990) H1.M Anthony Minghella 0 9 . 1 P.S. I Love You (2007) H1.M Richard LaGravenese 1 0 . 1 You've Got Mail[1998] H1.M Nora Ephron 1 1 . 1 Dying Young (1991) H1.M Joel Schumacher 1 2 . 1 Sleeping with the Enemy 1991 H1.M Joseph Ruben 1 3 . 1 Dirty Dancing (1987) H1.M EMILE ARDOLINO 1 4 . 1 The Pursuit of Happyness (2006) H1.M Gabriele Muccino 1 5 . 1 Last Chance Harvey (2008) H1.M 1 6 . 1 The Green Mile (1999) H1.M Frank Darabont 1 7 . 1 Beaches Special Edition 1988 Garry Marshall 1 8 . 1 Saviour (1998) H1.M Predrag AntoniJevic 1 9 . 1 My Sister's Keeper (2009) H1.M Nick Cassavetes 2 0 . 1 Marley & Me[2008] H1.M David Frankel Page 8 of 303 1 I am Sam (2001) H1.M Jessie Nelson 2 2 . 1 The Boy In The Striped PaJamas [2008] H1.M Mark Herman 2 3 . 1 Grease (1978) H1.M Randal Kleiser 2 4 . 1 Finding Neverland (2004) H1.M Marc Forster 2 5 . 1 While You Were Sleeping (1995) H1.M Jon Turteltaub 2 6 . 1 Up In The Air (2009) H1.M Jason Reitman 2 7 . 1 C'era una volta il West (1968) Once Upon a Time in Sergio Leone 2 the West 8 . 1 It's a Wonderful Life (1946) H1.M Frank Capra 2 9 . 1 Lost Horizon (1937) H1.M Frank Capra 3 0 . 1 Utsab (2000) H1.M Rituparno Ghosh 3 1 . 1 Before Sunrise (1995) H1.M Richard Linklater 3 2 . 1 Before Sunset (2004) H1.M Richard Linklater 3 3 . Page 9 of 303 1 Smultronstället (1957)Wild Strawberries Ingmar Bergman 3 4 . 1 Los abrazos rotos (2009) Broken Embraces H1.M Pedro Almodóvar 3 5 . 1 En Passion (A Passion) (The Passion of Anna) H1.M Ingmar Bergman 3 (1970) 6 . 1 Casanova[2005] H1.M Lasse Hallström 3 7 . 1 Scenes from a Marriage - Scener ur ett Äktenskap H1.M Ingmar Bergman 3 (1973) 8 . 1 (Autumn Sonata) (1978) H1.M Ingrid Bergman 3 9 . 1 Take Me Out to the Ball Game (1949) Busby Berkeley 4 0 . 1 Luis Bunuel - The Diary of a Chambermaid (1964) H1.M Luis Buñuel 4 Le Journal d'une femme de chambre 1 . 1 Volver 2006 H1.M Pedro Almodóvar 4 2 . 1 Central do Brasil (Central Station) (1998) H1.M Walter Salles Jr. 4 3 . 1 Rules of the Game Jean Renoir 4 4 . 1 Read My Lips (Sur mes lèvres) (2002) H1.M Jacques Audiard 4 5 . 1 Préparez vos Mouchoirs (Get Out Your Bertrand Blier Page 10 of 303 Handkerchiefs) (1978) 1 Baby Doll (1956) H1.M D. Elia Kazan 4 7 . 1 Boys Don't Cry (1999) H1.M 4 8 . 1 Baise Moi (2000, Fr.) Virginie Despentes, Coralie 4 9 . 1 Bloodsucking Freaks (1976) Joel M. Reed 5 0 . 1 Blue Velvet (1986) David Lynch 5 1 . 1 Like Water For Chocolate 1992 Alfonso Arau 5 2 . 1 The Horseman on the Roof 1995 Jean-Paul Rappeneau 5 3 . 1 Umbrellas of Cherbourg (1964) Jacques Demy 5 4 . 1 Cyrano de Bergerac (1990) Jean-Paul Rappeneau 5 5 . 1 Cinema Paradiso (Nuovo Cinema Paradiso) (1988) Giuseppe Tornatore 5 6 . 1 The Way We Were Sydney Pollack 5 7 . 1 On Golden Pond (1981) Mark Rydell 5 8 . Page 11 of 303 1 The End of the Affair (1999) H1.M Neil Jordan 5 9 . 1 Bridget Jones's Diary [2001] H1.M Sharon Maguire 6 0 .
Recommended publications
  • Mas Alla De Las Nubes Ojos De Serpiente Principio Y Fin La
    WENDERS MAS ALLA DE LAS NUBES DE PALMA OJOS DE SERPIENTE RIPSTEIN PRINCIPIO Y FIN IMAMURA LA ANGUILA SUSCRIBASE A EL AMANTE y RECIBA UN VIDEO O UN LIBRO DE REGALO ¡ Argentina $ 70 o dos pagos de $--3.5 I MercoslJ( u$s 70 + gastos de envío (U$S 60) I Resto-dMillérLca .. -ll$S-.ZQ uaslQS de envío (U$S 80l _1_ ..__EULOP.a.y.re.sl0.d.elmundo U$.510 +.gastos.de_enVlo.(U$S.201.__..1 ! 0,\ Envíe este cupón y un cheque o giro postal a la orden de EDICIONES TATANKA S A., Esmeralda 779 6° A (lOa?) Buenos Aires, o comuníque- se con la redacción de EL AMANTE: 322-7518 O por e-mail a: [email protected]. QUIERO UNASUSCRIPCIONANUAL (12 NUMERaS) y UN VIDEO o UNLIBRO GRATIS: n Gertrud de Carl Dreyer n El de Luis Buñuel n Martin Scorsese n Wim Wenders NOMBRE y APELLIDO DIRECCIQN TE LEFa NO EL AMANTE CINE Directores secretaria 2 Editorial EduardoAntin (Quintín) María Alimova (la más bella) 4 The Truman Show (1) Flavíade la Fuente Chocolates 6 The Truman Show (2) y GustavoNonega Martha González (bondad humana) 7 Ojos de serpiente (1) Consejo de redacción Corresponsal extranjero en Japón 10 Ojos de serpiente (2) los arriba citados y GustavoJ. Castagna Gustavo J. Kikuchiyo Castagna 12 Más allá de las nubes (1) Colaboraron en este número Cadete puntero invicto 14 Más allá de las nubes (2) Alejandro Ricagno Gustavo Requena Mifune Johnson 16 La anguila SantiagoGarcia 18 Principio y fin Tortilla rusa EduardoA. Russo 20 Cuando vuelve el amor Norma Arguiñano Postel JorgeGarcia 22 La ostra y el viento Corrige y todavía no se muda TomásAbraham 23 Pequeños
    [Show full text]
  • CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…
    5 JAN 18 1 FEB 18 1 | 5 JAN 18 - 1 FEB 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and counting… As you’ll spot deep within this programme (and hinted at on the front cover) January 2018 sees the start of a series of films that lead up to celebrations in October marking the 40th birthday of Filmhouse as a public cinema on Lothian Road. We’ve chosen to screen a film from every year we’ve been bringing the very best cinema to the good people of Edinburgh, and while it is tremendous fun looking back through the history of what has shown here, it was quite an undertaking going through all the old programmes and choosing what to show, and a bit of a personal journey for me as one who started coming here as a customer in the mid-80s (I know, I must have started very young...). At that time, I’d no idea that Filmhouse had only been in existence for less than 10 years – it seemed like such an established, essential institution and impossible to imagine it not existing in a city such as Edinburgh. My only hope is that the cinema is as important today as I felt it was then, and that the giants on whose shoulders we currently stand feel we’re worthy of their legacy. I hope you can join us for at least some of the screenings on this trip down memory lane... And now, back to the now.
    [Show full text]
  • Dara Wishingrad Res&Bio 042114
    DARA WISHINGRAD Production Design Dara Wishingrad began her career in production design with the creation of massive 360º sets in live events for private affairs and corporate clients such as the Superbowl, The Ryder Cup, The US Open and PGA Golf Tournaments, Donna Karan and Laurence Fishburne. She was the production designer for the Directors Guild of America Honors and the Tribeca Film Festival, designing the public and private events and screening venues, most notably the General Motors "Tribeca Drive-In." In film, she was production designer on John Leguizamo’s upcoming original feature film, “Fugly!” based on his Broadway show “Ghetto Klown” and directed by Alfredo De Villa; Michael Urie’s metacomedy “He’s Way More Famous Than You”; Boaz Yakin’s (Remember The Titans) Sundance Film Festival featured independent film “Death In Love” starring Jacqueline Bisset, Josh Lucas, Lukas Haas and Adam Brody; “Certainty” directed by Peter Askin (Trumbo) written by Mike O’Malley and starring Valerie Harper, Giancarlo Esposito, Adelaide Clemens and Bobby Moynihan; Franc. Reyes' "The Ministers" a gritty New York drama starring John Leguizamo, Harvey Keitel and Florencia Lozano; Nia Vardalos’ (My Big Fat Greek Wedding) romantic comedy “I Hate Valentine’s Day” starring Nia, John Corbett, Rachel Dratch, Zoe Kazan; and many other films with notable directors and producers. Television credits include Premio Lo Nuestro 2001: The Latin Music International Awards and other commercial programming for Rainbow Media, Compulsive Pictures and the Univision Network. Dara originally trained in fine art at the San Francisco Art Institute and the Art Students League in New York.
    [Show full text]
  • 3. Ingmar Bergmans Filmer De Filmer Jag Fokuserat Min Analys På Är De Filmer Som Jag Anser, Direkt Eller Indirekt, Starkt Rör Religiösa Eller Trosrelaterade Teman
    ”Guden tiger och människorna pratar” - en studie av gudsbilden i Ingmar Bergmans filmer. "God remains silent and the people speak” - a study of the images of God in the films of Ingmar Bergman. Ludvig Lindelöf Termin: HT 2010 Kurs: RKT 145 Teologi, Examensarbete för kandidatexamen, 15 hp Nivå: Grundnivå Handledare: Bo Claesson Abstract The study is aimed at investigating the images of God, or how God is percepted, that is being presented in the artistic work of Ingmar Bergman, and how they differ from each other. The films that are being analysed in this study is The seventh seal (1957), The Magician (1958), Through a glass darkly (1961), Winter light (1963), The Silence (1963), Persona (1965) and Cries and whispers (1973). To examine the images of God that are being presented throughout the scope of the study I am mainly using common cinematic theories that are presented in James Monacos How to read a film (2000) and Louis Giannettis Understanding film(1993) which basically are structuralist approaches to discussing film as a language and interpretation. I am studying each movie as it is presented to us, the viewers, and only speaking of the film. I am also looking into Ingmar Bergmans personal life, not to examine if he was a Christian believer, but for clues to interpret themes, characters and the event taking place in each of the films. The study is investigating the series of films as a connected unity, a connected unity that explores the relationship of God and mankind as it is presented in the films. The result of the study is that the image of God presented in the films of Ingmar Bergman is a God that moves from the transcendent sphere to the immanent sphere, a God, or “the Holy” that over the years transforms into something materialistic.
    [Show full text]
  • Aikido XXXIX
    Anno XXXIX(gennaio 2008) Ente Morale D.P.R. 526 del 08/07/1978 Periodico dell’Aikikai d’Italia Associazione di Cultura Tradizionale Giapponese Via Appia Nuova 37 - 00183 Roma ASSOCIAZIONE DI CULTURA TRADIZIONALE GIAPPONESE AIKIKAI D’ITALIA 30 ANNI DI ENTE2008 MORALE 3NOVEMBRE0 Sommario 02 - Editoriale 03 - Comunicati del fondo Hosokawa 04 - Nava, estate 2007... 05 - Ricordi:Giorgio Veneri - Cesare Abis 07 - ..a proposito di Ente Morale 10 - Lezione agli insegnanti dell’Aikikai d’Italia del maestro Hiroshi Tada Composizione dell’Aikikai d’Italia 14 - Le due vie del Budo: Shingaku no michi e Shinpo no michi Presidente 15 - Premessa allo studio dei principi Franco Zoppi - Dojo Nippon La Spezia di base di aikido 23 - La Spezia, Luglio 2007 Vice Presidente 25 - Roma, Novembre 2007 Marino Genovesi - Dojo Fujiyama Pietrasanta 26 - I giardini del Maestro Tada Consiglieri 28 - Nihonshoki Piergiorgio Cocco - Dojo Musubi No Kai Cagliari 29 - Come trasformarsi in un enorme macigno Roberto Foglietta - Aikido Dojo Pesaro Michele Frizzera - Dojo Aikikai Verona 38 - Jikishinkage ryu kenjutsu Cesare Marulli - Dojo Nozomi Roma 39 - Jikishinkageryu: Maestro Terayama Katsujo Alessandro Pistorello - Aikikai Milano 40 - Nuove frontiere: il cinema giapponese Direttore Didattico 52 - Cinema: Harakiri Hiroshi Tada 55 - Cinema: Tatsuya Nakadai Vice Direttori Didattici 58 - Convegno a Salerno “Samurai del terzo millennio” Yoji Fujimoto Hideki Hosokawa 59 - Salute: Qi gong Direzione Didattica 61 - Salute: Tai ji quan- Wu Shu - Aikido Pasquale Aiello - Dojo Jikishinkai
    [Show full text]
  • Half a Century with the Swedish Film Institute
    Swedish #2 2013 • A magazine from the Swedish Film Institute Film 50Half a century with the Swedish Film Institute CDirector Lisah Langsethe exploresc identityk issuesi nin Hotel g in www.sfi.se scp reklambyrå Photo: Simon Bordier Repro: F&B Repro: Factory. Bordier Simon Photo: reklambyrå scp One million reasons to join us in Göteborg. DRAGON AWARD BEST NORDIC FILM OF ONE MILLION SEK IS ONE OF THE LARGEST FILM AWARD PRIZES IN THE WORLD. GÖTEBORG INTERNATIONAL FILM FESTIVAL IS ALSO THE MAIN INDUSTRY WINDOW FOR NEW NORDIC FILM AND TALENT, FEATURING NORDIC FILM MARKET AND NORDIC FILM LAB. 1,000 SCREENINGS • 500 FILMS • 23 VENUES • 160,000 VISITS • WWW.GIFF.SE WELCOME Director, International Department Pia Lundberg Fifty and counting Phone +46 70 692 79 80 [email protected] 2013 marks the Swedish Film Institute’s various points in time. The films we support 50th anniversary. This gives us cause to look today are gradually added to history, giving back to 1963 and reflect on how society and that history a deeper understanding of the Festivals, features the world at large have changed since then. world we currently live in. Gunnar Almér Phone +46 70 640 46 56 Europe is in crisis, and in many quarters [email protected] arts funding is being cut to balance national IN THIS CONTEXT, international film festivals budgets. At the same time, film has a more have an important part to play. It is here that important role to play than ever before, we can learn both from and about each other.
    [Show full text]
  • Fragments of the Past in Pedro Almodóvar's Broken
    Oceánide 5 2013 Fecha de recepción: 27 diciembre 2012 Fecha de aceptación: 11 enero 2013 Fecha de publicación: 25 enero 2013 URL:http://oceanide.netne.net/articulos/art5-4.php Oceánide número 5, ISSN 1989-6328 The Shortcomings of Simulacra: Fragments of the Past in Pedro Almodóvar’s Broken Embraces Marcela T. GARCÉS (Siena College, New York, United States) RESUMEN: La obra de Pedro Almodóvar abarca una colección de temas y referencias a sus propias películas, al mismo tiempo que hace referencias a varios otros directores conocidos. Los abrazos rotos (2009) reproduce varias escenas de Mujeres al borde de un ataque de nervios. No obstante, las referencias a ésta en Los abrazos rotos nos dejan con una sensación de desencanto. Las referencias crean una fragmentación del pasado y en última instancia no cumplen con su meta original. La relación entre estas dos películas demuestra las debilidades inherentes en la reconstrucción de filmes dentro de otros filmes, lo cual se conecta con la idea de Baudrillard que el cine está constantemente cometiendo plagio a la hora de rehacerse. Palabras clave: Almodóvar, nostalgia, Baudrillard, flashback, Los abrazos rotos ABSTRACT: Pedro Almodóvar’s oeuvre encompasses a collection of themes and references to his own back catalogue, all the while referencing many other well-known directors. Broken Embraces (2009) refers to and re-enacts scenes from Women on the Verge of a Nervous Breakdown (1988). Yet the references to the latter in Broken Embraces fail to enchant, instead creating a fragmentation of the past and ultimately shifting from a breakdown to being simply broken.
    [Show full text]
  • DIRECTOR Larisa Shepitko WRITING Yuri Klepikov and Larisa Shepitko Wrote the Screenplay Adapted from a Novel by Vasiliy Bykov
    October 29, 2019 (XXXIX:10) Larisa Shepitko: THE ASCENT (1977, 111m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Larisa Shepitko WRITING Yuri Klepikov and Larisa Shepitko wrote the screenplay adapted from a novel by Vasiliy Bykov. Production Company Mosfilm MUSIC Alfred Schnittke CINEMATOGRAPHY Vladimir Chukhnov and Pavel Lebeshev EDITING Valeriya Belova CAST Boris Plotnikov...Sotnikov Vladimir Gostyukhin...Rybak Sergey Yakovlev...Village elder Lyudmila Polyakova...Demchikha Viktoriya Goldentul...Basya Anatoliy Solonitsyn...Portnov, the Nazi interrogator Mariya Vinogradova...Village elder's wife Nikolai Sektimenko...Stas' She also adopted his motto, "Make every film as if it's your last." Shepitko graduated from VGIK in 1963 with LARISA SHEPITKO (b. January 6, 1938 in her prize winning diploma film Heat*, or Znoy made Artyomovsk, Ukrainian SSR, USSR [now Artemivsk, when she was 22 years old. The film was influenced by a Donetsk Oblast, Ukraine]—d. July 2, 1979 (age 41) in short story, ''The Camel's Eye'', by Chingiz Aitmatov. near Redkino, Kalinin Oblast, Russian SFSR, USSR), Her 1967 short film, “Homeland of electricity,”* part of whose filmmaking career was tragically cut short by a car the omnibus Beginning of an Unknown Era, suffered accident, was on the verge of becoming a name censorship for its perceived negative portrayal of the synonymous with internationally renowned directors to Bolsheviks, despite its intention to commemorate the emerge from the Soviet Union.
    [Show full text]
  • Moma EXHIBITION AUTOMATIC UPDATE EXPLORES the EVOLUTION OF
    ROY ANDERSSON RETROSPECTIVE AT MOMA PRESENTS THE DIRECTOR’S SHORT FILMS, TELEVISION COMMERCIALS, AND THEATRICAL FEATURES Exhibition Includes World Premiere of Tomorrow’s Another Day—A Documentary Shot During the Production of Andersson’s Most Recent Film, You, the Living Filmmaker in Focus: Roy Andersson September 10–18, 2009 The Roy and Niuta Titus Theaters NEW YORK, August 7, 2009—The Museum of Modern Art presents Filmmaker in Focus: Roy Andersson, a retrospective of the full oeuvre of Roy Andersson (Swedish, b. 1943), covering four decades of work, from his school projects and short films to his television commercials and major feature films. This exhibition is part of the Filmmaker in Focus series at MoMA, which highlights the achievements of a director with an aesthetically and critically established career in filmmaking. The exhibition will be on view from September 10 through 18, 2009, in The Roy and Niuta Titus Theaters, and is organized by Jytte Jensen, Curator, Department of Film, The Museum of Modern Art. Andersson, who rarely travels, will introduce the first six screenings in the series, providing a unique opportunity to hear the director talk about his films outside of Sweden. Andersson’s earliest films, rarely shown school projects from the 1960s, are related thematically and stylistically to the films of the then-influential Czech New Wave. His first feature, which he presented as his thesis at the Swedish Film Institute, is A Swedish Love Story (1970). With the gorgeous Swedish summer as a backdrop, the film portrays the pure love that arises between the daughter of a refrigerator salesman and the son of a car mechanic, offering a glimpse into the lives and homes of the people of the Swedish Social Democracy during its heyday.
    [Show full text]
  • Faith, Agency and Self-Pity in Andrei Tarkovsky's Stalker
    Lash, D. (2019). "You Can't Imagine How Terrible It Is to Make the Wrong Choice"—Faith, Agency and Self-Pity in Andrei Tarkovsky's Stalker. Quarterly Review of Film and Video. https://doi.org/10.1080/10509208.2019.1589855 Peer reviewed version Link to published version (if available): 10.1080/10509208.2019.1589855 Link to publication record in Explore Bristol Research PDF-document This is the author accepted manuscript (AAM). The final published version (version of record) is available online via Taylor & Francis at https://www.tandfonline.com/doi/full/10.1080/10509208.2019.1589855 . Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ title page article title: 'You can't imagine how terrible it is to make the wrong choice'. Faith, agency and self-pity in Tarkovsky's Stalker author: Dominic Lash affiliation: University of Bristol email: [email protected] abstract: This article undertakes a reading of Andrei Tarkovsky's 1979 film Stalker that runs, for the most part, against the grain of the director's own pronouncements on the film. My focus is on a character study of the Stalker himself, and the consequences of his most unattractive characteristics: his manipulativeness, his petulance, and his self-pity. Rather than seeing the Stalker as an emblem of pure faith I explore the possibility that he is a quasi-tragic figure trapped by his own myopic idolatry.
    [Show full text]
  • THE SEVENTH SEAL 1958 92 Min
    April 15, 2008 (XVI:14) Ingmar Berman THE SEVENTH SEAL 1958 92 min. Directed and written by Ingmar Bergman Produced by Allan Ekelund Original Music by Erik Nordgren Cinematography by Gunnar Fischer Film Editing by Lennart Wallén Production Design by P.A. Lundgren Gunnar Björnstrand...Jöns, squire Bengt Ekerot...Death Nils Poppe...Jof Max von Sydow...Antonius Block Bibi Andersson...Mia, Jof's wife Inga Gill...Lisa, blacksmith's wife Maud Hansson...Witch Inga Landgré...Karin, Block's Wife Gunnel Lindblom...Girl Bertil Anderberg...Raval Anders Ek...The Monk Åke Fridell...Blacksmith Plog Gunnar Olsson...Albertus Pictor, Church Painter Erik Strandmark...Jonas Skat INGMAR BERGMAN (14 July 1918, Uppsala, Uppsala län, Sweden—30 July 2007,Fårö, Gotlands län, Sweden ) directed 61 films and wrote 63 screenplays. (Bio from WorldFilms.com) "Universally regarded as one of the great masters of modern cinema, Bergman has often concerned himself with spiritual and realized in this cinematic signature. Of the early period, WILD psychological conflicts. His work has evolved in distinct stages STRAWBERRIES stands out for its narrative invention in a fluid over four decades, while his visual style—intense, intimate, manipulation of flashbacks, reveries and dream sequences. Its complex—has explored the vicissitudes of passion with a penetrating psychological investigation of the closing of the life mesmerizing cinematic rhetoric. His prolific output tends to return cycle established Bergman's preoccupation with the relationship to and elaborate on recurrent images, subjects and techniques. between desire, loss, guilt, compassion, restitution and Like the Baroque composers, Bergman works on a small scale, celebration. SAWDUST AND TINSEL (1953)/NAKED NIGHT, finding invention in theme and variation.
    [Show full text]
  • Film Press Kit Collection
    http://oac.cdlib.org/findaid/ark:/13030/kt8b69s3fs No online items Guide to the Film Press Kit Collection Department of Special Collections Davidson Library University of California, Santa Barbara Santa Barbara, CA 93106 Phone: (805) 893-3062 Fax: (805) 893-5749 Email: [email protected] URL: http://www.library.ucsb.edu/speccoll/speccoll.html © 2011 The Regents of the University of California. All rights reserved. Guide to the Film Press Kit PA Mss 39 1 Collection Guide to the Film Press Kit Collection Collection number: PA Mss 39 Department of Special Collections Davidson Library University of California, Santa Barbara Processed by: Staff, Department of Special Collections, Davidson Library Date Completed: 10/21/2011 Encoded by: Zachary Liebhaber © 2011 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Film Press Kit collection Dates: 1975-2005 Collection number: PA Mss 39 Creator: University of California, Santa Barbara, Arts and Lectures Collection Size: 9 linear ft.(28 boxes). Repository: University of California, Santa Barbara. Library. Dept. of Special Collections Santa Barbara, CA 93106 Abstract: Press kits for motion pictures, mostly independent releases, including promotional material, clippings, and advertising materials. Physical location: For current information on the location of these materials, please consult the library's online catalog. Languages: Languages represented in the collection: English Access The use of the collection is unrestricted. Many of these films were shown by the UCSB Arts and Lectures series. Publication Rights Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections.
    [Show full text]