Review Department of Architecture SUSTAINABILITY @ AR We, a grouping of students, lecturers, and resear- 1 chers, are the Sustainability Research Group of the Department of Architecture at the TUM. Together we wish to make our Department and University more Preface sustainable. Various subgroups deal with the chal- lenges and opportunities that are specific to our field, launch concrete projects, and help shape our Department from the bottom up . Dear Students, Alumni, Partners, and Friends,

Change is the only constant. Quite unexpectedly, the COVID-19 pandemic transformed our patterns of collaboration,

Would you also like to shape things? [email protected] the ways we teach, and our private lives. Our students and colleagues have successfully tackled the challenges with 92% 7.800 m² patience, much passion, and many additional working hours. of the students surveyed find the topic of environ- of plotter paper Meanwhile, the number of applicants for our study programs has continued to rise; for this winter term there were mental sustainability important (42%) or very more than 1,600 applications by prospective students—more than ever before. We achieved the 26th position in important (50%) the QS World University Ranking by Subject 2020 and 6th position in the Best Architecture Masters Ranking (BAM), which underlines the high attractiveness of our location. For these reasons, our Department of Architecture 24.000 ml continues to develop at high speed—even at this peculiar time. 90% of plotter ink The current issue of REVIEW proudly presents a selective overview of our activities of the past few months. of the employees surveyed find the topic are consumed of sustainability important (25%) or very important in one semester As part of the Venture Lab Initiative of TUM and its affiliated institute UnternehmerTUM, the mission of the “Built Environment” Venture Lab is to become a top platform for young companies. Technologies and solutions

Review #3 | 2020 (66%) at the Design Factory in the context of design and architecture are to be developed. We are striving to make our department the most 3% of the students entrepreneurship-friendly architecture school in Germany. surveyed drive to the In May 2020, we conducted a survey among members university by car In addition, we are looking forward to new opportunities by collaborating with the Georg Nemetschek Institute of the Department of Architecture, in which a Artificial Intelligence for the Built World at TUM. The Nemetschek Innovation Foundation will provide €50 million. of the employees 2% total of 310 people took The upcoming research projects will significantly influence our professional profile as architects. surveyed drive to the university part. Many responded with one semester We also celebrate the foundation of the Design Factory 1:1 in Kreativquartier Schwere-Reiter-Strasse in cooperation by car ideas and expressed their with the TUMwood research network and the Empfangshalle artist collective. The Werkhalle is dedicated to the interest in becoming 2000 specific development of innovative ideas in building construction to a 1:1 scale. Five professorships—Kéré, 7% of the students involved. Doerfler, Nagler, Kaufmann, and Ludwig—are already on site. surveyed walk to the models From 2020, the Bayerischer Bauindustrieverband e.V. will endow three new university prizes to be awarded to: university made by outstanding doctorates and master theses in civil engineering, and architecture graduates. The Bavarian construction industry has been, and remains, a loyal and important patron of teaching and research at TUM.

of the employees 7% 250 The TUM has appointed Pierluigi D`Acunto from the ETH Zurich to the professorship of Technology Design. The surveyed walk to the students: university young, promising architect and engineer seeks to promote the incorporation of structural engineering and building technology within the architectural design process. One of his goals is to encourage a paradigmatic shift in current 45% building design practices and trigger a technological breakthrough within the discipline of architecture. of the students surveyed cycle to 4000 Stadtbaurätin Prof. Elisabeth Merk was appointed an honorary professor. Moreover, we were able to name Prof. the university Manfred Schuller and Prof. Fritz Frenkler as Emeriti of Excellence. Likewise, Prof. Kees Christiaanse was appointed pieces of cardboard a TUM Distinguished Affiliated Professor. All of these eminent personalities will play an important advisory role for future development decisions. 52% Despite the pandemic, “Pavilion333”—the exhibition and workshop building—will be handed over on schedule to 250 l its users (TUM, Architekturmuseum der TUM, Pinakothek der Moderne and Sammlung Brandhorst) in December of the employees surveyed cycle to the university of glue 2020. This DesignBuild project was realized by professors Hermann Kaufmann and Florian Nagler together with TUM students as part of their architectural studies.

Within the framework of the Excellence Strategy of the Federal and State Governments, the Munich Design Institute 100 (MDI) will be set up in 2021. The institute will cross-link Architecture & Design with other TUM disciplines, in 50% cans of particular informatics, engineering, and management. In this context, the Department of Architecture is coordinating of the students surveyed take spray paint the call for five new design professorships, which are to play a particularly important role across MDI activities. public transportation to the university The foundation of the School of Engineering and Design is making great leaps forward. As of 1 October 2021, the Department of Architecture will hopefully be able to position itself successfully within this huge new academic unit. 1700 We hope you enjoy reading this issue, 39% hours spent Andreas Hild, Dean of the employees surveyed take public on the laser transportation to the university 4 5 Table of Contents Table of Contents

SHORT STORIES – HIGHLIGHTS OF THE ACADEMIC YEAR LONG STORIES – RESEARCH REPORTS, ESSAYS, INTERVIEWS

Doctoral course “Approaching research practice in architecture” commenced 8 “Update Architecture”—The Department’s Annual Exhibition 14 Prof. Regine Keller appointed as “Affiliate Professor” at RCC 8 Strengthening Architecture and Built Environment Research (SABRE) 18 TUM Distinguished Affiliated Professorship awarded to Kees Christiaanse 8 Climate Active Bricks 22 New Design Factory 1:1 9 An investigation into one-century-old gridshells 28 Blue-green infrastructure—Completion of Impulse Project in Stuttgart 9 Mapping Urban Transportation Innovation Ecosystems 31 Review #3 | 2020 Launch of TUM‘s Built Environment Venture Lab 9 “More architecture, fewer buildings!”—Interview 32 Prof. Elisabeth Merk appointed as an Honorary Professor in Planning Practice 9 Places for the Dying 36 Build Simply 2 40 German Colonial Architecture from a Global Perspective 48 Game.UP 54 SEED FUND RESEARCH PROJECTS 46 Stage vs. Emptiness—“Pavillon 333” 58 Opera of Ambiguities 64 Can we build with salt? 68 YOUNG TALENT AWARDS 56 The Key Role of Industrial Design at TUM 74 Suddenly online—Dialog on virtual university teaching 80 Housing and more 90 SCIENTIFIC SUCCESS OF RESEARCH ASSOCIATES 62 FOAM Network 94 Brain Train? High-speed railway stations as focal points of the knowledge economy 98 InnoSpacing 102 VISITING PROFESSORS 86

SELECTION OF PUBLICATIONS & ARTICLES 108

CLOSE UPS – INSIGHTS TO EXHIBITIONS & DESIGN PROJECTS STAFF INDEX 115 Master Project: Neues Giesing 10 Exhibitions 2020—Architekturmuseum der TUM 12 Corona Graphic Novels 16 PARITY ROAD MAP 118 Master Project: Multiple Realities | Mixed Perspectives 20 Bachelor Project: Memory, connections, souvenir 26 Model photo competition “homemade” 38 IMPRINT 119 Bachelor and Master Project: Towards the Intelligent Ruin 44 Bachelor and Master Project: The Architecture of the Block 45 Seminar: Lived Experience of Architectural Space 53 Bachelor and Master Project: Home of Generations 66 Bachelor and Master Projects: Mix it up 67 Exhibition “Caution: Hot!” 72 Bachelor Thesis: Final Countdown II 78 Master Thesis: Social Utopia 85 Publication “Schanitown” 92 Bachelor and Master Project: Architecture Institute 100 Bachelor Project: Urban Ropeways 106 Master Thesis: Images of the City 114 The “room as a model” A veritable room intervention by Mirko Schütz, winner of the Department’s model photo competition “homemade”. More on page 38. 8 New Design Factory 1:1 existing technologies for the storage and treatment 9 of water with established vertical greening systems. The starting shot for the Stuttgart Impulse Project was he Department of Architecture has founded the given in February 2019, and construction began in Doctoral course “Approaching research Design Factory 1:1 on the site of the Kreativquartier November of that year. The project, which is funded practice in architecture” commenced Tin collaboration with the Department of Civil, by the Federal Ministry of Education and Research, has Geo and Environmental Engineering and the TUMwood been implemented in collaboration with the Technical research association. The Design Factory 1:1—a third- University of Kaiserslautern, the University of Stuttgart, he PhD workshop “Approaching research party funded project initially limited to two years— and Helix-Pflanzen GmbH. At the local level, the Impulse practice in architecture” marks the beginning of a extends the existing training profile in the fields of Project is backed by the Wagenhalle art association, Tcollaborative doctoral course by the KTH School architecture and civil engineering at TUM through the ARGE Tunnel Cannstatt, and Stadtacker, an urban of Architecture, the TU Delft, and the TU Munich. application-oriented teaching. The new workshop is to gardening project. Its realization in the immediate The course gives a perspective on the theoretical and be used for the concrete development, implementation, vicinity of the newly emerging Rosenstein District is an methodological trajectories of practice-oriented research and review of innovative ideas, and the application of opportunity for knowledge and technology transfer in in architecture. It provides an overview of how theory and new technologies in the field of building construction Stuttgart’s largest urban development area. methods concerning forms of knowledge in architecture and fabrication to a 1:1 scale. These should arise are addressed, with a focus on explorative, reflexive, through collaboration between departments within the and critical research methods rooted in the humanities, university as well as with external vocational schools, Launch of TUM‘s Built Environment social sciences, and STS. It discusses notions stemming artists, and craftspersons. The coordination team of Venture Lab from different scientific traditions, paradigmatic shifts, the DesignFactory 1:1 includes Prof. Kathrin Dörfler, Review #3 | 2020 and interdisciplinary and transdisciplinary research. Prof. Em. ir. Kees Christiaanse (Photo by Markus Bertschi) Martin Luce, Prof. Florian Nagler, Johannes Sack, and Course participants are provided with an understanding Gerhard Schubert. s part of the Venture Lab Initiative of TUM and of selected key concepts and topics; the relationship its affiliated institute “UnternehmerTUM,” the between epistemology, ontology, and methodology, TUM Distinguished Affiliated Professorship Amission of the “Built Environment” Venture and the linkage between research questions, objectives, awarded to Kees Christiaanse Blue-green infrastructure—Completion of Lab is to become Europe’s top platform for young methods and outcomes, through lectures, literature Impulse Project in Stuttgart companies. Technologies and solutions for the urbanity seminars, workshops, and collaborative and specific of the future, the construction and maintenance of tasks. On completion of the course, participants will rof. Em. ir. Kees Christiaanse has been appointed a buildings and infrastructure, and socio-technical acquire tools to critically reflect on the epistemological Distinguished Affiliated Professor of the Technical ince 2018, INTERESS-I, a research and systems in the context of design and architecture are to and ethical challenges inherent to their research practices. PUniversity of Munich (TUM).This honorary development project led by the Professorship of be developed. The Venture Lab is open to researchers title acknowledges the outstanding achievements SGreen Technologies in Landscape Architecture, and students from the disciplines of architecture and civil of the architect and urban planner in international has been dealing with strategies, schemes, and designs and environmental engineering, as long as the venture teaching, research, and practice. The appointment also for the development of urban blue-green infrastructures idea relates to the field of the “built environment.” Prof. Regine Keller appointed as commends the longstanding ties and project-related in the city of the future. An important building block is After pre-selection, teams displaying potential for a “Affiliate Professor” at RCC collaboration with the TUM Department of Architecture. the Impulsprojekt Stuttgart, which creatively combines successful start-up will receive intensive support with Since 2007, with the honorary title of “TUM product development. The necessary infrastructure is

Distinguished Affiliated Professor,” the Technical Prof. Elisabeth Merk (Photo © Landeshauptstadt München) also provided by TUM—in Munich’s Urban Colab and ow can we collaborate on environmental University of Munich has paid homage to internationally at the UnternehmerTUM. issues in urban areas in a target-oriented and outstanding scientists who have led the way in Hinterdisciplinary manner? In the coming two developing a scientific field and pursued long- years, Regine Keller will conduct some research term collaborations with their TUM colleagues. Prof. Elisabeth Merk appointed as an as part of the “Urban Environments Initiative” As a professor of architecture and urban development at Honorary Professor in Planning Practice (UEI) in order to find answers to this question. the TU Berlin (1996–2003), followed by the ETH Zurich In November, the Rachel Carson Center (RCC) (2003–2018), as well as the founder of the internationally- appointed her as an honorary “Affiliate Professor.” operating KCAP office, he has been in charge of numerous fter being a full professor at the University The “Urban Environments Initiative” was completed projects and urban master plans—including of Applied Sciences in Stuttgart, Merk founded in October 2019 by Christof Mauch, HafenCity Hamburg and the Europaallee in Zurich Ahas held the office of Planning Director Director of the RCC, as a joint project between Two TUM professors of urban design, Prof. Mark Michaeli for the state capital of Munich since 2007. the Ludwig Maximilian University of Munich and Prof. Dr. Benedikt Boucsein, both worked under Merk has already been involved in the (LMU), Technical University of Munich (TUM), Christiaanse at the ETH Zurich. Several collaborative Department of Architecture for thirteen years University of Cambridge, and New York University. research and teaching projects have also shaped his ties through individual contributions and, since Together with Eveline Dürr (LMU), Prof. Regine with the TUM Department of Architecture over the years. 2013, her teaching of planning practice. Keller will coordinate the new initiative. The aim of the In the future, Kees Christiaanse will work at TUM on She stands out with her considerable practical UEI is to bring together researchers working on urban various topics—in particular with Prof. Mark Michaeli experience. As a Planning Director, she has established environmental issues and related topics. The Rachel (from the Chair of Sustainable Urbanism) and Prof. new planning approaches and formats, as well as Carson Center for Environment and Society is an Benedikt Boucsein (from the Professorship of Urban expanding collaborations with research institutions and international, interdisciplinary center for research and Design)—for instance in the “Airport & Cities” research other European cities. In 2016, she was elected President teaching on environmental issues in the humanities and field, which has already led to a publication, The Noise of the German Academy for Urban Development and social sciences. Landscape. Regional Planning. Review #3 | 2020 10 areas—with acorrespondingly strong demandandgrowth. Obergiesing andUntergiesing are regarded asattractiveresidential developed intoadenselypopulatedworking-classdistrict.Today, village, itwasincorporatedinthemid-19thcenturyintocityand “broken glassdistrict”,isalsoexperiencingchange.Asmallfarming project. TheGiesingdistrict,formerlydisparaginglyreferred toasthe and down-to-earthcosmopolitanvillagewithaheartthatitiseagerto whether thecitycanstillliveuptoimageofanauthentic,cozy, architectural discourseforyears.Thistrend raisesthequestionof for urbanityinthecityofMunichhaveshapedbothsocialand million in2030.Risingrents, thehousingshortage,anddemand Munich isgrowing—forecasts assumeapopulationofupto1.8 Summer Semester2020 Students: MirjamElsner, LuisHuber, andPinoHeye Chair ofUrbanArchitecture |Prof. DIetrichFink Master Project: “NeuesGiesing”

attract amixedpopulationthrough adiversityoffloorplans. to araisedsill.Asregards apartmentsonupperfloors,theaimisto stand clearfrom thealleyanditsperpendicularaccesslanesthanks apartments are alsoprovided onground floors,buttheyare always part, sports field,formthecenterofneighborhood.Insouthern multiple-use markethallandaswimmingpool,togetherwithsmall the Candidstrasseuptoadjacentneighboringdevelopment.A is anincremental transitionfrom publictoprivateuse,startingfrom expand intopublicsquare-like structures. Onground floors,there spaces qualifyasalleywaysofdifferent widths,whichinsomeplaces Mühlbach Park,locatedtotheeast.Theresulting intermediary it ismadepossibletopassthrough theneighborhoodtoAuer and itsbusyroad traffic, thusshieldingthearea; atthesametime, aligned withaninvisiblemagnet.TheystandalongtheCandidstrasse appearance. Liketheneedlesofacompass,individualstructures are A developmentalonglines?woulddetermineitsurbanvisual characterized bydensityanddiversity. Alineardevelopment? Our proposal foranewGiesingenvisagesneighborhood 11 12 Architekturmuseum der TUM Exhibitions 2020 13

Experience in Action! DesignBuild in Architecture 05/19/2020 - 09/13/2020

With “Experience in Action!” the Architekturmuseum der TUM presented the largest and most comprehensive exhibition on the DesignBuild topic to date. The term describes a teaching method that is applied at numerous architecture schools around the world in which students plan, design, and then execute projects to a 1:1 scale. Various construction projects result from this, such as residential buildings, cultural institutions, schools, kindergartens and even hospitals. Most of these DesignBuild projects are implemented in the Global South, but also occasionally in deprived areas of the homeland. Review #3 | 2020 DesignBuild has been gaining in significance over recent years because an increasing number of universities are using this method to convey a higher level of practical relevance to their students as well as familiarize them with the social dimension of planning and building.

The exhibition, curated by Vera Simone Bader, displayed sixteen projects from five continents—using plans, graphics, photos, films, and interviews. Rather than the finished products, the associated process occupied the foreground and was divided into four phases: research, dialogue, design, and actual construction; these aspects structured the contents of the exhibition. Project processes were meant to give the visitor a more comprehensive understanding of the method and, at the same time, provide the basis for an in-depth examination of the topic, which may always be subjected to criticism. In addition to interviews with students, teachers, and users, the catalog, which was published in two language editions, gave the impetus to a thoroughly contentious Experience in Action! debate about the DesignBuild methods. DesignBuild in Architecture Vera Simone Bader and The exhibition was funded by the Sto Foundation. Andres Lepik (Ed.) Edition Detail, 2020 Multihalle and Possible Palladian Villas in the exhibition. Photo Credit: Laura Trumpp / Architekturmuseum der TUM ISBN: 978-3955535148

The Architecture Machine The Role of Computers in Architecture 10/14/2020 – 06/06/2021

For the first time in the German speaking countries, the Architekturmuseum der TUM presents a large-scale exhibition on the computer’s influence on architecture. Beginning in the 1960s and ending in the present, the show recounts this fascinating history in four chapters, which sum up key developments of the so-called digital revolution: The computer as a drawing machine, the computer as a design tool, the computer as a medium for storytelling, and the computer as an interactive platform. The fundamental question that guided the two-year research project on which this show is based is simple: has the computer changed architecture, and if so, how?

The exhibition is curated by Teresa Fankhänel and contains more than forty international case studies and projects by architects, artists, engineers and researchers, many of which are collected in such an overview for the first time. In addition to individual projects the show presents a newly researched software timeline, which details the The Architecture Machine. development of all major architectural programs which architects The Role of Computers in Architecture are using today as well as an overview of historical input devices for Teresa Fankhänel and Andres Lepik (Ed.) drawing on the computer. Birkhäuser, 2020

Photo Credit: Laura Trumpp / Architekturmuseum der TUM Architekturmuseum der / Trumpp Photo Credit: Laura ISBN: 978-3-0356-2154-9 The research project was supported by the Gerda Henkel Stiftung. Review #3 | 2020 14 found atwww.aja-tum.de All AJAcontributionscanstillbe Missed theexhibition? That wasthegreat topicofthe“AJA”—ourDepartment’s annualexhibition. “Update Architecture” reinvent architecture inordertomeettoday’s globalchallenges—climate the system.Henceanarchitecture update does notmean that we haveto became moretopicalthanever. owing tothe change of decade. With the onset of the coronavirus crisis, it to-date? We hadalready chosen theUpdate Architecture topic in January and researchsystemuptodateasregardscurrentpossibilities? Are weup- social and political issues in our discipline? Is our architecture teaching planners, havetoface in thenearfuture,andhowwillwedeal with current the followingcentralquestions:whichchallenges will we,asarchitects and fast andallofasudden. arising is facilities medical for need the and buildings, office questioning are facilities office home significance, new gaining is space outdoor private and raisedmanynewchallenges forarchitects and planners:forexample, university. became standard andZoomisnowthenewmeeting platform within our teaching ofarchitecture. Digital lectures,seminars,andprojectpresentations In thesemesterjustgone,weexperienced a suddenandradical update inthe By definition, an “update” is a modernization, an improvement to animprovement amodernization, is “update” an definition, By This year’s annual architecture exhibition (AJA 2020forshort)asked The crisis, whichisfarfromover, hasalready left its mark on society in themaking. Top right: AJA 2020 Team ofthe AJA 2020. This page,topleft: www.aja-tum.de of theprojectpagesat Screenshot fromone Left page: according to thematic areas. Studentsandresearchers but fields, specialized i.e. professorships, to according Our teamtookanimportant decision: nottosortthe AJA i.e. wascurated and contents were deliberately selected. anywhere. And less,because it dealt with a single topic, could accessthewebsite,lectures and discussions from because it opened up to digital space, so that visitors more andlessthanprevious annual exhibitions.More, scheme. challenge and agreat opportunity for ournewexhibition turned intoadigital exhibition, which constituted both a scheme. Due tothe coronavirus pandemic, AJA 2020 Andres Lepik)todevelopanew, sustainableexhibition of History of Architecture and Curatorial Practice (Prof. in 2019agroupofstudentsjoinedforceswiththeChair a recurring annual architecture exhibition at the TUM, TUM Department of Architecture. Desiring to establish was aradical update ofpreviousexhibition styles atthe it was independently organized by students,the AJA its presentationstyleindigital space andthefactthat positions withintheDepartment. At thesametime,with Architecture themes and making visible various constitute suchimprovements. and agreater social responsibility ofarchitects might materials, recycling, inclusive planning procedures, maintenance and conversion, the use ofrenewable saving, crisis-resistanturbanandruraldevelopment, to theannualexhibition demonstrated, space- eliminate existing problems. As numerouscontributions second stage, in a practice—and, building and profile stock, construction andmaterial use,aswellourjob residential construction, buildingwithintheexisting planning ofcities and ruralregions,publicbuildings assess defects in variousareas of ourdiscipline—the shortages, andruralexodus,tonamejustafew. change, resourcescarcity, demographic change, housing In its digital presentation form, the AJA offered both AJA 2020wasabeginning, addressing Update We have to take a critical look at architecture, AJA-Team of Munich.Photoby displays inthecity of themany AJA- Bottom: Photoofone ‘21! to AJA face-to-face events—and aretherefore looking forward TUM andtodevelop further—in the futureincluding will beabletoestablishitself as astandardevent at the total of 93countries. We verymuchhopethat the AJA had almost 2000 visitorswithover44,000hitsfroma able to achieve a wide reach internationally—the AJA received withintheDepartmentand,also,thatitwas similar issueswithinvariousprofessorships. cross-linkages andanoverviewofhowwedealwith to the topic. We hoped that this would lead to stronger publications in variousthemed rooms onissues relating their design and theoretical projects, research work, and from all professorships positioned themselves with Wewell aredelightedthattheexhibitionwas Anna-Maria Mayerhoferand Annkathrin Schumpe 15 Review #3 | 2020 16 Architectural Design,Rebuilding andConservation. from thesummersemester’s final reviews attheProfessorship of The sequencespresented here are transcriptsanddrawingstaken oftheCoronawill alsofindtheirwayintotheJournal Year. proved popularbothwith colleaguesandboss.These“proceedings” fragments, aseriesofgraphicnovelsemerged, whichunexpectedly displayed statusofdesignsbytorsolessparticipants,andconversation was happeningonthescreen, theparticipants’tinywindowframes, about students’draftsduringthebi-weeklyassessments.Outofwhat outtoshapetheentireZoom turned semester, Ibegantotakenotes thoughts andsketches,imagesofeducationemptiness.When excuses madebystudents,screenshots ofZoommeetings,personal and professorial chair. Itmakesacollageoutofe-mails,absurd project isintendedtodescribe Corona everydaylifebetweentelework e-publication isplanned,entirely digitaljustliketheCorona year. The my impressions ofteaching inpandemictimesbookform—an oftheCoronaMy “Journal Year” alludestothistitleandsummarizes Covid-19 pandemicare striking. fashioned English—feelsextremely topical;theparallelswith how theplaguehadhitLondonagain,which—apartfrom theold- In 1665,DanielDefoerecorded ofthePlagueYear” inhis“AJournal Corona GraphicNovels

Barbara Brinkmann

All images © Barbara Brinkmann 17 18 illuminating in terms of courses and educational needs outputs of the four workshops provide a relevant and 19 of doctoral students. The survey was complemented interesting model for developing design knowledge in Strengthening Architecture and with an extensive report on doctoral education, which conjunction with external stakeholders and in relation was published on the project website, and provides an to real-world problems. While in itself this is not new Built Environment Research (SABRE) impressive and informative inventory of courses in a […] the contribution of this output is to make tangible number of leading architecture schools. As part of the the value of the interaction between stakeholders, project, a pilot MOOC (massive open online course) was professionals and design education, while also providing developed by UCL on advanced digital fabrication, as a clear format to structure this type of real-world A project of BauHow5 — the European alliance of five leading design well as joint doctoral courses – such as “Approaching explorative design workshop. As such, it provides a research-driven universities. Research Practice in Architecture” (TUM/KTH) – convincing model for activating the knowledge triangle which are open to doctoral students across Europe and of research, education and innovation.” worldwide. The consortium has been expanded to the Research Schools in Architecture in Sweden and will Intellectual Output 4 continue to work together on doctoral education. The main aim of the “Applied Research in the Marketplace: Architectural Design Research” output Intellectual Output 2 was to develop a model for highlighting, articulating, The SABRE project also tested five structured, producing, and disseminating the design research going competitive, rapid, and collaborative innovation on in architectural practices, primarily elaborated from methods taken from other disciplines or industries for the publication model of the Bartlett Design Research their suitability in the context of Architecture and the Folios already developed at UCL. The output produced Review #3 | 2020 The Architecture and Built Environment disciplines have been taught at Built Environment. These were: Design Sprint, Business and used applied examples of design research that European universities for over a century. Yet they still bear many of the Game, Design Thinking Workshop, Makeathon, and involves SMEs and external stakeholders from the cities Partner universities: characteristics of an emerging field of knowledge: their specific research a Community Design Lab. Over 100 students from of London and Gothenburg, focusing on designing Chalmers University of Technology outputs have not received proper recognition; they lack sufficient research different disciplines participated in workshops. The new social housing projects on two respective sites Delft University of Technology Technical University of Munich, University funding; design has only recently started to gain acceptance as an academic different activities linked academia and construction/ within their run-down former docklands areas. The College London activity; and the doctorate title is still held in comparatively low esteem. creative industries. Detailed reports on each method major achievement is the creation of a substantial ETH Zurich were produced and are available on the project website design research portfolio about how to design socially Consortium Partners for further use by other universities and organizations. affordable housing in sustainable ways, using UK and SABRE Project: Strengthening Architecture and Built Environment Research (SABRE) is an An achievement of this output is that a new format Sweden as case studies. This portfolio describes a way Erasmus+ Strategic Partnership Erasmus+ Strategic Partnership co-funded by the European Union whose aim has been developed and is being continued in teaching at to frame and disseminate the complex process involved is to embed Architecture and Built Environment research more deeply into TUM. The new Urban Prototyping Lab will re-think and in architectural design research so as to help architects/ higher education institutions as well as outside academia. The project was re-construct inner city areas of Munich. Together with academics develop their own design research work; carried out from 2017 until 2020 and developed jointly by the universities the Munich Urban Colab, the Urban Prototyping Lab is hence the output is inherently transferable. The research of the BauHow5 alliance; with additional input from ETH Zurich and run as a structured, interdisciplinary design workshop portfolio is available on the project website. Duration: stakeholders from industry, practice, professional organizations, and public with impulse talks and insights from urban activists, 2017-2020 administration bodies. The broad objectives of the SABRE project were: decision makers, developers, architects, retailers and Impact and achievement Website: teams of Master’s degree students from architecture, The fundamental achievement of this project as the www.bauhow5.eu/sabre ¡ To enable exchanges between those involved in education, business, design, management, informatics, engineering, and recipient of an EU Erasmus+ networking grant is the policy-making and research & development in the field; sociology. establishing of an effective research network between ¡ To establish partnerships for transnational research and innovation A further achievement of the output is its the five partners in the BauHow5 alliance. The project partnerships among higher education institutions, industry partners, contribution to the newly established TUM Venture resulted in stronger transnational research partnerships— professional communities, and local as well as regional authorities; Lab Built Environment. The venture lab will foster among higher education institutions, industry, practices, ¡ To raise awareness of the value of research and entrepreneurship in the entrepreneurship and start-up ideas with pre-incubation and local/regional authorities—by looking at current field for the wider benefit of the economy, society, and cultural life; and structured mentoring of selected teams of researchers real-world challenges and increasing the potential for ¡ To extend the role of research outcomes within the marketplace – namely, and student teams from different disciplines, such as research, innovation, and entrepreneurship. It fostered the creative industries, the construction industry, policy-making bodies, engineering sciences, robotics, information technology, exchange of information, data, knowledge, and policies government, and public and professional bodies – and make them more architecture, design, and management. between researchers and practitioners in Architecture relevant to research funding organizations; and the Built Environment at various career stages in ¡ To open up knowledge and information exchange between researchers Intellectual Output 3 both academia and industry. in the field at various stages of development in their careers, both in Aiming to make the knowledge triangle work, the academia and in practice; project developed, elaborated and refined a method for What next? ¡ To expand innovation culture in the field, including improving research collaboration on real-world problems called “Design The SABRE project was one of the first concrete actions infrastructure (facilities, education programs, equipment, and research Dialogues” by updating and adapting knowledge/ of the BauHow5 group. In the meantime, the alliance has centers). methods for different societal situations across European signed a joint Memorandum of Understanding to define countries. Four design dialogues with a focus on the kinds of collaboration involved, and to shape areas of Intellectual Output 1 healthcare were held in Gothenburg, Munich, London, common interest. Partners at the different locations will The project developed a European PhD Core Curriculum for Architecture and and Delft, involving roughly 100 participants. The continue with all of the Intellectual Outputs produced the Built Environment. The results of a survey on doctoral education among achievement of the output can be summarized through during this project and, wherever useful, will develop the universities involved (roughly 200 doctoral participants) were highly the feedback from an external review: “Overall, the them further. Yolande Schneider Review #3 | 2020 20 controversies. Diplomacy provides aplayfulapproach tourbanplanning or rejecting projects, voting,andprotesting. Thus,Urban use ratios,situatingbuildingsandinfrastructures, financing can influencetheshared planby:definingzoninglawsand planning measure. Dependingonindividualroles, players developers, andthelocalcommunity)negotiateafuture different parties(themunicipality, planningauthorities, through acomputerrole-playing game.Duringthegame, negotiation, collaboration,andactorsofurbandevelopment engagement. “UrbanDiplomacy”conveysinformationabout Urban developmentliteracyisthefoundationforactivecitizen “Urban Diplomacy” İlayda Memiş: Summer Semester2020 Master’s Project, Ivan Bratoev, NickFörster, SarahJenney Supervisors: Prof. Dr. Ing.FrankPetzold Chair ofArchitectural Informatics INFORMATION: Multiple Realities|MixedPerspectives

and crowd-sourced consultationplatforms. developed collaborativedesigntools,explorativeparticipationgames, following phasesofideation,prototyping, andimplementation,they participation, gamification,andimmersivedatavisualization.Inthe During thecourse,studentsdiscusseddifferent conceptsofpublic digital applicationsandplatformsfosteringcitizenengagement. “Multiple Realities|MixedPerspectives”focusedonexperimental placement ofrooms. slowly. Hencegamephysics supportsthenegotiationprocess onthe dragged toadifferent positioneasily, whileheavyonescanonlymove can addorremove weightfrom each element.Lightonescanbe other participantswhoagree ontheirrelevance. Furthermore, users elements onlyremain inthemodelif theyreceive enough“likes”from cafés, orkindergartens) from apalletontoshared 3D-model.These mechanisms: Participantsdragnewelements (e.g.,shared workshops, of buildingprograms. Userinteractions are reduced toafewintuitive physics andpointsystems—tostructure thecollective negotiation Community” exploitscomputer-game mechanisms—suchasgame participants andrequire physicalco-presence. Theproject “Co-Design discussions. However, thesetoolsare limitedtoasmallnumberof interactions withmoodboards, abstractshoe-box models,andopen Participatory co-designworkshopsbenefitfrom open-ended “Co-Design Community” Cong LiuandRongPeng:

serving asathink-tankfordistrictauthorities. tool fostersaproductive andconsensualdebateamongcitizenswhile with arguments different from theirindividualpositions.Inthisway, the players toassessaproblem from severalperspectivesandengage they embodiedtheirrole convincingly. Bythis,theplatformincites not onlyreflects thequality oftheirargumentation butalsowhether inhabitant, commuter, orbicycledriver).Ultimately, theplayer’s score game phases,playersembodyrelevant actors(e.g.,shopowner, in thediscussedissueandproblems related toit.Inthefollowing several gamerounds, participantsdiscusswhichactorsare involved negotiate localplanningsolutionsinachat-basedrole play. During lot orinstallingpublicfurniture. Thetoolencouragesparticipantsto participation inconcrete urbanissuessuchasconvertingaparking The ExchangeNBHproject proposes aplayfulplatformforcitizen “Exchange NBH” Begüm Saral: possibility ofchange. tension betweenthese worldshintsatasenseofcontingency andthe physical andvisual citywithanauditiveandhypothetical future. The and playsasite-specificaudiofile. Thus, theapplicationaugments Munich intoacar-free street. Theapplicationtrackstheuser’s location presents ahypotheticaltransformationoftheSchwanthalerStraße in augmented reality forthispurpose. As acasestudy, theapplication Stadtverführung mobileapplicationexplores thepotentialofaudio- visions foraninclusive,sustainable,or innovativeurbanfuture. The a critiqueofcurrent developments, this taskinvolvesarticulating organizations engagedinurbandevelopmentdiscourses.Besides Providing publicinformationisoneofthecore functionsof “Stadtverführung” and MarkusWesterholt: Linus Schulte,MaximilianSteverding, Magdalena Schmidkunz, Michelle Hagenauer, AnnikaHetzel,

21 Review #3 | 2020 22 and groutsthejoint. whereafter theperson removesanyexcessmortar the robottoeasilypress thebrickintoplace, model. The consistencyofthefreshmortarallows lays individualbricksaccordingtothedigital person mixesandappliesthemortar, thecobot Craftitude meetsroboticfabrication: While a Empfangshalle Leipfinger BaderZiegelwerke; Aerospace andGeodesy; Chair ofGeodesy, TUMDepartmentof Architecture; Responsive Design,TUMDepartmentof Chair ofBuildingTechnology andClimate Special thanksto: Shiran Potié,SébastienWilwers GabrielGoedefroo,Arno IuliiaLarikova, Vaghari Fard, RobinFeys,Georgy Frolov, Daria Alekseeva,MauriceDemeyer, Arvand Students: Ata Chokhachian,MSc Climateflux Dr.-Ing. Architekt PhilippLionelMolter Design andBuildingEnvelope| Associate Professorship ofArchitectural Dipl. Ing.JuliaFleckenstein Prof. Dr. sc.ETHKathrinDörfler, Professorship ofDigitalFabrication INFORMATION: How robotic fabricationtechnologycancontributetoimproving urbanmicroclimates. Climate ActiveBricks the ambientclimateinurbanareas. radiation and thusdecrease heat storageandradiation, thereby improving solar to exposure reduce might buildings of facades external the on effects self-shading site-specific customized, whether explored We buildings. of and robotic fabrication technology to directly improve the exterior facades build summerschool,weinvestigated whether wecouldapply digital design Climate Active Bricks project, developed in August 2020aspartofadesign- create surfaces with minimized exposure to solar radiation. During the cannot be increased,istoconsidertheshadingofbuilding structures or Another option,especially for denseareaswheretheamount of greenery human comfortlevels and encouragespeople to actively use public space. vegetation, for example along sidewalks. This hasbeenproventoimprove help transformoururbanrealmintoaspaceworthlivingin. measures willbeneededtoimprovetheambientclimate. Architecture can For buildingsandurbanexteriors withprimarily sealed surfaces,other micro-environment. the i.e. surroundings, immediate their affect only areas cooling such stress, heat from recover to opportunity the citizens offer urbanenvironments. Isar in and wellbeing While recreational areassuchastheEnglishGardenor banksofthe health human on effects severe future—and Germany willbenoexception. This phenomenon canhave the frequencyofextreme events driven by climate change will increase in escape totheEnglishGarden. According tothelatest WHO projections, city dweller is toenjoy a cooldrinkonthemeadowsof river Isar or On ahotsummerday, oneofthemostrefreshingexperiences for aMunich cities? What role dourbanmicroclimates playinourexperienceof One of the main strategies to decrease heat stress inside citiesisample One ofthemainstrategiestodecreaseheatstress lingering andtoprovidearecreationalspot. Alberti’s archetypeandintegrated abenchtoinvite followed we design, site-specific our into blend to tree in solar radiation and heat stress. To allow an existing of theabsorbedradiation, which resultsinadecrease with respect to thesun’s location, thelowervalue fall-out in reference to sunlight. The widertheangle the frontbrick;thischangesangleofincidence and can rotate we further, even reflection solar reduce To reduced through shadingbyadjacent protruding bricks. brick toward the back, the amount of exposedsurface is surface, directly exposed tothesun.Byshiftingfront original flat front surface of the bond is, as any other flat the modification, any Without constellations. brick of various designs that affect the exposure to solar radiation flat conventional brick wall. a to compared temperature surface achieve a reduction in exposuretosolarradiation and bond, wecancreate a self-shadingstructure and hence thickness. By rotating and shifting the front brick of the to conventional brickmasonrywith a similarwall bricks without compromising strength compared rat-trap bond uses 40% less mortar and 20% fewer laid onedge,thuscreating a cavityinbetween. The type offourbricksthatarerectangularly arrangedand on thebasisofrat-trap bonded brickwork,amodular function. external formulation is thus an archetype of an integrated place forvisitorsandpassers-bythefaçade’s still evident today; This bench once served as resting stone bench, visibly demonstrates his purpose,which is continuous a by flanked Florence, in Rucellai Palazzo the urban realm were Alberti’s major objectives. The The social impact of architecture and consciousnessof relied onLeonBattista Alberti asahistorical reference. in theexterior of building envelopes, forwhichwe expand the notion ofintegrated architectural functions bricks in exterior building envelopes. We also wished to fabrication unlocks the climate-active properties of computational design, climate simulation, and robotic allowed us to explore how integrating the potential of high and three-meter long at 1:1 scale. This prototype of anarchitectural prototype, which wastwo-meter facing facade to design, construct, and test the behavior Munich’s Kreativquartier, whereweusedasouth-west The Climate carried outin Active Bricksprojectwas Re-imagining facadedesign By performingdigital simulations, weanalyzed We developedthedesignoffacadeprototype previous one. alignment of thebrickscurrentsequence with the current location could be estimated, enabling a seamless recorded points with survey points, the cobot’s exact each newcobotlocation by therobotarm. Bymatching of thebuildingsite,whichwerethenrecordedon-sitefor digital model comprisedpriorlydigitized survey points was then built from anindividual cobot location. Our sequences pre-defined these of Each arm. cobot the of composed of step-like courses of brick within the reach of thecobotandrealmmanualcraft. intuitive workflow between the computational precision by studentsinvolved in the workshop). This enabled an mortar setting, was carried out by a person (in this case, humidity, wind or air temperature—as regards the skill andadaptation to external conditions—such as mortar joint, a process that requires great dexterity, by the cobot. The mixing, packing andcleaning of the performed was model, digital the by defined precisely rat-trap bond,inwhicheachindividual position was jointly. The laying of the bricks into the customized hand withpeople was broughton-sitetodothebrickwork A collaborative robot—a cobot—that can workhandin Cobots onbuildingsites—itworks! The wallwasdivided into individual sequences 23 Review #3 | 2020 24 Taking arestatthe Climate Active Bricks Climate Active building envelopeprototype. to architecture where itcanbethemosteffective. to digital tools and,thus,the application of technology innovations offer. This is intended to foster easier access and it harnesses theopportunitiesthat technological between simpleandstraightforward designideas; shows, the project is also an example of seamless links architectural solutions. As the constructed prototype site-specific and customized highly of creation the to robotic fabrication, and climatic simulation, leading architecture, of fields the from expertise and knowhow disciplines. Climate Active Bricks isanattempt to bridge carried outincooperationandexchangewithmany informed designandconstruction processes thatare To makecity life enjoyable, we should engage in highly achieve this You want enjoyablecities?Here isonewayto reduced heat. (left geometry flat a with side). This implies thatcitydwellers wouldexperience bricks of that than lower shading geometry (rightside)isamaximum 4.8°C The averagesurfacetemperature of bricks withself- absorption and,therefore, lower surfacetemperatures. the of brick surfaces are shaded, which results in lower solar 85% almost 12:00, until hours morning the In thebrick of part wall’s surface temperature decreases bymorethan40%. right the effect, self-shading the to surface temperatures areover42°C.However, thanks of absorptionincident solar radiation; thus, overall no self-shadinggeometry, whichleadstoahighlevel in surface temperatures. The leftpartofthebrickwalldisplays reduction significant a record to able were (14:00). As shownbythe infrared thermal images, we wall and airtemperature reached 32°C at peak time day provided cloudless solar radiation onto the brick a hotsummer day inMunich(August10,2020). The We measured the wall exposed tosolar radiation during Are ourassumptionscorrect? Julia Fleckenstein,Philipp LionelMolter, Ata Chokhachian,KathrinDörfler to solarradiation. and thusreducetheexposureofentiresurface modulated inordertocreateaself-shadingeffect stretcher—rotation andtranslation—couldbe headers remainfixed,twoparametersofthefront of thedesignparametrization. While theside within thewall,wasusedasstartingpoint position, thuscreatingacavity(hollowspace) edge insteadoftheconventionalhorizontalflat construction methodinwhichbricksarelaidon The rat-trapbond,abrickwallmasonry shot on August 07,2020,13:02 built with Bottom: Close-upofself-shadingeffectfacade residents. heat andthusimprovetheambientclimatefor through self-shadingeffects,canhelpreducethe exposure ofsuchfacadestosolarradiation,e.g., create heatstressforcitydwellers.Decreasingthe exposed tothesuntendradiateheatandthus Top: Flatsurfacesofurbanwallsthataredirectly Climate Active Bricks,

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Memory, connections, souvenir Remembrance Connections Souvenir Chair of Architectural Design and Conception | Prof. Uta Graff During the first assignment, students draw from the treasure trove of The second assignment consists of checking what was remembered. Having examined the concrete conditions of the location and Student assignments of the 2nd semester of the Bachelor’s program their memories, sum up the remembered spatial connections of the Research about the building and the drawing of all the plans required architecture, the third assignment can begin: identifying specific Summer Semester 2020 architecture by graphic means and transfer this (usually fragmentary) to understand the architecture condense knowledge about the building architectural qualities. memory into a spatial model. and complement the memory. We pay particular attention to spatial As a souvenir of the remembered architecture, it is now time to clarify connections within the building, as well as to thresholds and transitions the conceptual essence of the building and convert it into a model The special circumstances of the summer semester—during which between the architecture and the surrounding urban or rural area. whose maximum size is the palm of a hand and that stands as a students worked alone instead of in a team, and at home instead of memento of the architecture. at university, and the obligatory drawing trip, the “Grand Tour”, was called off—offered an opportunity to find alternative ways to deal with architectures, spatial connections, and the seeking of specific places. The starting point for semester work is a memorable architectural experience. Using their memories, students return to the building and its location; they use different tasks and questions to explore the distinctive quality of the remembered architecture.

Barbican Metéora Monasteries Collage (left page, top right) and model (right page, top): Model and drawing (bottom): Sarah Däbritz Nemo Akkermann Review #3 | 2020

Quinta da Regaleira Drawing (left page, bottom right) and model (right page, bottom): Leo Petri Rocha 28 29 An investigation into one-century-old gridshells

Wide-span lamella roofs of the interwar period. Review #3 | 2020 The doctoral thesis, supervised by Prof. Innovative building systems comprising slender lamellas made of recently been repaired while many are in a critical state, Junkers’, the Hünnebeck system is joined at the local Rainer Barthel, Prof. Kai-Uwe Bletzinger and steel sheets are the focus of the work. Their historical development right up to an acute risk of collapse. Unused buildings lamella coordinates. Since the geodetic torsion of the Prof. Ralph Egermann, was completed in July 2020 and graded “summa cum laude”. can be tracked in detail on the basis of contemporary documents and are often prey to decay and vandalism. system lines also occurs as actual torsion of the lamella, own findings on site. By using digital tools for differential geometric only the normal curvature has to be included by the Joram Tutsch is a structural engineer and analyzes as well as static calculations, a deeper understanding of Geometry, construction and load-bearing construction details. senior lecturer at the Chair of Structural the constructions and their load-bearing behavior has been gained. behavior The outstanding importance of the gable bearing Design. His passion for the history of building technology is driven by his key research The research provides a scientific basis for the evaluation of these The basic geometry of the roofs is constituted by circular can be quantified through the structural analysis of areas: parametric modeling and nonlinear structures’ stability and for future maintenance strategies. cylinder segments. Span, arch rise, and roof length are plane arches, spatial grids and continuous shells with analysis of structures. suitable for a parametric description because they are an equivalent stiffness. If the bearing is present, in- Construction history easy to ascertain in terms of building practice. The plane forces prevail over the bending moment, which The development of wide-span supporting structures in the 1920s was diamond grid can also be recorded with the help of the promotes an up to four times lower stress level. characterized by repetitive roof systems made of slender timber or steel number of lamellas in the transverse and longitudinal Although these structures are multiple statically lamellas that were only a few meters long and arranged in a diamond grid. directions. It is defined by a regular arrangement of overdetermined, the redundancy level in case of The modular designs of three German patent holders—Friedrich Zollinger opposing helical lines, the intersection points of which individual component failure is relatively low. Load for timber, Hugo Junkers and Emil Hünnebeck for steel—were marketed constitute the nodes of the construction. Since the helical shifts occur only locally and thus lead to considerable and built across the world. Hundreds of these roofs still exist today. In lines have a constant normal curvature and geodetic stress increases in areas adjacent to damaged or buckled contrast to timber constructions, those made of steel were only occasionally torsion, but no geodetic curvature, all of the system’s components. designed as pointed arches; mostly, they consisted of segmented arches with nodal intersections are identical. spans of up to 60 m. Most frequently, they were used as aircraft hangars, The ends of Junkers’ steel lamellas are bent in Maintenance industrial, sports and assembly halls, or large garages and exhibition rooms. such a way that the overlap at the nodes lies in a plane Strengthening and repair measures can be planned Although further technical developments made new, larger and more slender parallel to the gable. There, the change in angle to the by taking the following findings into account: Point structures possible as early as the 1930s, lamella roofs mark the beginning next lamella is absorbed structurally. In contrast to supports are to be avoided, the absorption of the arch of modular construction in the form of barrel-shaped gridshells. thrust must be ensured permanently, and a homogeneous Until now, little information has been available for an investigation, longitudinal bearing stiffness is also beneficial. An intact condition assessment, and repair planning of Junkers’ and Hünnebeck’s gable bearing must be maintained for roofs with spans steel structures. For this reason, their construction and load-bearing behavior wider than 25 m. Repair or replacement of individual were the focus of the research project. components must be carried out in such a way that after completion they are still involved in load transfer in an Current condition of the roofs equal measure. If such local interventions risk leading The surveys carried out show that in some cases considerable changes have to a considerable loss of original material, large-size been made to the structures, both planned and unplanned: Some roofs have subsidiary structures may also be considered. been relocated, others extended or shortened. Almost all structures have Fundamental knowledge gained by this research Right page, top: View of the interior been re-covered or complemented by new elements in the course of their project has already been applied in the course of two of a multi-aisle aircraft hangar in service life. Deformations of individual components or entire roof areas current repair projects—and will hopefully be applied Oberschleißheim near Munich, can be detected in many structures. In a few cases, some components have to many others. Thus, it has proven possible to make Photo by J. Tutsch, 2016 even completely vanished. A total of four documented collapses could be a scientific contribution to the preservation ofa Right page, bottom: Geometric identified. pioneering type of construction whilst fully complying development of the modular systems on the basis of helical lines and their Approximately three quarters of the structures are still in active with heritage requirements. constructive detailing. operation; they display varying structural conditions. Some roofs have only Joram Tutsch 30 31 Mapping Urban Transportation Innovation Ecosystems (TIE) Review #3 | 2020 INFORMATION: The TIE Project (Transportation Innovation Ecosystems) analyzes Involved researchers: the actors, networks, and environments of innovations in the domain Alain Thierstein, Fabian Wenner, of urban transportation, i.e., the conditions that enable change with Diane Arvanitakis regard to the way we move in our cities. It does so comparatively in Principal: three European cities: Budapest, Prague, and Munich. EIT Urban Mobility, EU Cooperation partners: TIE is a term used here to describe the diverse nature of the system’s Technion — Israel Institute of Technology components and resources that act as a driving force for innovation in urban (lead partner), Budapest University of Technology and mobility. TIEs have many components, related to history, culture, legal/ Economics, regulatory frameworks, education, science, and finance of a place, thus they CzechTechnical University in Prague, Institute are city-specific. In addition, some of the innovation system’s components of Information Theory and Automation, City of Munich, are vital for the smooth functioning of the system—their presence and good Munich Transport Corporation (MVG) working order are “necessary conditions.” Other components are “nice to Time frame: have,” but not essential, and it is important to distinguish between the two. January–December 2020 It is crucial to understand how the TIE of every city works. Thus, we are constructing and implementing an innovative methodology to map, analyze, and enhance the TIE —a methodology that is applicable to any city or region. This methodology draws on existing expertise developed and successfully implemented to map National Innovation Ecosystems worldwide. It is based on interactive workshops; owing to the Corona pandemic, these have been supplemented by a web survey. In particular, the project aims to identify anchors (key actors, strengths) and processes in each city that are crucial to the development of transport innovation. The aim is to create a strategic infrastructure for urban policy management in the field of urban mobility. This is done by defining tailored policy recommendations to improve the TIE in each of the investigated cities. The project suggests a service that enhances the ability of city leaders, policy makers, industry partners, entrepreneurs, scholars, civic stakeholders, citizens, and others to collectively agree on urban policy decisions that serve mobility interests, are system-wide in their nature, and exploit synergies to achieve agreed TIE goals. The project is part of the EU-funded “EIT Urban Mobility” framework Hier steht die Bildunterschrift Inciam quo volupta spicit, volupti and its Strategic Objectives and City Challenges. In other words, this Worknctecer in oriorer progress: umquatio On doluptaturthe construction aut qui inumquuntio omnihil methodology will help identify creative, pro-innovation policies to enhance siteide et of et thelam, DesignBuild quia suntio cuptae Pavilion. evelendi asi qui consendamus as doluptat ommod mo que pelitatest, netur, suntior possectur overall competitiveness in cities—toward meeting EIT Urban Mobility The completed building is to be used reperferro tem nim qui quosape resend as a studio for art, architecture and Strategic Objectives and City Challenges. design by several institutions. Fabian Wenner More on page 58.

Photo © Matthias Kestel 32 33 More architecture, fewer buildings!

In conversation with Benedikt Hartl, research associate at the TUM Department of Architecture and founder of the Munich-based Opposite Office—on architecture,

COVID - 19 politics & society and, of course, the coronavirus. Interview by Sophia Pritscher. TESTCENTRE

MEDICAL STAFF Review #3 | 2020 Turning the not-yet-completed BER [Berlin Brandenburg airport] into a coronavirus clinic: With this design, as with the idea of turning

COVID - 19 COVID - 19 TESTCENTRE Buckingham Palace into social housing, you attracted the attention of TESTCENTRE COVID - 19 EMERGENCY TESTCENTRE COVID - 19 the specialist and daily press. They often call it provocative and critical MEDICAL STAFF TESTCENTRE of society but also pragmatic, or inspiringly different. In any case, your architectural designs give rise to discussion, they ask questions, they challenge. What is it all about according to you, what is your intention?

My primary concern is to take a critical look at the architect’s occupational image. The fact that, in the history of architecture, architects and artists have always devoted their work to the improvement of social and political processes is increasingly being forgotten. Today architecture is far too commercial and far too regulated! Architecture is not just a service and does not stand in a vacuum, but always makes a statement about social conceptions of society. The architect has developed into a willing tool Opposite Office has proposed transforming the unopened Berlin Brandenburg to a COVID-19 hospital. of capital. Architecture was and still is political! I believe that our world needs more architecture again, but fewer buildings!

It can be concluded from the above that the profession of architect has changed. In what way? not yet found a role in the 21st century! Other professional groups have The profession of architect has traditionally been conceived in a generalist taken on the role of architects. Even software specialists call themselves way: Master builders of earlier times were responsible for the design, architects these days. The great social tasks inherent to the social visions of structural engineering, construction process, and everything that went Vitruv, Alberti, and Filarete now lie with IT companies. The architects of with it. Since the modern age, the field of activity has steadily shrunk the 21st century are Elon Musk, Mark Zuckerberg, and Jeff Bezos. Do we and new tasks, which specialist planners now handle, have been created. really want to leave it all to these disagreeable characters? Even if you look at university teaching, you will notice a large number of fragmented individual options—from architectural theory, structural What do you propose? theory, construction, design and planning, to urban planning. Moreover, instead of integrated teaching, each chair pursues its own architectural Cancel your Facebook and Instagram accounts and stop shopping at theory. There is seldom a common vision. The course may be very varied, Amazon! Now seriously: We have to place architecture more at the center but it often does not answer the fundamental question of what architecture of political considerations. We are facing the great task of climate change. actually is. Of course, one can argue that a multi-layered and diverse Architecture plays a large part in our carbon footprint. If we really wish definition of architecture is necessary in a pluralistic society, but continual to become more climate-friendly in Germany, then we should design differentiation and specialization have led to an identity crisis within our visions and ideas for our houses! In the conceptions of the political world, profession. Instead of being generalists, we are increasingly degraded to “environmental” architecture is still associated with a thermal insulation being designers. We went from being an artist to being an engineer. Shortly composite system and solar collectors on the roof. If we wish that thereafter we realized that owing to our limited technical knowledge, we something in the legislation changes here too, then architects must also go could not do justice to that. So we were downgraded to planners. We have into politics! 34 35 Back to the airport: Meanwhile, the BER has opened. But the capital’s airport is empty and heavily in debt. Now some people write that a Covid-19 swab site for test volunteers could fill hallways and cash tills. What do you think—with your conversion plan in mind—of such announcements?

I think that the situation is dramatic when I consider that the BER has already swallowed up over seven billion euros and is now being “saved” through tax-financed coronavirus aid. The new airport in Berlin fits in perfectly with German politics. In the paralyzed world of political conceptions, the future seems to have been abolished until further notice. In terms of the ruling parties, fundamental ideas about where we actually want to go are missing. Given the many imminent transformation processes, such as climate change, digitization, and migration, this is more than inauspicious.

In terms of construction planning, the BER was quite a disaster; is there any way to apprehend this major project as an opportunity? Should more interim, transitional, or alternative uses be possible (with Review #3 | 2020 and without coronavirus)? The modular, round emergency cabins are ideal for isolating Covid-19 infected people. All images © Opposite Office One opportunity, for example, would be to understand that our building legislation is somewhat overregulated. Meinhard von Gerkan is not exactly a rookie when it comes to planning. But building in Germany is too complicated! After all, it is not the first project of this size that has encountered difficulties. “Architecture is not

The architecture critic Niklas Maak noted that “the Bauhaus with its just a service and does maxim ‘light, air and sun’, with these almost clinically white rooms that sometimes looked a bit like a hospital” was a reaction to the social not stand in a vacuum, experiences of increasing industrialization in the city and epidemics like the Spanish flu after the First World War. What reactions and developments can we expect or hope for in post-Covid architecture? but always makes a

For this question of the century—indeed, I could speak for at least an hour statement about social on this—the heavy artillery gets a chance: Perhaps we can hope that Mr. Scholz squanders even more money, so that “after Covid-19” a new thrift conceptions of society.” and abstinence will set in within architecture. Low cost, low tech... Back to the primeval hut! I’ve been saying that for a long time. As I mentioned at Benedikt Hartl the beginning: We need more architecture but fewer buildings!

Could you explain this criticism of certain current political decisions in more detail? Isn’t it so that many people are actually dependent on And here we turn to the second criticism, which relates to the type of such support, one could argue? And what does all of this have to do financial help. Instead of a “financial watering can,” a political scheme with architecture? should be developed about what is to be funded, and subsidies should be tied to ethical, social, and sustainability conditions. Denmark is providing Of course, many people are indeed dependent on financial help at this very an example of this: Companies based in tax havens are not receiving any point in time. But I do think that two criticisms may be levelled at current support. Policy that is only selected for a four-year period tends to shift political action from an “architectural” point of view, which definitely problems into the future! In “governance” the question is thus arising includes systemic and conceptual thinking. First: If you see how much whether I should only “react” or also actively shape things. This is where money is being handed out, then at least in retrospect you may well ask politics could learn from us architects: Good architecture finds a solution to why this money was not available earlier for other crises and challenges? handle difficult external influences that, in the end, is even better or more In order to convert to a sustainable economic system and equip our society interesting than without those influences. Transferred to politics, this could for the great challenges of the 21st century—such as the climate crisis, mean, for example, that instead of closing restaurants and compensating social injustices, and integration—more sustainable investments are 75% of their turnover, it would be conceivable to demand takeaway needed! The criticism thus relates to the question of the type of political deliveries to the needy, carers, doctors, and families in return for financial design. Should I only take action during the crisis, when it is almost too assistance. In this way, performed support would be taken into account and late, or take action in advance? social cohesion would be strengthened in times of crisis. 36 37 Places for the Dying

Potentials and challenges in the design of architectures for the end of life.

Etruscan tombs in Cerveteri Journey Sketches, Katharina Voigt, 2019 Review #3 | 2020 Katharina Voigt works as a research “Places for the Dying. On a New Visibility of Dying in Architecture” deals with its weakest and most needy members’1, i.e., without any restriction are missing. On the other hand, associate at the Chair of Architectural (original German title: “Sterbeorte. Über eine neue Sichtbarkeit des how the care and nursing of the very old, sick or dying however, there is an opportunity to design spaces that Design and Conception at TUM. She studied architecture in Hamburg, Munich, and Sterbens in der Architektur”) is a plea for the architectural reshaping is organized and integrated into society. are explicitly designed for the last phase of life and in Stockholm. Her work concentrates on the of the dying process and the typological autonomy, legibility, and At the center of a hospice design assignment is accordance with the needs of the dying, their relatives, interaction of sensorimotor perception and visibility of places for the dying. As threshold spaces between life and the question of how the uniqueness of each human and the staff. These dedicated architectures have the corporeal spatial experience. Starting from her research on body related architectural death, places of dying have a special significance. With the transfer individuality in dying can be enabled in the context potential to endow the end of life with an independent experience in a state of physical disability and of dying from private residential settings to medical and nursing of an institutional community. Furthermore, this setting; through the prospect of professional, competent, the process of dying, she develops positions institutions, the design and location of these places in the context architecture needs to meet the needs of all different and dignified care, it can reduce the fear of dying and for a deeper understanding of the dynamic aspect of architectural spaces and their of the built environment and in the social discourse has become an users and interest groups, and enclose encase them prevent mutual obligations and dependencies between activating potential, foucssing on sensual architectural task. like a framing, which thus creates a structure of dying people and their relatives. perception and phenomenological attempts rooms of with different characters, which as a whole, With regard to the people who live in the immediate to architecture experience. The question how sensual, tacit and implicit body-knowledge The book documents the typological genesis of places for the dying. It this forms the superordinate unit of the hospice. The vicinity of death, the possibility to meet the particular of experiential architecture encounters can investigates the history of hospice architecture and the architectural task hospice architecture has must to enable the relatives to spatial needs of the dying only arises from the relocation be made accessible and anticipated in the involved in the conception and design of institutions for the end of life, feel invited to come and go at all times, and to be an of this last phase of life to specifically designed rooms. design process is addressed in her doctoral thesis. as well as the development of the hospice movement and of palliative institution for counselling, guidance, and support in for The design of the architecture of places where people care. It introduces contemporary artistic positions on the physicality, coping with grief. The staff must be provided with an are dying enables a conception of architectural spaces transformation, and spatiality of dying, on which it develops the foundations appropriate, functional and practicable workplace. For that meet these needs and gives abstract concepts – such for an appropriate end-of-life space. Protagonists from various disciplines, the people the patients, who are at reaching the end of as the desired “dignified” and “good” death – a related including Barbara Camilla Tucholski, Charlotte Uzarewicz, Frère Alain their life, it is a shelter, a place of attentive care and structural and spatial setting.”3 Durand and Stefan Kaegi, discuss dying and both the potential of the design dignified dying.”2 Katharina Voigt of end-of-life architecture and the challenges it faces. “The design potential of institutionalized places for the “The design of places for the dying initially concerns the creation of a general dying is revealed where the autonomy of the architecture space dedicated to the dying. Places for the dying are architectures for the for the end of life is defined by its own characteristics. end of life and thus include the private living setting as well as stationary Dying in an institution follows parameters and facilities. With the institutionalization of dying, they are to be considered organizational principles that are different from those a specific architectural task. They include all in-patient facilities for care that most people who wish to die at home would hope for. and accommodation in the last phase of life, including hospitals and care As places other than a private residential environment, facilities or special forms of assisted living, and institutions for terminal institutions are bound by their own structures; a hospice, care such as hospices and palliative care units. The latter are particularly as an institutional place of dying, cannot fully meet noteworthy in that they are explicitly designed to accompany the dying. the hopes and needs of people who would prefer to The study focuses on the elaboration of design principles, especially for die at home: The familiarity of one’s own home, the in-patient hospices in an urban context. These are regarded as exemplary for freedom to lead an independent life or the possibility to the design of places to die, since they are independent architectures whose surround oneself with possessions from one’s own past functional objective is to accompany the dying. They have the potential to contribute to a new visibility of dying in the architecture of the city and, 1 Borasio, Gian Domenico, 2011. Über das Sterben: Was wir wissen. Was thus, to its increasing presence in public discourse, by forming a legible wir tun können. Wie wir uns darauf einstellen, 10th edition. 2013, p. 37. Translation: Katharina Voigt. typology. ‘The sustainability of a society will also be measured by how it 2 Voigt, Katharina, 2020. Sterbeorte. Eine neue Sichtbarkeit des Sterbens in 3 Voigt, Katharina, 2020. Sterbeorte. Eine neue Sichtbarkeit des Sterbens in der Architektur, transcript Verlag Bielefeld. p. 295. der Architektur, transcript Verlag Bielefeld. p. 267.. Review #3 | 2020 38 Heartfelt congratulationstothewinners! construction. were tobeshown,aswelloptionsforamore sustainablemodel your ownhomecouldbesubmitted.Themodels’specialfeatures development process andthechallengesofmodel-buildingin Not onlymodelresults, butalsopictures documenting the model photocompetition. students! HenceourTUMDepartmentforArchitecture calledfora We wishedtoseethemostexciting“homemademodels”ofour approaches,alternative andamore resource-efficient useofmaterials. to thehomeoffice. Thiswasataskthat required creative solutions, Closed studiosandworkspacesentirely relocated model-making posed aparticularchallengeforstudentsinarchitecture education. The firstexclusivelydigitalsemesterendedinsummer2020.This Model photocompetition“homemade” 1 during thefirstlockdown phase.” “The modelwascreated inmyroom aspartofmyMaster’s thesis st place:MirkoJohannesSchütz

2 Model photocompetition“homemade” great results withpulley, cutter, andcuttingmat.” milling cutterand,everynowandthen,anelevator. We achieved though wedidmissthelarge meetupsattheuniversity, thelaser, We are veryenthusiasticabouttheprocess andtheresult, even unfold oururban,interior, andfaçademodelsintheirfullglory. occupy spacestretching from theattictocourtyard andthus and afewclear-out ridesonthecargo bike,wewere ableto places aspossibleintoourown.Thankstograciousneighbors asmany the lackofworkshopsandworkspaces,weturned “We madeit,thefirstdigitalsemesterisbehindus.Anddespite and MaxMessner nd place:NikoEndres, ElenaEnglmann,BenKlages, 39 40 Around 20% of the total life cycle costs of a building come when certain parts must be renewed or, at least, 41 are incurred during the planning and construction phase. modified. A consistent system separation that is already Build Simply 2 The remaining 80% of the costs can be ascribed to the envisaged in the early planning phase will make this a operational phase. A large part of these costs are due great deal easier. to energy consumption. Instead of using even more insulation and more complicated technical systems, 6. True-to-material construction the Build Simply scheme provides for other measures: Use few homogeneous layers of building materials. Use Rather than complex control technology that statically joining techniques leading to robust and long-lasting New impulses for the construction industry: Applied research for simplifying building. regulates interior comfort, users themselves should be constructions. able to adaptively regulate comfort according to their The usual outer wall structure may consist of several individual needs. Compared to complex systems, simple layers, or of mixed materials. How much maintenance building technology is less susceptible to system errors, is required when different layers reach the end of their incorrect operation, and technical component failure. service lives? Will spare parts for the building still be And finally: the less technology has to be operated available in the future? Can I reuse parts of the building within a building, the less energy is required for its or separate mixed materials from one another? In operation. general terms: what about sustainability?

5. System separation The following objectives are therefore pursued under Think about future uses. Plan for alternative options. the Build Simply heading: Separate technical systems from construction. Review #3 | 2020 INFORMATION: The Build Simply 1 research project (see Review 2018–2019) examined the We perceive houses as static. However, if you look at ¡ Few component layers basic principles of building simply. In the follow-up project, Build Simply a building over a period of hundred years or more, it ¡ Homogeneous use of mineral or renewable raw Project team: Anne Niemann, architect 2, which is running until the end of 2020, results were turned into guidelines quickly becomes clear that many parts of the building materials Chair of Architectural Design and that give interested parties a deeper insight into the “Build Simply” strategy. go through several cycles of change. It is a good idea to ¡ Component joining technique according to properties Construction | Prof. Nagler Their contents range from building shape to structural design, and from the make these cycles as long as possible, thereby delaying of the material in order to form robust and durable Laura Franke, environmental engineer overall picture to the very last detail. In each case, we explain which project conversion. At some point, however, the time will constructions Chair of Building Technology and Climate parameters should be given special attention and why. Responsive Design | Prof. Auer

Website: Guidelines—basic propositions www.einfach-bauen.net Six basic propositions underpin the Build Simply strategy. Let us briefly sum these up:

1. Compactness Reduce the building envelope’s surface. Increase structural density. The more compact a building is, the less heat will be transferred through the building envelope. Construction costs will also go down because the proportion of expensive insulated components is smaller.

2. Windows Glass area of the window = 10–15% of the room area requiring daylight penetration. Do without sun protection glazing. In addition to the thermal mass, it is above all the window size that determines whether the interior of the building will remain cool in summer. This value has been optimized for the pilot houses. The glass to floor area ratio is between 10 and 16%. This ensures a sufficient supply of daylight. External sun protection, such as roller shutters or awnings, is not needed.

3. Thermal inertia Heavyweight construction stores thermal energy. The thermal mass cools down during nighttime ventilation Solid, heavy materials behave sluggishly in relation to temperature changes in the environment. In comparison, air possesses only a low thermal storage capacity. This effect can be made use of by technical systems, suchas component activation in combination with geothermal probes, but can also work without any assistance from technology.

4. Robust technology Use robust and slimmed-down technical systems. Take into consideration the behavior of users. Fig. 1. Street view of the three pilot houses in Bad Aibling. Photo: Sebastian Schels Review #3 | 2020 42 house. Photo: TUM staff on theroofoflightweightconcrete Fig. 2.Installationoftheweatherstation still atthetesting stage. The pilothousesmaybeviewed create anewworkroutine. certainly help todispeltheconcerns ofcompaniesorto series. Moreexperience with “simple” buildings would Build Simplyidea,itwould benecessarytobuildin buildings.” Inordertoexploit theadvantagesof may beconsideredprototypes or“experimental houses dueto effort planning was evenreported. Accordingly, additional the pilot extent, some To simplified. stated that,admittedly, manypointshadnot yetbeen been tried out extensively, many of the respondents Since theBuildSimplyideaisnewandhasnotyet hygienic andsavesonmaterial. long hotwater and circulation pipes, whichisboth stations closetotheapartment made itpossibletoavoid schedule by one month. Central shafts and fresh water to cost savings,thisalso shortened the construction were able to dispensewithabasement. In addition houses pilot the simplification, to Thanks advantage. the useofmonolithic external wall constructions as an reduced the amount ofreworking. The majority viewed construction, with only a few ceiling and wall openings, considered positive.Inaddition,thesimple trades was the construction process wasnotinterrupted by other idea, was successful. Simply the Build communicating step, first the success while using a small amount of material. Hence The perceived aim was to achieve the greatest possible method. construction resource-saving and efficiency, terms of reduced consumption of materials, increased Simply” was interpreted in thesamewaybyall in construction of thehousesshowedthatterm“Build Interviews with those involved in the planning and Build Simplyidea Findings oftheimplementation temperature, andheatflowparameters. construction is to be examined as regardsthe moisture, and comfort levels are to be recorded. The outer wall compared with the previous simulation. Consumption Simply 3,wherelong-term measurement results willbe or not during thefollow-upresearch project, Build operate. We will find out whether this has been achieved is todesignbuildings that are easytobuild and easyto that istruetomaterial and climate-responsive. The aim overheat in summer were created thanks to construction masonry. Buildings thatrequire little heating and donot solid wood,lightweightconcrete,andheat-insulating residential buildings in the following construction types: for thedesign. was responsible who office, architectural Architekten worked inclosecollaboration with theFlorianNagler planning of three pilot houses. The TUM research team The BuildSimplypropositionswereappliedtothe Supervising theplanningofthree pilothouses We havetorealize that the Build Simply scheme is The factthat, by forgoing many component layers, This workresulted in three cellarless three-storey radiation. solar diffuse and direct and speed, and direction wind temperature, relative humidity, amountofprecipitation, surface. roof the from The stationmeasuresthefollowing parameters: air reflection heat or shade example, for tree of, effects the minimize to is ridge) the The aimoftheinstallation (at aheight of 2mabove lightweight concrete house in spring 2020 (Fig. 2). to comparetheoryandpractice. the same time, a simulation model was created in order implemented from January 2021 to the end of 2022. comfort At ofinterior measurement was derivedfromthis,whichistobe measurements levels were carried out andascheme for long-term test first The Measuring scheme planners andbuildingcontractorsaswellusers. the idea seems to have met with great interest from uncertainties with regardtolegal protection. Overall, be important in ordertoavoidmisunderstandings and in the planning and construction process alsoseemsto communication of thestrategytoeveryoneinvolved should beincorporated into further application. Early was gainedduringthe construction process, which as prototypesorlighthouse projects. Valuable experience Graphic: LauraFranke, TUM house inBad Aibling, August 2020. second floorofthelightweightconcrete unoccupied one-roomapartmentonthe Fig. 3. Test measurementofthe Ainstalled ontheroofof weatherstationwas and energy consumption willactuallybeachieved. whether theexpected levels ofthermal show comfort After theadjustment phase ofthebuilding, these will measurement and usersurveyover the next two years. to thereasonsmentionedabove. high relative humidity values, averaging 70%, are due moisture into the room air. Itcan be assumedthat the the dehydrationprocessoflightweight concrete releases operational at the time of the measurement. In addition, rebate ventilators and bathroomventilators, was notyet of the room air. Basic ventilation, through window the window. This also explains the low CO2content is oriented totheeast,wasvacant,and no-oneopened room The factors: influencing several are there because thermal inertia. However, of this may not bethe sole reason, effect an suggests which air, outside the regarding temperature and humidity, despite the fluctuating values What is strikingare the steady values for roomair analysis ofawarmweekfrom24–30 August thisyear. checked for plausibility, and evaluated. Figure 3 presents the intervals, five-minute in recorded were data presented above. The collected weather andcomfort is currently working onthenew, morerobustscheme problems withdatatransmission. The researchteam were there whereby results, losses ofmeasurement data owing to technical first the yielded concrete house lightweight the of floor second the on 2020 A testmeasurement over thesummerandautumnof Measurement results We areeagerly awaiting the resultsof Laura Frankeand Anne Niemann 43 44 45

Top and bottom, left: MA Semester Project by Nikolai Fischer, Marc Mair, and Björn Swedjemark Center: BA Semester Project by Lilly Thomas, Jessica Pörsch, and Eliza Zeibote Bottom, right: MA Semester Project by Ayoub Azzabi, Goran Travar, and Vanja Jovancic

Review #3 | 2020 Towards the Intelligent Ruin The Architecture of the Block Multi-use open spaces Test planning in Munich and Seville in Milbertshofen

Chair of Urban Design and Housing | Prof. Bates, Prof. Krucker Chair of Urban Design and Housing | Prof. Bates, Prof. Krucker Bachelor and Master Projects Bachelor and Master Projects Winter Semester 2019/20 Summer Semester 2020

Buildings of the future should be “intelligent” and have a built-in The urban perimeter block defines and shapes the European city. capacity for addition and alteration. Intelligent buildings should Consistent edges lay bare the threshold between public and private be adaptable, re-usable, and capable of being reconfigured and domains. The perimeter structure gives definition to the street—with re-organized. Yet they should also have a strong physical presence façades that conform to certain consistent rules—and harbors an inner and be imbued with a specific urban character, so that they are a space, or courtyard, that provides air, sunlight, and recreational space recognizable element of the city. While it may seem paradoxical, it is to the inhabitants. this strong physical presence, this “rootedness,” that allows a building The simplicity and directness of this urban figure endows it with great to remain open to new interventions. versatility in the organization and economy of space. Territory is clearly Ultimately, the architectural ruin is the physical essence of a building, demarcated; everyone understands it: both the passer-by who might laying bare its structure when more vulnerable layers have decayed assess their journey across the city according to the number of blocks or been reclaimed by nature. We are confronted with the primal they walk past and the inhabitant who knows that, once they have expression of protection and form in the exposed concrete frame and crossed the threshold of the gate or the porch door, they will be at vaults, and the spatial complexity of the ruins still evokes a functional home. promise, a “yet-to-be-imagined” use.

Top, right: MA Semester Project by Julia Sophie Schultes and Tsvetana Vasileva. Top and center, left: BA Thesis by Aigul Akhmetzianova, Konstantin Kirilov, and Eliza Zeibote Bottom, left: BA Semester Project by Isil Alimoglu, Buse Nur Bagis, Raphael Braham, and Moritz Götzl Bottom, right: MA Semester Project by Carsten Becker and Anastasiia Mitiukov 46 47 Collect / Research / Exhibit: Seed Fund Research Landscape architecture as a new field of curatorial practice Timber-loam Hybrid Floor Slabs Chair of History of Architecture and In 2020 the Department of Architecture awarded TT Professorship of Digital Fabrication five “Seed Funding” positions to research projects Curatorial Practice applying for third-party funding from within the Researcher: Sina Brückner-Amin Researcher: Julian Trummer department. The aim is to support the application process, generating independent and lasting third- andscape architecture was established as a n these times of global climate change, in which have good potential for revealing numerical comfort party funding as well as increasing the publicity new collection area at the Architekturmuseum cement production alone accounts for 8% of global thresholds in a more precise and unbiased way. of the department within the research community. Lder TUM only recently, supported by ICO 2 emissions, the further development of timber SenseLab, a purpose-built test chamber in the Department Members of the Jury were Thomas Auer, Alain significant new additions, such as the estates construction as an alternative to reinforced concrete of Architecture, is a controlled test environment where Thierstein, Frank Petzold, Benedikt Boucsein, Martin of Gottfried and Anton Hansjakob or, lately, construction is essential for a sustainable future. environmental conditions (temperature, light type/levels, Luce and Gerhard Schubert. Each project will be Adelheid Countess Schönborn and Regina Poly. One of the most serious problems faced by modern and ventilation type/rate) can be precisely regulated. supported for one year. The collecting, indexing, and presentation of timber construction is the lack of adequate floor In addition, biosignals (electrical activity in brain, heart rate landscape architecture is a comparatively new field of slab solutions for multi-story buildings with high variability, electrodermal activity, and pupil activity) of activity within the Architecture Museum. It requires requirements as regards fire and noise protection. six people can be measured continually and at the same a primary investigation with regard to issues related The idea of a timber-loam hybrid floor slab time. The current hypothesis is that, by overlapping these to recording, digitization, and presentation. The seed promises to close this gap by means of a simple and two datasets and looking at physiological limits, we Review #3 | 2020 Social-ecological research: the city, a fund project aims, on the one hand, to classify the inexpensive construction that meets high requirements will be able to determine the boundaries of comfort and transformation space content of the estates and, on the other hand, develop for static performance, fire protection, and sound establish a new, more life-like perspective on comfort. Chair of Energy Efficient and Sustainable a digital exhibition strategy together with an external insulation. In this context, computer-aided planning Design and Building partner from the field of web and graphic design. and robotic-assisted assembly enable the efficient To this end, we would like to set up a student working manufacturing (in terms of material and labor) of a Deep Adaptation in Urban Design Researchers: Dr.-Ing. Julia Brasche, Dr. rer. nat. Simone group that will develop a digital exhibition: from timber structure that can then be filled with a new Professorship of Urban Design Linke registering archival material to curating the exhibition. type of loam mixture based on excavated material. Researchers: Dr. Daniel Zwangsleitner, Elettra Carnelli MSc he aim of the seed-funding position is to In cooperation with: Chair of Architectural Design and successfully submit an application under the Construction, Chair of Timber Structures and Building he starting point of the project is the hypothesis Tcall for funding by the Federal Ministry of 3D printing with salt Construction that both within science and society the Education and Research (BMBF) for interdisciplinary Chair of Building Construction and Material Tvulnerability of urban structures to risks, and transdisciplinary young research groups in the field Sciences particularly those associated with global warming, of social-ecological research (https://www.fona.de). Quantifying Spatial Wellbeing. A study to has been underestimated, downplayed or suppressed. Our funding application focuses on research into the Researcher: Martino Hutz understand comfort through biosignals Looking for alternative and more realistic perspectives, development of viable strategies and planning tools for the Chair of Building Technology and Climate Jem Bendell’s concept of “deep adaptation” comes into transformation and design of sustainable and livable cities. t is believed that salt, which is a waste product of Responsive Design focus: He advocates to prepare for the collapse of some On their own, our planning and engineering desalination plants and potash mining, has great of the systems that are currently ordering our lives— science disciplines (architecture, urban planning, Ipotential in architecture thanks to 3D printing Researcher: Bilge Kobas and seeing this positively as an opportunity for change. landscape architecture, and spatial development) are technology. With a suitable binding agent, salt can be insufficient to achieve a holistic approach to solutions. turned into a pressure-resistant composite material. t the Chair of Building Technology and Climate This change and the resulting challenges we face are Rather, an interdisciplinary approach is imperative This interdisciplinary research field forms an interface Responsive Design, it is a fundamental task primarily not technological, but also social, economic which, in addition to our own and closely related between materials science and digital technology. Ato understand what comfort is. If people feel and organizational in nature. Moreover, they are disciplines (e.g., landscape development, urban With its flexible and customized production, 3D printing comfortable in their environments, they will be happy. highly interdependent and all-encompassing and water management, hydrology, structural physics or not only guarantees the rapid creation of prototypes, it If not, they will need additional tools to adjust their require systemic change, profound transformations transport planning), also integrates into the research also opens up a wide variety of domains of application environments: to heat, cool, or ventilate them, and so and adaptations of action. Therefore, it is not the relevant specialist knowledge from the fields in construction. For this reason, 3D printing is regarded on. If we can make people feel comfortable, we will about developing technical solutions in isolation, of psychology, sociology, economics, and politics. as a future-oriented key technology in the sector. not need to use any additional operating energy— but rather about fundamentally rethinking the On the basis of the “Social Contract for a Great Within the framework of this research, we will leading to more energy-efficient built environments. way we live, operate, work, travel and interact. Transformation” outlined by the German Advisory investigate the extent to which salt, with its diverse The metrics of comfort that we have are built on data Council on Global Change (WBGU), we would like properties, can meet the requirements for 3D printing collected through lab experiments and/or real-world The first six months of the funding period will be to work in a transdisciplinary manner and, together when combined with a suitable binding agent. studies. However, a large portion of the data is based dedicated to publish a special issue of the journal with civil society actors and against the background It is aimed to let the knowledge thus gained flow into a on self-reporting by people stating whether they are SPOOL (TU Delft, Open Access) on the topic of Deep of climate change, examine how cities can (must) research proposal. In addition to the research, seminars comfortable or not, and to what degree, at a given time. Adaptation. In teaching, students will be taught the be designed as places of transformation in order to will be offered during which students can learn the Unfortunately, self-reported data can be highly biased. importance of systemic change and the necessity of enable a comprehensive improvement in quality of life. basics of 3D printing. Beyond that, physical testing of In order to overcome this, we have been looking at interdisciplinary thinking and acting. In the second half salt mixtures will be carried out in order to discuss the ways to bypass verbal feedback from the subjects of of the funding period an Individual Research Grant will In cooperation with: Chair of Sustainable Urbanism and properties of salt in greater detail. The findings will be our comfort experiments, and realized that looking be prepared and submitted to the German Research Chair of Strategic Landscape Planning and Management translated into a design. directly into the body’s physiological responses might Foundation (DFG). Review #3 | 2020 48 their academicreputation. (www.dfg.de) high-quality research andcontinuebuilding a future senioracademic role, carryonwith to apermanentprofessorship, toprepare for meet alltherequirements forappointment funding foroustandingresearchers who The DFG-Heisenberg Programme provides five-year period. heritage today“,startedinMarch 2020;ithasbeenawarded agrantforthree to “German colonialarchitecture asaglobalproject around 1900andtranscultural Chair ofTheoryandHistoryArchitecture, Art andDesignattheTUM.Hisproject, PD Dr.-Ing. Mag.MichaelFalserwasappointedDFG-HeisenbergFellowtothe from aGlobalPerspective German ColonialArchitecture the remaining traces ofGermancolonial architecture, urbanism, cultural colonially appropriated artefacts to formercoloniesin Africa and Asia, while currentprovenanceresearch comeswithpressingclaimstorestitute regards theissueofhowtodeal withtheGermancolonial era. However, global of field the history and global art history. in Today, years this approach is also hotly debated as past the over discussed been has which turn, history. This will be achieved by incorporating the global and transcultural methodologically innovative approach into the discipline of architectural developed. An exhibition presenting original archival material is another option tobe and journals tomulti-authored volumes),andpublisharticles and amonograph. workshops scientific organize Oceania, conferences, contribute to publications (from themed issues inspecialized and Asia Africa, in work field extensive out carry to planned is It Erben). Dietrich (Prof. TUM the into theChairof Theory andHistoryof Architecture, Art andDesignof heritage studies. Since March 2020, this new project has been embedded architectural historian specialized inglobal architectural history and cultural was conceived by, and awarded to Michael Falser, an Austrian art and Foundation (DeutscheForschungsgemeinschaft—DFG). The project anew through research projectfundedbytheHeisenberg programoftheGermanResearch tackled now being is desideratum scientific twofold This viewpoint asakindof second, thematize structuresthatarestillstandingfromacontemporary building processes fromahistorical perspective as aglobally connected project colonial German conceptualize first, studies, comprehensive no history, architectural of field the in that surprising rather is it sense, this In today. towns to infrastructural networks and individual buildings, still exists production wassurprisinglyrichandmuchofit,from wholenew of (parts Oceania today’s NewGuineaandSamoa). Itsurbanistandarchitectural and area) Bay Jiaozhou the and Qingdao of city Togo) to Asia (back then Tsingtau and Kiautschou, today the Chinese (colonies Africa of German East fromAfrica, German South West Africa, Cameroun, and 1): (Fig. continents several spanning project colonialism (ca.1884–1914)wasgeopolitically-speakingaglobal Despite its extremely short existence—a mere three decades—German From ageneral viewpoint, thisproject intends tointroduce a shared builtheritage

. and, into three different dimensions (analyzed separately and architectural production processeswill bebrokendown a truly global approach. To thisend,German colonial (Europe or Africa or Asia) andmakeitcompatible with as a discipline, from its classical area-based approach into itscolonies.Itaimsto free architectural history, transfer of architecture from animperial motherland the old-fashioned narrative of a mere one-dimensional project on Germancolonial architecture goes beyond by the new discipline of Global Art History, this With aviewtotheinnovative methodology employed 1884–1914 —aglobalproject Module 1:Germancolonialarchitecture Germany—as theformationoftransculturalheritage. continents and withitsongoingentanglement with to readits(today)contested legacy—across three historically within aglobaloverallstructure,andb) a) topresenttheimmense architectural production This project is structured into two modules that aim history andculturalheritagestudies. strangely under-researched topics in architectural landscapes, andinfrastructural planning arestill artefact collections at the Humboldt Forum in Berlin an appropriate strategytodealwith colonial-era discuss and historicpreservationin Germany. While experts has finally reached the disciplines of architectural history of colonial-era memorials all over the world, this debate present outbreaks ofracism and therelated taking down debate today” (Jürgen Zimmerer 2017). With the colonial heritage [has]advanced toacentral identity all its overseas colonies), the “dispute over Germany’s officially ended World implementation War I,wherebytheGerman Empire lost (whose 1919 of Versailles More than one hundred years after the Peace Treaty of transcultural heritage Module 2:Germancolonialarchitecture as conceptions ofstyleandrepresentation. and frameworks asregardsterms and taxonomies, and techniques, mental culture scales, , charting concrete building practices different and typologiesofcolonial building procedures;and the is, culture—that and implementation of buildingknowledge;material discuss thecolonial production andthelocal adaptation then re-connected), namely: farbphotographischen Abbildungen Scheel’s DeutschlandsKolonieninachtzig Africa, ChinaandOceania,asdepictedin Willy Fig. 1 An overviewofallGermancoloniesin social culture, inorderto (Berlin: 1912). 49 Review #3 | 2020 50 (1905–07) initspresentcondition(Falser2018). Fig. 3 The former 2018 (Falser2018). Bottom: ReconstructedQingdaorailwaystationin by BehmeandKrieger(Wolfenbüttel: 1904); structure in Figs. 2a&2b,top: A depictionoftheoriginal Führer durch Tsingtau undUmgebung Gouverneurs-Wohnhaus other excolonialfantasies. the same building next to a Gartenzwerg Häuschenand (primarily for Chinese tourists) providesaminiature of tour through the listed ensemble, the souvenir shop Heimatstil strange stylistic mix ofGermanregionalism, picturesque and Oriental Consciousness” weremerged hereintoa signboards tellsthestoryof how“ChineseElements the well-maintained building, aseriesofeducative years ago. While ascending the privatized road toward discipline that travelled to the East more than a hundred architectural history, altogether an originally European here withtaxonomiesandvaluejudgmentsof that a shared built-heritage construction is combined (1905–07) on top of the central hills (Fig. 3), reconfirms German colonial rule, the (Figs. 2a&2b). of the German colonial city having been demolished reconstruction of the last decade—the original landmark reveal that the current exterior is a recent in-style façade while investigating historical travel literature would the train station itself. Only detailed studies back home more ambivalent architectural vistas, oneofwhichis railway hall toward the central square opens upsome structures nestedinthisview. However, leavingthe only expertswouldspotsingularGermancolonial an aerial depiction of asurprisinglygreencityscape; Chinese, English, andRussianwelcome the visitor with Concession ofShanghaitothesouth. capital Beijing to the north and the former International the shoreof Yellow Sea,situatedbetweenChina’s much appreciated Chinese harborcityofQingdaoon colonial German marine base: aformer Tsingtau (ca. 1898–1914), today the to trip field preliminary a is presented here. Mostofthemweretaken during mentioned agenda, a small collection of photographs In ordertoexemplify somechallenges withintheabove- a preliminary fieldtripinDecember2018 (present-day Qingdao)in China— Going backtoGermancolonialTsingtau which isconstantlybeingredefined. structure underlyingtheseactions(mentalculture), constant manipulation (material culture), andthevalue (social culture of techniques and practices specific the ), legacy of ongoing in-situ cultural-political negotiation German colonial period asahighlydynamic physical module investigates the present-day remains of the postcolonial and global space.Inthissense,thesecond transcultural heritage (inheriting/inheritance) in a the overall aim is to develop a sort of morphology of process (1920–2020) as a shared built heritage? Here, read themwithintheirhundred-yeartransformation fragments in Africa, China, and Oceania. How can we era architectures, infrastructural remains, and urbanist country, thisprojectquestionsGermany’s colonial- and manyformerethnographic museums all over the Approaching oneoftheformerkeybuildings When reaching the city by train, large signboardsin , andcolonial attitude. After anarchitectural Gouverneurs-Wohnhaus (Exhibition panelsinthe Right: A Japaneseurbandevelopmentplanafter1918 base of Tsingtao around1900; Figs. 4a&4bleft: A GermanEntwicklungsplan inside andaroundtheGermantimelayer(Fig.4b). vision ofamoderncitywithnewurbansubcenters Japanese planned andpartially implemented their own left when WWI brokeoutin1914. After thewar, the within anewcolonial regime after Germantroopshad was not enough, the urban fabric continued to develop hinterland Schantung-Bahn, oncedeparting into theKiautschou such asaharborandwholerailwaysystem:theformer has leftaphysicalimprintofhigh-techinfrastructure, 1900 foratotally new Germantown,which tothisday streets andsquareswasnotonlyimplemented around indicate the important fact that a rational urban grid of a seriesofinteresting photographs andmaps. These Strand Hotel.Inside,anexcellent exhibition displays the visitor to another historical structure, the so-called The path down tothe once peripheral beach resort leads and its coal mining sites (Fig. 4a); as if that Strand Hotel,Falser2018). ofthemarine (Falser 2018). the newgovernmentalquarter Right: Internationaliststylefantasiesfor day Qingado; towards thenewcitycenterofpresent- Figs. 5a&5b,left: The present-dayview hybrids isoneofthemanytasksthisproject. Coming totermswiththesepast-colonial architectural historians wouldcall“traditional Chinese architecture.” practices are farawayfromwhatproperarchitectural the workinghypothesisthatthesecontemporary building southwestern seashore(Fig.5b). new Chinese regional government quarter, onthe investment architecture, is foundaroundthemonstrous power, withaninterchangeable language ofinternational to this collage of former colonial styles and attitudes to reaction chain uncanny really the However, 5a). (Fig. stroll alongamarinawithfoodstallsandrestaurants new center around the inner bay, whereChinese couples Today, Qingdaoisatotallymodernmegacity with a For this reason, a first site visit to the city fostered city the to visit site first a reason, this For Michael Falser 51 52 53

Laura Betz: “immersion”

Melanie Sommerfeld: “discrepancy” Lived Experience of Architectural Space

Lectureship of the Women’s Representative: Questions of Science and Society in Architecture and Urbanism Lecturers: Virginie Roy and Katharina Voigt Summer Semester 2020

The “Architecture Experience” seminar focused on the live experience and embodied exploration of architecture, as well as on its overarching theoretical and scientific framework. A workshop on the multisensory experience of architectural space formed the starting point of the seminar. It invited students to question the predominance of vision in the perception of architecture, nurturing the lived bodily experience through sensorimotor and sensual exploration, tangible encounters with architecture, and tacit, pre-reflexive knowledge of space and experience. The sensory experiencing of architectural spaces was explored in terms of phenomenological research. Various written sources from the fields of philosophy, psychology, architecture theory, behavior and performance studies, among others, were consulted to add the incorporated knowledge on architectural experience to overarching, rather abstract reflection. The relationships between body and architecture, and between human being and world, were discussed on the basis of one’s own physical and sensual experiences as well as these additional sources; when considering architecture in phenomenological terms, the corporeality of the experiencer appears to be of particular importance. The experience gained during the workshop by means of bodywork and by using approaches from contemporary dance formed the foundation of embodied knowledge which, on the one hand, was examined through superordinate reflection and, on the other hand, discussed against the background of theoretical positions in the field. Model photo competition “homemade” From the physical investigation of the architectural space, precise Recognition: Marie Gnesda, Theresa gestures were crystallized to emphasize architectural expression by Zöllner, Maximilian Loeschke, Sofia corporeal means. The sensorimotor experience of space was therewith Weidner — Design process in the complemented by an enhanced acquaintance with one’s own gestures and movements. courtyard. Friederike Drewes: “against the wall” Review #3 | 2020 54 2017–2020 Duration: of ScienceandEngineering(IGSSE) through GraduateSchool TUMInternational Deutsche Forschungsgemeinschaft(DFG) Funding: Prof. Ph.D.GudrunKlinker, ChloeEghtebas and AugmentedReality| Chair ofComputerAidedMedicalProcedures Schubert, SarahJenney, NilsSeifert Prof. Dr.-Ing. FrankPetzold,Dr.-Ing. Gerhard Chair ofArchitectural Informatics Project Partners: INFORMATION: Gamification asaCommunication Tool inUrbanPlanning Game.UP School ofScienceandEngineering(IGSSE)between20172020. through Forschungsgemeinschaft –DFG) TUM International Graduate bemeasured? bring, design The research was funded by the German Research Foundation (Deutsche gameful gamification and gamification does successful can challenges how and and opportunities what planning, urban in research gamification of state current the is What addressed: were computer interaction and urban planning. The following research questions human- of fields the from aCommunication expertise combining perspective, user-centered as Gamification “Game.UP: Tool in Urban Planning” research project. The project approach has a the within — process inurban design gameful and planning communication and participation at earlystagesoftheplanning gamification of potentials the examining Augmented Reality, the Chair of Architectural Informatics has been Together withtheChairofComputer Aided MedicalProceduresand Game.UP Application PlanningExpertInterface Mock-Up research willbe required. potentials. In future, further empirical and comparable different many with field research growing but young a is planning within gamification into Research 2021. in type andlevelofparticipation. possible connection between gamification and perceived when designing participation applications, and suggest a importance of takingamultiple stakeholder perspective the confirm to able were we this, Through public. the project; it wasthenevaluated on-site with membersof with theprojectdriverofareal-worldplanning developed asacasestudy,prototype was inconsultation designing participationapplications. games, ortaking playertypologiesinto account when information visualization techniques prevalent in of otheraspectsgamedesign,suchasspaces, selected andimplemented, together withthepotential important it istocarefully consider gameelements to be anevaluation applications. how participation emphasize gamified We propose methodology measuring and comparing successful and gamification, through human- identify participation issues thatcanbeaddressed gamification, into computer interaction, and urbanplanningparticipation, research consolidate to gamification isbeingincreasinglyapplied. experiences remain; itispreciselywithinthisareathat motivation) and the improvement ofuserinterfaces and issues Nevertheless, times. such asparticipantattendance(andtherefore and locations specific the from bybridging understanding visual-semantic gap,aswelldecouplingparticipation aiding or notification, awareness throughadvertisementandlocation-based and participation methods. They achieve this by raising to broadenthereachofmoretraditionalcommunication of otherwisesuccessfulprojects. ensue which,intheworstcase,mayleadtofailure high financial costs, project delays, and loss of trust can community. Furthermore, where communication fails, sustainable planning solutions and support a sense of planning canlead tothegeneration ofmoreresilient and and futureuserswithin the change process that is At task. anessential a technical level, the integration of local knowledge planning by affected public the decisions make communication with members of planning processes, andhelping the public understand our right to access information, the legitimization of importance toplanningprocesses. communication between stakeholders is ofparamount you onlyhave one shotat solving them. As aresult, framing, problems are unique to their situations, and right norwrongandaredependent on problem are neither solutions solutions, infinite have they that Urban planning problems are“ill-natured,” meaning We are planning to publishmore detailed results In ourresearch, an urbanplanningparticipation In the Game.UP research project, we were able Digital participationtoolsandeParticipationseek In democratic societies, our rightto participate, Sarah Jenney exploration, inform,or motivateandincentivize. proposals; theirpurpose istoshareplanninginformation,enable reporting, managingplanningevents,orsubmitting planning issues suchas:accessingplanninginformation, problem integrate gamificationprinciplestoaddress communication the communicationmodules(4). The communication modules (5-7) canfeedandretrieverelevantdatafor theirapplications, through aweb-basedvisualizationmodule (2).Severaldevices comprises ofadatabase(1)thatcanbeaccessedandviewed around acentralthree-dimensionalvirtualmodel. The platform The diagramdescribesaserviceplatform(3)thatrevolves Game.UP ServicePlatformConcept. 55 Review #3 | 2020 56 von Gebäuden, Ökonomische undÖkologischeLebenszyklusbetrachtung Design Chair ofBuilding Technology andClimateResponsive energy consumption,MartinGabriel, Robust optimizationofloadmanagementpotentialand Hochschulpreis desBayerischenBauindustrieverbandes: Chair of Architectural DesignandParticipation Catching theWindHuber, , Alexandra Chair ofUrban Architecture Residential Giants, Hans DöllgastPrizes2020: Architecture Professorship ofGreen Technologies andLandscape Agricultural LightingFacade, Christiane Thalgott Prize2020: Lena Probst Senator BernhardBorstPrize2020: Chair of Architectural Design andConception Taktiles Wohnen,Hanna Albrecht Hochschulpreis LandeshauptstadtMünchen2020: A SelectionofAward Winnersin2020 Young Talent Awards Regional Open Space Associate Professorship ofLandscape Architecture and Joint Future, XiangLin,Dihang Wen Yang, AIV-Schinkel-Competition 2020SpecialPrize: Professorship ofDigitalFabrication Manufacturing, FabianJaugstetter, Design Tool forExtrusionBased Additive Architecture Professorship ofGreen Technologies inLandscape Living Architecture, Photogrammetric PointCloudSkeleton Abstraction for Building Chair ofEnergy EfficientandSustainableDesign Anne Winkelkotte, Anne Lukas Brecheler, Qiguan Shu, Ekaterina Vyrodova

Chair of Architectural DesignandParticipation ISTHME, DafniFilippa,MeriamSehimi, Architecture Thesis ofthe Year 2020: and TimberConstruction Associate Professorshipof Architectural Design Katharina Kögl, AUFgewertet proHolz Student Trophy 2020: Chair ofStructuralDesign Active Grillage Honorable Mentions: Stuttgart LightweightStructures Award 2020 Borst Prize2020 the SenatorBernhard Lena Probst,winnerof Pars pro toto , SofiaKholodkova, Yana Shcherbakova, , FredrikJustnes, Döllgast Prize2020 winner oftheHans Lukas Brecheler, Residential Giants

Döllgast Prize2020 winner oftheHans Alexandra Huber, Catching theWind 57 Emptiness Stage vs. 58

Photo © Matthias Kestel Trautmann, LukasVallentin Benedikt Stoib,LauraTraub, Konstantin Lichtblau, Yasemin Özdemir, AnsgarStadler, Tonderai Koschke,ChristopheLeick,Leoni Mengxue Guo,LisaHempfer, JakobKöppel, Flöhl, Frederick GorstenSchünemann, Johannes Daiberl,NilsFischer, Konstantin Strausz, FelixWaldner Schmitt, MaxRittervonSporschill,Antal Anna-Maria Brendel, NicoLewin,Vincent Participating students: Jonas Pauli,AnneCarinaVölkel Bernard Hunt,FelixNiemeier, Assistance constructionmanagement: Matthias Kestel,ChristianSchühle Ferdinand Albrecht, EnricaFerrucci, construction management: Project supervision+ Construction |Prof. FlorianNagler Chair ofArchitectural Designand Prof. HermannKaufmann; and TimberConstruction| Professorship ofArchitectural Design Professorships: other hand, formsthe core of the design. The associated contrast between the exhibition, ontheonehand,andfocused workatmosphere,onthe generated from thisdialectic of needs. The simultaneousjuxtaposition of and isstrivingforvisibilityin streetspace. University, whichisalsopartofthemuseumquarter, issqueezed onitsedge is stillnotinsight,whilethe Department of Architecture of the Technical the second construction phase ofthe Pinakothek der Moderne,butconstruction by fulfilled been have would which opened, they when education art roof. These twomuseumshadalreadyarticulated their needs foraspace for Brandhorst collection, and the TUM Department of Architecture underone opening, willbringthevariousPinakothekderModerne collections, the have existed for a long time. Pavilion 333, asit will be called after the These roots lie in the combination of actors and their spatial needs, which project, the buildingwasstill built despite the inauspicious initial situation. restrictions ruined thetimeline and thedirect connection with theexhibition. in action.” The outbreak of the Covid-19 pandemic and the associated Museum, andgiveexhibition visitors theopportunityforanown“experience “DesignBuild—Experience in Action” exhibition at the TUM Architecture exhibition atarenownedlocation. the DesignBuild teaching method tobemademorevisibleintheformofan the exhibition was retained and transferred to Munich, aswastheneed for internal German border—wontherace. Yet theideaofalivecontribution to Instead ofthisapplication, CRAFT—involving Marianne Birtler and the lively, self-developing exhibition fortheentire durationoftheBiennale. students from various universities and colleges, would ensure a constantly in Venice.Biennale in orderto prepare an application forthe German Pavilion at the Architecture dbxchange.eu network came together with the TUM Architecture Museum For the2018Biennale,agroupofDesignBuildpracticing lecturers from the different location. “pavilion” marked thebeginningofcurrent structure atacompletely term the However,Türkentor. the to next meadow a on found again in the new temporary building built be on the can Türkenstrasse it name, in and design in Both pavilion. the is remains What Rothoblaas, Rodeca,RZBLeuchten,Spax Festool, Jung,KrinnerSchraubfundamente, Breidenbach Metallbau,FelixNistlerGmbH, Fieger Lamellenfenster, EhmElektrotechnik, TUM DepartmentofArchitecture Arte GeneraliFoundation PIN. Freunde derPinakothekModerne With kindsupportof: - CollaboratorJosefAmler Merz KleyundPartner-StructuralDesign research associateTobias Wagner; Responsive Design|Prof. ThomasAuerand Chair ofBuildingTechnology andClimate Specialized planning: The taskofbuildingthepavilion on aprominent site inthecity was Nonetheless, andinpartthiscanbetracedbacktotheother rootsofthe The construction site ofthepavilion wastostartatthesametime asthe The idea envisaged a live construction site which, furnished with www.pavillon333.de 59 60 visibility and concealment remains legible. In an urban talking. Here, too, the shape of the building that was 61 planning interpretation, a curtain actually suggests being created stretched into an almost amoeba-like somewhere to live, so does it conceal actual use, does it structure. even invite people to live there? Now the concurrence of numerous interests is per se Before you seek out answers to these questions, an integral part of activity—in the construction context it is worth taking a step back to the empty meadow: as in any other kind of project process. In this case, the meadow as a place of longing for dog owners; however, ideas, wishes, and projections all condensed emptiness as the optimal condition for Walter de on the polycarbonate of the façade and pearled off it Maria’s Large Red Sphere and monument protection; before the first element was even positioned. Even in the the meadow as a place of invisible media in the soil; so-called classic environment of DesignBuild projects, emptiness as an undesigned residual area around the namely in the Global South, one is used to the fact that Pinakothek der Moderne and as a placeholder for this type of construction project stirs people and softens the second construction phase; the meadow, parking boundaries; but how surprising was the force and, at lot, and driveway as a field of tension and a stage for the same time, bubblegum slowness with which this Top: Final finishing inside the pavilion. major urban points of contention—all distilled into happened for one very small building in front of the TU’s Bottom: The curtain is movable, can an area measuring 15 x 15 meters. The needs of dog doors—compared with the neighboring structure. envelop the building from the outside and provide dimming on the inside. owners clash with those of car parkers, which in turn At this point, it may be necessary to briefly sketch All photographs © Matthias Kestel come up against the sun-hungry lunch crowd and the the time constraints of a DesignBuild project in general, expectant audience of high culture, with its sponsors. and the legal peculiarities of such projects in connection Thus 15 x 15 meters, or some 1,300 cubic meters of with construction work in the western world. There are Review #3 | 2020 enfolded air, now make up this podium; the space in interfaces between two co-existing realities which, as from the first sketch to completion, within a limited time front of the Türkentor comes to a standstill toward the the normal course or career of professional existence period—one year in the case of the pavilion. south and no longer flows away. The ephemeral wooden dictates, must follow one another. Hence if one wishes But let us return to emptiness and the meadow. structure, with its translucent shell interrupted by glass to widen the interface and enable bidirectional exchange, Without any doubt, both the pavilion and the creative strips, arranged like a windmill, for viewing, creates the this quickly becomes a challenge, both in terms of process offered, and still offer, a source of friction for the necessary degree of concealment for the art education time and organization. The perpetual tempo would be city, the Kunstareal, and all those involved in its creation. program while the glass caesura prevents a cutting off predetermined by the division of the academic year into Now the emptiness of the place on the Türkenstrasse is from the surroundings. two semesters and of these into lecturing periods and shifting a little further toward the Gabelsbergerstrasse, The pavilion is thus intended to connect institutions lecture-free periods, whereas involved project partners while the functionality of the meadow has been retained located in the Kunstareal and form a first, low-threshold, outside academia would naturally be suspended to or even increased by the fact that the stage mentioned open point of contact for the entire precinct. As early other timelines. There are also the students—to whom at the beginning is now becoming palpable and being as during the planning period, the pavilion managed to a maximum of self-sufficiency and responsibility in the constructed. The hope entwined with the opening of the bring together representatives of the four collections of design process, and also in concrete planning, should be pavilion—whose date cannot yet be set, another special the Pinakothek der Moderne, the Brandhorst collection, conveyed—who often still lack the tools of the trade with feature of pandemic times—would be that discussions and the Department of Architecture—and get them regard to their studenty, sometimes utopian design tasks. that arose through construction and are symptomatic of an urban society like Munich’s can now be conducted in this very same building; that a space has been created that In contrast to a student job in a planning office, a can be more than just an extension of certain functions DesignBuild project transfers the planning responsibility of the institutions involved—a space that really flags the to the students but, and this is where the second interface low-threshold contact point in the Kunstareal; and that comes into play, but only up to the point at which a degree of accessibility enabling inclusion at all levels this country’s legal reality prescribes that liability be has been achieved. assumed, or a certain timeline be adhered to. The extent In order to enable long-term acceptance of the of the balancing act conducted by project managers is project among the urban population and even, perhaps, defined by holding back and pushing students toward a break down existing prejudices, it is imperative to tangible result. Hence the tightrope walk between, on the avoid exclusive, closed events, and turn the place into one hand, teaching and the resulting learning effect and, one that offers space in an exposed location, of which on the other hand, the need to adhere to schedules and there are so few in this city—to offer a space for young, deliver effective results, defines the project framework, non-commercial, creative, art-loving ideas and their especially for a DesignBuild project in an environment execution. It is only in this way that the building will informed by rules and standards. become part of the urban public sphere and boundaries It is precisely because of the special nature of between outside and inside will become blurred, while DesignBuild projects that it is easier to question existing the textile coating of the curtain will also shake off processes and stretch boundaries which, in the case of a the isolation effect that it could have brought about conventional building project, could quickly spell out if we were dealing with an exclusive place. It will be the end. The temporary orientation of the building helps, transformed into a translucent layer that suggests an as does the supposedly rigid temporal structure which, interior and makes you eager to step in, to take part, and Students and supervisors spent much time on the construction site during in the end, does make it possible to set up a building, become part of. the summer of 2020. Matthias Kestel 62 Sara Fouad 63 Chair of Landscape Architecture Scientific Success of Research Associates and Industrial Landscape

Humboldt Fellowship

he Egyptian researcher Dr. Sara Fouad was awarded a Georg Forster Research TFellowship by the Alexander von Humboldt Foundation for the postdoctoral study of “Historic Veins. Between Regeneration and Termination” at the Chair of Landscape Architecture and Industrial Landscape in 2020/2021. Together with Prof. Dr. Weilacher, Dr. Fouad developed the research proposal. In her work, the young researcher from Alexandria investigates how disused industrial channels Sandra Persiani Sarah Hegenbart in Egypt that are currently endangered may be Chair of Building Technology Chair of Theory and History successfully preserved, converted, and reused. To and Climate Responsive Design of Architecture, Art and Design this end, she is carrying out the comparative study of analogous transformation projects in Germany. Review #3 | 2020 Humboldt Scholarship Young Academy Mainz With her research project, Dr. Fouad will make an important contribution to the development of her country rch. PhD Sandra Persiani has been awarded r. Sarah Hegenbart, research associate at the of origin, and contribute to the exchange of knowledge the Alexander von Humboldt Foundation Department, was awarded one of the four- and methods between Germany and Egypt. APostdoctoral Research Fellowship. She Dyear memberships of the Mainz Academy of conducts a research project on “Architectural Sciences and Literature’s Young Academy. Through symbiosis: emergence of new operating patterns as her admission, the outstanding achievements of the Nadia Alaily-Mattar an effect of a human-plant-building association” in next generation of scientists are being recognized, Chair of Urban Development collaboration with the Chair of Building Technology and she is being aided on her future professional path. and Climate Responsive Design and the Professorship Key aspects of membership are active participation Feodor Lynen Research Fellowship of Green Technologies in Landscape Architecture. in the academy’s meetings and events, and dialogue Persiani holds a PhD in Architecture from the Sapienza with members of the established learned society. r. Nadia Alaily-Mattar has been awarded University of Rome and has been working under Hegenbart studied philosophy and art history at the the Feodor Lynen Research Fellowship for Prof. Auer at the Chair of Building Technology and University of Oxford and the Humboldt-Universität zu DExperienced Researchers by the Alexander Climate Responsive Design within a TUM Foundation Berlin. Her doctorate dealt with Christoph Schlingensief’s von Humboldt Foundation. She holds a PhD in Fellowship since 2019. As postdoctoral researcher of Meltem Çavdar Opera Village Africa as a post-colonial total work of art. Planning Studies from University College London the Alexander von Humboldt Foundation, Persiani will Professorship of Recent Hegenbart has been a research associate at the Chair and is a research associate at TUM’s Chair of Urban engage in research in the field of indoor environment and Building Heritage Conservation of Theory and History of Architecture, Art and Design Development. Since 2014, she has been researching green architecture, and document the combined effects of since 2017 and is working on a habilitation project. processes, outputs, and impacts associated with people-plant and plant-building technology interactions. Wüstenrot Scholarship two years has more particularly focused on questions Star Architecture and has co-edited the book About related to gender, sexuality, and the body in architecture. Star Architecture: Reflecting on Cities in Europe. ince May 2020, Meltem Çavdar, research During her time as a Feodor Lynen Research Fellow at associate at the Professorship of Recent the TU Delft, Alaily-Mattar will research the processes SBuilding Heritage Conservation, has received used by architecture practices to enable their architectural a doctoral scholarship from the Wüstenrot Foundation artefacts to perform narratively. Under the title The for her dissertation project: “Timber formwork Making of Architecture for Narrative Performance—A construction in the middle of the 20th century and its View from Architecture Practice she explores the nexus influence on the quality of exposed concrete surfaces” between publicly funded architecture and the production under the supervision of Prof. Dr. Andreas Putz. of collective identity. Uncovering these processes will The Wüstenrot Foundation supports doctoral projects meaningfully advance our understanding of the sustained on post-1945 architecture. Meltem Çavdar is the eighth political power of architecture. doctoral candidate to receive this scholarship. The

scholarship supports research projects that deal with Left page, bottom: postwar modernist buildings, ensembles or open spaces, Sandra Persiani, or tackle issues linked to their renovation, the preservation photo by C. Milutinov of their authenticity, or their purposeful transformation. Top: Meltem Çavdar, The aim of Meltem Çavdar’s dissertation project is to photo by M.Dame This page: establish a new conception of brutalist concrete structures Sarah Hegenbart, as the foremost product of formwork engineering. photo by I. Mühlhaus Review #3 | 2020 64 politics: Dialogicalartandblackaesthetics”. the research project “Diagnosingpost-truth University ofGreifswald, where sheworkson the AlfriedKruppWissenschaftskollegof Design. Sheholdsaone-yearfellowshipat of TheoryandHistoryArchitecture, Artand works asresearcher andlecturer attheChair Dr. SarahHegenbartisanarthistorianand The OperaVillage AfricabyChristophSchlingensief. Opera ofAmbiguities could stifle local artistic and cultural expression, he nonetheless pushed for pushed nonetheless he expression, cultural and artistic local stifle could of his own project. Although it was clear to him that one-way financial flows already howawareSchlingensief wasoftheinternal shows contradictions But eventhefragmentary première sketch ofS.M.A.S.H day ofS.M.A.S.H. a fragment,asSchlingensief diedon 21, 2010,ontheplanned August African continent and thusalsotheOpera Village. remained S.M.A.S.H entire the economy,stifles market free the of interests industrialization the just three years, a thousand percent increase in development aid, driven by in Aid, in which he sketched out the somber future of hisartistic experiment. In S.M.A.S.H—Suffocating play the conceived he celebrations, the after in productionssuchas Via Intolleranza IIandMeaCulpa.Onlyafewmonths Village, he hadalreadyexposedtheneo-colonial connotations of theproject carried out theceremonial laying of the foundation stone forhisOpera birthday, Iexaminehowthingsstand. artistic forms of expression. On the occasion of the Opera Village’s tenth points and loaded with new meaning through interaction with Burkinabe he perceived as meaningless, was tobedetached from itsGermanreference festival hallonthe African continent. There, theconceptofopera,which political reality through art,Schlingensief originally planned to builda Richard Wagner’s idea of atotal work ofart that would revolutionize and areimposedbySchlingensiefuponaBurkinaberegion.Inspired both the“opera”artformand“Africa”labelareinventionsof“West” meaning is immediately apparent in its provocative naming. This isbecause inherent ambiguities thatcharacterize the project. The project’s double of Burkina Faso, fromthe perspective of art history andIinvestigate the Schlingensief’s “Opera Village Africa”, located in the West African state In my book, whichisscheduled for publication in 2021, Iapproach Christoph thing aboveall:anoperaofambiguities. absolutely inthespiritofSchlingensiefhimself,whoseworkwasone less toprovide concrete answersthantostimulatediscussion. This is inspiration from suchquestions and similar ones. The intention was development aid thatperpetuatesneo-colonialpower relations? This booktookits classic of dystopia a into turning Village Opera the is Or capital? Burkinabe the Ouagadougou, outside staged kilometers thirty being now in operas Wagner Village Are Opera Africa? West an Faso, founding Burkina of has vision What Schlingensief’s 2020. in of old become years ten be will Africa Village Opera The In February 2010, when director and multimedia artist Schlingensief of thefirstPresident, ThomasSankara. tendency in BurkinaFasotorevisit the socialist vision similar to the scenario outlined there in S.M.A.S.H, is a overdevelopment on the African continent, which is China’s economic interests have triggered a kind of already had ruled for twenty-sevenyears,wasoverthrown. While who Compaoré, Blaise President which the establishment ofagrassrootsmovement through to contribution Opera Village,significant the a of made Burkina Faso. The rapperSmockey, oneofthesupporters how closely art is linked to political developments in in everydaylife. The last ten years have clearly shown schoolchildren stage their everyday opera: art takesplace there is still no festival hall. Here, instead of singers, by the architect Francis Kéré, who teaches at TUM. But and even a recording studio. Buildings were designed employees for infirmary, houses an school, functioning colonial gesture. (mis)interpret Schlingensief’s lastproject as aneo- West. Accordingly, it is not surprising that critics often have come into being without any donations from the the establishment oftheOpera Village, which couldnot Ten yearslater, theOpera Village boasts a by ChristophSchlingensief Opera VillageImages: The Africa development aidfromBurkinaFaso. African village—possibly a village in need of cultural he imagined the Humboldt Forum as a stereotype of an to thinking about postcolonial museums. In the sketch, ambiguities of theOpera Village mightbewhenitcomes architect for theHumboldtForumillustrates how fruitful the an find to competition the during submitted and artistic level. A design sketch that Schlingensief transcultural ambiguities can be negotiated at a visual I examine theOpera Village asaplatformonwhich controversial Humboldt ForuminBerlin.Inmybook, which hasclimaxed inthecurrentdiscussionabout on howtodealwiththecolonial past inGermany, thus anticipated by adecade the needforadiscourse focus onartistic formsofexpressionin African regions relations that have been twisted by colonization and his western canon.Schlingensief’s pleaforreversingpower Opera Village is calling for a realignment of the of perspectives. My hypothesisisthat Schlingensief’s realities and, at the same time, involves an expansion contrasts these stereotypes with a complexity of stereotypes of “Africa”. The “opera of ambiguities” of ambiguities” that forces ustograpple with western In myanalysis, the Opera Village functions as an “opera Sarah Hegenbart 65 66 67

Projects of the Chair of Architectural Design and Participation develop a sensibility to contextual factors, out of which innovation can arise. Conceptual thinking combines with a hands-on approach for site- specific solutions.

Teaching Team: Prof. Francis Kéré, Alberto Pottenghi, Inês Dantas, Barbara Schudok, Katrin Riemenschnitter, Kevin Chen.

HOME OF GENERATIONS

Chair of Architectural Design and Participation | Prof. Francis Kéré Winter Semester 2019/20

The current housing crisis in Lisbon provided the context to develop the Home of Generations project. Amid gentrification and a real-estate boom, Lisbon is changing at a fast pace. The project proposed shared accommodation for elderly people who live in the historic Lisbon neighborhood of São Vicente and are affected by the dramatic increase in rental prices. A child daycare center (Bachelor) or community program (Master) would complement Review #3 | 2020 this function, thus creating an intergenerational building. MIX IT UP

Chair of Architectural Design and Participation | Prof. Francis Kéré Summer Semester 2020

Accra, the capital of Ghana, is a booming city in West Africa. The task was to design a mixed-use building in Jamestown, a vibrant quarter that is one of the oldest and historically most important parts of the Ghanaian capital. Jamestown is a multifaceted place, with its popular boxing clubs, fishing harbor, and markets. Historical buildings, such as the Jamestown Fort, Jamestown Lighthouse, and colonial houses coexist with informal structures. The site is located between the seaside and the high street, one of Accra’s main roads, offering a varied potential for living, commercial activities, sport, and leisure. The aim of the MIX IT UP studio was to design a multistory building that would fulfill several functions, providing apartments to Ghanaian families, space for commercial uses, and a community program—such as sports facilities.

Left page, top: Model by David Baumgartner and Tim Lauer, BA Studio ‘Home of Generations’ Bottom: Design by Rebecca Heinzler and Tamara Speil, MA Studio ‘Home of Generations’ Right page, top: Model by Robin Feys and Arno Geodefroo MA Studio ‘Mix it up’ Center and bottom: Design by Dafni Filippa and Meriam Sehimi, BA Studio ‘Mix it up’, Winners of Architecture Thesis of the Year 2020 Review #3 | 2020 68 August 2019–August2020 Time period: Fritz undTrude FortmannStiftung Funding: Yuan Desheng Kögl, BegümSaral,InesEhrenbach, and Antal Strausz,HuuDuy-AnhNguyen,Jonas Günel, MerveBiyik,ZhowJinchu,LiTianxi, Strenzke, FrancescaFogli, Yunus Emre Moritz Heinzerling(studentassistant),Marielle Students: Cyprus Prof. Dr. AimiliosMichael,Universityof (MPA BAU),TUM Materialprüfungsamt fürdasBauwesen Construction Chemistry, TUM Professor Dr. JohannPlank, Chairof Supported by: Prof. FlorianMussoandVesna Pungercar Project management: INFORMATION: A Research Project bytheChairofBuildingConstruction andMaterialScience. Can webuildwithsalt? smell, sight,hearing, taste,andtouch. on the surface), and explore the sensory perception of newmaterial through properties (bulk density, compressive and tensile strength, and efflorescence compositions experimentally, investigate the impact of salt on material diseases. InGermany, therearealreadyaroundsixtyofthesefacilities. rooms are believed to help treat sleep disorders, depression, and respiratory and stores both thermal energy and moisture. Moreover, salt caves and salt particular qualities: Salt is porousat room temperature, dissolves in water, associated with possiblemoisturedamage, rather thaninrelation toits using saltasabuilding material. The useofsaltinconstruction is usually year. then thecitywouldbecoveredwithan11-meter-high layerofsaltwithina processes werespreadoverthesurfaceofcityMunich (310.43km2), as studies scientific negative consequences of salt disposal. If waste salt arising from these two many in acknowledged been all have environments in salinity,of biodiversityinmarine temperature, andriver andloss food but, at the same time, cause environmental contamination. A change or seas. disposed of on the surface or underground, ordischarged directly into rivers stone issalt(NaCl),which—dependingontheminingprocessinvolved—is potassium, whichisextracted from stones. The remaining (40–80%) ofthe various nutrientsneedtobeaddedsoil.Oneimportant element is Another preciousnatural resource issoil. To guarantee a plant’s growth, from seawaterandreturningtheextractedsalt(NaCl)aswasteintosea. shortage istodesalinate seawater, whichinvolvesextracting drinking water fresh water is available for human consumption. One solution to this water around 70%ofthe earth’s surface iscovered with water, only1%ofthis the average personcan only survive for oneweek,isfreshwater. Although of resources.Onethe most precious natural resources, withoutwhich The world population is growing and, along with it, the global consumption building envelope. project examinesthepotentialofsaltasaconstructionmaterialin The research performance. material and affordability, availability, and duringthepastdecadeshasattractedwideattentionowingtoits Salt, the “white gold”, has been a valuable material for many centuries The objectives of the research were to examine several salt-binder To counteract this problem,ourresearchprojectinvestigated ways of Desalination and potassiumproductionsupplyuswithwater Pungercar molds. Photoby Vesna be removedfromsteel testing blocksreadyto Bottom: Clay-salt Desheng Yuan.by transparent box.Photo architecture insidea designing salt Right: Student 69 Review #3 | 2020 70 Photo byDesheng Yuan additives onthesurface. through theuseof efflorescence control Bottom: Studyof Heinzerling Photo byMoritz hearing, andsight. through touch,smell, a singleopening were examinedthrough wrap. The saltmodels covered withblack transparent boxes of saltmodelsinside the sensoryperception Top: Researchinto perspective of resource efficiencyandbuilding performance. same time, it showed that building with salt has potential, both from the application opportunities and the specification of material properties. At the positive impressionof,andattitude towardssaltasabuildingmaterial. In thequestionnaire about thesensoryperception of salt,people revealed a the saltresultedinalowerprobability that thematerial would berecognized. without smell (only in cases without glue). A change to the color or form of as neutral in terms of surface temperature (neither cold nor hot) and almost through touch,smell, hearing, andsight.Mostinterviewees perceived salt was covered with black wrap and the models were tested by 100interviewees were designedandplaced in transparent boxes (26x26cm).Each box sensory perception of saltwasanalyzed. Architectural models madeofsalt gypsum blocks. salt blockwerefoundwithinthe range of valuesofthe100%saltand as itshumidity absorption. All measuredvalues ofthe70%gypsum-30% latter’s thermal capacity and its light and noise reflection properties, as well the changed gypsum the texture. to salt adding that showed results first The through in-situ measurements of heat, light, humidity, noise,andsurface test different blocks (100%salt, 70% gypsum-30%salt, and 100%gypsum)wereanalyzed three of properties the Firstly, plants. power coal country’s in Germany, butwillsoondisappearbecauseoftheplannedclosure ofthe gypsum. Currently, REA gypsum represents around 50% of all gypsum used efflorescence throughtheuseofadditivesonsurface. addition, weconductedfurtherexperimental studies intothecontrollingof conditions (air humidity, air temperature) for various lengths of time. In how boundary different to understand exposed were tobetter blocks test several re-crystallizes, salt order In differently. binder each of properties material the influenced used water of amount the and process, drying the clay, gypsum,starch,alginate, and water. We foundthattheamountofsalt, salt in theblocksranged from 10 to 90%. The following binders wereused: observed andphotographed with amicroscopic camera. The mixing ratio of density,bulk blocks, test 43 porosity, were surface the on efflorescence and order tobeable to extract the blocks fromthe molds. Onthe basis ofthese was that the mixture of materials had to be homogenous and not too fluid in a heatedcabinet). After creating 43testblocks, oneimportant conclusion testing blocks(mixingcomponents inthelaboratoryanddryingblocks binder, first to the salt built of and ratio mixing the defined literature, the in mentioned binders potential identified investigation the of part main The Our research with salt opened upfurther questions in terms of Secondly, inadditiontothematerial properties researchphase,the We researchedwhether salt might havethe potential to substitute REA Vesna Pungercar 71 Review #3 | 2020 72 The exhibitionpavillion (PhotobyBilgeKolbas) enable Berlintoadaptincreasing temperatures?” fromquestion: “Whatcanwelearn Rome’s current urbanstrategiesto 2050 isgoingtobesimilarRome’s climatetoday—whileraisingthe next thirtyyears.TheinstallationillustrateshowBerlin’s climatein visitors couldexperiencefirst-handthisshiftduetohappenoverthe With thisprediction inmind,wewishedtocreate aninstallationwhere change scenario. summer compared to2000.Infact,thisisratheranoptimisticclimate- considerably warmerby2050,withanaverageincrease of4.7°Cin cities willbelikeinthenearfuture. StudiesshowthatEurope willget Researchers havealready predicted whattheclimateofseveral normal? heat records, pointingtothefactthatmaybethesemightbenew “typical” forBerlin,latelyeverysummerseemstohavebroken new hottest Juneeverrecorded inthecity. Althoughthisisnotconsidered On June26,2019,Berlinreached atemperature of38.6°C,the materials, wasteheat,orheavytraffic. human activity, sealedsurfaces,denseurbanenvironments, absorbing be alotwarmerthaninsurrounding ruralareas owingtoincreased is more intenseinurbanareas withahighpopulation,where itcan of certainextreme-weather phenomena.Theeffects ofglobalwarming Studies showhowclimatechangeisevolvingandincreasing therisk Hotter andDenser, theAnthropocene Caution: Hot!

Sara Gangemi(StefanoBoeriArchitetti) Thomas Schmidt(TUM), Sebastian Koth, Ahmad Nouman, Exhibition team: Daniele Santucci(Climateflux) Alessandro Melis(UniversityofPortsmouth), Bilge Kobas(TUM), Ata Chokhachian(Climateflux&TUM), Stefano Boeri(StefanoArchitetti), Thomas Auer(Transsolar &TUM), By: Künste, Berlin “urbanable stadthaltig”attheAkademieder Exhibition pavillionoftheexhibition INFORMATION: characteristics. sense environmental backpack designedto Right: A photoofthe like (ontheright). left) andwhatitfeels air temperature(onthe 2020. Mapsshowing in BerlinonJuly13, Top:Walk AClimate it “feelslike.” does notrefertotheactual airtemperature;itisthetemperature that perceived temperatures. UTCIisexpressedinCelsiusdegreebut metric (Universal Thermal ClimateIndex), whichcorrespondsto people intransientconditions. The dataisexpressedusingtheUTCI on humanthermalcomfortandevaluatethe subjectivebehaviorof are experimentsdesignedtodemonstrate the effectsofurbanartefacts portable deviceswithahighspatiotemporal resolution.Climatewalks outdoor comfortconditionsinthebuiltenvironment, employing Climate Walks aredesignedtosensemicroclimaticvariations and 73 74 75 The Key Role of Industrial Design at TUM

Top: The recently published book The Report. Industrial Design at the Technical University of Munich. Open access publication: https:// mediatum.ub.tum.de Bottom: The exhibition face the future. at the Vorhoelzer Forum of the TUM Department of Architecture. Virtual tour of the exhibition available on https://facethefuture.iv.navvis.com/ Review #3 | 2020 During the last fourteen years, Prof. Fritz Frenkler and his team at the All images © Chair of Industrial Design, TUM Chair of Industrial Design engaged in design education and practice that combined a scientific and interdisciplinary way of working and thinking. Following the retirement of Prof. Frenkler at the end of the summer semester of 2020, the associated study program, MSc Industrial Design, is being phased out. This article briefly presents the Chair’s design mindset and education, which will form the basis for the planned Integrative Research Center “Munich Design Institute” and the appointment of several design professorships. The TUM will expand its design research network and further develop its design education. It will give design an even more prominent role than before within TUM.

Why? Shaping our society in a sustainable and viable way There is nothing human-made that cannot be associated with design. Our world is designed. Reducing design solely to formal and aesthetic aspirations is outdated. The key factors are usability and a true need for products, product systems, and services. Design requires an awareness of the societal context and of challenges of our time related to technological developments. It is about devising socially, environmentally and humanly appropriate solutions that have a positive effect on our society and environment. Technology cannot be political, but design (as well as architecture) must be political and take a position. We must all join forces to meet the challenge involved in defending the interests of a decent life. This includes not only producing desired products or services, but also making it clear to companies, where necessary, that a product they wish to bring to market will not work or is not necessary—for example because it is socially questionable or raises environmental issues.

How? Educating the next generation of accomplished designers Designers thus become moderators for societal and industrial changes, arbitrating between usage, production, and environment. The objective is not merely to educate more designers but, rather, personalities who operate in areas where so far designers have not usually been present. Review #3 | 2020 76 downloaded at https://mediatum.ub.tum.de. Design attheTechnical University ofMunich.Itcanbe the Chairpublishedabook: TheReport.Industrial theexhibition, Toexperience please visithttps://facethefuture.iv.navvis.com. activity. of fields and areas research different from designs many presented of Industrial Design looked back on recent years and the MCBW 2020atthe Vorhoelzer Forum. The Chair the at thesametime,leadstoeconomicimpact. and society, thusdevelopingsocietal relevance which, and improvesthedialogue between politics, business, values, promotes entrepreneurial thinking and doing, and executed at theChairshowthis:designconveys fundamental part ofoursociety. The projectsdeveloped of products,productsystems,andservices—itisa Design ismuchmorethanjustthesketchingout for society Developing projects withaddedvalue What? Design Formula. bythe wasframed “New Functional Design” approach as well as by the This method. working scientific a designertothesystematization and promotionofa from thepractical skillsandabilities required from entrepreneurship, covering awidespectrumranging three pillars: teaching, research & development, and confronting themwithevernewchallenges. moderators, entrepreneurs, and scientists in a world have notmerely beendesigners,butalsomanagers, Hence until now Industrial Design graduates at TUM face thefuture. exhibition that tookplace during To furthersummarizeitsachievements andmindset, A large number ofprojectswereshowcasedin based on The ChairofIndustrialDesignwas world. is probablynothappeningat otheruniversities in the and studyprograms,vice versa.Somethingthat and aswellspreadingdesign intovariousfaculties Design, takingitevenfurther initsimportance at TUM building uponthefoundation oftheChairIndustrial to seeing the new “Munich Design Institute” emerge— of the TUM’s Excellence Initiative. We lookforward problems wearefacingtoday. a coresetofcompetencesto possess forovercomingthe sciences and institutes of the entire university in order to create a DesignInstitutethatconnects thevarious with even moredesigners,creators,andscientists,wewish Together atTUM. design of field the expand to university educationanddesignresearch. such correlations aresocomplex that theyrequirea we must learn to identify and analyze these. Moreover, i.e., social, democratic, or ecological structures; second, to see,learnsituatewhatweperceivewithinsystems, educators, this means the following: first, we must learn engineering, andinnovation. scientific guarantees and enjoy close links to technology, companies. Designers musttake decisions, dosowith more important role both within society and within major challenge today. Designersthusneedtogaina Designing foroursociety and environment is a We willsee… The future?

The scientifically minded Industrial Design is part is Design Industrial minded scientifically The For these reasons, it was andstill is the intention For thenextgeneration of designers and their The DesignFormula©ChairofIndustrialDesign, TUM Susanne Dreyer , Mario Weisser, andStevenStannard solution initerative loops. thinking and doing alternatein order to approach thebest possible involved accompaniesthe design process. Within the process, involved in the design process. Awareness about thebiasofthose sible and are atthe same timeaware ofthesubjectivityall those Designers evaluate different designsolutionsasobjectively as pos- creative thinkingwithconstructive doing. Industrial Designcombines analyticaland 5 can therebycontext. beusedin a more important the industry, make itmore efficientand preserve resources, which andsociety.industry ofThey increase the investment certainty Products withreasoned andtrue added value benefitpeople, before they are developed. sary, prevents non­ resilient designdecisionsand,ifneces­ Industrial Designmakes plausibleand 4 relevant exhibitions. software or into theconception and implementation ofsocially translate the findings into user-friendlyproduct systems, services, understandable and tangible for society. To achieve this,they Designers can make scientific findings visible bymaking them structures andstimulatingdiscourse. with theobjective ofimproving societal Industrial Designlinksscienceanddesign 3 objectives, a vision of the overall system is created. language. By visualising the development process of the different ings by translating technical jargon into generally understandable Design reducesdifferent misunderstand- companydepartments. and thus enablesbetter collaborationadaptive interfaces between together to develop the best possible solutions. Design creates the specific requirements ofdifferent interest groups and linkthem Designers translate between technical terminologies, work out dialogue. disciplinary discipline cultures andfacilitates inter­ Industrial Designmediates between 2 the users. for product development and represent themas advocates of to identifythesecomplex needs, translate them into requirements It is the task of responsible designers needs oftendrift apart. business thinking. This is why technical developments and human They lose sight of them by applying scientific approaches and Technology andbusiness often do not focus directly on people. economy. as alinkbetweenpeople,technologyand Industrial Designformssocietalrealities 1 The Self-Conception oftheChairIndustrial Design. functioning products

develop aresponsible design attitude. fundamental philosophical andethical questions helps designersto respective societies. Aself-criticalquestioning and engagement with with the cultures for which they design and know the history of the misuse oftechnologyor at least make it more difficult. They engage Designers analyse the consequences of technologyandprevent bility towards theworld. Industrial Designisaware of its responsi­ 10 common ground. expectations of decision-makers are harmonised and brought to a and time-related dependencies and requirements. At best, different they are able to mediatebetween specialists and identify thematic show the different perspectives of all those involved. Asgeneralists Designers concretise the status quo indevelopment projects and complexity. to maintainaclearoverview despite discussion thatenablesdecision­ Industrial Designcreates abasis for 9 everyday lives andthusbecomeestablishedworldwide. technologies, solutions can emerge that people integrate into their products, By combining previously systems andservices. unlinked value formostpeople. This is only possible through theirtransfer into Research results andtechnical inventions alonedo not create added value for society. ingful innovations. Itthuscreates added ing technologiesandinventions into mean­ Industrial Designcontributesto transform­ 8 and their context, long-term acceptable solutions are proposed. within its overall system.Bylookingat the individual components root of things and search for the underlying causes ofaproblem symptoms,Instead of dealing with surface designers get to the very solutions. and notonlyindividualproducts orisolated Industrial Designcreates holisticsystems 7 a circular economy. materials, they develop products andproduct systems that enable design andto promote independency. Through the sensible use of cultures, to reduce system-induced inequality through intelligent meaningful products forpeople against thebackground of different In theirrole as “first customers”, the designers’aimis to develop services. ment whendeveloping newproducts and and interests ofallpeopleandtheenviron­ Industrial Designrepresents theneeds 6 makers

77 Review #3 | 2020 78 “Cultural ConsumptionversusCulture” intervention The fourworksthatensueddealtwithawidevarietyoftopics. Independently ofthis,hypothesescouldalsobeformulated. while studentshadtoworkoutthetaskdescriptionautonomously. location—the borough ofMaxvorstadt—andatopic—”intervention”— way wewishtolivetogether. Therough thematicarea compriseda left toaccomplishaprofound transformationofoursocietyandthe We startedthesemesteronpremise thatweonlyhavetenyears in thewintersemesterof2019/20greater depthintheBAthesis. We explored thetaskthatwassetin“FinalCountdown”BAstudio Summer Semester2020 Supervisors: Dr. IsabelGlogar, MatthiasFaul Chair ofUrbanDesign|Prof. BenediktBoucsein Intervention Class,OpenAir Bachelor Thesis:FinalCountdownII

All projects are availableonline:https://interventionsklasse.tumblr.com. street attheendofsemester. all otherinterventions,itwasexhibitedonfiveparkingspacesinthat hand, dealtwiththetransformationofTürkenstrasse. Alongwith the oldbotanicalgarden. The“Street oftheMany”project, ontheother developed ahomeless-friendlystreet furniturecatalogandtesteditin transformation inthemuseumdistrict.The“NewFutures” project used inonestudentworktodrawattentiontheopportunitiesfor boundaries betweenartandcommerce. Fictile“CityVases” were transformed asupermarketintoanartexhibitionanderasedthe KonstantinMolodovsky, Paul Haas,FelixRöttger City Vases MaikeSteidler Consumption Culture Bottom: Consumption versus Street oftheMany Moritz Neumann, Bottom: Tolga Bölükbasi Kéan Koschany Johann Klause, This page,top: Left page,top: NewFutures Cultural

79 80 Suddenly Online 81

All of a sudden, there it was: massive digitalization at the university. Six members of our TUM Department of Architecture reflect on virtual university teaching from different positions. Review #3 | 2020 A shortened version of the conversation that Davida: “I can only agree with that. In the previous winter semester you took place in November 2020—via Zoom, still had a very steep learning curve and hence went beyond the limits of naturally—is presented on the following pages. The talk included: students Davida your capacity. Nevertheless, you did have a place where you could discuss Zimmermann (hereafter, Davida) and Santiago ideas every day.” Nicolás Mancera Hinestroza (Santi), who were both in Munich at the time of the talk; Sebastian Haß (Sebastian), IT officer of Prof. Auer: “I think that a big problem is the disappearance of student the Department and advisor to the dean of life. Both the TUM campus and, for example, our ‘Weißer Saal’ studio studies, from his home office south of the at the Department of Architecture have been deserted. A friend who is state capital; Professor Thomas Auer (Prof. Auer), at home in Stuttgart during the talk; an architecture professor at the University of Stuttgart rightly said that, and Professor Mark Michaeli (Prof. Michaeli), normally, most of the learning takes place in student workspaces. For my our dean of studies, working from his office part, I also miss the interaction and exchanges with students. I wish to at the TUM main campus. The discussion was chaired by Master’s graduate Sarah Seitz show and explain to the students, live, what they need all of that lecture (Sarah), linked in from the city of Augsburg. material for, or why it is relevant for architecture.”

Sarah: “Absolutely right, daily exchanges have been missing above all. Also seeing and processing other work in workspaces. Sarah: “Let‘s start by sharing our experiences. How did the last, i.e. ana- In my opinion, that influences your own design more than you realize.” log, winter semester compare to the following, digital summer semester? What was positive about it and what was negative?” Sebastian: “I haven‘t studied for a long time, but I think that you can also apply that to the world of work. There’s a lack of social contacts and Prof. Michaeli: “The beginning of the semester was of course different interaction with colleagues. It is difficult to create a team spirit or a sense from what had been planned. We had an emergency semester, which of cohesion when everyone is sitting at their home office.” is called ‘remote emergency teaching’ in our jargon, but actually has nothing to do with online teaching. On the whole, all things considered it Prof. Michaeli: “I would like to know more specifically whether interacti- actually went surprisingly well.” on was stimulated in the teaching itself. Santi and Davida, how were your task definitions formulated? Did you come into greater contact with each Prof. Auer: “Indeed, to start with it was an emergency semester. At the other as a result?” chair, we offered many live lectures, but also recorded many teaching videos. Overall, I think that we can gain many good insights from it all. Davida: “Most of the tasks were restructured into individual work, with Now the question is to distill the essence of it.” the exception of the last design task for the timber construction project work.” Santi: “I would say that learning achievements were not that successful, even though the results in the summer semester were good. Unfortunately, Santi: “There were big differences as regards project work. many activities could not take place, such as the drawing trip to Italy or Some were lucky and others weren’t. Fortunately, my work partner also furniture building. In the previous winter semester, on the other hand, you lives in Munich. But if your work partner lives in Hamburg, then it‘s dif- could not get away from architecture, if only through daily exchanges with ficult. Then you have to split up the tasks, such as plan representation and fellow students in the drawing studio. And what‘s more: Now the journey model-building. Hence that also means that the learning effect is absent on to the university has shrunk to 1 1/2 meters, from bed to desk.” one side.” 82 83 Sarah: “What became intensely visible this semester was the fixation of Prof. Michaeli: “Exactly, digital eats up all of our time. If we say today architecture with images. I create a picture, process it, and put it up. The that we wish to have stronger online teaching modules from the autumn of two-dimensionality of renderings etc. is something I see with a very criti- 2021, then we have to start with the practical implementation and prepara- cal eye. Images get created and the point is no longer so much the depth of tion today.” a project or the design itself. Prof. Auer: “But there are some positive things that I would like to keep. This leads me to another important topic related to online teaching: tech- Our fundamental subject, Building Climatology and Building Services nology. Everyone needs a powerful computer and a good, 24/7 Internet is, ultimately a dry, basic subject-matter. For this subject, we have now connection. What problems come along with digital technology, what developed learning videos that students can watch whenever they want, were your experiences?” i.e. they are flexible in terms of timing. There is also a foundation course in the master’s program because not Davida: “At the beginning of May, there were many problems with the every student is at the same level. Everyone can get some basic knowled- Internet because, or so it felt, all of Munich was ‚online‘.” ge out of the videos and we can then discuss various topics during the lectures. In the future, I would like lectures to place discourse at the Prof. Michaeli: “Many people may not be aware of this, but for us, as forefront.” regards digital publication the greatest technical problem is copyright. We have unspeakable problems in using external material if we wish to make Prof. Michaeli: “To achieve that, you would have to change your teaching things available to you digitally instead of in the lecture hall. conception. Otherwise, it is a double workload if students have to watch In Switzerland, for example, there is a university-wide online study portal. the videos and then in addition there is also a normal lecture. Review #3 | 2020 It has been technically standardized and archives are attached to it. Every Here too, surveys show that the student body is split in two. On the one enrolled student may access these archives. In this way, the problem of hand, many find it difficult to learn without any daily exchanges; on the digital publishing and copyright has been solved.” other hand, many find it good to have some flexibility and the opportunity to allocate work yourself. It is not possible to make a blanket statement Sebastian: “I think that we’re falling into a dependence on technology. for all students. A clear and colorful picture would be nice.” For example, a matriculation number must be available in time to enroll on a course or gain access to online portals. In the past, you could simply Santi: “In my opinion, there were very large differences. If there was sit down at a lecture regardless of matriculation status. Today, participati- little contact with professors over the course of the semester, then the on stands and falls with technology. motivation to watch their videos was all the lower, and many only did Moreover, maintaining such technology is a lot of work. Everything has this just before the exams.” to be inputted first and, as with everything, you have to grow into it.” Davida: “That‘s right! There was really a huge gap between the quality Prof. Michaeli: “Now we are all regretting that things didn‘t go as they levels of videos. Some videos were two hours long while some 25-minute used to. But the question is, what stays behind on the positive side? sequences repeated themselves. Hence it was noticeable that the person Personally, I found working with students on Zoom to be much more had made no effort at all. In some cases, coordination with our official concentrated. Lecturing online, even if we are used to it as professors, is class schedule did not work either. For example, a video might suddenly clearly more difficult because there is no interaction. In my opinion, live be uploaded on a Sunday afternoon without any notification whatsoever, lectures are feasible, but recorded lectures without any interaction are not. although the event was actually due to take place on the Tuesday.” How can we regain the sense of interaction that we all miss in the tea- ching? This is why we wish to go for hybrid teaching, such as we partly Prof. Auer: “I do think, Mark, that we definitely have to point out to our have in the current winter semester. The difficulty here is the time it takes colleagues once more that they should at least make an effort! to prepare everything properly.”

Prof. Auer: “Indeed, here‘s just one example: At the chair we need twice as much time to edit and prepare a teaching video than for a normal in-person lecture.”

“How can we regain the sense of interaction that we all miss in the teaching?” Mark Michaeli 84 85

Master Thesis: Social Utopia

Chair of Urban Architecture | Prof. Dietrich Fink Prof. Auer: I have one more question addressed to you, students, about Student: Lisa Häberle the year abroad: Mark and I come from a generation that engaged in sig- nificantly longer studies. Right now we do not yet know how, or whether, By 2070, almost 70% of humanity will spend their everyday lives The strained housing markets, the massive lack of affordable and the next year abroad will take place. Do you think it might be better to within urban agglomerations. But there is a lack of accommodation, subsidized housing, the consistently increasing social divide, as well especially as regards subsidized housing. In the welfare state of the as the strong presence of politics in the housing issue illustrate the shorten the year abroad and, instead, catch up on everything in one semes- Federal Republic of Germany , the postwar years (1949–75) led to parallels between the housing shortage during the postwar years ter, such as the Italy drawing trip or furniture-building?” intensive investment into property and the construction of 4.9 million and now. The thesis deals with the question of whether, and how, the publicly funded apartments. Some of these buildings not only feature typology of large-scale residential construction of the 1970s can be a high amount of subsidized accommodation but also, to this day, transformed in the 21st century to provide an answer to the housing Sarah: “I think that this would be shortening in the wrong place. a high level of resident satisfaction. The master project investigates question. In a first step, a catalog of the distinctive features of these The year abroad is worth its weight in gold. Many students actually come the typology of large, postwar residential buildings as the basis for a buildings was compiled in order to convey the typology of large-scale, to TUM precisely because they wish to study abroad for one year at one reproducible architectural typology for the 21st century. Characteristic postwar residential construction and, in the next step, transfer it to structural and conceptual features were adjusted to the current the 21st century. In terms of sustainable urban development and of the partner universities.” political, social, and architectural habitus. the creation of new, city-owned construction areas, the large-scale residential typology forms a synthesis with the existing infrastructure Santi: “Many students feel like getting to know another country. I believe and, at the same time, provides the basic framework for conversion into a car-free future. that the quality of the year abroad would suffer a lot if it were shortened. The importance of science and technology, which has increased I would rather study one semester longer in order to catch up in recent years, and knowledge about how to access information Review #3 | 2020 on everything.” channels, as well as the ability to filter the profusion of information, constitute a distinct dimension of contemporary social inequality. The integration of cultural areas that can be collectively and autonomously Davida: “In my opinion, it makes a big difference how much time you “played” by the district is intended to be a foundation for social justice spend in a place, especially when it comes to local contacts or getting and equal access to urban goods in subsidized housing; it becomes, as it were, a more visible, connecting element in urban space. The to know the culture. After six months in a city, you are still a complete catalog compiled during the theoretical elaboration formed the stranger.” theoretical framework for the architectural scheme. The typology of large-scale housing was then examined by using the ring road (“Middle Ring”) in Munich as an example. Various urban planning scenarios Sarah: “Whether we are talking about the year abroad or live interaction, were developed, ensuing from five separate locations along the ring. we can sum up that a lot has been missing in the past few months.

Let‘s take a look into the future: What can we take away from these digi- tal semesters?“

Prof. Michaeli: “I noticed that universities have been exchanging more information with one another again. Why, for example, are city planners from different locations not able to offer a common learning format? This would make specialist knowledge more accessible to students.”

Prof. Auer: “I see this topic with some ambivalence. Yesterday evening I lectured with Florian Nagler in Vienna and the week before I lectured in Santiago de Chile. That leads to something excessive, which in the end has little value . At university, however, online teaching formats can also affect learning achievements—and for the better.”

Prof. Michaeli: “The fact that students taught themselves to work diffe- rently at home has an added value. I think model-making is a wonderful example of this. At last, models are no longer built as museum-ready arti- facts, but instead are improvised out of pasta boxes found in the kitchen. Models have again become a way to try things out, to look at something, and then to continue working on.”

Sebastian: “Regardless of whether everything went well or not, ultima- tely the experiment that we were all forced to undergo has been a positive one. And well, architects are particularly suited to learning from experi- ments and prototypes. We can definitely take away some positive things into the future.” 86 Elke Reichel space between research, education and practice. His 12th International Architecture Exhibition of the Venice 87 Professorship of Architectural Design, main subject is the transformation of, and additions to Biennale. During the winter term of 2019/20, Michael Visiting Professors Rebuilding and Conservation listed landscapes and buildings. Andersen studied at The offered a seminar about bioclimatic architecture, in Cooper Union (New York) and graduated at The Royal which building techniques using salt were explored. The winter semester 2019/20 Danish Academy of Fine Arts’ School of Architecture. possible uses of a material normally considered a waste He started teaching in 2000 and established his own product were investigated further in this course. he architect Elke Reichel was a Visiting Professor private practice a year later. He has been the Head at the Professorship of Architectural Design, of the Master’s Program in Architectural Heritage, TRebuilding and Conservation during the 2019/20 Transformation and Conservation at The Royal Mikala Holme Samsøe winter semester. After graduating from the Technical Danish Academy’s School of Architecture since 2016. Chair of Spatial Arts and Lighting Design University of Dresden, Elke Reichel worked for He has participated in several exhibitions, such as the Behnisch & Partner and, later, Behnisch Architects in Venice Biennale 2016. His work is supported by the Sto Foundation Visiting Professor, Stuttgart. Since 2011 she has been running the Reichel Danish Arts Foundation and is featured in the official winter semester 2018/19 - winter semester 2019/20 Schlaier Architekten office together with Peter Schlaier. residence of the Danish Prime Minister. The office has received several awards for the creation or the third time in a row, Samsøe was a lecturer Fritz Auer of the Winnenden visitor and customer center. Reichel within the framework of the Sto Foundation Visiting Chair of Urban Architecture is a regular lecturer at various educational institutions, Wolfgang Roßbauer FProfessorship at the Department of Architecture. for example as an honorary teacher at the Chair of Prof. Chair of Architectural Design She studied architecture at the Royal Academy of Arts winter semester 2019/20 Markus Allmann at the University of Stuttgart. She also and Construction in Copenhagen and completed an Executive Master‘s sits as an expert on the design advisory board of the city program at Copenhagen Business School. At the Review #3 | 2020 uring the 2019/20 winter semester, Fritz Auer of Konstanz. winter semester 2019/20 forefront of her career stands architectural quality as was a Visiting Professor who supervised a a strategic tool for the sustainable development of our Ddesign at the Chair of Urban Architecture. uring the 2019/20 winter semester, Wolfgang society. Samsøe is a co-founder of Studio Force4 in Fritz Auer completed his studies at the Technische Julia Schlegel Roßbauer, architect and professor at the Lucerne Copenhagen. She then worked for the Danish Ministry Hochschule (TH) Stuttgart and the Cranbrook Academy Chair of Urban Development DUniversity of Applied Sciences and Arts, was a of Science, with an emphasis on educational architecture of Arts (Bloomfield Hills, USA). This was followed by guest at the Chair of Architectural Design and and campus research. Until 2016, she was a member of positions at Yamasaki + Assoc. and at Behnisch and Sto Foundation Visiting Professor, winter semester 2019/20 Construction. Within the framework of studio work, the executive board of the international firm Henning Lambart. In 1965, he became a partner at Behnisch & projects for “living in rural areas” were developed for Larsen Architects and later founded the SAMSØE Partner, before founding the Auer Weber office with ithin the framework of the Sto Foundation two selected municipalities in the Kelheim rural district. office. The practice combines strategy and architecture; Carlo Weber, which today employs around 140 people. Visiting Professorship, “The Changing Prof. Roßbauer studied at the ETH Zurich, where he it works with both private and public clients during the From 1985 to 1992, Fritz Auer was a Professor of Building WShape of Architectural Practice: View graduated in 2005 at the top of his class. In addition to first phases of planning and of construction projects, its Construction and Design at the Munich University of North”, Dr. Julia Schlegel, from the Norwegian managing his Zurich architectural firm, Roßbauer has aim being to do more with less. Applied Sciences (FH Munich) and, from 1993 to 2001, architecture and design office Snøhetta, was been teaching at the Lucerne University of Applied a Professor of Design at the Stuttgart State Academy a guest at the Chair of Urban Development. Sciences and Arts since 2013. Since 2017, he has chaired of Art and Design. Auer has received numerous prizes, After completing her architecture studies in Germany, the “Siegenburg Steering Group”, which is to launch Meike Schak including the Leo von Klenze Medal in 2014. Julia Schlegel moved to Norway. In her doctorate, which the urban development of the Hallertau market town’s Professorship of Urban Design she pursued in parallel to a full-time job, Schlegel dealt center. In 2013 he was awarded the Swiss Art Award for with applicable methods to generate recommendations architecture. Sto Foundation Visiting Professor, winter semester 19/20; Elias Knubben for architectural practice that would adhere to academic TUM-IAS Anna Boyksen Fellowship from summer semester Chair of Industrial Design standards. The dissertation was awarded a grant for 2020 practical relevance by the Norwegian Research Council. Aimilios Michael Sto Foundation Visiting Professor, Today, Schlegel is a Research Director at Snøhetta, Chair of Building Construction rof. Meike Schak has received the TUM-IAS summer semester 2019–winter semester 2019/20 a transdisciplinary office for architecture, landscape and Material Science Anna Boyksen Fellowship. This is awarded architecture, interior architecture, and design with Pto outstanding scientists outside the Technical or the second time in a row, the Chair of Industrial headquarters in Oslo. Her aim is to bring science and winter semester 2019/20 University of Munich (TUM) who intend to explore Design hosted the Visiting Professor Elias practice closer together. gender and diversity-relevant themes within the natural FKnubben, who is the Deputy Chairman of Festo r. Michael was a Visiting Professor at the Chair of and engineering sciences with a TUM research group. and Head of its Corporate Research and Innovation Building Construction and Material Science. His Meike Schalk is an architect, as well as an Associate Department, during the winter term of 2019/20. The Nicolai Bo Andersen Dresearch priorities include Integrated Architectural Professor of Urban Studies and Urban Theory and a Festo Group specializes in automation technology and Chair of Architectural Design Design & Technology, Energy & Environmental docent at the KTH School of Architecture in Stockholm. bionics; it operates on more than 250 sites worldwide. and Conception Design of Buildings on Contemporary and Vernacular During the 2019/20 winter term, she was a Visiting Knubben pursued his studies in industrial design at the Architecture, Adaptable Building Envelope Design, and Professor at the TUM Department of Architecture. Academy of Fine Arts in Stuttgart before completing a Sto Foundation Visiting Professor, winter semester 2019/20 Innovative & Sustainable Construction Components During her two-year fellowship Prof. Dr. PhD at the University of Stuttgart in 2014. He has worked and Materials. His architectural work places emphasis Benedikt Boucsein will serve as host professor. for Festo since 2005 and was the Associate Professor uring the 2019/20 winter term Danish on energy and environmental architecture. Michael The fellowship will bring together a research of Product Design at Oslo Metropolitan University architect and researcher Nicolai Bo Andersen has won several awards in European and international group across several TUM professorships and (OsloMet—Storbyuniversitetet) in 2018–2019. Dwas Sto Foundation Visiting Professor at architectural competitions, and made presentations at fields, and collaborate with the Department of During his time as a Visiting Professor at the TUM, he the Chair of Architectural Design and Conception. several architectural exhibitions in Cyprus and abroad, Sociology at the Ludwig Maximilian University of held Master’s design studios on automated homes. The Copenhagen-based architect is working in the including the 22nd Biennial of Industrial Design and the Munich (LMU) to examine how (in)equalities are 88 produced, embedded, and reproduced in architectural Ulrike Fukas Technical University of Munich and ETSA Madrid. Anne Femmer and Florian Summa 89 representations, discourses, norms, traditions, cultures, Chair of Urban Architecture During his studies, Alexander Fthenakis worked for Architectural Design, education, communication, material conditions, and Otto Steidle and for Herzog & de Meuron. After Rebuilding and Conservation working regimes. Activities include research-based summer semester 2020 graduating in 2004, he worked in Switzerland at the teaching activities across TUM, the development offices of Peter Zumthor and of Roger Boltshauser. summer semester 2020 of pedagogical formats, and the development of uring the 2020 summer semester, Ulrike Fukas, In 2008, he founded Fthenakis Ropee Architects theory and methods for practice-based research. from the Steidle Architects office, was a Visiting with Rolf Berninger and Susann Weiland in Munich. nne Femmer and Florian Summa, business Meike Schalk is a real asset for the TUM Department of DProfessor at the Chair of Urban Architecture. In addition, between 2007 and 2012, Alexander owners of Summacumfemmer, the Leipzig Architecture and will serve as a good starting point for This native of Munich studied at the Technical Fthenakis worked as a research associate with Prof. Aarchitectural office, were guests at the closer scientific cooperation as well as student exchanges University of Berlin and EPFL Lausanne. She spent her Victor Lópes Cotelo at the Chair of Architectural Design Professorship of Architectural Design, Rebuilding and with the KTH School of Architecture. first professional years at Allmann and Sattler in Munich, and Conservation, Technical University of Munich. Conservation during the summer semester of 2020. Anne before becoming an assistant at the Chair of Prof. Uwe Most recently, he published “50/60/70: Three decades of Femmer worked for De Vylder Vinck Taillieu Architects Kiessler at the Technical University of Munich. She has architecture in the Munich cityscape”, which deals with after completing her master’s degree at the ETH Zurich. Torsten Lange been in charge of public relations and competitions at the legacy of post-war architecture in Munich. From 2015, she was an assistant at the ETH under Prof. Chair of Theory and History Steidle Architects since 2000. She mainly deals with Kerez and Prof. de Vylder. She has been invited by of Architecture, Art and Design urban development projects, such as the Eiermann Area numerous universities as a guest critic and speaker. In in Stuttgart, for which she won the first prize in 2016, Victoria Schweyer and Jana Wunderlich parallel to her teaching activity, Anne Femmer founded August Wilhelm Scheer Visiting Professor, but also takes part in high-rise project competitions, such Chair of Architectural Design the Summacumfemmer practice with Florian Summa winter semester 2019/20 - winter semester 2020/21 as that for the office tower on Street Richard Strauss in and Conception in 2015. Summa completed his studies at the RWTH Munich. Aachen University, with a visitorship at the ETH Zurich. Review #3 | 2020 rchitectural theorist Dr. phil. Torsten Lange winter semester 2020/21 After graduating in 2011, he worked for Caruso St John is part of the August Wilhelm Scheer Visiting Architects in Zurich and London, and as an assistant at AProfessor program at the TUM Department Sven Matt ictoria Schweyer and Jana Wunderlich the Adam Caruso Professorship at the ETH. In 2019, their of Architecture. Starting in the 2019/20 winter Chair of Architectural Design completed their architecture studies at the “HAUS B” was shortlisted for the German Architecture semester, he has been instrumental in building and Construction VTUM and in Paris. Two years ago they founded Prize and the DAM Prize. up skills in the area of “gender and architecture” the “plucking” initiative. Since then, they have dealt for research, teaching and organization. summer semester 2020 with the issue of what living in old age might look The most important strategic goals for Lange’s like and how communication architecture can be used Lisa Yamaguchi appointment are: the transfer of know-how in the area rchitect Sven Matt offered a design project to to develop a conversation between the generations. Chair of Urban Architecture of gender-specific architectural approaches through students in the timber architecture mentoring The “Good places, communication architecture under research-oriented teaching; the consolidation of work Aprogram as part of his Visiting Professorship construction” master’s project, which the two will winter semester 2020/21 by the BauHow5 Equality, Diversity and Inclusion at the Chair of Architectural Design and Construction. oversee during the winter semester 2020/21 at the Chair (EDI) group through the preparation of a Horizon2020 Matt studied at the Technical University of Innsbruck and of Architectural Design and Conception, should also link isa Yamaguchi is supervising a master’s project at application for funding; and the organization of an the Technical University of Vienna, where he graduated up with this topic. the Chair of Urban Architecture during the 2020/21 international symposium on the subject of “Gender in 2007. He is a board member at the Vorarlberger Lwinter semester. After her studies, Yamaguchi and Architecture” by the Architecture Science Architekturinstitut. In 2012, he founded the Innauer Matt worked at the Institute for Basic Principles of Design at Network in close cooperation with Doris Hallama, Architects office with Markus Innauer. This Vorarlberg Reem Almannai and Florian Fischer the University of Karlsruhe (TH). She also worked as an women’s representative at the TUM Department of practice interprets assignments in close connection Chair of Spatial Arts and Lighting Design architect at Janson + Wolfrum, Architecture and Urban Architecture and employed by the Chair of Theory with the location, landscape, and local residents. Planning. In 2015, after eight years in employment and History of Architecture, Art and Design. During the summer semester of 2020, Sven Matt winter semester 2020/21 at Meili Peter Architekten, Yamaguchi became the Lange has been a lecturer in architectural theory at the supervised the mentoring program. The Department of office’s managing director. This Munich-based office gta institute of the ETH Zurich since 2017. He studied Architecture of the Technical University of Munich offers uring the winter semester 2020/21, Reem Almannai researches and realizes projects at all possible scales architecture at the Bauhaus-Universität Weimar and so-called mentoring masters as part of its “consecutive” and Florian Fischer will represent the Chair of with various programs. The office is specialized in: urban completed his Master’s and PhD in architectural history master’s degree courses. These offer the opportunity DSpatial Arts and Lighting Design. The architects development; dealing with historical, listed building and theory at the Bartlett School of Architecture, to study with selected professors or chairs, as with the jointly manage the Almannai Fischer Architekten office stock; and subsequent urban densification. University College London. His dissertation dealt master school principle, whereby the curriculum is in Munich. They are co-founders of the “Kooperative with the theoretical foundations for late socialist individually tailored to the contents of the main topics. Großstadt” building cooperative and have already urbanism and the production of mass housing in held a joint visiting professorship at the University the former German Democratic Republic (GDR). of Antwerp along with, most recently, an interim Inspired by his involvement in institutional debates Alexander Fthenakis professorship at the University of Kassel. Almannai on gender equality, diversity, and inclusion, as well Chair of Urban Design and Fischer define their teaching approach as follows: as by his being a key member of the Parity Group and co-organizer of the annual Parity Talks Symposium summer semester 2020, winter semester 2020/21 “We understand design teaching, at least in part, as at the ETH Zurich, Lange’s research and teaching in the creation of connections where initially none were the last two years has more particularly focused on s a Visiting Professor, architect Alexander suspected—or where none are. These gaps create friction questions related to gender, sexuality, and the body Fthenakis will oversee a bachelor’s and demand personal answers, which cannot (only) lie in architecture.. Aproject at the Chair of Urban Design and in the mere imitation of (architectural) references but, Housing during the summer and winter of 2020. from the very first day of the course, stimulate students Fthenakis studied architecture at ENSA Strasbourg, the to come up with their own answers.” Review #3 | 2020 90 the newtowncenter. Bottom: Visualizationof the existingsituation. Next page,top:Sketchof analysis oftheregion. This page:Mapofthe catalog oftheproject! Coming soon:Exhibitionand Garriga, QianziYang Lara Tutsch, DagmarAlineÜwe Andrés SierraGamboa, Otto Schwarz,V Schewe, AnnkathrinSchumpe, Pörsch, HannesFabian Charlotte Petereit, Jessica Juan DiegoPenaMurcia, Alexander Mayer, ThéoMoireau, Lisa Hempfer, LauraHoffmann, Matthias Delueg,JulitaDuda, Michael Backes,TimoBechert, Timothée Adjedj,Laure Aussy, Students: Stefanie Seeholzer Supervisor: Prof. MarkMichaeli Chair ofSustainableUrbanism summer semester2020 Bachelor’s andMaster’s Project, INFORMATION: andResearchLearning inaPhysicalContextCorona Times. Design LaboratoryinBenningen: Housing andmore erena Sepp,

in-person presenceandon-sitevisibilitytosucceed. local discussions. Open communication is essential for this, and relies on involved and exchange ideas withresidentsandinterested parties during projects—think about unusual solutions for the future of the municipalities are mostlyconnectedtoactualurbandevelopment young researchers—who been organized togetherwithcities andsmallermunicipalities. Students and study-related learning alliances—so-called “design laboratories”—have students are therefore made aware of these formulas. Since 2010, case the long-lastingrebuildingprocess,andbindstakeholders. building blockshelpdeveloptailor-made ideasonsite,securethemduring with schoolsorassociations. When carefullyembedded, planning process games, co-creation workshops, site inspections, and action days carried out Typical formulas forsuchgatherings include round tables, simulation communities is theparticipation of citizens, experts, anddecision-makers. A coreelement oftransformation processes withincities and rural In the Urban Designcourseat the Technical University of Munich, during the collection and mutual provision of material, shift intimeline and thevariety of perspectives gathered the local administration became possible. Owing tothe decentralized site inspections and queriestocitizens and thanks to the relaxation of the pandemic situation, summer, early In events. live interactive during offices information and, in some cases, transmit it to home queries” bythestudents,set outtoobtainadditional “search and questions specific with invested scouts as part ofasecond“workphaseonsite,”theChair’steam, was appositelysupplemented during the semester. As discovery tour acrossthe location “at a distance” that the local people. Thus, students were able to go on a capturing sequences streets and spacesofBenningen, andinterviews with filmed uncut documents, arrangements for this situation, combining submitted not belost. must people and space local the to connection specific perhaps, constituted thegreatestchallenge of all—the electronic data exchange had to be provided. And—this, enabling interaction beyondsimpledigital pin boardsor had to be relocated to virtual space; and technologies had to be cancelled; typical group work arrangements recording—planned as anexcursionandworkshop— place during the Bavaria-wide lockdown, the first on-site these questionsaswell.Giventhatitwasduetotake and internal development, unexpectedly had toface of thetowncenter, thefutureoflocalbuildingstock, initially relating totherevitalization focused onissues conducted in Benningen (Allgäu region), which was negotiated againstthebackgroundofsocialdistancing? locally? andwithwhomcanasharedfuturebe How physical encounterbetweentheactorsinroomand and furtherdevelopment succeed withoutanydirect, How cancollaborative design, the discarding of ideas, into questiontheseestablishedcoproductiontechniques. In 2020,thecoronapandemic has fundamentally called The Chair’s team developed new digital In the summer of2020,the design laboratory imponderables ofthecrisissituation. conduct thistangible “learning alliance” despite allthe Benningen andtheir mayor fortheopportunity to thanks toademand-oriented(housing)offer. deficits and risks existing minimize can that way a in historically evolved buildingstocksand urbantissue within densification careful with or properties vacant common spaces,andinfrastructures,ortodealwith of solutions forthefutureoflocal building stock, It also developed ideas and exemplary demonstrations concerning the sustainable development of Benningen. decisive expert impulses to answer the initial questions not beforgotten that the design laboratory provided all thatwelearnedaboutwaysofworking,itshould creative use ofdigital building blocks. Notwithstanding processes canbeenrichedandstrengthenedthankstothe with interestedlaypeople. suitability for project discussions amongexpertsand experimented with andimproved withregardtotheir miniature site model. These modesofpresentation were integrate important planner working toolssuchasthe to eventsdesignedbehybrid,whichcanbetter Sea tolocalhomeworkspacesofthestudents— was connected live from his vacation on the Baltic range from“purely” digital—in which themayor investigated various modesofpresentation. These including discussion, is planned, the Chair has also working asregardsanalysisanddesign. inan astonishing rigor of the lines of argument and ways of resulted restrictions significant enduring while coordinated collaboration and clearcommunication Retrospectively, however, we can see that the need for planning projects, could be successful in digital space. things outinsmall groups, whichistypical for urban core appointmentsforfieldstudies. this turned out tobesometimes more informative than We would like to thank the community of Thus, joint design andnegotiation of transformation community, the local to handover final a Since Initially, there was greatdoubtthat working Stefanie Seeholzer 91 Review #3 | 2020 92 ISBN: 978-3-982044-026 Sorry Press publisher Alexander Fthenakis(Ed.) Schanitown. EineMomentaufnahme. urban plannerJonasKönig(TUBerlin). accompanied byanessayonthephenomenonanditstemporalities with awink.Theresulting publication—Schanitown,Asnapshot—is of 2020)documentedandclassifiedthesmallhedonisticSchanis TUM DepartmentofArchitecture inthesummerandwintersemesters city. Thearchitect AlexanderFthenakis(avisitingprofessor atthe a legitimatetoolandarchitecture withoutarchitects wasbackinthe up onpublicparkingspacesacross thecity. Improvisation became places followingtheViennesemodel—so-calledSchanis—sprang as aresult oftheCovid-19 pandemic:Temporary outdoordining In thesummerof2020,somethingastonishinghappenedinMunich

All photographs © Alexander Fthenakis 93 Review #3 | 2020 94 FOAM few. We wishtoopenupcurrenttopicsthepeople affectedbyit. thearchitectural discourse anddecision making in architecture seem tobedominated by a However, architecture. by influenced is life Everyone’s FOAM includesall disciplines. process inordertodojustice to the real interdependencies between lively and creative, reflective, inspiring, more a to lead could politics and such asartandphotography, philosophy, sociology, ethnology, economics, should thus be discussed in an interdisciplinary manner. Approaching fields reflection on, and construction of architectural discourse. The relevant topics and ethics.Exchangewithotherdisciplinesisofgreatimportance for the related to society,has torespondissues history, thefuture,sustainability, from thewiderpictureandrolethatarchitecture plays init. Architecture office life in economic, technical, and legal terms. This is often a distraction Architecture is subjected to manyconstraints that often dominate everyday FOAM isaninterdisciplinary platform and thepotentialthatexchangecouldhave. institutions different between exchange of lack the noticed we media, print publish itsownmagazine. While analyzing architecture-related university platform that woulddiscusstopicsrelated to architecture. The TUM doesnot magazines, journals, and newspapers to find an ideal format for a text-based Practice with Professor Andres Lepik. We examined architecture and design project conducted at the Chair of History of Architecture and Curatorial of the TUM, PiaNürnberger andJakobBahret.Itistheresultofaresearch The initiative waslaunchedinJanuary2020bytwoarchitecture students FOAM isaplatformworkingacross universities in order tostartoffa(virtual)discussion. released our first series of podcasts, which could be commented online architecture. Earlier thisyear, weheldseverallivediscussionsand and academic different independent platformpublishinganddiscussingideasabout with people of group professional backgrounds, workingonanew, interdisciplinary, a FOAM, are We

picture credits: Tobias Priermeier extended toonlineliveeventsviaourFOAM YouTube channel: interaction with theaudience and receive its feedback, the concept has been network platform.Essaysarepublishedonourwebsite. FOAM To generate urban activists. Content is available on Spotify, Apple Podcastsandonour publishes discussionswithauthors,talkscollectives or interviews with we usedpodcastsasthemain instrument to reach our audience. FOAM originally planned toproducepodcastsoutofthephysicaleventsanyway, we Since audience. and authors our with engage to ways find to program our shuffle and rearrange to had we so events public physical planned with received diverse contributions by an interdisciplinary field of professionals. of: thesubject to Schickeria: The Right to the City concerned ideas for call first FOAM’s FOAM isopen collective ‘BushBash’ and‘dieStädtischen’ heldbyKassandraKoutsoftas inequalities between(supposedly) subcultural(institutionalized)cultural The Covid-19pandemic, which hitGermany inMarch,interfered and CathrineSteiner(FOAMteam)abouturbaninterventions through Kassandra KoutsoftasandPia Nürnberger’s SocialMachinery:What YouTube LiveSpecialEvent:atalkwiththeurbanactivistgroupsof for thequestionofpremises—contradictions, growing painsand YouTube LiveEvent: withMaximilianSteverding(Essay Is theNewRitual Spaceforthe21stCentury inHavana? Felix Gaillinger’s ExtensivePaper Moritz Neumann’sand Architecture EssayActivism +Podcast Benedikt Schatz’s PoemEineStadtvollerTräume +Podcast Maximilian Steverding’s EssayImaginedCities+Podcast Matthias Faul’s PoemSchaufensterschein Cities) andEvaHeidke(FOAMteam)+Podcast and was published in March. FOAM service providers inMunich That canallbecompensated activism +Podcast From Underdogs +Podcast +Podcast +Podcast Imagined Spotify andApplePodcasts:FOAM Burn Out—CrisesasOpportunity? Burn Get involvedandstayconnected: NEW CALLFORCONTENT: YouTube: FOAM-network Instagram: foam.network www.foam-network.com Deadline: 02/28/2021 95 96 Model photo competition “homemade” 97 Recognition: Luis Steffens, Jonas Wald, Juan Sebastian Vintimilla, and Nora Schmidt The FOAM Manifesto “We confronted the challenge of the digital coronavirus semester together with four Bachelor’s and Master’s degree architecture students. Study area models, interior models, and design models were produced at a wide variety of scales. The working and environment models were mainly built from pasta and cardboard boxes from the paper waste container. For the submission models, a small circular saw with a vacuum cleaner became the most popular tool. Even if living Status on 10/23/2020 in the midst of the workshop left little opportunity to switch off, design work in your own four walls was intensive and instructive. Dialogue with each other was absolutely enriching and working with recycled materials showed that model- making can also be made more sustainable.”

There is … ...an unsatisfactory way of producing, communicating ...a shaking up of the current architectural discourse and teaching architecture. Historically, the profession of to make alternative views, ideas and works tangible. architect has been associated with an individual genius Architecture needs to expand its methods of production who masters architecture through his own talent. This and representation to include the factors out of which picture is highly problematic and has associations with it has been generated or which it is generating. The class, gender, and race; it continuously reproduces the architectural discourse must consider these socio- Review #3 | 2020 system in which “successful” architecture is developed. political, historical, artistic or ideological factors. The architectural profession needs to be amended in the Equally, the methods they use, such as text, spoken eyes of the public, and acknowledged as a multi-faceted word, sound, visual and performative arts, etc. should be and interdisciplinary process. We think that it is too considered as crucial as predominant visual instruments. important a topic to be left to a small elitist group. Many By communicating in different ways, architecture can opinions about architecture are often considered to lack be understood by all, and can become a common good. validity or be unprofessional. ...a narrow, pre-established set of ideals that prevents FOAM … us from opening a wider horizon. Architecture is produced ...and its demands can only be seen and heard through and taught through a directive, one-sided process. the totality of its network and everybody connected Architecture is undemocratic since a whole spectrum of to it. Passive observers and listeners turn into an underrated views, approaches and practices are excluded. audience. Active contributors provide stimulus and the Model photo competition “homemade” Architecture often ignores social, political, historical starting point for a discussion. By getting everybody Recognition: Sophia Brauner, Elena Kögel, and Constantin Schindler and artistic dimensions. Architecture is primarily involved into the conversation, it can develop further “For our Bachelor thesis with Prof. Nagler, we made two communicated and recorded through visual methods. and its quality improves. Only as a whole can we reach material studies. Nothing can prevent us from building ...a tendency to treat architecture as a product. the capacity needed to bring about change. FOAM photographic models!” Architecture is becoming a pretext, a profit-generating equals ‘the size that something needs to reach before a instrument, it is not interested in the effects it causes. particular change, event, or development can happen’— Thus it has become a mere tool of speculation. Instead the definition of critical mass.1 of creating living space, as it claims to be doing, ...is friction between different voices. New architecture increases the shortage of built space. discourses emerge.FOAM criticizes the current architectural discourse, not only demanding but also We demand… providing a framework for new discussions. The voices ...that other approaches to architecture be acknowledged. and happenings on this discursive stage are not meant They must all be regarded as valid, valuable and visible. to solely produce content for others to consume but also Every opinion about architecture, be it by professionals to create a stimulus for (ex)change. Like the molecular or laypersons, students or teachers, is equally worthy properties of foam, FOAM at the same time expands of consideration. They all have different conceptions spatially and becomes denser. Unexpected voices are and ways to engage with architecture. The architectural coming together and claiming space. work/product must be released from the sole authority ...is flexible and in constant movement. FOAM of architects and planners. Architecture and its discourse is never static and constantly takes on new forms. must be understood as created through the actions of the FOAM’s aim is not to institute a fixed new discourse. public. We must acknowledge these actions. Equally, It is to open up discussion, learn from each other, and we must admit that what has been called “architecture” acknowledge different ways of thinking, doing and so far plays a key role in processes of climate change, producing architecture. but also of spatial and social exclusion. In this way, Pia Nürnberger, Jakob Bahret, and Jonas Langbein architecture itself will no longer be a product to be sold, but can become a means to fight for climate and spatial 1 Cambridge Dictionary, no date, https://dictionary.cambridge.org/ justice. dictionary/english/critical-mass. 98 methodical triangulation: Quantitative and qualitative 99 approaches complement each other both in terms of the Brain Train? High-speed railway stations fine-grained nature of the data used and the combination of scientific spatial analysis methods. In this way, we as focal points of the knowledge economy contribute to understanding the mutually reinforcing, catalytic effects of HSR infrastructure in Germany. Recent publications on the topic: The project draws on longstanding research Wenner, Fabian; Alain Thierstein (2020): expertise on the knowledge economy and transportation Which Regions Benefit from New Rail How does increased accessibility through high-speed rail influence the spatial Accessibility? Germany in 2030. disP - The networks at the Chair of Urban Development, as well as structure, in particular the location of knowledge economy firms? Planning Review, 56 (3), 59-76. on the doctoral thesis of a team member, which can now Wenner, Fabian; Johannes Moser (2020): be continued thanks to a 2.5-year research grant by the Which Regions Benefit from Rail Accessibility? Germany 1990-2030. Working Paper. Chair Deutsche Forschungsgemeinschaft (DFG). of Urban Development, Technical University Fabian Wenner of Munich, http://mediatum.ub.tum.de/ doc/1577443/1577443.pdf Wenner, Fabian (2020): Euro-Star- Architecture: Comparing High-Speed Rail Stations in Europe. In: Nadia Alaily-Mattar, Davide Ponzini, Alain Thierstein (Hrsg.): About Star Architecture: Reflecting on Cities in Europe. Springer International Publishing, 227-244. Review #3 | 2020 INFORMATION: Transportation infrastructure determines accessibility and, thus, the spatially Involved researchers: unequally distributed potential for interaction. Accessibility is an important Chair of Urban Development prerequisite for knowledge exchange and production which, against the Prof. Alain Thierstein, Fabian Wenner, Johannes Moser background of the economy’s transformation into a knowledge economy, has an increasing influence on urban and regional development. Principal: Because of the expansion of high-speed rail (HSR) in many countries Deutsche Forschungsgemeinschaft (DFG) —including Germany—in recent decades, HSR stations are now among the Cooperation partner: central access points for national passenger transportation. Through their ILS–Institut für Landes- und accessibility effects, they not only influence the probability of interaction Stadtentwicklungsforschung, Dortmund between locally-established companies and households, but also have the Time frame: potential to catalyze locational decisions and thus affect the spatial structure May 2020–October 2022 itself in the medium to long term. These catalytic effects make HSR a potential instrument of regional planning and policy. This is of high societal and political relevance, particularly against a backdrop of past and future large public investments into HSR infrastructure. In scientific terms, the most interesting question is whether medium and long-term effects of HSR stations, which depend on further influencing factors, can be observed. The recent academic discussion on the assessment of these effects is far from unequivocal and emphasizes the need for further research. Moreover, it focuses on the fast-growing transportation systems in China, Spain, and France; these, however, are only to a limited extent comparable with the German system. In addition, most studies consider the effects of accessibility improvement through aggregated inputs and outputs, while lacking spatially differentiated analyses and local drivers as well as qualitative bottom-up methods. „Hier kann ein From a spatial perspective, we are interested in discontinuous and contrastive effects produced by HSR. The specific characteristics of HSR Zitat stehen, mean that, unlike in the case of road infrastructure, positive effects are mainly to be expected on the centrally-located “nodes” of the network. At the same time, HSR may have the potential to alter the spatial distribution dass nicht of “peripheral” and “central” spaces itself with regard to accessibility. This affects both actual and perceived accessibility because HSR stations can also project an image that affects the use of space. mehr als 103 The aim of this project is to estimate systematically the functional and spatial effects of HSR stations in Germany at scale levels relevant for Zeichen hat.“ decision-making. A particular emphasis is placed on the connection between increased accessibility in the local and regional environment of HSR stations Max Mustermann and the location decisions of knowledge economy firms. Our approach is based on a contrasting comparison of case studies and the principle of Regional accessibility by rail in Germany, 2020 Review #3 | 2020 100 Rendering andelevations by Anastasiia Kutsak students Yi Yang andQingZhangispresented here. on thedeadspacebetweenbuildings0505and0509.Theworkofour there were alsodemolitions,high-risebuildings,andadesignthattook Here, studentslargely builtoverthealleysacross thecourtyard, but courtyard. cross-departmental space wastobecreated bydensifyingtheinner For theSchoolofEngineeringandDesignourmaster’s project, with respect, andcomes across aslightandeasy-going. intervention intotheexistingstructure, whichisneverthelesstreated The depictedexample(byAnastasiiaKutsak)constitutesamassive digital supportpaidoff —theresults were compelling. The designresults showedthattheincreased teachingloaddueto the heightofadministrativebuilding0510wastoberaised. Department ofArchitecture attheSchoolofEngineeringandDesign, The bachelor’s project wascalledArchitecture Institute.Forthe took duringthelockdownandsentallaround theworld. consisted ofexistingTUMplansandtwogigabytesphotosthatwe were notallowedoncampus.Hence,thebasicmaterialforwork out differently. Onlyaquarterofourstudentswere inMunich,butthey thought, wewillhaveprojects onsite—andtheneverythingturned students plannedbuildingextensionsonthemainsite.Thisyear, we As partofthereorganization ofTUMintoschools,lastsummerour Summer Semester2020 Prof. Andreas Hild Professorship ofArchitectural Design,RebuildingandConservation Bachelor’s andMaster’s Project Architecture Institute

Plan andaxonometry by Yang Yi andZhangQing 101 102 inspiration, knowledge exchange, network structures, or re-configure it into something new. Into what exactly 103 and self-organization, as confirmed by several studies is still unclear, but software technology companies have InnoSpacing in innovation research [1,6]. The importance of face- already positioned themselves to be the last to return to to-face interaction, chance encounters, and spillover any familiar model of work-life [12]. effects remains strong; its importance even increases Within weeks, the control paradigm that had ruled when it comes to generating radical, revolutionary or yesterday’s workplace since Taylorism dissolved. disruptive innovations at the levels of an organization, Remote work became possible literally overnight even an economic cluster or the regional ecosystem. Despite in industries that were still questioning its applicability An integrated research sketch on the critical relationships between physical space the effectiveness of distance-shrinking technologies to their processes. Work performance coaches, human and innovation before, during and after the COVID-19 pandemic. for interpersonal interaction, the dynamics of physical resource experts, journalists, and workspace consultants proximity, the exchange of creative classes, the offer recommendations and guidelines to remain energy of research institutions, and the serendipity of efficient at home or become even more productive urban dwelling remain instrumental in developing without the distractions of the physical workplace. interpersonal relationships and building innovative Schools and institutions of higher education transfer, capabilities in firms [7,8]. The need to resemble an wherever possible, their teaching and learning to online urban environment or a campus structure, which foster channels. a seamless transition between life and work, and blur At the same time, architectural practices develop their boundaries, becomes a leading theme in innovation design strategies to return to previous physical centers, headquarters, and corporate offices [1,9]. workspaces, e.g., with adjusted layouts, usage On the other hand, workspaces have been protocols, or improved building technologies. In highly- Review #3 | 2020 Christos Chantzaras is architect, research The disruption caused by the COVID-19 pandemic since March 2020 has additionally shaped by the emergence of the sharing developed and industrialized countries, the countryside associate and doctoral candidate at the Chair revealed a contradiction between the redundancy of physical space for economy. Transportation means (such as bicycles and is becoming a realistic alternative to urbanization and of Architectural Informatics at TUM. His focus areas are the spatial dimensions of innovation working and the requirement of workspace for innovation. Under emergency cars), apartments, and office space and desks have expensive city areas. processes and the future of work. conditions and in an impressively short time, work historically performed become available upon request, making co-working Against this background, the interdependency of Chris Ford is a PhD candidate in Mechanical within commercial office buildings could be conducted remotely ina and collaboration viable for future work [9,10]. Office physical space, work performance, and innovation is Engineering (Design Group) and the 2016- provisional way. The sharing economy, with its models of space and mobility, space has been redefined as a performative activity, becoming an increasingly important interdisciplinary 2019 Hamamoto Interdisciplinary Graduate Fellow at Stanford University. He is a design decreased in use. Even prior to COVID-19, in certain sectors, the office doable and executable in different areas and at various research field. It investigates inequities in space professional, educator, and researcher in the had been called obsolete in some digital circles and networked societies. intensities. Makerspaces and hardware labs re-link allocation and the shortcomings of the sharing economy. fields of both Architecture and Infrastructure But physical spaces serve purposes beyond the execution of tasks. They this trend as spaces generously outfitted with next- It discusses implications across different scales – from design. promote interaction, collaboration, knowledge exchange, and the formation generation tools elevating the probability of innovation- individuals, companies, and institutions to industries of communities. They are ‘object institutions’ shaping the behavior of the based production. Consequently, building typologies – that will affect urban environments, economic people within. They provide the frame for critical reasoning and discourse. have evolved, while sizes of apartments and workspaces clusters and, eventually, the innovation ecosystems of Acknowledgments have shrunk. tomorrow. We can see today that our buildings forgot to The authors thank Jan Auernhammer, Hence, the analysis and design of physical spaces, ranging in scale from learn, that our urban structures are reaching the limits of Michael Shanks, Martha Russell and Larry Leifer (Stanford University), Andreas Hild, single rooms to metropolitan regions, will be essential to foster an innovative 2. Today. 2020. expansion and exaptation (for creative alternative uses), Frank Petzold and Yonne-Luca Hack (TUM), and responsible society. This research effort will feature a transdisciplinary The COVID-19 pandemic brings economic life and that informal experiences with colleagues, clients, or Dominik Beisser (TUM Global & Alumni approach drawn from both design and non-design disciplines, and will knowledge work within office spaces to a disruptive competitors are vital to receive impulses of the new Office), and Dolores Volkert for their support. consider a range of spatial scales across time. In collaboration, the Stanford standstill, challenging predictions about how and develop critical or alternative thinking [11,13,14]. Center for Design Research and the TUM Architecture Research Incubator organizations will collaborate and innovate in future. developed a research sketch titled InnoSpacing, to investigate the different The need for social distancing reduces face-to-face spatial scales at which innovation happens through the disciplinary lenses of interaction; corporate and co-working spaces are Using exclusively video conferences for knowledge exchange instead of business travels would result in a global decrease engineering, architecture, design, management, and sociology. Its primary temporarily locked down, and then slowly re-open with of value creation and productivity. (Frankfurter Allgemeine goal is to formulate design-actionable outcomes for urban innovation revised work protocols [11]. In the past months, work Sonntagszeitung, 23.08.2020, Nr. 34, p. 18, based on a study by ecosystems. The research cooperation and sketch are funded by the TUM from home has become the “new normal”; it will remain the Center for International Development, Harvard University) Global Incentive Fund. a necessary option for the months required until a vaccine brings an end to the current global health pandemic. 1. Yesterday. 2019. The urban experience – as a source of inspiration, Complexities arising from the confluence of increasing globalization, creativity and innovation – is currently not available. digitalization of information and knowledge, and product/service integration What we used to think and know about office space— are prompting new ways of working and innovating [1]. In knowledge- namely, that it promotes communication, exchange, intensive industries, networked, distributed, and self-organizing structures interaction, and is vital for shared understanding, have evolved, enabling companies to adapt, respond, and act in dynamically visions, culture and community – is being challenged. changing environments [2,3]. The relevance and multiplication of these new What we used to promote – institutions and facilities structures are contingent on physical working spaces at concentric scales, should be geographically clustered and provide a from a single room to an urban district [4,5]. Starting as a mere tool to organize higher probability of knowledge spillover and network and manage work in the second half of the 20th century, in the following collaboration – is transitioning into the virtual realm. decades physical space evolved into a medium, enabling knowledge and We now Zoom, while others Facetime or Skype. innovation processes. Space facilitates business models and, in some News and comments call office space obsolete, which cases, embodies and empowers innovation processes. Space can promote encourages organizations either to abandon it entirely 104 InnoSpacing addresses these aspects, and discusses These identified scales are perceived as concentric subsets Model photo competition “homemade” 105 how building space and digital tools together shape of one another, and reveal systemic interdependencies in Recognition: Alexander Throm the way thinking, collaborating and innovating can be innovation processes: “Even during the year abroad, challenges for a new best induced. If “[w]e shape our tools and thereafter type of model-building arose. Complicated access to materials and new workspace conditions required they shape us,” the effects are to question if unintended ¡ Room. What are the attributes of single rooms purely manual and precisely planned model-building confrontation and criticism from the urban experience that have been credited with promoting creative within the 17 square meters apartment abroad in order are absent from the digital realm [15]. work and breakthrough innovation? What are to be able to work efficiently with available materials. Moreover, the actual model photograph presented a the larger contexts that explain how the design final challenge, since it now also had to be shot at the 3. Tomorrow. 2021. of a specific singular space is developed and home office. So, without further ado, the clothes horse, Physical space is a fundamental prerequisite for optimized to support specific moments of the bedside lamp, and removal boxes were turned into an auxiliary studio that helped to capture the remaining achieving innovation and building innovation innovation process? hours of the Danish evening atmosphere.” ecosystems. Historically, markets have driven the ¡ Building. Do buildings credited with assisting development of office space while simultaneously innovation share characteristics? Are these undervaluing the importance of space as a resource for characteristics the direct result of a manifest innovation. When combining knowledge and skills from architectural intention, or are they features spatial intelligence, design thinking, entrepreneurship, collateral to other architectural intentions? social responsibility, and physical prototyping, ¡ Neighborhood. What are the dynamics within interesting catalysts emerge for shaping tomorrow’s integrated campuses or districts facilitating spaces for innovation. Through our inter-university innovation and entrepreneurial activities? engagement, emphasis is placed on the combination To what degree is neighborhood exclusivity Review #3 | 2020 of active processes responsible for yielding innovation advantageous for innovation purposes, and in across multiple scale-based contexts. We are motivated what ways is it detrimental? to act as both researchers and designers to suitably frame ¡ City. How can cities secure and promote questions propelling the work. Against the background diversity, creativity, and knowledge flows at of the pandemic, urgent research questions address the scale? In what ways are livability, smartness, space-innovation relationship at different scales, for and mobility interrelated? example: Will private space become the larger space ¡ Metropolitan region. What will new mobility for experiments, and enhance user-driven innovations? and commuting patterns look like in urban, Will disruptive, radical and revolutionary innovations liminal, and rural spaces? What spatial decrease in the absence of physical proximity and demands will decentralized areas make in a face-to-face interaction? Will social inequality increase networked economy? Or will decentralized through the limited provision of, and access to away- networks evolve? from-home and third spaces to learn and work? How will corporate organizations and institutions reshape These questions are best addressed with an their interactions in the physical and virtual realms to interdisciplinary approach. Economic, social, exchange valuable tacit knowledge and cultivate new spatial, architectural and design perspectives will be insights? This investigation is organized according to simultaneously considered. InnoSpacing holds promise particular spatial scales and aligned with the question for synthesizing design-actionable outcomes for the day of where innovation occurs: in the room, building, after tomorrow. neighborhood, city or metropolitan region. Christos Chantzaras and Chris Ford

References [8] R. Florida (2019), “The Particular Creativity of Dense Urban [1] K. Groves and O. Marlow (2016), Spaces for innovation: The design and Neighborhoods” Bloomberg City Lab, https://www.bloomberg.com/news/ science of inspiring environments, Frame Publishers, Amsterdam. articles/2019-11-01/how-density-and-innovation-are-linked-in-cities. [2] H. W. Chesbrough, W. van Haverbeke, and J. West, eds. (2014), New [9] D. Katsikakis (2017), “Flexible Architecture for Evolving Work Practices,” frontiers in open innovation, Oxford University Press, Oxford. Architectural Design, vol. 87, no. 5, pp. 68–75. [3] F. Laloux (2014), Reinventing organizations: A guide to creating [10] M. F. Peschl and T. Fundneider (2014), “Why space matters for organizations inspired by the next stage of human consciousness, Nelson collaborative innovation networks” International Journal of Organisational Parker, Brussels. Design and Engineering, vol. 3, 3/4, p. 358. [4] J. Pallasmaa (2016), “Spatial Choreography and Geometry of Movement [11] Gensler (2020), “U.S. WORK FROM HOME SURVEY 2020,” https:// as the Genesis of Form,” in The Routledge companion for architecture design www.gensler.com/research-insight/workplace-surveys/us-work-from-home- and practice, M. Kanaani and D. A. Kopec, eds., pp. 35–44, Routledge Taylor survey/2020. & Francis, New York, London. [12] Foreign Policy (2020), “How Life in Our Cities Will Look After the [5] A. H. van Marrewijk (2009), “Corporate headquarters as physical Coronavirus Pandemic” FP Group, https://foreignpolicy.com/2020/05/01/ embodiments of organisational change,” Journal of Organizational Change future-of-cities-urban-life-after-coronavirus-pandemic/. Management, vol. 22, no. 3, pp. 290–306. [13] S. Brand (1995), How buildings learn: What happens after they’re built, [6] B. Waber, J. Magnolfi, and G. Lindsay (2014), “Workspaces That Move Penguin Books, New York. People,” Harvard Business Review, https://hbr.org/2014/10/workspaces-that- [14] A. Thierstein (2020), “Das Ende der bloßen Vermutung,” Stadt Bauwelt. move-people. 226, 13.2020, p. 7. [7] C. Catalini (2018), “Microgeography and the Direction of Inventive [15] J. M. Culkin (1967), “A Schoolman’s Guide to Marshall McLuhan,” The Activity,” Management Science 64(9), pp. 4348-4364. Saturday Review, p. 70. Review #3 | 2020 106 stations and emphasize the special featuresspecial the emphasize and stations of the new transport mode. The resulting designsdisplay thediversityofoptionsforropeway transfer ofthelarge verticalandhorizontalloads. the existingpublictransportnetwork,aparticularchallengewas new structure intotheurbanfabricandensuringshortinterchanges to residential de-velopment in thesouth.Inadditiontointegrating is characterizedbythecontrastbetweenindustryinnorthand bachelor’s project attheChairofStructuralDesign.Thebuildingsite Knorrstrasse intersectioninthe2020summersemesteraspartof Six designswere created forastationattheFrankfurterRing– Studentenstadt underground station. up to60meters,from theOberwiesenfeldunderground stationtothe tricable gondolaliftwillrunabovetheFrankfurterRingataheightof long tangentiallinkinthenorthofMunich.Theroute oftheplanned a feasibilitystudyisinvestigatinganapproximately 4.5kilometer project ofthestatecapital MunichandtheFree StateofBavaria, areas couldbeavaluable additiontolocalpublictransport.Asapilot In Bavaria,cablecarsare currently onlyusedintheAlps,buturban Summer Semester2020 Bachelor’s Project Supervisor: FraukeWilken Chair ofStructuralDesign|Prof. Dr.-Ing. RainerBarthel Design anddetailingofastationinMunich Urban Ropeways

Alexander Schwanner Konrad and Rendering byPhilipp Bottom, right: Marie Stockmaier Grothkopp,and Dahmen, Clara photo byCharlotte Bottom, left:Model Lars Kumpfert by SvenjaSieverand Center, right:Rendering Sebastian Hoyer by SarahSendzekand Top, right:Rendering Samuel Frank Maria Rauand and modelphotoby Left page:Rendering 107 Review #3 | 2020 108 oil ein a; as ae Sitn (d) Mnc: U Dprmn of Architecture, doi:10.14459/2020md1534469. Department TUM Munich: (Ed.), Stiftung Sauer Hans lab; design social Schwaben macht sich: Stadtraummöbel – Entwerfen und Bauen mit Rezyklaten. Markt² (2020): Maren Kohaus, Nadja; Hempel, Jenny; Gallen, Ralph; Boch, Architecture. of Department TUM Munich: Mitigation. Change Climate for Approach An – Space Public Activating (2020): (Ed.) Daniele Santucci, Alessandra; Battisti, of Department TUM Munich: towns. Architecture, doi:10.14459/1543270md2020. small in and Regeneration strategies – areas enhancement inner of Resilience (2020): Alessandra Battisti, Department of Architecture, doi:10.14459/2020md1546757. 03ET1426. Bundesministerium für Gentemann, Wirtschaft und Energie (Ed.), Munich: TUM FKZ: Alex; - Schlussbericht – Kröker,Gebäudeautomation der in Data Big Claas; (2020): Roland Pinkernell, Hannen, Stefan; Sebastian; Plesser, Stüber, Bernhard; Matthias; Rumpe, Jan; Mehnert, Dirk; Reiß, Johannes; Maderspacher, Martin; Karl Heissler, Lukas; Lauss, Thomas; Auer, Weinig, Alain; Thierstein, Markus (2020):ED2050:GapClosing.Munich: TUM Departmentof Architecture. Julia; Schlegel, Alice; Labadini, Diane; Arvanitakis, in Construction25,doi:10.36680/j.itcon.2020.013. TechnologyInformation of Journal stages. design early the in models building of evaluation and management Consistent (2020): M. P.;Schnellenbach-Held, Geyer, M.; W.;F.;Lang, König, Petzold, Borrmann, A.; M.; Singh, Mahan D.; Abualdenien, J.; Schneider-Marin, P.; Zahedi, A.; Harter, H.;Exner, H.;Steiner, Architecture: Reflecting on Cities in Europe. Basel: Springer International Publishing. Alaily-Mattar, Nadia;Ponzini,Davide; Thierstein, Alain (Ed.)(2020): About Star Selection ofPublications&Articles contradict spatiality?Aproject group atthe ChairofArchitectural Designand Conception hasexaminedthetopicfrom different perspectives.Onthebasis architects DonatellaFioretti, AstridStauferandFrancescaTorzo discuss this of specificdesigntasks—suchasacinema, refuge, andacolumbarium— ”black spaces”were analyzedanddevelopedstepbystep.Talks with the rooms. Howcansuchaseeminglylimitlessspacebeapprehended? How can spacebeconceivedof,anddesignedwhentheparametersactually Other shorteraperçus andquotations comefrom architects, artists,and The publication“BlackRooms”dealswiththephenomenonoflightless Authors: DonatellaFioretti, AstridStaufer, andFrancescaTorzo filmmakers, whocastverydifferent lightsonthesubject. Editors: UtaGraff, KatleenNagel,and FelixZeitler architectural phenomenon. ISBN: 978-3-95553-512-4 Munich: DetailPublisher Language: German (Schwarze Räume) Black Rooms Practice ofPlace.New York: Routledge,p.23-42. and Theory Design and Architecture Museum Contemporary (Ed.): Georgia Lindsay, In: Austria. Graz, Kunsthaus Design: Iconic and Architecture Star of Power The (2020): Alain Thierstein, Nadia; Alaily-Mattar, Johannes; Dreher, International Springer Publishing, p.153-168. Basel: inEurope. 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Output SABRE – University’ Circular ‘The on & Sprint Design Report Evaluation: (2020): Yolande Schneider, Martin; Luce, Christos; Chantzaras, University Press,doi:10.14459/2019md1507340. Manfred; Todt, Birte (2019): Bauaufnahme – Arabische Schuller, Ausgabe. Munich: TUM. Elke; Nagel, Clemens; Knobling, Miriam; Knechtel, Tobias; Busen, 2020 (online access:https://mediatum.ub.tum.de/doc/1534014/1534014.pdf). Higher Education on Socio-technical Innovation in Urban Development. Dissertation, Interdisciplinary of Impact The – Space The Third (2020): Academic Lukas Gilliard, TechnicalUniversity ofMunich.Munich: TUM Departmentof Architecture. the at Design Industrial Report. The (2020): (Ed.) Fritz Frenkler, MobilEr 2020,Braunschweig: Thünen-Institut fürLändlicheRäume,p.27-30. in Bayern. In: Herget, Melanie; Neumeier, Stefan; Osigus, Alltagsversorgung Torsten zur (Ed.): Tagungsband Raumwissen Neues (2020): Mark Michaeli, Denise; Ehrhardt, XII. 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Technical Building Services of Large Residential Ruilding Stocks of using Semantic Assessment Cycle 3D Life City (2020): H. T. Kolbe, W.;Lang, B.; Willenborg, H.; Harter, of Stages Early Design. In:Energy andBuildings,208.doi:10.1016/j.enbuild.2019.109635. in Assessment Energy Cycle Life of Analysis Uncertainty (2020): P. Geyer, W.; Lang, P.; Schneider-Marin, M.; M. Singh, H.; Harter, in Governance Rescaling.Basel:Springer, p.43-58. Visioning and Designing Futures: Regional Shaping (Ed.): Verena Balz, Nadia Alaily-Mattar,Valeria; Lingua, In: Design. Regional of Alain; Capacity Transformative The (2020): Thierstein, Fabian; Wenner, Lukas; Gilliard, doi:10.14459/2019md1468996 ISBN: 9783958840263 Language: German Munich: TUM.UniversityPress 2019 Jörg Rehm thus represents animportantcompendiumforhistoricalbuildingresearch. closes thegapbetweenart-historicalandengineeringconsiderations tools theyneedtoensure theirlong-termpreservation. Thepublication planners andowners,whoare currently involvedwithsuchbuildings, prominent intheurbanlandscape untiltoday. Withhiswork,heprovides in theearly20thcenturywithreinforced concrete andwhichremained The authordocumentednumerous Munichbuildings,whichwere created influence onthedevelopmentandbuildinghistoryof reinforced concrete. he illuminatestherole ofplanners,architects andauthoritiestheir “Eisenbeton imHochbaubis1918”.WithafocusontheMunicharea, with theearlyyearsofthisrevolutionary constructionmethodinhisbook of usesandahighload-bearingcapacity. Thearchitect Jörg Rehmdeals construction industryduringtheearly20thcentury. Ithasagreat variety Reinforced concrete becameoneofthemostimportantmaterialsin (Eisenbeton imHochbaubis1918) Reinforced Concrete inBuildingConstructionbefore 1918

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Schöpflin, A.; Oels, J.; Rupp, A.; P.; Putz, Welling, M.(2020): Grüne Stadt der Zukunft - Klimaresiliente S.; Linke, W.; Lang, H.; Harter, Pauleit, S.; Skiba, A.; Zölch, T.; Bauer, A.; Mittermüller, J.;Erlwein, S.; ub.tum.de/doc/1540805/1540805.pdf). construction in HongKong.Dissertation (online access: https://mediatum. implement on-site roboticsandautomation in thecontextofpublichousing Pan, Wen (2020):Methodological development forexploring the potential to urban condition. Against the background of continuous Dynamic processes andconflictsare atthecore ofthe approach isthesensitisingconceptofRedundant housing estate.Theoutcomeofthistwofoldresearch A Multi-SiteEnquiryintoUrbanNarrativesofConflict and urbanismconfronts thisknowledgewithan change incities,conceptsandassumptionsabout empirically grounded situationalanalysisofalarge examined andrevised. NorbertKlingexplores the spatial transformationshavetobeconstantlyre- rich bodyofnarrativeknowledgeinarchitecture City. Itdescribesaspecificformofcollectively Language: English Munich: TUMDepartment ofArchitecture 2020 Paula-Irene VillaBraslavskyandMarlene Müller-Brandeck (LMU) Sandra Schuster, AnneNiemann,andMirjam Elsner(TUM) mechanisms inthearchitectural field. care workwithemploymentinthearchitecture sector, anddiscrimination researching the whereabouts ofarchitecture graduates,thecompatibilityof plan todraftaresearch proposal onthebasisofthisstudy;itwillsuggest that there are extensivedeficits regarding thetopic.Theauthorsnow drop-out rateoffemalearchitecture graduates.Thestudyclearlystates mechanisms thatmightleadtodiscriminationagainstwomenandahigher focused onthequestionwhetherthere were anysubject-specificexclusion the current situationoffemalearchitects. Amongotherthings,theauthors study, whichcombinedseveralresearch methodstocreate anoverview of underrepresented. Askingwhythisissoledtothe“Women inArchitecture” at architecture firmsnorwithinuniversityfaculty, where womenare still men. Butthisequaldistributionisneitherreflected inleadingpositions the 1990s.Today there are more womengraduatingin architecture than In Germanarchitecture schools,genderparityhasbeenachievedsince architecture funded research project onculturallyrelevant gender-equitable changesin Women inArchitecture—Pre-study forthedevelopment ofathird-party Bielefeld: Transcript Verlag SN 978-3-8376-5114-0 ISBN: negotiated urbanchange. The RedundantCity Language: English Informationen. p.31-35. Fortschritt. In: Bayerisches Landesamt für Denkmalpflege (Ed.): Denkmalpflege Staatskanzlei: Ein Kuppelbau aus bewehrtem Beton zwischen Tradition und Rehm, Jörg ;Tutsch, Joram(2020):Ehemals Armeemuseum – heute In: moderneRegional. Putz, Andreas; Danzl, Thomas (2020):Leitartikel: Über dasNeueBauenhinaus. Erbe. Berlin/Boston:DeGruyterOldenbourg, doi:10.1515/9783110683103-004. Farrenkopf, Michael;Meyer, Torsten (Ed.): Authentizität undindustriekulturelles Putz, Andreas (2020): Bitte in Farbe– Authentisierung durch Kolorierung. In: In: und Denkmalschutz. Westfalen (Ed.):PerspektivenderDenkmalpflege.p.10-31. Urheberschutz Ministerium fürHeimat,Kommunales,BauundGleichstellung Nordrhein- zwischen Baudenkmalpflege Putz, Andreas (2020): Zu Tod und Wiederkehr des Architekten im Denkmal. Norbert Kling and Change 2020 International CentreforNumericalMethodsinEngineering,p.772-779. Bletzinger, Kai-Uwe;OñateEugenio (Ed.):FormandForce.Barcelona: analysis ofexistingvaultsusingparametric surfaces.In:Lázaro,Carlos; Tutsch, Joram;Reihl,Cleo;Barthel, Rainer (2020):Geometric and structural access: https://mediatum.ub.tum.de/doc/1538031/1538031.pdf). Konstruktionsgeschichte, Geometrie und Tragverhalten. Dissertation, (online Tutsch, Joram(2020): Weitgespannte Lamellendächer der frühenModerne– Munich Weird. Munich: TUM Departmentof Architecture. Lavinia (2020): Being close, yet being distanced? ARI Research Studio: Make Laura; Miyazaki, Toshihiro; Seibert, Arthur; Sponheimer, Daniel; Wagner, Thierstein, Alain; Weinig, Markus;Cruel, Antonia; Funke,Christina;Höpfner, Cities, Baiersbronn-Buhlbach: Trialog Publishers Verlagsgesellschaft, p.56-61. Transformationsstudien urbanerFreiräumeamBeispielFrankfurts.In: Transforming Steger, Lotta; Well, Friederike;Ludwig,Ferdinand(2020):Blau-grüneInfrastrukturen: Design inEruope(Ed.):eCAADe38.Berlin: TU Berlin,p.79-87. Architectural Energy-efficient Design. In:eCAADeEducation; Research in Computer-aided Architectural for Databases and Learning Deep Applying Singh, M.M.;Schneider-Marin, P.; Harter, H.;Lang, W.; Geyer, P. (2020): and BusinessMediaLLC,p.1637-1659,doi:10.1007/s11367-020-01784-y. International Journal of Life Cycle Assessment 25 (9), Berlin: Springer Science monetary valuation of ecological indicators for the building industry. The Schneider-Marin, P.; Lang, W. (2020): Environmental costs ofbuildings: doi:10.3990/su12072633. BIM inEarlyDesignStages.In:Sustainability. Basel:MDPI,p.19, Analysis ofEmbeddedEnergy andGreenhouseGasEmissionsUsing Schneider-Marin, P.; Harter, H.; Tkachuk, K.;Lang, W. (2020):Uncertainty ISBN: 978-3-95553-506-3 Language: German Munich :Detailpublisher 2020 Djahanschah, S.(Ed.);Auer,T.; Kaufmann,H.;Sauer, M.;andKönig,H. “unusual” choicesofmaterialsforcommercial buildings. have jointlyexaminedvariousproject examples andexplored theuseof Architectural DesignandTimberConstruction(Prof. HermannKaufmann) Climate ResponsiveDesign(Prof. ThomasAuer) andtheProfessorship of and sometimesallofthesetogether. TheChairofBuildingTechnology and sometimes durability, user satisfaction,theCO2footprint,orrecyclability— priority aspect,othertimesitistheindoorclimateorcomfortfactors, enormous addedvalue.Sometimesflexibilityandprefabrication are the publication allhaveonethingincommon:Thematerialusedgenerates materials offer numerous advantages.Theexamplespresented inthis But whyisthis?Itprecisely inthissectorthatsuchecologicalbuilding Loam andtimberare theexceptiontodayincommercial buildingsector. (Gewerbebauten inLehmundHolz) DBU BuildingVolume 3:Loamandtimbercommercial buildings

und ihre Folgen für Raumgefühl und Wohlbefinden. Dissertation, (online Dissertation, Wohlbefinden. access: https://mediatum.ub.tum.de/doc/1523345/1523345.pdf). und Raumgefühl für Folgen ihre und von Chamier, Julia Anna (2020):DieInterdependenz von Material und Licht ASCE ConstructionResearchCongress(CRC). Tempe: ASCE. Lifting Path Planningbasedon4DBuilding Information Modeling In: The Zhiyang Lin,FrankPetzold,Zhiliang Ma (2020): Automatic Tower Crane ASCE ConstructionResearchCongress(CRC). Tempe: ASCE. Augmented Reality Navigation System for Tower Crane Operation. In: The Zhiyang Lin, FrankPetzold, Zhiliang Ma (2020):4D-BIMbasedReal Time International Publishing,p.227-244. Springer Basel: Europe. in Cities on Reflecting Star Architecture: (Ed.): About Stations inEurope.In: Alaily-Mattar, Nadia;Ponzini,Davide; Thierstein, Alain Wenner, Fabian (2020): Euro-Star-Architecture: Comparing High-Speed Rail Research. Amsterdam: ElsevierBV, p.191-202,doi:10.1016/j.foar.2019.11.001. Architectural of Frontiers In: vegetation. and water of effects synergetic the considering Well, Friederike;Ludwig,Ferdinand(2020):Blue–greenarchitecture: A casestudyanalysis GebäudeGrün. Berlin:Patzer Verlag, p.20-23. Grauwasser alsalternative Wasserquelle für Vertikalbegrünung. In: Well, Friederike; Morandi, Carlo; Richter, Philipp(2020):Regen-und die Gegenwart.Munich: AVM.edition, p.449-452. Beardsley, John(Ed.):Reisen,Reiseberichte und GärtenvomMittelalter bis in Landschaftsarchitektur. In: Fischer, Hubertus; Wolschke-Bulmahn, Joachim; Weilacher, Udo(2020):DieReiseimKopfalsEntwurfsmethodeinder Restraint. SanFrancisco:OroEditions,p.12-19. Weilacher, Udo(2020):Site.In: Andersson, Thorbjörn (Ed.):NatureSite www.ar.tum.de/en/publications/ further information: Check onlinefor 111 Model photo competition “homemade” 3rd place: Sebastian Haberl “The photos show my environment model of Schröcken, built to 1:500 scale, which was made as part of the timber construction project under Visiting Professor Sven Matt. The timber I used comes from our own forest (only 500m away)—the main advantages being the short distance, reuse, and the sustainability of the raw material itself.” 114 Visiting Professors & Lecturers 115 Reem Almannai, Nicolai Bo Andersen, Rebecca Farina Arnold, Michael Arzberger, Johannes Friedrich Martin Auer, Thomas Bade, Staff Florian Beck, Thomas Beck, Jörg Besser, Sven-Anwar Bibi ,Robert Biedermann, Corbinian Böhm, Matthias Castorph, Gabriella Ciancio- lo Cosentino, Cole Collins, Birgit Dietz, Anne Femmer, Maria de Pie- Professors dade Ferreira, Florian Fischer-Almannai, Christian Flörs, Eric Fon- Thomas Auer tain, Alexander Fthenakis, Ulrike Fukas, Victoria Gaudecker, Zuzana Dr. Rainer Barthel Giertlová, Michael Gruber, Stefan Gruhne, Antonia Gruhn-Zimmer- Stephen Bates mann, Michael Heinrich, Markus Heinsdorff, Annegret Hoch, Johann Dr. Thomas Bock Huber, André Ihde, Kasper Guldager Jensen, Chang Hoon Jeong, Dr. Benedikt Boucsein Werner Jordan, Christian Kayser, Simon Kirnberger, Elias Knubben, Dr. Thomas Danzl Oliver Kraemer, Tobias Kramer, Andreas Kretzer, Reinhard Kropf, Hannelore Deubzer Torsten Lange, Markus Lanz, Theres Lehn, Sarah Lehnerer, Wales- Dr. Kathrin Dörfler ka Leifeld, Holger Magel, Sven Matt, Jaime Mayol Amengual, Inka Dr. Dietrich Erben Meißner, Monika Melters, Felix Metzler, Aimilios Michael, Simone Dietrich Fink Miller, Eckard Mommertz, Werner Nohl, Imoudu Oluwaseum Ojo, Fritz Frenkler Irene Pérez Piferrer, Elke Reichel, Thomas Richter, Katrin Rohr, Uta Graff Philine Rose, Wolfgang Rossbauer, Virginie Roy, Mikala Holme Sam- Tina Haase soe, Meike Schalk, Barbara Schelle, Lars Schiemann, Julia Schlegel, Andreas Hild Victoria Schweyer, Heike Stege, Karlgeorg Stork, Heidrun Thaiss, Hermann Kaufmann Christoph Treeck, Tanja Vollmer, Stephanie Weber, Laura Weißmüller, Regine Keller Reinhard Weitzel, Jana Wunderlich, Lisa Yamaguchi Diebedo Francis Kere Review #3 | 2020 Dr. Alexander Kienlin (Guest) Speakers * Bruno Krucker Mazda Adli, Daphne Ang, Fritz Auer, Bernado Bader, Vera Simone Dr. Werner Lang Bader, Jakob Bahret, Alessandra Battisti, Dana Behrman, Toma Dr. Andres Lepik Berlandà, Anne-Julchen Bernhardt, Sven-Anwar Bibi, Peter Bishop, Dr. Ferdinand Ludwig Carlo Blasi, Hermann Blomeier, Hermann Blumer, Nicolai Bo Mark Michaeli Andersen, Benedikt Boucsein, Julma Braat, Karolin Bräg, Daniel Florian Musso Bräg, Anna Braide, Paula Villa Braslavsky, Sina Brückner-Amin, Florian Nagler Barbara Buser, Meltem Cavdar, Ana Hernández Chamorro, Christos Dr. Frank Petzold Chantzaras, Lenny Christina, Gabriella Cianciolo Cosentino, Maria Dr. Andreas Putz Conen, Flavia Crisciotti, Pierluigi D’Acunto, Daniel da Rocha, Adrian Dr. Sören Schöbel-Rutschmann Daub, João Luís Carrilho da Graça, Farrokh Derakshani, Michel Dr. Alain Thierstein Desvigne, Claudia Devaux, Michael Diers, Christian Djeffal, Philip Dr. Udo Weilacher Douglas, Martin Düchs, Eva Ehninger, Erwin Emmerling, Elisabeth Endres, Johannes Ernst, Julia Feldtkeller, Anne Femmer, Eric Firley, Master Thesis: Images of the City Jan Fischer, Oya Atalay Franck, Murray Fraser, Malene Freudendal- Emeriti of Excellence Pedersen, Wolfgang Frey, Europa Frohwein, Andreas Garkisch, An Experiment in Urban Renewal Victoria von Gaudecker, Isabel Glogar, Syrus Gomar, Hannes Fritz Frenkler, Dr. Dr. Thomas Herzog, Peter Latz, Gumpp, Lydia Haack, Thomas Haakenson, Katrin Habenschaden, Dr. Winfried Nerdinger, Dr. Manfred Schuller Yonne- Luca Hack, Daniel Hahn, Christine Hannemann, Benedikt Chair of Urban Design and Housing | Prof. Bates, Prof. Krucker Hartl, Mirko Haselroth, Gerhard Hausladen, Sarah Hegenbart, Tim Student: Matthias Jakob Ackstaller TUM Distinguished Affiliated Professors Heide, Jörg Heiler, Gabu Heindl, Martin Henn, Eva Henrich Heinle, Kees Christiaanse, Dr. Uta Hassler, Dr. Gunther Henn, Michael Hensel, Andreas Hofer, Stefan Höglmaier, Mona Horncastle, Lisa Horvath, Rongbo Hu, Nina Jakoby, Stefanie Jelinek, Claudia Streets are public spaces. Dr. Helmut Jahn, Dr. Dieter Rams, Albert Speer Jerger, Nicholas Jewell, Jutta Jungwirth, Regine Keller, Marco Currently, traffic, rush and infrastructure road traffic, a sense of rush, Kellhammer, Sven Kesselring, Matthias Kestel, Florian Kirfel, and urban infrastructure? characterize their appearance. “Images of Adjunct Professors Martin Klamt, Anna-Johanna Klasander, Karin Klein, Rainer Knapp, the city” pictures a city for the pedestrian and visualizes future space Gerd Aufmkolk, Christian Bartenbach, Dr. Andreas Burmester, Dr. Ulrich Knunke, Bilge Kobas, Maren Kohaus, David Kohn, Christina from a human perspective. Ralph Egermann, Dr. Iris Lauterbach, Stephan Lintner, Gert Mader, Krafczyk, Reinhard Kropf, Eva Maria Kühn, Anupama Kundoo, Lothar Marx, Elisabeth Merk, Martin Klingler, Dr. Matthias Ottmann, Markus Lager, Vittorio Magnago Lampugnani, Werner Lang, Torsten “Images of the city” is based on the planning status of the Landshuter Peter Pfab, Mathias Pfeil, Dr. Ludwig Schreiber, Christiane Thalgott, Lange, Frank Lattke, Sylvia Lavin, David Leech, Daniel Lohmann, Allee Tunnel in 2018. Despite my personal rejection of additional Lesley Lokko, Arne Lorz, Lisa Luksch, Mona Mahal, Asnawi tunnel projects in Munich, I see its possible realization as a call to Dr. Helmut Weber Manaf, Dorte Mandrup, Paula Markert, llka May, Elisabeth Merk, examine the urban potential of the proposal under discussion. The suggested green strip along the corridor cannot keep its promise of connecting Neuhausen. Rather, this will require a spatial investigation and more profound interventions into the city’s structure. Urban repair supportive of human perception must be conceived from a pedestrian perspective. 5 I 27 “Images of the city” thus challenges conventional urban redensification Professors 15.6% | 84.4% 103 I 135 methods. It establishes the human perspective as primary requirement Research Associates 46.1% | 53.9% for assessing urban spaces and emphasizes the importance of the 79 I 73 ordinary. Movement through urban space is regarded as a sequence Tutors (Student Assistants) 52.0% | 48.0% 47 I 55 of single moments. The potential of a subjective viewpoint for urban Tutors (Design Assistants) 46.1% | 53.9% 101 I 140 design was tested in the Landshuter Allee case. A spatial analysis (Guest) Speakers 41.9% | 58.1% was followed by a fictional vision of the future. Thus, the role of public 7 I 19 space as social and cultural ground has been placed at the heart of Guests of the 26.9% | 73.1% Architecture. TUM Department of Number of total female and male employees in the displayed categories. Surveyed period 01.10.2019 - 01.10.2020, Abele, L. Henicz and J. Schmidt Graphics by J. the design, whereas architecture plays a secondary role as a space- Lecture Series Montagsreihe creating vessel. 1 Female 1 Male 116 Sören Metz, Friederike Meyer, Gennaro Miccio, Aimilios Michael, Johann-Christian Hannemann, Lutz Harrer, Benedikt Hartl, Jana Hernandez Acacio, Thomas Hess, Christian Heß, Sebastian Hezinger, Usul, Mounika Vaddeboina, Arvand Vaghari Fard, Lukas Völker, 117 Stefan Minner, Claudia Mohn, Philipp Molter, Viktória Mraváková, Hartmann, Sarah Hegenbart, Maximilian Benedict Heidecker, Mathias Carolin Marianne Hinnekeuser, Andreas Hipper, Lou Hofmann, Wenke Volkmann, Alexander von Angerer, Viviane Vu, Barbara Marlene Müller-Brandeck, Sebastian Multerer, Ursula Münch, Moritz Heidinger, Ute Heim, Karl Martin Heißler, Claudia Hemmerle, Lynn Barbara Hummel, Daniel Illner, Roxanne Ingmanns, Johanna Sophia Waarden, Fabian Wagner, Katharina Wagner, Lavinia Wagner, Walter Mungenast, Jonathan Natanian, Lamine Ndong, Anne Niemann, Hennies, Christian Hepf, Regine Heß, Constanze Hirt, Lisa Höpfl, Linda Irmisch, Maximilian Jost, Katarizyna Juszczynszyn, Christoph Waldrauch, Jakob Wallner, Alexandra Weber, Simon Weiss-Eizinger, Fredrik Nilsson, Guy Nordenson, Andreas Norrman, Pia Nürnberger, Rongbo Hu, Syed Ashfaq Hussain, Martino Hutz, Stefan Imhof, Kepa Kaiser, Stella Kampffmeyer, Katharina Kassner, Julian Kerkhoff, Mario Weisser, Vera Wesinger, Katharina Wicharz, Felicia Wiehler, Sandra Oehy, Matthias Ottmann, Ronak Patel, Sandra Persiani, Zara Iturralde Lerchundi, Tilmann Jarmer, Dominik Jelschewski, Sarah Sabine Kees, Konstantin Kirilov, Florens Caspar Kleiner Tim-Raphael Tobias Winkler, Lars Wüstemann Aronica, Yunxi Yang, Kyrylo Pfeifer, Klaus Jan Philipp, Monika Platzer, Bernd Polster, Vikram Louise Jenney, Mariann Juha, Marco Kellhammer, Sabine Kern, Knäbel, Jonas Kögl, Tanja Köhler, Fabian Konopka, Margarita Zhornovyi, Nick Zhou, Mostafa Khaled Zoheir Prakash, Thomas Rau, Elke Reichel, Martin Reichert, Stephan Matthias Kestel, Johannes Peter Kifinger, Johanna Kleinert, Norbert Konorova, Sebastian Koth, Spyridon-Nektarios Koulouris, Carolin Reiß- Schmidt, Zuzana Révészová, Stephan Rixen, Bernd Rodrian, Kling, Bilge Kobas, Mathias Kocher, Sebastian Kofink, Maren Marie Krebber, Eva Kreitmeir, Sabrina Kronthaler, Franziska Kulinski, Administration Wolfgang Salcher, Volkan Sayman, Meike Schalk, Susanne Scharabi, Kohaus, Antonia Koukouvelou, Andrij Kutnyi, Christoph Langenhan, Alice Labadini, Dimitrij Lakatos, Bertram Landwerlin, Christoph Ann Katrin Bäumler, Giovanna Bianchi, Marlies Blasl, Anja Böckl, Valerie Schegk, Dietmar Schenk, Franz Schiermeier, Julia Schlegel, Katharina Langosch, Lukas Lauss, Florian Lechner, Chao Li, Thomas Leick, Beatrice-Katharina Leitner, Anna List, Maximilian Loeschke, Jeannette Burgold, Marga Cervinka, Karin Donko, Karin Eichinger, Marlene Schneider, Patricia Schneider-Marin, Florian Schönhofer, Linner, Felix Lüdicke, Mauritz Lüps, Elena Markus, Jochen Mecus, Lisa Luksch, Vera Maaz, Marco Magliozzi, Marc Mair, Maria-Luise Marion Feistner, Martine Fischer, Sebastian Haß, Martina Heinemann, Sandra Schuster, Rainer Schützeichel, Andreas Schwarting, Asli Nicole Meier, Irene Meissner, Claudia Mendes Bernhard, Wilfrid Marschall, Fabian Matella, Anna-Maria Mayerhofer, Veronika Mayr, Martha Hipp, Sandra Hirsch, Edeltraud Hirscheider, Maria Jovanovic, Serbest, Thomas Sieverts, Leonid Slonimskiy, Daniela Spiegel, Sarah Middleton, Marcello Modica, Philipp Molter, Luc Morroni, Johannes Theresa Mayr, Veronika Meichelböck, Andreas Meier, Wolfram Elke Kabitzsch,Gabriele Klingenheben, Elisabeth Kronthaler, Spiekermann, Maximilian Steverding, David Süß, Marina Tabassum, Moser, Michael Mühlhaus, Christiane Müller, Moritz Mungenast, Meiner, Charlotte Meyer, Friedrich Mönninger, Marion Montiel Katharina Kuchlmayr, Tanja Landmann, Evi Lemberger, Martin Jeremy Till, Silja Tillner, Francesca Torzo, Jörg Trempler, Charlotte Stefanie Münster, Elke Nagel, Katleen Nagel, Gregor Nagler, Cabrera, Franziska Mühlbauer, Lina Müller, Lutz Müller, Marlene Luce, Cornelia Lutz-Mastrojanni, Christine Mädler, Rike Menacher, Truwant, Andreas Vesentini, Paula Villa, Katharina Voigt, Tanja Jonathan Natanian, Marco Neuß, Svenja Nevermann, Amelie Nguyen, Müller-Brandeck, Luis Neumeier, Tobias Niebhagen, Dominik Nocon, Susanne Nwabuodafi, Tanja Nyc, Susanne Oxe, Andrea Paul, Vollmer, Walter Timo de Vries, Markus Wächter, Lavinia Wagner, Anne Niemann, Ahmad Saleem Nouman, Julian Numberger, Matthias Pia Nürnberger, Franziska Odametey, Emil Oldenburg, Max Panhans, Alexandra Petersdorff, Anna Sabrina Rodewald, Kerstin Roscher, Marten Wassmann, Udo Weilacher, Ines Weizman, Volker Welter, Oberfrank, Wen Pan, Anna Partenheimer, Sandra Persiani, Alberto Sandra Panzer, Mak Pavelic, Andrea Pavkovic, Melissa Pearson, Vanessa Salm, Rebekka Schlenker, Barbara Schnabel, Yolande Harald Welzer, Gebhard Wulfhorst, Pan Yu, Semir Zeki, Tobias Pottenghi, Sophia Pritscher, Vesna Pungercar, Mohammad Asrafur Yan Pechatscheck, Laura Pehlke, Stefan Pehr, Matteo Pelegatti, Juan Schneider, Thilo Schuster, Ketevan Sevsal, Elisabeth Sollinger-Fiuza, Zervosen, Yvonne Zindel, Michael Zinganel Rahman, Alexandra Rauch, Benedict Rechenberg, Jörg Rehm, Diego Pena Murcia, Carlos Alberto Pereira Lòpez, Mariya Pichurina, Angelika Uslu, Doris Walter, Hannah Wälzholz, Kirstin Wegscheider- Sophie Reiner, Maximilian Reiser, Felix Remter, Judith-Elisabeth Lea Pommer, Lorenz Poost, Sophia Primig, Kristina Pujkilovic, Lea Blaschke, Katharina Wenninger, Heike Wetzstein-Duesing, Olga Resch, Markus Riese, Hannah Rochelt, Anastasios Roidis, Florian Reiter, Daniel Renn, Anna Sophie Richardt, Kathrin Riemenschnitter, Wiedenhöft, Gabriele Zechner Guests of the Lecture Series Montagsreihe * Rüger, Dorothee Rummel, Hannelore Rung, Anja Runkel, Johannes Stephan Röhrl, Philipp Rothbächer, Sebastian Sager, Vanessa Salm, Review #3 | 2020 Thorbjörn Andersson, Erieta Attali, Thomas Auer, Marcel Bilow, Sack, Cornelia Saffarian, Ana Sammeck-Lühr, Daniele Santucci, Begüm Saral, Marcel Schäfer, Felix Schaller, Christian Schaller, Philippe Block, Malin Blomqvist, Benedikt Boucsein, Johan Celsing, Gabrielle Schaad, Julian Schäfer, Viola Scheumann, Jonas Schikore, Simon Schankula, Nicola Schiemann, Alexandra Schlaier, Marc Technical Staff Murray Fraser, Francesco Garofalo, Charlotte Hansson, Andreas Hild, Roxanne Schindler, Elena Schirnding de Almeida e Silva, Marcel Schmailzl, Mareike Schmidt, Philip Schneider, Veronika Schubach, Andreas Bittner, Andreas Bohmann, Thomas Breitenfeld, Hendrik Regine Keller, Uli Knaack, Kengo Kuma, Andreas Lepik, Morten Schlandt, Peter Schmid, Thomas Schmid, Anja Schmidt, Michael Thomas Schubert, Laura Schütz, Sarah Seitz, Kevin Siegert, Antonia Brödenfeld, Stefan Förg, Anton Josef Heine, Arne-Kristian Hingst, Lund, Emilio Marin, Elisabeth Merk, Mark Michaeli, Jenny Osuldsen, Schmölz, Gerhard Schubert, Barbara Schudok, Christian Schühle, Sivjakov, Franziska Sorger, Felicia Specht, Roland Speckle, Ansgar Sandra Kerstin Kahl, Michael Leibl, Silvana Leiß, Thomas Lohmaier, Tim Rieniets, Tasos Roidis, Nils Rostek, Georgeen Theodore, Nerissa Werner Schührer, Andreas Schulze, Sandra Schuster, Stefanie Stadler, Nicola Stadler, Luis Steffens, Maximilian Steverding, Nikola Isabel Mühlhaus, Klaus Puchta, Jan Riepert, Klaus Scheuenpflug, Young Seeholzer, Nils Seifert, David Selje, Clarimma Sessa, Qiguan Shu, Stoyanov, Rafael Stutz, Prayudi Sudiarto, Anna Svobodova, Jason Heike Schollmeyer, Bernhard Schöner, Stefan Sommer, Florian Treitl, Tatiany Stamatelatos, Nikolija Stamenkovic, Mathias Stelmach, Uta Textor, Carina Thomas, Theresa Tölle, Fletcher Tollefson, Laura Markus Uemminghaus, Ester Vletsos Guest Critics * Stettner, Manfred Stieglmeier, Markus Stolz, Zora Elisabeth Syren, Traub, Julia Treichel, Annette Übbing, Valentin Übelhör, Ayse Mina Fritz Auer, Luis Basabe Montalvo, Alessandra Battisti, Anne- Daniel Talesnik, Oliver Tessin, Nadia Thalguter, Maximilian Treiber, Julian Trummer, Joram Tutsch, Philipp Vohlidka, Katharina Voigt, 3 | 15 Julchen Bernhardt, Nicolai Bo Andersen, Elisabeth Boesch, Matthias Architectural Informatics 16.7% | 83.3% Castorph, Ines Dantas, Christian Famira-Parcsetich, Ursula Frick, Anne Carina Völkel, Tobias Wagner, Markus Weinig, Friederike 4 | 2 Well, Fabian Wenner, Frauke Wilken, Stefan Wischnewski, Barbara Architectural Design and Conception 66.7% | 33.3% Teresa Galí-Izard, Christian Goldbach, Matthias Haber, Tim Heide, 4 | 11 Michael Hensel, Daniel Hoffmann, Marc Hofmann, Axel Humpert, Wolf, Kilian Wolf, David Wolfertstetter, Sascha Peter Wurm, Mariana Architectural Design and Construction 26.7% | 73.3% 6 | 1 Susanne Hutter von-Knorring, Heike Kainz, Wulf Kramer, Reinhard Yordanova, Oliver Zadow, Ata Zahedi, Tobias Zervosen, Christine Architectural Design, Rebuilding and Conservation 85.7% | 14.3% Zettelmeier, Christoph Ziegler, Isabel Zintl, Daniel Zwangsleitner 2 | 1 Kropf, Robin Lang, Quang-Huy Le, David Leech, William Mann, Architectural Design and Participation 66.7% | 33.3% 2 | 6 Hans-Rudolf Meier, Imke Mumm, Anne Niemann, Clemens Architectural Design and Timber Construction 25.0% | 75.0% Nuyken, Peter Pfab, Cordelia Polinna, Marcus H. Rosenmüller, 4 | 4 Tutors Building Construction and Material Science 50.0% | 50.0% Wolfgang Rossbauer, Peter Scheller, Julia Schlegel, Tim Seidel, 1 | 5 Ted’A Arquitectes, Francesca Torzo, Panayotis Tournikiotis, Rudolf (Student Assistants and Design Assistants) Building Construction, Building Archaeology and Conservation 16.7% | 83.3% 1 | 6 Wienands, Dominik Wowra Judith Abele, Daniela Adalgiza Andronescu, Lara-Elena Agache, Building Realization and Robotics 14.3% | 85.7% 9 | 18 Jonatan Anders, Hardik Arora, Diane Arvanitakis, Jakob Bahret, Gjergj Building Technology a. Climate Responsive Design 33.3% | 66.7% Bakkallbashi, Lisa Bamberg, Jaime Jimenez Barragan, Magdalena 1 | 2 Research Associates Digital Fabrication 33.3% | 66.7% Bauer, Konstantin Bausch, Boris Berndtson, Jörg Besser, Jessica 7 | 12 Nadia Alaily-Mattar, Ferdinand Anton Victor Albrecht, Laura Bielski, Merve Biyik, Ondrej Blaha, Laura Blüml, Lena Bonengel, Energy Efficient and Sustainable Design and Building 36.8% | 63.7% Altmann, Hubert Anneser, Lidia Atanasova, Martin Augenstein, 5 | 5 Ilinca-Ioana Bucur, Michaela Burchard, Nikolas Burger, Johanna Green Technologies and Landscape Architecture 50.0% | 50.0% Vera Simone Bader, Stefan Bannert, Tobias Bastier, Marie Bauer, 10 | 2 Burkert, Pilar Benitez Caballero, Jana Calatrava, Altair Cerda Tirado, History of Architecture and Curatorial Practice 83.3% | 16.7% Alexandra Bauer, Martin Baur, Laura-Sophie Behrends, Jonas Nada Chatti, Kevin Chen, Claudia Cholewa, Lorena Cirillo, Arthur 2 | 3 Bellingrodt, Barbara Berger, Ernest Berghofer, Lukas Beyerle, Industrial Design 40.0% | 60.0% Coelho Debacco, Maria Cecilia Collet Heller, Elisabeth Norma Anne 4 | 3 Ulrich Binder, Lea Bogischef, Diana Böhm, Cécile Bonnet, Julia Landscape Architecture and Industrial Landscape 57.1% | 42.9% Collwell, Luca Coromines, Charlotte Dahmen, Arno Denk, Sebastian 0 | 6 Brasche, Ivan Bratoev, Katja Breitenfelder, David Briels, Barbara Dietrich, Vanessa Dörges, Susanne Dreyer, Katharina Dropmann, Landscape Architecture and Public Space 0.00% | 100% Brinkmann, Sina Brückner-Amin,Susanne Brunner, Patrick Brunner, 2 | 2 Lluis Daniel Dura Monteiro, Velichka Dyulgerova, Andrea Eberle, Landscape Architecture and Regional Open Space 50.0% | 50.0% Simon Burko, Elettra Carnelli, Meltem Cavdar, Christos Chantzaras, 5 | 0 Alina Eckl, Malak El Garawany, Taimur Julian El Khorazaty, Mirjam Recent Buidling Heritage Conservation 100% | 0.00% Ata Chokhachian, Ines Dantas Ribeiro Bernardes, Manuel De Elsner, Gero Engeser, Madison Erdall, Dominik Fahr, Enrica Ferrucci, 6 | 3 Borja Torrejon, Gido Dielemans, Zeno Dietrich, Sen Dong, Elke Restoration, Art Technology and Conservation Science 66.7% | 33.3% Malte Feucht, Roman Ficht, Tobias Fink, Nils Fischer, Clara Frey, 2 | 4 Dreier, Claudia Düll-Buchecker, Carmen Duplantier, Florian Ecker, Spatial Arts and Lighting Design 33.3% | 66.7% Patrick Fromme, Frank Frömming, Martin Gabriel, Max Gemsjäger, 2 | 3 Benjamin Eder, Denise Ehrhardt, Bernd Eisenberg, Michael Falser, Deniz Genc, Marie Gerhard, Sebastian Gerstberger, Alexandra Structural Design 40.0% | 60.0% Teresa Fankhänel, Horst Fark, Elisabeth Faßbender, Matthias Faul, 4 | 2 Gfrörer, Badr Ghammad, Mohamed Ghoneim, Anna Dorothea Sustainable Urbanism 66.7% | 33.3% Tina Fehlhaber, Julia Feldtkeller, Jakob Fellner, Elif Simge Fettahoglu 4 | 2 Glasmann, Anna Gonchar, Frederick Gorsten Schünemann, Melanie Theory and History of Architecture, Art and Design 66.7% | 33.3% Özgen, Uta Fischer, Christoph Fleckenstein, Julia Fleckenstein, Götz, Julius Grambow, Jinming Gu, Anna Gunkel, Nora-Maria 3 | 3 Roberta Fonti, Nick Förster, Kasimir Forth. Tobias Förtsch, Laura Urban Architecture 50.0% | 50.0% Guzu, Matthias Haber, Tabea Haeseler, Michelle Hagenauer, Joelean 2 | 4 Franke, Europa Frohwein, Adam Gielniak, Isabel Glogar, Rudolf Graf, Urban Design and Housing 33.3% | 66.7% Hall, Frederic Hanen, Mirko Haselroth, Thomas Haseneder, Niklas 4 | 2 Lena Stephanie Grüner, Johannes Gumpp, Jörg-Friedrich Güttler, Heese, Eva Heidke, Jan Heinzerling, Lisa Henicz, Daniel Eduardo, Urban Design 66.7% | 33.3% 2 | 4 Tobias Haag, Yonne-Luca Hack, Jana Hainbach, Doris Hallama, Urban Development 33.3% | 66.7% 2 | 3 Visual Arts 40.0% | 60.0%

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ACTIVE Graphic Design Template AN [email protected] ediundsepp Gestaltungsgesellschaft mbH PLAY TO IN CROSS-LEVEL COLLABORATION, IT IS IMPORTANT TO PRESS THOSE RESPONSIBLE Print REVIEW WHISHES AT DEPARTME NT AND SCHOOL LE VELS, APPROACHE WHO AND TO START INITIATIVES. Joh. WALCH GmbH & Co KG OW WHO N S Publisher EVERYONE Technische Universität München (TUM) Fakultät für Architektur PARITY BOARD Arcisstr. 21, 80333 München OPEN FOR YOUR ENGAGEMENT! www.ar.tum.de, [email protected] TO STRENGHTEN GENDER EQUALITY WORK AT ALL LEVELS OF THE DEPARTMENT, A PARITY BOARD WAS ESTABLISHED BY THE DEPARTMENT OF ARCHITECTURE AT THE END OF 2019. IT IS TO JOINTLY DEVELOP GOALS AND STRATEGIES FOR AN EQUAL-OPPORTUNITIES WORKING ENVIRONMENT AT THE TUM DEPARTMENT OF ARCHITECTURE. THE INITIAL GOALS ARE TO ANCHOR THE DEPARTMENT`S PRINCIPLES OF EQUALITY AND CONDUCT CONTINUOUS ISBN 978-3-948278-25-0 GENDER PARITY MONITORING OF THE DEPARTMENT, AS WELL AS ACHIEVE A CLEAR INSTITUTIONAL ANCHORING OF THE BOARD. THE PARITY BOARD IS MADE UP OF MEMBERS OF THE STUDENT BODY, JUNIOR STAFF, ADMINISTRATION AND FACULTY STAFF. IT IS CURRENTLY AN OPEN ISSN 2698-6108 BODY WITH NO FIXED NUMBER OF MEMBERS. Graphic by J. Abele, N. Förster, D. Hallama, L. Henicz, S. Pritscher, J. Schmidt and S. Schuster. Schmidt and S. Schuster. J. Hallama, L. Henicz, S. Pritscher, D. N. Förster, Abele, J. by Graphic Insights into cutting-edge architecture practice and design research in 2020.

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