KPFA Folio
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Network Notebook
Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
Pavel Lisitsian Discography by Richard Kummins
Pavel Lisitsian Discography By Richard Kummins e-mail: [email protected] Rev - 17 June 2014 Composer Selection Other artists Date Lang Record # The capital city of the country (Stolitsa Agababov rodin) 1956 Rus 78 USSR 41366 (1956) LP Melodiya 14305/6 (1964) LP Melodiya M10 45467/8 (1984) CD Russian Disc 15022 (1994) MP3 RMG 1637 (2005 - Song Listen, maybe, Op 49 #2 (Paslushai, byt Anthology Vol 1) Arensky mozhet) Andrei Mitnik, piano 1951 Rus MP3 RMG 1766 (2006) 78 USSR 14626 (1947) LP Vocal Record Collector's Armenian (trad) Armenian girls (Hayotz akhchikner) Matvei Sakharov, piano 1947 Arm Society 1992 Armenian girls (Hayotz akhchikner) LP Melodiya 45465/6 (1984) Armenian (trad) (arranged by Aleksandr Dolukhanian) Matvei Sakharov, piano 1948 Arm MP3 RMG 1766 (2006) Armenian girls (Hayotz akhchikner) 1960 (San LP New York Records PL 101 Armenian (trad) (arranged by Aleksandr Dolukhanian) Maro Ajemian, piano Francisco) Arm (1960) Crane (Groong) 1960 (San LP New York Records PL 101 Armenian (trad) (arranged by Aleksandr Dolukhanian) Maro Ajemian, piano Francisco) Arm (1960) Russian Folk Instrument Orchestra - Crane (Groong) Central TV and All-Union Radio LP Melodiya 45465/6 (1984) Armenian (trad) (arranged by Aleksandr Dolukhanian) - Vladimir Fedoseyev 1968 Arm MP3 RMG 1766 (2006) LP DKS 6228 (1955) Armenian (trad) Dogwood forest (Lyut kizil usta tvoi) Matvei Sakharov, piano 1955 Arm MP3 RMG 1766 (2006) Dream (Yeraz) (arranged by Aleksandr LP Melodiya 45465/6 (1984) Armenian (trad) Dolukhanian) Matvei Sakharov, piano 1948 Arm MP3 RMG -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
The Impact of Pacifica Foundation on Two Traditions of Freedom of Expression
Cleveland State Law Review Volume 27 Issue 4 Article 3 1978 The Impact of Pacifica oundationF on Two Traditions of Freedom of Expression Stephen W. Gard Cleveland- Marshall College of Law Jeffrey Endress Follow this and additional works at: https://engagedscholarship.csuohio.edu/clevstlrev Part of the Constitutional Law Commons, and the First Amendment Commons How does access to this work benefit ou?y Let us know! Recommended Citation Stephen W. Gard and Jeffrey Endress, The Impact of Pacifica oundationF on Two Traditions of Freedom of Expression, 27 Clev. St. L. Rev. 465 (1978) available at https://engagedscholarship.csuohio.edu/clevstlrev/vol27/iss4/3 This Article is brought to you for free and open access by the Journals at EngagedScholarship@CSU. It has been accepted for inclusion in Cleveland State Law Review by an authorized editor of EngagedScholarship@CSU. For more information, please contact [email protected]. ARTICLES THE IMPACT OF Pacifica FoundationON TWO TRADITIONS OF FREEDOM OF EXPRESSION STEPHEN W. GARD* AND JEFFREY ENDREssf I. INTRODUCTION T HERE EXIST IN THIS NATION TWO TRADITIONS of freedom of expression: "that of the written and spoken word and that of the broadcast word."' The contrast between these two traditions is extraordinary. The first has its 2 roots in the historic rejection of administrative licensing of the written word and the popular repudiation of the Alien and Sedition Act of 1798.3 This tradition regards prior restraints as virtually verboten4 and all governmental regulation of the content of expression as inherently suspect.5 In short, here freedom of speech is the rule and governmental regulation is an exception to be jealously confined within narrow, judicially defined, limits. -
Radio Unnameable
RADIO UNNAMEABLE A Documentary Film by Paul Lovelace and Jessica Wolfson 87 minutes / 2012 / USA / English HDCAM / 16:9 / Stereo LT/RT / Color and Black & White PRESS CONTACTS: Rodrigo Brandão – [email protected] Adam Walker – [email protected] PRODUCTION CREDITS DIRECTED AND PRODUCED Paul Lovelace and Jessica Wolfson EXECUTIVE PRODUCERS P. Ellen Borowitz, MJ Glembotski, Caryl Ratner CINEMATOGRAPHY John Pirozzi EDITOR Gregory Wright ORIGINAL MUSIC Jeffrey Lewis SOUND RECORDIST Paul Lovelace SOUND DESIGN AND MIX Benny Mouthon CAS and Brian Bracken INTERVIEWS INCLUDE Margot Adler (Radio Personality) David Amram (Musician) Steve Ben Israel (Actor) Joe Boyd (Record Producer) David Bromberg (Musician) Len Chandler (Musician) Simeon Coxe (musician – Silver Apples) Judy Collins (Musician) Robert Downey Sr. (Filmmaker) Marshall Efron (Humorist) Ken Freedman (WFMU Station Manager) Bob Fass Danny Goldberg (Record Producer) Wavy Gravy (Performer/Activist) Arlo Guthrie (Musician) Larry Josephson (Radio Personality) Paul Krassner (Comedian) Kenny Kramer (Comedian) Julius Lester (Musican/Author) Judith Malina (Actor) Ed Sanders (Writer/Musician –The Fugs) Steve Post (Radio Personality) Vin Scelsa (Radio Personality) Jerry Jeff Walker (Musician) and many more… ARCHIVAL AUDIO AND VIDEO APPERANCES INCLUDE Bob Dylan Shirley Clarke Dave Van Ronk Jose Feliciano Kinky Friedman Karen Dalton Allen Ginsberg Abbie Hoffman Holly Woodlawn Herbert Hunke The Incredible String Band Carly Simon Kino Lorber Inc. • 333 West 39th Street #503 NYC 10018 • 212-629-6880 •nolorber.com [email protected] SHORT SYNOPSIS Influential radio personality Bob Fass revolutionized the airwaves by developing a patchwork of music, politics, comedy and reports from the street, effectively creating free-form radio. For nearly 50 years, Fass has been heard at midnight on listener-sponsored WBAI-FM, broadcast out of New York. -
Будућност Историје Музике the Future of Music History
Будућност историје музике The Future II/2019 of Music History 27 Реч уреднице Editor's Note ема броја 27 Будућност историје музике инспирисана је истоименим Тсеминаром, организованим у оквиру конференције одржане у Српској History академији наука и уметности септембра 2017. године. Организатор семинара био је Џим Самсон, један од најзначајнијих музиколога данашњице, емеритус професор колеџа Ројал Холовеј Универзитета у Лондону, редовни члан Британске Академије и аутор више од 100 Будућност публикација, међу којима је и прва обухватна историја музике на Балкану на енглеском језику (Music in the Balkans, Leiden: Brill, 2013). Проф. The Future Самсон је љубазно прихватио наш позив да буде гост-уредник овог броја часописа, у којем објављујемо радове четворо од петоро учесника панела историје Будућност историје музике (Рајнхарда Штрома, Мартина Лесера, Кетрин Елис и Марине Фролове-Вокер). Изражавамо велику захвалност овим еминентним музиколозима на исцрпном промишљању будућности музике музике наше дисциплине и настојањима да предмет изучавања постану географске регије, друштвени слојеви и слушалачке праксе који су досад били занемарени у музиколошким разматрањима. he theme of the issue No 27 The Future of Music History was inspired by the Teponymous seminar organised as part of a conference held at the Serbian The Future Academy of Sciences and Arts in September 2017. The seminar was prepared by Jim Samson, one of the most outstanding musicologists of our time, Emeritus Professor of Music, Royal Holloway (University of London), member of Music of the British Academy and author of more than 100 publications, including the first comprehensive history of music in the Balkans in English (Leiden: Brill, Будућност историје 2013). Professor Samson kindly accepted our invitation to be the guest editor History of this issue, in which we publish articles by four of the five panelists (Reinhard Strohm, Martin Loeser, Katharine Ellis and Marina Frolova-Walker). -
Case Studies Template
COLUMBIA UNIVERSITY CASE STUDY PRESERVING MOMENTS THAT MARKED THE HISTORY OF RADIO BROADCASTING Columbia University Libraries’ Rare Book & Manuscript Library acquired legendary radio host Bob Fass’s archive, an extensive collection of radio broadcasts, original photographs, and personal correspondence, in 2016. Highlights from the 600,000 minutes of audio offers in-depth, unfiltered insight into the counterculture of the 1960s and '70s. The recordings were stored on fragile tapes that were at risk of ruin and Memnon helped to preserve these unique audio recordings for the future. The Challenge Columbia University, chose Memnon, a Sony company, to safeguard and provide access to over two decades’ worth of audiotapes from the archive of groundbreaking broadcaster Bob Fass. The complex project was funded in various phases by a grant from the Council of Library and Information Resources and supplemented by a crowd-sourced fundraising initiative. The goal of the project was to digitize and preserve deteriorating ¼” reel-to-reel tapes and audio cassettes. The initial focus was to prioritize undated and unidentified recordings as well as those from the ‘60s and ‘70s. The recordings suffered from a variety of preservation issues due to less than ideal storage conditions and age. Many tapes needed extensive repair, treatment for mold, and unique playback methods to be transferred successfully. A pioneer of “free form” radio for 50 years, Fass is best known for his late-night program Radio Unnameable. During the sixties it featured unscripted appearances by poets and musicians like Allen Ginsberg and Bob Dylan, and social activists like Abbie Hoffman and Timothy Leary – a forum where listeners could interact with their idols and one another. -
A Performance Guide to George Rochberg's Caprice Variations For
A Performance Guide to George Rochberg’s Caprice Variations for Solo Violin by YUNG-YU LIN A thesis submitted in conformity with the requirements for the degree of Doctor of Musical Arts Faculty of Music University of Toronto © Copyright by YUNG-YU LIN 2020 A Performance Guide to George Rochberg’s Caprice Variations for Solo Violin YUNG-YU LIN Doctor of Musical Arts Faculty of Music University of Toronto 2020 Abstract The American composer George Rochberg’s Caprice Variations, composed in 1970, draws on a vast array of historical stylistic references from the Baroque to the modern musical periods. For Rochberg serialism, arguably the most influential compositional technique of the twentieth century, could no longer convey the full extent of what he wanted to express in his music. After the death of his son Paul in 1964, he determined to renew his musical language by returning to tonality, yet without abandoning a twentieth-century musical idiom. His Caprice Variations marks one of his first attempts to bring together the two polar opposite worlds of tonality and atonality. This one-and-a-half-hour-long work for solo violin is based on the theme from Paganini’s 24 Caprices for Solo Violin, Op.1, No. 24, and presents a wide range of technical challenges for the violinist. Since the piece is long, difficult to play, and now fifty years old, a performance guide to assist violinists is a useful contribution to the pedagogical literature. With a thorough analysis of the piece, and a consideration of both compositional and violin practice issues, as well as discussions with the original editor of the work and two violinists who have recorded it, ii my research will offer a complete performance guide for performers, advanced violin students, and violin teachers to assist them in achieving a deeper understanding of the work and a high level of artistic performance. -
Gerhard Samuel Collection ARS.0049
http://oac.cdlib.org/findaid/ark:/13030/kt8779s460 No online items Guide to the Gerhard Samuel Collection ARS.0049 Finding aid prepared by Franz Kunst Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] © 2011 The Board of Trustees of Stanford University. All rights reserved. Guide to the Gerhard Samuel ARS.0049 1 Collection ARS.0049 Descriptive Summary Title: Gerhard Samuel Collection Dates: 1940-2007 Collection number: ARS.0049 Creator: Samuel, Gerhard Collection size: 104 boxes: 695 reels ; 889 audiocassettes ; 10 DATs ; 13 phonogram discs ; 5 compact discs ; 19 CD-Rs ; 11 videocassettes ; 1 DVD-R ; 26 computer discs ; approximately 5 boxes of photographs, film, microfilm, and slides. Remainder are paper files. Repository: Archive of Recorded Sound Abstract: Papers and recordings from American conductor and composer Gerhard Samuel (1924-2008), particularly from his years conducting the Oakland Symphony, Minneapolis Symphony, and University of Cincinnati. Language of Material: Multiple languages Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive for assistance. Publication Rights Property rights reside with repository. Publication and reproduction rights reside with the creators or their heirs. To obtain permission to publish or reproduce, please contact the Head Librarian of the Archive of Recorded Sound. Preferred Citation Gerhard Samuel Collection, ARS-0049. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, Calif. Source The Gerhard Samuel Collection was donated to the Stanford Archive of Recorded Sound by Erica Wilhelm in 2009. -
Armenian Orchestral Music Tigran Arakelyan a Dissertation Submitted
Armenian Orchestral Music Tigran Arakelyan A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2016 Reading Committee: David Alexander Rahbee, Chair JoAnn Taricani Timothy Salzman Program Authorized to Offer Degree: School of Music ©Copyright 2016 Tigran Arakelyan University of Washington Abstract Armenian Orchestral Music Tigran Arakelyan Chair of the Supervisory Committee: Dr. David Alexander Rahbee School of Music The goal of this dissertation is to make available all relevant information about orchestral music by Armenian composers—including composers of Armenian descent—as well as the history pertaining to these composers and their works. This dissertation will serve as a unifying element in bringing the Armenians in the diaspora and in the homeland together through the power of music. The information collected for each piece includes instrumentation, duration, publisher information, and other details. This research will be beneficial for music students, conductors, orchestra managers, festival organizers, cultural event planning and those studying the influences of Armenian folk music in orchestral writing. It is especially intended to be useful in searching for music by Armenian composers for thematic and cultural programing, as it should aid in the acquisition of parts from publishers. In the early part of the 20th century, Armenian people were oppressed by the Ottoman government and a mass genocide against Armenians occurred. Many Armenians fled -
Found, Featured, Then Forgotten: U.S. Network TV News and the Vietnam Veterans Against the War © 2011 by Mark D
Found, Featured, then Forgotten Image created by Jack Miller. Courtesy of Vietnam Veterans Against the War. Found, Featured, then Forgotten U.S. Network TV News and the Vietnam Veterans Against the War Mark D. Harmon Newfound Press THE UNIVERSITY OF TENNESSEE LIBRARIES, KNOXVILLE Found, Featured, then Forgotten: U.S. Network TV News and the Vietnam Veterans Against the War © 2011 by Mark D. Harmon Digital version at www.newfoundpress.utk.edu/pubs/harmon Newfound Press is a digital imprint of the University of Tennessee Libraries. Its publications are available for non-commercial and educational uses, such as research, teaching and private study. The author has licensed the work under the Creative Commons Attribution-Noncommercial 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/us/. For all other uses, contact: Newfound Press University of Tennessee Libraries 1015 Volunteer Boulevard Knoxville, TN 37996-1000 www.newfoundpress.utk.edu ISBN-13: 978-0-9797292-8-7 ISBN-10: 0-9797292-8-9 Harmon, Mark D., (Mark Desmond), 1957- Found, featured, then forgotten : U.S. network tv news and the Vietnam Veterans Against the War / Mark D. Harmon. Knoxville, Tenn. : Newfound Press, University of Tennessee Libraries, c2011. 191 p. : digital, PDF file. Includes bibliographical references (p. [159]-191). 1. Vietnam Veterans Against the War—Press coverage—United States. 2. Vietnam War, 1961-1975—Protest movements—United States—Press coverage. 3. Television broadcasting of news—United States—History—20th century. I. Title. HE8700.76.V54 H37 2011 Book design by Jayne White Rogers Cover design by Meagan Louise Maxwell Contents Preface ..................................................................... -
CPB--Qualified Public Radio Stations. Fiscal Year 1974
DOCUMENT RESUME ED 134 214 IR 004 405 AUTHOR Lee, S. Young; And Others TITLE CPB--Qualified Public Radio Stations. FiscalYear 1974. INSTITUTION Corporation for Public Broadcasting, Washington, D.C. SPONS AGENCY National Center for Education Statistics(DHEW) , Washington, D.C. PUB DATE 76 NOTE 68p. EDRS PRICE MF-$0.83 HC-$3.50 Plus Postage. DESCRIPTORS Broadcast Industry; *Economic Factors; Employment Patterns; *Employment Statistics; FinancialSupport; Graphs; Income; Mass Media; OccupationalSurveys; Operating Expenses; *Programing (Broadcast);*Radio; Statistical Data; *Statistical Surveys IDENTIFIERS Puerto Rico; United States ABSTRACT This publication is a part ofa series of reports on public broadcasting. Statisticson financial, employment and broadcast and population activities of 155 publicradio stations in the United States and Puerto Ricoare included. The first section covers total funds, direct operating costs, capital expenditures,and other financial topics. The second part dealsvith the employment status of station employees by full time, half timeand part time employment with relation to sex and minoritygroups. The final section covers weekly and yearly broadcasthours. Data are presented in six figures and twenty-four tables. Appendicesinclude definitions of selected organizations, tables of publicsystems income, qriteria for determining eligibility,surveys, and questionnaires. (AP) ****************************************** *************************** Documents acquired by ERIC include a-y informal unpublished * materials not available from othersources. ERIC makes every effort * * to obtain the best copy available. Nevertheless,items of marginal * * reproducibility are often encountered and thisaffects the quality * * of the microfiche and hardcopy reproductionsERIC makes available * * via the ERIC Document Reproduction Service(EDRS). EDRS is not * responsible for the quality of the original document.Reproductions * * supplied by EDRS are the best thatcan be made from the original.