DOCSLIB.ORG

Gerhard Samuel Collection ARS.0049

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Gerhard Samuel Collection ARS.0049 http://oac.cdlib.org/findaid/ark:/13030/kt8779s460 No online items Guide to the Gerhard Samuel Collection ARS.0049 Finding aid prepared by Franz Kunst Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] © 2011 The Board of Trustees of Stanford University. All rights reserved. Guide to the Gerhard Samuel ARS.0049 1 Collection ARS.0049 Descriptive Summary Title: Gerhard Samuel Collection Dates: 1940-2007 Collection number: ARS.0049 Creator: Samuel, Gerhard Collection size: 104 boxes: 695 reels ; 889 audiocassettes ; 10 DATs ; 13 phonogram discs ; 5 compact discs ; 19 CD-Rs ; 11 videocassettes ; 1 DVD-R ; 26 computer discs ; approximately 5 boxes of photographs, film, microfilm, and slides. Remainder are paper files. Repository: Archive of Recorded Sound Abstract: Papers and recordings from American conductor and composer Gerhard Samuel (1924-2008), particularly from his years conducting the Oakland Symphony, Minneapolis Symphony, and University of Cincinnati. Language of Material: Multiple languages Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive for assistance. Publication Rights Property rights reside with repository. Publication and reproduction rights reside with the creators or their heirs. To obtain permission to publish or reproduce, please contact the Head Librarian of the Archive of Recorded Sound. Preferred Citation Gerhard Samuel Collection, ARS-0049. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, Calif. Source The Gerhard Samuel Collection was donated to the Stanford Archive of Recorded Sound by Erica Wilhelm in 2009. Sponsor This finding aid was produced with generous financial support from the National Historical Publications and Records Commission. Scope and Contents The conductor and composer Gerhard Samuel (1924-2008) was born in Bonn, Germany, and immigrated with the Samuel family to the United States in February 1939. Exhibiting remarkable musical ability from an early age, Samuel received training with Paul Hindemith at Yale and Serge Koussevitzky at Tanglewood, and studied composition with Howard Hanson at the Eastman School of Music. Following a short time working on Broadway and in France, Samuel rose to prominence in the late 1940s under Antal Doráti and the Minneapolis Symphony Orchestra. The Gerhard Samuel Collection documents his career both as composer and conductor, the latter especially during his tenures with the Oakland Symphony, San Francisco Ballet, Philharmonia Orchestra and Contemporary Music Ensemble at the University of Cincinnati, and, as associate conductor, the Los Angeles Philharmonic and Minneapolis Symphony. In particular, the collection demonstrates Samuel's commitment to contemporary music, as with his programming of a great many living composers (many of whom corresponded with Samuel regularly), and his involvement as a founder and musical director with the Cabrillo Music Festival. The Oakland Symphony under Samuel offered the West Coast debut for works by Karlheinz Stockhausen, Terry Riley, Lou Harrison, Darius Milhaud, and many others. This collection contains original recordings of performances, rehearsals, auditions, and lectures, as well as recordings of Samuel's own compositions. In addition, the Samuel Collection features archival materials from throughout his life and career, including business and personal correspondence; concert programs, posters and handbills; photographs; publicity, press clippings and scrapbooks; business records; lecture and teaching materials, and Samuel's entire library of musical scores including original musical manuscripts. Indexing Terms Cabrillo Music Festival. Cincinnati Philharmonia Orchestra. Oakland Symphony Orchestra. I. Media Guide to the Gerhard Samuel ARS.0049 2 Collection ARS.0049 I. Media 1. Audio - Tape Reels 1. Audio - Tape Reels Physical Description: 23 boxes Box 11 John C. Adams, American Standard. Recorded on Obscure Records. Sesac Inc. Physical Description: 1 5" open reel tape Box 20 Samuel Adler, Summer Stock overture. 7th Army Symphony, Adler, conductor ; Symphony no.1. Dallas Symphony Orchestra, Hendl, conductor Physical Description: 1 7" open reel tape Box 20 Samuel Adler, Symphony no.2. Dallas Symphony Orchestra, Hendl, conductor Physical Description: 1 7" open reel tape Box 22 Lisa Ancona. No I William Tell and M-Bow ; Pied Piper of Hamlin ; Til Eulenspiegel. KEAR Physical Description: 2 5" open reel tapes Box 20 Theodore Antoniou Physical Description: 2 5" open reel tapes Box 11 Theodore Antoniou Tape #3 Physical Description: 1 5" open reel tape Box 15 Larry Austin, Catharsis: Open Style for Two Improvisation Ensembles, Tape and Conductor. Master Dub Physical Description: 1 7" open reel tape Box 3 Larry Austin, Improvisation for Orchestra and Jazz Soloists. National Symphony, Gunther Schuller, conductor. 1962-05-31 Physical Description: 1 7" open reel tape Box 23 Bach, Trio Sonata. Ashworth Williams, Fenner Goldberg 1967-07 Physical Description: 1 7" open reel tape Box 20 Harry Bartlett, Concertino for Percussion Physical Description: 1 5" open reel tape Box 7 Bruno Bartolozzi, Concertazioni for Bassoon, Strings and Percussion. Bartolozzi, conductor. Sergio Penazzi, bassoon ; Lou Harrison, Cinna. Tuning and first half of piece Physical Description: 1 7" open reel tape Box 23 Beckett-McDonald Piano Duo. University of Manitoba recital. Hindemith, Sonata for Dual Pianos ; John Cage, Three Dances for 2 Prepared Pianos ; Bartok, Five Pieces from Mikrokosmos for Two Pianos 1968-11-29 Physical Description: 1 7" open reel tape Box 3 Beethoven 1964-11-23 Physical Description: 1 7" open reel tape Box 7 Beethoven, Symphony No. 9 Physical Description: 2 7" open reel tapes Guide to the Gerhard Samuel ARS.0049 3 Collection ARS.0049 I. Media 1. Audio - Tape Reels Box 20 [Berg], Wozzeck. Mitropoulos 1957 Physical Description: 1 5" open reel tape Box 20 Berg Physical Description: 1 7" open reel tape Box 12 Bergsma, Sweet Was The Song The Virgin Sung. Galaxy Music Corp. Physical Description: 1 7" open reel tape Box 20 Berio, Laborinthus Physical Description: 1 7" open reel tape Box 20 Berio, Laborinthus II Physical Description: 1 7" open reel tape Box 12 Berio, Laborinthus II. Swingle Singers, RTF group, Berio, conductor Physical Description: 1 7" open reel tape Box 15 Berio, Sinfonica Physical Description: 1 7" open reel tape Box 7 John Biggs, Audition Tape. Oboe Concerto. Michael Zearott, conductor 5/1961 ; Motets. Gregg Smith Singers 1960 ; Scherzo. Westwood Wind Quintet 1960 ; Piano Variations. Michael Zearott, KPFK 6/25/62 ; Pastoral for Clarinet and String Quartet. Tom Osborne and Albert Quartet 6/29/62 ; Incidental Music for La Mort Qui Faillit Trepasser (Puppet Show) Physical Description: 1 7" open reel tape Box 7 John Biggs, Symphony No.1. Antwerp Philharmonic Orchestra Physical Description: 1 7" open reel tape Box 12 John Biggs, Triple Concerto. Michael Zearott, conductor. Schoenberg Hall. 1963-02-25 Physical Description: 1 7" open reel tape Box 23, Box 4 Boone and Samuel Concert, KQED Physical Description: 2 7" open reel tapes Box 4 Charles Boone, Radiation. Lumbya Physical Description: 1 7" open reel tape Box 4 Charles Boone, String Piece (1978) ; Streaming (1979) Physical Description: 1 7" open reel tape Box 4 Charles Boone, Second Landscape (1973). Ensemble European de Musique Contemporaine, Tabachnik, conductor [letter to Samuel enclosed] Physical Description: 1 7" open reel tape Box 4 Charles Boone, First Landscape (1971). San Francisco Symphony Orchestra, Ozawa, conductor. Physical Description: 1 7" open reel tape Box 11 Boston Symphony Orchestra, Leinsdorf, conductor. Scenes from Goethe's Faust 1966-02-26 Physical Description: 2 7" open reel tapes Guide to the Gerhard Samuel ARS.0049 4 Collection ARS.0049 I. Media 1. Audio - Tape Reels Box 22 G. Bottesini, Grand Duo Concertante Physical Description: 1 5" open reel tape Box 4 Boulez. Ojai. Domaines Physical Description: 1 7" open reel tape Box 23 James Boyk, pianist. American West Festival, Colorado State University. Chopin, Schumann, Mozart, Prokofiev 1972-08-15 Physical Description: 1 7" open reel tape Box 20 Brahms, Piano Concerto No.1 1964-01 Physical Description: 1 7" open reel tape Box 3 Brahms, Piano Concerto No.2 ; Haydn, Symphony 1964-01 Physical Description: 2 7" open reel tapes Box 3 Brahms part II 1956-02-24 Physical Description: 1 7" open reel tape Box 4 Henry Brant, Orbits. Sunday Evening Version. 1979-02 Physical Description: 1 7" open reel tape Box 20 Britten, Nocturne. Carringer Physical Description: 1 7" open reel tape Box 20 William Brusick, Serenade and Kinetic Dance. Don Commiskey, clarinet, William Brusick, piano 1981-02-17 Physical Description: 1 5" open reel tape Box 23 Brussells '66. Berlioz, Brahms, etc. [Reels 1 and 2 of 3] 1966 Physical Description: 2 7" open reel tapes Box 12 Harold Budd, Life Cycle. Chamber Orchestra. UCSD 1972-02 Physical Description: 1 7" open reel tape Box 4 Busoni, Doktor Faust. Philharmonia Orchestra, Boult, conductor Physical Description: 3 7" open reel tapes Box 4 Busoni, Four Scenes from Doktor Faust. From Busoni Fund concert 1962-05-14 Physical Description: 1 7" open reel tape Box 4 Busoni, Lustspiel Overture ; Sarabande Cortege Physical Description: 1 7" open reel tape Box 4 Busoni, Piano Concerto Physical Description: 3 7" open reel tapes Box 4 Busoni, Turandot Suite Physical Description:
Load more

Recommended publications
  • Join the National Philharmonic in a Triumphant
    West End Off-Broadway United States International Entertainment Log In Re Washington, DC Sections Shows Chat Boards Jobs Students Video Industry Insider Join the National Philharmonic In a Hot Stories BroadwayWorld TV Triumphant Celebration of Poland's 100th Anniversary of Independence Complete Casting Announced for HOW TO by BWW News Desk May. 23, 2018 Tweet Share SUCCEED at the Kennedy Center TV Exclusive: Florida State Universi The National Philharmonic ends its 2017-2018 Southern Heat to Broadway S season at The Music Center at Strathmore with a musical celebration, "100th Anniversary of Poland's Independence," on Saturday, June 2 at 8 p.m. at the Concert Hall at the Music Center at Parris, Breckenridge, & More Strathmore. Conducted by world-renowned Join Drew Gehling in DAVE at Arena Stage Polish Maestro Miroslaw Jacek Baszczyk, the 10 DAYS TO GO ­ CLICK HERE TO V concert will feature music composed by LIVE UPDATE: Poland's greatest musicians, performed by SPONGEBOB SQUAREPANTS or ME some of today's leading vocalists and musicians. for Best Musical... The performance will commence with an introduction by the Ambassador of Poland, Mosaic's Third Season Concludes With Epic World Piotr Wilczek. The 100th anniversary of Poland has signicant meaning for The National Premiere Starring Hadi Philharmonic, which is led by Polish-born Music Director and Conductor Piotr Gajewski. Tabbal One of The National Philharmonic's veteran artists, Brian Ganz-who will perform at the Polish celebration concert-is also a frequent performer of Frédéric Chopin, beginning a quest in 2011 to perform all of the great Polish composer's works.
    [Show full text]
  • AN ANALYSIS of “SEVEN LAST WORDS from the CROSS” (1993) by JAMES MACMILLAN by HERNHO PARK DISSERTATION Submitted in Partial
    AN ANALYSIS OF “SEVEN LAST WORDS FROM THE CROSS” (1993) BY JAMES MACMILLAN BY HERNHO PARK DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Choral Music in the Graduate College of the University of Illinois at Urbana-Champaign, 2015 Urbana, Illinois Doctoral Committee: Professor Barrington Coleman, Chair Professor Carlos Carrillo, Director of Research Professor Michael Silvers Professor Fred Stoltzfus ABSTRACT James MacMillan is one of the most well-known and successful living composers as well as an internationally active conductor. His musical language is influenced by his Scottish heritage, the Catholic faith, and traditional Celtic folk music, blended with Scandinavian and European composers including Olivier Messiaen (1908-1992), Alfred Schnittke (1943-1998), and Igor Stravinsky (1882-1971). His cantata for choir and strings Seven Last Words from the Cross, was commissioned by BBC (British Broadcasting Corporation) television, composed in 1993, and premiered in 1994 by Cappella Nova and the BT (British Telecom) Scottish Ensemble. While this piece is widely admired as one of his best achievements by choral conductors and choirs, it is rarely performed, perhaps due to its high level of difficulty for both the string players and singers. The purpose of this dissertation is to present an analysis of the Seven Last Words from the Cross by James MacMillan aimed to benefit choral conductors rather than audiences. Very little has been written about MacMillan's choral works. My hope is to establish a foundation on which future scholars may expand and explore other choral works by MacMillan.
    [Show full text]
  • University of Oklahoma
    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE PIANO CONCERTOS OF PAUL HINDEMITH A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirement for the degree of Doctor of Musical Arts By YANG-MING SUN Norman, Oklahoma 2007 UMI Number: 3263429 UMI Microform 3263429 Copyright 2007 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, MI 48106-1346 THE PIANO CONCERTOS OF PAUL HINDEMITH A DOCUMENT APPROVED FOR THE SCHOOL OF MUSIC BY Dr. Edward Gates, chair Dr. Jane Magrath Dr. Eugene Enrico Dr. Sarah Reichardt Dr. Fred Lee © Copyright by YANG-MING SUN 2007 All Rights Reserved. ACKNOWLEDGMENTS This paper is dedicated to my beloved parents and my brother for their endless love and support throughout the years it took me to complete this degree. Without their financial sacrifice and constant encouragement, my desire for further musical education would have been impossible to be fulfilled. I wish also to express gratitude and sincere appreciation to my advisor, Dr. Edward Gates, for his constructive guidance and constant support during the writing of this project. Appreciation is extended to my committee members, Professors Jane Magrath, Eugene Enrico, Sarah Reichardt and Fred Lee, for their time and contributions to this document. Without the participation of the writing consultant, this study would not have been possible. I am grateful to Ms. Anna Holloway for her expertise and gracious assistance. Finally I would like to thank several individuals for their wonderful friendships and hospitalities.
    [Show full text]
  • National Endowment for the Arts Annual Report 1990
    National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................
    [Show full text]
  • Senior Recital: Xu Xiao, Viola
    Senior Recital: Xu Xiao, Viola 20th April, Friday, 6pm, Conservatory Concert Hall _______________________________________________________ JOHANNES BRAHMS (1833-1897) Brahms' Sonata For cello and piano No. 1 in E minor, Op. 38 ( Viola Transcription) l. Allegro non troppo ll. Allegretto quasi Minuetto lll. Allegro INTERMISSION (10’) PAUL HINDEMITH (1895-1963) Der Schwanendreher l. "Zwischen Berg und tiefem Tal" ll. "Nun laube, Lindlein, laube!“ lll. “Seid ihr nicht der schwanendreher” Program Notes: Johannes Brahms (1833-1897) Brahms' Sonata No. 1 in E minor, Op. 38 is the first of two sonatas for piano and cello. It was begun in 1862 during Brahms' stay in the mountain village of Bad Munster am Stein-Ebernburg, where he wrote the first two movements and an Adagio movement, which was later dropped. After the existing finale was added in 1865, Brahms dedicated the completed sonata to his friend Josef Gansbacher, an amateur cellist and professor at the Singing Akademie in Vienna. The deep sonorities and the haunting melodies of the Allegro non troppo create a mood throughout the movement that is melancholic and sometimes wistful. The opening theme is a beautiful melody which rises from the depths of the cello's low E, soars for a few moments, then wanders its way back down the G and C strings to give way to the piano entrance. Brahms uses chromaticism to charm in the Allegretto quasi Minuetto. Chromatic melodies in F-sharp minor and A major sweep through the cello line, creating appropriately edgy dissonances on the strong beats of the measure. Sighing figures played three times in succession make up the only asymmetrical phrases in the entire piece.
    [Show full text]
  • MUNI 20101013 Piano 02 – Scott Joplin, King of Ragtime – Piano Rolls
    MUNI 20101013 Piano 02 – Scott Joplin, King of Ragtime – piano rolls An der schönen, blauen Donau – Walzer, op. 314 (Johann Strauss, Jr., 1825-1899) Wiener Philharmoniker, Carlos Kleiber. Musikverein Wien, 1. 1. 1989 1 intro A 1:38 2 A 32 D 0:40 3 B 16 A 0:15 4 B 16 0:15 5 C 16 D 0:15 6 C 16 0:15 7 D 16 Bb 0:17 8 C 16 D 0:15 9 E 16 G 0:15 10 E 16 0:15 11 F 16 0:14 12 F 16 0:13 13 modul. 4 ►F 0:05 14 G 16 0:20 15 G 16 0:18 16 H 16 0:14 17 H 16 0:15 18 10+1 ►A 0:10 19 I 16 0:17 20 I 16 0:16 21 J 16 0:13 22 J 16 0:13 23 16+2 ►D 0:16 24 C 16 0:15 25 16 ►F 0:15 26 G 14 0:17 27 11 ►D 0:10 28 A 0:39 29 A1 16 0:16 30 A2 0:12 31 stretta 0:10 The Entertainer (Scott Joplin) (copyright John Stark & Son, Sedalia, 29. 12. 1902) piano roll Classics of Ragtime 0108 32 intro 4 C 0:06 33 A 16 0:23 34 A 16 0:23 35 B 16 0:23 36 B 16 0:23 37 A 16 0:23 38 C 16 F 0:22 39 C 16 0:22 40 modul. 4 ►C 0:05 41 D 16 0:22 42 D 16 0:23 43 The Crush Collision March (Scott Joplin, 1867/68-1917) 4:09 (J.
    [Show full text]
  • School Ofmusic
    SHEPHERD SCHOOL CHAMBER ORCHESTRA r LARRY RACHLEFF, music director JAMES DUNHAM, viola Saturday, September 27, 2003 8:00 p.m. Stude Concert Hall RICE UNNERSITY School~ ofMusic f PROGRAM .. • • Suite No. 2 for Small Orchestra Igor Stravinsky y , Marche (1882-1971) Valse Polka Galop Der Schwanendreher Paul Hindemith Zwischen Berg und tiefem Tal. (1895-1963) Langsam - Maf]ig bewegt, mit Kraft Nun laube, Lindlein, laube. Sehr ruhig - Fugato Variationen: Seid ihr nicht der Schwanendreher? Maf]ig schnell James Dunham, soloist ... INTERMISSION Symphony No.] in C Major, Op. 21 Ludwig van Beethoven Adagio molto - Allegro con brio (1770-1827) ,. Andante cantabile con moto Menuetto. Allegro molto e vivace Finale. Allegro molto e vivace The reverberative acoustics of Stude Concert Hall magnify the slightest sound made by the audience. Your care and courtesy will be appreciated. The taking ofphotographs and use of recording equipment are prohibited. SHEPHERD SCHOOL CHAMBER ORCHESTRA Violin I Double Bass (cont.) Trumpet r Maureen Nelson, Andrew Stalker Ryan Gardner concertmaster Carl Lindquist i Brittany Boulding Flute James McClarty Jacqueline Metz Michael Gordon Christopher Scanlon Eden MacAdam-Somer Andrea Kaplan Zebediah Upton Tereza Stanis/av Elizabeth Landon Virginie Gagne Trombone Piccolo Michael Clayville Violin lI Michael Gordon Steven Parker , Martin Shultz, Andrea Kaplan l principal Tuba Maria Evola Oboe Aubrey Ferguson • Angela Millner Erik Behr Jeremy Blanden Nicholas Masterson Harp Turi Hoiseth Sheila McNally Megan Levin Nilvfei Sonja
    [Show full text]
  • Central Opera Service Bulletin
    CENTRAL OPERA SERVICE BULLETIN WINTER, 1972 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaza • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Canter Plaza • Metropolitan Opera • New York, NX 10023 • 799.3467 CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Co-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. TIMOTHY FISKE E. H. CORRIGAN, JR. CARROLL G. HARPER MRS. NORRIS DARRELL ELIHU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera KURT HERBERT ADLER MRS. LOUDON MEI.LEN San Francisco Opera Opera Soc. of Wash., D.C. VICTOR ALESSANDRO ELEMER NAGY San Antonio Symphony Ham College of Music ROBERT G. ANDERSON MME. ROSE PALMAI-TENSER Tulsa Opera Mobile Opera Guild WILFRED C. BAIN RUSSELL D. PATTERSON Indiana University Kansas City Lyric Theater ROBERT BAUSTIAN MRS. JOHN DEWITT PELTZ Santa Fe Opera Metropolitan Opera MORITZ BOMHARD JAN POPPER Kentucky Opera University of California, L.A. STANLEY CHAPPLE GLYNN ROSS University of Washington Seattle Opera EUGENE CONLEY GEORGE SCHICK No. Texas State Univ. Manhattan School of Music WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center PETER PAUL FUCHS MRS. L. S. STEMMONS Louisiana State University Dallas Civic Opera ROBERT GAY LEONARD TREASH Northwestern University Eastman School of Music BORIS GOLDOVSKY LUCAS UNDERWOOD Goldovsky Opera Theatre University of the Pacific WALTER HERBERT GIDEON WALDKOh Houston & San Diego Opera Juilliard School of Music RICHARD KARP MRS. J. P. WALLACE Pittsburgh Opera Shreveport Civic Opera GLADYS MATHEW LUDWIG ZIRNER Community Opera University of Illinois See COS INSIDE INFORMATION on page seventeen for new officers and members of the Professional Committee.
    [Show full text]
  • Early Music Influences in Paul Hindemith's Compositions for the Viola Domenico L
    James Madison University JMU Scholarly Commons Dissertations The Graduate School Fall 2014 Early music influences in Paul Hindemith's Compositions for the Viola Domenico L. Trombetta James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/diss201019 Part of the Music Performance Commons Recommended Citation Trombetta, Domenico L., "Early music influences in Paul Hindemith's Compositions for the Viola" (2014). Dissertations. 5. https://commons.lib.jmu.edu/diss201019/5 This Dissertation is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Dissertations by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Early Music Influences in Paul Hindemith’s Compositions for the Viola Domenico Luca Trombetta A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Doctor of Musical Arts School of Music December 2014 To my wife Adelaide ii CONTENTS DEDICATION…………………………………………………………………………….ii LIST OF MUSICAL EXAMPLES……………………………………………………….iv LIST OF FIGURES………………………………………………………………………vi ABSTRACT……………………………………………………………………………..vii INTRODUCTION………………………………………………………………………...1 I. The Origins of Hindemith’s Interest in Early Music………………………………….5 II. The Influence of Bach’s D-Minor Chaconne for Solo Violin on Hindemith’s Viola Sonatas op. 11, no.5 and op. 31, no.4………………………………………………..14 III. Viola Concerto Der Schwanendreher………………………………………………..23 IV. Trauermusik for Viola and Strings…………………………………………………..35 CONCLUSION…………………………………………………………………………..42 BIBLIOGRAPHY………………………………………………………………………..45 APPENDICES…………………………………………………………………………...48 A. Musical Examples B. Figures iii Musical Examples 1a Hindemith, Solo Viola Sonata Op. 11, No. 5, movt. IV (In Form und Zeitmass einer Passacaglia), Theme…………………............................................49 1b Bach, Chaconne, Theme………………………………………………………....49 1c Hindemith, Solo Viola Sonata Op.
    [Show full text]
  • View PDF Online
    MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951.
    [Show full text]
  • Influencersnfluencers
    Professionals MA 30 The of the year IInfluencersnfluencers december 2015 1. GEOFFREY JOHN DAVIES on the cover Founder and CEO The Violin Channel 2. LEILA GETZ 4 Founder and Artistic Director 3 Vancouver Recital Society 1 5 3. JORDAN PEIMER Executive Director ArtPower!, University of CA, San Diego 2 4. MICHAEL HEASTON 10 11 Director of the Domingo-Cafritz Young 6 7 9 Artist Program & Adviser to the Artistic Director Washington National Opera Associate Artistic Director Glimmerglass Festival 15 8 5. AMIT PELED 16 Cellist and Professor Peabody Conservatory 12 6. YEHUDA GILAD 17 Music Director, The Colburn Orchestra The Colburn School 13 Professor of Clarinet 23 Colburn and USC Thornton School of Music 14 7. ROCÍO MOLINA 20 Flamenco Dance Artist 22 24 8. FRANCISCO J. NÚÑEZ 19 21 Founder and Artistic Director 18 Young People’s Chorus of New York City 26 25 9. JON LIMBACHER Managing Director and President St. Paul Chamber Orchestra 28 10. CHERYL MENDELSON Chief Operating Officer 27 Harris Theater for Music and Dance, Chicago 30 11. MEI-ANN CHEN 29 Music Director Chicago Sinfonietta and 18. UTH ELT Memphis Symphony Orchestra R F Founder and President 24. AFA SADYKHLY DWORKIN San Francisco Performances President and Artistic Director 12. DAVID KATZ Sphinx Organization Founder and Chief Judge 19. HARLOTTE EE The American Prize C L President and Founder 25. DR. TIM LAUTZENHEISER Primo Artists Vice President of Education 13. JONATHAN HERMAN Conn-Selmer Executive Director 20. OIS EITZES National Guild for Community Arts Education L R Director of Arts and Cultural Programming 26. JANET COWPERTHWAITE WABE-FM, Atlanta Managing Director 14.
    [Show full text]
  • GŁOS POLEK Polish Women’S Alliance of America Winter No
    GŁOS POLEK POLISH WOmen’S ALLIANCE OF AMERICA WINTER NO. 4 MMXVI CHRISTMAS IN POLAND • Kolędnicy THE POLISH WOmen’S VOICE – PUBLICATION OF THE POLISH WOmen’S ALLIANCE OF AMERICA GŁOS POLEK – oRGAN ZWiązku poLEK W AMERYCE About Us and Our Newsletter Welcome GłOS POLEK Urzędowy Organ DISTRICT PRESIDENTS IN THIS ISSUE ZWIąZKU POLEK W Ameryce District I – Illinois & Florida Wychodzi cztery razy w roku Lidia Z. Filus, 325 South Chester, • Welcome Message .............................. p 3 Park Ridge, IL 60068 THE POLISH WOMEN’S VOICE District II – Western Pennsylvania • Fraternal News ................................. p 4-7 Published four times a year Maryann Watterson, 714 Flint Street, • PWA Book Club .................................... p 8 in FEB, MAY, AUG, NOV by Allison, PA 15101 THE POLISH WOMEN’S District III – Indiana • Youth Section ....................................... p 9 ALLIANCE OF AMERICA Evelyn Lisek, 524 Hidden Oak Drive, 6643 N. Northwest Hwy., 2nd Fl. Hobart, IN 46342 • PWA C&E Foundation ...................... p 10 Chicago, IL 60631 District IV – New York & Erie, PA. www.pwaa.org • PWA Heritage Booklets .................. p 11 • PWA Gift Card Program ............ p 12-13 EDITORIAL OFFICE – REDAKCJA District V – Michigan 6643 N. Northwest Hwy., 2nd Fl. Mary Ann Nowak, 17397 Millar Rd., • News from Poland and Polonia ... p 14-15 Chicago, Illinois, 60631 Clinton Township, MI 48036 PHONE 847-384-1200 District VI – Wisconsin • In Memoriam ............................... p 16-17 FAX 847-384-1494 Diane M. Reeve, 1223 S. 10th St., Mary Mirecki Piergies, English Editor Milwaukee, WI 53204 • Thanksgiving ...................................... p 18 Lidia Rozmus, Pol. Editor/Graphic Designer District VII – Ohio Grazyna Buczek, 6920 Acres Drive, • Christmas Traditions ........................ p 19 Polish Women’s Voice (Głos Polek) Independence, OH 44131 • Christmas Recipes ...........................
    [Show full text]