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1 TO THE CONGRESS OF THE :

It is my special pleasure to transmit herewith the Annual Report of the National Endowment for the Arts for the fiscal year 1993.

The National Endowment for the Arts has awarded over 100,000 grants since 1965 for arts projects that touch every community in the Nation. Through its grants to individual artists, the agency has helped to launch and sustain the voice and grace of a generation--such as the brilliance of Rita Dove, now the U.S. Poet Laureate, or the daring of dancer . Through its grants to art organizations, it has helped invigorate community arts centers and , preserve our folk heritage, and advance the perform­ ing, literary, and visual arts.

Since its inception, the Arts Endowment has believed that all children should have an education in the arts. Over the past few years, the agency has worked hard to include the arts in our national education reform movement. Today, the arts are helping to lead the way in renewing American schools.

I have seen first-hand the success story of this small agency. In my home State of Arkansas, the National Endowment for the Arts worked in partnership with the State arts agency and the private sector to bring artists into our schools, to help cities revive downtown centers, and to support and , literature and music. All across the United States, the Endowment invests in our cultural institutions and artists. People in communities small and large in every State have greater opportunities to participate and enjoy the arts. We all benefit from this increased arts presence, and yet the cost is just 65 cents per American. The payback in economic terms has always been several-fold. The payback in human benefit is incalculable.

THE NATIONAL ENDOWMENT

FOR~THE ARTS

The Federal agency that supports the Dear Mr. President: visual, literary and perfornting arts to benqfit all Atnericans I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the fiscal year ended O~qce of the September 30, 1993. Chairman Respectfully,

Arts in Education

Challenge & A,twtncement Jane Alexander l)ance Chairman Design Arts The President Expansion Arts The White House bldk Arts , D.C.

hlternational August 1994

Literature

l.ocals

Media Arls

Music

Opent/Musical Theater

Presentin~ ~ Conlnlissioning

State ~ Regional

Theater

Visual Arts

TATEMENT

was a year of transition and attainment at the National Endowment for the Arts. Transition was, of course, prompted by the election of President Clinton and his vision of new directions for both government and nation. Attainment lay in the remarkable manner that the Endowment carried on its work during Fiscal Year 1993--from October 1, 1992 to September 30, 1993--during which time the agency operated without a chairman who had been appointed by a president and confirmed by the Senate.

Fiscal Year ’93 brought, for example, the transformation of the old Office of International Activities as the full- fledged International Program. This change signalled to applicants and potential funding partners alike the Endowment’s long-term commitment to grant-making in the international arena. One of the new program’s first concrete achievements was creation of the United States/Canada/Mexico Creative Artists’ Residencies, the first trilateral exchange program of its kind. The year also saw expansion of ArtsLink, which fosters exchanges by U.S. artists and arts administrators with their coun­ terparts in Eastern and Central Europe and the former Soviet Union. (For more details on these and other grant categories, see the relevant chapters below.)

Another culmination came in the Endowment’s publica­ tion of Dancemakers, a research study which demonstrat­ ed conclusively what insiders have argued for years: that the very creators of America’s great cultural export, dance, are an economically endangered species. Given the economic facts of their lives, it is remarkable that choreographers continue to create new dances. Yet con­ tinue they do, collectively demonstrating one of the de­ finitive traits of the artist suigenerir, to be is to create.

Like many Americans, I tend to regard museums, foun­ dations and conservatories as institutions of admirable stability. Yet the Endowment helped growth and innova­ nation. FY ’93 was barely six weeks old when the people tion occur in these institutions as well. For example, of the United States went to the polls and elected a new Program funds in FY ’93 helped the University president. After Mr. Clinton was inaugurated the follow­ of Wyoming open its new American Heritage Center ing January, he nominated the sixth chairman of the and Art Museum in Laramie. Our Challenge Program National Endowment for the Arts. The Senate con­ helped the decades-old Carter G. Woodson Foundation firmed the appointment and my swearing-in occurred expand its Black Culture on Tour in America project to a few days after the new fiscal year began. So it was that establish a Mid-Atlantic/New England touring circuit, the Endowment had operated without a presidentially- and thus extend its scope and serve vastly increased audi­ appointed executive for the entire Fiscal Year 1993. ences. The Challenge Program also helped the North During much of this period the power of the chairman Carolina School of the Arts establish a filmmaking resided in Madeleine Kunin who had been confirmed as academy this year. Deputy Secretary of Education by the Senate. She in turn conferred practical, day-to-day authority to Ana M. In the realm of music, FY ’93 saw a da capo and crescen­ Steele, as the Endowment’s Acting Senior Deputy do. The Chamber Music Rural Residencies, an innova­ Chairman. Ms. Steele had been Acting Chairman briefly, tion just a year ago, brought ensembles of chamber and after the previous administration’s acting chairman re­ jazz players to establish residencies in Georgia, Iowa and signed, and she would become de facto Senior Deputy Kansas. The communities that welcomed them have Chairman in time. generally lacked live in the past; this ini­ tiative brought the living presence of professional musi­ The fact remains that during Fiscal Year 1993, the work cians to perform in schools and church halls, to provide of the National Endowment for the Arts continued, instruction, and in general to encourage the growth of a thanks to the stewardship of Ms. Steele and to the work new cultural resource in rural places. In addition, music of barely 250 dedicated civil servants. This is a credit to found new listeners through the Media Arts Program, our democracy, the very soul of continuity in govern­ which helped a remarkable 26-program series, "Wade in ment that is the strength of this republic. the Water: African-American Sacred Music Traditions," reach the national airwaves via public broadcasting. Having joined the task after the dose of FY ’93, I am proud to endorse this Annual Report which covers the These projects are a few of those supported by the 4,096 previous period. In so doing, I extend America’s thanks to grants detailed in this report for Fiscal Year 1993. These in those who kept alight the embers of Federal support for turn represented some 16,259 applications for assistance the arts. Now let us fan the flames of new creativity in our which the Endowment received from every corner of the writers, composers and painters from Maine to Guam. Let nation. Discipline by discipline, program by program and us find comfort and inspiration in the cultural endeavors category by category, these applications were reviewed by of this land. Let us find new laughter and wisdom alike on 1,005 professionally qualified individuals and lay persons stages and screens and pages from Anchorage to the who served on 138 separate panels during the year. These Virgin Islands. Let us encourage children and young panels’ recommendations were in turn forwarded to the adults from the Upper Peninsula to the Outer Banks and National Council on the Arts for its review and endorse­ the High Desert to discover the arts as vehicles for their ment for approval by the acting chairman. own creative energies and as hopeful mirrors of their dreams. Let us listen to scientists and bend new technolo­ The few thousand grants described in this Annual Report gies into the service of the arts, which means to the service testify to the Endowment’s fidelity to its mission: to stim­ of humankind. Let this agency continue the work it began ulate all the arts throughout the land; to support excel­ more than a generation ago, and may our age come to be lence in the arts; to offer opportunities for the American remembered as the time of an American Renaissance. people to participate in the arts as creators and perform­ ers (whether, for instance, as painters on new canvas or singers of old songs) and as consumers of the arts, namely as members of living audiences.

It is all the more notable that these grants were awarded Jane Alexander during a year that was intrinsically transitional for the Chairman

1993 Annual Report 11 The Arts Endowment serves as a catalyst to increase op­ Arts portunities for artists and resources for arts organiza­ tions. It also spurs involvement in the arts by citizens, public and private organizations, and the states and local communities. The agency awards grants to nonprofit arts organizations to help support outstanding perfor­ mances, exhibitions, projects and programs. It provides fellowships to American artists of exceptional talent in order to stimulate creation of new works of art, expand Endowment the nation’s artistic resources and promote preservation of diverse cultural legacies. It funds projects whose goal is to educate (formally or informally) children and adults in the arts. It works in partnership with state and local arts agencies and regional organizations in order to pro­ mote mutual goals for the arts and our citizens across the United States. panel discusses applications and support materials in light of the review criteria in the existing guidelines, and makes recommendations for funding.

Twenty-six distinguished citizens, appointed by the President and confirmed by the Senate, plus the Chairman of the Endowment, constitute the National Council on the Arts. These citizens have broad experi­ ence in the various arts disciplines and in the major as­ pects of artistic enterprise such as creation, performance, presentation, preservation, administration and patron­ age. Representing the variety of artistic disciplines and genres in America, collectively the Council transcends single artistic interests as well as narrow geographic, ethnic and philosophical bounds.

The Council advises the Chairman on policies, pro­ grams and procedures. It also reviews and makes recom­ mendations on grant applications. Council members serve six-year terms, staggered so that roughly one-third of the Council membership rotates every two years.

The Advisory Panels

Panels composed of private citizens advise the Endow­ ment’s individual programs. They review applications, identify issues of artistic concern to the field and the American public, and help inform the policies and pro­ grams through which the Endowment pursues its mission.

1993 Annual Report 13 Nominations for panelists can come from any source in­ cluding the public at large; from artists, organizations, and leaders in the arts field; from members of Congress; from Endowment staffand Council members. Membership on the panels rotates regularly; no member may serve on a panel more than three consecutive years. No individual may serve on a panel who has a pending application be­ fore it or who is an employee or agent of an organization with a pending application before that panel.

Methods of Funding

Grant money authorized by Congress comes to the Endowment as Program Funds, Treasury Funds and Challenge Grant funds. Most direct grants to organiza­ tions and individuals come from Program funds. Most grants to organizations must be matched at least dollar­ for-dollar with funds from other sources. Grants to indi­ viduals do not require matching funds. Treasury Fund grants, awards designed to help applicants increase or sustain non-Federal contributions, generally must be matched with at least three non-Federal dollars for each Federal dollar.

Grants from the Challenge Program, which must be matched at least three-to-one, stimulate support for sig­ nificant long-term endeavors. Ranging up to $1 million, Challenge Grants this year assisted projects that promote expanded artistry, enhance access and art appreciation, and strengthen arts support systems.

(In addition to program funds, Congress appropriates administrative money that enables the Endowment to perform its work. This year administrative costs used barely 14 percent of appropriated funds. the recipient. This year more than 8 percent of the Endowment’s grant dollars support projects whose bene­ fits extend to the region of the grantee. With even broad­ er effect, more than 22 percent of Endowment grant funds support projects of national impact. Many of these attract audiences nationwide through radio or TV broad[ casting, publications or recordings. Others reach wide audiences through touring--of a dance company or a sculpture exhibition, for example. Still other grants have a national impact on their arts field by providing man­ agement or technical assistance, professional training, ca­ reer development, research or information. Because of their importance, grants having national impact are flagged throughout this report with a star.

Financial summaries conclude the book. The first part of this section reviews funds obligated in FY ’93. A history of all previous authorizations and appropriations follows.

1993 Annual Report 15

N L C L

Anne-Imelda aadice, Acting Chairman (until January 19, 1993)

Ana M. Steele, Acting Chairman and Acting Senior Deputy Chairman (after January 19, 1993)

Appointed for terms Appointed for terms ending in 1990" ending in 1992" Terms expire in 1994 Terms expire in 1996

Joseph Epstein David Baker Philip Brunelle William Bailey Writer/Teacher/Editor Composer/Teacher Artistic Director/Musician Painter/Teacher

James Wood Sally Brayley Bliss Roy M. Goodman Donald Hall Museum Director Dance Teacher/Trustee Arts Patron/Trustee Poet

Nina Brock Peter deCourcy Hero Hugh Hardy Arts Patron/Trustee Foundation President Architect

Robert Ganqas Wendy Luers Marta Istomin Scholar/Ethnomusicologist Arts Patron/Trustee Music School President

Bob Johnson Roger Mandle Louise McClure Arts Patron/Trustee . College of Art President Arts Patron/Trustee

Jocelyn Levi Straus Opera Company Director Arts Patron/Trustee Opera Singer/Trustee Catherine Yi-yu Cho Woo William E. Strickland Jr. Arts Presenter Scholar/Visual Artist Arts Administrator/ Ceramist Arthur Mitchell Dance Company George White Director/Choreographer Theater Director/Producer

* Members serve until Senate confirmation of their successors.

1993 Annual Report 17 American dance is internationally renowned for its path- second class citizens. Dancemakers, a report published breaking creativity and the breadth of its development by the Endowment in FY 93, describes the woefully in­ across an incomparable profusion of forms and traditions. adequate conditions in which choreographers carry on For nearly three decades, Arts Endowment assistance has their work and their lives. Financial rewards are meager, been a major force in fostering excellence, vitality and di­ especially when compared with other professionals of versiry in dance nationwide, and in expanding its avail­ commensurate educational levels and age. ability and appreciation. The history of dance in the United States has been Though this country’s historic choreographic achieve­ marked by prodigious invention and brilliant new forms ments are recognized around the world--dance is forged out of the convergence of many cultural tradi­ among our finest exports--choreographers are virtually tions and expressions and an American tradition of artis-

18 National Endowment for the Arts tic independence and innovation. This year the Dance continue in the repertory for the future. Ulysses Dove of Program continued to invest in the creativity of the field NY, a free-lance choreographer, received a three-year fel­ through grants to choreographers and dance companies lowship in recognition of his innovative choreography working in a wide array of idioms and aesthetic choices. for both ballet and companies. He has won commissions from American Ballet Theatre, the Since the Endowment’s beginnings, the agency has rec­ Alvin Alley American Dance Theatre, Dayton Contem­ ognized the need to help the individual choreo­ porary Dance Company and the Swedish National grapher as a keystone of U.S. artistic advance­ Ballet, among others. ment. This year the Program provided fellowship support to 46 professional chore­ To recognize the critical off-stage role ographers ranging in age from 19 to 79. that individual teachers and The work of these artists has attained a mentors have played level of national excellence in a variety in inspiring choreo­ of idioms including African American, graphic development, Asian American, ballet, classical Asian the Program initiated Indian, clogging, hip-hop, ice danc­ Master Teachers/Mentors ing, jazz, modern, post-modern, Fellowship Grants in col­ Spanish, social, tap, and others. laboration with the Arts in These grants--ranging from one Education Program. Selected to three years in duration-- en­ from nominations by the field, able artists to pay dancers, rent four distinguished individuals space for rehearsals and per­ received the first grants: Talley formance, rework materials, Beatty of , Katherine preserve their work and teach it to Dunham of East St. Louis, Illinois, others, and prepare new choreography. Daniel Nagrin of Tempe, Arizona, and Bessie Schonberg of New York. Side by side in this year’s applicant pool were numbers Through their teaching over many of active master choreographers and the younger artists decades, they have influenced the devel­ they have nurtured or inspired. Among the recipients opment of American choreographers and the art form in was the youngest artist to receive a dance fellowship frommajor ways. Each continues to work with students and the Arts Endowment. At age 19, has been professional artists in many parts of the country. acclaimed by his mentors as perhaps the most prodi­ giously talented and promising creative jazz tap dancer ofThe year’s Dance Company Grants went to 108 profes­ all time. Best known for his performances on Broadway sional dance companies in 19 states, the District of and as a featured cast member on , he has Columbia, Puerto Rico and the Virgin Islands. These been making dances and will use his grant to continue grants provide assistance for a variety of activities includ­ creating and teaching younger tap dancers in , ing the creation and production of new work, educational Washington and New York. projects, touring and home seasons.

Cholly Atkins, formerly of the legendary tap team Coles The Ballet’s season of some 60 repertory & Atkins and a towering figure in music, was performances will include a new production of Romeo awarded a rare three-year fellowship for his continued and Juliet by company director Helgi Tomasson. The work in "vocal choreography." (He has directed the premiere has occasioned a major conference sponsored movements of , Gladys Knight and the by the Dance Critics Association to examine the history Pips, the O’Jays and many others). Mr. Atkins recently of ballets on this subject. Ballet Hispanico of New York began to teach master classes and plans to continue his used part of its company grant to support the "Primeros teaching activities at major tap and jazz festivals and in Pasos" educational program which introduces public high schools and colleges. school children to dance and Hispanic culture. The Eugene Ballet of Eugene, Oregon planned one of the The venerable dance artist Jose Greco will use his fellow­most ambitious touring seasons in its history--travelling ship to ensure that his choreographies (and the tradition-to over 40 sites in Oregon, Washington, Idaho, al Spanish dance forms that he performed worldwide) Montana, Wyoming, Arizona, New Mexico and

1993 Annual Report 19 --bringing performances and educational tots, managers and choreographers and benefitted over activities to rural communities that have little exposure 2,000 persons, including students of all ages. Preserve, to professional dance. Inc. in Lee, Massachusetts is using its grant to develop, produce and distribute a comprehensive manual provid­ The Grants to Dance Presenters category helped assure ing dance companies and artists technical assistance to programming and residency activities of the highest level help them document and preserve materials. In celebra­ for artists, companies and host communities. Among the tion of its tenth year as the first year-round dance theater 50 grantees, the American Dance Festival in Durham, in the country, the Joyce Theatre in New York used its North Carolina, celebrating its 60th Anniversary, com­ grant to reduce rental fees to dance companies by rolling °1missioned new work from American modern masters back these fees to 1983 levels. Paul Taylor and , among others. The festival is an international crucible and training ground In the Special Projects category, the Program continued for choreographic exploration and educational programs. its support of the dance residencies component of the Columbia College, continuing its active engagement National Performance Network, helping 21 artists and with artists and communities in , plans to pre­ companies conduct one- and two-week residencies sent a major tap festival curated by Chicago resident through 51 performing arts organizations and communi­ artist Sarah Petronio. And Byrne Miller Dance Theater ty centers in 26 cities. The Dance Program’s collabora­ in Beaufort, South Carolina, a first-time applicant, re­ tion with Dance on Tour, to help strengthen dance tour­ ceived a grant to help bring to its community four dance ing throughout the United States, provided partial companies from other parts of the country. support through the Western States Arts Federation to 29 presenters and 29 dance artists and companies to In the Services to the Field category, grants helped ad­ offset costs of these engagements in 11 western states. dress crucial artistic and professional needs, including performance and rehearsal space and opportunities, assis­ In the spring and summer of 1993, the Endowment-sup­ tance with financial and management matters, commu­ ported "America Dancing" effort inspired 62 projects in nication within the dance world, promotion of public 59 locations and 29 states plus the District of Columbia awareness of dance, and documentation services. Dallas to highlight the rich diversity of dance in their commu­ Black Dance Theatre’s grant offset the costs of hosting nities. This was a public participation project created in the Sixth International Association of Blacks in Dance in conjunction with the Endowment-supported major pub­ January 1993. It drew over 200 dancers, artistic direc- lic television series "Dancing."

Indicates national impact. Atkins, Cholly Fleming, Donald J. Hauser, Susana di Palma Las Vegas, NV $45,000 Hoboken, NJ $20,000 Minneapolis, MN $20,000

Birch, Nathan A. Fleming, Maureen P. Hay, Deborah Baltimore, MD $20,000 New York, NY $20,000 Austin, TX $20,000

Bufalino, Brenda D. Garver, Fred Garbo Kelly, John J. New York, NY $20,000 Belmont, MA $20,000 New York, NY $20,000 To provide funds’for any projects or activities that Clemente, Steve, and Glover, Savion Kimoto, Kumiko Colon, Richard New York, NY $20,000 New York, NY $7,000 will aid professional chore- Bronx, NY $20,000 ographers’ artistic develop­ Graney, Pat M. Knight, Lakshmi ment. (Awards of $45,000 Creach, Terry L., and , WA $20,000 Stockton, NJ $20,000 are three-year grants; of Koester, Steven $20,000, two-year grants; New York, NY $20,000 Greco, Jose C. Koplowitz, Stephan M. Lancaster, PA $20,000 , NY $20,000 of $7,000 one-year grants.) Dove, Ulysses New York, NY $45,000 Green, Chuck Krieckhaus, Steve G. 46 grants New York, NY $20,000 Philadelphia, PA $20,000 Program Funds: $866,000 Fenley, A. Molissa New York, NY $20,000 Harishankar, Ramya Ladzekpo, C.K. Irvine, CA $20,000 Oakland, CA $20,000

20 National Endowment for the Arts Lee, Eva J. Warshaw, Randy L. Grants were reviewed by Ballet Metropolitan, Inc. Volcano, HI $7,000 New York, NY $20,000 Panel A, unless Panel B is Columbus, OH $15,000 indicated. To support the creation of McCullough, Rick Wilson, Llory Cay new work, rehearsal, and Winston-Salem, NC Seattle, WA $20,000 production costs during the $20,000 African American Dance 1993-94 season. Young, Bill Ensemble, Inc. [93-3321-0155] Monson, Jennifer New York, NY $20,000 Durham, NC $13,000 Brooklyn, NY $20,000 To support the creation of ~ Ballet Theatre new work, dancers’ training, Foundation, Inc. Nguyen, Long production, and rehearsal ac­ New York, NY $200,000 Oakland, CA $7,000 tivity during the 1993-94 sea­ TF$50,000* son. Panel B. [93-3321-0154] To support touring activity O’Connor, Tere R. during the 1993-94 season Brooklyn, NY $20,000 To recognize outstanding Aims of Modzawe, Inc. for the American Ballet Jamaica, NY $15,000 Theatre. [93-3321-0142] O’Slynne, Timothy master teacher/mentors To support the New York *Funds committed but not Chicago, IL $7,000 who have advanced the season, company salaries, obligated in FY’93. creative development of and production expenses Primus, Pearl E. dance. These grants were during 1993-94. Ballet West New Rochelle, NY $20,000 awarded in collaboration [93-3321-0079] Salt Lake City, UT $69,000 with, and fully funded by, To support salaries and relat­ Ramaswamy, Ranee ~" AMAN Folk Ensemble ed costs, and studio rental Burnsviile, MN $20,000 the Arts in Education , CA $70,000 during the 1993-94 season. Program. Applications To support touring, educa­ [93-3321-0145] Rethorst, Susan were reviewed by the tional projects, and rehearsal New York, NY $20,000 Dance panel listed below. activity during the 1993-94 Dance season. [93-3321-0110] Foundation Rivera, Manolo Los Angeles, CA $90,000 New York, NY $7,000 Beatty, Talley American Ballroom To support administrative New York, NY $20,000 Theater Company, Inc. and rehearsal salaries during Robinson, LaVaughn E. New York, NY $10,000 the 1993-94 season. Philadelphia, PA $20,000 Dunham, Katherine To support a rehearsal period [93-3321-0068] East St. Louis, IL $20,000 during the 1993-94 season. Rogoff, Tamar [93-3321-0101] Boston Ballet, Inc. New York, NY $20,000 Nagrin, Daniel Boston, !vIA $40,000 Tempe, AZ $20,000 Atlanta Ballet, Inc. TF$120,000 Shaw, JoAnna M. Atlanta, GA $10,000 To support costs associated New York, NY $7,000 Schi~nberg, Bessie To support rehearsal salaries with the 1993-94 season. Bronxville, NY $20,000 and production costs during [93-3321-0141] Skaggs, Sarah J. the 1993-94 season. New York, NY $20,000 [93-3321-0130] Capoeira Foundation, Inc. New York, NY $12,000 Slyde, Jimmy Bailes Flamencos To support the creation of Hanson, MA $20,000 San Francisco, CA $12,000 new work and administrative To support costs associated costs during the 1993-94 Soto, Merian To assist professional with the 20th anniversary season for DanceBrazil. New York, NY $20,000 dance companies of the season. [93-3321-0053] [93-3321-0103] Stuart, Meg highest quality realize Ballet Chicago Company Caribbean Dance New York, NY $7,000 projects that best serve Chicago, IL $10,000 Company, Inc. their artistic needs both To support dancers’ salaries St. Croix, VI $10,000 Terry, Keith L. at home and on tour. and benefits during the 1993­ To support rehearsal activity, E1 Sobrante, CA $20,000 94 season. [93-3321-0143] costs related to touring, and 108 grants the 1993-94 home season. Uchizono, Donna N. Ballet Hispanico of New [93-3321-0133] New York, NY $7,000 Program Funds: $4,586,000 York Treasury Funds: $1,308,000" New York, NY $29,000 Center Dancers Collective Waller, Diane L. To support the company’s Trenton, NJ $10,000 Minneapolis, MN $20,000 *Includes $400,000 commit­ 1993-94 New York season. To support the reconstruc­ ted but not obligated in FY’93. [93-3321-0054] tion and production of early

1993 Annual Report 21 modern dance works. Dances and Drums of Ellen Webb Dance & Korea during 1993-94. [93-3321-0129] , Inc. Foundation [93-3321-0086] Brooklyn, NY $14,000 Oakland, CA $10,000 Cleveland Ballet To support fees for choreog­ To support the creation of Foundation for Cleveland, OH $10,000 raphy, travel expenses, and new work and the 1993-94 Independent Artists, Inc. To support rehearsal activity costs related to the 1993-94 home season. [93-3321-0147] New York, NY $I0,000 during the 1993-94 season. season. [93-3321-0151] To support the creation of [93-3321-0051] Sr Dance new work and the 1993-94 ~r Dayton Contemporary Foundation, Inc. home season for Jane ~" Cunningham Dance Dance Guild, Inc. New York, NY $55,000 Comfort and Company. Foundation, Inc. Dayton, OH $24,000 To support the creation of [93-3321-0088] NewYork, NY $225,000 To support company salaries new work, touring activity TF $100,000" and touring costs in the and the 1993-94 home season ~r Foundation for To support home season, 1993-94 season. of the Erick Hawkins Dance Independent Artists, Inc. touring, and archival activity [93-3321-0108] Company. [93-3321-0111] New York, NY $14,000 during the 1993-94 season. To support the completion of Panel B. [93-3321-0104] ~" Dean Dance & Music Sr Ethnic Dance a new work during the 1993­ *Funds committed but not Foundation, Inc. Theatre, Inc. 94 season for Urban Bush obligated in FY’93. New York, NY $70,000 Minneapolis, MN $10,000 Women. [93-3321-0117] To support the creation of To support the 1993 home ~ Dance Continuum, Inc. new work, production, tour­ season, touring, and educa­ ~ Foundation for the New York, NY $22,000 ing expenses, and administra­ tional activity. Joffrey Ballet, Inc. To support costs associated tive costs during the 1993-94 [93-3321-0049] New York, NY $230,000 with touring and production season for Laura Dean To support artistic salaries, for Susan Marshall & Musicians and Dancers. ~ Eugene Ballet touring, and production Company during the 1993­ [93-3321-0064] Eugene, OR $10,000 costs in the 1993-94 season. 94 season. [93-3321-0095] To support outreach and [93-3321-0078] Della Davidson Dance touring activity during the Dance Exchange, Inc. Company 1993-94 season. Friends of Ballets de San Washington, DC $20,000 San Francisco, CA $11,000 [93-3321-0050] Juan, Inc. To support the creation and To support the creation and San Juan, PR $10,000 production of new work dur­ production of new work and Floricanto Dance Theatre To support costs associated ing the 1993-94 season. the 1993-94 home season. Whittier, CA $12,000 with the 1993-94 home sea­ [93-3321-0058] [93-3321-0135] To support costs related to son of Ballets de San Juan. the 1993-94 home season. [93-3321-0124] Dance Solos, Inc. Sr Discalced, Inc. [93-3321-0115] New York, NY $12,000 New York, NY $45,000 Dance, Inc. To support costs associated To support costs associated Forces of Nature, Inc. Rochester, NY $68,000 with the documentation of with touring, production, New York, NY $11,000 To support the home season historical work researched by and administration during To support the creation of and touring activity of the Annabelle Gamson. the 1993-94 season of the new work and touring activi­ company during the 1993-94 [93-3321-0114] Mark Morris Dance Group. ty during the 1993-94 season. [93-3321-0071] [93-3321-0139] season. [93-3321-0062] Dance Theater ~ Gotham Dance, Inc. Foundation, Inc. Sr Donald Byrd Dance ~r Foundation for Dance New York, NY $21,000 New York, NY $280,000 Foundation, Inc. Promotion, Inc. To support the creation of To support the creation and New York, NY $10,000 New York, NY $45,000 new work, touring, and ad­ revival of work, company To support costs associated To support the creation of ministrative salaries during salaries, and the 1993-94 ~4th the creation of new new work, touring, and the the 1993-94 season for Bebe home season of the Alvin work, production, touring, 1993-94 home season of the Miller and Company. Ailey American Dance and administration during Bill T. Jones/Arnie Zane Panel B. [93-3321-0137] Theatre. [93-3321-0102] the 1993-94 season. Dance Company [93-3321-0100] [93-3321-0107] ~r House Foundation for ~r Dance Theatre of the Arts , Inc. Eccentric Motions, Inc. "~" Foundation for New York, NY $100,000 New York, NY $275,000 New York, NY $12,000 Independent Artists, Inc. To support artistic salaries To support the creation of To support the creation of New York, NY $35,000 and costs associated with re­ new work, touring, rehearsal new work by Artistic To support the creation of hearsals and touring activities activity, and the 1993-94 Director Pooh Kaye and new work, touring, the home during the 1993-94 season home season. costs assoc.iated with the season, and the salary of the for /The [93-3321-0061] 1993-94 home season. company manager for Eiko House. [93-3321-0083] [93-3321-0055]

22 National Endowment for the Arts Houston Ballet Foundation Jose Limon Dance ~r Lubovitch Dance and promotion expenses in Houston, TX $22,000 Foundation Foundation, Inc. 1993-94. [93-3321-0072] TF $75,OOO New York, NY $50,000 New York, NY $57,000 To support the creation of To support the creation of To support the creation of Miami City Ballet, Inc. new work, company salaries, new work, revivals, and tour­ new work, rehearsals, and Miami Beach, FL $60,000 and the 1993-94 home sea­ ing activity during the 1993­ touring activity during the To support educational pro­ son. Panel B. [93-3321-0153] 94 season. [93-3321-0069] 1993-94 season. grams during the 1993-94 [93-3321-0119] season. [93-3321-0070] Hubbard Street Dance Joseph Holmes Dance Company Theatre Lucinda Childs Dance ~ Mixed Bag Productions Chicago, IL $12,000 Chicago, IL $10,000 Foundation, Ltd. San Francisco, CA $12,000 To support the creation of To support company salaries New York, NY $66,000 To support touring activity new work, rehearsal, and the during the 1993-94 season. To support administrative and administrative salaries home season during [93-3321-0066] salaries, creation of new during the 1993-94 season 1993-94. [93-3321-0121] work, and the 1993-94 home for the Contraband Kankouran West African season. [93-3321-0059] company. [93-3321-0057] Ice Theatre of New York Dance New York, NY $12,000 Washington, DC $10,000 Lula Washington Mordine & Company To support the creation of To support the African Contemporary Dance Chicago, IL $10,000 new work, artistic salaries, Dance Festival and artistic Foundation To support administrative and production expenses salaries during the 1993-94 Los Angeles, CA $10,000 salaries during the 1993-94 during the 1993 season. season. [93-3321-0149] To support rehearsal and season. [93-3321-0126] [93-3321-0113] performance stipends for Kansas City Ballet dancers during 1993-94. Muntu Dance Theatre ~r Institute for Association [93-3321-0123] Chicago, IL $10,000 Spanish Arts Kansas City, MO $37,000 To support the reconstruc­ New York, NY $43,000 To support artistic and ad­ Manhattan Tap, Inc. tion and production of work To support artistic salaries ministrative salaries during New York, NY $10,000 and other costs associated and costs associated with the 1993-94 season. To support rehearsal, admin­ with the 1993-94 home touring during the 1993-94 [93-3321-0075] istrative activity, and the season. [93-3321-0065] season for the Maria Benitez 1993-94 home season. Spanish Dance Company. Karen Bamonte Dance [93-3321-0098] New Dance Ensemble [93-3321-0140] Works/Amphora Minneapolis, MN $14,000 Philadelphia, PA $10,000 ~r Margaret Jenkins Dance To support guest artists’ fees Institute of Puerto Rican To support the creation of Studio, Inc. and related expenses during Culture new work, artistic fees, and San Francisco, CA $45,000 the 1993-94 season. San Juan, PR $10,000 administrative costs of the To support the creation of [93-3321-0087] To support costs associated ZeroMoving Dance new work, touring, and the with the Choreographers’ Company during the 1993­ 1993-94 home season. New Dance Theatre, Inc. Festival and touring activity 94 season. [93-3321-0063] Panel B. [93-3321-0074] , CO $17,000 during the 1993-94 season To support artistic salaries for the Ballet Concierto de Ko-Thi Dance, Inc. Center of and production costs during Puerto Rico. [93-3321-0144] Milwaukee, WI $10,000 Contemporary Dance the 1993-94 season for the To support costs associated New York, NY $235,000 Cleo Parker Robinson Dance ~ Jazz Tap Ensemble with home season and tour­ To support the creation and Theatre. Panel B. Los Angeles, CA $44,000 ing during the 1993-94 sea­ revival of work, rehearsal ac­ [93-3321-0060] To support touring and the son. [93-3321-0118] tivity, and the 1993-94 home home season during season. [93-3321-0091] New York Dance 1993-94. [93-3321-0076] LINES, A Dance Company Company, Inc. San Francisco, CA $12,000 Mary Street Dance New York, NY $12,000 Joe Goode Performance To support the creation of Theatre, Inc. To support creation of new Group new work and production Miami, FL $10,000 work and administrative San Francisco, CA $20,000 costs for the 1993-94 home To support artistic fees dur­ salaries during the 1993-94 To support salary expenses season. [93-3321-0138] ing the 1993-94 season. season. [93-3321-0152] associated with the home [93-3321-0128] season and touring activity Loretta Livingston & New York Chinese Cultural during the 1993-94 season. Dancers Memory of African Center, Inc. [93-3321-0067] Los Angeles, CA $10,000 Culture, Inc. New York, NY $10,000 To support company salaries Washington, DC $10,000 To support the creation of during the 1993-94 season. To support artistic salaries, new work, rehearsal activity, [93-3321-0092] home season production, and the 1993 home season of

1993AnnualReport 23 the Chinese Folk Dance To support the creation, ac­ ministrative activity during San Francisco Ballet Company. [93-3321-0073] quisition, and production of the 1993-94 season. Association work during the 1993-94 [93-3321-0125] San Francisco, CA $97,000 ~ season. [93-3321-0094] TF $163,000 Ballet, Inc. ~ Pick-Up Performance To support the 1993-94 New York, NY $73,000 Sr Original Ballets Company, Inc. home season and rehearsal TF $250,000* Foundation, Inc. New York, NY $75,000 activity. [93-3321-0146] To support rehearsal and New York, NY $70,000 To support the creation of touring activity during the To support touring activity new work, touring, and the School of Hard Knocks, 1993-94 season. of Feld Ballets/NY during 1993-94 home season for Inc. [93-3321-0122] the 1993-94 season. David Gordon’s Pick-Up New York, NY $11,000 *Funds committed but not [93-3321-0099] Company. [93-3321-0047] To support the creation of obligated in FY "93. new work and rehearsal Pilobolus, Inc. tivity during the 1993-94 ~ NewYork City Ballet Association Washington Depot, CT season. [93-3321-0116] Ballet, Inc. Seattle, WA $108,000 $10,000 New York, NY TF $100,000 To support the creation of Shark Dance Company TF $250,000* To support the creation and new work and rehearsal ac­ Austin, TX $10,000 [92-3321-0117] acquisition of work, produc­ tivity during the 1993-94 To support company salaries *Funds committed in FY ’92 tion and rehearsal costs, and season. [93-3321-0080] and the acquisition of new but not obligated until FY "93. a choreographic workshop work in 1993-94. during the 1993-94 season. ~ Ballet [93-3321-0132] ~ New York Foundation Panel B. [93-3321-0120] Theatre, Inc. for the Arts, Inc. Pittsburgh, PA $65,000 Solomons Company/ New York, NY $10,000 ~ Paul Taylor Dance To support the creation of Dance, Inc. To support touting activity for Foundation, Inc. new work, rehearsal activity, New York, NY $15,000 Ellen Kogan during the 1993­ New York, NY $200,000 production costs, touring, To support the creation of 94 season. [93-3321-0097] TF $100,000 and artists’ salaries during the new work, touring, and the To support the creation of 1993-94 season. 1993-94 home season. ~ Nikolais/Louis new work, touring activity, [93-3321-0093] [93-3321-0085] Foundation for Dance and the 1993-94 home sea­ New York, NY $89,000 son. [93-3321-0112] Pittsburgh Dance Alloy Stephanie Skura & To support the creation and Pittsburgh, PA $10,000 Company, Inc. reconstruction of work, tour­ ~" Paul Taylor Dance To support the creation of Seattle, WA $11,000 ing activity, and the 1993-94 Foundation, Inc. new work, home season ac­ To support the creation and home season. [93-3321-0127] New York, NY TF $100,000" tivity, and the 1993-94 New production of new work dur­ [92-3321-0117] York season. [93-3321-0089] ing the 1993-94 season. North Carolina Dance *Funds committed in FY ’92 [93-3321-0048] Theatre but not obligated until FY "93. ~ Repertory Dance Charlotte, NC $30,000 Theatre ~" Stephen Petronio To support the acquisition of Ballet Salt Lake City, UT $25,000 Dance Company, Inc. work, touring, and market­ Association To support company salaries, New York, NY $18,000 ing activity during the 1993­ Philadelphia, PA $40,000 touring activity, and produc­ To support company salaries 94 season. [93-3321-0052] To support the creation and tion costs during the 1993­ and touring activity in the production of new work dur­ 94 season. [93-3321-0134] 1993-94 season. Panel B. Oakland Ballet Company ing the 1993-94 home sea­ [93-3321-0096] & Guild son. [93-3321-0131] Rhapsody In Taps, Inc. Oakland, CA $25,000 Long Beach, CA $10,000 Terra Moto, Inc. To support the acquisition Pennsylvania Dance To support the creation and New York, NY $10,000 and creation of work, re­ Theater production of new work in To support the creation of hearsal, and production costs State College, PA $10,000 the 1993-94 season. new work for the Victoria during the 1993-94 season. To support the creation and [93-3321-0136] Marks Performance [93-3321-0084] production of new work and Company during the 1993­ artistic salaries during the Rio Grande Union, Inc. 94 season. [93-3321-0056] Oberlin Dance Collective 1993-94 season. New York, NY $18,000 San Francisco, CA $19,000 [93-3321-0148] To support administrative Three’s Company & To support company salaries salaries and the creation of Dancers during the 1993-94 season. Philadelphia Dance new work during the 1993-94 , CA $10,000 [93-3321-0090] Company season for Douglas Dunn and To support company salaries Philadelphia, PA $26,000 Dancers. [93-3321-0081] during the 1993-94 season. Ohio Chamber Ballet To support the creation of [93-3321-0109] Akron, OH $57,000 new work, touring, and ad­

24 National Endowment for the Arts ~r Trisha Brown Dance during the 1993-94 season. Contemporary Dance Dancing in the Streets, Inc. Company, Inc. [93-3341-0190] Theater, Inc. New York, NY $7,800 New York, NY $200,000 Cincinnati, OH $5,000 To support the creation and , To support rehearsals, tour­ Boston Dance Umbrella To support the presentation presentation of site-specific ing, and the 1993-94 home Cambridge, MA $34,200 of dance and related costs in work in the 1993-94 season. season. [93-3321-0082] To support the presentation the 1993-94 season. [93-3341-0208] of dance and related costs [93-3341-0226] Washington Ballet during the 1993-94 season. Danspace Project, Inc. Washington, DC $26,000 [93-3341-0216] Creative Time, Inc. New York, NY $6,800 To support the revival and New York, NY $5,000 To support dance presenta­ production of work during Brooklyn Academy of To support dance commis­ tions and related costs in the 1993-94 season. Music, Inc. sions, presentations, and re­ 1993-94. [93-3341-0197] [93-3321-0106] Brooklyn, NY $34,300 lated costs in 1993-94. To support dance presenta­ [93-3341-0220] DiverseWorks, Inc. Zenon Dance Company tion and residency activity in Houston, TX $5,400 and School, Inc. 1993-94. [93-3341-0188] D.C. Wheel To support dance presenta­ Minneapolis, MN $10,000 Productions, Inc. tions, residency activities, To support the 1993-94 Byrne Miller Dance Washington, DC $9,800 and related costs in 1993-94. home season. Theater, Inc. To support dance presenta­ [93-3341-0191] [93-3321-0150] Beaufort, SC $5,000 tion and related costs during To support the presentation the 1993-94 season. Florida Dance Zivili Kolo Ensemble of dance and related costs in [93-3341-0217] Association, Inc. Granville, OH $10,000 1993-94. [93-3341-0185] Miami, FL $5,400 To support the addition of Dance Saint Louis To support dance presenta­ work to the repertory during Catamount Film and Saint Louis, MO $11,700 tion and related costs during the 20th anniversary season. Arts Co. To support the presentation the 1993 season. Panel B. [93-3321-0105] St. Johnsbury, VT $5,000 of dance at various venues in [93-3341-0227] To support the presentation St. Louis during the 1993-94 of single and multi-day season. [93-3341-0212] Flynn Theatre for the dance performances in the Performing Arts, Ltd. 1993-94 season. Dance Theater Burlington, VT $14,700 [93-3341-0195] Workshop, Inc. To support single engage­ New York, NY $50,000 ments and multi-day residen­ Center for Contemporary To support the presentation cies during the 1993-94 sea­ To encourage and enable Arts of Santa Fe, Inc. of emerging and established son. [93-3341-0186] experienced sponsors to Santa Fe, NM $5,000 dance artists during the To support dance perfor­ 1993-94 season. Gloriana Opera Company present professional dance mances and workshops dur­ [93-3341-0199] Mendocino, CA $5,400 events of the highest artis­ ing the 1993-94 season. To support dance presenta­ tic level. [93-3341-0223] Dance Umbrella tions and related costs during Austin, TX $5,000 the 1993-94 season. 51 grants City Celebration, Inc. To support performances [93-3341-0203] San Francisco, CA $8,800 and extended residencies Program Funds: $820,940 To support costs associated during the 1993-94 season. Haleakala, Inc. Grants were reviewed by with the 1993 San Francisco Panel B. [93-3341-0232] New York, NY $9,800 Panel A unless Panel B is Ethnic Dance Festival. To support artists’ fees and indicated. [93-3341-0205] DanceAspen, Inc. other costs related to dance Aspen, CO $12,700 presenting in the 1993-94 Colorado Dance To support the presentation season. [93-3341-0224] American Dance Festival, Inc. of dance during the 1993 Festival, Inc. Boulder, CO $25,400 season. [93-3341-0230] Helena Presents To support dance presenta­ Durham, NC $63,400 Helena, MT $13,800 To support the 1993-94 se­ tions and residency activities Dancers Collective of To support the commission­ ries of dance performances in in the 1993 season. Atlanta, Inc. ing of new work, presenta­ Durham, NC. [93-3341-0201] Atlanta, GA $6,800 tion of dance, and related To support dance presenta­ [93-3341-0221] costs during the 1993-94 Columbia College tions and residency activities season. [93-3341-0198] Chicago, IL $10,300 during the 1993-94 season. Anchorage To support artistic fees relat­ Association, Inc. [93-3341-0210] Jacob’s Pillow Dance Anchorage, AK $13,700 ed to dance presentation in Festival, Inc. To support the presentation the 1993-94 season. Lee, MA $78,400 of dance and related costs [93-3341-0211] To support the year-round

1993 Annual Report 25 presentation of dance and re­ residency activities in Theater Artaud 1993-94. Panel B. lated costs during the 1993- 1993-94. [93-3341-0189] San Francisco, CA $9,800 [93-3341-0218] 94 season. [93-3341-0202] To support dance presenta­ On the Boards tion and related costs in John F. Kennedy Center Seattle, WA $17,600 1993-94. [93-3341-0194] for the Performing Arts To support the presentation Washington, DC $36,100 of dance and related expenses Thelma Hill Performing To support the presentation in the 1993-94 season. Arts Center, Inc. of American dance compa­ [93-3341-0234] Brooklyn, NY $5,000 To support exemplary nies during the 1993-94 sea­ To support the presentation ideas that will advance the son. [93-3341-0209] Painted Bride Art of dance and related adminis­ dance art form, are of na­ °1 Center, Inc. trative and production costs Philadelphia, PA $5,900 in 1993-94. [93-3341-0231] tional significance, and/or Joyce Theater can be used as models by Foundation, Inc. To support the presentation New York, NY $34,300 of dance and related costs in University of California- the whole dance field. To support artists’ fees relat­ the 1993-94 season. Berkeley Included are three grants ed to the presentation of [93-3341-0184] Berkeley, CA $29,400 under Dance On Tour. dance in the 1993-94 season. To support the presentation Other Dance On Tour Performance Space of dance and related costs in [93-3341-0196] grants can be found in the 122, Inc. 1993-94. [93-3341-0222] for the New York, NY $17,700 chapters on Presenting & Performing Arts, Inc. To support dance artists’ fees University of Iowa Commissioning, State & New York, NY $14,700 and administrative costs re­ Iowa City, IA $17,100 Regional and Underserved To support the presentation lated to dance presentation To support the commission­ Communities. of dance in the Serious Fun! in 1993-94. [93-3341-0204] ing of new work, dance pre­ and Lincoln Center Out-of- sentation, and related costs 5 Grants Doors series in 1993-94. Pittsburgh Dance during the 1993-94 season. [93-3341-0206] Council, Inc. [93-3341-0215] Program Funds: $342,475 Pittsburgh, PA $18,600 Miami-Dade Community To support dance presenta­ University of Minnesota- College tion and residency activities Twin Cities ~ Dance Theater Miami, FL $5,000 in 1993-94. [93-3341-0228] Minneapolis, MN $10,800 Workshop, Inc. To support the presentation To support artists’ fees and New York, NY $95,000 of dance and related costs San Antonio, City of other costs related to dance To support dance residencies during the 1993-94 season at San Antonio, TX $11,200 presentation in 1993-94. during the 1993-94 season of the Wolfson Campus. To support the presentation [93-3341-0225] the National Performance [93-3341-0192] of dance and residency activi­ Network. [93-3361-0235] ties in the 1993-94 season. Miami-Dade Panel B. [93-3341-0229] Seattle, WA $9,800 ~ Dance/USA Community College To support the presentation Washington, DC $10,000 Miami, FL $940 San Francisco of dance and related expenses To amend a previous grant To provide additional sup­ Performances, Inc. in 1993-94. [93-3341-0214] to support a nationwide task port following San Francisco, CA $6,400 force on dance education. Hugo for residency and per­ To support dance presenta­ , Inc. [92-3370-0284] formance activity by dance tion and related costs in the Minneapolis, MN $35,100 companies in the 1992-93 1993-94 season. To support artists’ fees for Mid-America Arts Alliance Kansas City, MO $94,840* season. [92-3341-0230] [93-3341-0193] the creation of new work, ex­ tended residencies, and per­ To support artists’ fees for Minnesota Dance Alliance Society for the formances during 1993-94. dance presentations in Minneapolis, MN $5,900 Performing Arts [93-3341-0213] Arkansas, Kansas, Missouri, To support the presentation Houston, TX $12,700 Nebraska, Oklahoma and of local and visiting dance To support the presentation Washington Performing Texas during the 1993-94 artists in 1993. Panel B. of dance and related costs Arts Society season. Reviewed by 1993 [93-3341-0207] during the 1993-94 season. Washington, DC $25,400 Dance on Tour Panel listed [93-3341-0187] To support the presentation in the Presenting & Ohio State University of dance and related costs in Commissioning Chapter. Research Foundation Sushi, Inc. 1993-94. [93-3341-0219] [93-5445-0221] Columbus, OH $19,600 San Diego, CA $7,400 *Co-funded with $48,380 To support the commission­ To support costs related to World Music Institute, Inc. ~om the State and Regional ing of new work, the presen­ dance presentation in New York, NY $5,900 Program and $35, O00j~om tation of dance artists, and 1993-94. [93-3341-0200] To support the presentation the Underserved Communities of traditional dance during Set-Aside for a total grant of $178,220. 26 National Endowment for the Arts Mid-Adantic Arts Arts Resources in ~ Dance Notation Florida Dance Foundation, Inc. Collaboration, Inc. Bureau, Inc. Association, Inc. Baltimore, MD $42,635* New York, NY $4,850 Glen Head, NY $4,850 Miami, FL $2,000 To support artists’ fees for To support post-production To support the documenta­ To provide additional sup­ dance presentations in the costs for the television series tion of choreography using port, following Hurricane District of Columbia, "Eye on Dance." Labanotation and to expand Hugo, for information ser­ Delaware, Maryland, New [93-3365-0158] the library of dance archival vices, partial costs associated Jersey, New York, Pennsyl­ materials. [93-3365-0171] with the Florida Dance vania, Virginia, West Bay Area Dance Series Festival, and a variety of ser­ Virginia and the Virgin Oakland, CA $4,850 ~ Dance Theater vices to artists, companies, Islands during the 1993-94 To support the eighth annu­ Workshop, Inc. and presenters. season. Reviewed by the al Bay Area Dance Series. New York, NY $28,850 [92-3365-0085] 1993 Dance on Tour Panel [93-3365-0156] To support the membership listed in the Presenting and services program. H.T. Dance Company, Inc. Commissioning Chapter. Boston Dance Umbrella [93-3365-0176] New York, NY $4,850 [93-5445-0223] Cambridge, MA $4,850 To support the program of *Co-funded with $35,000 To support consultation ser­ Dance Umbrella subsidized rehearsal and per­ jgom the Underserved vices, publications, general Austin, TX $4,850 formance space for dance Communities Set-Aside for a support services, and the To support staff and admin­ companies and artists. total of $77, 635. Teaching Institute for istrative costs for member [93-3365-0163] dancers. [93-3365-0168] services, space subsidy, and Western States Arts educational programs for Haleakala, Inc. Federation Carlisle Project dance artists. New York, NY $4,850 Santa Fe, NM $100,000" Carlisle, PA $4,850 [93-3365-0167] To support the Kitchen’s To support artists’ fees for To support workshops and Works-in-Progress series dance presentations in residencies for choreogra­ ~" Dance/USA for choreographers. Alaska, Arizona, California, phers and dancers. Washington, DC $28,850 [93-3365-0162] Colorado, Idaho, Montana, [93-3365-0159] To support information ser­ Nevada, New Mexico, vices, the publications pro­ ~r Jack Faucett Oregon, Utah, Washington City Center 55th Street gram, roundtables, work­ Associates, Inc. and Wyoming during the Theater Foundation shops, and professional Bethesda, MD $129,202 1993-94 season. Reviewed by New York, NY $4,850 development for the mem­ To support a cooperative the 1993 Dance on Tour To support services provided bership and the dance field. agreement for the adminis­ Panel listed in the Presenting for dance companies during [93-3365-0174] tration of on-site evaluations. and Commissioning Chapter. their home season at City [DCA-93-05] [93-5445-0015] Center. [93-3365-0169] DanceWorks, Inc. *Co-funded with $90,000 (Pentacle) Joyce Theater jgom the State & Regional ~" Colorado Dance New York, NY $19,250 Foundation, Inc. Program for a total grant of Festival, Inc. To support a variety of ser­ New York, NY $19,250 $190,000. Boulder, CO $4,850 vices to dance artists and To support the Joyce To support the activities of companies, including the Theater’s subsidized Dance the International Tap Asso­ Foundation for Independent Rental Program. ciation and its membership Artists, Unique Projects, re­ [93-3365-0160] service program. hearsal space subsidy, and [93-3365-0165] the Arts-in-Education Minnesota Dance Alliance Program. [93-3365-0164] Minneapolis, MN $12,550 ~r Dallas Black Dance To support the publication To support exemplary pro­ Theatre, Inc. Downtown Art Co., Inco of the Minnesota Dance jects that provide crucial Dallas, TX $9,000 New York, NY $4,850 newsletter, membership ser­ To support the International To support a variety of ser­ services to dance compa­ vices, and thedance produc­ Black Dance Conference and vices to dance companies and tion clearinghouse. nies and artists on a na­ planning for the Interna­ artists, including the Soho [93-3365-0177] tional or regional level. tional Association of Blacks Booking program. in Dance. [93-3365-0157] [93-3365-0170] ~ New York Public 29 grants; 1 cooperative Library/Astor, Lenox and agreement Dance Bay Area First Impressions Tilden Foundations Program Funds: $388,252 San Francisco, CA $9,650 Performances New York, NY $14,450 To support a wide variety of Los Angeles, CA $4,850 To support national services, services to dance artists and To support "Prime Moves," the staff position of the visu­ companies. [93-3365-0178] a series of shared evenings of al image specialist, and video dance presentations. documentation of dance [93-3365-0180]

1993 Annual Report 27 companies and artists. sales and the voucher pro­ Amy Lamphere* Spider Kedelsky (chair) [93-3365-0166] gram for dance performances, Director of Development and Arts consultant and teacher the Arts Information Phone Public Relations Takoma Park, MD On the Boards Line, and the Directory of Lied Center for Performing Seattle, WA $4,850 Performing Arts Organiz­ Arts, University of Nebraska Phyllis Lamhut To support the Artist Access ations. [93-3365-0175] Lincoln, NE Choreographer; teacher; Founder, Program and 12 Minutes Max performances. Yard, Inc. John Munger* Phyllis Lamhut Dance [93-3365-0179] New York, NY $4,850 Choreographer Company To support the Paul Taylor Minneapolis, MN New York, NY Original Ballets Fellowship, including perfor­ Foundation, Inc. mances at the Yard, and the Mark Murphy (chair) Daniel Lewis New York, NY $5,850 Multicultural Residency and Program Director Dean of Dance To support the salaries of Artists/Choreographers-in­ On The Boards New World School of the full-time personnel of the the-Schools programs. Seattle, WA Arts New Ballet School, which [93-3365-0183] Miami, FL provides tuition-free profes­ Toni Pimble* sional ballet training to New Artistic Director Dance Company York City public school chil­ Eugene Ballet Company Grants Eugene, OR dren. [93-3365-0161] The following served on Panel Choreographers’ A only, unless otherwise indi­ Performance Space 122, Gema Sandoval Fellowships cated. Inc. Artistic Director New York, NY $4,850 Danza Floricanto * Served on PanelsA De Area Battle Los Angeles, CA and B. To support the Consultant Founder/director/ Artists program and space ** Served on Pand B only. Choreographer Luise Elcaness Scripps rental subsidies for dance Art of Black Dance and artists. [93-3365-0182] (layperson) Art Becofsky Music, Inc. Writer; lecturer; consultant Executive Director Boston, MA Performance Zone, Inc. New York, NY Cunningham Dance Foundation (The Field) Beverly Blossom New York, NY $4,850 * Also served on prescreening New York, NY Choreographer panel. To support The Field’s ser­ New-York, NY vice activities, including ** Served on prescreening Kim Chan* panel only. Director of Dance and New Fieldwork showings, Fieldays Suzanne Carbonneau* performances, Field Forums, Pe~ormance Dance historian; critic Master Washington Performing Arts rehearsal space subsidies, and Chevy Chase, MD individual artist services. Teachers/Mentors Society Washington, DC [93-3365-0173] Kim Euell** Managing Director Yvonne Daniel ~ Preserve, Inc. Chuck Davis Oakland Ensemble Dance Historian; Lecturer Founder/Artistic Director Lee, MA $4,850 Oakland, CA Smith College and the Five To support the production, Chuck Davis Dance College Consortium Company and African- publication, and distribution Jimmy Gamonet de los Northampton, MA of a manual on the archival American Dance Ensemble Heros Durham, NC documentation and preserva­ Assistant Ballet Master and Jimmy Gamonet de los tion of dance materials. Resident Choreographer Heros [93-3365-0172] Ulysses Dove** Miami City Ballet Assistant Ballet Master Choreographer Miami Beach, FL Resident Choreographer New York, NY Theater Artaud Miami City Ballet San Francisco, CA $7,650 David Gere Miami, FL Gary Dunning To support the technical as­ Dance and Music Critic sistance rental program, the Executive Director Oakland Tribune Joan Gray Houston Ballet artist residency program, and San Francisco, CA President, Houston, TX the summertime dance pro­ Muntu Dance Theatre ject. [93-3365-0181] Bill Irwin Chicago, IL Margaret Jenkins (chair) Choreographer; ; clown Founder/Artistic Director Theatre Development New York, NY George Jackson Fund, Inc. Margaret Jenkins Dance New York, NY $19,250 (layperson) Company Microbiologist; San Francisco, CA To support discounted ticket Washington, DC

28 National Endowment for the Arts Jean Battey Lewis* Pennsylvania Ballet West Publishing Company Amy Chin Consultant; dance critic, Philadelphia, PA Minneapolis, MN Executive Director, WGMS New York Chinese Cultural Che Chase, MD W Oceola Bragg Amy Chin (chair) Center Founder/Director, Executive Director New York, NY Greicy Lovin* (layperson) 14th Street DanceCenter New York Chinese Cultural Program Analyst New York, NY Center, Inc. Allan Gray (layperson) City of Miami Department New York, NY Vice President, of Community Development Roger Copeland* Black Economic Union Miami, FL Professor of Theater Roger Copeland Kansas City, MO and Dance Professor of Theater and Bebe Miller Dance Joan Gray Founder/Artistic Director Oberlin, OH Oberlin College President, Bebe Miller and Company Oberlin, OH Muntu Dance Theater New York, NY Laura Dean* Chicago, IL Choreographer/Founder Penelope Dannenberg Stephen Petronio Laura Dean Dancers and Director of Artists’ Programs Margaret Jenkins (chair) Founder/Artistic Director Musicians and Services Artistic Director, Stephen Petronio Dance New York, NY New York Foundation for Margaret Jenkins Dance Company the Arts Company New York, NY Bill T. Jones New York, NY San Francisco, CA Artistic Director Tina Ramirez** Bill T. Jones/Arnie Zane Della Davidson Marda Kirn Founder/Artistic Director Dance Company Artistic Director Artistic Director, Ballet Hispanico New York, NY Della Davidson Dance Colorado Dance Festival New York, NY Company Boulder, CO Martha Lohmeyer* San Francisco, CA Cleo Parker Robinson (layperson) Peter MacBeth Founder/Artistic Director Gallery docent;former Jungels Music and Dance Director, Cleo Parker Robinson Dance Financial Director and Co­ Artistic Director North Carolina Arts Council Theatre Executive-Producer, Everett Dance Theater Winston-Salem, NC Denver, CO Cunningham Arts Providence, RI Foundation John McFall Francia Russell Baltimore, MD Rick McCullough Artistic Director, Co-Artistic Director Choreographer; facul(y Ballet Metropolitan Pacific Northwest Ballet Mimi McKell* member Columbus, OH Seattle, WA Cultural Programs Manager University of North City of Visalia Carolina-Greensboro Samuel Miller Margaret King Stanley* Visalia, CA Winston-Salem, NC Executive Director, Radio Arts Presenter; Founder Jacob’s Pillow Dance Festival and Former Executive Director Kathy Silbiger Laurie Uprichard Lee, MA San Antonio Performing Program Director Executive Director, Arts Association Duke University Institute of Danspace Project; Eiko Otake San Antonio, TX the Arts Managing Director, Artistic Director, Durham, NC Urban Bush Women Eiko and Korea Fred Striclder* New York, NY New York, NY Choreographer/A rtistic Brenda Way* (chair) Director Founder/Artistic Director Woodie White Arnecia Patterson Fred Strickler and Friends Oberlin Dance Collective Managing Director, The Managing Director, Riverside, CA San Francisco, CA Dance Center Dayton Contemporary Columbia College Dance Company Dance Presenters Lindi Yeni* Chicago, IL Dayton, OH The following served on Panel Founder/Artistic Director A only unless otherwise indi­ Kuumba House Overview (1993) Gema Sandoval cated. Houston, TX Artistic Director, * Served on both Panels A Rachel N. Bellow Danza Floricanto and B. General Services Program Officer for the Arts, Los Angeles, CA to the Field Andrew W. Mellon Christopher d’Amboise Foundation Artistic Director Elinor Cheung (layperson) New York, NY Attorney; editor,

1993 Annual Report 29 Much of the Design Arts Program’s activity in FY 93 was printer and user of design services, can have a sig­ prompted by a position paper written by our Presidential nificant influence on design. Federal agencies shall Design Awards jury the previous year: exercise that influence in a coherent and responsi­ ble way for the benefit of our citizens so that feder­ The federal government shall provide leadership in al spending on design becomes an investment in promoting excellence in design. Federal agencies enriching the quality of American life and the shall use and encourage the highest standards of beauty of the natural and built environment, in design in their direct and assisted activities. promoting efficiency in government, and in help­ ing to meet pressing national challenges, such as Our success in revitalizing the economy and our national and international competition, environ­ ability to compete effectively in international mar­ mental quality and energy conservation. kets depends greatly on design quality. Good de­ sign combines problem solving with cost-effective­ Early in the fiscal year, a Presidential Transition Round ness and performance with beauty. The federal Table in Little Rock considered the role of design in the government, as the nation’s single largest builder, country’s economic recovery. Conference participants

30 National Endowment for the Arts came at the invitation of a task force appointed by innovation in order to return American business to the President-elect Clinton to discuss the potential of the de­ forefront of economic competitiveness. sign professions to further stimulate America’s economy. The discussion ¯ An Urban Design Initiative to restore prompted a white paper addressing our cities and towns and to create new three areas of importance, which and sustainable communities for the were organized into ideas for design 21 st century. initiatives. These priority areas high­ light and affirm both the recent ¯ An Inclusive Design Initiative to de­ jury’s position quoted above and the velop design standards that remove Design Arts Program’s long standing barriers to participation in government mandate. The white paper’s proposed initiatives were: and access to the public realm.

¯ A Strategic Design Initiative to foster collaboration byTwenty additional initiatives were recommended by the designers, manufacturers and investors in key areas of presidential round table, fourteen of them either identi­

1993 Annual Report 31 cal or closely related to the Design Arts Program’s grant ing in elementary and secondary schools. The project categories and/or leadership initiatives. will focus on techniques of the design process that can be used to motivate students, to hone their creative and Related to the strategic design initiative, are the critical skills, and to promote collaborative learning. Presidential Design Awards, a two-tier program that rec­ ognizes design excellence in federally funded projects. The The Little Rock round table called for an inclusive de­ Design Arts Program selects winners of Federal Design sign initiative for the development and promotion of Achievement Awards through a juried process; winners of universal design efforts to revolutionize the govern° ment’s tools for participation, simplifying the procure­ <~ the Presidential Awards for Design Excellence are then chosen from among the Achievement Award winners by ment process and building monuments to inclusion. another independent jury. The Design Arts Program has been active in encourag­ ;I ing the design of products, buildings and public spaces The program also sponsored two national design con­ for people of all ages and abilities both through its grant ferences this year on: "The Merits ofa U.S. Design categories and through promotion of a video, "Toward Council and Office of Federal Design Quality" and Universal Design." "Public Service Design Abroad." The first investigat­ ed design councils in five countries and fostered debate Through inter-agency agreements, the program has on their relative merits by practicing designers, busi­ been involved in enhancing procurement procedures at ness and industry representatives, design and business the General Services Administration. In collaboration management educators, and federal officials. The sec­ with the Department of Agriculture’s Soil Conserva ond brought together federal design managers and de­ tion Service, we supported a rural design demonstra­ signers to look at successful design models, technolo­ tion project. The Department of Education is involved gies and processes from Europe and Japan. Both efforts in the development of a graphic identification and related to the nation’s position in the global market marketing program. place, with. respect to competitiveness and design qual­ ity in government. In addition, the program has been instrumental in ad­ ministering design competitions, awards programs and The call for an urban design initiative is also being design seminars for agencies like the Department of met by this program, as demonstrated in three continu­ Transportation, Department of the Navy, and the Postal ing leadership initiatives: The Mayors Institute on Service. These efforts have given federal agencies a better City Design, Design For Housing, and Your Town- understanding of and commitment to design quality. Designing Its Future. They all attempt to deliver the principles of good design to communities in need. Design Arts is uniquely situated to act as a catalyst in These programs are participatory and encourage the bringing together all federal entities that are involved in dissemination of good design practice to larger audi­ the design process. As the nation’s largest design client, ences on an ongoing basis. the federal government has the ability and the responsi­ bility not only to demand quality but to create projects Education has always been a mainstay of the Design and products that exemplify and set standards for oth­ Arts Program, with emphasis placed on a broad-based ers to match. effort to raise public awareness of the importance of good design. The program is also taking a more active The Design Arts Program will strive to knit together roll in educational reform efforts. Through a coopera­ all aspects of government’s involvement in fulfillment tive agreement with the Organization & Management of its mandate to promote design excellence, raise de­ Group, Inc., Learning Through Design seeks to illumi­ sign awareness and guarantee accessibility to good de° nate the potential of using design as a catalyst for learn- sign at all levels.

32 National Endowment for the Arts ‘5 Indicates national impact ‘5 Arizona Solar Oasis Community Park in the sign, planning, and construc- Foundation Bronx. Panel I. tion workshop to facilitate the Phoenix, AZ $50,000 [93-4221-0065] renovation of the Explora- To support production of torium’s home, the Palace of The Urban Oasis, a book on Burbank Housing Fine Arts. PGO Panel. the design of public spaces in Development Corporation [93-4221-0020] arid communities. Panel IL Santa Rosa, CA $25,000 [93-4221-0082] To support a collaborative Film Arts Foundation Grants support projects public art project for a new San Francisco, CA $50,000 that advance the state of ‘5 Arizona State University housing development in the art through design Tempe, AZ $30,450 Sonoma County. Panel I. video to document contem­ To support a symposium practice, theory, research, [93-4221-0068] porary American furniture and related costs to examine makers and craftspeople communication, and edu­ the ecological basis of land­ Center for City Building from the San Francisco Bay cation about design in all scape architecture. Educational Programs area. PGO Panel. disciplines, including ar­ PGO Panel. [93-4221-0023] Santa Monica, CA $50,000 [93-4221-0016] chitecture, landscape archi­ To support "Portable ~g Art In Public Places, tecture, urban design and Effects," an interactive ~ Indiana University, Inc. videodisc and software pro­ planning, historic preserva­ Bloomington Chicago, IL $25,000 gram to introduce children Bloomington, IN $40,000 tion, interior design, To support development of to fundamental design prin­ To support a project to doc­ graphic design, and indus­ an exhibition and catalogue, ciples through everyday ob­ ument and make accessible trial and product design. Design Diast~ora: Black jects. Panel II. with interactive software the Architects ~ International [93-4221-0085] Lilly Library’s collection of 42 grants Architects 1970-1990. graphic design history. PGO PGO Panel. [93-4221-0024] Program Funds: $1,577,154 Chicago Athenaeum, the Panel. [93-4221-0025] Center for Architecture, Art Resources Transfer, Grants were reviewed by the Art, and Urban Studies ‘5 Institute for Family- IllCo Chicago, IL 530,000 Centered Care, Inc. Project Grants for Organi­ Los Angeles, CA $25,000 To support an exhibition zations (PGO) Panel or by Bethesda, MD $50,000 To support collaborative de­ documenting the work of To support production and Panel I or Panel II, unless sign of monographs on fea­ otherwise indicated. Chicago-area industrial dissemination of information tured artists, published by designers. Panel II. to promote the value of ap­ A.R.T. Press. Panel I. [93-4221-0087] propriately designed chil­ [93-4221-0063] ‘5 American Academy dren’s health care facilities. ~" Design History Panel I. [93-4221-0070] in "5 Asian Neighborhood Ne~v York, NY $50,000 Foundation, Inc. Design, Inc. Brooklyn, NY $22,040 Institute of American To support six-month fel­ San Francisco, CA $50,000 To support production of a lowships for design profes­ Indian Arts Foundation To support publication of special issue of Places, a quar­ Santa Fe, NM $50,000 sionals. PGO Panel. a book and slide show on terly journal of environmen­ [93-4221-0014] To support design fees for affordable family housing that tal design, that xvill examine development of a new cam­ will help to educate the pub­ interactions between Latino ‘5 American Film pus master plan for the lic and policy makers about culture, American culture, Institute of American Indian Foundation developments in this field and the design of public SantaMonica, CA $50,000 Arts. PGO Panel. over the past decade. Project space. PGO Panel. [93-4221-0015] To support development of a Grants for Individuals Panel. [93-4221-0019] film series on architecture [93-4221-0080] based on the vision of g> International East Bay Asian Local Documentary Association Vincent Scully. Panel I. Bluegrass Tomorrow, Inc. [93-4221-0069] Development Corporation Los Angeles, CA $47,500 Lexington, KY $50,000 Oakland, CA $50,000 To support production of a To support development of a ‘5 American Institute of To support a public art film on the early 20th centu­ master plan for the central program to be instituted in ry architect Mary Jane Graphic Arts region of Kentucky. Panel II. New York, NY $40,200 conjunction with a mixed- Colter. Panel I. To support development of [93-4221-0081] use affordable housing [93-4221-0061] a lending library of graphic development. Panel I. Bronx Council on the [93-4221-0078] ~ Jewish Museum design history videotapes. Arts, Inc. Panel II. [93-4221-0083] New York, NY $50,000 Bronx, NY $35,000 Exploratorium To support development of To support design develop­ San Francisco, CA $25,000 an exhibition and accompa­ ment of Bathgate Avenue To support an in-house de- nying catalogue examining

1993 Annual Report 33 1885-1945," to inaugurate the conception, design, con­ Review. Panel I. ~r University of Georgia struction, and public re­ [93-4221-0066] Research Foundation, Inc. the Wolfsonian Museum. PGO Panel. [93-4221-0018] sponse to Holocaust memo­ , GA $17,590 rials and monuments in the ~ Pennsylvania State To support development and University, Main Campus touring of an exhibition on Young Aspirations/Young United States, Israel, and Artists, Inc. Europe. PGO Panel. University Park, PA $39,650 the design of traditional New Orleans, LA $50,000 [93-4221-0012] To support research and African-American gardens in production of videotapes on the rural South. PGO Panel. To support design and pro­ ~r Lower East Side the design of children’s [93-4221-0011] duction of a book on YA/YA’s history and success. Tenement Museum museums. PGO Panel. New York, NY $50,000 [93-4221-0010] University of New Mexico, Panel I. [93-4221-0073] To support development of a Main Campus permanent exhibit interpret­ Philadelphia Museum of Albuquerque, NM $32,161 ing one of the country’s ear­ Art To support research to exam­ liest tenement buildings. Philadelphia, PA $50,000 ine the feasibility of devising Panel I. [93-4221-0074] To support production of a better methods for preserva­ catalogue to accompany an tion of adobe architecture. Massachusetts Turnpike exhibition documenting PGO Panel. [93-4221-0013] Authority Japanese design since 1950. Grants support organiza­ Boston, MA $39,300 Panel I. [93-4221-0071] University of Texas, El tions seeking to research, To support an educational Paso E1 Paso, TX $26,509 devise and/or implement program and the develop­ ~ Project for Public projects that will contrib­ ment of new design, technol­ Spaces, Inc. To support development of ogy, and color for bridges New York, NY $25,000 an exhibition featuring con­ ute to the advancement of and toll booths. Panel I. To support development temporary vernacular hous­ the design process in the [93-4221-0067] of educational materials ing along the Texas/Mexico renovation, rehabilitation designed to advocate com­ border. Panel I. or creation of facilities in­ [93-4221-0072] Matewan Development munity involvement in tended to accommodate improving conditions for Center the specific artistic needs Matewan, WV $46,000 pedestrians. Panel II. ~ University of To support research for [93-4221-0084] Wisconsin, Milwaukee of a community. design and development of Milwaukee, WI $30,000 low-to-moderate income ~ Restore To support research and a re­ 7 grants housing in Matewan. New York, NY $25,000 port on the barriers women Program Funds: $154,450 Panel II. [93-4221-0086] To support development and and minorities face in archi­ implementation of a national tectural education. PGO Grants were reviewed by the Moore College of Art and workshop series focusing on Panel. [93-4221-0009] Project Grants for Organi­ Design key technical preservation zations (PGO) Panel or by Philadelphia, PA $25,000 problems and related envi­ ~ Walker Art Center, Inc. Panel I as indicated. To support development of ronmental and health haz­ Minneapolis, MN $25,000 the exhibition, "Beyond ards inherent in architectural To support production of Modernism: Dan Friedman’s restoration materials and Design Quarterly, a journal of Churchill Arts Council New Design Agenda." processes. PGO Panel. the designed environment. Fallon, NV $24,650 PGO Panel. [93-4221-0017] [93-4223-0007] PGO Panel. [93-4221-0008] To support design fees and related costs for rehabilita­ New Mexico Community Social and Public Art William Marsh Rice tion of the Oats Park School Foundation Resource Center University building in Fallon, Nevada, Santa Fe, NM $49,975 , CA $45,000 Houston, TX $29,500 for use as a community arts To support development of To support a project involv­ To support production of center. PGO Panel. preservation recommenda­ ing artists, designers and special issues of Cite, a [93-4222-0027] tions and a training program communities in the creation review of architecture and for restoration of historic of public art work as a means design published by the Rice Empire State Carousel Inc. adobe churches. Panel I. of defusing cultural tensions. Design Alliance. PGO Panel. Islip, NY $17,800 [93-4221-0062] PGO Panel. [93-4221-0022] [93-4221-0021] To support a collaborative design for a carousel museum Pacific Center for the South Carolina Arts Wolfsonian in New York State. Panel I. Book Arts Commission Foundation, Inc. [93-4222-0055] San Francisco, CA $5,729 Columbia, SC $38,800 Miami Beach, FL $31,750 To support production of a To support the implementa­ To support development and Largo, City of special issue of Design Book tion of the state’s design arts production of a catalogue for Largo, FL $17,000 program. Panel I. the exhibition, "The Arts of To support design fees for [93-4221-0064] Reform and Persuasion,

34 National Endowment for the Arts the Little Theatre in Largo’s or workshops relating to riculum. Panel I. Sculpture in the Central Park. Panel I. design education. [93-4258-0052] Environment, Inc. [93-4222-0056] New York, NY $11,000 11 grants Laguna Art Museum To support a design intern­ North Carolina Pottery Laguna Beach, CA $8,000 Program Funds: $133,200" ship program for disadvan­ Museum, Inc. To support a year-long pilot taged high school students in Asheboro, NC $25,000 *Not including $158, O00 for of Vitruvius, a design educa­ New York City. Panel I. To support design fees and five grants awarded in collab­ tion program for children [93-4258-0053] related costs for a pottery oration with, and funded by, aged 4-12, demonstrating museum reflecting traditions the Arts in Education pro­ the museum’s commitment University of Southern of local pottery-making. gram. These grants are flagged to interdisciplinary arts edu­ California Panel I. [93-4222-0079] with an asterisk. cation. PGO Panel. Los Angeles, CA $25,000* [93-4258-0032] To support development of a Santa Fe Opera Association Grants were reviewed by the summer design studio and a Santa Fe, NM $25,000 Project Grants for Organiza­ Local Government mentor program to attract To support design fees and tions (PGO) Panel or Panel Commission minority students to design related costs for renovation I, or as otherwise indicated. Sacramento, CA $23,600 careers. Panel I. and expansion of the Santa To support a conference for [93-4258-0054] Fe Opera House. Panel I. elected officials from [93-4222-0057] ~ American Architectural Washington, Oregon, and Vermont Council on the Foundation, Inc. California to promote design Arts, Inc. Save Architecturally Valued Washington, DC $65,000* options that support pedes­ Montpelier, VT $20,600 Edifices, Inc. To support development of trian and mass transit. PGO To support the 1993 and Fall River, MA $20,000 materials for the Founda­ Panel. [93-4258-0029] 1994 sessions of the Ver­ To support design fees for tion’s U.S. Capitol Anniver­ mont Design Institute and renovation of the Central sary Educational Outreach ~ National Building related follow-up activities. Congregational Church for Program, which helps over Museum PGO Panel. [93-4258-0033] use as a community arts one million students and Washington, DC $25,000 center. PGO Panel. teachers to explore the design To support development, [93-4222-0026] history of the Capitol. Over­ production, and distribution view Panel. [93-4221-0088] of a "how-to" book on de­ Women’s Interart sign education at the sec­ Center, Inc. American Architectural ondary school level. PGO New York, NY $25,000 Foundation, Inc Panel. [93-4258-0030] To support design fees and Washington, DC $10,000" Grants support organiza­ related costs for the center’s To amend a previous grant Neighborhood Design Rehearsal Studio Complex in order to disseminate more Center, Inc. tions engaged in preserv­ and Cultural Center in the copies of the Architect’s Baltimore, MD $25,000 ing the physical products Clinton community of mid­ Resource Kit, used by uni­ To support a design educa­ of design or documenting town Manhattan. PGO versity students to help tion collaboration with the the history of design Panel. [93-4222-0028] grade-school students and Kids-in-Design Committee teachers explore design is­ for an initiative combining 8 grants sues. [92-4258-0096] curriculum enrichment with student, teacher, and com­ Program Funds: $180,900 Foundation for munity empowerment to Architecture create physical change in Grants were reviewed by the Philadelphia, PA $25,000* public school environments. Project Grants for Organiza­ Grants support a wide To support development of PGO Panel. [93-4258-0031] tions (PGO) Panel or range of design education alternative assessment tools Panel I. activities including the for a built environment de­ Philadelphia, School production of educational sign education program. District of Panel I. [93-4258-0050] Philadelphia, PA $23,000* Athenaeum of Philadelphia materials, the development To support a collaboration Philadelphia, PA $12,000 of curricula integrating ~" International with the Foundation for To support planning activi­ design with other subjects, Technology Education Architecture to implement a ties for an exhibition on early design education program in 19th-century competition teacher training programs, Association, Inc. drawings for Girard College Reston, VA $20,000 neighborhood grade schools. the testing of new tech­ in Philadelphia. PGO Panel. niques and evaluation To support a pilot program Panel I. [93-4258-0051] to test the introduction of [93-4231-0002] methods, and specific design and technology into conferences, symposia, the elementary school cur­

1993 Annual Report 35 ~r Formosa, DanielJ. Chicago Architecture ~ State Historical Society Producir, Inc. Foundation of Wisconsin Canovanas, PR $20,000 Montvale, NJ $15,000 Madison, WI $25,000 To support design assistance To support the graphic de­ Chicago, IL $20,800 velopment of a new periodic To support an architecture To support an oral history for a community-based plan­ conservation survey of project documenting the de­ ning project for development table of elements. Glessner House. Panel I. [93­ sign process of Frank Lloyd of vacant land. Panel I. [93-4216-0038] 4231-0059] Wright. PGO Panel. [93-4223-0075] [93-4231-0003] Grushkin, Philip Tully, Town of Englewood, NJ $15,000 Historic Rittenhouse To support research for a Town, Inc. Tully, NY $5,000 To support production of a book on the influences of Philadelphia, PA $23,100 technology in the shaping of To support consultant ser­ comprehensive set of guide­ lines for preservation and letter forms and the alphabet vices for the development of image. [93-4216-0039] historic structure reports for planning. Panel I. [93-4223-0076] late 17th- and early 18th­ Harvey, Clifford A. century buildings in Morgantown, WV $6,500 Fairmont Park. Panel I. To support a limited edition [93-4231-0058] Grants support efforts private press book using orig­ inal early 20th-century en­ Los Angeles County to solve planning and Museum of Art urban/rural design issues, gravings. [93-4216-0036] Los Angeles, CA $25,000 particularly growth man­ Grants support projects ~ Hiebert, Kenneth J. To support an exhibition agement and its effect on Elkins Park, PA $15,000 and related costs for "Expres­ these communities, by that advance the state of To support a sequel to the sionist Utopias: Paradise, the art through design Metropolis, Architectural providing funds to organi­ book Graphic Design Processes Fantasy." PGO Panel. zations for design assis­ practice, theory, research, that examines how unique graphic imagery can be creat­ [93-4231-0001] tance and demonstration communication, and edu­ cation about design in all ed from a range of sources projects. without being stylistically Rochester Institute of the disciplines, including superficial. [93-4216-0045] Technology 4 grants architecture, landscape ar­ Rochester, NY $25,000 $65,000 chitecture, urban design To support development of Program Funds: ~" Krinsky, Carol H. software for a graphic design and planning, historic New York, NY $8,600 archive, design of a proto­ Grants were reviewed by the preservation, interior To support research and Project Grants for Organiza­ design, graphic design, photography for a book on type, preservation of acquisi­ tions (PGO) Panel or Panel I. contemporary Native tions and collections, and and industrial and product dissemination of informa­ American architecture. design. [93-4216-0035] tion. Panel I. Amana Colonies Land Use [93-4231-0060] District 12 grants ~r McClelland, DavidJ. Roosevelt Island Operating Amana, IA $20,000 Program Funds: $154,900 Rochester, NY $15,000 Corporation To support development of a To support the design of a New York, NY $25,000 master plan for the Amana universal access window sys­ To support design fees for Colonies, a 26,000 acre Barros, Barbara L. tem that is accessible to elder­ turning a derelict structure, National Historic Landmark Boston, MA $13,500 ly and disabled individuals. the Octagon on Roosevelt in east-central Iowa. Panel I. To support the development [93-4216-0040] Island, into a stabilized ruin. [93-4223-0077] of an educational computer PGO Panel. [93-4231-0005] program for Boston high Paley, Stephen D. Lawrenceburg, City of school students. Los Angeles, CA $15,000 ~ St. Ann Center for Lawrenceburg, IN $20,000 [93-4216-0041] To support an illustrated Restoration and the Arts, To support a master plan­ book on the design history Inc. ning process to address de­ Buchen, Bill of Times Square, from its sign and development issues New York, NY $13,000 first theater in 1895 to the Brooklyn, NY $25,000 confronting two neighboring To support apprenticeships To support the design of present. [93-4216-0043] in stained glass through a towns, Lawrenceburg and "Wilds Sound Walk" for the hands-on training program. Greendale, Indiana. International Center for the PGO Panel [93-4231-0004] PGO Panel. [93-4223-0006] Preservation of Wild Animals in Muskingum, Ohio. [93-4216-0042]

36 National Endowment for the Arts Pritchard, Eric K. 14 cooperative agree­ future design alternatives, for Berkeley Springs, WV ments; 2 interagency public use. Panel II. $15,000 agreements [DCA 93-42] To support the design of Grants are awarded to de­ Program Funds: $1,285,139 new audio elements for a mi­ ~" Federal Construction crophone. [93-4216-0034] signers and other individ­ Council uals working in design- Excludes $40,000 in inter­ agency funds. Washington, DC $20,000 Stein, Achva B. related professions for To provide partial support South Pasadena, CA independent study and Initiatives were reviewed by for the 1993 activities of the $15,000 Federal Construction Coun­ To support the development travel within the United the PGO Panel, Panel I or States. Panel II, or as indicated. cil, an interagency agreement of working drawings for a with the U.S. Department public garden project in the of State to improve federal 3 grants Watts community of Los gr American Architectural design. Project Grants for Angeles. [93-4216-0037] Program Funds: $55,000 Foundation Individuals Panel. Washington, DC $200,000 Weber, Rail Grants were reviewed by the Georgia Technical Oakland, CA $8,300 To support a cooperative Project Grants for Indivi­ agreement for the continua­ Research Corporation To support research for a duals Panel. Atlanta, GA $35,000 study, "The Impact of Geo­ tion of the Design for Housing Forum, in which To support a cooperative metry on Eye-Movement agreement with the Mayors’ Patterns and Aesthetic the role of design in low-in­ ~ Cohen, Uriel come housing is discussed, Institute on City Design for Judgement in Architectural Shorewood, WI $19,200 the southern region of the Design." [93-4216-0044] studied and documented in To support research for a five cities. Panel I. U.S., to plan and implement monograph on exemplary re­ [DCA 93-51] a three-day conference ad­ habilitation environments dressing the need to improve and on more responsive, in­ ~r American Indian the quality of design in our clusive, and therapeutic de­ Council of Architects and cities. Panel I. [DCA 93-26] signs for the rehabilitation of Engineers elderly persons. Albuquerque, NM $10,000 Massachusetts Institute of [93-4219-0046] To amend a cooperative Technology Grants support projects agreement for the creation of Cambridge, MA $50,000 that identify, resolve, or Ford, Edward IL design prototypes that will To support a cooperative define current design Charlottesville, VA $16,200 improve the housing of agreement with the Mayors’ To support research for Vol. Native Americans by res­ Institute on City Design for problems by exploring 2 of The Details of Modern the northeast region of the alternative solutions and ponding to cultural values Architecture, covering 1932 and traditions of tribes U.S., to plan and implement challenging the status quo. to the present. throughout the U.S. a three-day conference ad­ [93-4219-0048] dressing the need to improve 1 grant [DCA 90-58] the quality of design in our Livingston, Ben M. Program Funds: $10,000 ~" Community Ventures, cities. Advancement Design Austin, TX $19,600 Danielle Withrow Arts Panel; see Advancement To support research into new chapter. [DCA 93-28] Grant reviewed by Project technologies to develop new Washington, DC $38,000 Grants for Individuals Panel. To support a cooperative colors of neon for artistic and agreement to initiate Round ~r National Building commercial purposes. IV of the Presidential Design Museum ~ Wigginton, Ron [93-4219-0047] Awards, a program that rec­ Washington, DC $253,900 Davis, CA $10,000 ognizes exemplary achieve­ To support a cooperative To support research of car­ ments in Federal design pro­ agreement for the continua­ bon-fiber composites and jects, programs and policies. tion of Design Access, the non-metallic aerospace mate­ Panel II. [DCA 93-46] Design Arts Program’s na­ tional information service, rials for use in the design of The program conducts landscape viewing platforms. ~ Environmental providing design information [93-4215-0049] leadership activities in Images, Inc. and assistance to the public. areas of special concern: Alexandria, VA $20,000 Overview panel.[DCA 93-54] Federal Realm, Public The continuation of a coop­ erative agreement to support ~ National Building Realm, Corporate Realm, Museum and Access/Professional the completion and market­ ing of a video on visual simu­ Washington, DC $100,000 Development. lation techniques, which pro­ To amend a cooperative fessionals use to visualize agreement to support re­

1993 Annual Report 37 search and publication of a a three-day conference ad­ University of Minnesota Panel I comprehensive book on laws dressing the need to improve Minneapolis, MN relating to the design and the quality of design in our Anne H. Adams planning of America’s cities, cities. Advancement Design Deborah Karasov (chair) Architectural Historian suburbs and rural areas, and Arts Panel; see Advancement Assistant Education Director Wilkes, Artis, Hedrick & proposals for revising them, chapter. [DCA 93-43] of Adult Education Lane, Chartered produced by the National Walker Art Center Washington, DC Committee on Improving Sr University of Virginia Minneapolis, MN Laws Shaping the Design of Charlottesville, VA $260,000 Jan Cigliano America’s Communities. To support a cooperative David A. Kennedy Professor of Urban and PGO Panel. [DCA 91-25] agreement with the national Director of Curriculum Regional Planning office of the Mayors’ Insti­ for State of Washington George Washington ~r National Trust for tute on City Design, which Olympia, WA University Historic Preservation coordinates the four regional Washington, DC Washington, DC $1,747 MICD programs. Project Paul C. King To amend a cooperative Grants for Individuals Panel, Founder/Principal Sande Deitch agreement titled "Your 1992; see 1992 Annual CADD Management Executive Director and Town: Designing Its Report for listing of panel Consulting Manager of Public Affairs Future", a project that ad­ members. [DCA 93-03] Brooklyn, NY Miles Inc. Foundation dresses the needs of rural Pittsburgh, PA communities that are still in Sr USDA Soil Conserva­ Richard Leitch (layperson) economic decline and those tion Service Vice-President of Sales and Nathaniel Dickerson facing the pressures of Washington, DC $30,000 Marketing (layperson) growth. [DCA 90-55] To support an interagency Geo. W. King Co. Principal, agreement for the placement Baltimore, MD The Dickerson Knight ~r Organization and of landscape architecture in Group Management Group resource conservation and Genevieve Ray New York, NY Philadelphia, PA $123,400 development districts in Principal To support a cooperative three different regions of the Urban Conservation & Kevin P. Dougherty agreement entitled "Learning U.S. Panel II. Design Architect/Planner through Design", for the K­ Cleveland Heights, OH Atlanta, GA 12 curriculum, an initiative Washington University to increase awareness of de­ St. Louis, MO $35,000 Shauna D. Stallworth Robert K. Fujioka sign as a catalyst for learning. To support a cooperative Interior designer; Director of Industrial Designer/Founder Reviewed by Challenge agreement with the Mayors’ Programs and Special Projects Design West and Model Design Arts Panel; see Chal­ Institute on City Design for Organization of Black Development Laboratory lenge chapter. the midwestem region of the Designers DWI Corporation [DCA 93-08] U.S., to plan and implement Washington, DC Mission Viejo, CA a three-day conference ad­ ~ Parmers for Livable dressing the need to improve Richard Sundberg Karen Popek Hart Places the quality of design in our Vice-President and Principal Director, Planning Washington, DC $75,992* cities. PGO Panel. Olson Sundberg Architects Department To provide partial support [DCA 93-27] Seattle, WA City of Ann Arbor for planning and implement­ Ann Arbor, MI ing a three-day conference on Randy Swearer international public service Associate Professor/Director, Harold Raymond design, entitled "Nations Division of Design Architect/Planner Designing for Public Ser­ University of Texas City of Boston Public vice." Panel I. [DCA 93-25] Project Grants For Austin, TX Facilities Dept. *A further $40,000 was Organizations (PGO) Boston, MA awardedJ~om interagency Peter Wooding funds for a total grant of Rosalie Genevro Founder/Principal Nancy Skolos (chair) $115,992. Executive Director Peter Wooding Design Faculty member, Rhode Architectural League of New Associates Island School of Design University of California York Providence, RI President, Skolos and Berkeley, CA $35,000 New York, NY Wedell, Inc. To support a cooperative John Zukowsky Charlestown, MA agreement with the Mayors’ Clinton Hewitt Curator of Architecture Institute on City Design for Associate Vice-President of Edward F. Smith the western region of the Master Planning and Real Chicago, IL Professor of Architecture/ U.S., to plan and implement Estate/Associate Professor of Director of Computer Horticultural Science Graphics Laboratory

38 National Endowment for the Arts Graduate School of Dave Muyres Robert L. Mackie David Kennedy Architecture Industrial Designer Senior Accessibility Specialist Director of Curriculum University of Utah Prince Corporation Access Group for State of Washington Salt Lake City, UT Holland, MI Lanham, MD Olympia, WA

Tamara K. Thomsen Robert N. Sockwell Deborah E. Ryan (chair) Patricia Moore Founder/Vice-President Government Liaison Principal, President Smart Design Inc. Weihe Partnership, Wahler Design Group GUYNES Design Inc. New York, NY Architects and Planners Assistant Professor, College of Phoenix, AZ Washington, DC Architecture Panel II University of North Carolina Anders Nereim Project Grants For Charlotte, NC Associate Professor of Interior Susan Cohn (layperson) Individuals Design Career Counselor/Environ­ Scott Shannon Art Institute of Chicago mental Programs Coordinator Terry Brooks, Jr. Landscape Architect; Lecturer, Chicago, IL President College of Environmental New York, NY Development Services Science and Forestry Lawrence Oaks Washington, DC University of New York Historic Preservation Officer, Gina Crandell Syracuse, NY State of Mabama Associate Professor, Dept. of Lynne U. Chronister Chairman, Landscape Architecture (layperson) Fine Arts Council Iowa State University Director of Sponsored Overview (1993) University of Williamstown, MA Programs /Tuscaloosa Mississippi State University Terry Brooks (chair) Montgomery, AL Virginia Gehshan Mississippi State, MS President National President, Development Services Michael Pyatok Society for Environmental Craig W. Hartman Washington, DC Founder/Principal, Graphic Design Architect, Partner-in-charge Pyatok Associates Partner, of Design Catherine Brown Associate Professor, Cloud and Gehshan Skidmore, Owings & Merrill Coordinator of Special Projects University of Washington, Associates, Inc. San Francisco, CA Design Center for American Seattle Philadelphia, PA Urban Landscape OaHand, CA Nora Jaso University of Minnesota Paula Rice Jackson Architect, Principal Minneapolis, MN Fahriye Sancar Editor-in-Chief Studio Jaso Professor, Dept. of Landscape Interiors Magazine Seattle, WA Susan Cohn (layperson) Architecture New York, NY Career Counselor/ Institute for Environmental Eva Maddox Environmental Programs Studies Barbara Lewis (chair) Founder/President Coodinator Univer’sity of Wisconsin Industrial Designer Eva MaddoxAssociates New York University Madison, WI Sunnyvale, CA Chicago, IL New York, NY Lucille Tenazas Roger B. Martin Patricia A. Moore Dennis Jones Founder/Principal, Principa~ Martin & Pitz President Associate Professor of Tenazas Design Associates, Inc. GUYNES Design, Inc. Architecture and Computer Adjunct Professor of Design Professor of Landscape Phoenix, AZ Applications California College of Arts Architecture Virginia Polytechnic and Crafts University of Minnesota Kenneth E. Kruckemeyer Institute and State University San Francisco, CA Minneapolis, MN Architect; Lecturer in Civil Blacksburg, VA Engineering Louis E. Mosley Massachusetts Institute of Deborah Karasov Project Manager Technology Assistant Education Director Atlanta Committee for the Boston, MA of Adult Education Olympic Games Walker Art Center Atlanta, GA Minneapolis, MN

1993AnnualReport 39 ~o~~

x~ nlCMly diverse, inner-O~

~e are concerned The Expansion Arts Organizations category supports the production, the presentation of art, and the training of gifted individuals who have the potential to be career artists. This training is valuable in communities where there are few opportunities for talented individuals, par­ ticularly the young, to receive vigorous, disciplined in­ struction. This category supports a range of discipline- based projects in such fields as the visual arts, media, design, literature, dance, music and theater.

The program is particularly proud of the range of com­ munity-based arts organizations it supports throughout the nation. For example, this year the program awarded a grant to the to continue its pro­ fessionally directed music training program for over 300 inner-city youth and to provide performances through­ out the nation by its Concert Choir, which presents the works of American master composers such as Ellington, Gershwin and Joplin. In June 1993, the Concert Choir performed as the intermission guest for the television special, Pavarotti in the Park, which reached an estimated domestic audience of 250 million and was broadcast in 48 countries.

In White River Junction, Vermont, funds were provid­ ed to River City Arts Forum to defray costs for an au­ dience development project. This will allow the organi­ zation to better serve its community through increasing public visibility of its folk , resident theater, jazz events and cultural festivals. Another Organiza­ tions grant, to the Lira Singers of Chicago, helped this twelve-woman choral group meet expenses for its artis­ tic staff as well as promote the presentation of classical and contemporary Polish music. In addition to offering a full concert season with featured musicians and com­ positions, the ensemble performs in old inner-city, Polish neighborhoods where professional concerts are rare,

The Services to the Field category supports projects that are regional and national in scope and that offer technical assistance and services to Expansion Arts con­ stituents. The Institute of Alaska Native Arts in Fairbanks, whose programs preserve and promote in­ digenous traditional and contemporary genres, is sup­ ported under this category. Funding will support the Institute’s Information Center, which publishes the

1993 Annual Report 41 quarterly Journal of Alaska Native Arw, its international The Rural Arts Initiative helps geographically and cul­ circulation of 3,200 includes libraries, museums, artists turally isolated arts organizations become more stable and arts organizations. through projects which Expansion Arts operates in part­ nership with the State & Regional Program. A 1993 The Pilot Projects category has provided proving grant to the Montana Arts Council supported the third grounds for several Endowment initiatives, such as the and final year of a project through which the Council CityArts Program, which anticipated the current Local regranted funds to five arts organizations. These includ­ Arts Agencies program, and the recently completed ed the Custer County Arts Center (Miles City), which Community Foundation Initiative, which forged part­ serves a nine-county, largely agricultural community nerships with private sector foundations in 27 states. FY from unusual quarters in a renovated underground ’93 marked the second year of the pilot Arts Education water-treatment facility. As of last year, some fifteen Initiative, which is designed to provide arts appreciation states had participated in the Rural Arts Initiative pro­ and exposure for K through 12 students in weekend, ject and four more were included this year. after-school and summer programs. An extremely com­ petitive category, the Pilot has supported many national­ The pilot Capstone Project, a new three-year initiative, ly significant projects. For example, Working Classroom addresses the problem of over-reliance by some nonprofit in Albuquerque received funds to support its bilingual organizations on public sector funds. Only multi-discipli­ arts education and artist mentoring project. This project nary organizations over ten years old with budgets in ex­ is targeted to benefit low-income youth and advocates cess of $300,000 were eligible to apply. Of 33 applicant arts education as a tool for literacy, cultural understand­ organizations, six community-based organizations from ing, and personal growth. throughout the country have been selected to participate.

Indicates national impact. Adelante Corporation Black Belt Arts & Cultural City Cultural Center San Francisco, CA $10,000 Center Memphis, TN $5,000 To support the 1993-94 sea­ Selma, AL $5,000 To support the underwriting son and related artistic and To support the partial under- of salaries for the artistic and administrative costs for writing of salaries for admin- administrative directors, as Teatro Nuestro. istrative staff. well as fees for residencies. [93-5321-0273] [93-5321-0245] [93-5321-0357] To assist professionally di- rected arts organizations of African Cultural Center of Black Spectrum Theatre Brava! for Women Company, Inc. in the Arts high artistic quality that Buffalo, Inc. Buffalo, NY $10,000 Jamaica, NY $20,000 San Francisco, CA $5,000 are deeply rooted in and To support artistic and ad- To support the 1993-94 To support artistic fees for reflective of ethnically di- ministrative expenses related mainstage season, touring Asian playwright Cherylene verse, inner-city, rural or to the center’s professional programs and a theater arts Lee and production expenses tribal communities. These training workshops. training program for adults for the presentation of her organizations provide pro­ [93-5321-0290] and children. play, Arthur and Leila. [93-5321-0256] [93-5321-0275] grams in the performing arts, visual arts, media, de- Bilingual Foundation of Black Theatre Troupe, Inc. Bushflre Theatre of sign, literary arts, and mul- the Arts-Fundacion Phoenix, AZ $5,000 Performing Arts tidisciplinary arts activities. Bilingue de las Artes, Inc. To support the underwriting Philadelphia, PA $12,000 Los Angeles, CA $35,000 of the managing director’s To support artistic and ad- To support the foundation’s salary. [93-5321-0248] ministrative expenses for the Performing 1993-94 season which in- production of plays during Arts -Theater cludes a mainstage touring Bloomsburg Theatre the 1993-94 home repertory program, Teatro Leido, and Ensemble, Inc. season. [93-5321-0304] 71 grants theater-in-education pro­ Bloomsburg, PA $5,000 Program Funds: $1,172,500 grams. [93-5321-0287] To support the production Carpetbag Theatre, Inc. of Letters to the Editor, an Knoxville, TN $10,000 Grants were reviewed by Billie Holiday Theatre, Inc. original mainstage piece cre- To support the partial under­ the 1993 Performing Brooklyn, NY $40,500 ated by Bloomsburg Theatre writing of a marketing direc­ Arts-Theater panel, unless To support administrative using local newspapers tor’s salary, as well as the otherwise indicated. and artistic expenses related as text. [93-5321-0258] publication of promotional to the 1993-94 repertory materials. [93-5321-0251] season. [93-5321-0264]

42 National Endowment for the Arts ~ Celebrations of and artistic expenses for the Jomandi Productions, Inc. Mad River Theater Works American Indians, Inc. 1993-94 touring season. Atlanta, GA $37,000 West Liberty, OH $20,000 Ormond Beach, FL $5,000 [93-5321-0263] To support the administra­ To support administrative To support the 1992-93 sea­ tive operations, including and artistic expenses related son, including national and Ensemble Theatre partial salary support for ad­ to the premiere production international touring events, Houston, TX $5,000 ministrative staff, and ex­ of a new work to be present­ local residencies and new pro­ To support the partial un­ penses for office space and ed in the 1993-94 repertory ductions. Reviewed by 1992 derwriting of salaries for supplies. [93-5321-0265] season. [93-5321-0266] Performing Art-Theater technical and administrative panel; see 1992 Annual personnel, as well as artistic Karamu House Millan Theatre Company Report. [93-5321-0007] fees for the 1993-94 reperto­ Cleveland, OH $20,000 Detroit, MI $22,500 ry touring activities. To support administrative To support administrative Cresson Lake Playhouse [93-5321-0297] and artistic costs related to and artistic expenses for the Ebensburg, PA $12,000 the Performing Arts 1993-94 repertory season. To support professional fees Eulipions, Inc. Theatre’s repertory season, [93-5321-0257] for the 1993-94 repertory Denver, CO $12,000 a professional theatre arts season. [93-5321-0279] To support administrative training program, and guest Sr Mixed Blood Theatre and artistic expenses related artists’ fees for the Young Company Crossroads, Inc. to the 1993-94 repertory sea­ Audiences program. Minneapolis, MN $23,000 New Brunswick, NJ $32,000 son including fees for resi­ [93-5321-0303] To support administrative To support administrative dent directors. and artistic expenses for the expenses related to a market­ [93-5321-0293] La Compania de Teatro de company’s repertory season, ing and audience develop­ Albuquerque, Inc. professional training pro­ ment program. ~ Fairmount Theatre Albuquerque, NM $9,000 gram, and educational tour­ [93-5321-0298] of the Deaf To support the 1993-94 ing program. Cleveland, OH $15,000 repertory season, including [93-5321-0278] ETA Creative Arts To support the education/ mainstage productions and a Foundation outreach and touring pro­ script development project. Mountain Women’s Chicago, IL $30,000 grams that include partial [93-5321-0301] Exchange, Inc. To support an ongoing pro­ underwriting of salaries for Jellico, TN $5,000 fessional training program hearing and hearing- Latin American Theatre To support artistic expenses and the 1993-94 repertory impaired actors. Ensemble related to the programs and season. [93-5321-0292] [93-5321-0288] New York, NY $5,000 workshops of the Jellico To support administrative Children’s Theater. East-West Players, Inc. Frank Silvera Writers’ expenses related to the Local [93-5321-0249] Los Angeles, CA $37,500 Workshop Foundation, Marketing Initiative in El To support artistic and ad­ Inc. Barrio project. ~" National Black Theatre ministrative expenses related New York, NY $5,000 [93-5321-0268] Workshop, Inc. to the professional theater To support administrative New York, NY $20,000 training program. and artistic expenses related Lime Kiln Arts, Inc. To support administrative [93-5321-0242] to the Monday Reading/ Lexington, VA $15,000 and artistic expenses related Critique series. To support administrative to the Action Arts Program, EcoTheater, Inc. [93-5321-0359] and artistic expenses related a series of training programs Lewisburg,WV $I0,000 to the 1993-94 season. designed to enhance entre­ To support artistic and ad­ G.A,L.A., Inc. [93-5321-0356] preneurial skills and per­ ministrative costs related to Washington, DC $25,000 forming artistry. the professional workshop To support administrative Los Angeles Poverty [93-5321-0300] series. [93-5321-0254] and artistic expenses related Department to the 1993-94 season of Los Angeles, CA $7,500 National Black Touring E1 Teatro Campesino repertory productions and To support salaries for the Circuit, Inc. San Juan Bautista, CA workshops. [93-5321-0252] core artistic and administra­ New York, NY $15,000 $4O,0O0 tive staff. [93-5321-0358] To support administrative To support artistic and ad­ Interstate Firehouse and artistic expenses for the ministrative expenses related Cultural Center M Ensemble Company, 1993-94 repertory season. to the production of La Portland, OR $10,000 Inc. [93-5321-0253 ] Pastorela. [93-5321-0269] To support administrative Miami, FL $8,000 and artistic costs related to To support administrative New Federal Theatre, Inc. ~ El Teatro de la the center’s 1993-94 reperto­ and artistic expenses related New York, NY $35,000 Esperanza ry season that includes the to the 1993-94 repertory To support administrative San Francisco, CA $25,000 Student Matinee Series pro­ season. [93-5321-0271] and artistic expenses for the To support administrative gram. [93-5321-0291] 1993-94 repertory season

1993 Annual Report 43 Sierra Repertory and a professional training Pan Asian Repertory ~ Rhode Island Black program. [93-5321-0262] Theatre, Inc. Heritage Society Theatre, Inc. New York, NY $38,500 Providence, RI $30,000 Sonora, CA $5,000 New Freedom Theatre, Inc. To support administrative To support administrative To support the underwriting Philadelphia, PA $30,000 and artistic costs for the pre­ and artistic expenses for the of artistic salaries for the sentation of the 1993-94 Rites and Reason Theatre’s 1994 repertory season. To support administrative [93-5321-0284] and artistic expenses for the repertory season, including home and touring repertory artists’ fees for play develop­ season which includes the 1993-94 repertory season. Spanish Theatre Repertory [93-5321-0281] ment and community tour­ production and development ing programs. of new works from its perfor­ Co., Ltd. New Tradition Theatre [93-5321-0296] mance and playwright work­ New York, NY $41,000 Company shop programs. To support the partial under­ Performing [93-5321-0267] writing of the salary for a Saint Cloud, MN $5,000 producer’s assistant and an To support administrative Arts Company and artistic expenses for the Syracuse, NY $7,000 ~ Road Company audience development pro­ production of a new work To support administrative Johnson City, TN $24,000 gram. [93-5321-0259] that focuses on the history and artistic expenses for the To support administrative and traditions of the Saint 1993-94 repertory season. and artistic costs for the St. Louis Black Repertory Cloud community. [93-5321-0306] 1993-94 home and touring Company, Inc. [93-5321-0294] repertory season as well as St. Louis, MO $23,000 Perseverance Theatre, Inc. the company’s new show de­ To support the partial under­ North Carolina Black Douglas, AK $30,000 velopment program. writing of artistic fees and Repertory Company, Inc. To support administrative [93-5321-0277] salaries for the 1993-94 Winston-Salem, NC and artistic expenses related repertory season. $24,000 to an ongoing professional Salt & Pepper Mime [93-5321-0274] To support administrative training program and main- Company, Inc. New York, NY $5,000 Su Teatro operations which include the stage productions. $6,000 partial underwriting of [93-5321-0247] To support administrative Denver, CO administrative salaries. expenses specifically related To support artistic salaries [93-5321-0280] Pregones Touring Puerto to SPICE, an audience devel­ for the 1993-94 repertory Rican Theater Collection, opment project. season. [93-5321-0305] Northwest Asian American Inc. [93-5321-0276] Theatre Bronx, NY $10,000 Teatro Avante, Inc. Miami, FL $16,000 Seattle, WA $12,500 To support the partial under­ Sealaska Heritage writing of salaries for the po­ Foundation To support administrative To support administrative and artistic expenses related and artistic expenses for the sitions of artistic director, as­ Juneau, AK $19,000 sociate director and fiscal To support administrative to the !993-94 home reper­ 1993-94 repertory season. tory season. [93-5321-0260] [93-5321-0270] manager. [93-5321-0255] and artistic expenses related to the Naa Kahidi Theater’s Oakland Ensemble Theatre Puerto Rican Traveling 1993-94 repertory season. Theater By The Blind Oakland, CA $20,000 Theatre Company, Inc. [93-5321-0289] Corp. To support administrative New York, NY $45,000 New York, NY $10,000 and artistic expenses for the To support administrative Seattle Group Theatre To support administrative Promotion and Audience and artistic expenses for the Seattle, WA $23,000 and artistic expenses related Development program as Training Unit for Young­ To support administrative to the professional training sters, which offers free bilin­ and artistic expenses for the program as well as the pre­ well as partial underwriting sentation of mainstage pro­ for the position of communi­ gual classes to New York’s production and presentation ty outreach coordinator. culturally diverse youth. of Harvest Moon, by play­ ductions. [93-5321-0246] [93-5321-0302] [93-5321-0244] wright Jose Cruz Gonzalez. [93-5321-0250] Theater Workshop of Old Creamery Theatre Puerto Rico Community Louisville, Inc. Louisville, KY $15,000 Company, Inc. Foundation, Inc. SEW Productions, Inc. Hato Rey, PR $5,000 San Francisco, CA $5,000 To support artistic and ad­ Garrison, IA $17,000 ministrative expenses related To support administrative To support administrative To support the partial salary costs for Producciones Aleph, of an executive director to the 1993-94 repertory sea­ and artistic expenses related son and an ongoing training to the production of Inc. Reviewed by 1992 whose duties will include a BeautifulMorning, a play Performing Arts-Theater marketing project during the program. [93-5321-0261] that explores terminal illness panel; see 1992 Annual 1993-94 season. within a working-class Report. [93-5321-0011] [93-5321-0295] Theatre Gael, Ltd. family. [93-5321-0243] Atlanta, GA $5,000 To support the underwriting of administrative, artistic and

44 National Endowment for the Arts technical salaries for the Abhinaya Dance Company Andrew Cacho African Bronx Dance Theatre, Inc. 1993-94 repertory season. of San Jose, Inc. Drummers and Bronx, NY $5,000 [93-5321-0283] San Jose, CA $7,500 Dancers, Inc. To support artistic and ad­ To support administrative Washington, DC $13,500 ministrative costs for a dance Theatre North and artistic costs related to To support partial under­ training program, choreogra­ Tulsa, OK $5,000 the production of concerts in writing of the administrative phy workshops and a perfor­ To support administrative the company’s 1993-94 manager’s salary and market­ mance series. and artistic expenses related repertory season. ing and promotional expens­ [93-5322-0047] to the 1993-94 repertory sea­ [93-5322-0030] es for the New York-based son. [93-5321-0286] Olatunji Center for African Caribbean Dance Academia de Danza y Culture’s performance series Company, Inc. Theatre of Yugen, Inc. Folklore Mexicano, Inc. and professional training St. Croix, VI $10,000 San Francisco, CA $9,000 Austin, TX $6,000 programs. [93-5322-0042] To support the partial un­ To support administrative To support administrative derwriting of salaries for two and artistic expenses related and artistic costs for the pro­ Asian American Dance faculty members. to 1993-94 programming for duction of the Ballet Folk­ Performances [93-5322-0057] Noh Space which includes lorico Aztlan company’s San Francisco, CA $11,000 productions and perfor­ 1993-94 repertory season To support artistic and ad­ Centro de Estudios mances by guest artists from and related educational pro­ ministrative expenses for the Avanzados de Puerto Japan. [93-5321-0272] grams. [93-5322-0022] production and presentation Rico, Inc. of the 1993-94 Asian Pacific Old San Juan, PR $5,000 Venture Theatre African American Dance Performing Arts Festival, To support administrative Philadelphia, PA $5,000 Ensemble, Inc. which includes the commis­ and artistic costs for the To support administrative Durham, NC $19,000 sioning of new works from 1993-94 performance season and artistic expenses related To support administrative Asian American choreogra­ of the Areyto Ballet Folklor­ to a program that seeks to and artistic expenses related phers. [93-5322-0032] ico, Puerto Rico. identify Hispanic play­ to the 1993-94 recital reper­ [93-5322-0050] wrights for script develop­ tory series, intensive training Bailes Flamencos ment and production pro­ workshops, classes, the devel­ San Francisco, CA $5,000 Centro de Estudios grams. [93-5321-0282] opment of a second perform­ To support artistic and ad­ Avanzados de Puerto Rico, ing unit, and outreach activi­ ministrative expenses related Inc. Vigilante Players, Inc. ties. [93-5322-0045] to "The Spirit and San Juan, PR $5,000 Bozeman, MT $7,500 Inspiration of Flamenco: To support research and doc­ To support the partial un­ Aims of Modzawe, Inc. Past to Present," a series of umentation of indigenous derwriting of the executive Jamaica, NY $16,000 performances that explore Puerto Rican musical tradi­ director’s salary, as well as To support administrative the history of the flamenco tions as a component of the production of promo­ and artistic expenses related dance form. Grupo Palique’s Quincen­ tional materials for the com­ to a professional training [93-5322-0055] tennial activities. Reviewed pany’s touring activities. program. [93-5322-0029] by the 1992 Performing [93-5321-0299] Ballet East Dance Arts-Dance/Music panel; see American Authentic Jazz Company 1992 Annual Report. Yeh Yu Dance Theatre, Inc. Austin, TX $5,000 [93-5322-0008] Association, Inc. New York, NY $6,000 To support artistic and ad­ New York, NY $7,000 To support artistic and ad­ ministrative expenses for a Compania Folklorica To support administrative ministrative expenses for a professional development Puertorriquena, Inc. and artistic expenses for the professional training pro­ program for company mem­ San Juan, PR $7,000 1993-94 repertory season. gram in jazz dance. bers and a residency program To support administrative [93-5321-0285] [93-5322-0024] for guest artists. and artistic expenses for the [93-5322-0025] company’s 1993-94 reperto­ Performing Andrew Cacho African ry season. [93-5322-0023] Arts-Dance Drummers and Dancers, Ballet Hispanico of New In.c, York Dance Giant Steps, Inc. 51 grants Washington, DC $7,500 New York, NY $50,000 Brooklyn, NY $5,000 To support administrative To support administrative To support administrative Program Funds: $617,850 and artistic expenses related and artistic expenses for a and artistic costs related to a to a professional training professional training pro­ professional training pro­ Grants were reviewed by program. [93-5322-0020] gram and the student com­ gram. [93-5322-0044] the 1993 Performing pany’s annual community Arts-Dance/Music panel performance series. unless otherwise indicated. [93-5322-0035]

1993 Annual Report 45 Dance Theater Friends of Ballets de San June Watanabe in Lula Washington Foundation, Inc. Juan, Inc. Company Contemporary Dance New York, NY $25,000 San Juan, PR $7,000 San Rafael, CA $7,500 Foundation To support administrative To support company fees for To support the salaries for Los Angeles, CA $7,000 and artistic expenses ~related rehearsal, performance and the positions of artistic direc­ To support the partial under­ to the Alvin Alley American touring. [93-5322-0039] tor and administrative assis­ writing of dancers’ fees and Dance Center’s artist-in-resi­ tant. [93-5322-0014] rehearsal stipends as well as the marketing of the founda­ dence program. Great Leap, Inc. [93-5322-0027] Los Angeles, CA $20,000 Kankouran West African tion’s home and touring sea­ To support administrative Dance Company sons. [93-5322-0058] Dance Theatre of expenses for coordinating, Washington, DC $6,000 ~[Harlem, Inc. marketing and producing the To support an administrative Memory of African New York, NY $50,000 1993-94 Asian American stability program as well as Culture, Inc. To support administrative Contemporary Performing artistic expenses for profes­ Washington, DC $5,000 and artistic costs related to Arts Festival. sional development programs To support administrative the Dance Theatre of [93-5322-0049] for company members and and artistic expenses related Harlem School’s professional apprentices. [93-5322-0019] to the 1993-94 season. training programs. H.T. Dance Company, Inc. [93-5322-0046] [93-5322-0015] New York, NY $23,000 Ko-Thi, Inc. To support the 1993-94 Milwaukee, WI $10,500 Montana Ballet Dayton Contemporary community and outreach To support the expansion of Company, Inc. Dance Guild, Inc. performance series as well as the company’s artistic and Bozeman, MT $5,000 Dayton, OH $27,500 the pre-professional dance administrative operations To support administrative To support administrative training program for area through the partial under­ and artistic expenses related and artistic expenses related youth. [93-5322-0013] writing of salaries and fees. to "New York Connection," to the company’s 1993-94 [93-5322-0017] a performance and workshop concert repertory season, in­ Homowa Foundation series which provides ex­ cluding a commissioned for African Arts and LaRocque Bey School of panded repertory through work by Donald Byrd. Cultures, Inc. Dance Theatre, Inc. partnering with the New [93-5322-0043] Portland, OR $5,000 New York, NY $ 5,000 York City Ballet. To support administrative To support administrative [93-5322-0016] Dimensions Dance and artistic expenses related and artistic expenses related Theater, Inc. to the company’s touring to the Dance Theatre’s 1993­ Municipio de San Juan Oakland, CA $17,500 program. [93-5322-0038] 94 educational/outreach per­ San Juan, PR $5,000 To support administrative formance series and commu­ To support the partial under­ and artistic costs related to Jo Ha Kyu Performance nity workshop programs. writing of dancers’ fees and the production and presenta­ Group, Inc. [93-5322-0048] artistic expenses related to tion of the annual King Cambridge, MA $5,000 the Ballet Teatro Municipal Holiday Concert for the To support the administra­ Lola Montes Foundation company’s 1993-94 season. 1993-94 season. tive and artistic costs related for Dances of Spain and [93-5322-0051] [93-5322-0056] to creating marketing, pro­ the Americas motion and documentation Los Angeles, CA $5,850 Muntu Dance Theatre Everybody’s Creative Arts materials to increase touring To support "California Chicago, IL $10,000 Center, Inc. activities. [93-5322-0031] Heritage," a community/out­ To support administrative Oakland, CA $5,000 reach performance series and artistic expenses related To support administrative Joseph Holmes Dance which targets the special con­ to the production, presenta­ and artistic expenses for the Theatre stituencies of the area, in­ tion and marketing of the 1993-94 residency program Chicago, IL $12,000 cluding older adults as well as Muntu Dance Theatre’s which provides choreogra­ To support administrative physically and mentally chal­ 1993-94 season. phers with stipends and stu­ and artistic expenses related lenged audiences. [93-5322-0239] dio space. [93-5322-0237] to the "Chance to Dance [93-5322-0021] Program," a series of lecture/ Najwa Floricanto Dance Theatre demonstrations in Chicago Los Lupenos de Chicago, IL $5,000 Whittier, CA $8,500 area schools designed to San Jose, Inc. To support administrative To support the partial under­ recruit students for the com­ San Jose, CA $6,000 and artistic expenses incurred writing of the salary for an pany’s professional training To support the expansion of in the production and mar­ administrative director. programs. the company’s administrative keting of the 1993-94 perfor­ [93-5322-0040] [93-5322-0052] operations through partial mance series and professional underwriting of salary for the training program. position of managing direc- [93-5322-0012] tor. [93-5322-0053]

46 National Endowment for the Arts Neva Russian Dance company’s 1993-94 reperto­ Alabama State Council on Charlie Parker Memorial Ensemble ry season. [93-5322-0034] the Arts Foundation San Francisco, CA $5,000 Montgomery, AL $5,000 Kansas City, MO $13,000 To support administrative Spanish Dance Arts To support administrative To support the artistic and and artistic expenses related Company, Inc. and artistic expenses related administrative expenses of a to the 1993-94 season. New York, NY $5,000 to the 1993-94 performance professional training pro­ [93-5322-0036] To support the continuance and workshop series of the gram in jazz studies and per­ of a professional develop­ Wiregrass Sacred Harp formances. [93-5322-0085] New Dance Theatre, Inc. ment program for company Singers. Reviewed by the Denver, CO $40,000 members and the annual Services to the Field Panel. Charlin Jazz Society, Inc. To support artistic residen­ production of "Flamenco [93-5322-0318] Washington, DC $8,000 cies for the creation of new Week," a multifaceted cul­ To support artistic and ad­ works and the continuation tural program for children Ali Akbar College of Music ministrative expenses in the of professional development and adults that combines San Rafael, CA $13,500 presentation of the 1993-94 and training programs for workshops and perfor­ To support administrative concert series and related company members. mances. [93-5322-0033] and artistic expenses related master class/workshop pro­ [93-5322-0240] to a professional training grams. [93-5322-0077] Theatre Flamenco of San program, which includes a New York Chinese Cultural Francisco, Inc. guest artist-in-residence and Chicago Children’s Choir Center, Inc. San Francisco, CA $6,000 the expansion of faculty at its Chicago, IL $25,000 New York, NY $6,500 To support salaries for the satellite school in Freemont, To support artistic and ad­ To support the center’s mar­ positions of an administra­ California. [93-5322-0086] ministrative expenses for the keting program, which in- tive and an artistic director, 1993-94 performance sea­ dudes the partial salary un­ as well as the expansion of a Asociacion de Musicos son, a professional training derwriting of a marketing marketing program. Latlno Americanos, Inc. program and performance associate, production of [93-5322-0037] Philadelphia, PA $12,000 outreach programs. printed materials, adminis­ To support administrative [93-5322-0064] trative expenses as well as Thelma Hill Performing and artistic expenses incurred travel and fees for booking Arts Center, Inc. through the presentation of ~ Chinese Music conferences. [93-5322-0028] Brooldyn, NY $10,000 the 1993-94 season, educa­ Ensemble of New York, To support artistic fees and tional programming and Inc. Philadelphia Dance production and marketing marketing programs. New York, NY $9,500 Company costs of the 1993-94 season [93-5322-0091] To support performing con­ Philadelphia, PA $48,000 which includes Woman certs, a professional training To support administrative dance V!Iand So/os, Duos, Boston Orchestra & program, and touring for the and artistic dxpenses related and Trios.[93-5322-O026] Chorale 1993-94 season. to ongoing professional Boston, MA $5,000 [93-5322-0075] training and instructional Tokunaga Dance Ko., Inc. To support administrative- programs. [93-5322-0041] New York, NY $5,000 and artistic costs for the ~ Chinese Music Society To support administrative 1993-94 season. Woodridge, IL $13,000 Rod Rodgers Dance and artistic expenses related [93-5322-0065] To support administrative Company, Inc. to ongoing training pro­ and artistic expenses for the New York, NY $18,500 grams for professional devel­ To support administrative Boys Choir of Harlem, Inc. 1993-94 concert and touring opment and the 1993-94 New York, NY $50,000 season of the Silk and and artistic expenses in the performance series which To support administrative Bamboo Ensemble and creation of new works, the provides free performances to and artistic expenses related Chinese Classical Orchestra. expansion of a marketing ini­ schools and community cen­ to the 1993-94 season. [93-5322-0071] tiative, the company’s com­ ters. [93-5322-0018] munity/outreach perfor­ [93-5322-0082] mance series, and partial Community Music Center Carter Family Memorial of Houston salary support for the execu­ Performing Houston, TX $5,000 tive director. Music Center, Inc. Arts-Music Hihons, VA $12,250 To support administrative [93-5322-0054] To support adminstrative and artistic expenses related 37 grants and artistic costs for the pre­ to a professional develop­ Samahan Philippine Dance sentation of the 1993-94 ment program for the Scott Company, Inc. Program Funds: $401,250 concert season which features Joplin Orchestra members. El Cajon, CA $7,000 To support artistic salaries in traditional, acoustical moun­ [93-5322-0093] Grants were reviewed by the tain music. [93-5322-0070] the creation of new works to Performing Arts-Dance/ be premiered during the Music panel unless otherwise indicated.

1993 Annual Report 47 Koncepts Cultural Gallery of new works and the publi­ nity concert series. Coro de Ninos de San [93-5322-0073] Juan, Inc. Oakland, CA $5,000 cation of a quarterly newslet­ To support administrative ter. [93-5322-0060] San Juan, PR $10,000 Richmond Jazz Society, To support salary assistance and artistic expenses for Zulu Harmony’s annual concert Musica De Camara, Inc. Inc. for faculty of the professional Richmond, VA $5,000 music training and educa­ commemorating the 1976 New York, NY $6,000 Soweto Uprising. To support administrative To support administrative tion program. and artistic expenses for the [93-5322-0072] [93-5322-0074] and artistic expenses for "MusicScope ’93," a resident 1993-94 concert season, a Guest Educators series, the Friends of the D.C. Youth La Pena and touring concert series, Austin, TX $5,000 featuring contemporary publication of the society’s Orchestra Program newsletter, and educational Washington, DC $25,000 To support artistic and ad­ Latin-American composers. ministrative expenses for "La [93-5322-0076] and outreach programs. To support the salaries of ad­ [93-5322-0092] ministrative and artistic staff Voz del Pueblo Tejano: El Bailc Grande" concert series Oakland Youth Chorus for the professional career San Jose Taiko Group, Inc. development and perfor­ and symposium on Tejano Oakland, CA $11,000 Conjunto music. To support administrative San Jose, CA $11,000 mance training programs. To support administrative [93-5322-0059] [93-5322-0080] and artistic costs related to the production and presenta­ and artistic costs for the pre­ sentation of the group’s Institute of Puerto Rican Life on the Water tion of the Oakland Youth San Francisco, CA $5,000 Chorus’ 1993-94 concert 1993-94 home season, which Culture will include collaborative San Juan, PR $5,000 To support artistic and ad­ season. [93-5322-0061] ministrative expenses in the performances with Abhinaya To support administrative Dance Company and musi­ and artistic expenses related production and marketing of Opera Factory Asian hnprov aRts’ 1993-94 Chicago, IL $5,000 cian Keith Terry. to the production of concerts [93-5322-0063] as components of Coro home concert season. To support artistic and ad­ [93-5322-0068] ministrative costs related to Sinfonico’s 1993-94 concert Society of the Third Street season. [93-5322-0081] the production and market­ Lira Singers ing of 1993-94 concert and Music School Settlement, Inc. Instituto Pro Musica de Chicago, IL $8,500 repertory season. California To support artistic and ad­ [93-5322-0084] New York, NY $8,000 To support administrative San Francisco, CA $5,000 ministrative salaries as well as promotional activities for the People’s Music School, Inc. and artistic expenses for the To support the artistic and Performing Arts Compre­ administrative expenses relat­ 1993-94 concert season, Chicago, IL $8,000 which features contemporary To support artistic and ad­ hensive Training Program, a ed to the production and professional training program presentation of the 1994 and classic Polish music. ministrative costs of a profes­ [93-5322-0066] sional training program that designed for students inter­ "Dia de los Reyes" concert ested in advanced training or series. [93-5322-0069] offers free instruction to Merit Music Program, Inc. youths from culturally di­ careers in music. verse backgrounds and low- [93-5322-0078] Jazz Education, Inc. Chicago, IL $7,500 Houston, TX $10,000 To support the Merit Music income households. Conservatory scholarship [93-5322-0087] Southeast Symphony To support artistic and ad­ Association, Inc. ministrative expenses for an program, xvhich provides tu­ ition-flee training to gifted Rebirth Inc. Los Angeles, CA $5,000 ongoing professional training $5,000 To support artistic and ad­ program. [93-5322-0089] youths. [93-5322-0067] Detroit, MI To support artistic and ad­ ministrative costs for the Association’s 1993-94 con­ Jazzmobile, Inc. Mill Creek Jazz and ministrative expenses for the $48,000 Cultural Society, Inc. presentation of an intensive cert repertory season and New York, NY professional training program To support administrative Philadelphia, PA $7,000 workshop featuring the To support artistic and ad­ renowned clarinetists Paquito for young aspiring and artistic costs for the musicians. [93-5322-0083] professional music training ministrative expenses for the D’Rivera and Wendell society’s 1993-94 concert Harrison. program for youths. Youth Inspirational Choir, [93-5322-0090] season and related master [93-5322-0088] xvorkshops for youths. Inc. [93-5322-0079] Rejoicensemble, Inc. New Orleans, LA $5,000 Kariyushi Kai $5,000 To support the production San Jose, CA $5,000 New York, NY ~ Music From , Inc. To support administrative of Where There’s A Will/ To support the administra­ "The Living Christmas tive and artistic expenses for Nexv York, NY $10,000 and artistic expenses for the To support artistic expenses production, presentation Tree," a multidisciplinary the production and market­ program featuring music to ing of concerts in the 1993­ for the presentation of the and touring of "Revelations 1994 concert season which Suite," the 1993-94 commu­ express the experiences of 94 concert season. African-Americans and their [93-5322-0062] features the commissioning

48 National Endowment for the Arts holiday traditions. audience development. Boulevard Arts Center tied "Speaking Visions." [93-5322-0204] [93-5323-0232] Chicago, IL $15,000 [93-5323-0186] To support artistic salaries Artists Collective, Inc. and related artistic, market­ Chinese American Arts Multidisciplinary Hartford, CT $38,000 ing and travel expenses for Council, Inc. To support professionally led arts employment and New York, NY $20,000 85 grants; 2 cooperative training classes in visual arts, training programs. To support the presentation agreements music, dance and theater. [93-5323-0189] of the 24th Annual China­ [93-5323-0231] town Summer Season. Program Funds: $1,788,744 Boys Harbor, Inc. [93-5323-0160] Artists of Indian New York, NY $5,000 America, Inc. To support program activi­ Chinese Cultural Afro-American Cultural Albuquerque, NM $15,000 ties and faculty salaries for Productions Center, Inc. To support a professionally the pre-professional training San Francisco, CA $7,500 Charlotte, NC $7,700 directed performing arts pro­ programs of Harbor To support a series of perfor­ To support the salary of a gram, including apprentice Performing Arts Center. mances of the Fourth Annual part-time audience develop­ activities, for various Indian [93-5323-0221] Repertory Concert by under­ ment specialist and related communities throughout the writing the concert’s produc­ costs. [93-5323-0203] Southwest. [93-5323-0170] Carter G. Woodson tion and promotional Foundation, Inc. expenses. [93-5323-0217] Afro-American Historical Asian American Arts Newark, NJ $28,000 and Cultural Museum, Inc. Centre, Inc. To support partial salaries of Chinese Culture Philadelphia, PA $25,000 New York, NY $35,000 the administrative director Institute, Inc. To support a variety of con­ To support artistic and and program staff, program Boston, MA $10,000 certs, film screenings and art administrative costs for the development, marketing and To support a visual arts exhi­ exhibitions during the 1993­ Centre’s multidisciplinary promotional activities. bition program, a perform­ 94 season. [93-5323-0178 programming. [93-5323-0168] ing arts program and work­ [93-5323-0193] shops and demonstrations on Alternative Center for Casa de Unidad unity Chinese art, crafts, dance International Arts, Inc. Asian Heritage Council House and music. [93-5323-0159] New York, NY $32,000 San Jose, CA $6,500 Detroit, MI $8,000 To support artistic and relat­ To support artistic fees for To support a series of visual Chinese for ed costs for the presentation the presentation of contem­ arts exhibitions, performing Affirmative Action of emerging and mid-career porary and traditional music arts presentations, poetry San Francisco, CA $9,000 artists during the 1993-94 and dance ensembles at the readings and professional To support a series of con­ season, including group and Ninth Annual Asian Pacific workshops in music and certs, performances, lectures, solo exhibitions and a con­ Performing Arts Festival and poetry. [93-5323-0157] classes and exhibitions by the cert series. [93-5323-0233] the San Jose Asian American Kearny Street Workshop, Jazz Festival. Center for African and featuring Asian-American ~ An Claidheamh [93-5323-0179] African American Art and artists from throughout the Soluis, Inc. Culture greater Bay area. New York, NY $25,000 Association of Community- San Francisco, CA $7,000 [93-5323-0216] To support the season of full Based Artists of To support administrative productions of Irish and Westchester, Inc. salaries for a multidiscipli­ Christina Community Irish-American plays, issues Mount Vernon, NY $8,000 nary program including a Center of Old Swedes, Inc. of An Gael magazine, a tradi­ To support an exhibition visual arts exhibition, film Wilmington, DE $15,000 tional Irish , program and a series of festival and music, dance To support artistic and ad­ and a music, dance perfor­ dance, music, theater, litera­ and theater presentations. ministrative costs for ad­ mance, and workshop ture and film presentations, [93-5323-0173] vanced and pre-professional program. [93-5323-0174] artistic fees and salary training for aspiring students support for key staff. Centro Cultural de la in the visual and performing ~ Appalshop, Inc. [93-5323-0225] Raza, Inc. arts, as well as an ongoing Whitesburg, KY $50,000 San Diego, CA $40,900 program of performances, To support the promotion, Bedford Stuyvesant To support the salaries of the exhibitions, and workshops. development and presenta­ Restoration Corporation performing arts coordinator, [93-5323-0209] tion of indigenous and tradi­ Brooklyn, NY $36,000 executive director, adminis­ tional Appalachian culture To support artistic and ad­ trative assistant, as well as Dixwell Children’s through the Appalshop ministrative costs for a multi­ production costs, marketing Creative Art Center, Inc. Center Program, as ~vell as disciplinary arts and cultural and artistic fees for the 1993­ New Haven, CT $20,000 administrative costs associat­ program. [93-5323-0210] 94 performance season enti­ To support an ongoing ed with marketing and program that identifies and

1993 Annual Report 49 provides training for talented Internship program. visual arts exhibitions and se­ International Arts youth in music, dance, the­ [93-5323-0190] ries of literary, , dance Relations, Inc. ater and the visual arts. and traditional crafts work­ New York, NY $50,000 [93-5323-0169] Guadalupe Cultural Arts shops. [93-5323-0207] To support workshops, Center performances, exhibitions, Dunham Fund for San Antonio, TX $42,000 Houston Asian American administrative salaries, audi­ Research and Development To support salaries for pro­ Festival Association ence development, promo­ of Cultural Arts gram and administrative Houston, TX $10,000 tion fees and related costs. East St. Louis, IL $45,000 personnel, artistic fees, and To support Asian Arts [93-5323-0177] To support the artistic and operational expenses for a Houston, a series of perfor­ administrative costs for pro­ performing arts series, festi­ mances and arts events which Irish Arts Foundation gramming of the Katherine vals and other arts events. feature various Asian ethnic San Francisco, CA $5,000 Dunham Centers for Arts [93-5323-0184] arts ensembles. To support artistic fees for [93-5323-0235] the San Francisco Irish- ~1 and Humanities. [93-5323-0227] Guakia, Inc. American Cultural Festival. Hartford, CT $10,000 Hull House Association [93-5323-0176] DuSable Museum of To support the position of Chicago, IL $5,000 African American program director as well as To support artistic fees and Jamaica Center for the History, Inc. production costs for an associated costs for an exhibi­ Performing and Visual Chicago, IL $10,000 original musical drama. tion series, dance and music Arts, Inc. To support the salary of a [93-5323-0191] performances, and a film Jamaica, NY $35,000 program coordinator. presentation. To support artistic, adminis­ [93-5323-0220] Guilford Native American [93-5323-0161] trative and related costs for Association, Inc. exhibitions, a performing arts East Bay Center for the Greensboro, NC $8,500 Idris Ackamoor and series and education Performing Arts To support artistic and ad­ Cultural Odyssey programs. [93-5323-0167] Richmond, CA $20,000 ministrative costs for the pro­ San Francisco, CA $15,000 To support the salary of the duction and promotion of an To support fees of profes­ Japanese American production manager and exhibition series featuring the sional artists and related costs Cultural & Community master artists’ fees for the work of contemporary and for the Medea Project. Center Young Artists Repertory traditional native American [93-5323-0215] Los Angeles, CA $40,000 Series, as well as the series’ artists. [93-5323-0234] To support artistic fees and related costs. Inner City Cultural Center costs associated with the pre­ [93-5323-0228] Harlem School of the Los Angeles, CA $50,000 sentation, installation and Arts, Inc. To support ongoing pro­ advertising of a series of El Centro de Arte New York, NY $50,000 grams in theater, music and works featuring Asian- Washington, DC $8,000 To support performances, dance, as well as for an in­ American artists and tradi­ To support administrative exhibitions and advanced ternship program designed to tional Japanese art forms. and associated costs for and master classes in the per­ enhance recruitment and [93-5323-0202] music and dance presenta­ forming and visual arts that training of new staff mem­ tions and a visual arts emphasize professional devel­ bers. [93-5323-0229] Japantown Art & Media project. [93-5323-0158] opment for gifted students in Workshop the New York City area. Inquilinos Boricuas en San Francisco, CA $22,000 Friends of the Hispanic [93-5323-0192] Accion To support administrative Community, Inc. Boston, MA $14,600 and artistic costs for ongoing Milwaukee, WI $5,000 Henry Street Settlement To support administrative programs as well as the To support artists’ fees and New York, NY $42,000 salaries, artistic fees and relat­ graphic design intern pro­ production and administra­ To support a diverse pro­ ed costs. [93-5323-0236] gram for emerging Asian- tive costs associated with the gram of classes and work­ American artists. "Hispanic Performing Arts shops in dance, music, visual International Agency for [93-5323-0205] Series of Milwaukee." arts, and drama at the Louis Minority Artist Affairs [93-5323-0223] Abrons Arts Center. New York, NY $5,000 Jubilee Community [93-5323-0185] To support the publication Arts, Inc. Friends of the Mission of the Uptown Arts News Knoxville, TN $22,000 Cultural Center Hostos Community newsletter and related ad­ To support costs of programs San Francisco, CA $20,000 College Advisory Council, ministrative costs. Reviewed designed to preserve and ad­ To support administrative Inc. by the following members of vance the art forms of the costs, including the salary of Bronx, NY $15,000 the Multidisciplinary Panel: southern Appalachians, in­ the administrative director To support artistic fees and William Chin, Rudy cluding performance series, and publicist, for the Mission production costs for the Guglielmo, Conchita Reyes, poets’ and writers’ readings, Grafica Printmaking Culture and Arts Program, John Andrew Ross, Randy and the publication of a which presents music, dance, Ross. [93-5323-0369] newsletter. [93-5323-0181]

50 National Endowment for the Arts Julia Morgan Center for formance, poetry readings Mississippi: Cultural velopment of new works. the Arts, Inc. and a project. Crossroads, Inc. [93-5323-0200] Berkeley, CA $5,000 [93-5323-0182] Port Gibson, MS $12,500 To support the salary of a To support an artist’s resi­ ~ Ollantay Center for the publicist. [93-5323-0230] La Pena Cultural Center, dency and costs associated Arts, Inc. Inc. with a quilting program. Jackson Heights, NY Junebug Productions Berkeley, CA $22,000 [93-5323-0219] $19,000 New Orleans, LA $10,000 To support the salary of the To support a theater, litera­ To support the New Orleans executive director and pro­ Near Northwest Arts ture and visual arts program Community Arts Program gram costs for the 1993-94 Council for the development and pre­ which involves productions presenting season. Chicago, IL $5,000 sentation of works by Latino by the Junebug Theater [93-5323-0222] To support curatorial, adver­ artists. [93-5323-0187] Project and New Orleans tising and associated costs for Story Network, as well as an La Raza/Galeria Posada exhibits and presentations Penn Community a capella music festival. Sacramento, CA $24,000 that promote multicultural Services, Inc. [93-5323-0153] To support the Canto Series dialogue. [93-5323-0201] St. Helena Island, SC and an installation commis­ $20,000 Junior Black Academy of sion for the Dia de los New York Foundation for To support the salary of the Arts and Letters, Inc. Muertos program. the Arts, Inc. museum curator and costs Dallas, TX $22,500 [93-5323-0162] New York, NY $7,500 associated with the exhibi­ To support professional and To support the salary of tion and performance pro­ administrative salaries as well Center Pepatian’s managing director gram. [93-5323-0154] as other administration relat­ for the Arts for the production of ed costs for the 1993-94 sea­ Providence, RI $10,000 "Rompeforma V: Maraton Plaza de la Raza, Inc. son. [93-5323-0163] To support the salary of the de Baile, Performance, & Los Angeles, CA $35,000 program coordinator, who Visuales," a project featuring To support artistic fees and Kalakendra Limited will have the primary respon­ Latino artists in the visual related administrative ex­ Portland, OR $7,500 sibility of strengthening per­ and performing arts. penses for the 1994 present­ To support a performing arts formances and educational [93-5323-0188] ing season. [93-5323-0218] program featuring various programs. [93-5323-0151] cultural traditions of the New York Foundation for River City Arts, Inc. Indian subcontinent. Manchester Craftsmen’s the Arts, Inc. White River Jct., VT $5,000 [93-5323-0155] Guild New York, NY $14,000 To support the salary of the Pittsburgh, PA $50,000 To support workshops in the audience development coor­ Kalihi-Palama Culture & To support a variety of performing and visual arts, dinator and associated costs Arts Society, Inc. educational and presenting theater and dance perfor­ of an audience development Honolulu, HI $10,000 programs in photography, mances, exhibitions and a program. [93-5323-0212] To support classes and work­ ceramic art and music. photography documentation shops in traditional [93-5323-0164] program at CHARAS, an or­ Rose Center and Council Hawaiian huh, chants and ganization which develops for the Arts, Inc. other facets of indigenous Metropolitan School for and promotes local artists. Morristown, TN $10,000 Pacific Island culture. the Arts, Inc. [93-5323-0213] To support artists’ fees, pub­ [93-5323-0166] Syracuse, NY $10,000 licity expenses, and related To support tuition subsidies Newark Community costs for performances and Kulintang Arts, Inc. for group and private in­ School of the Arts visual arts activities. Oakland, CA $8,000 struction in music, dance, Newark, NJ $36,000 [93-5323-0156] To support the salary of the theater and the visual arts. To support the Gifted and artistic director, artistic fees [93-5323-0165] Talented Program, which San Antonio, City of and production costs for the provides specialized training San Antonio, TX $27,000 1993-94 season. Mind-Builders Creative and support to students and To support the salaries of a [93-5323-0183] Arts Co., Inc. professionals, and the program coordinator and Bronx, NY $13,000 Faculty Performing Series. administrative assistant for La Casa de la Raza To support artistic and [93-5323-0208] the audience development Santa Barbara, CA $7,500 administrative salaries,pub­ program at the Carver Com­ To support artistic fees, pro­ licity and production costs Nuyorican Poets Care, Inc. munity Cultural Center. duction, promotion and doc­ for the Positive Youth New York, NY $8,700 [93-5323-0196] umentation costs for a com­ Troupe, performances and a To support artistic fees for prehensive program to pre-professional training an ongoing poetry reading include visual art exhibits, program. [93-5323-0206] program and a theater festi­ folk dance, a theatrical per­ val, which will foster the de­

1993 Annual Report 51 Senior Arts Project travel and associated costs. plays and documents the his­ American Indian Mbuquerque, NM $5,000 [93-5323-0171] tory of major contributions Services, Inc. To support a workshop and to these art forms made by Sioux Falls, SD $5,000 performance series featuring Urban Gateways African-Americans. To support the underwriting the work of Hispanic and Chicago, IL $50,000 [93-5323-0198] of salary support for the posi­ Native American artists. To support the recruiting, tions of the Northern Plains [93-5323-0197] training, and professional de­ Sr ILL. Edmunds tribal arts director, MS busi­ velopment of artists of ethni­ Associates ness manager, and secretary Society of Folk Arts and cally and racially diverse her­ Philadelphia, PA $119,991 in the planning and produc­ Culture, Inc. itage, including African- To support a cooperative tion of the 1994 Northern Eutaw, AL $10,000 American, Latino, Asian and agreement for the adminis­ Plains Tribal Arts Expo. To support staff salaries, Native American. tration of approximately 300 [93-5325-0107] consultants and technical as­ [93-5323-0226] on-site evaluations of Expan­ sistance for program devel­ sion Arts Program applicants Brandywine Graphic opment and related travel. Village of Arts and by qualified experts. Workshop, Inc. [93-5323-0211] Humanities Inc. [DCA 93-40] Philadelphia, PA $40,000 Philadelphia, PA $15,000 To support the costs of pro­ Southeast Community To support artistic, adminis­ ~ Jack Faucett Associates ducing an exhibition and cat­ Cultural Center, Inc. trative and related costs for a Bethesda, MD $6,253 alogue that document the Atlanta, GA $20,000 performing and visual arts To amend a cooperative works of AFRICOBRA, an To support artistic, adminis­ program in the neighbor­ agreement to assemble quali­ African-American arts collec­ trative and related costs for a hood. [93-5323-0214] fied experts to perform artis­ tive. [93-5325-0101] multidisciplinary program tic and administrative evalua­ providing classes and work­ Visual Arts Research and tions of grant applicants and Bronx Council on the shops, performance presenta­ Resource Center Relating provide limited technical as­ Arts, Inc. tions and studio space. to the Caribbean, Inc. sistance. [DCA 92-28] Bronx, NY $12,000 [93-5323-0175] New York, NY $50,000 To support the administra­ To support an ongoing visual tive and artistic expenses re­ St. Francis Music Center arts exhibition program on lated to the "Scholarship Little Falls, MN $7,000 African and African diaspora Studio Artists Exhibition To support artistic, adminis­ culture and a variety of per­ 1993," the Artists Studio trative and related costs for forming events centered program, and a series of pan­ ongoing programs including around traditional African els and seminars. an artist-in-residence pro­ and African-derived celebra­ [93-5325-0110] gram, a summer camp for tions. [93-5323-0194] piano, and folk art work­ Chicago Public Art Group shops. [93-5323-0199] Waianae Coast Culture & Visual Arts Chicago, IL $8,000 Arts Society, Inc. To support administrative Thalia Spanish Theatre, Waianae, HI $25,000 37 grants and artistic expenses for the Inc. To support ongoing work­ planning and execution of Sunnyside, NY $14,000 shops in traditional crafts, Program Funds: $543,500 site-specific , mosaic To support artistic and pro­ dance and music that perpet­ sculptures, a teen center, duction costs for a series of uate the many ethnic cultures community garden sculpture, theatrical productions in and art forms of the Aljira, Inc. and art works in the schools Spanish, folkloric dance and Hawaiian Islands. Newark, NJ $7,500 throughout the Chicago area. music productions, and par­ [93-5323-0180] To support administrative [93-5325-0136] tial salary of the administra­ and artistic expenses related tive director. Xicanindio Artes, Inc. to "With and Without History [93-5323-0152] Mesa, AZ $20,100 Acclaim," a series of solo ex­ Museum To support administrative hibitions. [93-5325-0122] New York, NY $5,000 Toyo Kami, Inc. and program staff salaries, To support expenses related Oakland, CA $7,500 guest artists’ fees and produc­ ~ American Indian to the planning and imple­ To support artistic fees, ad­ tion costs for a silkscreen Contemporary Arts mentation of new marketing ministrative and marketing workshop and theatrical pre­ San Francisco, CA $10,000 strategies for museum pro­ costs at the Ohana Cultural sentation. [93-5323-0172] To support administrative grams, productions and ser­ Center. [93-5323-0195] and artistic costs related to vices. [93-5325-0112] Your Heritage House, Inc. the mounting of three ex­ Urban Bush Women, Inc. Detroit, MI $17,000 hibits in the 1993-94 exhibi­ Chinese Culture New York, NY $10,000 To support workshops and tion season. [93-5325-0127] Foundation of San To support the Community classes in dance, theater, Francisco Engagement Project (CEP) music and visual arts, and an San Francisco, CA $23,000 by underwriting artistic fees, exhibition program that dis­ To support administrative

52 National Endowment for the Arts and artistic expenses for the 94 exhibition season. sistant and related marketing Movimiento Artistico del planning and presentation of [93-5325-0114] costs. [93-5325-0121] Rio Salado, Inc. traditional and contemporary Phoenix, AZ $7,500 Chinese and Chinese Galeria Studio 24 Mexic-Arte To support administrative American artists. San Francisco, CA $40,000 Austin, TX $16,000 and artistic expenses related [93-5325-0124] To support administrative To support the administra­ to the "Local Artists Series," and artistic costs incurred in tive and artistic expenses re­ an exhibition series which Community Renewal Team the presentation of the 1993­ lated to the 1993-94 exhibi­ features, the works of local of Greater Hartford, Inc. 94 exhibition season. tion season. [93-5325-0094] emerging artists, accompany­ Hartford, CT $17,000 [93-5325-0097] ing brochures, and profes­ To support administrative Mexican Fine Arts Center sional development work­ and artistic expenses incurred Grass Roots Art and Chicago, IL $15,000 shops. [93-5325-0095] in mounting the 1993-94 Community Efforts To support administrative exhibition series and related West Glover, VT $5,000 and artistic expenses for the Movimiento de Arte y interpretive programs at the To support administrative presentation of the 1993-94 Cultura de Latino Craftery Gallery. and artistic expenses for the exhibition season. Americana de San Jose, [93-5325-0100] development and marketing [93-5325-0102] Inc. of the 1993-94 exhibition San Jose, CA $5,000 Custer County Art and season and related programs. Sr Mexican Museum To support administrative Heritage Center [93-5325-0117] San Francisco, CA $30,000 and artistic expenses for Los Miles City, MT $5,000 To support the administra­ Talleres de Arte, a multidis­ To support administrative Kenkeleba House, Inc. tive and artistic expenses for ciplinary visual arts work­ and artistic expenses for the New York, NY $20,000 its 1993-94 exhibition season shop and exhibition program presentation of the 1993-94 To support administrative which features the works of taught by local professional exhibition season and related and artistic expenses incurred contemporary Chicano and artists and art instructors to interpretive programs. in the presentation of a Mexican-American artists. urban Latino youth. [93-5325-0123] group exhibition series and [93-5325-0126] [93-5325-0109] related programming. Deaf Artists of [93-5325-0118] Minneapolis American Printmaking Workshop, America, Inc. Indian Center Inc. Rochester, NY $5,000 La Raza Graphics Minneapolis, MN $13,000 Ne~, York, NY $28,000 To support partial under­ Center, Inc. To support administrative To support administrative writing for the position of San Francisco, CA $20,000 and artistic expenses for the and artistic costs for the executive director. To support administrative presentation of its 1993-94 Minority Fellowship and [93-5325-0120] costs and artistic expenses re­ season, featuring the works Invited Minority Artists pro­ lated to the organization’s of traditional and avant­ grams. [93-5325-0135] En Foco, Inc. professional development garde American Indian Bronx, NY $10,000 training, workshops, and a artists. [93-5325-0111] Richmond Chapter of the To support administrative series of public forums for National Conference of and artistic expenses related Latin-American artists and Molly Olga Neighborhood Artists, Inc. to the En Foco Touring the Hispanic community. Art Classes, Inc. Richmond, VA $5,000 Gallery and MENTOR pro­ [93-5325-0115] Buffalo, NY $6,000 To support administrative gram, which offer emerging To support the administra­ and artistic expenses of the photographers an opportuni­ Liga Estudiantes de Arte de tive and artistic expenses in­ 1993-94 exhibition season ty to exhibit and work with San Juan, Inc. curred through the presenta­ for the Last Stop Gallery, established photographers. San Juan, PR $20,000 tion of cost-free studio and related programs. [93-5325-0128] To support administrative training programs for inner- [93-5325-0105] and artistic expenses related city youth and adults. Fondo Del Sol to the organization’s profes­ [93-5325-0119] Self-Help Graphics and Washington, DC $5,000 sional training and scholar­ Arts, Inc. To support administrative ship program, exhibition Montana Art Gallery Los Angeles, CA $20,000 and artistic expenses for the series, and the publication of Directors Association To support administrative 1993-94 season of activities. Plastica magazine. Great Falls, MT $5,000 and artistic expenses related [93-5325-0099] [93-5325-0104] To support administrative to the 1993-94 exhibition and artistic expenses in the season at Galeria Otra Vez. Foundation for African- Margaret Harwell Art presentation of quality art [93-5325-0116] American Art Museum exhibitions to a consortium Dallas, TX $7,500 Poplar Bluff, MO $5,000 of museums and galleries Social and Public Art To support administrative To support partial salary un­ throughout the state. Resource Center and artistic costs related to derwriting for the position of [93-5325-0096] Venice, CA $28,000 the presentation of the 1993­ director and a part-time as­ To support administrative

1993 Annual Report 53 salaries during the 1993-94 Media and artistic expenses related literary programs. season. [93-5325-0125] to its Asian Pacific Film­ [93-5325-0140] 6 grants maker Development Southern Alleghenies Program, which provides ~- Multicultural Arts, Inc. Museum of Art Program Grants: $86,000 professional training and Los Angeles, CA $21,000 Loretto, PA $15,000 production support for To support administrative To support administrative Asian Pacific media artists. and artistic expenses for the and artistic expenses in­ ~ Asian Cine-Vision, Inc. [93-5325-0133] production and publication curred in organizing and New York, NY $28,000 of a special issue of Interna­ presenting exhibitions at the To support administrative tional Review of Aj~ican museum’s main and satellite and artistic expenses related Literary American Art. facilities, as well as for exhi­ to the 1993-94 film series, [93-5325-0137] bition-related programs. the strengthening of services 9 grants [93-5325-0098] to Asian and Asian-American ~ Native American Center media artists, and the contin­ Program Funds: $119,000 for the Living Arts, Inc. St. Thomas Arts ued publication of Cinevue. Niagara Falls, NY $26,000 Council, Inc. [93-5325-0129] To support administrative Aunt Lute Foundation and artistic costs for the pro­ St. Thomas, VI $5,000 San Francisco, CA $5,000 To support administrative Black Filmmakers Hall of duction and publication of Fame To support the salary for the Turtle Quarterly. and artistic expenses for a position of executive direc­ professional training program Oakland, CA $5,000 [93-5325-0142] To support administrative tor/senior editor. for youths and the documen­ and artistic expenses related [93-5325-0144] ~- University of Houston, tation of program activities to the organization’s film se­ University Park for marketing and recruit­ ~ Catalyst, Inc. ment at the School of Visual ries and professional develop­ Houston, TX $5,000 ment programs for media Atlanta, GA $8,000 To support administrative Arts and Careers. To support administrative [93-5325-0103] artists. [93-5325-0131] and artistic costs for the pub­ and artistic expenses related lication and promotion of Camera News, Inc. to the publication of issues of works by Latin American Studio Museum in $13,000 Catalystin the 1993-94 sub­ Harlem, Inc. New York, NY writers at Arte Publico Press. $45,000 To support administrative scription series. [93-5325-0143] New York, NY [93-5325-0138] To support administrative and artistic expenses related operations, the Artist-in- to the Advanced Film and Video Production Workshop Colorlines Foundation for Residence program, and a and "Romancing the Moving Arts & Culture, Inc. Combination professional training program Milwaukee, WI $5,000 in museology and museum Image," a seminar that focus­ es on the professional devel­ To support administrative 6 grants administration. and artistic expenses for the Program Funds: $81,500 [93-5325-0106] opment of emerging media artists. [93-5325-0132] production and marketing of issues of Colorlines Magazine. Teatro del Sesenta, Inc. [93-5325-0145] Centro Cultural Aztlan, San Juan, PR $15,000 Cine Accion, Inc. San Francisco, CA $5,000 Inc. To support administrative Elders Share the Arts, Inc. San Antonio, TX $5,000 costs related to the 1993-94 To support administrative and artistic expenses for Brooklyn, NY $7,000 To support the administra­ Casa Candina exhibition sea­ To support the salary for the tive and artistic expenses of son, program documentation "Cineteca: New Makers and Guest Curators." position of performance di­ exhibitions and literary pro­ and professional develop­ rector. [93-5325-0139] ment workshops. [93-5325-0130] grams presented during the [93-5325-0113] 1993-94 season. Community Film [93-5325-0146] Workshop of Chicago Creative Arts United Indians of All New York, NY $37,000 Children’s Art Carnival Tribes Foundation Chicago, IL $5,000 To support administrative To support the 22nd annual New York, NY $40,000 Seattle, WA $15,000 Black Roots Festival, a staged To support administrative and artistic expenses related To support administrative reading series, a theatrical and artistic expenses associat­ to the Summer Film and artistic expenses related Institute, a professional train­ production, and the training to a series of training pro­ ed with the 1993-94 exhibi­ program. [93-5325-0141] tion season, and related pro­ ing program for inner-city grams, including Communi­ youth. [93-5325-0134] cation Arts Production, grams, featuring the works of Moonstone, Inc. prominent contemporary Talent Prep, and Apprentice­ Southern California Asian Philadelphia, PA $5,000 ship and Job Training Native American artists. To support administrative [93-5325-0108] American Studies Central Program. [93-5325-0150] Los Angeles, CA $30,000 and artistic expenses for the To support administrative presentation of the 1993-94

54 National Endowment for the Arts ~ Hatch-Billops African Continuum ~r Chinese Music Society MASA Arts Resources Collection, Inc. Theatre Coalition Woodridge, IL $5,000 Directory. [93-5365-0313] New York, NY $11,500 Washington, DC $5,000 To support the organiza­ To support administrative To support expenses related tion’s information service Montana Institute of the and artistic expenses for the to the Coalition’s newsletter and publications program. Arts Foundation production of Artists and including salary underwrit­ [93-5365-0316] Bozeman, MT $7,500 Influence, a publication series ing for the positions of To support a program that that documents the artistic Director of Communications Coalition of African- provides management sup­ careers of prominent visual, and Director of Services. American Cultural port and technical assistance performing and literary [93-5365-0310] Organizations for consortium member or­ artists. [93-5325-0149] Philadelphia, PA $25,000 ganizations. [93-5365-0324] Alternate ROOTS, Inc. To support administrative Koncepts Cultural Gallery Atlanta, GA $20,000 expenses related to the coali­ ~" National Association of Oakland, CA $10,000 To support the information/ tion’s technical assistance Latino Arts & Culture To support administrative artistic development services and marketing programs, in­ San Antonio, TX $7,000 and artistic expenses incurred program, as well as expenses cluding partial salary support To support expenses related in the publication of a quar­ related to the annual meeting for administrative personnel to the association’s adminis­ terly magazine, Konceptual­ and ROOTS’ publications. and a program coordinator. trative operations, including izations, and in the presenta­ [93-5365-0307] [93-5365-0323] salary support for the posi­ tion of the 1993-94 poetry, tions of executive director film, and lecture series. Asian American Arts Harlem Cultural Council, and administrative assistant. [93-5325-0148] Alliance, Inc. Inc. [93-5365-0319] New York, NY $7,500 New York, NY $5,000 Shooting Star Productions, To support a resource To support the publication ~ Sojourner Productions, Inc. library, information and re­ and distribution of Black Arts Inc. Pittsburgh, PA $5,000 ferral services, and publica­ N~, a monthly resource jour­ Washington, DC $10,900 To support administrative tions. [93-5365-0321] nal and guide for African To support administrative and artistic costs related to American artists and cultural and artistic expenses for the the publication and market­ ~" Association of Hispanic institutions. publication of Black Film ing of Shooting Star Review Arts, Inc. [93-5365-0308] Review, a quarterly journal and the creation of exhibi­ New York, NY $30,000 devoted to black film and tions for the Middle Passage To support technical assis­ Hispanic Organization of filmmakers. [93-5365-0312] Commemoration Ceremony. tance and information ser­ Latin Actors [93-5325-0147] vices programs, as well as the New York, NY $10,000 ~r The Association of publication of a monthly To support expenses related American Cultures, Inc. Young Aspirations/Young newsletter, directory and re­ to publications, including La San Antonio, TX $15,000 Artists, Inc. source materials for mem­ Nueva Ola, a national To support the Open New Orleans, LA $10,000 bers. [93-5365-0370] monthly newsletter; For Our Dialogue VI Conference, To support administrative Members Only, a job bank which is held biennially for and artistic expenses related ~r Adatl bulletin; and a membership the membership of artists, to the training and scholar­ Phoenix, AZ $20,000 directory. [93-5365-0320] arts administrators, and orga­ ship programs for at-risk To support the promotion of nizations reflecting the cul­ youth. [93-5325-0238] national traveling exhibi­ Institute of Alaska Native tural and ethnic diversity of tions, a technical assistance Arts, Inc. the United States. program, the salary of a part- Fairbanks, AK $15,000 [93-5365-0371] time coordinator, and the To support the maintenance publication of a quarterly and improvement of the ~" The Association of newsletter. [93-5365-0317] Information Center pro­ American Cultures, Inc. gram, including the publica­ San Antonio, TX $45,000 Chinese American tion of the Journal of Alaska To support administrative Support is provided to or­ Educational and Cultural Native Arts and technical as­ costs and support for core ganizations of regional or Center of Michigan sistance workshops to assist programs, including a re­ Ann Arbor, MI $20,000 national scope whose pri­ artists in the presentation of sume bank, information and To support technical assis­ their work. [93-5365-0372] referral services, representa­ mary function is to offer tance, marketing and eco­ tion and education services, a quality technical assistance nomic development pro­ Maine Arts Sponsors quarterly newsletter, and and/or services to expan­ grams, and the publication of Association membership services. sion arts organizations. newsletters and resource ma­ Augusta, ME $5,000 Reviewed by the 1992 terials. [93-5365-0322] To support the underwriting Services to the Field panel; 18 grants of scholarships to the MASA see 1992 Annual Report. Program Funds: $257,900 annual conference and [93-5365-0009]

1993 Annual Report 55 Hispanic students of ~ Visnal Arts Research three years to state arts [93-5361-0328] *Awarded in collaboration Alexander County, North and Resource Center agencies for regranting to Carolina. [93-5361-0340] Relating to the Caribbean, with, and funded by, the Arts rural arts organizations in Education Program. *Awarded in collaboration within their states. (For the with, and funded by, the Arts New York, NY ~5,000 in Education Program. To suppor: the Fublication list of grants, see Under- Brava! for Women and distribution of served Communities Set- in the Arts San Francisco, CA $10,000 Inquilinos Boricuas en Network oJ’Cultzmd Aside chapter.) Accion o~Co[or (NCCC) newsletter. To support artistic and ad­ ministrative expenses for the Boston, MA $30,000* [93-5365-03091 WRITE ON! ACT OUT! To support artistic and ad­ Arts Education theater project, an after- ministrative expenses for the Initiative school writing and perfor­ Areyto Cultural Awareness mance program for cross-cul­ Program, which combines el­ 23_grants tural teens. [93-5361-0325] ements of Inquilinos’ after- school and in-school pro­ For special initiatives that Program Funds: $170,000" ~Not including $275, O00 for Chinese Cultural grams. [93-5361-0343] will advance expansion art Productions *Awarded in collaboration forms, are of national sig­ 13 grants awarded in collabo­ ration with, and fimded by, the San Francisco, CA $10,000" with, and funded by, the Arts nificance, aud/or can bc Ar~s in Education Program. To support artistic and ad­ in Education Program. used as models by tee ministrative expenses for whole field. The Arts dance instruction for Jamaica Center for the Performing and Visual Education Initiative pro­ Andrew Cacho African Chinese-American youth. [93-5361-0329] Arts, Inc. vides funds for a two-year Drummers and Dancers, Inc. *Awarded in collaboration Jamaica, NY $18,000 project period to cultivate Washington, DC $10,000 with, and funded by, the Arts To support artistic and ad­ ministrative expenses for the a general knowledge, To support program expens­ in Education Program. a.wareness and appreciation Community Workshop es related to an ongoing art Program, which provides ofthe arts, generally instruction project designed Elders Share the Arts, Inc. Brooklyn, NY $25,000* after-school and Saturday in­ children in grades K-12. to introduce youth (K-12) to African/Caribbean cultural To support costs associated struction in a variety of art The Capstone Project arts. [93-5361-0336] with the ongoing project, forms to the youth of south­ provides support to multi­ "Rediscovering America," an eastern Queens. disciplinap/arts organiza­ Artists Collective, Inc. intergenerational theater/oral [93-5361-0333] Hartford, CT $17,000 history program for fourth tions in efforts to divcrsif)’ Lula Washington their revenue base beyond To support artistic and ad­ through seventh graders. ministrative expenses related [93-5361-0335] Contemporary Dance public and fomadat[on *Awarded in collaboration Foundation support. The Conamunity to the Collective’s After School Program. with, and funded by, the Arts Los Angeles, CA $30,000 Foundation ~nitiative is a [93-5361-0338] in Education Program. To support artistic and ad­ coilabcrativc effbrt with ministrative expenses for the local community founda­ Ballet Hispanico of New Friends of the Mission "I Do Dance, Not Drugs" Cultural Center latchkey program, as well as tions desigued to secure York San Francisco, CA $10,000" intensive, all-day summer private money or, a perma­ Nexv York, NY $30,000* dance camps. To support the development, To support artistic and ad­ nent basis for small and implementation and evalua­ ministrative expenses in [93-5361-0339] medium-sized arts groups, tion of a model study unit on order to provide free classes with an empbasis on ex­ Caribbean and Latin Ameri­ to inner-city children and M. Harriet McCormack can dance for youth in youth after school and Center for the Arts, Inc. pansion arts organizations. throughout the summer. Dorchester, MA $18,000 The four-year grants ~br grades K- 12. [93-5361-0327] [93-5361-0331] To support artistic and ad­ the Expansion Arts ~w~:rded in collaboration *Awarded in collaboration ministrative expenses for the Program arc used to sub- with, and fimded by, the drts with, and funded by, the Arts Youth Performing Arts Training and Production grant to loca~ arts groups, in Ed~;cation Program. in Education Program. and the community foun­ Project, an intensive series of afrer-school arts training and dation’s mazch is deposited Boys Choir of Harlem, Inc. Hiddenite Center, Inc. Hiddenite, NC $15,000" education workshops for in a permanent endmv­ New York, NY $30,000* To support artistic and ad­ To support artistic and ad­ groups of 30 to 35 inner-city ment. The Rural Arts ministrative expenses for the ministrative expenses to teens. [93-5361-0330] Initiative awards matching Training Treble phase of the strengthen and expand sum­ grants of up to $40,000 Boys Choir’s Summer Music mer and autumn arts educa­ per year, available for up to Institute (SMI) in 1994-95. tion programs for rural and

56 National Endowment for the Arts Paul Robeson Performing grams to be administered in with, and fimded by, the Arts La Pena Colmral Center, Arts Company conjunction with public in Education P~vgram. Syracuse, NY $23,000* schools, housing projects and To support "Enriching Berhclcy, CA $45,000 community centers. Working Classroom, Inc. To support an audience de­ Academic Achievement [93-5361-0334] Albuquerque, NM $10,000 Through the Arts," a project velopmcut campaign, :echni­ *Awarded in collaboration To support artistic and ad­ cal cquipmcnt improvements undertaken by the company with, and funded by, the Arts ministrative expenses for in collaboration with Jack and fees for a consultant. in Education Program. after-school, weekend and [93-5361-0367] and Jill, an African-American summer bilingual arts in­ civic association. St. Francis Music Center struction and mentoring to [93-5361-0337] Little Falls, MN $12,000" low-income Hispanic and *Awarded in collaboration Chicago, IL $36,000 To support artistic and ad- African-American youths. To support increased recog­ with, and funded by, the Arts ministrative expenses for two [93-5361-0326] in Education Program. nition among Midwestern one-week intensive summer presenter,,; and generate rev­ day camps each summer dur- enues through performance Point Breeze Performing ing 1994 and 1995 for tal- evcuts. [93-5361-0366] Arts Center ented youth in grades four Capstone Project Philadelphia, PA $25,000 through nine. 6 grants To support artistic and [93-5361-0332] administrative expenses for *Awarded in collaboration Program Funds: $220,000 Community open-admission after-school with, and funded by, the Arts Foundation and summer programs in the in Education Program. hfitiative performing arts, which are Appalshop, Inc. made’ available to the chil- UrbanArts, Inc. Whitesburg, KY 538,000 1 grant dren and youth of the Point Boston, MA $12,000 To support the creation of a Breeze community. To support administrative development staff position; Program Funds: S50,000 [93-5361-0346] and artistic expenses for hire a marketing consuhant; Youth Works/Art Works and to increase business un­ San Antonio, City of (YW/AW), a summer pro- derwriting of WMMT radio. Jacksonville Community San Antonio, TX $20,000 gram for the education and [93-5361-0364] Foundation To support the salary of the training of at-risk teenagers. Jacksonville, FL $50,000 program officer who will be [93-5361-0344] Bedford Stuyvesant To support ,~ubgranting to responsible for administering Restoration Corporation small and medium-sized a:ts the final phase of a three-year Urban Gateways Brooklyn, NY $35,000 organizatious and individual artists, including those in the plan to establish a permanent Chicago, IL $30,000* To support the creation of a second home for Dance- To support artistic and ad- business manager staffposi­ expansion arts field. Review- Brazil at the Carver Center, ministrative expenses associ­ tion and related costs. cd 13y tbc 1992 Rurai Arts where the New York-based ated with the creation of an [93-5361-0362] initiativc/CommuniW Foun­ company will spend six outdoor mosaic sculpture by dation Initiative panel; see months of each year. sixth and seventh grade stu­ Guadalupe Cultural Arts 1992 Annual Report. [93-5361-0342] dents from Chicago’s Center [89-5370-0375] Cabrini Green public hous- San Antonio, TX $30,000 San Jose Taiko Group, Inc. ing community. To support the salary San Jose, CA $10,000" [93-5361-0341] store manager and produc­ PiJot Projects To support artistic and ad- *Awarded in collaboration tion and distribution of a ministrative costs associated with, and funded by, the Arts catalogue. [93-5361-0368] 2 grants with Junior Taiko classes, in Education Program. which involve Japanese- Japanese American Program Funds: $52,000 American youth in the explo- Very Special Arts New Cultural & Community ration of Japanese drumming Center Mexico Kings Majestic and music. [93-5361-0347] Albuquerque, NM $30,000* Los Angeles, CA $36,000 *Awarded in collaboration To support the dcvelopmcI:t Corporation To support costs associated Brooklyn, NY 57,000 with, and funded by, the Arts with the development and and implementation of a in Education Program. new data base and ticketing To st:pport preproduction implementation of an after- costs in remounting the pro­ school and summer institute system, increased advertising ductiol~, S/,ciLz } D,9,, in as­ Socrates Sculpture in Zuni Pueblo for at-risk el- and development and mar­ soci:u ion ~ ith Crossroads Park, Inc. ementary school students keting of products. Long Island City, NY Tl,catrc Company and the and those with disabilities. [93-5361-0361] American ~ lusic Theate: $20,000* [93-5361-0345] Festival. Rcvicwcd by a tele­ To support administrative *Awarded in collaboration and artistic expenses for pro- phone poll of &c following members of the Multi­

1993 Annual Report 57 Lorraine Wilson, Ph.D. Multidisciplinary disciplinary Panel: William Performing Arts-Dance/Music Professor of Music Education Chin, Constance Gray, Rudy Indiana University of William Chin Guglielmo, Rosalba Rolon, Founder/Director Daniel Bustamente Pennsylvania Henry Willett. Indiana, PA Oriana Singers; [93-5361-0360] Executive Director, Assistant Conductor Festival Chicano; Visual, Media, Design Holy Name Cathedral ~" Nonprofit Facilities Managing Director, And Literary Arts Chicago, IL Fund Musica Modemo (VMDL) New York, NY $45,000 Houston, TX Constance Gray (chair) To support administrative Nancy Campbell Grants and Technical costs associated with the es­ Gualberto Capdeville Assistance Analyst Assistant to Executive Coordinator, School Programs tablishment of the Cultural and Regional Bookings Oakland Cultural Arts Facilities Fund. Reviewed by Director Division Puerto Rico Tourism; Jubilee Community Arts; Performing Arts--Dance/ Regional Coordinator Oakland, CA Music Panel. [93-5361-0241] Musical Director ~1 East Central Tennessee Orquestra Filarmonica Rudy Guglielmo Arturo Somohano Scholastic Awards Knoxville, TN Expansion Arts Director Rio Piedrad, PR Arizona Commission on David Chung (chair) the Arts Hbby Lai-bun Chiu Phoenix, AZ Director, Institutional Visual Artist Performing Washington, DC Arts-Theater Advancement Karen Hubbard The Boston Conservatory Assistant Professor of Dance Boston, MA Evelyn Crawford Tomas Benitez (chair) Independent Producer, University of North Program Associate Technical Consultant Carolina, Fritz Congdon (layperson) Charlotte, NC Pasadena Department of Regional Sales Representative California Arts Council Cultural Affairs San Francisco, CA North American Airlines Conchita Reyes Pasadena, CA Portland, OR Trinidad Lopez Arts Program Coordinator Sandra Gay Juana Guzman Professor of Art Kansas Arts Commission Theater Director, Development Director University of Texas Topeka, KS Artist in-Residence Chicago Department of E1 Paso, TX Black Cultural Center, Cultural Affairs Rosalba Rolon Purdue University Chicago, IL Rosalie Ortega Executive/Artistic Director , IN Director of Community Pregones Touring Puerto Outreach Rican Theater Norman Kline Bronx, NY Frederick Hudson Executive Director Armory Center for the Arts President The Emelin Theatre for the Pasadena, CA Frederick Douglass Creative Performing Arts John Andrew Ross Arts Center Mamaroneck, NY Fletcher Robinson Music Director, National New York, NY (layperson) Center for Afro-American Art; Music Director, Elma Lewis Edsel Matthews (chair) Dermatologist/Art Collector Roella Louie Co-Founder/General Manager St. Thomas, VI School of Fine Arts Grants Director Koncepts Cultural Gallery Boston, MA L.A. Cultural Affairs Oakland, CA Brad Stephenson Department Public Information Officer Randy Ross (layperson) Los Angeles, CA North Dakota Council on Management Analyst, Office Nailah Randall of Epidemiolog7 Founder/Director the Arts Greicy Lovin (layperson) Fargo, ND Aberdeen Area Indian Health Ebony Jazzette Service Program Analyst Altadena, CA City of Miami Department Pheoris West Rapid City, SD of Community Development George Sams Associate Professor of Art Miami, FL Ohio State University Henry Willett, III Jazz Musician; Composer; Director Grants Program Director Columbus, OH Roland Reed Alabama Center for St. Louis Regional Arts Director, Graduate Traditional Culture Commission Montgomery, AL Playwriting Program St. Louis, MO Catholic University Washington, DC

58 National Endowment for the Arts Services To The Field Dennis Ho|ub George Charles Koch Overview (1993) Executive Director Painter; Management Analyst, Sheila Austin Smith (chair) South Dakota Arts Council Employment and Training David Chung (chair) Director, Grants Services Sioux Falls, SD Administration Metro-Dade Cultural Affairs Visual Artist US Department of Labor Washington, DC Council Marilyn Reinstein Washington, DC Miami, FL (chair/layperson) Sandra Furey Education Specialist; Randy Ross Executive Director Jane Delgado Former Chairman, Arts-in- Management Analyst, Office Arts and Organizational Urban Gateways Education Council of Ep idem io log7 Chicago, IL Development Consultant Scottsdale Public Schools Aberdeen Area Indian Health New York, NY Scottsdale, AZ Service Constance Gray Rapid City, SD Derek Gordon Karl Singletary Analyst City of Oakland Cultural Director of Education Dancer; Executive Director Rural Arts Initiative John F. Kennedy Center for Buffalo Inner City Ballet Arts Division Oakland, CA the Performing Arts Buffalo, NY John Horhn (layperson) Washington, DC State Senator Rudy Guglielmo Capstone Project Jackson, MS Larry Kubota Expansion Arts Director Arizona Commission Management, Planning and Joy Beaton Katharine Pearson on the Arts Financial Consultant Managing Consultant Arts Consultant; Phoenix, AZ Gardena, CA Southern Rural President, East Tennessee Development Initiative Foundation Dennis Holub Mvin Wakefield Sarasota, FL Knoxville, TN (layperson) Executive Director Managing Director/Partner South Dakota Arts Council Roberto Barragan Frances Poteet Sioux Falls, SD Gilbert Tweed Associates Executive Director Independent Arts Consultant Pittsford, VT Community Financial Sandia Park, NM Resource Center Frederick Hudson President Pilot Projects South Central Los Angeles Betty Switzer (chair) Los Angeles, CA Frederick Douglass Center Coordinator Community New York, NY Arts Education Initiative Development and Rural Linda Walker Bynoe Services Karen Baxter (layperson) Norman Kline Texas Commission on Executive Director Managing Director Investment Counselor; the Arts Rites and Reason Theater Emelin Theatre President/Chief Operating Austin, TX Mamaroneck, NY Providence, RI Officer, Telemat Ltd. Betty White Jesse Bermudez Denver, CO Greicy Lovin Director, People’s Tribal Program Analyst President, Cultural Center Asociacion de Musicos Sandra Furey (chair) City of Miami Department Flathead Indian Reservation of Community Development Latinos Arnericanos Executive Director Ronan, MT Philadelphia, PA Urban Gateways Miami, FL Chicago, IL Sheila Austin Smith Director Metro-Dade Cultural Affairs Council Miami, FL

1993 Annual Report 59 The special nature of the folk arts-also known as traditional arts-emerges from the process of their creation and State Arts Commission to conduct a survey of Mexican- maintenance. "Tradition" describes it: information, be- American traditional arts in the agricultural Yakima liefs and customs are handed down both by word of Valley that revealed a wealth of first-rate traditional mouth and by example from one generation to another. musicians and artisans. A local festival was then orga- Through this process--as the repertoire, techniques, nized to celebrate those arts and artists, and recordings practices, aesthetic tenets and social attitudes that cir­ of the musicians were produced and distributed in the cumscribe an art form are passed on within a group of region to enhance the access of local people to the best people--the art itself reflects the shared values and ex- of their own artistic traditions. The Delta Blues periences of that group. Thus the folk arts reaffirm Museum in Clarksdale, Mississippi, launched a "Blues cherished beliefs and promote cultural continuity. This in the Schools" program that brought seasoned blues is not to say that traditional artists are not innovators or performers into rural schools as a means of strengthen- that traditional arts do not progress; emphatically, they ing the ties of primarily African-American student bod- do, while innovation builds on the past and reflects the ies to this venerable Delta tradition. The University of changing character of those who practice them. Wyoming Art Museum in Laramie mounted a popular exhibition on the aesthetic variety, working utility and In this complex nation where hundreds of distinct her- historical antecedents of Wyoming saddlemaking. In itages enliven our cultural landscape, the challenge of Alaska, the Kake Tribal Heritage Foundation organized the Folk Arts Program has been to respond to the a pole carving project in its village with the dual widest possible range of needs. We strongly purpose of teaching younger Tlingits (Native Alaskans) believe in the notion that the threads of the skills and symbolism of traditional totems and re- diversity make the fabric of unity, and we placing some of the totem poles that had been de- seek to strengthen both those threads stroyed in the early 1900s. and the enduring nature of our social ta­ pestry. Consequently the projects we sup- Many of our projects reached large audiences. "Texas port share two broad functions. One, they Country Roots," an effort of Texas Folldife Resources in invigorate the artistic traditions of local Austin, found key Texan contributors to the shaping of communi- scattered throughout the state and present- ties, tribes ed them in a sold-out concert in Houston. In Maine, and specific Portland Performing Arts organized the tour "French cultural Connections: Francophone Culture in North America’’ groups in all featuring New England French, Cajun and French parts of our Canadian performing artists and took them to towns country. Two, throughout the Northeast. National Public Radio pro- while being part of duced "Wade in the Water" a major series of weekly pro- our common national grams presenting the magnificent variety of African- heritage, they offer other American sacred song and worship traditions. Americans access to cul­ tural expressions distinct The National Heritage Fellowships, awards of $ ! 0,000 from their own. to outstanding folk artists, went to seven individuals, three pairs of artists and one ensemble in 1993. They Grants awarded in our were then presented to the public in a concert in main Folk Arts Washington, D.C. and in a nationally broadcast two- cat- hour radio special. The recipients included Kenny egory this year Baker, the quintessential bluegrass fiddler; Nalani and are indicative. Pualani Kanaka’ole, two sisters and long-time collabora- For example, tors in maintaining the Native Hawaiian chant/poetry/ one grant hula tradition of mele; and the Mclntosh County enabled Shouters, the last active practitioners of the centuries- the Wash- old African-American "shout" tradition, a mix of song, ington movement and religious devotion. These artists epito­

1993 Annual Report 61 Abenaki Indian traditions ofbeadwork, birchbark con­ mize the aim of this program to recognize traditional authenticity, artistic excellence and contributions to the tainers, dance and other art forms. Our program funds enabled the Alabama Council on the Arts to continue cultural health of their tradition--all of which benefit its support of apprenticeships in a variety of art forms the nation. such as fiddling, Creek Indian basketry, African- American Sacred Harp singing and Anglo-American A third grant category, State Apprenticeship Programs, pottery. Apprenticeship efforts such as these proved par­ assists state-based projects of support for the one-on­ one transmittal of traditional arts from master to ap­ ticularly effective in reaching master artists and promis­ ing learners in rural areas of the 35 states that had active prentice. The Vermont Folklife Center of Middlebury statewide apprenticeship programs during 1993. launched an apprenticeship program focussing on

mentary of traditional epic Indicates national impact Hankins, Charles 119.grants and 2 coop- Lavallette, NJ $10,000 erative agreements poetry in Arab communities in Detroit. Panel A. [93-5511-0099[ Program Funds: [93-5533-0107] $2,657,400* Kanaka’ole, NManiand Arab Community Center PuMani *Not including $100,900 for Hilo, HI $10,000 five grants awarded in collab- for Economic and Social [93-5511-0098] oration with, and funded by, Services (ACCESS) the Arts in Education Dearborn, MI $16,000 Kapayou, Everett Program. To support rehearsals and a Tama, IA concert by an Arab tradition- To recognize annually a A further 32 grants totalling al music orchestra with spe­ [93-5511-0097] $10,000 cial instruction by Arab mas­ few of the nation’s exem­ $810,300 were awarded with Set-Aside funds; see Under- ter artists Jihad Racy and plary master folk artists McIntosh County Shouters Townsend, GA $10,000 served Communities Simon Shaheen. Panel A. and artisans whose signifi­ Set-Aside chapter. [93-5533-0108] [93-5511-0096] cant contributions to the health and happiness of Owens, Jack Grants were reviewed by the Arts for Greater Rochester, $10,000 Folk Arts Organizations Inc. the nation have gone Bentonia, MS Rochester, NY $19,500 [93-5511-0095] Panel (December, 1992) or, largely unrecognized. if indicated, by Panel A To support the folk arts pro­ Candidates are nominated Saenphimmachak, Mone (June, 1993). gram at Arts for Greater from the field; they may andVanxay Rochester. not apply for this one- ~ Alaska Public Radio [93-5533-0014] St. Louis, MO $10,000 Network time-only award. [93-5511-0094] Anchorage, AK $15,000 Adanta Historical Society, Inc. 11 grants Tang, Liangxing To support radio modules Bayside, NY $10,000 featuring traditional native Atlanta, GA $38,400 Program Funds: $110,000 American arts, to be broad- To support an exhibition, [93-5511-0093] cast as part of "National "Handed On: Folk Crafts in Native News." Panel A. Southern Life," and related Almeida, Santiago [93-5533-0152] activities at the Atlanta Sunnyside, WA $10,000 History Museum. [93-5511-0103] ~ Appalshop, Inc. [93-5533-0028] Whitesburg, KY $5,000 Baker, Kenny To support a television pro- Adatl Cottontown, TN $10,000 Phoenix, AZ $7,900 To enable nonprofit orga­ duction of Homemade Tales, [93-5511-0102] nizations to support such a documentary about Florida To support workshops and Stone, a traditional Appal- the production of a series of Catalon, Inez folk art activities as local festivals, concerts, exhibits, achian songwriter, singer, brochures which will be used Kaplan, LA $10,000 poet and storyteller. to inform the public as to the [93-5511-0101] and touring performances. Grants are also awarded for [93-5533-0020] history and social value of the traditional tribal crafts Charles, Nicholas and the documentation of tra­ ditional arts through radio, ~ Arab Community Center found in Arizona. Elena for Economic and Social [93-5533-0023] Bethel, AK $10,000 film, and recording and for general assistance. See also Services (ACCESS) [93-5511-0100] Underserved Communities Dearborn, MI $29,700 Set-Aside chapter. To support a video docu-

62 National Endowment for the Arts Bala Music and Dance the Cedarburg Cultural ~ City Lore, Inc. Association, Ltd. Cultural Festival in Colum­ Center. [93-5533-0041] New York, NY $33,400 bus. [93-5533-0073] Stockton, NJ $12,000 To support a meeting to dis­ To support a booklet ex- ~ Center for New cuss the state of folk arts in plaining the history and im- Council of Athabascan Television education nationwide, to as­ Tribal Governments portant aesthetic tenets and Chicago, IL $35,000 sess past problems and suc­ techniques of South Indian Fort Yukon, AK $44,900 To support fees and produc­ cesses, and to develop a fu­ To support the coordination "bharata natyam" dance to tion costs for Frank Yankovic: general audiences, to be dis- ture agenda for giving folk of marketing and artistic de­ America’s Polka King, a one­ arts and artists greater entry velopment involving native tributed at a series of dance hour documentary film. into educational settings. concerts. [93-5533-0055] American craftspeople in the O [93-5533-0069] [93-5533-0080] Yukon Flats villages of Alaska. [93-5533-0057] Big Wills Arts Council, Centrum Foundation City Lore, Inc. IUCo Port Townsend, WA Fort Payne, AL $18,000 New York, NY $6,500 ~r Country Music $21,600 To support an evening con­ Foundation, Inc. To support Radio Visions- To support a tent tour to cert of traditional Puerto Nashville, TN $25,000* Live, which will broadcast rural audiences in the West Rican music, honoring se­ segments of concerts held at To support the acquisition featuring traditional musi- nior traditional Puerto Rican and presentation of commer­ Fort Payne Opera House. cians of North Carolina. musicians in New York City. [93-5533-0042] cially recorded musical per­ Panel A. [93-5533-0121] Panel A. [93-5533-0136] formances important to the history of country music. Black Hills Pow-wow Cheektowaga, Town of ~" City Lore, Inc. Association [93-5533-0001] Cheektowaga, NY $9,900 New York, NY $25,000* *Extraordinary Action grant. Rapid City, SD $2,500 To support demonstrations To support the development To support traditional crafts of traditional Polish crafts at of a National Folk Arts in Crandall Library demonstrations and work- the annual Polish-American Education Task Force pro­ shops. [93-5533-0074] Glens Falls, NY $26,000 Festival in Cheektowaga. ject, including a part-time To support a folk arts coor­ [93-5533-0046] coordinator position. Cambodian-American dinator position and other Panel A. [93-5533-0200] related expenses at the Heritage, Inc. Chinese Culture and *Awarded in collaboration Fort Washington, MD Adirondack Folklife Center. Community Service Center with, and funded by, the Arts [93-5533-0005] $18,200 Bethesda, MD $20,000* in Education Program. To support a series of weekly To support a program to classes in Cambodian classical David Adler Cultural train young people in the City Lore, Inc. Center and folk music and dance. singing, dramatic skills and New York, NY Panel A. [93-5533-0176] $20,000 Libertyville, IL $14,000 history of Chinese Peking To support a community fes­ To support the concert series opera, including several per­ tival presenting the cultural "In the Tradition" at the ~ Cambodian Network formances by professional diversity of local traditional Council, Inc. center, featuring traditional artists. Panel A. artists in the Washington artists reflecting the area’s Washington, DC $23,700 [93-5533-0149] Heights area of New York To support a national festival cultural diversity. *Awarded in collaboration City. Panel A. [93-5533-0039] of Cambodian traditional with, and funded by, the Arts [93-5533-0210] arts. Panel A. in Education Program. [93-5533-0132] Delaware County City University of New Historical Association ~ City Lore, Inc. York (La Guardia Carnegie Public Library Delhi, NY $24,000 New York, NY $8,500 Community College) To support a performance Clarksdale, MS $6,800 To support a recording of Long Island City, NY To support a program teach- series featuring traditional Puerto Rican plena and $29,000 artists representing ethnic ing the music and history of fibaro music performed by To support folk arts residen­ the Delta blues for children groups who vacation annual­ groups from New York and cies in Andean, Puerto Rican ly in resort towns of New in Mississippi schools. Puerto Rico that participated and African-American music [93-5533-0006] York’s Catskill Mountains. in City Lore’s "Somos and dance in the Liberty Panel A. [93-5533-0118] Boricuas" (We Are Puerto Partnership Program for at- Cedarburg Corporation Rican) project. risk students to take place in Delaware Department of Cedarburg, WI $31,400 [93-5533-0053] Queens public schools. To support fieldwork leading Natural Resources & Panel A. [93-5533-0106] Environmental Control to an exhibition and directo- City Lore, Inc. ry of the culturally diverse Dover, DE $20,000 New York, NY $17,000 Columbus College To support the Delaware folk artists and art forms To support the third year of Columbus, GA found along Wisconsin’s $23,000 Folklife Program based at the the minority internship at To support the Indian Delaware Division of Parks Lake Michigan shoreline by City Lore.[93-5533-0054]

1993 Annual Report 63 Friends of West Virginia Hawaii Academy of and Recreation. Panel A. York metropolitan area. Recording Arts Panel A. [93-5533-0146] Public Radio, Inc. [93-5533-0181] Charleston, WV $25,400 Honolulu, HI $35,000 ¯ To support a series of radio To support the documenta­ ~r Documentary Arts, Inc. Eunice, City of $11,200 programs on traditional tion of traditional native Dallas, TX $18,500 Eunice, LA Hawaiian music and dance To support the Louisiana artists in West Virginia to be To support a series of radio broadcast on the West Vir- traditions and representative modules featuring musicians Folldife Festival in Eunice. artists, including National Panel A. [93-5533-0111] ginia Public Radio Network. from past National Heritage Panel A. [93-5533-0157] Heritage Fellows, on video­ Fellows. Panel A. tape and videodisk, as well as [93-5533-0105] Ferrum College the production of written Ferrum, VA $20,800 ~ Fund for Folk Culture Santa Fe, NM $50,000 materials. Panel A. Documentary Arts, Inc. To support an internship for [93-5533-0208] a folk arts specialist at the To support a folk cultural Dallas, TX $29,800 specialist position at the To support the folk arts co- Blue Ridge Institute. Hiddenite Center, Inc. Panel A. [93-5533-0167] Fund for Folk Culture. ordinator position for Dallas [93-5533-0050] Hiddenite, NC $29,300 and the surrounding region To support a local folk arts and related costs. Panel A. Sr Film Arts Foundation coordinator and related costs San Francisco, CA $15,000 Georgia Sea Island Folklore [93-5533-0155] Revival Project, Inc. at the Hiddenite Center in To support completion costs western North Carolina. for That Slack Key Guitar, a Brunswick, GA $10,000 East Bay Center for the To support the annual Panel A. [93-5533-0115] Performing Arts documentary film featuring Raymond Kane. Panel A. Georgia Sea Island Festival. Richmond, CA $6,300 [93-5533-0079] Historic Chattahoochee To support a series of in­ [92-5533-0007] Commission structional workshops in the Eufaula, AL $35,000 Sr Florida Division of ~ Greater Reedville Mien song style paau zuung Association To support the Chattahoo­ by master singer E. Yoon Historical Resources $7,100 chee Folklife Project, (Florida Folklife Programs) Reedville, VA Saelee. [93-5533-0058] To support a cassette record- designed to identify and pre­ White Springs, FL $6,900 sent the traditions and tradi­ To support a cassette and ing of traditional African- East Bay Center for the American work songs of the tional artists of the lower Performing Arts booklet featuring African- Chattahoochee River Valley American gospel electric steel Northern Neck region of Richmond, CA $12,000 Virginia. [93-5533-0032] in Alabama and Georgia. To support workshops in guitar music. Panel A. Panel A. [93-5533-0160] [93-5533-0178] Brazilian capoeira music and Greater Washington Ceili dance, sonjarocho Club Corporation Hmong Cultural, Arts, music, and Mexican son Folklore Village Farm, Inc. Crafts, Teaching and Dodgeville, WI $3,400 Washington, DC $28,000 huasteco music. Panel A. To support the 1993 Wash- Museum Project [93-5533-0134] To support a concert series Sacramento, CA $13,800 featuring traditional music ington, D.C. Irish Folk Festival at Wolf Trap Farm To support instructional ~r El Paso Community and dance of the region. workshops in the Hmong Panel A. [93-5533-0147] Park in , Virginia. Foundation [93-5533-0002] art forms of Kheng (bamboo El Paso, TX $40,000 mouth organ playing) and Pa To support a festival of Mex­ Folklorists in New Dao (embroidery) by master England, Inc. ~ Han Chinese ican music at the Chamizal Opera Institute artists Choua Xeng Cha and National Memorial in E1 Quincy, MA $31,400 Chamy Lee. [93-5533-0033] To support a New England Washington, DC $11,800 Paso. Panel A. To support a tour by the [93-5533-0207] tour of "Women’s Singing Homowa Foundation for Traditions." [93-5533-0076] Han Sheng group to cities in the United African Arts and Cultures, Episcopal Outreach of States with large Chinese- Inc. Pawleys Island, Inc. Fresno Arts Council, Inc. Portland, OR $12,000 Fresno, CA $16,400 American populations. Pawleys Island, SC $21,700 Panel A. [93-5533-0128] To support the fourth To support the 1993 Gumbo To support the presentation annual festival of Ghanaian of traditional artists reflecting Stew Festival in Pawleys ~ Han Sheng Chinese traditional arts in Portland Island. [93-5533-0052] the diverse cultures of Fresno. featuring Obo Addy and Panel A.[93-5533-0126] Opera Institute Washington, DC $12,000 Okropong. [93-5533-0062] Ethnic Folk Arts Center, Fresno Arts Council, Inc. To support the production Inc. of an illustrated booklet de- Institute for Community New York, NY $22,000 Fresno, CA $6,800 Research, Inc. To support administrative scribing and interpreting the To support the identification, various artistic dimensions of Hartford, CT $42,700 development and presenta- salaries, including a folk arts To support the state folk coordinator for the city of Peking Opera. Panel A. tion of traditional Bukharan, [93-5533-0129] arts coordinator position Albanian, Portuguese, and Fresno, and related costs. Arabic artists in the New [91-5533-0175]

64 National Endowment for the Arts and related costs. Panel A. and styles within the Jewish masters as well as members Maxwell Museum [93-5533-0171] diaspora. Panel A. of various American-Chinese Association [93-5533-0156] Kunqu societies. Albuquerque, NM $28,900 Institute of Puerto Rican [93-5533-0029] To support an exhibit and Culture John C. Campbell Folk related costs of Hispanic de­ San Juan, PR $19,900" School La Compania de Teatro de votional woodcarvings from To support a workshop series Brasstown, NC $10,700 Albuquerque, Inc. northern New Mexico at the in making and playing the To support the research, Albuquerque, NM $5,600 Maxwell Museum of Anthro­ Puerto Rican guiro (gourd documentation and presenta­ To support a concert series pology, University of New rasp). Panel A. tion of the sacred music of of New Mexican "Spanish Mexico. Panel A. O [93-5533-0159] southwestern North Carolina Colonial" songs and dance [93-5533-0168] *Awarded in collaboration and the surrounding region; music by Los Reyes de Albu­ with, and fimded by, the Arts a recording will be produced querque at senior centers Metropolitan Library in Education Program. from the resulting documen­ throughout rural New Mexi­ System Serving Oklahoma tation. Panel A. co between April and August, County Institute of the North [93-5533-0198] 1993. [93-5533-0009] Oklahoma City, OK American West $12,000 Seattle, WA $7,000 Kahua Na’au A’o ma La Compania de Teatro de To support "A Celebration To support programming Pu’uhonua o Honaunau Albuquerque, Inc. of Tradition," a presentation and related costs for the ex­ NHP, Inc. Albuquerque, NM $5,000 of senior master tradition hibit, "Life on the Sound: Honaunau, Kona, HI To support an anthology of bearers of Oklahoma. Maritime Folklife from the $22,300 outstanding past recordings [93-5533-0016] Puget Sound Region," to be To support the third of traditional New Mexican installed at Seattle-Tacoma "Gathering of Hawaii’s ¯ "Spanish Colonial" music Michigan State University International Airport. Traditional Masters," in performed by Lorenzo Mar­ East Lansing, MI $27,500 Panel A. [93-5533-0172] Kona. [93-5533-0078] tinez and Los Reyes de To support a new compo­ Albuquerque. nent, "Migration to Michi­ Intermedia Arts of Kake Tribal Heritage [93-5533-0075] gan," at the Festival of Minnesota, Inc. (Asian- Foundation Michigan Folldife. American Renaissance) Juneau, AK $25,000 Living Arts & Science [93-5533-0056] Minneapolis, MN $9,000 To support costs associated Center To support a concert series with a totem pole carving Lexington, KY $7,300 Middlesex, County of featuring traditional Asian project in the Tlingit village To support a cultural assess­ North Brunswick, NJ dance. Panel A. of Kake. Panel A. ment of the ethnic heritage $26,300 [93-5533-0123] [93-5533-0195] of the Bluegrass Kentucky To support a series of public region around Lexington. presentations and in-school Jack Straw Foundation Kariyushi Kai Panel A. [93-5533-0122] residencies by regional folk Seattle, WA $16,100 San Jose, CA $28,000 artists in Middlesex County. To support a radio program To support master classes in Longwood College [93-5533-0013] series focussing on tradition­ traditional Okinawan music Farmville, VA $10,000 al artists in Washington and dance by Hawaii-based To support a traveling exhi­ Multi-Media Training State. [93-5533-0060] master and National Heri­ bition at Longwood Fine Arts Institute tage Fellow Harry Nakasone Center of folk art and music Washington, DC $11,000 Jacob’s Pillow Dance and concert performances by found in several southside To support a video docu­ Festival, Inc. Nakasone and his students. Virginia counties, and related mentary of several traditional Lee, MA $25,900 [93-5533-0011] costs. [93-5533-0022] African-American music To support advanced in­ groups in Washington, DC. structional workshops in Koncepts Cultural Gallery Los Reyes de Albuquerque [91-5533-0217] Cambodian classical and folk Oakland, CA $25,000* Foundation dance by master artists in an To support the "Blues-in­ Albuquerque, NM $5,600 Music From China, Inc. intensive one-week residency the-Schools" project. To support performances of Ne~v York, NY $27,700 at Jacob’s Pillow and a series Panel A. [93-5533-0141] traditional music of northern To support workshops and of week-long satellite resi­ *Awarded in collaboration New Mexico and southern concerts of opera dencies. [93-5533-0043] with, and funded by, the Arts Colorado by Los Reyes de arias and concerts of tradi­ in Education Program. Albuquerque at senior citi­ tional music marking the Jewish Community Center zens’ centers in New Mexico Dragon Boat Festival and the of Greater Minneapolis Kunqu Society, Inc. between October 1993 and Mid-Autumn Festival. St. Louis Park, MN $17,700 Scarsdale, NY $9,200 May 1994. Panel A. [93-5533-0047] To support a festival in To support performances of [93-5533-0158] Minneapolis featuring the Chinese Kunqu-style opera many cultural backgounds featuring -trained

1993 Annual Report 65 Rensselaer County Council Musical Horizons ~r National Council for the Philadelphia Folklore Traditional Arts Project for the Arts, Inc. Washington, DC $37,000 Troy, NY $21,000 To support production of a Silver Spring, MD $70,000 Philadelphia, PA $30,000 To support a cooperative To support the position of di­ To support the folk arts film, Harry Buffalohead: program at the Rensselaer Singer of Traditions. agreement for the travel costs rector and related costs for the of selected experts to attend activities of the 1993-94 sea­ County Council for the Arts. [93-5533-0026] [93-5533-0008] performances and projects son. Panel A. [93-5533-0142] Musical Traditions funded by the Folk Arts Program, to evaluate them, Philadelphia Folklore Schoharie County Arts San Francisco, CA $19,800 Council, Inc. To support a weekend con­ and to provide technical assis­ Project tance to potential grant appli­ Philadelphia, PA $16,500 Coblesldll, NY $16,400 cert series featuring Middle To support a second year of Eastern music in the Bay cants from ethnic and rural To support the production communities. [DCA 93-30] of a bilingual booklet of the Irish Traditional Music Area and a concert series in Festival in Irish communities Fresno of Laotian, Cambo­ interpretive material about Sr National Public lakhon bassak, a type of in the Catskills. dian, and Vietnamese music. [93-5533-0059] [93-5533-0004] Radio, Inc. Cambodian folk opera, to be distributed at perfor­ Washington, DC $40,000 Seven Loaves Musical Traditions To support a radio series, mances by the Cambodian "Wade in the Water: Traditional Arts Group. New York, NY $17,500 San Francisco, CA $38,000 To support a second year of To support the folk arts pro­ African-American Sacred Panel A. [93-5533-0145] Song and Worship presentations by Czech pup­ gram and related costs at peteers Vit Horejs and Jan Local Cultures, a folk arts or­ Traditions." Pordand Performing Arts, [93-5533-0017] Inc. Unger, and apprentices, in ganization. Panel A. Czech communities of New [93-5533-0177] Portland, ME $32,100 New York Folklore Society To support a tour of"French York and Philadelphia. [93-5533-0051] National Association for Newfield, NY $10,000 Connections: Francophone the Advancement of To support an innovative Culture in North America." mentoring project that pro­ [93-5533-0067] South Dakota State Colored People Historical Society Russellville, KY $28,000 vides technical assistance to organizations and individ­ Puerto Rico Community Pierre, SD $29,600 To support a tour of the To support the state folk arts Freedom Singers to commu­ uals involved in folk arts pro­ Foundation, Inc. gramming. Panel A. Hato Rey, PR $32,000 program in South Dakota. nities in Kentucky. Panel A. [93-5533-0151] [93-5533-0040] [93-5533-0144] To support an island-wide folk arts coordinator position South Street Seaport ~ National Council for the North Columbia School­ in Puerto Rico, and related house Cultural Center costs. [93-5533-0021] Museum Traditional Arts New York, NY $25,000 Silver Spring, MD $30,000 Nevada City, CA $21,700 To support the third annual Puerto Rico Community To support the exhibition, To support the 55th Nation­ "Model Making in New al Folk Festival in Chatta­ California Basketweavers Foundation, Inc. Gathering. [93-5533-0049] Hato Rey, PR $13,600 York City: Twelve Ties to nooga, Tennessee. Tradition." [93-5533-0027] [93-5533-0031] To support a series of master Oakland, City of classes in traditional African- Oakland, CA $29,800 Puerto Rican bomba and Tarpon Springs, City of ~" National Council for the Tarpon Springs, FL $11,200 Traditional Arts To support a series of presen­ plena, and outreach work­ tations at libraries, children’s shops in various sites around To support a recording of Silver Spring, MD $50,000 the Kalymnos tsabouna To support a major concert museums and senior centers Puerto Rico. Panel A. featuring the traditional arts [93-5533-0202] (Greek bagpipe) and song and national radio simulcast repertory of National held at the Washington of Oakland and publication costs associated with the Radio Bilingue, Inc. Heritage Fellow Nikitas Monument on July 4, 1993. Tsimouris and his family, [93-5533-0077] documentation of Chinese- Fresno, CA $I 1,000" American traditional arts. To support a workshop series and a public concert to be [93-5533-0044] in traditional Mexican mari­ held in Tarpon Springs. Sr National Council for the Panel A. [93-5533-0175] Traditional Arts achi music conducted by Silver Spring, MD $118,500 Odunde, Inc. National Heritage Fellow Philadelphia, PA $20,800 Nati Cano and members of Texarkana Regional Arts & To support a cooperative Humanities Council, Inc. agreement for the adminis­ To support the presentation his ensemble, Mariachi Los of a traditional dance stage at Camperos. Panel A. Texarkana, AR $10,300 tration of the 1993 Assembly To support an exhibition of of National Heritage Fel­ Odunde, an African-Ameri­ [93-5533-0182] can community street festival *Awarded in collaboration traditional quilts found in lows, including public ap­ southwestern Arkansas and pearances and a free concert. in Philadelphia. Panel A. with, and funded by, the Arts [93-5533-0163] in Education Program. neighboring areas, a series of [DCA 93-29] workshop demonstrations of

66 National Endowment for the Arts several of the region’s folk art making in Wyoming. World Kulintang traditions, and related costs. [93-5533-0003] Institute and Research [93-5533-0064] Studies Center Vermont Folklife Center Reseda, CA $16,300 Texas Folklife Resources Middlebury, VT $9,000 To support master classes in Austin, TX $20,000 To support costs associated Filipino Maguindanao and To support programming re­ with several planning meet­ Maranao kulintang (gong en­ Funds are available to state lated to "Pass it On: Photo­ ings for a proposed major ex­ semble) music and accompa­ graphic Portraits of Master hibition and related pro­ nying informational talks on or private nonprofit agen­ Texas Folk Artists," a touring cies for the development of gramming on the folk arts Filipino indigenous music. O exhibit featuring master tra­ of the entire Appalachian [93-5533-0063] statewide programs that ditional artists participating Mountain chain from Maine provide individual appren­ in the Texas Folk Arts to Georgia. Panel A. ~" World Kulintang ticeships with master tradi­ Apprenticeship Program. [93-5533-0133] Institute and Research [93-5533-0024] Studies Center tional artists. Virginia Foundation for Reseda, CA $7,200 Texas Folklife Resources the Humanities and Public To support a recording doc­ 8 grants Austin, TX $22,500 Policy umenting the traditional Program Funds: $148,000 To support the first phase of Charlottesville, VA $38,700 Filipino kulintang (gong en­ "Texas Country Roots," a To support the Virginia semble) music of master tra­ A further 18 grants totalling project to document and Folklife Program located at ditional artists Danongan $393,800 were awarded with present Texas "root" sources the Virginia Foundation for Kalanduyan and Aga Mayo Set-Aside funds; see Under- of country music. the Humanities. Panel A. Butocan. [93-5533-0066] served Communities Set- [93-5533-0025] [93-5533-0162] Aside chapter. ~r World Music Institute, Texas Folldife Resources Western Folldife Center Inc. Grants were reviewed by the Austin, TX $15,500 Elko, NV $28,000 New York, NY $40,000 Folk Arts Organizations Panel To support a touring exhibit To support "Voices To support "The Musical (December 1992) or, by "Wood it Were: Vision and W.E.S.T." (Western Ensem­ World of Islam," a series of Panel A (June 1993). Virtuosity in Wood," and re­ ble Singing Traditions), a concerts taking place in vari­ lated costs. Panel A. Salt Lake City festival of ous cities featuring a cultural [93-5533-0150] singing ensembles represent­ variety of outstanding Mus­ Davis & Elkins College ing varied cultural back­ lim musicians. Elkins, WV $29,000 Traditional Arts in Upstate grounds found in the West. [93-5533-0037] To support a state folk arts New York, Inc. [93-5533-0072] apprenticeship program in Canton, NY $16,600 World Music Institute, Inc. West Virginia. To support several traveling Wheelwright Museum of New York, NY $20,100 [93-5551-0083] exhibits and related costs fea­ the American Indian To support weekend con­ turing regional folk arts and Santa Fe, NM $25,500 certs featuring Dominican Florida Division of folk culture of upstate New To support the exhibition, music and dance by Los Historical York. [93-5533-0048] "Life Looms: Contemporary Cinco Diablos and Asa Dife. Resources/FoIldife Navajo Pictorial Textiles," [93-5533-0038] Program University of Arizona the accompanying catalog White Springs, FL $22,700 Tucson, AZ $12,700 and related costs. Panel A. World Music Institute, Inc. To support a state folk arts To support fieldwork and re­ [93-5533-0140] New York, NY $18,000 apprenticeship program in lated costs for an exhibition To support a Sunday after­ Florida. Panel A. of the traditional arts of the ~ Wolf Trap Foundation noon concert series of tradi­ [93-5551-0196] Tucson area’s Mexican- for the Performing Arts tional arts, developed and American community. Vienna, VA $35,000 priced for family audiences. Michigan State University [93-5533-0007] To support "Folk Masters," a Panel A. [93-5533-0165] East Lansing, MI $19,500 series of concerts featuring To support a traditional arts University of Wyoming traditional artists from across World Music Institute, Inc. apprenticeship program in (Art Museum) the nation and a radio series New York, NY $19,500 Michigan. Panel A. Laramie, WY $30,000 drawn from those concerts to To support "Traditional [93-5551-0194] To support the exhibition, be broadcast through Sounds of Brooklyn," a series "Saddlemaking in Wyoming: American Public Radio. of concerts and workshops Oregon Historical History, Utility, and Art," [93-5533-0030] featuring artists from various Society/Lewls & Clark and related costs, on the evo­ ethnic neighborhoods in College lution and stylistic changes Brooklyn. Panel A. Portland, OR $28,600 of western saddle [93-5533-0209] To support a folk arts ap­ prenticeship program in Oregon. [93-5551-0091]

1993 Annual Report 67 Tennessee Arts Commission Science Center Puerto Rico Community Beatrice Medicine Binghamton, NY Foundation, Inc. (layperson) Nashville, TN Anthropologist Hato Rey, PR $10,900 Isabel Wong Wakpala, SD Susan Eleuterio To support a state appren­ Registrar and Collections Ethnomusicologist/Director, ticeship program of tradi­ Overseas Projects and East tional arts and crafts in Mary Margaret Navar Manager Folklorist/Public Affairs Museum of Science and Asian Exchange Programs Puerto Rico. Panel A. University of Illinois [93-5551-0185] Director Industry Sherry Matthews Advertising Chicago, IL Champaign, IL South Dakota State and Public Relations Panel A Historical Society Austin, TX Joyce Jackson Ethnomusicologist/Assistant Pierre, SD $14,200 Jacquelin Peters Professor Inta Gale Carpenter To support a state folk arts Louisiana State University Associate Director, apprenticeship program in Ethnomusicologist/Programs Baton Rouge, LA Folklore Institute South Dakota. Director Afro-American Cultural Indiana University [93-5551-0089] Bloomington, IN Center Richard Kennedy Curator, Texarkana Regional Arts & Charlotte, NC Varick Chittenden Humanities Coundl, Inc. Office of Folldife Programs, Barbara Lapan Rahm Smithsonian Institution Director of Traditional Arts, Texarkana, AR $13,100 Academic Chairperson, Upstate NY To support a folk arts ap­ (chair) Foreign Service Institute, Professor of English prenticeship program in Folk Arts Consultant SUNY College of southwestern Arkansas. Sacramento, CA Department of State Washington, DC Technology Panel A. [93-5551-0187] Amy Skillman Canton, NY Director, Office of Folklife James K. Leger Vermont Folklife Center Ethnomusicologist/Associate Robert Cogswell (chair) Middlebury, VT $10,000 Programs Registrar Folk Arts Coordinator To support a folk arts ap­ Pennsylvania Heritage Commission New Mexico Highlands Tennessee Arts Commission prenticeship program in University Nashville, TN Vermont. [93-5551-0086] Harrisburg, PA Las Vegas, NM Joyce Jackson Willie Smyth Ethnomusicologist/Assistant Folk Arts Coordinator Stephen H. Martin Ethnomusicologist/Associate Professor State of Washington Louisiana State University Olympia, WA Professor of Music Portland State University Baton Rouge, LA National Heritage Portland, OR Robert Teske Richard Kennedy Fellowship Folklorist/Director Cedarburg Cultural Center Beatrice Medicine Curator, Cedarburg, WI (layperson) Office of Folklife Programs, Robert Browning Anthropologist Smithsonian Institution/ Executive and Artistic Wakpala, SD Academic Chairperson, Director E. Henry Willett, III Folklorist/Director Foreign Service Institute, World Music Institute Kathleen Mundell Department of State New York, NY Alabama Center for the Washington, DC Traditional Arts Traditional Arts Associate Montgomery, AL Maine Arts Commission Robert Cogswell Augusta, ME James IC Leger Folk Arts Coordinator Ethnomusicologist/Associate Tennessee Arts Commission Isabel Wong Ethnomusicologist/Director, Barbara Lapan Rahm Registrar Nashville, TN Traditional Arts Consultant New Mexico Highlands Overseas Projects and East University Asian Exchange Programs Sacramento, CA Charlotte Heth Las Vegas, NM Ethnomusicologist/Lecturer University of Illinois, Champaign, IL Thomas S. Rankin Music Department, UCLA Chairman, Art Department Stephen H. Martin Los Angeles, CA Folk Arts Organizations Delta State University Associate Professor of Music Cleveland, MS Portland State University James K. Leger Portland, OR Ethnomusicologist/Associate Brian Bibby Catherine Schwoeffermann Registrar Performer/Educator/Curator Clydia Nahwooksy Sacramento, CA Curator and Program New Mexico Highlands Native American Specialist University Director Roberson Museum and Lincoln, NE Las Vegas, NM Robert Cogswell (chair) Folk Arts Coordinator

68 National Endowment for the Arts Barbara Lapan Rahm James Young (layperson) Jennifer Clark Stephen H. Martin Folk Arts Consultant Consultant/Author/Lecturer Executive Director Professor of Music Sacramento, CA United Tribes Technical Nebraska Arts Council Portland State University College Omaha, NE Portland, OR Gary Stanton Bismark, ND Director of Research/ Robert Cogswell Clydia Nahwooksy Assistant Professor of Historic P~elB Folk Arts Coordinator Native American Specialist Preservation Tennessee Arts Commission Lincoln, NE Mary Washington College See Underserved Communities Nashville, TN Fredericksburg, VA Set-Aside chapter. Barbara Lapan Rahm 0 William S. Kornrich (chair) Folk Arts Consultant Hector Vega Rose Austin Director, Council for the Arts Sacramento, CA Professor of Music Executive Director Morristown, TN University of Puerto Rico Massachusetts Cultural James Young (layperson) San Juan, PR Council James K. Leger Consultant/Author/Lecturer Boston, MA Ethnomusicologist/Associate United Tribes Technical Nora Yeh Registrar College Ethnomusicologist/Archivist Jane Beck New Mexico Highlands Bismark, ND Los Angeles, CA Executive Director University Vermont Folklife Center Las Vegas, NM Middlebury, VT

1993 Annual Report 69 devoted to broadening the scope of American artists’

experience in ways that will enrich the art they create. In addi­

tion, the program supports innovative international endeavors that in­

crease arts audiences and deepen public understanding of the cultural in­

fluences from abroad that invigorate American society. Its activities help

increase worldwide recognition of the excellence, diversity and vitality of

the arts of the United States. Through all its work, the program

helps American artists and arts organizations develop inter~~l~

national ties that strengthen the many art forms ~

ofvthe United States. ~

70 National Endowment for the Arts Through its partnerships as well as direct grants, the established in 1978, provide six-month fellowships in International Program provided funding for 185 projects Japan for individual creative artists in any discipline to in 1993. These involved artists and arts organizations in create new work and pursue artistic goals. A reciprocal 43 states and reached urban, rural and suburban com­ arrangement allows Japanese artists to engage in similar munities throughout the country. With very little seed activities in the United States. money, the fruits of the program’s activities touched the lives of artists and audiences in every part of the United The International Projects Initiative (IPI) offers project States and around the world. grants to U.S. cultural organizations to support sus­ tained collaborations and exchange with arts organiza­ Recognizing the great interest in expanded interchange tions abroad. The projects have taken place in all with Canada, the program added Canada to its U.S.! parts of the world and involve a broad range of Mexico Artists’ Residencies subcategory. In 1994 the artistic disciplines. Many integrate arts educa­ three governments will begin accepting applications tion into international presentations; oth­ from artists for this landmark trinational program, U.S.! ers increase recognition in this country Canada/Mexico Creative Artists’ Residencies. Through and abroad of the manifold richness of this partnership with our Mexican and Canadian col­ America’s diverse cultural traditions; leagues, a total of 60 artists from the three countries will others bring international presenta­ be in residence abroad each year. tions of the highest quality to un­ derserved communities in the The U.S.lMexico program, model for the trinational United States. venture, has enabled arts organizations in both countries to host a broad For example, IPI enabled the range of artists in Honolulu Academy of Arts two-month resi­ in Hawaii to bring five Ja­ dencies. The panese artisans to their Japa­ artists participate nese New Year exhibition in activities that and festival to demonstrate .provide in-depth their crafts and work along­ ~nteraction with side Japanese-Hawaiian arti­ the host culture sans of similar traditions. It and allow them to create new work that draws inspira­ also allowed the Tamarind tion from what they experience abroad. Integral to the Institute in Albuquerque, New residency experience are public activities such as master Mexico to sponsor their master classes, workshops, in-school residencies, collaborations printer Jeffrey Sippel and re­ with civic organizations and lectureldemonstrations that nowned artist and educator take place in the host community. Roberto Juarez to work with lead­ ing printmakers in India on collabo­ For example, ceramist Ann Agee left a Sheboygan, rative lithographic techniques. Wisconsin plumbing fixture factory for a residency in Guanajuato, Mexico where she created a public mural of One of the Endowment’s great successes in hand-painted ceramic tiles. Ms. Agee worked in collabo­ the international arena has been its ability to at- ration with a renowned Mexican traditional ceramic artisttract new funding sources as partners. (Given their and with local craftspeople. Also under this exchange, importance in the International Program’s agenda, the Mexican photographer Humberto Chavez was in resi­ fruits of all these partnership grants are listed below.) In dence at Alternative Worksite/Bemis Foundation, an 1993, seven new funders joined forces with the artists’ community in Omaha. Through Bemis’ International Program. ArtsLink, the newest partnership, "Encounters Program," Mr. Chavez provided hands-on involves the Open Society FundlSoros Centers for arts training in photography to junior high students in Contemporary Arts, The Trust for Mutual rural Red Oak, Nebraska. The Omaha Children’s Understanding, The Starr Foundation and Citizen Museum plans an August 1994 exhibition of the pho­ Exchange Council. It encourages artistic interchange tographs he and the children created during his residency.with the newly independent states of Central and The United States/Japan Creative Artists’ Fellowships, Eastern Europe and the former Soviet Union. ArtsLink

1993 Annual Report 71 tion to this $172-million fund made it possible for offers two types of support: ArtsLink Collaborative artists throughout the U.S. to participate in internation­ Projects and ArtsLink Residencies. al festivals and exhibitions worldwide. Recipients of Fund support include well-known artists such as the ArtsLink Collaborative Projects provide funding for U.S. Trisha Brown Company, , the Kronos artists to work on mutually beneficial projects with col­ Quartet, Dance Company, and the Miami leagues abroad. It enabled composer George City Ballet. The Fund imprimatur is invaluable to them Arasimowicz to create new works in collaboration with in private sector fund-raising. Polish composer Wlodzimierz Kotonski, and perform them in the old town squares of , Krakow and Other artists of great merit who do not tour regularly re­ Gdansk. ArtsLink Residencies supports U.S. arts organi­ ceived Fund support in 1993. These include the Capital zations wishing to host a visiting artist or arts manager Klezmers of North Potomac, Maryland; Ann Hankinson for five-week residencies. It allowed The Madison (South of Salt Lake City; the Solaris Quintet of Akron, Ohio; Dakota) Area Arts Council to host Macedonian perform­ Stewed Mulligan of West Union, West Virginia; William ing artist Iskra Dimitrova and Ukrainian arts manager Taylor of Bennington, Vermont, and Voices of Change Tatiana Tumasian so that they could participate in work­ shops and classes with area artists and students, as well as from Dallas. pursue their own projects. Involvement in these prestigious international events creates employment for U.S. artists, increases their Through the Travel Grants Fund for Artists (TGF), an­ other partnership with The Pew Charitable Trusts and national and international recognition and contributes to their creative growth by exposing them to new artists, Arts International, U.S. artists undertake international art forms and audiences. Artists report that they receive projects designed to enhance their creative development and professional growth, as well as to stimulate interac­ a wealth of insight and greater cultural understanding tion with the host community. The fund supports artis­ that inspires their own work as a result of interaction with colleagues from other parts of the world at interna­ tic collaborations, creation of new work and exploration tional festivals. For example, Muntu Dance Theatre of of a particular contemporary or traditional art form re­ Chicago reported that this was an important aspect of lated to the artist’s work. TGF was established in 1992 to their participation in Ghana’s Panafest. Other artists tell enable U.S. artists to work with colleagues abroad, with a us how Fund support generated other performance of­ special focus on Africa, Latin America, the Caribbean fers. For example, the Jose Limon Dance Company’s and Asian/Pacific countries. participation in the 1993 Brighton Festival led to en­ The Travel Grant Fund for Artists enabled the Esterhazy gagements for them at Posthof in Linz, Austria and the famous Sadlers Wells Theater in London. Quartet of Columbia, Missouri to send its members to Chile, Paraguay, Argentina and Venezuela, where they In the visual arts in 1993, the Fund supported a prize­ collaborated with South American composers interested winning exhibition of the work of at in creating works for the quartet’s repertoire. the prestigious Venice Biennale. It also provided funding for U.S. representation at the 1994 exhibition in Sao The Fund for U.S. Artists at International Festivals and Exhibitions, the International Program’s oldest public/ Paulo--a group show that includes the work of Freddy Rodriguez, Philemona Williamson, Jorge Tacla, private partnership, links the U.S. Information Agency, , Emilio Cruz, Jaune Quick-to-See The Rockefeller Foundation, The Pew Charitable Trusts Smith and . and the Endowment. This agency’s $235,000 contribu-

14 grants States and Brazil by master Indicates national impact. To support U.S. arts orga­ dance instructors with exper- nizations collaborating Program Funds: $225,000 tise in the dance and move­ with counterparts abroad ment traditions of the to develop new work ~ Capoeira Foundation, African diaspora. and/or to promote U.S. [93-5641-0014] audience access to, and New York, NY $20,000 understanding of, little- To support an exchange of known art forms from residencies in the United abroad.

72 National Endowment for the Arts ~ Chicago Athenaeum, Kulintang Arts, Inc. To support residencies for arts administrator from the Center for Architec­ Oakland, CA $15,000 leading African writers, the region for five-week ture, Art, and Urban To support the international timed to coincide with those residencies. The Fund for Studies exchange program with the of prominent African- Chicago, IL $20,000 Philippines called USAPAN American writers, and fea­ U.S. Artists at Interna­ To support program activi­ (US and Philippine Artists turing a series of public read­ tional Festivals and ties related to the interactive Network). [93-5641-0004] ings, discussions and lectures Exhibitions assists U.S. exhibit "Design Diaspora: in communities in the performing artists who Black Architects and ~ Macondo Cultural Chicago area. have been invited to inter­ International Architecture Center, Inc. [93-5641-0007] 1970-90" in England and Los Angeles, CA $15,000 national festivals abroad Nigeria. [93-5641-0008] To support "Bridging the ~ Theatre and supports U.S. repre­ Macropolis," a multi-faceted Communications sentation at major interna­ ~ Circum-Arts forum to bring together Los Group, Inc. tional visual art exhibi­ Foundation, Inc. Angeles contemporary artists New York, NY $14,000 tions.The Travel Grants New York, NY $10,000 with their counterparts from To implement the pilot stage Fund for Artists enables To support the creation and in a series of of an International Theatre distribution of For Sarajevo, workshops, seminars, ex­ Observership Program that U.S. artists to pursue artis­ a special issue of the bilin­ hibits and performing arts allows teams of U.S. and for­ tic collaborations "with col­ gual art and literature jour­ events. eign theater professionals to leagues abroad to enrich nal Lusitania, which show­ [93-5641-0002] gain knowledge of each their work; create new cases the work of fiction other’s cultural traditions work that draws inspira­ writers and poets living in ~ Performing Arts and contemporary theater tion from their interna­ the war-torn Bosnian capital. Chicago techniques, and plan future [93-5641-0006] Chicago, IL $25,000 collaborations. tional experience; and/or To support the creation and [93-5641-0003] increase their understand­ Crosspulse presentation of "Visible ing of a contemporary or Berkeley, CA $20,000 Religion," a collaboration of ~r University of New traditional art form. To support the collaborative U.S. composers Kent Mexico/Tamarind Institute development of Perayaan/ Devereaux and Jarrad Powell Albuquerque, NM $18,000 3 cooperative The Celebration, a new work with Indonesian choreogra­ To support a collaborative agreements by U.S. composer Keith phers, puppeteers and musi­ residency program in India, Terry and Indonesian chore­ cians. [93-5641-0005] in which U.S. artists and ed­ Program Funds: $329,000 ographer I Wayan Dibia, ucators share advanced litho­ and its performance by U.S. Print Club graphy techniques with their ArtsLink and Indonesian artists in Philadelphia, PA $10,000 Indian colleagues, and in (Eastern/Central both countries. To support residencies by vi­ turn gain an understanding [93-5641-0009] sual artists from central and of Indian printmaking. European Arts eastern Europe to collaborate [93-5641-0010] Exchange) ~ Double Edge Theatre in the creation of new work Productions, Inc. with U.S. artists and master ArtsLink is a partnership of Allston, MA $25,000 printmakers/papermakers the Arts Endowment with To support a six-week work­ who are members of the the Open Society Fund, ing residency in Poland and Crossing Over Consortium. Inc., the Trust for Mutual Ukraine by Double Edge [93-5641-0001] To stimulate increased re­ Understanding and The Starr company members, in col­ sources for international Foundation. Two coopera­ laboration with Gardzienice Radio Bilingue, Inc. arts exchange and to assist tive agreements were made with the Citizen Exchange Theater Association of Fresno, CA $5,000 organizations to facilitate Poland. [93-5641-0012] Council to support adminis­ To bring Mariachi Huichol, international program­ a traditional village-style trative costs and partnership Honolulu Academy of Arts mariachi ensemble from ming. Currently there are grants for 26 U.S. artists or Honolulu, HI $10,000 rural Mexico, to Fresno’s three partnerships: groups of artists to pursue To bring Japanese traditional 12th annual Viva el Mari­ ArtsLink supports U.S. projects in the ArtsLink artists to Hawaii to demon­ achi Festival in March, countries and for 13 U.S. arts artists working in Eastern organizations to offer residen­ strate their crafts, in con­ 1994, and broadcast a Europe, Central Europe or junction with Hawaiian presentation on Radio cies to artists and arts man­ master craftsmen, at the Bilingue’s network. the former Soviet Union agers from abroad. academy’s "Japanese New [93-5641-0013] on mutually beneficial col­ Year" exhibition and festival. laborative projects and The following cooperative [93-5641-0011] ~ Ragdale Foundation supports U.S. arts organi­ agreements were reviewed by the 1992 Overview Panel. Lake Forest, IL $18,000 zations to host an artist or

1993 Annual Report 73 ~ Citizen Exchange MXM in , Czech Romanian-American Music" rural areas to create a video Council Republic. in Constanta, Romania, an on Azeri women and their New York, NY $76,000 8-day event that will bring cultural traditions in collab­ To amend a cooperative Eric Bass together American and oration with an Azeri docu­ agreement for the ArtsLink Putney, VT $3,500 Romanian composers, con­ ment artist. partnership. [DCA 92-52] To support a collaborative ductors, performers, and ed­ staging of Bass’s play, In My ucators for concerts, lecture Nancy Salzer Sr Citizen Exchange Grandmother’s Purse, with demonstrations and master Cambridge, MA $5,000 Council the Arlekin puppet theater classes. To support the creation of a New York, NY $18,000 company in Lodz, Poland. video documentary in Russia To support the cooperative Mark Haim about the legendary and agreement for the ArtsLink Brave Old World New York, NY $3,000 mysterious Fannie Kaplan in partnership. [DCA 93-55] New York, NY $3,750 To support a residency at the collaboration with Russian To support the group in a Silesian Dance Theatre in historians, journalists, writ­ ArtsLink Collaborative two-week artistic collabora­ Bytom, Poland, during ers, and filmmakers. Projects Partnership tion in Budapest with which the choreographer will Grants Muzsikas, a traditional create a new work and con­ Harvey Seifter Hungarian music ensemble, duct master classes in dance San Francisco, CA $4,000 Vito Acconci composition for Polish To support workshops with $4,100 during which they will devel­ Brooklyn, NY op a shared repertoire of tra­ choreographers and dancers. leading Russian actors from To support travel to Moscow ditional and original material several experimental compa­ ro collaborate with Russian culminating in a public Joan Jonas nies in St. Petersburg, artists on a sire-specific public performance. New York, NY $5,000 Russia, to develop a new the­ installation under the auspices To support work in Lodz, ater piece entitled Icons and of the Tsaritsino Museum. Sylvia de Swaan Poland, on a new video/in­ Iconoclasts. Utica, NY $2,500 stallation project in collabora­ Dace Aperans tion with Polish theater artists Andy Teirstein $1,500 To support a residency in Bedford, NY Romania to collaborate with at the Lodz Artists’ Museum. Schenevus, NY $1,500 To support a residency in artists from the University To support the exploration of Riga, Latvia, to collaborate on Photo Club in Cluj and to Ina Kozel regional violin styles in an original orchestral score for produce a photo documen­ Oakland, CA $5,000 Hungary, Romania, the a modern ballet based on the tary on cultural identity as To support a collaboration Baltics and Southern Russia life of Edith Piaf. the basis of a book to be pub­ with a local artist to create for the composition of a new lished in the United States. and install a ceremonial fab­ viola for the Warsaw Appalshop, Inc. ric artwork for the centennial Philharmonic Orchestra. $4,000 Whitesburg, KY Allen Frame of the restored St. Michael To support a cultural ex­ New York, NY $3,150 Archangel Church in Elise Thoron change between Appalachian To support the creation, and Kaunas, Lithuania. Woodbridge, CT $4,000 and Czech theater artists, presentation throughout To support a residency to media artists and musicians, Hungary, of the collaborative Carolyn Krueger create and direct a Russian developed by Appalshop photographic slide exhibition Los Angeles, CA $2,500 language production of Cultural Center in Whites- "Electric Blanket," which fea­ To support the choreograph­ Shakespeare’s Cymbeline at burg, KY and the Centre for tures outstanding Hungarian er’s travel to Uzbekistan and the Pushkin Theatre in Experimental Theatre in and international photogra­ Tajikistan to collaborate Moscow. Brno, Czech Republic. phers exploring the issues of with local master teachers MDS. and to research and docu­ Pavel Vancura George Arasimowicz ment Uzbek and Tajik dance Brooklyn, NY $5,000 Lakewood, CO $3,000 James Freeman and music. To support research and de­ To support the collaborative Extort, PA $3,000 sign development for a public creation and public perfor­ To support the composer’s Cecil MacKinnon housing project for Romani mances of new works by collaboration with young New York, NY $2,000 people in Prague, Czech U. S. composer George musicians from the Moscow To support travel to Hun­ Republic in collaboration Arasimowicz and Polish Conservatory, composing gary, the Czech Republic and with Romani community composer Wlodzimierz opera music, performing Slovakia to observe and con­ leaders. Kotonski. works by American compos­ sult with Eastern European er George Crumb, and con­ circuses, focusing on techni­ Woody Vasulka Art Attack International, ducting master classes. cal and artistic concerns. Santa Fe, NM $5,000 Inc. To introduce the interactive New York, NY $3,000 Dinu D. Ghezzo Mehrnaz Saeedvafa installation "Theater of To support collaboration on Holliswood, NY $3,250 Chicago, IL $3,000 Hybrid Automata" to the a site-specific public installa­ To support travel to To support travel to Baku, artistic and academic com­ tion with artists from Gallery Romania to direct "Days of Azerbaijan and outlying munity of Brno, Czech

74 National Endowment for the Arts Republic, through collabora­ Center for Research and and present performances of University of Tennessee tion with the Brno Computing in the Arts his work. Chattanooga, TN $3,080 Polytechnic Institute. La Jolla, CA $9,060 To support five-week resi­ To support five-week resi­ Santa Fe Council for the dencies for Hungarian writer Jeffrey A~ Wolin dencies for artist Gia Rigvava Arts Andras Csejdy to participate Bloomington, IN $2,500 and architect Boris Tarasov, Santa Fe, NM $5,000 in seminars and workshops, To support a photographic both from Russia, to explore To support a five-week resi­ including the Meacham project to portray holocaust the uses of computer tech­ dency for Ukrainian painter Writers’ Workshop; and Eva survivors in collaboration nology in their respective lliya Isupov to interact with Galandova, producer for with Czech photographer disciplines. local artists and arts organi­ Slovak Radio in Bratislava, Pavel Banka. zations and participate in Slovakia, to create a radio Children’s Art Exchange public programs through the show in conjunction with a Yara Arts Group Middlebury, VT $4,450 "Meet the Artist" series. local public radio station. New York, NY $5,000 To support a five-week resi­ To support a collaboration dency for Slovenian puppet Madison Area Arts Council Fund For with the Lviv Young Theatre artist Alenka Vogeinik under Madison, SD $3,376 in Ukraine to develop a new the direction of Renee Wells, To support a residency for U.S. Artists At bilingual production of to work with local puppe­ Macedonian performing International Forest Song, to be performed teers, artists, and arts organi­ artist Iskra Dimitrova to cre­ Festivals And at Lviv and at La Mama in zations and to present her ate an installation in collabo­ Exhibitions New York. work to elementary school ration with Native American children in Vermont and artists; and a residency for The Fund is a partnership of Bill Young New York. Tatiana Tumasian, Assistant the Arts Endowment with New York, NY $3,000 Director of the "Kharkov- The Pew Charitable Trusts, To support a 4-week chore­ Close Up Foundation Progress" Cultural and The Rockefeller Foundation, ography residency in Brat­ Alexandria, VA $4,875 Humanitarian Fund in the and the U.S. Information islava, Slovakia and collabo­ To support a five-week resi­ Ukraine, to work with the Agency. A cooperative agree­ ration on new choreography dency for photographer Rita Old Firehouse Gallery. ment was made with the with the Adato Dance Group Ostrovskaya from Ukraine to Institute for International which will be performed at create a photo essay on Rutgers Center for Education (Arts Internation­ Dom Kultury Music. Jewish communities in the Innovative Printmaking al) to support 43 grants for Washington, D.C. area. New Brunswick, NJ $5,000 American artists to present ArtsLink Residencies To support five-week resi­ their work at festivals held Parmership Grants Delta Axis dencies for Evgenij Pantev, a throughout the world. Arts Clearinghouse Memphis, TN $4,900 graphic artist from Mace­ Atlanta, GA $7,650 To support a five-week resi­ donia, to collaborate with ~r Institute for To support a five-week resi­ dency for Aleksandar master printmakers in the International Education dency for Menka Pitman Kujucev, a photographer and creation of a new work; and (Arts International) from Slovenia, manager of installation artist from the for Leili Parhomenko, NewYork, NY $235,000* the Skuc Gallery, a nonprofit former Yugoslavia, to create Manager of Gallery "KYY" To support a cooperative art gallery in Ljubjana, to an installation with in Tartu, Estonia, to work agreement for the adminis­ participate in a program that Memphis artists and to in­ with the Zimmerli Arts tration of The Fund for places international artists in teract with artists and arts Museum. U.S. Artists at International public schools. organizations in Tennessee Festivals and Exhibitions, and Arkansas. UCLA Center for Arts & a public/private partnership. Bemis Center for Entertainment Reviewed by the 1992 Contemporary Arts The Fabric Workshop Management Overview Panel. Omaha, NE $7,000 Philadelphia, PA $5,000 Los Angeles, CA $10,000 [DCA 93-07] To support five-week resi­ To support a five-week resi­ To support five-week residen­ *Co-funded with $100, 000 dencies for Julia Covarscaia- dency for Czech sculptor cies for arts managers j%rn the Music Program. Curtu, a ceramic artist from Ales Vesely to create a new Avdotya Ippolitova, deputy Moldova, and glass artist work using fabric as a director of the St. Petersburg Partnership Grants Anna Nagy from Romania medium. "A-Ya" Society in Russia, and in conjunction with other Lidia Varbanova, a lecturer Grants were reviewed by the U.S. and foreign artists to Franklin Furnace Archive and researcher at the Nation­ Fund for U.S. Artists at create new work and to par­ New York, NY $5,000 al Academy of Theater and International Festivals and ticipate in public programs To support a five-week resi­ Film Studies in Sofia, Bul­ Exhibitions Panels A, B, or for the Omaha community. dency for Tomislav Gotovac, garia, to gain knowledge of C, as indicated. a video maker and perform­ U.S. arts management prac­ ing artist from Croatia, to tices and make contact with The collaborate with U.S. artists local arts administrators. Boston, MA $9,000

1993 Annual Report 75 To support performances by Falderal String Band Helicon couver Children’s Festival in this Renaissance/Baroque Oklahoma City, OK $7,500 Baltimore, MD $2,400 British Columbia. Panel B. musical ensemble at the To support performances at To support musical perfor­ Israel Festival in Jerusalem. the 17th annual Port Fairy mances at the Third Martha Graham Center of Panel B. Folk Festival in Australia, International Hackbrett Contemporary Dance, Inc. playing the music of the Festival in Munich, New York, NY $12,000 The Brad Goode Chicago American southwest from Germany. Panel B. To support performances by Jazz Project the end of the Civil War to the Martha Graham Dance Chicago, IL $6,000 the beginning of World Honolulu Theatre for Company at the Festival de To support jazz concerts and War II. Panel A. Youth Otono in Madrid, Spain. master classes at the Red Sea Honolulu, HI $5,000 Panel B. Jazz Festival in Eilat, Israel. The First African To support the performance Panel B. Methodist Episcopal of the play Tofa Samoa at the The Melissa Walker Group Church Choir Okinawa International Arlington, VA $2,000 Quintet Los Angeles, CA $3,000 Festival in Okinawa. Panel C. To support performances at New York, NY $3,500 To support performances at Jazzfest International in To support performances at the Antwerpen 93 Festival in Hodanta Dixieland Jazz Victoria, British Columbia the Jazz Jamboree ’93 festival Antwerp, . Panel B. Stone Mountain, GA $2,700 and at the 14th Annual du in Warsaw, Poland. Panel C. To support the ensemble’s Maurier Ltd. Jazz City Hizabeth Joan Fleming participation in the Hessen Festival in Edmonton, Capital Klezmers Raleigh, NC $1,000 Jazz Festival in Idstein, Mberta, Canada. Panel B. North Potomac, MD $5,000 To support performances at Germany. Panel C. To support participation in the International Clarinet Carlos M. Molina the 6th International Association’s ClarFest 1993 Gale LaJoye Miami, FL $1,000 Klezmer Festival of Jewish in Ghent, Belgium. Panel C. Marquette, MI $5,000 To support guitar perfor­ klezmer folk music in Safed, To support her solo perfor­ mances and masterclasses at Israel. Panel C. Goat Island mance of Snowflake at the the II Festival Internacional Chicago, IL $4,500 Scottish International Chil­ de Guitarra Ciudad de Velez The Choral Arts Society of To support performances dren’s Festival in Edinburgh. in Malaga, Spain. Panel C. Washington and a residency of this the­ Panel B. Washington, DC $10,000 ater group at the XLR8 Mum Puppet-theatre, Ltd. To support featured choral Festival 1993 in Bristol, Lewitsky Dance Company West Chester, PA $5,000 performances at the Festival England, and at the ROOT Los Angeles, CA $4,000 To support the performance dei Due Mondi in Spoleto, Festival in Hull, England. To support performances at of From the Ashes at the . Panel C. Panel B. the Gera Cultural Week Piatra Neamtz Theatre Festival in the former East Festival in Romania. Panel B. City Theatre Company The Pat Graney Company Germany and at the Pittsburgh, PA $10,000 Seattle, WA $4,000 Wroclaw International Muntu Dance Theatre of To perform Seventy Scenes of To support workshops and Meetings of the Open Chicago Halloween at the Interna­ the performance of a choreo­ Theatre in Poland. Panel C. Chicago, IL $15,000 tional Theatre in a Suitcase graphic piece Faith at the To support performances in Festival in Sofia, Bulgaria. Tanzwerstatt Europa Dance Edwin London the PANAFEST ’92 festival Panel A. Festival in Munich, Shaker Heights, OH $1,500 in Cape Coast, Ghana, as Germany. Panel C. To support an orchestral well as a series of concerts Fred Curchack concert performance at New and master classes. Panel A. Richardson, TX $4,000 Gypsy Reel Music Week in Bucharest, To support performances of Ludlow, VT $2,500 Romania. Panel B. National Association for the Preservation and Stuff as Dreams Are Made Of To support musical perfor­ (based on The Tempest) by mances at the Holmfirth Louisiana Jazz Federation Perpetuation of this solo theater artist at the Folk Festival in Yorkshire, New Orleans, LA $5,000 Storytelling (NAPPS) Festival de Teatro de las England. Panel B. To support performances at Jonesborough, TN $3,500 Naciones in Santiago, Chile. the Jazz A La Plantation To support performances of Panel B. Ann Hankinson Festival in Basse Pointe, storytellers from the moun­ Salt Lake City, UT $1,750 Martinique. Panel B. tains of western North Ensemble Project Ars Nova To support participation in Carolina at the Fifth Annual Reading, !vIA $3,000 the IV International Mad River Theater Works Scottish Storytelling Festival To support featured perfor­ Contemporary Music West Liberty, OH " $5,000 in Edinburgh, which cele­ mances of 14th century Festival in Santiago, Chile, To support the performance brates the connections and French Ars Nova music at for the premiere performance of Freedom Bound, an origi­ variations in storytelling be­ the Holland Festival Oude of her work written for the nal play about Ohio’s under­ tween Scotland and areas like Muziek in Utrecht, Ensemble Bartok. Panel C. ground railroad, at the Van Appalachia, where Scottish . Panel C.

76 National Endowment for the Arts traditions are carried on. Solaris Lakota Project To support the performance AVAZ International Dance Panel A. St. Francis, SD $5,000 of several of his works for Theatre To support three perfor­ computer at the Internation­ Los Angeles, CA $5,000 The Newberry Library mances and workshops based al Festival for Contemporary To support travel for a team Chicago, IL $4,800 on the spiritual philosophy Music in Porto, Portugal. of five artists to Egypt, Mo­ To support the Library of the Lakota Nation at the Panel B. rocco, Tunisia and Algeria Consort’s musical perfor­ Kuopio Dance and Music. to conduct research for 12 mance of medieval folktales Festival in Kuopio, Finland. Travel Grants Fund choreographic pieces entitled at the Holland Festival Oude Panel B. For Artists Scenes of Ottoman Life. Musick in Utrecht, Nether­ Panel A. lands. Panel C. $olaris Quintet The Travel Grants Fund, a Akron, OH $3,500 partnership of the Arts Ballet Bagata New England Jazz To support the woodwind Endowment with The Pew Brooklyn, NY $4,800 Ensemble ensemble’s performance at Charitable Trusts, supported To support a residency with West Hartford, CT $8,500 the 10th Bienal de Musica travel grants for American the National Ballet of To support the ensemble’s Brasileira Contemporanea in artists pursuing professional Guinea to learn the folk performance at the 10th an­ Rio de Janeiro. Panel C. projects, artistic research and dances of the Guinean Baga nual Corinthos Festival in collaborations with col­ people. Panel B. Corinth, Greece. Panel C. Simon Spalding leagues in Africa, Asia, Latin Wilmington, NC $1,000 America, and the Caribbean. Max Belcher Orchestra 2001 To support maritime music Cambridge, MA $2,300 Exton, PA $5,000 performer Simon Spalding’s ~ Institute for To support a residency in To support performances of participation in the Carelia International Education Vietnam to photograph the 20th century American com­ Folk Festival in Carelia, (Arts International) "Thirty-six Streets" neigh­ positions at the American Russia. Panel C. New York, NY $100,000 borhood in Hanoi, a major Music Festival in Moscow. To support a cooperative urban area still free of west­ Panel C. Spelman, Jon agreement for the adminis­ ern influence, and to make Washington, DC $1,500 tration of the Travel Grants portraits of men and women Run/Remaln To support performances by Fund for Artists, a who served in the North Seattle, WA $7,500 storyteller Jon Spelman at the public/private partnership. Vietnamese Army. Panel B. To support the performance International Theaternetto in Reviewed by the 1992 of"Sit Still," a theater, film, Tel Aviv, Israel. Panel B. Overview Panel. Maria Raquel Bozzi dance and music piece for [DCA 93-07] Los Angeles, CA $1,000 three actors and three musi­ Stewed Mulligan To support this filmmaker’s cians, at Mayfest in Glasgow, West Union, WV $4,500 Parmership Grants collaborative work with an Scotland. Panel B. To support performances anthropologist in Colombia of traditional Appalachian The following subgrants to research a film on the in­ The Saint Paul Chamber music at the 30th Beskidy were reviewed by the Travel terrelationship between the Orchestra Highlander’s Cultural in Grants Fund for Artists westernized mestizo culture St. Paul, MN $10,000 Bielsko-Biala, Poland. Panels A or B, as indicated. of Colombia and that of in­ To support a tour to festivals Panel C. digenous groups. Panel B. in five countries: the Brigh­ Mario Abrll ton Festival (England), William Taylor Signal Mountain, TN Lee Breuer & Xin Zhang Antwerpen 1993 Festival Bennington, VT $800 $1,000 Phoenix, AZ; and (Belgium), the Prague Spring To support performances To support research on Afro- Normal, IL $3,000 Festival (Czech Republic), at the Fifth World Harp Hispanic musical forms in To support a residency in the Weiner Festwochen Congress in Copenhagen. collaboration with musicians China to direct an original (Vienna), and the Bodensee Panel C. in the Dominican Republic work with Festival (Lake Constance, and to create new composi­ Chinese performers at the Switzerland). Panel B. Twyla ThaW Dance tions for classical guitar. State Theatre of the Hei Foundation Panel B. Long Jihng Province. Science Fixion Jazz New York, NY $3,990 Panel A. Ensemble To support performances of Obo Addy Burlington, VT $3,000 the specially-cast eighteen Portland, OR $2,500 Curtis Ray Buchanan To support participation in member ensemble, Twyla To support investigation of Jonesborough, TN $4,000 Jazz Over the Volga, an in­ Tharp Dancers, at the new contemporary musical forms To support a collaboration ternational jazz festival held Festival Internazionale de in Ghana and to identify a with artists in Honduras to in six Russian cities: Balletto in . Panel C. Ghanaian ensemble to invite design and produce furniture Yaroslavl, Niznijy Novgorod, to the U.S. for a series of and handcrafted wood ob­ Vladimir, Suzdal, Roston- Amnon Wolman performances. Panel B. jects. Panel B. Vcliki and Moscow, Panel B. Evanston, IL $1,000

1993 Annual Report 77 Rimer Cardillo Esterhazy Quartet Luis Francia, Yong Soon Donna Graham-Dacosta New York, NY $2,200 Columbia, MO $2,000 Min, and Allen deSousa Charlottesville, VA $1,300 To support a residency in To support company mem­ Brooklyn, NY $4,950 To support video documen­ Amazonas (on the border of bers’ travel to Chile, To support the creation of a tation and research in Brazil and Venezuela) to cre­ Paraguay, Argentina, and multi-media installation that Senegal and The Gambia on ate a new body of visual art Venezuela to identify South explores how colonialism local performing and visual work based on a shared dia­ American composers who shaped Philippine culture, in arts traditions in preparation logue with three indigenous, will create compositions for collaboration with Philippine for a cultural exchange be­ isolated peoples--the the quartet. Panel A. artists in Baguio, Philippines. tween West African school Yanomami, Maquiritare, Panel B. children and students in cen­ and the Piaroa. Panel A. The Ethnic Dance Theatre tral Virginia. Panel B. Minneapolis, MN $3,000 David Fuqua and Gregory Mary Ellen Carroll To support comprehensive Wylie Laura Greenfield New York, NY $2,200 training in traditional folk­ WestTopsham, VT $5,000 Santa Monica, CA $1,500 To support a residency in dances with the Compania To support a residency in To support the filming of a India to learn traditional Folklorica de la Universidad Indonesia for the composer documentary in South Africa miniature focusing de Costa Rica to enrich and the violin maker to study about a community-based on the Rajput, Mughal, and EDT’s concert performance bronze gamelon making as media project and its signifi­ Gujarati methods. Panel A. and school program reper­ well as gamelon composition cance as an art form in de­ toire in the United States. and performance. Panel B. mocratizing society. Panel B. Amy Cheng Panel B. Annandale, NY $5,000 Karen Gilg Jamey Haddad To support a residency in Holly Fairbank Hallowell, ME $2,000 New York, NY $1,500 China for this Chinese- New York, NY $1,500 To support a residency in To support a residency in American painter to develop To support collaboration in India to research and create a Morocco to study the lives her work through deeper un­ China with modern dance performance work based on and works of local folklore derstanding of her cultural choreographer Wang Mei of the festivals ofNanda Devi, groups and incorporate their heritage. Panel B. the Dance Academy, Navaratri, Ramlila, percussion techniques into to develop a dance work to be Deepawali, and Kansa-Ka- the grantee’s music and in­ Chiang Ching performed both in China and Mela, chosen for their partic­ strument making. Panel B. New York, NY $1,500 the United States. Panel B. ular use of imagery, myth, To support participation in a and ritual. Panel A. Cindy Ho and Nancy Tong symposium in China on Maria-Theresa Fernandes New York, NY $1,500 Chinese contemporary art to Baltimore, MD $2,400 Chambliss Giobbi To support the filmmakers’ which the artist, a Chinese- To support study and docu­ New York, NY $1,800 research in remote areas of born contemporary choreog­ mentation of contemporary To support research in China for a documentary rapher, brings the perspective and traditional textile design Vietnam for an opera Mercy- about the Naxi, an indige­ of work in the West. Panel B. in Nigeria with special atten­ Relay, about American sol­ nous minority population tion to dye pattern making. diers facing court martial in with a distinct, ancient artis­ Albert Chong Panel B. wartime Vietnam. Panel B. tic and cultural tradition. Boulder, CO $2,100 Panel B. To support a residency in A. Garrison Fewell Judith Gleason Jamaica to photograph and Cambridge, MA $2,700 New York, NY $3,000 Victor Wong Huey create a video for an exhibi­ To support study in Para­ To support a residency in New York, NY $1,500 tion entitled "Bush Wisdom: guay of rarely-heard indige­ Mexico to produce a video To support a residency in Predictions, Proverbs, and nous music and to apply entitled "Flowers for China at the Beijing Film Parables from the Bush these ideas to the composi­ Guadalupe" based upon folk Academy to teach new low Doctors of Jamaica." Panel A. tion and performance of arts and customs created in cost video techniques to contemporary jazz. Panel B. homage to the Virgin of emerging video artists and Lawrence Chua Guadalupe. Panel A. to collaborate with them on New York, NY $2,300 Therese Folkes-Plair the creation of new works. To support a five week radio New Rochelle, NY $2,000 Shalom Gorewitz Panel B. arts workshop in Thailand to To support a series of story­ New York, NY $1,000 produce a series of radio dra­ telling workshops given for To support filming in Omomola Iyabunmi mas, audio poetry and public educators and artists through­ Jamaica for a video art pro­ Bala Cynwyd, PA $1,000 service announcements that out Ghana and to conduct ject that explores the conflict To support a residency with examine the social and politi­ field research on the oral tra­ and commonality between the Yoruba women musicians cal framework of the AIDS ditions of Ghanaian women Hasidic and Rastefarian tra­ of Nigeria to incorporate an crisis in that country. that will enrich the grantee’s ditions as embodied in a improved understanding of Panel B. arts-in-education program in multi-ethnic neighborhood their artistry into the U.S. schools. Panel B. in Brooklyn. Panel B. grantee’s cultural education

78 National Endowment for the Arts work in public schools in the Bob Madey ci6n Musical in Buenos workshops he teaches in the United States. Panel B. Brooklyn, NY $4,390 Aires, to include violin United States. Panel B. To support completion of a recitals, concerts, master Kristin Jackson video documentary in India classes and demonstrations. Inez M. RobinsonoOdom New York, NY $1,400 on Nautanki, the roadside Panel A. San Diego, CA $4,000 To support performances opera tradition which inte­ To support a residency in and choreography workshops grates theatrical narrative, Yaa Nson Opare South Africa to produce a at the 1993 Choreographer’s audience participation, and Jamaica, NY $3,300 documentary entitled The Showcase of the Cultural social commentary. Panel B. To support a photographic Crucible of Color which ex­ Center of the Philippines in project in Ghana to capture amines a range of moral atti­ Manila. Panel B. Yuri Marder interaction between Ghanai­ tudes towards racism held by Brooklyn, NY $3,880 ans and visiting African different South Africans. Gayla Jamison To support The Exile Project Americans with a view to Panel A. Atlanta, GA $1,350 in Argentina, a series of pho­ helping African-Americans To support a residency in tographic portraits of immi­ in the U.S. visualize their Dumah Saafir to develop a doc­ grants to Argentina or de­ cultural roots. Panel B. Milwaukee, WI $1,000 umentary tracing the chang­ scendants of immigrants To support research in Peru ing roles of indigenous who are outside the main­ Persona Grata Productions on the little-known Afro- women from their ancient stream of Argentine culture San Francisco, CA $2,650 Peruvian festejo dance and Mayan origins to contempo­ because of language and To support residencies for music tradition, thereby ex­ rary times. Panel B. other barriers. Panel B. sound filmmakers Paul panding the artist’s reper­ Kwan and Arnold Iger in toire of the performing arts Indira Johnson Sarah Montague China’s Yunuan and Sichuan traditions of the African di­ Evanston, IL $2,600 New York, NY $1,000 provinces to film a docu­ aspora. Panel B. To support study in India of To support sound recording mentary exploring cultural the ancient wall painting tra­ in Alexandria, Egypt, for a phenomena, specifically the Glen Sacks dition of rural Mithilian radio production of the uses of food as medicine in New York, NY $1,000 women. Panel B. ~ Alexandria Quartet, an ac­ Chinese and Asian American To support a residency in claimed series of epic novels communities. Panel B. Mexico to build a mixed- Nina Kuo by Lawrence Durrell that ex­ media installation entitled New York, NY $3,000 plore human nature within Paul Pfeiffer "Playa and Peso Low," To support a residency in the context of this ancient Brooklyn, NY $2,500 which addresses the impact Beijing and Xian to create a city. Panel B. To support a residency in the of tourism on Mexican soci­ series of photographs for ex­ Philippines to collaborate ety. Panel A. hibition and publication Kunama and Imani with local specialists in reli­ capturing artists in China’s Mtendaji gious iconography on an in­ Richard Selman new society and revealing the St. Louis, MO $3,000 stallation that will be exhibit­ Rockwood, TN $2,400 attitudes shaping China To support research on ed at the Filipino Humanities To support the musician’s today. Panel A. Ghanaian indigenous folk­ Festival at the Yerba Buena study in Zimbabwe of the tales, histories, and legends Center for the Arts in San techniques of mbira instru­ Nith Lacroix that will be incorporated Francisco, California. ment making and playing. San Francisco, CA $2,000 into the artists’ storytelling, Panel A. Panel B. To support a residency in music, and dance perfor­ the artist’s birthplace, Laos, mances in St. Louis schools. Karen Ranucci & Julie Angel Velasco Shaw to produce a video docu­ Panel B. Feldman New York, NY $2,140 mentary that will contrast New York, NY $2,000 To support collaborative childhood memories with Rita Mustaphi To support a residency to work with local artists in the present-day Laos, and to North Crystal, MN $2,000 collaborate with Mexican Philippines on a feature train Laotian students in To support training in tradi­ artists on a video documen­ length film titled Debt for video production. Panel A. tional dance and collabora­ tary on the Zapoteca Indians L~, about a Filipino Amer­ tion with artists in India to of . Panel A. ican woman’s struggle to em­ Dinh Q. Le deepen the grantee’s under­ brace her complex multi-cul­ Brooklyn, NY $2,500 standing of the ancient Dane Maxim Richeson tural identity. Panel B. To support a residency in "Kathak" dance tradition. Appleton, WI $1,500 Vietnam to create a book of Panel B. To support study with mas­ Southeast Asia-Ozark photographs about the ter drummers in Ghana, Project Vietnamese perspective on Janos Negyesy West Africa, to deepen the Springfield, MO $2,400 the war, based on local inter­ La Jolla, CA $1,000 artist’s understanding of tra­ To support the filming in views and library/archival re­ To support a residency in ditional African rhythms, to Vietnam of a documentary search in Hanoi and Saigon. Argentina at the Laboratorio enrich master classes and called As Seen By Both Sides Panel A. de Investigaci6n y Produc­ which records the process of

1993 Annual Report 79 Clifton Monteith cultural discovery and rap­ who participated in an experi­ dience outreach activities mental educational exchange in Mexico for U.S. artists Lake Ann, MI prochement centered around To support a six-month fel­ a joint traveling exhibit of program in New England in and support U.S. arts orga­ the late 1800s. Panel B. lowship in Japan to investi­ U.S. and Vietnamese art. nizations hosting such resi­ gate the cultural and artistic Panel B. Mark Wingate dencies for Mexican artists. affinity for the natural world Austin, TX $1,000 that is integral to finely- Michele "Tejuola" Turner 8 grants; 1 interagency made furniture and Japanese Midland, NC $3,600 To support a residency in craftsmanship. To support the sculptor’s Venezuela to meet with local agreement study of calibash (gourd) musicians, digitally record Program Funds: $140,000 indigenous music, and com­ John Patterson carving under master carvers New York, NY in Nigeria and to make these pose an original piece based on the experience. Panel A. To support a six-month fel­ traditional artists and their United States/Japan lowship in Japan to work works more widely known in Artist Exchange with Japanese theater profes­ the United States. Panel B. Evan Ziporyn Somerville, MA $3,000 Fellowships sionals, studying Japanese To support a residency in mask-making, body lan­ Urban Bush Women, Inc. guage, facial expressions and New York, NY $1,000 Bali to collaborate with a ~ Japan-U.S. Friendship Balinese composer on the social relationships, for the To support research on the Committee artist to incorporate into his Yoruba dance traditions in composition and perfor­ Washington, DC $75,000 mance of an original music solo theater work. Nigeria and to develop a site- To support the 1993-94 specific dance work at the work for twenty-five Balinese Japan/United States Friend­ Sacred Groves religious site in and western instruments. United States/ Panel A. ship Program which enables the town of Osogbo. Panel B. five mid-career artists annu­ Mexico Artists ally to work and study for six Residencies Regina Vater months in Japan. Reviewed Austin, TX $3,000 by the 1992 Overview Panel. Grants were awarded to sup­ To support a residency in port arts organizations host­ Sao Paulo, Brazil, to research Fellowship Grants ing ten Mexican artists for and create a video on Afro- residencies in the United Brazilian mythology and tra­ Shu Lea Cheang States and, under a reciprocal ditions of the Amazon re­ New York, NY agreement, the Mexican gov­ gion. Panel A. To support fellowships for To support a six-month fel­ ernment awarded grants to U.S. artists to undertake lowship in Japan to develop ten American artists for Jeannine Wagar international projects de­ a new video installation pro­ residencies in Mexico. St. Paul, MN $2,400 ject on the theme of cultural To support collaboration signed to enhance their cre­ clash, in collaboration with U.S. Host with Mexican composers by ative development and pro­ media arts and technology Organizations Grants introducing the works of fessional growth, as well as experts at Musashino Art American composers and University. Grants were reviewed by to stimulate interaction members of the International finding contemporary with the host community. Mexican scores to be per­ Bob Kenmolsu Projects Initiative Panel, ex­ formed in the United States. Additionally, to support Cliffside Park, NJ cept for Murray Horwitz Panel B. U.S. arts organizations that To support a six-month fel­ who did not participate in plan to work with foreign lowship in Japan to concen­ this review. Harlan Wallach artists or arts administra­ trate on native musical forms $2,000 Alternative Worksite, Inc. Chicago, IL tors on projects that con­ and for the artist, a third- To support a photographic generation Japanese Amer­ Omaha, NE $10,150 documentary of the current tribute to organizations’ ican composer, to explore his To support a residency for culture and archeological re­ artistic missions. There are cultural roots. two Mexican artists, a film­ mains of the lower Yucatan two subcategories: United maker and a sculptor, and peninsula, including the States/Japan Artist Ex­ Mark Klett their participation in the Bemis Foundation’s educa­ great Mayan ruins in change Fellowships sup­ Tempe, AZ Guatemala, Honduras, and tional outreach program, port six-month fellowships To support a six-month fel­ Mexico. Panel A. lowship in Japan for the land­ "Encounters," working with for U.S. artists in Japan scape photographer to under­ schools and local civic orga­ Peter Wang and for Japanese artists in take a broad photographic nizations to create new work New York, NY $2,100 the United States. United survey of the landscape and in collaboration with inter­ To support research in China an in-depth exploration of ested Nebraska residents. States/Mexico Artist Res­ [93-5611-0016] for a feature-length dramatic idencies support two- one or two of the locations. film recreating the experi­ ences of three Chinese boys month residencies and au­

80 National Endowment for the Arts Art Awareness, Inc. diverse facilities, which focus choreograph a new work ex­ CITYFOLK Lexington, NY $7,815 on the use of print in art. ploring the cultural tensions Dayton, OH To support a two-month res­ [93-5611-0019] between Mexico’s deep idency and public programs rooted past and its modern Ping Chong for a Mexican painter. Ragdale Foundation advancements. Choreographer/Playwright/ [93-5611-0015] Lake Forest, IL $8,040 Visual Artist To support a two-month res­ John A. Jesurun New York, NY Cummington School of idency for a Mexican creative New York, NY the Arts writer to use the facilities of To support a two-month res­ Amina J. Dickerson Cummington, MA $1,500 this multi-disciplinary artists’ idency in Mexico for the Director, To amend an existing grant community, to interact with grantee to collaborate with Center for Education and to support a two-month resi­ local artists, and to give read­ Mexican theater artists and Public Progams dency and public programs ings for the local communi­ actors in workshops and Chicago Historical Society for two Mexican painters. ty. [93-5611-0020] readings and focus on his Chicago, IL [92-3052-0040] own theater writing and U.S. Artists’ translation work. Marylou Hata Foley Fabric Workshop, Inc. Residencies Grants (layperson) Philadelphia, PA $15,970 Ruth IGaafo Setton Administrator, Industry Ana M. Busto Promotion Division To support a residency for a Brooklyn, NY Orefield, PA husband and wife team of To support a two-month resi­ State of Hawaii To support a two-month res­ Honolulu, HI Mexican painters, with the idency in Mexico to create a dency in Mexico for the writ­ opportunity of using fabric mixed-media sculpture in­ er to work on a second novel, as a medium for a wide incorporating "women’s ways Olga Garay (chair) corporating photographic Director, Cultural Affairs range of work and participat­ images inspired by selected of knowing" through reli­ ing in public programs with gious experiences and prayers, Miami Dade Community women writers in the U.S. College other artists-in-residence. and Mexico. storytelling and discussions. [93-5611-0017] Miami Beach, FL Patssi Valdez Robert J. Byrd Larry Leon Hamlin Headlands Center for E1 Paso, TX Los Angeles, CA the Arts To support a two-month res­ Founder/Producer/Artistic To support a two-month res­ Director, Sausalito, CA $11,100 idency in Mexico to write idency in Mexico to deepen To support residencies, pub­ the artist’s understanding of National Black Theatre poetry, give readings, and Festival and lic programs, and outreach participate in a poetry work­ the people, the land, and the activities for two Mexican shop, through which the iconography visible in her NC Black Repertory artists, a poet and a filmmak­ , as well as creating Company writer, who lives on the bor­ Winston-Salem, NC er, including programming der of Mexico, hopes to ex­ new work and visiting his­ in a National Park and in torical and sacred sites, mu­ plore the Mexican influences Jeffrey Holmes schools as well as opportuni­ on his work. seums and galleries. ties for artistic collabora­ Associate Professor of Music, tions. [93-5611-0018 ] Juan Frano Violich University of Massachusetts Petah E. Coyne Sunderland, MA New York, NY Boston, MA Montalvo Association To support a two-month res­ To support a two-month res­ Murray Horwitz Saratoga, CA $4,125 idency in Mexico to sketch, idency in Mexico to work with local artisans, manufac­ Director, Cultural To support a two-month res­ photograph, and derive in­ idency for a Mexican com­ turers, and students to ex­ Programming spiration from Mexican cul­ National Public Radio poser, including perfor­ ture for her sculpture. plore Mexican building ma­ mances and workshops on terials by creating several Washington, DC contemporary Mexican small-scale installations that Jennie E. Franklin Marda Kirn music for other artists-in-res­ New York, NY incorporate the values and idence and the local commu­ construction techniques of Artistic Director, To support a two-month res­ Colorado Dance Festival nity. [93-5611-0021 ] idency in Mexico to study the host community. the folk music, poetry, Boulder, CO Nexus, Inc. proverbs and folk tales of the Norm Langill Atlanta, GA $6,300 Mexican people to create To support a two-month res­ Producer, Bumbershoot several short plays based on Festival idency for a Mexican pho­ these forms. tographer, who will offer International Projects Seattle, WA public demonstrations and Initiative Margarita Guergue Marti Mayo lectures and create new work Brooklyn, NY Phyllis Brzozowska utilizing the Nexus Con­ To support a two-month Presenter/Executive Director, Director, Blaffer Gallery temporary Arts Center’s residency in Mexico to

1993 Annual Report 81 University of Houston Steve Colson Theater Sylvia Orozco Houston, TX Composer; Musician St. Louis, MO Director, Montclair, NJ Mexic-Arte Museum John T. O’Brien Joan La Barbara Austin, TX Editor/Publisher Marsha Jackson Composer; Vocalist Dalkey Archive Press; Director, Santa Fe, NM Eiko Otake Professor of Literature, Jomandi Productions Choreographer; Dancer, Illinois State University Atlanta, GA Sid McQueen Eiko & Koma Normal, IL Arts Consultant New York, NY Joyce Johnson Atlanta, GA Pablo Schngurensky Pianist; Professor, Diane Rodriguez Public Art Program Manager Spelman College Marilyn Shrude Director, Washington State Arts Atlanta, GA Composer Latinos Anonymous Commission Bowling Green, OH Los Angeles, CA Olympia, WA Joan La Barbara Composer; Vocalist Travel Grants Fund Gary Sangster Fund For U.S. Artists Santa Fe, NM For Artists Senior Curator, At International Jersey City Museum Festivals And Eiko Otake Panel A Jersey City, NJ Exhibitions Choreographer; Dancer, Philip Bither Panel B Eiko & Koma Director of Programming, Panel A New York, NY Flynn Theatre Ella Baff Mella Bensussen Burlington, VT Artistic Administrator Theater Director Diane Rodriguez Cal Performances Director, New York, NY Linda Blackaby Berkeley, CA Latinos Anonymous Director, Ahnee Sharon Freeman Los Angeles, CA Neighborhood Film/Video H.T. Chert Project Artistic Director, Jazz Pianist; Composer Carl Stone New York, NY Philadelphia, PA Chen & Dancers Composer; Director, New York, NY Meet the Composer John Killacky Loris Bradley Artistic Director/Curator, Los Angeles, CA Independent Producer Marie Cieri Pe~fiorming Arts New York, NY Director, Walker Art Center Panel C Art Co. Minneapolis, MN Ella Baff Daryl Chin Cambridge, MA Artistic Administrator, Critic; Multimedia Artist Marda Kirn Cal Performances New York, NY Steve Colson Artistic Director, Berkeley, CA Composer; Musician Colorado Dance Company Cheryl Chisholm Montclair, NJ Boulder, CO H.T. Chen Filmmaker Artistic Director, Atlanta, GA Jeff Donaldson Elizabeth Min Chen & Dancers Dean, College of Fine Arts Artistic Director, New York, NY George Ciscle Howard University Redwood Cultural Work Director, Washington, DC San Francisco, CA Marie Cieri The Contemporary Director, Baltimore, MD Coco Fusco PANEL B Art Co. Fi/m/½"deomaker; Critic Cambridge, MA Steve Colson Brooklyn, NY Philip Arnoult Composer; Musician Director, Steve Colson Montclair, NJ Ron Himes Baltimore Theatre Project Producing Director, Baltimore, MD Musician; Composer Montclair, NJ Amina Dickerson St. Louis Black Repertory Director for Education Theater Philip Bither Ahnee Sharon Freeman and Public Programs, St. Louis, MO Director of Programming, Chicago Historical Society Flynn Theatre Jazz Pianist; Musician New York, NY Chicago, IL Snsan Krane Burlington, VT Curator of Modern and Ron Himes Contemporary Art, Loris Bradley Joan La Barbara Producing Director, Composer; Vocalist High Museum of Art Independent Producer Santa Fe, NM Atlanta, GA New York, NY St. Louis Black Repertory

82 National Endowment for the Arts Joan La Barbara Bun-Ching Lam Tommer Peterson (chair) Sandra Seaforth Furey Composer; Vocalist Pianist; Composer Designer, Executive Director Santa Fe, NM Potenkill, NY Wilkins and Peterson Urban Gateways Seattle, WA Chicago, IL Hye Jung Park Alexander Melamid Film/Hdeomaker Visual Artist U.S./Mexico Artist Norman Langill (chair) Woodside, NY Jersey City, NJ Residencies Producer, Dan Cameron Bumbershoot Festival Kaylynn Sullivan Two Vesna Todorovic Miksic~" Art Critic; Curator Seattle, WA Trees (chair, Residencies) New York, NY Artist Director, Programs and Nancy LeRoy (layperson) Ojo Caliente, NM Development, Rosemary Catacalos Public Affairs Director Yellow Springs Institute Executive Director The Impact Group Will Wilkins Chester Springs, PA The Poetry Center Washington, DC Executive Director, San Francisco, CA Real Art Ways Toni-Marie Montgomery Vesna Todorovic Miksic Hartford, CT Associate Dean, Fine Arts, Robert Chatten (layperson) Director, Programs and Arizona State University International Development Development Yellow Springs Institute ArtsLink Tempe, AZ Consultant Arlington, VA Chester Springs, PA All the panel members Mary Lou Rosato reviewed the ArtsLink Actress; Director Collaborative Projects Dennis Ferguson-Acosta Overview (1993) New York, NY Partnership grants; those (chair) Tisa Chang indicated. ~" also reviewed the Acting Director, Kaylynn Sullivan Two Artistic Producing Director ArtsLink Residencies The Latino Museum Pan Asian Repertory Theater Trees Los Angeles, CA Partnership grants. Choreographer; Dancer New York, NY Ojo Caliente, NM Dan Cameron~" Renee Levine-Packer Cheryl Chisholm (chair) Art Critic; Curator Dean of Continuing Studies, Filmmaker, Barbara Van Dykey Maryland Institute College New York, NY Film Consultant; Producer Third World Film Festival of Art Atlanta, GA Wallace Chappell Stowe, VT Baltimore, MD Director, U.S./Japan Artist George Cisneros Hancher Auditorium Exchange Fellowships Adair Margo Coordinator, Iowa City, IA Chair, Texas Commission Kim Chan Texas Commission on the on the Arts Tony Cokes~" Director of Dance and New Arts Austin, TX Filmmaker Peueormance, El Paso, TX New York, NY Washington Performing Arts Amina Dickerson Society Victor Perera Director, Dennis Ferguson-Acosta Washington, DC Writer; Editor; Translator Center for Education and (chair, Projects) Riverside, CT Public Programs Acting Director, Eric Gangloff Chicago Historical Society The Latino Museum Executive Director, Overview (1992) Chicago, IL Los Angeles, CA Japan/U.S. Friendship Tisa Chang Commission Artistic Producing Director Jeffrey Holmes Louis Grachos Washington, DC Pan Asian Repertory Theater Associate Professor of Music, Curator of Exhibitions, New York, NY University of Massachusetts Center for Fine Arts Sam Hamill Sunderland, MA Miami, FL Writer Eduardo Diaz Port Townsend, WA Director, Norman Langill Selma Holo~" City of San Antonio Producer, Director, Tom Loeser Department of Arts and Bumbershoot Festival Fisher Gallery Visual/Craft Artist Cultural Affairs Seattle, WA Los Angeles, CA Madison, WI San Antonio, TX Julietta Vails (layperson) John R. Killacky Cora Mirikitani Program Oj~cer for Culture Wendy Ewald Regional Director for Mexico Artistic Director/Curator Photographer Partners of the Americas Pe~forming Arts The Pew Charitable Trusts Durham, NC Washington, DC Walker Art Center Philadelphia, PA Minneapolis, MN

1993Annual Report 83 ¯

The of all Americans are affected by language and literature; words are

the vehicle for human thought and the currency of communication. The Ltature

Program promotes the rich fabric of American culture thFugh direct grants to individ­ ual writers, through independent presses a d magazines that publish exceptional cre­ ative writing, through assistance for literary organizations l~at link writers with readers,

and throU;h grants to develop audiences eager to hear the unique voices that compose contemporary literatuFin the United states.

84 National Endowment for the Arts Almost half of the Literature Program’s annual budget ogy of Armenian Poetry, which opened up Armenian writ­ goes to Fellowships for Creative Writers and Trans­ ing to a new generation of American readers. lation projects. Fellowships enable exceptionally talent­ ed, published writers of poetry and creative prose to set The Literary Publishing grants category assists indepen­ aside time for writing and research. They also assist ex­ dent small presses and literary magazines in communities pert literary translators to undertake specific projects, all across America to publish outstanding contemporary especially in languages insufficiently available in creative writing not available through commercial ven­ English. Over the years, literature fellowship recipients ues. Grants are also available for distribution projects have won an impressive array of major awards includ­ that increase public access to contemporary creative writ­ ing 22 Pulitzer Prizes, 19 MacArthur Fellowships and ing of the highest caliber. This year more than $1 mil­ 25 National Book Awards. lion (about one-quarter of the program’s budget) was awarded to 69 grantees. This year the program received 2,370 eli­ gible applications for creative writing fel­ Reader’s International in Columbia, lowships and 61 applications for transla- ~ Louisiana received a grant to publish tion projects. Using a "blind" review ..... ~ contemporary world literature by au­ process in which panelists did not know thors from Poland, India and Vietnam the identities of the applicants, the pro­ ...... who have suffered political censorship or gram recommended the award of $20,000 fellowships to who write in exile. Other presses receiving grants include 89 writers: 47 in poetry, 37 in fiction, 5 in creative non­ Milkweed Editions in Minneapolis and Tia Chucha in fiction. In addition, 10 literary translators each received Chicago, publisher of multicultural writing of the main­ $10,000 grants to translate into English works written in land U.S., Puerto Rico and the Virgin Islands. Magazines Burmese, Portuguese, Armenian, Spanish, Polish, French funded include Bamboo Ridge Press in Honolulu, River and Hungarian. Styx in St. Louis and Hanging Loose in Brooklyn, New York, which devotes part of each issue to work by high Diana Der Hovanessian of Cambridge, Massachusetts, school writers. received a translation project grant to travel to war-torn Armenia to discover new writers and collect their works. Arizona State University in Tempe was awarded $34,000 The new work will serve as a sequel to her earlier Anthol­ to support Bilingual Review Press’s distribution of small

1993AnnualReport 85 press books and literary magazines focusing on Hispanic offer strategies for advancing the literary field. Profes­ creative literature. Founded in 1976, Bilingual Review sional Development grants have been used to enable the Press is expanding its sales representation in urban mar­ exchange of ideas among literary professionals and ser­ kets, establishing a new in-store promotional campaign vice organizations to promote conferences, workshops during Hispanic Heritage Month and sponsoring nation­ and book fairs; to establish archives, databanks and other al tours for its authors. information services for employment and publishing; to develop services for writers. Audience Development grants help build audiences for contemporary creative writing by sponsoring read­ A $70,000 grant to the Associated Writing Programs ings, workshops and residencies by writers at schools, (AWP) supported the first segment of a three-phase universities, community centers and other venues. This program designed to develop creative writing programs catagory also supports literary centers that bring together at historically black colleges and universities (HBCU). writers and readers in their communities, and offers As a result, six of these institutions will inaugurate grants to organizations that develop audiences through programs that emphasize creative writing in the fall innovative projects, such as those employing the tech­ of 1994. nologies of radio or computers to spread the written word. This year, 45 grants for $490,000 were awarded The Special Projects category supports projects and in Audience Development’s three subcategories. initiatives of national significance designed to explore new models for the field. Unique examples include A grant of $5,490 to the Friends of the Library of collaborative efforts with state arts agencies, literary Colorado Springs supported the First Annual Rocky service organizations, foundations, and other Endow­ Mountain Book Festival under the auspices of the ment programs. Colorado Center for the Book, one of 28 such centers af­ filiated with the Library of Congress. The two-day festi­ The Literature Program and Arts in Education val attracted over 37,000 people in the Rocky Mountain Program collaborated to award $100,000 to the Ohio region to its book fair, panel discussions and public read­ Arts Council in Columbus for Summer Creative ings by writers Barbara Kingsolver, Simon Ortiz and Writing Seminars for High School Teachers. In 1994 at BeBe Moore Campbell. On the festival’s first day, 5,000 Wright State University, published writers of proven local school children participated in a special program teaching ability will work with high school teachers tO that included storytelling and costumed readings by "lit­ help them improve their own creative writing and to erary impersonators" ofWilla Cather, James Joyce and give them guidance in using contemporary creative writ­ Emily Dickinson. ing in the core high school curriculum. Teachers also will receive funds to buy contemporary books for class­ Professional Development grants are awarded to organi­ room use, and to bring the authors of these books into zations that provide assistance to creative writers and the classroom.

Indicates national impact. advance their careers. Anderson, IC Douglas Cervantes, Lorna D. Fellowships for Translators , MA $20,000 Boulder, CO $20,000 allow recipients to trans­ Andrews, Thomas C. Chiarella, Thomas C. late into English major Athens, OH $20,000 Greencastle, IN $20,000 literary works written in The program’s fellowships other languages. Ansay, Ann Manette Chin, Marilyn M.L. appear in two subcate­ Exeter, NH $20,000 La Mesa, CA $20,000 gories. Fellowships for Fellowships for Boswell, Robert L. Cole, Henri R. Creative Writers enable Creative Writers Las Cruces, NM $20,000 Portland, OR $20,000 exceptionally talented published writers of poet- 90 grants Burns, Ralph M. Condon, Phil E. ry, fiction, and creative Program Funds: $1,918,000 Little Rock, AR $20,000 Missoula, MT $20,000 nonfiction to set aside time for writing, research Allbery, Debra L. Catacalos, Rosemary Dana, Robert P. Palo Alto, CA $20,000 Coralville, IA $20,000 or travel in order to Carlisle, PA $20,000

86 National Endowment for the Arts Deppe, Theodore 1L Janis, Eugenia P. Olmstead, Robert M. Sze, Arthur C. Florence, MA $20,000 Santa Fe, NM $20,000 Mt. Holly, PA $20,000 Santa Fe, NM $20,000

Drown, Merle F. Jauss, David R. Packer, Ann E. Twichell, P. Chase Concord, NH $20,000 Little Rock, AR $20,000 Eugene, OR $20,000 Princeton, NJ $20,000 Fisher, David L. Johnson, Dennis IL Pollack, Eileen K. Vaz, Katherine A. Santa Rosa, CA $20,000 Saratoga Springs, NY Belmont, MA $20,000 Castro Valley, CA $20,000 $20,000 Frederick, Kenneth C. Powell, Dannye G. Veinberg, Jon West Newton, MA $20,000 Kalamaras, George W. Charlotte, NC $20,000 Fresno, CA $20,000 Warsaw, IN $20,000 Frost, Carol Richman, Elliot Vertreace, Martha M. Otego, NY $20,000 Karlin, Wayne S. Plattsburgh, NY $20,000 Chicago, IL $20,000 Lexington Park, MD Gautreaux, Tim M. $20,000 Robinson, Ronald E. Volkman, Karen L. Hammond, LA $20,000 Tahlequah, OK $20,000 Houston, TX $20,000 Kellman, Lewen A. Giammatteo, Hollis Augusta, GA $20,000 Rose, Jennifer Vollmer, Judith A. Lopez, WA $20,000 Waltham, MA $20,000 Pittsburgh, PA $20,000 Kennedy, Pamela B. Gittelson, Celia Allston, !vIA $20,000 Ruark, Gibbons White, Michael D. New York, NY $20,000 Newark, DE $20,000 Salt Lake City, UT $20,000 Lamb, Walter J. Gluck, Tereze M. Willimantic, CT $20,000 Russell, Paul E. Willard, Jane H. New York, NY $20,000 Rosendale, NY $20,000 Rochester, WI $20,000 Leslie, Naton D. Gotera, Vicente F. Loudonville, NY $20,000 Savageau, Cheryl A. Williams, C. IC Arcata, CA $20,000 Worcester, MA $20,000 Fairfax, VA $20,000 Liotta, Peter Hearns Gregg, Linda A. Burke, VA $20,000 Schreiber, Ronald P. Williford, Lex A. Forest Knolls, CA $20,000 Cambridge, MA $20,000 Carbondale, IL $20,000 Long, David F. Hales, Corrinne Kalispell, MT $20,000 Schwartz, Ruth L. Winik, Marion L. Fresno, CA $20,000 Gladwyne, PA $20,000 Austin, TX $20,000 Lordan, Ellenora Beth Hasse, Margaret M. Carbondale, IL $20,000 Schwartz, Sheila M. Worozbyt, Theodore S. St. Paul, MN $20,000 Cleveland Heights, OH Atlanta, GA $20,000 McBride, Regina T. $20,000 Heffernan, Michael J. New York, NY $20,000 Yates, Dwight A. Fayetteville, AR $20,000 Schwartz, Steven R. Redlands, CA $20,000 McElmurray, Karen Salyer Fort Collins, CO $20,000 Hiles, Robert A. Weaverville, NC $20,000 Zafris, Nancy S. Baltimore, MD $20,000 Sharp, Loretta M. Columbus, OH $20,000 Moon, Susan Boulder, MT $20,000 Howard, Benjamin W. Berkeley, CA $20,000 Zepeda, Rafael J. Alfred, NY $20,000 Shetterly, Susan H. Long Beach, CA $20,000 Moore, Alison L. Surry, ME $20,000 Iossel, Mikhail Yu Tucson, AZ $20,000 ~ Poets & Writers, Inc. Minneapolis, MN $20,000 Sneff, Priscilla J. New York, NY $138,000 Morris, Catherine B. State College, PA $20,000 To support the reading and Irwin, Mark Kansas City, MO $20,000 evaluation of manuscripts Amherst, OH $20,000 Solnit, Rebecca for the Literary Fellowships Mura, David A. San Francisco, CA $20,000 category. Reviewed by the Jacobik, Gray St. Paul, MN $20,000 Professional Development/ Pomffet Center, CT $20,000 Spear, Roberta L. Overview Panel. Offutt, Chris J. Fresno, CA $20,000 [93-5211-0214] James, Joyce L. Iowa City, IA $20,000 Houston, TX $20,000 Stark, Stephen E. Ogden, Hugh S. Houston, TX $20,000 Glastonbury, CT $20,000

1993 Annual Report 87 ~ Bowling Green State Fellowships for Sartre’s Lettres au Castor eta Projects grants make con­ quelque autres (Volume 2, temporary literature more University, Main Campus Translators 1940-63), in collaboration Bowling Green, OH $5,680 widely available to To support production, pro­ with Norman MacAfee. American readers. 10 grants [93-5212-0023] motion, and related costs, Program Funds: $100,000 and contributors’ fees for is­ qg Levine, Suzanne Jill Assistance to sues of Mid-American ~ Aung-Thwin, Santa Barbara, CA $10,000 Literary Magazines Review. [93-5246-0119] Margaret H. To support translation from New York, NY $10,000 the Spanish of a representa­ 44 grants ~ Calyx, Inc. Corvallis, OR $10,000 To support translation of tive anthology of stories by Program Funds: $385,060 selected short stories by con­ Argentine author Adolfo To support contributors’ fees, production, promotion, temporary Burmese women Bioy Casares. Grants were reviewed by the writers Ma Ma Lay, Ma [93-5212-0018] and related costs for issues of Literary Publishing Panel Calyx JournaL Sanda, Mo Mo Inya, Khin unless otherwise indicated. Hnin Yu, and Ma Hnin ~ Levitin, Alexis A. [93-5246-0148] Hpway. [93-5212-0026] Plattsburgh, NY $10,000 To support translation of the ~ Catalyst, Inc. ~ AGNI Review, Inc. Atlanta, GA $10,000 ~ Carlsen, Ivana R. complete work of Portuguese Boston, MA $10,000 Berkeley, CA $10,000 poet Eugenio de Andrade, To support fees for contribu­ To support contributors’ fees tors and production, distrib­ To support translation from and compilation of a large and publication costs for is­ the Portuguese ofA Criacao volume of his selected ution, and related costs for sues of AGNI Review. issues in 1993-94. do Mundo (The Creation of poems. [93-5212-0022] [93-5246-0147] the World) by poet and fic­ [93-5246-0124] tion writer Miguel Torga. ~ Sanders, Ivan ~r Arts and Humanities ~ Columbia University, [93-5212-0019] Stony Brook, NY $10,000 Council of Tulsa, Inc. To support the completion Trustees of Tulsa, OK $9,800 New York, NY $10,000 ~" Der Hovanessian, of the translation from To support publication costs Hungarian of Book of To support translators’ fees Diana and payments to authors for Cambridge, MA $10,000 Memoirs by Peter Nadas. and production, promotion issues of Nimrod. and related costs for issues of To support compilation and [93-5212-0021] [93-5246-0143] translation from the Armen­ Translation. [93-5246-0117] ian of an anthology of mod­ ~ Wing, Elizabeth N. ~g Bamboo Ridge Press ~ DePaul University ern Armenian poetry. Baton Rouge, LA $10,000 Honolulu, HI $10,000 Chicago, IL $10,000 [93-5212-0020] To support translation from To support fees for contribu­ the French of Le SelNoir To support payments to tors and publication expenses writers and publication ex­ ~ Fornoff, Frederick H. (Gallimard: , 1983), a for regular issues of Bamboo Johnstown, PA $10,000 volume of poetry by the penses related to issues of Ridge during 1993-94. Poetry East. [93-5246-0122] To support translation from Martiniquean writer [93-5246-0144] the Spanish of Erase una vez Edouard Glissant. Al-Andalus and the three-vol­ [93-5212-0015] ~ Eshleman, Clayton ~ Bard College Ypsilanti, MI $10,000 ume Geografia invisible de Annandale-on-Hudson, NY America by Costa Rican poet To support fees for contribu­ $10,000 tors and publication costs for Laureano Alban. To support publication costs [93-5212-0016] SULFUR during 1993-94. and writers’ fees for Conjunc­ [93-5246-0141] ~ Grol-Prokopczyk, tions. [93-5246-0150] ~ Gettysburg College Regina Includes three subcate- qg Belles Lettres, Inc. Buffalo, NY $10,000 Gettysburg, PA $10,000 gories: Assistance to North Potomac, MD To support a promotional To support compilation and Literary Magazines grants $10,000 translation of an anthology campaign and related costs help nonprofit literary To support publication of is­ for issues of The Gettysburg of contemporary Polish sues and increased payments women poets, including magazines that regularly Review in 1993-94. to contributors during [93-5246-0157] Wislawa Szymborska, Anna publish poetry, fiction, 1993-94. [93-5246-0153] Swirszczynska, Anna Frajlich, literary essays, and transla­ ~ Hershon, Robert and Urszula Koziol. tions. Small Press Assist­ ~ Big River Association [93-5212-0017] Brooklyn, NY $10,000 a_ace grants support small, St. Louis, MO $10,000 To support the publication To support production, dis­ ~- Leggett, Mary Lee independent presses that of Hanging Loose during tribution, and related costs, 1993-94. [93-5246-0123] New York, NY $10,000 publish contemporary cre- and fees for writers for issues To support translation from ative writing. Distribution of River &yx. [93-5246-0140] the French of Jean-Paul

88 National Endowment for the Arts ~z High Plains Literary ~r Massachusetts Parnassus: Poetry in Review. lated costs for issues of Review, Inc. Review, Inc. [93-5246-0133] Manoa. [93-5246-0146] Denver, CO $8,200 Amherst, MA $8,000 To support payment to au­ To support fees for contribu­ ~ Review of ~z University of Houston, thors and production, pro­ tors and production, promo­ Contemporary Fiction, Inc. University Park motion and related costs for tion, and related costs for a Normal, IL $10,000 Houston, TX $10,000 issues during 1993-94. special issue. [93-5246-0132] To support production, pro­ To support production, writ­ [93-5246-0125] motion, contributors’ fees ers’ fees and related costs for ~z New York Foundation and related costs for issues. the publication of TheAmer­ ~r Hollander, Kurt for the Arts, Inc. [93-5246-0135] icas Review in 1993-94. New York, NY 6,000 New York, NY $10,000 [93-5246-0128] To support contributors’ fees To support authors’ fees for ~z Southern Methodist and production and promo­ issues of Grand Street. University ~z University of Southern tion costs for issues of [93-5246-0134] Dallas, TX $10,000 Mississippi Portable Lower East Side. To support payments to Hattiesburg, MS $8,500 Reviewed by Literary ~ Northwestern writers for issues of South­ To support production, pro­ Publishing Panel (1992); see University west Review during 1993-94. motion, contributors’ fees 1992 Annual Report. Evanston, IL $10,000 [93-5246-0127] and related costs for issues of [93-5246-0186] To support promotion, writ­ Mississippi Review. ers’ fees and related costs for ~z The Formalist [93-5246-0151] ~" Indiana State University issues of Triquarterly maga­ Evansville, IN $2,000 Terre Haute, IN $10,000 zine. [93-5246-0156] To support production and ~" University of Texas, To support costs related to a promotion costs and fees for Austin new format and the publica­ ~" Oakland Community contributors during Austin, TX $4,970 tion of issues of African College 1993-94. [93-5246-0138] To support contributors’ American Review. Farmington Hills, MI fees, a circulation campaign [93-5246-0126] $8,000 ~ Threepenny Review and related costs for issues of To support production, pro­ Berkeley, CA $10,000 American Short Fiction in ~z Intersection motion and related costs, To support contributors’ fees 1993-94. [93-5246-0131] San Francisco, CA $8,000 and fees for contributors for for 1993-94. [93-5246-0142] To support authors’ fees and issues of Witness. ~r University of Utah publication costs for Five [93-5246-0158] ~ Troy State University, Salt Lake City, UT $9,250 Fingers Review during 1993­ Main Campus To support production, pro­ 94. [93-5246-0155] ~ Partisan Review, Inc. Troy, AL $3,260 motion, writers’ fees and re­ Boston, !VIA $10,000 To support authors’ fees and lated costs for issues of ~ Johnson State College To support authors’ pay­ production, promotion and Quarterly West in 1993-94. Johnson, VT $5,000 ments, translators’ fees and related costs for issues of [93-5246-0159] To support authors’ fees, publication costs for Alabama Literary Review. production and related costs, 1993-94. [93-5246-0136] [93-5246-0118] ~ University of Virginia and a circulation campaign Charlottesville, VA $10,000 for Green Mountains Review ~" Ploughshares, Inc. ~" Turnstile Press, Inc. To support payments to au­ in 1993-94. [93-5246-0145] Boston, MA $10,000 New York, NY $4,200 thors and production, pro­ To support fees for contribu­ To support production, pro­ motion and related costs for ~z Kansas State University tors and production and pro­ motion, contributors’ fees issues of Callaloo. Foundation motion costs related to pub­ and related costs for publica­ [93-5246-0139] Manhattan, KS $4,250 lication of issues. tion of Turnstile in 1993-94. To support fees for contribu­ [93-5246-0130] [93-5246-0129] ~ Yale University tors and production, promo­ New Haven, CT $10,000 tion, and related costs for is­ ~" Poetry Flash ¢z University of Alaska To support production, au­ sues of Kansas Quarterly. Berkeley, CA $10,000 Anchorage, AK $9,950 thors’ fees and related costs [93-5246-0137] To support publication costs, To support fees for contribu­ for publication of The Yale fees to contributors, and re­ tors, and production, promo­ Review during 1993-94. ~z Kenyon College lated costs for 1993-94. tion, and related costs for is­ [93-5246-0154] Gambier, OH $10,000 [93-5246-0152] sues of Alaska Quarterly To support payments to con­ Review. [93-5246-0120] ~ ZYZZYVA, Inc. tributors and the Kenyon ~r Poetry in Review San Francisco, CA $10,000 Review Awards for Literary Foundation, Inc. ~ University of Hawaii, To support fees for contribu­ Excellence for 1993-94. New York, NY $10,000 Manoa tors, production, and related [93-5246-0149] To support production, pro­ Honolulu, HI $10,000 costs for 1993-94. motion, contributors’ fees, To support production, pro­ [93-5246-0121] and related costs for issues of motion, writers’ fees, and re­

1993 Annual Report 89 Small Press ~ Graywolf Press qz Perlman, Jim Distribution St. Paul, MN $30,000 (Holy Cow! Press) Projects Assistance To support production, pro­ Duluth, MN $30,000 motion, authors’ royalties, To support the publication 2 grants 23 grants and related costs for books. of books. [93-5247-0181] Program Funds: $560,870 [93-5247-0175] Program Funds: $99,000 ~ Quasha, George ~ Aunt Lute Foundation ~ Guild Complex (Tia (Station Hill Press) San Francisco, CA $12,000 Chucha Press) Barrytown, NY $30,000 ~ Arizona State University To support authors’ royal­ Chicago, IL $12,000 To support the publication (Bilingual Review Press) ties, production, and related To support production and of books. [93-5247-0185] Tempe, AZ $34,000 costs for the publication of related costs for volumes of To support the distribution books. [93-5247-0174] poetry. [93-5247-0177] ~r Readers and promotion of small press International, Inc. books and literary magazines ~z Coffee House Press ~" Kelsey Street Press Columbia, LA $30,000 focusing on Hispanic creative Minneapolis, MN $30,000 Berkeley, CA $8,100 To support the publication literature. [93-5248-0160] To support production, pro­ To support production, pro­ of works of prose fiction. motion, distribution, and re­ motion, royalties for authors, [93-5247-0173] ~z Small Press lated costs for the publica­ and related costs for books. Distribution, Inc. tion of books. [93-5247-0168] ~r Review of (Serendipity Books) [93-5247-0165] Contemporary Fiction, Inc. Berkeley, CA $65,000 ~ Latin American Literary (Dalkey Archive Press) To support nationwide mar­ ~z Contemporary Arts Review Normal, IL $30,000 keting, promotion, and dis­ Educational Project,Inc. Pittsburgh, PA $28,500 To support authors’ pay­ tribution of small press books (Sun and Moon Press) To support authors’ royalties ments and production, pro­ during 1993-94. Los Angeles, CA $30,000 and production, promotion, motion, and related costs for [93-5248-0161] To support production, pro­ and related costs for books. books. [93-5247-0183] motion, and related costs for [93-5247-0169] books. [93-5247-0167] ~ Segue Foundation, Inc. ~ Lost Roads Publishing (Roof Books) ~ Copper Canyon Press Company New York, NY $10,000 Port Townsend, WAS30,000 Providence, RI $12,000 To support publication, pro­ To support production, pro­ To support authors’ pay­ motion, and related costs for Three subcategories are in­ motion, distribution, royal­ ments and production, pro­ books. [93-5247-0172] cluded: Residencies for ties, and related costs for the motion, distribution, and re­ Writers and Reading ~ University of Houston publication of books. lated costs for books. Series grants support the [93-5247-0171] [93-5247-0170] (Arte Publico Press) Houston, TX $30,000 development of audiences ~ Curbstone Press ~z Marlboro Press, Inc. To support publication costs for contemporary poetry, Willimantic, CT $30,000 Marlboro, VT $30,000 and related costs for books. fiction, and creative non­ To support production, pro­ To support payment to writ­ [93-5247-0179] fiction. Assistance to motion, royalties, and related ers and production, promo­ Literary Centers grants ~ White Pine, Inc. costs for the publication of tion, distribution, and related support non-commercial books. [93-5247-0182] costs for books. Fredonia, NY $30,000 [93-5247-0180] To support production, pro­ literary centers which offer ~z Feminist Press, Inc. motion, and related costs for to the public a wide vari­ New York, NY $25,000 ~ McPherson, Bruce R. books. [93-5247-0164] ety of activities contribut­ To support authors’ royalties (McPherson & Company) ing to the long-term and production, promotion, Kingston, NY $25,000 ~ Young, Geoffrey growth and development (The Figures) and related costs for the pub­ To support payments to au­ of the local, regional, or lication of books. thors and production, pro­ Great Barrington, MA [93-5247-0166] motion, and related costs for $8,270 statewide literary commu­ books. [93-5247-0184] To support production, pro­ nity and its audiences. ~" Fiction Collective, Inc. motion, and related costs for Audience Development Boulder, CO $30,000 ~ Milkweed Editions, Inc. the publication of books. Projects grants are award­ Minneapolis, MN $30,000 [93-5247-0178] To support production, pro­ ed to organizations for a motion, distribution, royal­ To support production, pro­ ties, and related costs for the motion, and related costs for variety of projects that de­ publication of books. books. [93-5247-0163] velop audiences for litera­ [93-5247-0176] ture of the highest quality,

90 National Endowment for the Arts including: cooperative lit­ Illinois Arts Council poet, essayist, and short story Beyond Baroque erary promotion projects, Chicago, IL $4,840 writer Naomi Shihab Nye. Foundation small press book fairs, syn­ To support a statewide read­ [93-5243-0234] Venice, CA $24,540 ing series during the spring dicated review networks, To support literary services of 1994. [93-5243-0233] University of Texas, and programming during the and media projects that H Paso 1993-94 season. promote literature or liter­ Intersection El Paso, TX $9,790 [93-5244-0245] ary publishing. San Francisco, CA $5,000 To support writers’ fees and To support residencies during related costs to bring diverse Hellgate Writers, Inc. Residencies for 1993-94. [93-5243-0229] writers to El Paso. Missoula, MT $18,410 [93-5243-0232] To support literary services Writers & Reading Maryland Institute and programming during the Series Baltimore, MD $8,500 Walt Whitman Cultural 1993-94 season. To support "Survival They Arts Center, Inc. [93-5244-0236] 20 grants Said: Listen the Way," a Camden, NJ $2,540 reading series featuring Latin Program Funds: $135,500 To support a residency fea­ Just Buffalo Literary American and Native Ameri­ turing three-time Pulitzer Center, Inc. can poets and writers. Prize nominee and Emmy Buffalo, NY $24,540 Appalachian State [93-5243-0228] Award winner Lucille To support literary services University Foundation, Clifton. [93-5243-0222] and programming during the Inc. Plaza de la Raza, Inc. 1994 season. [93-5244-0243] Los Angeles, CA $5,010 Washington University Boone, NC $4,300 To support "Poder de la To support the 1993-94 St. Louis, MO $4,280 Loft, Inc. Visiting Writers Series which Palabra/Power of the Word," To support the International Minneapolis, MN $24,595 a reading series featuring Writers Center’s reading se­ To support literary services features a variety of estab­ novelists, short-story writers, lished and emerging writers. ries in 1993-94. and programming during the and poets. [93-5243-0230] [93-5243-0224] [93-5243-0231] 1993-94 season. [93-5244-0242] Poetry Hash Wayne State College Asian American Arts Berkeley, CA Alliance, Inc. $9,910 Wayne, NE $8,130 North Carolina Writers’ To support a series of read­ To support the Plains Network, Inc. New York, NY $10,000 ings and library consultations To support the Poetry Writers Circuit featuring Carrboro, NC $9,200 under the auspices of the Bay readings by poets and writers To support literary services Caravan Reading Series Area Writers Workshop. under the auspices of the in different communities and programming during the Asian American Writers’ [93-5243-0223] across Nebraska. 1993-94 season. [93-5243-0227] [93-5244-0241] Workshop. [93-5243-0219] Real Art Ways, Inc. Hartford, CT Duke University $7,500 Writers’ Center of Poets House, Inc. To support the 1993-94 spo­ Indianapolis, Inc. New York, NY $15,340 Durham, NC $4,000 ken word/residency series. To support residencies for Indianapolis, IN $7,200 To support literary services two poets at the Duke [93-5243-0226] To support the 1993-94 resi­ and programming during the University Medical Center in dency series entitled "Poetry 1993-94 season. a variety of activities with pa­ San Jose State University Matters!" [93-5243-0218] [93-5244-0237] tients, their families, hospital Foundation staff and volunteers. San Jose, CA $10,000 Young Men’s Christian Thurber House, Inc. To support the 1993-94 resi­ Association of Billings [93-5243-0217] Columbus, OH $7,360 dency program featuring dis­ Billings, MT $6,000 To support literary services tinguished writers of poetry, To support the 1993-94 and programming during the 80 Langton Street, Inc. fiction, and creative nonfic­ San Francisco, CA $7,500 reading series featuring re­ 1993-94 season. To support the 1993-94 sea­ tion. [93-5243-0220] gional and national writers at [93-5244-0239] son of presenting writers in The Writer’s Voice of the Tucson Poetry Festival Billings Family YMCA. Woodland Pattern, Inc. residence and the reading se­ Committee ries. [93-5243-0216] [93-5243-0215] Milwaukee, WI $24,540 Tucson, AZ $5,000 To support literary services Guild Complex To support the twelfth annu­ Assistance to and programming during the al Tucson Poetry Festival. Chicago, IL $6,000 Literary Centers 1993-94 season. To support the 1993-94 [93-5243-0221] [93-5244-0240] reading series featuring poets 11 grants and fiction writers. University of Alaska Writers & Books, Inc. Fairbanks, AK $10,000 Program Funds: $202,605 [93-5243-0225] Rochester, NY $24,540 To support the residency of To support literary services

1993 Annual Report 91 and programming during the tion based in Washington, Poetry Flash 11 grants 1993-94 season. D.C. [93-5245-0187] Berkeley, CA $14,460 Program Funds: $648,900 [93-5244-0238] To support costs of increased California Poets in the distribution of Poetry Flash to Grants were reviewed by the new and underserved areas in Young Men’s Christian Schools Professional Development/ Association of Greater New San Francisco, CA $16,000 southern California, Arizona, Overview Panels of 1992 or York To support the expansion of and New Mexico. 1993, as indicated. New York, NY $24,540 the literary program to un­ [93-5245-0199] To support literary services derserved rural areas of and programming at The California. [93-5245-0193] South Carolina Arts ~" Associated Writing Writer’s Voice of the West Commission $3,920 Programs Side YMCA during the Friends of the Library of Columbia, SC Norfolk, VA $70,000 1993-94 season. Colorado Springs To support the South To support the first phase of [93-5244-0244] Colorado Springs, CO Carolina Fiction Project’s a program designed to devel­ $5,490 1993-94 writers’ awards and op creative writing programs Young Men’s Christian To support writers’ fees and newspaper publication in the at Historically Black Colleges Association of Greater St. other administrative costs for Sunday features section of and Universities and to sup­ Louis the Rocky Mountain Book The News and Courier port services for writers, Chesterfield, MO $5,000 Festival under the auspices of (Charleston, SC). including a job bank and To support literary services the Colorado Center for the [93-5245-0198] placement service and a pub­ and programming during the Book. [93-5245-0192] lications series. 1992 Panel. 1993-94 season at the ~ Symphony Space, Inc. [93-5265-0003] Writer’s Voice of the West Guadalupe Cultural Arts New York, NY $12,000 County YMCA. Center To support production of ~ Council of Literary [93-5244-0235] San Antonio, TX $12,000 the seventh audio edition of Magazines and Presses To support the seventh an­ "Selected Shorts on Audio­ New York, NY $79,200 nual San Antonio Inter- cassette," distribution of the To support program develop­ Audience earlier editions, and writers’ Development American Bookfair and ment activities and ongoing Literary Festival in October fees for the "Selected Shorts" services to literary magazines Projects 1993. [93-5245-0190] live series. and small presses during [93-5245-0197] 1993-94. 1993 Panel 14 grants Sz In Our Time Arts [93-5265-0253] ~" WI-IYY, Inc. Program Funds: $151,870 Media, Inc. New York, NY $11,740 Philadelphia, PA $16,000 ~ Hostos Community To support production, dis­ To support writers’ fees and College Advisory Council, other administrative costs of tribution, and other adminis­ Inc. ~" American Audio Prose the radio program "Fresh Library, Inc. trative costs for "A Moveable Bronx, NY $22,500 Feast," a radio series featur­ Air," hosted by . To support the Latin Ameri­ Columbia, MO $16,000 [93-5245-0249] To support production, dis­ ing fiction writers and poets can Book Fair, a writers-in­ in readings and discussions of the-classroom project, publi­ tribution and other adminis­ Writers in the Schools trative costs for a series of their work. cations, workshops, and [93-5245-0194] Houston, TX $12,260 conferences. 1992 Panel. recorded interviews and read­ To support the extension of ings by American prose writ­ [93-5265-0005] ~" Intersection the Writers in the Schools ers during 1993-94. program into middle and [93-5245-0191] San Francisco, CA $16,000 ~r PEN American To support printing, produc­ high schools in the Houston Center, Inc. area. [93-5245-0196] Bridge Center for tion, installation, and other New York, NY $85,000 Contemporary Art administrative costs for To support symposia, work­ El Paso, TX $12,000 Streetfare Journal, a poster shops, and readings; writers’ To support a variety of audi­ poetry series on public buses services provided by satellite ence development projects during 1993-94. programs; and public infor­ for literature during 1993­ [93-5245-0188] mation services. 1992 Panel. [93-5265-0027] 94. [93-5245-0195] Maine Public Broadcasting To support a limited ~ Bunny and the Corporation number of national orga­ ~r Poetry Society of Lewiston, ME $2,000 Crocodile Press, Inc. nizations that provide pro­ America Hedgesville, WV $2,000 To support a series of radio fessional assistance to cre­ New York, NY $46,700 features on Maine writers to To support "The Poet and ative writers. To support ongoing services the Poem," produced and be aired on "Maine Things to poets during 1994. 1993 hosted by Grace Cavalieri for Considered," a nightly news Panel. [93-5265-0255] WPFW-FM, a Pacifica sta­ program. [93-5245-0189]

92 National Endowment for the Arts ~ Poets & Writers, Inc. ing 1993. 1992 Panel. of two Summer Creative Caroline Marshall New York, NY $100,000 [93-5265-0012] Writing Seminars, a pilot Director, To support ongoing services program designed to train Syndicated Fiction Project; to writers during 1994. 1993 high school teachers in ways Executive Producer, Panel. [93-5265-0254] of applying creative writing "Sound of Writing," to the curriculum. Reviewed National Public Radio ~ Poets & Writers, Inc. by the Fellowships for Washington, DC New York, NY $100,000 For projects that benefit Translators Panel. To support a program of ser­ the literature field as a [DCA 93-32] Sarah Meyer vices to writers, including the whole and are not eligible *Awarded in collaboration Program Director Information Center during under other categories. with, and funded by, the Arts Council of Literary 1993, Poets and Writers maga­ in Education Program. Magazines and Presses zine, the biennial Directory of New York, NY American Poets and Fiction 3 grants; 2 Cooperative Southern Arts Writers, and publication of a Agreements Federation, Inc. Daphne Ntiri series of professional manuals. Program Funds: $102,070" Atlanta, GA $15,000 Arts Administrator; Professor 1992 Panel. [93-5265-0010] To support the Southern Wayne State University *Not including $200, O00 for Literary Arts Task Force, Detroit, MI ~ San Francisco State two cooperative agreements which will identify and pri­ University awarded in collaboration with, oritize regional literary arts Winter Prosapio San Francisco, CA $38,000 and funded by, the Arts in issues, define the needs of the (layperson) To support videotaping, pro­ Education Program. field in the South, and devel­ Public Relations motion, distribution, and op strategies to meet those Representative; archiving of literary perfor­ Grants were reviewed by the needs. [93-5261-0248] Executive Director, mances; The Poetry Center Professional Development/ San Antonians Against Book Award; and other on­ Overview Panel, unless oth­ ~ The Writers Lawsuit Abuse going services to American erwise indicated. Center, Inc. San Antonio, TX writers during 1994. 1993 Bethesda, MD $67,500 Panel. [93-5265-0256] To support the placement of Robert Sheldon Associated Writing literary fiction in newspapers Literature Coordinator ~ Teachers and Writers Programs and the distribution of radio Western States Arts Collaborative Norfolk, VA $100,000" programs featuring short fic­ Federation (American Literary To support a cooperative tion under the auspices of Santa Fe, NM Translators Association) agreement to administer one the Syndicated Fiction New York, NY $75,000 of two Summer Creative Project. [93-5261-0247] Literary Publishing To support a program of ser­ Writing Seminars, a pilot vices to writers, including program designed to train Jon Davis creative writing workshops, high school teachers in meth­ Fiction Writer; Editor;, publications and distribution ods of applying creative Lecturer in Creative Writing, activities, and a mentoring writing to the curriculum. Institute of American Indian project for promising writers. Reviewed by the Fellowships Audience Development Arts 1992 Panel. [93-5265-0011] for Translators Panel. [DCA Glorieta, NM 93-31] Richard Bray (chair) ~ University of Texas, *Awarded in collaboration Program Director Jewell Gomez (co-chair) Dallas with, and funded by, the Arts PEN Center West Writer; Editor; Critic;, (American Literary in Education Program. Los Angeles, CA Director, Literature Program Translators Association) New York State Council on Richardson, TX $17,500 ~ Council of Literary Tony Grooms the Arts To support services to liter­ Magazines and Presses Director, Georgia Writers Brooklyn, NY ary translators, including New York, NY $19,570 Reading Series; publication of the AL TA To support a collaboration Coordinator, Undergraduate Lyn Hejinian Newsletter and Translation between CLMP and The Creative Writing Program Poet; Editor; Educator; Review, sponsorship of a con­ Loft, Inc., using Arts Wire to University of Georgia, Co-Editor, Publisher, ference, and development of encourage networking be­ Athens Poetics Journal a translation database and li­ tween local, state, regional, Atlanta, GA Berkeley, CA brary. 1992 Panel. and national literary organi­ [93-5265-0002] zations. [93-5261-0246] David Ignatow Brenda Mitchell-Powell Writer; Professor Emeritus, Publisher and Editor-in- ~r Writers Room, Inc. Ohio Arts Council Columbia University of New Chief, New York, NY $15,000 Columbus, OH $100,000" York MultiCultural Review To support literary activities To support a cooperative East Hampton, NY Boston, MA and services for writers dur­ agreement to administer one

1993Annual Report 93 Sheila Murphy (co-chair) DeWitt Henor Richard Gage Creative Writing Program Officer for Writer; Editor; Educator, Director Fellowships Literary Arts Co-Founder!Director Communication Arts Lila Wallace/Reader’s Ploughshares, Inc. Programs Poetry Digest Fund Boston, MA Illinois Arts Council New York, NY Chicago, IL Marvin Bell (chair) Jane Hirshfield Poet; Flannery O’Connor Leslie Scalapino Poet; Translator Jewelle Gomez Professor of Letters Writer; Poet; Educator Mill Valley, CA Writer; Editor; Critic; University of Iowa Writers Co-publisher, 0 Books Director, Literature Program Workshop Oakland, CA Susan Ludvigson New York State Council on Iowa City, IA Poet-In-Residence the Arts Charles Taylor Winthrop College Brooklyn, NY Deborah Digges Publisher; Writer; Educator; Rock Hill, SC Poet; Educator Founder and Executive Tony Grooms Columbia University and Director Wendy Strothman Director, Georgia Writers Tufts University Multicultural Publishers (layperson) Reading Series; Amherst, MA Exchange, Inc. Publisher; Editor; Coordinator, Undergraduate Madison, WI Director, The Beacon Press Creative Writing Program, Cornelius Eady Boston, MA University of Georgia, Poet; Director, Poetry Center Ernest F. Villarreal Athens State University of New York (layperson) Josie S. Talamantez Atlanta, GA Stony Brook, NY Production Engineer/ Arts Program Coodinator Producer, Texas Public Radio Sacramento Metropolitan Marifrancis Hardison Kimiko Hahn and affiliates Arts Commission (layperson) Poet; Educator, San Antonio, TX Sacramento, CA Member Sarah Lawrence University Folger Poetry Board New York, NY Mien Wier Peter Turchi Washington, DC Writer; Editor; Director Author, Educator Daniel Halpern Creative Writing Program Appalachian State University Kimiko Hahn Poet; Educator, Columbia University of Alabama Boone, NC Poet; Editor; Educator University; Tuscaloosa, AL Sarah Lawrence University Publisher and Editor-in- Robley Wilson (chair) New York, NY Chief, Ecco Press Professional Editor, North American Hopewell, NJ Devel0pment/Overview Review; Lyn Hejinian (1992) Professor of English, Poet; Editor; Educator; Susan Ludvigson University of Northern Iowa Co-Editor/Publisher Poet-in-Residence Phyllis Barber Cedar Falls, IA Poetics Journal Winthrop College Fiction Writer; Educator Berkeley, CA Rock Hill, SC Dillon, CO Professional Development/Overview Sheila Murphy Terri Merz (layperson) Jim Barnes (1993) Program Officer for Co-owner Poet; Translator; Educator; Literary Arts Chapters-~A Literary Editor, Chariton Review Deborah Digges Lila Wallace/Reader’s Digest Bookstore Kirksville, MO Poet; Educator Fund Washington, DC Tufts University and New York, NY C.S. Giscombe Columbia University Gary Soto Poet; Editor; Amherst, MA Josie Talamantez (chair) Poet; Associate Professor Assistant Professor of English Manager, Multicultural Arts Chicano Studies and English Illinois State University Percival Everett Development, University of California Bloomington, IL Writer; Editor; Director California Arts Council Berkeley, CA Graduate Program of Sacramento, CA Daniel Halpern Creative Writing Jeanie Thompson Poet; Educator, University of California, Scott Walker Poet; Editor-in-Chief Columbia University Riverside Founder/Publisher Black Warrior Review Publisher and Editor-in- Chief Riverside, CA Graywolf Press Administrator, College of Ecco Press Minneapolis, MN Continuing Studies Hopewell, NJ University of Alabama Tuscaloosa, AL

94 National Endowment for the Arts Fiction/Creative Hizabeth Inness-Brown Alma Villaneuva Jane Hirshfield Nonfiction Writer; Editor Writer; Educator Poet; Translator Barre, VT University of California Mill Valley, CA Phyllis Barber Santa Cruz, CA Writer; Educator Cynthia Kadohata Thomas Hoeksema Dillon, CO Writer Jane Von Mehren Writer; Translator; Los Angeles, CA (layperson) Professor of English Rick Bass Senior Editor, Ticknor & New Mexico State Fiction/Nonfiction Writer David Madden Fields Publishers; University Troy, MT Writer; Director Adjunct Professor, Publishing Las Cruces, NM Creative Writing Program, Program, C. Michael Curtis (chair) Louisiana State University New York University Rainer Schulte (chair) Writer; Senior Editor, Baton Rouge, LA New York, NY Writer; Editor; Translator; The Atlantic Monthly Professor of Literature and Lecturer, Harvard University Connie Porter Translation Fellowships Humanities/ Boston, !VIA Writer; Assistant Professor of Director, Center for English Lydia Davis Translation Studies Nicholas Delbanco Southern Illinois University, Writer; Translator University of Texas, Dallas Writer; Professor of English Carbondale Port Ewen, NY Richardson, TX University of Michigan Monroeville, PA Ann Arbor, MI Henry Garrity (layperson) Mildred Machiko Tahara Peter Turchi Professor of Romance Translator; Associate Professor Percival Everett Author; Educator Languages Department of East Asian Writer; Educator, Director, Appalachian State University Bowling Green State Languages and Literatures Graduate Program of Boone, NC University University of Hawaii, Manoa Creative Writing Bowling Green, OH Honolulu, HI University of California, Riverside Riverside, CA

1993Annual Report 95

The Media Arts Program encourages the creativity of in­ ume to the series, DANCING: The Pleasure, Power and dividual artists working in film, television and radio. It Art of Movement. assists organizations that bring the work of these artists to the public through exhibition and broadcast, as well This year also marked the beginning of what will be an as organizations that preserve such work. It also provides internationally celebrated anniversary, the centennial of nationwide access to the best of the arts through support the motion picture. Leading the public’s participation of programs on radio and television. in this milestone is the Endowment-supported television series ’~anerican Cinema," a 10-part series on the monu- Much has been said about television’s high level of vio­ mental achievements of the American feature film in the lence and low level of discourse. The Media Program’s sound era, from 1927 to the present. The series will antidotal contribution to this is its Arts on Television cat-deepen how the public thinks about the American egory which continued substantive arts programming thismovie as popular entertainment andas a sophisticated year by supporting eight major ongoing public televisionart form with unique historical and cultural significance. series. The long-running presentations, among them Using interviews with scores of American and interna­ "Great Performances," ’Tkmerican Playhouse,’P.O.V...... tionally acclaimed directors, producers, cinematogra­ (Point of View) and "Live from phers, screenwriters, editors, Lincoln Center," afford every citi­ actors and scholars, along with zen the opportunity to learn how extensive film clips and rare the arts define and inspire new archival material, the series facets of our potential, question will, for the first time, examine our assumptions and sublimate American cinema as a major our fears. Through these series, and very American art form. seen by a cumulative audience of The series’ dramatic impact will approximately 320 million view- be augmented by educational ers, the texture of our culture is components. Under the auspices reinvigorated. $570,500 committed bur not of the Annenberg/CPB Project, obligated in FY’93 ’~anerican Cinema" will be a Several milestones were reached in fully accredited college course 1993. The eight-part television se- ~ available to some 200,000 stu­ ries "Dancing," on the origins and dents throughout the country, meanings of dance throughout the world, premiered to and accompanying literature will include a textbook, an audience of 13.5 million viewers (with an additional study guide, faculty guide and trade book. 5.3 million in the United Kingdom). The programs show how the diasporas of various world cultures have been Converging with the cinema centennial is the publication richly transformed in the religious and secular dance of this year of The American Film Institute Catalog of Feature diverse American societies. Reciprocally, the series reveals Films: 1931-1940, the most comprehensive and indis­ how American dance has influenced contemporary dance pensable reference work ever published in this area of in other cultures as cameras recorded on-location seg­ study. A staffof 12 worked for five years to assemble the ments in 18 countries on five continents. three-volume catalog of 5,500 films, which include such classic films as Gone With the Wind, Stagecoach, It "Dancing" was accompanied by an ambitious and suc- Happened One Night, Wuthering Heights, and Mr. Smith cessful educational initiative that included 15,000 Goes to Washington. The diversity of the American experi- Teacher Resource Guides distributed nationally; a com­ ence shines through the data. Films in the were munity outreach effort called "America Dancing" that made in many languages: Armenian, Cantonese, Croatian, brought audiences to live dance performances through- French, German, Italian, Polynesian, Portuguese, Spanish, out the country developed in collaboration with local Swedish, Tagalog, Ukrainian and Yiddish. This informa­ public television stations; a boxed set ofvideocassettes tion makes possible an American film history reflective for home and school; and a 250-page companion vol­ of our society’s diverse dreams and mutual struggles. The

1993 Annual Report 97 ’30s volume joins catalogs on the Teens, the ’20s and the The Regional Fellowship program, administered by ’60s. Work on the ’40s is well underway. seven media arts centers, is a subgranting activity to sup­ port regional media artists. The emphasis is on develop­ The Arts on Radio category remains one of the most ef­ ing talent wherever the arts of media are practiced. This program, initiated by the Endowment in 1981, is also fective means of ensuring that the arts in all their variety supported by the American Film Institute, state arts are made available to the broadest possible audience. Through the rural radio initiative, small radio stations agencies and private foundations, a model partnership. purchase from National Public Radio and American Public Radio such Endowment-supported series as The national film/video production fellowship program continues to nurture works of distinction. At this year’s "St. Paul Sunday Morning" (classical music), ’~kfropop Sundance Film Festival, two Endowment-supported pro­ Worldwide" (popular music of the African and Caribbean diaspora), "Soundprint" (the art of the radio documen­ ductions received awards of note. Children of Fate, by and Susan Todd, received the Grand Jury tary), "Crossroads" (a magazine drawn from America’s multi-ethnic communities), " with Terry Gross" Prize for Best Documentary, and Leslie Harris’s Just Another Girl on the LR. T. received the Special Jury Prize (daily hour-long interviews with prominent and emerging for Best First Feature and then went on to a successful artists), and "JazzSet with Branford Marsalis." theatrical release. This year saw the start of a powerful new radio series, "Wade in the Water: African-American Sacred Music Production programs in film/video and radio provide Traditions," a 26-part series demonstrating how this partial support for works in all genres Of media art: nar­ rative, documentary, experimental and . rich, complex musical tradition sustains and nurtures ~ the African-American community; and "Up Close and Investment in these categories proves each year to be uniquely rewarding. The range of subjects, the genera­ Classical with David Zinman," a 26-week series of com­ tional spread, the variety of approaches and aesthetics mentary and live performances featuring the Baltimore Symphony Orchestra. each year create a vibrant, creative profile of these art forms. Among this year’s grants were production support One of the Media Program’s long-standing priorities has for an experimental film by Trinh Minh-ha based on the been to maintain and extend a support system for artists Vietnamese national poem The Tale of Kieu, and to throughout the country, thereby facilitating the produc­ Errol Morris for a nonfiction feature film about control­ ling nature and creating forms of artificial life. tion of art-works of excellence, which are then exhibited and broadcast. To this end, the program supported 83 And, for the third consecutive year, an Endowment-sup­ media arts organizations directly in 22 states, and 50 ported project won an Academy Award: Joan Gratz’s ani­ media organizations indirectly in 25 states. Screenings throughout the national network of media arts centers mated film Mona Lisa Descending A Staircase. Employing remarkable skills in the clay animation technique--50 draw an annual audience of some two million. Without these diverse exhibition programs, many third world films, paintings by more than 30 artists were modelled by the foreign films and American independent films wotdd have filmmaker--Gratz virtually recapitulated the history of no organized way of reaching the American public. 20th century painting in six dazzling minutes.

Chenzira, Ayoka Indicates national impact. 30 grants of a documentary film about the piano players who played New York, NY $10,000 Program Funds: $725,000 the music accompanying To support the production silent movies. of an experimental videotape [93-3411-0127] on the dreams and memories Benning, Sadie in African-American com­ Tivoli, NY $20,000 Camera News, Inc. munities in Brooklyn and To support the production New York, NY $50,000 Philadelphia. of an experimental film To support the production [93-3411-0140] To support outstanding based on a video diary kept and post-production of a productions in film and by the artist since she was two-part documentary video Danziger, Avery video that emphasize the nine. [93-3411-0136] by J.T. Takagi about rela­ Columbia, MO $10,000 use of these media as art tionships between U.S. mili- To support the production Cadwallader, Lynn tary personnel and women of a documentary film about forms. Cambridge, MA $10,000 in Korea. [93-3411-0129] the life and times of arts To support the production

98 National Endowment for the Arts patron Edward James. Lucier, Mary genealogical relationships in of an interactive laser disc in­ [93-3411-0134] New York, NY $35,000 Utah. [93-3411-0114] stallation on different land­ To support post-production scapes. [93-3411-0113] Film Arts Foundation costs for a video installation Pierce, J. Leighton San Francisco, CA $50,000 about the impact of environ- Iowa City, IA $10,000 To support the production Tanaka, Janice mental traumas on residents To support the production Los Angeles, CA $35,000 of an experimental film by of Valdez, Alaska. of an experimental film. To support the production Trinh T. Minh-ha, based on [93-3411-0135] [93-3411-0137] the Vietnamese love poem, of an experimental video in which Asian males ponder The Tale of Kiev. New York Foundation for Priestley, Joanna matters of identity. [93-3411-0138] the Arts, Inc. Portland, OR $20,500 [93-3411-0141] New York, NY $25,000 To support the production Gustafson, Julie To support the production of an animated film. New York, NY Torre$, Francesc $10,000 of a nonfiction feature film [93-3411-0131] New York, NY $24,000 To support the production by Errol Morris, Fast, Cheap, To support the production of a documentary videotape and Out of Contro£ about Reeves, Daniel M. of a video installation. on teenage girls in New controlling nature and New York, NY $20,000 [93-3411-01 Orleans. [93-3411-0128] creating forms of artificial To support the production life. [93-3411-0118] of an experimental video on Zahedi, Caveh Henson, Robby the artist’s childhood. Los Angeles, CA $20,000 Danville, KY $15,000 New York Foundation for [93-3411-0126] To support the production To support the production the Arts, Inc. of a narrative film. of a fiction film about a New York, NY $50,000 Signifyin’ Works [93-3411-0139] Southern boy who kills a To support the production Berkeley, CA $50,000 Yankee soldier during the of an experimental video by To support the production Civil War. [93-3411-0120] Beth B. [93-3411-0125] of a documentary film by Marion Riggs exploring Independent Feature Noonan, Tom issues of color and identity Project/North New York, NY $17,500 within the African-American Minneapolis, MN $17,500 To support the production community. [93-3411-0117] To support Helen De and post-production costs Michiel’s production of a for a narrative film about Sinlder, Scott AFI administers for the dramatic narrative film on two co-workers’ first date. New York, NY $17,500 the experiences of Italian- [93-3411-0213] To support the production Endowment a program of American women. of a video documentary ex- subgrants to independent [93-3411-0133] Ohio State University ploring the varieties of addic- media artists working in Research Foundation tions in American society animated, documentary, Jones, Philip Mallory Columbus, OH $28,000 today. [93-3411-0214] Mesa, AZ $15,000 To support the production experimental and narrative To support post-production of a narrative film by Tom Slesin, Aviva film and video. costs for an experimental Kalin and Christine Vachon. New York, NY $20,000 video on traditional African [93-3411-0121] To support the research and 1 cooperative agreement culture. [93-3411-0123] pre-production phase for a Program Funds: $350,000 Omori, Emilio documentary film about sur- Krishnan, Indu San Francisco, CA $30,000 viving Jewish children hid- New York, NY $25,000 To support research, script den from the Nazis during To support the production ~ American Film Institute development and production World War II. Washington, DC $350,000 of a documentary videotape of a short video documentary [93-3411-0119] about East Indian women For a cooperative agreement examining the ambiguities of to support the Independent from colonial times to the loyalty to the country among Sonneborn, Barbara present. [93-3411-0116] Film and Videomaker interned Japanese Americans Berkeley, CA $17,500 Program, which conducts a during World War II. To support the production Lewis, Erik national subgrant program [93-3411-0132] of a documentary film about for advanced film and video Brooklyn, NY $10,000 the lives of American and artists and awards regional To support the production Parabola Arts Foundation, Vietnamese women who lost of a documentary film about subgrants to film- and video- Inc. their husbands in the war in makers in the western part New York City subway New York, NY $37,500 Vietnam. [93-3411-0122] of the country. [DCA 93-52] musicians. [93-3411-0130] To support the production of an experimental film by Steina Alan Berliner investigating Santa Fe, NM $25,000 To support the production

1993 Annual Report 99 Southwest Alternate Media ~ Art Institute of Chicago tivities and a media arts edu­ cation program. Panel I. Project, Inc. Chicago, IL $29,000 Houston, TX $50,000 To support the Film Center’s [93-3421-0020] To support media arts region­ exhibitions, touring pro­ al fellowships in the South grams and resource services. Community Film Central region. Panel II. [93-3421-0018] Workshop of Chicago To enable media centers to [93-3413-0082] Chicago, IL $12,000 administer regional fellow­ ~ Asian Cine-Vision, Inc. To support facilities access, ship programs for film and New York, NY $32,000 workshops, exhibitions and video artists. To support media exhibi­ education programs. Panel I. tions, touring programs, fa­ [93-3421-0048] 7 grants cilities access, publications, Cornell University Program Funds: $350,000 workshops and related costs. Panel I. [93-3421-0003] Ithaca, NY $10,000 To assist media arts centers To support Cornell Cinema’s Grants were reviewed by the in a variety of projects that ~ Bay Area Video film/video exhibitions, tour­ Media Arts Centers/National make the arts of film and ing programs, installation Services Panel I. Coalition, Inc. video more widely appreci­ San Francisco, CA $35,500 works and program notes, ated and practiced. Projects To support facilities access, and a catalog celebrating ten may include exhibitions, workshops, publication of years of its Expanding Appalshop, Inc. Cinema program. Panel II. Whitesburg, KY $50,000 workshops, production fa­ the newsletter Video Net­ works, artists’ residencies, [93-3421-0040] To support the Media Arts cilities, publications, study Regional Fellowship Program exhibitions and a publication collections, and arts educa­ dealing with all major issues Downtown Community in the Southeast. tion programs. Television Center, Inc. [93-3413-0087] of video preservation. Panel I. [93-3421-0030] New York, N $27,000 To support media exhibi­ Boston Film/Video 57 grants Boston Film/Video tions, facilities access, work­ Foundation, Inc. Program Funds: $1,512,000 shops, internships, a resource Boston, MA $50,000 Foundation, Inc. Boston, MA $34,000 library and related costs. To support the Media Arts Panel I. [93-3421-0025] Regional Fellowship Program 911 Arts Media Center To support media exhibi­ Seattle, WA $10,000 tions, workshops, production in New England. facilities, education activities ~ Electronic Arts Intermix, [93-3413-0085] To support media exhibi­ Inc. tions, facilities access, work­ and publications. Panel I. [93-3421-0049] New York, NY $28,000 Center for New Television shops and related costs. To support a distribution Chicago, IL $50,000 Panel I. [93-3421-0028] Brooklyn Institute of Arts program, facilities access, ex­ To support the Media Arts hibition equipment access Regional Fellowship Program ~ American Museum of and Sciences Brooklyn, NY $10,000 and related costs. Panel I. in the Great Lakes region. the Moving Image [93-3421-0079] [93-3413-0086] Astoria, NY $15,000 To support thematic exhibi­ To support a film and video tions of film and video. Panel II. [93-3421-0009] ~ Facets-Multimedia, Inc. Film in the Cities, Inc. exhibition program. Panel II. Chicago, IL $31,000 [93-3421-0001] St. Paul, MN $50,000 Carnegie Institute To support exhibitions, pub­ To support the Media Arts $15,000 lications, the Visiting Film­ Regional Fellowship Program ~ Anthology Film Archives Pittsburgh, PA To support film/video screen­ makers Program, the Chicago in the Upper Midwest. New York, NY $12,000 ings, publications and re­ International Children’s Film [93-3413-0084] To support screenings, tour­ Festival and a video distribu­ ing programs, publications source services. Panel II. and a resource center. [93-3421-0036] tion service. Panel II. Pittsburgh Filmmakers, [93-3421-0024] Inc. Panel II. [93-3421-0067] Pittsburgh, PA $50,000 Center for New Television ~ Appalshop, Inc. Chicago, IL $34,000 ~ Film Arts Foundation To support the Media Arts San Francisco, CA $43,000 Regional Fellowship Program Whitesburg, KY $53,000 To support video program­ To support film/video work­ ming, facilities access, a To support facilities access, in the Mid-Atlantic region. film screenings, a national [93-3413-0081] shops, training and outreach newsletter and workshops. programs, artists’ residencies, Panel I. [93-3421-0008] newsletter, workshops, re­ source services and related distribution activities, film/ video screenings, radio and Chicago Filmmakers costs. Panel I. Portland, OR $50,000 [93-3421-0041] To support a Media Arts television production and Chicago, IL $19,000 programming, and archival To support film and video Regional Fellowship Program Film in the Cities, Inc. in the West. [93-3413-0083] programs. Panel I. screenings, facilities access, [93-3421-0013] workshops, distribution ac­ St. Paul, MN $35,000

100 National Endowment for the Arts To support media exhibi- To support exhibitions, fa­ ~ Millennium Film New Orleans Video Access tions, facilities access and cilities access, a resource cen­ Workshop, Inc. educational programs. Center, Inc. ter, workshops and a news- New York, NY $17,000 New Orleans, LA $17,000 Panel I. [93-3421-0004] letter. Panel I. To support exhibitions, fa- To support facilities access, [93-3421-0017] cilities access, video, film- Film/Video Arts, Inc. screenings, a newsletter, dis- making and film theory tribution services and work New York, NY $29,000 Intermedia Arts of classes, and publication of shops. Panel I. To support facilities access, Minnesota, Inc. Millennium Film Journal. [93-3421-0045] workshops, internships and Minneapolis, MN $35,000 Panel I. [93-3421-0006] exhibitions. Panel I. To support video exhibi­ Ohio State University [93-3421-0037] tions and installations, a Minnesota Film Center Research Foundation quarterly newsletter, access Minneapolis, MN $12,000 Columbus, OH $10,000 Foundation for Art in to video facilities, work- To support year-round film Cinema To support the film and shops, educational programs exhibitions, guest speakers video exhibitions at the San Francisco, CA $14,000 with local colleges, and visit- and workshops, organized To support the San Wexner Center for the Arts. ing artist programs. Panel I. by the University Film Panel II. [93-3421-0007] Francisco Cinematheque’s [93-3421-0016] Society. [93-3421-0050] film/video exhibition pro­ Pittsburgh Filmmakers, gram, publications and International House of Moving Image, Inc. Inc. educational programs. Philadelphia New York, NY $38,000 Pittsburgh, PA $25,000 Panel II. [93-3421-0005] Philadelphia, PA $29,000 To support year-round pro- To support facilities access, To support the Neighbor- gramming at Film Forum’s screenings, education ser­ Friends of the Mary hood Film/Video Project’s three theaters. Panel II. vices, workshops and a Riepma Ross Film screenings, newsletter, work- [93-3421-0021] Theater, Inc. newsletter. Panel I. shops, library and related [93-3421-0026] Lincoln, NE $10,000 costs. Panel I. Museum of Fine Arts, To support the film exhibi­ [93-3421-0088] Boston tion program of the Mary Pordand Art Museum Boston, MA $10,000 Portland, OR $27,000 Riepma Ross Film Theater ~ International Museum To support film/video exhi- To support the Northwest at the University of Nebras- of Photography at George bition programs. Panel II. ka. Panel II. [93-3421-0039] Film Center’s exhibitions, Eastman House [93-3421-0043] education programs, distrib­ Rochester, NY $10,000 Haleakala, Inc. ution activities, facilities ac- To support a film exhibition Museum of Fine Arts, cess and media resource ser- New York, NY $I0,000 program and the distribution Houston To support film and video vices. Panel I. of work from the museum’s Houston, TX $10,000 [93-3421-0012] exhibitions and installations. collection. Panel II. To support film and video Panel II. [93-3421-0032] [93-3421-0033] exhibitions. Panel II. Scribe Video Center, Inc. [93-3421-0022] Philadelphia, PA $10,000 Hallwalls, Inc. Long Beach Museum of Buffalo, NY To support workshops, ac­ $14,000 Art Foundation ~ cess to video equipment, To support exhibitions, Long Beach, CA $32,000 New York, NY $55,500 workshops and residencies, seminars and screenings To support facilities access To support year-round film with visiting artists, video- publications and facilities and exhibitions. Panel I. and video programming. access. Panel I. tape distribution and ser- [93-3421-0047] Panel II. [93-3421-0034] vices to media artists. [93-3421-0035] Panel I. [93-3421-0002] Los Angeles Contemporary ~z National Alliance of Harvestworks, Inc. Exhibitions, Inc. Media Arts Centers, Inc. South Carolina Arts New York, NY $10,000 Los Angeles, CA $10,000 Oakland, CA $225,000 To support audio-to-video Commission To support video exhibi­ To support the second year Columbia, SC $44,000 facilities access, artists’ resi- tions, artists’ fees, panel dis­ of the Media Arts Develop- To support facilities access, a dencies, and workshops. cussions and maintenance of ment Fund. Panel I. Panel I. [93-3421-0014] touring film/video exhibi­ an archive/library of over [92-3421-0041] tion, a media arts-in-educa­ 250 tapes. Panel II. Helena Presents tion program, workshops [93-3421-0010] New Community Cinema and publications for the Helena, MT $10,000 Club, Inc. To support film exhibition Media Arts Center. Panel I. Media Alliance, Inc. Huntington, NY $10,000 [93-3421-0023] programs. Panel II. New York, NY $14,000 To support film exhibitions, [93-3421-0052] To support facilities access, an education program, work Southern California publications, workshops and shops and Film Folio. Asian American Studies Independent Media Artists conferences. Panel I. Panel II. [93-3421-0027] of Georgia, Inc. Central, Inc. [93-3421-0031] Los Angeles, CA $27,000 Atlanta, GA $26,000 To support Visual Corn­

1993 Annual Report 101 and video in After Image. ~ Camera News, Inc. media art works of excel- munications’ screenings, ed- lence. Panel I. Panel I. [93-3421-0090] New York, NY $17,000 ucation programs, publica- To support distribution and [93-3465-0061] tions and distribution activi- support services for indepen­ ties. Panel I. Walker Art Center, Inc. ~ Independent Feature [93-3421-0019] Minneapolis, MN $22,000 dent minority and Third World film and videomakers. Project, Inc. To support film and video New York, NY $14,000 Southwest Alternate Media exhibitions and a video rental Panel I. [93-3465-0071] service. Panel II. To support services that as­ Project, Inc. sist the development, pro­ Houston, TX $32,000 [93-3421-0029] ~ Camera Obscura, Inc. Santa Barbara, CA $5,000 duction and distribution of To support media exhibi­ feature films by independent tions, workshops, education- ~ Whitney Museum of To support the publication American Art of Camera Obscura, a schol­ filmmakers. Panel I. al programs and related costs. [93-3465-0064] Panel I. [93-3421-0051] New York, NY $30,000 arly journal examining criti­ To support the New Ameri­ cal issues in media studies wqth a focus on recent devel- ~- International Center for Standby Program, Inc. can Film and Video Series. Panel II. [93-3421-0015] opments in feminist film 8mm Film and Video, Inc. New York, NY $17,000 Rowley, MA $10,000 To support facilities access, theory. Panel II. [93-3465-0073] To support technical assis­ workshops and publications. tance, workshops, and infor­ Panel I. [93-3421-0038] ~ Deep Dish T.V., Inc. mation services to help ad­ vance the art of 8mm and ~z University of California, New York, NY $8,000 To support a satellite net­ Super-8 filmmaldng. Panel I. Berkeley [93-3465-0059] Berkeley, CA $56,000 To support exemplary work distribution system To support the Pacific Film activities that provide pro­ providing independent video programming to cable International Documentary Archive’s exhibition pro- fessional media artists and Los Angeles, CA $5,000 grams, workshops, study col- systems nationwide. Panel II. media arts organizations [93-3465-0053] To support training courses lection and guest speakers. for developing screenplay Panel II. [93-3421-0011] with essential resources ~ Film Arts Foundation writers at Writers Workshop. for artistic growth and Panel II. [93-3465-0058] qz University of California, development. San Francisco, CA $5,000 To support the Canyon Los Angeles Cinema film/video distribu- Sr International Film Los Angeles, CA $31,000 26 grants tion cooperative. Panel II. Seminars, Inc. To support the exhibition Program Funds: $329,000 [93-3465-0056] New York, NY $11,000 program of the UCLA Film To support the Robert and Television Archive. ~ Film Society of Lincoln Flaherty Seminar, bringing Panel II. [93-3421-0044] ~r American Federation of Center, Inc. together artists and scholars Arts, Inc. for screenings curated by University of Colorado, New York, NY $34,000 New York, NY $30,000 To support the New York leading film programmers as Regents of To support the organization well as discussions of current Boulder, CO $24,000 Film Festival; publication and circulation of exhibitions of the film journal, Film issues in documentary film To support the Rocky of film and video to muse- Comment; the exhibition practice. Panel II. Mountain Film Center’s ums, universities, libraries series, "New Directors/New [93-3465-0076] exhibitions, access facilities, and media art centers workshops and resource Films," and year-round film/ throughout the country. video programming at the ~ Jewish Film Festival library. Panel I. Panel II. [93-3465-0072] new Walter Reade Theater. Berkeley, CA $5,000 [93-3421-0046] Panel I. [93-3465-0065] To support the 13th annual ~ Art Institute of Chicago Jewish Film Festival. University of the District of Chicago, IL $10,000 ~ Foundation for Panel II. [93-3465-0042] Columbia To support the development Independent Video and Washington, DC $10,000 phase of"A Survey of Video Film, Inc. Laguna Gloria Art To support the Black Film Art 1968-1978," an eight­ New York, NY $39,000 Museum, Inc. Institute’s screenings and lec­ hour collection of video art. To support services to inde­ Austin, TX $5,000 ture presentations on black Panel II. [93-3465-0066] pendent media artists, in- To support production of and Third World film. cluding publications, semi- "The Territory," a broadcast Panel II. [93-3421-0078] ~ Adanta Bureau of nars and information showcase for independent Cultural Affairs services. Panel I. film and video art distributed Visual Studies Workshop, Atlanta, GA $5,000 [93-3465-0070] to PBS stations in Texas. Inc. To support the 1993 Atlanta Panel II. [93-3465-0075] Rochester, NY $15,000 Third World Film Festival. ~ Frameline, Inc. To support exhibitions, facil- Panel II. [93-3465-0057] ities access, workshops, and San Francisco, CA $10,000 coverage of independent film To acquire for distribution

102 National Endowment for the Arts ~ National Alliance of ~ Thomas A. Edison the American Film Institute. Radio/Audio Media Arts Centers, Inc. Media Arts Consortium, [93-3422-0143] Oakland, CA $29,000 Inc. Production To support services that pro­ Jersey City, NJ $8,000 mote the development of To support the Black Maria 36 grants media arts centers, including Film and Video Festival’s cir­ Program Funds: $322,000 organization of the 1993 culating exhibition of inde­ conference, publication of a pendent film and video. monthly newsletter, and up­ Panel II. [93-3465-0063] Alaska Public Radio dating the membership Network directory. Panel I. Video Association of Anchorage, AK $10,000 [93-3465-0055] Dallas, Inc. To help organizations To support "Alaskanarts," Dallas, TX $5,000 locate, preserve and cata­ a weekly radio series of arts ~ National Film To support the sixth annual log films of artistic value. features gathered from pro­ Preserve, Ltd. Dallas Video Festival at the ducers throughout the state. Hanover, NH $5,000 Dallas Museum of.Art. 1 cooperative agreement Producer: Steven Heimel. To support the 20th annual Panel II. [93-3465-0077] [93-3444-0171] Telluride Film Festival. Program Funds: $650,000 Panel II. [93-3465-0054] Washington D.C. Film ~" American Audio Prose Festival, Inc. Library, Inc. New England Foundation Washington, DC $10,000 ~ American Film Institute Columbia, MO S15,000 for the Arts To support the seventh an­ Washington, DC $650,000 To support the American Cambridge, MA $5,000 nual Washington, D.C. For a cooperative agreement Audio Prose Series, programs To support "Mixed Signals," International Film Festival. to support the tenth year of in which prominent Amer­ the National Center for Film a cable television series of Panel II. [93-3465-0060] ican writers read and discuss work by independent film and Video Preservation. their work. Producer: Kay and video artists distributed ~ Women Make Center activities include pub­ Bonetti [93-3444-0172] throughout New England. Movies, Inc. lication of The American Film Institute Catalog of Panel II. [93-3465-0068] New York, NY $17,000 ~ American Composers To support the production Feature Films, development Orchestra, Inc. ~ New York Foundation and distribution of films and of the National Moving New York, NY $13,000 for the Arts, Inc. videotapes by and about Image Database, and admin­ To support "Music in the New York, NY $5,000 women. Panel I. istration ofsubgrants to orga­ Present Tense: The Ameri­ mzations that preserve and To support the seventh an­ [93-3465-0080] can Composers Orchestra at nual American Independents restore films of artistic and Carnegie Hall," a series of and Features Abroad, a con­ cultural value. [DCA 93-56] one-hour programs featuring sortium of media organiza­ recent ACO performances. tions providing promotion Producer: Julie Burstein. and support to film/video­ [93-3444-0183] makers representing the United States at European Baskas, Harriet R. film festivals. Panel II. Seattle, WA $5,000 [93-3465-0062] Includes two subcate­ To support "Henrietta’s Support for the American gories: Radio/Audio Holiday: Audio Portraits of Sinking Creek Film Film Institute, founded in Production grants sup­ Unusual Museums," a series Celebration, Inc. 1967 to preserve the her­ port outstanding single of reports on unusual muse­ Nashville, TN $5,000 itage and advance the art productions and series for ums and personal collections To support the 23rd Sinking of film and television in open to the public. Creek Film Celebration. radio broadcast and audio the United States. [93-3444-0177] Panel II. [93-3465-0074] art. Radio/Audio Ser­ 1 grant vices grants support a va­ Caleb, John R. ~ Sundance Institute for riety of projects which ad­ Philadelphia, PA 5,000 Program Funds: $1,135,000 Film and Television vance the art of radio, To support "Ask Your Sundance, UT $27,000 Treasury Funds: $165,000 Mama, Twelve Moods for To support services to inde­ including production ser­ Jazz," an adaptation of pendent filmmakers, includ­ vices, distribution, confer­ poems by Langston Hughes ing screenwriter and film­ ~ American Film Institute, ences, publications, work­ published during the turbu­ maker lab programs, a Inc. shops and residencies. lent 1960s civil rights move­ producers’ conference and Washington, DC $1,135,000 ment. [93-3444-0154] a film festival. Panel I. TF $165,000 [93-3465-0069] To support training, exhibi­ tion and service programs of

1993 Annual Report 103 theme and subject. Produc­ City Lore, Inc. ing people coping with can­ dren’s series of short plays. [93-3444-0174] ers: Andrew Joffe and Sarah New York, NY $10,000 cer and other life-threatening Montague. [93-3444-0150] To support "American illnesses. [93-3444-0145] Sound Portraits," a half-hour Massett, Larry Golding, Barrett W. Cabin John, MD $10,000 Otherworld Media, Inc. documentary exploring Freeland, WA $12,000 American subcultures in Bozeman, MT $8,000 To support "Mysterious To support audio art works, America," a documentary To support an audio-biogra­ hard-to-reach corners of soci­ phy on the poet e.e. cum­ ety. Producer: David Isay. using interviews, an original audio exploration of "myste­ music score and experimental rious spots" in the United mings. Producer: Judith [93-3444-0173] Walcutt [93-3444-0161] sound. [93-3444-0180] States. [93-3444-0178] Delzell, D. Michel, Karen ~ Owens, Tim Buda, TX $4,000 Goldman, Connie $7,000 SantaMonica, CA $8,000 Brooklyn, NY $5,000 Arlington, VA To support a series of five- To support "Jazz Legacies," a minute sound portraits of To support "In Praise of Age: To support "Biwa Meets Conversations on Living Life Beethoven," a radio series ex­ series of radio portraits of in­ people who live "on the fluential and historically sig­ to the Fullest in Mid-Life ploring the work of several edge" of society. nificant jazz artists, to be pre­ [93-3444-0153] and Beyond," an hour-long Japanese composers who special exploring the subject combine Western instrumen­ sented on their birthdays. [93-3444-0176] Frank, Joe of aging. [93-3444-0156] tation with traditional Jap­ anese instruments. Venice, CA $8,000 ~ Radio Bilingue, Inc. Green, Anthony D. [93-3444-0179] To support "Joe Frank: Fresno, CA $8,000 Work in Progress," a weekly Chicago, IL $9,000 To support "Grand Boule­ ~ National Public To support the cultural arts one-hour program of mono­ programming of"Noticiero logues and comic and dra­ vard," a daily half-hour Radio, Inc. contemporary drama featur­ Washington, DC $15,000 Latino" the only nationwide matic sketches. Spanish-language program [93-3444-0158] ing African-Americans in To support "NPR Play­ principal roles. house," a series of weekly on public radio. Producer: Samuel Orozco. [93-3444-0181] half-hour acquired Frizzell, Dwight [93-3444-0167] Kansas City, MO $6,000 from independent and sta­ Harvestworks, Inc. tion-based American produc­ To support "From Ark to Schreiber, Tatiana Microchip," a half-hour se­ New York, NY $15,000 ers. Producer: Andy Trudeau. To support a radio docu­ [93-3444-0151] Jamaica Plain, MA $5,000 ries of fast-paced audio art To support "Other Colors," works, using commentary, mentary, "Native American Spiritual Traditions," about "~ National Public Radio, a series of documentaries ad­ original music and experi­ dressing important issues as mental dramatic recreations the impact of the Native Inc. American Church on the Washington, DC $15,000 seen through the eyes of re­ to examine historical events. cent women immigrants to [93-3444-0175] spiritual perspectives and be­ To support the pilot phase liefs of its members. of "American Stories." Pro­ the United States. [93-3444-0168] Frost, Everett C. Producer: Ginger Miles. ducers: Sandra Rattley and New York, NY $9,000 [93-3444-0160] Margaret Moos Pick. [93-3444-0208] Smith, Miyoshi To support "Making Sense Philadelphia, PA $8,000 of the Sixties: APersonal Independent Eye, Ltd. Philadelphia, PA $5,000 New Radio & Performing To support a 30-minute Odyssey," a radio program audio work, "Just Because combining audio art, drama To support "Family Snap­ Arts, Inc. Brooklyn, NY $10,000 They’re Family Doesn’t and documentary to create a shots," 90-second mini-dra­ Mean You Have to Like mas encapsulating aspects of To support "Olympic Laurel, personal history of the Them," in which colorful 1960s. [93-3444-0147] family life. Producers: Olympic Gold," a series of Conrad Bishop and Elizabeth programs tracing the evolu­ family characters spin hu­ morous tales of Carolinian Fuller. [93-3444-0166] tion of the Olympic Games Gediman, Dan folklore. [93-3444-0149] Louisville, KY $5,000 from ancient Greece to Joffe, Phyllis R. Atlanta, Georgia, and cele­ To support "Breaking the Snitow, Alan, Adi Gevins, Cycle: How Do We Stop New Britain, CT $10,000 brating the 100th anniver­ sary of the modern games. Barinetta Scott Child Abuse?" a series of pro­ To support the production Berkeley, CA $8,000 grams focusing on innovative of half-hour documentaries Producer: Regine Beyer. [93-3444-0144] To support an experimental solutions to the problem of on the Federal Theater radio program using ele­ child abuse in this country. Project and its legacy. ments of ritual, performance, [93-3444-0169] [93-3444-0182] ~ Newark Public Radio, Inc. documentary, drama and Newark, NJ $15,000 role-playing to heal the Gianattassio-Malle, Robin MacQueen, Brian wounds of racism. San Francisco, CA $5,000 Iowa City, IA $3,000 To support "Jazzplay," a se­ ries of half-hour plays for [93-3444-0152] To support "Time Out for To support "Chip the Time In," a program present­ Squirrel," an ongoing chil­ public radio, with jazz as

104 National Endowment for the Arts Tomney, Ed Radio/Audio monthly Community Radio major jazz artists. New York, NY $6,000 Services News and the manual, [93-3445-0184] To support "The Prayer Audiocrafi. [93-3444-0146] Project," an audio installa­ 6 grants ~ Earmark, Inc. tion using incantations and gr New Wave Corporation Program Funds: $82,000 West Chester, PA $55,000 musical sounds intrinsic to Columbia, MO $18,000 To support the seventh sea­ the act of praying. To support the Midwest son of"Crossroads," a na­ [93-3444-0157] gr Association of Radio Theatre Workshop, a tional weekly magazine training ground and resource about multi-ethnic cultures. Independents in Radio, ~r WGBH Educational center for contemporary radio [93-3445-0186] Foundation Inc. drama. [93-3444-0159] Boston, MA $20,000 Washington, DC $15,000 To support the association’s ~" Friends of West Virginia To support a series of one- Public Radio, Inc. hour segments from the yearly conference and the publications Airspace and the Charleston, WV $40,000 1994 New Orleans Jazz and To support the eleventh sea­ Heritage Festival, combining Air Directory of Producers, which provides current infor­ son of"," a live music performances weekly live performance pro­ from the festival fairgrounds mation on services, facilities and work opportunities to in­ gram showcasing a variety of with features on the diverse To bring the best of all the artists ranging in style from cultures of New Orleans. dependent radio producers. arts to the widest audience traditional folk and blues to Producer: Robert Lyons. [93-3444-0148] international music. [93-3444-0209] through the support of [93-3445-0191] Fresh Air, Inc. nationally broadcast radio WNYC Foundation Minneapolis, MN $5,000 and television programs. To support Fresh Air, Inc. ~ Johns Hopkins New York, NY $10,000 University To support "New York and Film In The Cities to make studio time available to Baltimore, MD $35,000 Kids," a weekly program de­ The Arts on Radio To support the seventh sea­ signed for school-age chil­ local radio producers, en­ abling them to record, edit son of"Soundprint," a series dren and intended to en­ 24 grants of documentaries by inde­ lighten as well as entertain. and post-produce programs to be broadcast on KFAI’s Program Funds: $700,000 pendent producers. Producer: Lou Giansante. [93-3445-0189] [93-3444-0155] "Fresh Air Presents." [93-3444-0162] ~ Alaska Public Radio ~ Johns Hopkins Western Organization of University Resource Councils ~" Harvestworks, Inc. Network Anchorage, AK $20,000 Baltimore, MD $20,000 Education Project New York, NY $18,000 To support Harvestwork’s To support "National Native To support "Up Close and Billings, MT $8,000 Classical ~vith David Zin­ To support "Sound Exposure Artist-in-Residence and Arts," a weekly radio series Studio Pass programs and the on traditional and contem­ man," a new series of pro­ for Rural Arts," a year-long grams of live music perfor­ series of radio modules pro­ distribution of new works porary native American artists and the role art plays mance featuring the Balti­ duced for listeners in the through Tellus, a magazine of audio works distributed on within their culture. more Symphony Orchestra. rural West. Producer: Mary [93-3445-0201] Boyle. [93-3444-0163] cassette. [93-3444-0165] [93-3445-0200] Jack Straw Foundation ~r Ceiba Productions, Inc. ~r Lincoln Center for the Women’s International Performing Arts, Inc. Film, Inc. Seattle, WA $8,000 New York, NY $50,000 To support two ongoing To support the fifth season of New York, NY $10,000 New York, NY $7,000 To support "Jazz From To support "Behind the programs: the Production "BluesStage," a series of one- Services Artists’ Support hour programs presenting Lincoln Center," a series of Mask: Asian Pacific Island­ hour-long radio broadcasts ers," a radio series of half- Program, and the Training recorded live performances Program, which provide by blues artists from various presenting well-known and hour segments using docu­ emerging jazz artists in spe­ mentary techniques, archival studio access for audio locations around the United States. [93-3445-0196] cial concerts. [93-3445-0205] footage and music to investi­ artists. [93-3444-0170] gate the concerns of Asian ~r Media Network, and Pacific Island Ameri­ ~ National Federation of ~ ETV Endowment of Community Broadcasters, South Carolina, Inc. A.M.I.C. cans. Producer: Amy Chen. New York, NY $25,000 [93-3444-0164] Inc. Spartanburg, SC $20,000 Washington, DC $18,000 To support "Marian McPart­ To support the production of To support services and tech­ land’s ," a weekly "Endangered Literature," a nical assistance to communi­ one-hour program featuring series of radio plays dramatiz­ ty radio stations and produc­ conversation and perfor­ ing fiction with human rights ers and the production of mance with a variety of themes. [93-3445-0185] publications, including the

1993 Annual Report 105 ~ Media-Rites qr Otherworld Media, Inc. ed at the Barns of Wolf ~" Educational Broadcasting Corporation Portland, OR $5,000 Freeland, WA $20,000 Trap. [93-3445-0199] To support the production To support continuing devel­ New York, NY $600,000 To support the ninth season of "Legacies: Tales from opment of "Otherworld Air," ~ World Music America," a series of half- a pioneering cable audio ser­ Productions of "American Masters." hour programs featuring the vice which provides spoken Brooklyn, NY $35,000 [93-3446-0105] stories of cross-cultural and arts programming. To support the sixth season cross-generational American [93-3445-0197] of"Afropop Worldwide," a ~r Educational communities. weekly series of one-hour Broadcasting Corporation New York, NY $729,500 [93-3445-0188] ~ Pennsylvania Public programs devoted to contem­ Radio Associates, Inc. porary African and African- **TF $270,500 ~" Minnesota Public Radio, Uwchland, PA $20,000 influenced music as it evolves To support the American Inc. To support the fifth season in the Caribbean, Europe productions of the 1994-95 St. Paul, MN $20,000 of"Echoes," a daily two-hour and the Americas. season of "Great Perfor­ To support the 13th season music program featuring a [93-3445-0207] mances." [93-3446-0111] of"Saint Paul Sunday Morn­ mix of new age, acoustic, **Funds committed but not ing," a classical music series world fusion and music by ~ ZBS Foundation obligated in FY’93. that each week brings artists contemporary composers. Ft. Edward, NY $25,000 into the studio to perform [93-3445-0198] To support the production ~" Global Village Video and discuss their music. of"Ruby 4," a dramatic se­ Resource Center, Inc. [93-3445-0195] ~ Scribe Video ries of half-hour radio dra­ New York, NY $40,000 Center, Inc. mas which will combine sci­ To amend a grant to support ~ National Federation of Philadelphia, PA $15,000 ence fiction adventures with production, post-production, Community Broadcasters, To support continuation of folk tales and myths. promotion and distribution, Inc. "The Music Makers," a series [93-3445-0202] and an educational outreach Washington, DC $45,000 of audio documentaries by package for a three-part To support the third year of Steve Rowland on outstand­ public television series about the Rural Radio Initiative. ing contemporary music and The Arts on Samuel Beckett. [93-3445-0187] the musicians who create it. Television [88-3446-0178] [93-3445-0203] ~ National Public 21 grants ~ Greater Washington Educational Radio, Inc. ~r Symphony Space, Inc. Program Funds: Washington, DC $30,000 New York, NY $20,000 $1,984,500" Telecommunications Association, Inc. To support the production To support "Selected Shorts: Treasury Funds: of "Wade in the Water: A Celebration of the Short $2,355,500** Washington, DC $100,000" African-American Sacred Story," a series of readings of *Not including $200, O00 for To support the initial pro­ Music Traditions," a series of short stories by distinguished two grants awarded in collabo­ duction phase of "Jazz: The actors. [93-3445-0204] Swing Years," a documentary radio programs that will ex­ ration with, and funded by, the series on the history of the plore the history and culture Arts in Education Program. swing style. [93-3446-0092] of this art form. ~ WHYY, Inc. **Including $570,500 [93-3445-0192] Philadelphia, PA $15,000 committed but not obligated *Awarded in collaboration To support the sixth season in FY’93. with, and funded by, the Arts ~r New Radio & of "Fresh Air with Terry in Education Program. Performing Arts, Inc. Gross," a daily radio program ~" Independent Production Brooklyn, NY $77,000 featuring interviews with ~r American Documentary, Fund, Inc. To support the seventh sea­ prominent and emerging fig­ Inc. son of "New American ures in the arts. New York, NY New York, NY $50,000 Radio," a series of programs [93-3445-0206] TF $300,000 **TF $100,000 featuring commissioned and To support the 1994 season To support the production acquired works exploring the ~ WNYC Foundation of"P.O.V." (Point of View). of"Visions of Asia," a series audio art medium. New York, NY $50,000 [93-3446-0109] of programs on the traditions [93-3445-0194] To support "The Radio and contemporary master­ Stage," a series of half-hour ~ Connecticut Public works of the rich cultures of India, Southeast Asia, China, ~ Newark Public plays commissioned from Television Radio, Inc. emerging and established Japan and Korea. Hartford, CT $100,000 [93-3446-0095] Newark, NJ $30,000 playwrights. [93-3445-0193] To support the eighth season To support the continuing **Funds committed but not of "New Television." obligated in FY’93. production of"Jazzset," a se­ ~ Wolf Trap Foundation [93-3446-0096] ries of live performances by for the Performing Arts major jazz musicians and ris­ Vienna, VA $18,000 ~ KCTS Television ing young artists. To support the 1993 Folk Seattle, WA TF $200,000 [93-3445-0190] Masters concert series record­ To support the production

106 National Endowment for the Arts of"Dangerous Words," a multi-part television series ~: Twin Cities Public by joint panel (see Arts in series of documentaries on on the American novel in Television, Inc. Education chapter). contemporary international the 20th century. St. Paul, MN $250,000 writers of conscience. [93-3446-0212] To support the 1994 season New York Foundation for [93-3446-0097] of"Alive TV" presenting the Arts, Inc. ~: New York Foundation new work in dance, theater, New York, NY $30,000 ~ Kentucky Educational for the Arts, Inc. performance, film and video. To amend a grant support­ Television Foundation, NewYork, NY $100,000" [93-3446-0100] ing the completion of a film Inc. To support the initial pro­ about the arts in three com­ Lexington, KY TF $60,000 duction phase of "Jazz: The ~ WGBH Educational munities in rural America. To support the production Music, The People, The Foundation [89-3471-0249] of"Signature," a series of Myth," eight one-hour pro­ Boston, MA $50,000 documentaries about living grams tracing the history of **TF $200,000 Sr Pathmakers, Inc. Kentucky writers: Bobbie jazz, hosted by Wynton To support the production Washington, DC $60,000 Ann Mason, Ed McClan­ Marsalis. [93-3446-0093] of"Challenging Art," a four- To support the live national ahan, and Marsha Norman. *Awarded in collaboration part series on several arts telecast from the West Lawn [93-3446-0101] with, and funded by, the Arts controversies in history. of the U.S. Capitol of two in Education Program. [93-3446-0103] concerts by the National ~r Lincoln Center for the **Funds committed but not Symphony Orchestra: "The Performing Arts, Inc. ~" New York Foundation obligated in FY’93. National Memorial Day New York, NY for the Arts, Inc. Concert" on May 30, 1993, TF $150,000 New York, NY $25,000 and "A Capitol Fourth" on To support the 1994 season To support the production July 4, 1993. [93-3461-0142] of "Live From Lincoln of a 90-minute documentary Center." [93-3446-0108] film by Anne Belle on the prima ballerina Suzanne The Special Projects cate­ ~r Farrell. [93-3446-0107] gory supports innovative Association, Inc. and exemplary projects of New York, NY ~r Public Art Films, Inc. artistic excellence address­ American Film TF $2O0,00O Los Angeles, CA $35,000 ing new needs and oppor­ Institute (AFI) To support the 1993-94 To support the research and tunities in the field that are season of the "Metropolitan development phase of "Why not elig.ible under other ~ Dee Davis Opera Presents." Design," a five-part televi­ categones. Director/Executive Producer [93-3446-0106] sion series examining the rel­ Appalshop evance, meaning, and conse­ 3 grants ~ Mississippi Authority Whitesburg, KY quences of our 20th-century Program Funds: $90,000* for Educational Television designed environment. Fenton Johnson Jackson, MS $30,000 [93-3446-0112] To support the production *Not including $25, O00 for Writer; Editor; Educator 1 grant awarded in collabora­ San Francisco, CA of a documentary film by ~r Public Television Madison D. Lacy, Jr. about tion with, and fknded by, the Playhouse, Inc. Arts in Education Program. Howard Myrick (chair) the writer . New York, NY Chairman, Radio, Television [93-3446-0102] TF $750,000 Grants were reviewed by the & Film Dept. To support the 13th season Temple University ~ New York Center for Arts on Television Panel, or of "American Playhouse." as otherwise indicated. Philadelphia, PA Visual History [93-3446-0110] New York, NY Anne Pallie (layperson) TF $125,000 ~ Southwest Seattle ~" Montage 93, Inc. Real Estate Developer To support post-production Historical Society Washington, DC of "The American Cinema Seattle, WA $25,000 Rochester, NY $25,000* Project," a ten-part series for To support a three-day Pre- To support the completion K to Grade 12 Media Arts Suzanne Weil public television exploring of a one-hour documentary the creative development of Forum, an educational com­ Independent Television by Bette Jean Bullert on Earl ponent of the "Montage 93 Producer the American feature film Robinson, the composer of International Festival of the Los Angeles, CA from 1927 to the present. such American classics as [93-3446-0098] "The House I Live In," Image" in Rochester. [93-3461-0211] "Black and White," "Hurry *Awarded in collaboration with, Film/Video Production: ~r New York Center for Sundown," and "Free and Visual History and funded by, the Arts in Prescreening Equal Blues." Education Program. Reviewed New York, NY $50,000 [93-3446-0091] Philip Brookman To support the research and Curator, Photography and development phase of a Media Arts

1993 Annual Report 107 Corcoran Gallery of Art Terry Hart Lee (layperson) Kitty White (layperson) The Arts Washington, DC Administrative Judge Former Chair, Board of Montpelier, VT DC Contract Appeals Board Trustees John Columbus Washington, DC Museum of Fine Arts Michael Dalby Founder/Director Boston, MA Radio Producer; Actor Black Maria Film and Video Iris Morales New York, NY Festival Lawyer; Independent Ken Wlaschin Jersey City, NJ Film maker Director of Film Exhibitions Lynn Dundon (layperson) New York, NY and Festivals Corporate Trainer; Andrew Garrison American Film Institute Media Spokesperson Independent Filmmaker W~dliam Pence Los Angeles, CA Dallas, TX Whitesburg, KY Co-Director, Telluride Film Festival; Diane Huneke Perrin Ireland Director/Adjunct Curator of Media Arts Radio Producer/Executive Arts Administrator; Film, Centers/National Director, Screenwriter Hopkins Center, Dartmouth Services Panel II MRTW Live Drama Radio Boston, MA College Workshops Telluride, CO Patty Bruck Columbia, MO Allie Light Independent Filmmaker; Writer; Independent Tony Safford Adjunct Professor, Tom Porter Filmmaker Vice-President, Acquisitions Department of Fine Arts, Program Director, San Francisco, CA and West Coast Production University of Colorado WPFW-FM Miramax Films Boulder, CO Washington, DC William Miles Los Angeles, CA Independent Filmmaker Peter Chow Ann Santen (Chair) New York, NY Milos Stehlik (chair) Independent Film/Video Executive Director/ Co-Founder/Film Program Producer; General Manager Sheila Nevins Director Founder/Executive Director, WGUC-FM Vice-President, Documentaries Facets Multimedia Asian Cine-Vision Cincinnati, OH and Family Programming Chicago, IL New York, NY Home Box Office Lucinda Wong New York, NY Collis Davis Special Projects Director Media Arts Film/Videomaker; Pacifica Radio Archive Ronald Taylor Centers/National Adjunct Professor, Berkeley, CA Independent Producer Services Panel I Ohio State University Studio City, CA Columbus, OH Anthony Gittens Programming in the Melinda Ward Director, Black Film Institute John Giancola Arts: The Arts on Senior Vice-President/ University of the District of Founder/Lecturer Television (1993) Director, Cultural Columbia Department of Programming Washington, DC Telecommunictions, George Schaefer (Chair) American Public Radio University of Tampa Television/Film/ St. Paul, MN Marian Luntz Tampa, FL Theater Director Film/Video Curator Los Angeles, CA Museum of Fine Arts, Anne Pallie (layperson) Him/Video Houston, TX Real Estate Developer Fred Barzyk Production: Final Washington, DC Independent Television Review Barbara Scharres Producer/Director Director, Film Center Ken Wlaschin (chair) Boston, MA Loni Ding School of the Art Institute of Director of Film Exhibitions Independent Filmmaker; Chicago and Festivals George Burdeau Educator Chicago, IL American Film Institute Independent Filmmaker; San Francisco, CA Los Angeles, CA Television Producer joan Shigekawa (chair) Santa Fe, NM John Giancola Director, Art Programs Founder/Lecturer, Nathan Cummings Programming in the Peggy Charren Department of Foundation Arts: The Arts on Founder, Action for Telecommunications New York, NY Radio Children’s Television, Inc. University of Tampa Cambridge, MA Tampa, FL Cornelia Carey Grants Officer Vermont Council on

108 National Endowment for the Arts Betty Cope Dolores Wharton Elisabeth Perez Luna Bill Siemering (chair) President/General Manager (layperson) Executive Producer, Radio Producer WVIZ/Channel 25 Arts Patron; Collector Crossroads Philadelphia, PA Bainbridge, OH Washington, DC Miami, FL Laura Waterman Wittstock Robert Gordon Richard Mahler Radio Producer; President General Manager, Radio/Audio Art Independent Radio Producer; Migizi Communications, Inc. WSSU-FM Proiects Writer; Educator Minneapolis, MN Springfield, IL Santa Fe, NM Ann Jackson (layperson) John Leonard Hospital Administrator Rosemarie Reed Writer; Critic Washington, DC Radio Producer; President New York, NY Overdo Productions New York, NY

1993 Annual Report 109 The Museum Program supports projects of artistic significance in the museum field. It awards grants to museums, organizations and museum professionals for activities that pre­ sent art to the public and contribute to the under­ standing and appreciation of visual art through spe­ cial exhibitions, educational programs, publications and programs devoted to the care and presentation of permanent collections. Awards are made to a *Includes $250,000 Committed in FY’92 but not obligated until FY’93, and $275,000 committed but not obligated in broad range of institutions across the country, in­ F~93. cluding university museums and regional art centers. Art museums and related organizations play an active Boston, "Shields of the American Indian’’ at the North role in the civic and cultural life of the United States. Dakota Museum of Art in Grand Forks, and "RFD The Endowment provides limited yet highly visible Alaska," Native American and Siberian Far East art and support to help museums exhibit art, preserve and care crafts, at the Alaska State Museum in Juneau. for art, and present information about art, in both tra­ ditional and novel ways to a range of audiences. This Through special exhibitions and other activities, ongoing effort provides opportunities for art to be part museums offer a wide range of educational opportunities of the life of all Americans. for their audiences. The Museum Program’s education grants help museums work with schools encouraging col­ Exhibitions remain the principal way in which the laboration among museum staff, teachers and school ad­ American public comes face-to-face with works of art. ministrators. The program also helps museums share in­ Among the exhibitions funded this fiscal year were those formation with the public through tours, lectures, written of American artists Louise Bourgeois at the Brooklyn materials and videos. This year’s grants included one to Museum, John Biggers at Houston’s Museum of Fine the Columbia Museum of Art in South Carolina, for a Arts, Richard Tuttle at the Indianapolis Museum of Art, training program for teachers that assists a statewide ef­ and Jess at the Albright-Knox Art Gallery in Buffalo. fort to integrate the visual arts into the public school cur­ The Museum Program also funded surveys including riculum. Another to the Plains Art Museum in Fargo sup­ "The Age of Rubens" at the Museum of Fine Arts, ported a tour of the Museum’s mobile gallery to eight

1993 Annual Report 111 rural schools in North Dakota and Minnesota. The mo­ public. In this vein, a grant was awarded to the Detroit bile gallery effectively introduces original art to under- Institute of Arts to help publish a catalogue of the more served audiences in both states. A third grant to the significant works of African Art in the collection. Funds Huntington Museum of Art supports "Pen and Palette," were also provided to the Mexican Museum of San Fran­ a program for middle-school students which utilizes the cisco to help establish a computerized bilingual cata­ West Virginia museum’s collections as source material forlogue of the museum’s collection of Mexican folk art, creative writing. Spanish colonial art and pre-Columbian art. At the Frederic Remington Art Museum in Ogdensburg, New The Museum Program continues to support a wide range York, a grant will help publish a catalogue of the work of of internships in curatorial and conservation departments Frederic Remington in the collection. A grant to the in an effort to help graduate students gain a foothold in Museum of Fine Arts, Houston, will help reinstall Amer­ museum careers. It has long been recognized that there is ican decorative arts at its Bayou Bend collection in a way a lack of opportunity for members of minorities to enter that will provide an interpretive survey of American the museum professions. In response, the program has craftsmanship, taste and customs. stressed the importance of internships for minority stu­ dents and funded, for example, minority internship pro­ Enhancement of the physical environment of museum grams at the Metropolitan Museum of Art in New York exhibition and storage spaces is essential to the long-term City, the Denver Art Museum and Buffalo Bill Historicalsafety and stability of collections in art museums. This Museum in Cody, Wyoming. year the program awarded funds to the Museum of Early Southern Decorative Arts in Winston-Salem, North The principal assets of museums are their permanent Carolina to assist with a major upgrade of its environ­ collections; public access to them is crucial to their mis­ mental control system. The program also helped the sion. The Museum Program has long supported re­ Colorado Springs Fine Arts Center improve storage for search and documentation of permanent collections and its collection of Native American, Mexican American and their presentation for the ultimate benefit of the general Latin American decorative arts.

Indicates national impact. gr American Law Institute Buffalo Bill Memorial Denver Art Museum, Inc. Philadelphia, PA $10,000 Association Denver, CO $7,500 To support stipends for mu­ Cody, WY $6,000 To support an internship for seum professionals to attend To support a Native an African-American student a three-day course of study American internship pro­ interested in gaining broad on legal problems of museum gram in collections care man­ exposure to the museum administration conducted by agement at the Buffalo Bill field. Panel B. the American Law Institute. Historical Center. Panel A. [93-4452-0491] Panel A. [93-4452-0483] [93-4452-0492] To assist museums and Detroit Institute of Arts, universities in training Brooklyn Institute of Arts Corporation of the Fine Founders Society museum professionals and and Sciences Arts Museums Detroit, MI $7,500 technicians through arts- Brooklyn, NY $10,000 San Francisco, CA $16,000 To support an internship in related formal college-level To support a collections care To support a one-year gradu­ the registration department. and postgraduate-level apprenticeship program at ate-level internship in the Panel A. [93-4452-0493] American Paintings Depart­ programs, internships and the . Panel A. [93-4452-0484] ment. Panel A. Harvard College, President apprenticeships. [93-4452-0471] & Fellows of Brooklyn Institute of Arts Cambridge, MA $20,000 24 grants and Sciences Corporation of the Fine To support a graduate-level Program Funds: $342,000 Brooklyn, NY $10,000 Arts Museums internship in the Department To support a graduate-level San Francisco, CA $6,000 of Western Paintings at the Grants were reviewed by curatorial internship program To support a summer intern­ Harvard University Art Professional Development at the Brooklyn Museum. ship program for undergrad­ Museums. Panel A. Panel A or Panel B, Panel A. [93-4452-0485] uate students with an interest [93-4452-0472] as indicated. in museum careers. Panel A. [93-4452-0494]

112 National Endowment for the Arts Henry Francis du Pont Metropolitan Museum of Whitney Museum of Birmingham Museum of Winterthur Museum, Inc. Art. Panel A. American Art Art Winterthur, DE $20,000 [93-4452-0476] New York, NY $20,000 Birmingham, AL $10,000 To support a registrarial To support the Independent To support conservation internship. Panel A. Philadelphia Museum of Study Program, an alterna­ treatment of 18th-century [93-4452-0478] Art tive to traditional academic French furniture in the muse­ Philadelphia, PA $18,000 programs in art history and um’s Eugenia Woodward Metropolitan Museum of To support a post-graduate museum studies. Panel A. Hitt Collection. Panel A. Art internship program in the [93-4452-0477] [93-4431-0224] New York, NY $15,000 Department of Prints, Draw­ To support a graduate-level ings and Photographs. Brooklyn Institute of Arts internship for an art historian Panel A. [93-4452-0481] and Sciences in the Paintings Conservation Brooklyn, NY $39,300 Department. Panel A. Restoration College To support one-year master [93-4452-0473] Association apprentice internships in the Mount Carroll, IL $10,000 To enable museums to conservation department of Metropolitan Museum of To support a series of work­ plan conservation pro­ the Brooklyn Museum. Art shops and seminars on collec­ grams, implement conser­ Panel A. [93-4431-0186] New York, NY $8,000 tions care management at the To support a graduate-level Campbell Center. Panel A. vation treatment for per­ ~ Buffalo State College internship for a minority [93-4452-0490] manent collections, con­ Foundation, Inc. student. Panel A. duct workshops, support Buffalo, NY $75,000 [93-4452-0489] Smith College training centers and in­ To support student fellow­ Northampton, MA $15,000 ternship programs to train ships for the college’s gradu­ ate level art conservation Mexican Museum To support a curatorial in­ conservation professionals San Francisco, CA $12,000 ternship at the Smith College training program. Panel A. To support an internship Museum of Art. Panel A. and purchase conservation [93-4431-0227] program designed to increase [93-4452-0488] equipment. the number of Latinos enter­ ~ Buffalo State College ing the museum field. University of Arizona 70 grants Foundation, Inc. Panel A. [93-4452-0486] Tucson, AZ $18,000 Buffalo, NY $9,700 To support a post-graduate Program Funds: $806,500 To support the 19th annual Museum of Contemporary internship in curatorial Treasury Funds: $291,500" conference of graduate level Art, San Diego practices at the Center for *Includes $10,000 committed but conservation training pro­ La Jolla, CA $14,000 Creative Photography. not obligated in FY’93. grams hosted by the Art To support an internship in Panel A. [93-4452-0480] Conservation Department at the curatorial department. Grants were reviewed by the State University College Panel A. [93-4452-0487] University of Kansas, Care of Collections Panel A at Buffalo. Panel A. Main Campus or Panel B, as indicated. [93-4431-0229] Museum of Fine Arts Lawrence, KS $14,000 Boston, MA $15,000 To support the Spencer Cincinnati Museum To support a curatorial in­ Museum of Art’s Museum American Museum of Association ternship for a graduate-level Training Program, designed Natural History Cincinnati, OH $20,000 student. Panel A. to complement the graduate New York, NY $20,000 To support the first year of [93-4452-0474] degree programs in art history To support an advanced in­ an advanced paintings con­ at the University of Kansas. ternship in the conservation servation internship at the Museum of Modern Art Panel A. [93-4452-0482] of ethnographic works of art. Cincinnati Art Museum. New York, NY $20,000 Panel A. [93-4431-0190] Panel A. [93-4431-0198 To support a summer intern­ University of Southern ship program for college California Art Institute of Chicago Cincinnati Museum students. Panel A. Los Angeles, CA $20,000 Chicago, IL $12,000 Association [93-4452-0475] To support honoraria for To support conservation Cincinnati, OH $8,000 speakers and travel and treatment of selected contem­ To support conservation stipends for students in the porary American videotapes treatment of Pueblo pottery New York University university’s Museum Studies in the Video Data Bank’s in the Cincinnati Art Mu­ New York, NY $30,000 Program. Panel B. collection. Panel B. seum’s Art of the Americas To support the Graduate [93-4452-0479] [93-4431-0200] collection. Panel A. Program in Curatorial [93-4431-0239] Studies offered jointly by the Institute of Fine Arts and the

1993 Annual Report 113 Cleveland Museum of Art collection of Old Master Haleakala, Inc. J.B. Speed Art Museum Cleveland, OH TF $25,000 drawings. Panel A. New York, NY $5,000 Louisville, KY $12,000 To support conservation [93-4431-0240] To support conservation To support conservation treatment of the museum’s treatment of selected contem­ treatment of selected paint­ set of "Dido and Aeneas" Dartmouth College, porary videotapes in The ings and period frames in tapestries, woven in Anvers Trustees of Kitchen’s archives. Panel A. the museum’s collection. during the 17th century. Hanover, NH $7,000 [93-4431-0195] Panel A. [93-4431-0230] Panel B. [93-4431-0232] To support a conservation survey of the Hood Museum Harvard College, President Laguna Art Museum of Art’s collection of works & Fellows of Laguna Beach, CA $3,000 Foundation on paper. Panel A. Cambridge, MA $7,100 To support conservation Williamsburg, VA $11,000 [93-4431-0206] To support the purchase of treatment of selected paint­ To support the purchase of a equipment for the Center for ings from the museum’s per­ textile suction machine and a Davenport Museum of Art Conservation and Technical manent collection. Panel A. floor stand for a stereomicro­ Davenport, IA $8,000 Studies’ analytical and [93-4431-0218] scope for the Textile Conser­ To support conservation conservation laboratories. vation Laboratory. Panel A. treatment of works from the Panel B. [93-4431-0196] Maryland Historical [93-4431-0203] museum’s collection of Society Mexican Colonial paintings. Harvard College, President Baltimore, MD $8,000 Columbian Theatre Panel A. [93-4431-0223] & Fellows of To support conservation Foundation, Inc. Cambridge, MA $1,500 treatment of a number of Wamego, KS TF $10,000 Denver Art Museum, Inc. TF $38,500 Baltimore album quilts made To support conservation Denver, CO $7,000 To support student stipends in the 1840-50s and depict­ treatment of several large mu­ To support a conservation and related expenses for the ing life in antebellum Mary­ ral paintings from the 1893 survey of the Stapleton 1993-94 advanced level train­ land. Panel A. World’s Fair in Chicago. Foundation Collection of ing program in art conserva­ [93-4431-0193] Panel A. Latin American Colonial Art. tion at the Center for Con­ [93-4431-0209] Panel A. servation and Technical Mexican Museum [93-4431-0215] Studies. Panel A. San Francisco, CA $8,000 Conservation Center for [93-4431-0216] To support conservation Art and Historic Artifacts Detroit Institute of Arts, treatment of several pieces of Philadelphia, PA $20,000 Founders Society Henry E. Huntington Mexican . To support a one-year ad­ Detroit, MI $20,000 Library & Art Gallery Panel A. [93-4431-0217] vanced internship in paper To support a one-year ad­ San Marino, CA $6,500 conservation. Panel A. vanced conservation intern­ TF $10,000" Museum Associates [93-4431-0189] ship in the Conservation To support conservation Los Angeles, CA $40,000 Services Laboratory at the treatment of works on paper To support several one-year Conservation Center for Detroit Institute of Arts. by British artist William advanced conservation in­ Art and Historic Artifacts Panel A. [93-4431-0238] Blake. Panel A. ternships at the Los Angeles Philadelphia, PA $9,700 [93-4431-0278] County Museum of Art’s To support the purchase of Detroit Institute of Arts, *Treasury Funds were committed Conservation Center. an ultrasonic welder for poly­ Founders Society but not obligated in FY’93. Panel A. [93-4431-0210] ester encapsulation, a tech­ Detroit, MI $25,000 nique used to preserve fragile To support conservation Isabella Stewart Gardner Museum of Contemporary paper-based objects. Panel A. treatment of several pieces Museum, Inc. Art, Los Angeles [93-4431-0221] of 18th-century French and Boston, MA TF $25,000 Los Angeles, CA $4,000 Italian furniture in the To support conservation To support a conservation Corcoran Gallery of Art, Detroit Institute of Arts’ treatment of several stained survey of the museum’s col­ Trustees of collection. Panel A. glass windows at the museum. lection of photographic Washington, DC $10,000 [93-4431-0242] Panel A. [93-4431-0220] works. Panel A. To support a conservation [93-4431-0244] survey of rugs from Persia, Florida International Isamu Noguchi India and the realm of the University Foundation, Inc. Museum of Fine Arts Ottoman Turks dating from Miami, FL $4,000 Long Island City, NY $5,200 Boston, MA $20,000 the 16th century. Panel A. To support conservation To support a conservation To support the first year of a [93-4431-0204] treatment of sculptures in the survey of the sculpture collec­ two-year advanced level in­ Art Museum’s collection tion of works by Isamu ternship in paintings conser­ Crocker Art Museum damaged in Hurricane Noguchi. Panel A. vation. Panel A. Association Andrew. Panel A. [93-4431-0184] [93-4431-0219] Sacramento, CA $7,500 [93-4431-0277] To support a conservation survey of the museum’s

114 National Endowment for the Arts Museum of Modern Art Northeast Document Rhode Island School of on paper, photographs and New York, NY $20,000 Conservation Center, Inc. Design architectural drawings. To support an advanced in­ Andover, MA $20,000 Providence, RI $7,000 Panel B. [93-4431-0234] ternship in painting conser­ To support a one-year ad­ To support a conservation vation. Panel A. vanced internship in the con­ survey of the Museum of Santa Barbara Museum of [93-4431-0236] servation of art on paper. Art’s American drawings and Art Panel A. [93-4431-0185] watercolors. Panel A. Santa Barbara, CA $5,000 Nelson Gallery Foundation [93-4431-0191] To support conservation Kansas City, MO $6,300 Philadelphia Museum of treatment of works on paper To support the Nelson- Art in the museum’s collection. Atkins Museum of Art’s pur­ Philadelphia, PA $19,000 St. Louis, MO $20,000 Panel A. [93-4431-0228] chase of an infrared reflectog­ To support a one-year intern­ To support a master appren­ raphy vidicon system, used to ship in the conservation of ticeship in the museum’s ascertain the condition of works on paper. Panel A. Paintings Conservation Seattle, WA $8,000 paintings, reveal underdraw­ [93-4431-0199] Department. Panel B. To support conservation ings and artists’ changes, and [93-4431-0187] treatment of several dry- help resolve questions of Pilgrim Society lacquer sculptures from the authenticity and attribution. Plymouth, MA $3,800 Saint Louis Art Museum museum’s Asian collection. Panel A. [93-4431-0222] To support conservation St. Louis, MO $10,000 Panel A. [93-4431-0243] treatment of selected paint­ To support the purchase of Nelson Gallery Foundation ings in the Society’s collec­ two types of low-pressure Smith College Kansas City, MO $12,000 tion. Panel A. suction apparatus for the Northampton, MA $4,900 To support conservation [93-4431-0233] paintings conservation labo­ To support conservation treatment of 18th-century ratory. Panel B. treatment of selected paint­ English period room objects Plains Art Museum [93-4431-0208] ings in the permanent collec­ at the Nelson-Atkins Fargo, ND $10,000 tion of the Smith College Museum of Art. Panel A. To support a comprehensive Saint Louis Mercantile Museum of Art. Panel A. [93-4431-0279] conservation survey of the Library Association [93-4431-0237] museum’s permanent collec­ St. Louis, MO $8,000 ~: New York University tion. Panel A. To support conservation Solomon IL Guggenheim New York, NY $25,000 [93-4431-0241] treatment of selected 19th Foundation To support a graduate train­ and 20th-century works on New York, NY $6,500 ing program in the conserva­ Ponca City paper in the library’s collec­ To support the purchase of tion of ethnographic and ar­ Ponca City, OK $8,000 tion. Panel A. equipment and other costs chaeological works of art at To support conservation [93-4431-0212] related to research into meth­ the Conservation Center. treatment of several oil paint­ ods of reversing wax/resin Panel A. [93-4431-0282] ings in the Ponca City San Diego Museum of Art linings for paintings. Panel A. Library art collection. San Diego, CA $10,000 [93-4431-0211] ~ New York University Panel A. [93-4431-0197] To support conservation New York, NY TF $75,000 treatment of mid 20th-centu­ Textile Conservation To support student financial Restoration College ry American and European Workshop, Inc. aid and related expenses for Association outdoor sculpture in the South Salem, NY $16,500 the Conservation Center’s Mount Carroll, IL $15,400 museum’s sculpture garden. To support a one-year master 1993-94 program in conser­ To support participants’ Panel A. [93-4431-0225] apprentice internship in vation training at New York stipends and related costs for textile conservation. University’s Institute of Fine the Campbell Center’s con­ San Francisco Museum of Panel A. [93-4431-0183] Arts. Panel A. servation training courses in Modern Art [93-4431-0283] 1993. Panel A. San Francisco, CA $8,500 University of California, [93-4431-0188] To support a conservation Berkeley Newark Museum survey of the museum’s Berkeley, CA $15,000 Association Rhode Island Historical collection of modern and To support conservation Newark, NJ $12,000 Society contemporary sculpture. treatment of several works To support conservation Providence, RI $12,000 Panel B. [93-4431-0214] by painter Hans Hofmann treatment of several To support conservation (1880-1966) in the Univer­ American paintings in treatment of selected 18th San Francisco Museum of sity Art Museum’s collection. the museum’s collection. and 19th-century works in Modern Art Panel B. [93-4431-0276] Panel A. the permanent collection. San Francisco, CA $20,000 [93-4431-0202] Panel A. [93-4431-0213] To support the second year ~ University of Delaware of a master apprenticeship Newark, DE TF $75,000 in the conservation of mod­ To support student stipends ern and contemporary works for the university’s 1993

1993 Annual Report 115 graduate program in art tion. Panel A. Bates College Cincinnati Museum conservation. Panel A. [93-4431-0205] Lewiston, ME $8,500 Association [93-4431-0194] To support the purchase and Cincinnati, OH TF $15,000 Wellesley College installation of storage cabi­ To support a survey of the ~" University of Delaware Wellesley, MA $10,000 nets to house Pre-Columbian Cincinnati Art Museum’s Newark, DE TF $18,000 To support conservation objects in the collection of storage facilities. To support stipends and re­ treatment of selected works the Bates College Museum of [93-4432-0252] lated expenses for graduate in the Wellesley College Art. [93-4432-0255] students specializing in the Museum’s permanent collec­ Colorado Springs Fine Arts conservation of ethnographic tion. Panel B. Brooklyn Institute of Arts Center or archaeological works of art [93-4431-0192] and Sciences Colorado Springs, CO in the university’s Conserva­ Brooklyn, NY TF $25,000* TF $25,000" tion Training Program. Williamstown Regional To support storage upgrading To support the purchase and Panel A. [93-4431-0281] Art Conservation for the Brooklyn Museum’s installation of storage cabi­ Laboratory, Inc. painting collection. nets for the permanent collec­ University of Denver Williamstown, MA $4,700 [93-4432-0251] tion at the Taylor Museum Denver, CO $8,000 To support day-long work­ *Funds committed but not oblig­ for Southwestern Studies. To support the purchase of shops dealing with collections ated in FY’93. [93-4432-0271] microscope attachments and and building care issues. *Funds committed but not oblig­ major equipment for the Panel A. [93-4431-0226] Buffalo Bill Memorial ated in FY’93. photographic materials/paper Association laboratory at the Rocky Yale University Cody, WY $9,000 Columbus Museum of Art Mountain Conservation New Haven, CT To support the purchase and Columbus, OH $5,000 Center. Panel A. TF $15,000 installation of storage cabi­ To support the rehousing of [93-4431-0207] To support conservation of nets for the sculpture collec­ prints, drawings and water­ stone reliefs, a wall painting tion in the Whitney Gallery colors in the museum’s per­ University of Minnesota, from the Dura-Europos col­ of Western Art at the Buffalo manent collection. Twin Cities lection of ancient Romano- Bill Historical Center. [93-4432-0273] Minneapolis, MN $10,000 Syrian artifacts, and of mod­ [93-4432-0272] To support conservation ern works on paper from the Contemporary Museum treatment of several 19th and Societd Anonyme collection Canton Art Institute Honolulu, HI $13,500 20th-century American of early 20th-century art at Canton, OH TF $38,300 To support the purchase and paintings in the University the University Art Gallery. To support the purchase and installation of storage equip­ Art Museum’s collection. Panel A. [93-4431-0231] installation of equipment to ment for paintings and Panel A. [93-4431-0201] upgrade the institute’s envi­ framed works on paper. ronmental control system. [93-4432-0267] University of North [93-4432-0269] Carolina at Greensboro Cornell University Greensboro, NC $5,400 Carnegie Institute Ithaca, NY $24,500 To support conservation Pittsburgh, PA TF $50,000 To support the purchase and treatment of selected works To support storage upgrading installation of storage equip­ from the Weatherspoon Art To help museums preserve for the museum’s collection ment for the object storage Gallery’s permanent collec­ collections primarily of of works on paper. areas of the Herbert F. tion. Panel A. [93-4432-0263] Johnson Museum of Art. [93-4431-0235] artistic significance by [93-4432-0266] identifying and solving Center for Puppetry Utah State University problems of climate con­ Arts, Inc. Corporation of the Fine Logan, UT $3,000 trol, security and storage. Atlanta, GA $7,500 Arts Museums To support conservation To support the renovation San Francisco, CA $9,000 treatment of Ben Berlin’s 30 grants of the center’s permanent To support rehousing of painting "Birds, Sky, Water collection storage area. prints and drawings in the and Grass" (1938) in the col­ Program Funds: $443,500 [93-4432-0261] Fine Arts Museums of San lection of the Nora Eccles Treasury Funds: $208,500* Francisco’s Achenbach Harrison Museum of Art. *Includes $50,000 committed but Chicago Historical Society Foundation for Graphic Arts Panel A. [93-4431-0280] not obligated in FY’93. Chicago, IL $7,500 collection. [93-4432-0254] To support renovation of the Walker Art Center, Inc. Grants were reviewed by the decorative arts storage area. Detroit Institute of Arts, Minneapolis, MN $19,000 Care of Collections Panel B. [93-4432-0268] Founders Society To support conservation Detroit, MI $70,900 treatment of selected paint­ To support the upgrading of ings in the permanent collec­ the security system at the in­ stitute to provide building

116 National Endowment for the Arts surveillance and collections National Museum of University of Miami native peoples of the Pacific monitoring. [93-4432-0256] Women in the Arts, Inc. Coral Gables, FL $5,000 Northwest and Alaska. Washington, DC $7,500 To support the purchase and Panel B. [93-4442-0294] Detroit Institute of Arts, To support a survey of the installation of storage equip­ Founders Society museum’s basement art stor­ ment for the Lowe Art Alaska State Museum Detroit, MI $15,000 age facilities. [93-4432-0264] Museum’s auxiliary object Juneau, AK $20,000 To support a facilities survey storage area. [93-4432-0262] To support costs associated assessing the institute’s envi­ Nelson Gallery Foundation with the regional circulation ronmental control system. Kansas City, MO $35,000 University of Texas at of"RFD Alaska," an exhibi­ [93-4432-0274] To support the upgrading of Austin tion of Native Alaskan and storage for the Chinese and Austin, TX TF $15,000 Siberian Far East arts and Florida International Japanese costumes and over­ To support the rehousing of crafts with accompanying University size textile collections at the the painting collection at the catalogue and educational Miami, FL $5,000 Nelson-Atkins Museum of Archer M. Huntington Art programs. Panel B. To support the renovation of Art. [93-4432-0246] Gallery. [93-4432-0257] [93-4442-0430] the Art Museum’s permanent collection storage area. Old Salem, Inc. ~ Alternative Center for [93-4432-0250] Winston-Salem, NC International Arts, Inc. $90,000 New York, NY $15,000 Hamilton College Trustees To support a major upgrad­ To support the national tour Clinton, NY $7,500 ing of the Museum of Early and catalogue production for To support a survey of stor­ Southern Decorative Arts’ a multimedia exhibition on age and display areas of the environmental control sys­ To enable museums to aspects of the Malcolm X Emerson Gallery. tem. [93-4432-0259] organize special exhibi­ phenomenon created by the [93-4432-0245] four-artist group, X-PRZ. San Antonio Museum tions or to borrow exhibi­ Panel A. [93-4442-0311] Luis A. Ferre Foundation, Association, Inc. tions organized by other Inc. San Antonio, TX $6,000 museums. ~" Amon Carter Museum Ponce, PR $46,600 To support the purchase and of Western Art TF $40,2O0 installation of climate-con­ 174 grants Fort Worth, TX $25,000 To support the renovation of trolled storage cabinets for To support the exhibition, the climate control system at the Museum of Art’s collec­ Program Funds: $3,452,700 "American Painters of Mod­ Treasury Funds: the Museo de Arte de Ponce. tion of ancient art. ern Life," with accompanying [93-4432-0258] [93-4432-0260] $1,580,650" catalogue and educational *Includes $155,000 committed in FY’92 but not obligated until programs. Panel B. Michigan State University South Street Seaport [93-4442-0432] East Lansing, MI $7,500 Museum P-T’93, and $215,000 committed To support an objects survey New York, NY $20,000 but not obligated in FY’93. Anchorage Museum and a facilities survey at the To support the re-housing of Association University Art Museum. a selection of works in the Grants were reviewed by Anchorage, AK $30,000 [93-4432-0270] permanent collection. Special Exhibitions Panel A To support an exhibition of [93-4432-0275] or Panel B, as indicated. contemporary arts and crafts Milwaukee Art of the indigenous peoples of Museum, Inc. Texas Tech University the major arctic regions, ac­ Milwaukee, WI $5,000 Lubbock, TX $12,000 ~ Akron Art Museum companied by a catalogue To support a survey of dis­ To support the re-housing of Akron, OH $15,000 and education programs. play and storage areas to the Museum of Texas Tech To support a touring exhibi­ Panel A. [93-4442-0439] house the museum’s Landfall University’s collection of tion of the work of Louise Press Archive. Southwest Native American Fishman and an accompany­ Arizona State University [93-4432-0265] art. [93-4432-0247] ing catalogue and education Tempe, AZ $30,000 programs, organized in col­ To support a touring exhibi­ Museum of New Mexico University of California, laboration with the Jewish tion of contemporary art Foundation Berkeley Museum, New York. from E1 Salvador and an ac­ Santa Fe, NM $14,000 Berkeley, CA $12,000 Panel A. [93-4442-0301] companying catalogue and To support renovation of To support the purchase and education programs at the the Museum of Fine Arts’ installation of equipment to Alaska State Museum University Art Museum. permanent collection storage. upgrade the University Art Juneau, AK $20,000 Panel A. [93-4442-0427] [93-4432-0249] Museum and Pacific Film To support the presentation Archive’s security system. in Juneau of "Gifts from the [93-4432-0248] Great Land," an exhibition of art and artifacts made by the

1993 Annual Report 117 Arkansas Arts Center Moderne, Paris." Panel B. [93-4442-0305] companying catalogue and Foundation [93-4442-0335] *Funds were committed but not educational programs. Little Rock, AR $15,000 obligated in Flm93. Panel B. [93-4442-0411] Bellevue Art Museum To support an exhibition of Chrysler Museum, Inc. drawings and objects by Bclle~,ue, WA $6,000 ~ Buffalo Fine Arts American artists working in To support an exhibition of Academy Norfolk, VA $10,000 craft media, and accompany­ ceramics from the Archie Buffalo, NY TF $60,000 To support a touring exhibi­ ing education programs and Bray Foundation and an ac­ To support a touring exhibi­ tion of the work of Sal Lopes catalogue. Panel A. companying gallery guide tion of the work of the and an accompanying cata­ logue. Panel A. 93-4442-0336] and education program. American artist Jess and ac­ Panel A. [93-4442-0343] companying education pro­ [93-4442-0330] Arkansas Arts Center grams and catalogue, at the Foundation Boston College Albright-Knox Art Gallery. Cincinnati Museum Association Little Rock, AR $20,000 Chestnut Hill, MA $20,000 Panel A. [93-4442-0328] To support the exhibition, Cincinnati, OH $15,000 To support the presentation To support costs associated of the exhibition, "The "Aaron Siskind: Toward a ~" Carnegie Institute Family Gandolfi: Seven Personal Vision, 1935­ Pittsburgh, PA $20,000 with presenting the exhibi­ Decades of Beautiful 1955," and an accompanying To support the planning of tion, "Treasures from an Painting," at the Arkansas catalogue, at the Boston a major retrospective, to be African Kingdom: The Royal Art of Benin from the Perls Arts Center. Panel B. College Museum of Art. presented in 1996, that will Collection at the Metropoli­ [93-4442-0409] Panel B. [93-4442-0447] trace the 100-year history of the "Carnegie International," tan Museum of Art," at the Art Institute of Chicago Bronx Museum of the Arts a biennial series of exhibi­ Cincinnati Art Museum. Chicago, IL TF $80,000 Bronx, NY $6,000 tions and prizes designed to Panel B. To support an exhibition of To support the planning of recognize established and [93-4442-0452] the work of French artist an exhibition of memorial emerging international Gustave Caillebotte (1848­ wall murals found in various artists. Panel B. Cleveland Center for 1894) and an accompanying Bronx neighborhoods, paint­ [93-4442-0313] Contemporary Art catalogue. Panel A. ed in memory of local vic­ Cleveland, OH $40,000 To support a touring exhibi­ [93-4442-0390] tims of urban violence. Center for Photography at Panel A. [93-4442-0418] , Inc. tion examining the history of ~z Asia Society Woodstock, NY $6,000 performance art, and accom­ $40,000 Bronx Museum of the Arts To support the center’s pre­ panying education programs New York, NY and catalogue. Panel A. To support the touring exhi­ Bronx, NY $40,000 sentation of"Brian Weil: bition "Out of Asia: Asian To support the exhibition, The AIDS Photographs," an [93-4442-0440] Identity in Contemporary "A New Deal for Public Art," exhibition circulated nation­ with accompanying cata­ ally by Photographers + Contemporary Arts American Art" and accompa­ Association of Houston nying education programs logue. Panel B. Friends United Against [93-4442-0441] AIDS, New York, and ac­ Houston, TX $15,000 and catalogue. Panel A. To support the presentation [93-4442-0360] companying education pro­ ~" Brooklyn Institute of grams and catalogue. at the Contemporary Arts Ball State University Arts and Sciences Panel A. [93-4442-0455] Museum of the Agnes Muncie, IN $6,000 Brooklyn, N-Y" $50,000 Martin exhibition organized To support a touring exhibi­ Children’s Museum of by the Whitney Museum of To support the University American Art, New York, Museum of Art’s presenta­ tion of the work of Louise Manhattan tion of "Art That Works: Bourgeois and accompanying New York, NY $35,000 and related education pro- Decorative Art of the education programs and cata­ To support an exhibition and grams. Panel A. Eighties, Crafted in logue at the Brooklyn accompanying educational [93-4442-0364] Museum. Panel A. programs of the work of America," an exhibition cir­ ~ Contemporary Arts culated by Art Services [93-4442-0304] , including the fourteen original paint- Association of Houston International, Alexandria, Houston, TX $35,000 VA. Panel A. Brooklyn Institute of Arts ings that illustrated her chil- [93-4442-0331] and Sciences dren’s book "Tar Beach." To support a touring exhibi- Brooklyn, NY TF $100,000" Panel A. [93-4442-0416] tion of the work of American Baltimore Museum To support a retrospective artist Dennis Adams and accompanying education of Art, Inc. exhibition at the Brooklyn Chinese Culture Baltimore, MD $15,000 Museum of the work of Foundation of San programs and catalogue. To support the exhibition American artist Thomas Francisco Panel A. [93-4442-0365] "Matisse: Paper Cut-outs Wilmer Dewing (1851­ San Francisco, CA $20,000 from the Collection of the 1938), accompanied by a To support an exhibition at Musde Nationale d’Art catalogue and educational the Chinese Culture Center programs. Panel B. of Shiwan ceramics, with ac­

118 National Endowment for the Arts Contemporary Arts Center, work of artist and architect lation projects by contempo­ logue. Panel A. New Orleans Charles Adams Platt (1861­ rary artists, including Barbara [93-4442-0370] New Orleans, LA $7,500 1933), and accompanying Bloom, Ann Hamilton, To support an exhibition of education programs and David Hammons, and David Friends of Photography abstract painting by contem­ catalogue. Panel A. Ireland, and accompanying San Francisco, CA $12,000 porary New York artists and [93-4442-0293] brochures, at the Des Moines To support an exhibition of accompanying education Art Center. Panel A. the work of David Ireland programs and catalogue. ~ DeCordova and Dana [93-4442-0318] and an accompanying cata­ Panel A. [93-4442-0359] Museum and Park logue. Panel A. Lincoln, MA $20,000 Edmundson Art [93-4442-0394] Corporation of the Fine To support a touring exhibi­ Foundation, Inc. Arts Museums tion of work by contempo­ Des Moines, IA $15,000 Friends of the North San Francisco, CA rary artists who use visual im­ To support the presentation Dakota Museum of Art TF $75,000* agery and the artistic process of the exhibition, "Art That Grand Forks, ND $30,000 To support an exhibition of as a means toward psycholog­ Reveals, Art That Conceals: To support the exhibition, the work of John Singer ical, physical and spiritual Secret Knowledge and "Shields of the American Sargent, Anders Zorn and healing. Panel A. African Art," at the Des Indian," with accompanying Joaquin Sorolla, with accom­ [93-4442-0375] Moines Art Center. Panel B. educational programs. panying education programs [93-4442-0319] Panel B. [93-4442-0354] and catalogue. Panel A. Denver Art Museum, Inc. [93-4442-0341] Denver, CO $25,000 Emory University Gallery Association of New *Funds were committed but not To support two touring exhi­ Atlanta, GA $50,000 York State, Inc. obligated in FY’93. bitions: "Oregon Coast" and To support the exhibition, Hamilton, NY $16,000 "Experimental Vision," and "From Hannibal to St. To support circulation of the Currier Gallery of Art accompanying catalogues and Augustine: Ancient Art of exhibition "Master Drawings Manchester, NH $25,000 educational programs. North Africa from the Mus~e of the Hudson River School To support a touring exhibi­ Panel A. [93-4442-0388] du Louvre," with catalogue from the Metropolitan tion of the work of ceramic and related educational pro­ Museum of Art," and its artists Mary and Edwin Denver Art Museum, Inc. gramming, to be presented at accompanying catalogue. Scheier and an accompanying Denver, CO $6,250 the university’s Michael C. Panel B. [93-4442-0402] catalogue. Panel A. To support the exhibition, Carlos Museum. Panel B. [93-4442-0337] "Herbert Bayer’s World," [93-4442-0298] Henry E. Huntington with accompanying cata­ Library & Art Gallery Dallas Museum of Art logue. Panel B. Exit Art, Inc. San Marino, CA $15,000 Dallas, TX TF $15,000 [93-4442-0389] New York, NY $25,000 To support the photography To support the presentation To support a touring exhibi­ exhibition, "Pictorial Para­ of the exhibition, "Art of the Eastern Washington State tion and accompanying cata­ dox: Southern California and American Indian Frontier: Historical Society logue of the work of Alison Its Modern Aspects," with The Chandler/Pohrt Collec­ Spokane, WA $10,000 Saar. Panel A. accompanying catalogue. tion," at the museum. To support an exhibition of [93-4442-0351] Panel t3. [93-4442-0410] Panel B. [93-4442-0358] the work of Patrick Zentz and accompanying education Florida International Henry E. Huntington Dartmouth College, programs and catalogue at University Library & Art Gallery Trustees of the Cheney Cowles Museum. Miami, FL $15,000 San Marino, CA $15,000 Hanover, NH $10,000 Panel A. [93-4442-0286] To support the presentation To support the photography To support the presentation at the University Art exhibition, "Natural Varia­ at the Hood Museum of Edmundson Art Museum of"Visiones del tions: Photographs by "Three Centuries of Japanese Foundation, Inc. Pueblo: The Folk Art of Colonel Stuart-Wortley," Painting from the Chester Des Moines, IA $10,000 Latin America," an exhibition with accompanying cata­ Beatty Library, Dublin," an To support the exhibition, organized by the Museum of logue. Panel B. exhibition organized by Art "Three Artists of the Weimar American Folk Art, New [93-4442-0421] Services International, and Era: Hannah Hoch, Kathe York. Panel A. accompanying education Kollwitz, Jeanne Mammen," [93-4442-0356] Henry Gallery programs. Panel A. with accompanying cata­ Association, Inc. [93-4442-0291] logue, at the Des Moines Art Forum for Contemporary Seattle, WA TF $50,000 Center. Panel B. Art To support an exhibition of ~ Dartmouth College, [93-4442-0317] St. Louis, MO $7,500 the work of Gary Hill at the Trustees of To support a touring exhibi­ Henry Art Gallery, University Hanover, NH $25,000 Edmundson Art tion of the work of Clarissa of Washington, with accom­ To support the Hood Muse­ Foundation, Inc. Sligh and accompanying edu­ panying education programs um of Arts’ organization of a Des Moines, IA $20,000 cation programs and cata­ and catalogue. Panel A. touring exhibition of the To support a series of instal­ [93-4442-0408]

1993Annual Report 119 Henry Gallery Indianapolis Museum of ramics and accompanying catalogue. Panel A. Association, Inc. Art, Inc. education programs and [93-4442-0425] Seattle, WA $10,000 Indianapolis, IN $25,000 catalogue. Panel A. To support "Lorna Simpson: To support costs associated [93-4442-0295] Laguna Art Museum LagunaBeach, CA $10,000 For the Sake of the Viewer," with planning the exhibition, an exhibition organized by "A Shared Heritage: Five Jewish Museum To support the presentation the Museum of Contem­ African-American Artists," New York, NY TF $100,000 of the exhibition "Duncan porary Art, Chicago, and scheduled for 1996. Panel B. To support the exhibition, Phillips Collects: Augustus presented at the Henry Art [93-4442-0376] "Alienation and Adaptation: Vincent Tack" at the Laguna Gallery, University of Jewish Artists in Russia and Art Museum. Panel B. Washington. Panel A. Indianapolis Museum of the Soviet Union, 1890­ [93-4442-0338] [93-4442-0373] Art, Inc. 1990," with accompanying Indianapolis, IN $25,000 catalogue and educational Laguna Art Museum Houston Foto Fest, Inc. To support exhibitions of the programs. Panel B. Laguna Beach, CA $65,000 Houston, TX TF $25,000 work of Richard Turtle and [93-4442-0415] To support a touring exhibi­ To support the touring exhi­ accompanying education pro­ tion of San Francisco abstract bition "American Voices: grams. Panel A. ~ Joslyn Art Museum expressionist painting and an Latino/Chicano/Hispanic [93-4442-0377] Omaha, NE $30,000 accompanying catalogue. Photography in the United To support a touring exhibi­ Panel A. [93-4442-0339] States," and accompanying Institute of Contemporary tion of the work of British education programs and Art, Boston artist David Nash and Laguna Gloria Art catalogue. Panel A. Boston, MA $40,000 accompanying education Museum, Inc. [93-4442-0383] To support a touring exhibi­ programs and catalogue. Austin, TX $7,500 tion titled "Public Interven­ Panel A. [93-4442-0348] To support the presentation Hudson River Museum of tions" and accompanying of an exhibition of photo­ Westchester education programs and Joslyn Art Museum graphs by Mark Klett, orga­ Yonkers, NY $6,000 catalogue. Panel A. Omaha, NE $10,000 nized by the Amon Carter To support the presentation [93-4442-0407] To support the presentation Art Museum of Fort Worth, at the museum of "Between of the exhibition, "The and related education Home and Heaven: Contem­ gr InterCultura, Inc. Drawings of Stuart Davis: programs. Panel A. porary American Landscape Ft.Worth, TX TF $50,000* The Amazing Continuity," [93-4442-0422] Photography," an exhibition To support a touring exhibi­ organized and circulated by organized by the National tion of Ethiopian religious the American Federation of Laguna Gloria Art Museum of American Art, art, co-organized with the Arts. Panel B. Museum, Inc. Washington, D.C. Panel A. Waiters Art Gallery, [93-4442-0349] Austin, TX $6,000 [93-4442-0322] Baltimore. Reviewed by To support selected costs as­ Special Exhibitions (1992) Katonah Museum of Art, sociated with presenting the Huntington Museum Panel A; see 1992 Annual Inc. exhibition "Mexico: A of Art, Inc. Report. [92-4442-0319] Katonah, NY $25,000 Landscape Revisited." Huntington, WV $10,000 *Funds were committed in FY’92 To support the exhibition Panel B. [93-4442-0435] To support costs associated but not obligated until FY’93. and catalogue, "Against the with presenting the exhibi­ Stream: Milton Avery, Mark Laumeier Sculpture Park tion, "American Abstraction ~ International Center of Rothko and Adolph Gottlieb St. Louis, MO $10,000 at the Addison Gallery of Photography in the 1930s." Panel B. To support an exhibition of American Art," at the New York, NY $20,000 [93-4442-0417] the work of British artist Huntington Museum. To support a touring exhibi­ Andy Goldsworthy. Panel A. Panel B. [93-4442-0361] tion of the work of photogra­ Katonah Museum of Art, [93-4442-0460] pher Alex Harris. Panel A. Inc. ~r Independent Curators, [93-4442-0403] Katonah, NY $18,000 Lehman College Art Inc. To support the exhibition Gallery, Inc. New York, NY $15,000 J.B. Speed Art Museum and catalogue, "Family and Bronx, NY $15,000 To support a touring exhibi­ Louisville, KY $10,000 Friends: Portraiture in the To support an exhibition of tion and catalogue of con­ To support an exhibition sur­ Work of Florine Stettheim­ contemporary public art in temporary Russian art that veying the work of Enid er." Panel B.[93-4442-0420] and an accompa­ examines the history of the Yandell and an accompanying nying catalogue and educa­ tional materials. Panel A. role of women in Soviet so­ catalogue. Panel B. Katonah Museum of cialist society. Panel A. [93-4442-0316] Art, Inc. [93-4442-0419] [93-4442-0423] Katonah, NY $25,000 Japan Society, Inc. To support a touring exhibi­ Madison Art Center, Inc. New York, NY $20,000 tion of the work of Dorothy Madison, WI $10,000 To support an exhibition of Dehner and accompanying To support the presentation modern Japanese studio ce­ education programs and at the Madison Art Center

120 National Endowment for the Arts of "Fragile Ecologies: nized by the University of Moore College of Art and Dial and an accompanying Artists’ Interpretations and Hawaii Art Gallery. Panel B. Design brochure and education pro­ Solutions," an exhibition [93-4442-0363] Philadelphia, PA $25,000 grams. Panel A. organized by the Queens To support a touring exhibi­ [93-4442-0426] Museum of Art, NY. Mexican Museum tion of the work of William Panel A. [93-4442-0369] San Francisco, CA $6,000 Anastasi and accompanying Museum of Contemporary To support the San Francisco education programs and cata­ Art, Los Angeles Maryland Institute presentation of the exhibition logue at the college’s Levy Los Angeles, CA Baltimore, MD $25,000 "Mexico: La Vision del Gallery. Panel A. TF $100,000 To support the exhibition, Cosmos" at the museum. [93-4442-0424] To support the exhibition, "Reioining the Spiritual: The Panel B. [93-4442-0456] "Art and Film in the Post- Land in Contemporary Latin Mount Holyoke College War Era," with accompany­ American Art," and accom­ Mexican Museum South Hadley, MA $25,000 ing educational programs and panying education programs San Francisco, CA $7,500 To support the exhibition catalogue. Panel B. and catalogue. Panel A. To support an exhibition of "Shifting Perceptions: [93-4442-0391] [93-4442-0332] the work of Mexican- Analysis, Conservation, and American artist Gronk the Interpretation of Works Museum of Contemporary Memphis Brooks Museum (Glugio Gronk Nicandro). of Art" with accompanying Art, Los Angeles of Art, Inc. Panel A. [93-4442-0457] catalogue and education pro­ Los Angeles, CA $100,000 Memphis, TN $8,200 grams at the College Art To support the exhibition To support selected costs as­ Museum. Panel B. "1965-1975: Reconsidering sociated with presenting the Oakland, CA $15,000 [93-4442-0350] the Object of Art," and exhibition "Free Within To support an exhibition at accompanying education Ourselves: African-American the college Art Gallery of the Museo de Arte programs and catalogue. Art from the National Muse­ work of Ron Nagle and an Contemporaneo de Puerto Panel A. [93-4442-0428] um of American Art." accompanying catalogue. Rico, Inc. Panel B. [93-4442-0289] Panel A. [93-4442-0355] San Juan, PR $15,000 Museum of Contemporary To support the presentation Art, Los Angeles Metropolitan Museum Milwaukee Art of the exhibition "Arnaldo Los Angeles, CA $55,000* of Art Museum, Inc. Roche: The First Ten Years" To support a touring exhibi­ NewYork, NY TF$75,000 Milwaukee, WI $6,000 organized by the Museo de tion, accompanying catalogue To support the exhibition To support selected costs asso­ Arte Contemporaneo de and education programs of "The Art of Early Medieval ciated with presenting the ex­ Monterrey, Mexico. Panel A. ¯ the work of John Cage. Spain, 500-1200 A.D." and hibition of ’s [93-4442-0443] Reviewed by Special related education programs. "Migration of the Negro, Exhibitions (1992) Panel B; Panel A. [93-4442-0392] 1941" at the museum. Museum Associates see 1992 Annual Report. Panel B. [93-4442-0308] Los Angeles, CA $50,000 [92-4442-0409] Metropolitan Museum To support the exhibition *Funds were committed in FY’92 of Art Minneapolis Society "The Golden Age of Danish but not obligated until FY’93. New York, NY $100,000 of Fine Arts Painting," with accompany­ To support the exhibition Minneapolis, MN ing catalogue and education Museum of Contemporary "Petrus Christus, Renaissance TF $80,000 programs, at the Los Angeles Art, San Diego Master of Bruges" and ac­ To support a touring exhibi­ County Museum of Art. La Jolla, CA $29,350 companying education pro­ tion of Venetian paintings Panel B. [93-4442-0325] TF $650 grams. Panel A. from the Museum of Fine To support "Parameters," an [93-4442-0393] Arts, Budapest, and accom­ Museum Associates ongoing series of exhibitions panying education programs Los Angeles, CA $150,000 and site-specific installations Mexic-Arte and catalogue, at the To support the exhibition by contemporary artists, in­ Austin, TX $6,000 Minneapolis Institute of Arts. "The Peaceful Conquerors: cluding Jean Lowe, Kim To support the museum’s Panel A. [93-4442-0386] Jain Art from India," accom­ MacConnel, Mark Thomp­ presentation of the exhibition panied by a catalogue and ed­ son, and Nancy Rubins, with "Diego Rivera and the Monterey Peninsula ucation programs, at the Los accompanying brochures and Revolution." Panel B. Museum of Art Association Angeles County Museum of education programs. Panel A. [93-4442-0362] Monterey, CA $15,000 Art. Panel B. [93-4442-0449] To support an exhibition of [93-4442-0395] Mexic-Arte the work of Jeremy Anderson ~r Museum of Contempo­ Austin, TX $10,000 and an accompanying cata­ ~z Museum of American rary Art, San Diego To support selected costs as­ logue. Panel A. Folk Art La Jolla, CA $40,000 sociated with the presenta­ [93-4442-0309] New York, NY $25,000 To support a routing exhibi­ tion in Austin of "Jean To support a touring exhibi­ tion of the work of American Chariot and Mexico," orga­ tion of the work of Thornton artist John Altoon, and ac­

1993 Annual Report 121 companying education pro­ "Joan Miro" with accompa­ the Border: Mexico in the at the museum of the exhibi­ grams and catalogue. wing catalogue and educa­ American Imagination, tion "Clearly Art: Pilchuck’s Panel A. [93-4442-0450] tion programs. Panel B. 1914-1947," at the museum. Glass Legacy," organized by [93-4442-0413] Panel B. [93-4442-0448] the Whatcom Museum of Museum of Fine Arts History and Art, Bellingham, Boston, MA TF $150,000 Museum of Modern Art Newark Museum WA, and accompanying To support the touring exhi­ NewYork, NY TF $55,000 Association education programs. bition "The Age of Rubens" To support a touring exhibi­ Newark, NJ $10,000 Panel A. [93-4442-0401] with accompanying catalogue tion of the work of Robert To support the Newark and education programs. Ryman and accompanying showing of the exhibition ~ Palo Alto Cultural Panel B. [93-4442-0436] education programs. Panel A. "Ancient Nubia: Egypt’s Center [93-4442-0414] Rival in Africa." Panel B. Palo Alto, CA $10,000 Museum of Fine Arts [93-4442-0299] To support a touring exhibi­ Boston, MA $75,000 Museum of New Mexico tion of the work of fiber artist To support the exhibition Foundation Northwestern University Kay Sekimachi and wood­ "Nolde: The Painter’s Prints" Santa Fe, NM $10,000 Evanston, IL $30,000 worker Bob Stocksdale, and with accompanying cata­ To support the presentation To support the touring exhi­ accompanying education pro­ logue. Panel B. at the Museum of Fine Arts bition "Dislocations: South grams and catalogue. [93-4442-0437] of an exhibition of the work African Works of Art on Panel A. [93-4442-0287] of , drawn from Paper, 1984-1994," and ac­ ~ Museum of Fine Arts, the retrospective exhibition of companying education pro­ ~r Pennsylvania Academy Houston the artist’s work organized by grams and catalogue, at the of the Fine Arts Houston, TX the Whitney Museum of university’s Mary and Leigh Philadelphia, PA $50,000 TF $100,000" American Art, New York. Block Gallery. Panel A. To support the exhibition "I To support a touring exhibi­ Panel A. [93-4442-0344] [93-4442-0320] Tell My Heart: The Art of tion of the work of John Horace Pippin," with accom­ Biggers, accompanying edu­ National Museum of ~ Oakland Museum/ panying catalogue and educa­ cation programs and cata­ Women in the Arts, Inc. Museum of California tional programs. Panel B. logue. Panel A. Washington, DC $10,000 Foundation [93-4442-0300] [93-4442-0434] To support an exhibition of Oakland, CA $10,000 *Includes $40,000 committed but the work of Mineko Grim­ To support a touring exhibi­ ~ Philadelphia Museum not obligated in FY’93. mer and an accompanying tion of the work of Lia Cook, of Art brochure. Panel A. and accompanying education Philadelphia, PA Museum of Fine Arts, [93-4442-0333] programs and catalogue. TF $35,000 Houston Panel A. [93-4442-0302] To support the touring exhi­ Houston, TX TF $50,000* of bition "Moments of Grace: To support a touring exhibi­ Contemporary Art Oakland Museum/Museum Photographic Encounters tion with accompanying cata­ New York, NY $10,000 of California Foundation with the American Land­ logue and education pro­ To support "On View," an Oakland, CA TF $60,000 scape, 1840 to the Present," grams titled "The Herter ongoing series of small exhi­ To support a touring exhibi­ accompanying education Brothers: European Furniture bitions and installations, with tion of the work of Peter programs and catalogue. Makers in the American accompanying brochures, by Voulkos and accompanying Panel B. [93-4442-0326] Gilded Age." Reviewed by contemporary artists includ­ education programs and Special Exhibitions (1992) ing Joan Bankemper and catalogue. Panel A. Philadelphia Museum Panel A; see 1992 Annual Xenobia Bailey. Panel A. [93-4442-0312] of Art Report. [92-4442-0326] [93-4442-0381] Philadelphia, PA *Funds were committed in FY’92 Ohio State University TF $100,000 but not obligated until FY’93. New Museum of Research Foundation To support the exhibition Contemporary Art Columbus, OH $15,000 "Japan Design: A Survey Museum of Modern Art New York, NY $30,000 To support the Wexner Since 1950" and accompany­ New York, NY To support an exhibition Center for the Arts’ presenta­ ing education programs. TF $100,000 of recent contemporary art tion of the exhibition "In the Panel B. [93-4442-0327] To support the exhibition dealing with feminist issues, Spirit of Fluxus," organized "The Architecture of Frank accompanying education pro­ by the Walker Art Center, ~r Phillips Academy Lloyd Wright" with accom­ grams and catalogue. Minneapolis, and accompa­ Andover, MA $15,000 panying catalogue and educa­ Panel A. [93-4442-0382] nying education programs. To support a touring exhibi­ tional programs. Panel B. Panel A. [93-4442-0340] tion of the work of Max [93-4442-0400] New Orleans Museum of Belcher, Beverly Buchanan Art Palm Springs Desert and William Christenberry, Museum of Modern Art New Orleans, LA $15,000 Museum, Inc. with accompanying educa­ New York, NY TF $40,000 To support the presentation Palm Springs, CA $10,000 tion programs and catalogue, To support the exhibition of the exhibition, "South of To support the presentation at the Addison Gallery of

122 National Endowment for the Arts American Art. Panel A. cific public installations and San Francisco Crafts & Sheboygan Arts [93-4442-0431] accompanying publications, Folk Art Museum Foundation, Inc. this year featuring new work San Francisco, CA $5,000 Sheboygan, WI $10,000 Phillips Collection by Pepon Osorio, Ellen To support costs associated To support the exhibition Washington, DC $30,000 Driscoll and Danny Tisdale. with planning an exhibition "Discursive Dress," accompa­ To support educational pro­ Panel A. [93-4442-0334] entitled "Traditional Art of nying education programs grams related to the forth­ the Philippines." Panel B. and catalogue, at the John coming exhibition of Jacob Research Foundation of the [93-4442-0303] Michael Kohler Arts Center. Lawrence’s multi-panel se­ City University of New Panel A. [93-4442o0438] ries, "Migration of the Negro, York San Francisco Crafts & 1941." Panel B. New York, NY $10,000 Folk Art Museum Solomon R. Guggenheim [93-4442-0352] To support the exhibition San Francisco, CA $15,000 Foundation "Reclaiming Artists of the To support an exhibition New York, NY $75,000 Photographic Resource New York School: Toward a titled "Nine Decades: The To support a retrospective Center, Inc. More Inclusive View of the Northern California Craft exhibition of the work of Boston, MA $8,000 1950s," accompanying edu­ Movement," and accompa­ Robert Morris at the To support an exhibition of cation programs and cata­ nying education programs Guggenheim Museum. photographs produced by logue, at Baruch College’s and catalogue. Panel A. Panel A. [93-4442-0454] participants in the "20 x 24 Sidney Mishkin Gallery. [93-4442-0453] Homeless and At Risk Teen Panel A. [93-4442-0306] South Street Seaport Project" and accompanying San Francisco Museum of Museum education programs. Panel A. Richmond Art Center Modern Art New York, NY TF $25,000 [93-4442-0353] Richmond, CA $10,000 San Francisco, CA $10,000 To support the exhibition To support a touring exhibi­ To support the presentation "Ship, Sea, and Sky: The Art Portland Art Museum tion of the work of John at the museum of an exhibi­ of James Edward Butters- Portland, OR $15,000 Haley and accompanying ed­ tion of the work of Robert worth," with accompanying To support an exhibition of ucation programs and cata­ Ryman organized by the education programs and cata­ the work of architects logue. Panel A. Museum of Modern Art, logue. Panel B. Alexander Brodsky and Ilya [93o4442-0384] New York, and by the Tate [93-4442-0329] Utkin, and accompanying Gallery, London, and accom­ education programs. Panel A. Robert W. WoodruffArts panying education programs. Southeastern Center for [93-4442-0405] Center, Inc. Panel A. [93-4442-0345] Contemporary Art Atlanta, GA $10,000 Winston-Salem, NC Portland Art Museum To support an exhibition of ~z San Francisco Museum $35,000 Portland, OR $15,000 contemporary artists’ books of Modern Art To support an exhibition of To support the presentation and accompanying education San Francisco, CA $30,000 the work of Fred Wilson and at the Portland Art Museum programs and catalogue at To support a touring exhibi­ accompanying education of an exhibition of the work the Atlanta College of Art. tion of the work of video programs and catalogue. of Carrie Mae Weems, orga­ Panel A. [93-4442-0314] artists Steina and Woody Panel A. [93-4442-0371] nized by the National Muse­ Vasulka and accompanying um of Women in the Arts, Robert W. WoodruffArts education programs and Southeastern Center for Washington, D.C., and Center, Inc. catalogue. Panel A. Contemporary Art accompanying education Atlanta, GA $6,000 [93-4442-0346] Winston-Salem, NC programs. Panel A. To support the presentation $12,000 [93-4442-0406] at the Atlanta College of Art ~" San Francisco Museum To support education pro­ of"Brian Weih The AIDS of Modern Art gramming and a catalogue in Princeton University, Photographs," an exhibition San Francisco, CA $25,000 connection with an exhibi­ Trustees of circulated nationally by To support the touring exhi­ tion and residency by Tim Princeton, NJ $10,000 Photographers + Friends bition "William Klein’s New Rollins and K.O.S. (Kids of To support selected costs as­ United Against MDS, New York," accompanying educa­ Survival). Panel A. sociated with presenting the York. Panel A. tion programs and catalogue. [93-4442-0372] exhibition "Goddess and [93-4442-0315] Panel A. [93-4442-0366] Polis: The Panathenaic Festi­ Southeastern Center for val in Ancient Athens" at the Saint Louis Art Museum Seattle Art Museum Contemporary Art university’s art museum. St. Louis, MO $15,000 Seattle, WA $20,000 Winston-Salem, NC Panel B. [93-4442-0292] To support planning costs as­ To support "Documents $10,000 sociated with a forthcoming Northwest," a series of exhi­ To support an exhibition of Real Art Ways, Inc. exhibition, "Lovis Corinth," bitions of contemporary art, the work of Donald Lipski, Hartford, CT $20,000 scheduled for 1996-97. accompanying brochures and accompanying education To support "RAW Specifics," Panel B. [93-4442-0458] education programs. Panel A. programs and catalogue. an ongoing series of site-spe­ [93-4442-0399] Panel A. [93-4442-0464]

1993 Annual Report 123 Storm King Art Center University of California, the work of Alan Sonfist and Fisher Gallery. Panel B. Mountainville, NY $25,000 Berkeley accompanying education [93-4442-0444] To support an exhibition of Berkeley, CA $15,000 programs at the University’s the work of Mia Westerlund To support selected costs Museum of Art. Panel A. University of Southern Roosen and accompanying associated with presenting [93-4442-0321] California education programs and the exhibition "From Pasture Los Angeles, CA $10,000 catalogue. Panel A. to Polls: Art in the Age of University of Iowa To support an exhibition of [93-4442-0412] Homer" at the University Iowa City, IA $35,000 contemporary Israeli art, and Art Museum. Panel B. To support the organization, an accompanying catalogue, [93-4442-0297] catalogue, and education at the university’s Fisher Tacoma, WA $20,000 programming costs for "Art Gallery. Panel A. To support the exhibition University of California, to Enchant: Victorian Faerie [93-4442-0445] "The Fifties: Art in the Los Angeles Realms," an exhibition of Northwest," and accompany­ Los Angeles, CA $75,000 19th-century British fairy University of Texas, Austin Austin, TX $20,000 ing education programs and To support the exhibition paintings at the University’s catalogue. Panel A. "French Renaissance Prints Museum of Art. Panel B. To support an exhibition of [93-4442-0347] from the Biblioth~que [93-4442-0323] the work of Eve Arnold at Nationale," with accompany­ the university’s Harry Tacoma Art Museum ing catalogue and educational University of Kansas, Ransom Humanities Tacoma, WA $10,000 programs, at the Grunwald Main Campus Research Center. Panel A. To support the showing at Center for the Graphic Arts. Lawrence, KS $6,000 [93-4442-0357] the Tacoma Art Museum of Panel B. [93-4442-0310] To support the Spencer "Inner Visions," an exhibi­ Museum of Art’s presenta­ University of Utah tion of German Expressionist University of California, tion of "Contemporary Salt Lake City, UT $6,000 prints from the collection of Riverside Czechoslovakian Photo­ To support the presentation the Portland Art Museum, Riverside, CA $35,000 graphy," an exhibition of the exhibition "Prints by Oregon. Panel B. To support a touring exhibi­ organized by the Museum the Nabis: Vuilliard and his [93-4442-0374] tion of the work of Mexican Ludwig Koln, Cologne, Contemporaries" at the Utah photographer Pedro Meyer Germany. Panel A. Museum of Fine Arts. Triton Museum of Art and accompanying education [93-4442-0379] Panel B. [93-4442-0290] Santa Clara, CA $12,000 programs and catalogue, at To support a touring exhibi­ the California Museum of University of Mississippi, University of Wyoming tion of the work of Oliver Photography. Panel A. Main Campus Laramie, WY $35,000 Jackson and accompanying [93-4442-0442] University, MS $25,000 To support a series of exhibi­ education programs and To support the exhibition tions at the University’s Art catalogue. Panel A. University of Colorado, "New Deal Art: Images of Museum of the work of [93-4442-0367] Regents of Mississippi" and adjunct artists Larry Bell, Luis Jime­ Boulder, CO $10,000 educational programs at the nez, Jesus Moroles, Ursula University of Alabama To support an exhibition at University Museums. von Rydingsvard, and Tuscaloosa, AL $14,400 the university’s art gallery of Panel B. [93-4442-0288] Robert Stackhouse, with ac­ To support an exhibition of work created by Hispanic- companying brochures. the work of Carrie Mae American artists in response University of Pennsylvania, Panel A. [93-4442-0307] Weems, and accompanying to the traditional Mexican Trustees of education programs and cata­ celebration of the Day of the Philadelphia, PA $35,000 Walker Art Center, Inc. logue at the Moody Gallery Dead, and accompanying To support the exhibition "A Minneapolis, MN $65,000 of Art. Panel A. education programs and Burst of Brilliance: German­ To support a touring exhibi­ [93-4442-0446] catalogue. Panel A. town, Pennsylvania and tion of the work of Siah [93-4442-0396] Navajo Weaving," with ac­ Armajani, accompanying ~ University of Arizona companying catalogue and education programs and Tucson, AZ $52,500 University of Illinois, educational programs at the catalogue. Panel A. To support a touring exhibi­ Urbana-Champaign university’s Arthur Ross [93-4442-0380] tion of the work of William Urbana, IL $10,000 Gallery. Panel B. Christenberry at the Center To support an exhibition of [93-4442-0397] Waiters Art Gallery, for Creative Photography, avant-garde Japanese theater Trustees of and an accompanying cata­ posters and an accompanying University of Southern Baltimore, MD $10,000 logue and educational catalogue at the University’s California To support the planning programs. Panel A. Krannert Art Museum. Los Angeles, CA $20,000 phase of the forthcoming ex­ [93-4442-0385] Panel A. [93-4442-0459] To support the exhibition hibition, "In the Mind’s Eye: and catalogue "Henry 17th-Century Painting from University of Iowa Darger: The Realms of the Utrecht." Panel B. Iowa City, IA $25,000 Unreal" at the university’s [93-4442-0387] To support an exhibition of

124 National Endowment for the Arts Wellesley College 58 grants Brooklyn Institute of Arts both the Des Moines Art Wellesley, MA $20,000 and Sciences Center’s architecture and the To support the exhibition Program Funds: $981,100 Brooklyn, NY $25,000 most important works of art "Modern Hieroglyphs: Treasury Funds: $50,000* To support the preparation in its permanent collection. Gestural Drawing and the *Funds were committed in FY’92 of a manuscript documenting [93-4444-0076] European Vanguard, 1900­ but not obligated until FY’93. selected works from the 1918," with accompanying Brooklyn Museum’s collec- Everhart Museum catalogue, at the college’s Grants were reviewed by tion of Spanish Colonial art. Scranton, PA $12,000 Davis Museum and Cultural Utilization of Museum [93-4444-0051] To support the research and Center. Panel B. Resources Panel A. documentation of the muse- [93-4442-0368] Brooklyn Institute of Arts um’s collections of American and Sciences and European art and ethno- Whitney Museum of American Craft Museum Brooklyn, NY $25,000 graphic works of art. American Art New York, NY $15,000 To support research and im- [93-4444-0037] New York, NY $50,000 To support photographic proved computerized docu­ To support a retrospective ex­ documentation of selected mentation of the Brooklyn Franklin Furnace Archive, hibition and accompanying works in the museum’s per- Museum’s collection of Inc. catalogue of the work of manent collection. African art. [93-4444-0054] New York, NY $3,000 American modernist Joseph [93-4444-0056] To support the cataloguing of &ella. Panel B. Buder Institute of selected works of contempo- [93-4442-0451 ] Amon Carter Museum of American Art rary art in book form in the Western Art Youngstown, OH $18,300 permanent collection. Williams College Fort Worth, TX $35,000 To support research and doc- [93-4444-0074] Williamstown, MA $17,000 To support the publication of umentation of selected paint- To support "Artworks," a se­ Char/es M. Russe//: Scu/~tor, a ings and drawings in the per- Frederic Remington Art ries of one-person exhibitions catalogue of Russdl’s three- manent collection. Museum of contemporary art and ac­ dimensional works in the [93-4444-0027] Ogdensburg, NY $25,000 companying brochures at the museum’s permanent To support the publication of college’s Museum of Art. collection. [93-4444-0042] Columbia Art Association a catalogue documenting the Panel A. [93-4442-0404] Columbia, SC $10,000 most important works by Arkansas Arts Center To support the preparation American artist Frederic Worcester Art Museum Foundation of a manuscript documenting Remington (1861-1909) in Worcester, MA $15,000 Little Rock, AR $20,000 selected works of art from the the museum’s collection. To support the exhibitions To support research and im- Medieval, Renaissance and [93-4444-0041] "A Distant View" and "Alan proved computerized docu- Baroque holdings in the Rath" and accompanying mentation of the most im- Columbia Museum of Arts’ Friends of the Antelope brochures and education pro­ portant works in the permanent collection. Valley Indian Museum grams. Panel A. permanent collection of the [93-4444-0029] Palmdale, CA $10,000 [93-4442-0285] Arkansas Arts Center. To support the computerized [93-4444-0065] Concord Antiquarian documentation of the muse- Yale University Society um’s permanent collection. New Haven, CT $85,000 Art Institute of Chicago Concord, MA $15,000 [93-4444-0075] To support the exhibition Chicago, IL $10,000 To support research and and catalogue "Severini To support the publication preparation of a manuscript Hebrew Union College/ Futurista: 1912-1916," at the of a scholarly catalogue docu- documenting the Concord Jewish Institute of Religion University Art Gallery. menting the institute’s col- Museum’s collection of deco- Los Angeles, CA $25,000 Panel B. [93-4442-0429] lection of Italian paintings rative arts. [93-4444-0178] To support scholarly docu­ from the 13th through 16th mentation of the Skirball centuries. [93-4444-0028] Detroit Institute of Arts, Museum’s Salli Kirschstein Founders Society Collection of Judaica and Brooklyn Institute of Arts Detroit, MI $35,000 Jewish art. [93-4444-0060] and Sciences To support the publication of Brooklyn, NY $15,000 a catalogue documenting the Historic Hudson Valley To support the completion most significant works of Tarrytown, NY $12,000 and editing of a manuscript African art in the museum’s To support the second part of documenting the Brooklyn collection. [93-4444-0078] a two-phase program institut­ Museum’s European ing computerized documen­ Edmundson Art To document collections paintings collection. tation of the permanent col­ [93-4444-0047] Foundation, Inc. lection. [93-4444-0048] or to publish catalogues or Des Moines, IA $12,000 handbooks on collections. To support the preparation of a manuscript documenting

1993 Annual Report 125 Milwaukee Art (1897-1986) in the universi­ Panel B; see 1992 Annual Honolulu Academy of Arts Report. [92-4444-0050] Honolulu, HI $11,700 Museum, Inc. ty’s collection. Milwaukee, WI $20,000 [93-4444-0080] *Funds committed in FY’92 but To support the publication of not obligated until FY’93. a catalogue documenting the To support the research and documentation of the muse­ North Carolina prints of American artist Plains Art Museum John Taylor Arms (1887­ um’s newly acquired Landfall Wesleyan College Press archive. Rocky Mount, NC $10,000 Fargo, ND $5,000 1953) in the museum’s To support research on se­ collection. [93-4444-0049] [93-4444-0066] To support the publication of a catalogue documenting the lected works in the museum’s collection of traditional Huntington Museum Museum of Contemporary college’s Robert Lynch Art, Los Angeles Collection of Outsider Art, American Indian art. of Art, Inc. [93-4444-0044] Huntington, WV $10,000 Los Angeles, CA $20,000 the works of 18 contempo­ To support research and the To support research and the rary folk artists living in the preparation of a manuscript rural areas of eastern North Robert W. WoodruffArts preparation of a manuscript Center, Inc. documenting the museum’s documenting selected works Carolina. [93-4444-0032] in the museum’s permanent Atlanta, GA $10,000 American paintings collec­ Philadelphia Museum of To support the publication of tion. [93-4444-0052] collection. [93-4444-0070] Art a catalogue documenting se­ Museum of Fine Arts Philadelphia, PA $25,000 lected works from the High Indianapolis Museum of Museum of Art’s collection Art, Inc. Boston, MA $19,100 To support the scholarly doc­ To support the documenta­ umentation of selected of American paintings. Indianapolis, IN $20,000 [93-4444-0043] To support research and doc­ tion of the museum’s collec­ German prints in the muse­ umentation of the museum’s tion of ancient Egyptian um’s Muriel and Philip models from the site of Berman Girl of European Santa Barbara collection of Chinese and Museum of Art Japanese textiles, costumes Deirel-Bersha. Prints. [93-4444-0036] [93-4444-0067] Santa Barbara, CA $15,000 and costume accessories. To support scholarly docu­ [93-4444-0058] Philadelphia Museum of Museum of Fine Arts Art mentation of the museum’s Boston, MA $25,000 Philadelphia, PA $20,000 collection of Asian art. Isabella Stewart Gardner [93-4444-0059] Museum, Inc. To support the publication of To support the publication of a catalogue discussing the a handbook discussing high­ Boston, MA $12,000 Santa Monica To support the preparation 125 most important Ameri­ lights of the museum’s can watercolors in the muse­ permanent collection. Museum of Art of a catalogue documenting Santa Monica, CA $5,000 the museum’s collection of um’s permanent collection. [93-4444-0053] [93-4444-0073] To support publication of a pre- 19th-century Italian art. catalogue documenting site- [93-4444-0077] Philbrook Museum of Art, Nelson Gallery Foundation Inc. specific installations commis­ Kansas City, MO $8,000 Tulsa, OK $10,000 sioned by the museum since Jewish Museum 1989. [93-4444-0040] New York, NY $16,000 To support the scholarly re­ To support research and the search and documentation preparation of a catalogue To support the research and Seattle Art Museum documentation of the muse­ of 18th and 19th-century documenting the museum’s American and English period native American paintings Seattle, WA $20,000 um’s photography collection. To support the preparation [93-4444-0069] rooms in the collection of collection. [93-4444-0061] the Nelson-Atkins Museum of a catalogue documenting selected works in the muse­ Metropolitan of Art. [93-4444-0039] Phillips Academy Andover, MA $25,000 um’s Hauberg Collection of Museum of Art Northwest Coast Native New York, NY $30,000 New Britain Museum of To support the preparation American Art of a catalogue documenting American art. To support the publication of [93-4444-0072] the catalogue American New Britain, CT $17,000 outstanding works in the Paintings in the Metropolitan To support research on se­ Addison Gallery of American lected works in the museum’s Art’s permanent collection. Spanish Colonial Arts Museum of Art, Volume I. Society, Inc. [93-4444-0083] permanent collection. [93-4444-0062] [93-4444-0035] Santa Fe, NM $25,000 To support the publication of Mexican Museum Pierpont Morgan Library North Carolina State New York, NY Spanish New Mexico: The San Francisco, CA $10,000 TF $50,000* Collections of the Spanish To support the establishment University Raleigh, NC $5,000 To support the publication of Colonial Arts Society. of a bilingual computerized [93-4444-0063] cataloguing system documen­ To support the preparation the Islamic and Indian man- of a catalogue documenting uscripts and miniatures ting the museum’s permanent Textile Museum of DC collection. [93-4444-0177] the work of American "out- owned by the library. sider" artist Annie Hooper Reviewed by Utilization of Washington, DC $10,000 Museum Resources (1992) To support photographic

126 National Endowment for .the Arts documentation of selected of the Ackland Art Museum. museum’s permanent collec­ porary sculpture for students groups of textiles in the per­ [93-4444-0064] tion. [93-4444-0057] in grades 4-12. manent collection. [93-4451-0104] [93-4444-0046] University of Pennsylvania, Trustees of Brooklyn Institute of Arts Toledo Museum of Art Philadelphia, PA $25,000 and Sciences Toledo, OH $25,000 To support scholarly and Brooklyn, NY $12,000 To support the publication of computerized documentation To support a program at the the catalogue Roman Mold- of the University Museum’s Brooklyn Museum to test the Blown Glass, First to Fourth ancient glass collection. effectiveness of a variety of Centuries documenting the [93-4444-0038] teaching strategies used with museum’s collection of this older adults. Panel A. material. [93-4444-0071] University of Texas, Austin [93-4451-0090] Austin, TX $10,000 To help organizations University of Arizona To support research on se­ make greater use of their Buffalo Fine Arts Academy Tucson, AZ $10,000 lected paintings and sculp­ collections and other re­ Buffalo, NY $20,000 To support research and the tures in the Archer M. Hun­ sources and provide mean­ To support the production of preparation of a manuscript tington Art Gallery’s col­ ingful educational pro­ a series of visitor guides to in­ documenting the Museum of lection of contemporary terpret the permanent collec­ Art’s Pfeiffer Collection of Latin American art. grams for their audiences tion at the Albright-Knox Art American Art. [93-4444-0055] and communities. Gallery. [93-4451-0119] [93-4444-0030] University of Utah 48 grants Chinatown History University of California, Salt Lake City, UT $15,000 Museum Berkeley Program Funds: $566,700* To support the preparation New York, NY $8,700 Berkeley, CA $25,000 of a handbook discussing the *Not including $175, O00 for nine grants awarded in collabora­ To support the expansion of To support research and im­ most significant works in the the museum’s docent proved computerized docu­ permanent collection of the tion with, and funded by, the Arts in Education Program. training program. mentation of the University Utah Museum of Fine Arts. [93-4451-0120] Art Museum/Pacific Film [93-4444-0031] Archive’s collection of works Grants were reviewed by Utilization of Museum Cincinnati Institute of Fine of art on paper. Virginia Museum of Hne Arts [93-4444-0033] Arts Resources Panel B, unless otherwise indicated. Cincinnati, OH $14,600 Richmond, VA $15,000 To support a school program University of Miami To support scholarly docu­ for 7th-grade students that Coral Gables, FL $15,000 mentation of the museum’s Albany Institute of History will focus on the paintings To support publication of a collection of ancient art. and murals of American artist handbook discussing the and Art [93-4444-0068] Robert Scott Duncanson at most significant works in the Albany, NY $10,000 To support the develop­ the Taft Museum. permanent collection of the Waiters Art Gallery, [93-4451-0085] Lowe Art Museum. Trustees of ment of a new interpretive approach for the museum’s [93-4444-0045] Baltimore, MD $20,000 Cincinnati Museum collection of Hudson River To support research and Association University of Michigan, preparation of a catalogue School paintings. [93-4451-0113] Cincinnati, OH $30,000 Regents of documenting selected works To support the production of Ann Arbor, MI $20,000 of Thai sculpture in the audio tours and the installa­ To support publication of a gallery’s permanent collec­ Art Institute of Chicago Chicago, IL $20,000* tion of an interactive video in scholarly catalogue docu­ tion. [93-4444-0050] the galleries at the Cincinnati menting the collection of To support "Museum Classroom," a collaborative Art Museum. Panel A. works by James A. McNeill Washington University [93-4451-0096] Whistler (1834-1903) St.Louis, MO $30,000 project between the Art housed at the university’s To support the publication of Institute of Chicago and the Chicago public schools. Columbia Art Association Museum of Art. a catalogue documenting the Columbia, SC $20,000 [93-4444-0034] most significant works in the [93-4451-0147] To support a pilot training Gallery of Art’s permanent *Awarded in collaboration with, and fanded by, the Arts in program for teachers which University of North collection. [93-4444-0079] assists a statewide effort to in­ Carolina, Chapel Hill Education Program. tegrate the visual arts into the Chapel Hill, NC $15,000 Worcester Art Museum Bellevue Art Museum public school curriculum. To support research and doc­ Worcester, MA $30,000 [93-4451-0101] umentation of selected works To support the publication of Bellevue, WA $10,000 in the permanent collection an updated handbook high­ To support a comprehensive lighting selected works in the program exploring contem­

1993 Annual Report 127 Florida International Huntington Museum tion of a sequential curricu­ Contemporary Arts lum program for fourth, fifth Association of Houston University of Art, Inc. Miami, FL $5,000 Huntington, WV $10,000 and sixth-grade students. Houston, TX $20,000 [93-4451-0115] To support the Contem­ To support the development To support "Pen and of curriculum materials for Palette," a program for mid­ *Awarded in collaboration with, porary Arts Museum’s pro­ and funded by, the Arts in students in grades K-5 visit­ dle school students that uti­ duction of videos on issues in Education Program. contemporary art. ing the museum’s ArtPark, a lizes the museum’s collections [93-4451-0107] mural and sculpture park on as source material for creative the university campus. writing. [93-4451-0100] Museum of Modern Art [93-4451-0118] New York, NY $15,000 Corcoran Gallery of Art, Institute of Contemporary To support a family program Trustees of to encourage parents and Washington, DC $15,000 Fondo Del Sol Art, Boston Washington, DC $25,000* Boston, MA $25,000 children to attend the muse­ To support a program en­ um. [93-4451-0123] couraging families to use the To support an arts education To support the production of Corcoran Gallery of Art as an program for students and a series of multi-purpose teachers in area schools. videos exploring issues in Museum of New Mexico ongoing cultural resource. Foundation [93-4451-0086] [93-4451-0102] contemporary art. *Awarded in collaboration with, [93-4451-0108] Santa Fe, NM $7,500 To support a state-wide fami­ Dallas Museum of Art and funded by, the Arts in Education Program. International Center of ly outreach program offered Dallas, TX $10,000 Photography by the Office of Statewide To support a new initiative Franklin Furnace New York, NY $27,500 Programs and Education. in docent training and re­ [93-4451-0092] cruitment. [93-4451-0089] Archive, Inc. To support a school program $15,000 for junior high school stu­ New York, NY Museums at Stony Brook DeCordova and Dana To support the expansion of dents in East Harlem and Chinatown. [93-4451-0121] Stony Brook, NY $15,000 Museum and Park "Sequential Art for Kids," an To support workshops and Lincoln, MA $10,000" art education outreach pro­ Lehman College conferences for teachers of To support "Gallery on the gram based on the book as an grades 2-8. [93-4451-0088] Go," a school outreach pro­ art form. [93-4451-0111] Art Gallery, Inc. Bronx, NY $17,500 gram. [93-4451-0103] Nebraska Art Association *Awarded in collaboration with, Henry Gallery To support a program for Association, Inc. Bronx high school students Lincoln, NE $15,000 and funded by, the Arts in To support the Sheldon Education Program. Seattle, WA $8,000 to examine issues in contem­ To support the expansion of porary art and art making, Memorial Art Gallery’s trav­ eling exhibition program as a Eiteljorg Museum of the school programs at the based on the gallery’s exhibi­ University of Washington’s tions. [93-4451-0097] component in the teaching of American Indian and Discipline-Based Art Educa­ Western Art Henry Art Gallery. [93-4451-0112] Montclair Art Museum tion in Nebraska, a pilot pro­ Indianapolis, IN $5,000 gram to integrate the arts To support the enhancement Montclair, NJ $15,000" Historic Hudson Valley To support the expansion of into the school curriculum. of the museum’s docent [93-4451-0114] training program. Tarrytown, NY $7,500 a school program for grades 2 [93-4451-0109] To support specialized do­ through 12. [93-4451-0125] cent training on American *Awarded in collaboration with, New Museum of fine and decorative arts dat­ and funded by, the Arts in Contemporary Art Fabric Workshop, Inc. New York, NY $15,000 Philadelphia, PA $30,000 ing from 1750 to 1870. Education Program. [93-4451-0098] To support an interdiscipli­ To support the development nary education and outreach of videos and brochures that Museum of Contemporary project for residents of East assist visitors in interpreting Honolulu Academy of Arts Art, Los Angeles Honolulu, HI $10,000" Los Angeles, CA $20,000* Harlem and Williamsburg. the permanent collection. [93-4451-0095] [93-4451-0105] To support the development To support the teacher-train­ ing workshop component of of curriculum materials for Ohio State University Fitchburg Art Museum grades K-6 that reflect the the museum’s "Contempo­ uniqueness of the arts of rary Art Start" program. Research Foundation Fitchburg, MA $20,000 Columbus, OH $25,000* To support the expansion of Polynesia, Melanesia and [93-4451-0117] *Awarded in collaboration with, To support the Wexner a school program for 3rd­ Micronesia. [93-4451-0179] *Awarded in collaboration with, and funded by, the Arts in Center for the Arts’ develop­ grade students. ment of a comprehensive art [93-4451-0110] and funded by, the Arts in Education Program. Education Program. education program for teach­ Museum of Modern Art ers and at-risk elementary New York, NY $35,000* school students. To support the implementa- [93-4451-0122]

128 National Endowment for the Arts *Awarded in collaboration with, social studies, reading and of the museum’s collection and funded by, the Arts in writing to 5th-grade students. Education Program. of Asian art in expanded gal­ [93-4451-0116] leries as well as a self-guided tour brochure. Plains Art Museum University of Kansas, Main Fargo, ND $10,000 Campus [93-4446-0158] To support an educational Lawrence, KS $15,000 Brooklyn Institute of Arts tour of the museum’s mobile To support the production of gallery to eight rural schools and Sciences gallery guides for the Spencer Brooklyn, NY $50,000 in North Dakota and Museum of Art’s collections Minnesota. [93-4451-0151] To support the reinstallation of American, European and of the Brooklyn Museum’s Asian art. [93-4451-0106] To help organizations Portland Art Museum Chinese collection and an ac­ make greater use of muse- Portland, OR $15,000" University of Pennsylvania, companying exhibition To support the development Trustees of um collections and other guide. Panel A. [93-4446-0139] of teaching materials related Philadelphia, PA $15,000 resources primarily of artis- to the museum’s collections tic significance. To support educational pro- Brooklyn Institute of Arts of Native American and gramming developed by the Asian art. [93-4451-0180] and Sciences Institute of Contemporary 45 grants Brooklyn, NY $50,000 *Awarded in collaboration with, Art to foster an understand- and funded by, the Arts in ing of new and unconven- Program Funds: $1,140,000 To support an exhibition and Education Program. Treasury Funds: $245,000* catalogue publication of tional art forms. *Funds include $45,000 commit­ Indian paintings drawn from [93-4451-0124] Reynolda House, Inc. ted in FY’92 but not obligated the permanent collection of Winston-Salem, NC until FY’93. the Brooklyn Museum. University of Texas, Austin Panel A. [93-4446-0141] $17,000 Austin, TX $10,000 To support an arts education Grants were reviewed by To support the expansion of Utilization of Museum Columbus Museum of Art program for middle school a school outreach program students and teachers. for students in grades 4-6 Resources Panel B unless Columbus, OH $40,000 otherwise indicated. To support an exhibition and [93-4451-0181] who typically do not have ac­ cess to the collections and ex- scholarly catalogue of 19th­ Santa Monica century American jacquard hibitions at the Huntington Amon Carter Museum of coverlets. [93-4446-0164] Museum of Art Art Gallery. [93-4451-0093] Santa Monica, CA $15,000 Western Art To support a classroom pro- Fort Worth, TX $25,000 Columbus Museum of Art Whitney Museum of To support the exhibition gram for high school students American Art Columbus, OH on contemporary art and its and tour of"Karl Struss: TF $45,000* New York, NY $15,000 To support the first major relation to daily life. To support a series of work- Pictorialist Photographer and [93-4451-0087] Cinematographer" and relat­ retrospective of the work of shops to help teachers gain ed publication and education the particular skills needed to Elijah Pierce, an American Seattle Art Museum engage students in learning programs. Panel A. folk artist, and an accompa­ [93-4446-0174] nying catalogue. Reviewed by Seattle, WA $25,000 about art. [93-4451-0094] To support the continued de- the Utilization of Museum Art Institute of Chicago velopment and evaluation Whimey Museum of Resources (1992) Panel A; see of the museum’s school Chicago, IL $60,000 1992 Annual Report. American Art To support the reinstallation programs. [93-4451-0126] New York, NY $10,000 [92-4446-0170] of the museum’s collection of *Funds were committed in FY’92 To support and strengthen but not obligated until FY’93. Southern Alleghenies the museum’s docent training ancient art. [93-4446-0138] Museum of Art program¯ [93-4451-0091] Loretto, PA $10,000 Asian Art Museum Corporation of the Fine To support the expansion of Foundation of San Arts Museums Yellowstone Art Center Francisco an arts-in-education program Foundation San Francisco, CA $50,000 for grades K-12. Billings, MT $6,400 San Francisco, CA $40,000 To support the tour of exhi­ [93-4451-0084] To support an exhibition and bitions from the museums’ To support the expansion of catalogue of the recently permanent collection. the museum’s "traveling suit- University of Illinois, acquired Harry Packard [93-4446-0137] case program serving Collection of Japanese art. Urbana-Champaign schools and art centers in Urbana, IL $10,000 [93-4446-0160] Dallas Museum of Art Montana, northern Dallas, TX $40,000 To support a school program Wyoming and western that uses the Krannert Art Birmingham Museum of To support the production of North Dakota. Art graphics and gallery guides Museum’s collection as a re- [93-4451-0127] source for teaching history, Birmingham, AL $60,000 associated with the reinstalla­ To support the reinstallation tion of the museum’s perma­

1993 Annual Report 129 Muskegon City Public Mexic-Arte Italian panel paintings. nent collection of the art of $20,000 [93-4446-0148] Schools the Americas. Austin, TX Muskegon, MI $10,000 [93-4446-0142] To support an exhibition, To support the reinstallation "Mexico in Times of Museum of Arts and Sciences, Inc. of the permanent collection Henry E. Huntington Change," and accompanying of European and American catalogue. [93-4446-0163] Daytona Beach, FL $10,000 Libra_,T and Art Gallery To support an exhibition of art in the renovated Hackley San Marino, CA $25,000 Wing of the Muskegon Mexican Museum Indian and Persian miniature To support a series of exhibi­ paintings. [93-4446-0134] Museum of Art. tions drawn from the library’s San Francisco, CA $25,000 [93-4446-0159] To support a series of low- outstanding collection of Museum of Fine Arts, British drawings and prints. cost touring exhibitions. National Museum of [93-4446-0182] Houston [93-4446-0152] Houston, TX $50,000 Women in the Arts, Inc. Washington, DC $10,000 Mid-America Arts Alliance To support a collection-shar­ Independent Curators, Inc. ing project between the To support an exhibition of New York, NY $25,000 Kansas City, MO $10,000 women silversmiths of the To support a low-cost tour­ Museum of Fine Arts, the To support a low-cost tour­ Seattle Art Museum, the Georgian era. ing exhibition, including 25 ing exhibition, "Mojo: Keith [93-4446-0132] Carter." [93-4446-0172] North Carolina Museum of works by 14 contemporary Art, and the Fine Arts artists, and accompanying Museums of San Francisco. Newark Museum catalogue, serving small re­ Mid-America Arts Alliance Association Kansas City, MO $8,000 [93-4446-0140] gional museums. Newark, NJ $20,000 [93-4446-0156] To support a low-cost tour­ To support the exhibition ing exhibition of contempo­ Museum of Fine Arts, Houston "House and Home," a chro­ Indianapolis Museum of rary Native American art. nological survey of silver from [93-4446-0173] Houston, TX $20,000 Art, Inc. To support an exhibition and 1650 to 1990 as represented Indianapolis, IN $20,000 in the Newark Museum. Milwaukee accompanying catalogue To support the first compre­ drawn from the Allan [93-4446-0131] hensive exhibition and cata­ Art Museum, Inc. Milwaukee, WI $8,000 Chasanoff collection of pho­ logue of the museum’s collec­ tography. [93-4446-0143] Philadelphia Museum tion of works by metalsmith To support a touring exhibi­ of Art tion and catalogue of con­ Janet Payne Bowles. Museum of Fine Arts, Philadelphia, PA [93-4446-0154] temporary prints for muse­ TF $125,000 ums in the region. Houston Houston, TX $70,000 To support the reinstallation Institute of Puerto Rican [93-4446-0165] of the museum’s collection Culture To support the reinstallation Minneapolis Society of the Bayou Bend collection of European paintings, San Juan, PR $30,000 of decorative arts, and related sculptures and decorative arts. To support the reinstallation of Fine Arts [93-4446-0146] Minneapolis, MN $15,000 educational programming. of the institute’s collection of [93-4446-0144] fine arts in the newly inaugu­ To support an exhibition and Rutgers, The State rated National Fine Arts catalogue of the Minneapolis University of New Jersey Institute of Arts’ European Museum of Fine Arts, Museum. [93-4446-0175] Houston Piscataway, NJ $35,000 tapestries, originally in the To support the installation of collection of the Barberini Houston, TX $10,000 Isabella Stewart Gardner To support "Contemporary the recently acquired Norton Museum, Inc. princes of Rome. and Nancy Dodge collection [93-4446-0149] Mexican Photography," a Boston, !VIA $13,000 low-cost touring exhibition of non-conformist art from To support a temporary exhi­ the Soviet Union at the Jane Minneapolis Society and accompanying brochure, bition, "Mrs. Gardner and to museums, art centers and Voorhees Zimmerli Art Japan: A Bostonian Explores of Fine Arts Museum. [93-4446-0167] Minneapolis, MN $15,000 university galleries in Texas, an Asian Culture," and ac­ Oklahoma, Louisiana and companying catalogue, drawn To support an exhibition and Saint Louis Art Museum catalogue of Camera Notes, Arkansas. [93-4446-0145] from the permanent collec­ St. Louis, MO $10,000 tion. [93-4446-0169] the pioneering photography To support a touring exhibi­ quarterly, at the Minneapolis Museum of Modern Art New York, NY TF $75,000 tion of photographs by Mattress Factory Institute of Arts. American photojournalist $10,000 [93-4446-0150] To support the reinstallation Pittsburgh, PA of the museum’s collection of Moneta Sleet, Jr. To support the installation of painting and sculpture dating [93-4446-0168] James Turrell’s "Catso Red," Museum Associates Los Angeles, CA $20,000 from 1880 to the present. a work never previously ex­ [93-4446-0155] Santa Barbara Museum of hibited, and an accompany­ To support an exhibition and Art ing catalogue. catalogue of the Los Angeles Santa Barbara, CA $8,000 [93-4446-0171] County Museum of Art’s To support the reinstallation

130 National Endowment for the Arts of the museum’s Asian collec- Virginia Museum of Fine Rene Arceo tion. [93-4446-0153] Louise Lincoln Arts Arts Director Associate Curator, Aj~ican, Richmond, VA $50,000 Mexican Fine Arts Center Oceanic and New World Seattle Art Museum To support the reinstallation Chicago, IL Seattle, WA $55,000 Cultures of the museum’s post-World Minneapolis Institute of Arts To support the reinstallation War II collection of painting of the permanent collections Deirdre Bibby Minneapolis, MN and sculpture. Executive Director of Chinese, Himalayan, [93-4446-0162] Museum of African Sarah McNear Southeast Asian and South American Art Asian art. [93-4446-0157] Associate Curator of Worcester Art Museum Tampa, FL Photography Worcester, MA $8,000 Springfield Library and Allentown Art Museum To support an exhibition of Frances Chaves Allentown, PA Museum Association "One Hundred Famous Executive Director Springfield, MA $12,000 Views of Edo," the museum’s Anderson Ranch Arts Center Dahlia Morgan To support the integration of complete set of woodblock the collections of American Snowmass Village, CO Director of The Art Museum prints. [93-4446-0133] Florida International paintings of the George Cynthia Goodman Waiter Vincent Smith University Acting Director Miami, FL Museum and the Springfield Contemporary Arts Center Museum of Fine Arts. Cincinnati, OH [93-4446-0170] Timothy Rub Director, Bruce Kurtz Hood Museum of Art University of Florida To support a limited num- Curator of 2Oth Century Art Gainesville, FL $25,000 Dartmouth College ber of innovative projects Phoenix Art Museum Hanover, NH To support a touring exhibi- Phoenix, AZ tion and reinstallation of the that will have a broad im­ Samuel P. Ham collection of pact on the museum field Richard Schwartz Arthur Ollman (chair) (layperson) West African art at the Ham as a whole. Director Museum. [93-4446-0135] President" Museum of Photographic Richard J. Schwartz 1 grant Arts Corporation; University of Indiana, San Diego, CA Bloomington Program Funds: $30,000 Chairman, Board of Trustees Herbert F. Johnson Bloomington, IN $50,000 Lawrence Rinder To support an exhibition and Museum Balboa Art Conservation Curator of 2Oth Century Art Cornell University catalogue of the Indiana University Art Museum University Art Museum’s col- Center New York, NY San Diego, CA $30,000 University of California lection of ancient jewelry Berkeley, CA from the Chalcolithic and To strengthen the conserva­ Marc Simpson Bronze Age through the late tion center’s managerial Curator, American Paintings resources and support ex- Darrel Sewell Fine Arts Museums of San Byzantine period. Department Head/Curator of [93-4446-0129] panded marketing and mem­ Francisco bership activities. Reviewed American Art San Francisco, CA in a telephone conference call Philadelphia Museum of Art University of Minnesota Philadelphia, PA Minneapolis, MN $20,000 by the following members of Susan Shin-Tsu Tai To support the reinstallation the Care of Collections Panel Curator, Asian Art A: Bruce Christman, Shelley The Rev. Alfred Shands Santa Barbara Museum of the University Art (layperson) Museum’s collection of Fletcher, Paul Haner, Henry of Art Lie, J. William Shank. Rector Santa Barbara, CA American paintings. St. John’s Episcopal Church, [93-4446-0136] [93-4461-0284] Harbor Springs, MI; Ian Wardropper Vicar Curator, European Decorative Virginia Historical Society St. Clement’s Episcopal Richmond, VA $8,000 Arts and Sculpture and Church, Louisville; Classical Art To support an exhibition of Louisville, KY Charles Hoffbauer’s mural Art Institute of Chicago Special Exhibitions Chicago, IL cycle, "The Four Seasons of Panel B the Confederacy." Panel A [93-4446-0130] Robert Frankel (chair) Dita Amory Director Chief Curator Chrysler Museum National Academy of Design Norfolk, VA New York, NY

1993 Annual Report 131 University of Kansas Panel B Joseph Jacobs Professional Chief Curator, Painting and Goodland, KS Development Sculpture Steven Biltekoff Susan Gordon (layperson) Newark Museum Panel A Newark, NJ Curator of European Art Vice-President/Treasurer Phoenix Art Museum (Ret.) John Coffey Joseph Newland Phoenix, AZ Curator, American and Bison Foods Company; Buffalo, NY Editor, Publications Modern Art Department Michael Komanecky North Carolina Museum Curator Suzannah Fahing Los Angeles County Museum of Art of Art Currier Gallery of Art Raleigh, NC Director/Chief Curator Manchester, NH Smith College Museum Los Angeles, CA Gwen Everett of Art Margaret Miller Northhampton, MA Stephen Prokopoff (chair) Collections Research Director Director, Art Museum Coordinator Krannert Art Museum; University of South Florida Office of Educational Russell Panczenko Tampa, FL Director, Professor of Art and Design Programs University of Illinois, National Museum of Elvehjem Museum of Art Deborah Schwartz University of Wisconsin Urbana-Champaign American Art Champaign, IL Vice Director for Education Washington, DC Madison, WI Brooklyn Museum Mary Ann Sternberg Brooklyn, NY Samuel Heath Brenda Richardson Deputy Director for Art/ (layperson) Director, Meadows Museum Writer; Corporate Public Care of Collections Southern Methodist Curator of Modern Painting and Sculpture Relations Director University Baton Rouge, LA Panel A (Conservation) Dallas, TX Baltimore, MD Elizabeth Vallance Estrellita Brodsky Gordon McEwan Director of Education (layperson) Associate Curator, Bret Waller (chair) Collector of 2Oth century art Director Saint Louis Art Museum New World Arts St. Louis, MO New York, NY Denver Art Museum Indianapolis Museum of Art Indianapolis, IN Denver, CO Panel B Donald Christman Chief Conservator Franklin Robinson (chair) Inez Wolins Cleveland Museum of Art Director Anthony Bannon Director Director, Cleveland, OH Herbert F. Johnson Museum Wichita Art Museum Wichita, KS Burchfield Art Center of Art State University College Shelley Fletcher Cornell University Buffalo, NY Head of Paper Conservation Ithica, NY Utilization of Museum Resources Doreen Bolger (chair) Washington, DC Elizabeth Sayad (layperson) Panel A Curator of Paintings and Writer; Public Relations Sculpture Paul F. Haner Consultant; Paintings Conservator Fatima Bercht Amon Carter Museum Founding member Fort Worth, TX St. Louis Art Museum Missouri Arts Council and Director, Visual Arts and St. Louis, MO Cultural Program St. Louis Arts and Schroeder Cherry Humanities Commission Americas Society Anthony Janson New York, NY Director of Education St. Louis, MO Baltimore Museum of Art Chief Curator Baltimore, MD North Carolina Museum Elizabeth Smith Sandra D’Emilio of Art Associate Curator Curator of Painting Raleigh, NC Museum of Fine Arts, Anne El-Omami Museum of Contemporary Curator of Education Art Museum of New Mexico Henry Lie (chair) Santa Fe, NM Cincinnati Art Museum Los Angeles, CA Cincinnati, OH Director, Center for Conservation and Technical Heather Haskell Marcia Laing Golden Studies Assistant Curator of Harvard University Art Collections (layperson) Member, Arts in Education Museums Museum of Fine Arts and Cambridge, MA G.W.V. Smith Art Museum USD 352 Task Force; Springfield, MA Member, Board of Advisors, School of Fine Arts,

132 National Endowment for the Arts Elinor Pearlstein Arthur Owens Overview (1993) Ned Rifkin Associate Curator of Chinese Acting Head, Operations Art, Asian Art Department Director Division Steven Biltekoff (layperson) High Museum of Art Art Institute of Chicago Los Angeles County Museum Chicago, IL Vice-President/Treasurer Atlanta, GA of Art (Ret.), Los Angeles, CA John William Shank Bison Foods Company Lewis Sharp (chair) Buffalo, NY Director Chief Conservator Martin Radecki (chair) San Francisco Museum of Denver Art Museum Chief Conservator Hugh Davies Denver, CO Modern Art Indianapolis Museum of Art San Francisco, CA Director Indianapolis, IN Museum of Contemporary Bret Waller Panel B Art, San Diego Director Catherine Ricciardelli San Diego, CA Indianapolis Museum of Art (Collection Registrar Maintenance) Indianapolis, IN Minneapolis Institute of Arts Suzannah Fabing Minneapolis, MN Richard Heaps Director/Chief Curator Sylvia Williams Smith College Museum Collections Manager Sarah Schroth Director Newark Museum of Art National Museum of Curator, Ackland Art Northampton, MA Newark, NJ Museum African Art Washington, DC University of North Carolina Russell Panczenko Kristin Hoermann Chapel Hill, NC Chief Conservator Director Inez Wolins Elvehjem Museum of Art, Director Yale University Art Gallery David Warren New Haven, CT University of Wisconsin Wichita Art Museum Associate Director/Senior Madison, WI Curator Wichita, KS Robert Levinson Museum of Fine Arts, (layperson) Brenda Richardson Houston Deputy Director for Art Chairman, Houston, TX Andrex Industries Baltimore Museum of Art Corporation; Baltimore, MD Vice-Chairman, National Committee on U.S./China Relations New York, NY

1993 Annual Report 133 The Music Program assists creative and performing musicians

of exceptional talent; performing and presenting organizations

of local, regional and national significance; and training and

service organizations of regional and national importance,

134 National Endowment for the Arts The nearly 700 grants awarded this year represent a rich variety of musical In 1993, eighteen composers were activities across the country by per­ awarded grants to create or complete forming individuals and ensembles, by new works. Among others, Long creative individuals such as composers, Zhou of New York City is composing and by the institutions that train our for a quartet of Chinese instruments future musicians and artists. Yet no list and Western orchestra; Charles N. of distinguished models in the field be­ Mason of Birmingham, Alabama, is gins to describe the far-reaching im­ writing one work for mixed chamber pact these remarkable projects and ensemble and tape, another for guitar artists have had on so many people. and tape, and a third for clarinet and electronics; William Scott Wheeler of A modest investment in Composers North Reading, Massachusetts, is Fellowships is creating a significant body of new music writing a composition for chorus, in the solo instrumental and vocal, orchestral, choral, soloists and orchestra based on various folk-poetic ver­ chamber and electronic music repertoires. The influx sions of the Celtic legend known as Tam Lin. of influences in the past two decades, such as the rapid­ ly coming together of world cultures and inexorable Forty-seven other fellowships were awarded to jazz technology, would have been unthinkable for a Mozart artists. Recognized by Congress as a national treasure, or Wagner. jazz is one of the nation’s priceless cultural exports. Jazz fellowships afford professional performers and com­ posers the time to create new works and perform. They Today, compositional styles are evolving, some taking on coloristic attributes of rock, jazz, Middle Eastern or also allow emerging performers and composers to study Asian musics. Others are experiments with electronics to with recognized professional artists-teacher~. Individuals create personal musical expressions. Much of what is also have the opportunity to develop special projects that benefit the jazz field and have national or regional signif­ being created is thus entirely original rather than a adap­ tive experience. icance. For example, Andrew N. White III of Washing­ ton, D.C. is transcribing solos of John Coltrane and

1993 Annual Report 135 In alarming numbers, public schools have discontinued preparing text on the distinctiveness of the "Coltrane music programs, including band, orchestra and choral style" with the support of a Jazz Fellowships Special activities. While the Arts Endowment and the arts com­ Projects grant. munity cannot solve this crisis overnight, many of the grants awarded in 1993 demonstrate the music commu­ The Music Program continues to honor jazz luminaries nity’s awareness and commitment to taking a more active for their enduring contributions to the evolution of role in the creation and continuation of music education jazz in this country. The 1993 American Jazz Masters programs across the country. Fellowships were awarded to singer Joe Williams, bassist Milt Hinton and singer/lyricist Jon Hendricks. More than 40 percent of the grants under the Orchestra category have educational components. For example, the While jazz has done much to bridge our cultural and North Carolina Symphony received support for educa­ ethnic differences, other musical genres find increasing tional concerts and performances of new American resonance in culturally diverse programming. A Special music. This education program is the hallmark of the Projects grant to the Children’s Festival Chorus of Symphony, which performs more than 65 concerts Pittsburgh supports the music component of a half- across the state to nearly 100,000 school children each hour television production of the work W~ Return year. These events play an integral role in the music cur­ Thanks by American composer Scott Cohen. The com­ riculum in public schools as they include materials for missioned work features adaptations of Seneca and the classroom and provide teacher workshops. Iroquois prayers and poetry, and portrays a harvest theme from the perspective of Native Americans. Under In Indiana, the Fort Wayne Philharmonic’s program uses a the Chamber/Jazz Ensembles category, Relache, Inc. of string quartet and percussionist to act out in skit format Philadelphia will present concerts with collaborating or­ the negative effects of drugs, showing how they can affect ganizations in six regions of the country to increase performance and attitude. Additionally, the ensembles per­ awareness of contemporary music. Relache is working form 450 demonstration concerts in Indiana public with local Latino, Asian and Jewish musicians to involve schools. Under the Jazz Ensembles category, Rebirth, Inc. newly arrived immigrants in the music culture of the of Detroit is presenting workshops and a concert by the United States. Wendell Harrison Clarinet Ensemble. Workshop partici­ pants include middle and high school students from Vibrant work is being accomplished by music presenters. African-American and Hispanic communities throughout A grant to Alaska’s Juneau Jazz & Classics will support a Detroit. Under the Chorus category, San Francisco festival that includes concerts of chamber and new Chantideer is developing a music education program music, jazz and solo recitalists. In addition to regularly which, in addition to mini-concerts and multi-day residen­ scheduled concerts, the festival is performing aboard the cies with students in grades K-12, involves master classes Alaska Marine Highway, ferrying concertgoers between and the polSular "Singing-in-the-Schools" workshops. Juneau and two neighboring Native villages. [Inasmuch as 1993 is the final year of support under the Music Now in its second year, the Chamber Music Rural Program, these organizations will be assisted in the Residencies pilot places emerging chamber music ensem­ future through the Presenting & Commissioning bles in rural communities for a full academic year. In Program. Music Festivals that primarily are producers each of three states--Georgia, Iowa and Kansas--three rather than presenters will continue to receive Music ensembles work in towns within easy driving distance of Program support.] one another, enabling the musicians to work together or separately, to teach children and adults in areas where Under the Music Professional Training category, 37 in­ music teachers are scarce, and to perform in a variety of dependent conservatories, music schools and depart­ formal and informal settings. In March 1993,"CBS ments of music receive assistance. Many of these estab­ Sunday Morning" featured the Ying Quartet’s residency lishments have become internationally known for in Jesup, Iowa, and in May Peter Jennings’ "World News advanced musical studies. Programs such as those offered Tonight" closed with a piece on the Georgia residencies. in the summer at The Yellow Barn in Putney, Vermont; Snowbird Institute in Snowbird, Utah; and the Eastern Large sales are not expected for recordings such as that of Music Festival in Greensboro, North Carolina, encour­ Wyoming pianist Helen Walker-Hill, playing the music age talented youth to develop as complete musicians.

136 National Endowment for the Arts of African-American women composers Julia Perry, people to significant repertoire outside the commercial Undine Smith Moore, Margaret Bonds and Valerie market and serves to champion unsung heroes of con­ Capers, or the Da Capo Chamber Players’ performance temporary American music. of chamber works by Pulitzer Prize winner Shulamit Ran. Rather, they document the richness of recent and These triumphant contributions in the music field are current American musical activity. Each tangible prod­ but a few out of many. Collectively they offer tremen­ uct of a Music Recording category grant exposes more dous vitality and promise for the future.

Indicates national impact. 37 grants California Institute of the Harlem School of the Arts Program Funds: $224,000 Arts, Inc. Treasury Funds: $215,000 Valencia, CA $4,000 New York, NY $7,500 To support the program of To support the program of scholarship aid for minority scholarship aid for postsec­ Academy of Vocal Arts students enrolled in the Jazz ondary students enrolled in Philadelphia, PA $4,000 and Instrumental Perform­ the Master Voice Class. To support the program ance programs. [93-3152-0605] of scholarship aid to young [93-3152-0619] singers enrolled in the Acad­ Johns Hopkins University Cleveland Institute of To foster the career devel­ emy of Vocal Arts. Baltimore, MD TF $16,300 Music ~ opment of committed, tal­ [93-3152-0614] To support the program Cleveland, OH $11,400 of scholarship aid for under­ ented musicians through To support the program of graduate and graduate support of their training Bach Aria Group Association, Inc. scholarship and fellowship students at the Peabody and education. Grants are Stony Brook, NY $4,000 aid to undergraduate and Institute. [93-3152-0594] awarded to post-secondary To support the program of graduate students. programs that provide fellowship aid to students [93-3152-0644] enrolled in the Bach Aria New York, NY TF $32,300 outstanding advanced Detroit Symphony To support the program of training to prepare Ameri­ Festival and Institute in the summer of 1993. Orchestra Hall, Inc. scholarship aid for talented cans for professional [93-3152-0616] Detroit, MI $6,000 music students. careers in music. To support the 1993-94 [93-3152-0621] Berklee College of Music, Detroit Symphony Orches­ t Denotes Biennial Inc. tra Fellowship Program. Kent State University, Application Review (BAR) Boston, MA $6,500 [93-3152-0604] Main Campus grantee. Some applications To support the program of Kent, OH $9,500 in three categories--Music scholarship aid to talented Eastern Music Festival, Inc. To support the program of Professional Training, and financially deserving Greensboro, NC $4,000 scholarship aid at the Blos­ Choruses and Orchestras-­ U.S. students. To support the program of som Festival School. are reviewed on an every­ [93-3152-0600] scholarship aid for postsec­ [93-3152-0593] other-year basis. Grants in ondary students preparing effect cover two years unless Boston Symphony for professional careers in Kneisel Hall significant change occurs. Orchestra, Inc. music. [93-3152-0615] Blue Hill, ME $4,000 Thus, when a BAR grantee Boston, MA TF $54,900 To support scholarship reapplies for a second year, To support the fellowship Horida West Coast aid for the chamber music its application is reviewed by program at Tanglewood Symphony, Inc. training program. the Council and Chairman Music Center. Sarasota, FL $4,000 [93-3152-0612] (not by a panel); if ap­ To support the program of [93-3152-0606] scholarship aid for student proved, the application is Manhattan School of participants in the Sarasota funded at an amount based Bowdoin College Music Music Festival. on the previous year’s grant Brunswick, ME $4,000 New York, NY TF $20,000 and adjusted by a fixed fac­ To support the program of [93-3152-0623] To support the program of tor. A form of multi-year scholarship aid for "Per­ scholarship aid for under­ grant-making approved by forming Associates" at the Grand Teton Music graduate and graduate the National Council and Bowdoin Summer Music Festival, Inc. students. [93-3152-0622] Chairman, BAR has proven Festival. [93-3152-0611] Teton Village, WY $4,000 To support the program of to be an efficient funding Mannes College of Music method. scholarship aid for the Grand New York, NY $5,500 Teton Orchestral Seminar. To support the program of [93-3152-0610]

1993 Annual Report 137 scholarship aid. Philharmonic-Symphony tional Orchestral Institute, 18 grants [93-3152-0603] Sodety of NewYork, Inc. "~ an intensive orchestral train­ Program Funds: $235,000 New York, NY $22,900 ing program held at the University of Maryland. Marlboro School of Music, To support the Music Assis­ Brunson, William Inc. tance Fund Scholarship and [93-3152-0595] Stockholm, Sweden $5,000 Marlboro, VT $10,300 Orchestral Fellowship To support the composition TF $20,000 programs. [93-3152-0646] University of of an electroacoustic music To support scholarship pro­ Massachusetts, Amherst work. [93-3112-0633] grams for young and for ex­ San Francisco Amherst, MA $6,500 perienced artists. Conservatory of Music, To support the program of Bubalo, Rudolph [93-3152-0592] Inc. scholarship aid for the 1993 Cleveland Heights, OH San Francisco, CA $4,400 Jazz in July Workshop in $22,000 Music Associates of Aspen, To support the program of Improvisation. To support the composition Inc. scholarship aid for students [93-3152-0596] of a concerto for violin and Aspen, CO TF $30,400 enrolled in the Graduate orchestra. [93-3112-0639] To support the program of Chamber Music Program. University of Michigan, scholarship and fellowship [93-3152-0617] Regents of ~" Chafe, Christopher aid for students participating Ann Arbor, MI $18,000 Palo Alto, CA $19,000 in the Aspen Festival Orch­ Snowbird Institute To support the program of To support the composition estra, the Aspen Chamber Snowbird, UT $4,000 scholarship aid for masters of a work for voice and inter­ Symphony, and the Aspen To support the Snowbird and doctoral fellowship stu­ active electronics. Opera Theater Center. Institute String Chamber dents. [93-3152-0645] [93-3112-0640] [93-3152-0608] Music Festival and Scholar­ ship Program. Yale University Cox, Cindy Musicorda, Inc. [93-3152-0624] New Haven, CT $10,200 Alameda, CA $8,000 South Hadley, MA $5,000 To support the program of To support the composition To support the program of Society for Strings, Inc. scholarship aid at the Yale of a string quartet. scholarship aid for the New York, NY $4,000 School of Music for students [93-3112-0634] Musicorda Summer String To support the program of enrolled in the performance Program. [93-3152-0620] scholarship aid for string and composition programs. Currier, Nathan players at the Meadow- [93-3152-0625] New York, NY $18,500 New England Conservatory mount School of Music. To support the composition of Music [93-3152-0602] Yellow Barn of a work for full orchestra. $6,000 Boston, MA TF $18,000 Putney, VT [93-3112-0637] To support the program of University of California, To support the program of scholarship aid and a course Santa Barbara scholarship aid for conserva­ Downey, John entitled "Career Skills." Santa Barbara, CA $6,000 tory and post-conservatory Shorewood, WI $19,000 students enrolled in the sum­ [93-3152-0601] To support the program of To support the composition scholarship aid at The Vocal mer program. of a three-movement concer­ New School for Social Institute. [93-3152-0598] [93-3152-0597] to for piano and orchestra Research and a tone poem for large or­ New York, NY $12,200 University of Cincinnati, chestra. [93-3112-0631] To support the program of Main Campus scholarship aid for students Cincinnati, OH $7,300 Froom, David participating in the New TF $6,200 California, MD $8,000 York String Orchestra To support the program of To support the composition Seminar. [93-3152-0609] scholarship aid at the of a solo piano work. Conservatory of Music. [93-3112-0628] Oberlin College [93-3152-0599] Fellowships grants are Oberlin, OH TF $16,900 Kleinsasser, William University of Hartford available to individual To support the program of composers for the creation Towson, MD $10,500 scholarship aid for students West Hartford, CT $4,000 To support the composition enrolled in the Conservatory To support the program of or completion of musical of a concerto for , of Music. [93-3152-0613] scholarship aid at the Hartt works and to composers mixed chamber ensemble School of Music. working with collabora­ and electronics; and a con­ Orchestral Association t [93-3152-0618] tors such as video artists, certo for violin and cello, Chicago, IL $17,200 filmmakers, poets, and chamber orchestra and dec­ To support the scholarship University of Maryland, tronics. [93-3112-0632] aid program of the Civic College Park choreographers for the Orchestra of Chicago. College Park, MD $7,600 creation or completion [93-3152-0607] To support the program of of collaborative works. scholarship aid of the Na­

138 National Endowment for the Arts Kraft, William Wright, Maurice Jazz Performance demonstrations featuring the Altadena, CA $18,500 Wyncote, PA $10,500 grantee as soloist and leader To support the composition To support the composition 17 grants within quartet and sextet of a work for soprano and of a work for piano and settings. [93-3113-0010] orchestra based on verses chamber orchestra. Program Funds: $163,600 from Giraud’s Pierrot [93-3112-0636] Robinson, Scott Lunaire. [93-3112-0635] Adler, Marc West New York, NJ $7,900 Zhou, Long Philadelphia, PA $9,500 To support the costs of a Levering, Arthur New York, NY $9,000 To support the costs of con­ concert featuring the grantee Cambridge, MA $8,500 To support the composition certs featuring the grantee as as soloist and leader in a sex­ To support the composition of a concerto for a quartet of flutist and leader in duo, tet performing the music of of a chamber work for vari­ Chinese instruments and quartet and quintet settings . ous instruments and a brass Western orchestra. performing his original com­ [93-3113-0015] quintet. [93-3112-0630] [93-3112-0626] positions and arrangements. [93-3113-0007] Robinson, Sonya Mason, Charles Glendale, WI $10,000 Birmingham, AL $16,000 Campbell, Gary To support the costs of con­ To support the composition Miami, FL $13,400 certs featuring the grantee as of three works respectively To support the costs of per­ violinist and leader in a quar­ for mixed chamber ensemble formance featuring the tet. [93-3113-0016] and tape, for guitar and tape, grantee as saxophonist and and for clarinet and electron­ Jazz Performance and leader in an ensemble with Slagle, Steve ics. [93-3112-0627] Jazz Composition grants guitarist John Abercrombie. Brooklyn, NY $6,500 are nonmatching fellow­ [93-3113-0004] To support the costs of con­ Moravec, Paul certs featuring the grantee as Hanover, NH $9,000 ships awarded to profes­ Gibson, David saxophonist and leader in a To support the composition sional jazz musicians for Brooklyn, NY $13,000 small ensemble performing of a symphonic work for full performance or composi­ To support the costs of per­ original compositions incor­ orchestra. [93-3112-0642] tion. Jazz Study grants are formance, workshops and porating Latin influences. awarded to aspiring jazz master classes featuring the [93-3113-0009] Nelson, Jon Christopher grantee as drummer and musicians to study with Miami, FL $7,000 leader in trio, quartet and big Sokolov, Jerry To support the composition the professional artists of band settings. Auburndale, NY $6,000 of a work for violoncello and their choice. Special [93-3113-0005] To support the costs of a tape; a work for double bass, Projects grants are also concert featuring the grantee piano and tape; and a work awarded to individuals for Goldberg, Benjamin as trumpet soloist and leader for piano and live electronics Oakland, CA $9,500 of his own jazz quintet; and a or tape. [93-3112-0629] innovative and exemplary To support the costs of a se­ quintet with string quartet projects of national or re­ ries of concerts featuring the performing his compositions Stalvey, Dorrance gional significance that grantee as soloist and leader and arrangements. Los Angeles, CA $16,500 benefit the field of jazz. in a variety of settings. [93-3113-0003] To support the composition [93-3113-0011] of a work for orchestra. American Jazz Masters Fellowships honor distin­ Stone, Richard [93-3112-0638] Goldsby, John guished jazz masters who Brooklyn, NY $13,500 Long Island City, NY To support the costs of Wheeler, William Scott have made a significant $9,OOO performance featuring the North Reading, MA $15,000 contribution to the art To support the costs of a se­ grantee as guitarist and leader To support the composition form in the African- ries of concerts featuring the in a quintet paying tribute to of a large work for chorus, American tradition; since grantee as bassist and leader the masters of modern jazz soloists and orchestra. in a quartet. [93-3113-0008] guitar. [93-3113-0017] [93-3112-0641] individuals may not apply for these awards, jazz mas­ Gordon, Frank Tonooka, Sumi Wolfson, David ters are nominated by the Maplewood, NJ $8,500 Philadelphia, PA $12,000 New York, NY $15,000 jazz community or the To support the costs of a To support the costs of per­ To support the composition general public. concert featuring the grantee formance featuring the of a collaborative work as trumpeter and leader in a grantee as pianist and leader with choreographer Lynn 47 grants septet. [93-3113-0002] in a 12- to 14-member en­ Wichern for chamber semble performing two ex­ ensemble and dancers. Program Funds: $360,000 Owens, Jimmy tended compositions, one of [93-3112-0643] New York, NY $12,000 which will blend traditional To support the costs of a Japanese musical elements series of concerts and lecture/ with jazz. [93-3113-0014]

1993 Annual Report 139 violin, piano, bass, drums DeSpaln, Lisa K. Reed, Scott C. Traub, Eric $2,500 New Orleans, LA $7,500 and voice; and the composi­ Orem, LIT $2,000 Park Forest, IL tion of a work for violin, To support study with To support study with To support the costs of a guitarist Ron Eschete. concert featuring the grantee vibraphone, piano, bass and pianist JoAnne Brackeen. as soloist and leader in a drums. [93-3113-0020] [93-3113-0041] [93-3113-0037] septet performing his com­ Retzlaff, Peter E. positions. [93-3113-0012] Masters, Mark A. Galindo, Jeffrey & South Pasadena, CA $9,500 Cambridge, !vIA $4,900 Columbus, OH $2,000 To support the creation of To support study with To support study with Varner, Thomas drummer Adam Nussbaum. New York, NY $5,000 big band arrangements of the tenor saxophonist George To support the costs of a compositions of Jimmy Garzone. [93-3113-0029] [93-3113-0025] concert featuring the grantee Knepper. [93-3113-0019] as French homist and leader Harem, Randall P. Rochinskl, Stephen J. Brookline, !vIA $2,600 in a quintet. [93-3113-0013] Osland, Miles S. Springfield, MO $3,100 Lexington, KY $7,000 To support study with sax­ To support study with gui­ To support the composition ophonist David Liebman. tarist Tal Farlow. Werner, Kenneth [93-3113-0027] Scotch Plains, NJ $11,000 of a work for jazz orchestra. [93-3113-0028] To support the costs of [93-3113-0023] Linka, Rudolf Suonsaari, Klaus H. performance featuring the Weehawken, NJ $3,000 grantee as a pianist and Wallace, Wayne New York, NY $4,800 San Francisco, CA $9,000 To support study with To support study with per­ leader in an ensemble paying cussionist . tribute to Mel Lewis. To support the composition guitarist John Abercrombie. [93-3113-0006] of a three-movement suite [93-3113-0036] [93-3113-0043] that reflects the diverse cul­ tures evident in the San Livorno, Antonio J. Wood, Stephen W’dllams, Jessica Detroit, MI $3,500 Beaverton, OR $9,300 Francisco Bay area. Massapequa, NY $2,000 [93-3113-0021] To support study with To support study with saxo­ To support the costs of con­ phonist George Coleman. certs featuring the grantee as pianist John "Jaki" Byard. pianist and leader in a trio [93-3113-0034] [93-3113-0038] performing her composi­ jazz Study , tions paying tribute to pi­ MacDonald, Peter Clifton, NJ $3,000 anist , drummer 19 grants Special Projects "Philly" Jo Jones and tenor To support study with saxophonist Charlie Rouse. Program Funds: $63,900 percussionist Sam Ulano. 2 grants [93-3113-0033] [93-3113-0001] Program Funds: $21,500 Adams, Joel M. McGuinness, Peter O. Jazz Composition Madison, WI $2,000 Brooklyn, NY $4,400 To support study with trom­ To support study with saxo­ Owens, Jimmy bonist Charles Vernon. phonist David Liebman. New York, NY $6,500 6 grants [93-3113-0040] [93-3113-0026] To support the costs for doc­ umenting the practice tech­ Program Funds: $51,000 Baum, Jameson Lynn O’Connor, James Q. niques used by contempo­ Brooklyn, NY $1,500 New York, NY $4,500 rary jazz trumpeters. Darriau, Matt J. To support study with pi­ To support study with pi­ [93-3113-0046] Brooklyn, NY $9,000 anist Richie Bierach. anist Kenneth Werner. [93-3113-0044] [93-3113-0035] White III, Andrew N. To support the composition Washington, DC $15,000 of a three-movement concer­ to for jazz orchestra in Clarke, Timothy S. Paliga, Mitchell L. To support the costs of tran­ tribute to . Eugene, OR $3,600 Chicago, IL $5,000 scribing John Coltrane solos and preparing a text on the [93-3113-0022] To support study of compo­ To support study with saxo­ sition with composer Clare phonist David Liebman. Coltrane style. Ho, Fred W. Fischer. [93-3113-0042] [93-3113-0024] [93-3113-0045] Brooklyn, NY $9,000 To support the completion Cooke, Geoffrey A. Rathnaw, Dennis M. of a multimovement work in Denver, CO $5,000 San Francisco, CA $4,500 progress. [93-3113-0018] To support study with bass­ To support study with ist Buster Williams. percussionist Michael Lyon, Jay T. [93-3113-0031] "Babatunde" Lea. San Francisco, CA $7,500 [93-3113-0039] To support the completion of a work in progress for

140 National Endowment for the Arts American Jazz opment of American solo choruses to increase and To support fees for vocal Master Fellowships artists. educate their audiences soloists in 1993-94. and serve the larger com­ [93-3121-0256] 3 grants 4 grants munity; to broaden the Choral Cross-Ties, Inc. Program Funds: $60,000 Program Funds: $90,300 repertoires of choruses; Portland, OR $4,300 and to assist the provision To support salaries and fees Grants were reviewed by of services to the field of of the conductor, accompa­ Hendricks, John C. the Music Professional choral music. nist and singers and other re­ New York, NY $20,000 Training Panel. lated expenses associated Singer, lyricist and drummer; ~ Denotes Biennial Applica­ with the 1993-94 perfor­ known as the "poet laureate tion Review (BAR) grantee. mance season. of jazz" and described in the ~ Concert Artists See note with Music Profes­ [93-3121-0258] New Grove Dictionary of Jazz Guild, Inc. sional Training Catagory as "a fine scat singer,...so New York, NY $14,000 Dale Warland Singers adept at imitating instrumen­ TO support management ser­ 40 grants Minneapolis, MN $12,000 tal sounds that his improvisa­ vices and artists’ fees for con­ TF $25,000 tions often surpass the solos certs during the 1993-94 sea­ Program Funds: $295,000 To support singers’ fees and played by his accompanists." son. [93-3151-0574] Treasury Funds: $100,000 salaries for the music direc­ [93-3113-0251] tor/conductor and assistant Great Lakes Performing director/accompanist for the Hinton, Milton J. Artist Associates American Boychoir School 1993-94 performance sea­ St. Albans, NY $20,000 Ann Arbor, MI $7,000 Princeton, NJ $5,000 son. [93-3121-0278] Bassist; played as a member To support management ser­ To support the artistic and of the Band; vices for performing artists in educational activities of the Glen Ellyn Children’s introduced new techniques the region. [93-3151-0575] American Boychoir in 1993­ Chorus, Inc. that revolutionized jazz bass 94, including expenses for Glen Ellyn, IL $5,000 playing and enabled bassists ~ Pro Musicis performances and work­ To support expenses related to obtain more featured solos Foundation, Inc. shops. [93-3121-0272] to a children’s choral work­ within the big band setting. New York, NY $16,500 shop and festival in DuPage [93-3113-0249] To support a recital series in Ascension Music Chorus & County in 1993-94, and a cities throughout the United Orchestra, Inc. second training chorus with­ Williams, Joseph States. [93-3151-0579] New York, NY $7,000 in the Glen Ellyn Children’s Las Vegas, NV $20,000 To support the salary of the Chorus. [93-3121-0259] Singer; sang with Count gr Young Concert conductor and fees for Basie’s Band; toured with Artists, Inc. singers, vocal soloists and ac­ Gregg Smith Singers, Inc. Harry Edison, George Shear­ New York, NY $52,800 companist for the 1993-94 New York, NY $6,000 ing, Cannonball Adderley, To support the organiza­ performance season. To support expenses related and Basle; and received many tion’s services to American [93-3121-0270] to the 1993-94 New York honors, including two hon­ solo recitalists, including City series. [93-3121-0260] orary Doctorate of Music de­ booking and management Baltimore Choral Arts grees. [93-3113-0250] services, publicity materials, Society, Inc. Handel and Haydn and career counseling and Baltimore, MD $5,000 Society ~ guidance. [93-3151-0576] To support core singers’ and Boston, MA $16,500 vocal soloists’ fees in the To support the salary of the 1993-94 season. chorus master and fees for [93-3121-0252] accompanist, singers and vocal soloists in 1993-94. Baltimore Symphony [93-3121-0567] Orchestra, Inc. To maintain or improve Baltimore, MD $5,000 His Majestie’s Clerkes To support salaries for the Chicago, IL $4,000 the artistic and manage­ chorus director and chorus To support the artistic direc­ ment quality of choruses; manager and fees for the tor’s salary and fees for To assist organizations, to enhance opportunines singers and accompanist for singers in 1993-94. other than presenting for American choral the Baltimore Symphony [93-3121-0254] organizations and educa­ singers, soloists, conduc­ Chorus in 1993-94. tional institutions, that are tors, and accompanists; to [93-3121-0286] I Cantori di New York, InCo devoted primarily to the make high-quality choral Choral Arts Society of New York, NY $5,500 professional career devd­ performances more widely Washington To support soloists’ fees, available; to encourage Washington, DC $5,000 production expenses and the

1993 Annual Report 141 general manager’s salary for mance season. artistic director and fees for in the 1993-94 season. [93-3121-0283] the 1993-94 performance [93-3121-0261] singers in the 1993-94 season. [93-3121-0267] season. [93-3121-0266] National Choral Vocal Arts Ensemble of Foundation, Inc. San Francisco Chanticleer, Cincinnati Los Angeles Master Cincinnati, OH $4,000 Chorale Association Washington, DC $3,000 To support the salary of the San Francisco, CA $12,000 To support fees of singers in Los Angeles, CA $13,000 the 1993-94 season. To support singers’ fees and music director, singers’ fees, TF $25,000 educational outreach activi­ and space rental for the Paul To support salaries for the [93-3121-0269] Hill Chorale’s 1993-94 per­ singers, music director, assis­ ties of the Los Angeles Washington Bach Consort Master Chorale in the 1993­ formance season. tant conductor and artistic Washington, DC $7,700 94 season. [93-3121-0275] [93-3121-0262] director in the 1993-94 per­ formance season. To support artistic and ad­ Mendelssohn Choir of Northwest Gidchoir [93-3121-0263] ministrative costs associated Pittsburgh Seattle, WA $5,000 with the consort’s communi­ Pittsburgh, PA $4,000 To support salaries for a San Francisco Choral ty outreach program in 1993-94. [93-3121-0264] To support the salary of the managing director and a Artists music director and fees for marketing consultant in San Francisco, CA $5,000 singers and soloists in the 1993-94. [93-3121-0253] To support fees for the Washington Men’s music director/conductor, Camerata, Inc. 1993-94 performance sea­ Washington, DC $5,000 son. [93-3121-0276] Orchestral Association associate conductor and Chicago, IL $9,000 singers, and related adminis­ To support salaries of the Mendelssohn Club TF $25,0OO trative fees for the 1993-94 music director, keyboard ac­ Philadelphia, PA $5,000 To support singers’ fees of season. [93-3121-0280] companist and a part-time the Chicago Symphony administrator in 1993-94. To support fees for singers [93-3121-0287] and management staff. Chorus in 1993-94. San Francisco Girls [93-3121-0277] [93-3121-0273] Chorus, Inc. San Francisco, CA $7,500 Milwaukee Symphony Oregon Repertory Singers To support salaries and fees Services to the Orchestra, Inc. Portland, OR $5,000 to improve the artistic quali­ Chorus Field Milwaukee, WI $13,900 To support salaries and fees ty of the chorus and its out­ To support salaries and fees for the conductor, singers, reach training programs for keyboard accompanist and 1993-94. [93-3121-0282] and related administrative ~r American Choral expenses of the Milwaukee vocal soloists in 1993-94. [93-3121-0268] San Francisco Symphony Directors Association Symphony Chorus in 1993­ Lawton, OK $10,000 94. [93-3121-0285] San Francisco, CA $15,700 Philadelphia Singers, Inc. To support singers’ salaries To support costs of a choral Philadelphia, PA $5,600 in the 1993-94 performance leadership training work­ Music of the Baroque shop, to be held in 1993, Concert Series To support salaries of the season of the San Francisco conductor and accompanist Symphony Chorus. and salaries of the managing Chicago, IL $8,500 editor of the ChoralJourna~ TF $25,000 and singers’ fees for the [93-3121-0265] 1993-94 subscription series an ACDA executive director, To support singers’ and vo­ and related costs. cal soloists’ fees and expenses concerts, and singers’ salaries Santa Fe Desert Chorale ~" related to an educational for the educational program. Santa Fe, NM $6,100 [93-3121-0255] outreach program in the [93-3121-0274] To support the salaries for the singers and choral con­ ~ Chorus America, 1993-94 performance Association of Professional season. [93-3121-0288] Phoenix Bach Choir ductor for the 1993-94 sea­ Phoenix, AZ $5,000 son. [93-3121-0569] Vocal Ensembles To support singers’ fees for Philadelphia, PA $17,400 Musica Sacra of To support ongoing services New York, Inc. the 1993-94 performance Saint Louis Symphony season. [93-3121-0279] Society to the choral field in 1993­ New York, NY $15,000 94. [93-3121-0284] To support fees for singers St. Louis, MO $4,300 ~ Pomerium Musices, To support artistic and man­ and vocal soloists for 1993­ Sr GALA Choruses, Inc. 94. [93-3121-0271] Inc. t agement salaries/fees and re­ New York, NY $6,400 lated expenses of the Saint Denver, CO $5,800 National Choral To support singers’ fees in Louis Symphony Chorus in To support costs of a 1993 1993-94. [93-3121-0568] 1993-94. [93-3121-0281] leadership conference. Foundation, Inc. [93-3121-0257] Washington, DC $6,100 To support salary and fees Pro Arte Chamber Singers Valley Master Chorale for the music director and of Connecticut, Inc. Northridge, CA $5,000 singers for the Washington Stamford, CT $4,700 To support singers’ fees for Singers’ 1993-94 perfor­ To support the salary of rehearsals and performances

142 National Endowment for the Arts music and new music perfor- the quarterly magazine 1993-94 season. mances by the Amherst Chamber Music during the [93-3124-0522] Saxophone Quartet during 1993-94 season. the 1993-94 season. [93-3124-0542] ~z [93-3124-0502] America, Inc. Chamber Music Society of Cleveland, OH $10,000 To assist organizations Bronx Arts Ensemble, Inc. Lincoln Center, Inc. To support technical assis- Bronx, NY $4,000 that perform chamber New York, NY $10,000 tance projects for the field, To support artists’ fees for To support artists’ fees and music from all eras with model programs for national chamber music concerts dur­ related costs for a chamber use, and for the publications an emphasis on American ing the 1993-94 season. music concert series during Historical Pe~ormance, The works, and jazz in its tra­ [93-3124-0509] the 1993-94 season. Journal of Early Music ditional or current forms. [93-3124-0529] America and EMA Bulletin. Assistance is also available California E.A.R. Unit [93-3124-0499] Foundation Chestnut Brass Company to organizations providing Los Angeles, CA $4,000 Philadelphia, PA $4,300 services to the chamber To support artists’ fees and To support artists’ fees and San Francisco, CA $4,000 music field. related costs for the perfor­ related costs for a chamber To support artists’ fees for mance of new music during music concert series during the performance of new 74 grants the 1993-94 season. the 1993-94 season. music during the 1993-94 [93-3124-0519] [93-3124-0544] season. [93-3124-0551] Program Funds: $395,000 Capitol Chamber Artists, Chicago Chamber Four Nations, Inc. Chamber Inc. Musicians Brooklyn, NY $4,000 Ensembles/Services Albany, NY $4,000 Chicago, IL $4,000 To support artists’ fees and To support artists’ fees and To support artists’ fees and related costs for chamber related costs for chamber related costs for a chamber music concerts during the 70 grants music concerts during the music concert series during 1993-94 season. Program Funds: $370,000 1993-94 season. the 1993-94 season. [93-3124-0514] [93-3124-0560] [93-3124-0549] Goliard Concerts, Inc. Aequalis, Inc. Capitol Woodwind Denver Brass, Inc. Astoria, NY $4,000 Brookline, MA $4,000 Quintet Denver, CO $4,000 To support artists’ fees and To support artists’ fees for Arlington, VA $4,000 To support artists’ fees and related costs for chamber chamber music concerts dur­ To support artists’ fees and related costs for chamber music concerts by the ing the 1993-94 season. related costs for a chamber music concerts during the Goliard Chamber Soloists [93-3124-0539] music concert series during 1993-94 season. during the 1993-94 season. the 1993-94 season. [93-3124-0561] [93-3124-0537] American Brass Chamber [93-3124-0506] Music Association, Inc. Detroit Chamber Winds Hesperus New York, NY $4,000 Carnegie Chamber Royal Oak, MI $4,000 Arlington, VA $6,000 To support artists’ fees and Players, Inc. To support artists’ fees and To support artists’ fees and related costs for the perfor­ New York, NY $4,000 related costs for a chamber related costs for chamber mance of chamber and new To support artists’ fees and music concert series during music concerts during the music during the 1993-94 related costs for a chamber the 1993-94 season. 1993-94 season. season. [93-3124-0504] music residency during the [93-3124-0528] [93-3124-0501] 1993-94 season. ~ Amherst College, [93-3124-0498] Dinosaur Annex Music I Cantori Trustees of Ensemble, Inc. Pasadena, CA $4,000 Washington, DC $7,200 Chamber Artists of Boston, MA $4,000 To support artists’ fees and To support artists’ fees for Washington To support artists’ fees and related costs of performances chamber music concerts by Annandale, VA $4,000 related costs for new music of chamber and new music the Folger Consort during To support artists’ fees for a concerts during the 1993-94 during the 1993-94 season. the 1993-94 season. chamber music concert series season. [93-3124-0515] [93-3124-0546] [93-3124-0548] during the 1993-94 season. [93-3124-0526] DVQAssociation International Arts Colorado Springs, CO Amherst Saxophone qz Chamber Music Exchange, Inc. Society, Inc. $3,000 Arlington, MA $4,000 Williamsville, NY $4,500 America, Inc. To support artists’ fees and To support artists’ fees and To support artists’ fees and New York, NY $41,000 related costs for chamber related costs for chamber related costs for chamber To support a technical assis- music concerts during the music concerts during the tance program and costs of 1993-94 season by members

1993 Annual Report 143 Musica Antigua de Odyssey Chamber related costs for new music of the ensemble the Musi­ concerts during the 1993-94 cians of the Old Post Road. Albuquerque, Inc. Players, Inc. [93-3124-0497] Albuquerque, NM $4,000 New York, NY $4,000 season. [93-3124-0530] To support artists’ fees and To support artists’ fees and related costs for chamber related costs for chamber Present Music, Inc. just the X of Us, Inc. Milwaukee, WI $4,000 Los Angeles, CA $4,000 music during the 1993-94 music concerts during the season. [93-3124-0505] 1993-94 season. To support artists’ fees and To support artists’ fees and related costs for new music related costs for new music [93-3124-0516] concerts during the 1993-94 New Music Consort, Inc. concerts during the 1993-94 season. [93-3124-0563] New York, NY $9,300 Orchestra 2001, Inc. season. [93-3124-0545] To support artists’ fees and Wallingford, PA $4,000 ~ Kronos Performing Arts related costs for new music To support artists’ fees and Quintessence Chamber Association concerts during the 1993-94 related costs for new music Ensemble, Inc. Phoenix, AZ $4,000 San Francisco, CA $16,000 season. [93-3124-0552] concerts during the 1993-94 To support artists’ fees and season. [93-3124-0525] To support artists’ fees and related costs for new music New York Chamber related costs for contempo­ performances by the Kronos Ensemble, Inc. Parnassus Contemporary rary chamber music concerts Quartet during the 1993-94 New York, NY $4,000 Music Foundation, Inc. during the 1993-94 season. season. [93-3124-0564] To support artists’ fees and New York, NY $4,000 [93-3124-0553] related costs for the perfor­ To support artists’ fees for Lark Society for Chamber mance of chamber music new music concerts during Quintet of the Music during the 1993-94 season. the 1993-94 season. Americas, Inc. Portland, ME $4,000 [93-3124-0559] [93-3124-0508] New York, NY $4,000 To support artists’ fees and To support artists’ fees and related costs for chamber and related costs for chamber New York Consort of Performance Zone, Inc. new music concerts during music concerts by the Port­ , Inc. New York, NY $4,000 land String Quartet during New York, NY $4,000 To support artists’ fees and the 1993-94 season. the 1993-94 season. To support artists’ fees and related costs for chamber and [93-3124-0518] [93-3124-0500] related costs for chamber new music touring activities music concerts during the during the 1993-94 season. ~ Relache, Inc. Long Island Baroque 1993-94 season. [93-3124-0513] Philadelphia, PA $4,000 Ensemble, Inc. [93-3124-0523] To support artists’ fees and ~ Performers’ related costs for new music Locust Valley, NY $4,000 concerts during the 1993-94 To support artists’ fees and New York Philomusica Committee, Inc. related costs for chamber Chamber Ensemble New York, NY $4,500 season. [93-3124-0556] music concerts during the New York, NY $4,000 To support artists’ fees and 1993-94 season. To support artists’ fees and related costs for chamber and Rosewood Chamber [93-3124-0562] related costs for chamber new music concerts during Ensemble, Inc. music concerts during the the 1993-94 season. Sunnyside, NY $3,500 Lyric Chamber 1993-94 season. [93-3124-0555] To support artists’ fees and Ensemble, Inc. [93-3124-0511] related costs for chamber Southfield, MI $4,000 Philadelphia Renaissance music concerts during the To support artists’ fees and North Country Chamber Wind Band 1993-94 season. related costs for the perfor­ Players, Inc. Philadelphia, PA $4,000 [93-3124-0510] mance of chamber music Franconia, NH $4,000 To support artists’ fees and during the 1993-94 season. To support artists’ fees for related costs for chamber San Francisco [93-3124-0536] the performance of chamber music concerts during the Contemporary Music music during the 1993-94 1993-94 season. Players MSQ Enterprises, Inc. season. [93-3124-0512] [93-3124-0533] San Francisco, CA $7,500 Cold Spring, NY $4,000 To support artists’ fees and To support artists’ fees and North-South Philomel Concerts, Inc. related costs for new music related costs for chamber Consonance, Inc. Philadelphia, PA $4,000 concerts during the 1993-94 music concerts during the New York, NY $3,500 To support artists’ fees and season. [93-3124-0531] 1993-94 season. To support artists’ fees and related costs for chamber [93-3124-0541] related costs for chamber music concerts during the San Francisco Live Arts music concerts during the 1993-94 season. San Francisco, CA $4,000 Music For A While 1993-94 season. [93-3124-0538] To support artists’ fees and Stony Point, NY $3,000 [93-3124-0557] touring costs related to the To support artists’ fees for Pittsburgh New Music performance of new music concerts during the 1993-94 Ensemble, Inc. by the Modern Mandolin season. [93-3124-0527] Pittsburgh, PA $4,000 Quartet during the 1993-94 To support artists’ fees and season. [93-3124-0558]

144 National Endowment for the Arts Sea Cliff Chamber Sylvan Winds, Inc. Westwind Brass, Inc. Players, Inc. New York, NY $4,000 San Diego, CA $4,000 Sea Cliff, NY $5,600 To support artists’ fees and To support artists’ fees and To support artists’ fees and related costs for chamber related costs for the perfor­ related costs for chamber music concerts during the mance of chamber music To improve the artistic music concerts during the 1993-94 season. during the 1993-94 season. quality and management 1993-94 season. [93-3124-0550] [93-3124-0521] [93-3124-0554] of orchestras in all sections Theater Chamber Zeitgeist of the country; to encour­ S.E.M. Ensemble, Inc. Players, Inc. St. Paul, MN $4,000 age orchestras to broaden Brooklyn, NY $4,000 Washington, DC $3,000 To support artists’ fees and their repertoires to include To support artists’ fees and To support artists’ fees for related costs for the perfor­ not only works of many related costs for new music chamber music concerts dur­ mance of new music in the historical periods, but par­ concerts during the 1993-94 ing the 1993-94 season. 1993-94 season. season. [93-3124-0565] [93-3124-0543] [93-3124-0540] ticularly music of our time with an emphasis on Southwest Chamber Music Third Angle New Music American works; to pro­ Society Ensemble Jazz Ensembles vide professional opportu­ Pasadena, CA $4,000 Portland, OR $4,000 nities for American artists To support artists’ fees for To support artists’ fees and the performance of chamber related costs for the perfor­ 4 grants and conductors; and to music during the 1993-94 mance of new music during Program Funds: $25,000 encourage orchestras to season. [93-3124-0532] the 1993-94 season of increase and educate their Virtuosi della Rosa. Creative Opportunity audiences and to serve the Speculum Musicae, Inc. [93-3124-0507] Orchestra, Inc. larger community. Grants New York, NY $4,400 Austin, TX $3,000 To support artists’ fees and Twentieth Century To support the 1993-94 are awarded in two sub­ related costs for the perfor­ Consort concert subscription series. categories: Artistic and mance of new music during Washington, DC $5,000 [93-3124-0648] Administrative Activities the 1993-94 season. To support artists’ fees and and Services to the Field. [93-3124-0520] related costs for a new music Hfe on the Water concert series during the San Francisco, CA $6,000 t Denotes Biennial Applica­ St. Luke’s Chamber 1993-94 season. To support American artists’ tion Review (BAR) grantee. Ensemble, Inc. [93-3124-0524] fees and related costs for the See note under Music New York, NY $4,500 presentation ofJon Jang and Professional Training. To support artists’ fees for Voices of Change the Pan Asian Arkestra dur­ the performance of chamber Dallas, TX $7,000 ing a western regional tour. 198 grants music during the 1993-94 To support administrative [93-3124-0647] season. [93-3124-0535] fees associated with the per­ Program Funds: $3,625,600 formance of new music dur­ Lincoln Center for the Treasury Funds: $4,286,000 St. Michael’s Episcopal ing the 1993-94 season. Performing Arts, Inc. Church [93-3124-0547] New York, NY $10,000 New York, NY $4,500 To support the Lincoln Artistic And To support artists’ fees and ~ Waverly Consort, Inc. Center Jazz Orchestra’s tour Administrative related costs for the perfor­ Patterson, NY $8,700 of the northeast region dur­ Activities mance of a chamber and new To support artists’ fees and ing the 1993-94 season. music concert series by the related costs for early music [93-3124-0649] 195 grants Saturday Brass Quintet dur­ concerts during the 1993-94 ing the 1993-94 season. season. [93-3124-0566] Rebirth Inc. Program Funds: $3,326,600 [93-3124-0503] Detroit, MI $6,000 Treasury Funds: $4,286,000 Western Wind Vocal To support workshops and a St. Michael’s Episcopal Ensemble, Inc. concert by the Wendell Church New York, NY $10,000 Harrison Clarinet Ensemble Albany Symphony New York, NY $4,000 To support artists’ fees and and guest artists. Orchestra, Inc. To support artists’ fees for related costs for a chamber [93-3124-0650] Albany, NY $27,000 the performance of chamber music concert series, a sum­ To support the 1993-94 sub­ music concerts by the mer workshop, and a public- scription concerts in the Anonymous 4 ensemble dur­ school residency program Palace Theatre and repeat ing the 1993-94 season. during the 1993-94 season. performances in Troy, New [93-3124-0534] [93-3124-0517] York. [93-3125-0463]

1993 Annual Report 145 associated with production Altoona Symphony Augusta Symphony, Inc. gagement of additional musi­ Augusta, GA $4,300 cians. [93-3125-0377] of the main concert series. Orchestra [93-3125-0444] Altoona, PA $4,300 To support Masterworks To support run-out concerts Series I and II and related Billings Symphony to the rural communities of costs. [93-3125-0395] Society ~­ Cedar Rapids Symphony Billings, MT $4,300 Orchestra Association, Inc. Bedford and Huntingdon Cedar Rapids, IA $12,500 counties. [93-3125-0409] Austin Symphony To support the engagement Orchestra Society, Inc. of The Percussion Group as To support salaries of the Cedar Rapids String Amarillo Symphony, Inc. Austin, TX $15,000 guest artists and participants To support the subscription in a residency. Quartet, ensemble perfor­ Amarillo, TX $4,300 mances in rural communities To support run-out con­ concert series and engage­ [93-3125-0325] ment of the music director/ in eastern Iowa, and an edu­ certs, additional rehearsal cational program in coopera­ time, education activities, the conductor, American guest Boston Symphony artists and string principals. Orchestra, Inc. tion with the Cedar Rapids engagement of an American Community School District. guest conductor and guest [93-3125-0360] Boston, MA $43,100 artist, and salaries of two TF $200,000 [93-3125-0406] staffers. [93-3125-0385] Baltimore Chamber To support the orchestra’s Orchestra, Inc. 1993-94 subscription season, Champaign-Urbana Symphony Y American Composers Baltimore, MD $4,300 Youth Concerts in Champaign, IL $4,300 Orchestra, Inc. To support increased musi­ Symphony Hall and out­ New York, NY $29,800 cians’ compensation, engage­ reach activities to elderly res­ To support salaries of musi­ To support artistic and pro­ ment of an American guest idents in Boston’s Roxbury cians and music director, and conductor for one concert and Back Bay neighbor­ the fee of one guest artist duction costs for additional during the 1993-94 sub­ rehearsal time for the 1993­ and engagement of American hoods. [93-3125-0421] scription series. 94 concert series, fees for guest artists for the 1993-94 American conductors and season. [93-3125-0402] Brooklyn Philharmonic [93-3125-0327] Symphony Orchestra, Inc. soloists, and marketing Charleston Symphony expenses. [93-3125-0408] Baltimore Symphony Brooklyn, NY $30,500 Orchestra, Inc. TF $12,000 Orchestra Baltimore, MD $100,000 To support administrative Charleston, SC $10,300 American Symphony To support full orchestra Orchestra, Inc. TF $118,00O activities relating to planning New York, NY $13,500 To support the 1993-94 and implementing the or­ and ensemble run-out con­ To support the 1993-94 "Celebrity, Casual, and chestra’s subscription series, certs to rural communities. subscription series to be per­ Favorites," and "Discovery" arts education programs and [93-3125-0484] formed at Avery Fisher Hall series. [93-3125-0480] community outreach efforts during the 1993-94 season. Charlotte Symphony and Carnegie Hall. Orchestra Society, Inc. [93-3125-0375] Baton Rouge Symphony [93-3125-0458] Association t Charlotte, NC $20,000 TF $10,000 Anchorage Symphony Baton Rouge, LA $11,100 Buffalo Philharmonic Orchestra To support the 1993-94 Orchestra Society, Inc. To support an educational subscription season. Buffalo, NY TF $98,000 program for children of the Anchorage, AK $4,300 Charlotte-Mecklenburg To support touring by [93-3125-0324] To support performance of American music, educational School System, expansion of chamber ensembles. these services to schools in [93-3125-0396] Bay Area Women’s outreach programs and free Philharmonic concerts in city and county surrounding counties, and run-out concerts. Ann Arbor Symphony San Francisco, CA $9,000 parks. [93-3125-0448] Orchestra, Inc. To support increased remu­ [93-3125-0451] neration for orchestra musi­ Canton Symphony Ann Arbor, MI $4,300 Chattanooga Symphony To support costs related to cians, preparation and per­ Orchestra Association additional rehearsal time. formance of contemporary Canton, OH $20,000 and Opera Association Chattanooga, TN $8,600 [93-3125-0398] American music, and resi­ To support salaries of musi­ dency activities by composers cians who make up the string To support the salaries of Arkansas Orchestra whose works will be per­ quartet, brass quintet, wood­ core musicians, additional Sodety, Inc. formed during the 1993-94 wind quintet and percussion rehearsal time for prepara­ Little Rock, AR $12,400 season. [93-3125-0399] ensembles as well as related tion of subscription concerts To support artistic and pro­ costs. [93-3125-0341] and the engagement of duction costs for rehearsals Berkeley Symphony American guest artists. for 1993-94 Masterworks, Orchestra Cayuga Chamber [93-3125-0438] Spotlight Pops and Child­ Berkeley, CA $5,000 Orchestra, Inc. ren’s Concerts Series. To support the 1993-94 sub­ Ithaca, NY $4,300 Chicago Sinfonietta, Inc. [93-3125-0342] scription season and the en­ To support the engagement Chicago, IL $7,000 of musicians and other costs To support the 1993-94 sub­

146 National Endowment for the Arts scription series. Columbus, OH $46,400 pre-concert discussion series, hearsal for each concert on [93-3125-0379] TF $65,000 the Musicians Apprentice­ the 1993-94 Symphonic To support an educational ship Program and open re­ Series. [93-3125-0435] Chicago String Ensemble program and related costs. hearsals. [93-3125-0350] Chicago, IL $4,300 [93-3125-0376] Eugene Symphony To support the 1993-94 sub­ Des Moines Symphony Association, Inc. ~ scription series. Concert Royal, Inc. Assodation -~ Eugene, OR $6,900 [93-3125-0571] New York, NY $4,300 Des Moines, IA $10,300 To support run-out perfor­ To support musicians’ re­ To support salaries of or­ mances with the Eugene Cincinnati Symphony hearsal and performance fees chestra musicians for the Ballet in Salem, Oregon, the Orchestra for the 1993-94 season. 1993-94 subscription series. Youth Concert Series and Cincinnati, OH $50,000 [93-3125-0453] [93-3125-0293] small ensemble performances TF $143,000 in schools. [93-3125-0295] To support the 1993-94 sub­ Concerto Soloists of Detroit Symphony scription concert series. Philadelphia Orchestra Hall, Inc. Evansville Philharmonic [93-3125-0449] Philadelphia, PA $26,000 Detroit, MI $50,000 Orchestra TF $10,000 TF $143,000 Evansville, IN $12,700 Cleveland State University To support salaries of musi­ To support the 1993-94 To support the engagement Cleveland, OH $6,700 cians on contract and en­ Christmas Festival, Young of American guest soloists To support additional re­ gagement of per-service as­ People’s Concert Series, sub­ and a conductor; youth con­ hearsal time and engagement sisting musicians. scription series, the 1993 certs; and ensemble perfor­ of one guest soloist to per­ [93-3125-0389] summer season and related mances in schools, hospitals, form with the orchestra. costs. [93-3125-0383] businesses and other com­ [93-3125-0346] Concordia: A Chamber munity organizations. Symphony Duluth-Superior [93-3125-0345] Colonial Symphony New York, NY $4,500 Symphony Association Society To support the 1993-94 sub­ Duluth, MN $8,000 Fairfax Symphony Madison, NJ $4,300 scription series at Lincoln To support rehearsal time in Orchestra t To support performance of Center. [93-3125-0386] preparation of subscription Annandale, VA $8,100 American music and presen­ concerts and services for the To support the 1993-94 tation of American guest Dallas Symphony "Chamber Ensembles in the concert season presented in artists for the 1993-94 sub­ Association, Inc. Schools" project. the Center for the Arts at scription season. Dallas, TX $31,600 [93-3125-0357] George Mason University. [93-3125-0431] TF $100,000 [93-3125-0296] To support the 1993-94 Eastern Connecticut Colorado Springs main subscription series. Symphony, Inc. Fairfield Orchestra, Inc. Symphony Orchestra [93-3125-0358] New London, CT $4,700 New Canaan, CT $5,000 Association To support the 1993-94 sub­ To support musicians’ Colorado Springs, CO Dayton Philharmonic scription series. salaries and guest artists’ fees $19,900 Orchestra Assodation [93-3125-0351] for the 1993-94 subscription To support salaries, concert Dayton, OH $23,100 series performed in the Nor­ production and promotion TF $10,000 El Paso Symphony walk Concert Hall. costs for an educational pro­ To support the Coffee Orchestra Association ~­ [93-3125-0405] gram. [93-3125-0411] Concerts and the Casual E1 Paso, TX $4,300 Classics series and the In- To support the 1993-94 sub­ Fargo-Moorhead Colorado Symphony School Ensembles Program. scription series. Orchestral Association Association [93-3125-0424] [93-3125-0323] Fargo, ND $4,500 Denver, CO $25,000 To support educational con­ To support the 1993-94 sub­ Delaware Symphony Elgin Symphony Orchestra certs for young audiences scription series and Youth Association ~" Association ~­ during the 1993-94 season. Concert series. Wilmington, DE $17,100 Elgin, IL $6,300 [93-3125-0414] [93-3125-0370] To support rehearsal time, To support rehearsal time engagement of guest artists and salaries for the assistant Flint Institute of Music Columbus Pro Musica and musicians’ salaries for conductor, principal bassist, Flint, MI $4,300 Columbus, IN $5,000 the Classical Series. run-out ensemble perfor­ To support additional ser­ To support musicians’ [93-3125-0333] mances, Petite Musique vices for full orchestra. salaries and rehearsal time for Concerts, and a family series. [93-3125-0433] the 1993-94 season. Denver Chamber [93-3125-0330] [93-3125-0390] Orchestra Florida Orchestra, Inc. Denver, CO $4,300 Erie Philharmonic, Inc. Tampa, FL $20,500 Columbus Symphony To support educational out­ Erie, PA $4,300 TF $13,000 Orchestra, Inc. reach programs, including a To support an additional re­ To support costs associated

1993 Annual Report 147 of additional string players with the production of the To support the continuation scription series. 1993-94 Masterworks sub­ and expansion of outreach [93-3125-0365] and a concertmaster, educa­ scription series. and education programs. tional concerts for elemen­ tary students in a four-county [93-3125-0440] [93-3125-0322] Illinois Philharmonic Orchestra area, and musicians’ partici­ Florida Philharmonic Greensboro Symphony Park Forest, IL $4,700 pation as teachers at the Youth Music Camp. Orchestra, Inc. t Sodety, Inc. To support salary and travel Ft. Landerdale, FL $39,800 Greensboro, NC $8,100 increases for musicians and [93-3125-0300] TF $10,000 To support expenses associ­ expansion of the education Kalamazoo Symphony To support the 1993-94 ated with a series of outreach program. [93-3125-0394] subscription series and edu­ Family Concerts. Society Kalamazoo, MI $5,500 cation programs. [93-3125-0486] Illinois Symphony [93-3125-0297] Orchestra To support the 1993-94 sub­ Greenville Symphony Springfield, IL $13,500 scription series and related Florida West Coast Association To support fees for core or­ production and rehearsal Symphony, Inc. ? Greenville, SC $4,300 chestra musicians. costs. [93-3125-0454] Sarasota, FL $4,300 To support the 1994 Winter [93-3125-0426] To support salaries of a core Music Festival and a related Kansas City Symphony group of orchestra musicians. educational outreach pro­ Indiana State Symphony Kansas City, MO $30,300 [93-3125-0335] gram. [93-3125-0298] Society, Inc. TF $15,000 Indianapolis, IN $38,100 To support the Casual Clas­ Fort Wayne Philharmonic Handel and Haydn Society TF $100,000 sics and Family Series during Orchestra, Inc. Boston, MA $22,000 To support musicians’ and the 1993-94 season. Fort Wayne, IN $27,200 To support orchestra musi­ guest artists’ fees and admin­ [93-3125-0380] TF $10,000 cians’ fees for its period-in­ istrative costs for the 1993­ To support salaries of core strument performances of 94 main subscription series. Knoxville Symphony orchestra musicians and re­ the 1993-94 season. [93-3125-0367] Society, Inc. lated costs. [93-3125-0476] [93-3125-0442] Knoxville, TN $20,000 Island Philharmonic To support the engagement Fort Worth Symphony Hartford Symphony Society, Inc. ~ of orchestra musicians who Orchestra Association, Inc. Orchestra, Inc. Melville, NY $13,700 form the nucleus of the Ft. Worth, TX $30,000 Hartford, CT $20,000 To support Young People’s Knoxville Symphony TF $20,000 TF $10,000 Concerts, an Open Rehearsal Orchestra and the Knoxville To support the touring pro­ To support the subscription Program, and the Subscrip­ Chamber Orchestra. gram and local education series, educational concerts, tion Concert Series. [93-3125-0471] concerts. [93-3125-0427] outreach activities and the [93-3125-0301] distribution of free tickets to Lake Forest Symphony Fresno Philharmonic high school students who Jackson Symphony Association, Inc. Association will attend subscription con­ Orchestra Association, Inc. Lake Forest, IL $4,300 Fresno, CA $5,400 certs. [93-3125-0356] Jackson, MI $4,300 To support expenses for the To support performance of To support the engagement 1993-94 classical series and contemporary American Honolulu Symphony of additional string players run-out concerts. compositions and in-school Society and community outreach en­ [93-3125-0413] concerts by small ensembles. Honolulu, HI $43,800 semble performances. [93-3125-0418] TF $35,000 [93-3125-0371] Lansing Symphony To support the 1993-94 sub­ Association, Inc. $6,000 Grand Rapids Symphony scription series, free concerts Jacksonville Symphony Lansing, MI Society in public venues and the Association To support the Music for Grand Rapids, MI $40,000 statewide education pro­ Jacksonville, FL $27,400 Schools & Public Places pro­ TF $20,000 gram. [93-3125-0461] To support the Music Edu­ gram, and Young People’s To support salaries of core cation Program, a youth Concerts. [93-3125-0478] orchestra musicians and re­ Houston Symphony orchestra, free community lated costs for services in­ Society t concerts, run-out concerts, Lehigh Valley Chamber cluding subscription, cham­ Houston, TX TF $163,200 presentation of orchestra Orchestra ber, educational, run-out, To support the 1993-94 musicians as soloists, and Lehigh Valley, PA $4,300 special constituency, and main subscription series. expansion of the core To support additional string collaborative opera/ballet [93-3125-0299] orchestra. [93-3125-0419] section and string principal concerts. [93-3125-0434] rehearsals for subscription se­ Hudson Valley Johnstown Symphony ries concerts. Greater Akron Musical Philharmonic Society, Inc. Orchestra ~­ [93-3125-0403] Association, Inc. t Poughkeepsie, NY $16,000 Johnstown, PA $4,300 Akron, OH $16,300 To support the 1993-94 sub­ To support the engagement

148 National Endowment for the Arts Lexington Philharmonic Madison Civic Music of the Minneapolis Sym­ neration for per-service mu­ Society, Inc. Association phony Orchestra. sicians. [93-3125-0417] Lexington, KY $10,000 Madison, WI $4,300 [93-3125-0422] To support musicians’ salar­ To support costs associated Nashville Symphony ies for ensemble and cham­ with the search for a new Mississippi Symphony Association ber orchestra concert activi­ music director/conductor for Orchestra Association Nashville, TN $24,000 ties and travel expenses for the Madison Symphony Jackson, MS $6,000 To support the continua­ musicians outside of Lex­ Orchestra. [93-3125-0355] To support the Masterworks tion of concerts presented ington. [93-3125-0397] and Chamber Series, the in Nashville’s public school Matin Symphony Heart Strings Program, system and the engagement Lincoln Symphony Association youth concerts and outreach of an American guest con­ Orchestra Association San Rafael, CA $5,100 touring to rural areas. ductor. [93-3125-0428] Lincoln, NE $4,500 To support increased remu­ [93-3125-0369] To support the salary of the neration for musicians and Nassau Symphony musical director/conductor the music director’s salary for Missouri Symphony Society, Inc. for the 1993-94 season. the 1993-94 season. Society Uniondale, NY $4,300 [93-3125-0353] [93-3125-0343] Columbia, MO $4,500 To support the engagement To support an outreach and of guest artists, additional re­ Long Beach Symphony Maryland Symphony audience development pro­ hearsal time for preparation Assodation Orchestra, Inc. ~­ ject. [93-3125-0462] of contemporary American Long Beach, CA $21,200 Hagerstown, MD $4,700 music, and run-out perfor­ TF $10,000 To support presentation of Modesto Symphony mances at Staller Center at To support musicians’ salar­ American guest artists who Orchestra Stony Brook University and ies for the 1993-94 subscrip­ will perform with the orches­ Modesto, CA $4,300 Longwood High School. tion series and education tra during the 1993-94 con­ To support ensemble perfor­ [93-3125-0354] programs. [93-3125-0467] cert season. [93-3125-0302] mances in elementary schools and senior citizen National Chamber Los Angeles Chamber Memphis Orchestral centers and homes. Orchestra Society, Inc. Orchestra Society, Inc. t Society, Inc. [93-3125-0430] Rockville, MD $4,600 Los Angeles, CA $30,100 Memphis, TN $20,000 To support artistic and ad­ TF $25,000 TF $10,000 Monterey County ministrative costs associated To support a concert series To support the engagement Symphony Assodation with the performance of performed in Royce Hall at of core orchestra musicians. Carmel, CA $6,000 American music, engage­ U.C.L.A. [93-3125-0332] [93-3125-0473] To support additional re­ ment of American soloists, hearsals for concerts during and increased rehearsal time. Los Angeles Philharmonic Midland-Odessa the 1993-94 subscription se­ [93-3125-0437] Association Symphony and Chorale, ries. [93-3125-0460] Los Angeles, CA $38,500 Inc. National Symphony TF $200,000 Midland, TX $4,300 Music of the Baroque Orchestra Association of To support the 1993-94 To support salaries of core Concert Series Washington, D.C. ~" winter season activities. orchestra musicians for the Chicago, IL $13,500 Washington, DC $80,000 [93-3125-0477] 1993-94 season. To support orchestra musi­ TF $107,100 [93-3125-0423] cians’ salaries and soloists’ To support the 1993-94 sub­ Louisville Orchestra, Inc. "~ fees for the 1993-94 season. scription series at the Ken­ Louisville, KY $40,500 Milwaukee Symphony [93-3125-0378] nedy Center for the Per­ TF $24,100 Orchestra, Inc. "~ forming Arts. To support presentation of Milwaukee, WI $40,900 Musical Arts Association [93-3125-0308] the MasterWorks, Cumber­ TF $106,000 Cleveland, OH $43,100 land Coffee Concerts, and To support classical sub­ TF $200,000 New Hampshire New Dimensions Series. scription concerts, youth and To support the Cleveland Symphony Orchestra [93-3125-0331] high school concerts, and Orchestra’s educational con­ Manchester, NH $8,000 touring throughout Wis­ certs and a subscription se­ To support the 1993-94 Macon Symphony consin. [93-3125-0307] ries of daytime concerts for main subscription series in Orchestra, Inc. ~" adult audiences, both per­ the Palace Theatre. Macon, GA $4,300 Minnesota Orchestral formed in Severance Hall. [93-3125-0366] To support preparation and Association [93-3125-0432] performance of American Minneapolis, MN $38,500 New Haven Symphony music and presentation of TF $200,000 Napa Valley Symphony Orchestra, Inc. American artists on the sub­ To support musicians’ sal­ Association, Inc. New Haven, CT $23,000 scription series. aries, guest artists’ fees and Napa, CA $4,300 TF $10,000 [93-3125-0326] production and marketing To support increased remu­ To support the 1993-94 sub­ costs for the 1993-94 season scription series at Woolsey

1993 Annual Report 149 Hall on the campus of Yale Ohio Chamber Orchestra ~z Orpheus Chamber Martin Luther King com­ University. [93-3125-0336] Sodety Orchestra, Inc. memorative concert. Beachwood, OH $8,300 New York, NY $30,000 [93-3125-0436] New Jersey Symphony To support a free concert se­ TF $15,000 Orchestra ries and related educational To support a Carnegie Hall Philharmonia Baroque Newark, NJ $~0,500 activities. [93-3125-0384] concert series; satellite, run- Orchestra ~" TF $55,000 out, and tour concerts; and San Francisco, CA $18,900 To support an education Oklahoma Philharmonic continued management ini­ To support concert perfor­ program to serve students in Orchestra Society, Inc. tiatives. [93-3125-0415] mances of Purcell’s opera, New Jersey. [93-3125-0456] Oklahoma City, OK $12,000 Dido and Aeneas. To support the 1993-94 Owensboro Symphony [93-3125-0312] New Mexico Symphony main Classics Subscription Orchestra, Inc. Y Orchestra Series. [93-3125-0465] Owensboro, KY $4,300 Philharmonia V’muosi Albuquerque, NM To support the Consortium Corp. TF $47,5OO Omaha Symphony Chairs Program and a pre- Dobbs Ferry, NY $13,000 To support costs associated Association ~ concert outreach series. To support employment of a with a conductor search, ed­ Omaha, NE $25,300 [93-3125-0303] full-time marketing director. ucational programs, and TF $10,000 [93o3125-0362] touring activities. To support Classical Series Pacific Symphony [93-3125-0441] concerts and educational and Association Philharmonic Center for touring activities. Santa Ana, CA $20,800 the Arts, Inc. New Orchestra of [93-3125-0309] TF $17,000 Naples, FL $4,300 Westchester, Inc. To support the engagement To support the Naples- Hartsdale, NY $10,000 Orchestra of Santa Fe, Inc. of American soloists and Marco Philharmonic’s 1993­ To support preparation and Santa Fe, NM $4,300 guest conductors as well as 94 Candlelight and Sinfonia performance of American To support performances of musicians’ salaries for in- Series and run-out chamber music, additional rehearsal American compositions dur­ school concerts and perfor­ orchestra concerts. time, and open rehearsals for ing the 1993-94 season and mances of contemporary [93-3125-0410] students and members of the the engagement of American American music. community. [93-3125-0416] guest artists and additional [93-3125-0459] Philharmonic Society of administrative staff. Northeastern Pennsylvania New World Symphony, [93-3125-0472] Pasadena Symphony Avoca, PA $13,000 Inc. Association To support rehearsals and Miami Beach, FL $25,000 Orchestral Association ~ Pasadena, CA $16,500 performances of works by To support costs relating to Chicago, IL $43,100 To support the 1993-94 contemporary American the 1993-94 main home TF $200,000 concert series at the Pasadena composers and engagement subscription series including To support costs related to Civic Auditorium. of young American soloists conductors’ and guest solo­ the Chicago Symphony’s [93-3125-0483] who will perform with the orchestra during the 1993­ ists’ fees, musicians’ salaries, 1993-94 subscription series. and music rental and pur­ [93-3125-0310] Peoria Symphony 94 season. [93-3125-0482] chases. [93-3125-0450] Orchestra Oregon Symphony Peoria, IL $4,300 Philharmonic-Symphony North Carolina Symphony Association Y To support a performance of Society of NewYork, Inc. y Society, Inc. Portland, OR $64,900 arias from various on New York, NY $43,100 Raleigh, NC $50,000 TF $50,000 the subscription series, in­ TF $200,000 TF $30,000 To support the presentation creased remuneration for To support Composer To support full orchestra ed­ of contemporary repertoire musicians, chamber ensem­ Week, the engagement of ucational concerts and per­ and American soloists and ble programs, and related young American conductors, formances of new American conductors as part of the marketing costs. performances of commis­ music. [93-3125-0339] subscription series in Port­ [93-3125-0363] sioned works, and free con­ land and repeated in Salem, certs performed in the five Northwest Indiana and community services and Philadelphia Orchestra boroughs of New York City Symphony Society, Inc. outreach. [93-3125-0311] Association and Suffolk and Westchester Munster, IN $5,500 Philadelphia, PA $43,100 counties. [93-3125-0328] To support an education Orpheon, Inc. TF $200,000 program for elementary and New York, NY $15,500 To support the 1993-94 sub­ Phoenix Symphony middle school students. To support rehearsal time, scription series, pre- and Association [93-3125-0468] community outreach and ed­ post-concert lecture series, a Phoenix, AZ $39,600 ucation programs, and Amer­ chamber music series per­ TF $50,000 ican guest artists’ fees. formed by orchestra mem­ To support the 1993-94 [93-3125-0404] bers and guest artists, educa­ Classics Series to be per­ tional programs, and a

150 National Endowment for the Arts formed in Symphony Hall. Queens Symphony Robert W. WoodruffArts Saint Paul Chamber [93-3125-0392] Orchestra, Inc. Center, Inc. "~ Orchestra Society Long Island City, NY Atlanta, GA $50,400 St. Paul, MN $46,000 Pittsburgh Symphony $10,500 TF $147,000 TF $100,000 Society "~ To support the 1993-94 To support salaries of the To support orchestra musi­ Pittsburgh, PA $100,800 Masterworks series and the Atlanta Symphony’s orches­ cians’ salaries, and conductor TF $136,000 arts education program. tra musicians, music director and guest artists’ fees for the To support the 1993-94 sub­ [93-3125-0382] and administrative person­ Masterworks Series, Basically scription season. nel; guest artists’ fees; pro­ Baroque Series, and Morn­ [93-3125-0304] Reading Symphony duction costs; educational ing Coffee Series. Orchestra Association and family concerts; and free [93-3125-0368] Portland, Maine, Reading, PA $4,300 parks concerts. Symphony Orchestra t To support the 1993-94 sub­ [93-3125-0294] San Diego Chamber Portland, ME $24,300 scription concert series per­ Orchestra TF $10,000 formed at the Rajah Theatre. Rochester Civic Music Rancho Santa Fe, CA To support the 1993-94 [93-3125-0373] Guild ~ $4,800 Classical Series, a pre-concert Rochester, MN $4,300 To support the 1993-94 sub­ Lecture Series and a televi­ Redlands Symphony To support engagement of scription series and addition­ sion broadcast in collabora­ Association emerging American guest al rehearsal time for a major tion with public television Redlands, CA $4,800 soloists and musicians’ work by an American com­ station WCBB. To support school concerts salaries for performances of poser. [93-3125-0344] [93-3125-0570] for fifth and sixth-grade stu­ works by contemporary dents in the Redlands and composers. [93-3125-0321] San Diego Symphony Prince William Symphony Yucaipa school systems. Orchestra Association ~ Orchestra Society, Inc. [93-3125-0475] Rochester Philharmonic San Diego, CA TF $78,100 Prince William, VA $4,300 Orchestra, Inc. To support musicians’ sala­ To support increased remu­ Rhode Island Rochester, NY $51,000 ries for the 1993-94 main neration for orchestra musi­ Philharmonic Orchestra TF $70,000 series concerts. cians and production costs Providence, RI $15,000 To support educational con­ [93-3125-0314] for the 1993-94 season. To support an educational certs and subscription con­ [93-3125-0364] program consisting of certs in the Eastman San Francisco Chamber school-time concerts and in- Theatre, free concerts at area Symphony Pro Arte Chamber school ensemble presenta­ parks and other public loca­ San Francisco, CA $4,300 Orchestra of Boston, Inc. t tions. [93-3125-0429] tions, and run-out concerts To support musicians’ fees Cambridge, MA $7,900 in upstate New York. for additional rehearsals for To support salaries and ben­ Richmond Symphony [93-3125-0487] subscription series concerts. efits of a music director and Richmond, VA $23,600 [93-3125-0374] general manager. To support musicians’ Rockford Symphony [93-3125-0306] salaries and other related Orchestras Inc. San Francisco Symphony costs for the production of Rockford, IL $4,300 San Francisco, CA $43,100 ProMusica Chamber the Double Exposure series To support musicians’ fees TF $200,000 Orchestra of Columbus, and statewide touring. and related costs for the pro­ To support the 1993-94 Inc. [93-3125-0401] duction of the 1993-94 sub­ main subscription series. Columbus, OH $4,500 scription series, educational [93-3125-0400] To support a run-out con­ Riverside Symphony, Inc. activities, and run-out con­ cert at Pontifical College in New York, NY $5,100 certs to Freeport and Dixon, San Jose Symphony Franklin County, Ohio. To support musicians’ Illinois. [93-3125-0393] Association [93-3125-0388] salaries for additional re­ San Jose, CA $25,000 hearsal time and musicians’ Saginaw Symphony TF $15,000 Puerto Rico Symphony salaries and production costs Association To support artistic expenses Orchestra Corporation for free Community Saginaw, MI $4,500 associated with the produc­ Santurce, PR $14,600 Concerts. [93-3125-0443] To support the engagement tion of the 1993-94 Master­ To support a special concert of five principal string play­ works series and summer featuring the performance of Roanoke Symphony ers (including the concert­ concerts. [93-3125-0466] works by contemporary Sodety master), a principal oboist, a Puerto Rican composers. Roanoke, VA $4,800 principal French hornist, and Santa Barbara Symphony [93-3125-0447] To support Young People’s related travel. Orchestra Association Concerts. [93-3125-0391] [93-3125-0381] Santa Barbara, CA $10,900 To support American guest conductors’ and artists’ fees and costs related to the pro­ duction of the Sunday

1993 Annual Report 151 South Dakota Symphony Stamford Symphony educational run-outs that Matinde Series. combine an afternoon [93-3125-0455] Orchestra ? Society, Inc. Sioux Falls, SD $4,300 Stamford, CT $7,500 school concert with an To support performances of To support the engagement evening performance. Santa Rosa Symphony [93-3125-0319] Association American compositions, an of additional orchestra musi­ educational/outreach pro­ cians, issuance of free or dis­ Santa Rosa, CA $4,300 University of Illinois, To support increased remu­ gram, and touring by the full counted tickets to students orchestra and chamber en­ and senior citizens, expan­ Urbana-Champaign neration for orchestra musi­ Urbana, IL $4,300 cians, assistant conductor sembles. [93-3125-0572] sion of pre-concert lecture series, and teacher training To support Sinfonia da fees, and costs related to the Camera’s musicians’ fees for conductor search, including Southwest Florida workshops. [93-3125-0348] Symphony Orchestra and an additional rehearsal for fees for guest conductors. each subscription concert [93-3125-0479] Chorus Association, Inc. Symphony Society of San Fort Myers, FL $4,300 Antonio and increased remuneration To support increased remu­ San Antonio, TX for the general manager. Savannah Symphony [93-3125-0573] Society, Inc. neration of orchestra musi­ TF $55,000 Savannah, GA $12,400 cians and music director/ To support orchestra musi­ conductor, and guest con­ cians’ salaries, American Utah Symphony Society To support the American Salt Lake City, UT $49,000 Music Festival program dur­ ductors’ and guest soloists’ guest conductors’ and fees. [93-3125-0446] soloists’ fees, and concert TF $50,000 ing the 1993-94 season. To support the classical, [93-3125-0420] production and marketing Spokane Symphony costs for the 1993-94 season. chamber and family series; open rehearsals of Finishing Seattle Symphony Society [93-3125-0347] Spokane, WA $20,000 Touches; school and youth Orchestra, Inc. concerts; and collaborative Seattle, WA $62,200 To support increased remu­ Syracuse Symphony neration for orchestra musi­ Orchestra, Inc. performances with the Utah TF $70,000 Opera. [93-3125-0361] To support the 1993-94 cians. [93-3125-0352] Syracuse, NY $30,000 TF $60,000 Masterpiece series. Ventura County Symphony [93-3125-0439] Springfield Symphony To support educational ac­ Association tivities, family concerts, and Association Ventura, CA $4,300 Shreveport Symphony Springfield, MO $4,300 run-out concerts in commu­ To support full orchestra nities in central and northern To support salary and bene­ Society -~ fits of the music director/ Shreveport, LA $13,700 youth concerts and in-school New York. [93-3125-0474] ensemble performances. conductor for the 1993-94 To support an educational season. [93-3125-0457] program in cooperation with [93-3125-0338] Toledo Orchestra Association, Inc. "t" school boards in Caddo, Vermont Symphony Bossier and DeSoto Parishes. Springnqdd Symphony Toledo, OH $30,100 TF $13,000 Orchestra Association, Inc. [93-3125-0315] Orchestra ~" Springfield, !VIA $26,600 To support performances of Burlington, VT $15,000 To support full orchestra American compositions as To support run-out concerts Sioux City Symphony and tours throughout Ver­ Orchestra Association youth concerts, ensemble part of the subscription se­ mont by the full orchestra Sioux City, IA $4,300 performances serving stu­ ries, and American guest dents in inner-city public conductors’ and artists’ fees. and ensembles. To support the 1993-94 [93-3125-0407] classical subscription series. schools, presentation of [93-3125-0317] [93-3125-0464] American works, and en­ gagement of American guest Tucson Symphony Virginia Orchestra Group artists. [93-3125-0316] Society t Norfolk, VA $23,500 South Bend Symphony To support additional re­ Orchestra Association, Inc. Tucson, AZ $20,600 hearsal time, presentation of South Bend, IN $5,000 St. Louis Symphony To support core orchestra Society ~- musicians’ salaries for their American music, American To support salaries of the guest artists’ fees, Young core orchestra and its com­ St. Louis, MO $38,500 performances with the or­ TF $200,000 chestra, chamber orchestra People’s Concerts, and run- ponent ensembles and relat­ out concerts and tours to un­ ed costs. [93-3125-0445] To support the main sub­ and part of the Music Edu­ scription series in its com­ cation program. derserved areas of Virginia, mitment to present Ameri­ [93-3125-0318] North Carolina and Mary­ South Carolina Orchestra land. [93-3125-0425] Association, Inc. can music and American musicians and pre-concert Tulsa Philharmonic Columbia, SC $4,300 Washington Chamber To support American guest lectures, and to support the Society, Inc. t salary of the community af­ Tulsa, OK $17,300 Symphony artists’ fees and outreach pro­ Washington, DC $4,300 grams. [93-3125-0481] fairs administrator. To support low-cost Disco­ [93-3125-0313] very Series concerts, in- To support "The American school performances, and Initiative," a comprehensive

152 National Endowment for the Arts program to integrate Ameri­ William Paterson College for orchestra professionals. posers Recordings, Inc. can music and musicians of New Jersey [93-3125-0488] (CRI). [93-3131-0653] into the 1993-94 Chamber Wayne, NJ $4,300 Orchestra Series. To support "Breaking Away: ~ American Symphony ~ MI Newton Music [93-3125-0470] America Finds its own Orchestra League School, Inc. Musical Tradition," a special Washington, DC $54,000 West Newton, MA $7,000 West Shore Symphony concert of American music To support the Orchestra To support the recording of Orchestra by the Wayne Chamber Management Fellowship the complete string quartets Muskegon, MI $4,300 Orchestra. [93-3125-0372] Program. [93-3125-0489] by Leon Kirchner for Albany To support additional re­ Records and performed by hearsals on the concert hall Winston-Salem Symphony ~: American Symphony the Boston Composers stage before each concert Assodation Orchestra League String Quartet. during the 1993-94 season. Winston-Salem, NC Washington, DC $60,000 [93-3131-0686] [93-3125-0387] $15,500 To support the Conductors To support the education Program which provides resi­ ~ American Composers West Virginia Symphony program for elementary stu­ dencies for young American Orchestra, Inc. Orchestra, Inc. ~" dents in Winston-Salem and conductors with American New York, NY $25,000 Charleston, WV $8,600 surrounding counties. orchestras to further develop To support the recording of To support touring and run- [93-3125-0485] and advance their careers. Roger Sessions’ Symphonies out performances to various [93-3125-0720] Nos. 6, 7 and 9 for Argo communities throughout the Young Men’s & Young Records. [93-3131-0672] state with full and reduced- Women’s Hebrew size orchestra and related Association ~ American costs. [93-3125-0329] New York, NY $28,200 Music/Theatre Group TF $10,000 Hartford, CT $8,000 Westfield Symphony To support the 1993-94 To support the recording Westfield, NJ $4,700 main series of the New York and distribution of two To support additional re­ Chamber Symphony to be compact discs of works by hearsal time, engagement of performed in the Kaufmann To assist nonprofit organi­ American composers for a guest artist, and the educa­ Concert Hall and partially Mode Records and Avant tion program. repeated at the Tilles Center zations, soloists, and duo Records. [93-3131-0669] [93-3125-0340] on Long Island. performers in the record­ [93-3125-0469] ing and distribution of ~r Back, Douglas Westmoreland Symphony American music. Montgomery, AL $5,500 Orchestra ~" Youngstown Symphony To support the recording Greensburg, PA $4,300 Society, Inc. and distribution of a com­ To support an extra full or­ Youngstown, OH $6,900 36 grants pact disc featuring works for chestra rehearsal for each To support the education Program Funds: $411,500 guitar by 19th-century com­ concert on the subscription program, including young posers Justin Holland and series. [93-3125-0320] peoples’ concerts, side-by­ ~" American Composers William Foden for S.M. side rehearsals, Youth Orch­ Orchestra, Inc. Mento Music Press. Wheeling Symphony estra scholarships, distribu­ New York, NY $20,000 [93-3131-0679] Society, Inc. "? tion of free tickets to To support the recording of Wheeling, WV $4,300 students, and master classes. works by three American ~ Baltimore Symphony To support "Second Season" [93-3125-0337] composers: Inner Voices by Orchestra, Inc. performances of subscription Chinary Ung, Tabuh- Baltimore, MD $28,000 concerts in Fairmont and Tabuhan by Colin McPhee, To support the recording of Clarksburg and run-out con­ Services to the Field and Symphony No. 11 by dance-related symphonic certs in north central and Henry Cowdl. Reviewed by works by American com­ southern West Virginia. 3 grants five members of the 1992 posers for Argo Records. [93-3125-0305] Music Recording Panel: [93-3131-0657] Program Funds: $299,000 Robert Holmes; Helen Wichita Symphony Keane; Robert MacPherson; ~ Boston Camerata, Inc. Society, Inc. ~ American Symphony Dennis Miller; and Allen Boston, MA $8,500 Wichita, KS $25,000 Orchestra League Pittman [93-3131-0491] To support a recording of To support the 1993-94 Washington, DC $185,000 19th-century American folk- Classical Subscription Series To support the League’s ed­ ~ Afshar, Lily hymns for Erato Records. to be performed in the ucational programs, includ­ Memphis? TN $8,000 [93-3131-0673] Century II Concert Hall and ing seminars and workshops To support the recording Theater. [93-3125-0349] for orchestra managers, vol­ of works ofMario Castel­ ~ Contiguglia, Richard unteers and conductors, and nuovo-Tedesco for Corn- Ne~v York, NY $5,000 specialized training courses To support a recording of

1993Annual Report 153 ~r University of North two-piano works by com­ ~ New York Chamber works by composers David Ensemble, Inc. Diamond and Howard Texas posers William Bolcom and Denton, TX $10,000 Percy Grainger for the New York, NY $6,500 Hanson for Delos Interna­ To support the recording of tional. [93-3131-0674] To support the production Musical Heritage Society, and release of compact discs Inc. [93-3131-0663] two major works by compos­ er George Rochberg for New ~" Southwest Chamber featuring computer composi­ tions by American com­ ~ Da Capo Chamber World Recordings, Inc. Music Society Players, Inc. [93-3131-0655] Pasadena, CA $8,500 posers for Centaur Records. New York, NY $7,500 To support the recording of [93-3131-0680] ~ New York City chamber works by composer To support the recording of ~ University of Southern chamber works by composer Opera, Inc. Ernst Krenek for Cambria Shulamit Ran for Bridge New York, NY $9,000 Records. [93-3131-0658] Mississippi °1 Hattiesburg, MS $11,500 Records. [93-3131-0678] To support the recording of The Desert Song, an operetta ~z Speculum Musicae, Inc. To support the recording of qr DeMare, Anthony by Sigmund Romberg and New York, NY $8,500 An American Tribute to New York, NY $7,000 Oscar Hammerstein II, for To support recording and Sigurd Rascher, Saxophonist Musicmasters. post-production costs of the Extraordinaire, featuring the To support the recording of performance of saxophonist piano works by composer [93-3131-0661] works of composers David Frederic Rzewski for O.O. Sanford, Morris Rosenzweig Dr. Lawrence Gwozdz, for Discs. [93-3131-0677] ~" Orchestral Association and Steven Mackey for Crystal Records. Chicago, IL $10,000 Composers’ Recordings, Inc. [93-3131-0666] ~" Grand Rapids To support the post-produc­ [93-3131-0668] ~" Utah Symphony Society Symphony Sodety tion costs of recording Easley Grand Rapids, MI $16,000 Blackwood’s Symphony No. ~z Supove, Kathleen E. Salt Lake City, UT $17,000 To support the recording of 5 for Cedille Records. Boston, MA $6,000 To support the recording of two concerti by Donald Erb [93-3131-0664] To support a recording of Richard Danielpour’s Meta­ for Koss Classics. contemporary American solo morphosis and George Perle’s Six Etudes, and post-produc­ [93-3131-0675] Sr Oregon Repertory piano works for Composers’ Singers Recordings, Inc. tion costs for the recording of George Perle’s Piano ~z Haydn-Mozart Portland, OR $7,500 [93-3131-0660] Chamber Orchestra, Inc. To support the recording of Concerto No. 2 for Brooklyn, NY $8,000 American choral music by ~ Swarthout, Hizabeth , USA. To support the Powell composers Libby Larsen, Berkeley, CA $7,000 [93-3131-0685] Quarter’s recording of Stephen Paulus, and Samuel To support the recording of works for flute quartet by Barber for Koch Internat­ four-hand piano music by Sr Walker-Hill, Helen American composers for ional. [93-3131-0684] American composers for Allentown, PA $5,000 Classic Masters, including Laurel Records, to be per­ To support a recording of ~ Oregon Symphony formed by the Elson- music by African-American an accompanying booklet. women composers for [93-3131-0651] Association Swarthout Piano Duo. Portland, OR $28,000 [93-3131-0667] Leonarda Records. ~ Louisville Orchestra, To support the recording of [93-3131-0656] Inc. Nicholas Flagello’s Passion of ~- University of Louisville, KY $35,000 Martin Luther King and California, San Diego ~r W’mird Music, Inc. To support the recording of Joseph Schwanmer’s New La Jolla, CA $8,000 Santa Fe, NM $12,000 works by Joan Tower for Morning for the World, To support production, To support a recording of First Edition Recordings. Daybreak of Freedom for manufacturing, post-produc­ works by composer Morton Feldman for New Albion [93-3131-0683] Koch International. tion and promotional costs [93-3131-0659] of a compact disc recording Records. [93-3131-0665] ~ Martin, Melvyn IC of the chamber music of ~ Quintet of the Roger Reynolds for Neuma ~" Zeitgeist Novato, CA $7,000 St. Paul, MN $6,000 To support the recording of Americas, Inc. Records. [93-3131-0662] the music of Benny Carter New York, NY $7,000 To support a recording of works by American compos­ for Mesa/Bluemoon Record­ To support the recording ~r Unlversity of Maryland, ings. [93-3131-0670] and distribution of works by College Park er Frederic Rzewski for O.O. living American composers College Park, MD $7,000 Discs. [93-3131-0682] ~r NewWorld Symphony, from New York City for O. To support a recording of ~- Zeltsman, Nancy Inc. O. Discs. [93-3131-0671] works by composer Dom­ Miami Beach, FL $15,500 inick Argento for Koch Princeton, NJ $6,000 To support a recording of To support a recording of ~ Seattle Symphony International. duo compositions premiered works by Ingolf Dahl for Orchestra, Inc. [93-3131-0676] Argo Records. Seattle, WA $20,000 by the Marimolin duo [93-3131-0654] To support the recording of (marimba player Nancy

154 National Endowment for the Arts Zeltsman and violinist Jazz at the Brooklyn Detroit Symphony Sr International Sharan Leventhal) for GM Museum. [93-3148-0177] Orchestra Hall, Inc. Association of Jazz Recordings. [93-3131-0652] Detroit, MI $4,000 Educators Central Pennsylvania To support American artists" Manhattan~ KS $17,000 Friends of Jazz fees during the 1993-94 Just To support American artists’ Harrisburg, PA $9,000 Jazz Series. Reviewed by fees and production expenses To support American artists’ Multi-Music Presenters and related to activities of the fees and related costs for the Festivals Panel. 1994 IAJ, E Conference and 13th annual jazz festival in [93-3148-0083] Music Festival to be held in June 1993. [93-3148-0142] Boston, Massachusetts. Gainesville Friends of Jazz, [93-3148-0164] Charles Ives Performing Inc. Arts Center To assist single-music pre­ Gainesville, FL $5,000 Jazz Institute of Danbury, CT $5,000 To support American artists’ senters and festivals in Chicago, Inc. To support jazz concerts and fees and travel expenses for Chicago, IL $6,000 presenting chamber en­ workshops during the 1993 national and regional guest To support American artists’ sembles, solo recitalists/ summer season. artists during the 1993-94 performance fees during the duos, and jazz ensembles. [93-3148-0166] concert season. 15th annual Chicago Jazz [93-3148-0176] Festival. [93-3148-0149] Charlie Parker Memorial 109 grants Foundation Henry Street Settlement Jazz in the City Program Funds: $782,000 Kansas City, MO $5,000 New York, NY $10,000 San Francisco, CA $10,000 To support a clinic and con­ To support the jazz concert To support American artists’ Grants were reviewed by cert presenting Nathan Davis and workshops series to be fees and related costs for the the Single Music Presenters and Donald Byrd in 1993. presented at the Louis 1 lth annual San Francisco Panel unless otherwise indi­ [93-3148-0165] Abrons Arts Center during Jazz Festival in 1993. cated. the 1993-94 season. [93-3148-0140] Charlin Jazz Society, Inc. [93-3148-0154] Washington, DC $5,000 Jazzmobile, Inc. To support American artists’ Highlights in Jazz Jazz New York, NY $ 51,000 fees and related costs for the New York, NY $5,000 To support the 29th year of 1993-94 performance pro­ To support American artists’ Free Outdoor Summer 54 grants gram. [93-3148-0161] fees and related costs for the Mobile Concerts and School Program Funds: $529,000 1993-94 concert series at Lecture Concerts. City Celebration, Inc. Pace University Downtown [93-3148-0160] San Francisco, CA $5,000 Theatre. [93-3148-0138] Jazz Presenters To support American artists’ Kings Majestic fees, travel, and related pro­ Inquilinos Boricuas en Corporation duction expenses for the Accion Brooklyn, NY $5,000 Artists Collective, Inc. 1993-94 concert series and Boston, MA $6,800 To support American artists’ Hartford, CT $11,500 the Eddie Moore Festival. To support American artists’ fees for concerts, lecture- To support American artists’ [93-3148-0175] fees and related costs for the demonstrations, and work­ fees and related costs for jazz 1993-94 Latin jazz concerts shops during the 1993 sea­ concerts and master work­ DeCordova and Dana at the Jorge Hernandez son. [93-3148-0157] shops to be presented during Museum and Park Cultural Center in Villa the 1993-94 season. Lincoln, MA $5,000 Victoria. [93-3148-0145] Koncepts Cultural Gallery [93-3148-0146] To support artists’ fees, tech­ Oakland, CA $5,000 nical production costs, and Inter-Media Art Center, To support American artists’ ArtsCenter promotional expenses for the Inc. fees and production expenses Carrboro, NC $5,000 1993 "Jazz at DeCordova" Huntington, NY $5,000 related to 1993-94 jazz con­ To support artists’ fees and concert series. To support American artists’ certs and lecture-demonstra­ related costs for the presenta­ [93-3148-0156] fees and related costs for the tions. [93-3148-0158] tion of the 1993-94 Jazz 1993-94 concert series to be Series. I93-3148-0162] Detroit Renaissance presented at the Inter-Media Kuumbwa Jazz Society Foundadon Art Center. [93-3148-0168] Santa Cruz, CA $6,700 Brooklyn Institute of Arts Detroit, MI $5,000 To support American artist and Sdences To support American artists’ International Art of Jazz, fees’ for the weekly program­ Brooklyn, NY $5,000 fees and production expenses Inc. ming of jazz artists and a jazz To support American artists’ for the 1993 Montreux Stony Brook, NY $13,000 residency during the 1993­ fees and related costs for the Detroit Jazz Festival. To support the jazz program­ 94 season. [93-3148-0136] 1993 concert series, Summer [93-3148-0152] ming activities for the 1993­ 94 season. [93-3148-0137]

1993 Annual Report 155 Wolf Trap Foundation for Lake George Arts Northeast Ohio Jazz San Francisco Society Performances, Inc. the Performing Arts Project, Inc. Vienna, VA $15,000 Lake George, NY $5,000 Cleveland Heights, OH San Francisco, CA $5,000 $6,500 To support artists’ fees and To support the daytime ac­ To support American artists’ tivities of Wolf Trap’s 1993 fees, production, and promo­ To support American artists’ other expenses associated tion costs associated with the fees and related costs for the with the presentation of jazz Jazz Festival. [93-3148-0159] Lake George Jazz Weekend 1993-94 concert season con­ ensembles in major San in September 1993. sisting of mobile presenta­ Francisco theaters during [93-3148-0147] tions and educational con­ 1993-94. [93-3148-0151] Jazz Management certs featuring regional and Louisiana Jazz national artists. Snug Harbor Cultural Federation, Inc. [93-3148-0172] Center, Inc. Earshot Jazz Society of New Orleans, LA $5,000 Staten Island, NY $5,500 Seattle To support artists’ fees and Painted Bride Art To support artists’ and other Seattle, WA $4,000 related costs for the twelfth Center, Inc. professional fees for jazz pre­ To support the salary and annual "Jazz Awareness Philadelphia, PA $18,000 sentations and related educa­ fringe benefits of the execu­ Month Festival" in October To support jazz program­ tion/outreach programs dur­ tive director position for the 1993. [93-3148-0169] ming during the 1993-94 ing 1993-94. third year. [93-3148-0180] season, including concerts [93-3148-0167] Manchester Craftsmen’s and residencies. Louisiana Jazz Guild [93-3148-0144] Stanford Jazz Workshop Federation, Inc. Pittsburgh, PA $5,000 Stanford, CA $5,000 New Orleans, LA $4,000 To support American artists’ Performing Arts To support guest artists’ fees To support the salary of the fees and costs related to di­ Foundation of Kansas City and related travel costs for executive director for the sec­ verse jazz programming ac­ Kansas City, MO $5,000 the 1993 summer concert se­ ond year. [93-3148-0182] tivities during the 1993-94 To support American artists’ ries. [93-3148-0150] season. [93-3148-0143] fees for the 12th Street Jazz Manchester Craftsmen’s Series at the Folly Theater Tucson Jazz Society, Inc. Guild Manna House during the 1993-94 season. Tucson, AZ $12,500 Pittsburgh, PA $6,000 Workshops, Inc. [93-3148-0139] To support American artists’ To support the salary of the New York, NY $4,000 fees and related costs for the jazz support service manager To support American artists’ Portland Performing "Jazz Sundae" concert in for the third year. fees and related costs for the Arts, Inc. 1993 and the "Primavera: A [93-3148-0181] 1993-94 music presentation Portland, ME $10,000 Celebration of Women in program entitled MEEE To support American artists’ the Arts" concert in 1994. (Music for Entertainment, fees and related costs for the [93-3148-0163] jazz Special Projects Education and Enlighten­ "Ethnic Jazz" project during ment). [93-3148-0174] the 1993-94 season. University of Idaho [93-3148-0153] Moscow, ID $15,500 ~r International Metro Arts Alliance of To support guest artists’ Association of Jazz Greater Des Moines Rapid City Fine Arts fees for the 26th annual Educators Des Moines, IA $5,000 Council, Inc. University of Idaho Lionel Manhattan, KS $20,000 To support artists’ fees and Rapid City, SD $5,000 Hampton/Chevron Jazz To support artists’ fees and marketing expenses associat­ To support American artists’ Festival in February 1993. related production expenses ed with "Jazz in July," a con­ fees and related costs for the [93-3148-0170] for a special concert and cert series featuring Iowa 1993-94 jazz ensemble sea­ award ceremony honoring musicians. [93-3148-0148] son. [93-3148-0178] University of Virginia recipients of the 1993 Na­ Charlottesville, VA $7,000 tional Endowment for the New Mexico Jazz Sammons Center To support artists’ fees and Arts American Jazz Masters Workshop, Inc. for the Arts related promotional and pro­ Fellowships. Reviewed by Albuquerque, NM $5,500 Dallas, TX $5,000 duction expenses for the Jazz the following five members To support American artists’ To support the Sammons Concert Series and the four- of the Single-Music fees and related costs for the Jazz series, including artists’ day Jazz Festival. Presenters Panel and the Jazz 18th Annual Guest Artist fees, production and presen­ [93-3148-0155] Fellowships Panel: Muhal Series, including concerts, tation costs, and expansion Richard Abrams, Carl master classes, and work­ of marketing activities dur­ William Paterson College Atldns, , Jerry shops during the 1993-94 ing the 1993-94 season. of New Jersey Coleman, Jeff Holmes. season. [93-3148-0171] [93-3148-0173] Wayne, NJ $15,500 [93-3148-0289] To support the 1993-94 Jazz Room Series and the spring 1994 Willowbrook Festival. [93-3148-0141]

156 National Endowment for the Arts Sr International projects and services. Broward’s Friends of D ovc~ntown Music Association of Jazz [93-3148-0189] Chamber Music, Inc. Productions, Inc. Educators Plantation, FL $3,000 New York, NY $5,000 Manhattan, KS $30,000 To support artists’ fees and To support artists’ fees and To support a special concert Chamber Music related costs for chamber related costs for chamber and and award ceremony in music concerts during the new music concerts during honor of the 1994 National 1993-94 season. the 1993-94 season. Endowment for the Arts 55 grants [93-3148-0234] [93-3148-0207] American Jazz Masters Program Funds: $253,000 Fellowship recipients. Buffalo Fine Arts Academy Early Music Guild of Reviewed by the Overview Buffalo, NY $3,000 Seattle Panel. [93-3148-0718] 80 Langton Street, Inc. To support artists’ fees and Seattle, WA $4,000 San Francisco, CA $3,000 related costs for a series of To support artists’ fees for a Rova Saxophone Quartet To support artists’ fees and contemporary chamber con­ chamber music concert series San Francisco, CA $5,000 related costs for an experi­ certs during the 1993-94 sea­ during the 1993-94 season. To support American artists’ mental new music solo son. [93-3148-0199] [93-3148-0195] fees, travel costs, and admin­ recital series during the istrative expenses associated 1993-94 season. Center for Contemporary Eastern Shore Chamber with the presentation of the [93-3148-0190] Arts of Santa Fe, Inc. Music Festival, Inc. International Creative Music Santa Fe, NM $3,000 St. Michaels, MD $3,000 Orchestra. [93-3148-0184] Bay Chamber Concerts To support artists’ fees and To support artists’ fees and Camden, ME $3,000 related costs for a new music related costs for the Eastern Trane Stop Resource To support artists’ fees and solo recital series during the Shore Chamber Music Institute, Inc. related costs for the 1993 1993-94 season. Festival during 1993. Philadelphia, PA $5,000 summer music concert series. [93-3148-0241] [93-3148-0233] To support the development [93-3148-0224] of a one-hour archival docu­ Chamber Music Grand Canyon Chamber mentary for television and a Berkeley Society for the Northwest, Inc. Music Festival, Inc. promotional brochure focus­ Preservation of Traditional Portland, OR $14,000 Grand Canyon, AZ $3,500 ing on the life and art of past Music, Inc. To support artists’ fees and To support artists’ fees and and present members of The Berkeley, CA $4,000 related costs for the related costs for the Grand Philadelphia Legends of Jazz. To support artists’ fees for Chamber Music Northwest Canyon Chamber Music [93-3148-0186] chamber and new music festival during 1993. Festival during 1993. concerts during the 1993-94 [93-3148-0211] [93-3148-0248] Jazz Services To The season. [93-3148-0210] Field Chamber Music Society of Independent Composers Boise State University Logan, Inc. Association Arts Midwest Boise, ID $3,000 Logan, UT $3,500 Los Angeles, CA $3,000 Minneapolis, MN $30,000 To support artists’ fees and To support artists’ fees and To support artists’ fees and To support costs relating to related costs for chamber related costs for a chamber related costs for new music music concerts during the music performance during concerts during the 1993-94 the Jazz Master Awards and the Jazzletter quarterly publi­ 1993-94 season. the 1993-94 season. season. [93-3148-0228] cation in 1993-94. [93-3148-0194] [93-3148-0223] [93-3148-0188] Jefferson Academy of Bowdoin College Chamber Music Society of Music ~: National Jazz Service Brunswick, ME $3,500 St. Cloud, Inc. Westerville, OH $5,000 Organization To support artists’ fees and St. Cloud, MN $3,000 To support artists’ fees and Washington, DC $40,000 related costs for the Bowdoin To support artists’ fees and related costs for chamber To support expansion of the Summer Music Festival dur­ related costs for chamber music concerts and residen­ Technical Assistance Pro­ ing 1993. [93-3148-0232] music concerts during the cies during the 1993-94 sea­ gram, improvement of other 1993-94 season. son. [93-3148-0217] existing services, and the en­ Brooklyn Friends of [93-3148-0231] hancement of services to the Chamber Music Inc. League of Composers/ field. [93-3148-0187] Brooklyn, NY $3,000 Composers Guild of New International Society of To support artists’ fees and Jersey, Inc. Contemporary Music, U.S. Southern Arts Federation, related costs for chamber Ship Bottom, NJ $7,000 Section, Inc. Inc. music concerts during the To support artists’ fees and New York, NY $3,000 Atlanta, GA $15,000 1993-94 season. related costs for new music To support artists’ fees and To support costs related to [93-3148-0226] concerts during the 1993-94 related costs for contempo­ the 1993-94 array of jazz season. [93-3148-0193] rary American music con­ certs during the 1993-94 sea­ son. [93-3148-0203]

1993 Annual Report 157 Concerts, Inc. corda Festival Series during San Frandsco Early Music Chamber Music of World Woodstock, NY $3,500 1993. [93-3148-0222] Society War II, scheduled in 1993. To support artists’ fees and Berkeley, CA $5,000 [93-3148-0221] related costs for chamber Performance Space To support artists’ fees and Society for New Music music concerts during the 122, Inc. related costs for early music 1993 season. New York, NY $6,000 concerts during the 1993-94 Syracuse, NY $10,000 [93-3148-0225] To support artists’ fees and season. [93-3148-0235] To support American artists’ related costs for new music fees and related costs for new Mid-Adantic Center for concerts during the 1993-94 Schubert Club, Inc. music concerts during the the Arts season. [93-3148-0219] St. Paul, MN $7,500 1993-94 season. Cape May, NJ $3,000 To support American artists’ [93-3148-0197] °1To support artists’ fees and Performing Arts Chicago fees for a solo recitalist con­ related costs for a residency Chicago, IL $10,000 cert series during the 1993­ Soundwork Northwest at the Cape May Music To support American artists’ 94 season. [93-3148-0245] Seattle, WA $4,000 Festival during 1993. fees and related costs for To support artists’ fees and [93-3148-0247] chamber music concerts dur­ Seattle Chamber Music related costs for solo recital- ing the 1993 season. Festival ist/duo concerts during the Mills College [93-3148-0191] Seattle, WA $5,000 1993-94 season. Oakland, CA $3,000 To support artists’ fees and [93-3148-0244] To support artists’ fees and Pittsburgh Chamber Music related costs for the Seattle related costs for a series of Society, Inc. Chamber Music Festival Sun Cities Chamber Music new music concerts during Pittsburgh, PA $3,000 during the 1993 season. Sodety the 1993-94 season. To support artists’ fees and [93-3148-0198] Sun City, AZ $5,000 [93-3148-0246] related costs for chamber To support artists’ fees and music concerts during the Seattle International Music related costs for chamber Minnesota Composers 1993-94 season. Festival music concerts and residen­ Forum [93-3148-0230] Seattle, WA $5,000 cies during the 1993-94 sea­ St. Paul, MN $14,000 To support artists’ fees and son. [93-3148-0205] To support artists’ fees and Pordand State University related costs for a chamber related costs for new music Portland, OR $5,000 music festival during 1993. Syracuse Friends of concerts during the 1993-94 To support American artists’ [93-3148-0200] Chamber Music, Inc. season. [93-3148-0220] fees for a solo piano recital Syracuse, NY $3,000 series during the 1993-94 Shrine to Music Museum, To support ensemble artists’ Mostly Music, Inc. season. [93-3148-0239] Inc. fees and related costs for Chicago, IL $3,000 Vermillion, SD $3,000 chamber music concerts dur­ To support artists’ fees and Rensselaer Polytechnic To support artists’ fees and ing the 1993-94 season. related costs for chamber Institute related costs for chamber [93-3148-0213] music concerts during the Troy, NY $4,000 music concerts during the 1993-94 season. To support American artists’ 1993-94 season. University of Idaho [93-3148-0215] fees and related costs for a [93-3148-0216] Moscow, ID $5,000 new music concert series To support artists’ fees and Music Before 1800, Inc. during the 1993-94 season. Si-Yo Music Society related costs for the Auditor­ New York, NY $5,000 [93-3148-0243] Foundation, Inc. ium Chamber Music Series To support American artists’ New York, NY $3,500 during the 1993-94 season. fees and related costs for Rockport Chamber Music To support artists’ fees and [93-3148-0196] chamber music concerts dur­ Festival, Inc. related costs for chamber ing the 1993-94 season. Rockport, !VIA $3,500 music concerts during the University of Michigan, [93-3148-0206] To support artists’ fees and 1993-94 season. Regents of related costs for the Rock- [93-3148-0201] Ann Arbor, MI $3,500 Music at Angd Fire, Inc. port Chamber Music Festival To support artists’ fees and Angel Fire, NM $5,000 during 1993. Skaneateles Festival, Inc. related costs for chamber To support artists’ fees and [93-3148-0212] Skaneateles, NY $4,000 music concerts during the related costs for concerts and To support artists’ fees for 1993-94 season. festival activities during the Roulette Intermedium, Inc. chamber music concerts dur­ [93-3148-0214] 1993 season. New York, NY $5,000 ing the 1993 festival season. [93-3148-0204] To support artists’ fees and [93-3148-0229] Van Cliburn Foundation, related costs for new music Inc. Musicorda, Inc. concerts during the 1993-94 Society for Chamber Music Fort Worth, TX $7,000 South Hadley, MA $3,500 season. [93-3148-0236] in Rochester, Inc. To support American artists’ To support artists’ fees and Rochester, NY $3,000 fees and related costs for a related costs for the Musi­ To support artists’ fees and solo recitalist concert series related costs for a Festival of

158 National Endowment for the Arts during the 1993-94 season. ists; and to assist organiza- Brooklyn Academy of Concert Society at [93-3148-0240] tions that offer a series of Music, Inc. Maryland Brooklyn, NY $16,700 College Park, MD $4,000 Washington Square high-quality special music events, coordinated with- To support American musi­ To support American musi­ Contemporary Music cians’ fees and related costs cians’ fees and related costs Society, Inc. in a specific period of for the 1993-94 season. for the 1993-94 season at the New York, NY $3,000 time and presented at a [93-3149-0086] To support artists’ fees and University of Maryland. central location. [93-3149-0072] related costs for a new music Cabrillo Guild of Music concert series during the 85 grants Aptos, CA $11,000 Connecticut Early Music 1993-94 season. To support American musi­ Program Funds: $553,000 Society, Inc. [93-3148-0209] cians’ fees and related costs New London, CT $4,300 Treasury Funds: $275,000 for the 1993 Cabrillo Music To support American musi­ Westfield Center for Early Festival. [93-3149-0118] cians’ fees and related costs Keyboard Studies, Inc. for the 1993 Connecticut Easthampton, MA $5,000 Alternative Center for Carnegie Hall Corporation Early Music Festival. To support artists’ fees and International Arts, Inc. New York, NY TF $67,500 [93-3149-0127] related costs for a solo New York, NY $4,000 To support American musi­ recitalist series during the To support American musi- cians’ fees and related costs Contemporary Arts Center, 1993-94 season. cians’ fees and related costs for the 1993-94 season. New Orleans [93-3148-0238] for the 1993-94 season. [93-3149-0071] New Orleans, LA $4,000 [93-3149-0100] To support American musi­ Xavier University Centrum Foundation cians’ fees and related costs Cincinnati, OH $3,000 Artist Series at the Port Townsend, WA $5,000 for the 1993-94 season. To support American artists’ Pabst, Inc. To support American musi­ [93-3149-0105] fees and related costs for a Milwaukee, WI $4,000 cians’ fees and related costs piano and guitar solo recital- To support American musi- for the 1993-94 season. Corcoran Gallery of Art, ist series during the 1993-94 cians’ fees and related costs [93-3149-0098] Trustees of season. [93-3148-0242] for the 1994 season. Washington, DC $4,000 [93-3149-0109] Chicago Park District To support American musi­ Yale University Chicago, IL TF $18,700 cians’ fees and related costs New Haven, CT $5,000 Associated Students of To support American musi- for the 1993-94 season. To support artists’ fees and Sacramento State College cians’ fees for the 59th sea- [93-3149-0082] related costs for contempo- Sacramento, CA $5,500 son of the Grant Park Music rary music concerts during To support American musi- Festival. [93-3149-0110] Cornish College of the Arts the 1993 Norfolk Chamber cians’ fees for the 16th annu- Seattle, WA $4,000 Music Festival. al Festival of New American Columbia University, To support American musi­ [93-3148-0208] Music in 1993. Trustees of cians’ fees for the 1993-94 [93-3149-0111] New York, NY $4,000 Cornish College Series. Yellow Barn To support American musi- [93-3149-0079] Putney, VT $4,500 Bard College cians’ fees and related costs To support artists’ fees and Annandale-Hudson, NY for the 1993-94 season at the Creative Time, Inc. related costs for the Yellow $4,000 Kathryn Bache Miller New York, NY $8,000 Barn Music Festival during To support American musi- Theatre. [93-3149-0069] To support American musi­ the 1993 season. cians’ fees and related costs cians’ fees and related costs [93-3148-0192] for the 1993 Bard Music Composers’ Forum, Inc. for the 1993-94 multimusic Festival. [93-3149-0125] New York, NY $4,000 presentation. To support American musi- [93-3149-0055] Bargemusic, Ltd. cians’ fees and related costs Brooklyn, NY $4,000 for the 1993-94 season. Dance Theater To support American musi­ [93-3149-0078] Workshop, Inc. cians’ fees and related costs New York, NY $4,000 for the 1993-94 season. Concert Association of To support American musi­ [93-3149-0081] Florida, Inc. cians’ fees and related costs To assist organizations Miami Beach, FL $4,000 for the 1993-94 season. Boston Symphony To support American musi­ [93-3149-0089] that present two or more Orchestra, Inc. of the following genres of cians’ fees and related costs Boston, MA TF $20,400 for the 1993-94 season. District Curators, Inc. music: chamber music or To support American musi­ [93-3149-0126] Washington, DC $12,000 new music, chorus, jazz, cians’ fees at the 1993 season To support American musi­ orchestra and solo recital­ of the Tanglewood Festival. cians’ fees and related costs [93-3149-0103]

1993Annual Report 159 Helena Presents Lincoln Center for the for the 1993-94 season. French Quarter Festival, Helena, MT $5,700 Performing Arts, Inc. [93-3149-0056] Inc. New Orleans, LA $4,000 To support American musi­ NewYork, NY TF $57,300 To support American musi­ Dumbarton Avenue To support American musi­ cians’ fees for the 1993-94 cians’ fees and related costs series. [93-3149-0101] cians’ fees for the 1993-94 Concert Series season of Great Performers Washington, DC $4,000 for the 1993 French Quarter Festival. [93-3149-0064] Isabella Stewart Gardner and Jazz at Lincoln Center To support American musi­ Museum, Inc. and the 1993 season of the cians’ fees for the 1993-94 Mostly Mozart Festival. season. [93-3149-0060] Friends of the Arts, Inc. Boston, MA $4,000 Locust Valley, NY $4,000 To support American musi­ [93-3149-0049] cians’ fees and related costs Eastern Music Festival, To support American musi­ Litchfield Performing cians’ fees and related costs for the 1993-94 season. Inc. Arts, Inc. Greensboro, NC $8,800 for the 1993 Beethoven [93-3149-0129] Festival. [93-3149-0067] Litchfield, CT $4,600 To support American musi­ To support American musi­ cians’ fees for the 1993 John F. Kennedy Center Friends of the Brattleboro for the Performing Arts cians’ fees and related costs Eastern Music Festival. for the 1993-94 season. [93-3149-0124] Music Center, Inc. Washington, DC $18,200 Brattleboro, VT $19,000 To support American musi­ [93-3149-0091] Elaine Kaufman Cultural To support American musi­ cians’ fees and related costs for the 1993-94 season at the Los Angeles Philharmonic Center cians’ fees and related costs Association for the 1993-94 season of Terrace Theater. New York, NY $4,000 [93-3149-0107] Los Angeles, CA To support American musi­ the Brattleboro Music TF $16,000 Center and the 1993 New cians’ fees and related costs To support American musi­ for the 1993-94 season of England Bach Festival. Julia Morgan Center for [93-3149-0073] the Arts, Inc. cians’ fees for the 1993 sea­ the Lucy Moses School for son of the Hollywood Bowl Music and Dance. Berkeley, CA $5,600 To support American musi­ Summer Festival. [93-3149-0104] Fund for the Borough of Brooklyn, Inc. cians’ fees and related costs [93-3149-0117] Emelin Theatre for the Brooklyn, NY $6,600 for the 1993-94 season. To support American musi­ [93-3149-0077] Madison Civic Center Performing Arts, Inc. Madison, WI $4,000 Mamaroneck, NY $4,000 cians’ fees and related costs for the 1993-94 season of Juneau Jazz and Classics, To support American musi­ To support American musi­ cians’ fees and related costs cians’ fees and related costs "Celebrate Brooklyn," a pro­ Inc. ject of the Fund for the Juneau, AK $4,200 for the 1993-94 season. for the 1993-94 season. [93-3149-0090] [93-3149-0057] Borough of Brooklyn. To support American musi­ [93-3149-0133] cians’ fees and related costs for the Juneau Jazz & Minnesota Orchestral Fairbanks Symphony Association Association, Inc. Grand Teton Music Classics Festival in 1993. [93-3149-0130] Minneapolis, MN Fairbanks, AK $5,000 Festival, Inc. TF $12,000 Teton Village, WY $13,500 To support musicians’ fees To support American musi­ and related costs for the To support American musi­ La Julia Chamber Music cians’ fees and related costs Society cians’ fees and related costs 1993-94 season. for the Minneapolis [93-3149-0135] for the 1993 Grand Teton La Jolla, CA $9,200 Music Festival. To support American musi­ Symphony Orchestra’s 1993 [93-3149-0050] cians’ fees and related costs Viennese Sommerfest. Flynn Theatre for the [93-3149-0062] Performing Arts, Ltd. for the 1993-94 Celebrity, Burlington, VT $12,700 Haleakala, Inc. Sherwood Auditorium, and New York, NY $4,000 La Jolla series Monadnock Music To support American musi­ Peterborough, NH $4,000 cians’ fees and related costs To support American musi­ of presentations. cians’ fees and related costs [93-3149-0084] To support American musi­ for the 1993-94 season. cians’ fees and related costs [93-3149-0076] for the 1993-94 season at The Kitchen Center. La Pena Cultural for the 1993 Monadnock [93-3149-0128] Center, Inc. Music Festival. Fredric R. Mann Music [93-3149-0131] Center Berkeley, CA $5,100 Philadelphia, PA $4,000 Hallwalls, Inc. To support American musi­ Buffalo, NY $7,900 cians’ fees and related costs Mount Saint Mary’s To support musicians’ fees College for the 1993 summer festival To support American musi­ for the 1993-94 season. cians’ fees and related costs [93-3149-0093] Los Angeles, CA $12,100 at the Mann Music Center. To support American musi­ [93-3149-0054] for the 1993-94 season. [93-3149-0092] cians’ fees and related costs for the 1993-94 season of Chamber Music in Historic

160 National Endowment for the Arts Sites, presented by the Da New School Concerts. cians’ fees and related costs Society for the Performing Camera Society. [93-3149-0097] for the 1993-94 season. [93-3149-0052] Arts [93-3149-0066] Houston, TX $4,800 Ohio State University To support American musi­ Mozart Festival Assodation Research Foundation Quad City Arts, Inc. San Luis Obispo, CA cians’ fees and related costs Columbus, OH $4,000 Rock Island, IL $8,700 $4,200 for the 1993-94 season. To support American musi­ To support American musi­ [93-3149-0132] To support American musi­ cians’ fees and related costs cians’ fees and related costs cians’ fees for the 1993 sea­ for the 1993-94 season at the for the 1993-94 season. son of the Mozart Festival in Spoleto Festival U.S.A. Wexner Center for the Arts. [93-3149-0102] Charleston, SC $14,500 San Luis Obispo. [93-3149-0134] [93-3149-0087] To support American musi­ Ravinia Festival cians’ fees for the Spoleto Ojai Festivals, Limited Association Museum Associates Ojai, CA $13,700 Festival U.S.A. in 1993. Highland Park, IL $ 7,100 [93-3149-0116] Los Angeles, CA $11,700 To support American musi­ To support American musi­ To support American musi­ cians’ fees and related costs cians’ fees for the 1993 cians’ fees and related costs St. Ann Center for Restora­ for the 1993 Ojai Festival. Ravinia Festival. tion and the Arts, Inc. for the 1993-94 series of [93-3149-0122] [93-3149-0058] Monday Evening Concerts Brooklyn, NY $4,000 To support American musi­ and Bing Concerts. OK Mozart, Inc. Renaissance and Baroque cians’ fees and related costs [93-3149-0085] Bartlesville, OK $5,100 Sodety of Pittsburgh for the 1993-94 season of To support American musi­ Pittsburgh, PA $4,000 "Arts at St. Ann’s." Music Associates of cians’ fees and related costs To support contractual fees [93-3149-0094] Aspen, Inc. for the 1993 OK Mozart of the manager and ticket Aspen, CO TF $13,700 International Festival. sales associate for the 1993­ Symphony Space, Inc. To support American musi­ [93-3149-0120] 94 season. [93-3149-0115] cians’ fees for the 1993 New York, NY $4,200 To support American musi­ Aspen Music Festival. Orcas Center Research Foundation of [93-3149-0123] cians’ fees and related costs Eastsound, WA $4,000 State University of New for the 1993-94 season. To support American musi­ York [93-3149-0112] Musical Arts Association cians’ fees and related costs Albany, NY $4,000 Cleveland, OH TF $15,000 for the 1993-94 season. To support American musi­ University of California, To support American musi­ [93-3149-0096] cians’ fees and related costs cians’ fees for the 1993 Berkeley for the 1993 North Amer­ Berkeley, CA $5,700 Blossom Music Festival, the Orchestral Association ican New Music Festival. summer home of the To support American musi­ Chicago, IL $5,900 [93-3149-0059] cians’ fees and related costs Cleveland Orchestra. To support fees for [93-3149-0070] for the 1993-94 season. American musicians appear­ Santa Fe Chamber Music [93-3149-0068] ing on the Allied Arts Festival, Ltd. New Hampshire Music Association’s 1993-94 series. Santa Fe, NM $24,900 University of Illinois, Festival, Inc. [93-3149-0088] To support American musi­ Gilford, NH $4,000 Urbana-Champaign cians’ fees for the 21st season Urbana, IL $4,000 To support American musi­ Peter BHtt Gardens Music of the Santa Fe Chamber cians’ fees for the 1993 New To support American musi­ and Arts Festival Music Festival in 1993. cians’ fees and related costs Hampshire Music Festival. Assodation [93-3149-0061] [93-3149-0095] for the 1993-94 season. Medford, OR $4,400 [93-3149-0053] To support American musi­ Scottsdale Cultural New Music Circle cians’ fees for the 1993 Britt Council University of Iowa St. Louis, MO $4,700 Classical Festival. Scottsdale, AZ To support American musi­ $4,700 Iowa City, IA $5,200 [93-3149-0121] To support American musi­ To support American musi­ cians’ fees and related costs cians’ fees and related costs for the 1993-94 season of cians’ fees and related costs Phillips Collection for the 1993-94 season. for the 1993-94 season. the New Music Circle. Washington, DC $7,700 [93-3149-0065] [93-3149-0114] To support American musi­ [93-3149-0113] cians’ fees and related costs Sitka Summer Music University of Nebraska, New School for Social for the 1993-94 season of Festival, Inc. Research Lincoln Sunday Afternoon Concerts. Anchorage, AK $4,000 Lincoln, NE $4,000 New York, NY $4,600 [93-3149-0075] To support American musi­ To support American musi­ To support American musi­ cians’ fees and related costs cians’ fees and related costs cians’ fees and related costs Pro Arte Musical, Inc. for the 1993-94 season. for the 1993-94 season of for the 1993-94 season. San Juan, PR $4,000 [93-3149-0106] [93-3149-0048] To support American musi­

1993 Annual Report 161 two cooperative agreements poser in Residence cate­ composition of jazz arrange­ University of Oregon ments of historic works by awarded in collaboration with, Eugene, OR $14,900 gory provides support to African-American com­ and funded by, the Arts in To support American musi­ establish a collaborative posers. [93-3116-0496] Education Program. cians’ fees for the 1993 working relationship be­ Oregon Bach Festival. tween a composer and Los Angeles Chamber Grants were reviewed by the [93-3149-0119] music performing organi­ Orchestra Society, Inc. Overview Panel (1993), un­ zation that wishes to spon­ Los Angeles, CA $9,000 less otherwise indicated. Walker Art Center, Inc. To support the residency of Minneapolis, MN $42,100 sor a residency. composer Donald Crockett, To support American musi­ including the selection of Affiliate Artists, Inc cians’ fees and related costs 6 grants new American music for the NewYork, NY $105,658" for music programs in the To amend a cooperative Program Funds: $175,000 1993-94 season. 1993-94 season. [93-3116-0492] agreement to support the [93-3149-0688] Chamber Music Rural Los Angeles Master Residencies Initiative in Washington Performing Consortium Chorale Association Georgia, Iowa and Kansas. Arts Society Commissioning Los Angeles, CA $10,000 Reviewed by the Special Washington, DC $13,800 Projects/Overview 1992 TF $16,700 To support the residency of composer Paul Chihara in Panel; see 1992 Annual To support musicians’ fees 1 grant commissioning choral fan­ Report. [DCA 92-08] for American artists, mem­ Program Funds: $133,000 fares and other musical/edu­ *Awarded in collaboration with, bers of ensembles, and or­ cational activities. and funded by, the Arts in chestras during the 1993-94 [93-3116-0494] Education Program. season. [93-3149-0080] ~ Meet The Composer, Inc. Orchestral Association American Bach Soloists World Music Institute, Inc. New York, NY $133,000 Chicago, IL $9,000 Belvedere, CA $4,800 New York, NY $11,700 To support the Meet the To support the residency of To support musicians’ fees To support American musi­ Composer/Reader’s Digest/ composer Shulamit Ran as for the 1994 season of the cians’ fees and related costs Arts Endowment Commis­ advisor on contemporary American Bach Soloists. for the 1993-94 season. sioning Program, which music to the Chicago [93-3161-0705] [93-3149-0063] awards funds to consortia of Symphony Orchestra and music performing organiza­ the Civic Orchestra of American Composers Young Men’s & Young tions, soloists, radio and tele­ Chicago. [93-3116-0495] Orchestra, Inc. Women’s Hebrew vision stations, presenting New York, NY $4,000 Association organizations, festivals, and St. Louis Symphony To support the costs of com­ New York, NY TF $37,700 opera and musical theater Society missioning a work by the To support American musi­ companies for commission­ St. Louis, MO $9,000 American composer David cians’ fees for the 1993-94 ing works in concert music, To support the residency of Felder for symphony orches­ season at the Tisch Center opera, musical theater, and composer Claude Baker as tra and electronics. for the Arts. [93-3149-0099] jazz. Reviewed by the 1992 the orchestra’s primary advo­ [93-3161-0694] Overview Panel; see 1992 cate and spokesperson for Annual Report. contemporary and American American Dance Festival, [93-3116-0047] music. [93-3116-0493] Inc. Durham, NC $6,000 To support the music por­ Composer in tion of a composers/choreog­ raphers residency program. Residence [93-3161-0708] To fund innovative and 5 grants exemplary projects that Chamber Music America Consortium Commis­ Program Funds: $42,000 have a broad impact on NewYork, NY $270,000* To amend a cooperative sioning grants enable con­ the music field but are not agreement to administer the Grants were reviewed by the eligible under the other sortia of performing orga­ Chamber/Jazz Ensembles second year of the Chamber nizations, soloists, or Panel. funding categories. Music Rural Residencies presenting organizations, Initiative, a pilot program festivals, and public radio 28 grants; 3 cooperative which places emerging Boston Musica Viva, Inc. chamber music ensembles in and television stations to agreements selected rural communities commission and perform Boston, MA $5,000 To support the residency of Program Funds: $296,900* for the 1993-94 academic new works. The Com­ composer Hale Smith for the *Not including $375,658 for year to perform and to teach

162 National Endowment for the Arts children and adults in areas Network which gives artists where music instructors are Angeles Symphonic Jazz Pegasus Musical Society opportunities to perform and Orchestra. [93-3161-0693] scarce. [DCA 93-41] create new work outside Dallas, TX $6,000 *Awarded in collaboration with, their home states. To support musicians’ fees Mount Vernon College for the Orchestra of New and funded by, the Arts in [93-3161-0710] Education Program. Washington, DC $4,000 Spain for Music from the To support the production Spanish Baroque. Festival of Art and Music of the 1993-94 season of ex­ Children’s Festival Chorus, for Elementary Schools, [93-3161-0717] Inc. perimental chamber opera as Inc. (F~LM.E.) part of the ’IN’ Series at Pittsburgh, PA $5,000 Fort Wayne, IN $4,500 Philadelphia Orchestra To support the music com­ Mount Vernon College. Association To support the expenses of a [93-3161-0704] ponent of a television pro­ visiting musician to elemen- Philadelphia, PA $9,000 duction of the work "We To support the costs of com­ tary schools in northeastern ~ National Association of Return Thanks" by Ameri­ Indiana in the spring of missioning a work by the Negro Musicians, Inc. American composer Jacob can composer Scott Cohen. 1994. [93-3161-0696] Chicago, IL $24,000 Druckman. [93-3161-0697] [93-3161-0706] To support travel, housing, Goldman Memorial Band, College Music Society, Inc. and per diem expenses for Relache, Inc. Inc. African-American orchestral Missoula, MT $4,500 New York, NY $5,000 Philadelphia, PA $6,000 To support musicians’ fees musicians to attend the Asso- To support the first year of a To support the 1994 sum­ ciation’s annual convention and other costs associated mer season of free outdoor three-year project in which in 1994 in Dallas. five new music ensembles with a retrospective on the concerts. [93-3161-0698] culture, music, and musical [93-3161-0695] will collaborate with ten composers to develop new materials of the northern Great Lakes Performing National Symphony Mississippi Valley, as part of Artist Associates musical works at five sites. Orchestra Association of [93-3161-0699] the society’s 36th annual Ann Arbor, MI $4,000 Washington, D.C. meeting. [93-3161-0701] To support an Arts-in- Washington, DC $8,000 Education music program Research Foundation of To support the Youth SUNY Colorado Symphony for four elementary schools Fellowship Program, a train- Association Albany, NY $6,000 in the Pontiac (MI) School ing program to foster the de- To support the 1994 "June Denver, CO $4,000 District. [93-3161-0712] To support an in-depth velopment of promising in Buffalo" composers’ semi- music students into future nar/workshop sponsored by analysis of the four-year Institute for International orchestral musicians. struggle for survival of the Education (Arts the State University of New [93-3161-0715] York at Buffalo. orchestra formerly known International) as the Denver Symphony [93-3161-0711] New York, NY $100,000" ~ Walter W. Naumburg Association, its reorganiza­ To support a cooperative tion as the Colorado Foundation, Inc. Saint Paul Chamber agreement for the adminis- New York, NY $6,000 Symphony and its fiscal re­ tration of The Fund for U.S. Orchestra Society covery, to benefit manage­ To support the chamber St. Paul, MN $7,000 Artists at International Fest­ music ensemble selected by ment decision-making by ivals and Exhibitions, a pub- To support the costs of com­ other orchestras in the fu­ the Foundation to appear in missioning special arrange- lic/private partnership. Re- in 1994 to ture. Reviewed by the fol­ ments written in the 19th viewed by the International perform a work commis­ lowing members of the Program 1992 Overview century for variously-sized 1993 Overview Panel: sioned specifically for the chamber orchestras. Panel. [DCA 93-07] group. [93-3161-0713] Lucille Dixon, Richard *Co-funded with $135,000Jgom [93-3161-0709] Domek, Arneida Houston, the InternationaI Program for a Newband, Inc. Jane Hunter and Martin total of $235, 000. San Francisco Symphony Verdrager. [93-3161-0687] Nyack, NY $4,800 San Francisco, CA---$5,000~__.. To support the restoration of To support the costs of com­ ~ Juilliard School eight of the original instru­ missioning a work by com- ~ Conductors’ Guild, Inc. New York, NY $35,000 ments built by the American West Chester, PA $4,800 To support the continuation poser Ursula Mamlok. To support the 1993-94 composer Harry Partch. [93-3161-0702] of the Seaver/NEA Conduc­ [93-3161-0703] American conductors work­ tors Award in 1993-94. shops. [93-3161-0716] Seattle Children’s Home [93-3161-0719] Norfolk Public Schools Seattle, WA $5,000 Virginia Beach, VA $5,000 To support the purchase of ~ Dance Theater Los Angeles Symphonic To support five weeks of free Workshop, Inc. ten electronic keyboards to Jazz Orchestra concerts by The Tidewater be used as part of the New York, NY $5,000 Los Angeles, CA $4,500 Winds, a professional con­ To support residencies by "Discover Music" Keyboard To support a free concert cert band. [93-3161-0692] musicians as part of the performed by the Los Project at the Seattle National Performance Children’s Home. [93-3161-0714]

1993 Annual Report 163 Theodore McDaniel (co­ Resource Center (NWCRC). Composers Conference. St. Luke’s Chamber [93-3165-0588] chair) Ensemble, Inc. [93-3165-0585] Clarinetist; Author; $6,000 New York, NY qz California Institute of ~r Society of Composers, Professor o f Jazz and AJ~ican- To support the costs of com­ American Music the Arts Inc. missioning a work by Andre New York, NY $3,000 Ohio State University Previn for St. Luke’s 20th Valencia, CA $4,000 Columbus, OH To support the Center for To support the publication anniversary season. of the Society’s newsletter [93-3161-0700] Experiments in Art, Inform­ Toni-Marie Montgomery ation, and Technology in its and Journal of Music Scores, and administrative costs for Pianist; Associate Dean, Theatre Development program for visiting com­ College of Fine Arts, posers, including workshops conference and festivals. Fund, Inc. [93-3165-0584] Arizona State University New York, NY $4,000 and residencies to explore the Tempe, AZ To support the music por­ use of new interactive tech­ nologies. [93-3165-0586] Yellow Springs Institute tion of the open admission Chester Springs, PA $3,000 Sally O’geiUr Performing Arts Voucher Violinist; Professor of Violin/ ~ International Computer To support American musi­ program, tickets by mail, cians’ fees and travel costs in Chairman, String New York On Stage directo­ Music Association, Inc. Department San Francisco, CA $5,000 connection with the Insti­ ry, music phone line service, tute’s 1993-94 Artists’ Resi­ Louisiana State University and the Theatre Access To support the Computer Baton Rouge, LA Music Information Project, dency Program. Project. [93-3161-0707] [93-3165-0590] which provides composers Charles Stephens with information and re­ ~ Yerha Buena Gardens (layperson) search resources on comput­ Chairman, National Socia7 er music. [93-3165-0580] Cultural Center, Inc. San Francisco, CA $5,000 of Fund Raising Executives Indianapolis, IN ~ Meet The Composer, To support American com­ posers at an international Inc. Brian Torff New York, NY $32,000 gathering of composers at Grants are awarded to or­ TF $15,000 the Center for the Arts, Bassist; Composer; Director, Jazz Studies ganizations for projects To support the Composers in collaboration with the California College of Per­ University of Bridgeport that serve composers on a Performance Fund/National Fairfield, CT national or regional basis. Affiliate Network, which forming Arts. [93-3165-0581] assists composers in having Colette Valentine 12 grants their music performed at Pianist; Accompanist; sponsored events and taking Program Funds: $112,200 Member, Eico Trio part in lectures, masterclass­ New York, NY Treasury Funds: $15,000 es, and concert discussions, among other activities. [93-3165-0589] Chamber/Jazz Chorus Ensembles American Composers Alexander Blachly Orchestra, Inc. Mills College Founding Director, New York, NY $7,500 Oakland, CA $5,000 Reginald Jackson (co-chair) To support the symposia se­ Saxophonist; Faculty member, Pomerium Musices To support orchestral read­ New York, NY ing sessions of works by ries and the composer-in-res­ Department of Music, emerging American com­ idence program. University of Maryland [93-3165-0587] Wheaton, MD Roland Marvin Carter posers. [93-3165-0582] Choral Conductor; Composer; Chairman, Cadek ~r American Music Minnesota Composers Deborah Kavasch Center, Inc. Forum Singer; Composer; Professor of Department of Music St. Paul, MN $5,000 Music, University of Tennessee New York, NY $33,700 Chattanooga, TN To support administrative To support various services California State University, and other expenses associated to member composers dur­ Stanislaus ing 1993-94, including a San Diego, CA David Conte (co-chair) with the center’s information Composer; Choral Conductor; services. [93-3165-0591] newsletter, workshops, and residencies. [93-3165-0583] Ronald McCurdy Professor of Composition, ~ Bay Area Women’s Trumpeter; Director of Jazz San Francisco Conservatory Philharmonic New Hampshire Music Studies, of Music San Francisco, CA $6,000 Festival University of Minnesota San Francisco, CA To support administrative Gilford, NH $3,000 Minneapolis, MN and artistic expenses of the To support the New National Women Composers Hampshire Music Festival

164 National Endowment for the Arts Stanley Engebretson Minnesota Composers Amina Claudine Myers Director of Choral Activities, Forum Holly Salisbury Pianist; Organist; Singer Presenter; Director, Sing/etary George Mason University Minneapolis, MN New York, NY Fairfax, VA Center for the Arts, Robert Lewis University of Kentucky Howie Smith (co-chair) Lexington, KY Robert Harris (co-chair) Composer; Professor of Music, Saxophonist; Composer; Professor of Conducting/ Goucher College Faculty Member, Ralph Simpson Director of Choral Baltimore, MD Organizations Cleveland State University Organist; Chair of Music Cleveland, OH Department, Northwestern University Sylvia Pengilly Skokie, IL Tennessee State University Composer; Professor of Theory Multi-Music Presenters and Composition/ Nashville, TN Thomas Maguire Director, Electronic Music and Festivals Executive Director, Composition Studio Kevin Waters, S.J. Desert Chorale Ronnie Boriskin Composer; Dean, College of Loyola University Arts and Sciences Albuquerque, NM New Orleans, LA Executive Director Aston Magna Foundation Gonzaga University Melinda O’Neal Kay George Roberts for the Arts and the Spokane, WA Choral Conductor; Professor Humanities Conductor; Violinist; Patrick Whelan of Music, Professor of Music Danbury, CT Dartmouth College Touring Program Coodinator, University of Massachusetts, State Arts Council of Lyme, NH Lowell David Bury (co-chair) Arts Management Consultant; Oklahoma Cambridge, MA Joyce Ann Pigge (layper­ Executive Director, Oklahoma City, OK son) Belinda Shaw flay-person) Resource Development Professor of Political Science Senior Management Foundation Music Professional Bethany College Accountant, New York, NY Training Lindsborg, KS Federal Deposit Insurance Corp. Vada Butcher Richard Domek Composers Fellowships Arlington, VA Pianist; Educator; Professor of Music Theory Program Director, University of Kentucky Thomas Jefferson Jazz Fellowships Arts Visitation Project Lexington, KY Anderson Washington, DC Composer;former Chairman, Holly Hudak Lisle Atkinson John Graham (co-chair) Department of Music Bassist; Founder, Director of Education Tufts University General Manager, Chicago Symphony New York Bass Ensemble Concert Association of Chapel Hill, NC Teaneck, NJ Orchestra Florida Chicago, IL Fort Lauderdale, FL Daron Hagen Leith Chase (layperson) Composer; Facuky member, Bruce MacCombie (co­ Master Chef, Restaurateur Bonnie Jo Hunt Bard College New Orleans, LA chair) New York, NY Singer; Founder/Presi­ Composer; Dean, School dent/Artistic Director, Leonard Feather of the Arts, Donald Harris (co-chair) Artists of Indian America Boston University Journalist; Historian; Record Albuquerque, NM Composer; Dean, College of Producer Boston, MA Arts/Professor of Theory and Sherman Oaks, CA Composition, Pansy Jackson (layperson) James Nardone Professor of English, Ohio State University Willie L. Hill, Jr. Chairman, Minnesota State Columbus, OH Virginia State University Arts Board Saxophonist; Associate Dean, Petersburg, VA Undergraduate Studies, Grand Rapids, MN Patrick Kavanaugh University of Colorado, Composer; Conductor; Wendell Logan W’dlis Patterson Boulder Composer; Professor of Music, Educator Denver, CO Singer; Associate Dean for Fairfax, VA Oberlin Conservatory of Academic Affairs/ Music Professor of Voice, Jeff Holmes (co-chair) Oberlin, OH Libby Larsen (co-chair) Trumpeter; Composer; University of Michigan Composer; Co-founder and Coordinator o f Jazz Ann Arbor, MI Managing Composer, Harriet Marsh Page Studies/Associate Professor, Presenter; Founder/Director, University of Massachusetts Maxine Roach The Marsh Series Violist; Composer; Member, School of Music, Amherst Cincinnati, OH Sunderland, MA Uptown String Quartet Brooklyn, NY

1993 Annual Report 165 Jerry Gordon Rev. Hubert Flesher Muriel Whitcomb Alberto Rafols* (layperson) Pianist; Cultural Programs Record Producer; (co-chair and layperson) Founder/Executive, Dean of the Chapel/Lecturer, Dean of Students Coordinator Department of Religion, City of Dallas Office of Evidence Music, Inc. Mills College Villanova, PA Smith College Oakland, CA Cultural Affairs Northhampton, MA Dallas, TX Terri Hinte Single-Music George Gelles (co-chalr) Reppard Stone** Director of Press and Presenters and Festivals Information, Executive Director, Jazz Trombonist; Associate Philharmonia Baroque Professor of Music Fantasy Records Muhal Richard Abrams* Berkeley, CA Orchestra Howard University San Francisco, CA Composer; Pianist; Co- Baltimore, MD Founder, Bruce Talbot (co-chair) Joseph Giunta Association for the Martin Verdrager (co­ Executive Producer, Recording Advancement of Creative Division, Music Director/Conductor, chair)* Des Moines Symphony Musicians Bassoonist; Educator; Artistic Smithsonian Institution New York, NY Press Orchestra Administrator, Dea Moines, IA Aspen Music Festival Washington, DC Carl J. Atkins (co-chair)* Aspen, CO Woodwind Player; Executive Frederick Tillis (co-chair) Gary Good Director, Composer; Saxophonist; Executive Director, Patricia’CiT"fllard*** Milwaukee Symphony Rochester Symphony Jazz Writer; Researcher; Oral Associate Hce Chancellor/ Orchestra Director, Fine Arts Center, Orchestra Historian Milwaukee, WI Rochester, NY Washington, DC University of Massachusetts Amherst, MA Wade Harrison II (co­ Harold R. Battiste, Jr.*** Henry Wolking*** Woodwind Player; Associate Sherry Vc"mston chair) Composer; Conductor; President, Harrison Steel Professor of Jazz Studies Professor of Musid Jazz Flutist; Record producer University of New Orleans New York, NY Castings Company; Chairman, Jazz Composition Board Member, Indiana Arts New Orleans, LA and Pe~Cormance Program, Herb Wong Commission University of Utah Attica, IN Edward tL Birdwell* Salt Lake City, UT Jazz Critic/Journalist; Record French Hornist; Festival Producer Jane Hunter Presenter; Arts Administrator * Reviewed Chamber, Solo Palo Alto, CA Seattle, WA Cellist; Executive Director Recitalists/Duos, and Jazz Portland Symphony Presenters applications. Orchestra Jerry Coleman*** Orchestra ** Reviewed Jazz Manage­ Portland, ME Jazz Drummer; Leader, ment, Jazz Special Projects, Desimont Alston Nineburners Ensemble and ]azz Services to the Field Violinist, Wilmette, IL Kermit Moore applications. National Symphony Cellist; Composer; Conductor *** Reviewed all of above. Orchestra Craig Hosmer* Washington, DC New York, NY Manager, Washington Music Recording Performing Arts Society Joan Briccetti Juan Ramirez Washington, DC Violinist, Atlanta Symphony Gerri Moore Elie Arts Consultant Orchestra; Artistic Director, (layperson) St. Louis, MO Arneida Houston Atlanta Virtuosi; Educator Associate Vice President fir Atlanta, GA (layperson)* Academic Affairs Niel DePonte Assistant Director, Academic Dillard University Principal Percussionist, Development Rachael Worby New Orleans, LA Oregon Symphony Meharry Medical College Orchestra; Music Director/Conductor, Nashville, TN Music Director/Conductor, Wheeling Symphony Paul Freeman Orchestra; Music Director/Conductor, Oregon Ballet Theater; Music Director, Vita West Muir* Founder, West Coast Founder/Executive and Chicago Sinfonietta Carnegie Hall’s Young Orchestra Chamber Orchestra Artistic Director Portland, OR People’s Concert Series Litchfield Performing Arts, Chicago, IL Charleston, WV Inc. Litchfield, CT

166 National Endowment for the Arts Services to Composers Sylvia Pengilly Robert Harris (co-chalr) Reginald Jackson Composer; Professor of Theory Professor of Conducting Daron Hagen and Composition/Director, Saxophonist; Faculty member, Director of Choral Department of Music, Composer; Faculty member, Electronic Music Composition Organizations Bard College Studio University of Maryland New York, NY Northwestern University Wheaton, MD Loyola University Skokie, IL New Orleans, LA Donald Harris Martin Verdrager Terri Hinte Bassoonist,. Educator; Artistic Composer; Dean, College of Overview (1993) the Arts/ Director of Press and Administrator, Professor of Theory and Information, Aspen Music Festival Ludlle Dixon Fantasy Records Aspen, CO Composition Bassist Berkeley, CA Ohio State University New Rochelle, NY Columbus, OH Patrick Whelan Arneida Houston Touring Program Coodinator, Richard Domek (layperson) State Arts Council of Robert Lewis Professor of Music Theory Composer; Professor of Music Assistant Director, Academic Oklahoma University of Kentucky Development Oklahoma City, OK Goucher College Lexington, KY Meharry Medical College Baltimore, MD Nashville, TN Donald Harris Composer; Dean, College of Jane Hunter (co-chair) the Arts/ Cellist; Executive Director Professor of Theory and Portland Symphony Composition, Orchestra Ohio State University Portland, ME Columbus, OH

1993 Annual Report 167

Xhis program

~Ccess to and

gO ~’-/)e.~any manifestations o~ opera and musical tfieater including traditional opera, the

"Broadway musical" and still evolving performance forms. Supporting both

0 ¯ organ ¯ zanons¯ and ¯ ncnv1 duals, the program encourages the broadening of both the concept and canon of opera-musical theater through the creation, development and production of new and seldom-seen American works. It supports

innovative education and outreach activities, as well as the training and development of artists and administrators. Addressing and serving a broader segment of the Ameri­ create a ritualistic music theater work based on Native can public continues to be central to the efforts of the American texts and sounds. Composer David Lentz will Opera-Musical Theater Program. score the work for twelve voices, This year a grant of $6,000 to the twelve flutes, a twelve-piece percus­ Music-Theatre Group in New York sion ensemble, synthesizer and City was awarded for the creation of eight-track digital audio tape. The a work by composer and variety of instruments and voices writer Chiori Miyagawa. America used in the score will reflect the Dreaming explores the contradiction nuances of Native American lan­ between one’s dream of America and guage and music. its reality through the eyes ofYuki, a young Japanese woman. A grant of $10,000 was awarded to *Includes $282,000 committed in FY’92 but not the Opera Theatre of St. Louis for A similar grant was awarded to li- obligated until FY’93, and $45,000 committed but not obligated in FY’93. its Artists-in-Training Program. brettist Laura Kuhn of Phoenix to Through this program, the compa­

1993 Annual Report 169 keyboards. With a creative use of current technology ny identifies talented minority youths in St. Louis public schools. Intended to supplement the existing vocal music that kept ticket prices low, the opera attracted more than curriculum, Artists-in-Training offers qualified students 30,000 people to 33 performances and 45 residency ac­ individual instruction, positive role models and encour­ tivities in eleven states. agement to pursue further study and possible careers in opera-musical theater. Another grantee was the National Opera Association, a service organization for teachers, singers, directors, In Wisconsin this year an award of $5,000 went to the composers and academic institutions engaged in profes­ Madison Civic Music Association to support the Madison sional opera training. Through its chamber opera, vocal Opera’s 1993-94 production season, which saw the world and opera production competitions, it has raised the premiere of Shining Brow. Based on the life of the archi­ artistic level in college opera activities, which involve music departments and other specialties. NOA’s activi­ tect Frank Lloyd Wright, the production attracted a ties influence opera pedagogy as well as future opera au­ record audience of nearly 7,000 and proved that a small opera company can achieve critical and financial success diences of diverse ethnic and social backgrounds with new American works. around the nation.

The Madison Opera’s outreach efforts this year includ­ Meet the Composer, Inc. received $20,000 for its New Residencies Program. Companies apply to New ed the highly successful Ambassadors program, which Residencies in partnership with a second arts organiza­ involves representatives of some 40 rural communities within 60 miles of Madison. The program has increased tion and a civic group, e.g. community center, school, access to opera in the region by challenging some pre­ church, radio station or benevolent society, that can put a conceptions that people have regarding opera per se. composer in touch with the community. This year David Felder was chosen to work with the Greater Buffalo The Minneapolis Opera received $7,500 to support a Opera Company, the Buffalo Philharmonic Orchestra and WBFO-FM. It is hoped that Mr. Felder’s integrated tour of Mozart’s Don Giovanni. Composer Evan Chen was commissioned to prepare the arrangement of use of video and electronic media in his composition Mozart’s score for a sophisticated array of five electronic may lead the company to new kinds of expression.

Crossroads, Inc. Indicates national impact. John Luther Adams. Organizations Panel B. [93-3543-0212] New Brunswick, NJ $7,100 To support the creation 48 grants Bilingual Foundation of (phase one) of Mbongeni Program Funds: $708,800 the Arts-Fundacion Ngema’s musical based on Bilingue de las Artes, Inc. the life and inspiration of Los Angeles, CA $9,500 the American boxer, Mo­ American Music Theater To support the development hammed Ali. Panel B. Festival, Inc. (phase two) of Lorca, Child [93-3543-0198] To enable individual pro- Philadelphia, PA $5,400 of the Moon, an original ducers and organizations To support creation (phase opera based on the plays and En Garde Arts, Inc. to create, develop, rehearse one) of a new opera by poems of Federico Garcia New York, NY $5,000 To support the creation and produce contempo­ writer Joyce Carol Oates and Lorca, by composer Ian composer John Dully, to be Krouse and librettists Car- (phase one) and develop­ rary American opera-mu­ adapted from Oates’ novel men Zapata and Michael ment (phase two) of Funny sical theater works; to en- Black Water. Panel A. Dewell. Panel A. Money by playwright Jeffrey courage their introduction [93-3543-0205] [93-3543-0197] Jones and composer Dan into the standard reperto­ Schreier. Panel A. ry; and to make audiences Anchorage CMc Opera Center for Contemporary [93-3543-0191] Association, Inc. more aware and apprecia- Opera Anchorage, AK $5,000 New York, NY $5,500 Encompass Theatre tive of them. Grants were To support the rehearsal and To support the rehearsal and Company, Inc. reviewed by Panel A or production (phase three) of production (phase three) of New York, NY $20,500 Panel B as indicated. Earth and the Great Weather, MissJulie, an opera by Ned To support the rehearsal and created and composed by Rorem. Panel B. production (phase three) of [93-3543-0216] Desert of Roses by composer

170 National Endowment for the Arts Robert Moran and librettist For Colored Only by com­ music theater adaptation of (phase two) of Brimstone by Michael John LaChiusa. posers Wayne Wallace and Virginia Woolf’s novel Mrs. Mary Bracken Phillips and Panel A. [93-3543-0164] Idris Ackamoor, librettist Dalloway. Panel A. composer Keith Donald. Danny Duncan, and per­ [93-3543-0176] Panel B. [93-3543-0182] ~ Eugene O’Neill former Rhodessa Jones. Memorial Theater Center, Panel A. [93-3543-0188] Mabou Mines Inc. Musical Theatre Development Foundation, Works, Inc. Waterford, CT $18,500 International Arts Inc. New York, NY $11,900 To support the National Relations, Inc. Music Theater Conference. New York, NY $5,000 To support the rehearsal and New York, NY $17,500 To support the creation production (phase three) of Panel A. [93-3543-0169] To support the development (phase one) of Motherlode by The Library by Sarah Knapp (phase two) and rehearsal composer Carter Burwell Ford’s Theatre Sodety and Steve Alper. Panel B. and production (phase and lyricist/bookwriter [93-3543-0184] Washington, DC $9,300 three) of E1 Greco by com­ Patricia Jones. Panel A. To support the development poser William Harper and [93-3543-0192] Musical Theatre (phase two) of Mr. Smith librettist Bernardo Solano. Goes to Washington, a new Works, Inc. Panel B. [93-3543-0165] Minnesota Opera New York, NY $12,500 full-length musical by com­ Company poser Frederick Freyer and To support the workshop International Arts Minneapolis, MN $21,200 program of Musical Theatre bookwriter Patrick Cook. Relations, Inc. To support the creation Panel A. [93-3543-0196] Works. Panel B. New York, NY $21,200 (phase one) and develop­ [93-3543-0230] To support the creation ment (phase two) of a full- George Coates (phase one) and develop­ length opera, Children of Performance Co. Musical Traditions ment (phase two) of a multi­ Troy, by composer Craig San Francisco, CA $9,400 San Francisco, CA $30,500 media opera based on the Carnahan and librettist To support the development To support the rehearsal and Mayan creation myth, the Michael John LaChiusa. production (phase three) of (phase two) and rehearsal Popol Vuh, by composer Panel B. [93-3543-0178] and production (phase Awed Behavior by composer Glen Velez, librettist Cherrie Paul Dresher and writer/di- three) of The Box Conspiracy, Moraga and designer/direc­ Minnesota Opera an original music theater rector Rinde Eckert. tor Ralph Lee. Panel B. Company Panel B. [93-3543-0167] work for mixed chorus com­ [93-3543-0166] Minneapolis, MN $17,300 posed by Marc Ream, with To support the creation New Dramatists, Inc. book and lyrics by George Lamb’s Theatre Company, (phase one) and develop- Coates. Panel B. New York, NY $12,500 Ltd. ment (phase two) of Bokchoy To support the New [93-3543-0211] New York, NY $36,800 Variations by composer/li- Dramatists Music-Theater To support the rehearsal and brettist Evan Chen and li- Goodspeed Opera House Program (workshops). production (phase three) of brettist Keith Huff. Panel B. [93-3543-0195] Foundation, Inc. Johnny Pye and the Foolkiller Panel B. [93-3543-0183] East Haddam, CT $18,500 by Randy Courts and Mark To support Goodspeed-at­ New Music-Theater St. Germain, adapted from Mount Vernon College Ensemble Chester/The Norma Terris the story by Stephen Washington, DC $5,900 Theatre workshop. Panel A. Minneapolis, MN $20,000 Vincent Benet. Panel A. To support the rehearsal and To support the New Music- [93-3543-0213] [93-3543-0187] production (phase three) of Theater Ensemble workshop Casino Paradise, the cham- House Foundation program. Panel B. Live Bait Theatrical ber opera/cabaret by Wil­ [93-3543-0168] for the Arts Company liam Bolcom and Arnold New York, NY $46,900 Chicago, IL $5,000 Weinstein. Panel A. New Music-Theater To support the creation To support the creation [93-3543-0200] (phase one), development Ensemble (phase one) and develop­ Minneapolis, MN $11,300 (phase two), and rehearsal ment (phase two) of Freud, Music-Theatre Group, Inc. and production (phase To support the development Dora, and the Wolfman by New York, NY $6,000 (phase two) of Lamentations, three) of a new musical the­ composer William Harper To support the creation ater piece based on Educa­ a new music theater piece by and playwright Sharon (phase one) of America writer Paul Selig and com- tion of the Girlchildby Evans Ragir. Panel B. Dreaming by composer Tan Meredith Monk. poser Kim Sherman. [93-3543-0199] Dun and librettist Chiori Panel B. [93-3543-0179] Panel A. [93-3543-0181] Miyagawa. Panel A. Lyric Opera Cleveland [93-3543-0214] , Inc. Idris Ackamoor and Cleveland, OH $6,100 Cultural Odyssey New York, NY $26,000 To support the rehearsal and Musical Theatre To support the rehearsal and San Francisco, CA $6,100 production (phase three) of Works, Inc. To support artists’ fees for production (phase three) of composer Libby Larsen and New York, NY $11,300 Griffdkin by composer/con- the creation (phase one) of librettist Bonnie Grice’s To support the development ductor Lukas Foss and li­

1993 Annual Report 171 River Arts Repertory ater workshop program. Botti, Susan brettist Alastair Reid. New York, NY $11,500 Panel B. [93-3543-0189] Company, Inc. Panel A. [93-3543-0185] New York, NY $5,400 To support the creation (phase one) of a multimedia Opera Memphis, Inc. To support the creation Triangle Opera Theater (phase one) of a new music Durham, NC $5,000 chamber opera with score Memphis, TN $14,500 and libretto by Susan Botti To support the rehearsal and theater work based on The To support the rehearsal and Strange Life of Ivan Osokin production (phase three) of and animation sequences premiere production (phase and slides by filmmaker/ani­ three) of Hopper’s Wife by by librettist Constance the one-act opera, Point of Congdon and composer Departure with music by mator Phil Denslow. Stewart Wallace and Panel A. [93-3543-0209] Michael Korie. Panel B. Peter Gordon. Panel B. Michael Ching and libretto [93-3543-0171] [93-3543-0177] by Sandra Bernhard. Panel B. [93-3543-0204] Cuomo, Douglas J. New York, NY $5,000 Opera Theatre of San Diego Repertory Theatre, Inc. Urban Bush Women, Inc. To support the creation Saint Louis (phase one) of an original St. Louis, MO $5,300 San Diego, CA $31,200 New York, NY $14,700 To support the development To support the development opera by composer Douglas To support artists’ fees for Cuomo and librettist Corne­ the creation (phase one) of (phase two), and rehearsal (phase two) of Fur on the and production (phase Belly by composer Geri lius Eady based on the shoot­ Otowi Crossing by composer ing of Yusuf Hawkins in Stephen Paulus and librettist three) of The Dream Project Allen, writers Laurie Carlos by composer Gina Leish­ and Beth Coleman, and di­ Bensonhurst, New York in Joan Thorne, to be present­ 1989. Panel A. ed as part of the 20th an­ man, writers Julie Hebert rector/choreographer Jawole [93-3543-0207] niversary season in 1995. and Octavio Solis, director Willa Jo Zollar. Panel B. Panel A. [93-3543-0219] Sam Woodhouse, and de­ [93-3543-0203] signer Robert Brill. Panel A. Friedman, Sonya New York, NY $7,900 Opera Theatre of Saint [93-3543-0217] Vineyard Theatre and Workshop Center, Inc. To support the rehearsal and Louis production (phase three) of St. Louis, MO $12,900 San Francisco Opera New York, NY $9,800 Association To support the rehearsal and Uliana Rooney, a new 60­ To support the rehearsal and minute chamber opera by production (phase three) of San Francisco, CA $6,500 production (phase three) of To support the creation Christina Alberta’s Father by composer Vivian Fine and Conrad Susa’s Black River. librettist Sonya Friedman. Panel A. [93-3543-0220] (phase one) of Dangerous Polly Pen, based on the Liaisons with music by novel by H.G. Wells. Panel B. [93-3543-0172] Conrad Susa and libretto by Panel A. [93-3543-0180] Performance Community Goldstaub, Paul Chicago, IL $5,000 Philip Littell. Panel A. [93-3543-0202] Washington Opera Ithaca, NY $6,100 To support the development To support the creation (phase two) of a new musi­ Washington, DC $40,600 St. Ann Center for To support the creation (phase one) of a full-length cal, Stepper ’s Ball by African- music theater version of American playwright/com­ Restoration and the Arts, (phase one), development Inc. (phase two), and rehearsal Diane Ackerman’s dramatic poser Phyllis Curtwright. poem, Reverse Thunder, by Panel B. [93-3543-0190] Brooklyn, NY $40,900 and production (phase To support the development three) of The Dream of composer Paul Goldstaub. Panel B. [93-3543-0206] Performance Community (phase two), rehearsal and Valentino by composer Chicago, IL $5,000 production (phase three) of Dominick Argento and li­ In the Time of the brettist Charles Nolte. Harper, William To support the New Tuners’ Glencoe, IL $6,800 Making Tuners Workshop. Harmonists. Panel A. Panel B. [93-3543-0173] [93-3543-0218] To support the creation Panel B. [93-3543-0194] (phase one) of an opera-mu­ sical theater work about the Playwrights Horizons, Inc. Theatre for the New City Individuals as Foundation, Inc. Panama Canal by librettist New York, NY $20,000 Producers Bernardo Solano and com­ To support the musical the­ New York, NY $30,700 To support the rehearsal and poser William Harper. ater workshop program of 10 grants Panel B. [93-3543-0215] Playwrights Horizons. production (phase three) of Panel B. [93-3543-0193] the musical Winter Man by Program Funds: $81,200 composer/writer Andy Teir­ Kirshner, Andrew J. $6,600 stein and Cheyenne poet Benary, Barbara L. Brooklyn, NY Ridge Street Theater, Inc. To support the creation New York, NY $8,600 Lance Henson. Stony Point, NY $9,000 Panel A. [93-3543-0175] To support the creation (phase one) of an original To support the rehearsal and music theater work on the production (phase three) of (phase one) and develop­ Theatreworks/USA ment (phase two) of Karna subject of race and cultural ’s Everyday identity in America by Andy Newt Burman. Panel A. Corporation by Barbara Benary. Panel B. Kirshner. Panel A. [93-3543-0201] New York, NY $8,000 [93-3543-0210] To support the musical the­ [93-3543o0174]

172 National Endowment for the Arts Korde, Shirish American Repertory ated with the musical theater Dayton Opera Association Acton, MA $16,900 Theatre portion of the season. Dayton, OH $6,000 To support the creation Cambridge, MA $14,000 Panel B. [93-3521-0066] Panel B. [93-3521-0012] (phase one) and develop­ To support the musical the­ ment (phase two) of Ram by ater production expenses of Cincinnati Opera Des Moines Metro composer Shirish Korde and the 1993 season. Panel A. Association Opera, Inc. director Lynn Kremer Bab­ [93-3521-0002] Cincinnati, OH $12,000 Indianola, IA cock. Panel B. $11,000 TF $12,000 Panel A. [93-3521-0081] [93-3543-0186] Arizona Opera Company Panel A. [93-3521-0006] Phoenix, AZ $5,000 Downtown Cabaret Kuhn, Laura Panel B. [93-3521-0073] Civic Light Opera Theatre Company of Phoenix, AZ $6,000 Association Bridgeport To support the creation Atlanta Opera Guild, Inc. Pittsburgh, PA $11,000 Bridgeport, CT $5,000 (phase one) of a ritualistic Atlanta, GA $12,500 TF $11,000 Panel B. [93-3521-0013] music theater work based on Panel B. [93-3521-0074] To support production ex­ native American texts and penses of the season at The Florentine Opera Co., Inc. sounds by composer Daniel Augusta Opera Benedum Center. Panel B. Milwaukee, WI $12,000 Lentz and librettist Laura Association, Inc. [93-3521-0007] Panel B.[93-3521-0014] Kuhn. Panel A. Augusta, GA $5,000 [93-3543-0208] Panel B. [93-3521-0077] Civic Light Opera Ford’s Theatre Society Association Washington, DC $9,000 Shinn, Randall Austin Lyric Opera Pittsburgh, PA TF $11,000" Panel A. [93-3521-0015] Tempe, AZ $5,400 Austin, TX $8,000 [92-3521-0024] To support the creation Panel B. [93-3521-0078] *Funds committed in FY’92 Fort Worth Opera (phase one) of Abigail Stone but not obligated until FY’93. Association, Inc. by composer/librettist Ran­ Baltimore Opera Ft. Worth, TX $5,000 dall Shinn. Panel B. Company, Inc. Coconut Grove Playhouse Panel B. [93-3521-0016] [93-3543-0170] Baltimore, MD $15,000 State Theatre of Florida Panel A. [93-3521-0075] Corporation George Coates Miami, FL $5,000 Performance Co. Boston Lyric Opera To support expenses associ­ San Francisco, CA $8,000 Company ated with the musical theater Panel B. [93-3521-0017] Boston, MA $7,500 portion of the season. Panel B. [93-3521-0069] Panel A. [93-3521-0008] Glimmerglass Opera, Inc. Cooperstown, NY $17,000 For opera and musical Casa Manana Musicals, College of William and TF $18,000 theater companies to sup­ Inc. Mary/Ash Lawn-Highland Panel A. [93-3521-0018 Fort Worth, TX $5,000 Summer Festival port expenses associated Panel A. [93-3521-0003] with the 1993-94 produc­ Williamsburg, VA $5,000 Goodspeed Opera House [93-3521-0072] Foundation, Inc. tion season unless other­ Center Theatre Group of East Haddam, CT $50,000 wise specified. Los Angeles Connecticut Opera TF $62,000 Los Angeles, CA $20,000 Association, Inc. Panel A. [93-3521-0019] 113 grants Panel B. [93-3521-0079] Hartford, CT $5,000 Panel A. [93-3521-0009] Hawaii Opera Theatre Program Funds: $1,781,500 Central City Opera House Treasury Funds: $2,632,000* Honolulu, HI $6,000 Association Cumberland County Panel B. [93-3521-0021] *Includes $282,000 commit­ Denver, CO $15,000 Playhouse, Inc. ted in FY’92 but not obligat­ Panel B. [93-3521-0071] ed until FY’93, and $45,000 Crossville, TN $5,000 Sr Houston Grand Opera To support expenses associ­ Association, Inc. committed but not obligated Chautauqua Institution ated with the musical theater in FY’93. Houston, "IX $60,000 Chautauqua, NY $13,000 portion of the 1993-94 sea­ TF $260,000 Panel A. [93-3521-0004] son. Panel A. Panel B. [93-3521-0022] [93-3521-0010] American Music Theater Chicago Opera Theater Festival, Inc. Indianapolis Opera Chicago, IL $15,000 Dallas Opera Philadelphia, PA $17,000 Company Foundation, Panel B. [93-3521-0080] Dallas, TX $49,000 Inc. TF $19,000 TF $71,000 Indianapolis, IN $5,000 Panel A. [93-3521-0001] Children’s Theater Panel B. [93-3521-0011] Panel B. [93-3521-0023] Company and School Minneapolis, MN $15,000 To support expenses associo

1993 Annual Report 173 June Opera Festival of Mad River Theater Works New Cleveland Opera Opera San Jose, Inc. New Jersey West Liberty, OH $5,000 Company San Jose, CA $10,000 Panel B. [93-3521-0045] Princeton Jct., NJ $5,000 Panel B. [93-3521-0036] Cleveland, OH $21,000 Panel B. [93-3521-0024] Panel A. [93-3521-0030] Madison Civic Music Opera Theatre at Association New Music-Theater Wildwood Kentucky Opera Little Rock, AR $5,500 Association, Inc. Madison, WI $5,000 Ensemble Louisville, KY $13,000 Panel A. [93-3521-0037] Minneapolis, MN $5,000 Panel A. [93-3521-0064] TF $13,000 Panel A. [93-3521-0051] ¢r Opera Theatre of Panel A. [93-3521-0025] Maryland Lyric Opera, Illc. New Orleans Opera Saint Louis Frederick, MD $5,000 Association St. Louis, MO $50,000 Knoxville Opera Company TF $62,000 Knoxville, TN $5,000 Panel B. [93-3521-0038] New Orleans, LA $9,000 Panel A. [93-3521-0065] To support production ex­ Panel A. [93-3521-0052] penses associated with the ~r Metropolitan Opera lighting requirements of the Association, Inc. New York City Opera, Inc. Opera/Omaha, Inc. 1993-94 season. Panel B. New York, NY $80,000 New York, NY $52,000 Omaha, NE $15,000 [93-3521-0026] TF $420,0O0 TF $156,000 Panel A. [93-3521-0108] Panel A. [93-3521-0039] To support artistic salaries Lake George Opera during the 1993-94 season. OperaDelaware, Inc. Festival Association, Inc. Michigan Opera Theatre Panel A. [93-3521-0053] Wilmington, DE $8,000 Glens Falls, NY $5,000 Detroit, MI $27,000 Panel A. [93-3521-0107] Panel B. [93-3521-0027] TF $33,000* North Shore Community Panel B. [93-3521-0040] Arts Foundation, Inc. Orlando Opera *Funds committed but not Beverly, MA $5,000 Company, Inc. Lime Kiln Arts, Inc. $6,500 Lexington, VA $7,000 obligated in FY’93. Panel A. [93-3521-0055] Orlando, FL Panel A. [93-3521-0085] To support production ex­ penses of the musical theater Minnesota Opera Opera Association of portion of the 1993-94 sea­ Company Central Ohio Paper Mill Playhouse Minneapolis, MN $43,000 Columbus, OH $5,000 Millburn, NJ $45,000 son. Panel B. TF $55,000 [93-3521-0028] TF $52,000 Panel A. [93-3521-0068] Panel B. [93-3521-0042] Panel B. [93-3521-0126] Long Beach Civic Light Opera Carolina Mobile Opera, Inc. Charlotte, NC $9,000 Pegasus Players Opera Association $5,000 Long Beach, CA $20,000 Mobile, AL $5,000 Panel A. [93-3521-0058] Chicago, IL Panel B. [93-3521-0125] Panel A. [93-3521-0043] Panel A. [93-3521-0117] Opera Colorado Long Beach Opera Municipal Theatre Denver, CO $12,000 Pennsylvania Opera Association of St. Louis TF $12,000 Theater Long Beach, CA $10,000 Philadelphia, PA $15,000 To support salaries for artis­ St. Louis, MO $14,000 Panel A. [93-3521-0059] tic staff and principal artists Panel A. [93-3521-0044] Panel B. [93-3521-0118] for the 1993-94 season. Opera Company of Piedmont Opera Panel A. [93-3521-0031] Music Center Opera Philadelphia Association Philadelphia, PA $15,000 Theater, Inc. Lyric Opera Cleveland Los Angeles, CA $45,000 Panel A. [93-3521-0060] Winston-Salem, NC $5,300 Cleveland, OH $5,000 TF $55,000 Panel B. [93-3521-0104] Panel B. [93-3521-0032] Panel B.[93-3521-0138] Opera Guild of Greater Miami, Inc. , Inc. Music Theatre of Miami, FL $60,500 Pittsburgh, PA $16,000 ~r Lyric Opera of Chicago TF $17,000 Chicago, IL $60,000 Wichita, Inc. TF $39,000 TF $260,000 Wichita, KS $5,000 Panel A. [93-3521o0061] Panel A. [93-3521-0127] Panel A. [93-3521-0033] Panel B. [93-3521-0047] Opera Memphis, Inc. Playwrights Horizons, Inc. Lyric Opera of Kansas Music-Theatre Group, Inc. Memphis, TN $5,000 New York, NY $13,000 TF $12,000 City, Inc. New York, NY $23,500 Panel B. [93-3521-0062] Kansas City, MO $10,000 TF $25,000 Panel B. [93-3521-0131] Panel B. [93-3521-0034] Panel A. [93-3521-0046] Opera Pacific Costa Mesa, CA $13,000 Portland Opera Lyric Theatre of Musical Traditions TF $12,000" Association, Inc. Oklahoma, Inc. San Francisco, CA $5,000 Panel A. [93-3521-0063] Portland, OR $12,000 Oklahoma City, OK $5,000 Panel A. [93-3521-0048] * Funds committed but not TF $11,000 Panel A. [93-3521-0035] obligated in FY’93. Panel A. [93-3521-0129]

174 National Endowment for the Arts Sacramento Opera Seaside Music Theater, TheatreWorks Association Inc. Palo Alto, CA $9,000 Sacramento, CA $5,000 Daytona Beach, FL $5,000 Panel A. [93-3521-0084] Panel B. [93-3521-0109] Panel B. [93-3521-0102] Theatreworks/USA San Diego Civic Light Seattle Opera Association, Corporation Opera Association, Inc. Inc. New York, NY $9,000 To enable professional San Diego, CA $18,000 Seattle, WA $39,000 Panel B. [93-3521-0112] nonprofit opera or musi­ Panel A. [93-3521-0103] TF $116,000 cal theater companies to Panel A. [93-3521-0133] Tri-Cities Opera tour. The grants support­ San Diego Opera Company, Inc. Association Shreveport Opera Binghamton, NY $9,000 ed expenses associated San Diego, CA $43,000 Shreveport, LA $5,000 Panel A. [93-3521-0086] with the 1993-94 touring TF $52,000 Panel B. [93-3521-0100] season unless otherwise To support expenses for the Tulsa Opera, Inc. specified. production of Eugene One- Skylight Opera Theatre Tulsa, OK $12,000 gin during the 1993-94 sea­ Corp. TF $12,000 18 grants son. Panel B. Milwaukee, WI $9,000 Panel A. [93-3521-0128] [93-3521-0135] Panel A. [93-3521-0076] Program Funds: $235,000 University of Utah San Francisco Mime Spanish Theatre Repertoor Salt Lake City, UT $5,000 Grants were reviewed by the Troupe, Inc. Co., Ltd. To support the musical the­ Professional Companies San Francisco, CA $15,000 New York, NY $12,000 ater production expenses of panels A and B. Panel B. [93-3521-0114] Panel B. [93-3521-0110] the 1993-94 season at the Pioneer Theatre. Panel A. ~ San Francisco Opera Spoleto Festival U.S.A. [93-3521-0101] Amalgamated Producers, Association Charleston, SC $13,000 Playwrights, Lyricists, & San Francisco, CA $75,000 TF $13,000 Utah Opera Company Entertainers, Inc. TF $240,000 Panel A. [93-3521-0134] Salt Lake City, UT $6,500 [A.P.P.L.E.] To support salaries for cho­ Panel A. [93-3521-0083] Louisville, KY $8,000 rus and orchestra members Syracuse Opera Panel A. [93-3522-0099] and American singers during Company, Inc. Virginia Opera the 1993-94 production sea­ Syracuse, NY $5,000 Association, Inc. Appalshop, Inc./Roadside son. Panel B. To support artists’ fees asso­ Norfolk, VA $19,000 Theater [93-3521-0132] ciated with the 1993-94 pro­ Panel A. [93-3521-0087] Whitesburg, KY $8,000 duction season. Panel B. Panel A. [93-3522-0089] San Francisco Opera [93-3521-0105] Vivian Beaumont Association Theater, Inc. Des Moines Metro San Francisco,CA Tennessee Repertory New York, NY $10,000 Opera, Inc. TF $271,000" Theatre Trust Panel B. [93-3521-0113] Indianola, IA $13,000 [92-3521-0013] Nashville, TN $7,000 Panel A. [93-3522-0098] *Funds committed in FY’92 Panel B. [93-3521-0111] Washington Drama but not obligated until FY’93. Society, Inc. Early Music Thalia Spanish Washington, DC $15,000 Foundation, Inc. San Jose Civic Light Opera Theatre, Inc. To support production ex­ New York, NY . $11,000 Association, Inc. Sunnyside, NY $5,000 penses of the musical theater Panel A. [93-3522-0088] San Jose, CA $16,000 Panel B. [93-3521-0106] portion of the 1993-94 sea­ Panel B. [93-3521-0115] son at Arena Stage. Panel B. George Coates Theatre Under the [93-3521-0116] Performance Co. ~ Santa Fe Opera Stars, Inc. San Francisco, CA $8,000 Association Houston, TX $13,000 Washington Opera Panel B. [93-3522-0095] Santa Fe, NM $46,000 TF $12,000 Washington, DC $55,000 TF $138,000 Panel A. [93-3521-0130] TF $80,000 Guild Opera Panel A.[93-3521-0123] Panel B. [93-3521-0124] Company, Inc. Theatre de la Jeune Lune Los Angeles, CA $7,500 Sarasota Opera Minneapolis, MN $5,000 Western New York Opera Panel A. [93-3522-0094] Association, Inc. Panel A. [93-3521-0082] Theater, Inc. Sarasota, FL $12,700 Buffalo, NY $5,000 Idris Ackamoor and Panel A. [93-3521-0070] Panel B. [93-3521-0020] Cultural Odyssey San Francisco, CA $8,000 Panel B. [93-3522-0096]

1993 Annual Report 175 ~ Metropolitan Opera International Arts opera-musical theater field American Artists Program. Panel A. [93-3565-0155] Association, Inc. Relations, Inc. as a whole or a sector of it. New York, NY $10,000 New York, NY $7,500 To support the expansion of Panel B. [93-3522-0137] ~ Goodspeed Opera 25 grants, 1 cooperative House Foundation, Inc. the Metropolitan Opera’s agreement Young Artist Development Mad River Theater Works East Haddam, CT $11,200 Program Funds: $349,800* To support The Library of Program. Panel A. West Liberty, OH $7,500 * Not including $75,200for [93-3565-0162] Panel B. [93-3522-0097] the Musical Theatre and the seven grants awarded in col­ 1993 publication of Show laboration with, and funded Music magazine. Panel B. Musical Theatre Michigan Opera Theatre Works, Inc. Detroit, MI $8,500 by, the Arts in Education [93-3565-0161] Program. New York, NY $20,300* Panel B. [93-3522-0090] ~ Houston Grand Opera To support the Musical Grants were reviewed by the Theatre Works Conser­ Minnesota Opera Association, Inc. Company Services/Special Projects Houston, TX $6,300 vatory. Panel A. Panels A or B. To support the Houston [93-3565-0142] Minneapolis, MN $7,500 *Awarded in collaboration Panel B. [93-3522-0120] Grand Opera’s advanced training program for young with, and funded by, the Arts Music/Theatre Workshop Affiliate Artists, Inc. artists. Panel A. in Education Program. New York, NY $5,000 [93-3565-0152] Chicago, IL $7,500 ~ National Alliance of Panel A. [93-3522-0093] To support residency activi­ ty for singers during the ~" Jack Faucett Associates Musical Theatre Producers New York, NY $46,300 Musical Traditions 1993-94 season. Panel A. Bethesda, MD $80,000 [93-3565-0144] To support a cooperative To support the Alliance’s San Francisco, CA $18,000 artistic, management and in­ Panel A. [93-3522-0092] agreement to administer ~ American Music artistic and administrative formation services to its member companies in 27 ~ New York City Center, Inc. evaluations of applicants New York, NY $5,000 and grantees to the Opera- states and the District of Opera, Inc. Columbia. Panel B. New York, NY $19,000 To support the opera-musi­ Musical Theater Program. cal theater portion of the [93-3565-0148] Panel A. [93-3522-0091] Panel B. American Music Center’s [DCA 93-01] Margaret Fairbank Jory National Alliance of San Francisco Mime Musical Theatre Producers Troupe, Inc. Copying Assistance ~r Lyric Opera Center for San Francisco, CA $15,000 Program. Panel A. American Artists New York, NY $11,200 Panel B. [93-3522-0122] [93-3565-0143] Chicago, IL $21,400" To support the 1993 To support the Lyric Opera Festival of First Stage ~" Central City Opera Center for American Artists’ Musicals. Panel B. Spanish Theatre Repertory House Association [93-3565-0151] Co., Ltd. training program for young Denver, CO $5,000* singers. Panel A. New York, NY $7,500 To support Central City ~ National Opera Panel B. [93-3522-0119] [93-3565-0158] Opera’s 1993 Artists’ Train­ *Awarded in collaboration Association, Inc. $8,000 ~ Theatreworks/USA ing Program. Panel A. with, and funded by, the Arts Evanston, IL [93-3565-0146] in Education Program. To support the ongoing ser­ Corporation *Awarded in collaboration vices of the National Opera New York, NY $8,500 Association, the national ser­ Panel B. [93-3522-0121] with, and funded by, the Arts ~r Lyric Opera of Chicago in Education Program. Chicago, IL $13,500" vice organization for opera- musical theater educators. Western Opera To support the Lyric Opera ~ Des Moines Metro Panel A. [93-3565-0139] Theater, Inc. of Chicago’s composer-in­ Opera, Inc. residence program. Panel A. San Francisco, CA $65,000 Indianola, IA $5,000* New Music-Theater Panel B. [93-3522-0136] [93-3565-0159] To support Des Moines *Awarded in collaboration Ensemble Metro Opera’s Apprentice with, and funded by, the Arts Minneapolis, MN $17,100 Artists Program. Panel A. in Education Program. To support the New Music- [93-3565-0141] Theater Ensemble’s Profes­ *Awarded in collaboration ~r Meet the sional Training Program. with, and funded by, the Arts Composer, Inc. Panel A. in Education Program. New York, NY $20,000 [93-3565-0147] To support the opera-musical ~ Glimmerglass Opera, theater component of the To assist organizations Inc. Meet the Composer Residen­ that provide services to the Cooperstown, NY $5,000 cies program. Panel A. To support the Young [93-3565-0154]

176 National Endowment for the Arts New York Public Adler Fellowship Program. Minnesota Opera imaginative projects in Library/Astor, Lenox and Panel A. [93-3565-0153] Company conjunction with other in­ Tilden Foundations Minneapolis, MN $10,000 dividuals or organizations, New York, NY $15,000 Santa Fe Opera To support Opera in Con­ with the aim of extending To support the video taping Association text, a new arts education of live performances of mu­ Santa Fe, NM $21,400 program designed to en­ artistic vision and growth sical theater productions for To support the Santa Fe hance understanding and and stretching the tradi­ the Theatre on Film and Opera’s 1994 Apprentice appreciation of opera in un­ tional boundaries of Tape Library (TOFT). Program. Panel A. derserved rural and inner musical theater. Panel A. [93-3565-0157] [93-3565-0140] city communities. Panel A. [93-3561-0224] 2 grants ~ OPERA America, Inc. Theatre Development Washington, DC $11,200 Fund, Inc. qz Musical Theatre Program Funds: $30,000 To support OPERA Ameri­ New York, NY $12,000 Works, Inc. ca’s Fellowship Program. To support the Theatre New York, NY $10,000 Grants were reviewed by the Panel B. [93-3565-0149] Development Fund’s ongo­ To support the new Nation­ Overview Panel. ing opera-musical theater al Multi-Cultural Writers/ OPERA America, Inc. programs. Panel A. Directors Workshop. Washington, DC $5,100 [93-3565-0156] Panel A. [93-3561-0223] Clarke, Martha To support a planning Sherman, CT $15,000 retreat for a nation-wide Opera Orchestra of New To support the Artist Fellow­ singers program. Panel B. York, Inc. ship of Martha Clarke with [93-3565-0150] New York, NY $6,750 the Music-Theatre Group in To support the Opera New York City. ~ OPERA America, Inc. Orchestra of New York’s [93-3561-0221] Washington, DC $50,000 For organizations and in­ Concert Series and Young To support OPERA dividuals to pursue out­ Artists Program. Panel A. Krywosz, Ben Saint Paul, MN $15,000 America’s informational, standing, exemplary ideas [93-3561-0222] technical and financial pro­ To support the Artist grams and services to mem­ that advance the forms of Opera Theatre of Fellowship of Ben Krywosz ber companies. Panel B. opera and musical theater. Saint Louis with the Minnesota Dance [93-3565-0160] Concert opera projects, St. Louis, MO $10,000 Alliance in Minneapolis. artistic associates and pro­ To support the Artists-in- [93-3561-0227] Opera Guild of Greater ducing apprentices are Training Program, which Miami, Inc. also funded under this identifies, coaches and en­ Miami, FL $5,000* courages talented minority To support the Opera Guild category. youths in the city’s public of Greater Miami’s Young schools to pursue careers in New American Works Artist and Technical Appren­ 7 grants opera. Panel B. tice Program. Panel A. [93-3561-0228] Panel A [93-3565-0163] Program Funds: $62,500 *Awarded in collaboration Santa Fe Opera Colin Cabot (chair) with, and funded by, the Arts Grants were reviewed by Association Chairman, in Education Program. the Services/Special Projects Santa Fe, NM $10,000 Department of Fine Arts Panels A or B. To support the Pueblo University School of Orlando Opera Opera Program, which seeks Milwaukee Company, Inc. to expand cross-cultural Milwaukee, WI Orlando, FL $5,000* American Music Theater awareness and introduce To support the expansion of Festival, Inc. Native Americans to opera. Susan Carlyle (layperson) the Orlando Opera’s in­ Philadelphia, PA $6,750 Panel A. [93-3561-0229] Anesthesiologist house training program. To support the Indepen­ Chairman, Panel A. [93-3565-0145] dence Resident Ensemble "Vanguard" fundraising *Awarded in collaboration Project. Panel A. group for with, and funded by, the Arts [93-3561-0226] Houston Grand Opera in Education Program. Houston, TX Bang On A Can, Inc. San Francisco Opera New York, NY $9,000 William Harper Association To support the collaboration Artistic Director between composer Bun- San Francisco, CA $10,000 These one-time fellow­ American Ritual Theatre To support the San Fran­ Ching Lam and the Yueh Company ships are awarded to artists cisco Opera Center’s Lung Shadow Theatre. Chicago, IL Panel A. [93-3561-0225] of stature to support

1993AnnualReport 177 Ruth Higgins Mac Pirkle Russell Patterson Jane Preston Executive Producer, Artistic Director Founder/General and Artistic Arts Administration New Tuner’s Theatre Tennessee Repertory Director Consultant Director, Chicago Coalition Theatre Lyric Opera Chicago, IL for Arts in Education Nashville, TN Kansas City, MO Chicago, IL Michael Price Kenneth Shaw Barbara Silverstein Executive Director Susan Kingwill Pe~ormer/Educator (co-chair) Goodspeed Opera House Conductor/Musical Director Memphis, TN Founder/Artistic East Haddam, CT Starlight Theatre Director/Conductor Kansas City, MO Ann Stanke Pennsylvania Opera Theater Michael Redden (layper­ Executive Director Philadelphia, PA son) Sarah Knapp Madison Opera Attorney; President, Author/Lyricist/Poformer Madison, WI Stewart Slater (co-chair) Oregon Advocates for the New York, NY Executive Producer Arts The layperson of this panel San Jose Civic Light Opera Portland, OR Ben Krywosz was unable to serve due to San Jose, CA Artistic Director/Stage sudden illness. Randall Shinn Director Donald Smith Composer New Music Theater Professional Operations Manager Mesa, AZ Ensemble Companies Panel A Music Theatre of Wichita St. Paul, MN Wichita, KS Barbara Zarlengo Sarah Billinghurst Opera Arts Administrator Bright Sheng Artistic Administrator Professional Santa Fe, NM Composer-in-Residence San Francisco Opera Companies Panel B Seattle Symphony San Francisco, CA Services/Special Seattle, WA Ernesto Alorda Projects Panel A Robert Brewer Press and Public Relations Bernardo Solano Director, Musical Theater Director Robert Brewer L i br ettist/Playwrigh t Program Seattle Opera Association Director, Musical Theater Los Angeles, CA University of Nevada Seattle, WA Program Las Vegas, NV University of Nevada New American Works NobuMcCarthy Los Vegas, NV Panel B Michael Ching Artistic Director Composer/Artistic Director East-WestPlayers Charles MacKay (chair) Tim Dang Opera Memphis LosAngeles, CA General Director Author/Lyricist/Producer Memphis, TN Opera Theatre of Saint Los Angeles, CA Charles MacKay (co-chair) Louis Mitchell Goldman General Director St. Louis, MO Sue Frost (chair) (layperson) Opera Theatre of Saint Associate Producer President, Board of Directors Louis Michael McConnell Goodspeed Opera House Chicago Architectural St. Louis, MO Executive Director East Haddam, CT Assistance Center Lyric Opera Chicago, IL Michael Morgan Cleveland, OH Susan IGngwill Music Director, Oakland Conductor/Music Director Everett McCorvey East Bay Symphony Jane Nelson Starlight Theatre Performer/Educator Principal Conductor, General Director, Kansas City, MO Faculty member, Civic Orchestra of Chicago Dayton Opera University of Kentucky Chicago, IL Dayton, OH Robert Moran Knoxville, TN Composer Pelham G. Pearce Polly Pen Philadelphia, PA Mary Montano General Manager Composer/Playwright/ Arts Administration Mobile Opera Performer Polly Pen Consultant/Writer Mobile, AL New York, NY Composer/Playwright/ Santa Fe, NM Performer Marilyn Powel (co-chair) New York, NY Pe~Cormer/Musical Theater Adminstrator Washington, DC

178 National Endowment for the Arts Michael Price Colin Cabot (chair) Overview Panel (1992) Polly Pen Executive Director Chairman, Department of Composer/Playwright/ Goodspeed Opera House Fine Arts Robert Brewer Pe~rmer East Haddam, CT University School of Director, Musical Theater New York, NY Milwaukee Program Josephine Ramirez Milwaukee, WI University of Nevada Michael Price Producer/Program Manager, Las Vegas, NV Executive Director Center Theater Group; Michael McConnell Goodspeed Opera House Commissioner, Executive Director Colin Cabot (co-chair) East Haddam, CT City of Los Angeles Cultural Lyric Opera Chairman, Department of Affairs Department Cleveland, OH Fine Arts Josephine Ramirez Los Angeles, CA University School of Producer/Program Manager, Polly Pen Milwaukee Center Theater Group; Kenneth Seipp (layperson) Composer/Playwright/ Milwaukee, WI Commissioner, City of Los Former Professor of Music Pe~ormer Angeles Cultural Affairs (retired) New York, NY Charles MacKay Department Arizona State University General Director Los Angeles, CA Martinsville, VA Josephine Ramirez Opera Theatre of Saint Producer/Program Manager, Louis Kenneth Seipp (layperson) Stewart Slater Center Theater Group; St. Louis, MO Former Professor of Music Executive Producer Commissioner, City of Los (retired) San Jose Civic Light Opera Angeles Cultural Affairs Michael McConnell Arizona State University San Jose, CA Department Executive Director Martinsville, VA Los Angeles, CA Lyric Opera Services/Special Cleveland, OH Stewart Slater (co-chair) Projects Panel B Kenneth Seipp (layperson) Executive Producer Former Professor of Music Jane Nelson San Jose Civic Light Opera Robert Brewer (retired) General Director, San Jose, CA Director, Musical Theater Arizona State University Dayton Opera Program Martinsville, VA Dayton, OH Douglas Wager University of Nevada Artistic Director Las Vegas, NV Arena Stage Washington, DC

1993 Annual Report 179 This program encourages creation and presentation of the performing arts in two ways. It supports presenting organizations that offer performing arts events to broad audiences, and it assists the development of projects by artists who work in interdisciplinary or experimental formats. The program also provides funding for artists’ communities that offer resources and space for professional artists to develop their work free from distractions. *Includes $5,000 eommitted but ~ not obligated in FY "93 \~

FY ’93 grantees offered a diverse range of performing arts activity -- over 8,000 performances to more than 5 Elementary million people throughout the nation. For example, an has been "adopted" by award to the Taos Art Association in New Mexico sup­ Painted Bride, a contemporary art ported "Collaborations," a project that linked arts events center/presenter that has had tremendous success with community activities. Under this umbrella, the in bringing together children, parents, teachers and Dayton Contemporary Dance Company performed in older adults. cooperation with a consortium of presenters throughout New Mexico and the Taos public schools. Also, an inter­ In some regions, Endowment grantees provide the only disciplinary performing arts project designed by play­ professional arts performances. Alabama’s Selma and wright David Nichols was developed in collaboration Dallas County Council on the Arts operates in the heart with musicians, actors, choreographers, dancers, story­ of the Black Belt (whose name alludes to the dark soil of tellers and farmers from the community. The Art Asso­ this farming region). The area has a per capita income of ciation also sponsors "ProjecTaos," a bilingual perform­ $6,834; nearly half of Dallas County’s children live in ing arts camp for over 200 children that offers classes in poverty. In the face of such massive need, the Council music, visual arts, drama, body movement, all taught by focuses on programming that will build community to­ Taos artists alongside visiting professionals. getherness, pride and self-reliance. With Presenting & Commissioning support, community members and Recently arts presenters have made arts education a par­ guest artists are collaborating to create performances re­ ticular emphasis. The Painted Bride Art Center’s work flecting the unique history and culture of the communi­ with the Meredith School is a model of involvement ty. Similarly, in Fallon, Nevada a grant was awarded to with community. Located in South Philadelphia where the Churchill Arts Council, the only organization in the it draws students from throughout the city, Meredith region that presents performances in various disciplines

1993 Annual Report 181 from outside the community on an ongoing basis. Artist developing new work; this encourages partnerships be­ residencies sponsored by the Council directly involve tween notable artists and the cultural resources based in local arts groups and people from a small Indian reserva­ a local community.) The program also supports artists’ tion, a Naval Air Station, and a community college. communities that provide fellowships, resources and creative time for professional artists. The work devel­ Yet another grant supported the Kodiak Arts Council in oped at these communities provides new resources for Alaska. This grant enabled the Council to work with the arts presenters. Anchorage and Fairbanks Concert Associations to present a two-week residency by the AMAN Folk Ensemble from An Interdisciplinary Projects award supported "The Los Angeles. The residency targeted the Alaska Native, Human Bridge," a new performance work by Oakland’s Filipino and Latino communities on Kodiak Island and AXIS Dance Troupe, a company whose choreography included a range of educational activities including class­ integrates performers in wheelchairs with able-bodied room instruction, community activities with local per­ counterparts. The piece, designed to abet disabled formers, and the development of written curricula, as Americans’ integration into the larger society, was a col­ well as community and school performances. laboration by AXIS, performance artist Neil Marcus, composer Susan Alexander and multimedia artist The program’s Rural/Inner City Arts Presenting Regrant Brenda Prager. Initiative provides funding (often in cooperation with a local foundation or corporation) to organizations who The Program’s Artists’ Projects Regional Initiative pro­ subgrant to community presenting efforts. An award of vides another example of public/private partnerships. $1,500 will help the County School District support the In conjunction with the Rockefeller and Andy Warhol Missoula (Montana) Children’s Theatre for a one-week Foundations, this initiative supports new artistic work residency to work with elementary students from these through regranting sites. Data received in FY ’93 show 13 schools. that nationwide this category supported 173 projects in response to over 1,800 applications the previous This year $20,000 was awarded to South Dakotans for year. Subgrants were distributed to artists in 42 states, the Arts to support the Rural Arts Presenting Program the District of Columbia and Puerto Rico. For in­ (RAPP), a regrant program designed to support pre­ stance; an award to the Contemporary Arts Center in senting activity in small rural communities and Indian New Orleans was matched with funds from the reservations. During the first year of this initiative, Rockefeller and Andy Warhol Foundations. The grant awards went to 15 communities of less than 10,000 made project fellowships available to artists in Arkan­ people--one, Castlewood, has a population of 549. sas, Alabama, Louisiana and Mississippi. In one pro­ Of the 15 communities funded, nine had never re­ ject, artists worked with a group of young people from ceived any arts funding and have no existing arts deliv­ a community in Louisiana to transform an existing tra­ ery systems, Meade County, one of the nation’s largest ditional flame house. They turned it into a non-tradi­ counties at approximately 1,700 square miles, has 13 tional sculpted structure that will serve as an ongoing rural schools, several of them one-room school houses. working studio and exhibition space for children’s art works as well as for the creation of an exhibit and in­ Many students cannot experience the benefits of dance, stallation by members of the Koasati, a Native Amer­ drama and other performing arts because of the great dis­ ican tribe. They will utilize audio, natural elements tances between population bases scattered across the vast used by the Koasati, slides, and fans to recreate the ex­ prairie ranges. Isolated areas like Meade County need to perience of a tribal dance. present artists who will introduce children to performing arts. Through this unique public/private partnership ini­ Also this year, Los Angeles Contemporary Exhibitions tiative, South Dakotans for the Arts received a matching (LACE) received an award of $19,330, matched by the grant for this project from the Bush Foundation. Rockefeller and Warhol Foundations, to support a re­ grant program for artists in Southern California and Providing support for the creation of new work is the Hawaii. A grant through this program supported artist focus of the program’s commissioning area. This year’s Pat Taylor of Los Angeles in a collaboration with jazz grants in the commissioning categories assisted over dancers and musicians based on the collage style and im­ 1,000 artists in more than 40 states. (Note too that ages of the late African American artist Romare Beardon artists and presenting organizations often collaborate on and the musical and literary influences of the Harlem

182 National Endowment for the Arts Renaissance. The project will involve original music and a 13,000 acre national park,.and to interact with the choreography and will be developed into a thirty-minute working community of artists at Headlands. concert piece. The Residency Program supports the Center’s goal of Finally, through the Artists’ Communities area, the extending artists’ roles into a broader context. It pro­ Headlands Center for the Arts in Sausalito, California vides artists and professionals from many disciplines received support for its Residency Program. This inter- with time and space for open-ended research and the nationally-known program invites as many as 30 ­ generation of new ideas; it offers opportunities for inter­ nent artists from all disciplines, and from a variety of action and collaboration between artists; and it provides aesthetic, cultural and ethnic backgrounds to pursue opportunities for informal presentations of works in their work within the context of the Marin Headlands, progress to the public.

Indicates national impact. *Includes $5,000 committed Artswatch, Inc. Carter G. Woodson but not obligated in FY ’93. Louisville, KY $5,000 Foundation, Inc. Panel B. [93-5443-0067] Newark, NJ $6,000 The following grants sup­ TF $6,000 port costs associated with Baltimore Museum of Art, Panel B. [93-5443-0105] performing arts events and Inc. related activities during the Baltimore, MD $5,000 Catamount Film and Arts 1993-94 season, unless oth­ To support artists’ fees, ad­ Co. Grants are awarded in two erwise specified. They were ministrative and production St. Johnsbury, VT $5,000 subcategories: Grants to reviewed by the Presenting costs, travel subsidies, and Panel B. [93-5443-0068] Organizations Panel A or promotion expenses associat­ Presenting Organizations Panel B, as indicated. ed with the 1993-94 season Center for Contemporary are designed to improve of performing arts program­ Arts of Santa Fe, Inc. the ability of professional ming. Panel A. Santa Fe, NM $5,000 organizations to present 80 Langton Street, Inc. [93-5443-0028] TF $5,000* diverse arts programming San Francisco, CA $7,000 Panel B. [93-5443-0111] for audiences in their com­ Panel B. [93-5443-0079] Beyond Baroque *Funds committed but not ob­ Foundation ligated in FY’93. munities and provide sig­ Alberta Bair Theater Venice, CA $5,000 nificant performance op­ Billings, MT $5,000 Panel B. [93-5443-0095] Center for Women and portunities for artists Panel B. [93-5443-0057] Their Work, Inc. presented throughout the Boston Early Music Austin, TX $3,000 nation. Services to Pres­ Anchorage Concert Festival, Inc. TF $7,000 Assodation, Inc. Cambridge, MA $12,745 Panel B. [93-5443-0070] enting Organizations Anchorage, AK TF $20,000 To support artists’ fees and grants assist exemplary Panel B. [93-5443-0077] related expenses associated Centro Cultural de la Raza, projects of national service with the seventh biennial Inc. organizations and regional Appalshop, Inc. Boston Early Music Festival San Diego, CA $7,000 or national consortia of Whitesburg, KY $20,000 and Exhibition during the Panel B. [93-5443-0112] presenting organizations TF $5,000 1993 season. Panel A. Panel B. [93-5443-0106] [93-5443-0119] Children’s Museum that help presenters im­ Boston, MA $5,000 prove their ability to pre­ Artists Collective, Inc. Brooklyn Academy of Panel A. [93-5443-0027] sent high quality perform­ Hartford, CT $5,000 Music, Inc. ing arts programming. Panel B. [93-5443-0110] Brooklyn, NY TF $175,000 Cityfolk Panel A. [93-5443-0038] Dayton, OH $10,000 Grants to Presenting Arts Festival Association of TF $8,000 Organizations Atlanta, Inc. Carnegie Institute Panel B. [93-5443-0074] Atlanta, GA $8,500 Pittsburgh, PA $8,500 To support artists’ fees and To support artists’ fees and Cleveland Performance Art 104 grants related expenses associated related expenses associated Festival, Inc. with events in dance, music with events at the 1993 Lakewood, OH $7,500 Program Funds: $1,033,295 and theater during the 1993 Three Rivers Arts Festival. To support artists’ fees and Treasury Funds: $718,000" festival season. Panel A. Panel A. [93-5443-0115] related expenses associated [93-5443-0120] with the Sixth Annum Cleveland Performance Art

1993 Annual Report 183 Festival in March and April Flynn Theatre for the Jacob’s Pillow Dance Los Angeles Contemporary of 1993. Panel A. Performing Arts, Ltd. Festival, Inc. Exhibitions, Inc. [93-5443-0043] Burlington, VT $7,500 Lee, MA $15,000 Los Angeles, CA $8,000 TF $15,000 TF $18,250 Panel B. [93-5443-0072] Contemporary Arts Center, Panel A. [93-5443-0030] Panel A. [93-5443-0025] New Orleans Lower Manhattan Cultural New Orleans, LA $5,000 Friends of the Davis Japanese American Council, Inc. Panel B. [93-5443-0061] Center, Inc. Cultural & Community New York, NY $5,000 New York, NY $18,000 Center Panel B. [93-5443-0085] Creative Time, Inc. Panel A. [93-5443-0040] Los Angeles, CA New York, NY $10,000 TF $37,000 Maryland Art Place, Inc. Panel B. [93-5443-0078] Friends of the Music Hall Panel B. [93-5443-0063] Baltimore, MD $5,000 Portsmouth, NH $5,000 Panel B. [93-5443-0090] Crossroads Arts Council, Panel A. [93-5443-0016] Kentucky Center for the Inc. Arts Endowment Fund, Miami Light Project, Inc. Rutland, VT $5,000 Guadalupe Cultural Arts Inc. Miami Beach, FL $7,000 Panel B. [93-5443-0099] Center Louisville, KY $5,000 Panel B. [93-5443-0064] San Antonio, TX $15,000 Panel A. [93-5443-0022] Dance Theater Workshop, TF $15,000 Miami-Dade Community Inc. Panel B. [93-5443-0086] Kings Majestic College New York, NY $25,000 Corporation Miami, FL $6,000 TF $40,000 Haleakala, Inc. Brooklyn, NY $10,000 Panel A. [93-5443-0041] Panel B. [93-5443-0108] New York, NY $25,000 Panel B. [93-5443-0103] TF $25,000 Movement Theatre Dancing in the Streets, Inc. Panel B. [93-5443-0094] LAArts International, Inc. New York, NY $12,500 Lewiston, ME $7,500 Philadelphia, PA $10,000 Panel B. [93-5443-0066] Hallwalls, Inc. Panel B. [93-5443-0071] Panel B. [93-5443-0076] Buffalo, NY $8,000 Davis & Elkins College Panel B. [93-5443-0087] La Mama Experimental Music Center of Los Elkins, WV $5,000 Theatre Club, Inc. Angeles County To support artists’ fees and Helena Presents New York, NY $30,000 Los Angeles, CA $19,500 related expenses associated Helena, MT $20,000 Panel B. [93-5443-0092] To support artists’ fees and with the 1993 Concert Series TF $15,000 related expenses associated of events at the college’s Panel A. [93-5443-0031] La Pena Cultural Center, with the 1993-94 Music Augusta Heritage Center. Inc. Center on Tour and Passport Panel A. [93-5443-0052] Highways, Inc. Berkeley, CA $20,000 programs. Panel A. Santa Monica, CA $15,000 Panel B. [93-5443-0058] [93-5443-0046] District Curators, Inc. Panel B. [93-5443-0062] Washington, DC $22,500 Lafayette College North Carolina State Panel B. [93-5443-0081] Hult Center for the Easton, PA $5,000 University Performing Arts To support artists’ fees and Raleigh, NC $10,000 DiverseWorks, Inc. Eugene, OR $7,500 related expenses associated To support artists’ fees and Houston, TX $12,000 Panel A. [93-5443-0044] with the 1993-94 tenth an­ related expenses associated Panel B. [93-5443-0101] niversary season at the with events during the 1993­ Humboldt State University Williams Center for the Arts. 94 season at Center Stage. Duke University Foundation Panel A. [93-5443-0118] Panel A. [93-5443-0039] Durham, NC $6,000 Arcata, CA $11,050 Panel A. [93-5443-0045] To support artists’ fees asso­ Life on the Water Ohio State University ciated with the CenterArts San Francisco, CA $13,000 Research Foundation El Paso, City of season of events. Panel A. Panel B. [93-5443-0093] Columbus, OH $15,000 E1 Paso, TX $5,000 [93-5443-0116] TF $5,000 Panel B. [93-5443-0114] Lincoln Center for the To support artists’ fees and Intermedia Arts of Performing Arts, Inc. related expenses of the Exploratorium Minnesota, Inc. New York, NY TF $76,000 Wexner Center during the San Francisco, CA $10,000 Minneapolis, MN $5,000 To support artists’ fees and 1993-94 presenting season. Panel B. [93-5443-0084] Panel B. [93-5443-0075] administrative, production, Panel A. [93-5443-0035] and promotion costs associ­ Festival International de International Theatrical ated with the 1993-94 On the Boards Louisiane Arts Society Serious Fun!, Lincoln Center Seattle, WA TF $37,000 Lafayette, LA $9,000 Dallas, TX $5,000 Out-of-Doors, and Great Panel B. [93-5443-0089] Panel A. [93-5443-0048] Panel B. [93-5443-0098] Performers series. Panel A. [93-5443-0036]

184 National Endowment for the Arts One Reel Redwood Cultural Work, Southern Theater University of Colorado, Seattle, WA $5,000 Inc. Foundation Regent. of To support artists’ fees and Oakland, CA $5,000 Minneapolis, MN $5,000 Boulder, CO $7,500 related expenses associated To support the partial salary Panel B. [93-5443-0104] To support artists’ fees and with theater events in the and fringe benefits of a part- related expenses associated 1993 Bumbershoot Wild time production coordinator St. Ann Center for with the 1993-94 Artist Stage Festival. Panel A. during the 1993-94 season. Restoration and the Arts, Series. Panel A. [93-5443-0019] Panel B. [93-5443-0113] Inc. [93-5443-0034] Brooklyn, NY $11,000 Orcas Center San Antonio, City of Panel A. [93-5443-0107] University of Iowa Eastsound, WA $5,000 San Antonio, TX $15,000 Iowa City, IA $20,000 Panel A. [93-5443-0018] TF $5,000 Sushi, Inc. TF $10,000 To support artists’ fees and San Diego, CA $10,000 To support the costs of per­ Painted Bride Art Center, related expenses of the Panel B. [93-5443-0065] forming arts events and relat­ Inc. Carver Community Cultural ed residency activities during Philadelphia, PA $10,000 Center during the 1993-94 Symphony Space, Inc. the 1993-94 season at the TF $15,000 season. Panel A. New York, NY $12,750 Hancher Auditorium. Panel B. [93-5443-0073] [93-5443-0055] Panel A. [93-5443-0109] Panel A. [93-5443-0024]

Pennsylvania State San Antonio, City of Taos Art Association, Inc. University of Kansas, Main University, Main Campus San Antonio, TX Taos, NM $10,000 Campus University Park, PA TF $17,000" Panel A. [93-5443-0032] Lawrence, KS $15,000 $10,000 To support fees associated To support costs associated Panel A. [93-5443-0047] with market research and Theater Artaud with the Music and New audience development ini­ San Francisco, CA $5,000 Directions Series for 1993­ Pentangle tiatives of the Carver Com­ Panel B. [93-5443-0083] 94. Panel A. [93-5443-0050] Woodstock, VT $6,000 munity Cultural Center Panel B. [93-5443-0096] during the 1992-93 season. Toyo Kami, Inc. University of Washington Reviewed by the 1992 Oakland, CA $5,000 Seattle, WA $5,000 Performance Space 122, Presenting Organizations Panel B. [93-5443-0059] To support costs of the Inc. Panel B; see 1992 Annual 1993-94 season of events at New York, NY $23,000 Report. [92-5442-0121] University of California, the Meany Hall for the Panel A. [93-5443-0026] *Funds committed in FY’92 Berkeley Performing Arts. Panel A. but not obligated until Berkeley, CA $36,000 [93-5443-0054] Performing Arts Chicago FY’93. TF $16,250 Chicago, IL TF $20,000 Panel A. [93-5443-0023] Urban Institute for Panel B. [93-5443-0080] San Francisco Contemporary Arts Performances, Inc. University of California, Grand Rapids, MI $5,000 Pittsburgh Children’s San Francisco, CA $12,000 Davis Panel B. [93-5443-0102] Festival, Inc. Panel B. [93-5443-0082] Davis, CA $5,000 Pittsburgh, PA $9,000 Panel A. [93-5443-0053] Virginia Museum of Fine To support artists’ fees and Scottsdale Cultural Arts related expenses associated Council University of California, Richmond, VA $7,500 with the May 1993 festival. Scottsdale, AZ $6,000 Santa Barbara Panel B. [93-5443-0091] Panel A. [93-5443-0037] Panel A. [93-5443-0017] Santa Barbara, CA $15,000 TF $18,250 Walker Art Center, Inc. Plaza de la Raza, Inc. Seattle International To support the costs of per­ Minneapolis, MN $60,000 Los Angeles, CA $10,000 Children’s Festival forming arts events and relat­ TF $44,500 Panel B. [93-5443-0097] Seattle, WA $5,000 ed residency activities during Panel A. [93-5443-0029] To support artists’ fees and the 1993-94 season. Panel A. Randolph Street Gallery, related expenses associated [93-5443-0021] Washington Center for the Inc. with the May 1993 festival. Performing Arts Chicago, IL $7,500 Panel A. [93-5443-0042] University of California, Olympia, WA $5,000 To support costs associated Santa Cruz Panel A. [93-5443-0056] with extended residency ac­ Sheboygan Arts Santa Cruz, CA $8,000 tivities and related expenses Foundation, Inc. To support the costs of per­ Washington Performing during the 1993-94 season. Sheboygan, WI $5,000 forming arts events and resi­ Arts Society Panel B. [93-5443-0117] To support artists’ fees and dency activities throughout Washington, DC related expenses for the the community during the TF $50,000 Real Art Ways, Inc. Kohler Arts Center during 1993-94 season. Panel A. Panel B. [93-5443-0100] Hartford, CT $8,000 the 1993-94 season. Panel A. [93-5443-0033] Panel B. [93-5443-0088] [93-5443-0020]

1993 Annual Report 185 World Music Institute, Inc. ~ National Association of California College of Goat Island New York, NY $16,500 Artists’ Organizations, Inc. Performing Arts Chicago, IL $7,000 Panel B. [93-5443-0069] Washington, DC $15,000 San Francisco, CA $10,000 To support the creation of a To support costs associated To support a 1994 residency new performance work by World Music, Inc. with The Artists’ Task Force project for composer Muhal the Goat Island performance Cambridge, MA $5,000 on Presenting in Artists’ Richard Abrams at the Cali­ group. [93-5415-0175] Panel B. [93-5443-0060] Organizations. Panel B. fornia College of Performing [93-5446-0123] Arts. [93-5415-0183] Gotham Dance, Inc. Young Men’s & Young New York, NY $25,000 Women’s Hebrew Capoeira Foundation, Inc. To support the production Association New York, NY $20,000 of a new performance work New York, NY $32,250 To support the development by collaborating artists Bebe TF $12,750 and presentation of a new Miller and Caroline Beasley- To support costs of the performance work by Dance- Baker. [93-5415-0186] 1993-94 season of events at Brazil and collaborating the Tisch Center for the Arts artists. [93-5415o0180] Kronos Performing Arts Association of the 92nd Street Y. Grants encourage experi­ Panel A. [93-5443-0049] Dance Brigade San Francisco, CA $13,250 mental arts projects that Oakland, CA $7,000 To support the creation and explore the boundaries be­ To support production costs development of a new work Services to tween arts disciplines, tra­ for a new dance theater work for quartet and voice by Presenting ditions and/or cultures. by Dance Brigade and col­ artist Diamanda Galas in This category supports laborating artists. collaboration with the Organizations [93-5415-0187] Kronos Quartet. artists collaborating in the [93-5415-0174] 4 grants development of new inter­ Dance Continuum, Inc. Program Funds: $76,000 disciplinary work, inter­ New York, NY $20,000 Mabou Mines Devdop­ disciplinary artists devel­ To support a new perfor­ ment Foundation, Inc. oping new projects, or mance work by Susan New York, NY $20,000 Marshall and Luis Resto. ~ Association of single-discipline dance or To support a developmental [93-5415-0173] workshop for a new perfor­ Performing Arts music projects which ad­ Presenters, Inc. mance work by the Mabou Washington, DC $50,000 vance those art forms Fiji Theater Company, Inc. Mines ensemble under the To support costs associated through the use of new New York, NY $18,000 direction of John McGrath with presenter services de­ artistic approaches and/or To support the development with collaborating artists. and premiere of a new inter­ signed to strengthe presen­ technologies, or collabora­ [93-5415-0176] n disciplinary performance ter skills and knowledge. tive techniques. Panel B. [93-5446-0121] work by Ping Chong and One Reel collaborating artists. Seattle, WA $10,000 18 grants ~ Association of [93°5415-0171] To support a collaboration Performing Arts Program Funds: $300,000 between composer Amy Presenters, Inc. Foundation for Dance Eliott Denio and perfor­ Washington, DC $6,000 Promotion, Inc. mance poet Luis J. Rodrig­ To amend a grant to support AXIS Dance Troupe New York, NY $35,000 uez, who will serve as co­ costs associated with presen­ Oakland, CA $13,800 To support the creation of a artistic directors of a ter services designed to To support ~the creation and new interdisciplinary work "summer camp" for inner strengthen presenter skills productiOn of "The Human by the Bill T. Jones/Amie city youth, emphasizing and knowledge. Bridge," a new interdiscipli­ Zane Dance Company and writing, musical workshops [92-5442-0137] nary performance work. collaborating artists. and performance. [93-5415-0178] [93-5415-0170] [93-5415-0172] ~r Atlad Phoenix, AZ $5,000 Antenna Theater Foundation for Performance Space 122, To support costs associated Sausalito, CA $20,000 Independent Artists, Inc. IUCo with a new edition of To support the creation of New York, NY $25,000 New York, NY $15,000 National Directory of Native "Enola Alone," an original To support the development To support the development American Pe~orming Artists. walk-through theater instal­ of a new performance work and workshop performances Panel B. [93-5446-0122] lation by Chris Hardman by artist David Rousseve and of a new collaboration be­ and collaborating artists. his performance ensemble, tween composer Diedre [93-5415-0177] Reality. [93-5415-0182] Murray and performer Laurie Carlos. [93-5415-0179]

186 National Endowment for the Arts Performance Zone, Inc. American Music Theater with performances of New York, NY $10,000 Festival, Inc. "Sheila’s Day." To support a new collabora­ Philaddphia, PA [93-5416-0219] tive project by choreographer TF $30,000 Sarah Skaggs and composer To support the co-commis­ Ohio State University David Linton. sioning and presentation of Research Foundation [93-5415-0184] "Stories from the Nerve Columbus, OH $20,000 Grants enable artists’ com­ Bible," a new interdiscipli­ To support the co-commis­ munities and other artists’ Redwood Cultural Work, nary performance work by sioning and presentation of a workplaces to provide op­ Inc. . new performance work by portunities for creative Oakland, CA $20,000 [93-5416-0190] choreographer Amanda artists from various disci­ To support performances Miller, sculptor Cara and residency activities asso­ Brooklyn Academy of Perlman and composer John plines to pursue their ciated with Redwood Music, Inc. Zorn. [93-5416-0189] work. Cultural Work’s 1993 New Brooklyn, NY $12,000 Spirituals concert with par­ TF $13,000 On the Boards 9 grants ticipating artists Ysaye Maria To support the co-commis­ Seattle, WA $10,000 Program Funds: $194,100 Barnwell, Elizabeth Min, sioning and presentation of To support the co-commis­ Linda Tillery and the Vocal "NJINGA," a collaborative sioning and presentation of Motion ensemble. performance project by com­ "Night After Night," a new Sg Centrum Foundation [93-5415-0185] poser Pauline Oliveros and performance work by writer/ Port Townsend, WA writer lone. [93-5416-0197] director Neil Bartlett, com­ $10,000 Urban Bush Women, Inc. poser Nicolas Bloomfield To support resident artists’ New York, NY $10,950 Friends of Lied, Lied and choreographer Leah costs for housing, travel, ma­ To support a new work by Center for Performing Hausman. [93-5416-0196] terials and monthly stipends. Urban Bush Women and Arts, Nebraska [93-5412-0201] collaborating artists. Lincoln, NE $15,000 Performing Arts Chicago [93-5415-0181] To support the co-commis­ Chicago, IL $20,000 ~ Corporation of Yaddo sioning and presentation of To support the co-commis­ Saratoga Springs, NY "Cocteau & Barbette," a new sioning and presentation of a $10,000 performance work by John new performance work by To support residencies for Kelly & Company with col­ composer Kent Devereaux, artists collaborating in the laborating artists. music director Jarrad Powell, same or different media, [93-5416-0193] the Gamdan Pacifica Or­ along with support to publi­ chestra, and Indonesian pup­ cize the residencies and to Jacob’s Pillow Dance peteers, musicians and chore­ pay honoraria to members of Grants support multi-dis­ Festival, Inc. ographers. [93-5416-0192] interdisciplinary judging Lee, MA $20,000 panels. [93-5412-0199] ciplinary presenting orga­ To support the co-commis­ Randolph Street Gallery, nizations in collaboration sioning and presentation of a Inc. ~" Fine Arts Work Center with at least two other arts new work by the Rhythm In Chicago, IL $15,000 in Provincetown, Inc. organizations in two other Shoes dance company and To support the co-commis­ Provincetown, MA $8,000 cities for the commission­ collaborating artists. sioning and presentation of a To support writers and visual [93-5416-0191] new performance work by artists in residency fellow­ ing and presentation of experimental theater/media new interdisciplinary ships that include housing, Jacob’s Pillow Dance artist John Jesumn. work space and monthly works, or dance or music Festival, Inc. [93-5416-0194] stipends. [93-5412-0204] projects which advance Lee, MA $15,000 those art forms through TF $5,000 University of California, gr Headlands Center for the use of new artistic ap­ To support the co-commis­ Berkeley the Arts sioning and presentation of Berkeley, CA $25,000 Sausalito, CA $30,000 proaches and/or technolo­ "Bones and Ash," a new per­ To support the co-commis­ gies, and for related resi­ To support the residency formance work by Urban sioning and presentation of a program, assist with indirect dency activities. Bush Women and collabo­ new performance work by costs associated with residen­ rating artists. Margaret Jenkins, Paul cy costs of artists, and to im­ 12 grants [93-5416-0195] Dresher, Rinde Eckert and prove staffsupport and ser­ other collaborating artists. Program Funds: $162,000 vices for artists. Kings Majestic [93-5416-0188] [93-5412-0198] Treasury Funds: $48,000 Corporation Brooklyn, NY $10,000 MacDowell Colony, Inc. To support costs associated Peterborough, NH $25,000

1993 Annual Report 187 To support initiatives that nizations located in diverse sas, Minnesota, Nebraska, will strengthen the residency regions of the country. North Dakota, South program for artists. Dakota and Wisconsin. [93-5412-0205] 13 grants [93-5417-0207] ~ Millay Colony for the Program Funds: $300,000 Los Angeles Contemporary Arts, Inc. Exhibitions, Inc. Austerlitz, NY $20,000 Los Angeles, CA $27,500 Includes the following To support residencies for Alternate ROOTS, Inc. To support a grants program subcategories: The Pre­ professional writers, com­ Atlanta, GA $25,200 serving artists in California senting Development posers, and visual artists at To support a grants program and Hawaii. [93-5417-0210] Initiative for Commu­ serving artists in Georgia, Steepletop, the landmark nity-Based Organi­ farm-estate that was the home Kentucky, North Carolina, New England Foundation of poet Edna St. Vincent South Carolina and for the Arts zations supports the per­ Millay. [93-5412-0203] Tennessee. [93-5417-0217] Cambridge, MA $26,100 forming arts presentation To support a grants program costs and professional de­ ~ New York Foundation Colorado Dance Festival, serving artists in Connect­ velopment of community- on the Arts, Inc. Inc. icut, Maine, Massachusetts, Boulder, CO $25,200 New Hampshire, Rhode based organizations. The New York, NY $27,100 Rural/Inner City Arts To support a survey and To support a grants program Island and Vermont. study on the feasibility of es­ serving artists in Colorado, [93-5417-0216] Presenting Regrant tablishing a Public/Private Idaho, Montana, Nevada, Initiative supports re­ Partnership Program in sup­ Utah and Wyoming, to be On the Boards grant programs that assist port of artists’ communities. administered in conjunction Seattle, WA $19,200 rural or inner-city com­ [93-5412-0221] with Helena Presents of To support a grants program Helena, Montana. serving artists in Alaska, munity groups presenting ~r Ragdale Foundation [93-5417-0211] Oregon and Washington. the performing arts. Lake Forest, IL $19,000 [93-5417-0214] To support multidiscipli­ Contemporary Arts Center, Presenting nary, collaborative and spe­ New Orleans Painted Bride Art Center, Development cial residencies. New Orleans, LA $25,600 Inc. [93-5412-0202] To support a grants program Philadelphia, PA $22,000 Initiative serving artists in Alabama, To support a grants program For Community- ~ Yellow Springs Institute Arkansas, Louisiana and serving artists in Delaware, Based Organizations Chester Springs, PA Mississippi. [93-5417-0213] District of Columbia, Mary­ $45,000 land, New Jersey, Pennsyl­ 30 grants To support the commission­ DiverseWorks, Inc. vania, Virginia and West ing of ne~w works and their Houston, TX $27,500 Virginia. [93-5417-0218] Program Funds: $150,000 development in residencies To support a grants program for artists in all performance serving artists in Arizona, Puerto Rico Community disciplines as part of the New Mexico, Oklahoma and Foundation, Inc. Accion Latina 1993-94 Artists’ Residency Texas, to be administered in Hato Rey, PR $11,000 San Francisco, CA $3,500 Program. [93-5412-0200] conjunction with Mexic-Arte To support a grants program To support expenses associ­ of Austin. [93-5417-0215] serving artists in Puerto ated with the Encuentro del Rico. [93-5417-0206] Canto Popular festival. Florida Dance Association, [93-5444-0153] Inc. Pyramid Arts Center, Inc. Miami, FL $14,700 Rochester, NY $27,400 African Street Festival, Inc. To support a grants program To support a grants program Brooklyn, NY $3,500 serving artists in the state of serving artists in New York To support artists’ fees and Florida, to be administered State, to be administered in other related costs associated in conjunction with Miami- conjunction with the Lower with the 1993 festival. This is a regional regrant Dade Community College Manhattan Cultural [93-5444-0152] program of project fellow­ (Wolfson Campus), and the Council. [93-5417-0208] ships for independent Metro-Dade Cultural Affairs Center for Education and artists supported by the Council. [93-5417-0209] Randolph Street Gallery, Communication, Inc. Endowment, The Rocke­ Inc. Boston, MA $6,000 Intermedia Arts of Chicago, IL $25,200 To support expenses related feller Foundation and the Minnesota, Inc. To support a grants program to performing arts program­ Andy Warhol Foundation Minneapolis, MN $23,400 serving artists in Illinois, ming in the 1993-94 season. for the Visual Arts, Inc., in To support a grants program Indiana, Michigan, Missouri [93-5444-0167] partnership with arts orga­ serving artists in Iowa, Kan­ and Ohio. [93-5417-0212]

188 National Endowment for the Arts Christina Community Inquilinos Boricuas en Onion River Arts Council presentations, workshops Center of Old Swedes, Inc. Acdon Montpelier, VT $3,500 and lecture/demonstrations Wilmington, DE $3,500 Boston, MA $3,500 To support artists’ fees and by artists creating new work To support professional de­ To support artists’ fees and related costs for diverse pro­ while in residence at the velopment costs, including related expenses for 1993 fall gramming of traditional Tyler School of Art. marketing consultant ex­ performance series. European cultures through­ [93-5444-0150] penses and travel and work­ [93-5444-0164] out the 1993-94 presenta­ shop costs. [93-5444-0156] tion season. [93-5444-0143] Vashon Allied Arts Jump-Start Performance Vashon Island, WA $5,000 Churchill Arts Council Company Pregones Touring Puerto To support artists’ fees and Fallon, NV $7,500 San Antonio, TX $3,500 Rican Theater Collection, promotional costs associated To support artists’ fees and To support artists’ fees, a Inc. with the 1993-94 presenta­ related performing arts costs consultant and other related Bronx, NY $3,500 tion season. [93-5444-0149] associated with the 1993-94 expenses for the guest artist To support artists’ fees for season. [93-5444-0165] series in 1993-94. the 1993 Teatro Festival. Walker’s Point Center for [93-5444-0166] [93-5444-0145] the Arts, Ltd. Community Education Milwaukee, WI $3,500 Center, Inc. Kodiak-Baranoff Salt Lake Arts Council To support artists’ fees and Philadelphia, PA $3,500 Productions, Inc. Foundation related costs associated with To support artists’ fees and Kodiak, AK $3,500 Salt Lake City, LIT $4,000 the "All One People" pro­ related costs associated with To support artists’ fees for To support artists’ fees and ject. [93-5444-0146] Performance In An Intimate the Multicultural Commu­ technical expenses associated Space in collaboration with nity Residency Program in with the Twilight Concert Walt Whitman Cultural New Dance Alliance in New the 1993-94 season. Series. [93-5444-0157] Arts Center, Inc. York City. [93-5444-0141] [93-5444-0148] Camden, NJ $3,500 San Jose Jazz Society To support audience develop­ First Impressions Langston Hughes Center San Jose, CA $3,500 ment costs and professional Performances for the Arts To support artists’ fees and artists’ fees for the 1993-94 Los Angeles, CA $6,500 Providence, RI $11,000 related costs associated with season. [93-5444-0159] To support artists’ fees and To support artists’ fees and the Bay Area Emerging promotional and production other related expenses for Artists/Jazz Artists series. "~rilliams College costs associated with the performing arts events in the [93-5444-0169] Williamstown, MA $4,000 1993-94 performing arts sea­ 1993-94 season. To support artists’ fees and son. [93-5444-0147] [93-5444-0168] Selma and Dallas County administrative costs for a Council on the Arts, Inc. 1993 residency program. Friends of the Mission Mexican Museum Selma, AL $12,000 [93-5444-0140] Cultural Center San Francisco, CA $4,000 To support artists’ fees and San Francisco, CA $7,000 To support artists’ fees and related residency expenses Woodstock Guild of To support artists’ fees and audience development ex­ during the 1993-94 presen­ Craftsmen, Inc. presentation costs related to penses for a multidisciplinary tation season. Woodstock, NY $3,500 Teatro Mision’s 1993-94 presenting program during [93-5444-0155] To support artists’ fees and season for children. the 1993-94 season. related costs for the 1993 [93-5444-0162] [93-5444-0160] South East Effective SUMMERJAZZ! festival. Development [93-5444-0154] Hiddenite Center, Inc. Mount Vernon College Seattle, WA $6,500 Hiddenite, NC $3,500 Washington, DC $3,500 To support artists’ fees for To support consultant ser­ To support artists’ fees and the Concerts in the Park vices, artists’ fees, printing technical support for the series. [93-5444-0142] Rural/Inner City costs and related expenses as­ 1993-94 presenting season. Arts Presenting sociated with the 1993-94 [93-5444-0163] Su Teatro Ret~rant Initiative presentation season. Denver, CO $6,000 [93-5444-0144] Nicholls State University To support artists’ fees, pre­ 6 cooperative agree­ Thibodaux, LA $7,000 sentation and travel costs as­ ments Hudson River Sloop To support travel costs, con­ sociated with the 1993-94 Clearwater, Inc. sultant fees and technical presenting series. Program Funds: $90,000 Poughkeepsie, NY $3,500 costs associated with a season [93-5444-0161] To support costs associated of culturally diverse events with performing arts events with multi-day engagements. Tyler School of the Arts of Arts Council of New and related activities for the [93-5444-0151] Temple University Orleans 1993 Pumpkin Sail Festival. Elkins Park, PA $7,500 New Orleans, LA $15,000 [93-5444-0158] To support artists’ fees A cooperative agreement to associated with a series of support the Neighborhood

1993 Annual Report 189 Performing Arts Initiative support the South Dakota agreements to the regional with the P.S. 122 Field Program, a regrant program Rural Arts Presenting Pro­ arts organizations (region­ Trips, a national touring to assist community-based gram (RAPP), for regranting al consortia of state arts program for solo and small- ensemble works by emerging arts and non-arts groups in funds to arts organizations in agencies) for support of the development of perform­ communities of under artists. [93-5445-0127] ing arts presenting activity 10,000 people in South artists’ fees (primarily in within New Orleans. Dakota. [DCA 93-21] music, opera-musical the­ [DCA 93-18] ater, and theater) and ser­ TO eera-Musicalater Initiative vice programs for regional Corporation for Cultural presenters. 1 grant Reinvestment (Artsbridge) Program Funds: $25,000 Chicago, IL $15,000 Grants or cooperative agree­ A cooperative agreement ments were reviewed by the to support the Uptown/ Touring Initiatives Panel, ~" On the Boards Edgewater Presenters Incu­ Includes the following unless otherwise indicated. bator Program, a regrant Seattle, WA $25,000 subcategories: Touring To support the costs associ­ program to motivate novice Networks supports model presenters to expand and en­ Tourin~ Networks ated with touring the opera- hance their activities. touring programs which musical theater work, Diary [DCA 93-16] have national or regional 4 grants of an African American, in collaboration with the impact involving existing Program Funds: $255,000 Ketchikan Area Arts and Minnesota Opera Company Humanities Council and/or new works in the during the 1993-94 season. performing arts. The [93-5445-0132] Ketchikan, AK $15,000 ~ Appalshop, Inc. A cooperative agreement to Opera-Musical Theater Initiative (administered in Whitesburg, KY $80,000* support the Fee Support To support costs associated Quick Grant Program for conjunction with the with the American Festival Theater Initiative Presenting, a program de­ Opera-Musical Theater Project. [93-5445-0126] signed to address the need Program) supports the *This grant combines $40,000 1 grant for arts experiences in south­ Program Funds: $45,000 east Alaska. [DCA 93-20] touring of new and sel­ J~om Touring Networks and dom-produced American $40,O00J~om Theater opera-musical theater Touring Initiative. Maine Arts Sponsors Alternate ROOTS, Inc. Association works. The Theater Center for Contemporary Atlanta, GA $45,000 Augusta, ME $15,000 Touring Initiative (ad­ Arts of Santa Fe, Inc. To support costs associated A cooperative agreement to ministered in conjunction Santa Fe, NM $45,000 with a program to provide assist the Collaborative Arts To support costs associated southeastern presenters with Project (CAP) to award with the Theater Program) supports the with the Deep West fee subsidies for residencies grants for projects involving Consortium during the by theater artists. collaborations between rural touring and presentation 1993-94 season. [93-5445-0136] arts presenters with budgets of not-for-profit theater. [93-5445-0128] under $100,000 and other Dance on Tour (adminis­ arts and non-arts groups. ~ Dance Theater [DCA 93-19] tered in conjunction with Dance on Tour the Dance and State & Workshop, Inc. New York, NY $115,000 1 grant Montana Performing Arts Regional Programs, the re­ To support costs associated Consortium gional arts organizations with artists’ residencies and Program Funds: $70,000 Bozeman, MT $15,000 and participating state arts the annual meeting of pre­ A cooperative agreement to agencies) is designed to senters in the National support the rural presenter foster the excellence and Performance Network. The following grant is one development Quick Grant of several awarded under diversity of dance in [93-5445-0130] program in creating or ex­ *This grant combines $90,000 the Dance on Tour initia­ panding series programming America, and to bring the 3~om Touring Networks and tive; the remaining grants and in developing a solid finest dance artists and $25,000~om Theater are included in the Dance, base of local audience sup­ companies to communi­ Touring Initiative. State & Regional, and port in rural communities. Underserved Communities/ [DCA 93-17] ties nationwide. The Regional Arts Organiza­ ~ Performance Space 122, Set-Aside chapters. Inc. South Dakotans for the tions Consolidated New York, NY $15,000 Arts Presenting Support cate­ To support costs associated Deadwood, SD $15,000 gory involves cooperative A cooperative agreement to

190 National Endowment for the Arts Southern Arts Federation, gional presenters of music, Louisiana, Mississippi, North ated with the judging panels Inc. opera, and theater through­ Carolina, South Carolina, for the 1992-93 cycle of the Atlanta, GA $70,000* out Arkansas, Kansas, Miss­ and Tennessee. Funds also Arts Recognition and Talent For artists’ fee support to ouri, Nebraska, Oklahoma, allowed the Federation to Search (ARTS ’93) program. presenters throughout and Texas. Funds also sup­ conduct a performing arts Reviewed by the following Alabama, Florida, Georgia, ported a seminar conducted program evaluation and panelists: Roger Bruce, Kentucky, Louisiana, Mis­ by the Alliance to discuss needs assessment survey, Media Artist, Linwood, sissippi, North Carolina, creative ways of providing distributed to some 2,000 NY; Jackie Davis, Director, South Carolina and Tennes­ underserved communities artists and 1,500 presenters Concert and Chamber see for the presentation of with greater access to high- throughout the region. Music Series, University of dance companies during the quality live performances. [DCA 93-14] Kansas Lawrence, KS; Kevin 1993-94 season. Reviewed [DCA 93-09] *Co-funded with $106,000 Farrell, (layperson) Group by the 1992 Dance on Tour *Co-funded with $80,000 from Underserved Communi- Manager, Rouse Company Panel. [93-5445-0014] from Underserved Communi- ties/Set_Aside funds for a total of Missouri St. Louis, MO; *Co-funded with $78,180 ties/Set_Aside funds for a total ofS156,ooo. Philip Horn, (chair) from the State & Regional of $15o, ooo. Manager, Performing Arts Program for a total of Western States Arts Touring & Presenting $148,180. Mid Adantic Arts Federation Program, California Arts Foundation Santa Fe, NM $65,000* Council Sacramento, CA; Baltimore, MD $90,000* A cooperative agreement to Cora Mirikitani, Program Regional Arts A cooperative agreement to support artists’ fees for re­ Officer, Culture, The Pew Organizations support technical assistance gional presenters of music, Charitable Trusts Phila­ and ardsts’ fees to regional opera-musical theater, and delphia, PA [93-5461-0139] Consolidated presenters of music including theater throughout Alaska, Presenting Support opera-musical theater, the­ Arizona, California, Colora­ World Interdependence ater, and jazz throughout do, Idaho, Montana, Nevada, Fund 6 cooperative agree­ Delaware, Maryland, New New Mexico, Oregon, Utah, Sacramento, CA $31,850 ments Jersey, New York, Pennsylva­ Washington, and Wyoming. To support the New Mexico Program Funds: $415,000 nia, Virginia, West Virginia, [DCA 93-10] Interdependence Forum, a the District of Columbia, *Co-funded with $120,000 working conference held in The following were reviewed and the Virgin Islands. from Underserved Cornmuni­ November 1992 in Santa Fe, by the Rural/Inner City Arts [DCA 93-13] ties/Set-Aside funds for a total New Mexico. Reviewed Presenting Regrant Initiative *Co-funded with $60,000 of $185,ooo. by the following panelists: Panel. from Underserved Communi- Robert Harris, Admin­ ties/Set_Aside funds for a total istrator, Cincinnati Human of $150,000. Relations Commission, Arts Midwest Cincinnati, OH; Valarie Minneapolis, MN $80,000* New England Foundation Capers, Chairman, Depart­ A cooperative agreement to for the Arts ment of Music and Art, support artists’ fees for re­ Cambridge, MA $60,000* Bronx College, Bronx, NY; A cooperative agreement to 2 grants; 1 coopera­ gional presenters of music, Johanna Lee, Affirmative opera and theater through­ support artists’ fees for re­ tive aFreement Action Officer, Trenton out Illinois, Indiana, Iowa, gional presenters of music, Program Funds: $236,850 Board of Education, opera-musical theater, and Michigan, Minnesota, North Trenton, NJ; and Cherry Dakota, Ohio, South theater throughout Winkle Moore, Fine Arts Dakota, and Wisconsin. Arts Connecticut, Maine, Teacher, Asbury College, Massachusetts, New ~ Jack Faucett Associates Midwest also used funds to Bethesda, MD $165,000 Wilmore, KY. enable presenters serving Hampshire, Rhode Island, To support a cooperative [93-5461-0137] rural, poor and/or culturally and Vermont. [DCA 93-12] agreement for the adminis­ diverse communities to at­ *Co-funded with $49,000 tration of on-site evaluations from Underserved Communi- tend performing arts confer­ of approximately 450 appli­ ences. [DCA 93-11] ties/Set_Aside funds for a total cants to the Presenting & *Co-funded with $85,000 of $109,000. Commissioning Program, from Underserved Commu­ from June 1993 to May nities/Set_Aside funds for a Southern Arts Federation 1994. [DCA 93o33] Presentin~ total of $165,000. Atlanta, GA $50,000* Organizations A cooperative agreement to Sr National Foundation for Mid-America Arts Alliance support artists’ fees for re­ Advancement in the Arts, Panel A Kansas City, MO $70,000* gional presenters of music, Inc. A cooperative agreement to opera-musical theater, and Miami, FL $40,000 Judith Allen support artists’ fees for re­ theater throughout Alabama, To support expenses associ­ Executive Director, Florida, Georgia, Kentucky, North Carolina Performing

1993 Annual Report 191 Shelton Stanfill (chair) Friends of the Davis Center Jude Narita Arts Center Performance Artist Charlotte, NC President, New York, NY Wolf Trap Foundation for Redondo Beach, CA Leon Bates the Performing Arts Mayumi Tsutakawa Vienna, VA Manager, Elizabeth Streb Musician; Teacher Choreographer; Founder, Philadelphia, PA King County Cultural Douglas Wheeler Resources Division Elizabeth Streb Ringside New York, NY Lisa Booth Managing Director, Seattle, WA Washington Performing Arts President, Bill Tudey (layperson) Lisa Booth Management, Society M.K. Wegmann Washington, DC Freelance Arts Consultant Founder/President, Inc. The Edge Recording Studios New York, NY New Orleans, LA Presenting~ New York, NY Duane Ebata Organizations Brenda Wong-Aoki Solo Theater Pe~ormer Partnerships In Managing Director, Commissioning Japan America Theatre, Panel B San Francisco, CA Japanese American Cultural Pamda Z Donald Byrd Community Center Philip Bither Choreographer; Founder, Los Angeles, CA Director of Programming, Musician; Composer San Francisco, CA Donald Byrd/The Group Flynn Theater for the New York, NY Larry Leon Hamlin Performing Arts Artistic Director, Interdisciplinary Burlington, VT Projects Alyce Dissette National Black Theater Executive Producer, Festival; Ellis Finger Marilyn Arsem "Alive TV" Artistic Director, North Director, St. Paul, MN Carolina Black Repertory Williams Center for the Arts, Founder/Co-Director, Company Lafayette College Mobius Artists Group Winston-Salem, NC Boston, MA Janis Lane Ewart (chair) Easton, PA Senior Program Director, Rem Cabrera Arts Midwest Margaret Jenkins Ken Fischer Minneapolis, MN Choreographer; Founder, Executive Director, Grants and Program Margaret Jenkins Dance University Musical Society Administrator, Metro-Dade Cultural Affairs Kevin Farrell (layperson) Company Ann Arbor, MI Group Manager of Sales and San Francisco, CA Council Miami, FL Marketing, Ken Foster St. Louis Union Station Susan Lipman Director, Center for the St. Louis, MO Executive Director, Performing Arts, Kimberly Camp (chair) Director, Performing Arts Chicago Penn State University Stephanie Hughley Chicago, IL University Park, PA Experimental Gallery Smithsonian Institution Producer of theater and d~nce, Washington, DC 1996 Cultural Olympiad Timothy Marshall jo Long (chair) Atlanta, GA (layperson) Director, President, Carver Community Cultural Joe Goode Artistic Director, Carla Perlo T.H. Marshall and Center Founder/Artistic Director Associates San Antonio, TX Joe Goode Performance Group Dance Place Mt. Vernon, NY Washington, DC James Olson (layperson) San Francisco, CA Gerard Martinez President Emeritus/Professor Carl Stone Local Arts Coordinator, Judith Russi Kirshner Emeritus of History, Director, Composer State of New Mexico Arts University of Missouri Los Angeles, CA Division Kansas City, MO School of Art and Design Santa Fe, NM University of Illinois, Timothy McClimon Chicago Artists’ Communities Patricia Kerr Ross Vice-President for Art and Chicago, IL Director of Special Projects, Culture, Alonzo Davis Herb Levy Office of University AT&T Foundation Visual Artist Relations, New York, NY Artistic Director, Memphis, TN State University of New Soundwork Northwest; Development Officer, York David Rodriguez Albany, NY Executive Director, Jack Straw Productions Seattle, WA

192 National Endowment for the Arts John Dodson Presenting Rural/Inner City Arts Holly Harris Administrative Director, Development Initiative Presenting Director, Performing Arts The Yard For Coinmunity-Based Regrant Ihitiative Touring Program, New York, NY Organizations MidAtlantic Arts Martin Holt (layperson) Foundation Myra Harrison (layperson) Kathie deNobriga Former Teacher; Baltimore, MD Director, Executive Director, Designer/Builder Cultural Resources Center Alternate ROOTS Helena, MT Dolores Debower Johnson North Atlantic Region, Atlanta, GA Managing Director, Robin Kaye Houston Grand Opera Cambridge, MA Lorraine Garda-Nakata Director of Arts Services, Houston, TX Program Officer, Arts & Pittsburgh Cultural Trust Editte Meidav Humanities, Pittsburgh, PA Donald Marshall Writer; Muralist; Director Marin Community Executive Director, Oakland, CA Foundation Adolfo Nodal Covington Arts Center Larkspur, CA General Manager, Covington, LA Barbara Schaffer-Bacon City of Los Angeles Cultural (chair) Joan Gray Affairs Department Robert Mickelsen Executive Director, President, Los Angeles, CA Director of Sales, Arts Extension Service Muntu Dance Theatre Sheldon Softer Management, University of Massachusetts, Chicago, IL Evangeline Quintana Inc. Amherst Director, New York, NY Belchertown, MA Zarco South Broadway Cultural Visual Artist; Musician Center John Patterson Susan Slocum Mesa, AZ Albuquerque, NM Solo Performer Arts Consultant New York, NY Albuquerque, NM Michael Holden Harriet Sanford Artists Projects Founder/Executive Director, Executive Director, Michael Stirling (chair) Western and Southern Arts Fulton County Arts Council Development Director Regional Ihitiative Associates, Inc. Atlanta, GA IMAGO Theater Austin, TX Salem, OR Mary Bellor (layperson) Kary Schulman Secretary/Executive Director, Katherine Knowles Director of Grants, Carlos Tortolero Philip L. Graham Fund Executive Director Arts Program, Co-Founder/Executive Washington, DC LA Arts San Francisco Hotel Tax Director, Lewiston, ME Vicky Lee (chair) Fund Mexican Fine Arts Museum San Francisco, CA Chicago, IL Arts Program Coordinator, Bob Marshall (chair) King County Arts Manager, Sandra Smith Dance On Tour (1992) Commission Yreka Community Theater Deputy Director, Seattle, WA Center Martin Luther King Jr. Jeremy Alliger* Yreka, CA Center for Performing and Executive Director, Pepon Osorio Cultural Arts Dance Umbrella Visual Artist; Philip Proctor Columbus, OH Boston, MA Artistic Director, Pepatian Executive Director, New York, NY Pabst Theater Carolyn Sonnier Tandy Beal Milwaukee, WI Program Officer for Grants, Artistic Director, Maynmi Tsutakawa Greater New Orleans Tandy Beal and Company Writer; Editor, George Sams Foundation Santa Cruz, CA Artists Trust Grants Program Director, New Orleans, LA Seattle, WA Regional Arts Commission Ron Bowlin* St. Louis, MO Anthony Turney (chair) Director, Kimball Hall, Rene Yanez Independent Consultant University of Nebraska Visual Artist; Educator Barbara Tate San Francisco, CA Lincoln, NE San Francisco, CA Director, Louis Abrons Arts Center, Touring Initiatives Oceola Bragg Stephen Flinn Young Henry Street Settlement Founder/Director, Artist; Editor, New York, NY Cynthia Crittenden 14th Street DanceCenter The Southern Quarterly (layperson) New York, NY Hattiesburg, MS Scheduled layperson cancelled Sales Representative at the last minute. USMr Burlington, CA

1993 Annual Report 193 Chuck Davis Peggy Amsterdam National Overview Founder/Artistic Director, Acting Director, Director of Dance and New Delaware State Division of All the panelists on the Performance, Chuck Davis Dance Washington Performing Arts Company, NY; and the Arts Dance on Tour Regional Wilmington, DE Component panel above also Society ’ African-American Dance Washington, DC Ensemble served on the Dance on Durham, NC Jeraldyne Blunden Tour National Overview Choreographer; panel, with the following Margot Knight (chair) Founder/Artistic Director, additions: Executive Director, Charmaine Jefferson Idaho Commission (chair) Dayton Contemporary Dance Company Michael Braun on the Arts Deputy Commissioner, Boise, ID New York City Department Dayton, OH Executive Director, Mid Atlantic Arts of Cultural Affairs Paul O’Neil (layperson) New York, NY Charmaine Jefferson Foundation (chair) Baltimore, MD Professor of Law, Pace University School of Gail Kalver Deputy Commissioner, New York City Department Cecelia Fitzgibbon Law General Manager, New York, NY Hubbard Street Dance of Cultural Affairs Executive Director, New York, NY New England Foundation Company Gus Solomons Chicago, IL for the Arts Margot Knight Cambridge, MA Choreographer; Artistic Executive Director, Director, Margot Knight** Solomons Company Dance Executive Director, Idaho Commission on the David Fraher Idaho Commission Arts Executive Director, New York, NY Boise, ID Arts Midwest on the Arts Woodie White ¯ Boise, ID Minneapolis, MN Darlene Neel Managing Director, Dance Center, Columbia Barbara Russo** Manager, Jeffrey Kesper Lewitzky Dance Company Executive Director, College Executive Director, Chicago, IL New Jersey State Council Los Angeles, CA Southern Arts Federation Atlanta, GA on the Arts Presenting Overview Trenton, NJ Scott Sanders Executive Director, Donald Meyer (1993) South Carolina Arts Executive Director, LeAnne Weill (layperson) Kathie deNobriga President, Commission Western States Arts Columbia, SC Federation Executive Director, Gus Weill, Inc. Alternate ROOTS Baton Rouge, LA Santa Fe, NM Sherry Schiller (layperson) Atlanta, GA Woodie White Consultant; Founder, Henry Moran COUNTDOWN 2000, Executive Director/Chief Carolelinda Dickey Managing Director, Executive Director, Dance Center, Columbia Alexandria, VA Executive Officer, Mid-America Arts Alliance Pittsburgh Dance Council College Pittsburgh, PA Chicago, IL Gus Solomons Kansas City, MO Choreographer; Artistic Olga Garay *Reviewed regional component Director, State Component Solomons Company Dance Director of Cultural Affairs, only. Miami-Dade Community ** Reviewed state component New York, NY Jeremy Alliger College only. Executive Director, Ivan Sygoda Dance Umbrella Miami, FL Dance on Tour (1993) Director, Boston, MA Pentacle, Philip Horn Regional Component New York, NY Jeraldyne Blunden Executive Director, Choreographer; Commonwealth of Pennsylvania Council for the Jeremy Alliger Woodie White Founder/Artistic Director, Executive Director, Managing Director, Dayton Contemporary Arts Harrisburg, PA Dance Umbrella Dance Center, Dance Company Boston, MA Columbia College Dayton, OH Chicago, IL Bill T. Jones Artistic Director, Foundation for Dance Promotion New York, NY

194 National Endowment for the Arts jo Long Janet Oetinger Commissioning John IGllacky (chair) Executive Director, Director, Arts & Lectures, Overview PaneI (1993) Curator of Pe~Corming Arts, Carver Community Cultural University of California Walker Art Center Center Santa Barbara, CA Ping Chong Minneapolis, MN San Antonio, TX Artistic Director, Shelton Stanfill (chair) Ping Chong and Company V~cl~y Lee Bob Marshall President, New York, NY Arts Program Coordinator, Manager, Wolf Trap Foundation for King County Arts Yreka Community Theater the Performing Arts Janet Cowperthwaite Commission Center Vienna, VA Managing Director, Seattle, WA Yreka, CA Kronos Quartet Martin Verdrager San Francisco, CA David Melancon Joseph Melillo Artistic Administrator, (layperson) Producing Director, Aspen Music Festival Joe Goode Resort Administrator, Brooklyn Academy of Music New York, NY Artistic Director, Disney Resorts Brooklyn, NY Joe Goode Performance Orlando, FL LeAnne Weill (layperson) Group Samuel Miller President, San Francisco, CA Michael Peranteau Executive Director, Gus Weill, Inc. Co-Director, Jacob’s Pillow Dance Festival Baton Rouge, LA Lee, MA Colleen Jennings- DiverseWorks Roggensack Houston, TX Gerald Yoshitomi Executive Director, Public Cora Mirikitani Executive Director, Events, Mark Russell Program Officer, Culture Japanese American Cultural Arizona State University Director, The Pew Charitable Trust and Community Center Tempe, AZ Performance Space 122 Philadelphia, PA Los Angeles, CA New York, NY

1993 Annual Report 195 This year priority was given to providing seasonal sup­ Serving audiences and artists nationwide, port grants to artists working in a company structure; the Theater Program encourages the ad­ and to supporting individual artists through fellowships. This program remains one of the last sources for unre­ vancement and excellence of theater arts. stricted seasonal grants in the nation. Also, fewer sources provide direct support to artists. Supporting performances of quality and Grants were awarded to 231 theater companies through distinction, the program assists profes­ the program’s largest category, support to Professional Theater Companies. The companies funded represent an sional theater companies by providing amazing, explosive growth in theater around the nation. They also represent great diversity in both aesthetic and aid for innovative single projects and for geographic terms as well as in age. They perform the clas­ sics, mount adaptations, create new work and are move­ entire production seasons. It also sup­ ment based; they are grounded in rural communities and rooted in urban neighborhoods. However, they all have ports individual artists including play­ in common a commitment to their communities and to an uncompromising standard of artistic excellence. wrights, designers and performers. The San Francisco Mime Troupe is one example of an Finally, the program assists service older first-generation theater company. Founded in 1959, the company’s body of work spans almost 35 organizations that pro­ years. Grounded in an aesthetic ofcommedia dell’arte, physical theater and clowning; using original text, music vide support in such and lyrics, the Mime Troupe has been recognized around the world as a master of political theater. After receiving essentials as publications, a Tony Award for best regional theater in 1988, the Mime Troupe won Obie Awards for The Dragon Lady’s conservatory training and Revenge and Seeing Double. Critical acclaim over the years has helped the company to build loyal audiences management resources. wherever it plays. Fans in the San Fran­ cisco Bay area look for the Mime Troupe to signal the start of sum­ mer with its tradition of perform­ ing free shows in public parks. The company’s core fans have grown up with the Mime

196 National Endowment for the Arts Troupe, and now bring their chil­ Angeles, Denver and New York. dren to the shows. The audience Additionally, Pregones tours through­ grows as the Troupe’s touring sched­ out the Northeast and recently has ule brings its work to communities toured the Midwest as well. like Manhattan, Kansas and Bradley University in Peoria, Illinois; to the The Alabama Shakespeare Festival, University of South Florida in Tam­ located in Montgomery, is an exam­ pa, and to the city of Tucson, Ari­ ple of a company that performs both zona. The company’s production of contemporary and classical work. It Off Share, which was assisted by the has become known, however, for its Theater Program, premiered on commitment to the classics. It is the July 4, 1993 to kick offthe summer artistic director’s ambition to have season; it will travel through Asia on an eight-week tour his company perform William Shakespeare’s history in 1994. cycle in the next five years, presenting the bard’s eight plays about the kings in their historical sequence. A sec­ Pregones Theater Company, based in New York City’s ond goal for the company is to complete production of South Bronx for fifteen years, is a relatively young com­ the entire Shakespeare canon by the year 2000. The pany. Pregones received Mayor Dinkins’ Award of company has also embarked upon a project to develop Honor for Arts and Culture for outstanding achievement the voice of southern playwrights, and tell stories unique in the arts in recognition of its artistry, commitment, to people in the south. The Southern Writers Project was leadership, and for the service it provides as an artistic created for this purpose, enabling the company to work and cultural resource in its community. with five southern writers over a three-year period.

Pregones centers its dramaturgy in the poems, stories, Imago, the Theater Mask Ensemble, based in Portland, novels and plays of Puerto Rican writers. Adaptations Oregon, is a movement/mask company that has fused are written by the artistic leaders of the company and several art forms to create a repertoire of mime, dance always use Latin music rooted in Puerto Rican tradi­ and acrobatics--performance art that one critic de­ tions. Pregones produced significant work like Silent scribed as "live animation." Formed in 1979, the com­ Dancing by Judith Ortiz Corer and The Night We pany has toured 47 states in this nation, Europe and Became Peaple Again by Jose Luis Gonzalez. In July of Asia. This year, Theater Program 1993, Pregones hosted Teatro Festivale, an interna­ support helped Imago anchor tional theater festival that highlighted companies itself in Portland when the from Mexico, Puerto Rico, company purchased a Peru, San Antonio, building to use as a the­ Texas, Los ater and visual arts cen­

1993 Annual Report 197 ter. With the recent premiere of Verdad, inspired by the Cherrie Moraga-Lawrence is a playwright whose use Gabriel Garcia Marquez short story, the company is of language incorporates English, Spanish and Calo now incorporating elements of film--in miniature, ani­ (Chicano colloquialisms) into a unique voice that mation and time lapse photography--into its work. springs from her Chicana/Latina heritage. Her early plays, Shadow of a Man and Heraes and Saints, reflect her experience, as does her new work, Mexican Medea, The Theater Program continued to invest in the devel­ opment of individual artists through the Support to a play based in rural Mexican Texas. Individuals: Fellowships for Playwrights category. Two playwrights who received Playwrights Fellowships last In addition to its support for playwrights, the Theater year are models in their field. Jo Carson, a playwright Program through a cooperative agreement with the who works in her native Tennessee, has written a num­ Theater Communications Group funded Stage Designer Fellows in its Support to Individuals category. The pro­ ber of plays including Bear Facts, Little Chicago and Preacher with a Hone to Ride. Often produced in collab­ gram continued its Artistic Advancement: Special Pro­ oration with the rural touring Road Company, Carson jects/Organizations and Special Projects/Individual Theater Artists Collaborations categories this year. It also won the Kesselering Award for her play, Daytrips, the story of caring for her mother, a victim of Alzheimers’s maintained its commitment to supporting its National disease. A collection of her monologues and dialogues, Resources categories of Professional Theater Training Stories IAin’t Tald Yet, has been published by Orchard and Services to the Field. Books and the Theater Communications Group.

Kennedy, Adrienne L. Zimet, Paul Indicates national impact. New York, NY $28,000 New York, NY $17,000 Kushner, Anthony R. Stage Designer Brooklyn, NY $17,000 Fellowships Miskowski, Stephanie P. To assist nonprofit theater Seattle, WA $17,000 To support emerging companies that produce individual stage designers work at the highest artistic Fellowships for Molloy, Honour of exceptional talent who level and are of national New Hope, PA $17,000 Playwrights work in the American and regional importance. Moraga-Lawrence, Cherrie nonprofit professional To encourage the devel- San Francisco, CA $17,000 theater by providing both 236 grants financial assistance and opment of professional Program Funds: $6,155,765 Nagy, Phyllis A. creative opportunities to Treasury Funds: playwrights of exceptional New York, NY $17,000 talent to enable them to further their artistic $1,084,000" set aside time for writing, development. *Includes $434,000 commit­ Ong, Steven Yao ted but not obligated in (Han Ong) research, theater-related 1 cooperative agreement FY’93. travel, and similar activi- Los Angeles, CA $22,000 Program Funds: $151,000 ties. These fellowships Grants were reviewed by Shifter, Wayne S. (August cover a two-year period. Professional Theater Baker) Companies Panel A or Brooklyn, NY $22,000 Theatre Communications 13 grants Group Panel B, unless otherwise indicated. Program Funds: $260,000 Swaray, Nabie Yayah New York, NY $151,000 Cambridge, MA $26,000 To support Round 5 of the Stage Designer Fellows A Contemporary Theatre, Program. Reviewed by the Inc. Brown, Carlyle Ward, Adolphus Seattle, WA $32,500 New York, NY $26,000 Milwaukee, WI $17,000 Special Projects/Individual Theater Artists Collabora­ To support expenses of the tions Panel. [DCA 93-53] 1993-94 theater season. Carson, Jo Panel A. [93-3226-0097] Johnson City, TN $17,000

198 National Endowment for the Arts ~ A Traveling Jewish 1993-94 theater season. ater season. Panel B. 1993-94 theater season. Theatre Panel B. [93-3226-0136] [93-3226-0189] San Francisco, CA $16,900 Panel B. [93-3226-0135] To support expenses of the American Place Theatre, Asolo Performing Arts Bloomsburg Theatre 1993-94 theater season. Inc. Center, Inc. Panel B. [93-3226-0150] Ensemble, Inc. New York, NY $5,000 Sarasota, FL $7,000 Bloomsburg, PA $9,000 To support expenses of the To support expenses of the Actors Theatre of To support expenses of the 1993-94 theater season. 1993-94 theater season. 1993-94 theater season. Louisville, Inc. Panel A. [93-3226-0048] Panel B. [93-3226-0129] Panel A. [93-3226-0117] Louisville, KY $51,900 TF $75,000 American Repertory Association for To support expenses of the Capital Repertory Theatre Development of Dramatic Company 1993-94 theater season. Cambridge, MA $148,550 Arts, Inc. Panel B. [93-3226-0132] Albany, NY $5,000 TF $75,000* New York, NY $5,650 To support expenses of the To support expenses of the To support expenses of the ~r Adaptors, Inc. 1993-94 theater season. 1993-94 theater season. Jean Cocteau Repertory Panel A. [93-3226-0073] Brooldyn, NY $15,500 Panel B. [93-3226-0188] Theater’s 1993-94 season. To support expenses of the *Funds committed but not Panel B. [93-3226-0151] ~" Carpetbag Theatre, Inc. 1993-94 theater season. obligated in FY’93. Panel B. [93-3226-0209] Knoxville, TN $5,000 Available Potential To support the development American Stage Company, Enterprises, Limited of new works in the 1993­ Addison Centre Theatre, Inc. Northampton, MA $16,550 Inc. 94 theater season. Panel A. St. Petersburg, FL $5,000 To support expenses of the [93-3226-0087] Addison, TX $9,400 To support theater produc­ No Theatre’s 1993-94 To support expenses of the tions for children during the season. Panel B. Carter Family Puppet 1993-94 theater season. 1993-94 season. Panel A. Panel B. [93-3226-0205] [93-3226-0198] Theater [93-3226-0105] Seattle, WA $8,800 Barrow Group, Inc. To support expenses of the Alabama Shakespeare ~ Appalshop, Inc. New York, NY $5,000 Festival, Inc. 1993-94 theater season. Whitesburg, KY $80,000 To support artists’ compen- Panel A. [93-3226-0079] Montgomery, AL $14,100 To support expenses of the sation in the 1993-94 the­ To support expenses of the 1993-94 Roadside Theater ater season. Panel A. Center Stage Associates, 1993-94 theater season. season. Panel A. [93-3226-0071] Inc. Panel B. [93-3226-0242] [93-3226-0046] Baltimore, MD $85,000 Berkeley Repertory Alice B. Theatre TF $50,000 Archipelago Company, Theatre To support expenses of the Association Inc. Berkeley, CA $67,000 1993-94 theater season. Seattle, WA $16,500 Chapel Hill, NC $7,500 TF $50,000 Panel A. [93-3226-0069] To support expenses for the To support expenses of the To support expenses of the 1993-94 theater season. 1993-94 theater season. 1993-94 theater season. Center Theatre Group of Panel B. [93-3226-0212] Panel B. [93-3226-0186] Panel A. [93-3226-0099] Los Angeles Alley Theatre Los Angeles, CA $150,000 Arden Theatre Company ~r Big Apple Circus, Ltd. TF $84,000* Houston, TX $59,000 Philadelphia, PA $5,000 New York, NY $53,000 To support expenses of the To support expenses of the To support the Artistic Initi­ To support artists’ compen- 1993-94 theater season. 1993-94 theater season of ative portion of the 1993­ sation during the 1993-94 the Mark Taper Forum. Panel A. [93-3226-0092] 1994 theater season, for the theater season. Panel B. Panel A. [93-3226-0088] development of new work American Conservatory [93-3226-0165] *Funds committed but not and artists’ compensation. obligated in FY’93. Theatre Foundation Panel A. [93-3226-0062] Bilingual Foundation of San Francisco, CA $78,000 the Arts/Fundacion ~ Center for Puppetry TF $25,000 Arizona Theatre Company Bilingue de las Artes, Inc. Arts, Inc. To support artists’ compen­ Tucson, AZ $43,550 sation in the 1993-94 the­ Los Angeles, CA $5,650 Atlanta, GA $117,600 To support expenses of the To support expenses of the To support expenses of the ater season. Panel A. 1993-94 theater season. 1993-94 theater season. [93-3226-0028] 1993-94 theater season. Panel A. [93-3226-0029] Panel B. [93-3226-0203] Panel A. [93-3226-0054] American Jewish Theatre, Arkansas Repertory Inc. Birmingham Children’s Charlotte Repertory Theatre Company Theatre, Inc. Theatre New York, NY $5,000 Little Rock, AR $7,050 Birmingham, AL $5,000 To support expenses of the Charlotte, NC $5,375 To support artists’ compen­ To support expenses of the To support expenses of the sation in the 1993-94 the­

1993 Annual Report 199 Connecticut Player’s CSC Repertory, Ltd. 1993-94 theater season. Circus Flora’s 1993-94 the­ ater season. Panel B. Foundation, Inc. New York, NY $12,700 Panel B. [93-3226-0232] To support expenses of the [93-3226-0208] NewHaven, CT $95,000 TF $50,000* 1993-94 theater season. Chicago Children’s Panel B. [93-3226-0138] Theatre, Inc. City Lit Theatre Company To support expenses of the Chicago, IL $5,650 1993-94 Long Wharf Thea­ Evanston, IL $5,000 Cucaracha Theatre Corp. To support expenses of the tre season. Panel A. To support expenses of the [93-3226-0053] New York, NY $5,000 1993-94 theater season. 1993-94 theater season. Panel B. [93-3226-0236] *Funds committed but not To support expenses of the Panel A. [93-3226-0082] obligated in FY’93. 1993-94 theater season. Panel A. [93-3226-0019] Chicago Theatre Group, City Theatre Company, Inc. Contemporary American Inc. Theatre Company Dallas Theater Center Chicago, IL $154,100 Pittsburgh, PA $7,000 To support expenses of the Columbus, OH $5,000 Dallas, TX $61,000 To support expenses of To support expenses of the TF $25,000 the 1993-94 season at the 1993-94 theater season. Panel A. [93-3226-0067] 1993-94 theater season. To support expenses of the Goodman theatre. Panel B. 1993-94 theater season. [93-3226-0245] Panel A. [93-3226-0102] Cleveland Play House Panel A. [93-3226-0075] Children’s Theater Cleveland, OH $25,000 Contemporary Arts To support expenses of the Center, New Orleans Das Puppenspiel Puppet Association, Inc. Theatre, Inc. Baltimore, MD $5,000 1993-94 theater season. New Orleans, LA $5,000 Panel A. [93-3226-0055] To support expenses of the Westfield, NY $5,000 To support expenses of the 1993-94 theater season. To support expenses of the 1993-94 theater season. Panel A. [93-3226-0113] 1993-94 theater season. Panel B. [93-3226-0161] Coconut Grove Playhouse State Theatre of Florida Panel A. [93-3226o0108] Children’s Theater Corporation ~ Cornerstone Theater Company Deaf West Theatre Company and School Miami, FL $1,350 To amend, for hurricane re­ Santa Monica, CA $10,560 Company, Inc. Minneapolis, MN $53,460 Los Angeles, CA $5,000 To support expenses of the lief, a previous grant to sup­ To support artists’ compen­ port expenses of the 1992­ sation in the 1993-94 the­ To support expenses of the 1993-94 theater season. 1993-94 theater season. Panel A. [93-3226-0078] 93 theater season, Reviewed ater season. Panel A. by Professional Theater [93-3226-0085] Panel B. [93-3226-0222] Companies (1992) Panel B; ~- Childsplay, Inc. Coterie, Inc. Deep Ellum Theatre Tempe, AZ $9,400 see 1992 Annual Report. [92-3226-0195] Kansas City, MO $9,500 Group To support expenses of the To support artists’ compen­ Dallas, TX $18,000 1993-94 theater season. sation during the 1993-94 To support artists’ compen­ Panel B. [93-3226-0227] Coconut Grove Playhouse State Theatre of Florida theater season. Panel A. sation in the 1993-94 the­ Corporation [93-3226-0036] ater season. Panel A. Cincinnati Playhouse in [93-3226-0047] the Park Miami, FL $5,600 To support expenses of the Court Theatre Fund Cincinnati, OH $5,000 Chicago, IL $7,500 ~ Dell’Arte, Inc. To support expenses of the 1993-94 theater season. $22,000 Panel B. [93-3226-0180] To support expenses of the Blue Lake, CA 1993-94 theater season. To support expenses of the Panel A. [93-3226-0057] 1993-94 theater season. Commonwealth Players, Panel A. [93-3226-0059] 1993-94 theater season. Panel A. [93-3226-0093] Cirde in the Square, Inc. Cricket Theatre New York, NY $5,000 Richmond, VA $5,000 Denver Center for the To support expenses of the Corporation To support expenses of the Minneapolis, MN $6,500 Performing Arts 1993-94 theater season. 1993-94 theater season of To support expenses of the Denver, CO $31,400 Panel B. [93-3226-0120] Theatre Virginia. Panel A. TF $25,000 [93-3226-0041] 1993-94 theater season. Panel B. [93-3226-0238] To support expenses of the Circle Repertory Theatre 1993-94 theater season. Company, Inc. Company One of Panel B. [93-3226-0131] New York, NY $81,000 Connecticut, Inc. ~ Crossroads, Inc. Hartford, CT $5,650 New Brunswick, NJ To support expenses of the $90,000 ~ Double Edge Theatre 1993-94 theater season. To support expenses of the Productions Inc. Panel B. [93-3226-0220] 1993-94 theater season. To support expenses of the Panel B. [93-3226-0153] 1993-94 theater season. Allston, MA $14,100 Panel B. [93-3226-0187] To support expenses of the ~ Circus Arts Foundation 1993-94 theater season. of Missouri Panel B. [93-3226-0174] St. Louis, MO $10,350 To support expenses of

200 National Endowment for the Arts Downtown Art Co., Inc. Conference. Panel A. Great Lakes Theater New York, NY $6,200 1993-94 theater season. [93-3226-0027] Festival, Inc. Panel B. [93-3226-0195] To support expenses of the Cleveland, OH $13,000 1993-94 theater season. Figures of Speech Theatre To support artists’ compen­ Hystopolis Productions, Panel B. [93-3226-0235] Freeport, ME $5,950 sation during the 1993-94 Inc. To support expenses of the theater season. Panel B. Chicago, IL $5,000 East-West Players, Inc. 1993-94 theater season. [93-3226-0164] To support expenses of the Los Angeles, CA $5,000 Panel B. [93-3226-0213] 1993-94 theater season. To support artists’ compen­ ~ Group I Acting Panel A. [93-3226-0052] sation during the 1993-94 ~" Fiji Theater Company, Company, Inc. theater season. Panel B. Inc. New York, NY $40,000 ~ Idris Ackamoor and [93-3226-0127] New York, NY $50,000 To support actors’ compen­ Cultural Odyssey To support expenses of the sation during the 1993-94 San Francisco, CA $5,000 ~ El Teatro Campesino 1993-94 theater season. theater season of The Acting To support administrative San Juan Bautista, CA Panel B. [93-3226-0248] Company. Panel A. salaries during the 1993-94 $36,250 [93-3226-0094] To support expenses of the theater season. Panel B. Florida Studio Theatre, [93-3226-0215] 1993-94 theater season. Inc. Guadalupe Cultural Arts Panel B. [93-3226-0192] Sarasota, FL $9,000 Center Illusion Theater and To support expenses of the San Antonio, TX $7,750 School, Inc. ~ El Teatro de la 1993-94 theater season. To support expenses of the Minneapolis, MN $8,000 Esperanza Panel A. [93-3226-0115] 1993-94 theater season. San Francisco, CA $9,500 To support expenses of the Panel A. [93-3226-0083] 1993-94 theater season. To support artists’ compen- G.A.L.A., Inc. Panel B. [93-3226-0157] sation during the 1993-94 Washington, DC $5,600 Guthrie Theater theater season. Panel B. To support expenses of the Foundation ~ Imago, The Theatre [93-3226-0202] 1993-94 theater season. Minneapolis, MN Mask Ensemble Panel B. [93-3226-0141] $168,000 Empty Space Association Portland, OR $14,000 TF $100,000" To support expenses of the Seattle, WA $18,800 George Coates To support expenses of the 1993-94 theater season. To support expenses of the Performance Co. 1993-94 theater season. Panel A. [93-3226-0038] 1993-94 theater season. San Francisco, CA $50,000 Panel A. [93-3226-0045] Panel B. [93-3226-0211] To support the development *Includes $31,000 committed Indiana Repertory and production of new work in FY’92 but not obligated Theatre, Inc. En Garde Arts, Inc. in the 1993-94 season. until FY’93. New York, NY Indianapolis, IN $23,500 $9,400 Panel A. [93-3226-0074] To support expenses of the To support expenses of the Hartford Stage Company 1993-94 theater season. 1993-94 theater season. George Street Playhouse, Hartford, CT $128,000 Panel B. [93-3226-0244] Panel B. [93-3226-0172] Inc. TF $50,000 New Brunswick, NJ $6,000 To support expenses of the International Arts Ensemble Studio Theatre, To support expenses of the 1993-94 theater season. Inc. 1993-94 theater season. Relations, Inc. New York, NY $5,000 Panel B. [93-3226-0167] New York, NY $18,000 Panel A. [93-3226-0066] To support expenses of the To support expenses of the Heart of the Beast Theatre, 1993-94 theater season. 1993-94 theater season. Gloucester Stage Inc. Panel A. [93-3226-0035] Panel A. [93-3226-0086] Company, Inc. Minneapolis, MN $15,000 Gloucester, MA $8,450 To support expenses of the Intiman Theatre Ensemble Theatre of To support expenses of the 1993-94 theater season. Cincinnati Seattle, WA $5,000 1993-94 theater season. Panel A. [93-3226-0118] To support expenses of the Cincinnati, OH $5,000 Panel B. [93-3226-0170] To support actors’ compen­ 1993-94 theater season. Honolulu Theatre for Panel A. [93-3226-0111] sation in the 1993-94 the- Great American Mime Youth ater season. Panel A. Experiment, Inc. Honolulu, HI $40,000 Irish Repertory Theatre [93-3226-0030] Atlanta, GA $7,500 To support artists’ compen­ Co., Inc. To support expenses of the sation during the 1993-94 New York, NY $5,000 ~ Eugene O’Neill 1993-94 theater season of theater season. Panel A. Memorial Theater Center, To support expenses of the Gateway Performance [93-3226-0081] 1993-94 theater season. Inc. Productions, Inc. Panel A. Panel B. [93-3226-0142] Waterford, CT $81,000 [93-3226-0100] Huntington Theatre To support expenses of the Company, Inc. National Playwrights Irondale Productions, Inc. Boston, MA $18,500 New York, NY $5,650 To support expenses of the To support expenses of the

1993 Annual Report 201 Louisville Children’s Merrimack Repertory the Paul Dresher Ensemble. 1993-94 theater season. Theatre, Inc. Panel B. [93-3226-0158] Panel B. [93-3226-0216] Theatre/Stage One Louisville, KY $5,000 Lowell, MA $9,000 To support expenses of the To support expenses of the National Black Theatre Jewish Repertory Theatre, Workshop, Inc. Inc. 1993-94 theater season. 1993-94 theater season. Panel A. [93-3226-0025] Panel A. [93-3226-0095] New York, NY $5,000 New York, NY $5,950 To support expenses of the To support expenses of the ~ Mabou Mines Metro Theater Company 1993-94 theater season. 1993-94 theater season. Panel B. [93-3226-0199] Panel B. [93-3226-0146] Development Foundation, St. Louis, MO $14,800 Inc. To support expenses of the ~r National Theatre of the ~ Jomandi Productions, New York, NY $58,000 1993-94 theater season. Panel B. [93-3226-0140] Deaf, Inc. Inc. To support expenses of the 1993-94 theater season. Chester, CT $40,000 Atlanta, GA $32,400 To support expenses of the To support expenses of the Panel A. [93-3226-0101] Mettawee Theatre Company, Inc. 1993-94 theater season. 1993-94 theater season. Panel B. [93-3226-0159] Panel B. [93-3226-0148] Mad River Theater Works Salem, NY $14,500 West Liberty, OH $6,000 To support expenses of the Negro Ensemble Jump-Start Performance To support expenses of the 1993 theater season. Panel B. [93-3226-0221] Company, Inc. Company 1993-94 theater season. New York, NY $15,000 Panel A. [93-3226-0039] San Antonio, TX $5,000 Millan Theatre Company To support expenses of the To support expenses of the 1993 theater season. Madison Repertory Detroit, MI $8,000 1993-94 theater season. Panel A. [93-3226-0247] Panel B. [93-3226-0197] Theatre, Inc. To support artists’ compen­ Madison, WI $6,000 sation during the 1993-94 theater season. Panel A. New City Theater ~ Junebug Productions To support expenses of the Seattle, WA $12,500 1993-94 theater season. [93-3226-0017] New Orleans, LA $10,800 To support artists’ compen­ To support expenses of the Panel A. [93-3226-0089] sation during the 1993-94 1993-94 theater season. Milwaukee Public Theatre Milwaukee, WI $5,600 theater season. Panel A. Panel B. [93-3226-0152] Magic Theatre Foundation Omaha, NE $45,800 To support artists’ compen­ [93-3226-0084] sation during the 1993-94 La Mama Experimental To support expenses of the New Conservatory Theatre Club, Inc. 1993-94 theater season at theater season. Panel B. [93-3226-0231] San Francisco, CA $5,000 New York, NY $170,100 Omaha Magic Theatre. To support the touring por­ To support expenses of the Panel B. [93-3226-0156] Milwaukee Repertory tion of the 1993-94 theater 1993-94 theater season. Theater, Inc. season. Panel B. Panel A. [93-3226-0058] Magic Theatre, Inc. San Francisco, CA $11,300 Milwaukee, WI $117,150 [93-3226-0125] To support expenses of the To support artists’ compen­ La Mama Experimental New Dramatists, Inc. Theatre Club, Inc. 1993-94 theater season. sation during the 1993-94 Panel B. [93-3226-0194] theater season. Panel B. New York, NY $20,000 New York, NY $26,000* [93-3226-0154] To support expenses of the To support expenses of the Make a Circus, Inc. 1993-94 theater season. 1992-93 theater season. Panel A. [93-3226-0119] Reviewed by Professional San Francisco, CA $8,000 Missouri Repertory Theater Companies (1992) To support expenses of the Theatre, Inc. Kansas City, MO $5,000 New Dramatists, Inc. Panel B; see 1992 Annual 1993 theater season. New York, NY $19,800 Report. [92-3226-0234] Panel A. [93-3226-0023] To support expenses of the 1993-94 theater season. To support artists’ salaries, *Funds committed in FY’92 Panel B. [93-3226-0162] fees, and compensation in but not obligated until FY’93. Manhattan Theatre Club, the 1992-93 season. Review­ Inc. New York, NY $78,500 Mixed Blood Theatre ed by 1992 Professional Lime Kiln Arts, Inc. Company Theater Companies Panel B; Lexington, VA $11,880 To support actors’ compen­ Minneapolis, MN $24,500 see 1992 Annual Report. To support expenses of the sation during the 1993-94 [93-3226-0016] 1993 summer theater sea­ theater season. Panel A. To support expenses of the [93-3226-0049] 1993-94 theater season. son. Panel A. New Federal Theatre, Inc. [93-3226-0098] Panel A. [93-3226-0026] McCarter Theatre New York, NY $20,000 ~r Musical Traditions To support expenses of the Living Theatre, Inc. Company Princeton, NJ $55,000 San Francisco, CA $7,050 1993-94 theater season. New York, NY $13,150 Panel A. [93-3226-0061] To support expenses of the To support expenses of the To support expenses of the 1993-94 theater season. 1993-94 theater season. 1993-94 theater season of Panel B. [93-3226-0181] Panel B. [93-3226-0177]

202 National Endowment for the Arts ~r New Hampshire Mime Ontological-Hysteric Philadelphia Drama Guild 1993-94 theater season. Company Theater, Inc. Philadelphia, PA $6,000 Panel B. [93-3226-0147] Portsmouth, NH $8,500 New York, NY $43,250 To support expenses of the To support expenses of the To support the creation and 1993-94 theater season. Sr Puerto Rican Traveling 1993-94 season of Pontine production of a new theater Panel A. [93-3226-0114] Theatre Company, Inc. Movement Theatre. work in the 1993-94 theater New York, NY $17,600 Panel A. [93-3226-0018] season. Panel B. Phoenix Theatre Academy, To support expenses of the [93-3226-0123] Inc. 1993-94 theater season. New Mexico Repertory Atlanta, GA $5,000 Panel B. [93-3226-0225] Theatre, Inc. Oregon Shakespeare To support expenses of the Santa Fe, NM $5,000 Festival Association 1993-94 theater season. Puppet Co. To support expenses of the Ashland, OR $57,000 Panel A. [93-3226-0106] Glen Echo, MD $5,000 1993-94 theater season. To support expenses of the To support expenses of the Panel A. [93-3226-0064] 1993 theater season. ~ Pick-Up Performance 1993-1994 theater season. Panel A. [93-3226-0107] Company, Inc. Panel B. [93-3226-0166] New York Shakespeare New York, NY $8,500 Festival Organic Theater To support the development ~ Puppet Showplace, Inc. NewYork, NY $123,000 Company, Inc. of new works in the 1993­ Brookline, MA $6,500 TF $75,000* Chicago, IL $5,000 94 theater season, including To support expenses of the To support artists’ compen­ To support expenses of the residencies at regional the­ 1993-94 theater season. sation in the 1993-94 the­ 1993-94 theater season. aters. Panel A. Panel B. [93-3226-0239] ater season. Panel B. Panel B. [93-3226-0230] [93-3226-0020] [93-3226-0210] Red Eye Collaboration *Funds committed but not Otrabanda Company Pittsburgh Public Theater Minneapolis, MN $10,800 obligated in FY’93. New York, NY $15,400 Corporation To support artistic and ad­ To support expenses of the Pittsburgh, PA $15,500 ministrative salaries during New York Theatre 1993-94 theater season. To support expenses of the the 1993-94 theater season. Workshop, Inc. Panel A. [93-3226-0050] 1993-94 theater season. Panel B. [93-3226-0206] New York, NY $14,000 Panel B. [93-3226-0134] To support expenses of the Pan Asian Repertory Remains Theatre 1993-94 theater season. Theatre, Inc. Playwrights’ Center, Inc. Chicago, IL $7,050 Panel A. [93-3226-0109] New York, NY $25,400 Minneapolis, MN $17,400 To support expenses of the To support expenses of the To support expenses of the 1993-94 theater season. Northlight Theatre 1993-94 theater season. 1993-94 theater season. Panel B. [93-3226-0200] Evanston, IL $24,500 Panel B. [93-3226-0214] Panel B. [93-3226-0176] To support expenses of the Repertory Theatre of St. 1993-94 theater season. Paper Bag Players, Inc. Playwrights Horizons, Inc. Louis Panel B. [93-3226-0185] New York, NY $28,200 New York, NY $103,400 St. Louis, MO $11,000 To support expenses of the To support expenses of the To support expenses of the Oakland Ensemble 1993-94 theater season. 1993-94 theater season. 1993-94 theater season. Theatre Panel B. [93-3226-0130] Panel B. [93-3226-0218] Panel B. [93-3226-0226] Oakland, CA $5,650 To support the compensa­ Passage Theatre Company, Portland Repertory Ridiculous Theatrical tion of artists during the Inc. Theater Company, Inc. 1993-94 theater season. Trenton, NJ $5,000 Portland, OR $5,000 New York, NY $61,100 Panel B. [93-3226-0246] To support expenses of the To support expenses of the To support expenses of the 1993-94 theater season. 1993-94 theater season. 1993-94 theater season. Odyssey Theatre Panel B. [93-3226-0133] Panel B. [93-3226-0169] Panel B. [93-3226-0144] Foundation Los Angeles, CA $22,000 People’s Hght & Theatre Pordand Stage Company, River Arts Repertory To support actors’ compen­ Company Inc. Company, Inc. sation during the 1993-94 Malvern, PA $25,000 Portland, ME $14,000 New York, NY $5,000 theater season. Panel A. To support expenses of the To support expenses of the To support expenses of the [93-3226-0076] 1993-94 theater season. 1993-94 theater season. 1993-94 theater season. Panel A. [93-3226-0090 Panel A. [93-3226-0096] Panel B. [93-3226-0175] Old Globe Theatre San Diego, CA $168,515 Perseverance Theatre, Inc. ~ Pregones Touring ~ Road Company To support artists’ compen­ Douglas, AK $43,500 Puerto Rican Theater Johnson City, TN $21,600 sation during the 1993-94 To support expenses of the Collection, Inc. To support expenses of the theater season. Panel B. 1993-94 theater season. Bronx, NY $11,750 1993-94 theater season. [93-3226-0168] Panel A. [93-3226-0021] To support expenses of the Panel B. [93-3226-0233]

1993 Annual Report 203 *Funds committed but not Soho Repertory Theatre, 1993-94 theater season. Robert V¢. "~oodruffArts Panel A. [93-3226-0033] Center, Inc. obligated in FY’93. Inc. Atlanta, GA $53,000 New York, NY $6,250 Second Stage Theatre, Inc. To support expenses of the Talking Band, Inc. To support expenses of the New York, NY $11,500 1993-94 Alliance Theatre New York, NY $14,100 1993-94 theater season. To support expenses of the Panel B. [93-3226-0237] To support expenses of the Company season. Panel A. 1993-94 theater season. [93-3226-0034] 1993-94 theater season. Panel B. [93-3226-0223] South Coast Repertory, Panel B. [93-3226-0228] Roundabout Theatre Inc. Company, Inc. Seven Stages, Inc. Costa Mesa, CA $70,000 Teatro Avante, Inc. New York, NY $5,650 Atlanta, GA $18,000 TF $50,0O0 Miami, FL $11,300 To support expenses of the To support actors’ compen­ To support expenses of the To support expenses of the 1993-94 theater season. sation and playwrights’ com­ 1993-94 theater season. 1993-94 theater season. Panel B. [93-3226-0224] missions during the 1993-94 Panel A. [93-3226-0112] Panel B. [93-3226-0184] theater season. Panel A. [93-3226-0103] Spanish Theatre Repertory Teatro del Sesenta, Inc. S.U. Theatre Corporation San Juan, PR $25,500 Syracuse, NY $7,500 Co., Ltd. SEW Productions, Inc. New York, NY $166,000 To support artists’ compen­ To support expenses of the sation during the 1993-94 1993-94 theater season of San Francisco, CA $5,000 To support expenses of the To support artists’ salaries in 1993-94 theater season. theater season. Panel B. Syracuse Stage. Panel B. [93-3226-0124] [93-3226-0128] the 1992-93 theater season Panel B. [93-3226-0149] of the Lorraine Hansberry Teatro Hispano de Dallas Salt Lake Acting Company Theatre. Reviewed by 1992 Springfield Theatre Arts Professional Theater Com­ Association, Inc. Dallas, TX $5,000 Salt Lake City, UT $10,500 To support expenses of the To support artists’ compen­ panies Panel A; see 1992 Springfield, MA $11,300 Annual Report. To support expenses of the 1994 theater season. sation in the 1993-94 thea­ Panel A. [93-3226-0077] ter season. Panel B. [93-3226-0001] 1993-94 theater season. [93-3226-0182] Panel B. [93-3226-0179] Shakespeare Repertory Tennessee Repertory Chicago, IL $5,600 Stages, Inc. Theatre Trust San Diego Repertory Nashville, TN $11,750 Theatre, Inc. To support expenses of the Los Angeles, CA $6,600 1993-94 theater season. To support expenses of the To support expenses of the San Diego, CA $47,500 1993-94 theater season. To support expenses of the Panel B. [93-3226-0241] 1993-94 season of the Stages 1993-94 theater season. Trilingual Theatre. Panel B. Panel B. [93-3226-0234] Panel A. [93-3226-0063] Shakespeare Theatre at the [93 -3226-0155] Folger Library The Independent Eye, Ltd. ~ San Francisco Mime Washington, DC $25,000 St. Louis Black Repertory Philadelphia, PA $13,000 Troupe, Inc. TF $25,000 Company, Inc. To support artists’ compen­ San Francisco, CA $65,800 To support expenses of the St. Louis, MO $7,500 sation in the 1993-94 the­ To support expenses of the 1993-94 theater season. To support fees and travel ater season. Panel A. 1993-94 theater season. Panel B. [93-3226-0139] and housing expenses for [93-3226-0116] Panel B. [93-3226-0191] guest directors in the 1993­ Shenandoah Shakespeare 94 season. Panel A. The New Theatre Express [93-3226-0091] St. Louis, MO $5,000 Seattle Children’s Theatre To support artists’ compen­ Association Harrisonburg, VA $5,000 To support expenses of the Steppenwolf Theatre sation in the 1993-94 the­ Seattle, WA $15,500 ater season. Panel A. To support expenses of the 1993-94 theater season. Chicago, IL $28,000 [93-3226-0031] 1993-94 theater season. Panel A. [93-3226-0056] To support expenses of the Panel B. [93-3226-0217] 1993-94 theater season. Sledgehammer Theatre Panel A. [93-3226-0068] Theatre & Arts Foundation of San Diego Seattle Group Theatre San Diego, CA $5,000 Seattle, WA $14,000 To support artists’ compen­ Studio Theatre School County La Jolla, CA $60,000 To support expenses of the sation in the 1993-94 the­ Corporation ater season. Panel B. Buffalo, NY $24,000 To support expenses of the 1993-94 theater season. 1993-94 theater season of La Panel B. [93-3226-0190] [93-3226-0163] To support expenses of the 1993-94 season at the Stu­ Jolla Playhouse. Panel A. Seattle Repertory Theatre Skysaver Productions, Inc. dio Arena Theatre. [93-3226-0024] Seattle, WA $91,165 New York, NY $15,000 Panel A. [93-3226-0037] To support expenses of the ~ Theatre de la Jeune TF $75,000* Lune To support expenses of the 1993-94 theater season. Studio Theatre, Inc. Panel A. [93-3226-0051] Washington, DC $6,500 Minneapolis, MN $40,000 1993-94 theater season. To support expenses of the Panel B. [9,3-3226-0173] To support expenses of the

204 National Endowment for the Arts 1993-94 theater season. theater season. Panel B. 1993-94 theater season. Workshop of the Players Panel B. [93-3226-0145] [93-3226-0207] Panel B. [93-3226-0201] Art Foundation, Inc. New York, NY $10,960 Theatre for a New Theatre X, Inc. Vivian Beaumont Theater, To support artists’ compen­ Audience, Inc. Milwaukee, WI $18,000 Inc. sation in the 1993-94 the­ New York, NY $5,000 To support artists’ compen­ New York, NY $90,500 ater season. Panel A. To support the expenses of sation during the 1993-94 To support artists’ compen­ [93-3226-0022] the 1993-94 theater season. theater season. Panel A. sation during the 1993-94 Panel B. [93-3226-0229] [93-3226-0110] theater season at Lincoln Yale University Center. Panel B. NewHaven, CT $52,750 Theatre for the New City Thick Description [93-3226-0121] TF $75,000* Foundation, Inc. San Francisco, CA $5,000 To support production ex­ New York, NY $24,000 To support expenses of the Washington Drama penses of the 1993-94 sea­ To support artists’ compen­ 1993-1994 theater season. Society, Inc. son of the Yale Repertory sation during the 1993-94 Panel A. [93-3226-0042] Washington, DC $120,000 Theatre. Panel B. theater season. Panel A. TF $100,000 [93-3226-0143] [93-3226-0070] Thunder Bay Ensemble, To support the expenses of *Funds committed but not Inc. the 1993-94 theater season obligated in FY’93. Theatre IV New York, NY $5,000 of Arena Stage and Living Richmond, VA $13,500 To support the expenses of Stage. Panel B. York Theatre Company, To support expenses of the the 1993-94 theater season. [93-3226-0122] Inc. 1993-94 theater season. Panel B. [93-3226-0196] New York, NY $5,000 Panel A. [93-3226-0040] Wilma Theater To support expenses of the Touchstone Philadelphia, PA $16,900 1993-94 theater season. Theatre Gad, Ltd. Bethlehem, PA $6,000 To support the expenses of Panel A. [93-3226-0044] Atlanta, GA $6,600 To support expenses of the the 1993-94 theater season. To support the expenses of 1993-94 theater season. Panel B. [93-3226-0243] Young Playwrights, Inc. the 1993-94 theater season. Panel A. [93-3226-0072] New York, NY $18,000 Panel B. [93-3226-0160] Women’s Interart Center, To support the expenses of Trinity Repertory Inc. the 1993-94 theater season. Theatre Grottesco North Company New York, NY $5,950 Panel A. [93-3226-0060] America, Inc. Providence, RI $54,900 To support the expenses of Detroit, MI $9,400 TF $75,000 the 1993-94 theater season. Zachary Scott Theatre To support the expenses of To support the expenses of Panel B. [93-3226-0204] Center the 1993-94 theater season. the 1993-94 theater season. Austin, TX $5,000 Panel B. [93-3226-0137] Panel B. [93-3226-0193] Women’s Project and To support expenses of the Productions 1993-94 theater season. Theatre in the Square, Inc. ~r Underground Railway New York, NY $5,000 Panel B. [93-3226-0183] Marietta, GA $5,600 Puppets & Actors, Inc. To support expenses of the To support expenses of the Arlington, MA $5,000 1993-94 theater season. 1993-94 theater season. To support expenses of the Panel A. [93-3226-0043] Panel B. [93-3226-0126] 1993-94 theater season. Panel A. [93-3226-0065] Woolly Mammoth Theatre TheatreMoves, Inc. Co. Queens, NY $9,500 Victory Gardens Theater Washington, DC $7,000 To support creation and Chicago, IL $9,300 To support expenses of the production of a new ~vork in To support the expenses of 1993-94 theater season. the 1993-94 season. the 1993-94 theater season. Panel A. [93-3226-0032] Panel A. [93-3226-0080] Panel B. [93-3226-0171] ~ Wooster Group, Inc. Theatre Rhinoceros, Inc. Vigilante Players, Inc. New York, NY $78,000 San Francisco, CA $5,000 Bozeman, MT $10,500 To support the expenses of To encourage ongoing To support artists’ compen­ To support artists’ compen­ the 1993-94 theater season. efforts to raise professional sation in the 1993-94 the­ sation for the 1993-94 the­ Panel B. [93-3226-0219] ater season. Panel A. ater season. Panel B. standards by assisting [93-3226-0104] [93-3226-0178] Working Theatre professional training of Company, Inc. theater artists. Theatre Three, Inc. Vineyard Theatre and New York, NY $5,000 Dallas, TX $7,050 Workshop Center, Inc. To support expenses of the 10 grants To support artists’ compen­ New York, NY $5,000 1993-94 theater season. sation during the 1993-94 To support expenses of the Panel B. [93-3226-0240] Program Funds: $150,000" *Not including $50, O00 for

1993 Annual Report 205 six grants awarded in collabo­ with, and funded by, the Arts with, and funded by, the Arts the theater field on a na­ ration with, and funded by, in Education program. in Education program. tional scale. the Arts in Education Program. Juilliard School University of Delaware 15 grants; 1 cooperative New York, NY $25,000 Newark, DE $13,000 agreement To support fees for guest American Conservatory To support salaries for mas­ Program Funds: $675,000 Theatre Foundation ter teachers and play direc­ master teachers and directors San Francisco, CA $22,500 tors in the Drama Division. in a multi-year training pro­ gram. [93-3251-0259] Grants were reviewed by the To support the salaries of [93-3251-0260] National Resources Panel, master teachers in the Ad­ unless otherwise indicated. vanced Training Program, New York University University of Iowa an intensive multi-year pro­ New York, NY $17,500 Iowa City, IA $16,000 gram through which stu­ To support the salaries of To support salaries for mas­ ter teachers and fees for ~r ASSITEJ-USA, Inc. dents learn from experienced master teachers in the Alexandria, VA $8,500 guest playwrights-in-resi­ artists active in the profes­ Graduate Acting Program. To support the editing, pub­ sional field. [93-3251-0264] [93-3251-0262] dence for a series of work­ shops. [93-3251-0263] lishing and distribution of a twice-yearly journal, an an­ American Repertory North Carolina School of nual listing of member orga­ Theatre the Arts Foundation, Inc. University of Minnesota- Winston-Salem, NC Twin Cities nizations’ seasons and ser­ Cambridge, MA $10,000 vices, and a quarterly To support salaries for both $6,000* Minneapolis, MN $5,000* To support expenses for newsletter featuring world­ master and resident teachers To support salaries for guest wide developments in the artists in the School of guest artists and a student at the Institute for Advanced field. [93-3265-0282] Theatre Training at Harvard Drama, a multi-year under­ internship program in coop­ University, and for student graduate interdisciplinary eration with area profession­ al theater companies. ~ BHK Arts Consultants internships with the Ameri­ program. [93-3251-0261] Washington, DC $300,000 can Repertory Theatre. *Awarded in collaboration [93-3251-0256] *Awarded in collaboration A cooperative agreement to [93-3251-0268] with, and funded by, the Arts support the administration in Education program. with, and funded by, the Arts in Education program. and coordination of site re­ Arizona State University port activities for the Profes­ Tempe, AZ $6,500* Research Foundation, University of North sional Theater Companies, To support expenses of a State University of New Solo Theater Artist Fellow­ playwright and guest direc­ York Carolina, Chapel Hill ChapelHill, NC $10,000" ships, and Professional tors working with students in Albany, NY $5,000 Theater Training categories, the Theatre for Youth and To support salaries of master To support the salaries and fees of master teachers and and manuscript screening Design Master of Fine Arts teachers and fees for guest for the Fellowships for Play­ programs, as well as profes­ artists in the Professional fees of guest artists in the Professional Actor Training wrights category. Panelists sional internships for gradu­ Actor Training Program at polled: Marian Godfrey, ate students. [93-3251-0266] Suny/Purchase. Program. [93-3251-0258] *Awarded in collaboration Program Director for Cul­ *Awarded in collaboration [93-3251-0254] ture, PEW Charitable with, and funded by, the Arts with, and funded by, the Arts in Education program. Trust, Philadelphia, PA; in Education program. Rutgers, The State Gail Grate, Actor, New University of New Jersey Yale University Haven, CT; Barry Grove, Brown University Piscataway, NJ $6,000 Managing Director, Man­ Providence, RI $7,500 To support expenses of mas­ New Haven, CT $27,500 To support the salaries of hattan Theatre Club, New To support the costs of pro­ ter teachers, guest artists and York, NY; Harry Newman, fessional guest artists to di­ the career entry program. master teachers in the Yale School of Drama. Playwright, New York, NY. rect the works of playwrights [93-3251-0267] [DCA 93-15] in the Graduate Playwriting [93-3251-0255] Program, which will be fea­ University of California, San Diego ~ Center for Puppetry tured in the New Plays Arts, Inc. Festival. [93-3251-0269] La Jolla, CA $10,000" Atlanta, GA $6,600 To support salaries of master teachers and apprentice fees To support services to stu­ Dell’Arte, Inc. dents, scholars and artists in Blue Lake, CA $12,500" in the UCSD/Professional Theatre Residency Program the field of puppetry. To support the salaries for [93-3265-0280] master teachers and expenses in cooperation with the . of the student Intern ~ Drama League of New Program at the Dell’Arte [93-3251-0257] *Awarded in collaboration York, Inc. School of Physical Theatre. To assist organizations New York, NY $6,000 [93-3251-0265] To support the Directors *Awarded in collaboration that provide services to

206 National Endowment for the Arts Project, a national program ~ Non-Traditional and distribution of Theater, in America." offering career development Casting Project, Inc. a thrice yearly magazine that [93-3261-0284] opportunities for entry-level New York, NY $9,000 focuses on new writings by theater directors. To support administrative and about contemporary En Garde Arts, Inc. [93-3265-0276] salaries related to activities theater artists. New York, NY $35,100 which support theaters in [93-3265-0274] To support the development ~r International Theatre the implementation of cul­ and production of Marathon Institute of the United turally-diverse hiring prac­ Dancing, a play conceived States, Inc. tices. [93-3265-0275] and directed by Anne Bogart New York, NY $30,000 and written in collaboration To support expenses associ­ ~" Ohio Theatre Alliance, with playwright Laura ated with providing services Inc. Harrington. [93-3261-0287] to theater artists and compa­ Columbus, OH $2,500 nies in the United States and To support the cost of pur­ "& Junebug Productions abroad. [93-3265-0271] chasing and maintaining New Orleans, LA $40,000 transmitter sets for renting To support the collaboration ~ Literary Managers and to participating theaters between Junebug Produc­ Dramaturgs of America, wishing to implement audio tions and Roadside Theater Inc. descriptions programs, and in exploring new communi­ New York, NY $5,000 for the training of local To respond to innovative ty partnerships across racial To support expenses associ­ audio describers nationwide. and exemplary projects and class lines and to trans­ ated with programs serving [93-3265-0288] that advance the art form late this dialogue into the the dramaturgical and liter­ development of new work. ary staffs of the nonprofit ~ Theatre Communica­ or increase audience un­ [93-3261-0286] professional theater field. tions Group, Inc. derstanding and apprecia­ [93-3265-0270] New York, NY $225,000 tion. Projects are outside Perseverance Theatre, Inc. To support comprehensive an applicant organization’s Douglas, AK $25,000 ~r Movement Theatre activities that address the normal scope of activities To support a collaboration International, Inc. artistic and managerial con­ and co-production with the Philadelphia, PA $8,000 cerns of nonprofit theaters and financial capablities. Talking Band of an adapta­ To support expenses associ­ which are institutionally- tion of John Berger’s Lilac ated with support services to based, as well as freelance 6 grants and Flag. [93-3261-0285] movement theater artists. artists, managers and Program Funds: $173,900 [93-3265-0281] trustees nationwide. Touchstone [93-3265-0273] Grants were reviewed by Bethlehem, PA $25,000 ~ National Mime the Artistic Advancement/ To support production ex­ Association, Inc. ~" Theatre Development Special Projects for Organiza­ penses of Theatre of Cre­ Minneapolis, MN $2,000 Fund, Inc. tions Panel, unless otherwise ation, a festival celebrating To support expenses associ­ New York, NY $3,500 indicated. the work of Jacques Lecoq ated with the publication of To support expenses of the and his International School Movement Theatre Quarterly Costume Collection and the of Theatre. [93-3261-0289] and an annual meeting. Interpreters Project, which Ford’s Theatre Society [93-3265-0278] make costumes and sign lan­ Washington, DC $12,500 guage interpreters more To support the Opening Act ~ New York Public widely available for theater project of pre-performance Library" (Astor, Lenox and productions across the na­ workshops for inner-city stu­ Tilden Foundations) New tion. [93-3265-0283] dents and teachers in con­ York, NY $59,000 nection with the production To support expenses related ~: UNIMA-U.SdL, Inc. of The Good Times Are to the programs of the Atlanta, GA $3,400 Killing Me. Reviewed by the Theatre on Film and Tape To support the publication Support to Individuals/Fel­ Library. [93-3265-0277] ofA Propos, a journal devot­ lowships for Playwrights ed to current activities in Panel. [93-3261-0015] ~" New York University puppetry around the world, New York, NY $3,500 and a calendar of all major ~r Educational To support salaries and fees puppet festivals internation­ Broadcasting Corporation To support innovative and to writers and translators of ally. [93-3265-0279] New York, NY $36,300 articles for The Drama To support expenses of the exemplary projects created Review. [93-3265-0272] ~r Yale University final phase of research and by individual theater New Haven, CT $3,000 development for a documen­ artists involved in collabo­ To support expenses associ­ tary series entitled "Theater rative work and who are ated with the publication

1993AnnualReport 207 Eva Brune developing new work Editor Charles Gordon Chicago, IL (OYAMO) Managing Director, without the benefit of the Playwright INTAR Hispanic American institutional structure Tisa Chang Ann Arbor, MI Arts Center provided by theater Performer; Producing Artistic New York, NY companies. Director, Tom Hall (chair) Pan Asian Repertory Managing Director, Kenny Leon 5 grants Theatre Old Globe Theatre Artistic Director, New York, NY San Diego, CA Alliance Theatre Company Program Funds: $92,600 Atlanta, GA Richard Hamburger David Hawkanson Artistic Director, Managing Director M. Marguerite Matthews Babb, Roger Hartford Stage Company Founder/Co-Artistic Director, New York, NY $14,850 Dallas Theatre Center Dallas, TX Hartford, CT Pontine Movement Theatre To support the collaboration Portsmouth, NH between playwright and per­ Joan Holden former Roger Babb and solo Ron Himes Founder/Producing Artistic Playwright, Susan Medak (chair) theater artist David Cale. San Francisco Mime Troupe Managing Director, [93-3261-0253] Director, St. Louis Black Repertory San Francisco, CA Berkeley Repertory Theatre Berkeley, CA Curchack, Fred Company St. Louis, MO Robert Leonard Richardson, TX $19,700 Founder/Artistic Director, Harry Newman To support the collaboration Odell Johnson (layperson) The Road Company Playwright; between solo theater artists Johnson City, TN Co-Founder, Fred Curchack and Daniel President, Laney College Oakland, CA Non-Traditional Casting Stein and designer Paule Abel Lopez Project Stein. [93-3261-0252] Hugo Medrano Associate Producing Director, New York, NY GALA Hispanic Theatre Evans, Joan IL Founder/Producing Artistic Director, Washington, DC June Podagrosi New York, NY $19,700 Co-Founder/Executive To support the collaboration GALA Hispanic Theatre Washington, DC Kari Margolis Director, between puppeteer Joan Co-Founder/Co-Director, Child’s Play Touring Evans, puppet designer Sara O’Connor (chair) Adaptors Movement Theatre Pamela Scofield, puppet Theater Chicago, IL sculptor Henri Ewaskio, and Managing Director, Milwaukee Repertory Brooklyn, NY director James Tripp. Leigh Strimbeck [93-3261-0250] Theater Milwaukee, WI Marcy McVey Artistic Director/Pe~Cormer, Development Director Bloomsburg Theatre Pope L., William Victory Gardens Theater Ensemble Lewiston, ME $18,650 Jared Sakren Chicago, IL Bloomsburg, PA To support expenses of the Director, MFA/Professional Actor Training Program collaboration between solo Jon Nakagawa Starling Sutton (layperson) theater artists William Pope Alabama Shakespeare Festival Managing Director, Urban Development L. and James Calder. Montgomery, AL Vineyard Theater and Consultant; [93-3261-0251] Workshop Center, Inc. President, Sutton & Professional Theater New York, NY Associates Randli, J. J. Companies Atlanta, GA Old Lyme, CT $19,700 Robin Reiter-Faragalli To support expenses of the Panel A (layperson) Support to Individuals: collaboration between direc­ Project Consultant; Chair, tor J. Ranelli and performer Fellowships for Tim Bond Dade County Public Playwrights Phyllis Frelich. Schools Blue Ribbon [93-3261-0249] Artistic Director, Seattle Group Theatre Committee Oskar Eustis (chair) Seattle, WA Miami, FL Director of Play Development, Mark Taper Forum Carol North Evans Panel B Los Angeles, CA Producing Director, National Resources Metro Theater Company Don Baker Paul Carter Harrison St. Louis, MO Director; Writer; Performer; Writer-in-Residence, Founder, Lime Kiln Arts, Jonathan Abarbanel Columbia College Inc. Chicago, IL Theater Critic; Columnist; Lexington, VA

208 National Endowment for the Arts John Horhn (layperson) Marcus Martinez John L. Moore, III Gregory Hicks (layperson) State Senator; Actor; Director; President/Director, Professor of Law Community Development Faculty, California State African Continuum Theatre Seattle, WA Consultant University Coalition Jackson, MS San Marcos, CA Washington, DC Jim Lewis Literary Jim Lewis Victoria Nolan (chair) Rafael Rios Rodriguez Manager/Dramaturg, Literary Managing Director, (layperson) The Guthrie Theater Manager/Dramaturg, Indiana Repertory Company Executive Vice-President, Minneapolis, MN The Guthrie Theater Indianapolis, IN Mainstream Development Minneapolis, MN Company Susan Medak Rick Rankin Chicago, IL Managing Director, Sydne Mahone Freelance Director/Writer Berkeley Repertory Theatre Director, Play Development Providence, RI Joann Schmidman Berkeley, CA Crossroads Theatre Founder/Artistic Producing Company Carol Uselman Director, Jon Nakagawa New Brunswick, NJ Performer Co-Founder, Omaha Magic Theatre Managing Director, Imago Theatre Mask Omaha, NE Vineyard Theater and Paula Vogel Ensemble Workshop Center, Inc. Director, Playwriting Portland, OR Ellen Stewart New York, NY Workshop Founder/Artistic Director Brown University Roxy Wright (layperson) La Mama Experimental Mary Robinson Providence, RI Administrator; Theatre Club, Inc. Artistic Director, Vice-President, New New York, NY Philadelphia Drama Guild Wendy Wasserstein Orleans Jazz and Heritage Philadelphia, PA Playwright Foundation Overview (1993) New York, NY New Orleans, LA Starling Sutton (layperson) John Paul Batiste President, Artistic Advancement: Artistic Advancement: Executive Director, Sutton and Associates Special Projects/ Special Projects/ Texas Commission on the Atlanta, GA Organizations Individual Theater Arts Austin, TX Artists Collaborations Lynette Turner Helen Cash Producing Director, Director, Special Arts Eva Brune Perseverance Theatre Vincent Anthony (chair) Managing Director, Services ProgramNew York Founder/Executive Director, Douglas, AK State Council on the Arts INTAR Hispanic American Center for Puppetry Arts Arts Center New York, NY Atlanta, GA Roberta Uno New York, NY Artistic Director, George Coates Brenda Wong Aoki New World Theater Artistic Director, Tom Hall (chair) Amherst, MA Creative Artist; Pe~ormer Managing Director, George Coates Performance San Francisco, CA Works Old Globe Theatre San Diego, CA San Francisco, CA Susan Hartnett Director, Boston Center for Paul Carter Harrison the Arts Playwright Cambridge, MA Chicago, IL

1993 Annual Report 209 The Visual Arts Program funds the creation of new work by American artists of proven talent and supports the presentation of contemporary art to wider audiences. The program focuses on nurturing excellence in the vi­ sual arts through fellowships to individuals and through grants awarded to organizations for exemplary activities. These awards are investments in artistic experimentation and in the creation of new art forms by gifted artists working in a wide spectrum of styles and media. In addi­ tion, the program provides opportunities for the public to see new works of art and to encounter the ideas of contemporary artists.

Our first priority is the Visual Artists Fellowships catego­ ry, vehicle for more than 5,000 awards since its incep­ tion in 1967. These fellowships, awarded to professional artists of exceptional talent and demonstrated ability, support these individuals’ creative development by pro­ viding the financial means to pursue their work. This year the program received 4,526 applications from across the country, and awarded 110 fellowships of $20,000 to artists in every geographic region. The fellowships were awarded in painting, works on paper and other genres (Fellowships are awarded in this repeating two-year cycle: in even-numbered years to sculptors, photogra­ phers and crafts artists; in odd-numbered years to painters, printmakers, drawing artists, conceptual artists and visual artists working in video and performance.)

Regional Fellowships complement the national program. In 1993, five regional organizations received grants of $50,000 each to amend existing cooperative agreements and offer as many as 30 fellowships of $5,000 each to artists in painting and works on paper. The Western States Arts Federation (WESTAF) received $55,000 to amend an existing cooperative agreement and award up to 25 fellowships to artists in painting and works on paper and to award five additional grants to artists work­ ing in other genres.

Application deadlines for the regional fellowships alter­ nate with those at the national level, enabling artists to apply for grants on an annual basis regardless of where they live and work. Endowment funds earmarked for re­ gional fellowships are matched one-to-one by each re­ gion and are often accompanied by exhibitions.

Visual artists organizations (VAOs) exhibit new works by contemporary American artists, offer them access to working facilities, provide equipment for the creation of new work, provide a range of artists’ services, and pro­ duce publications on contemporary art. These alterna­

210 National Endowment for the Arts tives to museums and commercial galleries were funded in 28 major jurisdictions. They can be found in major cities such as Washington, D.C. and in mid- and small- sized communities such as Chico, California; Galveston, Texas; Grand Rapids, Michigan; Lafayette, Louisiana; and Springfield, Massachusetts. Characteristically, these organizations were founded and are run by artists with strong support from their communities.

In many cities, VAOs exist as the primary showcase for contemporary art. Besides exhibiting current work by local artists, many arrange shows with organizations from other regions thereby exposing audiences to new work from elsewhere. Particularly in crafts, photography, video and printmaking, VAOs provide artists with access to equipment that is prohibitively expensive for individ­ uals to own. Many organizations also conduct educao tional outreach programs with local schools.

Grants for periodicals were reviewed for the first time under the Visual Artists Organizations category (in­ stead of the old Visual Artists Forums category). Thirty organizations received support for their publications including the Foundation for Advanced Critical Studies for Art Issues, the Women’s Studio Workshop for The Binnewater Tides, and Forecast for Public Art Review.

Some 143 different visual artists organizations received grants ranging from $5,000 to $50,000. The largest grant was awarded to the Visual Studies Workshop in Rochester, New York, to support artists’ exhibitions and workshops, as well as its monthly journal, Afterimage.

The Visual Artists Public Projects category was created by merging the Art in Public Places and Visual Artists Forums categories. Grants in this new category are de­ signed to make exceptional contemporary art accessible in public places and to increase opportunities for living American artists of exceptional talent and achievement. Awards support projects of national or regional signifi­ cance that offer opportunities for visual artists to create and present new work in a context that stimulates public discussion about contemporary art or enhances public appreciation of it. Works may be permanent or tempo­ rary installations in a variety of visual arts media. Support is also available for artists-in-residence programs and for projects that promote informative dialogue on contemporary visual art through visiting artists pro­ grams, symposia and conferences.

Visual Artists Public Projects grants supported efforts in a wide range of communities and sites this year.

1993 Annual Report 211 They included a series of temporary public art works in Louis; and Price, Utah. In addition, visiting artists pro- vacant storefront windows in Memphis to commemo­ grams, particularly important to rural campuses and col- rate the death of Dr. Martin Luther King, Jr. with a leges far from major cities, were supported in Spokane; panel discussion and lecture series to expand communi­ Ithaca; Missoula; and Carbondale, Illinois. ty participation and dialogue; three mural projects cre- ated in collaboration by a muralist and a spray can Finally, the Special Projects category invites projects that artist with the help of 21 youths from the Chicago will have a broad impact on the field and have the poten­ neighborhoods in which the murals are sited; a series oftial to be national models or present new approaches for temporary new works in Eastern State Penitentiary, a addressing artists’ needs. One such grant this year sup- long-abandoned prison in central Philadelphia; and ported a toll-free hotline that offers artists in all 50 states community-based public art projects in five communi- up-to-date information on funding sources and issues or ty centers in Seattle that will embody the social, cultur- opportunities important to the visual arts community. al and physical diversity of the different neighborhoodsAnother grant expanded a program in San Francisco that in which they are located. provides vouchers to artists with life-threatening illnesses to enable them to purchase art supplies in order to con­ Visual Artists Public Projects grants also supported tinue their work. Yet another supported a model residen- artists residencies in such places as Winston-Salem; St. cy program in Miami for early-career artists.

Indicates national impact National Coffey, Susanna J. Gregor, Harold L. Fellowships: Chicago, IL $20,000 Bloomington, IL $20,000 Painting Cohen, Ronald Haney, Vanessa L. Iowa City, IA $20,000 New York, NY $20,000 Abrams, Jane E. Albuquerque, NM $20,000 Cushner, Steven J. Hatton, Julian B. Washington, DC $20,000 Wayland, MA $20,000 Amoros, Grimanesa Forest Hills, NY $20,000 Diao, David Hayward, James Fellowships are offered to New York, NY $20,000 Moorpark, CA $20,000 artists in two-year cycles Barnes, Curt E. according to media. In New York, NY $20,000 Donovan, Terence R. Hedrick, Wally Bodega, CA $20,000 1993 fellowships were Jersey City, NJ $20,000 Baroff, Jill E. awarded to artists working New York, NY $20,000 Drasler, Gregory J. Hill, Daniel G. in painting, other genres New York, NY $20,000 New York, NY $20,000 and works on paper; in Baumgardner, Matt C. 1994 they will be offered New York, NY $20,000 Dunkelman, Loretta Hitch, Stewart A. $20,000 to artists working in pho­ New York, NY $20,000 New York, NY Berding, Thomas G. tography, sculpture and Bloomington, IN $20,000 Fish, Julia A. Hurley, Denzil H. crafts. Regional fellow­ Chicago, IL $20,000 Amherst, MA $20,000 ships are administered by Berkenblit, Ellen M. regional arts organizations New York, NY $20,000 Fishman, Louise E. Kahn, Katie A. through cooperative agree­ Worcester, NY $20,000 Houston, TX $20,000 ments with the Endow­ Berlind, Robert E. New York, NY $20,000 Frink, Brian L. Kerlidou, Gwenael H. ment. Programs funded in Mankato, MN $20,000 Brooklyn, NY $20,000 1993 made $5,000 fellow­ Brown, Carol A. ships available to artists New York, NY $20,000 Galbis, Pio Kim, Cheonae living in participating Brooklyn, NY $20,000 Murphysboro, IL $20,000 states who work in pho­ Bryan, Sukey $20,000 Korman, Harriet R. tography, sculpture and Baltimore, MD Garfield, Peter S. Brooklyn, NY $20,000 Brooklyn, NY $20,000 crafts. Campbell, Graham B. New York, NY $20,000 Goldberg, Michael Lack, Stephen H. 110 grants; 6 coopera­ New York, NY $20,000 Rocldeigh, NJ $20,000 tive agreements Caroompas, Carole J. Program Funds: $2,505,000 Los Angeles, CA $20,000

212 National Endowment for the Arts Lasry, David P. National Oleszko, Patricia M. Bloch, Ricardo A. New York, NY $20,000 Fellowships: Other New York, NY $20,000 St. Paul, MN $20,000 Ledgerwood, Judy C. Genres Patten, Mary C. Bocanegra, Suzanne H. Oak Park, IL $20,000 Chicago, IL $20,000 New York, NY $20,000 Levine, Arthur M. Acconci, Vito Podesta, Patti Brace, Hilary Brooklyn, NY $20,000 Brooklyn, NY $20,000 Los Angeles, CA $20,000 Goleta, CA $20,000 Linhares, Judith Andrews, Lawrence Pope, Carl Bramson, Phyllis M. New York, NY $20,000 Oakland, CA $20,000 Indianapolis, IN $20,000 Chicago, IL $20,000 Lutes, James G. Arnold, Skip L. Rankin, Scott D. Brewster, Andrea B. Chicago, IL $20,000 Los Angeles, CA $20,000 Chicago, IL $20,000 Oakland, CA $20,000 Macek, Mila D. Attie, Shimon Stone, George H. Chagoya, Enrique New York, NY $20,000 San Francisco, CA $20,000 Los Angeles, CA $20,000 Oakland, CA $20,000 Martin, Christopher K. Barr, Burt Sun, May Colescott, Warrington W. New York, NY Brooklyn, NY $20,000 $20,000 Los Angeles, CA $20,000 Hollandale, WI $20,000 Mellman, Margery A. Cajero, Michael R. Tajiri, Rea Midori Tucson, AZ Davenny, Ward L. New York, NY $20,000 $20,000 Brooklyn, NY $20,000 Carlisle, PA $20,000 Meyer, Melissa Cheang, Shu Lea Thater, Diana Feldman, Joel B. New York, NY $20,000 New York, NY $20,000 Los Angeles, CA $20,000 Murphysboro, IL $20,000 Miller, John M. Chung, Y. David Torres, Francesc Fick, William G. Los Angeles, CA $20,000 McLean, VA $20,000 New York, NY $20,000 High Point, NC $20,000 Mueller, Stephen Cook, Shelley Valdovino, Luis French, Christopher C. New York, NY $20,000 San Francisco, CA $20,000 Pittsburg, PA $20,000 Washington, DC $20,000 Murphy, Mary M. Gonzalez-Torres, Felix Wada, Yoshi Govedare, Philip Elkins Park, PA $20,000 New York, NY $20,000 New York, NY $20,000 Seattle, WA $20,000 Pittman, Lari G. Gorewitz, Shalom S. Wilson, Fred D. Harris, Anne C. Los Angeles, CA $20,000 New York, NY $20,000 New York, NY $20,000 Portland, ME $20,000 Pormow, Marjorie A. Grimmer, Mineko Wilson, Millie L. Jensen, Bill Los Angeles, CA $20,000 Santa Cruz, CA $20,000 Los Angeles, CA $20,000 New York, NY $20,000 Rosas, Mel Hamilton, Ann K. Ziegler, Melvin L. and Nyambi, Obaji A. Royal Oak, MI $20,000 Columbus, OH $20,000 Ericson, Kate Chicago, IL $20,000 New York, NY $20,000 Ryan, Richard E. Hill, Gary R. Wharton, Margaret.A. New Haven, CT $20,000 Seattle, WA $20,000 Glen~ew, IL $20,000 National Santore, Joseph W. Jones, Kim New York, NY $20,000 New York, NY $20,000 Fellowships: Works on Paper Regional Stuckart, Romey Kos, Paul Fellowships Hope, ID $20,000 Soda Springs, CA $20,000 Arai, Tomie These cooperative agree- Westfall, Stephen Lacy, Suzanne New York, NY $20,000 ments were reviewed by the New York, NY $20,000 Oakland, CA $20,000 Special Projects Panel. Barron, Susan Lucero, Manuel F. Brooklyn, NY $20,000 San Francisco, CA $20,000 Arts Midwest Becker, David H. Minneapolis, MN $50,000 Monfford, James W. Mt. Horeb, WI $20,000 To amend a cooperative Norwich, CT $20,000 agreement to support a re­

1993 Annual Report 213 Alternative Worksite, Inc. gional fellowship program in Southern Arts Federation 1078 Gallery, Inc. Atlanta, GA $50,000 Chico, CA $6,500 Omaha, NE $11,000 1994 providing up to thirty To support the Bemis $5,000 grants to artists To amend a cooperative To support solo and group working in painting and agreement to support a exhibitions and related pub­ Center’s 1993-94 artists-in­ works on paper. Eligi.ble regional fellowship program lished materials that increase residence program. Panel A. artists must be legal residents in 1994 providing up to opportunities for access to [93-4121-0105] of Illinois, Indiana, Iowa, thirty $5,000 grants to contemporary visual art in artists working in painting this rural community. Alternative Worksite, Inc. Michigan, Minnesota, Omaha, NE $11,000 North Dakota, Ohio, South and works on paper. Eligible Panel A. [93-4121-0092] artists must be legal residents To support the Bemis Dakota, or Wisconsin. Center’s 1994-95 artists-in­ [DCA 92-39] of Alabama, Florida, Geor­ 1708 East Main, Inc. gia, Kentucky, Louisiana, Richmond, VA $7,500 residence program. Mid-America Arts Alliance Mississippi, North Carolina, To support a series of solo Reviewed by the Special Kansas City, MO $50,000 South Carolina, or and group exhibitions, relat­ Projects Panel. To amend a cooperative Tennessee. [DCA 92-41] ed publications, and artist [93-4121-0299] agreement to support a support services. Panel A. Western States Arts [93-4121-0016] American Indian regional fellowship program Contemporary Arts in 1994 providing up to Federation thirty $5,000 grants to Santa Fe, NM $55,000 18th Street Arts Complex San Francisco, CA $7,500 artists working in painting To amend a cooperative Santa Monica, CA $12,500 To support solo and group agreement to support a re­ To support publication of exhibitions of contemporary and work~ on paper. Eligible Native American visual artists must be legal residents gional fellowship program in the quarterly journal High of Arkansas, Kansas, Miss­ 1994 providing up to twen­ Pe~ormance. artists from throughout the United States. Panel A. ouri, Nebraska, Oklahoma, W-five $5,000 grants to [93-4121-0126] or Texas. [DCA 92-38] artists working in painting [93-4121-0100] and works on paper, and up 80 Langton Street, Inc. Mid Adantic Arts to five grants to artists work­ San Francisco, CA $45,000 Arlington Arts Center Foundation ing other genres. Eligible To support a program of in­ Arlington, VA $10,000 $50,000 artists must be legal residents stallations, exhibitions, per­ To support exhibitions and Baltimore, MD installations by visual artists To amend a cooperative of Alaska, Arizona, Calif­ formances, publications, and in the center’s four galleries agreement to support a re­ ornia, Colorado, Hawaii, related activities at New gional fellowship program in Idaho, Montana, Nevada, Langton Arts. and sculpture park. Panel A. 1994 providing up to thirty New Mexico, Oregon, Utah, [93-4121-0026] [93-4121-0110] $5,000 grants to artists Washington, or Wyoming. [DCA 92-40] Advaita Society Armory Center for the Arts working in painting and Pasadena, CA $5,000 works on paper. Eligible Berkeley, CA $5,000 artists must be legal residents To support visual arts exhi­ To support the presentation bitions, installations, and a of a series of exhibitions and of Delaware, Maryland, installations featuring the New Jersey, New York, working facility for print- makers at the Kala Institute. work of established and Pennsylvania, Virginia, West emerging visual artists. Virginia, the District of [93-4121-0125] Columbia, or the Virgin Panel A. [93-4121-0114] Islands. [DCA 92-43] Aljira, Inc. Newark, NJ $9,000 Art Awareness, Inc. To enable organizations To support a series of linked Lexington, NY $6,000 New England Foundation originated by or for artists for the Arts thematic exhibitions and re­ To support the development Cambridge, MA $50,000 to conduct a variety of ac­ lated publications. Panel A. and presentation of new works in solo and thematic To amend a cooperative tivities that encourage the [93-4121-0072] group exhibitions and instal­ agreement to support a re­ artistic growth of individ­ Alternative Center for lations. Panel A. gional fellowship program in ual visual artists and bring International Arts, Inc. [93-4121-0095] 1994 providing up to thirty their work to the public. $5,000 grants to artists New York, NY $20,000 To support thematic exhibi­ ~ Art Institute of Chicago working in painting and 146 grants works on paper. Eligible tions and installations by Chicago, IL $40,000 artists must be legal residents Program Funds: $2,071,000 emerging, under-recognized, To support the production, of Connecticut, Maine, and mid-career artists from presentation, and distribu­ Massachusetts, New Grants were reviewed by culturally diverse back­ tion of video tapes by and Hampshire, Rhode Island, Visual Artists Organizations grounds at the Alternative about visual artists at the or Vermont. [DCA 92-42] Panel B, unless specified as Museum. Panel A. Video Data Bank. Panel A or Special Projects [93-4121-0094] [93-4121-0013] Panel.

214 National Endowment for the Arts Art Re Grup, Inc. journal that focuses on con­ for visual art critics, artists tures, services, and publica­ San Francisco, CA $15,000 temporary visual art activity and arts audiences. tions in photography and re­ To support a series of instal­ in the Southeast. [93-4121-0115] lated media. lations, performances, exhi­ [93-4121-0063] [93-4121-0009] bitions, residencies, and lec­ Center for Book Arts, Inc. tures by visual artists at Adanta Photography New York, NY $7,500 Center on Contemporary The Lab. Panel A. Group, Inc. To support exhibitions, [93-4121-0081] Atlanta, GA $5,000 artists’ services, and a work­ Seattle, WA $25,000 To support exhibitions of ing facility for the book arts. To support a program of vi­ Artists Alliance, Inc. local and regional visual [93-4121-0060] sual arts exhibitions and re­ Lafayette, LA $6,500 artists working in photogra­ lated performances, lectures, To support a series of multi­ phy and related media. Center for Contemporary and publications. media exhibitions, perfor­ [93-4121-0082] Arts of Santa Fe, Inc. [93-4121-0075] mances, installations, and Santa Fe, NM $25,000 lectures. Panel A. ~r Atlad To support solo and group Centro Cultural de la [93-4121-0119] Phoenix, AZ $5,000 exhibitions, public mural Raza, Inc. To support a range of ser­ projects, installations, publi­ San Diego, CA $26,000 Artists Space, Inc. vices for Native American cations, and video screenings To support exhibitions of re­ New York, NY $45,000 visual artists. of the work of regionally and gionally and nationally rec­ To support exhibitions in all [93-4121-0084] nationally recognized visual ognized Chicano, Mexicano, visual arts media and a com­ artists. [93-4121-0102] and Native American visual puterized slide registry. Baltimore Clayworks artists. [93-4121-0001] [93-4121-0116] Education Center, Inc. Center for Education and Baltimore, MD $5,000 Communication, Inc. ~r Chicago Artists’ Artists’ Television Access To support a working facili­ Boston, !VIA $10,000 Coalition San Francisco, CA $12,000 ty and services for ceramic To support the presentation Chicago, IL $7,500 To support the production artists. [93-4121-0051] and documentation of new To support services for visu­ and exhibition of experi­ work at The Space by cul­ al artists from the region and mental work by emerging vi­ Boulder Art Center turally diverse visual artists across the nation including a sual artists working in alter­ Boulder, CO $5,000 in exhibitions, installations, slide registry, health insur­ native media. Panel A. To support visual arts exhi­ and publications. ance, resource library, lec­ [93-4121-0036] bitions featuring multicul­ [93-4121-0055] tures, and technical assis­ tural and collaborative pre­ tance workshops. Artswatch, Inc. sentations. [93-4121-0106] Center for Exploratory and [93-4121-0133] Louisville, KY $5,000 Perceptual Arts, Inc. To support exhibitions, Brandywine Graphic Buffalo, NY $20,000 Chinese American Arts artist support services, and Workshop, Inc. To support exhibitions of Council, Inc. related programs. Panel A. Philadelphia, PA $15,000 contemporary visual art in New York, NY $6,000 [93-4121-0018] To support a visiting artist gallery and satellite loca­ To support a series of solo residency program. tions, temporary installa­ and group exhibitions of the Artvu, Inc. [93-4121-0029] tions in public transit areas, work of emerging and estab­ Winston-Salem, NC $5,000 lectures, project residencies, lished Asian-American visual To support the publication Bridge Center for and publications including artists. [93-4121-0043] ofArtvu, a quarterly maga­ Contempora~ Art CEPA Quarterly. zine focusing on contempo­ El Paso, TX $12,500 [93-4121-0093] Cincinnati Artists’ Group rary visual art activity in the To support solo and group Effort, Inc. southeastern United States. visual arts exhibitions, publi­ ~ Center for Cincinnati, OH $15,000 [93-4121-0068] cations, and related pro­ Occupational Hazards, To support multimedia ex­ grams. [93-4121-0083] Inc. hibitions of visual artists, Asian American Arts New York, NY $5,000 multidisciplinary perfor­ Centre, Inc. Bronx Council on To support research on mances, window and court­ New York, NY $12,500 the Arts, Inc. health hazards in the arts yard installations, film/video To support exhibitions of vi­ Bronx, NY $12,500 and the education of visual programs, and presentations sual artists from diverse cul­ To support a series of visual artists about the hazards of by audio/sound artists. tural backgrounds and the arts exhibitions and related materials or processes. [93-4121-0085] publication of Artspiral. performances at the [93-4121-0139] [93-4121-0062] Longwood Arts Project. City Art Works [93-4121-0054] Center for Photography at Seattle, WA $5,000 Adanta Art Papers, Inc. Woodstock, Inc. To support a working facili­ Atlanta, GA $20,000 Center for Arts Criticism Woodstock, NY $12,000 ty that provides advanced To support the publication St. Paul, MN $5,000 To support solo and group workshops, access to studios of Art Papers, a bimonthly To support ongoing services exhibitions, workshops, lec­ and equipment, and residen­

1993 Annual Report 215 Franklin Furnace cies for local and regional vi­ Dieu Donne Papermill, Fabric Workshop, Inc. lnCo Philadelphia, PA $15,000 Archive, Inc. sual artists at the Pratt Fine $25,000 New York, NY $10,000 To support an artist-in-resi­ New York, NY Arts Center. To support exhibitions, an [93-4121-0057] To support a working facili­ dence program in the textile ty for artists using hand­ arts and related exhibitions. artists’ book archive, instal­ lations, performances, and made paper as a visual arts [93-4121-0099] Clay Studio services. [93-4121-0041] Philadelphia, PA $6,000 medium. [93-4121-0048] To support exhibitions and Film in the Cities, Inc. DiverseWorks, Inc. St. Paul, MN $9,000 Friends of the Mission a working facility for ceram­ Cultural Center ic artists. [93-4121-0020] Houston, TX $45,000 To support working facili­ To support in 1993-94 visu­ ties, residencies, and services San Francisco, CA $5,000 To support a series of the­ Contemporary Art for San al arts exhibitions, installa­ to photographic artists. tions, lectures, video pro­ [93-4121-0101] matic group exhibitions of Antonio local and regional Latino vi­ grams, a performance series, San Antonio, TX $20,000 sual artists. [93-4121-0097] To support a series of visual and an artists’ bookstore. Fondo del Sol [93-4121-0017] Washington, DC $10,000 arts exhibitions and related Galeria Studio 24 publications, lectures, and To support a series of exhi­ DiverseWorks, Inc. bitions and related program­ San Francisco, CA $20,000 educational programming. To support a series of exhi­ [93-4121-0004] Houston, TX $45,000 ming designed to explore To support in 1993-94 visual pluralism in contemporary bitions and related programs for Chicano and Latino vi­ Contemporary Arts arts exhibitions, catalogues, American visual art. installations, lectures, video [93-4121-0088] sual artists at Galeria de la Center, New Orleans Raza. [93-4121-0002] New Orleans, LA $32,500 programs, a performance se­ ries and an artists’ bookstore. ~- Forecast To support multidisciplinary $5,000 Galveston Arts Center, Inc. exhibitions, installations, Reviewed by the Special St. Paul, MN Projects Panel. To Support the publication Galveston, TX $5,000 performances, and related To support exhibitions and video screenings, lectures [93-4121-0301] of Public Art Review, a bian­ nual journal that focuses on aiecture series focusing on and publications. emerging and mid-career re­ [93-4121-0033] Drawing Center, Inc. public art issues and projects New York, NY $7,500 across the nation. gional visual artists working To support solo, thematic [93-4121-0132] in all media. ~z Craft Emergency Relief [93-4121-0129] Fund, Inc. and group exhibitions, and installations by visual artists Forum for Contemporary Northampton, MA $5,000 ~ Glass Art Society, Inc. To support services offered at various stages of their ca­ Art reers. [93-4121-0103] St. Louis, MO $5,000 Seattle, WA $5,000 to craft artists who have ex­ To support a national con­ perienced work-interrupting To support a series of visual emergencies such as fire, En Foco, Inc. arts exhibitions and related ference, publications, and Bronx, NY $17,500 programming. membership services for vi­ theft, illness, and natural sual artists working in glass. disasters. [93-4121-0056] To support publications, [93-4121-0049] artists’ services, and "Inter­ [93-4121-0025] cambio," a program that Foundation for Advanced Guadalupe Cultural Arts Creative Time, Inc. brings American mainland Critical Studies, Inc. photographers to Puerto West Hollywood, CA $8,000 Center New York, NY $32,500 San Antonio, TX $10,000 To support the creation and Rico for seminars and work­ To support publication of shops. [93-4121-0098] Art Issues, a journal dedicat­ To support solo and group presentation of new work by exhibitions, installations, emerging and mid-career vi­ ed to the study of contem­ Exit Art, Inc. porary American culture and working facilities, and ser­ sual artists in public spaces vices to visual artists. throughout New York City. New York, NY $15,000 the visual arts. [93-4121-0142] [93-4121-0136] To support exhibitions, in­ [93-4121-0138] stallations, publications, and related projects. Foundation for Today’s Hallwalls, Inc. ~ Daniel Clark $20,000 Foundation [93-4121-0038] Art-Nexus Buffalo, NY $5,000 Philadelphia, PA $10,000 To support an exhibition Goffstown, NH and performance series, re­ To support publication of Eye Gallery To support exhibitions, per­ San Francisco, CA $9,000 formances, bookworks pro­ lated publications, work­ Studio Potter, a biannual shops, artists’ talks and fo­ journal that addresses topics To support exhibitions and jects, artists’ residencies, rums, and a slide registry. of concern to the functional installations by emerging workshops, and services to potter. [93-4121-0045] and under-recognized pho­ visual artists. [93-4121-0091] tographers. [93-4121-0046] [93-4121-0111] Hand Workshop, Inc. Richmond, VA $10,000 To support an exhibition

216 National Endowment for the Arts program of crafts artists mid-career artists from cul­ Manchester Craftsmen’s ~" National Association of from the region and from turally-diverse backgrounds. Guild Artists’ Organizations, Inc. across the nation. [93-4121-0137] Pittsburgh, PA $6,000 Washington, DC $30,000 [93-4121-0006] To support exhibitions and To support conferences, Intersection working facilities for artists publications, information/ Headlands Center for the San Francisco, CA $7,500 working in ceramics and referral services, and special Arts To support solo and group photography. projects. Reviewed by the Sausalito, CA $15,000 exhibitions by visual artists [93-4121-0037] 1992 Overview Panel. To support regional artists’ from the Bay Area and else­ [93-4121-0143] residencies, an Open Studio where. [93-4121-0096] Maryland Art Place, Inc. program, lectures, publica­ Baltimore, MD $12,500 ~ National Council on tions, performances, and in­ Kenkeleba House, Inc. To support a series of exhi­ Education for the Ceramic stallations. [93-4121-0021] New York, NY $5,000 bitions, installations, public Arts To support solo exhibitions programs, and services. Chicago, IL $12,500 Houston Center for of mid-career and estab­ [93-4121-0061] To support an annual con­ Photography lished visual artists from ference for ceramic artists, Houston, TX $23,000 throughout the United Mattress Factory publications, and other ser­ To support exhibitions, States. [93-4121-0058] Pittsburgh, PA $15,000 vices. [93-4121-0141] public programs, artists’ ser­ To support residencies re­ vices, and publications about La Raza/Galeria Posada sulting in the creation and ~ New Observations, Ltd. photography and related Sacramento, CA $10,000 exhibition of site-specific in­ New York, NY $7,500 media. [93-4121-0067] To support a series of solo stallations. [93-4121-0104] To support publication of and group exhibitions of New Observations, an artist- Hull House Association Chicano, Mexicano and Mayor’s Advisory run journal presenting the Chicago, IL $7,500 Native American visual Committee on Art and work and ideas of contem­ To support an exhibition artists. [93-4121-0022] Culture porary artists and art writers. program and performance Baltimore, MD $12,500 [93-4121-0030] series for visual artists at the Light Factory To support exhibitions, edu­ Beacon Street Gallery. Charlotte, NC $5,000 cational programs, and ser­ New York Experimental [93-4121-0003] To support photography ex­ vices to visual artists at Glass Workshop, Inc. hibitions, public programs, School 33 Art Center. Brooklyn, NY $31,000 IDEA Art Space and services to artists. [93-4121-0070] To support working facilities Sacramento, CA $5,000 [93-4121-0059] for glass artists, exhibitions, To support a series of site- Mexic-Arte residencies, publications, specific installations by re­ Light Work Visual Austin, TX $ I0,000 and related services. gional visual artists. Studies, Inc. To support exhibitions, in­ [93-4121-0128] [93-4121-0077] Syracuse, NY $32,500 stallations, and services to vi­ To support photography ex­ sual artists. [93-4121-0090] ~ New York Foundation Intermedia Arts of hibitions, artists’ residencies, for the Arts, Inc. Minnesota, Inc. publications, and a working Mobius, Inc. New York, NY $5,000 Minneapolis, MN $15,000 facility. [93-4121-0044] Boston, MA $ I0,000 To support the publication To support exhibitions, in­ To support installations, ofAcmeJourna£ a quarterly stallations, performances, Los Angeles Center for group exhibitions, a perfor­ publication that examines is­ and artist services during Photographic Studies mance art series, and public sues in contemporary art 1993-94. [93-4121-0005] Los Angeles, CA $30,000 programs. [93-4121-0087] and culture. [93-4121-0031] To support exhibitions, in­ Intermedia Arts of stallations, lectures and pub­ Movimiento Artistico del Nexus, Inc. Minnesota, Inc. lications, including the jour­ Rio Salado, Inc. Atlanta, GA $45,000 Minneapolis, MN $15,000 nal Frame-Work. Phoenix, AZ $10,000 To support exhibitions at To support exhibitions, in­ [93-4121-0089] To support a visiting artists the Nexus Gallery, artists’ stallations, performances, residency program and relat­ book projects at Nexus and artists’ services during Los Angeles Contemporary ed visual arts programming. Press, and services to artists. 1994-95. Reviewed by the Exhibitions, Inc. [93-4121-0014] [93-4121-0065] Special Projects Panel. Los Angeles, CA $32,500 [93-4121-0300] To support exhibitions, per­ N.A.M.E. Gallery ~r October Magazine, Ltd. formances, video/film Chicago, IL $15,000 New York, NY $10,000 International Arts screenings, public art pro­ To support exhibitions, per­ To support publication of Relations, Inc. jects, services, publications, formances, public programs, October, a quarterly journal New York, NY $25,000 and an artists’ bookstore. and public art projects. To support exhibitions and presenting critical essays, in­ [93-4121-0050] [93-4121-0008] terviews, reviews, and trans­ installations at the INTAR lations of articles from non- Gallery by emerging and English publications about

1993 Annual Report 217 slide registry. the theory and practice of tionally, and internationally. papermaking, printmaking, and the book arts. [93-4121-0113] contemporary art. [93-4121-0107] [93-4121-0064] [93-4121-0134] Print Club Sculpture Space, Inc. Philadelphia, PA $5,000 Randolph Street Gallery, Utica, NY $20,000 Ohio Designer Craftsmen To support a working facili­ Columbus, OH $5,000 To support exhibitions, lec­ Inc. tures, and services to visual Chicago, IL $45,000 ty and residencies for sculp­ To support exhibitions and tors. [93-4121-0010] services for crafts artists. artists. [93-4121-0123] To support exhibitions, in­ [93-4121-0023] terdisciplinary performance ~ Printed Matter, Inc. and media art presentations, Second Street Gallery, Inc. Charlottesville, VA $5,000 Oregon Center for the New York, NY $25,000 installations, temporary pub­ To support the distribution lic art projects, and related To support exhibitions, re­ Photographic Arts, Inc. lated educational program­ Portland, OR $7,500 of artists’ publications and activities. [93-4121-0130] related services. ming and publications. To support a series of exhi­ [93-4121-0047] bitions and lectures by [93-4121-0122] Real Art Ways, Inc. Hartford, CT $20,000 emerging and established ~ Segue Foundation, Inc. photographers at the Blue Printmaking Workshop, To support exhibitions, site- Inc. specific installations, and re­ New York, NY $5,000 Sky Gallery. To support publication of [93-4121-0074] New York, NY $5,000 lated activities. To support a working facili­ [93-4121-0079] M/E/A/N/I/N/G, a biannual artist-run publication that Painted Bride Art Center, ty for printmakers and a guest artist program. San Francisco addresses a broad range of is­ Inc. sues of concern to visual Philadelphia, PA $11,000 [93-4121-0121] Camerawork, Inc. To support exhibitions and San Francisco, CA $30,000 artists. [93-4121-0135] Pro Arts To support exhibitions in installations by visual artists, Self-Help Graphics and and related lectures, work­ Oakland, CA $10,000 photography and related To support exhibitions, in­ media, lectures, publica­ Arts, Inc. shops, and publications. / . Los Angeles, CA $10,000 [93-4121-0127] stallauons, and related activ­ tions, and services. ities. [93-4121-0140] [93-4121-0117] To support collaborative printmaking residencies for Pewabic Society, Inc. Project Artaud San Jose Institute of a culturally diverse popula­ Detroit, MI $15,000 tion of artists at different ca­ To support exhibitions, resi­ San Francisco, CA $15,000 Contemporary Art dencies, and a working facil­ To support exhibitions, in­ San Jose, CA $6,000 reer levels. [93-4121-0040] stallations, lectures and relat­ To support gallery exhibi­ ity for the ceramic arts. Sheboygan Arts [93-4121-0032] ed activities at Southern tions, installations, and edu­ Exposure. [93-4121-0039] cational programs. Foundation, Inc. Sheboygan, WI $25,000 Photographic Resource [93-4121-0109] Public Art Fund, Inc. To support thematic group Center, Inc. and solo exhibitions, related Boston, MA $30,000 New York, NY $15,000 Santa Barbara To support temporary pub­ Contemporary Arts publications, artists’ residen­ To support exhibitions, in­ cies, working facilities, and a stallations, publications in­ lic art projects and related Forum, Inc. services. [93-4121-0015] Santa Barbara, CA $13,000 resource center at the Kohler cluding the journal Views, Arts Center. public programming, and To support visual arts exhi­ services in photography and Public Art Works bitions and related perfor­ [93-4121-0118] related media. San Rafael, CA $12,000 mances, off-site installations, [93-4121-0012] To support temporary and publications, educational Snug Harbor Cultural permanent site-specific pub­ programs, and artists’ ser­ Center, Inc. Pilchuck Glass School lic art projects and related vices. [93-4121-0071] Staten Island, NY $10,000 activities, including the To support visual arts exhi­ Seattle, WA $5,000 bitions and related programs To support residencies for publication of a catalogue. Santa Monica Museum [93-4121-0131] of Art at the Newhouse Center for established and emerging Contemporary Art at Snug artists working in glass. Santa Monica, CA $12,500 [93-4121-0011] Pyramid Arts Center, Inc. To support exhibitions, site- Harbor. [93-4121-0069] Rochester, NY $15,000 specific installations, com­ Pittsburgh Center for the To support exhibitions, resi­ missioned artists’ projects, Social and Public Art Arts dencies, workshops, and ser­ and related activities. Resource Center Pittsburgh, PA $7,500 vices. [93-4121-0042] [93-4121-0053] Venice, CA $5,000 To support exhibitions and To support exhibitions and installations of visual artists Pyramid Adantic, Inc. Sculpture Center, Inc. activities at the center’s printmaking facility. recognized regionally, na­ Riverdale, MD $10,000 New York, NY $5,000 To support a working facili­ To support exhibitions, in­ [93-4121-0007] ty and residencies for hand stallations, residencies, and a

218 National Endowment for the Arts ~z Society for vices for textile artists. Xelfer Art Institute entitled "Social Photographic Education, [93-4121-0076] Seattle, WA $10,000 Sculpture: Joseph Beuys and Inc. To support publication of Beyond" that will feature Dallas, TX $7,500 Urban Institute for Reflex Magazine, a bimonth­ artists discussing the impact To support conferences, ser­ Contemporary Arts ly journal covering contem­ of Beuys on their work. vices, and publications in­ Grand Rapids, MI $7,500 porary visual arts activity in [93-4143-0176] cluding the periodical To support exhibitions, re­ the Northwest. Exposure. [93-4121-0078] lated public programs, and [93-4121-0027] Art Resources Transfer, services to visual artists. Inco ~r Society of North [93-4121-0073] Zone, Inc. Los Angeles, CA $5,000 American Goldsmiths Springfield, M_A_ $7,500 To support a collaborative Tampa, FL $5,000 Visual Arts Information To support a series of visual residency for visual artist To support an annual con­ Service arts exhibitions, film/video Allan McCollum at the ference, a regional workshop St. Paul, MN $7,500 screenings, public art pro­ Eastern Utah Prehistoric program, and a minority fel­ To support the publication grams, and performances. Museum. [93-4143-0160] lowship program for visual ofAr~aper, a monthly jour­ [93-4121-0112] artists working in metal. nal focusing on visual arts Arts Festival Association of [93-4121-0019] activity in the Upper Adanta, Inc. Midwest. [93-4121-0066] Atlanta, GA $20,000 Socrates Sculpture To support a series of tem­ Park, Inc. Visual Studies Workshop, porary new works by visual Long Island City, NY Inc. artists Ritsuko Taho, Sheila $5,000 Rochester, NY $50,000 Kennedy and Frano Violich, To support exhibitions of To support an artists’ press To support projects that Carl Pope, Inigo Manglano- sculpture and an outdoor program, exhibitions, lec­ commission works of art Ovalle, and the collective studio program. tures, workshops~ residen­ Architectural Jihad at sites in [93-4121-0124] cies, publication of the jour­ as permanent features of downtown Atlanta for the nal Afterimage, and related public places, create festival’s 41 st year. Space One Eleven, Inc. services. [93-4121-0034] short-term installations [93-4143-0178] Birmingham, AL $8,500 that demonstrate further To support a series of the­ Washington Project for potential for art in public California Institute matic exhibitions of local the Arts, Inc. places and stimulate dis­ of the Arts and regional emerging and Washington, DC $37,500 Valencia, CA $5,000 under-recognized visual To support a series of exhi­ cussion about contempo­ To support the publication artists. [93-4121-0120] bitions, public programs, rary art, and improve of a book and poster dra~vn and services for artists. communication between from the proceedings of a Spaces [93-4121-0080] artists and the public public conference that will Cleveland, OH $27,500 through visiting artist examine the role of public To support exhibitions, in­ White Columns, Inc. art following the May 1992 stallations, performances, New York, NY $18,000 programs, conferences civil unrest in Los Angeles. video screenings, and public To support exhibitions, re­ and symposia. [93-4143-0187] forums. [93-4121-0086] lated programs, and services for visual artists. 45 grants Carnegie Institute Storefront for Art and [93-4121-0052] Program Funds: $475,000 Pittsburgh, PA $18,000 Architecture, Inc. To support temporary pub­ New York, NY $25,000 ~r White Walls, Inc. Grants were reviewed by lic art projects by artists To support exhibitions, in­ Chicago, IL $6,000 Public Projects Panel B, un­ Dennis Adams, Bob stallations, publications, and To support publication of less specified as Panel A. Bingham, Suzanne Lacy, related activities. Whitewalls, a triannual pub­ and Donald Lipski at Point [93-4121-0024] lication that provides a State Park for the 1993 forum for visual artists who Art in General, Inc. Three Rivers Arts Festival. Sushi, Inc. use language in their work. New York, NY $13,500 [93-4143-0163] San Diego, CA $11,000 [93-4121-0028] To support community- To support exhibitions, off- based artist residencies re- Cascade Locks Park site projects, and public fo­ Women’s Studio suiting in the creation of Association rums. [93-4121-0108] Workshop, Inc. new work. [93-4143-0157] Akron, OH $20,000 Rosendale, NY $10,000 To support the participation Textile Arts Centre To support a working facili­ Art Institute of Chicago by artists Kate Ericson and Chicago, IL $5,000 ty for printmaking, hand­ Chicago, IL $10,000 Mel Ziegler in the planning To support exhibitions, made papermaking, and the To support a public lecture and development phases of a working facilities, and set- book arts. [93-4121-0035] series at the School of the section of Cascade Valley Park. [93-4143-0170]

1993 Annual Report 219 Africanity: A Multi-Cultural Center for Contemporary Houston’s Third Ward. Gourfain, and Ronald Jones. [93-4143-0169] Panel A. [93-4143-0148] Experience," to explore the Arts of Santa Fe, Inc. various forms of Africa’s im­ Santa Fe, NM $5,000 Eastern Washington State Maryland Art Place, Inc. print on contemporary art To support a symposium to created by African- reassess the state of art criti­ Historical Society Baltimore, MD $7,750 cism and the role of the cul­ Spokane, WA $6,400 To support a critics’ residen­ Americans. [93-4143-0155] tural critic. [93-4143-0156] To support a visiting artist cy program. [93-4143-0174] series entitled "A Pluralist National Museum of Center for Education and Examination of the Mexican Museum Women in the Arts, Inc. Communication, Inc. Environment," to examine San Francisco, CA $5,000 Washington, DC $12,000 Boston, MA $7,500 how contemporary visual To support "Rooms For the To support a series of com­ artists are addressing the Dead," a large-scale tempo­ munity-based artist residen­ To support the implementa­ cies entitled "Artists + Com­ tion phase of"Vestiges: A global environmental crisis rary public art work. Valorization of the Anony­ in their work. [93-4143-0183] munity." [93-4143-0153] mous," a collaborative pub­ [93-4143-0164] Mid Atlantic Arts Niagara University lic art project organized by $10,000 two teams of artists from Fabric Workshop, Inc. Foundation, Inc. Niagara, NY Boston and New Orleans. Philadelphia, PA $12,000 Baltimore, MD $20,000 To support planning activi­ [93-4143-0162] To support collaborative vi­ To support a residency pro­ ties for new public art works sual artists’ residencies with gram that funds interstate by artists Mierle Ukeles, Chicago Public Art Group local colleges and universi­ residencies for visual artists Tom Huff, Fred Wilson, Chicago, IL $10,800 ties. [93-4143-0185] and critics at arts organiza­ and MANUAL (Edward Hill and Suzanne Bloom) at To support commissions to tions within the Mid- Flats Oxbow Association, Atlantic region. Panel A. sites in and around the uni­ artists Olivia Gude and versity campus and Niagara Dzine (Carlos Rolon) for Inc. [93-4143-0151] murals at selected sites in the Cleveland, OH 57,500 area. [93-4143-0179] city. [93-4143-0145] To support a visua1 arnst " ’ s Mills College participation in the design Oakland, CA $4,550 Number, Inc. ~ Circum-Arts development and construc­ To support a visiting artist Memphis, TN $15,000 To support a series of tem­ Foundation, Inc. tion phases of Settlers’ lecture series featuring New York, NY $5,000 Landing, a downtown water­ women artists of diverse cul­ porary public art works on To support the publication front park. Panel A. tural backgrounds who will the 25th anniversary of the [93-4143-0161] discuss concepts of accultur­ death of Dr. Martin Luther of Site-Specific Cities, a spe­ King, Jr. [93-4143-0165] cial edition of the bilingual ation and personal identity Forum for Contemporary in their work. periodical, Lusitania. One Reel [93-4143-0144] Art [93-4143-0186] St. Louis, MO $5,000 Seattle, WA $5,000 Cleveland Institute of Art To support a residency by Minnesota Center for To support a series of artist Cleveland, OH $7,500 visual artist Deborah Small, Book Arts residencies related to the resulting in the creation of Minneapolis, MN $7,500 50th anniversary of the To support a residency for opening of the Hanford visual artist Pepon Osorio new work and a series of To support a two-day sym­ community outreach pro­ posium "Re-Reading the Nuclear Reservation in for the installation of a site- Richland, Washington. adapted art work and a series grams. [93-4143-0181] Boundless Book: A Sympos­ of educational programs and ium on Art and Language in [93-4143-0177] community outreach activi­ Leland Stanford Junior the Book Arts." ~ Performance Zone, Inc. ties. [93-4143-0166] University, Board of [93-4143-0154] Trustees of New York, NY $7,500 Cornell University Stanford, CA $10,000 Moore College of Art and To support "The Thing," an interactive computer-based Ithaca, NY $10,000 To support commissions to Design To support a visiting artist visual artists and landscape Philadelphia, PA $25,000 information network de­ signed to generate discussion series to examine the transla­ architects for the creation of To support commissions to tion of traditional imagery a permanent sculpture gar­ artists for a series of tempo­ on a wide range of issues into contemporary visual art. den in a grove of trees on rary new works at the aban­ concerning contemporary [93-4143-0167] the university campus. doned Eastern State Peni­ art. [93-4143-0147] [93-4143-0158] tentiary. [93-4143-0175]’ DiverseWorks, Inc. Rutgers, The State Houston, TX $25,000 Lowell Office of Cultural National Conference of University of New Jersey To support commissions for Affairs, Inc. Artists Piscataway, NJ $6,000 artists and related costs for Lowell, MA $9,000 Detroit, MI $5,000 To support collaborative res­ "Project Houses," a series of To support commissions for To support a symposium en­ idencies for visual artists to temporary installations in public art projects by artists titled "Cultural Memories create new work and partici­ Ellen Rothenberg, Peter and Reclamations of

220 National Endowment for the Arts pate in public presentations. Storefront for Art and and social implications of artists from across the coun­ Panel A. [93-4143-0146] Architecture, Inc. deafness. [93-4143-0173] try. [93-4161-0306] New York, NY $11,000 Rutgers, The State To support a temporary col­ Visual Aid: Artists for University of New Jersey laborative public art project AIDS Relief Piscataway, NJ $5,000 by artist Vito Acconci and San Francisco, CA $5,000 To support residencies for architect Steven HoIl. To support expansion of the Native American artists to [93-4143-0188] To support a limited Art Materials Voucher create new work for installa­ number of model projects Fund, which provides art tion in public venues. Tyler School of the Arts of that assist artists in innov- supply vouchers to artists [93-4143-0152] Temple University ative ways and are not eli- with MDS or other life- Elldns Park, PA $15,000 threatening illnesses, en­ Seattle Arts Commission To support a series of com- gible under the other cate­ abling them to continue Seattle, WA $25,000 munity-based artist residen- gories. their work. [93-4161-0302] To support commissions to cies entitled "Arranged visual artists Beliz Brother, Introductions: Art Works in 4 grants; 1 cooperative Mark Calderon, Marita Different Places." agreement Dingus, and Wang Po Shu [93-4143-0182] for a series of community- Program Funds: $54,500 based public art projects at University of Colorado, Painting Fellowships community centers in differ­ Regents of ent Seattle neighborhoods. ~z Alliance for the Boulder, CO $7,500 Susanne Ghez [93-4143-0180] To support a visiting artist Arts, Inc. New York, NY $20,000 Director, The Renaissance program during the 1993-94 Society, Social and Public Art academic year. To support the planning stages for a nationwide sys­ University of Chicago Resource Center [93-4143-0159] Chicago, IL Venice, CA $10,000 tem that provides estate planning information and To support commissions to University of Illinois, Roger Herman artists Pat Ward Williams, Board of Trustees of other services to artists with AIDS. [93o4161-0305] Visual Artisg Faculty, S0nia Hahn and David Chicago, IL $12,000 University of California, Los Avalos to create temporary To support a series of artist ~" American Council for Angeles and portable new works. residencies focusing on is- Los Angeles, CA [93-4143-0184] sues of cultural identifica- the Arts, Inc. New York, NY $7,500 tion and the politics of rep- Lester B. Loo (layperson) Southeastern Center for resentation. [93-4143-0171] To support continuation of the Visual Artist Informa­ Businessman; Art Collector; Contemporary Art Chairman, Winston-Salem, NC University of Montana tion Hotline, which offers artists nationwide up-to-date High Valley Group, Inc. $20,00O Missoula, MT $12,000 Colorado Springs, CO To support "Artist and the To support a visiting artist information on grants, resi- dencies, travel assistance, Community," a series of lecture series entitled "Artist Melissa Miller artists’ residencies resulting as Activist: Social Responsi­ emergency funding, health insurance and legal issues. Visual Artist in the creation of new work bility in the Visual Arts". Austin, TX that focuses on specific as­ [93-4143-0150] [93-4161-0303] pects of life in Winston- Catherine Murphy Salem. [93-4143-0168] University of Texas at ~ Jack Faucett Associates Bethesda, MD $9,500 Visual Artist Arlington Poughkeepsie, NY Southern Illinois Arlington, TX $5,000 To support a cooperative University, Board of To support a visiting artist agreement for the adminis- tration of payments to con- Robert Reed Trustees of series entitled "Public Art/ Visual Artist; Faculty, Carbondale, IL $5,000 Kitsch/Community," to ex- sultants who read and evalu­ ate periodicals requesting Yale University To support a visiting artist amine diverse positions and New Haven, CT lecture series entitled "Site- issues in public art. support under Visual Artists Specific: Photographing in [93-4143-0149] Organizations. the Studio," that explores [DCA 93-44] Dan Smajo-Ramirez Visual Artist; Faculty, the diversity of form and White Columns, Inc. ~ National Foundation for University of Wisconsin practice in contemporary New York, NY $5,000 Madison, WI studio photography. To support the creation and Advancement in the Arts, [93 -4143-0172] presentation of new work by Inc. visual artist Joseph Grigely Miami, FL $12,500 To support a residency pro- that focuses on the cognitive gram for early-career visual

1993Annual Report 221 Other Genres James Bob Rocca (layperson) Jock Reynolds (chair) Fellowships Visual Artist Owner, Visual Artist; E1 Paso, TX Sargent Pottery Supply Director, Addison Gallery of American Art, Jerri Allyn St. Louis, MO Nancy Friese Phillips Academy Visual Artist; Faculty, Andover, MA New School for Social Visual Artist; Facuky, Pablo Schugurensky Research Rhode Island School of Visual Artist; Program Manager, Vivian Rodriguez* New York, NY Design Cranston, RI Art in Public Places, Executive Director, Miami-Dade Art in Public Marilynn Gladstone Washington State Arts Glenn Ligon Commission Places Program (layperson) Miami Shores, FL Development Executive Visual Artist Olympia, WA New York, NY Washington, DC David Trend (chair) Harriet Senie* Lecturer, Critic; scholar; Carlos Gutierrez-Solana Ray Yoshida Faculty, Visual Artist; Visual Artist; Faculty, Inter-Arts Program School of the Art Institute, San Francisco State City College of New York Executive Director, Brooklyn, NY Artists Space Chicago, IL University New York, NY San Francisco, CA *fellowship panels had no Jon Winet* chairman this year James Yood Visual Artist; Andrea Miller-Keller Director, Southern Exposure Curator of Contemporary Art Critic; Author; Lecturer in Visual Artists Art History and Criticism Gallery, San Francisco Northwestern University Berkeley, CA Hartford, CT Organizations Panels A and B Chicago, IL *Also served on Panel A, a Celia Munoz subsection of Panel B Visual Artist Holly Block *Served only on Panel B. Arlington, TX Executive Director, Art in General Visual Artists Special Projects New York, NY Public Projects Robert Peters Mathieu Gregoire Visua/ Artist; Faculty, Panels A and B Syd Carpenter Visual Artis~, University of Chicago Public Art Consultant Lake Forest, IL Visual Artist; Faculty, Jonathan Abrams, M.D. Swarthmore College (layperson)* San Diego, CA Bruce Yonemoto Philadelphia, PA Cardiologist; Professor of Medicine, Pallas Lombardi Visual Artist; Instructor, Arts Administrator/ Art Center College of Chris Cowden University of New Mexico Executive Director, Albuquerque, NM Consultant; Design, Pasadena Interim Director, Cambridge Los Angeles, CA Center for Women & Their Work Sonya Ishii* Arts Council Cambridge, MA Works On Paper Austin, TX Visual Artist; Fellowships Design Professional Anita Douthat Chapel Hill, NC Geno Rodriguez Visual Artist Visual Artist; Executive Gregory Amenoff Director, Visual Artist Alexandria, KY Martha JacksonoJarvis Visual Artist Alternative Museum New York, NY Ming Fay* Washington, DC New York, NY Jane Bickerton (layperson) Visual Artist; Faculty, William Paterson College, Donlyn Lyndon* John Scott Health Services Professional; Architect; Visual Artist; Adjunct Instructor in Wayne, NJ New York, NY Faculty, University of Faculty, Xavier University of Philosophy, Louisiana Atlanta College of Art California Berkeley, CA New Orleans, LA Atlanta, GA Rudy Guglielmo Expansion Arts Director Sherry Smith (layperson) Suzanne Delehanty Arizona Commission on the Michael Moore Arts Deputy Director, Documentary Film Editor; Director, Associate Producer, Contemporary Arts Phoenix, AZ New England Foundation for the Arts Hillman and Carr Museum Washington, DC Houston, TX Alan Millar Boston, MA Managing Director, Capp Street Project San Francisco, CA

222 National Endowment for the Arts Overview (1992) Stephen Prina Overview (1993) Michael Moore (chair) Visual Artist Deputy Director, Deborah Bright Los Angeles, CA Jerri Allyn New England Foundation Visual Artis~, Critic, Visual Artist; for the Arts Faculty, Rhode Island Renny Pritikin Faculty, New School for Cambridge, MA School of Design Curator; Writer; Visual Arts Social Research Providence, Director, New York, NY Robert Peters Yerba Buena Center for the Visual Artist; Jacqueline Crist Arts Suzanne Delehanty Faculty, University of Director, Visual Arts, San Francisco, CA Curator; Chicago Idaho Commission on the Director, Contemporary Arts Chicago, IL Arts Cesar Trasobares Museum Boise, ID Visual Artist; Houston, TX Robert Reed Independent Public Art Visual Artist; Joe Deal (chair) Consultant Susanne Ghez Faculty, Yale University Visual Artist; Dean, Miami, FL Director, New Haven, CT School of Fine Arts The Renaissance Society, Washington University Fred W’dson University of Chicago Pablo Schugurensky St. Louis, MO Visual Artist; Executive Chicago, IL Visual Artist; Director, Program Manager, Art in Judith Kirshner Longwood Arts Project Marilynn Gladstone Public Places, Director, Bronx, NY (layperson) Washington State Arts School of Art and Design Development Executive; Commission University of Illinois Virginia Wright Trustee Olympia, WA Chicago, IL (layperson) Washington, DC Collector; Patron John Scott Kyong Park Seattle, WA Alan Millar Visual Artist; Architect; Sculptor; Events Manager, Faculty, Xavier University of Director, Storefront for Art Center for the Arts at Yerba Louisiana and Architecture Buena Gardens New Orleans, LA New York, NY San Francisco, CA

1993 Annual Report 223 cHALLENGE

Challenge grants provide special opportunities for arts or­ ganizations to strengthen long-term institutional capacity and to enhance artistic quality and diversity. The Chal­ lenge Program offers two forms of support: Institutional Stabilization support helps arts institutions reach long- term financial objectives; Project Implementation support stimulates new arts programs that strengthen and sustain excellence in the arts, improve access to the arts, or deepen and broaden appreciation of the arts.

Challenge Grant applications are subject to a special re­ view protocol that first involves panels in the respective Endowment arts discipline programs, then a special re­ view committee. Only then do recommended applica­ tions go to the National Council. Grants range in size from $75,000 to $1 million, and each dollar must be matched with at least three dollars in nonfederal funds.

This year’s largest Challenge Grant was awarded to Atlanta Arts Alliance’s Robert W. WoodruffArts Center.

224 National Endowment for the Arts of cash reserves and endowment funds. Four grants were awarded for arts facilities: to expand and renovate the San Diego Museum of Contemporary Art; to pur­ chase equipment by the American Conservatory Theater Foundation for the Geary Theater in San Francisco after The $1 million grant will aid the Center’s effort to in­ the 1989 earthquake; to remodel Hancher Auditorium crease the Alliance Theatre’s endowment and cash reserve which opened as the performing arts center of the Uni­ funds and help reduce its deficit. Grants of $75,000 will versity of Iowa in 1972; and to renovate and preserve the ’ ¯ ¯ help the Bay Area Womens Phllharmomc in San Fran­ MacDowell Colony’s 40 historic buildings in Peter­ cisco commission work by women composers; broaden borough, New Hampshire. the financial base for the Springfield (Massachusetts) Sym­ phony; provide financial security for literary publications Other grants reflect the great diversity of ideas and plans of Milkweed Editions in Minneapolis; and augment the developed by arts organizations in different parts of the Cleveland Music School Settlement’s endowment to pro­ country. Some examples: vide financial aid for music and dance instruction. In Newark, New Jersey, the Carter G. Woodson This year sums totaling $14.5 million in Challenge Foundation will expand performance venues for African- funds went to 60 arts organizations. The new Challenge American theater, dance, music and literary artists campaigns will help fund a variety of efforts and special through its Black Culture on Tour in America program. artistic projects such as the Wheeling Symphony’s plan to expand its concert program across West Virginia; an In Winston-Salem, the North Carolina School of the initiative by Philadelphia’s American Musical Theater Arts will create a school of filmmaking. Festival to create, produce and market new music theater works to attract younger and more ethnically diverse au­ In Santa Monica, the Cornerstone Theater Company diences; and the "Learning to Read Through the Arts will produce three theater pieces that incorporate Program" for New York City public schools. elements of California’s diverse communities. Through­ out these productions, community participants work Over $27.5 million in Challenge Grant and matching side-by-side with members of Cornerstone’s pro- funds will be used to create long-term capital in the formfessional ensemble.

1993 Annual Report 225 source of operating support cert hall and related im­ Indicates national impact through approximately $1.5 provements at Tanglewood, million in subgrants. The to stabilize core programs and finance new strategies of the BSO’s summer home in other two projects are the Lenox, Massachusetts. The development of an AFI cata­ the department. The Art Institute of Chicago houses core orchestra, consisting of log of ethnic-American more than 100 musicians, films; and the hosting of a over 260,000 objects in ten curatorial departments rang­ gives 140 concerts a year in major international sympo­ Boston and at Tanglewood. sium, to take place in 1995 ing from ancient art to con­ Federal funds may be ob­ temporary painting and Construction of the new in Los Angeles, titled 1,200-seat facility will in­ ligated at any time during "Preservation’s First 100 sculpture. A Challenge Grant will be a cornerstone clude first-class acoustic con­ a multiyear Challenge Years: Where We Have ditions and allow for com­ grant. Unless otherwise Come - Preservation’s Next of the effort to raise the en­ dowment for the museum’s mercial recordings. The new indicated, the following 100 Years: Where We Must concert hall is scheduled to Go." [93-4624-0046] education programs. funds were obligated in [93-4624-0018] open in the summer of *No funds were obligated in 1994. [93-4624-0014] FY’93. FY’93. ~r Bay Area Women’s ~r Brooklyn Academy of Sr American Music Philharmonic American Conservatory San Francisco, CA $75,000* Music, Inc. Theater Festival, Inc. Brooklyn, NY $565,000 Theatre Foundation Philadelphia, PA $495,000* To support the Women’s San Francisco, CA $235,000 Philharmonic artistic initia­ To support the Brooklyn To support CrossCurrents, a Academy of Music (BAM)’s To purchase equipment for three-year initiative designed tive for women composers. the Geary Theater. The International Theater by the American Music The three-year project will American Conservatory identify three women com­ Project, a multiyear initia­ Theater Festival to create a tive that will bring theater Theater opened at the his­ body of music theater works posers per year, commission toric Geary Theater in 1967 companies, actors and direc­ that will attract younger and an orchestral work from and has since presented over them, give the first perfor­ tors to BAM, performing more ethnically diverse audi­ newly-commissioned work, 200 major productions. ences. The project involves mance of a work by each of Annually the company of them on nine separate sub­ as well as classics, from their commissions from popular various repertories. The pro­ ensemble members produces music composers including scription concerts, and mar­ a diverse repertory of classi­ ject will begin with two pro­ jazz, art rock, Latino music, ket the nine works to 50 or­ cal, contemporary and new chestras selected from a ductions of the Royal works. The Challenge Grant and blues; artistic/pre-pro­ Dramatic Theater of Sweden duction development target base of 150 orchestras is part of a larger campaign in this country. The com­ directed by Ingmar to restore the Theater after through support from a cre­ Bergman, Henrik Ibsen’s ative/production team; de­ posers will be emerging earthquake damage in 1989. young Americans to be se­ Peer Gynt and Yukio velopment of a national co­ Mishima’s Madame de Sade. The equipment purchases production network; a lected by the artistic director include lighting and sound In 1994 the project will con­ multifaceted education pro­ and the director of the systems, rigging, seating, a tinue with the co-commis­ gram; and a target marketing National Women Com­ modular rake and orchestra posers’ Resource Center. sioning and presentation of plan to reach non-traditional South Africa’s only racially- pit/apron, and stage music theater audiences. The Women’s Philharmonic draperies. [93-4624-0057] was founded in 1981 to pro­ integrated theater company, [93-4624-0006] the Market Theatre. *$300,000 was obligated in mote women composers, ~r American Film conductors, and instrumen­ [93-4624-0021] FY’93. Institute, Inc. talists. Since its inception, Washington, DC $350,000" the Philharmonic has pre­ ~z Carter G. Woodson Art Institute of Chicago Foundation To support a multi-tiered Chicago, IL $235,000 miered over 75 works by project by the American Newark, NJ $190,000" To support the Art Institute women composers. Film Institute to launch a [93-4624-0031] To support a major initiative $20 million campaign that of Chicago’s campaign to in­ by the Carter G. Woodson crease its endowment. The *No funds were obligated in will support film preserva­ FY’93. Foundation to undertake an board of trustees of the Art expansion of its Black tion, in honor of the 100th Institute of Chicago ap- anniversary of cinema. The Culture on Tour in America proved a fundraising cam- Boston Symphony Challenge Grant will sup­ Orchestra, Inc. (BCOTA) program to estab­ paign for new endowment, lish a Mid-Atlantic/New port three major preserva­ facilities and programmatic Boston, MA $190,000 tion projects. The film To support the Boston England regional touring support. As part of the larger circuit. The purpose of the archive preservation project goal, the Institute will raise Symphony Orchestra will benefit a range of public (BSO)’s campaign to create touring network is to in­ archival institutions includ­ endowment funds to be des- crease the performance ignated for its education de- a special endowment fund to ing the Museum of Modern offset increased operating venues for African-American partment. Income from the theater, dance, music, and Art, the George Eastman education endowment will costs associated with the House, and the UCLA Film construction of a new con- literary artists by attracting and Television Archive generate a new permanent

226 National Endowment for the Arts new presenters to work in teachers, led by Bank Street. rating organizations, and collaboration with the College Art Association, [93-4624-0003] project grants and adminis- founded in 1911, is a profes­ Foundation’s core presen­ $150,000 was obligated in ters. The touring network trative support to other local sional service organization FY’93. arts agencies in the region. will allow greater opportuni­ with a membership of ties to expand audiences, [93-4624-0041] 13,000, including 6,000 City of Dallas, *No funds were obligated in artists. The Association seeks performances, and earned Department of Cultural income for African- FY’93. to promote the highest levels Affairs of creativity and technical American artists. BCOTA Dallas, TX $375,000* will be able to offer extended Cleveland Music School skills in the teaching and To support a major project Settlement practice of art, and the high- touring of artists and cost by the Dallas Office of savings to smaller presenters Cleveland, OH $75,000 est standards of scholarship Cultural Affairs to further To support the Cleveland in the Mid-Adantic and develop several initiatives for and teaching in the history New England regions with Music School Settlement and criticism of the visual the benefit of the small and (CMSS)’s efforts to augment arts. [93-4624-0048] possibilities for enhanced midsized arts and cultural or- its endowment. As part of its performances through resi­ *No funds were obligated in ganizations in Dallas. These mission, the School offers FY’93. dencies, workshops, and vis­ initiatives include a manage- music and dance instruction its to schools and communi­ ment assessment and assis- on a sliding scale based on a ty centers. [93-4624o0007] Contemporary Arts tance program, the develop- student’s ability to pay. Due Association of Houston, *No funds were obligated in ment of a comprehensive to difficult economic times, FY’93. data base for all of the orga­ Texas the School’s ability to pro- Houston, TX $115,000* nizations, and a city-wide ¢z City Lore, Inc. vide financial aid to those To support the Contem­ ticketing program. The pro- students who are unable to porary Arts Museum New York, NY $395,000* ject is a significant expansion To launch a consortium afford the full cost of tuition (CAM)’s campaign to in- of the recently created Dallas is diminishing while requests venture between City Lore Arts Resource System crease its current endow- and Bank Street College fo­ for such aid are increasing. ment fund. In this decade (DARS). DARS has been de- The Cleveland Music School CAM seeks to sustain its cusing on multicultural and signed to provide centralized Settlement was founded in programming, formulate multigenerational education. and cooperative administra­ 1912 to provide music edu­ The partnership includes and implement a master tive services to Dallas-area cation to all, regardless of plan for its facility, and in- placement of multicultural cultural organizations and age, skill, background, or musical groups in schools crease its endowment fund. individual artists. The means. Today, CMSS pro- Established in 1948, the for performances; long-term Challenge and matching vides a wide range of educa- Contemporary Arts residencies in folk arts; resi­ funds will augment the bud­ tional opportunities and ser- dencies for "at risk" stu­ get for DARS so that by year Museum is a non-collecting vices to over 5,000 institution whose mission is dents; neighborhood festi­ four it will become self-sup- individuals in the greater vals in school settings; an to integrate contemporary porting through earned in- Cleveland community. The urban traditions slide show come and special services. art into the lives of the pub- School intends to establish a lic through innovative exhi­ for students; the publication [93-4624-0042] restricted endowment fund of an intergenerational guide bitions, lectures, perfor­ *No funds were obligated in for the purpose of providing mances, and publications. for multicultural programs FY’93. continued financial aid. in schools; and the publica­ [93-4624-0022] [93-4624-0040] tion of a guidebook for City of *No fknds were obligated in teachers on how to use folk FY’93. Portland/Metropolitan ~ College Art Association arts in the classroom. In ad­ Arts Commission of America dition, the project proposes Portland, OR $470,000* Cornerstone Theater the development of a multi­ NewYork, NY $140,000" Company To support an initiative by To support a project by the cultural resource center for the Metropolitan Arts Com- Santa Monica, CA College Art Association to $125,000" teachers at Bank Street mission (MAC) to imple- establish and endow a fel- College, which will include a To support "Bridge Produc­ ment two parts of a recently lowship program that will tions," a major project by computer network and new completed community cul- assist visual artists in estab- curriculum; a newsletter for tural plan. The stabilization Cornerstone to produce teachers, to be published lishing themselves as profes- three theater pieces in Los program will offer increased sional artists. The project, each semester; teacher pack­ Angeles over a three-year pe­ operational support and sta- the Professional Develop­ riod. The productions will ets to be developed by Bank bilization grants to larger ment Fellowship Program Street annually; the develop­ be the culmination of indi­ arts organizations to elimi­ for Multicultural Artists, will vidual residencies designed ment of graduate training nate deficits or build cash re- provide support for two con- programs in multicultural serves, and project support to bring elements of those education at Bank Street secutive years to each recipi­ .residencies together, bridg­ and technical assistance to ent. Five fellowships will be College; and weekend work­ ing communities and com­ smaller arts institutions. The awarded the first year and bining artistic elements of shops in multicultural cur­ regional program will offer five more added in years riculum for New York City each. Bridge #1 will com­ incentive grants to collabo­ two, three, and four. The bine residencies at a senior

1993 Annual Report 227 ditional non-federal funds, income will be used for op­ community, an Arab- total artistic and financial erations and outreach pro­ control of the works. Dance these challenge grants will re­ American community and sult in a major increase to the grams. As a presenter, KCA an Hispanic community. Theater Foundation will schedules artists from the then preserve and maintain Institute’s operating endow­ Bridge #2 will combine a ment. Founded in 1885, the nation and from around the Korean-American and the collection through sound world. KCA’s mission is to and costume recreations, Detroit Institute of Arts African-American residency, houses one of the finest and encourage, support, and and Bridge #3 will be an and remount several Alley showcase the performing works including The most comprehensive collec­ original three-act play focus­ arts, artists, and arts organi­ Mooche, Night Creature, and tions in the United States, ing on the interconnection tracing the zations of Louisville and of living and working envi­ For Bird--With Love. Jefferson County; to present Founded in 1958, the Alvin from the ancient world to the ronments. [93-4624-0050] present. The museum is an national and international *$21,944 was obligated in Ailey American Dance arts activities; to develop Theater was the first compa­ active participant in its mul­ FY’93. tiracial community, offering outreach programs and ny rooted in the African- state-wide television broad­ American tradition to a range of loan exhibitions, Dallas Symphony selections from the perma­ casts; to establish programs Association, Inc. achieve national promi­ that strengthen Kentucky’s $115,000 nence. While the company’s nent collection, and educa­ Dallas, TX tional programming designed educational system, and To support the Dallas repertory now houses over make the arts available to 150 works by some 50 dif­ to engage a diverse audience. Symphony Association/s The Institute also houses the Kentucky’s youth; to pro­ campaign to augment ,ts en­ ferent choreographers, Alvin mote greater artistic diversi­ Ailey’s works remain the life Conservation Services Lab­ dowment. The Symphony oratory which, in addition to ty; and to provide a techni­ performs a 36-week classical force of the entire organiza­ cally excellent structure in tion. [93-4624-0029] caring for the museum’s own subscription series, a 12-pro­ collection, serves as a regional which to operate. gram pops series, and an in­ [93-4624-0035] Ebony Talent Associates conservation facility for area ternational summer music institutions. [93-4624-0024] *No funds were obligated in festival which showcases one Creative Arts Foundation Chicago, IL $235,000* *No funds were obligated in FY’93. specific composer with 14 FY’93. performances of chamber To support ETA, which Learning to Read Through and orchestral music, and functions primarily as a the­ the Arts Program, Inc. ater producer and presenter, ~ Jacob’s Pillow Dance special Christmas holiday Festival, Inc. New York, NY $125,000 concerts. The Symphony for the purpose of establish­ To support a major initiative ing an endowment. These Lee, MA $565,000 performs free indoor and To support Jacob’s Pillow that will allow the Learning outdoor concerts; tours re­ endowment funds will gen­ to Read Through the Arts erate income for operations Dance Festival’s "Dance gionally, nationally, and in­ to enhance self-sufficiency Anthology Project." The Program to expand program­ ternationally; and records project has three compo­ ming in the New York City with Dorian Records. and provide a broader finan­ Public Schools. During the cial base for program expan­ nents that are linked to the Twenty-four youth concerts organization’s overall pro­ Challenge Grant period, are annually attended by sion as ETA celebrates its Learning Through Art 21st year in its own facility. grams in presentation, 30,000 students and preservation, and education. (LTA) will have an extended Symphony ensembles annu­ Programs include profes­ sional training classes in act­ These include documenta­ presence in three schools, ally present 75 to 90 in- tion of the revival of dance P.S. 299 in Bushwick/ school programs and ing, music, dance, playwrit­ Brooklyn, P.S. 126 in South ing, lighting, sound, video works to be presented as part demonstrations which annu­ of the annual festival; docu­ Bronx, and P.S. 155 in East ally reach over 18,000 ele- ~ taping, and audition tech­ Harlem. LTA artist/teachers niques for children, teens mentation of the creative mentary school children. process of newly commis­ will work with classroom The income from the and adults, as well as an art teachers to integrate art, gallery and involvement sioned works; and full im- Challenge Grant endow­ plementation of the reading, and writing activi­ ment fund will be used to with the public schools’ lan- ties within specific curricu­ guage arts curriculum. Repertory Etudes Institute, enhance the artistic pro­ designed to enhance the lum areas. Each class will grams. [93-4624-0039] [93-4624-0008] *No funds host an artist-in-residence for were obligated in FY’93. dancer’s creative develop- ment. The project includes a workshop for 22 consecu­ ~ Dance Theater tive weeks. The project in­ Founders Society, Detroit 24 commissions and re- Foundation, Inc. vivals. [93-4624-0030] cludes learning programs New York, NY $210,000 Institute of Arts that are designed to be Detroit, MI $250,000* To provide support for the Kentucky Center multigenerational and mul­ Dance Theater Foundation To support a challenge initia- tiracial in scope, and uses the tive for the Detroit Institute for the Arts to undertake a special artistic Louisville, KY $470,000* resources of the Guggenheim initiative. The first goal is to of Arts to supplement anoth­ Museum, which houses er joint challenge grant from To support the Kentucky secure the rights to Alvin Center for the Arts (KCA)’s LTA. [93-4624-0052] Ailey’s works by completing a major national foundation and a community founda­ campaign to augment its en- a formal, long-term purchase dowment fund. Endowment agreement, thereby gaining tion. When matched by ad-

228 National Endowment for the Arts Los Angeles Festival ~ MacDowell Colony, ~ Milkweed Editions, music. The Orchestra per- Los Angeles, CA $125,000" Inc. To support the Los Angeles Inc. forms an 89-concert sub­ Peterborough, NH Minneapolis, MN $75,000* scription series of which 20 Festival’s campaign to estab- $190,000 To support Milkweed lish a cash reserve. Beginning To support the MacDowell concerts are performed in St. in 1993 the Festival will Editions’ campaign to create Paul and 69 concerts are Colony’s efforts to renovate a cash reserve. As an indepen­ focus on the arts of Africa and preserve its 40 historic performed in Minneapolis; and the Middle East. Also dent publisher, Milkweed has tours within the state, re- buildings. The MacDowell identified a cash reserve as an for 1993 the Los Angeles Colony, originally a farm gion, and nation; broadcasts Festival is developing a series important aspect of its finan- its concerts nationally purchased by composer cial stabilization. Milkweed of programs to explore the Edward MacDowell in through 100 American roots of such forms of music Editions, a non-profit small Public Radio stations; 1896, was the first artists’ press, evolved in 1984 from and dance as rap, hip hop, community established in records on the Virgin Classic and step forms of particu- the Milkweed Chronicle, a label; performs free outdoor the United States. The sum- non-profit journal dedicated lar interest to teen-aged audi- mer months see as many as concerts; and offers a wide ences often underserved by to poetry and graphics. spectrum of educational and 33 artists in residence at the Today Milkweed Editions more traditional arts organi- community for periods aver- outreach programs to a cul­ zations. The Festival’s board publishes nine books annual­ turally diverse audience. aging six weeks, and the ly--fiction, poetry, essays, determined that this signifi- winter months usually no [93-4624-0037] cant increase in activity ne- translations, and collabora­ less than 20, with variances tive works between writers cessitates the establishment due to the inaccessibility of ~ Minnesota Public of a cash reserve fund. and visual artists--and plans Radio some of the more isolated to increase its sales volume. [93-4624-0043] studios. The Challenge St. Paul, MN $235,000* *No fi~nds were obligated in The cash reserve would pro­ To support the creation of Grant will include winteriz­ vide short-term capital to re­ FY’93. ing seven studios allowing an endowment by the solve cash flow problems Minnesota Public Radio for 35 additional residencies caused by the seasonal nature Los Angeles Philharmonic per year. Part of the total (MPR). The income from Association of the publishing business, the endowment fund will be campaign will be reserved and would allow Milkweed Los Angeles, CA $175,000" for endowment to pay for directed toward arts and per- To support the Los Angeles to take advantage of unex- formance initiatives. Perhaps maintaining the winterized pected opportunities, such as Philharmonic’s campaign to studios. [93-4624-0026] MPR’s best-known radio se- increase its endowment. The the need to reprint a success- ries is Garrison Keillor’s ful book quickly; to continue board intends to increase the ~r Marlboro School of weekly "A Prairie Home endowment for a more se- operations during unantici­ Companion," which attract- Music, Inc. pated delays in receipt of cure, reliable source of in- Philadelphia, PA $210,000 ed the largest audience in come for operations as it ap- grants or collecting receiv­ public radio history. In addi- To support Marlboro School ables; to fund upfront book proaches its move to a new of Music’s campaign to aug­ tion to operating a 22-sta­ concert hall in 1996. The development costs; and to in- tion system in Minnesota, ment its endowment. crease print runs to improve Philharmonic performs a 24- Increased operating costs ne- MPR reaches all of the 50 to 30-week winter season at operating margins. states through a variety of cessitate that the endowment [93-4624-0053] the Los Angeles Music be increased to meet the ex­ major public radio distribu­ Center’s Dorothy Chandler *No funds were obligated in tion services. pected needs of the School. FY’93. Pavilion and an 11-week Marlboro School was found- [93-4624-0047] summer festival at the *No funds were obligated in ed in 1951. Housed on the Minnesota Orchestral Hollywood Bowl. It is plan- campus of Marlboro College, FY’93. ning a future move to the Association, the the Marlboro program pro- Minneapolis Symphony new Concert vides a place for exceptional- Museum of Contemporary Hall, the fourth theater in Orchestra Art, Chicago ly talented young profession- Minneapolis, MN $250,000 the Los Angeles Music al musicians with the Chicago, IL $175,000" Center complex. The To support the Minnesota To support part of the opportunity for artistic de- Orchestra Association’s cam- Challenge Grant and its velopment through advanced Museum of Contemporary match will be the corner- paign to increase its endow- Art’s campaign to increase its and intensive hands-on ment. The Minnesota stone of the fundraising ef- training in chamber music. endowment. The Challenge forts to increase the endow- Orchestra, founded in 1903, Grant would be part of a Endowment income is criti­ is one of the oldest orches­ ment for this transition. cal to the School, since ticket capital campaign to open, [93-4624-0020] tras in the United States. It operate and endow a new fa- revenues and tuition pay- has a long history of present­ *No fiends were obligated in ments constitute only a small cility. From its inception in FY’93. ing young people’s concerts 1967, the Museum commit- percentage of annual in- and producing recordings. come. The board of directors ted itself to showing chal­ The Minnesota Orchestra lenging work by both emerg­ will use the Challenge Grant performs orchestral master­ as a stimulus for gifts. ing and established works as well as commis­ contemporary artists. Today, [93-4624-0038] sioned works and other new the Museum of Contem­

1993 Annual Report 229 New York School for art including American porary Art houses a major pany produces approximate­ Circus Arts painting, sculpture, and dec­ collection of post-World War ly 45 performances of eight orative arts, and collections mainstage operas annually, NewYork, NY $235,000* II art and offers innovative To support the Big Apple of Tibetan art and ancient loan exhibitions comple­ In addition, the Opera glass. The Museum’s audi­ maintains a resident artist Circus’ campaign to estab­ mented by a variety of ad­ lish endowment and cash re­ ence-tailored education pro­ junct educational pro.gram­ program of young singers grams are considered models who perform regularly in serve funds, and to purchase ming. The Museum ~s and replace critical equip­ in the field. [93-4624-0017] planning to build a new facil­ mainstage roles and outreach *No funds were obligated in programs. The endowment ment. Since 1977 the Big ity in downtown Chicago Apple Circus’ mission has FY’93. starting in 1993 and the gala fund will help ease unpre­ dictable fluctuations in in­ been to present the art of the opening is scheduled for fall classical one-ring circus. Nexus, Inc. of 1995. As the opening of come and expenditures. The Atlanta, GA $115,000" cash reserve will allow the Each year the artistic team the building approaches, the creates a new production To support Nexus Museum would like to sig­ Opera to respond to unan­ Contemporary Arts Center’s ticipated opportunities and built around a specific nificantly expand its endow­ theme, incorporating all as­ campaign to create an en­ ment to ensure a consistent meet seasonal expenses prior dowment. As the result of a to receipt of ticket revenues pects of traditional theater source of funds available to and classical circus. In addi­ recent strategic plan the meet its increased operating and pledged gifts. board at Nexus has set the [93-4624-0010] tion to performing under budget. [93-4624-0019] the Big Top, the Circus highest priority on establish­ *No funds were obligated in ing an operating endowment ~r New York Public reaches out to special audi­ FY’93. ences though its community which will be used to en­ Library/Astor, Lenox and hance programs and provide Tilden Foundations programs--the clown care Museum of Contemporary unit, circus arts in education money for building mainte­ Art, San Diego New York, NY $210,000 nance. Nexus, founded in To support the New York programs, and a ticket fund La Jolla, CA $210,000 which provides free tickets 1973 as a storefront photog­ To support part of the San Public Library’s campaign to raphy cooperative, has augment its endowment for to disadvantaged children Diego Museum of and adults. The Circus must grown into an organization Contemporary Art’s 50th the Dance Collection. whose mission is to promote Chronicling the art of establish an endowment to anniversary campaign to ex­ provide long-term support experimentation, excellence pand and renovate its La dance, the Dance Collection and education in the visual, is more than a library in the for artistic initiatives, and Jolla building, establish a for the ongoing maintenance performing and b.oo. k. ar.ts. new permanent location in usual sense of the word. It Programming acuwues m- also serves as a consulting of vehicles that carry the downtown San Diego, and Circus each year on tour. dude the Nexus press, the­ augment its endowment service to the national and ater productions, exhibi­ international dance commu­ The Circus wants to further fund. Over the course of its stabilize its operations by es­ tions, an artist residency 50-year history, the San nity, a film production cen­ tablishing a cash reserve. program, lecture series, audi­ Diego Museum of ter and a museum. Located ence development, a rev­ at Lincoln Center, the The Circus must also replace Contemporary Art has and upgrade its existing enue-producing artists’ stu­ grown from a small commu­ Dance Collection is the dio program, internships, a largest and most compre­ equipment which is rapidly nity arts center to an artisti­ deteriorating, including two newsletter, a special audi­ hensive international re­ cally ambitious and finan­ performance tents, a recep­ ences unit with mentor cially sound institution with search archive devoted solely artists working with disabled to dance. It includes the tion tent, generator and air a major collection of post- artists, and a docent pro­ world’s largest oral dance conditioning. World War II art and a dis­ [93-4624-0059] gram. [93-4624-0055] tinguished exhibitions history archives, other tradi­ *No funds were obligated in tional documents such as *No funds were obligated in record. The Challenge and FY’93. FY’93. matching funds will be used still photographs, programs, specifically for the expansion reviews, drawings, notations, ~ North Carolina School written descriptions, diaries, Newark Museum and renovation of the La Association of the Arts Foundation, Jolla facility which has been and a video collection repre­ $175,000" Inc. senting the choreography of Newark, NJ designed by architect Robert To support the expansion of Winston-Salem, NC Venturi. [93-4624-0025] 532 works, 127 choreogra­ $500,000 phers and numerous dance Newark Museum’s endow­ ment. The Challenge Grant To support the creation of a Music Center Opera companies. A permanent en­ school of filmmaking. The dowment will allow the campaign is part of a larger Association campaign designed to raise film school will focus its cur­ Los Angeles, CA $470,000 Dance Collection to contin- riculum on screenwriting ue in its role as a premiere money for facilities, general To support the creation of operations, and endowment. and directing. The grant will both endowment and cash resource center for the pro- support operating and fessional dance community Founded in 1909, the reserve funds for the Music Newark Museum houses a equipment expenses. The Center Opera Association, and those who study it. North Carolina School of [93-4624-0028] distinguished collection of one of the nation’s largest Western and non-Western the Arts (NCSA) is a conser­ opera companies. The com­

230 National Endowment for the Arts vatory for young artists. by the Original Ballets organization’s name recogni- Over 70 percent of gradu- Foundation that will more ed to safeguard the station’s ates of its schools of drama, tion and concert attendance. ability to develop and pro­ than triple its enrollment at [93-4624-0034] design, and production are the New Ballet School over duce future arts program­ currently active in film and *No funds were obligated in ming. [93-4624-0054] the next three to four years. FY’93. television, leading NCSA of- The Original Ballets *No funds were obligated in ficials to their plans to create FY’93. Foundation, known popu­ Philadelphia Orchestra a major new school of film­ larly as Feld Ballets/NY, was making. The filmmaking Association qz Recorded Anthology of established in 1974 by Eliot Philadelphia, PA $235,000* school will have its own new Feld. The company opened American Music, Inc. facilities and will also have To support the Philadelphia NewYork, NY $280,000* the New Ballet School in Orchestra’s campaign to access to NCSA’s existing re­ 1978 to provide New York To support an initiative by sources in theater and the augment its endowment. In New World Records to in- City public school children addition to the 102 sub- other performing arts. with tuition-free, profession­ crease the number of record­ scription concerts performed ings so that by 1996 it is [93-4624-0045] al ballet training. Current each season, the Orchestra annual enrollment is approx- producing 30 recordings an- Old Town School of Folk performs an annual Martin nually, twice the current imately 730 with a projected Luther King, Jr. tribute con- Music, Inc. enrollment over the grant level. These will be in all Chicago, IL $85,000 cert, concerts for adults new genres that New World cur- period of 2,420. More than to classical music, and seven To support the implementa­ 6,000 students have received rently addresses, including tion of Old Town School of concerts featuring chamber new opera, orchestra, folk ballet training since the ensembles drawn from the Folk Music’s three-phase School opened; 84 percent and jazz, as well as archival Orchestra’s ranks. An opera work. Recorded Anthology marketing project. The Old have been from minority is presented in concert form Town School of Folk Music of American Music was backgrounds. Auditions will at least every other season. was founded in 1957 to pro­ be increased so that all third, founded in 1975 and is ded- vide individual and class in- The Orchestra commissions icated to the documentation fourth and fifth graders in one or two works each sea- of a portion of American struction in folk music and the New York City public to present the best tradition- son and often gives one or music which is largely ig­ schools will have access to two other works their world al artists in concert. Old the School through audi- nored by commercial Town School provides over premiere performance. The recording companies. Since tions. This outreach initia­ Orchestra’s educational pro- 200 free performances in tive includes additional then 9,000 anthologies have schools, senior centers, hos­ grams include a wide array been distributed either free teachers and pianists for the of concerts and lectures. The pitals and other locations new classes, staffand faculty of charge or at cost to educa­ each year. The Old Town endowment income from tional and cultural institu­ for curriculum development, the Challenge Grant will tions throughout the world. School’s commitment to and increased artistic and sustain core programs and The Challenge Grant will community outreach proj- administrative salaries relat­ organizational stability. ects draws local ethnic audi­ ed to the increases in audi­ support a major expansion [93-4624-0012] of New World Record’s ences, including African­ tion teams. [93-4624-0027] *No fitnds were obligated in Americans and Hispanics commitment. FY’93. who make up large segments ~r Orpheus Chamber [93-4624-0033] of Chicago’s population. Orchestra *No funds were obligated in ~" QED Communications, FY’93. The first phase of its new New York, NY $165,000" Inc. marketing initiative involves To support the Orpheus Pittsburgh, PA $280,000* a comprehensive analysis of Chamber Orchestra’s project Robert W. WoodruffArts the Hispanic and African To provide funding that will Center, Inc. to establish a national tour- allow QED to create a spe- American communities in ing program of fifteen con- Atlanta, GA $1,000,000 the Chicago area. The sec­ cial cash reserve fund dedi- To support the Woodruff cert appearances annually in cated to creating major na- ond phase consists of creat­ the United States. These Arts Center’s effort to in­ ing a staff position to direct tional arts programs through crease the endowment of the concerts will rotate annually a specialized, and stabilized Alliance Theatre, and to the resulting community among approximately 30 arts production unit. QED program effort. In the third help the Alliance Theatre re- cities with an audience base presently operates two televi­ duce its deficit and establish phase, the program plan and presenting mechanism sion stations as well as the which has been developed a cash reserve. Income from ultimately capable of sup- only classical music radio the endowment will be used will be implemented, includ­ porting the performances. ing concerts, educational station in the area. The in- for artistic personnel and The presence in each city creased costs of developing, and outreach activities. will include the concert fea­ program expenses. The [93-4624-0016] producing, and marketing Alliance Theatre Company, turing an American work national public television se­ a division of the Robert W. commissioned by the ries, exacerbated by the re- Original Ballets WoodruffArts Center, is at- Orchestra and an outreach/ cession, have forced the sta- tended by nearly 400,000 Foundation, Inc. educational component. The tion to seek new sources of New York, NY $250,000 people annually. Committed project also includes a mar- funding. The Challenge To support a new initiative to the creation of a variety of keting plan to increase the Grant cash reserve is intend- theatrical experiences, the

1993 Annual Report 231 United States. Challenge ment of regional talent Alliance presents 12 full pro­ Sangre de Cristo Arts and through its apprentice artist Conference Center Grant and matching funds ductions each year, includ­ will be used exclusively to program and by employing ing a world premiere. Other Pueblo, CO $115,000" Wisconsin artists in combi­ To support Sangre de Cristo produce annual endowment programs include two chil­ income to support the nation with performers, di­ drens’ theater productions Arts and Conference rectors, and designers from Center’s campaign to in­ School’s Boys’ Program. and a lunchtime theater se­ [93-4624-0036] all over the United States. ries. [93-4624-0060] crease its current endow­ The Challenge Grant will be ment. The increased interest *$59,ooo was obligated in FY’93. used to expand its endow­ Saint Louis Art Museum income will be used to en­ ment to sustain its artistic Foundation hance program growth. The strength and financial stabil­ Center’s two-building com­ Sculpture Chicago, Inc. St. Louis, MO $175,000 Chicago, IL $200,000 ity. [93-4624-00021 To augment the Saint Louis plex houses four galleries, a *No funds were obligated in 500-seat theater, a children’s To support a two-year pro­ Art Museum Foundation’s ject, Culture in Action, FY’93. endowment fund. The museum, classrooms, two dance studios, and a 7,000­ which will include a series of Challenge and matching ten public installations to be Society of the Third Street funds will be dedicated to a square-foot conference cen­ Music School Settlement, ter. Its permanent collection located in sites throughout conservation endowment the Chicago area. In addi­ Inc. fund as an integral element consists of some 220 paint­ New York, NY $250,000 ings, sculptures, and works tion to the site-specific of a larger endowment cam­ works to be created, the pro­ To provide support to in­ paign. Creating an endow­ on paper focusing on the art crease the Society of the of the American West. ject will include artist-de­ ment specifically for conser­ signed programming, to en­ Third Street Music School vation will assure that the Sangre de Cristo offers its Settlement’s endowment. community a wide range of gage target audiences in the demands of the Museum’s conception and realization The school was founded in earthquake mitigation pro­ programs that include tradi­ 1894 with a mission to pro­ tional art museum functions of the projects; general pro­ gram, which has stretched gramming to include lec­ vide musical training to present conservation depart­ plus exposure to dance, the­ young people regardless of ater, film, and various com­ tures; a year-long series of ment resources, do not de­ neighborhood tours to the artistic ability or financial tract from other key conser­ munity services. circumstances. Today Third [93-4624-0023] sites; round table discus­ vation programs. Based on sions; and documentation of Street remains a vital cultur­ the model of London’s *No funds were obligated in al and economic force in its FY’93. the project. Sculpture Victoria and Albert Mus­ Chicago is a ten-year old vi­ community which is home eum, the Saint Louis Art sual arts organization estab­ to rich and poor of all races, Museum was established in School of American Ballet, religions, and nationalities. Inc. lished in Chicago by a group 1879 as the first art museum of developers and communi­ Its curriculum includes west of the Mississippi NewYork, NY $115,000" music, dance, art, and pre­ To support the School of ty members to help support River. The Museum’s com­ artists in the creation of in­ school arts. The endowment prehensive collection is American Ballet’s campaign will provide a significant to augment its endowment. novative public art and to noted for its strong holdings help educate the public source of income, allowing of American fine and deco­ The School of American the school to offer increased Ballet was founded by about the creative process. rative art, 19th-century [93-4624-0001] financial aid to students, French paintings, and Asian George Balanchine and maintain and strengthen its art, as well as its large num­ Lincoln Kirstein in 1934 to arts education curriculum, train ballet dancers for pro­ Skylight Opera Theatre ber of paintings by Max and better provide for its fessional careers. The 15­ Corporation Beckmann. In addition, the Milwaukee, WI $115,000" faculty and staff. Museum maintains active member faculty instructs [93-4624-0005] 500 students, ages 8-19, in To support part of Skylight education programs which Opera Theatre’s capital cam­ reach a variety of audiences. daily technique and other South Coast Repertory, special programs including paign to augment its endow­ In 1990 the Museum ment. In its 33-year history, Inc. charged the conservation de­ stage experience and chore­ Costa Mesa, CA $115,000" ography. Each year 25-30 the Skylight Opera Theatre partment with a new priori­ has established a reputation To assist South Coast ty of designing and imple­ students leave the School to Repertory in creating part of perform professionally. for an adventuresome and menting an earthquake innovative approach to an endowment for the mitigation program for each Every student’s tuition is Nexus Program which will subsidized by the School and repertoire, encompassing of the more than 30,000 ob­ music theater in many support artistic and cultural jects in the collections. The a scholarship program en­ diversification. Income from ables minorities and eco­ forms. The company pre­ Challenge Grant will be­ sents six fully-staged produc­ the endowment will be used come part of this conserva­ nomically disadvantaged stu­ to support commissions dents to attend. School of tions during its main season, tion effort. [93-4624-0004] tours one production per from minority and alterna­ American Ballet alumni tive theater artists, work­ dance for the New York year, and provides numerous outreach performances. shops to develop multicul­ City Ballet as well as every tural and non-traditional major ballet company in the Skylight fosters the develop­

232 National Endowment for the Arts projects, and production en­ ronment in Massachusetts family concerts. The serves as the administrative hancements for work from has provided the impetus for Orchestra performs twelve unit for the Southeast the commissions and work­ the Orchestra to take serious neighborhood concerts in all Institute for Education in shops. SCR established its steps to maintain fiscal re­ parts of Toledo and eleven Music, the Southeast commitment to the develop­ sponsibility and broaden its run-out concerts to commu­ Institute for Education in ment of new plays and the financial base. The Chal­ nities surrounding Toledo. Theatre, and the Southeast presentation of the classics lenge Grant and its match *No funds were obligated in Institute for Education in the and contemporary plays in will be devoted to building FY’93. Visual Arts. The Center seeks its early years. Its seasons in­ an endowment to provide to set a new standard for clude an educational touring income to help sustain gen­ University of Iowa teaching in the arts through program, the Hispanic play­ eral operations. The Spring­ Iowa City, IA $150,000" staffdevelopment and cur­ wrights project, and the field Symphony Orchestra To support part of a cam­ riculum implementation ef­ young conservatory players. has been presenting musical paign by Hancher Auditior­ forts. Programming is de­ [93-4624-0058] performances to audiences ium to remodel the auditori­ signed to establish the arts as *No funds were obligated in of western Massachusetts um and purchase a new a vital component in general FY’93. and the New England region lighting system. The entire education in elementary and for nearly 50 years. The campaign includes repairing secondary schools through­ Spanish Theatre Repertory Symphony’s main season the stage floor, expanding out Tennessee, Georgia, Co., Ltd. consists of both classical and the lighting system, purchas­ Alabama, Kentucky, Vir­ New York, NY $175,000 pops concerts often featur­ ing chairs and music stands, ginia, and the southeast. To support the campaign of ing guest artists or conduc­ remodeling dressing rooms, Through the Challenge the Spanish Theatre Reper­ tors. The Symphony’s edu­ making the backstage acces­ Grant the Center intends to tory Company (Repertorio cation programs introduce sible, replacing carpeting, re­ stabilize its annual operating Espanol) to augment its en­ children to orchestral music placing auditorium seating budget by reducing its de­ dowment. Though well-es­ and augment diminishing and the front stage curtain, pendence on grants and es­ tablished, the Company sees public school music classes. and replastering and repaint­ tablishing an endowment itself as being financially vul­ [93-4624-0009] ing the interior. Hancher fund. [93-4624-0051] nerable due to a variety of *No funds were obligated in Auditorium opened as the *No funds were obligated in factors, including declining FY’93. performing arts center of the FY’93. government funding, shifting University of Iowa in 1972. corporate and foundation Toledo Orchestra Programs include classical Vermont Folklife Center contribution priorities, and Association music, jazz, musical theater, Middlebury, VT $280,000 continued limited access to Toledo, OH $175,000" modern dance, and ballet; To support the Vermont individual support. Reper­ To provide funding to aug­ well-known and emerging Folklife Center’s campaign to torio Espanol was founded in ment the Toledo Orchestra artists are presented to a establish a cash reserve fund. 1968 to introduce the best of Association’s endowment. broad mix of audiences. The fund will be used to sup­ Latin-American, Spanish and Support from city and coun­ Today, Hancher presents plement salaries, to add a Hispanic-American theater in ty grants has declined, and multiple performances of as part-time marketing position, rotating repertory; to create a general economic conditions many as 45 different events to establish a revolving fund professional company to per­ in the area have diminished per season. Commissioning for program development, to form in the Spanish lan­ the number of corporate of new works in dance, diversify its touring program, guage; to bring this theater to fundraising prospects. The music, and musical theater is to complete computer cata­ a broad audience in New Toledo Symphony has now an integral part of loging of the collection, and York and across the country; grown since its founding in Hancher’s presenting com­ to begin acquisitions of con­ and to serve as a catalyst for 1943 from a core group of mitment, and extensive pro­ temporary Vermont folk art. cultural interchange between 22 part-time musicians to an motional efforts and educa­ In the mid-1980’s the Spanish and English speaking orchestra that permanently tional programming have Vermont Folklife Center Americans. The existence of employs 80 professional mu­ been developed. evolved from a state folk arts an endowment fund will help sicians. The Orchestra’s ser­ [93-4624-0044] coordinator program of the to ensure the future financial vices have expanded from *No funds were obligated in Vermont Council on the Arts stability of the Company one series with three con­ FY’93. to become an independent which will, in turn, enhance certs to its present offering traditional arts organization its ability to take artistic risks. which includes: nine classic University of Tennessee at dedicated to collecting, pre­ [93-4624-0056] concert subscription pairs; Chattanooga serving, and presenting the five major guest artist pops Chattanooga, TN traditional arts of Vermont. Springfield Symphony concerts; four Mainly $470,000* Through exhibits, media pro­ Orchestra Mozart chamber orchestra To support a special cam­ ductions, publications, and Springfield, MA 75,000* concerts; twelve perfor­ paign by the University of school programs, the Center To support the Springfield mances of four young peo­ Tennessee to help create an takes its outreach and educa­ Symphony Orchestra’s re­ ples concerts; three contem­ endowment for the Southeast tional programs on regional quest to augment its endow­ porary chamber music Center for Education in the traditional arts and culture to ment. The recessionary envi­ concerts; and four casual Arts. The Southeast Center audiences throughout the

1993 Annual Report 233 state and region. Such pro­ Symphony is anticipating outreach continues to be an Arts Council of New jects are made possible largely the erosion of traditional essential part of the mission Orleans because of important collec­ sources of funds at a time of the organization. In addi­ New Orleans, LA $165,000 tions and research documents when operational expenses tion to the young people’s [91-4622-0013] cared for in the Vermont will be increasing. The exist­ concerts and a docent pro­ Folklife Center archives. The ing endowment needs to be gram which reaches 6,000 Ballet Hispanico of New Center plans to launch a augmented to provide re­ elementary students annual­ York major fundraising campaign quired additional income. ly, the Orchestra is establish­ New York, NY $124,650 to coincide with its 10th an­ The West Shore Symphony ing a program to take en­ [92-4622-0011] niversary and will use the Orchestra was established in sembles into the schools. Challenge Grant as a stimu­ 1938 when a group of 40 The Challenge Grant will be California Lawyers for the lus for gifts to the cash re­ members presented its first used to make the second sea­ Arts, Inc. serve. [93-4624-0015] concert. The Orchestra per­ son sites permanent by re­ San Francisco, CA $68,513 forms an eight-pair subscrip­ ducing fees charged to sec­ [92-4622-0013] Vivian Beaumont Theater tion series which includes ond season sponsors giving at Lincoln Center both classical and pops con­ them time to develop the ex­ Center for Puppetry New York, NY $235,000* certs and reaches an audi­ pertise and support to guar­ Arts, Inc. To support Vivian ence of over 2,400 per con­ antee long-term success. Atlanta, GA $200,000 Beaumont Theater’s cam­ cert pair, a music-and-arts [93-4624-0011 ] [92-4622-0015] paign to increase its cash re­ series, and run-out orchestra serve. The Vivian Beaumont and chamber concerts to the Chicago Educational Theater has presented over surrounding West Shore Television Association 5,200 performances of 40 communities. Since 1967, Chicago, IL $195,446 plays and musicals, seen by the Orchestra has sponsored [92-4622-0008] more than 3.5 million peo­ a youth orchestra as a train­ ple. Ongoing activities in­ ing ground for talented area ~ SFM Limited Contemporary clude a recently established students, and a docent pro­ Washington, DC $247,909 Theatre, Inc. new play workshop and gram takes Orchestra volun­ To renew a cooperative Seattle, WA $166,970 reading series, an education teers into the classroom. agreement to evaluate the [91-4622-0011] program operating in coop­ [93-4624-0013] matching capacity, manage­ eration with the New York *No funds were obligated in ment and board strength, fi­ Cooper Union for the City public schools, and the FY’93. nancial position, likely grant Advancement of Science playwrights program, impact, and application and Art signed to give voice to a new Wheeling Symphony readiness for Challenge New York, NY $194,000 generation of talent by pro­ Society, Inc. Grant applicants. [92-4622-0021] viding opportunities to those Wheeling, WV $140,000 [DCA 93-35] writers who reflect the eth­ To support the Wheeling Crossroads, Inc. nic diversity of New York Symphony Society’s initia­ The following Challenge III New Brunswick, NJ City. Since 1985 financial tive for the creation of per­ grants were announced dur­ $125,173 resources were directed to­ manent second season sites ing previous fiscal years. The [92-4622-0040] ward necessary improve­ in Fairmont, Clarksburg, amounts listed below were ments to the Beaumont Morgantown, and Glenville, obligated during FY’93. Des Moines Metro complex, where productions West Virginia, and to estab­ Descriptions and total Opera, Inc. are staged, and to maintain­ lish a one-week summer resi­ amounts of these grants may Indianola, IA $18,500 ing affordable ticket prices dency at Glenville State be found in previous annual [92-4622-0018] to a broad-based audience. College. Founded in 1929, reports. The Theater now needs to the Wheeling Symphony District Curators, Inc. solidify its financial founda­ Orchestra is one of the old­ Washington, DC $66,569 tion, and a Challenge Grant est cultural institutions in [92-4622-0005] for cash reserve funds will be West Virginia. During its a major part of this effort. season the Orchestra pre­ Fairbanks Symphony [93-4624-0049] sents a five-concert classical Alabama State Council on Association, Inc. *No funds were obligated in series, a three-concert pops the Arts Fairbanks, AK $50,000 FY’93. series, two performances of Montgomery, AL $35,000 [92-4622-0025] Nutcracker, four young peo­ [91-4622-0031] West Shore Symphony ple’s concerts, three free FBm/VideoArts, Inc. Orchestra summer concerts, second Alaska Public Radio NewYork, NY $37,324 Muskegon, MI $75,000* seasons in Fairmont and Anchorage, AK $150,000 [92-4622-0007] To augment the West Shore Clarksburg, and 10 run-out [92-4622-0001] Symphony Orchestra’s en­ concerts to other areas of dowment. West Shore West Virginia. Education

234 National Endowment for the Arts Greater Tacoma Christopher P. Bruhl Barbara Nicholson Dance Community Foundation (chair) Executive Director Tacoma, WA $420,000 President, Martin Luther King, Jr. Jean Pierre Bonnefoux [91-4622-0001] Business Council of Performing and Cultural Chair, Ballet Department, Southwestern Connecticut Arts Complex Indiana University House Foundation for the Stamford, CT Columbus, OH Bloomington, IN Arts, Inc. New York, NY $26,269 Cecil Cole Bill Warrell Joan Myers Brown [92-4622-0036] Orchestra Manager, Executive Director, Founder/Executive Director, Utah Symphony District Curators, Inc. Philadanco Howard University Salt Lake City, UT Washington, DC Philadelphia, PA Washington, DC $40,000 [92-4622-0003] Joe Deal Arts In Education Suzanne Carbonneau Dean, School of Fine Arts, Critic/Historian International House of Washington University Richard Bains Chevy Chase, MD Philadelphia St. Louis, MO Director of Education Philadelphia, PA $67,000 Programs, Barbara Dufty [92-4622-0035] Anne Ewers San Francisco Symphony Managing Director, General Director, San Francisco, CA Meredith Monk/The House Louisville Children’s Utah Opera New York, NY Theatre (Stage One) Salt Lake City, UT Gail DellaPiana Louisville, KY $125,000 Associate Professor, School of Nancy Johnson [90-4622-0020] Herbert Ferrer Interdisciplinary Studies, Manager, Arts in Education Department of Architecture, San Francisco Ballet School National Association of Coordinator, Miami University San Francisco, CA Artists’ Organizations, Inc. Michigan Council for the Oxford, OH Washington, DC $50,000 Arts and Humanities Carol Carson Gail Kappe (layperson) [92-4622-0019] Detroit, MI Executive Director, Senior Editor, Missouri Arts Education Chicago Magazine New York City Opera, Inc. Jay Gates Task Force Chicago, IL NewYork, NY $1,000,000 Director, St. Louis, MO Bruce Marks (chair) [92-4622-0017] Seattle Art Museum Artistic Director, Seattle, WA Mary Francis Early Boston Ballet Paul Taylor Dance Coordinator of Music Boston, MA Foundation, Inc. David Hawkanson Education, New York, NY $391,374 Managing Director, Atlanta Public Schools Toby Mattox [92-4622-0038] Hartford Stage Company Instructional Services Center Executive Director, Hartford, CT Atlanta, GA Society for the Performing Twin Cities Public Arts Television, Inc. William Ivey Herbert Ferrer Houston, TX St. Paul, MN $307,485 Executive Director, Arts in Education [92-4622-0028] Country Music Foundation Coordinator, Tina Ramirez Nashville, TN Michigan Council for the Artistic Director, Walker Art Center, Inc. Arts and Humanities Ballet Hispanico Minneapolis, MN $34,100 Nancy Johnson Detroit, MI New York, NY [92-4622-0034] Manager, San Francisco Ballet School Rowena Stewart Design Arts San Francisco, CA Executive Director, Afro-American Historical Rosalie Genevro Anne Kingsbury and Cultural Museum Executive Director, Manager, Philadelphia, PA The Architectural League of Challenge Review Woodland Pattern Book New York Committee Center Larry Williams (chair, New York, NY Milwaukee, WI layperson) Marolyn Bailey Superintendent, Clint Hewitt (layperson) Richard J. Meyer Bozeman Public Schools Associate Vice President of Corporate Investor Relations, President and Chief Executive Great Falls, MT Master Planning and Real COMCAST CABLE Officer, Estate/Associate Professor of Philadelphia, PA North Texas Public Horticultural Science, Broadcasting, Inc. University of Minnesota Dallas, TX Minneapolis, MN

1993 Annual Report 235 Deborah Karasov Design Review Willard Jenkins, Jr. Elizabeth Peterson Assistant Education Director Executive Director, Director of Traditional Arts of Adult Education, Nathaniel H. Dickerson National Jazz Service Program, Walker Art Center (layperson) Organization New England Foundation Minneapolis, MN Principal, Washington, DC for the Arts The Dickerson Knight Cambridge, MA David A. Kennedy Group Elizabeth Min Brooklyn, NY Artistic Director, Robert Teske Director of Curriculum, Director, State of Washington Oakland Youth Chorus Olympia, WA Donald IL Hanks Oakland, CA Cedarburg Cultural Center Architect, Cedarburg, WI Barbara Nicholson Paul C. King Barrier Free Environments Literature Principal, Inc. Executive Director, CADD Management Raleigh, NC Martin Luther King, Jr. Consulting Performing and Cultural George Gibson Brooklyn, NY Laurie Maurer Arts Complex Acting Chief Operating Principal, Columbus, OH Officer, Richard Leitch (layperson) Maurer and Maurer, Consortium Vice President of Sales and Architects Folk Arts Boston, MA Marketing, Brooklyn, NY George Washington King David Brose Ray Gonzalez, Company Margaret I. McCurry Folk Arts Coordinator, Director of Literature, Baltimore, MD Partner, John C. Campbell Folk Guadalupe Cultural Arts Tigerman McCurry School Center Genevieve Ray Chicago, IL Brasstown, NC San Antonio, TX Principal, Urban Conservation & Ignacio San Martin Jon Ching (layperson) Anne Kingsbury Design Associate Professor, College of Consultant Manager, Woodland Pattern Book Cleveland Heights, OH Architecture, Fresno, CA Arizona State University Center Shauna D. Stallworth Tempe, AZ Margaret Glaser Milwaukee, WI Director of Programs and Program Director, Special Projects, Patricia Wilson Western Folklife Center Donald Laing Organization of Black Director, Mid-Atlantic Elko, NV Managing Director, Designers Regional Office, Publications Center, Washington, DC National Trust for Historic Barbara Hampton Department of English, Preservation Ethnomusicologist, University of Colorado at Richard Sundberg Philadelphia, PA Graduate Program in Boulder Vice President, Ethnomusicology, Golden, CO Olson Sundberg Architects Expansion Arts City University of New York Seattle, WA New York, NY Nancy O’Hara (layperson) Marolyn Bailey Merchandise Manager, Randy Swearer (layperson) William Ivey (chair) Barnes & Noble Bookstores Associate Professor and Corporate Investor Relations, Executive Director, New York, NY Director of the Division of COMCAST CABLE Country Music Foundation Design, Philadelphia, PA Nashville, TN Josie Talamantez (chair) University of Texas at Arts Administrator, Austin David Cadigan Patricia Jasper California Arts Council Austin, TX Arts Administrator, Executive Director, Sacramento, CA Maine Arts Commission Texas Folklife Resources Peter Wooding Augusta, ME Austin, TX Locals Industrial Designer, Peter Wooding Design Patricia Cruz Mario Montano Christopher P. Bruhl Associates Development Director, Assistant Professor, American (chair) Providence, RI The Studio Museum in Studies Program, President, Harlem University of Minnesota Business Council of New York, NY Minneapolis, MN Southwestern Connecticut Stamford, CT

236 National Endowment for the Arts Jennifer Severin Clark Richard J. Meyer Linda B. Shearer Marcus Overton Executive Director, President and Chief Executive Director, Executive Director, Nebraska Arts Council Officer, Williams College Museum Spoleto Festival USA Omaha, NE North Texas Public of Art Charleston, SC Broadcasting, Inc. Williamstown, MA Eduardo Diaz Dallas, TX Gertrude Rivers Robinson Director, Department of Arts Joan Rosenbaum (co-chair) and Cu/tura/ Affairs, Marita Rivero Director, Associate Professor of Music, City of San Antonio Vice President and Radio The Jewish Museum Loyola Marymount San Antonio, TX Manager, New York, NY University WGBH Educational Los Angeles, CA Cecelia Fitzgibbon Foundation A. Bret Wailer Executive Director, Boston, MA Director, David Swanzy Delaware State Arts Council Indianapolis Museum of Art Dean, College of Music, Wilmington, DE Daniel Taradash Indianapolis, IN Loyola University at New Screenwriter Orleans Pamela G. Holt Beverly Hills, CA Sylvia H. Williams New Orleans, LA Executive Director, Director, The National D.C. Commission on the David Thaxton Museum of AJ~ican Art, Opera-Musical Theater Arts and Humanities President, Smithsonian Institution Washington, DC Thaxton Green Studios Washington, DC Anne Ewers Washington, DC General Director, Sarah Lutman Music Utah Opera Division Director, Museum Salt Lake City, UT Bush Foundation Cecil Cole St. Paul, MN Marie Acosta-Colon Orchestra Manager, Millicent Kim (chair) Executive Director, Utah Symphony Chairman, Shahida Mausi The Mexican Museum Salt Lake City, UT Hawaii State Foundation on Executive Director, San Francisco, CA Culture and the Arts Detroit Council of the Arts Joanne Co$$a Hilo, HI Detroit, MI Maxwell Anderson Executive Vice Director, Carlos Museum, President/Managing Director, Linda McVey Nancy N. Meier Emory University School of Symphony Space Executive Director, Executive Director, Art and Architecture New York, NY Albuquerque Civic Light Arts and Business Council Atlanta, GA Opera New York, NY Mary Hail Deissler Albuquerque, NM Michael Auping General Manager, William Moskin Chief Curator, Handel & Haydn Society Janis Milroy (layperson) Consultant, Albright-Knox Art Gallery Boston, MA Divisional Vice President, Sacramento, CA Buffalo, NY Traveler’s Insurance Wade Harrison (co-chair) Bloomfield, CT Kathleen Pavlick Jay Gates (chair) President, Harrison Steel Assistant Vice President, Director, Casting Company; Jane Nelson Office of Corporate Social Seattle Art Museum Board Member, Indiana Executive Director, Policy, Seattle, WA Arts Commission Dayton Opera Chemical Bank Attica, IN Dayton, OH New York, NY Steven A. Nash Associate Director/Chief Jeannette Jennings Krista Rimple Media Arts Curator, (layperson) Director of Community Fine Arts Museums of San Associate Professor, College of Programs, Rev. Jimmye Kimmey Francisco Social Work, Houston Grand Opera (chair, layperson) San Francisco, CA University of Tennessee Houston, TX Canon to the Ordinary for Knoxville, TN Ministry Development, Diane C. Nelson Kevin Smith Episcopal Diocese of New (layperson) Roger Nierenberg General Director, York Board Member, Joslyn Music Director and Minnesota Opera New York, NY Museum Conductor, Minneapolis, MN Lincoln, NE Jacksonville and Stamford Orchestras Jacksonville, FL

1993 Annual Report 237 Anthony Stimac Bess Pruitt William Moskin Visual Arts Executive/Artistic Director, Chief Executive Officer, Consultant, Musical Theatre Works Bess Pruitt & Associates, Sacramento, CA Deborah Bright New York, NY Inc. Faculty, Bronx, NY Kathleen Pavlick Rhode Island School of Robert Swedberg Assistant Vice President, Design General Director, Dean Stein Office of Corporate Social Providence, RI Orlando Opera Executive Director, Policy, Orlando, FL Chamber Music America Chemical Bank Jacqueline Crist New York, NY New York, NY Director, Visual Arts Presenting & Programs, Commissioning Bill Warrell Theater Idaho Commission on the Executive Director, Arts Ludy Biddle District Curators, Inc. Bruce Allardice Boise, ID Executive Director, Washington, DC Managing Director, Crossroads Arts Council Fiji Theater Company Joe Deal (chair) Shrewsbury, VT State New York, NY Dean, School of Fine Arts, Washington University Robert Cole Christopher P. Bruhl Cliff Fanin Baker St. Louis, MO Director, (chair) Produdng Artistic Director, Cal Performances, President, The Arkansas Repertory Kyong Park University of California, Business Council of Theatre Director, Berkeley Southwestern Connecticut Little Rock, AR The Storefront for Art and Berkeley, CA Stamford, CT Architecture Brenda Banfield New York, NY Wilfred Delphin Jennifer Severin Clark (layperson) Artist-in-Residence/Professor, Executive Director, Manager, Corporate Affairs, Stephen Prina School of Music, Nebraska Arts Council Dynamic Concepts, Inc. Visual Artist Southern Illinois University Omaha, NE Washington, DC Los Angeles, CA Carbondale, IL Eduardo Diaz Barbara Gaines Renny Pritikln Paul Edmond (layperson) Director, Department of Arts Artistic Director, Visual Arts Director, Manager, Corporate Human and Cultural Affairs, Shakespeare Repertory Yerba Buena Center for the Resources, City of San Antonio Theater Arts Miller Brewing Company San Antonio, TX Chicago, IL San Francisco, CA Milwaukee, WI Cecelia Fitzgibbon David Hawkanson (chair) Cesar Trasobares Victor Gotesman (chair) Executive Director, Managing Director, Visual Artist; Manager, Delaware State Arts Council Hartford Stage Company Independent Public Art Cerritos Center for the Wilmington, DE Hartford, CT Consultant Performing Arts Miami, FL Cerritos, CA Pamela G. Holt Abel Lopez Executive Director, Associate Producing Director, Fred Wilson Gerri Hobdy D.C. Commission on the GALA Hispanic Theater Executive Director, Assistant Secretary, Arts and Humanities Washington, DC Longwood Arts Project Office of Cultural Washington, DC Bronx, NY Development, Susan Trapnell Moritz Louisiana Department of Sarah Lutman Managing Director, Virginia Wright Culture, Recreation, and Division Director, A Contemporary Theatre (layperson) Tourism Bush Foundation Seattle, WA Collector, Patron Baton Rouge, LA St. Paul, MN Seattle, WA Veronica Njoku Meredith Myers Shahida Mausi Assistant Director, Overview (1993) Associate Dean and Assistant Executive Director, Fulton County Arts Council Director, Detroit Council of the Arts Atlanta, GA Brenda Banfield Carnegie Mellon University Detroit, MI (layperson) Pittsburgh, PA Manager of Corporate Affairs, Nancy N. Meier Dynamic Concepts, Inc. Executive Director, Washington, DC Arts and Business Council New York, NY

238 National Endowment for the Arts Bill Bulick William F. Lester Samuel Sachs Anthony B. Turney (chair) Executive Director, President/Executive Director, Director, Executive Director, Metropolitan Arts Charlotte Symphony Detroit Institute of the Arts The Names Project Commission Charlotte, NC Detroit, MI Foundation Portland, OR San Francisco, CA Virginia Louloudes Anne Marie Stein Shelley M. Cohn Executive Director, Executive Director, Mayumi Tsutakawa Executive Director, Alliance of Resident Boston Film/Video Writer Arizona Commission on the Theatres/New York Foundation Seattle, WA Arts New York, NY Boston, MA Phoenix, AZ Stephen P. Merz Jeffrey A. Thurston Cynthia Hardy Executive Director, Finance Finance/Administrative Consultant and Operations, Director, Columbus, OH Robert W. Woodruff Arts Opera America Center Washington, DC Atlanta, GA

1993 Annual Report 239 The Advancement Program helps small and emerging The organizations receiving Advancement assistance range across a broad spectrum of institution types and levels of development, yet the program’s help is always tailored to the unique identity and needs of each group. arts organizations of the highest caliber improve their The program offers assistance in two "phases." In Phase I, participants explore their futures. With the help of a con­ sultant, the organization develops artistic and manage­ ment goals, then devises strategies to reach those goals and managerial performance and financial stabiliW. Since crafts a strategic multiyear plan. In Phase II, the partici­ pant receives a grant to implement the plan, a comprehen­ sive blueprint covering three to five years. Phase II grants must be matched 3 to 1; for each Endowment dollar the 1983, the program has made an invaluable investment grantee must raise three dollars from nonfederal souces.

For example, Underground Railway Theater (URT), of Arlington, Massachusetts, a unique blend of puppets, in America’s cultural future by helping more than 400 symphonic music and human actors, began its Phase I participation in 1993. A national touring theater for children and adults, URT creates original works that organizations from Alaska to the Virgin Islands. These combine puppets and actors, collaborations with sym­ phony orchestras, and original works addressing contem­ emerging groups are important as sources of new creative porary social themes such as homelessness. In addition, URT is in the fourth year of an innovative interactive cable television project involving Massachusetts teachers directions, as training grounds for artists, and in some and students. The company has appeared in 30 states as well as in Canada, Europe, Central America and the for­ instances as foundations from which new institutions may mer Soviet Union. URT wants to create a stable ensem­ grow. Survival and stabilization are perennial challenges ble and rethink its fundamental mission whether to for small nonprofit arts organizations. For a decade, the remain a national touring company or to become a resi­ program has helped such groups develop solid structures dent company with a home season and stronger local in order to pursue their artistic visions. presence, a key to long term stabilization.

240 National Endowment for the Arts By contrast, Young Aspirations/ will use Advancement help to ex- Young Artists (YA/YA),.a six-year- plore strategies for balancing the old visual and design arts group in sometimes conflicting goals of serv- New Orleans, offers at-risk inner- ing more people in Vermont and city teenagers training in commer- providing the best music possible, cial and fine art and creates exhibi- and for integrating volunteer and tion opportunities for their work. professional staff to meet increasing YA/YA students’ unique painted demands for its services. furniture has been shown around the United States, in Italy and Very Special Arts/New Mexico Japan, and on the "The Today (VSA/NM) in Albuquerque re­ Show." Projects have ranged from ~’Cooperative agreements ceived a grant this year to imple­ the creation of 1,600 objects rep- *This figure includes $1,914,991 in funds ment elements of the multi-year resenting the MTV logo for the awarded in FY’93, $531,312 in unobligated plan developed in Phase I. Through MTV network to a French mural FY’93 commitments which will appear in the performing, visual and literary project involving North African subsequent annual reports, and $158,636 in arts, VSA/NM creates opportuni­ immigrant children. YA/YA en- funds committed in previous years but ties for persons with disabilities to obligated in FY’93. tered Phase I in 1993 with several participate in society’s mainstream, goals: to develop an organizational ...... and serves as a model for inclusion- model; to bring its student members into leadership po- ary arts activities at a statewide level. During the plan­ sitions; to create structures to manage the organization’s ning/technical assistance phase, VSA/NM focused on extraordinary growth; to manage a new fabric design more effectively serving the diverse needs of its largely program component. rural state. Its Phase II grant will be used to help VSA/NM create a regional representative network and The 59-year-old Vermont Symphony Orchestra (VSO) an innovative studio-based visual arts program, the also began Phase I participation this year. Based in Enabled Arts Center, which will be the hub of activities Burlington, the orchestra performs 25 to 30 concerts over the next three years. annually in venues that include barns, town halls, schools and churches. Dedicated to providing all Mad River Theater Works of West Liberty, Ohio, re- Vermonters with music of high professional quality, ceived a grant to implement elements of its multi-year VSO ensembles performed in each of Vermont’s 251 plan developed in Phase I. This rural professional the- towns during its 50th anniversary season. The orchestra ater company devotes itself to creating original plays

1993 Annual Report 241 drawn from and produced for the people of the rural and the creation of a permanent performance site for a Midwest. The company is one of a growing number of home season, an outdoor pavilion with all-weather alternative theaters around the country that produce parking lot. Mad River’s new grant funds will be used original work based in the culture and history of a par­ for several purposes, including the strengthening of its ticular region. Mad River focused its Phase I planning core artistic ensemble through a longer employment on the transition from a touring to a resident season season and increased rehearsal time.

Elgin Symphony Orchestra San Francisco Early Music Zeitgeist Association Society St. Paul, MN Elgin, IL Berkeley, CA En Garde Arts, Inc. Santa Fe Desert Chorale New York, NY Santa Fe, NM Alice B. Theatre Horse Cave Theatre Society for the Association Horse Cave, KY Preservation of New Treasury Funds: $1,914,991 Seattle, WA England Antiquities Boston, MA Arizona State University Iroquois Indian Museum Howes Cave, NY Alliance of Resident Art Museum Theatre Grottesco North Theaters (ART/NY) Tempe, AZ Jazz in the City America New York, NY $50,789* San Francisco, CA Detroit, MI To support the implementa­ Arkansas Repertory tion ofa multiyear plan fo­ Company Laguna Gloria Art Museum Underground Railway cusing on ART/NY’s Indus­ Little Rock, AR Austin, TX Theater try Stabilization Initiative, and its own internal staff re­ ARTS/Boston Arlington, MA League of Historic organization and stabiliza­ Boston, MA American Theatres Unity Concerts of New tion. [93-4723-0009] Washington, DC Jersey *Funds committed but not Borough of Manhattan Montclair, NJ obligated in FY’93. Community College Lower Manhattan Cultural Performing Arts Council University of California/ American Stage Center/The Triplex New York, NY California Museum of Company, Inc. New York, NY Photography St. Petersburg, FL $50,789 Macon Symphony Riverside, CA To support implementation Cantata Singers, Inc. Orchestra of a multiyear plan focusing Boston, MA Macon, GA Ventura County on the theater’s institutional Symphony Association and managerial long-term Chicago Children’s Choir Milwaukee Chamber Ventura, CA needs after moving into a Chicago, IL Theatre new facility. [93-4723-0020] Milwaukee, WI Vermont Symphony Children’s Theatre Board Orchestra Anchorage Symphony Winston-Salem, NC National Jazz Service Burlington, VT Orchestra Organization Anchorage, AK $50,789* Choral Arts Society of Washington, DC Wheeling Symphony To support implementation Washington, DC Society, Inc. of a multiyear plan focusing Washington, DC Portland Baroque Wheeling, WV on education programs, Orchestra marketing and audience de­ Chorus of Westerly Portland, OR Woolly Mammoth Theatre velopment, staff reorganiza­ Westerly, RI Company tion, and the establishment Pro Arte Chamber Washington, DC of a cash reserve to stabilize Colorado Music Festival Orchestra of Boston cash flow. [93-4723-0031] Boulder, CO Cambridge, MA Young Aspirations/ *Funds committed but not Young Artists obligated in FY’93. Corporate Design San Francisco Arts New Orleans, LA Foundation Education Foundation Art Museum of Western Boston, MA San Francisco, CA Zachary Scott Theatre Virginia Center Roanoke, VA $25,000* Cultural Odyssey Austin, TX To support implementation San Francisco, CA of a multiyear plan focusing

242 National Endowment for the Arts on financial stabilization, Circus Arts Foundation of Eugene Symphony current growth in collec­ community relations and Missouri Association, Inc. tions, budget, and human marketing, internal staffing, St. Louis, MO $50,789 Eugene, OR $50,789 resources. [93-4723-0014] and governance. To support implementation To support implementation *Funds committed but not [93-4723-0018] of a multiyear plan to devel­ of a multiyear plan to obligated in FY’93. *Funds committed but not op a touring program, to ex­ achieve financial stablity for obligated in FY’93. pand the Circus Arts School the orchestra and improve National Building and to purchase needed cap­ its management and gover­ Museum Austin Children’s Museum ital equipment, and to devel­ nance. [93-4723-0032] Washington, DC $25,000 Austin, TX $75,000 op its board of directors. To support implementation To support implementation [93-4723-0021] Friends of Photography of a multiyear plan focused ofa multiyear plan to broad­ San Francisco, CA $25,000 on clarifying the museum’s en programming and reach City Theatre Company, To support implementation mission, improving program new audiences; to improve Inc. of a multiyear plan to devel­ quality, expanding board program quality and effec­ Pittsburgh, PA $50,789 op a new mission, with pro­ and audience participation, tiveness; and to strengthen To support implementation grams that reflect it, and to and achieving financial sta­ management and leadership of a multiyear plan to devel­ achieve financial stabliza­ bilization. [93-4723-0016] skills. [93-4723-0017] op artistic programming, tion. [93-4723-0030] governance and operations, New City Theater Boston Baroque, Inc. as the theater completes a Headlands Center for the Seattle, WA $25,000 Cambridge, MA $25,000 three-year capital campaign Arts To support the implementa­ To support implementation to purchase and renovate its Sausalito, CA $50,789* tion of a multiyear plan to of a multiyear plan focusing facilities. [93-4723-0011] To support implementation stabilize staff structure and on artistic programming and of a multiyear plan focusing programming with core organizational structure of Cleveland Center for on programming, gover­ artists, to develop a multidis­ the ensemble. Contemporary Art nance, staffing, financial ciplinary "Arts Center" con­ [93-4723-0028] Cleveland, OH $25,000 management, communica­ cept for programming; to To support implementation tions, development, and fa­ focus on board and staff.is­ California Lawyers for the ofa multiyear plan to make cilities. [93-4723-0043] sues, marketing and public Arts, Inc. the transition from an entre­ *Funds committed but not relations and financial stabi­ San Francisco, CA $25,000 preneurial gallery toward in­ obligated in FY’93. lization; and to achieve To support implementation stitutionalization, after the greater integration with other ofa multiyear plan to im­ retirement of the gallery’s Illinois Alliance for Arts arts and cultural activities in prove internal operations, to founding director. Education, Inc. Seattle. [93-4723-0025] provide leadership and inno­ [93-4723-0013] Chicago, IL $25,000 vation in programming and To support implementation New Mexico Repertory to serve as a model for other Columbus Museum, Inc. ofa multiyear plan to in­ Theatre, Inc. organizations. Columbus, GA $25,000* crease funder and public Santa Fe, NM $25,000 [93-4723-0041] To support implementation awareness of the benefits of To support implementation of a multiyear plan focusing arts education by expanding ofa multiyear plan to make Chicago Architecture on six areas: mission clarifi­ its board and general mem­ the transition to year-round Foundation cation, program planning, bership. [93-4723-0022] production and more active Chicago, IL $25,000 board development, fund- programming in both cities To support implementation raising, public relations and Mad River Theater Works where the theater presents its ofa multiyear plan to ex­ marketing, staff develop­ West Liberty, OH $75,000 work, Santa Fe and Albuqu­ pand the Foundation’s role ment, and equipment. To support implementation erque; and to support board as a primary source for in­ [93-4723-0024] of a multiyear plan focusing and staff issues, marketing formation, tours, and other *Funds committed but not on staff and core artistic en­ and public relations, and fi­ educational programs related obligated in FY’93. semble organizational struc­ nancial stabilization. to Chicago architecture.and ture, financial management [93-4723-0010] design. [93-4723-0023] Emmy Gifford Children’s and reporting, and the de­ Theater velopment of a permanent New York Theater Chinatown History Omaha, NE $75,000 site for the theater’s home Workshop Museum To support implementation season. [93-4723-0027] New York, NY $50,789* New York, NY $75,000 of a multiyear plan focusing To support implementation To support implementation on the creation of a perma­ Monterey Peninsula of a multiyear plan focusing ofa multiyear plan focusing nent core ensemble of per­ Museum of Art on artistic production, man­ on structural management formers and other program­ Monterey, CA $50,789* agement operations, com­ changes, facility needs, and ming and administrative To support implementation munity outreach, board de­ programming for the muse­ issues, community relations ofa multiyear plan for the velopment, and workshop um’s changing constituency. and marketing, and facilities museum’s growth, including programming. [93-4723-0039] issues. [93-4723-0029] facility expansion, and con­

1993 Annual Report 243 [92-4723-0026] promotion, and to create an Studio Theatre, Inc. March 1993. *Funds committed but not endowment. [93-4723-0004] Washington, DC $25,000 [93-4723-0033] obligated in FY’93. To support implementation San Francisco Crafts & of a multiyear plan to mount Very Special Arts New North Carolina State Folk Art Museum a capital campaign for the Mexico University Foundation ~ San Francisco, CA $50,789 purchase and renovation of a Albuquerque, NM $75,000 Raleigh, NC $50,789* To support implementation building. [93-4723-0002] To support implementation To support implementation ofa multiyear plan to up­ of a multiyear plan focusing of a multiyear plan to grade and expand facilities, Theater Artaud on staffstabilization, facili­ streamline administration, stabilize staff, and develop San Francisco, CA $25,000 ties planning, programming, increase outreach, and maxi­ exhibition programming, To support implementation board development, public mize resources by creating a marketing, and develop­ ofa multiyear plan focusing relations, marketing, devel­ core structure to link eight ment. [93-4723-0038] on artistic programs, finan­ opment, and financial man­ separate arts programs at the cial management, facility agement. [93-4723-0012] university’s Department of Sea Cliff Chamber Players, upgrading, staffing, develop­ Visual and Performing Arts. Inc. ment and marketing, and Washington University/ [93-4723-0040] Sea Cliff, NY $50,789 board development. The Edison Theatre *Funds committed but not To support implementation [93-4723-0037] St. Louis, MO $50,789* obligated in FY’93. of a multiyear plan focusing To support implementation on artistic programming to Theatre for A New of a multiyear plan focusing Philadelphia Theatre benefit new audiences and Audience, Inc. on programming, market­ Company artists, staffing, marketing New York, NY $25,000 ing, development, facilities, Philadelphia, PA $75,000 and board development. To support implementation and the expansion of the To support implementation [93-4723-0005] of a multiyear plan to build theater’s artist/company ofa multiyear plan focusing a resident acting company, community res.idencies. on artistic programming and Southern Theater and to strengthen organiza­ [93-4723-0034] a commitment to new plays, Foundation tional operations. *Funds committed but not audience development, Minneapolis, MN $25,000 [93-4723-0035] obligated in FY’93. financial stabilization, and To support implementation operational structure. of a multiyear plan focusing Trustus, Inc. Young Audiences/New [93-4723-0006] on stabilizing the interdisci­ Columbia, SC $50,789* York plinary arts programming, To support implementation New York, NY $50,789 Present Music, Inc. marketing, and management ofa multiyear plan focusing To support implementation Milwaukee, WI $25,000 systems. [93-4723-0036] on artistic programming, of a multiyear plan to diver­ To support implementation board development, staffing, sify programming, to sup­ of a multiyear plan focusing Springfield Symphony marketing, and facility reno­ port staff development, and on professional development Orchestra Association, Inc. vation; and to support reno­ to increase collaborations of its core chamber musi­ Springfield, IL $75,000* vation costs related to the with organizations in addi­ cians, audience develop­ To support implementation conversion of the theater’s tion to public schools. ment, financial manage­ of a multiyear plan focusing space into two working the­ [93-4723-0007] ment, personnel, and on the merger of the Spring­ aters. [93-4723-0001] marketing. [93-4723-0003] field Symphony and the *Funds committed but not The following Advancement Bloomington-Normal obligated in FY’93. grants, totalling $158,636in Renaissance Society at the Symphony Society. Treasury Funds, were award­ University of Chicago [93-4723-0019] University of Arizona, ed in previous years and were Chicago, IL $25,000 *Funds committed but not Museum of Art partially obligated in FY’93. To support implementation obligated in FY’93. Tucson, AZ $50,789 of a multiyear plan to devel­ To support implementation African American Dance op a comprehensive market­ St. Ann Center for of a multiyear plan focusing Ensemble, Inc. ing strategy, to improve the Restoration and the Arts, on financial stabilization, ed­ Durham, NC $25,500 quality of exhibitions, and to Inc. ucational outreach, market­ stabilize and strengthen op­ Brooklyn, NY $50,789 ing, and facility renovation. Capp Street Project erations through increased To support implementation [93-4723-0008] San Francisco, CA $11,940 financial and management of a multiyear plan to create planning. [93-4723-0015] a Players’ Fund for commis­ University of Wisconsin, Center for Exploratory and sions and productions, to Whitewater Perceptual Arts, Inc. Salt Lake Acting Company hire a managing director, Whitewarer, WI $50,789 Buffalo, NY $20,311 Salt Lake City, UT $50,789 and to develop targeted mar­ To support implementation To support implementation keting strategies. of a plan for the utilization Pyramid Arts Center, Inc. ofa multiyear plan to stabi­ [93-4723-0042] of the Irving L. Young Aud­ Rochester, NY $30,885 lize operations and finances, itorium, which opened in to develop marketing and

244 National Endowment for the Arts Western Folklife Center John Higgins David Karraker University Elko, NV $70,000 Executive Director, Research Associate, Raleigh, NC Foundation for Architecture University of Southern Philadelphia, PA Maine Ed Gramlich (layperson) Portland, ME Development Specialist, Jean Irwin Center for Community Arts in Education Marianne Lockwood Change Coordinator, Executive Director, Washington, DC Utah Arts Council St. Luke’s Chamber Salt Lake City, UT Ensemble Jean Irwin (chair) 2 cooperative agree­ New York, NY Arts in Education ments Barbara Nicholson Coordinator, Program Funds: $1,351,486 Executive Director, David Madson (layperson) Utah Arts Council Martin Luther King, Jr. Director, Development and Salt Lake City, UT Performing and Cultural Alumni Relations, Arts Resources & Arts Complex College of Education, Charles Rogers Technical Services, Inc. Columbus, OH University of Minnesota Executive &Artistic Director, Minneapolis, MN Texarkana Regional Arts Los Angeles, CA $201,486 Carol Quin and Humanities Council To support the design and implementation of a process Chairman, Department of Dahlia Morgan Texarkana, TX to assess the readiness of up Music, Executive Director, to 100 FY ’93 applicants to Winthrop College Art Museum at Florida Marcelina Sierra participate in and benefit Rock Hill, SC International University Executive Director, from Phase I of the Arts Miami, FL Guakia, Inc. Endowment’s Advancement Lee Rubenstein (layper­ Hartford, CT Program. [DCA 93-04] son) Gregory Rowe Founder and Board member, General Manager, Kay Swan M. Melanie Beene and Theater Trustees of America People’s Light and Theater Chair, Director of Arts Associates Washington, DC Company Education, Sausalito, CA $1,150,000 Malvern, PA Iowa Arts Council To amend a cooperative Stephen Vollmer (chair) Des Moines, IA agreement for the direction Chief Curator, Gregory Shanck and management of techni­ El Paso Museum of Art General Manager, Design Arts cal assistance services for the El Paso, TX Aaron Davis Hall developing arts organizations New York, NY Leslie Armstrong selected for participation in Cheryl Yuen Principal, Phase I of the FY ’93 Ad­ Management Consultant Sheila Wright Armstrong Cumming vancement Program. The Chicago, IL Arts In Education New York, NY technical assistance will be Administrator, provided by a team of non­ Advancement Phase II North Carolina Arts Ellen Beasley profit management consul­ Grant Panel Council Consultant tants who will assist the orga­ Raleigh, NC Houston, TX nizations in the development Patrick Ela of multi-year planning and Director, Carol Yamamoto (chair) Richard Faricy provide management train­ Craft and Folk Art Museum Chair, Arts Management Executive Vice President, ing to address identified Los Angeles, CA Department, Winsor/Faricy Architects, needs. [DCA 91-26] Columbia College Inc. Benjamin Greene Chicago, IL St. Paul, MN Executive Director, Virginia Symphony Before Phase I applications are james Gadra Norfolk, VA reviewed by the Advancement Executive Director, Review Committee, they are Design Alabama Eric Hayashi reviewed by panels represent­ Montgomery, AL Advancement Phase I Producing Artistic Director, ing the appropriate discipline Review Committee Asian American Theater programs. These panels are as John Higgins (chair) Company follows: Executive Director, Glenda Dickerson San Francisco, CA Foundation for Architecture Chair, Department of Arts In Education Philadelphia, PA Theater and Drama, Deborah Karasov Spelman College Assistant Education Director, Joyce Baker Atlanta, GA Walker Art Center Development Officer, Minneapolis, MN North Carolina State

1993 Annual Report 245 Lionel A. Knight, Jr. Music Chad Fremin (layperson) Benjamin Moore (chair) (layperson) Principal/Vice- President, Managing Director, Vice President, Corporate Elizabeth Bond Advance Strategic Research Seattle Repertory Theatre Finance, General Manager, Baton Rouge, LA Seattle, WA First National Bank of Musica Sacra Chicago New York, NY Eric Hayashi Jack Reuler New York, NY Producing Artistic Director, Artistic Director, Charles Cassell Asian American Theater Mixed Blood Theatre Brian Stewart President and Co-Founder, Company Minneapolis, MN Designer, Charlin Jazz Society San Francisco, CA NIKE Washington, DC Sava Thomas (layperson) Portland, OR C. Bruce Marquis Attorney Jay Fishman Director of Fine Arts New York, NY Jack Williamson Music Director and Programming, Director, Conductor, University of Wisconsin, Sharon Walton Design Michigan Minnesota Sinfonia Milwaukee Producing Director, Bloomfield Hills, MI Minneapolis, MN Milwaukee, WI Oakland Ensemble Theatre Oakland, CA Museum Carole G. Friedman Vesna Todorovic Miksic Executive Director, Artistic Director, Overview (1993) Selma Holo Boston Baroque Yellow Springs Institute Director, Cambridge, MA Chester Springs, PA James Backas Fisher Gallery, Executive Director, University of Southern Joanna Giesek Bill Mitchell Maryland State Arts Council California Executive Director, Director, Baltimore, MD Los Angeles, CA Grand Teton Music Festival Walton Arts Center Teton Village, WY Fayetteville, AR Dominick Balletta Grant Holcomb III Managing Director, Director, Conway B. Jones, Jr. Barbara Nicholson (chair) Ensemble Studio Theater Memorial Art Gallery, (layperson) Executive Director, New York, NY University of Rochester, Chairman & Chief Executive Martin Luther King, Jr. Rochester, NY Officer, Performing and Cultural Melanie Beene Adelphi, Inc. Arts Complex Arts Consultant, Joanne Johnson Oakland, CA Columbus, OH M. Beene and Associates (layperson) Sausalito, CA Board Member, Carol L. Quin (co-chair) Theater Northern Virginia Chairman, Sue Busby Community Foundation Department of Music, Jane Campbell Executive Director, Fairfax, VA Winthrop University Managing Director, Interstate Firehouse Cultural Rock Hill, SC Honolulu Theater for Youth Center Honolulu, HI Portland, OR Carmen Ruiz-Fischler John Solum (co-chair) Director, Co-Founder and Co-Director, Glenda Dickerson Susan Channing Museo de Arte de Ponce Connecticut Early Music Chair, Department of Executive Director, Ponce, PR Festival Theatre and Drama, Spaces Westport, CT Spelman College Cleveland, OH Marjorie Talalay Atlanta, GA Director, Presentinl~ & Nancy Clarke Cleveland Center for Commissioning Executive Director, Contemporary Art Danny Fruchter American Music Center Cleveland, OH Thomas Borrup Producing Director, New York, NY Executive Director, People’s Light and Theatre Stephen Vollmer (chair) Intermedia Arts Minnesota Company Kathie deNobriga (chair) Chief Curator, Minneapolis, MN Malvern, PA Executive Director, E1 Paso Museum of Art Alternate ROOTS E1 Paso, TX Juan carillo Sandra Karuschak Atlanta, GA Deputy Director, General Manager, California Arts Council Court Theatre Sacramento, CA Chicago, IL

246 National Endowment for the Arts Paul Dresher Marsha Jackson Bruce Pepich William Strickland Artistic Director, Co-Artistic Director, Director, Executive Director, Paul Dresher Jomandi Productions Wustum Museum Manchester Craftsmen’s Ensemble/Musical Atlanta, GA Racine, WI Guild Traditions Pittsburgh, PA Berkeley, CA Penelope McPhee Rev. John Shaffer Art and Culture Program (layperson) Leonard Vignola Joan Gray Officer, Assistant Rector, President/CEO, Executive Director, Knight Foundation St. Matthew’s Church National Arts Stabilization Muntu Dance Theatre Miami, FL Wheeling, WV Fund Chicago, IL New York, NY Justin Moss Jim Sitter JoAnn Hoover General Director, Executive Director, Carol Yamamoto Executive Director, Boston Lyric Opera Council of Literary Chair, Arts Management Levine School of Music Boston, MA Magazines and Presses Department Washington, DC New York, NY Columbia College Halsey North Chicago, IL Chairman, The North Group New York, NY

1993 Annual Report 247 =! This year the Arts in Education (ALE) Program contin­ tions. These artists reached almost 3 million students ued a four-part approach to arts education support. and worked with 153,000 teachers and administrators. Most states have engaged in state-wide planning to Grants in the Arts Education Partnership category sup­ make the arts integral to elementary and secondary edu­ ported the programs of state arts agencies (SAAs). While cation. Along with traditional artist residency programs, diverse in their approaches, all SAAs address the goals of almost half the agencies’ programs include artist-teacher the category, which are to provide substantial arts educa­ institutes, and most SAAs offer grants to schools to in­ tion experiences for students from pre-kindergarten tegrate the arts into the curricula. The SAAs work in through 12th grade, and to make the arts a basic part of partnership with state and local education agencies, arts education at every grade level. organizations, businesses and others to develop and im­ plement programs tailored to their needs. During the school year, the SAAs’ comprehensive pro­ grams employed approximately 11,400 artists in nearly For example, part of the Alabama Arts Council’s pro­ 8,000 sites in the 50 states and four special jurisdic­ gram places emphasis on the artist as a trainer of teach­

1993 Annual Report 249 ers and on the development of lesson plans in coopera­ Schools participating in the evaluation reported that tion with classroom teachers. This cadre of artist-trained they are more likely now to seek out partnerships with teachers then served as trainers for other teachers. As a other community institutions. A full report is available result of this program’s demonstration of the value of from the AIE Program. arts education, several school systems have hired full time art specialists. Special Project Initiatives support long-range or na­ tionally significant projects that often involve other The South Dakota Arts Council’s partnerships meet Federal agencies or organizations. These include lead­ many needs of the state. The Council sponsored an ership initiatives to support a national consensus Artists in Schools/Youth at Risk workshop for sponsors process for the National Assessment of Educational and artists to discuss residency strategies. Special needs Progress (NAEP), and development of voluntary na­ education specialists were presenters. And in collabora­ tional standards in the arts. The standards project, sup­ tion with the State Library system and the State ported in partnership with the National Endowment Department of Education, the Council placed artists in for the Humanities and the U.S. Department of rural libraries for summer community residencies. Education, is being coordinated by the Consortium of National Arts Education Associations. The Colorado Council on the Arts offered four schools the opportunity to participate in an expanded teacher This category also supports summer fellowships for training project within the context of the artist residen­ teachers of the arts to enhance their knowledge and cy. Called AIRlift, four each of classroom teachers, resi­ skills, ultimately for the benefit of their students. The dency artists and teacher consultants from the schools fellowship program, developed and implemented by worked to expand teacher creativity in the use of the arts the Council for Basic Education, awarded 33 fellow­ and artistic process in teaching the schools’ curricula. ships. The diverse projects included: exploration of the music of Wisconsin Indians to develop an elementary The Arts Plus category supports multi-year partnerships school curriculum; collection of oral histories, photos between arts organizations and schools to integrate the and videos about a Native American child’s lifestyle arts into the curricula and to increase the arts organiza­ from 1850-1900, which culminated in the creation of tions’ commitment to education. During FY 1993, Arts a series of theater scripts exploring Native American Plus underwent a formal evaluation. Among the find­ culture; development of a plan for a sculpture garden, ings were: 1) Arts Plus has transformed how arts organi­ including the use of new materials to produce a large, zations approach arts education. Several companies’ ceramic sculpture; research into indigenous plant fibers artistry has been enhanced as a result of their Arts Plus from the Pennsylvania woods to use in creating pulp work. 2) Arts Plus changes teachers and administrators, for handmade paper; creation of dances based on motivating them to teach the arts and build momentum Chinese, Indian and African folk tales and music. The within their schools to make the arts basic. 3) Arts Plus Program Collaborations category serves as a vehicle to partnerships allow educators to add artists’ perspectives support projects in the other Endowment programs and foster opportunities for a critical group of teachers that address specific arts education needs within their to be committed to and skilled in the arts. 4) Arts Plus artistic disciplines or fields. See relevant program chap­ can be a model for school/community partnerships. ters for more about these individual projects.

Indicates national impact arts as basic a part of edu­ agencies. They were reviewed Alaska State Council on cation as any other subject by the Arts Education Part- the Arts from pre-kindergarten nership Grants (AEPG) Anchorage, AK $91,800 Panels that met in 1992 or Reviewed by AEPG Panel through 12th grade. 1993, as indicated. 1992. [92-5154-0005] 54 grants; 2 cooperative American Samoa Council Available to state arts agen- agreements Alabama State Council on Culture, Arts, & cies only, grants in this cat- Program Funds: $4,542,000 on the Arts Humanities Treasury Funds: $458,000 Montgomery, AL $70,900 Pago Pago, AS $36,000 egory support projects that Reviewed by AEPG Panel Reviewed by AEPG Panel build on existing arts edu- The following grants al! sup- 1992. [92-5154-0006] 1993. [93-5154-0028] cation programs and are port arts education programs designed to help make the implemented by state arts

250 National Endowment for the Arts Arizona Commission Idaho Commission on the Michigan Council for Arts NewYorkState Council on the Arts Arts and Cultural Affairs on theArts Phoenix, AZ $102,200 Boise, ID $49,100 Detroit, MI $91,600 NewYork, NY $39,800 TF $50,000 Reviewed by AEPG Panel Reviewed by AEPG Panel TF $200,000 Reviewed by AEPG Panel 1992. [92-5154-0018] 1992. [92-5154-0055] Reviewed byAEPG Panel 1993. [93-5154-0001] 1992.[92-5154-0046] Illinois Arts Council Minnesota State Arts Arkansas Arts Council Chicago, IL $90,700 Board North Carolina Arts Little Rock, AR $62,300 Reviewed by AEPG Panel St. Paul, MN $164,900 Council Reviewed by AEPG Panel 1993. [93-5154-0005] Reviewed by AEPG Panel Raleigh, NC $117,500 1993. [93-5154-0012] 1993. [93-5154-0010] Reviewed by AEPG Panel Indiana Arts Commission 1993. [93-5154-0003] California Arts Council Indianapolis, IN $104,000 Mississippi Arts Sacramento, CA $98,800 Reviewed by AEPG Panel Commission North DakotaCouncilon Reviewed by AEPG Panel 1993. [93-5154-0011] Jackson, MS $95,600 theArts 1992. [92-5154-0003] Reviewed by AEPG Panel Fargo, ND $66,400 Iowa Arts Council 1993. [93-5154-0014] Reviewed byAEPG Panel Colorado Council on Des Moines, IA $110,200 1993.[93-5154-0027] the Arts Reviewed by AEPG Panel Missouri State Council Denver, CO $31,500 1992. [92-5154-0010] on the Arts Ohio Arts Council Reviewed by AEPG Panel St. Louis, MO $140,000 Columbus, OH $107,300 1992. [92-5154-0007] Kansas ArtsCommission Reviewed by AEPG Panel TF $93,000* Topeka, KS $75,200 1992. [92-5154-0028] Reviewed by AEPG Panel Connecticut Commission Reviewed byAEPG Panel 1993. [93-5154-0025] on the Arts 1993.[93-5154-0015] MontanaArtsCouncil Hartford, CT $61,800 *Funds committed but not Helena, MT $56,300 obligated in FY’93. Reviewed by AEPG Panel Kentucky Arts Council Reviewed byAEPG Panel 1992. [92-5154-0015] Frankfort, KY $135,300 1993.[93-5154-0026] Oklahoma State Arts TF $50,000 Council Delaware Division of Reviewed by AEPG Panel Nebraska Arts Council OMahoma City, OK the Arts 1992. [92-5154-0045] Omaha, NE $168,100 Wilmington, DE $59,400 $139,100 Reviewed by AEPG Panel Reviewed byAEPGPanel Reviewed by AEPG Panel Louisiana Division of the 1993. [93-5154-0020] 1993. [93-5154-0018] Arts, Department of 1992.[92-5154-0048] Culture, Recreation & New Hampshire State Florida Department of Tourism Oregon ArtsCommission Council on the Arts Salem, OR $118,200 State, Division of Cultural Baton Rouge, LA $110,300 Concord, NH $56,300 Affairs Reviewed by AEPG Panel Reviewed byAEPGPanel Reviewed by AEPG Panel 1993.[93-5154-0019] Tallahassee, FL $36,800 1992. [92-5154-0030] 1993. [93-5154-0023] Reviewed by AEPG Panel Pennsylvania, Common­ 1993. [93-5154-0024] Maine ArtsCommission Nevada State Council on wealth of, Council on the Augusta, ME $50,400 the Arts Georgia Council for Reviewed byAEPGPanel Carson City, NV $30,300 the Arts Harrisburg, PA $124,700 1993.[93-5154-0009] Reviewed by AEPG Panel Reviewed by AEPG Panel Atlanta, GA $58,100 1992. [92-5154-0036] Reviewed by AEPG Panel Maryland State Arts 1992. [92-5154-0039] 1993. [93-5154-0002] Council New Jersey State Council Puerto Rican Culture, Baltimore, MD $26,300 on the Arts Guam Council on the Arts Institute of Reviewed by AEPG Panel Trenton, NJ $250,000 San Juan, PR $59,800 and Humanities 1992. [92-5154-0040] Reviewed by AEPG Panel Reviewed by AEPG Panel Agana, GU $12,700 1993. [93-5154-0008] Reviewed by AEPG Panel Massachusetts Cultural 1993. [93-5154-0013] 1992. [92-5154-0021] Council New MexicoArtsDivision Rhode Island State Boston, MA $101,300 Santa Fe, NM $41,000 Hawaii State Foundation Reviewed by AEPG Panel Council on the Arts Reviewed byAEPG Panel Providence, RI $48,800 on Culture and the Arts 1992. [92-5154-0037] 1993.[93-5154-0006] Honolulu, HI $82,600 Reviewed by AEPG Panel Reviewed by AEPG Panel 1992. [92-5154-0038] 1993. [93-5154-0007]

1993 Annual Report 251 South Carolina Arts Wisconsin Arts Board subcategories: Arts Plus ~ Affiliate Artists, Inc Commission Madison, WI $77,500 supports arts organizations New York, NY $105,657 In collaboration with the Columbia, SC $98,600 Reviewed by AEPG Panel that are working in long- TF $65,000 1993. [93-5154-0016] Music Program, to amend a term partnerships with cooperative agreement to Reviewed by AEPG Panel schools to make the arts 1992. [92-5154-0044] Wyoming Arts Council support the Chamber Music Cheyenne, WY $98,800 basic to the school curricu­ Rural Residencies Initiative. South Dakota Arts Reviewed by AEPG Panel lum as well as to make arts Reviewed by the Special Projects/Overview 1992 Council 1992. [92o5154-0043] education basic to the mis­ Panel; see 1992 Annual Sioux Falls, SD $100,400 sion of arts organizations. o ~- ArtsMarket Report. [DCA 92-08] Reviewed by AEPG Panel Program Collaborations 1992. [92-5154-0049] Marion, MA $6,780 To amend a cooperative provide opportunities for ~ American Architec­ Tennessee Arts agreement to support the the AIE Program to work tural Foundation, Inc. next stage of program evalua­ with other Endowment Washington, DC $65,000 Commission In collaboration with the Nashville, TN $117,200 tion assistance for state arts programs to address specif­ agencies, including providing Design Arts Program, to Reviewed by AEPG Panel ic arts education needs 1992. [92-5154-0027] workshops, updating a hand­ support the development of book, continuing to assist within a field or across arts materials for the Founda­ Texas Commission on the states in the use and un­ disciplines. Spedal tion’s U.S. Capitol the Arts derstanding of program eval­ Project Initiatives support Anniversary Education Austin, TX $45,700 uation, and offering program Endowment leadership Outreach Program, which helps over one million stu­ Reviewed by AEPG Panel evaluation training. projects in arts education [DCA 92-27] dents and teachers to explore 1993. [93-5154-0022] and allow the Endowment the design history of the Utah Arts Council ~r National Assembly of to respond to special op­ Capitol Reviewed by Design Salt Lake City, LIT State Arts Agencies portunities. Arts Overview Panel $129,800 Washington, DC $19,920 [93-4221-0088] Reviewed by AEPG Panel To amend a cooperative Arts Plus ~- American Architectural 1992. [92-5154-0022] agreement to support the ad­ ministration of various pro­ Foundation, Inc. fessional development and 1 Cooperative Washington, DC $10,000 Vermont Council on Agreement the Arts, Inc. technical assistance activities In collaboration with the Montpelier, VT $79,500 for the state arts agencies, in­ Program Funds: $75,000 Design Arts Program, to Reviewed by AEPG Panel cluding coordinating travel, amend a grant to support the Foundation’s White House 1992. [93-5154-0021] per diem and honoraria for consultant visits, the Coor­ Opera Memphis Anniversary Education Virgin Islands Council on dinator Exchange, and pro­ Memphis, TN $75,000 Outreach Program. the Arts fessional development work­ To amend a cooperative [92-4258-0096] St. Thomas, VI $14,200 shops around the country. agreement to support a Reviewed by AEPG Panel [DCA 92-34] three-year partnership be­ Arizona State University 1992. [92-5154-0056] tween Opera Memphis, Tempe, AZ $6,500 Craigmont High School and In collaboration with the Virginia Commission other schools, to integrate Theater Program, to support for the Arts opera and musical theater expenses of a playwright and Richmond, VA $85,000 into the curriculum and to guest directors working with Reviewed by AEPG Panel introduce students to the students of the MFA Theatre 1992. [92-5154-0033] process of writing, creating for Youth and MFA Design and producing an opera. programs, as well as profes­ [DCA 92-51] sional internships for gradu­ Washington State Arts The Arts Education Col­ Commission ate students. Reviewed by laboration Initiatives cate­ Olympia, WA $74,000 Program the Professional Theater Reviewed by AEPG Panel gory is designed to support Collaborations Training Panel. 1993. [93-5154-0017] projects from the field that [93-3251-0266] advance the arts’ progress 53 grants; 4 cooperative Art Institute of Chicago West Virginia Division in becoming a part of of Culture & History, agreements Chicago, IL $20,000 Arts & Humanities Section basic education and to Program Funds: $1,954,757 In collaboration with the Charleston, WV $21,200 provide for Endowment Museum Program, to sup­ Reviewed by AEPG Panel collaborations and leader­ port "Museum Classroom," ship initiatives. It has three a joint project between the 1993. [93-5154-0004] Art Institute of Chicago and

252 National Endowment for the Arts the Chicago public schools. Central City Opera House gr City Lore, Inc. Elders Share the Arts, Inc. Reviewed by the Utilization Association New York, NY $25,000 Brooklyn, NY $25,000 of Museum Resources Denver, CO $5,000 In collaboration with the In collaboration with the Panel B. [93-4451-0147] In collaboration with the Folk Arts Program, to sup­ Expansion Arts Program, to Opera-Musical Theater port the development of a support costs associated with ~r Associated Writing Program, to support the National Folk Arts in Educa­ "Rediscovering America," an Programs Association’s 1993 Artists’ tion Task Force project, in­ intergenerational theater/oral Norfolk, VA $100,000 Training Program. Reviewed cluding a part-time coordi­ history program for students In collaboration with the by the Services to the Field nator position. Reviewed by in grades 4-7. Reviewed by Literature Program, to sup­ Panel A. [93-3565-0146 the Folk Arts Organizations the Expansion Arts Edu­ port a cooperative agreement Panel A. [93-5533-0200] cation Initiative Panel. to administer creative writing ~r Chamber Music [93-5361-0335] seminars for high school America DeCordova and Dana teachers. Reviewed by the New York, NY $270,000 Museum and Park Fondo Del Sol Fellowships for Translators In collaboration with the Lincoln, MA $10,000 Washington, DC $25,000 Panel. [DCA 93-31] Music Program, to support a In collaboration with the In collaboration with the cooperative agreement to ad­ Museum Program, to sup­ Museum Program, to sup­ Ballet Hispanico of New minister the second year of port "Gallery on the Go," a port an arts education pro­ York the Chamber Music Rural school outreach program. gram for students and teach­ New York, NY $30,000 Residencies Initiative, a pilot Reviewed by the Utilization ers in area schools. Reviewed In collaboration with the program which places of Museum Resources by" the Utilization of Expansion Arts Program, to emerging chamber music Panel B. [93-4451-0103] Museum Resources Panel B. support the development, ensembles in selected rural [93-4451-0102] implementation and evalua­ communities for the 1993­ Dell’Arte, Inc. tion of a model study unit 94 academic year to perform Blue Lake, CA $12,500 Foundation for on Caribbean and Latin and to teach children and In collaboration with the Architecture American dance for youth in adults in areas where music Theater Program, to recog­ Philadelphia, PA $25,000 grades K-12. Reviewed by instructors are scarce. Re­ nize the salaries of master In collaboration with the the Expansion Arts Educa­ viewed by the Music pro­ teachers and expenses of the Design Arts Program, to tion Initiative Panel. gram’s 1993 Overview student Intern Program at support the development of [93-5361-0327] Panel. [DCA 93-41] the Dell’Arte School of alternative assessment tools Physical Theatre. Reviewed for a design education pro­ Beatty, Talley Chinese Cultural by the Professional Theater gram through which K-12 New York, NY $20,000 Productions Training Panel. students gain an understand­ In collaboration with the San Francisco, CA $10,000 [93-3251-0265] ing of architecture in the Dance Program, to support In collaboration with the U.S. and other civilizations an artist who has made a Expansion Arts Program, to Des Moines Metro Opera, and cultures. Reviewed by major contribution as support artistic and adminis­ Inc. the Project Grants for teacher/mentor to the devel­ trative expenses for dance in­ Indianola, IA $5,000 Organizations Panel I. opment of choreographers struction for Chinese- In collaboration with the [93-4258-0050] and continues to influence American youth. Reviewed Opera-Musical Theater the dance field and the art by the Expansion Arts Program, to support the Friends of the Mission form. Reviewed by the Education Initiative Panel. Opera’s Apprentice Artists Cultural Center Dance Master Teachers/ [93-5361-0329] Program. Reviewed by the San Francisco, CA $10,000 Mentors Panel. Services to the Field Panel A. In collaboration with the [93-3311-0238] Chinese Culture and [93-3565-0141] Expansion Arts Program, to Community Service Center support artistic and adminis­ Boys Choir of Harlem, Bethesda, MD $20,000 Dunham, Katherine trative expenses of providing Inc. In collaboration with the East St. Louis, IL $20,000 free classes to inner-city chil­ New York, NY $30,000 Folk Arts Program, to sup­ In collaboration with the dren and youth after school In collaboration with the port a program to train Dance Program, to support and throughout the summer. Expansion Arts Program, to young people in the singing, an artist who has made a Reviewed by the Expansion support artistic and adminis­ dramatic skills and history of major contribution as Arts Education Initiative trative expenses for the Chinese Peking opera, in­ teacher/mentor to the devel­ Panel. [93-5361-0331] Training Treble phase of the cluding several performances opment of choreographers Boys Choir’s Summer Music by professional artists. and continues to influence ~" Greater Washington Institute in 1994-95. Reviewed by the Folk Arts the dance field and the art Educational Reviewed by the Expansion Organizations Panel A. form. Reviewed by the Telecommunications Arts Education Initiative [93-5533-0149] Dance Master Teachers/ Association, Inc. Panel. [93-5361-0328] Mentors Panel. Washington, DC $100,000 [93-3311-0239] In collaboration with the Media Arts Program, to sup­

1993 Annual Report 253 port the initial production Koncepts Cultural Gallery Art Start" program. ~" New York Foundation phase of "Jazz: The Swing Oakland, CA $25,000 Reviewed by the Utilization for the Arts, Inc. Years", a documentary series In collaboration with the of Museum Resources New York, NY $100,000 on the history of the swing Folk Arts Program, to Panel B. [93-4451-0117] In collaboration with the style. Reviewed by The Arts support the "Blues in the Media Arts Program, to sup­ on Television Panel. Schools" project. Reviewed Museum of Modern Art port the initial production [93-3446-0092] by the Folk Arts Organi­ New York, NY $35,000 phase of "Jazz: The Music, zations Panel A. In collaboration with the The People, The Myth," Hiddenite Center, Inc. [93-5533-0141] Museum Program, to sup­ eight one-hour programs port the implementation of a tracing the history of jazz. © Hiddenite, NC $15,000 In collaboration with the Lyric Opera Center for sequential curriculum pro­ Reviewed by The Arts on Expansion Arts Program, to American Artists gram for students in grades Television Panel. support artistic and Chicago, IL $21,400 4-6. Reviewed by the [93-3446-0093] administrative expenses of In collaboration with the Utilization of Museum the summer and fall arts edu­ Opera-Musical Theater Resources Panel B. North Carolina School of cation programs for rural Program, to support the [93-4451-0115] the Arts Foundation, Inc. and Hispanic students in Center’s training program Winston-Salem, NC $6,000 Alexander County, North for young singers. Reviewed Musical Theater Works, In collaboration with the Carolina. Reviewed by the by the Services to the Field Inc. Theater Program, to support Expansion Arts Education Panel A. [93-3565-0158] New York, NY $20,300 salaries for guest artists in the Initiative Panel. In collaboration with the School of Drama, a multi­ [93-5361-0340] Lyric Opera of Chicago Opera-Musical Theater year undergraduate interdis­ Chicago, IL $13,500 Program, to support the ciplinary program. Reviewed Honolulu Academy In collaboration with the Musical Theater Works by the Professional Theater of Arts Opera-Musical Theater Conservatory. Reviewed by Training Panel. Honolulu, HI $10,000 Program, to support the the Services to the Field [93-3251-0261] In collaboration with the Opera’s composer-in-resi­ Panel A. [93-3565-0142] Museum Program, to sup­ dence program. Reviewed by Ohio Arts Council port the development of cur­ the Services to the Field Nagrin, Daniel Columbus, OH $100,000 riculum materials for grades Panel A. [93-3565-0159] Tempe, AZ $20,000 In collaboration with the K-6 that reflect the arts of In collaboration with the Literature Program, to sup­ Polynesia, Melanesia and Montage 93, Inc. Dance Program, to support port a cooperative agreement Micronesia. Reviewed by the Rochester, NY $25,000 an artist who has made a for creative writing seminars Utilization of Museum In collaboration with the maior contribution as for high school teachers. Resources Panel B. Media Arts Program, to sup­ teacher/mentor to the devel­ Reviewed by the Fellowships [93-4451-0179] port a three-day Media Arts opment of choreographers for Translators Panel. Forum for students in grades and continues to influence [DCA 93-32] Inquilinos Boricuas en pre-K to 12, as part of the the dance field and the art Accion "Montage 93 International form. Reviewed by the Ohio State University Boston, MA $30,000 Festival of the Image." Dance Master Teachers/ Research Foundation In collaboration with the Reviewed by The Arts on Mentors Panel. Columbus, OH $25,000 Expansion Arts Program, to Television Panel. [93-3311-0240] In collaboration with the support costs of the Areyto [93-3446-0211] Museum Program, to sup­ Cultural Awareness Program, ~ National Assembly of port the Wexner Center for which combines elements of Montclair Art Museum Local Arts Agencies the Arts’ development of a Inquilinos’ in-school and Montclair, NJ $15,000 Washington, DC $250,000 comprehensive art education after-school programs. In collaboration with the In collaboration with the program for teachers and at- Reviewed by the Expansion Museum Program, to sup­ Local Arts Agencies risk elementary school stu­ Arts Education Initiative port the expansion of a Program, to support a sec­ dents. Reviewed by the Panel. [93-5361-0343] school program for grades ond year of Arts Corps, a res­ Utilization of Museum 2-12. Reviewed by the Utili­ idency program for graduate Resources Panel B. Institute of Puerto Rican zation of Museum Resources students to work with local [93-4451-0122] Culture Panel B. [93-4451-0125] arts agencies in small and San Juan, PR $19,900 rural communities. Reviewed Opera Guild of Greater In collaboration with the Museum of Contemporary by the Local Arts Agencies Miami, Inc. Folk Arts Program, to sup­ Art Underserved Communities Miami, FL $5,000 port a workshop series in Los Angeles, CA $20,000 Panel (March 1993). In collaboration with the making and playing the In collaboration with the [93-6265-0056] Opera-Musical Theater Puerto Rican guiro (gourd Museum Program, to sup­ Program, to support the rasp). Reviewed by the Folk port the teacher-training Guild’s Young Artists and Arts Organizations Panel A. workshop component of the Technical Apprentice [93-5533-0159] museum’s "Contemporary Program. Reviewed by the

254 National Endowment for the Arts Services to the Field Panel A. music conducted by National Expansion Arts Education door mosaic sculpture by 6th [93-3565-0163] Heritage Fellow Nati Cano Initiative Panel. and 7th grade students from and members of his ensem­ [93-5361-0332] Chicago’s Cabrini Green Orlando Opera Company, ble, Mariachi Los Camperos. public housing community. Inc. Reviewed by the Folk Arts University of California, Reviewed by the Expansion Orlando, FL $5,000 Organizations Panel A. San Diego Arts Education Initiative In collaboration with the [93-5533-0182] La Jolla, CA $10,000 Panel. [93-5361-0341] Opera-Musical Theater In collaboration with the Program, to support the ex­ San Jose Taiko Group, Inc. Theater Program, to support Very Special Arts New pansion of the Company’s San Jose, CA $10,000 salaries of master teachers and Mexico in-house training program. In collaboration with the apprentice fees in the UCSD/ Albuquerque, NM $30,000 Reviewed by the Services to Expansion Arts Program, to Professional Theatre Resi­ In collaboration with the the Field Panel A. support artistic and adminis­ dency Program. Reviewed by Expansion Arts Program, to [93-3565-0145] trative costs associated with the Professional Theater support costs associated with Junior Taiko classes, which Training Panel. the development and imple­ Paul Robeson Performing involve Japanese-American [93-3251-0257] mentation of an after-school Arts Company youth in the exploration of and summer institute in Zuni Syracuse, NY $23,000 Japanese drumming and University of Minnesota, Pueblo for at-risk elementary In collaboration with the music. Reviewed by the Twin Cities school students and those Expansion Arts Program, to Expansion Arts Education Minneapolis, MN $5,000 with disabilities. Reviewed by support "Enriching Academic Initiative Panel. In collaboration with the the Expansion Arts Educa­ Achievement Through the [93-5361-0347] Theater Program, to support tion Initiative Panel. Arts," a project undertaken expenses for guest artists and [93-5361-0345] by the Company jointly with Schonberg, Bessie a student internship program Jack and Jill, an African- Bronx-ville, NY $20,000 in cooperation with area pro­ Special Project American civic association. In collaboration with the fessional theater companies. Reviewed by the Arts Dance Program, to support Reviewed by the Professional Initiatives Education Initiative Panel. an artist who has made a Theater Training Panel. [93-5361-0337] major contribution as [93-3251-0256] 1 grant; 8 cooperative teacher/mentor to the devel­ agreements; 4 ~nter­ Philadelphia, School opment of choreographers University of North agency agreements District of and continues to influence Carolina, Chapel Hill Program Funds: $754,351" Philadelphia, PA $23,000 the dance field and the art Chapel Hill, NC $10,000 In collaboration with the form. Reviewed by the In collaboration with the *Not including $200,000 Design Arts Program, to sup­ Dance Master Teachers/ Theater Program, to support in interagency funds J~om the port a partnership with the Mentors Panel. expenses for guest artists in U.S. Department of Educa­ Foundation for Architecture [93-3311-0237] the Professional Actor tion and $100,000 in gift to implement a design educa­ Training Program. Reviewed funds. tion program in neighbor­ Socrates Sculpture by the Professional Theater hood grade schools. Reviewed Park, Inc. Training Panel. by the Project Grants for Long Island City, NY [93-3251-0258] ~r American Council for Organizations Panel I. $20,000 the Arts, Inc. [93-4258-0051] In collaboration with the University of Southern New York, NY $20,000 Expansion Arts Program, to California To support operations of the Portland Art Museum support administrative and Los Angeles, CA $25,000 National Coalition for Edu­ Portland, OR $15,000 artistic expenses for programs In collaboration with the cation in the Arts. Reviewed In collaboration with the administered in conjunction Design Arts Program, to sup­ by the 1993 Arts Education Museum Program, to support with public schools, housing port the development of a Partnership Grants Panel. the development of teaching projects and community cen­ summer design studio and a [93-5155-0029] materials related to the muse­ ters. Reviewed by the Expan­ mentor program to attract um’s collection of Native sion Arts Education Initiative minorities. Reviewed by the ~ Coundl for Basic American and Asian art. Panel. [93-5361-0334] Project Grants for Design Education Reviewed by the Utilization Education Panel I. Washington, DC $100,000 of Museum Resources Panel St. Francis Music Center [93-4258-0054] To support a cooperative B. [93-4451-0180] Little Falls, MN $12,000 agreement for the implemen­ In collaboration with the Urban Gateways tation of a third year of the Radio Bilingue, Inc. Expansion Arts Program, to Chicago, IL $30,000 Teachers of the Arts Fellow­ Fresno, CA $11,000 support artistic and adminis­ In collaboration with the ship Program. [DCA 93-50] In collaboration with the trative expenses for summer Expansion Arts Program, to Folk Arts Program, to sup­ day camps during 1994 and support artistic and adminis­ port a workshop series in tra­ 1996 for talented youth in trative expenses asociated ditional Mexican mariachi grades 4-9. Reviewed by the with the creation of an out­

1993 Annual Report 255 Vernon Goodin ~ Kennedy Center for the ~ National Assembly of tional consensus process di­ State Arts Agendes rected by the National Assess­ Executive Director, Performing Arts North Dakota Council on Washington, DC $50,000* Washington, DC $7,175" ment Governing Board In collaboration with the (NAGB) to develop the frame­ the Arts To support a cooperative Fargo, ND agreement to establish and State and Regional Program, work for a planned national to support a cooperative arts assessment in 1996. operate a prototype interac­ Ruth Hewett (layperson) tive information system for agreement to provide infor­ *Not including $100, 000 in mation services to state arts gifi funds J~om the Getty Chairperson, arts education, using national Oregon State Board of electronic networks, located agencies and the Arts Center for Education in the z Endowment. Reviewed by Arts which raises the total Education o in three areas: the state of Salem, OR California; metropolitan Fort the State and Regional award to $260,000. Worth, Texas; and metropol­ Program’s Basic State Grant Panel. [DCA 93-02] ~ U.S. Department of William Hopper itan Washington, DC. (layperson) [DCA 93-36] *Cofunded with $11 O, 000 Education j~om the State and Regional Washington, DC $14,954 Principal, *Not including $200,000 in To support an interagency Tecumseh-Harrison interagency fun~ ~om the Program for a total of $117,175. agreement for the final stages Elementary School Department of Education, of the publication of The Arts Vincennes, IN which raises the total award to Education Research Agendzz for $250,000. ~ National Assembly of State Arts Agencies the Future, the result of an Francisco LeFebre Washington, DC $20,800* arts education conference Artist Kentucky Arts Council jointly sponsored by the U.S. Albuquerque, NM Frankfurt, KY $48,000 In collaboration with the State and Regional program, Department of Education To support a cooperative and the Endowment. Pamela Parziale agreement for the administra­ to support a cooperative agreement to collect and ana­ Chair, Arts and Humanities tion of arts and education ~r U.S. Department of Section, regional meetings. lyze data on arts education projects. [DCA 93-37] Education West Virginia Division of [DCA 93-45] Washington, DC $179,600 Culture & History *Co funded with $1 O, 000 Kearneysville, WV 39om the State and Regional To support an interagency ~ National Assembly of agreement for a national sur­ State Arts Agendes Program for a total of Carol Jean Sigmon $30,800. vey on the status of arts edu­ Washington, DC $74,595 cation in public schools. Education Director, To support a cooperative Arizona Commission on the agreement for the adminis­ ~ New York University Arts tration of the ME Coord­ New York, NY $30,000 Phoenix, AZ ¯ inators Conference on na­ To amend a cooperative tional and state-related issues agreement to conclude the Kathleen Stept in arts education. Reviewed work of teacher-researchers of Arts Education Arts Education Director, by the following panelists: the National Arts Education Parmership Grants Mississippi Arts Commission John Paul Batiste, Austin, Research Center, and to Panel II 1992 Jackson, MS TX; Sheri Brown, Provid­ reprint and distribute up to ence, RI; Shelley Cohn, 600 copies of 20 volumes of Barbara Benisch Arts Education Phoenix, AZ; Natalie Hala, the teachers’ final reports. Executive Director, Partnership .Grants Des Moines, IA; Hollis [DCA 92-21] Arts Assembly of Jacksonville Panel (1993) Headrick, New York, NY; Jacksonville, FL Brenda McCutchen, Colum­ ~ U.S. Department of Frank Bluestein bia, SC; Peter Sears, Salem, Education Teacher/Chairman, Fine Arts Washington, DC $39,227 Betty Castro (layperson) OR; Bennett Tarleton, Teacher, Department, Nashville, TN. [DCA 93-34] To amend an interagency Germantown High School agreement to support the Sanchez Elementary School Austin, TX Germantown, TN Sr National Assembly of final stages of the develop­ ment of voluntary national State Arts Agendes Nicolette Clark (chair) Hermina Walthall Butcher Washington, DC $10,000 standards in the visual arts, Music Educator; Board dance, music and theater for Executive Director, To support a cooperative Vermont Council on the Arts Member, agreement for the publication grades K- 12. Montpelier, VT Virginia Commission on the of the quarterly arts education Arts ~ U.S. Department of newsletter, Primer. Reviewed Sandra Furey Lynchburg, VA by the same panelists listed Education Washington, DC $160,000" Executive Director, above. [DCA 93-23] Urban Gateways To support an interagency agreement related to the ha­ Chicago, IL

256 National Endowment for the Arts Donna Dailey Cooley Loretta Livingston Poet; Artist-in-Residence, Music Teacher; Director of General Classroom Teacher, Choreographer/Artistic Groden Center Arts Education, Enoch Elementary School Providence, RI Director, Iowa Arts Council Enoch, UT Loretta Livingston & Des Moines, IA Dancers Chris Forehan (layperson) Carol Evans Los Angeles, CA Principal, Christopher VanAntwerp Producing Director, Walnut Elementary School Art Teacher, Kelloggsville Metro Theatre Company Norwalk, CA Beck McLaughlin Public Schools; St. Louis, MO Education Coordinator, Member, Board of Education Dennis Holub (chair) Helena Presents Lowell, MI Merry Fahrman Helena, MT Executive Director, Principal, South Dakota Arts Council Overview Panel (1993) East Gate Elementary School Sioux Falls, SD John McLaughlin East Helena, MT Consultant Paul Callihan Lexington, KY Jean Tokuda Irwin Dancer, Denise Grande Arts Education Coordinator, Ririe-Woodbury Dance Arts Education Coordinator, Bill Parker Utah Arts Council Company Music Center of Los Angeles Salt Lake City, UT Science and Math Teacher, Salt Lake City, UT Los Angeles, CA Shaw Visual and Performing Martin Newell Arts School Yvette Cantu Sue Heath St. Louis, MO Executive Director, General Classroom Teacher, Executive Director, Kentucky Arts Council Gardenhill School Utah Alliance for Arts & Julie Smith Frankfort, KY Norwalk, CA Humanities Education Director of Artist Services, Salt Lake City, UT Montana Arts Council Raona Roy Michael Ching Helena, MT President, Artistic Director, Dan Herring RCCA: The Arts Center Memphis Opera Education Director, Jane Waiters Loudonville, NY Memphis, TN Stage One Principal, Louisville, KY Craigmont School Memphis, TN

1993 Annual Report 257 lished by the Arts Experiment Station to The Local Arts Agencies Program focuses form a rural arts consortium, this project addresses the need for facilities and programming for the on methods to strengthen a national sup­ visual arts. port system for local cultural development. The Westchester Arts Council in White The program helps communities affirm Plains, New York received a three-year grant for an arts-in-education collaboration in­ authentic and inclusive priorities. Also, volving 21 arts organizations, 65 artists, Manhattanville College, the Board of Cooperative Educational Services it seeks to increase citizen involvement in (BOCES) and six school districts serving culturally di­ verse, inner-city youngsters. This project seeks to create the cultural affairs of their communities. lasting, collaborative partnerships between schools and local cultural organizations by establishing a sustained, These tasks must be acomplished if the sequential, arts-integrated curriculum at the elementary level. This project will include the creation of District arts are to thrive in this decade. Advisory Committees in each school for planning, teacher training, technical assistance and grantmaking for As Chambers of Commerce help business arts education programs and materials. An evaluation to enterprise, America’s 3,800 local arts agen- assess the educational impact of this project will be con­ A cies advance arts and cultural development ducted as well. in communities of every size everywhere. The Local Arts Agency Develop- We know that at least two-thirds of local arts agencies make grants to artists and arts organizations in their R ment Category aims to encour-T age planning for community communities. Local arts agencies also provide services cultural development and to im­ to artists and arts organizations, present performances and festivals, offer neighborhood outreach programs, prove the quality and caliber of local arts agency adminis­ and manage cultural facilities. Research has shown that trators and board members through leadership and man­ more than four-flfths of local arts agencies have arts-in­ agement training. Funding is available through Planning education programs, and more than half have arts pro­ and Professional Staff grants and through Leadership grams that address social issues such as youth-at-risk, Training and Services grants. race relations, substance abuse and crime. The Planning and Professional Staff category stressed the While grants in the Local Government Incentive value of access and communication between the local arts Category required a two-to-one match by city and/or agency and the community. Business, education, govern­ county governments, the projected match was seven- ment and community leaders participated in planning to-one million in 1993. Grants in this category serve projects as did artists, patrons and members of arts orga­ more than 1,100 local arts organizations in hundreds nizations. By raising community awareness about the of communities, large and small, across America. arts, the projects heightened community support of local cultural resources. Twenty-two grants were In rural Tifton, a Georgia funded in communities from Grand Rapids, ~" community 200 miles from G Michigan, to Las Cruces, New Mexico. A major cities, the Arts Exper- iment Station received a The San Diego Commission for the Arts and three-year grant to renovate a historic E Culture received funding to support a church building to house the Tifron Museum of Arts and Community Cultural Project involving the Heritage. The visual-arts anchor for the cultural district, design of a cultural plan with strategies for the Museum will become the center for quality art ex­ achieving cultural equity and diversity throughout San hibits, performances and literary events that emphasize Diego. The Commission plays a special role as the lead global and multicultural programming. Working in part­ agency shaping the cultural landscape of the city, home nership with a network of other local arts agencies estab­ to many established ethnic groups as well as newly-ar­

258 National Endowment for the Arts rived ones. Through this project, the underserved areas. These 1993 Under- Commission will ensure that the citizens of served Communities Set-Aside funds went San Diego have opportunities for creating to 32 states and one territory for technical and participating in arts activities. assistance and basic salary assistance. Fourteen technical assistance grants funded more than In Camden, South Carolina, the Fine Arts 17 on-site management projects and consultancies. Center of Kershaw County received funding :~ Seventeen conferences and workshops were slated for for an education director to develop and co- ~ areas not previously served. Local arts agency staff ordinate education efforts at a new youth art members in nine states received travel assistance to at- facility in the downtown area. Building on successful tend conferences important to their professional devel­ programs in the schools, classes in the arts, summer pro­ opment. Four statewide assemblies of local arts agencies grams and plans for integrating the arts into other pro- received funding for newly created executive director gram areas, this project will coordinate arts-in-education positions. Twenty-six local arts agencies received fund- efforts for over 20,000 children. ing to hire first-time professional directors.The Vermont Council on the Arts in Montpelier received The Leadership Training and Services category support-support for a two-year collaborative project with four ed activities at the regional and national levels that fo­ rural local arts cused on professional development of local arts agency agencies to devel­ administrators. op an arts educa­ tion program for The College of Creative and Communi- Head Start chil­ cation Arts at Northern Arizona University dren. Targeted for S in Flagstaffreceived funding to support the ;’~ ~ ~ ;>~ ~ children from low­ FlagstaffArts Management Institute, a pro­ -- income families in fessional development series for local arts isolated and impoverished rural areas of the state, this agency staff. The Institute offered five one-week concur­ project placed 16 professional teaching visual and per­ rent courses in program areas common to local arts agen­ forming artists in Head Start sites through a program cies including grantsmaking, arts-in-education, arts festi­ that will foster creative thinking, self-expression and a vals, public art/community design, financial management positive self-image. Using the Head Start model of skills and board development. development at an early age and parental participation in programs, this partnership be~een the Vermont In Raleigh, North Carolina, the Association of Arts Council on the Arts and local arts agencies represents Councils received a grant to support training for local the first time they will work together on major state ed­ arts agencies around the state. As the statewide assem­ ucation initiatives that build on Vermont~ commitment bly of local arts agencies, the Association provides to early education. workshops, conferences, publications and information services to local arts agencies and other member organi­ The South Dakota Arts Council re- zations. This project involves training for participants ceived funding to assist local arts agen­ in a peer advisory network, a group of arts administra­ E cies in underserved areas. In collabora­ tors able to provide on-site technical assistance. Add­ tion with South Dakotans for the Arts, itionally, the grant supports speakers and panelists with the statewide assembly of local arts agencies, the an emphasis on leadership development for the Asso­ Council will implement the findings of the Native Arts ciation’s annual conference, specific training programs Planning Effort, including a grants program to support for regional groups of mem­ Native American arts projects on reservations and an bers’ and sch°larship assis­ assessment of the needs of Native Americans living in tance for members to attend C urban areas. Additionally, the project will include on- the 1994 United Arts Fund site technical assistance to rural and Coalition Conference. reservation local arts agencies and travel assistance for individuals from these ~ Grants were available to state arts agencies for assistance areas to attend statewide, regional and to develop local arts asencies in rural, inner-city and national conferences.

1993 Annual Report 259 Indicates national impact develop its programs. Nevada County Arts staff; and 2) national or re­ [93-6242-0027] Council gional services such as Nevada City, CA $75,000 publications, research, or Arts Council of To support the development special projects aimed at of a new regranting program Hillsborough County professional development Tampa, FL $100,000 for Nevada County artists To support the expansion of and arts organizations. for local arts agencies. grants programs to artists and [93-6242-0021] arts organizations in Planning and Hillsborough County. Professional Staff [93-6242-0026] State-Local Partnership Grants Grants Includes two subcate­ Broward County Board of gories: Local Grants are County Commissioners No grants in this category 16 grants awarded to local arts agen­ Fort Lauderdale, FL $5,000 were made in FY ’93. To amend a grant to support Program Funds: $392,3 cies, councils, or commis­ Artserve in the development sions for three-year pro­ of adminstrative support ser­ Grants were reviewed by the jects that support and vices for emerging artists and Planning and Professional develop the arts within arts organizations in Broward Staff Grants/Overview Panel, unless otherwise indicated. a city, county or multi­ County. [91-6242-0031] county region. Grants Council for the Arts in must be matched at least Westchester, Inc. Alexandria Commission for 2-to-1 with new local White Plains, NY $250,000 the Arts public dollars. State-Local To support a three-year arts- Alexandria, VA $20,500 Partnership Grants are in-education collaboration To support the development awarded to state arts agen­ involving arts organizations, Includes two subcate­ of a community cultural plan artists and school districts in for the city of Alexandria, cies representing local arts Westchester County, NY. gories: Planning and Virginia. [93-6221-0009] agencies or consortia of [93-6242-0024] Professional Staff Grants, local arts agencies for sup­ awarded to both local and Allied Arts Council port and development of Cultural Arts Council of state arts agencies, enable Las Vegas, NV $15,000 the arts within local com­ Houston local arts agencies to per- To develop a community cul­ tural plan for metropolitan Houston, TX $250,000 manently increase and im- munities. These grants To support the Cultural Arts Las Vegas. [93-6221-0002] must be matched 1-to-1 Council of Houston in its prove their planning and with new state arts agency implementation of the city of administrative capabilities Arts and Humanities appropriations, and these Houston/Harris County cul- by securing permanent Council of Greater Baton combined federal-state tural plan. [93-6242-0025] professional planning and Rouge dollars must be matched administrative staff, con­ Baton Rouge, LA $30,000 To support the development 1-tool with new local Council, Inc. ducting community-wide of a comprehensive commu­ public dollars over a three- Kalamazoo, MI $125,000 cultural planning or devel- nity cultural plan. year period. To support the implementa- oping agency plans. Grants [93-6221-0012] tion of recommendations to state arts agencies sup- Local Grants from the Kalamazoo commu­ port planning and techni­ Arts and Science Council, Charlotte/Mecklenburg, nity cultural plan. cal assistance programs for 8 grants [93-6242-0022] Inc. local arts agencies and in­ Charlotte, NC $25,000 Program Funds: $1,005,000 Los Angeles, City of/ creased community devel- To support the position of Department of Cultural opment staff at the state a vice president for technical Affairs level. Leadership Training assistance and program ser­ Abraham Baldwin vices. [93-6221-0001] Los Angeles, CA $100,000 and Services grants are Agricultural College To support the establishment Tifton, GA $100,000 of seven regional arts councils awarded to service organi­ Arts Council in Buffalo and To support the Arts throughout the city of Los zations and educational in- Erie County Experiment Station, a local Angeles. [93-6242-0023] stitutions that provide: 1) Buffalo, NY $15,000 arts agency serving a rural To support the new staffpo­ multi-county arts alliance in specific training programs for professional develop­ sition of Management south Georgia, in the restora­ Services Coordinator. ment of local arts agency tion of the Tifton Museum [93-6221-0006] of Arts and Heritage, and to

260 National Endowment for the Arts Arts Foundation of San Piedmont Council of the Services Panel (1993), unless ~ National Assembly of Bernardino County Arts. [93-6221-0003] otherwise indicated. Local Arts Agencies San Bemardino, CA $30,000 Washington, DC $250,000* To support the development San Diego, City of/ To support a second year of of a community cultural plan Commission for Arts and Arizona State University Arts Corps, a residency pro­ for the City of San 8emar­ Culture Tempe, AZ $24,200 gram for graduate students, dino. [93-6221-0007] San Diego, CA $30,000 To support a collaborative to work with local arts agen­ To support the Commission arts in education project to cies in small and rural com­ Council for the Arts in for Arts and Culture’s Com­ be undertaken by the munities. Reviewed by the Westchester, Inc. munity Cultural Planning Morrison Institute for Public Local Arts Agencies O White Plains, NY $25,875 Project designed to examine Policy in the School of Public Underserved Communities To support the position of matters of cultural equity and Affairs at Arizona State Uni­ Panel (March 1993); see Marketing Director for the diversity at the community versity and the Tucson/Pima Underserved Communities Council for the Arts in level. [93-6221-0010] Arts Council, a local arts chapter. [93-6265-0056] Westchester. [93-6221-0014] agency. [93-6265-0061] *Awarded in collaboration San Francisco Arts with, and funded by, the Arts Dana Point, City of/ Commission California Assembly of in Education Program. Cultural Commission San Francisco, CA $30,000 Local Arts Agencies Dana Point, CA $30,000 To support the San Francisco San Francisco, CA $15,000 ~r National Assembly of To support implementation Arts Commission’s formula­ To support two technical as­ Local Arts Agencies of a community cultural tion of long range and strate­ sistance programs designed to Washington, DC $49,000 planning process and devel­ gic plans that include clarify­ address the professional de­ To support a two-part pro­ opment of a cultural plan. ing the agency’s mission and velopment needs of local arts ject that will convene a meet­ [93-6221-0005] establishing goals and objec­ agency managers. ing of the statewide assem­ tives. [93-6221-0008] [93-6265-0060] blies of local arts agencies and Fine Arts Center of document existing and po­ Kershaw County, Inc. Tulare-Kings Regional Arts Metropolitan Dade County tential local arts agencies in Camden, SC $15,336 Council Cultural Affairs Council tribal nations. To support a Director of Arts Visalia, CA $20,600 Miami, FL TF $100,000 [93-6265-0059] in Education for the Fine To support the development To support cultural services Arts Center of Kershaw of a cultural plan for Tulare to Dade County artists and ~r National Assembly of County to develop and coor­ and Kings Counties in rural arts organizations that were Local Arts Agencies dinate arts education efforts central California. damaged due to Hurricane Washington, DC $300,000 at a new youth arts facility in [93-6221-0004] Andrew. This application To support services to assist Camden. [93-6221-0013] and the next were reviewed up to 3,800 local arts organi­ Western Wisconsin by the following Local Arts zations in providing excellent Memphis Arts Council, Inc. Regional Arts Board Agencies panelists: Barbara cultural opportunities in their Memphis, TN $50,000 La Crosse, ky~rI $23,500 Schaffer Bacon (chair), Bill communities. Reviewed by To support an expansion and To support a stabilization Bulick, Judith Chalker, Leadership Training & stabilization of the Memphis project. Reviewed by Eduardo Diaz, Adrienne Services Panel (1992). Arts Council’s arts program­ Planning and Stabilization Hines, Shahida Mausi, [93-6265-0017] ming for senior populations. Panel. [93-6221-0067] Kathleen Pavilick, Harriet Reviewed by Planning and Sanford, Hellena Huntley Sr National Assembly of Stabilization Panel. Tidwell. [93-6265-0029] Local Arts Agencies [93-6221-0066] Leadership Training Washington, DC $39,000 And Services Metropolitan Dade County To support a cooperative Newark, City of/Division Cultural Affairs Council agreement for the administra­ of Recreation and Cultural 14 grants; 1 cooperative Miami, FL $20,000 tion of on-site evaluations. Affairs To support the Metro Dade [DCA 93-49] Newark, NJ $16,500 agreement Arts Council with technical To support the development Program Funds: $656,000* assistance focusing on key New York Foundation for of a five-year plan for the Treasury Funds: $100,000 areas of organizational and the Arts, Inc. Newark Arts Council to en­ individual artists’ needs and New York, NY $38,400 able planning for long-term *Not including $250, O00 for developments due to the dev­ To support the development growth. [93-6221-0011] one grant awarded in collabo­ astating effects of Hurricane of the New York State Arts ration with, and funded by, Andrew. Reviewed by the Wire Network, an interactive Piedmont Council of the the Arts in Education panelists named above. computer network that will Arts Program. [93-6265-0057] link local arts councils Charlottesville, VA $15,000 throughout the state. To support the development Grants reviewed by the [93-6265-0062] of a total agency plan for the Leadership Training and

1993 Annual Report 261 North Carolina Association Kathleen Pavlick (layper­ Daniel Salazar of Arts Coundls son) Director of Individual Artist Raleigh, NC $24,000 Assistant Hce-President/ Programs, To support a training proiect Local Government Manager of Corporate Colorado Council on the for North Carolina’s local arts Incentive Contributions Arts and Humanities agencies. [93-6265-0064] Chemical Bank, Inc. Denver, CO New York, NY Barbara Schaffer Bacon Leadership Training & Northern Arizona (chair) University Arts Management Consultant Harriet Sanford Services (1993) Flagstaff, AZ $22,400 Amherst, MA Executive Director, Fulton County Arts Council Judith Chalker To support Northern Arizona Multi-Arts Coodinator, University’s College of Bill Bulick Atlanta, GA Executive Director Ohio Arts Council Creative & Communication Columbus, OH Arts with the FlagstaffArts Metropolitan Arts Hellena Huntley Tidwell Management Institute for Commission Director of Resouree Portland, OR Allocations, Eduardo Diaz (chair) local arts administrators in Director, City Department of the region. Reviewed by the Arts and Science Council, Leadership Training & Judith Chalker Charlotte/Mecklenburg, Inc. Arts and Cultural Affairs; Multi-Arts Coordinator Charlotte, NC Chair, Texas Urban Arts Services Panel (1992). Partnership [93-6265-0016] Ohio Arts Council Columbus, OH Local Arts Agency San Antonio, TX Parmers for Livable Places Development Washington, DC $50,000 Eduardo Diaz Tom Haukaas (layperson) To support Partners for Director, Ciey Department of Leadership Training & Resident in Psychiatry Arts and Cultural Affairs; Services (1992) University of South Dakota Livable Places in collabora­ School of Medicine tion with the American Chair, Texas Urban Arts Council for the Arts in spon­ Partnership Lynda Martha Burkel Sioux Falls, SD soring "Culture Builds San Antonio, TX Artistic Director Communities," a national Lynda Martha Dance Adrienne Gray Hines conference. Reviewed by the Thomas Haukaas Company Executive Director Leadership Training & (layperson) Pittsburgh, PA Arts Council of Richmond Richmond, VA Services Panel (1992). Resident in Psychiatry [93-6265-0015] University of South Dakota Joseph Golden (chair) School of Medicine President Anthony Marquez (layperson) Texas Arts Council Sioux Falls, SD Spirit Square Center for the $26,400 Arts Chief Counsel, State Joint Austin, TX Legislative Ethics Committee; To support a peer assistance Adrienne Gray Hines Charlotte, NC Executive Director Chair, Sacramento training program for local Metropolitan Arts arts agencies. [93-6265-0065] Arts Council of Richmond Karen Gunderson Olson Richmond, VA Board Member, Commission University of Foundation for the Arts in Sacramento, CA Massachusetts, Amherst Anthony Marquez South Dakota, and (layperson) South Dakota Arts Council Shahida Mausi Amherst, MA $33,000 Executive Assistant to Mayor To support leadership train­ Chief Counsel, State Joint Rapid City, SD ing programs for local arts Legislative Ethics Committee; of Detroit; administrators. Chair, Sacramento Kathleen Pavlick Detroit, MI [93-6265-0063] Metropolitan Arts (layperson) Commission Assistant Vice-President/ Susan McDaniel Executive Director University of Sacramento, CA Manager of Corporate Massachusetts, Amherst Contributions Custer County Art Center Amherst, MA $14,600 ShahidaMausi Chemical Bank, Inc. Miles City, MT ExecutiveAssistanttoMayor New York, NY To support revisions to the Kathleen Pavlick text of Fundamentals of Local of Detroit; Assistant Vice-President/ Arts Agency Management, a Detroit, MI Harvey Rose (layperson) City Manager, Manager of Corporate handbook that supports a Contributions management course for local Susan McDaniel Steamboat Springs, CO arts agency leaders. Reviewed Executive Director, Chemical Bank, Inc. by the Leadership Training Custer County Art Center New York, NY & Services Panel (1992). Miles City, MT [93-6265-0020]

262 National Endowment for the Arts Planning & Professional Karen Gunderson Olson Planning And Anthony Marquez Staff Grants/Overview Board Member, Stabilization/Overview (layperson) Foundation for the Arts in Chief Counsel, Barbara Schaffer Bacon South Dakota, and Barbara Schaffer Bacon State Joint Legislative Ethics (chair) South Dakota Arts Council Arts Management Consultant Committee; Arts Management Consultant Rapid City, SD Amherst, !vIA Chair, Sacramento Amherst, MA Metropolitan Arts Kathleen Pavlick Bill Bulick Commission Bill Bulick (layperson) Executive Director Sacramento, CA Executive Director Assistant Vice-President/ Metropolitan Arts Metropolitan Arts Manager of Corporate Commission Shahida Mausi Commission Contributions Portland, OR Executive Assistant to Mayor Portland, OR Chemical Bank, Inc. of Detroit; New York, NY Judith Chalker Detroit, MI Lynda Martha Burkel Multi-Arts Coodinator, Artistic Director Harvey Rose (layperson) Ohio Arts Council Susan McDaniel Lynda Martha Dance City Manager Columbus, OH Executive Director Company Steamboat Springs, CO Custer County Art Center Pittsburgh, PA FAuardo Diaz (chair) Miles City, MT Daniel Salazar Director, City Department of Eduardo Diaz Director, Individual Artist Arts and Cultural Affairs; Kathleen Pavlick Director, City Department of Programs Chair, Texas Urban Arts Assistant Vice- Arts and Cultural Affairs; Colorado Council on the Partnership President/Manager of Chair, Texas Urban Arts Arts and Humanities San Antonio, TX Corporate Contributions Partnership Denver, CO Chemical Bank, Inc. San Antonio, TX Tom Hauka,m (layperson) New York, NY Harriet Sanford Resident in Psychiatry Joseph Golden Executive Director, University of South Dakota Harriet Sanford President Fulton Arts Council School of Medicine Executive Director, Spirit Square Center for the Atlanta, GA Sioux Falls, SD Fulton County Arts Council Arts Atlanta, GA Charlotte, NC Adrienne Gray Hines Executive Director Cynthia Lewis Schaal Shahida Mausi Arts Council of Richmond Director of FieM Executive Assistant to Mayor Richmond, VA Coordination, of Detroit; National Cultural Alliance Detroit, MI Washington, DC

1993 Annual Report 263 One of the Arts Endowment’s great successes has been its Aided by Regional Arts Programming Grants, seven re­ role in the development of active arts agencies in the gional arts organizations extend the capacities of both states and special jurisdictions. While the Endowment the state arts agencies and the Arts Endowment by sup­ provides important support for state arts agencies Q porting activities often most effectively administered on (SAAs), they have grown and found other sources of a multi-state basis, such as fee support to performing arts support. Collectively these agencies receive nine times as presenters and regional visual arts fellowships. These or­ much funding from their state governments as they get ganizations combine federal funds with state and private in the form of Basic State Grants from this program. contributions to support programs that advance the ca­ The states also receive grants from other Endowment reers of artists and bring touring events to millions of au­ programs for a variety of purposes, including promotion dience members. ¯ of the arts in education, assistance to local arts agencies, development of rural arts organizations, support for folk This program also administers about half of the arts, and encouragement of dance touring. ~ Endowment program funds set aside by Congress for projects in rural, inner-city and other artistically under- The State & Regional Program awards Basic State served areas. These funds are administered Grants and Regional Arts Programming Grants. In addi­ through the Arts in Underserved tion, it helps support collaborative initiatives jointly de­ Communities category, veloped by the Endowment’s discipline programs and which supports the state and regional arts agencies. Collaborative initia­ tives this year included Dance on Tour and the Regional Visual Arts Fellowships.

port to help rural and inner-city African American organizations de­ velop and present arts programs; Georgia’s Arts in the Atlanta Project, an arts component of a public/pri­ Project, vate effort to address the city’s social ills; Maryland’s sup­ which provides ¯ port of dance camps for inner-city youth, held at Morgan after-school arts programs at State University under the direction of the various sites in South Central Los Company and School; and Virginia’s program of assis­ Angeles; Missouri’s program of direct annual sup- tance to help five rural counties develop volunteer arts or-

264 National Endowment for the Arts projects developed by state arts agencies in collaboration tion of a Border Arts Project to promote arts program­ with people in rural and inner city communities. ming in community organizations along the ¯ border with Mexico; California’s This year the category helped support projects which are Inner City Latchkey making a positive difference in the lives of people in un­ derserved areas in 54 states and jurisdictions. They in­ clude: Alaska’s program of technical assistance and grant support for cultural groups in rural and native villages;

communi­ ties. SAA grants went to groups in every Congressional District, and approximately one-third of the grants went to groups in rural areas.

ganizations SAAs serve as an important source of support for the able to present perfor­ arts in all disciplines. Last year they provided $28 mil­ mances by touring artists and local lion for projects in music, $25 million for projects in the folk artists. visual arts, $22 million for projects in theater, $12 mil­ ~k lion for projects in dance, $38 million for projects in Effective national strategies for support of the arts in un­ other disciplines, and more than $53 million for multi­ derserved areas as well as for arts in education, dance disciplinary projects (including support to local arts touring, the folk arts and more, would be impossible agencies, presenting series, arts centers, etc.). More than without a strong network of state and regional arts agen­ 43 percent of SAA grant funds went for general operat­ cies. This network exists in part because of the Basic ing support to arts organizations. State Grants and Regional Arts Programming Grants, which constitute a stable, ongoing investment in arts programs that respond to local needs. @

State arts agencies provide a wide range of grants and ser­ vices to artists, arts organizations and audiences in com­ munities of every size and description. Last year they I I I ; I : ; l ; ; ; ; ; I’ I I I awarded over 26,700 grants to groups in more than 5,500

1993 Annual Report 265 Indicates national impact. Connecticut Commission Louisiana Division of the New Jersey State Council on the Arts Arts, Department of on the Arts Hartford, CT $491,000 Culture, Recreation, & Trenton, NJ $542,000 Panel B. [93-6141-0031] Tourism Panel A. [93-6141-0026] Baton Rouge, LA $502,000 Delaware Division of the Panel A. [93-6141-0051] New Mexico Arts Division Arts Santa Fe, NM $472,000 Wilmington, DE $462,000 Maine Arts Commission Panel A. [93-6141-0046] Panel A. [93-6141-0010] Augusta, ME $468,000 To provide basic support Panel B. [93-6141-0054] New York State Council to state arts agencies. District of Columbia on the Arts Commission on the Arts & Maryland State Arts New York, NY $657,000 56 grants Humanities Council Panel A. [93-6141-0021] Washington, DC $461,000 Baltimore, MD $509,000 Program Funds: Panel A. [93-6141-0022] Panel A. [93-6141-0049] North Carolina Arts $27,252,886 Council Florida Department of Massachusetts Cultural Raleigh, NC $530,000 Grants were reviewed by State, Division of Cultural Council Panel A. [93-6141-0056] Basic State Grants Panel A Affairs Boston, MA $522,000 or B, as indicated. Tallahassee, FL $550,886 Panel B. [93-6141-0004] North Dakota Council on Panel A. [93-6141-0032] the Arts Michigan Council for Arts Fargo, ND $462,000 Alabama State Council on and Cultural Affairs Panel A. [93-6141-0009] the Arts Georgia Council for the Arts Detroit, MI $560,000 Montgomery, AL $500,000 Atlanta, GA $529,000 Panel A. [93-6141-0029] Ohio Arts Council Panel A. [93-6141-0066] Panel A. [93-6141-0033] Columbus, OH $577,000 Minnesota State Arts Panel A. [93-6141-0057] Alaska State Council on Guam Council on the Arts Board the Arts & Humanities St. Paul, MN $504,000 Oklahoma, State Arts Anchorage, AK $461,000 Agana, GU $201,000 Panel A. [93-6141-0008] Council of Panel B. [93-6141-0011] Panel B. [93-6141-0053] Oklahoma City, OK $490,000 American Samoa Council Mississippi Arts Idaho Commission on the Commission Panel B. [93-6141-0034] on Culture, Arts, & Arts Jackson, MS $484,000 Humanities Panel A. [93-6141-0040] Oregon Arts Commission Pago Pago, AS $201,000 Boise, ID $466,000 Panel B. [93-6141-0055] Salem, OR $487,000 Panel B. [93-6141-0052] Missouri State Council on Panel B. [93-6141-0023] Illinois Arts Council the Arts Arizona Commission on Chicago, IL $584,000 St. Louis, MO $512,000 Pennsylvania, the Arts Panel A. [93-6141-0025] Panel B. [93-6141-0020] Commonwealth of/ Phoenix, AZ $497,000 Coundl on the Arts Panel B. [93-6141-0017] Indiana Arts Commission Montana Arts Council Harrisburg, PA $589,000 Indianapolis, IN $517,000 Helena, MT $464,000 Panel A. [93-6141-0012] Arkansas Arts Council Panel A. [93-6141-0018] Panel B. [93-6141-0041] Little Rock, AR $481,000 Puerto Rican Culture, Panel B. [93-6141-0042] Iowa Arts Council Nebraska Arts Council Institute of Des Moines, IA $486,000 Omaha, NE $472,000 San Juan, PR $495,000 California Arts Council Panel B. [93-6141-0050] Panel B. [93-6141-0016] Sacramento, CA $795,000 Panel A. [93-6141-0006] Panel B. [93-6141-0038] Kansas Arts Commission Nevada State Council on Rhode Island State Topeka, KS $482,000 the Arts Council on the Arts Colorado Council on the Panel B. [93-6141-0019] Carson City, NV $469,000 Providence, RI $466,000 Arts Panel B. [93-6141-0028] Panel B. [93-6141-0005] Denver, CO $492,000 Panel B. [93-6141-0045] Kentucky Arts Council Frankfort, KY $496,000 New Hampshire State South Carolina Arts Council on the Arts Commission Commonwealth Council Panel A. [93-6141-0027] Concord, NH $467,000 Columbia, SC $494,000 for Arts & Culture Panel B. [93-6141-0024] Panel A. [93-6141-0036] Saipan, CM $200,000 Panel B. [93-6141-0058]

266 National Endowment for the Arts South Dakota Arts Mid Atlantic Arts Dance on Tour Council Foundation, Inc. Sioux Falls, SD $462,000 Baltimore, MD $13,000 Dance on Tour grants are Panel A. [93-6141-0039] To amend a 1992 grant to support a planning process funded collaborativdy State Foundation on for the possible inclusion of with the Presenting & Culture and the Arts Puerto Rico into the Mid Commissioning and Honolulu, HI $467,000 Atlantic Arts Federation. Dance programs. Panel A. [93-6141-0035] For regional groups of two [92-6142-0045] or more state arts agencies 13 grants Tennessee Arts to support arts programs New England Foundation Commission planned and implemented for the Arts Program Funds: $1,126,035 Nashville, TN $510,000 on a multistate basis. Cambridge, MA $498,000 Panel A. [93-6141-0015] To support regional arts The following grants were reviewed by the Presenting 8 grants projects in Connecticut, Texas Commission on the Maine, Massachusetts, New & Commissioning Arts Program Funds: $4,178,114 Hampshire, Rhode Island Program’s 1992 and 1993 Austin, TX $649,000 and Vermont. Panel B. Dance on Tour Panels. Panel B. [93-6141-0048] [93-6142-0060] Arts Midwest State Component Utah Arts Council Minneapolis, MN $673,000 Southern Arts Federation, Salt Lake City, UT$474,000 To support regional pro­ Inc. Panel B. [93-6141-0014] grams and services in Atlanta, GA $725,114 Nebraska Arts Council Illinois, Indiana, Iowa, To support regional pro­ Omaha, NE $9,765 Vermont Council on the Michigan, Minnesota, grams and activities in To support costs associated Arts, Inc. North Dakota, Ohio, South Alabama, Florida, Georgia, with the tour of an out-of­ Montpelier, VT $461,000 Dakota and Wisconsin. Kentucky, Louisiana, state dance company, in­ Panel B. [93-6141-0044] Panel A. [93-6142-0065] Mississippi, North Carolina, cluding planning the tour, South Carolina and choosing the artists and de­ Virgin Islands Council on Consortium for Pacific Tennessee. Panel A. signing the residency activi­ the Arts Arts and Cultures [93-6142-0061] ties. [93-5445-0009] St. Thomas, VI $201,000 Honolulu, HI $249,000 Panel A. [93-6141-0047] To support regional pro­ Western States Arts Ohio Arts Council grams and services in the ter­ Federation Columbus, OH $35,000 Virginia Commission for ritories of American Samoa, Santa Fe, NM $849,000 To support costs associated the Arts Guam and the Northern To support regional pro­ with the Presenter Develop­ Richmond, VA $525,000 Mariana Islands. Panel B. grams and activities in ment Project, the Commu­ Panel A. [93-6141-0013] [93-6142-0063] Alaska, Arizona, California, nity Partnership Program, Colorado, Idaho, Montana, DanceShare, and the Dance Washington State Arts Mid-America Arts Alliance Nevada, New Mexico, Residency Project. Commission Kansas City, MO $498,000 Oregon, Utah, Washington [93-5445-0124] Olympia, WA $511,000 To support regional pro­ and Wyoming. Panel B. Panel B. [93-6141-0043] grams and services in [93-6142-0059] Pennsylvania, Arkansas, Kansas, Missouri, Commonwealth of/ West Virginia Division of Nebraska, Oklahoma and Council on the Arts Culture & History, Arts & Texas. Panel B. Harrisburg, PA $35,000 Humanities Section [93-6142-0064] To support costs associated Charleston, WV $475,000 with dance presentations Panel A. [93-6141-0007] Mid Atlantic Arts and residencies by out-of­ Foundation, Inc. state dance companies throughout Pennsylvania Wisconsin Arts Board Baltimore, MD $673,000 To support initiatives re­ Madison, WI $510,000 To support regional pro­ during the 1993-94 season. flecting a high level of Panel A. [93-6141-0030] grams and services in [93-5445-0125] Delaware, the District of collaboration in both Wyoming Arts Council Columbia, Maryland, New development and imple­ South Carolina Arts Cheyenne, WY $461,000 Jersey, New York, mentation between state Commission Columbia, SC $13,300 Panel B. [93-6141-0037 Pennsylvania, Virginia, the and regional arts agencies Virgin Islands and West To support costs associated Virginia. Panel A. and Arts Endowment dis­ with the activities of a [93-6142-0062] cipline programs. statewide dance coordinator, two workshops on dance

1993Annual Report 267 presenting, and travel for six served Communities Set Aside Western State Arts ~ National Assembly of presenters to see dance per­ for a total grant of $178,220. Federation State Arts Agencies formances and attend con­ Santa Fe, NM $90,010 Washington, DC $32,000 ferences, during the 1993-94 Mid Atlantic Arts To support during the 1993­ To support a cooperative season. [93-5445-0004] Foundation 94 season the costs of dance agreement for the adminis­ Baltimore, MD $205,710 presentation by presenters tration of on-site evaluations South Carolina Arts To support presenters throughout these states: of state and regional arts or­ Commission throughout the District of Alaska, Arizona, California, ganizations. [DCA 93-06] Columbia, SC $25,000* Columbia, Delaware, Colorado, Hawaii, Idaho, To support a flve-week tour Maryland, New Jersey, New Montana, Nevada, New ~ National Assembly of of an out-of-state dance York, Pennsylvania, Mexico, Oregon, Utah, State Arts Agencies company and other activities Virginia, the Virgin Islands, Washington, Wyoming. Washington, DC $10,000 designed to strengthen and West Virginia for the [93-5445-0015] To support a cooperative dance activities throughout costs of dance presentation *Co-funded with $100,000 agreement to provide infor­ the state during the 1994-95 during the 1993-94 season. J~om the Dance Program for a mation services to state and season. [93-5445-0229] [93-5445-0012] total of $190, 010. regional arts agencies and *Co-funded with $1 O, 000 the Arts Endowment. J~om the Underserved Com­ New England Foundation [DCA 93-37] munities Set-Aside for a total for the Arts *Co-funded with $20,800 grant of $35, 000. Cambridge, !VIA $116,460 J~om the Arts In Education To support the costs of pre­ Program for a total of Regional Component senting dance companies $30,800. during the 1993-94 season by presenters in Connecticut, To support the cost of ser­ ~z National Assembly of State Arts Agencies Arts Midwest Maine, New Hampshire, vices provided at the na­ Massachusetts, Rhode Island, Washington, DC $9,965 Minneapolis, MN $172,990 tional level to state arts To support the costs of pre­ and Vermont, and for the To amend a cooperative senting dance companies presentation of a dance tour agencies and regional agreement for the printing throughout Illinois, Indiana, throughout the region. groups. of additional copies of the Iowa, Michigan, Minnesota, [93-5445-0013] publication Celebrating North Dakota, Ohio, South 1 grant; 4 cooperative America’s Cultural Diversi~y. Dakota, and Wisconsin dur­ New England Foundation agreements [DCA 91-35] ing the 1993-94 season. for the Arts Program Funds: $442,965 [93-5445-0010] Cambridge, MA $109,590" To support the costs of The following were reviewed Mid-America Arts Alliance dance presentation during by the 1993 Overview Kansas City, MO $186,650 the 1994-95 season by pre­ Panel. For artists’ fee support to senters throughout the states presenters throughout listed above. Basic State Grants Arkansas, Kansas, Missouri, [93-5445-0224] ~z National Assembly of Panel A Nebraska, Oklahoma, and *Co-funded with $20,000 State Arts Agencies Texas for the presentation of j~om the Underserved Com­ Washington, DC $281,000 Joanne Kozberg dance companies during the munities/Set Aside for a total To support NASAA’s pro­ 1993-94 season, and for re­ grant of $129,590. Executive Director grams and services for state California Arts Council lated administrative expens­ arts agencies. Sacramento, CA es. A special initiative will Southern Arts Federation [93-6167-0002] support the commissioning Atlanta, GA $78,180" and touring of a new work To support the costs of ~r National Assembly of Donald Melville (layperson) by an out-of-state dance dance presenting during the State Arts Agencies artist/company. 1993-94 season by presen­ Member Washington, DC $110,000 Massachusetts Cultural [93-5445-0011] ters throughout Alabama, To support a cooperative Florida, Georgia, Kentucky, Council agreement to provide infor­ Worcester, MA Mid-America Arts Alliance Louisiana, Mississippi, mation services to state and Kansas City, MO $48,380* North Carolina, South regional arts agencies and To support the costs of Carolina and Tennessee. the Arts Endowment. Louise Miller (layperson) dance presentation during [93-5445-0014] *Co-funded [DCA 93-02.] State Representative 45th District of the 1994-95 season by pre­ with $70,000J~om the *Co-funded with $7,175 senters in the states listed Presenting & Commissioning Washington, ~om the Arts In Education Olympia, WA above. [93-5445-0231] Program for a total of program for a total of *Co-funded with $94,840 $148,180. $117,175. jgom the Dance Program and $35,000 from the Under-

268 National Endowment for the Arts Anthony Radich JefFrey Kesper Jose’ D. Colchado Louise Miller Executive Director Executive Director Dean, College of Creative & State Representative Missouri State Council on Southern Arts Federation Communication Arts (45th District) the Arts Atlanta, GA Northern Arizona University Olympia, WA St. Louis, MO Flagstaff, AZ Josephine D’Amato (6O2) 523-3011 Anthony Radich Alden Wilson (chair) Richardson Executive Director Executive Director Member Cecelia Fitzgibbon Missouri State Council on Maine Arts Commission Kentucky Arts Council; Executive Director the Arts Augusta, ME Co-founder, Appalshop New England Foundation St. Louis, MO Whitesburg, KY or the Arts Basic State Grants Cambridge, MA 02139 Josephine D’Amato Shirley Sneve Richardson Panel B Assistant Director Jeffrey Kesper Member South Dakota Arts Council Executive Director Kentucky Arts Council Ramona Baker (chair) Sioux Falls, SD Southern Arts Federation Whitesburg, KY Director Atlanta, GA The Arts Council, Inc. Overview (1993) Shirley Sneve Huntsville, AL Joanne Kozberg Assistant Director Ramona A. Baker Executive Director South Dakota Arts Council Betty Boone Director California Arts Council Sioux Falls, SD Executive Director The Arts Council, Inc. Sacramento, CA Michigan Council for Arts Huntsville, AL 35801 Alden C. Wilson (Chair) and Cultural Affairs Donald R. MeMlle Executive Director Detroit, MI Betty Boone Member Maine Arts Commission Executive Director Massachusetts Cultural Augusta, ME Michigan Council for Arts Council and Cultural Affairs Worcester, MA Detroit, MI

1993 Annual Report 269 The Arts Endowment’s authorizing statute requires ganizations in Anaconda, Fort Peck, Livingston, the agency to award 7.5 percent of its program funds Kalispell and Miles City (whose Custer County Art to state arts agencies and regional consortia of SAAs Center, based in a renovated underground space, serves for the support of projects that 1) raise the artistic ca­ nine adjoining agricultural counties). pabilities of developing arts organizations and 2) stim­ ulate artistic activity, awareness and greater public The Folk Arts Organizations and State Apprenticeship access to the arts in rural, inner-city and other artisti­ categories are the main Set-Aside vehicles for the Folk cally underserved areas. Five programs participated in Arts Program. Working through its national network the Set-Aside this year, and through their combined of state folk arts coordinators, this program used Set- efforts provided support in every state and several Aside funds to do ground-breaking work with people special jurisdictions. in regions that had been underserved--or not served at all--by state arts agencies. For example, the Alabama The Expansion Arts Program’s Rural Arts Initiative State Council on the Arts identified outstanding folk (RAI) identifies rural arts organizations that produce artists representing many traditional genres--among work of high artistic caliber but are hampered by lack them blues, gospel, shape-note singing, string band of professional staff. Since 1991 RAI funding has music, basket weaving, quilting--and presented them helped stabilize some 80 rural arts groups in nineteen at the state Folklife Festival. states. This year four additional projects began, in Arkansas, Kentucky, Oklahoma and Nebraska. RAI Funds from the Local Arts Agencies Program are avail­ funding has been pivotal in small communities where able for various programs and services that benefit local volunteer resources are stretched and part-time staffing arts agencies: salary assistance for a local director or em­ uncertain. One grantee for example, the Montana Arts ployee of a statewide assembly; assistance to cover travel Council, received help in assisting widespread rural or­ and fees for local arts agency staffto attend professional

270 National Endowment for the Arts in all of these states: Arkansas,. consultants to help strengthen local Kansas, Missouri, Nebraska, arts agency management skills; cultur­ Oklahoma and Texas. al development planning; innovative technical assistance; publications and The State & Regional Program’s communications; programs and ser­ set-aside grants enable state arts vices to address local cultural develop­ agencies to support projects devel­ ment. In Texas, for example, the state arts commission oped with people in communities that lack access to used Endowment funds to provide educational and tech­ arts resources because of such factors as geography, nical assistance to I 10 arts agencies in rural and under- economic conditions, cultural background and disabil­ served areas. ity. Community-based arts organizations, workshops, artist residencies, arts presenting, festivals, traditional The Presenting & Commissioning program helps un­ arts and arts education have all benefitted from State derserved communities through regional consortia of & Regional grants. Assistance has gone to all 50 SAAs and through Dance on Tour. Support to the re­ states and five special jurisdictions since 1991. This gional groups helps performers tour, increases resources year one grant helped establish artist residencies in for presenting organizations, improves fee support and housing developments in five Texas cities. Another strengthens professional development of the presenting supported after-school arts programs developed ~vith field as a whole. Dance on Tour helps outstanding Vermont’s Office of Alcohol and Drug Abuse to give dance artists and companies throughout the nation. A young Vermonters opportunities to develop their own single grant to one regional arts organization, the Mid- artistic voices. Dozens of other projects help make America Arts Alliance for instance, helped touring positive differences for people living in rural and dancers, choreographers and presenters reach audiences inner-city communities.

Indicates national impact. rural arts organizations for Nebraska Arts Council Texas Commission on the part-time staffpositions for Omaha, NE $30,000 Arts programming and outreach To support a regranting pro- Austin, TX $8,000 and a part-time consultant gram to rural arts organiza- To amend a grant to support position. [93-5361-0350] tions for partial support of a program designed to stim­ expanding administrative, ulate artistic activity, height- Rural Arts Kentucky Arts Council programming or curatorial en awareness and broaden Frankfort, KY $40,000 staffand professional devel- public access to the arts in Inidative To support regranting to opment for existing staff. rural and under-served areas rural arts organizations with [93-5361-0351] of the state. [92-5370-0387] 9 grants strong artistic programming Program Funds: $300,000 and community support. Oklahoma State Arts [93-5361-0348] Council Grants were reviewed by Oklahoma City, OK Maine Arts Commission $40,000 the Rural Arts Initiative Augusta, ME $30,000 To support a regranting pro­ Panel listed in the To support the second year gram to expand services to 50 grants Expansion Arts chapter. of regranting to small and Native American and Afri- Program Funds: $1,204,100 medium-sized rural arts or­ can-American rural arts or­ ganizations in order to im- ganizations. Arizona Commission on prove organizational stabili­ [93-5361-0349] Grants were reviewed by the Arts ty. [93-5361-0355] Folk Arts Organizations Phoenix, AZ $40,000 Pennsylvania Council on Panel (December 1992) To support a second year of Montana Arts Council the Arts or, as indicated, by FAO funding for the professional Helena, MT $40,000 Harrisburg, PA $32,000 Panels A or B (June 1993). To support the third year of To support the third year of development of tribal muse- These panels are listed in ums in Arizona. a subgranting program to a subgranting program for [93-5361-0354] stabilize and advance emerg­ artistically excellent rural the Folk Arts chapter. ing rural arts organizations arts organizations identified Arkansas Arts Council that maintain professional in year one of the program. Little Rock, AR $40,000 standards of high artistic [93-5361-0353] To support regranting to quality. [93-5361-0352]

1993 Annual Report 271 Folk Arts the folk arts traditions of Atlantic region and the de­ lated costs. Panel A. McCreary County, Ken­ sign of a regional folk arts [93-5533-0143] Orl anizations tucky. Panel A. program at the Mid Atlantic [93-5533-0199] Arts Foundation. Panel A. New York State Council Alabama State Council on [93-5533-0153] on the Arts the Arts Louisiana Department of New York, NY $28,900 Montgomery, AL $32,400 Culture, Recreation, & Minnesota State Arts To support "Families of To support the 1993 Ala­ Tourism, Division of the Board New Yorkers," a concert se­ bama Folldife Festival in Arts. St. Paul, MN $20,000 ries featuring family musical Montgomery. Baton Rouge, LA $21,100 To support "Minnesota groups selected from a diver­ [93-5533-0012] To support the upgrading Folk," a celebration of the sity of cultural backgrounds. and renovation of the exhib­ traditional artists participat­ [93-5533-0034] Alaska State Council on it, "The Creole State: An ing in the Minnesota Folk the Arts Exhibition of Louisiana Folk- Arts Apprenticeship Pro­ New York State Council Anchorage, AK $28,100 life," and related costs, in­ gram. [93-5533-0061] on the Arts To support the Native Arts cluding the publication of an New York, NY $30,000 accompanying catalogue. Mississippi Arts To support a folk arts pro­ Program at the Alaska State Commission Council on the Arts. [93-5533-0036] gram associate position at Jackson, MS $20,000 NYSCA. [93-5533-0035] Panel A. [93-5533-0116] Maine Arts Commission To support a survey of Colorado Council on the Augusta, ME $19,500 several areas in southwest Oregon Arts Commission To support a survey of Arts Mississippi. Panel B. Salem, OR $27,600 Franco-American arts and Denver, CO $17,500 [93-5533-0119] To support a folk-arts-in-ed­ culture in several under- To support the folk arts co­ ucation program in Oregon served areas of southern Missouri State Council on school districts that will ordinator position in south­ Maine. Panel B. the Arts ern Colorado and related serve as models and provide costs. [93-5533-0065] [93-5533-0174] St. Louis, MO $34,700 materials for future arts-in­ To support a survey of the education offerings to Maine Arts Commission Missouri "Bootheel" region, schools. Panel A. Georgia Council for the Arts Augusta, ME $9,500 in the southeastern corner of [93-5533-0204] To support a mentor pro­ the state near the Mississippi Atlanta, GA $33,000 gram offering individualized To support the folk arts co­ delta. Panel B. Rhode Island State technical assistance to com­ [93-5533-0173] Council on the Arts ordinator position and other munity-based organizations Providence, RI $3,600 related costs in Georgia. and traditional artists in Montana Arts Council [93-5533-0068] To support meetings to dis­ Maine. Panel A. Helena, MT $33,800 cuss folk arts programs and Guam Council on the Arts [93-5533-0179] To support fieldwork and services in southern New planning for Montana’s first England. Panel A. and Humanities Maine Arts Commission Agana, GU $17,600 state-wide folk arts exhibi­ [93-5533-0203] Augusta, ME $6,400 tion. Panel A. To support a survey to To support costs related to identify, document and [93-5533-0206] South Carolina Arts the establishment and ad­ Commission form a consortium among ministration of an inter­ Nebraska Arts Council builders and navigators of Columbia, SC $32,400 tribal Maine Indian Basket- Omaha, NE $20,000 To support a state folk arts traditional seafaring canoes makers Alliance. Panel A. in the Micronesian Island To support the state folk arts coordinator position and communities. Panel B. [93-5533-0180] program of Nebraska. other related costs. [93-5533-0201] [93-5533-0010] [93-5533-0045] Michigan Council for Arts Institute of Puerto Rican and Cultural Affairs New Hampshire State Southern Arts Federation, Culture Detroit, MI $32,000 Council on the Arts Inc. San Juan, PR $19,800 To support documentation Concord, NH $38,900 Atlanta, GA $43,500 To support "Sexto Homena­ of traditional artists who are To support the folk arts pro­ To support "Sisters in Song: jeal Guiro Puertorriqueno," members of the Little gram in New Hampshire. Upland South Musical a festival of traditional Traverse Bay Bands of Panel A. [93-5533-0205] Roots," third in the Puerto Rican fibaro music, Odawa Indians. Panel B. "Southern Musical Roots" highlighting the guiro (gourd [93-5533-0125] New Jersey State Council tour series. [93-5533-0018] rasp). [93-5533-0070] on the Arts Mid Adantic Arts Trenton, NJ $25,000 Southern Arts Federation, Kentucky Arts Council Foundation, Inc. To support the position of Inc. Frankfort, KY $36,800 Baltimore, MD $25,100 Folk Arts Program Associate Atlanta, GA $40,100 To support a survey of To support the assessment at the New Jersey State To support a folk arts exhib­ of folk arts needs in the mid- Council on the Arts and re­ it resources survey that will

272 National Endowment for the Arts identify and assess folk arts State Mississippi Arts Washington State Arts exhibits in storage or on dis­ Commission Commission play in the Southern Arts Apprenticeships Jackson, MS $10,000 Olympia, WA $30,000 Federation’s nine-state re­ To support a state folk arts To support a folk arts ap­ gion and the production of a apprenticeship program in prenticeship program in Alabama State Council on Mississippi. Panel A. Washington. directory of those resources. the Arts [93-5551-0189] [93-5551-0084] [93-5533-0019] Montgomery, AL $30,000 To support a folk arts ap­ Southern Arts Federation, Missouri State Council on Wisconsin Arts Board prenticeship program in Ala­ the Arts Madison, WI $10,000 Inc. bama. [93-5551-0081] Atlanta, GA $29,600 St. Louis, MO $30,000 To support a state folk arts To support a folk arts peer To support a traditional arts apprenticeship program in group meeting in coniunc­ Alaska State Council on apprenticeship program in Wisconsin. Panel A. tion with the 1993 National the Arts Missouri. Panel A. [93-5551-0193] Anchorage, AK $10,000 [93-5551-0183] Assembly of State Arts To support a state native arts Agencies meeting. Panel A. apprenticeship program in [93-5533-0104] Nevada State Council on Alaska. Panel A. the Arts Washington State Arts [93-5551-0184] Carson City, NV $14,300 Commission To support a folk arts ap­ Colorado Council on the prenticeship program in 27 grants Olympia, WA $24,900 Arts To support concerts, a radio Nevada. [93-5551-0082] Program Funds: $2,095,000 series, interpretive materials, Denver, CO $20,000 To support a statewide folk New England Foundation and recordings documenting arts apprenticeship program Grants were reviewed by Mexican-American tradi­ for the Arts tional music and other art in Colorado. Panel A. Cambridge, MA $30,000 the Local Arts Agencies forms found in Washington [93-5551-0191] To support a regional ap­ Underserved Set-Aside prenticeship program in State. [93-5533-0015] Guam Council on the Arts Panel (March, 1993), un­ New England. Panel A. less otherwise indicated. and Humanities [93-5551-0188] Washington State Arts Agana, GU $10,000 Commission To support a folk arts ap­ Olympia, WA $25,100 New Mexico Arts Division Alaska State Council on prenticeship program in Santa Fe, NM $28,000 To support a cassette tape, Guam. [93-5551-0085] the Arts booklet and publication fea­ To support a folk arts ap­ Anchorage, AK $10,000 prenticeship program in turing traditional native Kansas Arts Commission To support the Alaska State American artists of Washing­ New Mexico. Council on the Arts with a Topeka, KS $20,000 [93-5551-0087] ton State. Panel A. To support a folk arts ap­ statewide technical assistance [93-5533-0112] and professional develop­ prenticeship program in Rhode Island State Kansas. [93-5551-0092] ment program for rural local Washington State Arts Council on the Arts arts agencies. Providence, RI $30,000 Commission Kentucky Arts Council [93-6222-0046] Olympia, WA $26,200 To support a folk arts ap­ Frankfort, KY $29,000 prenticeship program in To support a survey of the To support a state folk arts Arkansas Arts Council rural areas of eastern Wash­ Rhode Island. Little Rock, AR $75,000 apprenticeship program in [93-5551-0088] ington state, a region rich in Kentucky. Panel A. To support the Arkansas Native American, Hispanic [93-5551-0192] Arts Council in collabora­ and ranch cultures. Panel B. State Arts Council of tion with the Texarkana Oklahoma [93-5533-0169] Maine Arts Commission Regional Arts and Human­ Oklahoma City, OK ities Council, in providing Augusta, ME $14,700 $20,000 Wisconsin Arts Board To support the traditional arts programs to under- Madison, WI $7,200 To support a state folk arts served regions of Arkansas. arts apprenticeship program apprenticeship program in To support cassette packages in Maine. Panel A. [93-6222-0040] of "Down Home Dairy- Oklahoma. Panel A. [93-5551-0197] land," a radio series featur­ [93-5551-0186] California Arts Council ing culturally diverse selec­ Sacramento, CA $90,000 Minnesota State Arts Utah Arts Council tions of traditional music Board To support the California performed in Wisconsin. Salt Lake City, UT Arts Council’s Local Part­ St. Paul, MN $30,000 $27,800 [93-5533-0071] To support a folk arts ap­ ners Program for rural local prenticeship program in To support a folk arts ap­ arts councils in the state. Minnesota. Panel A. prenticeship program in [93-6222-0032] [93-5551-0190] Utah. [93-5551-0090]

1993 Annual Report 273 Commonwealth of Penn­ tural planning and computer North Dakota Council on Arts Federation, in collabo­ sylvania Council on the technology. [93-6222-0050] the Arts ration with the National Fargo, ND $104,000 Assembly of Local Arts Harrisburg, PA $75,000 Mississippi Arts To support the North Agencies, on a program to To support a collaboration Commission Dakota Council on the Arts’ help strengthen the capacity with the Pennsylvania Arts Jackson, MS $120,000 project to provide salary sup­ of local arts agencies. Alliance and the Pennsyl­ To support Artists Build port, professional develop­ [93-6222-0039] vania Rural Arts Alliance for Communities, a program of ment, community cultural a technical assistance project the Mississippi Arts Com­ assessments, and planning State Arts Council of designed to serve local arts mission which assists local for rural and underserved Oklahoma agencies in rural and under- arts agencies with communi­ local arts agencies in North Oklahoma City, OK served areas. [93-6222-0042] ty arts development. Dakota. [93-6222-0052] $105,000 [93-6222-0043] To support the State Arts Idaho Commission on the Ohio Arts Council Council of Oklahoma, in Arts Missouri State Council on Columbus, OH $90,000 collaboration with the As­ Boise, ID $75,000 the Arts To support the Ohio Arts sembly of Community Arts To support the Idaho Com­ St. Louis, MO $50,000 Council in collaboration Councils of Oklahoma, for a mission on the Arts with pro­ To support the Missouri with the Alliance of Ohio project designed to provide grams designed to strengthen Arts Council, in partnership Community Arts Agencies, technical assistance and other the arts management capabil­ with the Missouri Associa­ the statewide assembly, for a services to underserved areas. ities of local arts agencies in tion of Community Arts project designed to address [93-6222-0037] the state. [93-6222-0031] Agencies, with a technical the needs of rural communi­ assistance plan to strengthen ties for arts services and pro­ Texas Commission on the Indiana Arts Commission local arts agencies in rural grams. [93-6222-0035] Arts Indianapolis, IN $35,000 and underserved areas. Austin, TX $100,000 To support the Indiana Arts [93-6222-0044] Oregon Arts Commission To support the Texas Com­ Commission and the state’s Salem, OR $105,000 mission on the Arts’ Educa­ local arts agencies with a re- Montana Arts Council To support the Oregon Arts tional and Technical Assis­ granting program designed Helena, MT $43,000 Commission’s project to tance Program (ETAP) for community development To support the Montana provide technical assistance which aids rural and under- in underserved areas of Arts Council’s technical as­ to the state’s rural and un­ served local arts agencies in Indiana. [93-6222-0041] sistance program for local derserved local arts agencies. Texas. [93-6222-0045] arts agencies in rural and un­ [93-6222-0053] Iowa Arts Council derserved communities. Vermont Council on the Des Moines, IA $20,000 [93-6222-0048] South Carolina Arts Arts, Inc. To support the Iowa Arts Commission Montpelier, VT $47,000 Council, in partnership with New York State Council Columbia, SC $13,000 To support the Vermont the Iowa Assembly of Local on the Arts To support the South Council on the Arts in col­ Arts Agencies (IALAA), with New York, NY $90,000 Carolina Arts Commission’s laboration with four rural programming and services to To support the New York collaboration with the South and underserved local arts local arts agencies in Iowa’s State Council on the Arts’ Carolina Arts Alliance, with agencies on an arts educa­ rural and underserved areas. collaboration with the services to strengthen rural tion program for Head Start [93-6222-0036] Alliance of New York State local arts agencies. children. [93-6222-0051] Arts Councils (the statewide [93-6222-0033] Kansas Arts Commission assembly of local arts agen­ Washington State Arts Topeka, KS $85,000 cies) on a rural cultural de­ South Dakota Arts Commission To support the Kansas Arts velopment initiative. Council Olympia, WA $50,000 Commission for technical [93-6222-0054] Sioux Falls, SD $116,000 To support the Washington assistance to local arts agen­ To support the South State Arts Commission’s cies in rural communities. North Carolina Arts Dakota Arts Council’s collab­ project designed to stabilize [93-6222-0038] Council oration with South Dakotans underserved local arts agen­ Raleigh, NC $75,000 for the Arts (the statewide as­ cies through organizational Maine Arts Commission To support the North sembly) in a three-part plan development and technical Augusta, ME $72,000 Carolina Arts Council, in to assist emerging and estab­ assistance. [93-6222-0049] To support the Maine Arts collaboration with the lished local arts agencies in Commission’s two-year col­ North Carolina Association the state’s rural and inner- West Virginia Division of laborative project with the of Arts Councils, in the ex­ city areas. [93-6222-0030] Culture & History, Arts & Maine Arts Sponsors Asso­ pansion of a comprehensive Humanities Section ciation (the statewide assem­ organizational development ~r Southern Arts Charleston, WV $40,000 bly) to work with local arts program for rural and un­ Federation, Inc. To support the West agencies on community cul­ derserved areas of the state. Atlanta, GA $250,000 Virginia Division of Culture [93-6222-0034] To support the Southern and History in organizing

274 National Endowment for the Arts and conducting the state’s Idaho Commission South Carolina Arts Arizona Commission on first statewide arts confer­ on the Arts Commission the Arts ence, as well as a technical Boise, ID $20,000 Columbia, SC $20,000 Phoenix, AZ $202,400 assistance program for un­ To support and explore the To support the planning of To support the initiation of derserved and rural local arts viability of establishing a a more comprehensive ap­ the Border Arts Project, agencies. [93-6222-0047] "teatro" in Idaho, to be proach to arts development which promotes arts pro­ known as El Teatro de la in inner cities. Panel B. grammmg in community- Wisconsin Arts Board Comunidad, in partnership [93-6144-0109] based organizations along Madison, WI $110,000 with the Idaho Commission the Arizona-Mexico border; To support the Wisconsin on Hispanic Affairs. Vermont Council on the and the continuation of the Arts Board’s establishment Panel B. [93-6144-0094] Arts, Inc. Collaborative Initiative re- of a grassroots network of Montpelier, VT $11,850 granting program. Panel B. local arts agencies in rural Maryland State Arts To support a program of [93-6144-0125] and underserved areas of the Council technical assistance in the state. [93-6222-0055] Baltimore, MD $20,000 areas of program and facility California Arts Council To support the planning, accessibility for arts organi­ Sacramento, CA $131,300 Wyoming Arts Council development and establish­ zations. Panel A. To support the Los Angeles Cheyenne, WY $50,000 ment of a state-wide touring [93-6144-0112] Innercity Latchkey Project, To support attendance by program for underserved which provides after-school rural participants in the Art communities. Panel A. Wyoming Arts Council arts programs to disadvan­ Beyond Boundaries confer­ [93-6144-0080] Cheyenne, WY $20,000 taged youth in South ences in 1993 and 1994. To support the exploration Central Los Angeles, and the Reviewed by the 1992 Local Mississippi Arts and development of partner­ initiation of a Rural Government Incentive Commission ships with existing statewide Residency Project. Panel B. Panel; see 1992 Annual Jackson, MS $20,000 networks to deliver arts pro­ [93o6144-0123] Report. [93-6222-0028] To support a two-part re­ grams and services more search and planning project effectively. Panel B. Colorado Council on the to develop a community [93-6144-0130] Arts artist residency program. Denver, CO $73,200 Panel A. [93-6144-0095] Project Plan Grants To support Colorado’s Rural Arts Initiative. New Mexico Arts Division Panel B. [93-6144-0084] 65 grants Santa Fe, NM $20,000 Alabama State Council on Connecticut Commission Program Funds: $4,570,050 To support a planning pro­ the Arts gram of technical assistance Montgomery, AL $72,600 on the Arts and skills training work­ Hartford, CT $49,900 Grants were reviewed by To support a three-part ini­ shops to further the develop­ tiative for underserved com­ To support the expansion of the Arts in Underserved ment of community-based munities and populations. the Inner City Cultural Communities Panel A or arts organizations in rural Panel A. [93-6144-0126] Development Program. B, as indicated. southern New Mexico. Panel B. [93-6144-0118] Panel B. [93-6144-0091] Alaska State Council on Plan Development the Arts Delaware Division of the Ohio Arts Council Anchorage, AK $42,000 Arts Grants Columbus, OH $20,000 To support, develop and Wilmington, DE $52,500 To support the development strengthen the capabilities of To support the continuance of an arts program plan for emerging rural organizations of the "Celebration of Alaska State Council on Appalachian communities in through technical assistance Cultures" program and the the Arts Ohio. Panel A. and grant support. Panel A. creation of the "Non- Anchorage, AK $19,000 [93-6144o0076] [93-6144-0090] Traditional Partners" pro­ To support a comprehensive gram. Panel B. rural arts needs assessment Rhode Island State American Samoa Council [93-6144-0088] and survey. Panel A. Council on the Arts on Culture, Arts, & [93-6144-0131] Providence, RI $18,000 Humanities District of Columbia To support development of Pago Pago, AS $39,600 Commission on the Arts Arkansas Arts Council "Early Arts Intervention," a To support greater involve­ and Humanities Little Rock, AR $20,000 partnership between the ment of Manu’a islanders in Washington, DC $100,000 To support planning and Rhode Island State Council arts council programs and To support the continued project activities related to a on the Arts and the activities. Panel A. implementation of a program collaborative effort with the International Institute of [93-6144-0115] focusing on arts needs ex­ Delta Cultural Center. Rhode Island. Panel B. pressed by residents and or­ Panel B. [93-6144-0120] [93-6144-0108] ganizations in three under- served wards located east of

1993 Annual Report 275 the Anacostia river. Reviewed Indiana Arts Commission Louisiana Division of the Collaborations Grant pro­ by the 1992 Arts Projects in Indianapolis, IN $75,000 Arts, Department of gram. Panel A. Underserved Communities To support the "Arts: Rural Culture, Recreation, & [93-6144-0124] panel; see 1992 Annual and Multicultural" (ARM) Tourism Report. [93-6144-0001] program which provides di­ Baton Rouge, LA $52,700 Mississippi Arts rect technical assistance to To support year two of the Commission District of Columbia underserved constituents. Outreach to the Under- Jackson, MS $72,400 Commission on the Arts Panel A. [93-6144-0067] served Initiative project, in­ To support continuation of and Humanities cluding a rural arts develop­ the "Artist Is In" grant pro­ Washington, DC $86,000 Institute of Puerto Rican ment study, a rural gram which encourages For continued support of Culture mini-grant program, and community arts develop­ the project described above. San Juan, PR $101,400 initiative projects in ment in rural and other un­ Panel A. [93-6144-0121] To support a program of Natchitoches and derserved areas. Panel A. arts development for com­ Shreveport. Panel A. [93-6144-0092] Georgia Council for the munity-based organizations [93-6144-0114] in underserved communities Missouri State Council on Atlanta, GA $104,600 throughout the island. Maine Arts Commission the Arts To support both the arts Panel A. [93-6144-0096] Augusta, ME $59,000 St. Louis, MO $242,000 component of the "Atlanta To support subgrants to re­ To support continuance and Project," a public/private ef­ Iowa Arts Council gional arts sites for regrant­ expansion of an existing pro­ fort to address the city’s so­ Des Moines, IA $48,400 ing to community-based or­ gram to stimulate the devel­ cial ills, and the "Heart of To support a planning ganizations for arts activities opment of arts program­ Georgia Cultural Revitaliz­ process to determine ways in including presenting, resi­ ming in identified African- ation Project" which brings which the state’s presenting dencies, festivals, traditional American communities. arts programming to a nine- and touring environment arts, education, outreach and Panel B. county rural region. Panel A. can be strengthened through planning. Panel B. [93-6144-0087] [93-6144-0085] the "Arts To Go" program, [93-6144-0089] and to conduct a regrant Montana Arts Council Guam Council on the Arts program for artists and arts Maryland State Arts Helena, MT $78,400 and Humanities organizations affected by the Council To support and expand the Agana, GU $50,000 flooding of the Mississippi Baltimore, MD $52,900 activities of Montana’s net­ To support the continued River. Panel A. To support the Alvin Ailey work of statewide arts service development of a Chamorro [93-6144-0073] Camp Program of dance organizations and a pilot re­ cultural village in the town camps for disadvantaged grant initiative. Panel A. of Inarajan. Panel B. Kansas Arts Commission youth in the state of [93-6144-0110] [93-6144-0116] Topeka, KS $47,500 Maryland. Panel A. To support expansion of the [93-6144-0079] Nebraska Arts Council Idaho Commission Grassroots Cultural Develop­ Omaha, NE $77,300 on the Arts ment Program to provide art Massachusetts Cultural To support continuance and Boise, ID $40,600 services to people who are Council expansion of multicultural To support and continue over 65 or have disabilities, Boston, !vIA $92,300 arts programming. Panel B. feasibility studies for visual or are institutionalized or To support the establish­ [93-6144-0078] and performing arts facilities homeless. Panel B. ment of Youth Reach, a new in rural areas, and to support [93-6144-0083] funding program which will Nevada State Council on the Boise Family Center strengthen the ability of or­ the Arts Project, a collaborative pro­ Kentucky Arts Council ganizations to serve at-risk Carson City, NV $53,200 gram with university re­ Frankfort, KY $80,200 youth. Panel B. To support the Rural Arts searchers and social service To support expanded tech­ [93-6144-0105] Development program. agencies to serve at-risk nical assistance for organiza­ Panel A. [93-6144-0068] youth. Panel B. tions and individuals in un­ Michigan Council for Arts [93-6144-0113] derserved communities, and Cultural Affairs New Hampshire State community-based touring, Detroit, MI $97,300 Council on the Arts Illinois Arts Council and increased support for To support expansion of Concord, NH $86,300 Chicago, IL $74,000 the New Communities outreach activities to Mich­ To support four activities To support the Illinois Arts Grants program. Panel A. igan’s underserved commu­ addressing arts access: ex­ Development Program to [93-6144-0082] nities. Panel A. panded services and funding develop more programs at [93-6144-0070] for people with disabilities; the local level for residents artist residencies at juvenile who have not had access to Minnesota State Arts and adult correctional insti­ arts services. Panel B. Board tutions; technical assistance [93-6144-0117] St. Paul, MN $109,200 for local artists; and evalua­ To support the Cultural tion of the Council’s rural

276 National Endowment for the Arts arts program. Panel B. Oregon Arts Commission technical assistance, organi­ Virgin Islands Council on [93-6144-0127] Salem, OR $53,900 zational development, and the Arts To support the undertaking evaluation strategies to com­ St. Thomas, VI $40,500 New Jersey State Council of programs to address the munity organizations and To support the stabilization on the Arts needs of underserved groups schools serving at-risk youth. and development of emerg­ Trenton, NJ $112,900 in Oregon. Panel B. Panel B. [93-6144-0128] ing performing arts organi­ To support and enhance two [93-6144-0099] zations. Panel A. existing programs: the State Foundation on [93-6144-0122] Southern New Jersey Arts Pennsylvania Culture and the Arts Initiative, encompassing an Commonwealth of, Honolulu, HI $30,600 Virginia Commission for eight-county rural region, Council on the Arts To support a temporary of­ the Arts and the Cultural Diversity Harrisburg, PA $102,800 fice site for arts groups on Richmond, VA $103,100 Initiative, focusing primarily To support several initia­ the island of Kaua’i, in the To support and assist rural on urban areas. Panel B. tives: the continuation and wake of Hurricane Iniki. counties without traditional [93-6144-0074] expansion of the "Strategies Panel A. [93-6144-0086] arts organizations to develop for Success" program; a pilot volunteer arts presenters. New Mexico Arts Division apprenticeship project for Tennessee Arts Panel A. [93-6144-0093] Santa Fe, NM $71,500 minority freelance directors; Commission To support and enable rural minority arts management Nashville, TN $86,000 Washington State Arts arts organizations to achieve internships; a newsletter and To support continuance of Commission and maintain economic sta­ conferences. Panel B. the "Arts: Advancement and Olympia, WA $65,500 bility. Panel B. [93-6144-0101] Expansion" project. Panel B. To support underserved [93-6144-0103] [93-6144-0072] communities by setting aside Rhode Island State additional funds for the or­ New York State Council Council on the Arts Texas Commission on the ganizational support pro­ on the Arts Providence, RI $63,300 Arts gram and project support; New York, NY $117,600 To work with Davies Austin, TX $150,300 and for "Wood Works: The To support a cultural stabi­ Technical High School in To support continuance of Timber Heritage Exposi­ lization and enhancement Providence to develop "Arts Project BRIDGE, a multi­ tion". Panel B. initiative for underserved Workers," an internship year initiative undertaken in [93-6144-0102] communities. Panel B. program bringing together cooperation with public [93-6144-0081] vocational students and arts housing authorities to devel­ West Virginia Division of and culture institutions. op and support community- Culture & History, Arts & North Carolina Arts Panel B. [93-6144-0106] based arts education pro­ Humanities Section Council grams. Panel A. Charleston, WV $75,700 Raleigh, NC $122,800 South Carolina Arts [93-6144-0075] To support an increase in To support the continuance Commission services to artists in rural of the Organization of Color Columbia, SC $78,000 Utah Arts Council areas. Panel B. Development Program. To support and expand the Salt Lake City, UT [93-6144-0097] Panel A. [93-6144-0098] Cultural Visions program, $84,400 providing arts services to To support the expansion Wisconsin Arts Board North Dakota Council on rural areas of the state. and enhancement of the Madison, WI $108,900 the Arts Panel B. [93-6144-0104] council’s arts in education To support continuance of Fargo, ND $70,600 and technical assistance pro­ the Wisconsin Arts Board’s To support the extension of South Dakota Arts grams for underserved pop­ Cultural Diversity Initiative, arts programming to under- Council ulations. Panel A. to strengthen arts organiza­ served and primarily rural Sioux Falls, SD $68,100 [93-6144-0071] tions in Milwaukee’s inner areas. Panel B. To support enhancement of city. Panel B. [93-6144-0100] the council’s programs and Vermont Council on the [93-6144-0069] services for underserved pop­ Arts, Inc. Ohio Arts Council ulations. Panel A. Montpelier, VT $54,500 Wyoming Arts Council Columbus, OH $75,000 [93-6144-0107] To support "Artlinks", an Cheyenne, WY $31,500 To support implementation initiative that will reach To support additional re­ of the first year of the State Arts Council of Vermont’s unserved and un­ sources to Wyoming’s un­ Coordinated Arts Program Oklahoma derserved rural communi­ derserved communities by Plan with the Greater Oklahoma City, OK ties. Panel A. expanding current programs Cleveland Neighborhood $49,500 [93-6144-0111] and information services. Centers Association. To collaborate with "Very Panel B. [93-6144-0129] Panel A. [93-6144o0077] Special Arts Oklahoma" in providing arts resources,

1993 Annual Report 277 [DCA 93-09] Western States Arts 1994-95 season. 1993 *Co-funded with $70, O00 from Federation Regional Panel. the Presenting & Commissioning Santa Fe, NM $120,000" [93-5445-0231] Program for a total of $150, 000. A cooperative agreement to *Co-funded with $94,840J~om support artists’ fees for re­ the Dance Program, and 9 grants; 6 cooperative Mid Atlantic Arts gional presenters of music, $48,380J~om the State and agreements Foundation opera-musical theater, and Regional Program for a total of $178,220. Program Funds: $751,045 Baltimore, MD $60,000* theater throughout Alaska, A cooperative agreement to Arizona, California, support technical assistance Colorado, Idaho, Montana, Mid Atlantic Arts Presenting and and artists’ fees to regional Nevada, New Mexico, Foundation Touring presenters of music, opera- Oregon, Utah, Washington, Baltimore, MD $35,000* musical theater, and theater and Wyoming. To support artists’ fees for Regional Arts Organi­ throughout Delaware, [DCA 93-10] presenters throughout the zations Consolidated Maryland, New Jersey, New *Co-funded with $65,000~om District of Columbia, the Presenting & Commissioning Delaware, Maryland, New Presenting Support coop­ York, Pennsylvania, Virginia, West Virginia, the Program for a total of $185,000. Jersey, New York, erative agreements were re­ District of Columbia, and Pennsylvania, Virginia, the viewed by the Rural/Inner the Virgin Islands. Dance on Tour Virgin Islands, and West City Arts Presenting [DCA 93-13] Virginia for the presentation Regrant Initiative Panel, *Co-funded with $90, o00 fhom of dance companies during Grants were reviewed by the 1994-95 season. 1993 listed in the Presenting & the Presenting & Commissioning the Dance on Tour 1993 Regional Panel. Commissioning chapter. Program for a total of $150,000. Regional or State Panels, [93-5445-0223] New England Foundation as indicated. These panels *Co-funded with $42,635 from for the Arts are listed Under the the Dance Program, for a total of Arts Midwest Cambridge, MA $49,000* $77,635. Minneapolis, MN $85,000* Presenting & Commis­ A cooperative agreement to A cooperative agreement to support artists’ fees for re­ sioning Program. Montana Arts Council support artists’ fees for re­ gional presenters of music, Helena, MT $35,000 gional presenters of music, opera-musical theater, and To support costs associated opera, and theater through­ theater throughout Arts Midwest with a state-wide tour of an out Illinois, Indiana, Iowa, Connecticut, Maine, Mass­ Minneapolis, MN $35,000 out-of-state dance company. Michigan, Minnesota, achusetts, New Hampshire, To support artists’ fees for 1993 State Panel. North Dakota, Ohio, South Rhode Island, and Vermont. presenters throughout [93-5445-0228] Dakota, and Wisconsin. Arts [DCA 93-12] Illinois, Indiana, Iowa, Midwest also used funds to *Co-funded with $60,000~om Michigan, Minnesota, New England Foundation enable presenters serving the Presenting & Commissioning North Dakota, Ohio, South for the Arts rural, poor and/or culturally Program for a total of $109, 000. Dakota, and Wisconsin for Cambridge, MA $20,000* diverse communities to at­ the presentation of dance To support artists’ fees for tend performing arts confer­ Southern Arts Federation companies during the 1994­ presenters throughout ences. [DCA 93-11.] Atlanta, GA $106,000* 95 season. 1993 Regional Connecticut, Maine, Mass­ *Co-funded with $80,O00 j~om A cooperative agreement to Panel. [93-5445-0222] achusetts, New Hampshire, the Presenting & Commissioning support artists’ fees for re­ Rhode Island, and Vermont Program for a total of $165, 000. gional presenters of music, Delaware Division of the for the presentation of dance opera-musical theater, and Arts companies during the 1994­ Mid-America Arts Alliance theater throughout Alabama, Wilmington, DE $21,045 95 season. 1993 Regional Kansas City, MO $80,000* Florida, Georgia, Kentucky, To support costs associated Panel. [93-5445-0224] A cooperative agreement to with residency activities dur­ *Co-funded with $109,590~om support artists’ fees for re­ Louisiana, Mississippi, North Carolina, South ing a statewide tour by the the State and Regional Program, gional presenters of music, Carolina, and Tennessee. Lewitzky Dance Company. for a total of $129,590. opera, and theater through­ 1993 State Panel. out Arkansas, Kansas, Funds also allowed the Federation to conduct a per­ [93-5445-0227] South Carolina Arts Missouri, Nebraska, Commission Oklahoma, and Texas. forming arts program evalu­ ation and needs assessment Mid-America Arts Alliance Columbia, SC $10,000" Funds also supported a sem­ Kansas City, MO $35,000* To support a tour of an out­ inar conducted by the survey, distributed to some 2,000 artists throughout the To support artists’ fees for of-state dance company and Alliance to discuss creative presenters throughout other activities designed to ways of providing under- region. [DCA 93-14] *Co-funded with $50, O00~om Arkansas, Kansas, Missouri, strengthen dance presenting served communities with Nebraska, Oklahoma, and throughout the state. 1993 greater access to high quality the Presenting & Commissioning Program for a total of $156,000. Texas for the presentation of State Panel. [93-5445-0229] live performances. dance companies during the *Co-funded with $25, O00~om

278 National Endowment for the Arts the State and Regional Program State and Regional Betty Boone for a total of $35,000. Executive Director, Arts in Underserved Michigan Council for the Southern Arts Federation Communities Panel A Arts and Cultural Affairs Atlanta, GA $35,000 Local Arts .Agencies Detroit, MI To support artists’ fees for Underserved Juan Carrillo presenters throughout Deputy Director of Programs, Jose’ Colchado Alabama, Florida, Georgia, Communities Panels California Arts Council Dean, College of Creative Kentucky, Louisiana, Missis­ (1993) Sacramento, CA and Communication Arts, sippi, North Carolina, South Barbara Schaffer Bacon Northern Arizona University Carolina, and Tennessee for Jennifer Clark Flagstaff, AZ the presentation of dance Arts Management Consultant Executive Director, companies during the 1994­ Amherst, MA Nebraska Arts Council Jane Hiatt 95 season. 1993 Regional Omaha, NE Executive Director, Panel. [93-5445-0225] Eduardo Diaz (chair) Mississippi Arts Director, City Department Commission of Arts and Cultural Affairs; Derek Gordon Western States Arts Chair, Texas Urban Arts Director of Education, Jackson, MS Federation Partnership Kennedy Center for the Santa Fe, NM $25,000 Performing Arts Paula Kascel To support artists’ fees for San Antonio, TX Washington, DC Development Officer, presenters throughout New York Botanical Garden Alaska, Arizona, California, Thomas Haukaas New York, NY (layperson) Kenneth Wayne May Colorado, Hawaii, Idaho, (chair) Montana, Nevada, New Artist; Resident in Psychiatry, Assistant Deputy Director, Wayne Lawson (chair) Mexico, Oregon, Utah, University of South Dakota South Carolina Arts Executive Director, Washington, and Wyoming School of Medicine Commission Ohio Arts Council for the presentation of dance Sioux Falls, SD Columbia, SC Columbus, OH companies during the 1994­ Adrienne Gray Hines 95 season. 1993 Regional Willie Smyth Isabelle Robinson Panel. [93-5445-0226] Executive Director (layperson) Arts Council of Richmond Folk Arts Coordinator, Washington State Arts Partner, Robinson-Robinson Richmond, VA Commission & Associates Golden Valley, MN Roslyn Kurland Olympia, WA (layperson) Cynthia Lewis Schaal Robert Roth Head Librarian, Executive Director, Community Arts Billie Davis Rodenberg Coordinator, Memorial Library Lynchburg Fine Arts Center 1 cooperative agreement McLeansville, NC King County Arts Temple Beth E1 Commission Program Funds: $80,000 Hollywood, FL Richard Weber (layperson) Seattle, WA Shahida Mausi Chair, North Dakota Mid-America Arts Alliance Council on the Arts Shirley Sneve Executive Assistant to Mayor Bismark, ND Assistant Director, Kansas City, MO $80,000 of Detroit; South Dakota Arts Council To amend a cooperative Detroit, MI agreement in order to extend Alden (Denny) Wilson Sioux Falls, SD for ten months a pilot pro­ Susan McDaniel Executive Director, ject to stimulate artistic ac­ Maine Arts Commission Ricardo Trimillos Executive Director Chair of Asian tivity and awareness and Custer County Art Center Augusta, ME broaden public access to the Miles City, MT Studies/Professor of arts in rural and inner city Arts in Underserved Ethnomusicology, University areas and other areas that are Communities Panel B of Hawaii, Manoa Alec Simpson Honolulu, HI underserved artistically. Assistant Director, [DCA 92-18] D.C. Commission on the Ramona Baker Arts and Humanities Executive Director, E. Henry Wilier The Arts Council, Inc. Director, Alabama Center Washington, DC Huntsville, AL for Folk Culture, Alabama State Council for David Tamayo the Arts Interior Designer; Artist Montgomery, AL San Diego, CA

1993 Annual Report 279 ff i c e of Pl ann i n g,

R e s e a r c h a n

Budget Coordination

Through its various divisions, the Office of Planning, and the provision of services to the field. In keeping with Research and Budget Coordination undertakes research this focus, the biennial report to Congress and the and develops information on the condition and needs of President, The Arts in America, 1992, was completed dur­ artists, arts organizations, audiences and arts support sys­ ing this year and released to the nation. The report provid­ tems. These activities assist policy development and plan­ ed a detailed analysis of the impact that the National ning within the agency; and help to inform both policy- Endowment for the Arts has had on the health and eco­ makers and the public about issues concerning the arts. nomic well-being of the nation and the artistic community.

The efforts of the office are focused primarily on long- Among other things, The Arts in America, 1992 identi­ range planning, policy development and analysis, research fied the impact of the creative arts industry on the ha­

280 National Endowment for the Arts tion’s economy, citing a contribution of over 6 percent Dance/USA report went on to state that the National to the Gross National Product during 1989. Further, the Endowment for the Arts "has had the most influence in report described the role of the Arts Endowment in en­ shaping the country’s dance touring system," and that riching the cultural life of the nation, particularly the agency "is an irreplaceable partner in any effort to through its support of individual artists. For instance, build a reliable base of support." Researching and docu­ the Endowment provided support for a range of Amer­ menting this type of information for the agency and the ican playwrights, including David Henry Hwang, who field are the key roles of the Office of Planning, Research received a Tony award for his famous work, M. Butterfly, and Budget Coordination. and playwright Eduardo Machado, who received grants from the Endowment in 1981, 1983, and 1986. Mr. As part of its operation in FY ’93, three sections func­ Machado’s plays The Modern Ladies of Guanabacoa, tioned under this office: the Research Division, the Once Removed, and Broken Eggs have been performed at Arts Administration Fellows Program, and the Office major theaters throughout the country, including the of Special Constituencies. These units are responsible Mark Taper Forum, Long Wharf Theater, Repertorio for special activities which impact strategic planning Espanol, and the American Place Theater. and policy development within the agency, as follows:

The Arts in America found that on average during the The Research Division gathers data and information on 1980s some 60 percent of all writers who won major the condition of the arts and artists in America, public national awards, such as the Pulitzer Prize and the participation in the arts, and arts and the economy, as well National Book Critics Circle Awards, received grants as other areas as identified by the agency. The division un­ from the Endowment early in their careers. Seventy dertakes these projects in collaboration with private re­ percent of the Pulitzer Prize winners in poetry during searchers, nonprofit organizations, and other federal agen­ this period also received Endowment support, as did cies. The analysis and dissemination of this information two-thirds of the recipients of the PEN Faulkner Award are accomplished through the publication of research re­ for Fiction. ports and notes, and through periodic conferences and the services of the Arts Endowment’s library. The Arts in America reported on the challenge facing the Endowment in s6mulating organizational development and The Arts Administration Fellows Program supports the public access during a period of economic and cultural uncer­ professional development of arts managers. This is ac­ taint~ For example, it was found that almost half of all opera- complished through their placement in eleven-week musical theater organizations and professional dance companies residencies in Endowment programs and offices. These experienced operating defidts during FY 1991. A s’urfil~ num­ residencies are designed to provide a national overview ber of nonprofit professional theater groups also faced opera­ of the arts, the Endowment and its roles and processes tional defidts, which translated into a 33.5 percent decline in in supporting the arts. their touring activig". The Special Constituencies Office works to increase access The need for leadership and funding support by the to the arts for older and disabled people, as well as indi­ Endowment to help stem this decline in public access viduals living in institutions including hospitals, prisons, and organizational viability was underscored in Dance/ and nursing homes. This is done by providing education USA’s dance touring survey which declared, "the Federal and technical assistance to organizations, and also by government’s presence in dance touring is vital." The funding efforts that promote and assist access.

1993 Annual Report 281 Arts Administration

The Arts Administration Fellows the Endowment and the arts organiza­ Program brings professional arts tions and communities represented by managers from throughout the coun­ the fellows. try to Washington where they work at the Endowment for three-month This year the program provided 37 fel­ periods. These fellowships enable the lowships lasting eleven weeks. Each fel­ managers to become acquainted with the policies and low worked in an agency office or grants program and operations of the agency and to gain an overview of its participated in a variety of activities. Fellows were also activities around the country. The program promotes introduced to the political, cultural and government-ori­ increased communication and understanding between ented organizations in the nation’s capital.

Beard, Angela C. gram during the fall session. Breckenrldge, Romola L. Program during the fall ses- Seattle, WA $6,400 [93-3051-0027] East Palo Alto, CA $6,300 sion. [93-3051-0029] To support participation as To support participation as a fellow in the Dance Pro- Binldewicz, Donna Marie a fellow in the Arts In Edu- Butler, Stephen N. gram during the fall session. Los Angeles, CA $6,400 cation Program during the Astoria, NY $5,750 [93-3051-0026] To support participation as spring session. To support participation as a fellow in the Office of [93-3051-0005] a fellow in the Challenge Bethune, Brian Policy, Planning and Re- and Advancement Programs Monroeville, PA $6,200 search during the fall Buchheit, Kimberly during the spring session. To support participation as session. [93-3051-0028] Scottsdale, AZ $6,300 [93-3051-0004] a fellow in the Theater Pro- To support participation as a fellow in the Design Arts

282 National Endowment for the Arts Buttrick, Catherine Ferolo, James Marchand, Nicole M. Salancy, Francis J. New York, NY $5,750 Chicago, IL $6,000 Ardsley, NY $5,750 Miami, FL $6,200 To support participation as To support participation as To support participation as To support participation as a fellow in the Literature a Fellow in the Local Arts a fellow in the Music a fellow in the Arts In Edu­ Program during the spring Agencies Program during Program during the summer cation Program during the session. [93-3051-0003] the fall session. session. [93-3051-0021] summer session. [93-3051-0030] [93-3051-0024] Callahan, Corinne J. Marin, Oscar Efrain Ithaca, NY $5,900 Frost-Kumpf, Hilary Anne Philadelphia, PA $5,600 Slade, Helen C. To support participation as State College, PA $5,850 To support participation as Seattle, WA $6,400 a fellow in the Office of To support participation as a fellow in the Presenting & To support participation as Policy, Planning and Re­ a fellow in the Local Arts Commissioning Program a fellow in the Visual Arts search during the summer Agencies Program during during the fall session. Program during the fall session. [93-3051-0013] the summer session. [93-3051-0032] session. [93-3051-0034] [93-3051-0017] CoRiander, Claire E. Martin, Linda S. Tiersky, Evelyne Minneapolis, MN $6,100 Green, Anne Fox Island, WA $6,300 Amherst, MA $6,000 To support participation as Santa Fe, NM $6,200 To support participation as To support participation as a fellow in the State and To support participation as a fellow in the International a fellow in the Presenting & Regional Program during a fellow in the State and Re­ Program during the spring Commissioning Program the summer session. gional Program during the session. [93-3051-0006] during the summer session. [93-3051-0014] spring session. [93-3051-0025] [93-3051-0001] McCane, Charles David Dabney, Denise C. Houston, TX $6,000 Ware, Wyatt Laurel, MD $5,500 Jackson, Jennifer C. To support participation as Cleveland, OH $6,000 To support participation as Bloomington, IN $6,000 a fellow in the Opera- To support participation as a fellow in the Music Pro­ To support participation as Musical Theater Program a fellow in the Challenge gram during the fall session. a fellow in the Music Pro­ during the fall session. and Advancement Programs [93-3051-0037] gram during the spring [93-3051-0033] during the summer session. session. [93-3051-0020] Darsie, Janet B. [93-3051-0008] Millard, Victor Washington, DC $5,500 Detroit, MI $6,000 Weinblatt, Jennifer To support participation as Keydel, Stefan To support participation as Arlington, VA $5,500 a fellow in the International Carrboro, NC $5,900 a fellow in the Local Arts To support participation as Program during the summer To support participation as Agencies Program during a fellow in the Literature session. [93-3051-0015] a fellow in the Folk Arts the spring session. Program during the fall Program during the spring [93-3051-0010] session. [93-3051-0036] Duncan, Nancy J. session. [93-3051-0009] New York, NY $5,750 Penn, Ilene R. Wong, JoAnn To support participation as Ladin, Stephen D. Washington, DC $5,500 San Francisco, CA $6,300 a fellow in the Presenting New Paltz, NY $5,800 To support participation as To support participation as and Commissioning To support participation as a fellow in the Office of the a fellow in the Office of Program during the spring a fellow in the Office of Pol­ General Counsel during the Congressional Liaison dur­ session. [93-3051-0012] icy, Planning and Research summer session. ing the spring session. during the spring session. [93-3051-0018] [93-3051-0011] Hlis, Tiffany A. [93-3051-0007] Pittsburgh, PA $5,850 Puryear, Mark L. de Vilallonga, Katherine S. To support participation as Larco, Laura Takoma Park, MD $5,500 Barcelona, Spain $5,800 a fellow in the Theater Pro­ Columbia, MD $5,500 To support participation as To support participation as gram during the summer To support participation as a fellow in the Folk Arts a fellow in the International session. [93-3051-0016] a fallow in the Folk Arts Program during the summer Program during the fall Program during the fall session. [93-3051-0019] session. [93-3051-0035] Falkenstein, Andrew L. session. [93-3051-0031] Brooldield, CT $5,800 Rosado, Marisol To support participation as Leit, Candice Baker Los Angeles, CA $6,400 a fellow in the Office of the Pittsburgh, PA $5,850 To support participation as General Counsel during the To support participation as a fellow in the Dance spring session. a fellow in the Office of Program during the summer [93-3051-0002] Congressional Liaison dur­ session. [93-3051-0023] ing the summer session. [93-3051-0022]

1993 Annual Report 283 Re search

Congress, the executive branch and private by level of education, and according to the cultural interests depend on reliable data extent of exposure to the arts at young for the formulation and assessment of cul­ ages, as well as profiles of audiences for tural policies. The Research Division helps specific art forms, such as classical music, develop the information necessary to in­ jazz, dance, and theater. form cultural policy processes by examining the cultural needs of the public, identifying ways to enhance access to The Division also funded four research monographs cultural opportunities, studying the effects of the econo­ that examine data on artist employment and earnings my on cultural activities, and documenting the value of trends from 1970 to 1990. These reports use statistics arts education to the nation’s educational system. extracted from the decennial censuses of 1970, 1980, and 1990, as well as additional data sources available on This year the Division funded fifteen research mono­ the specific occupations being studied. These reports graphs that provide detailed analyses of the results from will provide a national perspective on trends among the 1982, 1985, and 1992 Surveys of Public Participation artists such as authors, painters and sculptors, designers in the Arts. These monographs include extensive investi­ and architects, and performing artists. gations of how arts participation varies across age groups,

Indicates national impact. methodologies and findings merit Incentive and Local analysis of the full year of of these studies so that arts Arts Agency Development data rather than only the ~r AMS Planning and administrators, policy-mak- grants categories in the Local first six months. This report, Research Corp. ers, and practitioners can Arts Agencies Program as Arts Participation in America: Fairfield, CT $17,500 more readily access and use part of an evaluation study. 1982-1992, compares the de­ To support the production of this literature. mographic characteristics of a guide to arts participation ~ Jack Faucett Associates, persons participating in the research that discusses the re- ~r ArtsMarket Consulting, Inc. arts through live attendance, sults of national and local arts Inc. Bethesda, MD $9,996 through television or radio participation studies con- Marion, MA $9,787 To amend a previous con- broadcasts, and through indi­ ducted by government agen- To compile and tabulate sta­ tract for preparation of a vidual participation (e.g. cies, foundations, and the tistical materials from 1987 summary report on the 1982 singing, dancing etc.). private sector. This guide will to 1990 contained in grant and 1992 Surveys of Public provide an overview of the files for the Local Govern- Participation to include an

284 National Endowment for the Arts "~ R~source Development The following contracts were ~ Jack Faucett Associates, gr Jeffrey Love Fmmdation, Inc. awarded for monographs ana­ Inc. Columbia, MD $9,000 Brattleboro, VT $11,996 lyzing results J~om national Bethesda, MD $12,600 For a monograph that will To prepare a draft back­ Surveys of Public Participa­ For a monograph that inter­ analyze the Surveys’ results ground paper for the Litera­ tion in the Arts, conducted for prets the Surveys’ results and and other data to determine ture field overview study and the Endowment by the U.S. other data on American par­ arts participation by racial to conduct the first working Bureau of the Census in 1982, ticipation in jazz, through and ethnic groups, compar­ group session part of the 1985, and 1992: attendance at jazz perfor­ ing changes in audience size, project. This overview study mances, film or other media, composition and geographic is designed to assess the ~r AMS Planning and or personal creative involve­ distribution over the decade. changing needs in the field Research Corp. ment, in order to identify of literature and assist the Fairfield, CT $10,000 changes in audience size, ~ Richard J. Orend Endowment in determining For a monograph that will composition, and geographic Great Falls, VA $9,600 future directions for the interpret the results of the distribution over the decade. For a monograph that draws Literature Program’s cate­ Surveys and other relevant on the Surveys’ results and gories, guidelines, and fund­ data concerning American ~ Jack Faucett Associates, other data to analyze the re­ ing strategies. participation in non-musical Inc. lationship between arts par­ theater, through attendance Bethesda, MD $12,600 ticipation and early influ­ ~r Strategic Grantmaker at live performances, film For a monograph that inter­ ences. It will examine the Services and other media, and/or prets the Surveys’ results and extent to which exposure to Cambridge, MA $79,695 personal involvement. It will other data on American par­ the arts as a child -- by To conduct a review of the also identify changes in au­ ticipation in dance through being taken to concerts or Dance on Tour program, in­ dience size, composition and watching performances on museums, or learning a mu­ cluding an assessment of geographic distribution over stage, film or other media, sical instrument, for example both the effectiveness of the the decade. or personal creative involve­ -- influences participation administrative and program­ ment, in order to identify in the arts as an adult. matic aspects, and make rec­ ~r Judith Huggins Balfe changes in audience size, ommendations for improve­ New York, NY $12,250 composition, and geographic ~" Richard J. Orend ment. The evaluation will For a monograph that will distribution over the decade. Great Falls, VA $9,200 be based on both statistical examine data from the For a monograph that will information on the grants Surveys on arts participation ~ Charles M. Gray analyze, from the Surveys’ made through the Program by "baby boomers." This Chapel Hill, NC $13,370 data, patterns of behavior in and over 100 interviews with generation, born between For a monograph that will arts participation: to what dance companies, presenters, 1946 and 1964, will be analyze the Surveys’ results extent people who attend and public and private fun­ compared with other age co­ to determine whether peo­ live performances also watch ders of dance, whether or not horts in order to determine ple’s participation in the arts or listen to similar events they participate in Dance on to what extent, and in what at home, through television, through broadcast or record­ Tour. form, the baby boomers’ sig­ radio broadcasts and record­ ed media; how people who nificantly higher income and ings, complement or substi­ participate in only one arts ~r Richard Swaim education levels (relative to tute for attendance at live activity differ from those Baltimore, MD $11,595 their predecessors in this age performances, and to deter­ participating in more than To organize, plan and con­ group) affected their partici­ mine how differences are in­ one; and whether such pat­ duct a symposium on re­ pation in the arts. fluenced by geographic or terns have changed between search about artists (e.g., em­ demographic factors. 1982 and 1992. ployment, earnings, working ~ Louis Bergonzi conditions); to prepare a bib­ Rochester, NY $7,000 ~r Jeffrey Love ~ Mary G. Peters liography of the literature; For a monograph that ana­ Columbia, MD $9,500 Washington, DC $12,560 and to write a report summa­ lyzes the Surveys’ data to de­ For a monograph that will For a monograph that will rizing the panelists’ com­ termine whether instruction analyze demographic and interpret the Surveys’ data to ments and the audience’s re­ and training in the arts or lifestyle variables from the determine the characteristics sponses, for dissemination to overall educational attain­ Surveys’ data and other of people who watch or lis­ the symposium participants ment has greater impact on studies to assess why some ten to performances of musi­ and other arts researchers, people’s later participation people participate in many cal theater, operetta, and policy-makers and practi­ in arts activities, through arts activities (through atten­ opera, including changes in tioners. live performances, film and dance at live performances, audience size, composition, other media, or personal television, radio, recordings and geographic distribution creative involvement. or personal creative involve­ in the period 1982-92. ment) while others take part in none.

1993 Annual Report 285 ~r Mary G. Peters ~ Nicholas Zill 1990. In addition to decen­ The following cooperative Washington, DC $13,340 Washington, DC $7,500 nial census information, agreements relate to activities For a monograph that will For a monograph that will data will be drawn from outside the Research Division draw on the results of the analyze the Surveys’ results trade associations that col­ but are included in this sec­ Surveys and other sources and other data to assess the lect information regarding tion for accountingpurposes: to assess the extent of per­ characteristics of people who these artist occupations. sonal participation by indi­ reported having read any lit­ ~ ArtsMarket Consulting, viduals in arts activities such erature (novels, short stories, ~ Ruttenberg, Kilgallon Inc. as singing, dancing, acting, poetry, or plays) in the pre­ & Associates, Inc. Marion, MA $30,000 painting etc., in relation to vious 12 months, correlated Washington, DC $24,990 To conduct a survey of tech­ demographic characteristics with any changes in demo­ For a monograph that will nical assistance providers and other variables. graphic or geographic distri­ describe trends in perform­ and the types of services bution over the decade. ing arts occupations of ac­ they offer in order to create ~r Richard A. Peterson tors, directors, musicians, a comprehensive directory of Nashville, TN $11,300 The following contracts were composers, and dancers technical assistance for the For a monograph that will awarded for monographs using (including choreographers) arts. This directory will be use the Surveys’ data to ana­ the decennial census artist from 1970 to 1990. This re­ made available to the field to lyze differences in arts par­ public use sample filesJ~om the port will examine changes in increase awareness of, and ticipation between different 1970, 1980, and 1990 cen­ employment in these occu­ access to, quality technical age groups according to suses as well as available d~ta pations, geographic distribu­ assistance. [DCA 93-24] characteristics such as in­ on artist occupations J~om tion, and earnings. It will in­ come and education, and to other sources: tegrate information from the ~ National Assembly of identify any changes that decennial census with that State Arts Agencies have occurred over the ~ Joan Jeffri from performing arts unions Washington, DC $34,000 decade. Brooklyn, NY $22,300 and other data sources. To conduct a literary forum For a monograph that will at the November 1993 meet­ ~ Nicholas Zill describe employment and ~ Gregory Wassail ing of the National Assembly Washington, DC $9,775 earnings trends for painters, Stowe, MA $14,200 of State Arts Agencies held in For a monograph that will sculptors, crafts artists, and For a monograph that will Charleston, South Carolina, analyze the Surveys’ results artist printmakers. Compari­ describe employment and to discuss recent changes in and other data to assess the sons will be made geographi­ earnings trends in author the literature field and to ex­ characteristics of people who cally within the United States and writer occupations from amine opportunities and watch or listen to perfor­ as well as internationally. 1970 to 1990. The report mechanisms for supporting mances of classical music, in­ will integrate information literature in the future. cluding any changes in audi­ ~r Kultural Econometrics on trends in earnings and [DCA 93-47] ence size, composition and International employment levels and geo­ geographic distribution over Ottawa, Ontario $17,500 graphic distribution from the decade. For a monograph that will decennial census informa­ describe employment and tion and other data sources earnings trends for architects as available. and designers from 1950 to

286 National Endowment for the Arts SPECIAL CONSTiTUENCiES

The Office for Special Constituencies is need for the major accessibility symbols charged with educating the public and to be organized and made computer-ac­ raising awareness in matters involving cessible. Graphic Artists Guild Foun­ accessible arts programming for people dation in New York City was selected who are older, disabled, or living in insti­ to conduct research on existing symbols, tutions. This office works with Endow­ create a new symbol for audio descrip­ ment staff, grantees and other federal agencies to edu­ tion and improve the design of existing symbols. For ex­ cate artists and arts administrators on how to make the ample, the widely used assistive listening symbol (which arts more available to these underserved Americans. The depicted an ear with a line through it) was changed to focus is on inclusion: opening up existing programs, show an ear cupped with waves to indicate amplification. and on outreach: taking the arts to people who would Seventeen representatives of disability and aging groups not otherwise have these opportunities. served as reviewers for the project, including the Amer­ ican Association of Retired Persons and the American This year the Special Constituencies Office commis­ Foundation for the Blind. sioned the "Disabilities Access Symbols Project: Promoting Accessible Places and Programs." This is a The symbols may be used by museums, state arts agen­ graphics package designed to help arts organizations cies, performing arts facilities and other groups in adver­ better advertise their accessible programs and facilities. tisements, press releases, brochures, signage and floor It features twelve access symbols on camera-ready plans. This office distributed 500 copies to state and re­ glossy paper and on computer disks, which are accom­ gional arts agencies, and other arts service groups. The panied by explanatory text concerning the appropriate Graphic Artists Guild is marketing the disks which may use of each symbol. This project appears to have been be reproduced to encourage wide distribution. the first attempt to standardize, collect and create a graphic vocabulary of the major access symbols on A second regional conference, "Arts Accessibility: The computer disk. Challenge is Ours," was convened by the Southern Arts Federation (SAF) in October 1992 in Atlanta. Its purpose In working with artists and arts administrators, includingwas to provide state arts agency staffand other arts ad- visual artist Jacqueline Clipsham, the Office identified a ministrators with direct assistance in making their facili­

1993 Annual Report 287 ties and programs fully accessible. This conference in products, buildings and public spaces. It is marketed by brought together 180 arts administrators from SAF’s Universal Design Initiative in Chantilly, Virginia, a con­ nine-state region and featured presentations by more sortium of design professionals. than 40 leaders in the arts and accessibility communities. The office continues to organize meetings of the Work­ It included seminars on accessible visual and perform­ ing Group on Older and Disabled Americans to better ing arts programs, staff training, design solutions and coordinate the Endowment’s access issues. Discussions new technologies. Presenters included Nina Brock, a and actions have included developing increased access member of the National Council on the Arts; Sharon language in the Endowment’s funding guidelines to help Herr, Director of Center Stage Theater in Raleigh; grantees better understand accessibility. Responding to Cheryl Palmer, Director of Education for the Mint the need for more Endowment panelists’ with disability Museum in Charlotte; and Kitty Lunn, Chair of expertise, the office identified and added over 100 quali­ Actors, Equity-Performers with Disabilities Commit­ fied artists and administrators to the Endowment’s new tee, who discussed the importance of full access and Automated Panel Bank System. non-traditional casting in terms of actors with disabili­ ties. Most important, each state is convening similar Other efforts to educate arts administrators included meetings for arts groups using the Atlanta conference presentations and seminars at fourteen meetings spon­ as a model. sored by grantees. They include keynote addresses and access seminars for the West Virginia Museum Associ­ The joint Universal Design Leadership Initiative, involv­ ation Conference in Lewisburg; the Broward Cultural ing this office and the Design Arts Program, continues to Affairs Councils’ "Arts Accessibility" conference in Ft. expand. Universal Design addresses design of spaces, Lauderdale; and at the Texas Arts Councils’ "Breaking products and programs that makes access features an inteo Barriers" conference in Beaumont. gral part of design --to accommodate people throughout their lives. The Design Arts Program is supporting adver­ The head of the Office led the first 504/ADA Coor­ tising and distribution of a new video, Taward Universal dinators Peer group at NASAA’s annual conference, in Design, which grew out of this leadership initiative. This Charleston, South Carolina, and chaired a panel on 16-minute film introduces the concept of universal design Historic Preservation for this meeting.

Projects lems, access training for sentations on a broad range ation of Museums, the Texas grantees, the Endowment’s of issues, including seminars Commission on the Arts, and Indicates national impact. 504 regulations, and the on accessible visual and per­ the American Association of Americans with Disabilities forming arts programs, staff State and Local History. Mid-America Arts Alliance Act. [DCA 93-39] training, design solutions, and new technologies. ~ Technical Assistance Kansas City, MO $31,000 Materials To support a cooperative Southern Arts Federation [DCA 91-30] agreement to plan, develop Atlanta, GA $23,515 Washington, DC $3,374 and implement the first To amend a cooperative ~ Technical Assistance To support the scanning of phase of a regional sympo- agreement in order to imple­ Activities The Arts and 504 handbook sium that will assist state arts ment the third phase of the Washington, DC $14,611 onto computer disks capable agencies and other grantees regional symposium "Arts To support technical assis­ of reproducing the document in making their activities Accessibility: The Challenge tance projects, including the in synthetic speech, large available to people with dis- is Ours" which assisted state creation and dissemination of print display or electronic abilities and to older adults. arts agencies and other 1,525 copies of the "Dis­ braille for people who are This is the third in a series of grantees in making their ac­ abilities Access Symbols Pro­ partially sighted or blind; and regional symposia to help tivities more accessible. This ject," a graphics package to purchase and disseminate arts administrators with their conference, held in October designed to help arts organi­ access materials to grantees, access work. It includes pan- 1992 in Atlanta, brought to­ zations advertise their accessi­ including A Picture Is Worth els and workshops by indi- gether 180 arts administra­ ble programs; and to provide A Thousand Words for Blind viduals representing special tors from the Southern Arts access seminars and panels at and Visually Impaired Persons constituencies, and work- Federation’s nine-state re- national, regional, and state Too!and Part Of Your shops that focus on design gion. Over 40 acknowledged meetings of arts groups in­ General Public Is Disabled, solutions to barrier prob­ leaders in the field made pre- cluding the American Associ­ and The Creative Spirit.

288 National Endowment for the Arts F

’Summary of Funds Available 1 Fiscal Year 1993 Appropriation: Regular Program Funds 2,3 Appropriation: Treasury Funds (to match nonfederal gifts) $119,984,248 Appropriation: Challenge Grant Funds (to match nonfederal gifts) 16,954,650 Appropriation: Planning, Research and Budget Coordination ~ 13,186,950 735,5O4 Total Federal Appropriations $150,861,352 Nonfederal Girls 1 Interagency Transfers 1 100,070 Unobligated Balance, Prior Year 240,000 8,462,724 Total Funds Available 1 Excludes administrative operating funds; includes $35,000 prior year deobligation. $159,664,146 2 Not less than 27.5 percent for support of state arts agencies and regional arts groups; not less than 7.5 percent for support through the underserved communities set-aside. ~ Reflects reprogramming of $250 000 of program funds to administrative funds 4 Administrative funds (see Office of Planning, Research and Budget Coordination).

Funds Obligated Fiscal Year 1993 Challenge Grant Obligations Commitments/Obligations 6 Dance $7,911,667 $1,826,201 Design Arts 3,655,743 __ Expansion Arts Folk Arts 5,560,244 1,258,150 2,915,400 795,000 International 694,000 __ Literature 4,303,875 75,000 Media Arts 10,179,500 Museum 2,544,780 9,863,150 1,684,100 Music 12,446,500 Opera-Musical Theater 2,335,000 5,835,800 2,098,500 Presenting and Commissioning 4,113,245 Theater 2,095,082 Visual Arts 8,308,265 2,537,143 5,105,500 699,000 Arts in Education Local Arts Agencies 7,991,108 595,000 State and Regional 2,153,311 1,010,000 33,000,000 350,000 Underserved Communities Set-Aside 9,000,195 _ Advancement 2,893,801 Challenge 247,9095 Planning, Research and Budget Coordination 735,5O4 Total Funds Obligated 7 $136,914,717 $19,902,956 5 Challenge Grants are shown in the column to the right. 6 These include $14,505,000 awarded in FY ’93 and $5,397,956 awarded in previous years. Of the FY ’93 awards, $7,440,944 was obligated in FY ’93. Of grants awarded in previous years $4 058 373 was obligated in FY ’93 7pr " " ’ ’ ’ " og.ram obhgauons reflect fiscal year 1993 transactions and, in some cases, may differ from final allocations due to variations in the obligation of two-year monies or receipt of gifts and funds from other agencies.

1993 Annual Report 289 History of

Authorizations and Appropriations Al*tS Arts Administrative Authorization Appropriation Funds

a Fiscal 1966 $5,OOO,OOO $2,500,000 $727,000 Program Funds 34,3O8 Treasury Funds b 2,250,0O0 $2,534,308 Total Funds for Programming $7,25O,OOO

Fiscal 1967 $5,OOO,OOO $4,000,000 $1,019,500 a Program Funds 2,000,000 State Arts Agencies (block) 2,75O,OOO (7,750,000) (6,000,000) (Subtotal--Program Funds) 1,965,692 Treasury Funds b 2,250,000 $10,000,000 $7,965,692 Total Funds for Programming

Fiscal 1968 $4,500,000 $1,200,000a Program Funds $5,000,000 2,750,000 2,000,000 State Arts Agencies (block) (7,750,000) (6,500,000) (Subtotal--Program Funds) 674,291 Treasury Funds b 2,250,000 $7,174,291 Total Funds for Programming $10,000,000

Fiscal 1969 $6,OOO,OOO $3,700,000 $1,400,000 a Program Funds 1,700,000 State Arts Agencies (block) 2,000,000 (8,000,000) (5,400,000) (Subtotal--Program Funds) 2,356,875 Treasury Funds ~ 3,375,OOO $7,756,875 Total Funds for Programming $11,375,000

Fiscal 1970 $4,25O,OOO $1,610,000 a Program Funds $6,50O,O00 2,5O0,O00 2,000,000 State Arts Agencies (block) (9,000,000) (6,250,000) (Subtotal--Program Funds) 2,000,000 Treasury Fundsb 3,375,000 $8,250,000 Total Funds for Programming $12,375,000

Fiscal 1971 $12,875,000 $8,465,000 $2,660,000 a Program Funds 4,125,000 State Arts Agencies (block) 4,125,000 (17,000,000) (12,590,000) (Subtotal--Program Funds) 2,500,000 Treasury Funds b 3,000,000 $15,090,000 Total Funds for Programming $20,000,000

Fiscal 1972 $21,000,000 $20,750,000 $3,460,000 a Program Funds 5,500,000 State Arts Agencies (block) 5,5OO,OOO (26,500,000) (26,250,000) (Subtotal--Program Funds) 3,500,000 Treasury Funds b 3,500,000 $30,000,000 $29,75O,OOO Total Funds for Programming 290 National Endowment for the Arts History of Authorizations and Appropriations continued Arts Arts Administrative Authorization Appropriation Funds Fiscal 1973 Program Funds $28,625,000 State Arts Agencies (block) $27,825,000 $5,314,000 a 6,875,000 6,875,000 (Subtotal--Program Funds) (35,500,0O0) Treasury Funds I~ (34,700,000) 4,5OO,00O 3,500,000 Total Funds for Programming $40,000,000 $38,200,000 Fiscal 1974 Program Funds $54,000,000 a State Arts Agencies (block) $46,025,000 $6,500,000 11,000,000 8,250,000 (Subtotal--Program Funds) (65,000,000) Treasury Funds b (54,275,000) 7,500,000 6,500,000 Total Funds for Programming $72,500,000 $60,775,000 Fiscal 1975 Program Funds c $90,000,000 Treasury Funds b $67,250,000 $10,783,000 a 10,000,000 7,500,000 Total Funds for Programming $100,000,000 $74,750,000 Fiscal 1976 Program Funds c $113,500,000 Treasury Funds b $74,500,000 $10,910,000 a 12,500,000 7,500,000 Total Funds for Programming $126,000,000 $82,000,000 Transition Quarter July 1, 1976--September 30, 1976 Program Funds c Treasury Funds b $33,437,000 $2,727,000 a 500,000 Total Funds for Programming $33,937,000 Fiscal 1977 Program Funds c $93,500,000 $77,500,000 Treasury Funds b $11,743,000 a 10,000,000 7,500,000 Challenge Grants b 12,000,000 9,000,000 Photo/Film Projects 4,000,000 Total Funds for Programming $119,500,000 $94,000,000 Fiscal 1978 Program Funds c $105,000,000 $89,100,000 Treasury Funds b 12,500,000 7,500,000 Challenge Grants b 18,000,000 18,000,000 Photo/Film Projects 2,000,000 Subtotal $137,500,000 Administrative Funds $114,600,000 suchsums as necessary 9,250,000 Total Funds $123,850,000

1993 Annual Report 291 History of Authorizations and Appropriations continued a~t$ Al"tS Administrative Authorization Appropriation Funds

Fiscal 1979 $102,160,000 Program Funds c 7,500,000 Treasury Funds b 30,000,000 Challenge Grants b 9,925,000 Administrative Funds $149,585,000 Total Funds such sums as necessary

Fiscal 1980 c $97,000,000 Program Funds 18,500,000 Treasury Funds b 26,900,000 Challenge Grants b 12,210,000 Administrative Funds $154,610,000 Total Funds such sums as necessary

Fiscal 1981 ~ $115,500,000 $113,960,000 Program Funds 19,250,000 Treasury Funds b 18,500,000 13,450,000 Challenge Grants b 27,000,000 12,135,000 Administrative Funds 14,000,000 $158,795,000 Total Funds $175,000,000

Fiscal 1982 ~ $103,330,000 Program Funds 14,400,000 Treasury Funds b 14,400,000 Challenge Grants ~ 11,326,000 Administrative Funds $119,300,000 $143,456,000 Total Funds

Fiscal 1983 ~ $101,675,000 Program Funds 11,200,000 Treasury Funds b 18,400,000 Challenge Grants b 12,600,000 Administrative Funds $143,875,000 Total Funds $119,300,000

Fiscal 1984 d ~ $128,500,000 $119,000,000 Program Funds 9,000,000 Treasury Funds b 10,000,000 ~ 28,000,000 21,000,000 Challenge Grants 13,223,000 Administrative Funds 17,000,000 $162,223,000 Total Funds $183,500,000

292 National Endowment for the Arts History of Authorizations and Appropriations continued Arts Arts Administrative Authorization Appropriation Funds Fiscal 1985 Program Funds c Treasury Funds b $118,678,000 Challenge Grants b 8,820,000 Administrative Funds 20,580,000 15,582,000 Total Funds such sums as necessary $163,660,000 Fiscal 1986 Program Funds c $121,678,000 Treasury Funds b $115,747,932 8,820,000 8,389,600 Challenge Grants b 20,580,000 Administrative Funds 19,577,000 15,982,000 14,822,508 Subtotal $167,060,000 Arts and Artifacts $158,537,040 Indemnity Funds such sums as necessary 285,200 Total Funds $158,822,240 Fiscal 1987 Program Funds c $123,425,120 Treasury Funds b $120,761,000 9,172,800 8,420,000 Challenge Grants b 21,403,200 Administrative Funds 20,000,000 16,205,280 16,100,000 Total Funds $170,206,400 $165,281,000 Fiscal 1988 Program Funds c $128,362,125 Treasury Funds b $122,171,000 9,539,712 9,000,000 Challenge Grants b 22,259,328 Administrative Funds 19,420,000 16,853,491 17,140,000 Total Funds $177,014,656 $167,731,000 Fiscal 1989 Program Funds c Treasury Funds b $123,450,000 Challenge Grants b 9,000,000 Administrative Funds 18,200,000 18,440,000 Total Funds such sums as necessary $169,090,000 Fiscal 1990 Program Funds c Treasury Funds b $124,255,000 Challenge Grants b 12,000,000 Administrative Funds 15,150,000 19,850,000 Total Funds such sums as necessary $171,255,000

1993Annual Report 293 History of Authorizations and Appropriations continued Arts Arts Authorization Appropriation

Fiscal 1991 125,800,000 $124,632,816 Program Funds f,g,l 12,931,712 Treasury Funds I~ 13,000,000 15,000,000 14,921,206 Challenge Grants 21,595,003 Administrative Funds 21,200,000 $174,080,737 Total Funds $175,000,000

Fiscal 1992 $122,990,544 Program Funds f’g -­ h __ 17,279,500 Treasury Funds __ 12,836,200 Challenge Grants b 22,848,436 Administrative Funds -­ $175,954,680 i Total Funds such sums as necessary

Fiscal 1993 -- $119,984,248 Program Funds j,k,m _ 16,954,650 Treasui’y Funds b __ 13,186,950 Challenge Grants b 24,333,534 Administrative Fundsm -­ $174,459,382 n Total Funds such sums as necessary

a These funds were jointly provided to the National Endowment for the Arts and the National Endowment for the Humanities until the two agencies were administratively separated in 1978. b Federal funds appropriated by Congress to match nonfederal donations to the Endowment. c Not less than 20 percent of program funds were required to go to state arts agencies and regional arts groups. d Authorization reflects adjustment per Public Law 98-306. e Appropriations reflects reduction of $7 123 000 pursuant to Public Law 99-177, the balanced budget and emergency deficit control act of 1985. fNot less than 25 percent of program funds ~ere required to be applied to state arts agencies and regional arts groups. g Not less than 5 percent of program funds were required to be applied to the underserved communities set-aside. h Appropriation reflects reductions of $917,000 pursuant to Public Law 101-512 and $2,263 pursuant to Public Law 99-177, the balanced budget and emergency deficit control act of 1985, and approved reprogramming. ! Appropriation reflects reduction of $2,245,320 pursuant to Public Law 102-154. J Not less than 27.5 percent of program funds are required to go to state arts agencies and regional arts groups. kNot less than 7.5 percent of program funds are required to to be applied to the underserved communities set-aside. 1 Reflects reprogramming of $108,432 from program funds to administrative funds. mReflects reprogramming of $250,000 from program funds to administrative funds. nAppropriation reflects a reduction of $1,495,618 pursuant to Public Law 102-311.

PUBLISHED BY

National Endowment for the Arts Nancy Hanks Center 1100 Pennsylvania Avenue NW Washington, DC 20506-0001

Philip Kopper, Publications Director Patricia Barry, Project Editor

People with visual or learning impairments may obtain a cassette recording of this report by contacting the Endowment’s Office for Special Constituencies, Room 605, at the above address. Phone 2021682-5532; Voice/TT: 2021682-5496

DESIGN AND PRODUCTION

Tom Suzuki, Inc. Falls Church, VA Tom Suzuki, Art Director Scott Patt, Designer