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APPENDIX I MUSIC AWARDS IN COMPOSITION Key to award cycles: 1941 for works from 1934–40 1942 for works from 1941 1943 for works from 1942 1946a for works from 1943–44 1946b for works from 1945 1947 for works from 1946 1948 for works from 1947 1949 for works from 1948 1950 for works from 1949 1951 for works from 1950 1952 for works from 1951 Not included here: 1953 for works from 1952, no awards made 1954 for works from 1952–53, no awards made (see Appendix IV) Table 1. Awards in Composition by Genre Unusually high numbers are in boldface ’41 ’42 ’43 ’46a ’46b ’47 ’48 ’49 ’50 ’51 ’52 Opera2121117 2 Cantata 1 2 1 2 1 5 32 Symphony 2 1 1 4 1122 Symphonic poem 1 1 3 2 3 Suite 111216 3 Concerto 1 3 1 1 3 4 3 Ballet 1 1 21321 Chamber music 1 1 3 4 11131 Piano pieces 1 1 Film scores 21 2111 1 4 APPENDIX I MUSIC AWARDS IN COMPOSITION Songs 2121121 6 3 Art songs 1 2 Marches 1 Incidental music 1 Folk instruments 111 Table 2. Composers in Alphabetical Order Surnames are given in the most common transliteration (e.g. as in Wikipedia); first names are mostly given in the familiar anglicized form. Name Alternative Spellings/ Dates Class and Year Notes Transliterations of Awards 1. Afanasyev, Leonid 1921–1995 III, 1952 2. Aleksandrov, 1883–1946 I, 1942 see performers list Alexander for a further award (Appendix II) 3. Aleksandrov, 1888–1982 II, 1951 Anatoly 4. Amirov, Fikret 1922–1984 II, 1949 5. Arakishvili, 1873–1953 I, 1950 Dmitry 6. Arutiunian, 1920–2012 I, 1949 Alexander 7. Ashrafiy, Mukhtor Ashrafi, 1912–1975 II, 1943 Mukhtar III, 1952 8. Babajanian, Arno Babadjanian 1921–1983 III, 1951 9. Balanchivadze, Andria 1906–1992 II, 1946a Andrei I, 1947 10. Balasanian, Sergei 1902–1982 II, 1949 11. Bely, Viktor 1904–1983 III, 1951 12. Blanter, Matvei 1903–1990 II, 1946b 13. Bogatyrev, Bogatyryov 1913–2003 II, 1941 Anatoly 14. Brusilovsky, 1905–1981 II, 1948 Yevgeny 15. Budashkin, 1910–1988 II, 1947 Nikolai I, 1949 16. Bunin, Vladimir 1908–1970 II, 1949 17. Chemberdzhi, 1903–1948 II, 1946a Nikolai 18. Chulaki, Mikhail 1941–2002 II, 1947 II, 1948 II, 1950 19. Dekhterev, Vasily Dekhteryov 1910–1987 III, 1950 STALIN’S MUSIC PRIZE 20. Dunayevsky, Isaak Dunaevsky, Isaac 1900–1955 I, 1941 II, 1951 21. Dvarionas, Balys 1904–1974 I, 1949 II, 1952 22. Dzerzhinsky, Ivan 1909–1978 III, 1950 23. Ernesaks, Gustav 1908–1993 III, 1951 see performers list for a further award (Appendix II) 24. Feinberg, Samuil Samuel 1890–1962 II, 1946a 25. Filippenko, Arkady 1912–1983 II, 1949 26. Galynin, German Herman 1922–1966 II, 1951 27. Glière, Reinhold Glier, Gliyer 1875–1956 I, 1946a I, 1948 I, 1950 28. Gnesin, Mikhail 1883–1957 II, 1946b 29. Gomolyaka, Gomoliaka 1914–1980 III, 1951 Vadim 30. Hajibeyov, Soltan Hajibekov, Gajibekov, 1919–1974 II, 1952 Gadzhibekov 31. Hajibeyov, Uzeyir Hajibekov, Gajibekov, 1885–1948 II, 1941 Gadzhibekov II, 1946b 32. Hajiyev, Ahmed Cövdǝt Hacıyev; 1917–2002 II, 1946b [Jovdat] Gadjiev, Gadzhiev III, 1952 33. Hasanov, Gotfrid Gasanov 1900–1965 II, 1949 III, 1951 34. He, Shi- De Shide 1910–2000 I, 1951 (China) 35. Ivanov- Radkevich, 1904–1962 II, 1943 Nikolai 36. Ivanovs, Jānis Ivanov 1906–1983 II, 1950 37. Jahangirov, Cahangirov, 1921–1992 III, 1950 Jahangir Djangirov, Jangirov 38. Kabalevsky, 1904–1987 I, 1946b Dmitry II, 1949 II, 1951 39. Kapp, Artur 1878–1952 II, 1950 40. Kapp, Eugen 1908–1996 II, 1946b II, 1949 II, 1952 41. Kapr, Jan 1914–1988 II, 1951 (Czechoslovakia) 42. Karayev, Kara Garayev, Gara 1918–1982 II, 1946b II, 1948 43. Kats, Sigizmund 1908–1984 III, 1950 44. Khachaturian, 1903–1978 II, 1941 Aram I, 1943 I, 1946a I, 1950 APPENDIX I MUSIC AWARDS IN COMPOSITION 45. Khojamyarov, Kuzhamyarov, 1918–1994 III, 1951 Quddus Kuddus 46. Khrennikov, 1913–2007 II, 1942 Tikhon II, 1946a II, 1952 47. Kiladze, Grigor Grigory, Grigol 1902–1962 II, 1941 see performers list for a further award (Appendix II) 48. Knipper, Lev 1898–1974 II, 1946b II, 1949 49. Kochurov, Yury 1907–1952 III, 1952 50. Korchmarev, Korchmariov, 1899–1958 II, 1951 Klimenty Korchmaryov 51. Kõrver, Boris 1917–1994 III, 1951 52. Kos- Anatolsky, 1909–1983 III, 1951 Anatoly 53. Koval [Kovalev], 1907–1971 I, 1943 Marian 54. Krasev, Mikhail 1897–1954 II, 1950 55. Kryukov, Nikolai 1906–1961 I, 1947 56. Leman, Albert 1915–1998 III, 1952 57. Levitin, Yury 1912–1993 III, 1952 58. Lukin, Filipp 1913–1994 III, 1952 59. Lyatoshinsky, Lyatoshynsky 1895–1968 II, 1946b Boris I, 1952 60. Lyuban, Isaak 1906–1975 I, 1946a 61. Machavariani, Aleksi, Aleksandre 1913–1995 III, 1951 Alexei 62. Maiboroda, Platon 1918–1989 III, 1950 63. Makarov, 1908–1952 II, 1950 Valentin II, 1951 64. Manevich, 1908–1976 III, 1950 Alexander 65. Mazayev, Arkady Mazaev 1909–1987 III, 1952 66. Meitus, Yuly 1903–1997 II, 1951 67. Milyutin, Georgy 1903–1968 II, 1949 [Yury] 68. Mokrousov, Boris 1909–1968 II, 1948 69. Morozov, Igor 1913–1970 II, 1948 70. Mshvelidze, Shalva 1904–1984 II, 1942 II, 1947 71. Mukhatov, Muhatov, 1916–2005 III, 1951 Velimukhamed Velimuhamed, Veli II, 1952 72. Muradeli, Vano 1908–1970 II, 1946b II, 1951 73. Muravlev, Alexei Muravlyov b. 1924 II, 1950 STALIN’S MUSIC PRIZE 74. Myaskovsky, 1881–1950 I, 1941 Nikolai I, 1946a I, 1946b II, 1950 I, 1951 (posth.) 75. Neaga, Ştefan Nyaga, Stepan 1900–1951 II, 1950 76. Novikov, Anatoly 1896–1984 II, 1946a II, 1948 77. Peyko, Nikolai Peiko 1916–1995 II, 1947 II, 1951 78. Pokrass, Dmitry 1899–1978 II, 1941 79. Popov, Gavriil 1904–1972 II, 1946a 80. Prokofiev, Sergei 1891–1953 II, 1943 I and I, 1946a I, 1946b I, 1947 II, 1951 81. Rakov, Nikolai 1908–1990 II, 1946a 82. Reimann, Villem 1906–1992 II, 1951 83. Revutsky, Lev Revutskyi, Levko 1889–1977 II, 1941 84. Rustamov, Said 1907–1983 III, 1951 85. Sadykov, Talib 1907–1957 III, 1951 this award was both for composition and conducting 86. Satian, Ashot 1906–1958 II, 1952 87. Shaporin, Yury 1887–1966 I, 1941 I, 1946a II, 1952 88. Shebalin, Vissarion 1902–1963 I, 1943 I, 1947 89. Shostakovich, 1906–1975 I, 1941 Dmitry I, 1942 II, 1946a I, 1950 II, 1952 90. Shtoharenko, Shtogarenko, Andrei 1902–1992 II, 1946a Andriy II, 1952 91. Skulte, Ādolfs Adolf 1909–2000 II, 1950 II, 1951 92. Solovyov- Sedoi, Solovyov- Sedoy 1907–1979 II, 1943 Vasily II, 1947 93. Starokadomsky, 1901–1954 III, 1952 Mikhail 94. Stepanian, Haro Aro 1897–1966 III, 1951 95. Stepanov, Lev 1908–1971 II, 1951 96. Svechnikov, 1908–1962 III, 1950 Anatoly APPENDIX I MUSIC AWARDS IN COMPOSITION 97. Sviridov, Georgy 1915–1998 I, 1946b (Yury) 98. Taktakishvili, 1924–1989 III, 1951 Otar II, 1952 99. Tallat- Kelpša, 1889–1949 I, 1948 Juozas 100. Toradze, David 1922–1983 II, 1951 101. Tsintsadze, 1925–1991 III, 1950 Sulkhan 102. Tulebaev, Mukan 1913–1960 II, 1949 103. Tulikov, Serafim 1914–2004 III, 1951 104. Vainiūnas, Stasys 1909–1982 III, 1951 105. Vasilenko, Sergei 1872–1956 I, 1947 106. Vasilyev- Buglai, Vasilyev- Buglay 1888–1956 III, 1951 Dmitry 107. Yudakov, Suleiman 1916–1990 III, 1951 Solomon 108. Zakharov, 1901–1956 II, 1942 see performers list Vladimir I, 1946a for a further award (Appendix II) 109. Zariņš, Marģeris Zarin, Marger 1910–1993 III, 1951 110. Zhiganov, Nazib Cihanov, Näcip 1911–1988 II, 1948 II, 1950 111. Zhukovsky, German 1913–1976 II, 1950 Herman III, 1951 (withdrawn) 112. Zolotarev, Vasily Zolotaryov 1872–1964 II, 1950 APPENDIX II OTHER MUSIC AWARDS (PERFORMANCE, NON- MUSICIANS IN PRODUCTION OR PERFORMANCE, MUSICOLOGY) Key to award cycles: 1941 for works from 1934–40 1942 for works from 1941 1943 for works from 1942 1946a for works from 1943–44 1946b for works from 1945 1947 for works from 1946 1948 for works from 1947 1949 for works from 1948 1950 for works from 1949 1951 for works from 1950 1952 for works from 1951 Not included here: 1953 for works from 1952, no awards made 1954 for works from 1952–53, no awards made (see Appendix IV) Table 3. Performers in Alphabetical Order Surnames are given in the most common transliteration (e.g. as in Wikipedia); first names are mostly given in the familiar anglicized form. Name Alternative Spellings/ Dates Class and Year Notes Transliterations of Awards 1. Abdullaev, Lutafali Abdullayev, Lütfǝli 1914–1973 II, 1946b (operetta singer) 2. Abdurakhmanov, 1910–1987 III, 1951 Gulyam (tenor) 3. Aleksandrov, 1883–1946 I, 1946b see composers list Alexander (choral for a further award conductor) (Appendix I) APPENDIX II OTHER MUSIC AWARDS 4. Aleksandrov, Boris 1905–1994 I, 1950 (choral conductor) 5. Aleksandrovich, 1914–2002 II, 1948 Mikhail (tenor) 6. Aleksandrovskaya, 1904–1980 II, 1941 Larisa (soprano) 7. Almazov, Arkady 1908–? II, 1951 (tenor) 8. Altunian, Tatul Altunyan 1902–1973 III, 1950 Armenian Song and (choral conductor) Dance Ensemble 9. Aminarashvili, Pyotr 1907–1976 I, 1947 (baritone) 10. Andguladze, David 1895–1973 I, 1947 (tenor) 11. Anikeyev, Serafim 1904–1962 II, 1950 (operetta singer) 12. Antonova, Yelizaveta 1904–1994 I, 1942 (contralto) 13. Aslamazian, Sergei Aslamazyan 1897–1978 II, 1946a Komitas Quartet (cellist) 14. Azmayparashvili, 1903–1957 I, 1947 Shalva (conductor) 15. Azrikan, Arnold 1906–1976 II, 1946b (tenor) 16. Babaev, Georgy ? I, 1950 Red Army Song and (soloist) Dance Ensemble 17. Baiseitova, Kulyash 1912–1957 II, 1948 (soprano) II, 1949 18. Balabanian, Nikita Balabanyan ? II, 1946a Komitas Quartet (violinist) 19. Barinova, Galina 1910–2006 II, 1949 (violinist) 20. Barnabishvili, Georgy ? III, 1952 Georgian Quartet (cellist) 21. Barsova, Valeria 1892–1967 I, 1941 (soprano) 22.
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    SPECIAL INTERVIEW The Man who found The Nose’ An Interview with Gennady Nikolayevich Rozhdestvensky By Alan Mercer Born in Moscow on 4 May 1931, (1974-1977 and 1992-1995), and Rozhdestvensky grew up with his the Vienna Symphony (1980-1982). spritely 85 years of age at conductor father Nikolai Anosov Also in the 1970s, Rozhdestvensky the time of our encounter at (1900-1962) and his singer mother worked as music director and con­ the Paris-based Shostakovich Natalia Rozhdestvenskaya (1900- ductor of the Moscow Chamber ACentre, Gennady Rozhdestvensky’s1997). After graduating from the Music Theatre, where together with demeanour has barely changed from Central Music School at the Mos­ director Boris Pokrovsky he revived that of the 1960s, when Western con- cow Conservatory as a pianist in Shostakovich’s 1920s opera The Nose. cert-goers were first treated to his the class of L.N. Oborin, he began Rozhdestvensky has focused individualistic podium style, not to studying what was to become his much of his career on music of mention his highly affable manner career vocation under the guidance the twentieth century, including with audiences and orchestras alike. of his father. In 1951, he trained at premieres of works by Shchedrin, As one of the few remaining artists the Bolshoi Theatre, and went on to Slonimsky, Eshpai, Tishchenko, to have worked closely with the 20th work at the famous venue at vari­ Kancheli, Schnittke, Gubaidulina, century’s music elite—Shostakovich ous periods between 1951 and 2001, and Denisov. included—the conductor’s career is when he became the establishment’s Prior to our conversation, the imbibed with both the traditions General Artistic Director.
  • 111071-73 Bk Igor EU 11/03/2005 11:57Am Page 8

    111071-73 Bk Igor EU 11/03/2005 11:57Am Page 8

    111071-73 bk Igor EU 11/03/2005 11:57am Page 8 Synopsis CD 2 CD 1 Act II BORODIN Prologue 1 In the Polovtsian camp girls sing a hymn to the evening, 2 and dance to entertain Konchakovna, 2 The scene is the market-place of Putivl’. The people daughter of Khan Konchak. 3 Konchakovna sings of gather before their ruler, Igor Svyatoslavich, Prince of her planned meeting with Vladimir. She tells her Prince Igor Seversk. 3 He urges battle against the Polovtsians, 4 women to give the Russian prisoners, returning from but the people are anxious at an eclipse of the sun, a bad their labours, water to drink. 4 Their Polovtsian guards, omen. 5 Prince Igor insists on his campaign, 6 and his together with the baptized Polovtsian Ovlur, sing of the MELIK men leave for battle against their traditional Tartar end of the day. Ovlur remains behind, as they pass on. ER -P enemies. 5 Vladimir expresses his feelings twoards D A N SH Konchakovna. 6 She appears, and they sing together of A A Act I their love. 7 They leave as Prince Igor enters, X Y lamenting his captivity and separation from Yaroslavna. E E Scene 1 8 Ovlur steps forward, proposing a plan of escape. L V Prince Igor finds the suggestion dishonourable, but then A 7 At the court of Prince Vladimir Galitsky, brother of starts to demur. 9 He is greeted by his captor, Khan Prince Igor’s wife, Yaroslavna, the people praise him, Konchak, who offers him further hospitality, and appointed now by his brother-in-law to guard the suggests even an alliance between them, rejected by kingdom and the Princess, led by Skula and Yeroshka, Prince Igor.
  • Armenian Orchestral Music Tigran Arakelyan a Dissertation Submitted

    Armenian Orchestral Music Tigran Arakelyan a Dissertation Submitted

    Armenian Orchestral Music Tigran Arakelyan A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2016 Reading Committee: David Alexander Rahbee, Chair JoAnn Taricani Timothy Salzman Program Authorized to Offer Degree: School of Music ©Copyright 2016 Tigran Arakelyan University of Washington Abstract Armenian Orchestral Music Tigran Arakelyan Chair of the Supervisory Committee: Dr. David Alexander Rahbee School of Music The goal of this dissertation is to make available all relevant information about orchestral music by Armenian composers—including composers of Armenian descent—as well as the history pertaining to these composers and their works. This dissertation will serve as a unifying element in bringing the Armenians in the diaspora and in the homeland together through the power of music. The information collected for each piece includes instrumentation, duration, publisher information, and other details. This research will be beneficial for music students, conductors, orchestra managers, festival organizers, cultural event planning and those studying the influences of Armenian folk music in orchestral writing. It is especially intended to be useful in searching for music by Armenian composers for thematic and cultural programing, as it should aid in the acquisition of parts from publishers. In the early part of the 20th century, Armenian people were oppressed by the Ottoman government and a mass genocide against Armenians occurred. Many Armenians fled