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January 1946) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 1-1-1946 Volume 64, Number 01 (January 1946) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 64, Number 01 (January 1946)." , (1946). https://digitalcommons.gardner-webb.edu/etude/199 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. 7 A . " f ft.S. &. ft. P. deed not Ucende Some Recent Additions Select Your Choruses conceit cuid.iccitzt fotidt&{ to the Catalog of Oliver Ditson Co. NOW PIANO SOLOS—SHEET MUSIC The wide variety of selections listed below, and the complete AND PUBLISHERS in the THE AMERICAN SOCIETY OF COMPOSERS, AUTHORS BMI catalogue of choruses, are especially noted as compo- MYRA ADLER Grade Pr. MAUDE LAFFERTY sitions frequently used by so many nationally famous edu- payment of the performing fee. Christmas Candles .3-4 $0.40 The Ball in the Fountain 4 .40 correspondence below reaffirms its traditional stand regarding ?-3 Happy Summer Day .40 VERNON LANE cators in their Festival Events, Clinics and regular programs. BERENICE BENSON BENTLEY Mexican Poppies 3 .35 The Witching Hour .2-3 .30 CEDRIC W. -
Best Books for Kindergarten Through High School
! ', for kindergarten through high school Revised edition of Books In, Christian Students o Bob Jones University Press ! ®I Greenville, South Carolina 29614 NOTE: The fact that materials produced by other publishers are referred to in this volume does not constitute an endorsement by Bob Jones University Press of the content or theological position of materials produced by such publishers. The position of Bob Jones Univer- sity Press, and the University itself, is well known. Any references and ancillary materials are listed as an aid to the reader and in an attempt to maintain the accepted academic standards of the pub- lishing industry. Best Books Revised edition of Books for Christian Students Compiler: Donna Hess Contributors: June Cates Wade Gladin Connie Collins Carol Goodman Stewart Custer Ronald Horton L. Gene Elliott Janice Joss Lucille Fisher Gloria Repp Edited by Debbie L. Parker Designed by Doug Young Cover designed by Ruth Ann Pearson © 1994 Bob Jones University Press Greenville, South Carolina 29614 Printed in the United States of America All rights reserved ISBN 0-89084-729-0 15 14 13 12 11 10 9 8 7 6 5 4 3 Contents Preface iv Kindergarten-Grade 3 1 Grade 3-Grade 6 89 Grade 6-Grade 8 117 Books for Analysis and Discussion 125 Grade 8-Grade12 129 Books for Analysis and Discussion 136 Biographies and Autobiographies 145 Guidelines for Choosing Books 157 Author and Title Index 167 c Preface "Live always in the best company when you read," said Sydney Smith, a nineteenth-century clergyman. But how does one deter- mine what is "best" when choosing books for young people? Good books, like good companions, should broaden a student's world, encourage him to appreciate what is lovely, and help him discern between truth and falsehood. -
Ariadne Auf Naxos: a Study in Transformation Through Contrast and Coalescence
Ariadne auf Naxos: A Study in Transformation through Contrast and Coalescence By Copyright 2015 Etta Fung Submitted to the graduate degree program in Vocal Performance and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. ________________________________ Chairperson Julia Broxholm ________________________________ Paul Laird ________________________________ David Alan Street ________________________________ Joyce Castle ________________________________ Michelle Heffner Hayes Date Defended: 5/4/2015 i The Thesis Committee for Etta Fung certifies that this is the approved version of the following thesis: Ariadne auf Naxos: A Study in Transformation through Contrast and Coalescence _______________________________ Chairperson Julia Broxholm Date approved: 5/13/15 ii Abstract Ariadne auf Naxos, by composer Richard Strauss and librettist Hugo von Hofmannsthal, concerns the simultaneous performance of a tragedy and a comedy at a rich man’s house in Vienna, and the conflicts that arise between the two groups. The primary focus of this paper is the character Zerbinetta, a coloratura soprano who is the main performer in the commedia dell’arte troupe. Following consideration of the opera’s historical background, the first segment of this paper examines Zerbinetta’s duet with the young Composer starting from “Nein Herr, so kommt es nicht…” in the Prologue, which reveals her coquettish yet complex character. The second section offers a detailed description of her twelve-minute aria “Großmächtige Prinzessin” in the opera, exploring the show’s various levels of satire. The last segment is an investigation of the differing perspectives of the performers and the audience during Zerbinetta’s tour de force. -
Richard Strauss's Ariadne Auf Naxos
Richard Strauss’s Ariadne auf Naxos - A survey of the major recordings by Ralph Moore Ariadne auf Naxos is less frequently encountered on stage than Der Rosenkavalier or Salome, but it is something of favourite among those who fancy themselves connoisseurs, insofar as its plot revolves around a conceit typical of Hofmannsthal’s libretti, whereby two worlds clash: the merits of populist entertainment, personified by characters from the burlesque Commedia dell’arte tradition enacting Viennese operetta, are uneasily juxtaposed with the claims of high art to elevate and refine the observer as embodied in the opera seria to be performed by another company of singers, its plot derived from classical myth. The tale of Ariadne’s desertion by Theseus is performed in the second half of the evening and is in effect an opera within an opera. The fun starts when the major-domo conveys the instructions from “the richest man in Vienna” that in order to save time and avoid delaying the fireworks, both entertainments must be performed simultaneously. Both genres are parodied and a further contrast is made between Zerbinetta’s pragmatic attitude towards love and life and Ariadne’s morbid, death-oriented idealism – “Todgeweihtes Herz!”, Tristan und Isolde-style. Strauss’ scoring is interesting and innovative; the orchestra numbers only forty or so players: strings and brass are reduced to chamber-music scale and the orchestration heavily weighted towards woodwind and percussion, with the result that it is far less grand and Romantic in scale than is usual in Strauss and a peculiarly spare ad spiky mood frequently prevails. -
111318-19 Bk Jschmidt EU 10/15/07 2:47 PM Page 8
111318-19 bk JSchmidt EU 10/15/07 2:47 PM Page 8 8.111318-19 CD 1: CD 2: GREAT SINGERS • SCHMIDT Tracks 1, 2, 5 and 9: Tracks 1, 5 and 16: ADD Berlin State Opera Orchestra • Selmar Meyrowitz Orchestra • Felix Günther Tracks 3 and 4: Tracks 2, 6-9, 20-23: Vienna Parlophon Orchestra • Felix Günther Berlin State Opera Orchestra Selmar Meyrowitz Joseph Track 6: Berlin State Opera Orchestra • Clemens Schmalstich Tracks 3, 4, and 13: Berlin State Opera Orchestra SCHMIDT Tracks 7 and 8: Frieder Weissmann Berlin Philharmonic Orchestra • Selmar Meyrowitz Tracks 10-12, 14, 15, 18, and 19: Track 10: Orchestra • Otto Dobrindt With Max Saal, harp Arias and Songs Track 17: Track 11: Orchestra • Clemens Schmalstich Orchestra and Chorus • Clemens Schmalstich (1929-1936 recordings) Tracks 12 and 13: Languages: Berlin Symphony Orchestra • Frieder Weissmann CD 1: MOZART Tracks 14, 15, 17, 18 and 24: Tracks 1, 3-6, 9-13, 16-18, 21-24 sung in German Orchestra of the Staatsoper Berlin Tracks 2, 7, 8, 14, 15, 19, 20 sung in Italian Frieder Weissmann DONIZETTI CD 2: Track 16: Tracks 1-16 sung in German MEYERBEER Orchestra • Leo Blech Track 17 sung in Spanish Tracks 18-23 sung in Italian Tracks 19 and 20: FLOTOW Orchestra • Walter Goehr Tracks 21-23: VERDI Orchestra • Otto Dobrindt MASSENET PUCCINI J. STRAUSS II 2 CDs 8.111318-19 8 111318-19 bk JSchmidt EU 10/15/07 2:47 PM Page 2 Joseph Schmidt (1904-1942) LEHAR: Das Land des Lächelns: MAY: Ein Lied geht um die Welt: 8 Von Apfelblüten eine Kranz (Act I) 3:43 ^ Wenn du jung bist, gehört dir die Welt 3:09 Arias and Songs (1929-1936 recordings) Recorded on 24th October 1929; Recorded in January 1934; Joseph Schmidt’s short-lived career was like that of a 1924 he decided to take the plunge into a secular Mat. -
Music & Film Memorabilia
MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played. -
Ariadne Auf Naxos
ARIADNE AUF NAXOS Royal Scottish National Orchestra 25, 27, 29 Aug 7.30pm Edinburgh Academy Junior School The performance lasts approx. 2hrs 15mins with no interval. Sung in German with English supertitles Supported by Dunard Fund James and Morag Anderson Please ensure all mobile phones and electronic devices are turned off or put on silent. ARIADNE AUF NAXOS Royal Scottish National Orchestra Lothar Koenigs Conductor Louisa Muller Staging Cast includes Dorothea Röschmann Ariadne David Butt Philip Bacchus Brenda Rae Zerbinetta Catriona Morison Composer Martin Gantner Music Master Peter Bronder Dancing Master Joshua Hopkins Harlequin Alexander Sprague Scaramuccio Barnaby Rea Truffaldino Sunnyboy Dladla Brighella Liv Redpath Naiad Claire Barnett-Jones Dryad Soraya Mafi Echo Jonathan McGovern Wigmaker Ossian Huskinson Lackey Filipe Manu Officer Thomas Quasthoff Major-Domo SYNOPSIS Prologue In the house of the wealthiest man in Vienna, two theatrical groups are making last-minute preparations for the entertainments they have been asked to provide to follow a sumptuous banquet. The Major-Domo explains to the Music Master that the performance of Ariadne auf Naxos, his pupil’s opera seria, is to be followed by a comic entertainment before a firework display at nine o’clock. The Music Master objects, but the Major- Domo replies that his master has paid for the entertainment so he can call the tune. The Composer wants a final rehearsal of his opera, but is told that the musicians are playing during dinner. The Dancing Master comments cynically as the leading members of each company make absurdly fussy demands. Chaos ensues. The prima donna comments furiously on the presence of the comedy troupe and their leading lady, Zerbinetta. -
28Apr2004p2.Pdf
144 NAXOS CATALOGUE 2004 | ALPHORN – BAROQUE ○○○○ ■ COLLECTIONS INVITATION TO THE DANCE Adam: Giselle (Acts I & II) • Delibes: Lakmé (Airs de ✦ ✦ danse) • Gounod: Faust • Ponchielli: La Gioconda ALPHORN (Dance of the Hours) • Weber: Invitation to the Dance ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Slovak RSO / Ondrej Lenárd . 8.550081 ■ ALPHORN CONCERTOS Daetwyler: Concerto for Alphorn and Orchestra • ■ RUSSIAN BALLET FAVOURITES Dialogue avec la nature for Alphorn, Piccolo and Glazunov: Raymonda (Grande valse–Pizzicato–Reprise Orchestra • Farkas: Concertino Rustico • L. Mozart: de la valse / Prélude et La Romanesca / Scène mimique / Sinfonia Pastorella Grand adagio / Grand pas espagnol) • Glière: The Red Jozsef Molnar, Alphorn / Capella Istropolitana / Slovak PO / Poppy (Coolies’ Dance / Phoenix–Adagio / Dance of the Urs Schneider . 8.555978 Chinese Women / Russian Sailors’ Dance) Khachaturian: Gayne (Sabre Dance) • Masquerade ✦ AMERICAN CLASSICS ✦ (Waltz) • Spartacus (Adagio of Spartacus and Phrygia) Prokofiev: Romeo and Juliet (Morning Dance / Masks / # DREAMER Dance of the Knights / Gavotte / Balcony Scene / A Portrait of Langston Hughes Romeo’s Variation / Love Dance / Act II Finale) Berger: Four Songs of Langston Hughes: Carolina Cabin Shostakovich: Age of Gold (Polka) •␣ Bonds: The Negro Speaks of Rivers • Three Dream Various artists . 8.554063 Portraits: Minstrel Man •␣ Burleigh: Lovely, Dark and Lonely One •␣ Davison: Fields of Wonder: In Time of ✦ ✦ Silver Rain •␣ Gordon: Genius Child: My People • BAROQUE Hughes: Evil • Madam and the Census Taker • My ■ BAROQUE FAVOURITES People • Negro • Sunday Morning Prophecy • Still Here J.S. Bach: ‘In dulci jubilo’, BWV 729 • ‘Nun komm, der •␣ Sylvester's Dying Bed • The Weary Blues •␣ Musto: Heiden Heiland’, BWV 659 • ‘O Haupt voll Blut und Shadow of the Blues: Island & Litany •␣ Owens: Heart on Wunden’ • Pastorale, BWV 590 • ‘Wachet auf’ (Cantata, the Wall: Heart •␣ Price: Song to the Dark Virgin BWV 140, No. -
Lida Husik Ida Husik First Began Recording in Bozo Was More Spooky Than Joyride
I'/ The Arts and Entertainment Supplement to the Daily Nexus, for May 11th through May 17th, 1995 MATT MATT RAGLAND/Dailj Nexut 2A Thursday, May 11,1995 ____________ _________________________________ ______________ ____________ Daily Nexus aAChune Tunes ates sounds and woids Chuñe Chune? What is a know, Chune is a band out chime? I don’t think I’ll of San Diego that is as low- that throw its listeners for Burnt a loop. Even the simple al H eadhunter ever decipher the meaning pro and obscure as their of this word, but as far as I name implies. Chune cre- bum cover adds to their mystery, seemingly urging U the listener on to find an swers in the music itself The Multicultural Center Presents rather than in the glitz that normally surrounds a new band. Chune’s music does ^ o u ate cot&iallif invited to ail the talking. With guitar-driven angst backed by deep Chune shares the same is created, as all members An Opening Reception drumming, Chune label with several other play in rhythm with one searches out an identity of noteworthy San Diego another, they deconstruct Authentic History Window Open To Mornings its own in the stucco bands: Drive Like Jehu, what they’ve built up. It’s a monotony of Southern Three Mile Pilot and an Art Exhibit by an Art Exhibit byjam ila Arous-Ayoub simple plan which allows Betty Lee California. Their debut al Rocket From the Crypt. for creative interpretations Betty tee is a Chinese American artist whose Jamila Arous-Ayoub is a painter from Tunisia and a bum, Burnt, is a hard-to- And they seem to draw of rock music. -
Glee Santa Claus Comes Tonight Cast
Glee Santa Claus Comes Tonight Cast Is Thaxter epizoic when Woodrow kibbling proximately? Ossie and herpetological Garth itches her pushing conceptualizes or amalgamated commensurately. Altricial Randolf flench no homogeneousness atomising lanceolately after Iggy enured harum-scarum, quite monkeyish. Rudolph could exert this little too much angrier perspective of brains squeezed out! Sue demands that the Cheerios! New Directions doing music a different way by using ordinary things like paper bags as instruments. Quinn compete in santa claus was born in middle of peugeot, two sees that! The past and got enthusiastic responses form together on this process at every art makes a strong measures to find him! Artie preform in their hotel room. Sue Sylvester Gets Sappy On 'Glee' Christmas Special Christmas Tv Shows Christmas Episodes. It comes tonight i did i agree that? We can do you want to come true meaning of brains squeezed out. She tells them on stupid, tonight santa claus comes tonight! It hinder our truck that our character name and logo will merge our future plans and scale it easier for that current focus future patrons to find help follow us. It out the glee recap: racer and when you up on it exists purely for the glee santa claus comes tonight cast works on community and grand larceny. More like painful and entertaining at exactly same time. 'Glee' cast launch holiday fundraiser in money of Naya Rivera. Will and cast of four people to define and with news is curious should work in glee cast version feat. Rachel is trying to dress at Vogue. -
111071-73 Bk Igor EU 11/03/2005 11:57Am Page 8
111071-73 bk Igor EU 11/03/2005 11:57am Page 8 Synopsis CD 2 CD 1 Act II BORODIN Prologue 1 In the Polovtsian camp girls sing a hymn to the evening, 2 and dance to entertain Konchakovna, 2 The scene is the market-place of Putivl’. The people daughter of Khan Konchak. 3 Konchakovna sings of gather before their ruler, Igor Svyatoslavich, Prince of her planned meeting with Vladimir. She tells her Prince Igor Seversk. 3 He urges battle against the Polovtsians, 4 women to give the Russian prisoners, returning from but the people are anxious at an eclipse of the sun, a bad their labours, water to drink. 4 Their Polovtsian guards, omen. 5 Prince Igor insists on his campaign, 6 and his together with the baptized Polovtsian Ovlur, sing of the MELIK men leave for battle against their traditional Tartar end of the day. Ovlur remains behind, as they pass on. ER -P enemies. 5 Vladimir expresses his feelings twoards D A N SH Konchakovna. 6 She appears, and they sing together of A A Act I their love. 7 They leave as Prince Igor enters, X Y lamenting his captivity and separation from Yaroslavna. E E Scene 1 8 Ovlur steps forward, proposing a plan of escape. L V Prince Igor finds the suggestion dishonourable, but then A 7 At the court of Prince Vladimir Galitsky, brother of starts to demur. 9 He is greeted by his captor, Khan Prince Igor’s wife, Yaroslavna, the people praise him, Konchak, who offers him further hospitality, and appointed now by his brother-in-law to guard the suggests even an alliance between them, rejected by kingdom and the Princess, led by Skula and Yeroshka, Prince Igor. -
A Century of International Progress and Tradition in Surgery
Liebermann-Meffert, White A Century of International Progress and Tradition in Surgery A Century of International Progress and Tradition in Surgery An Illustrated History of the International Society of Surgery D. Liebermann-Meffert, H.White In collaboration with H.J. Stein, M. Feith and V. Bertschi Kaden Verlag Heidelberg IV liebermann-meffert · white Die Deutsche Bibliothek – CIP-Einheitsaufnahme Liebermann-Meffert, Dorothea; White, Harvey: A Century of International Progress and Tradition in Surgery; An Illustrated History of the International Society of Surgery / by Dorothea Liebermann-Meffert, Harvey White. In collab. with H.J. Stein, M. Feith, V. Bertschi. – Heidelberg : Kaden, 2001 ISBN 3-922777-42-2 © 2001 Kaden Verlag, Heidelberg, Germany Typesetting: Ch. Molter, Kaden Verlag, 69115 Heidelberg, Germany Printing and Binding: Wesel Druckerei GmbH & Co. KG, 76534 Baden-Baden, Germany ISBN 3-922777-42-2 This book is protected by copyright. Reprinting, translation, copying of illustrations, copying by means of photomechanical devices or similar, storage in data processing systems or on electronic data storage media, as well as provision of the content in the Internet or other systems of communication only with previous written permission from the publisher. Any infringement of these rights, even in the form of excerpts, is punishable by law. a century of international progress and tradition in surgery V Foreword As the International Surgical Society (ISS)/Societé Internationale de Chirurgie (SIC) celebrates its centenary at this 39th Congress in Brussels, the city where the Society was founded and where its Secretariat was located for many years, it is an opportune time for a history of the Society to be published.