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Lida Husik Ida Husik First Began Recording in Bozo Was More Spooky Than Joyride

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I'/ The Arts and Entertainment Supplement to the Daily Nexus, for May 11th through May 17th, 1995 MATT MATT RAGLAND/Dailj Nexut 2A Thursday, May 11,1995 ____________ _________________________________ ______________ ____________ Daily Nexus aAChune Tunes ates sounds and woids Chuñe Chune? What is a know, Chune is a band out chime? I don’t think I’ll of San Diego that is as low- that throw its listeners for Burnt a loop. Even the simple al­ H eadhunter ever decipher the meaning pro and obscure as their of this word, but as far as I name implies. Chune cre- bum cover adds to their mystery, seemingly urging U the listener on to find an­ swers in the music itself The Multicultural Center Presents rather than in the glitz that normally surrounds a new band. Chune’s music does ^ o u ate cot&iallif invited to ail the talking. With guitar-driven angst backed by deep Chune shares the same is created, as all members An Opening Reception drumming, Chune label with several other play in rhythm with one searches out an identity of noteworthy San Diego another, they deconstruct Authentic History Window Open To Mornings its own in the stucco bands: Drive Like Jehu, what they’ve built up. It’s a monotony of Southern Three Mile Pilot and an Art Exhibit by an Art Exhibit byjam ila Arous-Ayoub simple plan which allows Betty Lee California. Their debut al­ Rocket From the Crypt. for creative interpretations Betty tee is a Chinese American artist whose Jamila Arous-Ayoub is a painter from Tunisia and a bum, Burnt, is a hard-to- And they seem to draw of rock music. work has been exhibited nationally. She is also Professor of Arts at the University of Tunis. come-by gem that rocks heavily upon these bands The track “C-Lord” is a a Lecturer in the School of Fine Arts at the like a psychotic grand­ for musical inspiration. prime example of this University of California, Irvine. For more inform ation c a ll tbe MCC a t893-8411- mother putting her grand­ Chune’s talent and style methodic music. Truffa child to sleep—gentle and makes it easy for me to lightly slaps his bass in çPlefireshments will be served rhythmic with the inevit­ place it in the company of anticipation of the dueling able propensity to snap. this elite San Diego scene. guitars that eventually TODAY, May 11 • 5-7pm • Multicultural Center And they do snap. Nicolosi’s complex drum­ steal the spotlight. The The vocals and guitar of ming on the track “Pasta guitars are not plucked, Andy Harris pierce with Fagioli” displays the skill but rather massaged and bursts of suppressed anger that will help lead Chune strummed like they have and the confidence of an into stardom. been kidnapped from GRADUATION SPECIALS indestructible voice box. Sonic Youth’s Daydream On the second track of the The sound of Chune is Nation. Pounding drums album, “Mel Brown,” fairly consistent through­ elicit images of teenage at the UCSB Bookstore Andy screams something out its album. Each mem­ suburbanites banging on Visit the Photo Electronics Dept at the UCSB Bookstore and fill out an entry about his buddy Mel while ber of the band takes his their parents’ Walls in the supportive bass of turn leading- off a song bored frustration. form for your chance to win a FREE Kodak Mike Trufia, the accom­ while the other musicians Chune satisfies the de­ Cameo EX Automatic Camera Retail price »UCSB panying guitar of Lance wait for their cue to enter sire for something a little $59.95. Drawing will take place June 9 at Martineau and the drum­ the game of follow-the- bit different from mass- BOOKSTORE ming of Rich Nicolosi egg leader. Chune slowly im­ produced radio rock. 12:00pm at the UCSB Bookstore. him on. The band’s only merses the listener in its Chune is far from “burnt,” weakness comes through music by building upon and I foresee great things when Harris, in his enthu­ the solid foundation laid in their future. siasm, blurs the clarity of down by the first player. $ 5 .0 0 O ff the lyrics. When a full, heavy sound —Brad Mayo When you purchase the W illin g To Kodak Cameo EX Camera g A »UCSB Ferrick hit the studio and ity, it is conviction which BOOKSTORE Melissa Ferric k Willing To Wait recorded a bunch of new drives Willing. Ferrick Not valid with any other offers. Atlantic Records tunes which became the plays with passion and Must present coupon at time of lovely and intriguing Will­ confidence, skillfully us­ purchase. Offer expires 6/16/95 “I am not smooth, and I ing To Wait. ing music as a communica­ am not soft, and I am not What kinda sucks is that tive tool. When combined Ferrick might once again with her soft guitar and Buy three rolls of Kodak film or two Single Use Cameras and angry,” declares Melissa Ferrick in the opening get lost in the shuffle. gentle rhythms, Ferrick’s There’s lately been a surge voice becomes a separate, receive a lines of “I Am Not,” the FREE MINI-SIZED /< S first track off of her latest of women entering the in­ highly powerful instru­ effort. In actuality, though, dustry performing folksy ment, and is the shining BASKETBALL! ^ she is all of these things roots rock, and many of star of the disc. Ferrick is these gifted ladies are impressively versatile as a O ffer g o o d w hile su p p lie s la s t and more; at once tough and sensitive, Ferrick is a therefore being dismissed writer; from upbeat to sol­ gifted performer who actu­ as copycats by radio and emn, inspirational to criti­ ates life experiences and the press. But man, there’s cal, she effectively uses observations to create an too much shitty music in song to paint a many-sided awesome lyrical reflection the stores for the media to portrait of her life. .00 Off of herself. rightfully dis gifted artists Willing To Wait is an The incredibly beauti­ like Ferrick solely because invigorating disc from a ta­ Two Rolls of New ful, 24-year-old singer/ of their gender and musi­ lented woman. Ferrick’s songwriter/guitarist got cal influences. Although songs are built around Kodak Royal Gold Film! her Atlantic contract a few the album is acoustic, simple acoustic guitar ar­ years back by being in the guitar-driven, coffeehouse rangements and thought­ The premium film for those right place at the right grit, it has Ferrick’s de­ ful, modest poetry. “Gotta special pictures of a lifetime! time, when Danny Gold­ cidedly personal flair. Fer­ Go Now,” one of the bet­ berg caught her at the Gar­ rick does not do her her­ ter pieces on the album, is den as the opening act for oes the disservice of imi­ the epitome of what this Morrissey. She went on to tating their vocal or music is like; a song about Not valid with any other offers. Must present »UCSB record a cool debut in '93 musical styles, and instead social hypocrisy, it is si­ coupon at time of purchase. Offer expires ^16/95 BOOKSTORE which was critically ac­ has created a distinct and multaneously slick, raw, claimed, but failed to gar­ intimate collection of smart, and honest ner the favor of the Ameri­ music with her new album. —Mykel Abrimsun and Perfect for Graduation! j can consumer. Unfazed, In addition to original­ Eryk Stoyer TALK RADIO You Talkin' To Me? 990 KQSB-AM LEYKIS in the afternoon SANTA BARBARA Daily Nexus Thursday, May 11,1995 3 A 4À Thursday, May 11,1995 ______________________________________________________________________ Dáily Nexus Lida Husik ida Husik first began recording in Bozo was more spooky than Joyride. to collaborate with a few people, and my boyfriend is in New York, so I sort of the mid-’80s on the Shimmy Disc LH: Yeah, Joyride is really more fruity, named me. So I think my Shimmy records split my time. I have one cat in D.C., and Llabel. After three albums and a not spooky. I think I got away from my were more listened to over there because, one cat in New York. nearly yearlong break, she’s come out aesthetic in Red Emma [the last Shimmy you know, maybe it was more exotic AW. By being in D. C., has your music with two new albums, on Caroline and Disc record]. And I really didn’t enjoy lis- there. So we called him, and it was really been politically affected in any way? Astralwerks. What first drew me into her LH: Yeah, Joyride is really more fruity, easy. He sent me some stuff and I worked LH: There was a period when I was liv­ music was the dark, haunting eeriness of not spooky. I think I got away from my up the lyrics and the singing, and then I ing at Positive Force House, which was her songs. Now after hearing her latest re­ aesthetic in Red Emma [the last Shimmy went over there. A couple of the tracks the political arm of Dischord. We did a lot lease, Joyride, it was a surprise to hear her Disc record]. And I really didn’t enjoy lis­ were just me — the first one, “Prome­ of organizing, a lot of demonstrations, a style change into what she describes as tening to it, but I think on Joyride, there nade,” and “Gregory Peck” and the lot of meetings.
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