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O Porquê Da Existência De Festivais Punk Na Europa
Paulo Bettencourt Lemos A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Relatório de estágio em Comunicação e Jornalismo, orientado pelo Doutor Carlos Camponez, apresentado ao Departamento de Informação, Comunicação e Filosofia da Faculdade de Letras da Universidade de Coimbra Julho de 2014 1 Faculdade de Letras A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Ficha Técnica: Tipo de trabalho Relatório de estágio Título A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Autor Paulo Bettencourt Lemos Orientador Doutor Carlos Camponez Júri Presidente: Vogais: 1. 2. Identificação do Curso 2º Ciclo em Comunicação e Jornalismo Data da defesa Classificação 2 Resumo Embora o Punk tenha surgido em finais da década de 70 como uma contra-cultura revolucionária que se opôs aos valores sociais vigentes da sociedade inglesa, rapidamente a indústria absorveu este movimento social. A atual aceitação social da prévia rebeldia Punk deu-se através da sua comercialização, onde foi possível ao mainstream suavizar os seus aspetos mais agressivos popularizando assim agrupamentos musicais do género. A vulgarização do Punk ocorreu deste modo através da incorporação comercial da sua música e estética. Neste relatório de estágio reflete-se sobre o papel e a influência da indústria no Punk. Através de uma análise ao festival Mighty Sounds, compreenderemos como a comercialização desta tribo urbana tornou este fenómeno facilmente reconhecido a nível mundial e qual o impacto da indústria nos movimentos do underground, desconhecidos pelo grande público, e que se encontram fora dos mediatismos comerciais e noticiosos. Palavras-chave: Mighty Sounds, Punk, Música, Festivais de Verão, República Checa, Praga 3 Abstract Although Punk has emerged in the late 70s as a revolutionary counter-culture that opposed the prevailing social values of English society, the industry quickly absorbed this social movement. -
Hasseltkunstencentrum Burg . Bo
. B . 1 2 / 7 4 1 3500.HASSELT.1 P BELGIE-BELGIQUE editie: juli 2010 BELGIEBELGIE KUNSTENCENTRUMKUNSTENCENTRUM BURG.BOLLENSTR.54BURG.BOLLENSTR.54 3500-HASSELT3500-HASSELT NEW RELEASES / 19’ jaargang 5X per jaar: jan-maart-mei-juli-okt / Afgiftekantoor: 3500 Hasselt 1 - P 206555 vr 1 okt 2010 SHELLAC (US) + THE EX (NL) V.U. JO LIJNEN, Burg. Bollenstraat 54, 3500 Hasselt V.U. O Winnaar Beste Cinematografie en Speciale Prijs van de Jury Sitges Internationaal Filmfestival O Winnaar Beste Cinematografie en Speciale Prijs van de Jury Sitges Internationaal Filmfestival Gouden Palm Nominatie Cannes 2009 O ENTER THE VOID(FR/DE/IT / 2009 / 35 mm / 154’) Cast Nathaniel Brown, Paz de la Huerta, Cyril Roy, Emily Alyn Lind, Jesse Kuhn, Olly Alexander... O Gouden Palm Nominatie Filmfestival van Cannes 2009 O Winnaar Beste Cinematografie en Speciale Prijs van de Jury Sitges Internationaal Filmfestival Sinds kort wonen Oscar (Nathaniel Brown) en zijn zus Linda (Paz de la Huerta) in Tokyo. Oscar leeft van de inkom- sten van kleine drugdeals en Linda werkt als stripper in een nachtclub. Tijdens een inval van de politie wordt Oscar Regie geraakt door een kogel. Hij ligt op sterven maar zijn geest, die gezworen heeft om zijn zuster nooit achter te laten, weigert de wereld van de levenden te verlaten. Tijdens de dwaaltocht van zijn geest door de stad worden de visioenen Gaspar Noé chaotischer en zijn ze een ware nachtmerrie. Het verleden, het heden en de toekomst vermengen zich in een hallucino- gene draaikolk. De in Argentinië geboren Franse regisseur Gaspar Noé schreef in 2002 filmgeschiedenis met de hondsbrutale maar uiterst vindingrijke prent Irréversible. -
Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing. -
Fred Frith Played 80 Concerts at New York's Unique Space for Experimental Music the Stone
New on INTAKT RECORDS www.intaktrec.ch Between 2006 and 2016, Fred Frith played 80 concerts at New York's unique space for experimental music The Stone. A selection of his encounters with such powerful and creative personalities as Laurie Anderson, Pauline Oliveros, Sylvie Courvoisier, Evan Parker, Nate Wooley has been combined in this 3-CD box set comprising 23 fascinat- ing tracks. A decade-long adventure in improvisation. The musician Theresa Wong writes: „I was struck by the musicality. What I mean by that is: there‘s this presence of songs and song forms – the music can be harmonic and melodic, there‘s noise, there‘s rhythm, a joyfulness, an exploration, a sensuality of sounds, but always underlining that is a musicality that feels to me like songs.“ FREd FRITH Fred Frith spielte zwischen 2006 und 2016 im New Yorker Jazz- LIVE AT THE STONE – ALL IS ALWAYS NOW club The Stone, dem einmaligen Künsterraum für exerimentelle Musik, achtzig Konzerte mit einigen der kreativsten Musikerinnen Fred Frith with und Musikern der aktuellen Szene: Von Laurie Anderson über Laurie Anderson Amma Ateria Pauline Oliveros, Sylvie Courvoisier, Evan Parker bis Nate Wooley. Sylvie Courvoisier 23 Höhepunkte sind auf der 3er-CD-Box „Fred Frith Live at the Nava dunkelman Jordan Glenn Stone. All Is Always Now“ versammelt. „Die Kraft der auftretenden Shelley Hirsch Persönlichkeiten ist so stark, dass jedes Stück in seiner Einzigar- Jason Hoopes tigkeit fasziniert“, sagt Fred Frith. Und die Mitmusikerin Theresa Annie Lewandowski Wong schreibt: "Ich war beeindruckt von der Musikalität. Damit Jessica Lurie Miya Masaoka meine ich: Es gibt diese Präsenz von Liedern und Gesangsfor- Ikue Mori men – die Musik kann harmonisch und melodisch sein, es gibt Pauline Oliveros Geräusche, es gibt Rhythmus, Freude, Erkundung, Sinnlichkeit Else Olsen Storesund Evan Parker von Klängen, aber gleichzeitig ist immer eine Musikalität da, die Gyan Riley sich für mich wie Songs anfühlt." Sudhu Tewari Clara Weil Theresa Wong Recorded between 2006 and 2016 at the Stone, New York, USA . -
Touring Biz Awaits Rap Boom
Y2,500 (JAPAN) $6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), II1I11 111111111111 IIIIILlll I !Lull #BXNCCVR 3 -DIGIT 908 #90807GEE374EM002# BLBD 863 A06 B0116 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 HOME ENTERTAINMENT THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND Labels Hitching Stars To Clive Greeted As New RCA Chief Global Consumer Brands Artists, Managers Heap Praise On Davis, But Some Just Want Stability given five -year contracts, according BY MELINDA NEWMAN BY BRIAN GARRITY Goldstuck had been pres- While managers of acts signed to to Davis. NEW YORK -In the latest sign of J Records. Richard RCA Records are quick to praise out- ident/C00 that the marketing of music is will continue as executive going RCA Music Group (RMG) Sanders undergoing a sea change, the RCA Records. chairman Bob Jamieson, they are also VP /GM of major labels are forging closer ties "We absolutely loved and have heralding the news that J Records with global consumer brands in with Bob Jamieson head Clive Davis will now control enjoyed working an effort to gain exposure for their and hope our paths will cross with him both the J label and RCA Records. acts. As the deals become more says artist manager Irving BMG announced Nov. 19 that it is again," pervasive, they raise questions for whose client Christina Aguilera buying out Davis' 50 %, stake in J Azoff, artists, who have typically cut on RCA Oct. 29. "I've Records -the label he formed in released Stripped their own sponsorship deals. -
Jack Dejohnette's Drum Solo On
NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Complete Band and Panel Listings Inside!
THE STROKES FOUR TET NEW MUSIC REPORT ESSENTIAL October 15, 2001 www.cmj.com DILATED PEOPLES LE TIGRE CMJ MUSIC MARATHON ’01 OFFICIALGUIDE FEATURING PERFORMANCES BY: Bis•Clem Snide•Clinic•Firewater•Girls Against Boys•Jonathan Richman•Karl Denson•Karsh Kale•L.A. Symphony•Laura Cantrell•Mink Lungs• Murder City Devils•Peaches•Rustic Overtones•X-ecutioners and hundreds more! GUEST SPEAKER: Billy Martin (Medeski Martin And Wood) COMPLETE D PANEL PANELISTS INCLUDE: BAND AN Lee Ranaldo/Sonic Youth•Gigi•DJ EvilDee/Beatminerz• GS INSIDE! DJ Zeph•Rebecca Rankin/VH-1•Scott Hardkiss/God Within LISTIN ININ STORESSTORES TUESDAY,TUESDAY, SEPTEMBERSEPTEMBER 4.4. SYSTEM OF A DOWN AND SLIPKNOT CO-HEADLINING “THE PLEDGE OF ALLEGIANCE TOUR” BEGINNING SEPTEMBER 14, 2001 SEE WEBSITE FOR DETAILS CONTACT: STEVE THEO COLUMBIA RECORDS 212-833-7329 [email protected] PRODUCED BY RICK RUBIN AND DARON MALAKIAN CO-PRODUCED BY SERJ TANKIAN MANAGEMENT: VELVET HAMMER MANAGEMENT, DAVID BENVENISTE "COLUMBIA" AND W REG. U.S. PAT. & TM. OFF. MARCA REGISTRADA./Ꭿ 2001 SONY MUSIC ENTERTAINMENT INC./ Ꭿ 2001 THE AMERICAN RECORDING COMPANY, LLC. WWW.SYSTEMOFADOWN.COM 10/15/2001 Issue 735 • Vol 69 • No 5 CMJ MUSIC MARATHON 2001 39 Festival Guide Thousands of music professionals, artists and fans converge on New York City every year for CMJ Music Marathon to celebrate today's music and chart its future. In addition to keynote speaker Billy Martin and an exhibition area with a live performance stage, the event features dozens of panels covering topics affecting all corners of the music industry. Here’s our complete guide to all the convention’s featured events, including College Day, listings of panels by 24 topic, day and nighttime performances, guest speakers, exhibitors, Filmfest screenings, hotel and subway maps, venue listings, band descriptions — everything you need to make the most of your time in the Big Apple. -
La Top 50 Di Kurt La Top 50 Di Kurt
Cobain e Novoselic fondano la prima band Pagina accanto: I Nirvana fotografati a Seattle sognando di fare cover dei Creedence nel maggio 1988. Da sinistra: il batterista Clearwater Revival. Chad Channing, Novoselic e Cobain. Charles Peterson/Retna Ltd./Corbis più ampio e, anche se nell’ordine delle decine di persone, è un pubblico costante. I Nirvana ampliano LA TOP il proprio territorio fino a Olympia e a qualche accordi lavorativi (è l’unico con un diploma di scuola concerto sporadico a Seattle. Jack Endino rimane superiore), ma questa volta si presenta tracannando 50 DI sufficientemente colpito dal loro demo tape da LA TOP una bottiglia di vino. Cobain è estremamente nervoso e darne una copia a un DJ della KCMU, la stazione chiuso. Poneman gli offre un contratto discografico, ma KURT radio dell’Università di Washington, che comincia a 50 DI per produrre un singolo e con un compenso che copre trasmettere una delle tracce. solo le spese di registrazione. Peggio ancora, Poneman è SCRATCH ACID Endino consegna una copia del demo anche a KURT interessato esclusivamente a “Love Buzz,” l’unica canzone Scratch Acid EP (Rabid Cat, 1984) Jonathan Poneman che, col socio Bruce Pavitt, ha in scaletta che non è stata critta da Cobain. Eppure, alla La band degli Scratch Acid (gran nome, qualsiasi fondato la Sub Pop Records. La scena musicale di SACCHARINE TRUST fine dell’incontro, i Nirvana accettano l’accordo, concluso cosa significhi) prende il suono dei colleghi texani EP (SST, 1981) Butthole Surfers, lo intreccia con un’intensa e Seattle è ancora dominata dalle cover band, ma la Sub Paganicons con una stretta di mano, e la band fissa una nuova sessione La nascita e lo sviluppo dell’hardcore tradizionale irritante affinità coi Birthday Party di Nick Cae Pop comincia ad avere un successo contenuto con le di registrazione con Endino. -
The Evolution of the Franco-American Novel of New England (1875-2004)
BORDER SPACES AND LA SURVIVANCE: THE EVOLUTION OF THE FRANCO-AMERICAN NOVEL OF NEW ENGLAND (1875-2004) By CYNTHIA C. LEES A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2006 Copyright 2006 By Cynthia C. Lees ACKNOWLEDGMENTS I would like to express my gratitude to the members of my supervisory committee, five professors who have contributed unfailingly helpful suggestions during the writing process. I consider myself fortunate to have had the expert guidance of professors Hélène Blondeau, William Calin, David Leverenz, and Jane Moss. Most of all, I am grateful to Dr. Carol J. Murphy, chair of the committee, for her concise editing, insightful comments, and encouragement throughout the project. Also, I wish to recognize the invaluable contributions of Robert Perreault, author, historian, and Franco- American, a scholar who lives his heritage proudly. I am especially indebted to my husband Daniel for his patience and kindness during the past year. His belief in me never wavered. iii TABLE OF CONTENTS Page ACKNOWLEDGMENTS ................................................ iii LIST OF FIGURES .................................................... vii ABSTRACT.......................................................... viii CHAPTER 1 SITING THE FRANCO-AMERICAN NOVEL . 1 1.1 Brief Overview of the Franco-American Novel of New England . 1 1.2 The Franco-American Novel and the Ideology of La Survivance ..........7 1.3 Framing the Ideology of La Survivance: Theoretical Approaches to Space and Place ....................................................13 1.4 Coming to Terms with Space and Place . 15 1.4.1 The Franco-American Novel and the Notion of Place . -
Wallace Roney Joe Fiedler Christopher
feBrUARY 2019—ISSUe 202 YOUr FREE GUide TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BILLY HART ENCHANCING wallace joe christopher eddie roney fiedler hollyday costa Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East feBrUARY 2019—ISSUe 202 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@niGht 4 Laurence Donohue-Greene: interview : wallace roney 6 by anders griffen [email protected] Andrey Henkin: artist featUre : joe fiedler 7 by steven loewy [email protected] General Inquiries: on the cover : Billy hart 8 by jim motavalli [email protected] Advertising: encore : christopher hollyday 10 by robert bush [email protected] Calendar: lest we forGet : eddie costa 10 by mark keresman [email protected] VOXNews: LAbel spotliGht : astral spirits 11 by george grella [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or oBitUaries 12 by andrey henkin money order to the address above or email [email protected] FESTIVAL REPORT 13 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, CD reviews 14 Marco Cangiano, Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Miscellany Tom Greenland, George Grella, 31 Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, event calendar Matthew Kassel, Mark Keresman, 32 Marilyn Lester, Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Brian Charette, Steven Loewy, As unpredictable as the flow of a jazz improvisation is the path that musicians ‘take’ (the verb Francesco Martinelli, Annie Murnighan, implies agency, which is sometimes not the case) during the course of a career. -
Lida Husik Ida Husik First Began Recording in Bozo Was More Spooky Than Joyride
I'/ The Arts and Entertainment Supplement to the Daily Nexus, for May 11th through May 17th, 1995 MATT MATT RAGLAND/Dailj Nexut 2A Thursday, May 11,1995 ____________ _________________________________ ______________ ____________ Daily Nexus aAChune Tunes ates sounds and woids Chuñe Chune? What is a know, Chune is a band out chime? I don’t think I’ll of San Diego that is as low- that throw its listeners for Burnt a loop. Even the simple al H eadhunter ever decipher the meaning pro and obscure as their of this word, but as far as I name implies. Chune cre- bum cover adds to their mystery, seemingly urging U the listener on to find an swers in the music itself The Multicultural Center Presents rather than in the glitz that normally surrounds a new band. Chune’s music does ^ o u ate cot&iallif invited to ail the talking. With guitar-driven angst backed by deep Chune shares the same is created, as all members An Opening Reception drumming, Chune label with several other play in rhythm with one searches out an identity of noteworthy San Diego another, they deconstruct Authentic History Window Open To Mornings its own in the stucco bands: Drive Like Jehu, what they’ve built up. It’s a monotony of Southern Three Mile Pilot and an Art Exhibit by an Art Exhibit byjam ila Arous-Ayoub simple plan which allows Betty Lee California. Their debut al Rocket From the Crypt. for creative interpretations Betty tee is a Chinese American artist whose Jamila Arous-Ayoub is a painter from Tunisia and a bum, Burnt, is a hard-to- And they seem to draw of rock music. -
Myths & Legends
Fart jokes & anti-capitalism ™ | widgetmag.com is fun! Featuring: Medea on Parenting Smaug’s Investing Tips Baba Yaga’s Chicken Recipes Not Really, But It Is Good Tho Myths & Legends Widget explores the world of myths and legends, in an effort to land the Mummy’s first ever humour piece, “Grr, What If Ramses II Star In Romcom, Grr?” Table Of Incompetence LEGEND OF ZELDA: FACT OR FIC- TION... OR BOTH... OR NEITHER? We visited Hyrule to see if the hook- shot is as cool as it looks and if Ganon says “oink” when he’s mad. Read More ... 827 THE RISE & FALL OF IGOR THE MAD SCIENTIST LAB ASSISTANT Igor was on top of the lab assistant world. But he had a secret: a debilitat- ing addiction to formaldehyde-sniffing. Read More ... 1.24 A UNICORN AND UNICRON: THE LONG AWAITED INTERVIEW Transformers villain Unicron (a plan- et-devouring robot) and a single uni- corn discuss their paths to success. Dead Henry, Editor in Chief Read More ... 0 “LEGENDS”: A CRITICAL INVESTI- Mass Ted GATION BY JUICE WRLD, RIP My mind is foggy, I’m so confused / Publisher Lord Crèmlor We keep on losing our legends to / The Distributor “Big” Beth Pfart cruel cold world, what is it coming to? Catering Lushus LeSnaq Animal Handler Dr. Teeth Read More ... 2021 Sanitation Duke Droese Weapons Division Widget Media Fluffer M. LeCumrag Intern Splébleux THE MYTH OF THE BABYLON BEE Waquch PUBLISHING SOMETHING FUNNY Interred Dead people Does Everything Death Adder Former President Garfield Some say the conservative ‘humour’ Aeronotics The Rocketeer site ran something funny once, but no.