A Collection of Stories and Memories by Members of the United States Naval Academy Class of 1963
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FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
JAMU 20160316-1 – DUKE ELLINGTON 2 (Výběr Z Nahrávek)
JAMU 20160316-1 – DUKE ELLINGTON 2 (výběr z nahrávek) C D 2 – 1 9 4 0 – 1 9 6 9 12. Take the ‘A’ Train (Billy Strayhorn) 2:55 Duke Ellington and his Orchestra: Wallace Jones-tp; Ray Nance-tp, vio; Rex Stewart-co; Joe Nanton, Lawrence Brown-tb; Juan Tizol-vtb; Barney Bigard-cl; Johnny Hodges-cl, ss, as; Otto Hardwick-as, bsx; Harry Carney-cl, as, bs; Ben Webster-ts; Billy Strayhorn-p; Fred Guy-g; Jimmy Blanton-b; Sonny Greer-dr. Hollywood, February 15, 1941. Victor 27380/055283-1. CD Giants of Jazz 53046. 11. Pitter Panther Patter (Duke Ellington) 3:01 Duke Ellington-p; Jimmy Blanton-b. Chicago, October 1, 1940. Victor 27221/053504-2. CD Giants of Jazz 53048. 13. I Got It Bad (And That Ain’t Good) (Duke Ellington-Paul Francis Webster) 3:21 Duke Ellington and his Orchestra (same personnel); Ivie Anderson-voc. Hollywood, June 26, 1941. Victor 17531 /061319-1. CD Giants of Jazz 53046. 14. The Star Spangled Banner (Francis Scott Key) 1:16 15. Black [from Black, Brown and Beige] (Duke Ellington) 3:57 Duke Ellington and his Orchestra: Rex Stewart, Harold Baker, Wallace Jones-tp; Ray Nance-tp, vio; Tricky Sam Nanton, Lawrence Brown-tb; Juan Tizol-vtb; Johnny Hodges, Ben Webster, Harry Carney, Otto Hardwicke, Chauncey Haughton-reeds; Duke Ellington-p; Fred Guy-g; Junior Raglin-b; Sonny Greer-dr. Carnegie Hall, NY, January 23, 1943. LP Prestige P 34004/CD Prestige 2PCD-34004-2. Black, Brown and Beige [four selections] (Duke Ellington) 16. Work Song 4:35 17. -
Quarterly Magazine 12/31/09 11:02 AM Page 1 4Thqtr-2009 V6:Quarterly Magazine 12/31/09 11:02 AM Page 2
4thqtr-2009 v6:Quarterly Magazine 12/31/09 11:02 AM Page 1 4thqtr-2009 v6:Quarterly Magazine 12/31/09 11:02 AM Page 2 Move mountains. Reshape the cruising landscape. We’re ready. Call Carlos Buqueras or Alan Hill at 800-421-0188, 954-523-3404 or visit www.broward.org/port FLORIDA 4thqtr-2009 v6:Quarterly Magazine 12/31/09 11:03 AM Page 1 9 4thqtr-2009 v6:Quarterly Magazine 12/31/09 11:03 AM Page 2 The Hidden Treasure of the Caribbean R APPROVED _________________________________________ T R APPROVED _________________________________________ S R APPROVED _________________________________________ C R APPROVED _________________________________________ P R APPROVED _________________________________________ A R APPROVED _________________________________________ A R APPROVED _________________________________________ C R APPROVED _________________________________________ C R APPROVED _________________________________________ C R APPROVED _________________________________________ 4thqtr-2009 v6:Quarterly Magazine 12/31/09 11:03 AM Page 3 opportunity t mak friends wit whal shark o a early-mornin div is’ th only reaso yo’l visi onduras. u i’s on of th many reasons yo’l neve forge i. -- . R APPROVED _________________________________________ T R APPROVED _________________________________________ S R APPROVED _________________________________________ C R APPROVED _________________________________________ P R APPROVED _________________________________________ A R APPROVED _________________________________________ A R APPROVED _________________________________________ -
Ellington-Lambert-Richards) 3
1. The Stevedore’s Serenade (Edelstein-Gordon-Ellington) 2. La Dee Doody Doo (Ellington-Lambert-Richards) 3. A Blues Serenade (Parish-Signorelli-Grande-Lytell) 4. Love In Swingtime (Lambert-Richards-Mills) 5. Please Forgive Me (Ellington-Gordon-Mills) 6. Lambeth Walk (Furber-Gay) 7. Prelude To A Kiss (Mills-Gordon-Ellington) 8. Hip Chic (Ellington) 9. Buffet Flat (Ellington) 10. Prelude To A Kiss (Mills-Gordon-Ellington) 11. There’s Something About An Old Love (Mills-Fien-Hudson) 12. The Jeep Is Jumpin’ (Ellington-Hodges) 13. Krum Elbow Blues (Ellington-Hodges) 14. Twits And Twerps (Ellington-Stewart) 15. Mighty Like The Blues (Feather) 16. Jazz Potpourri (Ellington) 17. T. T. On Toast lEllington-Mills) 18. Battle Of Swing (Ellington) 19. Portrait Of The Lion (Ellington) 20. (I Want) Something To Live For (Ellington-Strayhorn) 21. Solid Old Man (Ellington) 22. Cotton Club Stomp (Carney-Hodges-Ellington) 23. Doin’The Voom Voom (Miley-Ellington) 24. Way Low (Ellington) 25. Serenade To Sweden (Ellington) 26. In A Mizz (Johnson-Barnet) 27. I’m Checkin’ Out, Goo’m Bye (Ellington) 28. A Lonely Co-Ed (Ellington) 29. You Can Count On Me (Maxwell-Myrow) 30. Bouncing Buoyancy (Ellington) 31. The Sergeant Was Shy (Ellington) 32. Grievin’ (Strayhorn-Ellington) 33. Little Posey (Ellington) 34. I Never Felt This Way Before (Ellington) 35. Grievin’ (Strayhorn-Ellington) 36. Tootin Through The Roof (Ellington) 37. Weely (A Portrait Of Billy Strayhorn) (Ellington) 38. Killin’ Myself (Ellington) 39. Your Love Has Faded (Ellington) 40. Country Gal (Ellington) 41. Solitude (Ellington-De Lange-Mills) 42. Stormy Weather (Arlen-Köhler) 43. -
Electronic Flight Bag (EFB): 2010 Industry Survey
Electronic Flight Bag (EFB): 2010 Industry Survey Scott Gabree Michelle Yeh Young Jin Jo U.S. Department of Transportation Research and Innovative Technology Administration John A. Volpe National DOT-VNTSC-FAA-10-14 Transportation Systems Center Cambridge, MA 02142 Air Traffic Organization Operations Planning Human Factors Research and Engineering Group September 2010 Washington, DC 20591 This document is available to the public through the National Technical Information Service, Springfield, Virginia, 22161 Notice This document is disseminated under the sponsorship of the Department of Transportation in the interest of information exchange. The United States Government assumes no liability for its contents or use thereof. Notice The United States Government does not endorse products or manufacturers. Trade or manufacturers’ names appear herein solely because they are considered essential to the objective of this report. Form Approved REPORT DOCUMENTATION PAGE OMB No. 0704-0188 Public reporting burden for this collection of information is estimated to average 1 hour per response, including the time for reviewing instructions, searching existing data sources, gathering and maintaining the data needed, and completing and reviewing the collection of information. Send comments regarding this burden estimate or any other aspect of this collection of information, including suggestions for reducing this burden, to Washington Headquarters Services, Directorate for Information Operations and Reports, 1215 Jefferson Davis Highway, Suite 1204, Arlington, VA 22202-4302, and to the Office of Management and Budget, Paperwork Reduction Project (0704-0188), Washington, DC 20503. 1. AGENCY USE ONLY (Leave blank) 2. REPORT DATE 3. REPORT TYPE AND DATES September 2010 COVERED Final Report 4. TITLE AND SUBTITLE 5. -
Audacity Find Clipping
Audacity find clipping Continue See also: List of songs about California Wikimedia related to the song list article This is a list of songs about Los Angeles, California: either refer, are set there, named after a place or feature of a city named after a famous resident, or inspired by an event that occurred locally. In addition, several adjacent communities in the Greater Los Angeles area, such as West Hollywood, Beverly Hills, Santa Monica, Pasadena, Inglewood and Compton are also included in this list, despite the fact that they are separate municipalities. The songs are listed by those who are notable or well-known artists. Songs #s-A 10th and Crenshaw Fatboy Slim 100 Miles and Runnin' at N.W.A 101 Eastbound on Fourplay 103rd St. Theme Watts 103rd Street Rhythm Band 1977 Sunset Strip at Low Numbers 2 A.M. on Bobby Mulholland Drive Please, and Udenik 2 David Banner 21 Snoopstreet Trey Deee 26 Miles (Santa Catalina) at Four Preps 2 Nigs United 4 West Compton Prince 29th Street David Benoit 213 to 619 Adjacent Abstract. at Los Angeles Joe Mama 30 Piers Avenue Andrew Hill 319 La Cienega Tony, Vic and Manuel 34th Street in Los Angeles Dan Cassidy 3rd Base, Dodger Stadium Joe Kewani (Rebuilt Paradise Cooder) 405 by RAC Andre Allan Anjos 4pm in Calabasas Drake (musician) 5 p.m. to Los Angeles Julie Covington 6 'N Mornin' by Ice-T 64 Bars at Wilshire Barney Kessel 77 Sunset Strip from Alpinestars 77 Sunset Sunset Strip composers Mack David and Jerry Livingston 79th and Sunset Humble Pye 80 blocks from Silverlake People under the stairs 808 Beats Unknown DJ 8069 Vineland round Robin 90210 Blackbeard 99 miles from Los Angeles Art Garfunkel and Albert Hammond Malibu Caroline Loeb .. -
Statement by Author
Maya Wetlands: Ecology and Pre-Hispanic Utilization of Wetlands in Northwestern Belize Item Type text; Dissertation-Reproduction (electronic) Authors Baker, Jeffrey Lee Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 10:39:16 Link to Item http://hdl.handle.net/10150/237812 MAYA WETLANDS ECOLOGY AND PRE-HISPANIC UTILIZATION OF WETLANDS IN NORTHWESTERN BELIZE by Jeffrey Lee Baker _______________________ Copyright © Jeffrey Lee Baker 2003 A Dissertation Submitted to the Faculty of the Department of Anthropology In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College The University of Arizona 2 0 0 3 2 3 4 ACKNOWLEDGEMENTS This endeavor would not have been possible with the assistance and advice of a number of individuals. My committee members, Pat Culbert, John Olsen and Owen Davis, who took the time to read and comment on this work Vernon Scarborough and Tom Guderjan also commented on this dissertation and provided additional support during the work. Vernon Scarborough invited me to northwestern Belize to assist in his work examining water management practices at La Milpa. An offer that ultimately led to the current dissertation. Without Tom Guderjan’s offer to work at Blue Creek in 1996, it is unlikely that I would ever have completed my dissertation, and it is possible that I might no longer be in archaeology, a decision I would have deeply regretted. -
TIE Corps Pilot Manual, Emperor's Hammer Training Manual, Etc.)
1 2 Table of Contents I. Introduction II. Chain of Command III. Structure IV. Positions a. Line Positions Trainee (TRN) Flight Member (FM) Flight Leader (FL) Squadron Commander (CMDR) Wing Commander (WC) b. Flag Positions Commodore (COM) c. TIE Corps Command Staff Combat Operations Officer (COO/TC-3) Strategic Operations Officer (SOO/TC-2) TIE Corps Commander (TCCOM/TC-1) d. Assistants and Other Secondary Positions Squadron Executive Officer (SQXO) Warden of the Imperial Archives (WARD) Editor of the TC Newsletter (EDR) Simulations Officer (SIMS) Captain of the M/FRG Phoenix (CAPT) e. Tour of Duty f. Reserves V. Ranks a. Line Ranks b. Flag Ranks VI. Promotions a. Promotional Authority b. Position Requirements c. Rank requirements d. Promotion to LT e. TIE Corps Core VII. Medals a. Merit Awards Medal of Honor (MoH) Imperial Cross (IC) 3 Order of the Renegade (OoR) Grand Order of the Emperor (GOE) Gold Star of the Empire (GS) Silver Star of the Empire (SS) Bronze Star of the Empire (BS) Palpatine Crescent (PC) Imperial Security Medal (ISM) Imperial Achievement Ribbon (IAR) b. Service Medals Medal of Instruction (MoI) Medal of Tactics (MoT) Medal of Communication (MoC) TIE Corps Commander’s Unit Award (TUA) TIE Corps Meritorious Unit Award (MUA) Iron Star (IS) Legion of Combat (LoC) Legion of Skirmish (LoS) Distinguished Flying Cross (DFC) Order of the Vanguard (OV) c. Commendations Commendation of Bravery (CoB) Commendation of Excellence (CoE) Commendation of Loyalty (CoL) Commendation of Service (CoS) Letter of Achievement (LoA) VIII. Procedures a. Appointments b. Transfers c. Promotions and Awards d. Creating Competitions e. -
Duke Ellington-Bubber Miley) 2:54 Duke Ellington and His Kentucky Club Orchestra
MUNI 20070315 DUKE ELLINGTON C D 1 1. East St.Louis Toodle-Oo (Duke Ellington-Bubber Miley) 2:54 Duke Ellington and his Kentucky Club Orchestra. NY, November 29, 1926. 2. Creole Love Call (Duke Ellington-Rudy Jackson-Bubber Miley) 3:14 Duke Ellington and his Orchestra. NY, October 26, 1927. 3. Harlem River Quiver [Brown Berries] (Jimmy McHugh-Dorothy Fields-Danni Healy) Duke Ellington and his Orchestra. NY, December 19, 1927. 2:48 4. Tiger Rag [Part 1] (Nick LaRocca) 2:52 5. Tiger Rag [Part 2] 2:54 The Jungle Band. NY, January 8, 1929. 6. A Nite at the Cotton Club 8:21 Cotton Club Stomp (Duke Ellington-Johnny Hodges-Harry Carney) Misty Mornin’ (Duke Ellington-Arthur Whetsol) Goin’ to Town (D.Ellington-B.Miley) Interlude Freeze and Melt (Jimmy McHugh-Dorothy Fields) Duke Ellington and his Cotton Club Orchestra. NY, April 12, 1929. 7. Dreamy Blues [Mood Indigo ] (Albany Bigard-Duke Ellington-Irving Mills) 2:54 The Jungle Band. NY, October 17, 1930. 8. Creole Rhapsody (Duke Ellington) 8:29 Duke Ellington and his Orchestra. Camden, New Jersey, June 11, 1931. 9. It Don’t Mean a Thing [If It Ain’t Got That Swing] (D.Ellington-I.Mills) 3:12 Duke Ellington and his Famous Orchestra. NY, February 2, 1932. 10. Ellington Medley I 7:45 Mood Indigo (Barney Bigard-Duke Ellington-Irving Mills) Hot and Bothered (Duke Ellington) Creole Love Call (Duke Ellington) Duke Ellington and his Orchestra. NY, February 3, 1932. 11. Sophisticated Lady (Duke Ellington-Irving Mills-Mitchell Parish) 3:44 Duke Ellington and his Orchestra. -
Jazzletter PO Box 240, Ojai CA 93024-0240
Gene Lees jazzletter PO Box 240, Ojai CA 93024-0240 February 2000 Vol. 19 No. 2 outside the experience. He tells you how to drive across this King Cole America in Bobby Troup’s Route 66. That song became such Part Two a part ofthe culture that when I moved to Califomia in 1974, Nat sings about partying ir1 BringAnother Drink. Or he gives and had determined the main highway on the map, I hardly you, in inversion, the same message as Nature Boy in You ‘re ever had to look at it again afler Chicago: I just ran the Nat Nobody Till Somebody Loves You. He gives you advice, Cole record in my head and aimed for the cities it specified. again, on your life, in It Only Happens Once and still more I doubt that I’m the only person who ever did that. friendly third-person counsel in It Is Better to Be by Yourself In his annotation to the Mosaic boxed set, Will Friedwald Or, with Cole Porter, he asks What Is This Thing Called tries to explain Cole’s predilection for silly songs with this: Love? And, in just case any white man should frown at even “The answer is in Cole’s miraculous capacity for melody. the hint ofa relationship here says, “You took my heart, and His limitless tool kit of methods of playing, singing and threw it away.” Just as she should have, you damned . arranging songs for his unusually-instrumented triumverate Or he looks at the girl, but won’t move on her, in But (sic) took him at once into high art and lowbrow comedy. -
Writers and Writings of Texas
PD Commons ^ s : . : ; ? UC-NRLF 250 535 7/3 7 / PD Books PD Commons PD Books PD Commons PD Books PD Commons WRITERS AND WRITINGS OF TEXAS COMPILED AND EDITED BY DAVIS FOUTE EAGLETON, M.A., Professor of English in Austin College AUTHOR OF The South and Its Literary Product; Sidney Lanier, Hit Character and Work; Progress of Literary Effort in the Lone Star State; $c. But count as the angels count, friend, and see What is the treasure I bring to thee! Mallie Moor* BROADWAY PUBLISHING COMPANY 835 Broadway, New York 1913 PD Books PD Commons Copyright, 1913, BY DAVIS FOUTE EAGLETON, M.A. To the Enthusiastic Interest and Co-operation of the Literature Classes of Austin College, Is Due, in a Large Measure, the Completion of this Endeavor to Disseminate and Perpetuate the Authorship of Texas 298662 PD Books PD Commons CONTENTS PAGE Foreword 4 Introductory Poem, "Texas" 4 Survey of the Field 7 The Declaration of Independence 17 Stephen Fuller Austin 21 Sam Houston 27 David Burnet 34 Mirabeau Lamar 39 Mrs. Maude Fuller Young .' 43 John H. Reagan 50 John Crittenden Duval 59 Mrs. Fannie Baker Darden 66 Judge W. T. G. Weaver 70 Richard Bennett Hubbard 79 Mrs. Bella French Swisher v 85 Mrs. Mollie Moore Davis 88 William Lawrence Chittenden . 98 ; Friench Simpson , 106 Mrs. M. M. Jouvenat no John P. Sjolander 115 Jacob Hayne Harrison 120 Mrs. Laura Bibb Foute 127 Mrs. Belle Hunt Shortridge 136 Howell Lake Piner 147 Garence Ousley 162 Jtsse Edward Grinstead 169 PD Books PD Commons PAGJ Sydney Porter 184 Mortimer Lewis Judd v 197 Miss Olive Huck 208 Paul Whitfield Horn 220 George Pattullo 228 Miss Katie Daffan 242 Harry Lee Marriner 257 Eugene P. -
The History of Unions in the US Class 1: Origins
A Tour of the US Service Academies Class 3: US Naval Academy Jim Dunphy [email protected] USNA History • Traditionally, naval officers served as midshipmen aboard naval vessels • These could be as young as 10 or as old as 40 History • West Point was founded in 1802, but no naval equivalent was considered for many years thereafter. • The catalyst for the USNA was the Somers affair Somers Affair • In 1842, Philip Spencer, the son of the Secretary of War, was serving aboard the USS Somers as a Midshipman • Finding out about a possible mutiny, he notified the purser Somers Affair • The rumor went up the chain to the ship’s Captain, Alexander McKenzie • He did not take any immediate action, but put both Spencer and the crew under surveillance • It was found that Spencer was having secret meetings with the crew and his diary had Greek symbols • This was probably because he was a member of a Greek fraternity at Union College before going to sea Somers Affair • Later, a mast failed and damaged some sails, a huge problem for a ship at sea • A number of thefts led to floggings • Captain McKenzie ordered his four officers and three senior midshipmen to investigate • They concluded that Spencer and two other crew members were planning to take over the ship • The same day the report was made, all three were hung and buried at sea Somers Affair • Spencer’s father, the Secretary of War, obviously had power over this issue • While a naval court martial exonerated Captain Mackenzie, the general public remained skeptical about the idea of midshipmen at sea