DOCSLIB.ORG

Music & Film Memorabilia

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played. Lot 505 Ruffle to recognise sales in the United Kingdom of more than 100,000 copies of the Geffen 503 album “Get A Grip” 1993”, framed and glazed, 42 A pair of Bower & Wilkins (B&W) DM110 stereo x 42cm. speakers no. 140051, with BBC label verso, w.26, £30-50 d.26, h.49. ££30-50 508 Ice-T, a presentation CD for the album Home 504 Invasion with plaque below “Presented to Guns N’ Roses, a presentation CD for Jonathan Ruffle to recognise sales in the United the album The Spaghetti Incident? Kingdom of more than 60,000 copies of the with plaque below “Presented to Rhyme Syndicate Records album “Home Jonathan Ruffle to recognise sales in Invasion” 1993”, framed and glazed 41 x 41cm. the United Kingdom of more than £20-40 300,000 copies of the Geffen album “The Spaghetti Incident?” 1994” 509 framed and glazed 42 x 42cm. Nirvana, a presentation CD for the album £20-40 Incesticide with plaque below “Presented to Jonathan Ruffle to recognise sales in the United 505 Kingdom of more than 100,000 copies of the Guns N’ Roses, a platinum two disc Geffen album “Incesticide” 1993”, framed and presentation set for the albums Use glazed, 42 x 42cm. Your Illusion I and II, each with central £30-50 plaque “Presented to Jonathan Ruffle to recognise sales in the United Kingdom of more than 600,000 copies of the album Use Your Illusion I/II 1994, framed and glazed, 44 x 52cm. £50-80 Lot 501 501 An EMT (Elektro-Mess-Technik) 948 Broadcast Turntable no. 58502 having illuminated push buttons and metal chassis (Ex BBC), w.51, d.64, h.87cm £1,500-2,500 502 A pair of Spendor Type BC1 loudspeakers, serial no. 12009, with BBC label verso, w.30, d.30, h.64cm ££50-100 Lot 509 Lot 506 All lots plus buyers premium of 24% including VAT LACY SCOTT & KNIGHT 35 Lot 510 Lot 516 510 Nirvana, a presentation CD for the album In Utero with plaque below “Presented to Jonathan Ruffle to recognise sales in the United Kingdom of more than 100,000 copies of the Geffen Lot 518 album “In Utero” 1993”, framed and glazed, 42 x 42cm. £30-50 518 Factory Records and New Order, a bronzed 511 resin bust designed by Peter Saville from the John Farnham, a silver presentation record for the New Order single Round and Round, marked to single You’re The Voice with plaque below the socle base Little Lewey For New Order “Presented to Jonathon Ruffelle in recognition of Round & round & round & round and with your tremendous support in making John artists initials to the back. h.22cm. Lot 517 Farnham’s “You’re The Voice” a hit in the UK 1987”, together with one other silver The first run of these busts were limited to an edition of around 20 and were given out by presentation record for the Los Labos single La 514 Bamba with plaque below “Presented to a Factory Records. The Beloved - Happiness, a promotional £100-150 believer Jonathan Ruffle for his support in helping lithograph print for the 1990 album by Bob make Los Labos a No.1 UK hit”, each framed and Linney, limited edition no. 48/100, signed in pencil 519 glazed 36 x 26cm. (2) £20-40 to the margin and dated ‘90, 44 x 44cm. A Factory Communications (Factory Records) £30-50 1988 wall planner, starting in a table-of-elements 512 style on the 24th January, designed by Peter 515 Enya, a silver presentation record for the single Saville, printed in England by James Upton A Walt Disney Company Limited Edition Orinoco Flow with plaque below “Presented to Limited, 119 x 55cm. Serigraph Cel “Donald’s Golf Game”, produced in Jonathan Ruffle to recognise sales in the United 1990, with certificate verso, 24 x 34cm. Issued in an edition of 200 to celebrate Kingdom of more than 250,000 copies of the £30-50 WEA records single “Orinoco Flow” 1988”, Factory/The Movement of the 24th January 10th together with one other silver presentation Anniversary. 516 £40-60 record for the Sam Brown single Stop with A bakelite telephone, the centre of the dial plaque below “Presented to Jonathan Ruffle to printed DMC Music Awards 9th Nov. 1992 Best 520 recognise sales in the United Kingdom of more Female Vocalist Alison Limerick Hear My Call. Palatine The Factory Story / 1979-1990 four CD than 200,000 copies of the A & M single “Stop” £30-50 1989”, each framed and glazed, 36 x 26cm. (2) box set, Tears in Their Eyes, Life’s A Beach, The £20-40 Beat Groups and Selling Out, with booklet and 517 VHS cassette. 513 A Nero Lemania nickel cased chronograph £15-25 stopwatch, the enamel dial with Arabic numerals, Shakespears Sister, a presentation CD for the the case back stamped BBC 2312, 9cm including 521 album Hormonally Yours with plaque below suspension ring. Hothouse Flowers - Home, 1990 UK promo box “Presented to Jonathan Ruffle to recognise sales £40-60 in the United Kingdom of more than 300,000 set, sealed. £20-30 copies of “Hormonally Yours” Thanks for your valuable and continued support of Shakespear Sister 1992”, framed and glazed, 42 x 42cm. £10-20 All lots plus buyers premium of 24% including VAT 36 LACY SCOTT & KNIGHT 526 Mel Smith and Griff Rhys-Jones - Bitter and Twisted acetate, two discs each with The Town House label hand written Mel Smith & Griff Rhys-Jones “Bitter & Twisted DIX 79 A/B, in a plain white sleeve with further hand written Siren Records label and dated 28.11.88., together with a copy of Bitter and Twisted and Scratch and Sniff. (3) £30-50 527 Rowan Atkinson, an unmarked white Lot 530 label LP, incised in the run-off POLD - 5217 - A and impressed POLD 5217 B, the plain sleeve hand written Lot 522 1. Intro 2. Tom Dick and Harry 3. Fellatio 4. Fatal Beatings 5. football 522 manager (both 4 and 5 ticked) 6. Erasure - Chorus, User Manual Cassette and Frank Darron? &. Indian Water, Compact disc, 1991 UK promo, the CD and together with Rowan Atkinson - Not cassette stored within the pages of the manual Just a Pretty Face and two The with accompanying letter on Ferret & Spanner Comedy Show and Spot LP’s headed paper with Erasure Discography to the stickered to the label “Political opposing side. Humor I Broadcast Week 9-7-87”, in £30-50 plain sleeves. (4) Lot 531 £30-50 530 523 528 Guns N’ Roses, Appetite For Destruction, 1987 A Gastown Productions New Relativity Records Geffen Records 924 148 - 1, Promotional Copy Sony KCS 10 promotional video cassette for The Secret Policeman’s Ball, 1979 Amnesty International, Island IPS in uncensored sleeve. (1) Einstein “Incognito” dated June 6th 1984, £50-80 together with Ice-T The Ice Opinion two cassette 9601, sealed, together with The Secret Policeman’s Third Ball, Music Audiobook, Ice-T as told to Heidi Siegmund, 531 factory sealed and The Buddha of Suburbia and Comedy LP’s with Virgin Press Guns N’ Roses, Wembley Illusion, Special Limited Paperback and CD box set with Ferret & Release. (3) £15-25 Edition White label, Recorded Live at Wembley Spanner sticker. (3) £30-50 Stadium, Saturday 31st August 1991, Promotional 529 Copy for Radio Station use. (1) £50-80 524 A collection of various comedy LP’s to include Ivor Cutler - Jammy Smears, A collection of promotional items to include 532 Hooters Satellite picture discs x2, Neneh Cherry Stan Arnold - Showstoppers For The Nirvana, In Utero, 1993 Special Limited Edition Manchild 3” CD single, Status Quo Rock til You Intelijunt (signed), Derek and Clive - Come Again, Monty Python - The Final Disc, sealed. Drop cardboard guitar (lacking CD), Simply Red £100-150 Montreux EP signed with Ferret & Spanner Rip Off and Matching Tie and release date sticker, Des O’Connor Portrait Handkerchief, Rodney Dangerfield - I signed CD, a Pet Shop Boys Christmas card and Don’t Get No Respect (sealed) and Fleetwood Mac Behind the Mask box set etc.
Recommended publications
  • Hédi A. Jaouad. “Limitless Undying Love”: the Ballad of John and Yoko and the Brownings

    Hédi A. Jaouad. “Limitless Undying Love”: the Ballad of John and Yoko and the Brownings

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Revue CMC Review (York University) Hédi A. Jaouad. “Limitless Undying Love”: The Ballad of John and Yoko and the Brownings. Manchester Center, Vermont: Shires Press, 2015. 132 pp. Hédi A. Jaouad is a distinguished scholar known for his expertise on Francophone North African (Maghrebi) literature. Professor of French and Francophone literature at Skidmore College, Saratoga Springs, New York, he is the Editor of CELAAN, the leading North American journal focusing on North African literature and language. He is also interested in Victorian literature, with particular concentration on Robert and Elizabeth Barrett Browning, on whom he published a previous book, The Brownings’ Shadow at Yaddo (2014). However, his current book, “Limitless Undying Love”: The Ballad of John and Yoko and the Brownings, shows a whole other side to his scholarship, for it links the Brownings to those icons of contemporary popular culture, John Lennon and Yoko Ono. This is a concise, economical little study (132 pp.), but it manages, in brief compass, to be pluridisciplinary, building bridges between poetry, music, and painting. As he modestly proclaims, it shows “his passion for more than one liberal art” (7). The title, “Limitless Undying Love,” comes from a late John Lennon song, “Across the Universe.” Hédi Jaouad reminds us that the titular “Ballad” applies to both poetry and music. He compares what he has called 19th-century “Browningmania” to 20th-century “Beatlemania,” both of which spread to North America in what has been popularly described as a “British Invasion.” Lest the reader assume Jaouad is only tracing coincidental parallels, he makes it clear from the outset that John and Yoko actually saw themselves as reincarnations of the Brownings, and consciously exploited the similarities in their lives and careers.
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle

    John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle

    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
  • President to Veto Vets' Bonus Bill E1(»1T Are Killed, Over

    President to Veto Vets' Bonus Bill E1(»1T Are Killed, Over

    VOL. LIIL, NO. 126. s.) MANCHESTER. CONN.. TUESDAY. FEBRUARY 27.1984. (T B N P A 6E 8) PRICE THREE CaUCH|^ PRESIDENT TO VETO Pastor’s Daughter Seized With Bandit Suq>ects ISAPFIADDED E1(»1T ARE KILLED, FORDEFENDDIG VETS’ BONUS BILL MHAILDEAL OVER 25 INJURED Makes First Ddbnte State­ STUDENTS’ BODIES Senate b retlig a ton ToU IN RAIL ACCIDENT ment on Snbject in Letter ARE SHIPPED HOME Tint PoBdeal Inflnence to Speaker Rainey— Vote PU-YI P R E P m Pennsylvania Train Leava and Personal Friaddiip Comes on March 12. College (Mfidals Advised FOR ENTHRONEMENT Tracks— Engine Plots Used to Obtain Contracts. Parents Not to Come to Down 20 Foot Embank­ WMhlngton, Feb. 27.— (AP)— The Preeldent's letter to Speaker Washington, Feb. 27.-^(AP)— Emperor of Manchokno To ment — Steel Coaches Rainey that he would veto the Pat­ Dartmonth. charges that “political influence man bonufl bill wga made public to­ and personal friendship were gener­ Be Principal Figure at Im- Keep On Moving, Knock day by the Speaker as follows: ally used” by airmail operators In "Memorandum for the Speaker: Hanover, N. H., Peb. 27.— (A P )— "Dear Henry: Men of Dartmouth today platmed a obtaining contracts during the Hoo­ pressve Rites Thursday. Down Two Story Signal "Mac has shown me your letter of farewell tribute to nine fellow stu­ ver administration, were laid before February twenty-first. Senate Investigators today by Karl “Naturally when I sugrgested to dents who were taken from them Tower and Wreck Three you that I could not approve the bill Simday by an invisible death.
  • Music & Entertainment Auction

    Music & Entertainment Auction

    Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17.
  • IN WHATEVER WRECKAGE REMAINS by Maeve Kirk

    IN WHATEVER WRECKAGE REMAINS by Maeve Kirk

    In whatever wreckage remains Item Type Thesis Authors Kirk, Maeve Download date 24/09/2021 15:50:49 Link to Item http://hdl.handle.net/11122/6617 IN WHATEVER WRECKAGE REMAINS By Maeve Kirk RECOMMENDED: Advisory Committee Chair Richard Carr, PhD Chair, Department of English --- ---^ APPROVED: ------ Todd Sherman, MFA IN WHATEVER WRECKAGE REMAINS A Thesis Presented to the Faculty of the University of Alaska Fairbanks in Partial Fulfilment of the Requirements for the degree of Masters of Fine Arts by Maeve Kirk, B.A. Fairbanks, Alaska May 2016 Abstract In Whatever Wreckage Remains is a collection of realistically styled short stories that examines both the danger and potential of change. These pieces are driven by the psychology of the men and woman roaming these pages, seeking to provide insight into the unique weight of their personal wreckage. From a woman craving motherhood who combs through forests searching for the unclaimed body of a runaway to a spitfire retiree’s struggle to accept her husband’s failing health, the individuals in these narratives are all navigating transitional spaces in their lives, often unwillingly. Along the way, they must balance the pressures of familial roles, romantic relationships, and personal histories while attempting to reshape their understanding of self. These stories explore the shifting landscape of identity, belonging, and the sometimes conflicting responsibilities we hold to others and to ourselves. v vi Dedication This manuscript is dedicated to my parents, who read me so many stories. vii viii
  • BWTB Revolver @ 50 2016

    BWTB Revolver @ 50 2016

    1 PLAYLIST AUG. 7th 2016 Part 1 of our Revolver @ 50 Special~ We will dedicate to early versions of songs…plus the single that preceded the release of REVOLVER…Lets start with the first song recorded for the album it was called Mark 1 in April of 1966…good morning hipsters 2 9AM The Beatles - Tomorrow Never Knows – Revolver TK1 (Lennon-McCartney) Lead vocal: John The first song recorded for what would become the “Revolver” album. John’s composition was unlike anything The Beatles or anyone else had ever recorded. Lennon’s vocal is buried under a wall of sound -- an assemblage of repeating tape loops and sound effects – placed on top of a dense one chord song with basic melody driven by Ringo's thunderous drum pattern. The lyrics were largely taken from “The Psychedelic Experience,” a 1964 book written by Harvard psychologists Timothy Leary and Richard Alpert, which contained an adaptation of the ancient “Tibetan Book of the Dead.” Each Beatle worked at home on creating strange sounds to add to the mix. Then they were added at different speeds sometime backwards. Paul got “arranging” credit. He had discovered that by removing the erase head on his Grundig reel-to-reel tape machine, he could saturate a recording with sound. A bit of….The Beatles - For No One - Revolver (Lennon-McCartney) Lead vocal: Paul 3 The Beatles - Here, There And Everywhere / TK’s 7 & 13 - Revolver (Lennon-McCartney) Lead vocal: Paul Written by Paul while sitting by the pool of John’s estate, this classic ballad was inspired by The Beach Boys’ “God Only Knows.” Completed in 14 takes spread over three sessions on June 14, 16 and 17, 1966.
  • Impex Records and Audio International Announce the Resurrection of an American Classic

    Impex Records and Audio International Announce the Resurrection of an American Classic

    Impex Records and Audio International Announce the Resurrection of an American Classic “When Johnny Cash comes on the radio, no one changes the station. It’s a voice, a name with a soul that cuts across all boundaries and it’s a voice we all believe. Yours is a voice that speaks for the saints and the sinners – it’s like branch water for the soul. Long may you sing out. Loud.” – Tom Waits audio int‘l p. o. box 560 229 60407 frankfurt/m. germany www.audio-intl.com Catalog: IMP 6008 Format: 180-gram LP tel: 49-69-503570 mobile: 49-170-8565465 Available Spring 2011 fax: 49-69-504733 To order/preorder, please contact your favorite audiophile dealer. Jennifer Warnes, Famous Blue Raincoat. Shout-Cisco (three 200g 45rpm LPs). Joan Baez, In Concert. Vanguard-Cisco (180g LP). The 20th Anniversary reissue of Warnes’ stunning Now-iconic performances, recorded live at college renditions from the songbook of Leonard Cohen. concerts throughout 1961-62. The Cisco 45 rpm LPs define the state of the art in vinyl playback. Holly Cole, Temptation. Classic Records (LP). The distinctive Canadian songstress and her loyal Jennifer Warnes, The Hunter. combo in smoky, jazz-fired takes on the songs of Private-Cisco (200g LP). Tom Waits. Warnes’ post-Famous Blue Raincoat release that also showcases her own vivid songwriting talents in an Crosby, Stills, Nash & Young, Déjá Vu. exquisite performance and recording. Atlantic-Classic (200g LP). A classic: Great songs, great performances, Doc Watson, Home Again. Vanguard-Cisco great sound. The best country guitar-picker of his day plays folk ballads, bluegrass, and gospel classics.
  • The Menstrual Cramps / Kiss Me, Killer

    The Menstrual Cramps / Kiss Me, Killer

    [email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 279 October Oxford’s Music Magazine 2018 “What was it like getting Kate Bush’s approval? One of the best moments ever!” photo: Oli Williams CANDYCANDY SAYSSAYS Brexit, babies and Kate Bush with Oxford’s revitalised pop wonderkids Also in this issue: Introducing DOLLY MAVIES Wheatsheaf re-opens; Cellar fights on; Rock Barn closes plus All your Oxford music news, previews and reviews, and seven pages of local gigs for October NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk host a free afternoon of music in the Wheatsheaf’s downstairs bar, starting at 3.30pm with sets from Adam & Elvis, Mark Atherton & Friends, Twizz Twangle, Zim Grady BEANIE TAPES and ALL WILL BE WELL are among the labels and Emma Hunter. releasing new tapes for Cassette Store Day this month. Both locally- The enduring monthly gig night, based labels will have special cassette-only releases available at Truck run by The Mighty Redox’s Sue Store on Saturday 13th October as a series of events takes place in record Smith and Phil Freizinger, along stores around the UK to celebrate the resurgence of the format. with Ainan Addison, began in Beanie Tapes release an EP by local teenage singer-songwriter Max October 1991 with the aim of Blansjaar, titled `Spit It Out’, as well as `Continuous Play’, a compilation recreating the spirit of free festivals of Oxford acts featuring 19 artists, including Candy Says; Gaz Coombes; in Oxford venues and has proudly Lucy Leave; Premium Leisure and Dolly Mavies (pictured).
  • Warner/Reprise Loss Leaders Booklet

    Warner/Reprise Loss Leaders Booklet

    THE WARNER BROS. LOSS LEADERS SERIES (1969-1980) Depending On How You Count Them, 34 Essential Various Artist Collections From Another Time We figured it was about time to pull together all of the incredible Warner Bros. Loss Leaders releases dating back to 1969 (and even a little earlier). For those who lived through the era, Warner Bros. Records was winning the sales of an entire generation by signing and supporting some of music’s most uniquely groundbreaking recording artists… during music’s most uniquely groundbreak- ing time. With an appealingly irreverent style (“targeted youth marketing,” it would be called today), WB was making lifelong fans of the kids who entered into the label’s vast catalog of art- ists via the Loss Leaders series—advertised on inner sleeves & brochures, and offering generous selections priced at $1 per LP, $2 for doubles and $3 for their sole 3-LP release, Looney Tunes And Merrie Melodies. And that was including postage. Yes… those were the days, but back then there were very few ways, outside of cut-out bins or a five-finger discount, to score bulk music as cheaply. Warners unashamedly admitted that their inten- tions were to sell more records, by introducing listeners to music they weren’t hearing on their radios, or finding in many of their (still weakly distributed) record stores. And it seemed to work… because the series continued until 1980, and the program issued approximately 34 titles, by our questionable count (detailed in later posts). But, the oldsters among us all fondly remember the multi-paged, gatefold sleeves and inviting artwork/packaging that beckoned from the inner sleeves of our favorite albums, not to mention the assorted rarities, b-sides and oddities that dotted many of the releases.
  • The Psychedelic Furs

    The Psychedelic Furs

    Periódico # 17 Marzo 2018 ……………………………………………………………………………………………………………… NEW TECHNOLOGIES IN EDUCATION Nowadays in our society, new technologies are an important aspect to consider in the academic world because it is true that we live in the society of technological changes. But, is using new technologies in education and advantage or a disadvantage? By Leticia Jiménez Some teachers argue that using new technologies in education is affecting young people´s concentration span, but I´m not convinced because new technologies bring us some benefits. For example, it helps motivate students, since it is more dynamic and entertaining. What is more, it offers us distance learning thanks to the Internet. In addition to this, distance learning offers opportunities to those who cannot attend class regularly. Fortunately, there has been a huge increase in the use of new technologies. Personally, I prefer face-to-face education but distance learning is a good alternative if you want to study in your free time. True, it is a different kind of education, but we should see it as a complement to face-to-face education. So, what is the answer? I am sure that new technologies are good in the academic world and they have some advantages, if and when we make good use of them. The riddle of axing time wasting All of us live in a hurry. Our way of life requires paying attention to a lot of things: job, family, friends, gym... So, time management has become 'El Dorado'. By Pedro Padilla We cannot avoid 21st century obligations, but at least we are able to manage our time better, for instance, in the workplace.
  • Status Quo Live Mp3, Flac, Wma

    Status Quo Live Mp3, Flac, Wma

    Status Quo Live mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Live Country: Indonesia Style: Soft Rock, Pop Rock MP3 version RAR size: 1654 mb FLAC version RAR size: 1964 mb WMA version RAR size: 1894 mb Rating: 4.6 Votes: 237 Other Formats: TTA ADX AIFF AC3 MP4 VQF DMF Tracklist Hide Credits Junior's Wailing 1.1 5:21 Written-By – White*, Pugh* Backwater 1.2 (a) 8:28 Written-By – Lancaster*, Parfitt* Just Take Me 1.2 (b) Written-By – Lancaster*, Parfitt* Is There A Better Way 1.3 4:17 Written-By – Lancaster*, Rossi* In My Chair 1.4 3:36 Written-By – Young*, Rossi* Little Lady 1.5 (a) 7:19 Written-By – Parfitt* Most Of The Time 1.5 (b) Written-By – Young*, Rossi* Rain 1.6 4:53 Written-By – Parfitt* Forty Five Hundred Times 1.7 16:42 Written-By – Rossi*, Parfitt* Roll Over Lay Down 2.1 6:04 Written-By – Lancaster*, Young*, Rossi*, Coglan*, Parfitt* Big Fat Mama 2.2 5:22 Written-By – Rossi*, Parfitt* Don't Waste My Time 2.3 4:05 Written-By – Young*, Rossi* Roadhouse Blues 2.4 14:21 Written-By – Morrison*, Densmore*, Manzarek*, Krieger* Caroline 2.5 6:43 Written-By – Young*, Rossi* Bye Bye Johnny 2.6 6:22 Written-By – Berry* Companies, etc. Recorded At – Apollo Theatre, Glasgow Phonographic Copyright (p) – Mercury Records Copyright (c) – Mercury Records Pressed By – EDC, Germany – 52328220 Pressed By – EDC, Germany – 52329188 Credits Engineer – Steve Lillywhite Graphics – Alwyn Claydon* Harmonica – Bob Young Keyboards – Andy Bown Liner Notes – Garry Fielding* Performer – Alan Lancaster, Francis Rossi, John Coghlan, Richard Parfitt* Photography – Robert Ellis , Terry O'Neil* Producer – Status Quo Producer [Assistant], Mixed By – Damon Lyon-Shaw Sleeve [Sleeve Co-ordination] – Jack Wood Sleeve [Sleeve Design] – Hipgnosis Notes Recorded live at the Apollo Theatre, Glasgow, 27/28/29 October 1976 with Stones Mobile.
  • Music Globally Protected Marks List (GPML) Music Brands & Music Artists

    Music Globally Protected Marks List (GPML) Music Brands & Music Artists

    Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please