IN WHATEVER WRECKAGE REMAINS by Maeve Kirk
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Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
Stephen W Tayler Selected Works Recording - Mixing - Production - Composition - Sound Design - Post-Production - Visual Art
stephen w tayler selected works recording - mixing - production - composition - sound design - post-production - visual art artist - project title work project label - company year tommy bolin private eyes m album columbia 1976 gong gazeuse m album virgin 1976 brand x moroccan roll r-m album island 1976 bill bruford feels good to me r-m album e g records 1976 city boy 5 7 0 5 m single cbs 1977 claude francois quelquefois etc m album disques fleche 1977 u. k. u. k. cp-r-m album e g records 1977 voyage from east to west m album polydor 1977 bill bruford one of a kind cp-r-m album e g records 1978 brand x masques r-m album island 1978 peter gabriel 2nd album ‘scratch’ m tracks charisma 1978 rod argent moving home r-m album mca 1978 stomu yamashta go too m album arista 1978 voyage fly away r-m album polydor 1978 peter gabriel i don’t remember cp-r-m single charisma 1979 edward reekers the last forest cp-r-m album a&m 1980 rupert hine immunity cp-r-m album a&m 1981 the planets intensive care r-m single rialto 1980 the fixx the shuttered room r-m album mca 1981 jonah lewie heart skips beat r-m album stiff 1981 the models local and/or general cp-r-m album a&m 1981 caravan the album r-m album independent 1982 chris de burgh the getaway r-m album a&m 1982 phil collins don’t let her steal your heart away m single virgin 1982 phil collins live at perkins palace m vhs virgin 1982 the waterboys the waterboys r-m tracks ensign 1982 rupert hine waving not drowning cp-r-m album a&m 1983 saga worlds apart r-m album cbs 1983 the fixx reach the beach r-m album mca 1983 the little heroes watch the world r-m album emi/capitol 1983 the lords of the new church the lords of the new church r-m album irs 1983 the waterboys a pagan place m tracks ensign 1983 chris de burgh man on the line r-m album a&m 1984 honeymoon suite honeymoon suite m album wea canada 1984 howard jones human’s lib. -
Impex Records and Audio International Announce the Resurrection of an American Classic
Impex Records and Audio International Announce the Resurrection of an American Classic “When Johnny Cash comes on the radio, no one changes the station. It’s a voice, a name with a soul that cuts across all boundaries and it’s a voice we all believe. Yours is a voice that speaks for the saints and the sinners – it’s like branch water for the soul. Long may you sing out. Loud.” – Tom Waits audio int‘l p. o. box 560 229 60407 frankfurt/m. germany www.audio-intl.com Catalog: IMP 6008 Format: 180-gram LP tel: 49-69-503570 mobile: 49-170-8565465 Available Spring 2011 fax: 49-69-504733 To order/preorder, please contact your favorite audiophile dealer. Jennifer Warnes, Famous Blue Raincoat. Shout-Cisco (three 200g 45rpm LPs). Joan Baez, In Concert. Vanguard-Cisco (180g LP). The 20th Anniversary reissue of Warnes’ stunning Now-iconic performances, recorded live at college renditions from the songbook of Leonard Cohen. concerts throughout 1961-62. The Cisco 45 rpm LPs define the state of the art in vinyl playback. Holly Cole, Temptation. Classic Records (LP). The distinctive Canadian songstress and her loyal Jennifer Warnes, The Hunter. combo in smoky, jazz-fired takes on the songs of Private-Cisco (200g LP). Tom Waits. Warnes’ post-Famous Blue Raincoat release that also showcases her own vivid songwriting talents in an Crosby, Stills, Nash & Young, Déjá Vu. exquisite performance and recording. Atlantic-Classic (200g LP). A classic: Great songs, great performances, Doc Watson, Home Again. Vanguard-Cisco great sound. The best country guitar-picker of his day plays folk ballads, bluegrass, and gospel classics. -
OAG Hearing on Interactions Between NYPD and the General Public Submitted Written Testimony
OAG Hearing on Interactions Between NYPD and the General Public Submitted Written Testimony Tahanie Aboushi | New York, New York I am counsel for Dounya Zayer, the protestor who was violently shoved by officer D’Andraia and observed by Commander Edelman. I would like to appear with Dounya to testify at this hearing and I will submit written testimony at a later time but well before the June 15th deadline. Thank you. Marissa Abrahams | South Beach Psychiatric Center | Brooklyn, New York As a nurse, it has been disturbing to see first-hand how few NYPD officers (present en masse at ALL peaceful protests) are wearing the face masks that we know are preventing the spread of COVID-19. Demonstrators are taking this extremely seriously and I saw NYPD literally laugh in the face of a protester who asked why they do not. It is negligent and a blatant provocation -especially in the context of the over-policing of Black and Latinx communities for social distancing violations. The complete disregard of the NYPD for the safety of the people they purportedly protect and serve, the active attacks with tear gas and pepper spray in the midst of a respiratory pandemic, is appalling and unacceptable. Aaron Abrams | Brooklyn, New York I will try to keep these testimonies as precise as possible since I know your office likely has hundreds, if not thousands to go through. Three separate occasions highlighted below: First Incident - May 30th - Brooklyn - peaceful protestors were walking from Prospect Park through the streets early in the day. At one point, police stopped to block the street and asked that we back up. -
Music & Film Memorabilia
MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JON HENDRICKS NEA Jazz Master (1993) Interviewee: Jon Hendricks (September 16, 1921 - ) and, on August 18, his wife Judith Interviewer: James Zimmerman with recording engineer Ken Kimery Date: August 17-18, 1995 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 95 pp. Zimmerman: Today is August 17th. We’re in Washington, D.C., at the National Portrait Galley. Today we’re interviewing Mr. Jon Hendricks, composer, lyricist, playwright, singer: the poet laureate of jazz. Jon. Hendricks: Yes. Zimmerman: Would you give us your full name, the birth place, and share with us your familial history. Hendricks: My name is John – J-o-h-n – Carl Hendricks. I was born September 16th, 1921, in Newark, Ohio, the ninth child and the seventh son of Reverend and Mrs. Willie Hendricks. My father was a minister in the African Methodist Episcopal Church, the AME Church. Zimmerman: Who were your brothers and sisters? Hendricks: My brothers and sisters chronologically: Norman Stanley was the oldest. We call him Stanley. William Brooks, WB, was next. My sister, the oldest girl, Florence Hendricks – Florence Missouri Hendricks – whom we called Zuttie, for reasons I never For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 really found out – was next. Then Charles Lancel Hendricks, who is surviving, came next. Stuart Devon Hendricks was next. Then my second sister, Vivian Christina Hendricks, was next. Then Edward Alan Hendricks came next. -
Ella Fitzgerald Biography Mini-Unit
Page 1 Ella Fitzgerald Biography Mini-Unit A Mini-Unit Study by Look! We’re Learning! ©2014 Look! We’re Learning! ©Look! We’re Learning! Page 2 This printable pack is an original creation from Look! We’re Learning! All rights are reserved. If you would like to share this pack with others, please do so by directing them to the post that features this pack. Please do not redistribute this printable pack via direct links or email. This pack makes use of several online images and includes the appropriate permissions. Special thanks to the following authors for their images: Lewin/Kaufman/Schwartz, Public Relations, Beverly Hills via Wikimedia Commons U.S. Library of Congress via Wikimedia Commons William P. Gottlieb Collection via Wikimedia Commons Hans Bernhard via Wikimedia Commons White House Photo Office via Wikimedia Commons ©Look! We’re Learning! Page 3 Ella Fitzgerald Biography Ella Fitzgerald was an American jazz singer who became famous during the 1930s and 1940s. She was born on April 25, 1917, in Newport News, Virginia to William and Temperance Fitzgerald. Shortly after Ella turned three, her mother and father separated and the family moved to Yonkers, New York. When Ella was six, her mother had another little girl named Frances. As a child, Ella loved to sing and, like many jazz and soul musicians, she gained most of her early musical experience at church. When Ella got older, she developed a love for dancing and frequented many of the famous Harlem jazz clubs of the 1920s, including the Savoy Ballroom and the Cotton Club. -
Acdsee Proprint
BULK RATE U.S. POSTAGE PAID Permit No. 2419 lPE lPITClHl K.C., Mo. FREE FREE VOL. II NO. 1 YOU'LL NEVER GET RICH READING THE PITCH FEBRUARY 1981 FBIIRUARY II The 8-52'5 Meet BUDGBT The Rev. in N.Y. Third World Bit List .ONTHI l ·TRIVIA QUIZ· WHAT? SQt·1E RECORD PRICES ARE ACTUALLY ~~nll .815 m wi. i .••lIIi .... lllallle,~<M0,~ CGt4J~G ·DOWN·?····· S€f ·PAGE: 3. FOR DH AI LS , prizes PAGE 2 THE PENNY PITCH LETTERS Dec. 29,1980 Dear Warren, Over the years, Kansas Attorney General's have done many strange things. Now the Kansas Attorney General wants to stamp out "Mumbo Jumbo." 4128 BROADWAY KANSAS CITY, MISSOURI 64111 Does this mean the "Immoral Minority" (816) 561·1580 will be banned from Kansas? Is being banned from Kansas a hardship? Edi tor ....••..•••.• vifarren Stylus Morris Martin Contributing vlriters this issue: Raytown, Mo. P.S. He probably doesn't like dreadlocks Rev. Dwight Frizzell, Lane & Dave from either. GENCO labs, Blind Teddy Dibble, I-Sheryl, Ie-Roths, Lonesum Chuck, Mr.D-Conn, Le Roi, Rage n i-Rick, P. Minkin, Lindsay Shannon, Mr. P. Keenan, G. Trimble, Jan. 26, 1981 debranderson, M. Olson Dear Editor, Inspiration this issue: How come K. C. radio stations never Fred de Cordova play, The Inmates "I thought I heard a Heartbeat", Roy Buchanan "Dr. Rock & Roll" Peter Green, "Loser Two Times", Marianne r,------:=~--~-__l "I don' t care what they say about Faithfull, "Broken English", etc, etc,? being avant garde or anything else. How come? Frankly, call me square if you want Is this a plot against the "Immoral to. -
01Feh3!~9Iditti~~~--'-- Ber~I.'
RESOLUTION "Ruben Salazar Day" April 28, 2014 \ WHEREAS, Ruben Salazar began his pioneering journalism career at the EI Paso Herald-Post, focusing on issues affecting the Latino community; and WHEREAS, Ruben Salazar covered the Mexican-American community as a reporter for the Los Angeles Times and maintained a column at the Times, giving him the opportunity to address the paper's largely white readership, bridging the gap between the old ideology of assimilation and the new chicanismo; and WHEREAS, Ruben Salazar's focus on the Mexican-American community paved the way for other Mexican-American journalists; and continued to report and advocate for the Mexican- American community as the news director for the Spanish language television station KMEX in Los Angeles; and WHEREAS, Ruben Salazar was tragically killed on August 29, 1970 by a Los Angeles County Sheriffs Deputy during the Chicano Moratorium March; and WHEREAS, Ruben Salazar's story of courage and activism is documented in the PBS documentary Ruben Salazar: Man in the Middle and countless scholarships and awards are given in his name; and WHEREAS, Ruben Salazar proved that a journalist can be an advocate for empowering a community while still maintaining journalistic integrity; and WHEREAS, Ruben Salazar was a role model who addressed issues that still resonate to this day. NOW, THEREFORE, BE IT RESOLVED that by the adoption of this resolution, the Los Angeles City Council does hereby declare April 28, 2014 as "RUBEN SALAZAR DAY"! April 2S, 2014 Presented by: 01fEH3!~9IDitTI~~~--'-- -
The Complete Poetry of James Hearst
The Complete Poetry of James Hearst THE COMPLETE POETRY OF JAMES HEARST Edited by Scott Cawelti Foreword by Nancy Price university of iowa press iowa city University of Iowa Press, Iowa City 52242 Copyright ᭧ 2001 by the University of Iowa Press All rights reserved Printed in the United States of America Design by Sara T. Sauers http://www.uiowa.edu/ϳuipress No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The publication of this book was generously supported by the University of Iowa Foundation, the College of Humanities and Fine Arts at the University of Northern Iowa, Dr. and Mrs. James McCutcheon, Norman Swanson, and the family of Dr. Robert J. Ward. Permission to print James Hearst’s poetry has been granted by the University of Northern Iowa Foundation, which owns the copyrights to Hearst’s work. Art on page iii by Gary Kelley Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Hearst, James, 1900–1983. [Poems] The complete poetry of James Hearst / edited by Scott Cawelti; foreword by Nancy Price. p. cm. Includes index. isbn 0-87745-756-5 (cloth), isbn 0-87745-757-3 (pbk.) I. Cawelti, G. Scott. II. Title. ps3515.e146 a17 2001 811Ј.52—dc21 00-066997 01 02 03 04 05 c 54321 01 02 03 04 05 p 54321 CONTENTS An Introduction to James Hearst by Nancy Price xxix Editor’s Preface xxxiii A journeyman takes what the journey will bring. -
The PARI Journal Vol. XX No. 2
ThePARIJournal A quarterly publication of the Ancient Cultures Institute Volume XX, No. 2, Fall 2019 Dedicated to Yaxchilan from the Perspective of Guatemala: the memory of Michael D. Coe New Data on Settlement, Fortifications, (1929-2019) and Sculptural Monuments In This Issue: Yaxchilan from Andrew K. Scherer the Perspective of Charles Golden Guatemala: New Omar Alcover Firpi Data on Settlement, Whittaker Schroder Fortifications, and Sculptural Mónica Urquizú Monuments Edwin Román by Andrew K. Scherer In this paper we offer an update and the fantastical adventure story of Dana et al. synthesis of what is currently known re- and Ginger Lamb ([1951]1984). Embedded PAGES 1-14 garding the settlement, fortifications, and within this largely fictionalized account • monuments found in the portion of the were visits made by Dana Lamb and his Classic period Maya kingdom of Yaxchilan Mexican travel companions to a yet-un- Appreciating Mike: that lies within the modern borders of known site in Guatemala (likely to the east A Remembrance of Guatemala. The settlement, defenses, and or southeast of La Pasadita) that was the Michael D. Coe sculpture pertain primarily to the reigns of source of at least two looted monuments by Shield Jaguar III, Bird Jaguar IV, and Shield from the reign of Shield Jaguar IV that are Stephen Houston Jaguar IV, from c. AD 680–810 of the Late now held in private collections (Scherer et PAGES 15-27 Classic period. At this time the Yaxchilan al. 2017). Ian Graham (2010:453-467) was • rulers extended the physical borders of the first professional fieldworker to visit The Classic Mayan their kingdom to the north, west, and east and document Yaxchilan-affiliated sites in Causative into what is today the Sierra del Lacandon Guatemala. -
Unha Introdución a the Sopranos'studies
BOLETÍN GALEGO DE LITERATURA, nº 46 / 2º SEMESTRE (2011): pp. 25-43 / ISSN 02149117 ESTUDOS Co debido respecto: / unha introdución a The Sopranos’Studies STUDIES Anxo Abuín [Recibido, xullo 2011; aceptado, outubro 2011] RESUMO A televisión estase a lexitimar como obxecto de estudo, tamén dende o ámbito da Literatura Comparada. O autor propón nes- te artigo, con certa ironía, crear unha subdisciplina académica chamada The Sopranos’Studies, que se ocupará de analizar os trazos fundamentais tanto formais coma temáticos desta serie norteamericana (HBO), convertida inmediatamente en obxecto de culto. Préstase especial atención ao concepto de flexinarrativa, que sustenta a achega aos mecanismos do relato televisivo postos en práctica por esta serie. PALABRAS CHAVE: imprevisibilidade, narración, posmodernismo, Quality TV, serialidade, Os Soprano, televisión. ABSTRACT Television is becoming a legitimate object of study in the area of 25 Comparative Literature. In this article the autor proposes, some- what ironically, the creation of an academic sub-discipline called Soprano’Studies, which would deal with both the formal and thematic aspects of this US soap opera on HBO, which rapidly became a cult series. The flexinarrative technique, which allows access to the televisual narrative mechanisms used in the series, is highlighted. KEYWORDS: entropy, narrative, postmodernism, Quality TV, series, televi- sion, The Sopranos. Poucas series mereceron tanta atención crítica como a que hoxe nos ocu- pa. Son centos as recensións que un pode atopar na internet, non sempre favorábeis, pero o certo é que tamén dende o ámbito académico Os Soprano (OS, HBO, 1999-2007) suscitou un interese extraordinario que se plasma na longa lista de artigos e monografías publicadas até a data.