DOCSLIB.ORG

111318-19 Bk Jschmidt EU 10/15/07 2:47 PM Page 8

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
111318-19 Bk Jschmidt EU 10/15/07 2:47 PM Page 8 111318-19 bk JSchmidt EU 10/15/07 2:47 PM Page 8 8.111318-19 CD 1: CD 2: GREAT SINGERS • SCHMIDT Tracks 1, 2, 5 and 9: Tracks 1, 5 and 16: ADD Berlin State Opera Orchestra • Selmar Meyrowitz Orchestra • Felix Günther Tracks 3 and 4: Tracks 2, 6-9, 20-23: Vienna Parlophon Orchestra • Felix Günther Berlin State Opera Orchestra Selmar Meyrowitz Joseph Track 6: Berlin State Opera Orchestra • Clemens Schmalstich Tracks 3, 4, and 13: Berlin State Opera Orchestra SCHMIDT Tracks 7 and 8: Frieder Weissmann Berlin Philharmonic Orchestra • Selmar Meyrowitz Tracks 10-12, 14, 15, 18, and 19: Track 10: Orchestra • Otto Dobrindt With Max Saal, harp Arias and Songs Track 17: Track 11: Orchestra • Clemens Schmalstich Orchestra and Chorus • Clemens Schmalstich (1929-1936 recordings) Tracks 12 and 13: Languages: Berlin Symphony Orchestra • Frieder Weissmann CD 1: MOZART Tracks 14, 15, 17, 18 and 24: Tracks 1, 3-6, 9-13, 16-18, 21-24 sung in German Orchestra of the Staatsoper Berlin Tracks 2, 7, 8, 14, 15, 19, 20 sung in Italian Frieder Weissmann DONIZETTI CD 2: Track 16: Tracks 1-16 sung in German MEYERBEER Orchestra • Leo Blech Track 17 sung in Spanish Tracks 18-23 sung in Italian Tracks 19 and 20: FLOTOW Orchestra • Walter Goehr Tracks 21-23: VERDI Orchestra • Otto Dobrindt MASSENET PUCCINI J. STRAUSS II 2 CDs 8.111318-19 8 111318-19 bk JSchmidt EU 10/15/07 2:47 PM Page 2 Joseph Schmidt (1904-1942) LEHAR: Das Land des Lächelns: MAY: Ein Lied geht um die Welt: 8 Von Apfelblüten eine Kranz (Act I) 3:43 ^ Wenn du jung bist, gehört dir die Welt 3:09 Arias and Songs (1929-1936 recordings) Recorded on 24th October 1929; Recorded in January 1934; Joseph Schmidt’s short-lived career was like that of a 1924 he decided to take the plunge into a secular Mat. 30354; Cat. Telefunken E 247 Mat. 85237-2; Cat. Parlophon R-2572 bright comet shooting across the musical sky. Although musical career, starting with a successful solo concert MEYER-HELMUND (1861-1932): SERRANO (1873-1941): he recorded for a relatively short period, only eight mixing, as he was to do many times later, operatic arias 9 Das Zauberlied (Wenn dein ich denk’) 2:41 El trust de los tenorios: years, he became one of the most popular singers in and popular songs. Following the advice of his teacher Recorded on 12th May 1931; & Española ‘Te quiero, morena…’ 2:31 Europe during the inter-war years, thanks to the new he enrolled at the Berlin Academy of Music, where he Mat. 16856; Cat. Telefunken A 979 Recorded on 9th January 1930; technologies of radio and the gramophone, and it is studied with Hermann Weissenborn. After a period of Mat. BLR 5931-1; Cat. HMV EG 1721 through his numerous recordings that his undoubted military service in the Rumanian Army, he returned to LEWINNEK (1857-1910): talents have continued to be admired and enjoyed long Czernowitz as a cantor for a year. Heard by some Dutch 0 Einmal glaubt’ ich an deine Liebe ROSSINI (1792-1868): after his sad death in 1942. Jews, he was invited to give concerts in the Netherlands (Warum bist du auch wie die Andern?) 3:06 * Les soirées musicales: No. 8: La danza Schmidt was born in 1904 in a village in Northern in 1929. On his return home he auditioned for Berlin Recorded on 25th November 1932; ‘Tarantella napoletana’ 2:45 Bukovina, then part of the Austro-Hungarian Empire, radio, which at that time had a policy of broadcasting a Mat. 133681; Cat. Parlophon B 48806 Recorded on 23rd June 1932; Mat. 133588-2; Cat. Parlophon B 48802 and which today is in Ukraine. He was the third of five wide range of operas, performed by a permanent roster NIEDERBERGER (1893-1941): children born to Wolf Schmidt, an orthodox Jew, and of singers. Schmidt’s musical versatility was quickly ! Warum gehst du vorbei an mir? BISCARDI (1804-1876): his wife, Sara. His first language was probably Yiddish, recognised with the offer of a contract, and in his first (Von jeher liebt’ ich dich nur) 3:26 ( L’ariatella 3:48 and at school he would have conversed in German: he year he took part in six operas, three concerts and an Recorded on 25th November 1932; Recorded on 11th November 1932; wrote notes to his parents in both languages. The family operetta. Singing entirely in German, and tackling Mat. 133680; Cat. Parlophon B 48806 Mat. 133649-2; Cat. Parlophon B 48805 moved to the town of Czernowitz (now known as substantial rôles such as that of Vasco da Gama in Cernovcy), also in Ukraine, in 1914, at the time of the Meyerbeer’s L’Africaine, he immediately became a VON MORY: La Valliere: LEONCAVALLO: outbreak of the First World War. Despite his sensation, overshadowing more famous colleagues. @ Ja, nur du allein 3:26 ) Mattinata 2:00 disapproval of Joseph’s early interest in music, his Schmidt never enjoyed a substantial stage career on Recorded on 15th March 1933; Recorded on 10th December 1929; father agreed to him receiving piano and violin lessons account of his small stature (he was just short of five Mat. 133752; Cat. Parlophon B 48810 Mat. 10559; Cat. Telefunken A 314 and, fascinated by music since his early years, Joseph feet tall) and his relatively small voice. These, however, GOETZE (1883-1961): Der Page des Königs: TOSTI (1846-1916): was soon able to read a score. In 1916 Rumania invaded were not defects for the microphone, as it was blind to # Was wär mein Lied, könnt’ ich dir’s nicht singen 3:06 ¡ Vorrei morire 3:23 Bukovina, and the Schmidt family was forced to flee to them. What it transmitted was, in the words of his Recorded on 10th March 1933; Recorded on 10th December 1929; Hungary. They stayed there for two years, before biographer, Jan Neckers, ‘the soft, plangent quality of Mat. 133753; Cat. Parlophon B 48810 Mat. 10558; Cat. Telefunken A 314 returning to Czernowitz, which had been permanently his voice, his exceptional legato and splendid high annexed by Rumania. Joseph would hold a Rumanian notes’. Occasional hoarseness was transformed by the MAY (1886-1959): BUZZI-PECCIA (1854-1943): passport for the rest of his life, but when asked his microphone into an attractive vocal tone of Ein Lied geht um die Welt - film music: ™ Lolita (Serenade) 2:55 nationality, he would simply reply ‘Ich bin Jude’ (‘I am considerable individuality. During 1929 activity within $ Ein Lied geht um die Welt 2:46 Recorded on 8th May 1931; Jewish.’). the German recording industry was at its peak. As a Recorded on 2nd May 1933; Mat. 16842; Cat. Telefunken A 939 Mat. 133777; Cat. Parlophon B 48812 Following the family’s return to Bukovina, Joseph new radio star Schmidt was quickly asked to record, BUZZI-PECCIA: joined the synagogue choirs as a boy alto before first for the Electrola label (the German branch of MAY: Ein Lied geht um die Welt: £ Mal d’amore 3:14 developing a fine tenor voice. From 1922 he studied British HMV) and shortly afterwards for the Ultraphon % Frag’ nicht 3:32 Recorded on 8th May 1931; with Felicitas Lerchenfeld-H imaly, the principal label. From the autumn onwards Schmidt began to Recorded on 2nd May 1933; Mat. 16841; Cat. Telefunken A 939 singing teacher in Czernowitz, and became deeply record in earnest, for instance in a series of around a Mat. 133776; Cat. Parlophon B 48812 involved in local musical activities, as well as making a hundred records of Jewish religious music for Berlin’s name for himself as a cantor among the town’s forty Jewish Reform Congregation – the purpose of these synagogues. When he reached the age of twenty in recordings was to provide music for smaller 8.111318-19 27 8.111318-19 111318-19 bk JSchmidt EU 10/15/07 2:47 PM Page 6 PUCCINI: La fanciulla del West: CD 2 79:27 synagogues without choirs. At the same time he was 1936 onwards the pressure in Germany became intense: & Nun sind es sechs Monet’, dass mien Vater tot ist laying down a challenge to the pre-eminent operetta the sale of his records was banned from 1st April [Or son sei mesi] (Act II) 3:15 ADAM (1803-1856): Le postillon de Lonjumeau: tenor of the period, Richard Tauber, with excerpts from onwards, and concerts were announced but then Recorded on 17th February 1933; 1 Freunde, vernehmet die Geschichte (Act I) Franz Lehár’s latest hit, The Land of Smiles. Despite the abruptly cancelled – the last that he gave in Germany Mat. 133723-3; Cat. Parlophon B 48809 [Mes amis, écoutez l’histoire] 3:21 calamitous financial and social consequences of the took place in January 1937 in Frankfurt and Berlin. He Recorded in May 1936; Wall Street Crash of October 1929, Schmidt continued made his final recordings in Holland in August of the PUCCINI: La fanciulla del West: Mat. 85272-2; Cat. Odeon O-28015 * Lasset sie glauben [Ch’ella mi creda] (Act III) 2:26 with his radio work, singing in numerous operas during same year, between two tours of America. Following Recorded on 17th February 1933; SMETANA (1824-1884): Prodaná Nev sta 1930 and 1931 under conductors of the calibre of Bruno the Anschluss of 1938, through which Austria and Mat. 133745; Cat. Parlophon B 48809 (The Bartered Bride): Walter and George Szell. He also made his first screen Germany were united, he settled in Brussels, where he 2 Komm, mein Söhnchen, auf ein Wort appearance in the escapist film Der Liebesexpress, in appeared in a production of La Bohème in 1939, singing PUCCINI: Turandot: (Duet, Act II, scene 4) 9:08 which he sang two songs.
Load more

Recommended publications
  • January 1946) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 1-1-1946 Volume 64, Number 01 (January 1946) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 64, Number 01 (January 1946)." , (1946). https://digitalcommons.gardner-webb.edu/etude/199 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. 7 A . " f ft.S. &. ft. P. deed not Ucende Some Recent Additions Select Your Choruses conceit cuid.iccitzt fotidt&{ to the Catalog of Oliver Ditson Co. NOW PIANO SOLOS—SHEET MUSIC The wide variety of selections listed below, and the complete AND PUBLISHERS in the THE AMERICAN SOCIETY OF COMPOSERS, AUTHORS BMI catalogue of choruses, are especially noted as compo- MYRA ADLER Grade Pr. MAUDE LAFFERTY sitions frequently used by so many nationally famous edu- payment of the performing fee. Christmas Candles .3-4 $0.40 The Ball in the Fountain 4 .40 correspondence below reaffirms its traditional stand regarding ?-3 Happy Summer Day .40 VERNON LANE cators in their Festival Events, Clinics and regular programs. BERENICE BENSON BENTLEY Mexican Poppies 3 .35 The Witching Hour .2-3 .30 CEDRIC W.
    [Show full text]
  • High-Fidelity-1955-Nov.Pdf
    November 60 cents SIBELIUS AT 90 by Gerald Abraham A SIBELIUS DISCOGRAPHY by Paul Affelder www.americanradiohistory.com FOR FINE SOUND ALL AROUND Bob Fine, of gt/JZe lwtCL ., has standardized on C. Robert Fine, President, and Al Mian, Chief Mixer, at master con- trol console of Fine Sound, Inc., 711 Fifth Ave., New York City. because "No other sound recording the finest magnetic recording tape media hare been found to meet our exact - you can buy - known the world over for its outstanding performance ing'requirements for consistent, uniform and fidelity of reproduction. Now avail- quality." able on 1/2-mil, 1 -mil and 11/2-mil polyester film base, as well as standard plastic base. In professional circles Bob Fine is a name to reckon auaaaa:.cs 'exceed the most with. His studio, one of the country's largest and exacting requirements for highest quality professional recordings. Available in sizes best equipped, cuts the masters for over half the and types for every disc recording applica- records released each year by independent record lion. manufacturers. Movies distributed throughout the magnetically coated world, filmed TV broadcasts, transcribed radio on standard motion picture film base, broadcasts, and advertising transcriptions are re- provides highest quality synchronized re- corded here at Fine Sound, Inc., on Audio products. cordings for motion picture and TV sound tracks. Every inch of tape used here is Audiotape. Every disc cut is an Audiodisc. And now, Fine Sound is To get the most out of your sound recordings, now standardizing on Audiofilm. That's proof of the and as long as you keep them, be sure to put them consistent, uniform quality of all Audio products: on Audiotape, Audiodiscs or Audiofilm.
    [Show full text]
  • Josef Schmidt
    baritone, then director of Berlin Radio. His Memories of international reputation was made on 29 March 1929 when he sang the pocket Caruso role of Vasco de Gama in Meyerbeer's by Harry Jarvis L'Africaine and fan MiL TTENDING a music appreciation class of the mail poured in from ^J^ University of the Third Age (USA) gave me a chance wherever the broadcast F Mto listen to a CD entitled Ein Lied geht um die Welt had been relayed. by Josef Schmidt.' As an assiduous collector of genealogical Recordings were material since the age of 17, I have had various articles made by Ultraphon published in Shemot on my home town of Czernowitz (Telefunken) and HMV Josef Schmidt (Chernovtsy), the principal Yiddish-speaking centre of and issued that year. 1904-1942 Bukovina, a territory now in Ukraine, which had over the Subsequently he years been subject to numerous occupations and was then recorded largely for Odeon/Parlophone. part of the Austro-Hungarian empire.2 It is ironical to note that his popularity among German- Now in my 80s, with my memory for recent events speaking countries was at its height in 1933 just when the somewhat dimmed, I have a clear recollection of being taken Nazi party was taking power. Between 1933 and 1936, he as a child to the beautiful large temple in the town centre to made an English version of the film Ein Lied geht um die hear the then well-known film star and international opera singer Welt (My song goes round the world) as well as Wenn du Josef Schmidt who invariably returned to his home town each Jung bist, Ein Stem fallt von Himmel (A star falls from year to act as cantor during the high holidays.
    [Show full text]
  • The Victor Black Label Discography
    The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black
    [Show full text]
  • Joseph Schmidt (1904-2004)
    Joseph Schmidt (1904-2004) Jan Neckers 21 September 2004 This is not a biography of the Jewish tenor. Just some personal thoughts on a few interesting aspects. Those interested in a biographical article and an outstanding discography better purchase the June 2000 issue of The Record Collector where your servant and Hansfried Sieben devoted more than sixty small print pages to the tenor. Those able to read German can still buy Alfred Fasbind’s biography published at the Schweizer Verlagshaus in Zurich¨ 1992. It is still available in some German bookshops and maybe with the author himself (Rosenbergstrasse 16, 8630 Ruti,¨ Switzerland). So, what can I tell you that’s not in the article? Well, it is a pity Schmidt was not a Brit or an American or even a Frenchman. Nobody reading his biography can fail to muse on the many ordeals he lived through in his short life. (though of course he was not alone in this as millions of those unlucky generations born in Europe around 1900 would share his fate). And nobody reading it can fail to recognize an outstanding script for a magnificent movie or an outstanding series in the best Forsythe-tradition. Yes, the Germans produced a movie in 1958 which used the tenor’s singing voice but it belongs in the category ‘ought to be seen to be believed’. The makers succeeded in eliminating Schmidt’s personal tragedy completely as the actor playing the tenor measured at least some 35 centimetres more than the very small singer. (Forget the usual measure given of 1.55 m which is still 5 feet.
    [Show full text]
  • 111053-54 Bk Bhmissa
    8.111329-30 bk GypsyBaron_EU 12/12/08 1:04 PM Page 12 Johann Also available STRAUSS II The Gypsy Baron SCH TH WA E RZ AB K S O I P L F E 8.111254 8.111257 1 g 954 Recordin Elisabeth Schwarzkopf • Nicolai Gedda Erich Kunz • Erika Köth • Hermann Prey Philharmonia Chorus and Orchestra 8.111016-17 8.111036-37 Otto Ackermann 8.111329-30 12 8.111329-30 bk GypsyBaron_EU 12/12/08 1:04 PM Page 2 Great Operetta Recordings Act 3 ) They are congratulated by Homonay on their success, with Barinkay and Ottokar promoted to the & [The army has been victorious and there is general nobility as a reward for their bravery. Johann rejoicing, with Arsena singing of the difficulties of ¡ This removes any possible objections to the love and courting.] Zsupán, returning from battle, marriage of Saffi and Barinkay and of Arsena and STRAUSS II greets the company. Ottokar, so that all ends in general rejoicing. * He goes on to boast of his martial and other (1825-1899) exploits in Spain. Keith Anderson ( The victorious soldiers sing of their triumphs. The Gypsy Baron (Der Zigeunerbaron) Operetta in Three Acts • Libretto by Ignatz Schnitzer (1839-1921) Barinkay . Nicolai Gedda (tenor) Saffi . Elisabeth Schwarzkopf (soprano) Zsupán . Erich Kunz (baritone) Arsena . Erika Köth (soprano) Czipra . Gertrude Burgsthaler-Schuster (contralto) Carnero . Willy Ferenz (bass) • Karel Stepanek (speaking rôle) Mirabella . Monica Sinclair (contralto) • Lea Seidl (speaking rôle) Ottokar . Josef Schmidinger (bass) Count Homonay . Hermann Prey (baritone) Pali . Erich Paulik (bass) Philharmonia Chorus and Orchestra Otto Ackermann Recorded 18th-21st, 26th, 28th and 31st May, and 25th September, 1954 in Kingsway Hall, London First issued on Columbia 33CX 1329 and 1330 Reissue Producer and Audio Restoration Engineer: Mark Obert-Thorn 8.111329-30 211 8.111329-30 8.111329-30 bk GypsyBaron_EU 12/12/08 1:04 PM Page 10 increasing indignation.
    [Show full text]
  • 6 Feb 2020Revisionvol 1 Lotte Lehmann Her Legacy.Iba
    SECTION 1 Commercial Recordings 001-002 Pathé, Berlin Two acoustic, single-sided, center start, etched label discs made in Berlin in 1914, possibly 87 rpm, 11 1/2”, entitled “Lotte Lehmann, Stadt-theater Hamburg.” No orchestra or conductor is known. The matrix is followed by catalogue numbers and the LP reference. The LP reference numbers can be found at the end of the discography. 1914 001 LOHENGRIN: Einsam in trüben Tagen (Wagner); 55978; 42048; coupling 5844; (Cylinder to disc transfer number RA-1110); LP: 54. 002 LOHENGRIN: Euch Lüften, die mein Klagen; 55979; 42048; coupling 5844; (Cylinder to disc transfer number RA-1108); LP: 54. 003-048 Deutche Grammophon Gesellschaft/Polydor, Berlin Approved for registration or issue from December 1916 to early 1921, the individual dating is only approximate. The RPM varies from 78–80. These acoustic recordings also appeared on the Vocalion label and are so listed when this occurred. The matrix is followed by three catalogue numbers: 1) 12” single-sided, which begin with 76, or 12” double-sided, which begin with 72; 2) 10” single- sided, which begin with 74, or 10” double-sided which begin with 70 or 80; and 3) the international catalogue number begins with 040 or numbers prefixed with “B”. Juynboll states: “Some titles were recorded twice or three times during the same recording session. Each recording of the same title bearing the same matrix number is technically known as a take. Take 1 is the initial recording, the repeat 327 would be take 2, a second repeat take 3, and so on.
    [Show full text]
  • July 1946) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1946 Volume 64, Number 07 (July 1946) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 64, Number 07 (July 1946)." , (1946). https://digitalcommons.gardner-webb.edu/etude/193 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. PHOTO BY PHILIP ^ENDREAU, N. Y. mm . ! i-AYVRENCE TIBBETT, recently appeared for the first time on STUDY? Metropolitan Opera any operatic stage when she sang the TO Bass, and Robert Law- title role in “Carmen” with the New York SHALL I GO WHERE rence, former music City Opera Company. According to news- critic turned, conductor, paper accounts, she “made an instant and making joint con- are pronounced success . giving an im- York City) operatic^ ap- Private Teachers (New cert and personation of uncommon interest and pearances in Italy, fea- appeal.” (^JniroJucing a post war marvel of concerts HELEN ANDERSON turing in their DAVIS American com- Walt music world, completely revolutionizing HAROLD FREDERICK Concert Pianist Lawrence music by whitman’s elegy, “When Lilacs the piano, harmony Tibbett Tibbett is Last in the VOICE Interesting course— posers.
    [Show full text]
  • Book Factsheet Lukas Hartmann the Singer
    Book factsheet Lukas Hartmann General Fiction The Singer 288 pages 11.3 × 18 cm September 2020 Published by Diogenes as Der Sänger Original title: Der Sänger World rights are handled by Diogenes Film rights are handled by Diogenes Rights currently sold: Italian (Ugo Guanda) Russian (Knizhniki) Ukrainian (Books XXI) Bestseller # 1 Swiss Bestseller Movie adaptations 2007: Die Prinzessin von Sansibar Director: Tina Diaz Screenplay: Tina Diaz Cast: Dokumtarfilm mit Spielszenen 1992: Anna annA Director: Greti & Jürgen Brauer Kläy Screenplay: Lukas & Greti Kläy Hartmann Cast: Lea Hürlimann,Wanda Hürlimann,Ilona Schulz 1989: Pestalozzis Berg Director: Peter von Gunten Cast: Gian Maria Volonté, Rolf Hoppe, Mathias Gnädinger, Corinna Harfouch Awards 2018 ›Literaturpreis‹ Kanton Bern für Ein Bild von Lydia 2016 Generationenbuchpreis ›Prix Chronos‹ für Mein Dschinn 2010 ›Grosser Literaturpreis von Stadt und Kanton Bern‹ für sein Gesamtwerk 2010 ›Sir Walter Scott-Literaturpreis‹ für Bis From global star to refugee – the incredible story of Joseph Schmidt, ans Ende der Meere one of the most beautiful voices of the 20th century. 2001 Ehrenliste des Österreichischen Kinder- und Jugendbuchpreises: Leo His voice filled concert halls, beguiled women, captured an audience Schmetterling of millions in Germany, Europe, and America, where they called him 1996 Preis der Schweizerischen »the small man with the great voice«. Schillerstiftung für Die Mohrin Joseph Schmidt, the son of orthodox Jews from Czernowitz, Ukraine, 1995 Schweizer Jugendbuchpreis für So eine made an incredible success of himself. What a journey from an lange Nase unknown Eastern European Shtetl to the famous Carnegie Hall! In 1995 ›Luchs 108‹ von Die Zeit und Radio Bremen für Die Mohrin 1942, however, fame and talent are worth nothing.
    [Show full text]
  • DVD-Liste SPIELFILME
    DVD-Liste Der Bibliothek des Goethe-Instituts Krakau SPIELFILME Abgebrannt / [Darsteller:] Maryam Zaree, Tilla Kratochwil, Lukas Steltner... Regie & Buch: Verena S. Freytag. Kamera: Ali Olcay Gözkaya. Musik: Roland Satterwhite Frankfurt: PFMedia, 2012.- Bildtonträger.- 1 DVD-Video (Ländercode 0, 103 Min.) : farb. Sprache: dt. - Untertitel: engl., franz.- FSK-Freigabe ab 12 Jahren. - Spielfilm. Deutschland. 2010 The Adventures of Werner Holt / Darsteller: Klaus-Peter Thiele, Manfred Karge, Arno Wyzniewski ... Kamera: Rolf Sohre. Musik: Gerhard Wohlgemuth. Drehbuch: Claus Küchenmeister... Regie: Joachim Kunert. [Nach dem Roman von Dieter Noll] - 1 DVD (163 Min.) : s/w. Dolby digital EST: Die@Abenteuer des Werner Holt <dt.> Sprache: dt. - Untertitel: eng. - Extras: Biografien und Filmografien. - Spielfilm, Literaturverfilmung. DDR. 1964 Abfallprodukte der Liebe / Ein Film von Werner Schroeter. Mit Anita Cerquetti, Martha Mödl, Rita Gorr... Berlin: Filmgalerie 451, 2009.- Bildtonträger.- 1 DVD Abschied : Brechts letzter Sommer / Josef Bierbichler, Monika Bleibtreu, Elfriede Irrall ... Buch: Klaus Pohl. Kamera: Edward KÚosiõski. Musik: John Cale. Regie: Jan Schütte München: Goethe-Institut e.V., 2013.- Bildtonträger.- 1 DVD (PAL, Ländercode-frei, 88 Min.) : farb., DD 2.0 Stereo Sprache: dt. - Untertitel: dt., engl., span., franz., port.. - Spielfilm. Deutschland. 2000 Absolute Giganten / ein Film von Sebastian Schipper. [Darst.]: Frank Giering, Florian Lukas, Antoine Monot, Julia Hummer. Kamera: Frank Griebe. Musik: The Notwist. Drehbuch und Regie: Sebastian Schipper Notwist München: Goethe-Institut e.V., 2012.- Bildtonträger.- 1 DVD (PAL, Ländercode-frei, 81 Min.) : farb., DD 2.0 Sprache: dt. - Untertitel: dt., span., port., engl., franz., ital., indo.. - Spielfilm. Deutschland. 1999 Absurdistan / ein Film von Veit Helmer. Mit: Maximilian Mauff, Kristýna MaléÂová und Schauspielern aus 18 Ländern.
    [Show full text]
  • Sociedad Proarte.Pdf
    Las huellas que han dejado provienen menos de ellas mismas que de la mirada de los hombres que gobiernan la ciudad, construyen su memoria y administran sus archivos. El registro primario de lo que hacen y dicen está mediatizado por los criterios de selección de los escribas del poder. Y estos, indiferentes al mundo privado, se mantienen apegados a lo público, un dominio en el que ellas no entran. GEORGE DUBY Y MICHELE PERROT «ESCRIBIR LA HISTORIA DE LAS MUJERES» A mi hijo Samuel, por ser fuente eterna de inspiración y luz. A mi madre Ramona Valera, a quien le debo todo lo que soy. A mi padre Heriberto Pacheco, por su oportuno apoyo. A mi madrina Enma Rosa Verano Martínez, por su dedicación. A la memoria de Clara Díaz, José Orlando Suárez Tajonera, Harold Gramatges y Nara Araújo. A mis alumnos pasados, presentes y futuros. A mi legendario y amado San Antonio de los Baños. Agradecimientos A todas las personalidades de la cultura que con amor y entrega me han brindado sus testimonios para tener la satisfacción de llevar a cabo esta obra. A Zoila Lapique, fuente de obligatoria consulta en la etapa investigativa. También a Radamés Giro, por ser llave cultural y por su magisterio profesional. A mi amiga Sonnia Moro, por inspirarme para que me dedicara a esta vertiente de la historia oral y la memoria. A los investigadores Ana Cairo y Ricardo Hernández Otero, por sus recomendaciones oportunas. A mis queridos alumnos y amigos que, en unión de su familia, me han brindado su ayuda solidaria y desinteresada y me han acogido en sus hogares: Gisela Sosa, Jorge Carlos Herrero y Cristina Frutos.
    [Show full text]
  • BUKOLINK English November 2016 Issue 3
    Employee Newsletter To be a Bukovinian BUKOLINK NOVEMBER 2016 issue 3 ,Dear Friends We have passed the New Year holidays and Yom Kippur which purifies us, and we are at thebeginning of a New Year that will bring only good things to fruition, at least that is what we are praying for.We are planning cultural activities for the Organization,and areworking diligently to bring them to completion throughout the year. The first one is the organization's annual rally commemorating seventy-five years since the final deportation of Jews from Bukovina to Transnistria. This is a major social and historical event including meetings with old friends and acquaintances, and building connections with the future generations, which have become an integral part of our community. This year the commemoration rally was held under an important theme: "The Rebirth of the Jews of Bukovina".In addition, there was a memorial ceremony to mark 75 years since the forced deportations of all Jewish survivors from Bukovina to Transnistria began. As in previous years, the .event was held in the Tel Aviv Museum on Sunday November 6th, 2016 The ceremony opened with a memorial for the Holocaust victims from within our community; then greetings and important speeches were made and medals awarded to "Notable Bukovina Jews"; three dear friends whose invaluable leadership has helped pass on our heritage and culture. Additional portions of the program included; a combined live and film performance of the songs of world famous tenor, Joseph Schmidt,who perished in the Holocaust
    [Show full text]