18.5 Vocal 78S. Sagi-Barba -Zohsel, Pp 135-170

Total Page:16

File Type:pdf, Size:1020Kb

18.5 Vocal 78S. Sagi-Barba -Zohsel, Pp 135-170 VOCAL 78 rpm Discs EMILIO SAGI-BARBA [b]. See also: MIGUEL FLETA [t], LUISA VELA [s] 1824. 10” Blue Victor 45284 [17579u/18709u]. NAZARETH [VILLANCICO] (Francisco Titto) / PLEGARIA A LA SANTISSIMA VIRGEN DEL PILAR (F. Agüeral). One harm- less lt., small discoloration patch side two, otherwise just about 1-2. $15.00. 3075. 12” Blue Victor 55143 (74389/74350) [02898½v/492ac]. EL CANTO DEL PRESI- DARIO (Alvarez) / Á TUS OJOS (Fuster). Few lightest mks. Cons . 2. $15.00. MATHILDE SAIMAN [s] 2357. 12” Red acous. Eng. Columbia D14203 [LX 13/LX 8]. GISMONDA: La paix du cloï- tre (Février) / MADAMA BUTTERFLY: Sur la mer calmée (Puccini). Side one just about 1-2. Side two cons . 2. $15.00. GIUSEPPE SALA [t]. Kutsch-Riemens suggests a birthdate of around 1870. Sala appears to have been active particularly in comprimario roles through at least 1911. 1n 1910, Giovanni Martinelli, basically then unknown, replaced Sala in a 1910 Teatro dal Verme performance of the Verdi Requiem . Martinelli’s sucess that evening led to his operatic debut there three weeks later as Verdi’s Ernani. Sala, however, experienced success by participating in the Teatro dal Verme world premiere of Zandonai’s Conchita and the Teatro Costanzi Italian premiere of Puccini’s La Fanciulla del West , both in 1911. What became of him subsequently doesn’t seem to be known. 1199. 11” Brown Odeon 37351/37346 [Xm633/Xm577]. I PURITANI: A te o cara (Bel- lini)/ DORA DOMAR [s]. MARRIAGE OF FIGARO: Voi che sapete (Mozart). Side one cons. 2. Side two gen . 2. $15.00. MARIO SAMMARCO [b]. See also: EMMA CARELLI [s], JOHN MC CORMACK [t], NELLIE MELBA [s], MARCELLA SEMBRICH [s] 1219. 11” Fonotipia 92172/92173 [XPh3166/ XPh3167]. ANDREA CHENIER: Un dì m’era di gioia (Giordano) / DAMNA- TION OF FAUST: Su queste rose (Ber- lioz). Side one creator performance. One tiny PB side one, couple tiny lbl. tears. Cons . 2. $75.00. 1317. 11” Fonotipia 92336/92337 [XPh2484/ XPh2483]. OTELLO: Inaffia l’ugola [Brindisi] (Verdi) / L’AFRICAINE: Ada- mastor re dell’ acque profonde (Meyer- beer). Slightest lbl. tears around rim, otherwise just about 1-2. $20.00. 1235. 11” Pink Sample Fonotipia 92635/ 92636 [XPh4085/XPh3485]. ZAZÀ: Buona Zazà (Leoncavallo) / ADRIANA LECOUVREUR: Ah, stupenda Mira- bila! (Cilèa). Side one another creator MARIO SAMMARCO as Rafaele in Wolf-Ferrari's performance. Excellent copy, few I GIOIELLI DELLA MADONNA lightest mks. Cons. 2. $75.00. 1266. 11” Fonotipia 92635/92636 [XPh4085/XPh3485]. Same as preceding listing [#1235] but regular issue labels. Cons . 2. $75.00. 2594. 12” Red Milano G&T 052020 [Con646]. LORENZA: Racconto di Gerace (Edoardo Mascheroni). Accompanied by the composer . Aside from being a noted composer, Mascheroni (1857-1941) was also an important conductor, chosen by Verdi to direct the 1894 La Scala premiere of his Falstaff . Bright label. Small PB. 2-3. $250.00. 2724. 12” Pink Raised Ring Dog HMV 2-052031 [4343f]. PAGLIACCI: Prologo (Leonca- vallo). Undoubled. IMs . Few lightest rubs, cons . 2. $15.00. 2246. 12” Blk. Opera Disc 2-052041 [5188f]. ERNANI: Lo vedremo (Verdi). Just about 1-2. $15.00. 2217. 12” Red vinyl HMV 2-052042 [5189f]. MARRIAGE OF FIGARO: Non più andrai (Mozart). Superb pressing. Just about 1-2. $15.00. 2849. 12” Pink Dog Mon. Gram. 2-052043 [5190f]. O SOLE MIO (di Capua). Only form of issue. Excellent copy, few lightest mks . Cons. 2. $15.00. 2149. 12” Red vinyl HMV 2-052044 [5191f]. LUCIA: Cruda funesta smania (Donizetti). Another top pressing. Just about 1-2. $15.00. 2248. 12” Blk. Opera Disc 2-052074 [Ho205af]. L’AFRICAINE: Figlia di regi (Meyerbeer). Just about 1-2. $15.00. - 135 - VOCAL 78 rpm Discs 2366. 12” White lbl. Vla 88314. LA TRAVIATA: Di Provenza (Verdi). RCA Vr. Bk. Just about 1-2. $10.00. ERZSI SÁNDOR [s]. See: ELZA SZÁMOSSY [s]. PAUL SANDOZ [b] 2924. 12” Red Swiss HMV DB 10035 [OZA994/OZA995]. LA VIE ANTÉRIEURE / L’INVI- TATION DU VOYAGE (both Duparc). Pno. acc. Paul Baumgartner. Just about 1-2. $12.00. JOSÉ MOSSGELD SANTIAGO (-FONT) [bs-b]. San Miguel de Mayumo, Gulacan, Philippines, 1893- Manila, 1959 . He studied violin and piano in his youth and then law. In this latter early adult period his voice was discovered and he decided to make music his profession. He left the Philippines for New York in the mid-1920s and worked with baritone Pasquale Amato. He was soloist at the Roxy Theater for two years and was often heard on the radio. In 1930 he won the Caruso American Memorial Foundation vocal competition which allowed him to study in Italy. There he made his debut at La Scala in 1933 as Sparafucile in Rigoletto with Dal Monte and Gigli, also appearing as Amonasro in Aida . In 1935 he was on the roster of La Fenice, singing Oroveso to Rosa Raisa’s Norma, as well as Alvise in La Gioconda and Jacobo in the now forgotten Baldo by Giovanni Cigona. After his Italian success, Santiago returned to the Philippines, where he taught and was involved in opera production in Manila. 3304. 12” Green Viva-Tonal Columbia 52009-X [W83042-2/W83043-2]. MADALING ARAW (Francisco Santiago) / PAHIMAKAS (Nicanor Abelardo). In Filipino (Tagalog). Just about 1-2. $15.00. MARIA SANTOLIVA (VILLANI) [s]. 1875-1948. JOSÉ MOSSGELD SANTIAGO She had her first success in 1903 at the Teatro Politeamo Garibaldi in Palermo as Maria in Marchetti’s Ruy Blas . Subsequently she was heard in leading theaters is Livorno, Novara, Naples (Teatro Mercadante), Naples (Teatro Bellini) as well in Bucharest with Battistini, primarily in dramatic roles, including Leonora (Il Trovatore ), Gioconda, Fedora and Tosca. 2947. 12” Blk. Dog Mon. Gramophone 054379/054380 [02330v/02331v]. TOSCA: Vit- toria, Vittoria! / TOSCA: Già, mi dicon venal (Puccini). With EGIDIO CUNEGO [t] (side one), ERNESTO BADINI [b] (both sides). Few LSSs, lt. rubs, gen . 2-3. $12.00 ADA SARI [s] 1576. 10” Blk. PW Czech HMV ER 316 [BA75-I/BA76-II]. THE NIGHT WIND (Farley); PRASNICSKA (Wolff) / ROSE AND THE NIGHTINGALE (Rimsky-Korsakov). Piano acc. Charles Cerné. Side one in English; Polish. Side two in Russian. Lightest rubs, IMs. Cons. 2. $15.00. 1927. 10” Plum PW Czech HMV AM 3553 [BA67-II/OL158-II]. KYDŽ MNE STARÁ MATKA (Dvořák) / MÁM TĚ RÁD (Malát). Piano acc. Charles Cerné. Minor rubs, side one 2, side two cons. 2. $12.00 3619. 12” Red acous. No-Dog Grammophone 72960 [1890as/1891as]. MADAMA BUT- TERFLY: Final Scene / LA BOHÈME: Mi chiamano Mimì (both Puccini). Both in Italian. Just about 1-2. $15.00. 3652. 12” Red acous. Polydor 73013 [955½az/965az]. VARIAZIONI (Adam) / NIGHTIN- GALE’S SONG [VARIATIONS] (Alabieff). Side one in Italian, side two in Russian. IMs. Harmless superficial rubs, 2. $10.00. BIDÚ SAYÃO [s] 1623. 10” Red Orth. Brazilian Victor 4230. A CASINHA PEQUENINA (Ernani Braga) / CANTIGA (Netto). Extremely rare. Issued only in South America. Cons . 2. $20.00. BIANCA SCACCIATI [s] 1437. 10” Red PW acous . Eng. Columbia D12475 [B-820/B-822]. AIDA: Rivedrai le foreste imbalsamante / AIDA: Su dunque! (Verdi). With AUGUSTO BEUF [b]. Scarce. One scr. through side one (could tick lightly), one TN, minor lt. rubs, gen. 2-3. Side two 2. $15.00. 1403. 10” Red PW Eng. Columbia D12573 [WB1781/WB1782]. LA WALLY: Ebben? ne an- drò lontana (Catalani) / GIOCONDA: Suicidio (Ponchielli). Just about 1-2. $12.00 - 136 - VOCAL 78 rpm Discs 3205. 12” Red PW Eng Columbia D14712 [WBX218/WBX232]. CAVALLERIA RUSTICANA: Voi lo sapete (Mascagni) / ANDREA CHENIER: La nostra morte [Act IV] (Giordano). Side two with FRANCESCO MERLI [t]. Very small lbl. stkr. Just about 1-2. $12.00. AUGUSTO SCAMPINI [t] 1641. 10” Brown shellac acous. Pathé X.0052 [N84187/N84193]. LA BOHÈME: Io non ho che una povera stanzetta (Leoncavallo) / LA GIOCONDA: Cielo e mar (Ponchielli). Cons. 2. $20.00. 1702. 10” Red Angel Pre-Dog Gram. Con. 2-52689 [11277b]. IL TROVATORE: Deserto sulla terra (Verdi). Beautiful copy, just about 1-2. $60.00. 2535. 12” Red Angel Pre-Dog Gram. Monarch 054211 [1497½c]. IL TROVATORE: Mal reggendo (Verdi). With CAROLINA PIETRACEWSKA [c]. Just about 1-2. $100.00. 3489. 12” Blk. Dog Monarch Gram. 052245/054240 [1499½c/1531c]. JONE: O Jone di quest’ anima (Perella) / L’AFRICAINE: Ribelle chi mi chiama (Meyerbeer). Side two with GIUSEPPE QUINZI-TAPERGI [bs]. Excellent copy of this AUGUSTO SCAMPINI rarity. One rub side two, still just about 1-2. $60.00. THEODOR SCHEIDL [b] 3623. 12” Green elec. Polydor 27203 [941½BI/947½BI]. O KOMM IM TRAUM (Liszt) / DIE DREI ZIGEUNER (Liszt). Piano acc. Franz Rupp. Lt. rubs , 2. $10.00. PIERO SCHIAVAZZI [t] 1282. 11” Fonotipia 39322/39323 [XPh345/XPh344]. AMICA: Orfani e senza pan / AMI- CA: Perchè restar in silenzio così (Mascagni). Only recordings? Side one a few small scrs., mostly superficial, otherwise cons. 2. Side two just about 1-2. $35.00. 1259. 11” Fonotipia 39902/39903 [XPh2186/XPh2185]. CAVALLERIA RUSTICANA: Avete altro a dirmi?. With FERRUCCIO CORRADETTI [t] / CAVALLERIA RUSTICANA: Addio alla madre (Mascagni). 2. $25.00. 1230. 11” SS (Odeon back) Fonotipia 92547 [XPh3922]. PAGLIACCI: Un tal gioco (Leonca- vallo). IMs. Good surface material. Lt. rubs, 2-3. $10.00. TITO SCHIPA [t] 1707. 10” PW Red Victor 1099. RIGOLETTO: La donna è mobile (Verdi) / O SOLE MIO! (di Capua). Just about 1-2. $6.00. 1958. 10” PW Red HMV DA 751 [BVE-30086-?/BVE-32897-?]. JOTA (de Falla) / MADRI- GAL ESPAÑOL (Huarte). Label boldly signed by Schipa (see label photo section). Just about 1-2. $25.00. 1941. 10” late Red VdP DA 882 [BVE-35855-2/BVE-35857-1].
Recommended publications
  • 029I-HMVCX1924XXX-0000A0.Pdf
    This Catalogue contains all Double-Sided Celebrity Records issued up to and including March 31st, 1924. The Single-Sided Celebrity Records are also included, and will be found under the records of the following artists :-CLARA Burr (all records), CARUSO and MELBA (Duet 054129), CARUSO,TETRAZZINI, AMATO, JOURNET, BADA, JACOBY (Sextet 2-054034), KUBELIK, one record only (3-7966), and TETRAZZINI, one record only (2-033027). International Celebrity Artists ALDA CORSI, A. P. GALLI-CURCI KURZ RUMFORD AMATO CORTOT GALVANY LUNN SAMMARCO ANSSEAU CULP GARRISON MARSH SCHIPA BAKLANOFF DALMORES GIGLI MARTINELLI SCHUMANN-HEINK BARTOLOMASI DE GOGORZA GILLY MCCORMACK Scorn BATTISTINI DE LUCA GLUCK MELBA SEMBRICH BONINSEGNA DE' MURO HEIFETZ MOSCISCA SMIRN6FF BORI DESTINN HEMPEL PADEREWSKI TAMAGNO BRASLAU DRAGONI HISLOP PAOLI TETRAZZINI BI1TT EAMES HOMER PARETO THIBAUD CALVE EDVINA HUGUET PATTt WERRENRATH CARUSO ELMAN JADLOWKER PLANCON WHITEHILL CASAZZA FARRAR JERITZA POLI-RANDACIO WILLIAMS CHALIAPINE FLETA JOHNSON POWELL ZANELLIi CHEMET FLONZALEY JOURNET RACHM.4NINOFF ZIMBALIST CICADA QUARTET KNIIPFER REIMERSROSINGRUFFO CLEMENT FRANZ KREISLER CORSI, E. GADSKI KUBELIK PRICES DOUBLE-SIDED RECORDS. LabelRed Price6!-867'-10-11.,613,616/- (D.A.) 10-inch - - Red (D.B.) 12-inch - - Buff (D.J.) 10-inch - - Buff (D.K.) 12-inch - - Pale Green (D.M.) 12-inch Pale Blue (D.O.) 12-inch White (D.Q.) 12-inch - SINGLE-SIDED RECORDS included in this Catalogue. Red Label 10-inch - - 5'676 12-inch - - Pale Green 12-inch - 10612,615j'- Dark Blue (C. Butt) 12-inch White (Sextet) 12-inch - ALDA, FRANCES, Soprano (Ahl'-dah) New Zealand. She Madame Frances Aida was born at Christchurch, was trained under Opera Comique Paris, Since Marcltesi, and made her debut at the in 1904.
    [Show full text]
  • COCKEREL Education Guide DRAFT
    VICTOR DeRENZI, Artistic Director RICHARD RUSSELL, Executive Director Exploration in Opera Teacher Resource Guide The Golden Cockerel By Nikolai Rimsky-Korsakov Table of Contents The Opera The Cast ...................................................................................................... 2 The Story ...................................................................................................... 3-4 The Composer ............................................................................................. 5-6 Listening and Viewing .................................................................................. 7 Behind the Scenes Timeline ....................................................................................................... 8-9 The Russian Five .......................................................................................... 10 Satire and Irony ........................................................................................... 11 The Inspiration .............................................................................................. 12-13 Costume Design ........................................................................................... 14 Scenic Design ............................................................................................... 15 Q&A with the Queen of Shemakha ............................................................. 16-17 In The News In The News, 1924 ........................................................................................ 18-19
    [Show full text]
  • Musica Lirica
    Musica Lirica Collezione n.1 Principale, in ordine alfabetico. 891. L.v.Beethoven, “Fidelio” ( Domingo- Meier; Barenboim) 892. L.v:Beethoven, “Fidelio” ( Altmeyer- Jerusalem- Nimsgern- Adam..; Kurt Masur) 893. Vincenzo Bellini, “I Capuleti e i Montecchi” (Pavarotti- Rinaldi- Aragall- Zaccaria; Abbado) 894. V.Bellini, “I Capuleti e i Montecchi” (Pavarotti- Rinaldi- Monachesi.; Abbado) 895. V.Bellini, “Norma” (Caballé- Domingo- Cossotto- Raimondi) 896. V.Bellini, “I Puritani” (Freni- Pavarotti- Bruscantini- Giaiotti; Riccardo Muti) 897. V.Bellini, “Norma” Sutherland- Bergonzi- Horne- Siepi; R:Bonynge) 898. V.Bellini, “La sonnanbula” (Sutherland- Pavarotti- Ghiaurov; R.Bonynge) 899. H.Berlioz, “La Damnation de Faust”, Parte I e II ( Rubio- Verreau- Roux; Igor Markevitch) 900. H.Berlioz, “La Damnation de Faust”, Parte III e IV 901. Alban Berg, “Wozzeck” ( Grundheber- Meier- Baker- Clark- Wottrich; Daniel Barenboim) 902. Georges Bizet, “Carmen” ( Verret- Lance- Garcisanz- Massard; Georges Pretre) 903. G.Bizet, “Carmen” (Price- Corelli- Freni; Herbert von Karajan) 904. G.Bizet, “Les Pecheurs de perles” (“I pescatori di perle”) e brani da “Ivan IV”. (Micheau- Gedda- Blanc; Pierre Dervaux) 905. Alfredo Catalani, “La Wally” (Tebaldi- Maionica- Gardino-Perotti- Prandelli; Arturo Basile) 906. Francesco Cilea, “L'Arlesiana” (Tassinari- Tagliavini- Galli- Silveri; Arturo Basile) 907. P.I.Ciaikovskij, “La Dama di Picche” (Freni- Atlantov-etc.) 908. P.I.Cajkovskij, “Evgenij Onegin” (Cernych- Mazurok-Sinjavskaja—Fedin; V. Fedoseev) 909. P.I.Tchaikovsky, “Eugene Onegin” (Alexander Orlov) 910. Luigi Cherubini, “Medea” (Callas- Vickers- Cossotto- Zaccaria; Nicola Rescigno) 911. Luigi Dallapiccola, “Il Prigioniero” ( Bryn-Julson- Hynninen- Haskin; Esa-Pekka Salonen) 912. Claude Debussy, “Pelléas et Mélisande” ( Dormoy- Command- Bacquier; Serge Baudo). 913. Gaetano Doninzetti, “La Favorita” (Bruson- Nave- Pavarotti, etc.) 914.
    [Show full text]
  • Le-Vite-Dei-Cesenati-10.Pdf
    LE VITE DEI CESENATI X A cura di Pier Giovanni Fabbri e Alberto Gagliardo Redazione: Giancarlo Cerasoli, Franco Dell’Amore, Rita Dell’Amore, Paola Errani, Pier Giovanni Fabbri, Alberto Gagliardo. Segretario di redazione: Claudio Medri Consulenza fotografica: Guia Lelli Mami Autori e redattori ringraziano Leonardo Belli, Gessica Boni, Paolo Cascarano (Ana- grafe Ricerche, Comune di Milano), Claudia Colecchia (Fototeca dei Civici Musei di Storia ed Arte, Trieste), Andrea Daltri (Archivio Storico dell’Università di Bologna), Caterina Del Vivo (Archivio Storico del Gabinetto G.P. Vieusseux, Firenze), Adriana Faedi, Cesare Fantino (Biblioteca Basilica di Santa Maria delle Vigne, Genova), Lu- cia Gandini (Biblioteca di Archeologia e Storia dell’Arte, Roma), Barbara Gariboldi (Archivio Storico Civico, Milano), Leila Gentile (Biblioteca Universitaria, Bologna), Ivano Giovannini, Elisabetta Gnecco (Ufficiale dello Stato Civile, Comune di Ge- nova), Antonella Imolesi (Biblioteca Comunale A. Saffi, Forlì), Francesca Mambelli, Marcella Culatti (Fondazione Federico Zeri, Bologna), Elena Mantelli (Biblioteca San Carlo al Corso, Milano), Silvia Mirri (Biblioteca Comunale, Imola), Norma Monta- nari, Claudia Morgan (Fototeca dei Civici Musei di Storia ed Arte, Trieste), Barbara Mussetto (Biblioteca Casanatense, Roma), Elisabetta Papone (Centro di Documen- tazione per la Storia, l’Arte l’Immagine, Comune di Genova), Massimiliano Pavoni (Biblioteca Mozzi Borgetti, Macerata), Raffaella Ponte (Archivio storico, Comune di Genova), Francesca Sandrini (Museo Glauco Lombardi, Parma), Giampiero Savini, Claudio Schenone (Archivio Storico, Comune di Genova), Bruna Tabarri, Riccardo Vlahov (tecnico e storico della fotografia); il personale dell’Archivio Storico Diocesa- no di Cesena, della Biblioteca Malatestiana di Cesena, degli Archivi di Stato di Cesena e di Forlì. Altri ringraziamenti sono stati espressi nei testi.
    [Show full text]
  • 17.2. Cylinders, Ed. Discs, Pathes. 7-26
    CYLINDERS 2M WA = 2-minute wax, 4M WA= 4-minute wax, 4M BA = Edison Blue Amberol, OBT = original box and top, OP = original descriptive pamphlet. Repro B/T = Excellent reproduction Edison orange box and printed top. All others in clean, used boxes. Any mold on wax cylinders is always described. All cylinders not described as in OB (original box with generic top) or OBT (original box and original top) are boxed (most in good quality boxes) with tops and are standard 2¼” diameter. All grading is visual and refers to the cylinders rather than the boxes. Any major box problems are noted. CARLO ALBANI [t] 1039. Edison BA 28116. LA GIOCONDA: Cielo e mar (Ponchielli). Repro B/T. Just about 1-2. $30.00. MARIO ANCONA [b] 1001. Edison 2M Wax B-41. LES HUGUENOTS: Nobil dama (Meyerbeer). Announced by Ancona. OBT. Just about 1-2. $75.00. BLANCHE ARRAL [s] 1007. Edison Wax 4-M Amberol 35005. LE COEUR ET LA MAIN: Boléro (Lecocq). This and the following two cylinders are particularly spirited performances. OBT. Slight box wear. Just about 1-2. $50.00. 1014. Edison Wax 4-M Amberol 35006. LA VÉRITABLE MANOLA [Boléro Espagnole] (Bourgeois). OBT. Just about 1-2. $50.00. 1009. Edison Wax 4-M Amberol 35019. GIROLFÉ-GIROFLA: Brindisi (Lecocq). OBT. Just about 1-2. $50.00. PAUL AUMONIER [bs] 1013. Pathé Wax 2-M 1111. LES SAPINS (Dupont). OB. 2. $20.00. MARIA AVEZZA [s]. See FRANCESCO DADDI [t] ALESSANDRO BONCI [t] 1037. Edison BA 29004. LUCIA: Fra poco a me ricovero (Donizetti).
    [Show full text]
  • LA TRAVIATA Al Liceu
    1 LA TRAVIATA EN EL LICEU Estreno absoluto: 6 marzo 1853 en el teatro de La Fenice de Venecia. Estreno de la segunda versión, definitiva: 6 mayo 1854 en el teatro San Benedetto de Venecia. Estreno en el Gran Teatre del Liceu: 25 octubre 1855. Última representación en el Liceu: 18 julio 2015. Total de representaciones: 251 TEMPORADA 1855-1856 25-X-1855 LA TRAVIATA Número de representaciones: 10 Es estreno en el Liceu. Número en el Liceu: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10. Fechas: 25, 26, 28, 31 octubre; 1, 14, 18 noviembre; 21, 26 diciembre 1855; 6 enero 1856. Violetta Valéry: Eugénie Julienne-Dejean Flora Bervoix: Caterina Mas-Porcell Annina: Balbina Alabau Alfredo Germont: Giovanni De Vecchi Giorgio Germont: Gaetano Fiori Gastone: Josep Santés Barone Douphol: Josep Obiols Marchese d'Obigny: Francesc Sánchez Dottore Grenvil: José Aznar Giuseppe: Josep Gómez Director: Marià Obiols TEMPORADA 1859-1860 12-IV-1860 LA TRAVIATA Número de representaciones: 8 Número histórico en el Liceu: 11, 12, 123, 14, 15, 16, 17, 18. Fechas: 12, 15 abril; 1, 2, 6, 15, 17, 30 mayo 1860. Nota: Se suprimela cabaletta del aria del tenor en el segundo acto. Número histórico en el Liceu: 11, 12, 123, 14, 15, 16, 17, 18. Última "Traviata" en el Liceu: 6 enero 1856. Violetta Valéry: Carlotta Carozzi-Zucchi Flora Bervoix: Caterina Mas-Porcell 2 Annina: Isolina Porcell Alfredo Germont: Emilio Pancani Giorgio Germont: Leone Giraldoni Gastone: Gaetano Aducci Barone Douphol: Josep Obiols Marchese d'Obigny: Josep Coll Dottore Grenvil: Leopoldo Jover Giuseppe: Ignasi Costa Domestico di Flora: Francisco Sánchez Director: Marià Obiols TEMPORADA 1860-1861 1-XII-1860 LA TRAVIATA Número de representaciones: 14 Número histórico en el Liceu: 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32.
    [Show full text]
  • 111318-19 Bk Jschmidt EU 10/15/07 2:47 PM Page 8
    111318-19 bk JSchmidt EU 10/15/07 2:47 PM Page 8 8.111318-19 CD 1: CD 2: GREAT SINGERS • SCHMIDT Tracks 1, 2, 5 and 9: Tracks 1, 5 and 16: ADD Berlin State Opera Orchestra • Selmar Meyrowitz Orchestra • Felix Günther Tracks 3 and 4: Tracks 2, 6-9, 20-23: Vienna Parlophon Orchestra • Felix Günther Berlin State Opera Orchestra Selmar Meyrowitz Joseph Track 6: Berlin State Opera Orchestra • Clemens Schmalstich Tracks 3, 4, and 13: Berlin State Opera Orchestra SCHMIDT Tracks 7 and 8: Frieder Weissmann Berlin Philharmonic Orchestra • Selmar Meyrowitz Tracks 10-12, 14, 15, 18, and 19: Track 10: Orchestra • Otto Dobrindt With Max Saal, harp Arias and Songs Track 17: Track 11: Orchestra • Clemens Schmalstich Orchestra and Chorus • Clemens Schmalstich (1929-1936 recordings) Tracks 12 and 13: Languages: Berlin Symphony Orchestra • Frieder Weissmann CD 1: MOZART Tracks 14, 15, 17, 18 and 24: Tracks 1, 3-6, 9-13, 16-18, 21-24 sung in German Orchestra of the Staatsoper Berlin Tracks 2, 7, 8, 14, 15, 19, 20 sung in Italian Frieder Weissmann DONIZETTI CD 2: Track 16: Tracks 1-16 sung in German MEYERBEER Orchestra • Leo Blech Track 17 sung in Spanish Tracks 18-23 sung in Italian Tracks 19 and 20: FLOTOW Orchestra • Walter Goehr Tracks 21-23: VERDI Orchestra • Otto Dobrindt MASSENET PUCCINI J. STRAUSS II 2 CDs 8.111318-19 8 111318-19 bk JSchmidt EU 10/15/07 2:47 PM Page 2 Joseph Schmidt (1904-1942) LEHAR: Das Land des Lächelns: MAY: Ein Lied geht um die Welt: 8 Von Apfelblüten eine Kranz (Act I) 3:43 ^ Wenn du jung bist, gehört dir die Welt 3:09 Arias and Songs (1929-1936 recordings) Recorded on 24th October 1929; Recorded in January 1934; Joseph Schmidt’s short-lived career was like that of a 1924 he decided to take the plunge into a secular Mat.
    [Show full text]
  • 111082 Bk Callaseu 15/03/2005 11:26Am Page 5
    111082 bk CallasEU 15/03/2005 11:26am Page 5 BELLINI: Norma: DONIZETTI: Lucia di Lammermoor: VERDI: La traviata: WAGNER: Tristan und Isolde: ADD 1 Casta Diva (Act I) 7:27 [Mad Scene, Act III] ! Libiamo ne’ lieti calici (Act I) 3:16 & Liebestod (Sung in Italian) 7:44 GREAT SINGERS • CALLAS Orchestra of Teatro alla Scala, Milan 5 Il dolce suono 3:01 with Francesco Albanese, Tenor Turin Italian Radio Symphony Orchestra 8.111082 Tullio Serafin, Conductor and Chorus Arturo Basile, Conductor Recorded in the Cinema Metropol, Milan, 1954 6 Ohimè! Sorge il tremendo 3:20 Recorded by CETRA on 8th November 1949 (From Naxos 8.110325-27) @ E’ strano! E’ strano! (Act I) 1:27 Matrix 2-71294/5; Cat. No. CB 20841 7 Ardon gli incensi; splendon le sacre faci 5:26 (From Naxos 8.110302-04) with Gino Sarri, Tenor # Ah, fors’è lui (Act I) 3:01 Maria BELLINI: I Puritani: Raffaele Arié, Bass Turin Italian Radio Symphony Orchestra 2 O rendetemi la speme (Act II) 1:47 and Chorus Gabriele Santini, Conductor with Nicola Rossi-Lemeni, Bass 8 Spargi d’amaro pianto 3:46 Recorded at the Auditorium RAI, Turin, 1953 CALLAS and Rolando Panerai, Baritone with Raffaele Arié, Bass (From Naxos 8.110300-01) Tito Gobbi, Baritone 3 Qui la voce sua soave (Act II) 8:41 and Chorus with Nicola Rossi-Lemeni, Bass PUCCINI: Tosca: and Rolando Panerai, Baritone Chorus and Orchestra of the Maggio Musicale $ Mario! Mario! Mario!... Son qui! (Act I) 2:07 A Portrait Fiorentino with Giuseppe Di Stefano, Tenor 4 Son vergin vezzosa (Act I) 3:46 Andrea Morosini, Chorus Master with Aurora Cattelani,
    [Show full text]
  • TEATRO SOLVAY SPETTACOLI LIRICI Direzione Artistica Dino Lessi
    TEATRO SOLVAY SPETTACOLI LIRICI Direzione Artistica Dino Lessi 1940 Rigoletto baritono Mario Basiola, soprano Lina Aimaro, tenore Carlo Merino, direttore Arturo Lucon 1941 La Traviata soprano Magda Olivero, tenore Mario Filippeschi, baritono Gino Vanelli, direttore Arturo Lucon Andrea Chenier tenore Galliano Masini, soprano Fernanda Ciani, baritono Luigi Borgonovo, direttore Arturo Lucon 1942 Il Barbiere di Siviglia baritono Carlo Galeffi, soprano Emilia Carlino, tenore Vladimiro Badiali, basso Andrea Mongelli, direttore Arturo Lucon Madama Butterfly soprano Iris Adami Corradetti, tenore Mario Del Monaco, baritono Afro Poli, direttore Antonino Votto 1943 La Sonnambula soprano Emilia Carlino, tenore Francesco Albanese, basso Italo Taio, direttore Federico Del Cupolo 1947 Tosca soprano Carla Castellani, tenore Gianni Poggi, baritono Raimondo Torres, direttore Umberto Berrettoni 1948 Un Ballo in Maschera soprano Franca Sacchi, tenore Antonio Latino, mezzo soprano Miriam Pirazzini, baritono Raimundo Torres 1949 Rigoletto baritono Aldo Protti, soprano Hilde Reggiani, tenore Giuseppe Savio, direttore Federico Del Cupolo L’Amico Fritz tenore Bruno Landi, soprano Rosetta Noli, baritono Gino Vanelli, direttore Federico del Cupolo Mefistofele basso Cesare Siepi, soprano Rosetta Noli, tenore Glauco Scarlin, direttore Umberto Berrettoni 1950 La Traviata soprano Rosetta Noli, tenore Giuseppe Campora, baritono Carlo Tagliabue, direttore Umberto Berrettoni Manon soprano Mafalda Favero, tenore Agostino Lazzari, baritono Leo Piccioli, direttore Umberto
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 31,1911-1912, Trip
    ACADEMY OF MUSIC . BROOKLYN Thirty-first Season, J9U-J9I2 Soaimt Symphony t§tttymm MAX FIEDLER, Conductor frogramm? of % FOURTH CONCERT WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE FRIDAY EVENING, FEBRUARY 23 AT 8.15 . COPYRIGHT, 1911, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER ha6> MIGNONETTE GRAND In Fancy $700 Mahogany 5 feet 2 inches Where others have failed to build a Small and Perfect Grand Piano meeting with present-day requirements, the House of Knabe, after years of research and experiment, has succeeded in producing The World's Best Grand Piano as attested by many of the World's best musicians, grand opera artists, stars, composers, etc. The Knabe Mignonette Grand is indispensable where space is limited— desirable in the highest degree where an abundance of space exists. Wm. KNABE & Co. Division—American Piano Co. 5th Avenue and 39th Street - - NEW YORK CITY Established 1837 Boston Symphony Orchestra PERSONNEL Thirty-first Season, 1911-1912 MAX FIEDLER, Conductor Violins. Witek, A., Roth, 0. Hoffmann, J. Theodorowicz, J. Concert-master. Kuntz, D. Krafft, F. W. Mahn, F. Noack, S. Strube, G. Rissland, K. Ribarsch, A. Traupe, W. Eichheim, H. Bak, A. Mullaly, J. Goldstein, H. Barleben, K. Akeroyd, J. Fiedler, B. Berger, H. Fiumara, P. Currier, F. Marble, E. Eichler, J. Tischer-Zeitz, H. Kurth, R. Fabrizio, C. i Goldstein. S. Werner, H. Griinberg, M. Violas. Ferir, E. Spoor, S. Pauer, H. Kolster, A. VanWynbergen, C Gietzen, A. Hoyer, H. Kluge, M '.. Forster, E. Kautzenbach, W. Violoncellos. Schroeder, A. Keller, Belinski, J. Barth , C. M Warnke, J.
    [Show full text]
  • Volume 70, Number 11 (November 1952) Guy Mccoy
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 11-1-1952 Volume 70, Number 11 (November 1952) Guy McCoy Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation McCoy, Guy. "Volume 70, Number 11 (November 1952)." , (1952). https://digitalcommons.gardner-webb.edu/etude/123 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. IN THE FINEST HOMES ••. ON THE LeTTeRS CONCERT STAGE ~~ T o T B E E D I T o R ITS liL1ristmasShopping &Juide . ~ ; ¢=.<- ~ am going to try and start one of INSTRUMENTS IN MINIATURE Articles these libraries for my few pupils as Piano, Violin, Cornet, Cello, Banjo, Trom- LYREAND WREATH PIN bone, Guitar, Drum, Saxophone. Sir: I would like to express a the benefit her students receive well deserved compliment to the from this library must be too nu- J-70 reads Music J_22A Gold Plated (Pin Back Only). .60 tJ-228 Sterling Pin or Chorm ETUDE Magazine. I think the Au- merous to mention. .75 J-71 reads Choir (Specify which instrument) gust issue is one of the best ever Roger Warren Roszell J-72 Plain Bar or Engraving *BRACElET WITH NINE CHA.RMS published.
    [Show full text]
  • ARSC Journal
    THE MARKETPLACE HOW WELL DID EDISON RECORDS SELL? During the latter part of 1919 Thomas A. Edison, Inc. began to keep cumulative sales figures for those records that were still available. The documents were continued into 1920 and then stopped. While the documents included sales figures for all series of discs time allowed me to copy only those figures for the higher priced classical series. Thus the present article includes the 82,000 ($2.00); 82,500 ($2.50); 83,000 ($3.00) and 84,000 ($4.00) series. Should there be sufficient interest it may be possible to do the other series at a later date. While the document did list some of the special Tone-Test records pressing figures were included for only two of them. I have arbitrarily excluded them and propose to discuss the Edison Tone Tests at a later date. The documents also originally included supplementary listings, which, for the sake of convenience, have been merged into the regular listings. The type copy of the major portion of the listings has been taken from regular Edison numerical catalogs and forms the framework of my forthcoming Complete Edison Disc Numerical Catalog. Several things may be noted: 1) Many of the sales figures seem surprisingly small and many of the records must be classed as rarities; 2) Deletion was not always because of poor sales-mold damage also played a part; 3) Records were retained even with extremely disappointing sales. Without a knowledge of the reason for discontinuance we cannot assume anything concerning records that had already been discontinued.
    [Show full text]