Sharing Christmas Joy in Armenia and Artsakh
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Group Theoretical Methods in Physics GROUP - 27 Yerevan, Armenia, August 13 - 19, 2008 THIRD BULLETIN
XXVII International Colloquium on Group Theoretical Methods in Physics GROUP - 27 Yerevan, Armenia, August 13 - 19, 2008 THIRD BULLETIN This is a last BULLETIN contains the scientific programme, information concerning the preparation of the Colloquium Proceedings and other useful information of the XXVII In- ternational Colloquium on Group Theoretical Methods in Physics. We also invite you to occasionally visit the Colloquium web page at "http://theor.jinr.ru/∼group27/" for updated information and news concerning the Colloquium. 1 Invited Speakers Allahverdyan, Armen YPhI, Yerevan Belavin, Alexander ITP, Chernogolovka Bieliavsky, Pierre Catholic University of Louvian, Louvain Daskaloyannis, Costantin Aristotel University of Thessaloniki, Thessaloniki Doebner, Heinz-Dietrich ASI, Clausthal Draayer, Jerry Baton Rouge Exner, Pavel Nuclear Physics Institute, Rez Fjelstad, Jens CTQMP, Aarhus Gazeau, Jean-Pierre University of Paris 7, Paris Isaev, Alexey JINR, Dubna Nahm, Werner DIAS, Dublin Sheikh-Jabbari, Mohammad IPM, Tehran van Moerbeke, Pierre Catholic University of Louvian, Louvain Vourdas, A. University of Bradford, Bradford 1 2 The GROUP27 Colloquium is supported by grants from: • International Union of Pure and Applied Physics (IUPAP) • International Association of Mathematical Physics (IAMP) • Joint Institute for Nuclear Research • Infeld - Bogolyubov programme • State Committee of Science of the Republic of Armenia • Yerevan State University 3 Timetable Tuesday, 12 August Arrival and Registration Wednesday, 13 August Talks begin in the morning Tuesday, 19 August Conference ends in the afternoon Wednesday, 20 August Departure 30 November Deadline for submission of manuscripts for the Proceedings 4 Special Events • Tuesday, August 12, Welcome Party will be held in the Ani Plaza Hotel (20.00-22.00). • Friday, August 15, 19.30 Weyl Prize Ceremony in Komitas Chamber Music Hall (Isahakian st. -
Turkey's Deep State
#1.12 PERSPECTIVES Political analysis and commentary from Turkey FEATURE ARTICLES TURKEY’S DEEP STATE CULTURE INTERNATIONAL POLITICS ECOLOGY AKP’s Cultural Policy: Syria: The Case of the Seasonal Agricultural Arts and Censorship “Arab Spring” Workers in Turkey Pelin Başaran Transforming into the Sidar Çınar Page 28 “Arab Revolution” Page 32 Cengiz Çandar Page 35 TURKEY REPRESENTATION Content Editor’s note 3 ■ Feature articles: Turkey’s Deep State Tracing the Deep State, Ayşegül Sabuktay 4 The Deep State: Forms of Domination, Informal Institutions and Democracy, Mehtap Söyler 8 Ergenekon as an Illusion of Democratization, Ahmet Şık 12 Democratization, revanchism, or..., Aydın Engin 16 The Near Future of Turkey on the Axis of the AKP-Gülen Movement, Ruşen Çakır 18 Counter-Guerilla Becoming the State, the State Becoming the Counter-Guerilla, Ertuğrul Mavioğlu 22 Is the Ergenekon Case an Opportunity or a Handicap? Ali Koç 25 The Dink Murder and State Lies, Nedim Şener 28 ■ Culture Freedom of Expression in the Arts and the Current State of Censorship in Turkey, Pelin Başaran 31 ■ Ecology Solar Energy in Turkey: Challenges and Expectations, Ateş Uğurel 33 A Brief Evaluation of Seasonal Agricultural Workers in Turkey, Sidar Çınar 35 ■ International Politics Syria: The Case of the “Arab Spring” Transforming into the “Arab Revolution”, Cengiz Çandar 38 Turkey/Iran: A Critical Move in the Historical Competition, Mete Çubukçu 41 ■ Democracy 4+4+4: Turning the Education System Upside Down, Aytuğ Şaşmaz 43 “Health Transformation Program” and the 2012 Turkey Health Panorama, Mustafa Sütlaş 46 How Multi-Faceted are the Problems of Freedom of Opinion and Expression in Turkey?, Şanar Yurdatapan 48 Crimes against Humanity and Persistent Resistance against Cruel Policies, Nimet Tanrıkulu 49 ■ News from hbs 53 Heinrich Böll Stiftung – Turkey Representation The Heinrich Böll Stiftung, associated with the German Green Party, is a legally autonomous and intellectually open political foundation. -
02.12.14 Symphony FINAL.Indd
UPCOMING EVENTS Symphonic Band Concert With CSU Faculty Peter Sommer, Saxophone & Special Guest Joel Puckett, Composer-in-Residence 2/20 • Griffin Concert Hall • 7:30 p.m. UNIVERSITY SYMPHONY ORCHESTRA Wind Ensemble Concert CONCERTO COMPETITION FINALS With Special Guest John Lynch, Conductor Star Search Comes to CSU 2/21 • Griffin Concert Hall • 7:30 p.m. Wes Kenney, Conductor CSU Honor Band Concert With Special Guest John Lynch, Conductor CA 2/22 • Griffin Concert Hall • 7:30 p.m. PROGRAM Virtuoso Series Concert Alexander Arutiunian Trumpet Concerto in A-flat Major CSU Faculty Tiffany Blake, Soprano & John Seesholtz, Baritone With Dr. Annie McDonald, Piano (1920-2012) (1950) 2/24 • Organ Recital Hall • 7:30 p.m. Soloist: Robert Bonner Virtuoso Series Concert nniversary With Special Guests Christine Rutledge, Viola & David Gompper, Piano Julius Conus Violin Concerto in E Minor (1869-1942) (1896) 2/25 • Organ Recital Hall • 7:30 p.m. A Soloist: Adrián Barrera Ramos event calendar • e-newsletter registration Sergei Prokofiev Piano Concerto No. 3 in C Major, Op. 26 www.uca.colostate.edu (1891-1953) (1921) I. Andante-Allegro 5th General information: (970) 491-5529 Soloist: Yolanda Tapia Hernandez Tickets: (970) 491-ARTS (2787) Meet Me at the UCA Season “Green” Sponsor www.CSUArtsTickets.com the U e at INTERMISSION Thank you for your continued support Pyotr Ilyich Tchaikovsky Symphony No. 5 in E minor M (1840-1893) (1888) I. Andante-Allegro con anima II. Andante Cantabile con alcuna licenza III. Valse. Allegro moderato IV. Finale. Andante maestoso-Allegro vivace eet Wednesday, February 12, 2014 M Griffin Concert Hall, University Center for the Arts PROGRAM NOTES Friends of the UCA at Colorado State University Trumpet Concerto Alexander Arutiunian connects you to students and faculty who inspire, teach, and heal at Colorado State. -
Shushi Anniversary Marked French Senate Drops Genocide Denial Bill
MAY 14, 2011 MirTHE rARoMENr IAN -Spe ctator Volume LXXXI, NO. 42, Issue 4188 $ 2.00 NEWS IN BRIEF The First English Language Armenian Weekly in the United States Yovanovitch to Leave Shushi Armenia in June YEREVAN (Azg) — US Ambassador to Armenia Marie Yovanovitch will conclude her three-year tour, the US Embassy in Armenia reported on Anniversary May 5. Yovanovitch will return to Washington, DC to take up her new duties as deputy assistant sec - Marked retary for Northern and Central Europe at the US Department of State, in June. Sargisian Warns Azerbaijan France-based Against Hostile Moves Participants of Artsakh SHUSHI, Karabagh (RFE/RL) — President Serge Sargisian warned War Receive Honors Azerbaijan against attempting to resolve PARIS (Armenpress) — A medal ceremony for the Nagorno-Karabagh conflict by force on Armenian and Diaspora-Armenian participants of Monday as he visited the disputed territory the Artsakh War was held May 6 at the AGBU Alex to mark the 19th anniversary of a key Manoogian Cultural Center here. Armenian military victory. Ani Cathedral An official from the Armenian Foreign Affairs “We silenced, and if need be will silence Ministry said that Hayk Harutunyan, chairman again all those fire spots from where our of the Azatamartik military-patriotic benevolent World Monuments Fund to children and our parents were shot,” he NGO, former commander of the Sose Mayrik said in a written address to the nation. Detachment, gave the Azatamartik memorial “However, I hope that it will not be neces - order to six France-based participants of the Conserve Ani Cathedral sary: our troops, who are guarding peace of Artsakh War. -
The Assassination of Hrant Dink from the Perspective of Armenian Youth in Turkey: a Time of Trauma Or Solidarity?
THE ASSASSINATION OF HRANT DINK FROM THE PERSPECTIVE OF ARMENIAN YOUTH IN TURKEY: A TIME OF TRAUMA OR SOLIDARITY? by Arzum Kop şa Submitted to the Graduate School of Arts and Social Sciences in partial fulfillment of the requirements for the degree of Master of Arts in Conflict Analysis and Resolution Sabancı University Spring 2008 THE ASSASSINATION OF HRANT DINK FROM THE PERSPECTIVE OF ARMENIAN YOUTH IN TURKEY: A TIME OF TRAUMA OR SOLIDARITY? APPROVED BY: Dr. Riva Kantowitz …………………………. (Thesis Supervisor) Dr. Ay şe Betül Çelik …………………………. Dr. Leyla Neyzi …………………………. DATE OF APPROVAL: …………………………. © Arzum Kop şa 2008 All Rights Reserved ACKNOWLEDGEMENTS This thesis is the product of my tough and beautiful M.A. journey in Sabancı University, and now it is time to thank the people who never left me alone in this journey. First, I was so lucky to have a super supervisor like you Dr. Riva Kantowitz. The first time I explained my idea about writing a thesis on the assassination of Hrant Dink, it was your encouragement which made me believe in my ability to accomplish such a study. Throughout all the process, whenever I lost, you were there to illuminate my path and give great ideas. It has been a pleasure to work with you. Thanks for your unending support and care... I also need to thank dear Dr. Ay şe Betül Çelik and Dr. Leyla Neyzi, who put up with my questions and provided helpful comments regarding my thesis. It has been a privilege to have you in my committee… How can I even forget my best friend who always kept me awake, and motivated me effectively with her fascinating voice and acting! You, Miss Asilo ğlu, will be a great star one day, and I will be there to applaud you with all my heart.. -
The Armenian Weekly APRIL 26, 2008
Cover 4/11/08 8:52 PM Page 1 The Armenian Weekly APRIL 26, 2008 IMAGES PERSPECTIVES RESEARCH WWW.ARMENIANWEEKLY.COM Contributors 4/13/08 5:48 PM Page 3 The Armenian Weekly RESEARCH PERSPECTIVES 6 Nothing but Ambiguous: The Killing of Hrant Dink in 34 Linked Histories: The Armenian Genocide and the Turkish Discourse—By Seyhan Bayrakdar Holocaust—By Eric Weitz 11 A Society Crippled by Forgetting—By Ayse Hur 38 Searching for Alternative Approaches to Reconciliation: A 14 A Glimpse into the Armenian Patriarchate Censuses of Plea for Armenian-Kurdish Dialogue—By Bilgin Ayata 1906/7 and 1913/4—By George Aghjayan 43 Thoughts on Armenian-Turkish Relations 17 A Deportation that Did Not Occur—By Hilmar Kaiser By Dennis Papazian 19 Scandinavia and the Armenian Genocide— 45 Turkish-Armenian Relations: The Civil Society Dimension By Matthias Bjornlund By Asbed Kotchikian 23 Organizing Oblivion in the Aftermath of Mass Violence 47 Thoughts from Xancepek (and Beyond)—By Ayse Gunaysu By Ugur Ungor 49 From Past Genocide to Present Perpetrator Victim Group 28 Armenia and Genocide: The Growing Engagement of Relations: A Philosophical Critique—By Henry C. Theriault Azerbaijan—By Ara Sanjian IMAGES ON THE COVER: Sion Abajian, born 1908, Marash 54 Photography from Julie Dermansky Photo by Ara Oshagan & Levon Parian, www.genocideproject.net 56 Photography from Alex Rivest Editor’s Desk Over the past few tographers who embark on a journey to shed rials worldwide, and by Rivest, of post- years, the Armenian light on the scourge of genocide, the scars of genocide Rwanda. We thank photographers Weekly, with both its denial, and the spirit of memory. -
Armenian Orchestral Music Tigran Arakelyan a Dissertation Submitted
Armenian Orchestral Music Tigran Arakelyan A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2016 Reading Committee: David Alexander Rahbee, Chair JoAnn Taricani Timothy Salzman Program Authorized to Offer Degree: School of Music ©Copyright 2016 Tigran Arakelyan University of Washington Abstract Armenian Orchestral Music Tigran Arakelyan Chair of the Supervisory Committee: Dr. David Alexander Rahbee School of Music The goal of this dissertation is to make available all relevant information about orchestral music by Armenian composers—including composers of Armenian descent—as well as the history pertaining to these composers and their works. This dissertation will serve as a unifying element in bringing the Armenians in the diaspora and in the homeland together through the power of music. The information collected for each piece includes instrumentation, duration, publisher information, and other details. This research will be beneficial for music students, conductors, orchestra managers, festival organizers, cultural event planning and those studying the influences of Armenian folk music in orchestral writing. It is especially intended to be useful in searching for music by Armenian composers for thematic and cultural programing, as it should aid in the acquisition of parts from publishers. In the early part of the 20th century, Armenian people were oppressed by the Ottoman government and a mass genocide against Armenians occurred. Many Armenians fled -
4932 Appendices Only for Online.Indd
APPENDIX I MUSIC AWARDS IN COMPOSITION Key to award cycles: 1941 for works from 1934–40 1942 for works from 1941 1943 for works from 1942 1946a for works from 1943–44 1946b for works from 1945 1947 for works from 1946 1948 for works from 1947 1949 for works from 1948 1950 for works from 1949 1951 for works from 1950 1952 for works from 1951 Not included here: 1953 for works from 1952, no awards made 1954 for works from 1952–53, no awards made (see Appendix IV) Table 1. Awards in Composition by Genre Unusually high numbers are in boldface ’41 ’42 ’43 ’46a ’46b ’47 ’48 ’49 ’50 ’51 ’52 Opera2121117 2 Cantata 1 2 1 2 1 5 32 Symphony 2 1 1 4 1122 Symphonic poem 1 1 3 2 3 Suite 111216 3 Concerto 1 3 1 1 3 4 3 Ballet 1 1 21321 Chamber music 1 1 3 4 11131 Piano pieces 1 1 Film scores 21 2111 1 4 APPENDIX I MUSIC AWARDS IN COMPOSITION Songs 2121121 6 3 Art songs 1 2 Marches 1 Incidental music 1 Folk instruments 111 Table 2. Composers in Alphabetical Order Surnames are given in the most common transliteration (e.g. as in Wikipedia); first names are mostly given in the familiar anglicized form. Name Alternative Spellings/ Dates Class and Year Notes Transliterations of Awards 1. Afanasyev, Leonid 1921–1995 III, 1952 2. Aleksandrov, 1883–1946 I, 1942 see performers list Alexander for a further award (Appendix II) 3. Aleksandrov, 1888–1982 II, 1951 Anatoly 4. -
Program Notes Written by Earle Cheshire-Wood
Concert Notes – February 21, 2021 Earle Cheshire-Wood Suite Hellénique ( Kalamatianos, Valse, Kritis) Pedro Itturalde (1929-2020) Pedro Itturralde was a Spanish saxophonist who learned from his father, performed professionally by age eleven and later led his own quartet that combined aspects of jazz and flamenco. Despite this, Iturralde has said “ Lo que yo hice no era fusión. Si unes jazz y flamenco, uno de los dos muere ", meaning “What I did was not fusion. If you join jazz and flamenco, one of the two dies”. His piece Suite Hellénique was composed for piano and saxophone around 2001. Itturalde passed away last year in Madrid, but his timeless compositions live on through musicians today. Elegie “In Memory of Aram Khachaturian” Arno Babajanian (1921-1983) Babajanian wrote this piece in memory of Aram Khachaturian, the composer who, after seeing his talent as a young child, proposed that he be given proper musical training. Babajanian was an Armenian Soviet who toured the Soviet Union and Europe performing various concerts. He was even named a People’s Artist of the USSR. Both Babajanian and Khachaturian were Armenian, and much of the music they composed drew from the country’s folklore and folk music. Elegie was originally written for solo piano in 1978 and added to his successes and numerous awards received from the USSR and Armenian SSR. Danza de la Moza Donosa (from Danzas Argentinas Op.2, No.2) Alberto Ginastera (1916-1983) Danza de la Moza Donosa translates to “Dance of the Beautiful Maiden”. Ginastera composed this as a soft, pleasant dance for solo piano in 6/8 time. -
Arno Babajanian 13
Sergei Rachmaninoff 19. Variation 7: Vivace 0:27 Préludes 20. Variation 8: Adagio misterioso 0:58 1. Op. 3, No. 2 in C sharp minor - Lento 3:51 21. Variation 9: Un poco piu mosso 0:57 2. Op. 23, No. 5 in G minor - Alla marcia 3:52 22. Variation 10: Allegro scherzando 0:39 3. Op. 23, No. 6 in E flat major - Andante 3:11 23. Variation 11: Allegro vivace 0:25 4. Op. 23, No. 7 in C minor - Allegro 2:54 24. Variation 12: L’istesso tempo 0:35 5. Op. 32, No. 5 in G major - Moderato 3:07 25. Variation 13: Agitato 0:32 6. Op. 32, No. 10 in B minor - Lento 4:41 26. Intermezzo 1:19 7. Op. 32, No. 12 in G sharp minor - Allegro 2:43 27. Variation 14: Andante (come prima) 0:58 28. Variation 15: L’istesso tempo 1:18 Etudes-Tableaux 29. Variation 16: Allegro vivace 0:30 8. Op. 33, No. 6 in E flat minor - Non allegro 1:48 30. Variation 17: Meno mosso 1:05 9. Op. 39, No. 1 in C minor - Allegro agitato 3:36 31. Variation 18: Allegro con brio 0:36 10. Op. 39, No. 5 in E flat minor - Appassionato 5:04 32. Variation 19: Piu mosso. Agitato 0:32 11. Op. 39, No. 6 in A minor - Allegro 3:03 33. Variation 20: Piu mosso 0:58 34. Coda: Andante 1:31 Variations on a Theme of Corelli 12. Theme: Andante 0:57 Arno Babajanian 13. -
The History and Usage of the Tuba in Russia
The History and Usage of the Tuba in Russia D.M.A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By James Matthew Green, B.A., M.M. Graduate Program in Music The Ohio State University 2015 Document Committee: Professor James Akins, Advisor Professor Joseph Duchi Dr. Margarita Mazo Professor Bruce Henniss ! ! ! ! ! ! ! ! ! ! ! ! Copyright by James Matthew Green 2015 ! ! ! ! ! ! Abstract Beginning with Mikhail Glinka, the tuba has played an important role in Russian music. The generous use of tuba by Russian composers, the pedagogical works of Blazhevich, and the solo works by Lebedev have familiarized tubists with the instrument’s significance in Russia. However, the lack of available information due to restrictions imposed by the Soviet Union has made research on the tuba’s history in Russia limited. The availability of new documents has made it possible to trace the history of the tuba in Russia. The works of several composers and their use of the tuba are examined, along with important pedagogical materials written by Russian teachers. ii Dedicated to my wife, Jillian Green iii Acknowledgments There are many people whose help and expertise was invaluable to the completion of this document. I would like to thank my advisor, professor Jim Akins for helping me grow as a musician, teacher, and person. I would like to thank my committee, professors Joe Duchi, Bruce Henniss, and Dr. Margarita Mazo for their encouragement, advice, and flexibility that helped me immensely during this degree. I am indebted to my wife, Jillian Green, for her persistence for me to finish this document and degree. -
News Discourse and Narratives of the Past and Present
The London School of Economics and Political Science Reframing the Armenian Question in Turkey: News Discourse and Narratives of the Past and Present Bengi Bezirgan A thesis submitted to the Department of Sociology of the London School of Economics for the degree of Doctor of Philosophy, London, September 2015 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 86,370 words. I can confirm that my thesis was copy edited for conventions of language, spelling and grammar by James Pavitt. 2 Abstract The problematical notion of the ‘Armenian question’ has become a political and linguistic tool for the official genocide denial ever since the foundation of the Turkish Republic, and has come to stand for the controversy that exists around the denial and recognition of the Armenian Genocide at both national and international levels. This research explores how the ‘Armenian question’ in Turkey opens up a discursive space in which various forms of Turkish nationalism are constructed and reproduced, and addresses multifaceted narratives from members of the Armenian community.