Concert & Recital Programs Concert & Recital Programs
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Concert Brian Lee, Piano Riverside Recital Hall 7:30 P.M
U N I V E R S I T Y O F I O W A S C H O O L of M U S I C UPCOMING EVENTS TROMBONE CHOIR .........................................................................................March 11, 2015 at 7:30 p.m. Riverside Recital Hall FACULTY/GUEST ARTIST..............................................................................March 23, 2015 at 7:30 p.m. Daniel Shapiro and Uriel Tsachor, piano Riverside Recital Hall Center for New Music SYMPHONY ORCHESTRA ..............................................................................March 25, 2015 at 7:30 p.m. Dr. William LaRue Jones, conductor IMU Main Lounge GUEST ARTIST ...................................................................................................March 26, 2015 at 7:30 p.m. Concert Brian Lee, piano Riverside Recital Hall 7:30 p.m. Tuesday, March 10, 2015 GUEST ARTIST ...................................................................................................March 27, 2015 at 7:30 p.m. Frank Almond, violin Riverside Recital Hall Riverside Recital Hall GUEST ARTIST ...................................................................................................March 27, 2015 at 7:30 p.m. David Gompper David Werden, euphonium UCC Recital Hall Center for New Music director A LITTLE LUNCH MUSIC .............................................................................March 27, 2015 at 12:00 p.m. UCC Breakroom Season 49 Concert XII PERCUSSION SPECTACULAR .......................................................................March 29, 2015 at 3:00 p.m. Riverside -
KPFA Folio
KPFAFOLIO July 1%9 FM94.1 Ibnfcmt. vacaimt lit KPFA July Folio page 1 acDcfton, «r thcConfcquencct of Qo'^irrrin^ Troops .n h popuroui STt^tr^laTCd Town, taken f ., A KPFA 94.1 FM Listener Supported Radio 2207 Shattuck Avenue Berkeley, California 94704 -mil: Im Tel: (415) 848-6767 ^^^i station Manager Al Silbowitz Administrative Assistant . Marion Timofei Bookkeeper Erna Heims Assistant Bookkeeper .... Mariori Jansen Program Director . Elsa Knight Thompson Promotion Assistant Tom Green i Jean Jean Molyneaux News Director Lincoln Bergman Public Affairs Program Producer Denny Smithson Public Affairs Secretary .... Bobbie Harms Acting Drama & Literature Director Eleanor Sully Children's Programming Director Anne Hedley SKoAfS g«Lt>eHi'o»i Chief Engineer Ned Seagoon [ Engineering Assistants . Hercules Grytpype- thyne, Count Jim Moriarty Senior Production Assistant . Joe Agos . TVt^Hi ttoopj a*c4_ t'-vo-i-to-LS, Production Assistants . Bob Bergstresser Dana Cannon Traffic Clerk Janice Legnitto Subscription Lady Marcia Bartlett »,vJi u/fUyi^elM*^ e«j M"^ K/c> Receptionist Mildred Cheatham FOLIO Secretary Barbara Margolies ^k- »76I i^t^-c«4>v i-'},ooPi M.aAci.«<< The KPFA Folio Pt-lO«tO Hm.lr<^*'rSuLCjCJt4^\f*JL ' ' "a^ cLcC, u>*A C**t". JblooA. July, 1969 Volume20, No. 7 ®1969 Pacifica Foundation All Rights Reserved The KPFA FOLIO is published monthly and is dislributed free as a service to the subscribers of this listener-support- ed station. The FOLIO provides a detailed schedule of J^rx, Ojt-I itl- K«.A^ +Tajy4;^, UCfA programs broadcast A limited edition is published in braille. »J Dates after program listings indicate a repeat broadcast KPFA IS a non-commercial, educational radio station which broadcasts with 59.000 watts at 94 1 MH ly^onday through Fnday Broadcasting begins at 7:00 am, and on V livi tV.t«< weekends and holidays at 8 00 am Programming usually iV AA cUa«.>5 -rtvMUo WeJc. -
A Performance Guide to George Rochberg's Caprice Variations For
A Performance Guide to George Rochberg’s Caprice Variations for Solo Violin by YUNG-YU LIN A thesis submitted in conformity with the requirements for the degree of Doctor of Musical Arts Faculty of Music University of Toronto © Copyright by YUNG-YU LIN 2020 A Performance Guide to George Rochberg’s Caprice Variations for Solo Violin YUNG-YU LIN Doctor of Musical Arts Faculty of Music University of Toronto 2020 Abstract The American composer George Rochberg’s Caprice Variations, composed in 1970, draws on a vast array of historical stylistic references from the Baroque to the modern musical periods. For Rochberg serialism, arguably the most influential compositional technique of the twentieth century, could no longer convey the full extent of what he wanted to express in his music. After the death of his son Paul in 1964, he determined to renew his musical language by returning to tonality, yet without abandoning a twentieth-century musical idiom. His Caprice Variations marks one of his first attempts to bring together the two polar opposite worlds of tonality and atonality. This one-and-a-half-hour-long work for solo violin is based on the theme from Paganini’s 24 Caprices for Solo Violin, Op.1, No. 24, and presents a wide range of technical challenges for the violinist. Since the piece is long, difficult to play, and now fifty years old, a performance guide to assist violinists is a useful contribution to the pedagogical literature. With a thorough analysis of the piece, and a consideration of both compositional and violin practice issues, as well as discussions with the original editor of the work and two violinists who have recorded it, ii my research will offer a complete performance guide for performers, advanced violin students, and violin teachers to assist them in achieving a deeper understanding of the work and a high level of artistic performance. -
Gerhard Samuel Collection ARS.0049
http://oac.cdlib.org/findaid/ark:/13030/kt8779s460 No online items Guide to the Gerhard Samuel Collection ARS.0049 Finding aid prepared by Franz Kunst Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] © 2011 The Board of Trustees of Stanford University. All rights reserved. Guide to the Gerhard Samuel ARS.0049 1 Collection ARS.0049 Descriptive Summary Title: Gerhard Samuel Collection Dates: 1940-2007 Collection number: ARS.0049 Creator: Samuel, Gerhard Collection size: 104 boxes: 695 reels ; 889 audiocassettes ; 10 DATs ; 13 phonogram discs ; 5 compact discs ; 19 CD-Rs ; 11 videocassettes ; 1 DVD-R ; 26 computer discs ; approximately 5 boxes of photographs, film, microfilm, and slides. Remainder are paper files. Repository: Archive of Recorded Sound Abstract: Papers and recordings from American conductor and composer Gerhard Samuel (1924-2008), particularly from his years conducting the Oakland Symphony, Minneapolis Symphony, and University of Cincinnati. Language of Material: Multiple languages Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive for assistance. Publication Rights Property rights reside with repository. Publication and reproduction rights reside with the creators or their heirs. To obtain permission to publish or reproduce, please contact the Head Librarian of the Archive of Recorded Sound. Preferred Citation Gerhard Samuel Collection, ARS-0049. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, Calif. Source The Gerhard Samuel Collection was donated to the Stanford Archive of Recorded Sound by Erica Wilhelm in 2009. -
Cabrillo Festival of Contemporarymusic of Contemporarymusic Marin Alsop Music Director |Conductor Marin Alsop Music Director |Conductor 2015
CABRILLO FESTIVAL OFOF CONTEMPORARYCONTEMPORARY MUSICMUSIC 2015 MARINMARIN ALSOPALSOP MUSICMUSIC DIRECTOR DIRECTOR | | CONDUCTOR CONDUCTOR SANTA CRUZ CIVIC AUDITORIUM CRUZ CIVIC AUDITORIUM SANTA BAUTISTA MISSION SAN JUAN PROGRAM GUIDE art for all OPEN<STUDIOS ART TOUR 2015 “when i came i didn’t even feel like i was capable of learning. i have learned so much here at HGP about farming and our food systems and about living a productive life.” First 3 Weekends – Mary Cherry, PrograM graduate in October Chances are you have heard our name, but what exactly is the Homeless Garden Project? on our natural Bridges organic 300 Artists farm, we provide job training, transitional employment and support services to people who are homeless. we invite you to stop by and see our beautiful farm. You can Good Times pick up some tools and garden along with us on volunteer + September 30th Issue days or come pick and buy delicious, organically grown vegetables, fruits, herbs and flowers. = FREE Artist Guide Good for the community. Good for you. share the love. homelessgardenproject.org | 831-426-3609 Visit our Downtown Gift store! artscouncilsc.org unique, Local, organic and Handmade Gifts 831.475.9600 oPen: fridays & saturdays 12-7pm, sundays 12-6 pm Cooper House Breezeway ft 110 Cooper/Pacific Ave, ste 100G AC_CF_2015_FP_ad_4C_v2.indd 1 6/26/15 2:11 PM CABRILLO FESTIVAL OF CONTEMPORARY MUSIC SANTA CRUZ, CA AUGUST 2-16, 2015 PROGRAM BOOK C ONTENT S For information contact: www.cabrillomusic.org 3 Calendar of Events 831.426.6966 Cabrillo Festival of Contemporary -
Armenian Orchestral Music Tigran Arakelyan a Dissertation Submitted
Armenian Orchestral Music Tigran Arakelyan A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2016 Reading Committee: David Alexander Rahbee, Chair JoAnn Taricani Timothy Salzman Program Authorized to Offer Degree: School of Music ©Copyright 2016 Tigran Arakelyan University of Washington Abstract Armenian Orchestral Music Tigran Arakelyan Chair of the Supervisory Committee: Dr. David Alexander Rahbee School of Music The goal of this dissertation is to make available all relevant information about orchestral music by Armenian composers—including composers of Armenian descent—as well as the history pertaining to these composers and their works. This dissertation will serve as a unifying element in bringing the Armenians in the diaspora and in the homeland together through the power of music. The information collected for each piece includes instrumentation, duration, publisher information, and other details. This research will be beneficial for music students, conductors, orchestra managers, festival organizers, cultural event planning and those studying the influences of Armenian folk music in orchestral writing. It is especially intended to be useful in searching for music by Armenian composers for thematic and cultural programing, as it should aid in the acquisition of parts from publishers. In the early part of the 20th century, Armenian people were oppressed by the Ottoman government and a mass genocide against Armenians occurred. Many Armenians fled -
Jeremy Podgursky * 1802 E. Maxwell Ln * Bloomington, in 47401 [email protected] *
Jeremy Podgursky * 1802 E. Maxwell Ln * Bloomington, IN 47401 [email protected] * www.jeremypodgursky.com EDUCATION * D.M. in Music Composition, expected May 2013, Jacobs School of Music, Indiana University * M.M. in Music Composition, May 2007 at the University of Louisville (4.0 GPA) * B.M. with High Honors in Music Composition, June 2001 at the University of Louisville (3.8 GPA) PRINCIPAL TEACHERS * Claude Baker, Don Freund, Steve Rouse, Marc Satterwhite, John Gibson, Alicyn Warren, Brenda Kee (piano) EXTENDED PRIVATE STUDY * John Adams, Simon Bainbridge, Ivan Tcherepnin, Tan Dun, Karel Husa, Michael Colgrass, Sebastian Currier, Paul Chihara, Louis Karchin, Philippe Hersant MASTERCLASSES * Toru Takemitsu, Pierre Boulez, George Tsontakis, Simon Bainbridge, Claude Baker, Ivan Tcherepnin, Michael Colgrass, György Kurtag, Sebastian Currier, Steven Stucky, Peter Leiberson, Brett Dean, Stephen Andrew Taylor, Paul Chihara AWARDS/HONORS * 2011 Honorable Mention, MakeMusic/Finale/ACF/eighth blackbird National Composition Competition * Participant in Inaugural (2010) Mizzou New Music Festival at University of Missouri with performance by Alarm Will Sound at the Missouri Theater * 2009 Winner, 8th annual Cal State University Northridge Prize for Orchestra (Northridge, CA performance 02/10) for our bliss, it comes in waves * Participant in American Composers Orchestra/EARSHOT readings with the Colorado Symphony Orchestra, Boettcher Concert Hall, Denver, CO, 07/09, Delta David Gier - Conductor * 2009-2013 Jacobs School of Music Doctoral -
Odysseia Antoniou | Demos | Tsontakis | Samaras Troy1413 Wa R Ning: C TROY1413 O P Yr Igh T Subsis © Tel: 01539824008 Box 137,Kendal,Cumbria La8 0Xd Albany Recordsu.K
od y s s e i a acknowledgments Engineer: Thomas Allgood, Allgood Media Services, Marietta, Georgia The recordings were made at Allgood Media Services between January and May 2011. Cover Art: Ralph Gilbert: Aegean Dreams, oil on canvas Notes on the compositions provided by the composers. Publishers: Nickitas Demos (Tonoi VII, An Empty Blouse): Sylvan Lake Press (ASCAP) George Tsontakis (Three Sighs, Three Variations): Merion Music, Inc. Theodore Antoniou (Celebration XV): available directly from the composer Christos Samaras (Ultimum III): Papagregoriou-Nakas Music Publishing House (www.panasmusic.gr) Funding made possible through the generous support of the Center for Hellenic Studies and the School of Music at Georgia State University. www.albanyrecords.com TROY1413 albany records u.s. 915 broadway, albany, ny 12207 tel: 518.436.8814 fax: 518.436.0643 albany records u.k. box 137, kendal, cumbria la8 0xd Theodore Antoniou | Celebration XV | Nickitas Demos tel: 01539 824008 © 2013 albany records made in the usa ddd Tonoi VII | An Empty Blouse | George Tsontakis waRning: cOpyrighT subsisTs in all Recordings issued undeR This label. Three Sighs, Three Variations | Christos Samaras | Ultimum III the composers Christos Samaras (b. 1956) studied at the State Conservatory of Thessaloniki, the University of Theodore Antoniou (b. 1935) studied at the National Conservatory and the Hellenic Conservatory Music and Fine Arts in Vienna and the University of Fine Arts in Berlin with Isang Yun. He is pro- in Athens, with further studies in conducting and composition at the Hochschule für Musik in fessor of composition in the Department of Music Studies at Aristotle University in Thessaloniki. -
Graduate Handbook
GRADUATE HANDBOOK 2019-2020 ACADEMIC YEAR School of Music University of Louisville Louisville, KY 40292 Phone: (502) 852-6907 Fax: (502) 852-0520 Web: louisville.edu/music Facebook: facebook.com/uoflmusic TABLE OF CONTENTS I. GRADUATE PROGRAMS IN MUSIC Introduction & History.................................................................................... 4 Graduate Faculty Advisors…........................................................................ 4 Mission.................................................................................................................. 4 Organization....................................................................................................... 5 Administration................................................................................................... 5 Staff....................................................................................................................... 5 Student Organizations................................................................................... 6 II. GENERAL INFORMATION Prerequisites & Admission............................................................................ 7 Program of Study............................................................................................ 8 Course Work...................................................................................................... 9 Master’s Project............................................................................................... 10 Application for Degree................................................................................. -
Works by Martin Bresnick, Mel Powell, Ronald Roseman, Ralph Shapey
Works by Martin Bresnick, Mel Powell, Ronald Roseman, Ralph Shapey New World 80413-2 The woodwind quintet is to the wind instruments as the string quartet is to the strings. Composers have treated the heterogenous ensemble of flute, oboe, clarinet, bassoon, and horn as a unity for so long now that it has become a musical commonplace. The challenge in composing for the woodwind quintet is to weave a consistent musical fabric while respecting the disparate characters of the five instruments. The four composers represented on this recording meet this challenge with imagination and mastery. Ronald Roseman (born 1933 in Brooklyn, New York) is well known as an oboist, with over fifty-five solo and chamber recordings to his credit. He is also a composer whose teachers were Henry Cowell, Ben Weber, Karol Rathaus, and Elliott Carter. He is currently a professor at Yale, Queens College, and The Juilliard School. Roseman's Double Quintet for woodwind and brass was written in 1987 on commission from Yale's Norfolk Chamber Music Festival and is dedicated to Joan Panetti, the director of the festival. The Double Quintet opens with a moody slow introduction followed by an Allegro energico, reminiscent of Stravinsky's Octet and Symphonies of Wind Instruments. Here neoclassical gestures are supplemented by several quasi-improvisatory and extended instrumental techniques. All ten players are given a chance to shine in solos, and there is plenty of virtuoso passagework. The Adagio mesto creates a mournful misterioso atmosphere with low muted brass supporting exotic wind melodies. As in the first movement, there is judicious use of techniques culled from the notational and orchestrational experiments of the Sixties and Seventies. -
559396 Bk Sousa
559826 bk Tsontakis.qxp_559826 bk Tsontakis 26/05/2017 10:44 Page 8 Albany Symphony AMERICAN CLASSICS The Albany Symphony fulfills its mission by performing, commissioning, and recording the work of established and emerging American composers. Founded in 1930, the Symphony is privileged to serve a diverse regional audience covering more than seven counties of New George York and parts of three states. Our annual programming includes a nine concert Classics Series with performances throughout New York’s Capital Region, TSONTAKIS each featuring a recent or world premiere composition by a living composer; the annual American Music Festival, our capstone multi-day celebration of new music, including a performance by the new music ensemble Anasa Dogs of Desire; a Family Series with costumed cast which inspire new generations of symphony patrons; and holiday and pops concerts, in collaboration with area youth performing arts groups. Our flagship education programs, Adopt-a-School and Meet the Maestro, bring True Colors musicians into classrooms for interactive music education, and Literacy-through-Songwriting, our in-school composer residency program, works with students on songwriting, storytelling, improvisation, teamwork, and self-expression. Unforgettable David Alan Miller GRAMMY®-winning conductor David Alan Miller has established a reputation as one of the leading American conductors of his generation. Music Director of the Albany Symphony since 1992, Mr. Miller has proven himself a creative and David Krakauer, compelling orchestra builder. Through exploration of unusual repertoire, educational programming, community outreach and recording initiatives, he has reaffirmed the Clarinet Albany Symphony’s reputation as the nation’s leading champion of American symphonic music and one of its most innovative orchestras. -
Spring Concert 2017
The University of Iowa Electronic Music Studios present Spring Concert 2017 Lawrence Fritts, Director For more information about the Electronic Music Studios, please visit us at http://theremin.music.uiowa.edu. Sunday, May 7th, 2017 Voxman Music Building Stark Opera Studio 7:30 PM The University of Iowa Electronic Music Studios present Spring Concert 2017 Minute Variations (1996) Lawrence FRITTS stereo, fixed media Phase (2017) Bernard SHORT 8-channel, fixed media I stepped on a lego once and it felt something like this (2017) Alexander SPENCERI Four Constructions is a work based on prints titled "Four Zurich Constructions" made by David Nicholson, tubax Swiss artist Max Bill's studio. Common to each print is an economy of material that stereo, fixed media demonstrates self-similarity, rotational/inversional color schematics and oppositions between symmetry and asymmetry. Each movement of Four Constructions explores sonified aspects of its associated print. Stir (2017) Genevieve DECKER stereo, fixed media JOSEPH NORMAN is in his third year of the PhD program for music composition at the University of Iowa and is Research Assistant/Composer/Sound Technician for the University of Iowa Department of Dance. Mr. Norman is currently studying composition with Dr. Minute Variation (2017) Paul DUFFY Joshua Levine. stereo, fixed media Mr. Norman's music has been performed at the Exchange of Midwest Collegiate Composers in Kansas City and Boulder, SCI University of Iowa, and the Alba Music Festival. He has Improvisation no. 2 Jonathan WILSON also had works read and premiered by the JACK Quartet, the Center for New Music at the Jonathan Wilson, tenor saxophone, ARP 2600, and Buchla Music Easel University of Iowa, and LOUi, the Lap Top Orchestra also from University of Iowa.