Óskarslagabókin

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Óskarslagabókin This songbook was generated at www.guitarparty.com This songbook was generated at www.guitarparty.com Bls. 2 Table of contents Afgan . 8 Aldrei fór ég suður . 8 All out of luck . 10 Amazing Grace . 11 American Pie . 11 Angels . 14 Angelía . 14 Anna litla . 15 Another Saturday Night . 16 Aravísur . 16 Að lífið sé skjálfandi lítið gras . 17 Bad Moon Rising . 18 Bahama . 18 Behind Blue Eyes . 19 Bein leið . 20 Besti vinur . 20 Bjórinn . 21 Blakkur . 21 Blindsker . 22 Blowing in the wind . 22 Blue Suede Shoes . 23 Blátt lítið blóm eitt er . 23 Blús í G . 24 Braggablús . 24 Bridge Over Trouble Water . 24 Bíddu pabbi . 25 Bíólagið . 26 Capri Katarina . 27 Creep . 27 Dagný . 28 Dancing Queen . 28 This songbook was generated at www.guitarparty.com Bls. 3 Danska lagið . 29 Desperado . 30 Det var brændevin i flasken . 31 Draumalandið . 31 Draumaprinsinn . 32 Draumur um Nínu . 32 Drífa . 33 Eina ósk . 34 Einbúinn . 35 Einhversstaðar einhvern tíman aftur . 35 Einn dans við mig . 36 Einsi kaldi úr Eyjunum . 37 Einu sinni á ágústkvöldi . 38 Eitt lag enn . 38 Eitt lag enn . 39 Fairytale . 39 Fallegi lúserinn minn . 40 Farin . 41 Father And Son . 42 Fatlafól . 43 Fjólublátt ljós við barinn . 43 Fjöllin hafa vakað . 44 Flagarabragur . 45 Fly on the wings of love . 46 Fram á nótt . 47 Fram í heiðanna ró . 47 Frelsarans slóð . 48 Frelsið . 49 Frystikistulagið . 49 Fyrir átta árum . 50 Gaggó Vest . 51 Gamli Skólinn . 53 This songbook was generated at www.guitarparty.com Bls. 4 Gamli sorrí Gráni . 53 Gestalistinn . 54 Getur verið? . 54 Gleðibankinn . 55 Grace Kelly . 56 Hallelujah . 57 Have you ever seen the rain . ..

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05-NOVA-Songbok-19X22-Web.Pdf
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Linguistic and cultural changes throughout the history of the Eurovision Song Contest Trabajo de Fin de Grado Lenguas Modernas y Traducción Facultad de Filosofía y Letras Written by: Sergio Lucas Rojo Tutored by: Irina Ursachi July 2020 Abstract This paper aims to clarify some of the linguistic problems that have arisen in recent years at the Eurovision Song Contest, one of the most important music events in the world. Through an exhaustive bibliographic review and the individual analysis of a large number of entries, it is concluded that linguistic diversity, an identifying feature of the show in the past, has been reduced by establishing a rule that does not oblige artists to sing in the language of the country they represent. English has taken over the reins of this annual competition, although there is still room for the traditional and the ethnic. The research that has been carried out is intended to serve as a reference for all Eurovision followers who wish to expand their knowledge. It also attempts to clarify concepts such as “linguistic diversity”, “identity” and “culture”, which can be extrapolated to other fields of knowledge. It must be noted that not only have linguistic issues been dealt with, but there are references to all the factors involved in the contest. However, it is those phenomena related to languages that form the backbone of the work. Key words: Eurovision Song Contest, languages, culture, identity, Europe, music. Resumen Este trabajo responde a la necesidad de aclarar algunos problemas lingüísticos que han surgido en los últimos años en el Festival de Eurovisión, uno de los eventos musicales más importantes del mundo.
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