DOCSLIB.ORG

Catalogue 2016.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Catalogue 2016.Pdf PRESENTS THE BRUSSELS ANIMATION FILM FESTIVAL CATALOGUE EN FRANÇAIS NEDERLANDSTALIGE CATALOGUS ENGLISH CATALOGUE © Sue Doeksen/ Folioscope 2015-2016 – Co-organisation Folioscope a.s.b.l. / Festival du dessin animé a.s.b.l. / Vereniging van de animatiefilm vzw. – Éd. resp.: Doris Cleven, Folioscope, 24 boulevard de l’Empereur, 1000 Bruxelles de l’Empereur, 24 boulevard Folioscope, Doris Cleven, resp.: Éd. – vzw. de animatiefilm van Vereniging / du dessin animé a.s.b.l. / Festival a.s.b.l. 2015-2016 – Co-organisation Folioscope © Sue Doeksen/ Folioscope PARTENAIRES / PARTNERS » La Fédération Wallonie-Bruxelles, Ministère de l’Éducation et de la Communication, Direction de l’Audiovisuel et des Multimédias, Services de Prêt de Matériel de la Fédération Wallonie-Bruxelles, Ministère des Relations extérieures, Wallonie-Bruxelles International ; » Ministerie van de Vlaamse Gemeenschap, Vlaams Audiovisueel Fonds - Publiekswerking ; » Le Gouvernement de la Région de Bruxelles-Capitale / De Brusselse Hoofdstedelijke Regering ; » Avec le support du Programme Creative Europe de l’Union européenne / Met de steun van het Creative Europe Programma van de Europese Unie ; » Le Service Public francophone de Bruxelles ; » De Vlaamse Gemeenschapscommissie ; » Avec le soutien de / Met de steun van Dominique Dufourny, Bourgmestre / Burgemeester, Yves de Jonghe d’Ardoye, Échevin de la Culture / Schepen van Cultuur, et des membres du Collège des Bourgmestre et Échevins d’Ixelles / en het Schepencollege van Elsene. Prix des compétitions nationale et internationale Prijzen nationale en internationale competities National and international competition awards . 5 Jurys – Jury’s – Juries . 6 Sélection officielle des longs métrages Officiële langspeelfilmselectie Official feature films selection . 11 Autres longs et courts métrages Andere lange en korte films Other long and short movies . 31 Sélection officielle des courts métrages Officiële kortfilmselectie Official short films selection . 33 Focus & Rétrospectives – Retrospectieven – Retrospectives . 81 Futuranima . 87 Invités – Genodigden – Guests . 97 Expositions – Tentoonstellingen – Exhibitions . 105 Sommaire – Inhoud – Content – Inhoud Content Sommaire Installations – Installaties – Installations . 106 Index par réalisateur Index per regisseur Index according to directors . 107 Glossaire – Glossarium – Glossary . 111 Ours – Colofon – Colophon . 112 Anima 2016 Anima 2016 Anima 2016 Du 5 au 14 février 2016 Van 5 tot 14 februari 2016 From February 5th till 14th 2016 au Flagey. in Flagey. in Flagey centre. Une co-organisation de Folioscope asbl / Een co-organisatie van Folioscope vzw / A co-organisation of Folioscope asbl / Festival du dessin animé asbl / Festival du dessin animé asbl / Festival du dessin animé asbl / Vereniging Festival van de Animatiefilm vzw Vereniging Festival van de Animatiefilm vzw Vereniging Festival van de Animatiefilm vzw 24, bvd de l’Empereur - 1000 Bruxelles Keizerslaan 24 - 1000 Brussel 24, bvd de l’Empereur- 1000 Brussels Tel : 0032 2 534 41 25 Tel : 0032 2 534 41 25 Tel : 0032 2 534 41 25 Fax : 0032 2 534 22 79 Fax : 0032 2 534 22 79 Fax : 0032 2 534 22 79 info@folioscope .be info@folioscope .be info@folioscope .be www .animafestival .be www .animafestival .be www .animafestival .be Prix – Prijzen – Awards Anima 2016 5 Compétition internationale Internationale Competitie International Competition Prix décernés par le jury Jury Prijzen Jury Awards • Grand Prix du meilleur court métrage, • Grand Prix geschonken door het Brussels • Grand Prix for Best International Short offert par la Région de Bruxelles-Capitale Hoofdstedelijk Gewest (2500 €) Film, provided by the Brussels-Capital (2 500 €) • Speciale Prijs van de Jury, Region (2500€) • Prix spécial du jury, catégorie courts categorie kortfilms • Special Jury Award métrages • Prijs voor beste kortfilm, for Best Short Film • Prix du meilleur court métrage, catégorie categorie studentenfilms, geschonken • Award for Best Student Short Film étudiants, offert par TVPaint door TV Paint provided by TV Paint (licence de TVPaint Animation 11 Édition (softwarelicentie TVPaint Animation 11 (softwarelicense TVPaint Animation 11 Standard d’une valeur de 500 €) Edition Standard ter waarde van 500€) Edition Standard, worth 500€) • Prix du meilleur court métrage, catégorie • Prijs voor beste kortfilm, • Award for Best Short Film for Children films pour jeune public (jury jeune) categorie kinderfilms (jongerenjury) (youth-jury) Prix décernés par le public Prijzen toegekend door Audience Awards à l’international het publiek • Audience Award for Best Short Film • Prix du public pour le meilleur court • Publieksprijs voor beste kortfilm • Audience Award for Short Film for Children métrage • Publieksprijs voor beste kortfilm, categorie • Animation Night Audience Award • Prix du public pour le meilleur court kinderfilms for Best Short Film métrage, catégorie films pour jeune public • Publieksprijs voor beste langspeelfilm, • Audience Award for Best Animated • Prix du public pour le meilleur long gesponsord door FedEx Feature, provided by FedEx métrage, parrainé par FedEx (FedEx verzendingen ter waarde van 2 .500 €) (voucher worth 2 .500€) (envois FedEx pour une valeur de 2 500 €) • Publieksprijs voor beste langspeelfilm • Audience Award for Best Animated • Prix du public pour le meilleur long voor kinderen Feature for Children métrage jeune public • Publieksprijs Animeernacht • Prix du public pour le meilleur court Partner Award métrage de la Nuit animée Prijs uitgereikt door de partners • BeTV Award for Best Animated Feature • BeTV prijs voor beste langspeelfilm (5 .000 € for acquisition of broadcasting Prix décernés par nos partenaires (5 .000 € voor aankoop uitzendrechten) rights) • Prix Be tv du meilleur long métrage • Prijs Filmkritiek voor beste kortfilm • Press Award for Best Short Film (5 000 € pour l’achat des droits de diffusion) • Prix de la critique pour le meilleur court métrage Nationale Competitie National Competition Prijzen toegekend door de jury Jury Awards Compétition nationale • Prijs voor beste Belgische kortfilm, • Award for Best Belgian Short Film, geschonken door SABAM (2 .500€) provided by SABAM (2 .500€) Prix décernés par le jury • Grote Prijs voor de beste film van de Grand Prix for Best Short of the Fédération • Prix du meilleur court métrage belge, • Fédération Wallonie-Bruxelles, geschonken Wallonie-Bruxelles, provided by the offert par la Sabam (2 500 €) door de Fédération Wallonie-Bruxelles Fédération Wallonie-Bruxelles (2 .500€) • Grand Prix du meilleur court métrage (2500 €) de la Fédération Wallonie-Bruxelles, • Author Award provided by SACD (2 .500€) Auteursprijs, geschonken door SACD offert par la Fédération Wallonie-Bruxelles • • Best Belgian Student Short Film Award, (2 500 €) (2 .500 €) provided by TV Paint • Prix des auteurs, offert par la SACD • Prijs voor beste Belgische studentenfilm, (TVPaint Animation 11 Edition Standard (2 500 €) geschonken door TV Paint license, worth 500 €) • Prix du meilleur court métrage étudiant (softwarelicentie TVPaint Animation 11 Edition Standard ter waarde van 500€) belge, offert par TVPaint Partner Awards (licence de TVPaint Animation 11 Édition Standard d’une valeur de 500 €) Prijzen uitgereikt door • BeTV Award de partners (acquisition of broadcasting rights) • RTBF – La Trois Award Prix décernés par nos partenaires BeTV-prijs (Aankoop uitzendrechten) • (acquisition of broadcasting rights) • Prix Be tv (achat des droits de diffusion) RTBF-LaTrois-prijs • • Cinergie Award • Prix de la RTBF-La Trois (Aankoop uitzendrechten) (Electronic Press Kit) (achat des droits de diffusion) • Cinergieprijs (Elektronisch persdossier) • Prix Cinergie (dossier de presse électronique) 6 CourtsInternational métrages Competition – Kortfilms Jury – Shorts Sergio Honorez Niki Lindroth von Bahr Nicolas Ménard (BE) (SE) (CA) ormé à la réalisation à l’INSAS, réalisa- ée en 1984 et basée à Stockholm, Niki icolas est un artiste pluridisciplinaire F teur publicitaire, il participe à l’habillage NLindroth von Bahr a réalisé les courts N(graphiste, illustrateur, animateur) graphique de plusieurs longs métrages . métrages Tord and Tord (2010) et Bath House canadien installé à Londres . En 2014, il sort Membre fondateur des Snuls et du Jeu des (2014) . Elle est diplômée comme accessoi- diplômé du Royal College of Art et devient Dictionnaires (RTBF), il dirige l’édition de la riste de la Nordiska Scenografiskolan en membre du collectif Late Night Work Club . maison Dupuis et revalorise son patrimoine 2006 et bachelière en Beaux-Arts du Royal Ses films ont été présentés et récompensés (Franquin, Will, Peyo, Tillieux…) et promeut Institute of Art de Stockholm en 2014 . Tord dans nombre de festivals internationaux, une nouvelle génération d’auteurs (Arthur and Tord a été primé au Festival internatio- dont Ottawa, Annecy… et bien sûr Anima . de Pins, Nob, Dequier, Bailly & Fraipont) . Il est nal du film d’Abu Dhabi et a reçu le Grand Nicolas Ménard s’illustre également dans chargé du développement audiovisuel de Prix au Festival international de Fredrikstad . la publicité et compte parmi ses clients The ces univers . Bath House a remporté en 2015 le Grand Prix New York Times, Universal, Google Play, The d’Anima . California Sunday Magazine et la Cinéma- a zijn studie aan het INSAS maakte thèque québécoise . NHonorez reclamefilms en was hij gra- aker van Tord and Tord (2010) en Bath fisch vormgever voor langspeelfilms . Hij MHouse (2014), Niki Lindroth von Bahr icolas Ménard is een kunstenaar in ver-
Load more

Recommended publications
  • Télécharger Le Catalogue 2010
    PARTENAIRES PARTENAIRES INSTITUTIONNELS PARTENAIRES CULTURELS PARTENAIRES PRIVÉS PARTENAIRES MÉDIAS SOMMAIRE ÉDITO Infos pratiques / 4 10 ans déjà, et en même temps... tant de chemin parcouru, tant de films, tant Nuit d’ouverture / 6 d’invités, tant d’émotions. Dix ans que nous partageons avec vous notre passion Compétition internationale / 10 Jury / 10 ` pour le format court. En 2000, le Festival naissait en s’intéressant à l’actualité Prix et clôture / 11 audiovisuelle, la création numérique, et en mettant la notion de rencontre et Fiction / 12 d’échange au cœur du projet. Les années ont passé, la production et la création Animation / 15 Expérimental / 18 ont évolué, et le Festival avec elles. Convergence des supports et des technologies, Vidéoclips / 20 il n’est plus question de scinder techniques numériques et argentiques, tout se Très Courts / 21 mélange, reste l’œuvre courte. Peu importe la technique et la diffusion. Théma « Duo/Duel » / 22 Corps à corps / 22 Face à face / 23 Tête à tête / 24 Depuis quelques années, le Festival s’est aussi ouvert à une évolution majeure : Nez à nez / 25 la création audiovisuelle qui s’émancipe de l’écran. Le lien entre l’image et la Côte à côte / 27 musique, l’image et les arts plastiques, ou encore l’image et le spectacle vivant, est VisualMix / 28 Vidéoclips / 28 devenu l’un des terrains majeurs de l’exploration artistique. « Contes et fables » de Lotte Reiniger / 28 Electrical Live Cinema + SiTT / 29 Cartune Xprez : Future Television / 31 Si le Festival évolue avec l’actualité des créateurs, il évolue aussi avec vous, Sculpture + Ambiteknomüsik / 31 notre public, toujours plus nombreux.
    [Show full text]
  • 1997 Sundance Film Festival Awards Jurors
    1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J.
    [Show full text]
  • 13099 Stats Year Book 09 Re
    The UK Film Council is the Government-backed lead agency for film in the UK ensuring that the economic, cultural and educational aspects of film are effectively represented at home and abroad. Our goal is to help make the UK a global hub for film in the digital age, with the world’s most imaginative, diverse and vibrant film culture, underpinned by a flourishing, competitive film industry. We want to ensure there are no barriers to accessing our printed materials. If you, or someone you know, would like a large print, Braille, disc or audiotape version of this report, please contact our Communications Department at the following address: UK Film Council 10 Little Portland Street London W1W 7JG T +44 (0)20 7861 7861 F +44 (0)20 7861 7863 [email protected] www.ukfilmcouncil.org.uk Welcome to the 2009 UK Film Council Statistical Yearbook. This yearbook, the seventh we have published, is a rich source of industry data and analysis on film in the UK. This publication is one of the ways we deliver on our commitment to evidence- based film policy. We hope you enjoy this yearbook and find it useful. Contents 2008 – the year in review ..................................................4 8.5 Box office performance of four types of UK production in the UK and Ireland...............58 Chapter 1: The box office ..................................................6 8.6 International release rate of UK films ...................59 1.1 Admissions...............................................................7 8.7 International release rate of four
    [Show full text]
  • IMAGE Film and Video Collection 1
    IMAGE Film and Video Collection 1 A B C D E F G 1 Box # Item # Title Producer Format Date Length 2 1 12 "The Afterlife of Grandpa" P.J. Pesce 3/4" 1988 23:34 3 1 1 "Travelin' Trains" Eric Mofford 3/4" 2/10/88 30 min Best of the Festival Part II: 6th Atlanta 4 1 6 Independant [sic] Film and Video Festival Meridith Monk 3/4" 60 min Alene Richards & Beverly 5 1 13 Brady Boomers, The Ginsburg 3/4" 1990 16:00 6 1 8 Dream #2 William J. Oates 3/4" 30 min 7 1 2 Fanny Kemble's Journal Gary Moss, Robin Reidy 3/4" 1981 30 min 8 1 5 Four Episodes from 1984 Marshall Peterson 3/4" 1985 30 min 9 1 3 Haute Culture II: Muntadas Santa Monica Place 3/4" 60 min 10 1 3A Haute Culture II: Muntadas Boston Museum of Fine Art 3/4" 60 min 11 1 3B Haute Culture II: Muntadas Boston Museum of Fine Art 3/4" 60 min 12 1 10 Physical Phenomena Steven O' Connor 3/4" 26:10:00 13 1 11 Shoes Required Joe Murphy 3/4" 1991 27:50:00 14 1 7 Small Miracles Toni Pezone 3/4" 15 1 9 Songs in Minto Life Curt Madison 3/4" 28:36:00 16 1 4 South of the Border: A Documentary Lisa Napoli 3/4" 1991 30 min 17 2 25 "Art of Memory" Woody Vasulka 3/4" 11/5/87 36:00:00 18 2 15 1.
    [Show full text]
  • Shaun the Sheep's Creator
    PRODUCTION NOTES STUDIOCANAL RELEASE DATES: UK – OCTOBER 18th 2019 SOCIAL MEDIA: Facebook - https://www.facebook.com/shaunthesheep Twitter - https://twitter.com/shaunthesheep Instagram - https://www.instagram.com/shaunthesheep/ YouTube - https://www.youtube.com/user/aardmanshaunthesheep For further information please contact STUDIOCANAL: UK ENQUIRIES [email protected] [email protected] 1 Synopsis Strange lights over the quiet town of Mossingham herald the arrival of a mystery visitor from far across the galaxy… For Shaun the Sheep’s second feature-length movie, the follow-up to 2015’s smash hit SHAUN THE SHEEP MOVIE, A SHAUN THE SHEEP MOVIE: FARMAGEDDON takes the world’s favourite woolly hero and plunges him into an hilarious intergalactic adventure he will need to use all of his cheekiness and heart to work his way out of. When a visitor from beyond the stars – an impish and adorable alien called LU-LA – crash-lands near Mossy Bottom Farm, Shaun soon sees an opportunity for alien-powered fun and adventure, and sets off on a mission to shepherd LU-LA back to her home. Her magical alien powers, irrepressible mischief and galactic sized burps soon have the flock enchanted and Shaun takes his new extra-terrestrial friend on a road-trip to Mossingham Forest to find her lost spaceship. Little do the pair know, though, that they are being pursued at every turn by a mysterious alien- hunting government agency, spearheaded by the formidable Agent Red and her bunch of hapless, hazmat-suited goons. With Agent Red driven by a deep-seated drive to prove the existence of aliens and Bitzer unwittingly dragged into the haphazard chase, can Shaun and the flock avert Farmageddon on Mossy Bottom Farm before it’s too late? 2 Star Power The creative team behind the world’s favourite woolly wonder explain how, in Farmageddon, they’ve boldly gone where no sheep has gone before..
    [Show full text]
  • These Strange Criminals: an Anthology Of
    ‘THESE STRANGE CRIMINALS’: AN ANTHOLOGY OF PRISON MEMOIRS BY CONSCIENTIOUS OBJECTORS FROM THE GREAT WAR TO THE COLD WAR In many modern wars, there have been those who have chosen not to fight. Be it for religious or moral reasons, some men and women have found no justification for breaking their conscientious objection to vio- lence. In many cases, this objection has lead to severe punishment at the hands of their own governments, usually lengthy prison terms. Peter Brock brings the voices of imprisoned conscientious objectors to the fore in ‘These Strange Criminals.’ This important and thought-provoking anthology consists of thirty prison memoirs by conscientious objectors to military service, drawn from the United Kingdom, the United States, Canada, Australia, and New Zealand, and centring on their jail experiences during the First and Second World Wars and the Cold War. Voices from history – like those of Stephen Hobhouse, Dame Kathleen Lonsdale, Ian Hamilton, Alfred Hassler, and Donald Wetzel – come alive, detailing the impact of prison life and offering unique perspectives on wartime government policies of conscription and imprisonment. Sometimes intensely mov- ing, and often inspiring, these memoirs show that in some cases, indi- vidual conscientious objectors – many well-educated and politically aware – sought to reform the penal system from within either by publicizing its dysfunction or through further resistance to authority. The collection is an essential contribution to our understanding of criminology and the history of pacifism, and represents a valuable addition to prison literature. peter brock is a professor emeritus in the Department of History at the University of Toronto.
    [Show full text]
  • 2012 Guide 56Pp+Cover
    cc THE UK’S PREMIER MEETING PLACE FOR THE CHILDREN’S 4,5 &6 JULY 2012SHEFFIELD UK CONTENT INDUSTRIES CONFER- ENCE GUIDE 4_ 5_ & 6 JULY 2012 GUIDE SPONSOR Welcome Welcome to CMC and to Sheffield in the We are delighted to welcome you year of the Olympics both sporting and to Sheffield again for the ninth annual cultural. conference on children’s content. ‘By the industry, for the industry’ is our motto, Our theme this year is getting ‘ahead of which is amply demonstrated by the the game’ something which is essential number of people who join together in our ever faster moving industry. to make the conference happen. As always kids’ content makers are First of all we must thank each and every leading the way in utilising new one of our sponsors; we depend upon technology and seizing opportunities. them, year on year, to help us create an Things are moving so fast that we need, event which continues to benefit the kids’ more than ever, to share knowledge and content community. Without their support experiences – which is what CMC is all the conference would not exist. about – and all of this will be delivered in a record number of very wide-ranging Working with Anna, our Chair, and our sessions. Advisory Committee is a volunteer army of nearly 40 session producers. We are CMC aims to cover all aspects of the sure that over the next few days you will children's media world and this is appreciate as much as we do the work reflected in our broad range of speakers they put into creating the content from Lane Merrifield, the Founder of Club sessions to stretch your imagination Penguin and Patrick Ness winner of the and enhance your understanding.
    [Show full text]
  • Managing Creativity in a Successful Company – Aardman Animations
    <CN>Chapter 14:</CN> <CT>‘It’s Our Property and Our Passion’: Managing Creativity in a Successful Company – Aardman Animations <AU>Andrew Spicer <NP>It has become a cultural and commercial necessity for media firms to promote themselves as dynamic and innovative ‘creative companies’ and therefore attractive to potential employees, associated companies or funders. Although the concept of creativity has been extensively discussed, as Philip Schlesinger argued a decade ago in his critique of the ‘doctrine’ of creativity, the central question for critical empirical research is ‘in what form ideas about creativity and innovation become organizationally embedded and to what extent they shape the actual management of creative practice […] how ideas about creativity are actually interpreted in the practice of production’ (2007: 387, original emphasis). A central problem, which Mark Banks argues ‘is the distinctive feature of cultural production’, is the tension between the rational, accumulative and standardising logic of capitalist production and the irrational, unruly, unpredictable and potentially disruptive demands of the creative worker who values her autonomy (2007: 30, original emphasis). Although creativity and commerce are often polarized, in modern media firms they are always ‘intermingled and interfused’ in an unstable and shifting interplay that evolves over time (Negus and Pickering 2004: 46–67). <TEXT>This chapter develops an extended analysis of the management of creative practice in one of the most successful UK film and television companies, Aardman Animations, which has evolved from a hand-to-mouth two-person operation in 1976 to a medium-sized firm with a £22.3 million turnover in 2014 and over 150 employees, a number that rises to more than 600 when two films are being produced simultaneously (Baker 2014).
    [Show full text]
  • Animovaný Film Ve Velké Británii
    Animovaný film ve Velké Británii Tereza Mašláňová Bakalářská práce 2009 ABSTRAKT Tato písemná bakalá řská práce se v ěnuje animované tvorb ě ve Velké Británii. Začí- ná popisem její historie od prvních kr ůč ků v 19. století až k sou časným animovaným fil- mům. V jedné kapitole se v ěnuje Channelu 4, který pomáhá britskou animaci financovat. Velká část je ale zam ěř ena na nejúsp ěšn ější britské tv ůrce animovaných film ů, animátory a anima ční studia, a jejich nejslavn ější filmy. V poslední kapitole také popisuje britskou tvorbu pro d ěti. Klí čová slova: animace, loutková animace, plošková animace, film, Velká Británie, ve řejn ě informativní film, Channel 4, reklama, financování animovaných film ů ABSTRACT This written bachelor thesis deals with the animation in Great Britain. It starts with describing its history since the very first steps in the 19 th century to the contemporary ani- mated movies. One chapter deals with the Channel 4 that helps to fund the British anima- tion. The major part of this thesis focuses on the most successful British creators, the ani- mators and the animation studios, and their most famous films. The last chapter describes British animated films for children. Keywords: animation, puppet animation, cut-out animation, film, Great Britain, public in- formation film, commercial, the funding of animated films Prohlašuji, že jsem bakalá řskou práci na téma Animovaný film ve Velké Británii vypraco- vala samostatn ě a uvedla veškeré informa ční zdroje. Ve Zlín ě dne 7. kv ětna 2009 ............................................... Tereza Mašlá ňová OBSAH ÚVOD....................................................................................................................................7 1 HISTORIE BRITSKÉHO ANIMOVANÉHO FILMU............................................8 1.1 POČÁTKY ANIMOVANÉHO FILMU VE VELKÉ BRITÁNII .............................................8 1.2 ANIMACE B ĚHEM 2.
    [Show full text]
  • Objectif Laine
    OBJECTIF LAINE © 2019 AARDMAN ANIMATIONS LTD ET STUDIOCANAL SAS TOUS DROITS RÉSERVÉS. STUDIOCANAL PRÉSENTE UN FILM DE RICHARD PHELAN ET WILL BECHER PRODUIT PAR AARDMAN ANIMATIONS DURÉE : 1H30 DISTRIBUTION PRESSE STUDIOCANAL MICHÈLE ABITBOL-LASRY / SÉVERINE LAJARRIGE SOPHIE FRACCHIA 184, BOULEVARD HAUSSMANN [email protected] 75008 PARIS TÉL. : 01 71 35 11 19 TÉL. : 01 45 62 45 62 [email protected] / [email protected] MATÉRIEL PRESSE DISPONIBLE SUR SALLES.STUDIOCANAL.FR SYNOPSIS OBJECTIF LAINE ! Shaun Le Mouton revient dans une aventure intergalactique. Un vaisseau spatial s’est écrasé près de la ferme de Shaun. À son bord, une adorable et malicieuse petite créature, prénommée LU-LA. Avec ses pouvoirs surnaturels, son goût pour l'aventure, et ses rots venus d'un autre monde, elle est immédiatement adoptée par le troupeau. Mais lorsqu’une sombre organisation gouvernementale se lance à sa poursuite, bien décidée à capturer la petite extra-terrestre, la ferme contre-attaque ! Shaun et le troupeau vont tout faire pour aider LU-LA à rentrer chez elle. Accrochez vos ceintures et préparez-vous pour une épopée… à se tondre de rire ! UNE ÉTOILE EST NÉE L’ÉQUIPE ARTISTIQUE DU FILM EXPLIQUE COMMENT, AVEC CE NOUVEL OPUS, ELLE S’EST AVENTURÉE SUR UN TERRITOIRE JAMAIS FOULÉ PAR LE MOINDRE MOUTON… Shaun le mouton est déjà une véritable star, adulé par des mil- lions de fans du monde entier – de toutes générations – qui l’ont découvert dans la série télé, puis retrouvé avec bonheur dans le film SHAUN LE MOUTON en 2015. Mais pour le deuxième long métrage qui lui est consacré, les auteurs souhaitaient emmener le personnage dans des espaces encore inconnus et se montrer plus audacieux et plus ambitieux, en signant un film de science-fiction spectaculaire ! « C’était notre objectif, signale le coréalisateur Will Becher, directeur de l’animation de CRO MAN, qui fait ici ses débuts de metteur en scène.
    [Show full text]
  • A Festival of Animation for Creatures of All Ages! 1300-1900Hrs
    a Festival of aNimaTion for crEatures of aLL AgeS! 1300-1900hrs programme of film screenings program inside these pages! Welcome to the Factory Animation Festival 2011 sponosored by nobody. The animations will be running all afternoon and are split up into three blocks between 1300-1430hrs, 1430-1600hrs and 1600-1730hrs. (There might be some late entries being shown later!) Please read on in the programme to find out what types of animation are showing and when. Screen One is located in the Main Room on the ground floor. Screen Two is on the 1st floor in the Function Room (left at the top of the stairs). There is a cafe on the ground floor through the bike room. There is tea, coffee and homemade vegan cakes being served up. The whole day is open to everyone. If you are able to donate to help pay the costs for the food and set up of the festival, that would be very much appreciated. We run regular events here at the Factory, there’s a People’s Kitchen on Tuesday nights from 8pm, where food is served for donations; and on Wednesday nights from 7pm there is a film night each week. If you would like to know more, please ask around today, or check out our noticeboard on the outside of the building on Cave Street. Also you can have a look at the website http://www.bristolspaceinvaders.wordpress.com to find out information about our upcoming events and how to get involved. Each Thursday at 7pm we have an open meeting where we discuss different projects and events in the space and anyone is welcome to come and share ideas and become part of the project in whatever way you would like to.
    [Show full text]
  • Mednarodni Festival Animiranega Filma Animateka 2007 International Animated Film Festival Animateka 2007
    Mednarodni festival animiranega filma Animateka 2007 International Animated Film Festival Animateka 2007 Vsebina Intro Osvobojeni Jimmy / Free Jimmy Žirija / Jury Družina Christie / The Christies Contents Persepolis Tekmovalni program I / Competition Programme I Tekmovalni program II / Competition Programme II Slon: vzgojno izobraževalni program animiranih filmov za šole in Tekmovalni program III / Competition Programme III družine / Elephant: Educational Animated Film Programme for Tekmovalni program IV / Competition Programme IV Schools and Families Vzhodnoevropska in srednjeevropska panorama / East and Central Slon I: Izbor sodobnih kanadskih animiranih filmov in Creature European Panorama comforts / Elephant I: Selection of Contemporary Canadian Animated Films and Creature Comforts Žirija se predstavlja / Jury Programme Slon II: Kirikou in divje živali / Elephant II: Kirikou and the Wild Retrospektiva Kojija Yamamure / Koji Yamamura Retrospective Beasts Poklon Raoulu Barréju / Tribute to Raoul Barré Slon III: Izbor sodobnih animiranih filmov z Vzhoda / Elephant III: Avstrijski avantgardni film in video / Austrian Avantgarde Film and Selection of Contemporary Animated Films From the East Video Slon IV: Retrospektiva jugoslovanskih animiranih filmov / Elephant IV: Najboljši filmi festivala Fantoche 2007 / Best of Fantoche 2007 Yugoslav Animated Films Retrospective Zgodovina portugalskega animiranega filma / Portuguese Animated Slon V: Družinski slon – izbor jugoslovanskih animiranih filmov in Film History filmov z vzhoda / Elephant
    [Show full text]