Artfilm 2008 Katalog.Pdf
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Arxiv:1912.09713V2 [Cs.LG] 25 Jun 2020
Published as a conference paper at ICLR 2020 MEASURING COMPOSITIONAL GENERALIZATION: ACOMPREHENSIVE METHOD ON REALISTIC DATA Daniel Keysers, Nathanael Schärli, Nathan Scales, Hylke Buisman, Daniel Furrer, Sergii Kashubin, Nikola Momchev, Danila Sinopalnikov, Lukasz Stafiniak, Tibor Tihon, Dmitry Tsarkov, Xiao Wang, Marc van Zee & Olivier Bousquet Google Research, Brain Team {keysers,schaerli,nkscales,hylke,danielfurrer,sergik,nikola,sinopalnikov, lukstafi,ttihon,tsar,wangxiao,marcvanzee,obousquet}@google.com ABSTRACT State-of-the-art machine learning methods exhibit limited compositional general- ization. At the same time, there is a lack of realistic benchmarks that comprehen- sively measure this ability, which makes it challenging to find and evaluate im- provements. We introduce a novel method to systematically construct such bench- marks by maximizing compound divergence while guaranteeing a small atom di- vergence between train and test sets, and we quantitatively compare this method to other approaches for creating compositional generalization benchmarks. We present a large and realistic natural language question answering dataset that is constructed according to this method, and we use it to analyze the compositional generalization ability of three machine learning architectures. We find that they fail to generalize compositionally and that there is a surprisingly strong nega- tive correlation between compound divergence and accuracy. We also demonstrate how our method can be used to create new compositionality benchmarks on top of the existing SCAN dataset, which confirms these findings. 1 INTRODUCTION Human intelligence exhibits systematic compositionality (Fodor & Pylyshyn, 1988), the capacity to understand and produce a potentially infinite number of novel combinations of known components, i.e., to make “infinite use of finite means” (Chomsky, 1965). -
Title Call # Category
Title Call # Category 2LDK 42429 Thriller 30 seconds of sisterhood 42159 Documentary A 42455 Documentary A2 42620 Documentary Ai to kibo no machi = Town of love & hope 41124 Documentary Akage = Red lion 42424 Action Akahige = Red beard 34501 Drama Akai hashi no shita no nerui mizu = Warm water under bridge 36299 Comedy Akai tenshi = Red angel 45323 Drama Akarui mirai = Bright future 39767 Drama Akibiyori = Late autumn 47240 Akira 31919 Action Ako-Jo danzetsu = Swords of vengeance 42426 Adventure Akumu tantei = Nightmare detective 48023 Alive 46580 Action All about Lily Chou-Chou 39770 Always zoku san-chôme no yûhi 47161 Drama Anazahevun = Another heaven 37895 Crime Ankokugai no bijo = Underworld beauty 37011 Crime Antonio Gaudí 48050 Aragami = Raging god of battle 46563 Fantasy Arakimentari 42885 Documentary Astro boy (6 separate discs) 46711 Fantasy Atarashii kamisama 41105 Comedy Avatar, the last airbender = Jiang shi shen tong 45457 Adventure Bakuretsu toshi = Burst city 42646 Sci-fi Bakushū = Early summer 38189 Drama Bakuto gaijin butai = Sympathy for the underdog 39728 Crime Banshun = Late spring 43631 Drama Barefoot Gen = Hadashi no Gen 31326, 42410 Drama Batoru rowaiaru = Battle royale 39654, 43107 Action Battle of Okinawa 47785 War Bijitâ Q = Visitor Q 35443 Comedy Biruma no tategoto = Burmese harp 44665 War Blind beast 45334 Blind swordsman 44914 Documentary Blind woman's curse = Kaidan nobori ryu 46186 Blood : Last vampire 33560 Blood, Last vampire 33560 Animation Blue seed = Aokushimitama blue seed 41681-41684 Fantasy Blue submarine -
Katalog Dwa Brzegi 2009:Layout 1.Qxd
katalog_dwa_brzegi_2009:Layout 1 2009-07-24 08:11 Strona 1 katalog_dwa_brzegi_2009:Layout 1 2009-07-24 08:11 Strona 2 Sponsor Generalny Sponsorzy Oficjalny Oficjalny Hotel Samochód Festiwalu Festiwalu PRZYJACIELE FESTIWALU Partnerzy 2 FRIENDS FESTIVAL’S Organizatorzy Kazimierz Dolny Patronat Medialny katalog_dwa_brzegi_2009:Layout 1 2009-07-24 08:11 Strona 3 FILM AND ART FESTIVAL TWO RIVERSIDES Kazimierz Dolny Janowiec n/ Wisłą Festiwal Filmu i Sztuki DWA BRZEGI katalog_dwa_brzegi_2009:Layout 1 2009-07-24 08:11 Strona 4 katalog_dwa_brzegi_2009:Layout 1 2009-07-24 08:11 Strona 5 Spis treści | Content Przyjaciele Festiwalu | Festival’s Friends 2 Kto jest kto | Who Is Who 6 Wstęp | Foreword 9 FILM Świat pod namiotem | World Under Canvas 12 Dokument | Documentary 30 Na krótką metę | In the Short Run 38 Serial animowany | Animated Series 78 Na krótką metę na Zamku w Janowcu | In the Short Run (Screenings In the Castle in Janowiec) 80 Muzyka, moja miłość | Music My Love 84 Pokaz specjalny | Special Screening 90 Krystyna Janda. I Bóg stworzył aktorkę | And the God Created an Actress 92 Kocham kino | I Love Cinema 98 Wielkie kino na Małym Rynku | Great Cinema on Small Market Square 106 Retrospektywa Pawła Kłuszancewa | Retrospective of Pawel Klushantsev 112 W hołdzie Janowi Machulskiemu | Tribute to Jan Machulski 120 Dzień z Piotrem Szulkinem | A Day with Piotr Szulkin 122 Krótka retrospektywa Bruno Baretto | A Short Retrospective of Bruno Baretto 126 Lekcje kina | Cinema Lessons 128 Video • 130 TEATR | THEATRE CONTENT Krystyna Janda. I Bóg stworzył -
The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. -
Télécharger Le Catalogue 2010
PARTENAIRES PARTENAIRES INSTITUTIONNELS PARTENAIRES CULTURELS PARTENAIRES PRIVÉS PARTENAIRES MÉDIAS SOMMAIRE ÉDITO Infos pratiques / 4 10 ans déjà, et en même temps... tant de chemin parcouru, tant de films, tant Nuit d’ouverture / 6 d’invités, tant d’émotions. Dix ans que nous partageons avec vous notre passion Compétition internationale / 10 Jury / 10 ` pour le format court. En 2000, le Festival naissait en s’intéressant à l’actualité Prix et clôture / 11 audiovisuelle, la création numérique, et en mettant la notion de rencontre et Fiction / 12 d’échange au cœur du projet. Les années ont passé, la production et la création Animation / 15 Expérimental / 18 ont évolué, et le Festival avec elles. Convergence des supports et des technologies, Vidéoclips / 20 il n’est plus question de scinder techniques numériques et argentiques, tout se Très Courts / 21 mélange, reste l’œuvre courte. Peu importe la technique et la diffusion. Théma « Duo/Duel » / 22 Corps à corps / 22 Face à face / 23 Tête à tête / 24 Depuis quelques années, le Festival s’est aussi ouvert à une évolution majeure : Nez à nez / 25 la création audiovisuelle qui s’émancipe de l’écran. Le lien entre l’image et la Côte à côte / 27 musique, l’image et les arts plastiques, ou encore l’image et le spectacle vivant, est VisualMix / 28 Vidéoclips / 28 devenu l’un des terrains majeurs de l’exploration artistique. « Contes et fables » de Lotte Reiniger / 28 Electrical Live Cinema + SiTT / 29 Cartune Xprez : Future Television / 31 Si le Festival évolue avec l’actualité des créateurs, il évolue aussi avec vous, Sculpture + Ambiteknomüsik / 31 notre public, toujours plus nombreux. -
Bollywood Extra Ladies' Night out of The
18 AGENDA woxx | 21 06 2019 | Nr 1533 KINO I 21.06. - 25.06. KINO Was haben der Irak-Krieg, Felder in Nord- und Südamerika und Monsanto gemeinsam? Sie kommen alle im Dokumentarfilm „Seed: The Untold Story“ vor – an diesem Freitag, dem 21. Juni im Haus vun der Natur. Les horaires La page www.woxx.lu/kino vous dira exactement où et quand trouver la prochaine bollywood ladies’ night séance ! Die Uhrzeiten Kabir Singh Yesterday Auf der Seite www.woxx.lu/kino finden IND 2019 von Sandeep Reddy Vanga. GB 2019 von Danny Boyle. Mit Himesh Sie alle Infos, die Sie brauchen, um Ihren Mit Shahid Kapoor, Kiara Advani und Patel, Lily James und Ed Sheeran. 112’. nächsten Kinobesuch zu organisieren! Arjan Bajwa. 174’. O.-Ton + engl. Ut. O.-Ton + Ut. Ab 12. Ab 12. Kinepolis Kirchberg, 23.6. um 19h30 Kinepolis Kirchberg und 21h. Ein brillanter, impulsiver Chirurg stürzt Jack Malik hält sich als Musiker XXX = excellent auf einen Pfad der Selbstzerstörung, mit seiner Gitarre mehr recht als XX = bon nachdem seine Lebensliebe schlecht über Wasser. Den Traum X = moyen gezwungen wird, einen anderen Mann von der großen Karriere hat er 0 = mauvais zu heiraten. eigentlich fast aufgegeben, als etwas Unvorhersehbares passiert: Commentaires: Die Erde erlebt einen weltweiten ja = Joël Adami Stromausfall und Jack wird von einem fb = Frédéric Braun extra Bus angefahren. Nachdem er zu lc = Luc Caregari Bewusstsein kommt, entdeckt er, dass sh = Susanne Hangarter er offenbar er einzige ist, der sich an tj = Tessie Jacobs die Beatles erinnern kann. lm = Raymond Klein Seed: The Untold Story is = Isabel Spigarelli USA 2016, Dokumentarfilm von ft = Florent Toniello Taggart Siegel und Jonathan Betzler. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
The Features of Ukrainian Media Art in a Global Context
IJCSNS International Journal of Computer Science and Network Security, VOL.21 No.4, April 2021 229 The Features of Ukrainian Media Art in a Global Context Tamara O. Hridyayeva 1†, Volodymyr A. Kohut 1††, Maryna I. Tokar2†††, Oleg O. Stanychnov2†††† and Andrii A. Helytovych3††††† 1Lviv National Academy of Arts, Lviv, Ukraine 2Kharkiv State Academy of Design and Arts, Kharkiv, Ukraine 3 Art School n.a. O. Novakivskyi, Lviv, Ukraine Summary In the context of the growing complexity and The article seeks to explore Ukrainian media art and its features in conflictogenity of media, the self-actualization of art and a global context. In particular, it performs an in-depth analysis of creativity of both an individual artist and an individual the stages of its development from video art of the 1990s, media national art is a certain existential challenge. Modern media installations of the 2000s, and to various digital and VR culture is a space in which numerous innovative technologies today. Due to historical circumstances, the experiences rapidly emerge and new opportunities for development of media art was quite rapid, as young artists sought to gain new experience in media art. Most often, their experience creativity and advanced levels of knowledge arise. was broadened through international cooperation and studying Accordingly, considering Ukrainian media art in the context abroad. The paper analyzes the presentation of Ukrainian media of its presentation on the world art platform, it seems art outside the country during 1993-2020 and distinguishes the relevant to discuss to what extent it aligns with the global main thematic areas of the artists’ work. -
Elenco Delle Firme
Associazione Generale dei Polacchi in Italia Destinatario: Sindaco del comune di Cassino Lettera: Saluti, No alla privatizzazione della strada di accesso ai Monumenti polacchi di Montecassino Firme Nome Posizione Data Pietro Rogacien Italia 2017-10-30 Agnieszka Kowalska Italia 2017-10-30 Roberto Molle Ripi, Italia 2017-10-31 Davide Curzio Chiavenato Noventa Vicentina, Italia 2017-10-31 Ivano Brocco Rome, Italia 2017-10-31 paolo padoan Rome, Italia 2017-10-31 Ilaria Fioravanti Italia 2017-10-31 maria mori Italia 2017-10-31 Ida Scafi Subiaco, Italia 2017-10-31 Stella Tarnogrodzka Italia 2017-10-31 Anna Rogacien Roma, Italia 2017-10-31 DONATO PASQUALE Italia 2017-10-31 cristian de carolis Italia 2017-10-31 Luca Simonetti Fiumicino, Italia 2017-10-31 Giancarlo Lucci Italia 2017-10-31 Alessio Antonilli Italia 2017-10-31 Roberto Di ionna Rome, Italia 2017-10-31 Massimiliano Berniga Italia 2017-10-31 Carmine Terracciano Italia 2017-10-31 Emanuele Palombo Rome, Italia 2017-10-31 Nome Posizione Data claudio Morino Rome, Italia 2017-10-31 Sandro Del Signore Italia 2017-10-31 Edoardo Grossi Cassino, Italia 2017-10-31 Gabriella Marandola Rome, Italia 2017-10-31 Luigi Tiberia Italia 2017-10-31 severino sandrini Italia 2017-10-31 Emiliano Evangelista Cassino, Italia 2017-10-31 Marcello Franchitto Italia 2017-10-31 Aurelio Antonio Farletti Rome, Italia 2017-10-31 Stefano Gori Rome, Italia 2017-10-31 paola russo cassino, Italia 2017-10-31 Margherita Baruzzi Castrezzato, Italia 2017-10-31 Alba mandatori Italia 2017-10-31 Franco Gallo Rome, Italia 2017-10-31 -
Poles As Pigs in MAUS the Problems with Spiegelman’S MAUS
May 2019 Poles as Pigs in MAUS The Problems with Spiegelman’s MAUS Spiegelman’s representation of Poles as pigs is “a calculated insult” leveled against Poles. The Norton Anthology of American Literature, 7th edition Maus made me feel that Poland was somehow responsible for the Holocaust, or at least that many Poles collaborated in it.1 These materials were prepared for the Canadian Polish Congress by a team of researchers and reviewed for accuracy by historians at the Institute for World Politics, Washington, DC. 1. Background MAUS is a comic book – sometimes called a graphic novel – authored by American cartoonist Art Spiegelman. The core of the book is an extended interview by the author/narrator with his father, a Polish Jew named Vladek, focusing on his experiences as a Holocaust survivor. Although MAUS has been described as both a memoir and fiction, it is widely treated as non-fiction. Time placed it on their list of non-fiction books. MAUS is considered to be a postmodern book. It is a story about storytelling that weaves several conflicting narratives (historical, psychological and autobiographical). The book employs various postmodern techniques as well as older literary devices. A prominent feature of the book is the author’s depiction of 1 Seth J. Frantzman, “Setting History Straight – Poland Resisted Nazis,” Jerusalem Post, January 29, 2018. 1 national groups in the form of different kinds of animals: Jews are drawn as mice, Germans as cats, and (Christian) Poles as pigs. MAUS has been taught widely in U.S. high schools, and even elementary schools, as part of the literature curriculum for many years. -
P020110307527551165137.Pdf
CONTENT 1.MESSAGE FROM DIRECTOR …………………………………………………………………………………………………………………………………………………… 03 2.ORGANIZATION STRUCTURE …………………………………………………………………………………………………………………………………………………… 05 3.HIGHLIGHTS OF ACHIEVEMENTS …………………………………………………………………………………………………………………………………………… 06 Coexistence of Conserve and Research----“The Germplasm Bank of Wild Species ” services biodiversity protection and socio-economic development ………………………………………………………………………………………………………………………………………………… 06 The Structure, Activity and New Drug Pre-Clinical Research of Monoterpene Indole Alkaloids ………………………………………… 09 Anti-Cancer Constituents in the Herb Medicine-Shengma (Cimicifuga L) ……………………………………………………………………………… 10 Floristic Study on the Seed Plants of Yaoshan Mountain in Northeast Yunnan …………………………………………………………………… 11 Higher Fungi Resources and Chemical Composition in Alpine and Sub-alpine Regions in Southwest China ……………………… 12 Research Progress on Natural Tobacco Mosaic Virus (TMV) Inhibitors…………………………………………………………………………………… 13 Predicting Global Change through Reconstruction Research of Paleoclimate………………………………………………………………………… 14 Chemical Composition of a traditional Chinese medicine-Swertia mileensis……………………………………………………………………………… 15 Mountain Ecosystem Research has Made New Progress ………………………………………………………………………………………………………… 16 Plant Cyclic Peptide has Made Important Progress ………………………………………………………………………………………………………………… 17 Progresses in Computational Chemistry Research ………………………………………………………………………………………………………………… 18 New Progress in the Total Synthesis of Natural Products ……………………………………………………………………………………………………… -
Singapour, Malaisie : Le Cinéma ! 16 Décembre 2009 - 1Er Mars 2010 Singapour, Malaisie Sommaire
SINGAPOUR, MALAISIE : LE CINÉMA ! 16 DÉCEMBRE 2009 - 1ER MARS 2010 SINGAPOUR, MALAISIE SOMMAIRE AZhY^[[gZcihk^hV\ZhYjX^cbV SINGAPOUR, MALAISIE : YZH^c\VedjgZiYZBVaV^h^Z!eVg?gbnHZ\Vn!eV\Z( 8VgiZ\d\gVe]^fjZ!eV\Z* LE CINÉMA ! H^c\VedjgZiaVBVaV^h^Z/VjXVggZ[djgYZaÉ6h^Z! eVgGVe]V aB^aaZi!eV\Z* À LA DÉCOUVERTE DE NOUVEAUX HVcXZheghZciZheVg½!eV\Z- TERRITOIRES EN 50 FILMS FjZhi^dchYZX^cbV/Xdc[gZcXZZigZcXdcigZh!eV\Z&% du 16 décembre 2009 Au 1er mArs 2010 Au centre PomPidou AZhhijY^dhBVaVn;^abEgdYjXi^dch YZhH]Vl7gdi]ZghZi8Vi]Vn"@Zg^hYZAd`ZLVcI]d! cinéma 1 et cinéma 2 eVgGVe]V aB^aaZi!eV\Z&& Singapour, malaisie, points encore trop méconnus sur la carte majeure de l’asie du Hncdeh^hYZhÒabh/ Sud-est. De leurs voisins coréen, thaïlandais, philippin, on a appris à connaître les secrets ½aZhighdghYZhhijY^dh H]Vl7gdi]ZghZi8Vi]Vn"@Zg^h!eV\Z&( cinématographiques, quant à Singapour et Kuala Lumpur, on assiste à une renaissance stimulante du cinéma. impulsée par la légèreté des nouveaux moyens de prise de vue, ½YZH^c\Vedjg!eV\Z'- mue par le talent d’une jeune génération prolifique autant que solidaire, ½YZBVaV^h^Z!eV\Z(- sous-tendue par un contexte social multiethnique, une histoire dense et un présent >cYZmVae]VWi^fjZYZhÒabh!eV\Z*' politique complexe, cette ébullition se fait remarquer par sa modernité. il y a urgence à découvrir les rythmes et les mythes de cette cinématographie inédite, 8VaZcYg^ZgYjXnXaZ!eV\Z*) autant de nécessité à se plonger dans son passé récent à travers les héros et les meilleurs AZaV^hhZo"eVhhZgYj8ZcigZEdbe^Ydj!eV\Z+' films de genre qui l’ont nourrie, tous inédits en europe pour le moment.