The Features of Ukrainian Media Art in a Global Context
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Elenco Delle Firme
Associazione Generale dei Polacchi in Italia Destinatario: Sindaco del comune di Cassino Lettera: Saluti, No alla privatizzazione della strada di accesso ai Monumenti polacchi di Montecassino Firme Nome Posizione Data Pietro Rogacien Italia 2017-10-30 Agnieszka Kowalska Italia 2017-10-30 Roberto Molle Ripi, Italia 2017-10-31 Davide Curzio Chiavenato Noventa Vicentina, Italia 2017-10-31 Ivano Brocco Rome, Italia 2017-10-31 paolo padoan Rome, Italia 2017-10-31 Ilaria Fioravanti Italia 2017-10-31 maria mori Italia 2017-10-31 Ida Scafi Subiaco, Italia 2017-10-31 Stella Tarnogrodzka Italia 2017-10-31 Anna Rogacien Roma, Italia 2017-10-31 DONATO PASQUALE Italia 2017-10-31 cristian de carolis Italia 2017-10-31 Luca Simonetti Fiumicino, Italia 2017-10-31 Giancarlo Lucci Italia 2017-10-31 Alessio Antonilli Italia 2017-10-31 Roberto Di ionna Rome, Italia 2017-10-31 Massimiliano Berniga Italia 2017-10-31 Carmine Terracciano Italia 2017-10-31 Emanuele Palombo Rome, Italia 2017-10-31 Nome Posizione Data claudio Morino Rome, Italia 2017-10-31 Sandro Del Signore Italia 2017-10-31 Edoardo Grossi Cassino, Italia 2017-10-31 Gabriella Marandola Rome, Italia 2017-10-31 Luigi Tiberia Italia 2017-10-31 severino sandrini Italia 2017-10-31 Emiliano Evangelista Cassino, Italia 2017-10-31 Marcello Franchitto Italia 2017-10-31 Aurelio Antonio Farletti Rome, Italia 2017-10-31 Stefano Gori Rome, Italia 2017-10-31 paola russo cassino, Italia 2017-10-31 Margherita Baruzzi Castrezzato, Italia 2017-10-31 Alba mandatori Italia 2017-10-31 Franco Gallo Rome, Italia 2017-10-31 -
Festival D'in(Ter)Vention Z, Audio — Performance — Vidéo — Radio Art Interzone Uébec
Document generated on 09/29/2021 6:28 a.m. Inter Art actuel Interzone Festival d’in(ter)vention 7 Number 55-56, Fall 1992, Winter 1993 URI: https://id.erudit.org/iderudit/1098ac See table of contents Publisher(s) Les Éditions Intervention Explore this journal Cite this document (1992). Interzone : festival d’in(ter)vention 7. Inter, (55-56), 105–140. Tous droits réservés © Les Éditions Intervention, 1993 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ FESTIVAL D'IN(TER)VENTION Z, AUDIO — PERFORMANCE — VIDÉO — RADIO ART INTERZONE UÉBEC EDITE U R INTERZONE Festival d'ln(ter)vention 7 INTERZONE 20 au 25 octobre 1992, Québec Production : Nathalie PERREAULT, Richard MARTEL LES ARTISTES : ALGOJO) (ALGOJO : Éric LÉTOURNEAU, Martine H. CRISPO (Québec), Collaboration : Pierre-André ARCAND (Québec), Anna BANANA (Canada), Guy DURAND, Claire GRAVEL, TimBRENNAN (Angleterre), Eugene CHADBOURNE (États-Unis), Richard MARTEL, Yvan PAGEAU, DOYON/DEMERS (Québec), Bartoloméo FERRANDO (Espagne), Sonia PELLETIER, Clive ROBERTSON, Giovanni FONTANA (Italie), Jean-Yves FRECHETTE (Québec), les artistes. Louis HACHÉ (Québec), Kirsteen JUSTESEN (Danemark), Itsvan KANTOR Monty CANTSIN AMEN (Québec), Correction et révision : Cécile BOUCHARD Benoît LACHAMBRE (Québec), Sandra LOCKWOOD (Canada), Alastair MacLENNAN (Irlande), Sandy McFADDEN (Canada), Correction de l'anglais : Otto MESZAROS (Tchécoslovaquie), Jerzy ONUCH (Canada), Mono DESGAGNÉ Ahasiw K. -
6 February 10, 2002
INSIDE:• Ambassadors reflect on 10 years of U.S.-Ukraine relations — page 3. • A look at the sports career of Olympian Zenon Snylyk — pages 8-9. • Lviv acts to salvage its architectural monuments — page 12. Published by the Ukrainian National Association Inc., a fraternal non-profit association Vol. LXX HE No.KRAINIAN 6 THE UKRAINIAN WEEKLY SUNDAY, FEBRUARY 10, 2002 EEKLY$1/$2 in Ukraine Ukraine’sT OlympicU athletes train UndersecretaryW of State Paula Dobriansky in Sun Valley for Winter Games visits Kyiv to size up election preparations by Roman Woronowycz incidents were not a reason to condemn the Kyiv Press Bureau overall process this early on. “When allegations are put on the table, KYIV – Undersecretary of State Paula one part of the election process is that, Dobriansky used a two-day visit to Kyiv on whether founded or not, each one is investi- February 5-6 to glimpse how elections to gated thoroughly,” Dr. Dobriansky Ukraine’s Parliament are shaping up and to explained. emphasize their significance in The undersecretary of state explained Washington’s eyes. During a series of meet- that the allegations of improprieties to ings with government officials, including which she alluded were from a report issued President Leonid Kuchma, as well as law- by the respected civic organization the makers, journalists and representatives of Committee of Ukrainian Voters. civic organizations, she said that an accent The report, which is published monthly, must be placed on keeping the entire elec- is a compilation of alleged election law vio- toral process, which will culminate in a lations as reported by hundreds of monitors national poll on March 31, free and fair. -
Jaarverslag 2007-2008 (PDF)
1 Het International Film Festival Rotterdam (IFFR) toont de nieuwste onafhankelijke en vernieuwende films uit de wereld en is een platform voor actuele filmkunst, opkomend en gevestigd filmtalent en filmgerelateerde kunst. Naast de vertoning van films steunt het filmfestival actief de totstandkoming van auteurscinema en de deskundigheid van filmtalent, de onafhankelijke filmindustrie en filmkritiek. Een internationale coproductiemarkt (CineMart), een fonds voor filmmakers in ontwikkelingslanden (Hubert Bals Fonds), trainingprojecten (Rotterdam Lab, Trainee Project for Young Film Critics) en debatten voor filmprofessionals maken deel uit van het filmfestival. Behalve via het filmfestival en de internationale activiteiten van Hubert Bals Fonds en CineMart, zorgt de Stichting Filmfestival Rotterdam ervoor dat de kunstzinnige film in Nederland op andere wijzen te zien blijft: via de filmtheaters (Rotterdam en route), op dvd (Tiger Releases) en televisie (NPS Wereldcinema). Op landelijk, regionaal en lokaal niveau brengt IFFR studenten en scholieren in contact met onafhankelijke filmkunst via de Rotterdam Film Course, Meet the Maestro, Filmblik Rotterdam en schoolvoorstellingen. WOORD VOORAF Het was in een aantal opzichten een vrij radicaal Tegelijk was ook de 37ste editie een feest van jaar voor het International Film Festival Rot- diversiteit met 244 lange, 383 korte films en terdam (IFFR). In de eerste plaats letterlijk: ruim 100 performances en installaties. Daarbij het festival legde dit jaar de nadruk op het is gestreefd naar een overzichtelijker opzet thema Free Radicals. Door dit accent op een door het aantal programmaonderdelen terug te specifieke esthetische traditie van filmmakers brengen. De reacties, in de (internationale) pers, en kunstenaars die geen technische perfectie en van de gasten en professionals die onder nastreven, maar kiezen voor een puur en direct andere de 25 jaar jonge CineMart bezochten, werk, maakten we nog eens duidelijk waar het maakten het weer een festival om trots op te IFFR voor stond én staat: het werk van film- zijn. -
The Promotion of Art and Culture in Central Eastern Europe 1St CEI
The Promotion of Art and Culture in Central Eastern Europe 1st CEI VENICE FORUM Venice, 9-10 June 2003 Main Lecture Hall, Academy of Fine Art of Venice, Dorsoduro 1050 Monday 9 June 2003: 3pm-6pm Tuesday 10 June 2003: 9.30am-1pm and 2.30pm-6pm Programme Monday 9 June 2003 Main Hall of the Academy of Fine Arts of Venice Session starts at 3pm, Working language: english 15.00 - 15.15 Registration (outdoor desk, Academy of Fine Arts courtyard) INTRODUCTION 15.15 - 16.00 Welcome speech by: -Prof. Riccardo Rabagliati - Director of Academy of Fine Arts -Amb. Harald Kreid - Director General of CEI Executive Secretariat -Dr. Enrico Tantucci - Chief Editor Trieste Contemporanea magazine SESSION 1: Assessing the role of networks & networking in the promotion of contemporary art and culture 16. 00 - 17.45 Open Debate with focus presentations on relevant experiences Sub-sections/guidelines: -Defining network e networking -Current practices in international networkorking and cooperation I_CAN, Jerzy Onuch (Director, CCA Founadtion Kiev, Ukraine) -Coproduction: available models and tools Mucsarnok, Julia Fabenyi (Director, Mucsarnok, Budapest, Hungary) -Funding opportunities and curatorial independence Report on Belarus, Inna Reut (I-Gallery, Minsk; Belarus) 17.45 - 18.00 Closing remarks for day 1 -Summary of debate -Agenda for following day -Registration of participants to Session 2 - Working Group -Info and details for the evening 20.00 Meeting in Campo San Maurizio for dinner Restaurant: DA MARIO, San Marco 2614 Tel 041 5285968 Tuesday 10 June 2003 -
Pci Brch Winter 2014 Pr
350 350 FIFTH SUITE 4621 AVENUE, WWW.POLISHCULTURE-NYC.ORG NEW 10118 YORK, NY POLISH CULTURAL INSTITUTE NEW YORK wi Nter/spriNg/2014 pci-NY wiNter / spriNg 2014 FiLM 2-9 fiLM seasoN 2014 art 10-17 PAWEŁ aLtHaMer at tHe New MuseuM Music 18-23 UNsouND FestiVaL New YorK 2014 32-35 GENeratioN '70 Literature & HuMaNities 24-29 ADaM MicHNiK at peN worLD Voices 30-31 BooKeXpo aMerica 2014 aBout us 36 PoLisH cuLturaL iNstitute New YorK LOGO FINAL C=0, M=100, Y=100, K=0 and black k=100 Pantone chip 73-1 letter from the director We ring in 2014 celebrating the success of Poland's democratic transformation, with the belief that our accomplishments thus far may inspire our neighbors and friends whom we join in solidarity, as the world joined us in solidarity, when we took our first steps toward building an open democratic society. In times of remarkably dynamic technological, political, and social change, culture and art mark the horizon that allows us to imagine a future that is both new and anchored in history. The Polish Cultural Institute New York will not remain on the sidelines, but will take up this change, inviting our followers to join us in a series of particularly interesting events for the first half of the year. The beginning of the season unveils the extraordinary presence of Polish cinema on the programs of several important New York institutions. We open in January at the New York Jewish Film Festival with director Paweł Pawlikowski’s Gdynia Film Festival winner, Ida, a work that surprised us all with its way of revealing the personal experience of the heroine who is saved from the Holocaust. -
Performance Art Context R
Literature: Literature: (...continued) Literature: Literature: Literature: (... continued) Literature: Literature: (... continued) Literature: Kunstf. Bd.137 / Atlas der Künstlerreisen Literature: (...continued) Literature: (... continued) Richard Kostelnatz / The Theater of Crossings (catalogue) E. Jappe / Performance Ritual Prozeß Walking through society (yearbook) ! Judith Butler !! / Bodies That Matter Victoria Best & Peter Collier (Ed.) / article: Kultur als Handlung Kunstf. Bd.136 / Ästhetik des Reisens Butoh – Die Rebellion des Körpers PERFORMANCE ART CONTEXT R. Shusterman / Kunst leben – Die Ästhetik Mixed Means. An Introduction to Zeitspielräume. Performance Musik On Ritual (Performance Research) Eugenio Barber (anthropological view) Performative Acts and Gender Constitution Powerful Bodies – Performance in French Gertrude Koch Zeit – Die vierte Dimension in der (Kazuo Ohno, Carlotta Ikeda, Tatsumi des Pragmatismus Happenings, Kinetic Environments ... ! Ästhetik / Daniel Charles Richard Schechner / Future of Ritual Camille Camillieri (athropolog. view; (article 1988!) / Judith Butler Cultural Studies !! Mieke Bal (lecture) / Performance and Mary Ann Doane / Film and the bildenden Kunst Hijikata, Min Tanaka, Anzu Furukawa, Performative Approaches in Art and Science Using the Example of "Performance Art" R. Koberg / Die Kunst des Gehens Mitsutaka Ishi, Testuro Tamura, Musical Performance (book) Stan Godlovitch Kunstforum Bd. 34 / Plastik als important for Patrice Pavis) Performativity and Performance (book) ! Geoffrey Leech / Principles -
The Ukrainian Weekly, 2019
THEH Published U by theKRAINIAN Ukrainian National Association Inc., a fraternal W non-profit associationEEKLY Vol. LXXXVII No. 1 THE UKRAINIAN WEEKLY SUNDAY, JANUARY 6, 2019 $2.00 Moscow rejects appeal Ukraine, Russia impose more mutual sanctions of France and Germany for Ukrainian sailors’ release as Crimea border fence is completed by Russia by Mark Raczkiewycz RFE/RL KYIV – Ukraine and Russia exchanged a The Russian Foreign Affairs Ministry new round of tit-for-tat sanctions late in has rejected what it says are unaccept- December as martial law in 10 Ukrainian able demands by Germany and France regions expired the same month. Russia to release Ukrainian soldiers held by also completed a 37-mile border fence on Russia. The statement by the Russian the Ukrainian territory of Crimea on Foreign Affairs Ministry on December December 27 that separates the annexed 29, 2018, followed an appeal by peninsula from mainland Ukraine. German Chancellor Angela Merkel and As martial law expired on December 26, French President Emmanuel Macron 2018, the National Security and Defense in a statement on December 28. Council (NSDC) said it imposed additional Russia continues to hold the 24 sanctions on an unspecified number of Ukrainian sailors after capturing them “Russian companies, businessmen, politi- along with their Ukrainian naval ves- cians and deputies, [and] employees of secu- sels in late November near the Kerch rity forces who actively supported or pro- Federal Security Service of Russia Strait, which links the Black Sea and Russia completed a 37-mile fence two meters in height on December 27, 2018, on the moted aggressive actions against Ukraine.” Sea of Azov. -
Download 2000 7A*11D Poster (PDF)
International Festival of Performance Art 2000 October 25 to November 5 Festival Hotline 416.822.3219 Strangeways Clive Robertson (Kingston) SU-EN Butoh Co. (Sweden) Vida Simon (Montreal) Steve Venright (Toronto) BODY+BLOOD, PICTURE+SOUND <<Videodrome>> Stefanie Marshall (Toronto) Ingrid Z (Toronto) Ben Patterson (US/Germany) Stephen Rife (USA) Prognosis Miss Barbra Fisçh (Toronto) James Luna [Luiseño] Shawan Johnston (Toronto) Mischelle Kasprzak (Toronto) Flicker, Skip, Moan Mike Stevenson (Toronto) Lisa Deanne Smith (Toronto) Jubal Brown (Toronto) Karma Clarke Davis (Toronto) Performances Zöe Stonyk (Toronto) Sylvain Breton (Toronto) Lance McLean (Toronto) Public Spaces / Private Places presented by FADO John Porter (Toronto) otiose (UK) Leena Raudvee (Toronto) Jerzy Onuch (Poland/Ukraine) Pam Patterson (Toronto) Tagny Duff (Vancouver) Christine Carson (Toronto) Master Class 5 Jessica Lertvilai (Toronto) And Terril Calder (Toronto) Jill Orr (Australia) Will Kwan (Toronto) S. Higgins (Toronto) October 25 October 27 Festival Kick Off 8 pm James Lunas (Luiseño) $10 YYZ American Indian Study’s 8 pm 401 Richmond St. W. Workman Theatre, 1001 Queen St.W. book launch for Live at the End of the Century performance by otiose YYZ gallery opening. October 28 Artist Talk:James Luna 2 pm Innis College Town Hall,2 Sussex Ave. October 26 & 27 Jill Orr(Australia) Presence 8 pm Pam Patterson/ John Porter (Toronto) LeenaRaudvee (Toronto) Remember Rings 9:30 pm Passing 1 to 4 pm Art System,327 Spadina Ave. 401 Richmond St.W. Main Hallway October 26 October 30 Steve Venright (Toronto) Jerzy Onuch (Poland/Ukraine) T.V.I.Reality Check Between Us 7:30 pm for an update on current location and SU-EN Butoh Co. -
Karen Adams for New Toronto Ratepayers Comments
GL16.6.46 From: New Toronto Rate Payers To: councilmeeting Cc: Karen Adams Subject: Comments for 2020.GL16.6 on October 27, 2020 City Council Date: October 26, 2020 1:30:07 PM Attachments: New Toronto Ratepayers Association letter to City Council.docx New Toronto Ratepayers Petition opposing purchase of 29502970 Lake Shore for a shelter.pdf New Toronto Ratepayers Association_Petition Signatures 1_Opposition to Shelter at 2950 and 2970 Lake Shore Blvd. West_September 2020.pdf New Toronto Ratepayers Association_Petition Signatures 2_Opposition to Shelter at 2950 and 2970 Lake Shore Blvd. West_September 2020.pdf To the City Clerk: Please add the attached comments to the agenda for the October 27, 2020 City Council meeting on item 2020.GL16.6, Co-location of Housing and Service Integration at 2950 and 2970 Lake Shore Boulevard West I understand that these comments and the personal information in this email will form part of the public record and that my name will be listed as a correspondent on agendas and minutes of City Council or its committees. Also, I understand that agendas and minutes are posted online and my name may be indexed by search engines like Google. Sincerely, Karen Adams for New Toronto Ratepayers Comments: To City Council As residents and business owners of New Toronto, we strongly oppose the locations at 2950 & 2970 Lake Shore Boulevard West, at the main commercial intersection in New Toronto, for use as a shelter. While we do not dispute the need for shelter beds in Ward 3, or anywhere else in the City of Toronto, and recognize the need to support the marginalized and vulnerable populations in our City especially during the pandemic, we are overwhelmingly united as a community in opposition to a shelter in the heart of New Toronto’s small commercial strip. -
The Ukrainian Weekly 2002, No.6
www.ukrweekly.com INSIDE:• Ambassadors reflect on 10 years of U.S.-Ukraine relations — page 3. • A look at the sports career of Olympian Zenon Snylyk — pages 8-9. • Lviv acts to salvage its architectural monuments — page 12. Published by the Ukrainian National Association Inc., a fraternal non-profit association Vol. LXX HE No.KRAINIAN 6 THE UKRAINIAN WEEKLY SUNDAY, FEBRUARY 10, 2002 EEKLY$1/$2 in Ukraine Ukraine’sT OlympicU athletes train UndersecretaryW of State Paula Dobriansky in Sun Valley for Winter Games visits Kyiv to size up election preparations by Roman Woronowycz incidents were not a reason to condemn the Kyiv Press Bureau overall process this early on. “When allegations are put on the table, KYIV – Undersecretary of State Paula one part of the election process is that, Dobriansky used a two-day visit to Kyiv on whether founded or not, each one is investi- February 5-6 to glimpse how elections to gated thoroughly,” Dr. Dobriansky Ukraine’s Parliament are shaping up and to explained. emphasize their significance in The undersecretary of state explained Washington’s eyes. During a series of meet- that the allegations of improprieties to ings with government officials, including which she alluded were from a report issued President Leonid Kuchma, as well as law- by the respected civic organization the makers, journalists and representatives of Committee of Ukrainian Voters. civic organizations, she said that an accent The report, which is published monthly, must be placed on keeping the entire elec- is a compilation of alleged election law vio- toral process, which will culminate in a lations as reported by hundreds of monitors national poll on March 31, free and fair. -
[Western] Ukrainian Media Art of the Late 1980S and Early 1990S VOL
ESSAY Transgressions and the Search for New Meaning [Western] Ukrainian Media Art of the late 1980s and early 1990s VOL. 105 (MAY 2020) BY BOHDAN SHUMYLOVYCH Video art as a conscious practice appeared in Lviv, the biggest city in Western Ukraine, in 1993. Artworks produced that year became the quintessence of the artistic processes of the late 1980s and early 1990s, when the Ukrainian SSR painfully but irrevocably turned into Ukraine. It is not surprising that critics have noted that art of that time was dictated by a need for transgression. Artworks produced in Lviv in 1993 showed artists rethinking the role of the work of art and its relationship with the ‘social body’, and in many works we can observe the process of transformation or transgression, most starkly apparent in video. This essay is an attempt to retrace and rethink the transgressive character of Ukrainian video art. Video Art and Medium Specificity Art historian Oliver Grau has indicated that in order to work with current media phenomena it is essential to understand history: “The present image revolution, which indeed uses new technologies and has also developed a large number of so far unknown visual expressions, cannot be conceived of without our image history.”1 But when we consider European image history, we also encounter certain incongruities. Periodization of art history, and the emergence and medium specificity of video, has been understood differently in different parts of Europe. Marita Sturken acknowledged this:2 The assumption that the aesthetics of video is a direct result of its properties leads us into technologically determinist terrain yet again.