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CULTURE, ART, EDUCATION IN THE SPACE OF THE 21st CENTURY: INTERDISCIPLINARY DISCOURSE Collective monograph Lviv-Toruń Liha-Pres 2020 Reviewers: Prof. nadzw., dr hab. Stanisław Kunikowski, Rektor of Cuiavian University in Wloclawek (Republic of Poland); Prof. dr hab. Joanna Marszałek-Kawa, Uniwersytet Mikołaja Kopernika w Toruniu / Nicolaus Copernicus University (Republic of Poland). Culture, art, education in the space of the 21st century: interdisciplinary discourse : collective monograph / M. Poplavskyi, I. Kostyrya, N. Korniienko, Yu. Horban, etc. – Lviv-Toruń : Liha-Pres, 2020. – 260 p. ISBN 978-966-397-225-1 The monograph reveals the multifaceted and multidimensional process of democratic transit. The specific sections focus on the priority problems of modern democracy. Creating a secure space for the existence and development of states is analyzed as a guarantee of the success of democratic transformations. The essence of security in the context of the hybrid nature of political processes is characterized. The specifics of conflicts in the modern world are highlighted. The peculiarities inherent in the legal, political, cultural, ethno-national dimensions of democratic transit are investigated. The basic signs of democratization on the examples of Ukraine and some foreign countries are clarified. Liha-Pres is an international publishing house which belongs to the category “C” according to the classification of Research School for Socio-Economic and Natural Sciences of the Environment (SENSE) [isn: 3943, 1705, 1704, 1703, 1702, 1701; prefixMetCode: 978966397]. Official website – www.sense.nl. ISBN 978-966-397-225-1 © Liha-Pres, 2020 CONTENTS PREFACE ...................................................................................................... 5 INNOVATIONS IN ARTS AND CULTURAL EDUCATION. “EVENT MANAGER”: EVENT CULTURE OUTLOOK Poplavskyi Mykhailo .......................................................................................... 7 UKRAINIAN CULTURE IN THE INTERNATIONAL ARENA: STRATEGIES OF MODERN CULTURAL DIPLOMACY Kostyrya Inna ................................................................................................... 24 THUMPING VICTORIES OF THE MICROCOSM Korniienko Nelli ............................................................................................... 43 INFORMATION CIVILISATION: REVISITING THE FORMATION ISSUE OF A CONTEMPORARY SCIENTIFIC VIEW OF THE WORLD Horban Yurii ..................................................................................................... 60 CULTURAL FACTORS AND ELEMENTS OF THE POSTMODERN ARCHITECTURAL DESIGN FORMING Bondar Ihor ....................................................................................................... 76 SCIENTIFIC, NOT IDEOLOGICAL CONCEPT OF THE ORIGINS OF UKRAINIAN PRINTING: THE GENESIS OF CLAIMS AND FALSIFICATIONS Tymoshyk Mykola ............................................................................................ 95 THE ART OF THE BOOK: HISTORY AND PRESENT Karakoz Olena ................................................................................................ 124 THE MEDITATIVE POETICS IN ART AND CULTURE AT THE BEGINNING OF THE THIRD MILLENNIUM Humeniuk Tetiana.......................................................................................... 142 CONTEMPORARY BANDURA PERFORMANCE IN THE CONTEXT OF THE FOLK ART ACADEMISATION Broiako Nadiia ................................................................................................ 158 iii LANGUAGE AS A NATIONAL IDENTITY BUILDING TOOL Biletska Oksana .............................................................................................. 177 RETHINKING THE ART MUSEUM IN SOCIAL AND CULTURAL DIMENSION Goncharova Olena ......................................................................................... 195 FOLK DANCE THEATRICAL ADAPTATION Boiko Olha ....................................................................................................... 219 DANCING IN JAZZ: FROM ORIGIN TO THE PRESENT Tormakhova Veronika .................................................................................. 229 INTEGRATION WAYS OF CHOREOGRAPHIC ART AND SPORT Sosina Valentyna ............................................................................................ 245 iv PREFACE The monograph “CULTURE, ART, EDUCATION IN THE SPACE OF THE 21ST CENTURY: INTERDISCIPLINARY DISCOURSE” is an intellectual work of the faculty members of the Kyiv National University of Culture and Arts. It introduces scientific articles that contain practically new materials on cultural and art education, theory and history of arts, Ukrainian art culture issues, and therefore design a modern view on a wide range of the topical problems of Ukrainian cultural studies, which is one of the most significant fields of national humanities. The monograph consists of fourteen chapters, all of which correspond to the implementation of the main purpose of this work to create a common interdisciplinary discursive space to understand the subject field of modern culture. We have followed the logical development principles for the material arrangement to reveal the most important vectors of current cultural knowledge. These are transformational and innovative processes in the world and Ukrainian cultural and artistic education, sociocultural situation and art in the context of modern information culture, current issues on the theory and practice of artistic creativity, the identification of specific parameters of the transformation processes in the historical progress of humanity following the Ukrainian culture-specific element. The chapter devoted to innovations in cultural and artistic education holds a special place in the monograph. After all, today there is a need to study the crucial role that education, and, in particular, art education, plays in the life of society, overcoming the adverse circumstances and trends in Ukraine and the world. Therefore, in this regard, it is essential to study the experience of higher educational institutions, in particular, the case of the Kyiv National University of Culture and Arts as a leader among cultural studies universities of our country; to summarise in terms of theory their efforts in search of new ways and means to increase the contribution of higher education to the development of a society of culture. The authors of the monograph have paid much attention to the consideration and a certain rethinking of the framework of categories and concepts in cultural and art studies. Culture is a creative and active way of a person’s cognition of the universe, which includes both the external world of nature and society and the inner spiritual world of the individual. The multidimensional and inexhaustible nature of these worlds encourages the synthetic interdisciplinary research aimed at identifying cross-cutting mechanisms and discursive conditions for the formation and functioning of certain meanings, ideas, notions and concepts in culture and art. 5 Thus, the subject matter of the collective monograph is quite diverse. At the same time, many issues indicate the multi-level nature of cultural phenomena, the study of which requires a broad interdisciplinary approach. The research materials allow us to form an idea of the new theoretical and analytical experience accumulated by scientists, monitor the formation of new scientific schools, directions and vectors of cultural studies, determine current trends and movements of creative search of contemporary artists, and highlight the most innovative approaches to the artistic work. The monographers’ deep expertise, confident mastery of both classical concepts and the latest scientific discoveries in the field of cultural studies provide strong confidence in scientific findings. It allows us to assert that we are dealing with a profoundly theoretical, original, and, at the same time, very important for the understanding of the human existence interdisciplinary research. This work is highly appreciated as one that would have a comprehensive scientific, practical and didactic significance. The collective monograph is intended for a wide range of humanitarians, scientists, teachers, cultural specialists, art historians, students, PhD students, as well as experts, representatives of creative professions and all those who are interested in the issues of culture, creativity and honour the incredible world of art. 6 DOI https://doi.org/10.36059/978-966-397-225-1-1 INNOVATIONS IN ARTS AND CULTURAL EDUCATION. “EVENT MANAGER”: EVENT CULTURE OUTLOOK Poplavskyi Mykhailo INTRODUCTION Ukrainian educational space reaches the point of bifurcation tirelessly, after which a period of stability and certainty should come. At least, the professional educational environment is tired of multi-vector and contradictory shifts of the goalposts “in view” of higher education, and all the efforts of the administration and the teaching and research community of the higher education institution are spent rather on adapting to those changes (with the inevitable resentment mood and frustration of actions) than on approval of the strategy. The flow of educational “stories” by overseas experience often exceeds the measure of expediency. The permanence of changes of their introduction as mandatory does not allow us to form and approve the stable development strategy (and is it worth pointing out that in such a way we lose the main thing as to understand the social significance of education, which was based on the real trust and autonomy