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Literature: Literature: (...continued) Literature: Literature: Literature: (... continued) Literature: Literature: (... continued) Literature: Kunstf. Bd.137 / Atlas der Künstlerreisen Literature: (...continued) Literature: (... continued) Richard Kostelnatz / The Theater of Crossings (catalogue) E. Jappe / Ritual Prozeß Walking through society (yearbook) ! Judith Butler !! / Bodies That Matter Victoria Best & Peter Collier (Ed.) / article: Kultur als Handlung Kunstf. Bd.136 / Ästhetik des Reisens Butoh – Die Rebellion des Körpers PERFORMANCE CONTEXT R. Shusterman / Kunst leben – Die Ästhetik Mixed Means. An Introduction to Zeitspielräume. Performance Musik On Ritual (Performance Research) Eugenio Barber (anthropological view) Performative Acts and Constitution Powerful Bodies – Performance in French Gertrude Koch Zeit – Die vierte Dimension in der (Kazuo Ohno, Carlotta Ikeda, Tatsumi des Pragmatismus , Kinetic Environments ... ! Ästhetik / Daniel Charles Richard Schechner / Future of Ritual Camille Camillieri (athropolog. view; (article 1988!) / Judith Butler Cultural Studies !! Mieke Bal (lecture) / Performance and Mary Ann Doane / Film and the bildenden Kunst Hijikata, Min Tanaka, Anzu Furukawa, Performative Approaches in Art and Science Using the Example of "" R. Koberg / Die Kunst des Gehens Mitsutaka Ishi, Testuro Tamura, Musical Performance (book) Stan Godlovitch Kunstforum Bd. 34 / Plastik als important for Patrice Pavis) Performativity and Performance (book) ! Geoffrey Leech / Principles of Pragmatics Masquerade: Theorizing the Female Kunstf. Bd.150 / Zeit – Existenz – Kunst performativity Mosche Feldenkrais / (Lit. on: Yoshito Ohno, Dai-Rakuda-kann, - a philosophical study Handlungsform James Clifford (ethno-historian) Andrew Parker & Eve Kosofsky Sedgwick K. Marcia Moen / Peirce´s Pragmatism as a Spectator (article) Kunstf. Bd.151 /Dauer/Simultaneität/Echtzeit M. Foucault: Wissensarchäologische Feldenkrais Method) Akaji Maro, Nanten Harada, Akira Kasai Klangkunst (catalogue) Victor Turner / The ritual process (book) Roger Caillois (athropological theorist) Symposium: Cross Gender/Cross Genre Resource for Feminism (article) Diskursanalyse Matthias Schäfer / Mediennutzung und Dr. Walter Siegfried (dance theorist) Yoko Ashikawa, Asbestos-an, Music and Performance (PSi7) Version 02 - Mainz Victor Turner / The Anthropology of Erving Goffman Performance and Performativity Graz 99 Jean-Francois Lyotard / The postmodern W. Hempfer / Performativität u. episteme Zeitfaktor in der Aktionskunst (Bd.151) Willy Jansen / (PSi7) The Dancing Saints Sankai-iuku, Ko Murobushi, Yu Osuga, Performance (book) P. Bourdieu (Hexis- u. Habitus-Konzept) Geraldine Harris / Staging Feminities. Condition: A Report on Knowledge (book) anders Denken – M. Focaults Philip Auslander / Liveness (book) Daniel Charles / Zeitspielräume – Sanae Hiruta, Teru Goi, Macunaima PERFORMANCE ARRANGEMENTS Gender and Trance Ritual in Different Richard Schechner / Between Theatre Victoria Best & Peter Collier (Ed.) / Performance and Performativity (article) T. Sarbin & V. Allen / Role Theory (book) >performativer< Diskurs (article) Ihab Hassan / process/performance/ Performance, Musik, Ästhetik (Brazilian Group), Eji Ikuyo, and Anthropology (book) Powerful Bodies – Performance in David E.R. George !! / Performance Michel de Certeau / The Practice of Culters M. Foucault / Archäologie des Wissens (Essay) / Für die Vögel – Gespräch Hoppo Butoh-ha, Natsu Nakajima, Marvin Carlson / Performance – a critical French Cultural Studies Epistomology (in: Performance Research) Everyday Life Freddie Rokem / (PSi7) Ritualisations of Kunishi Kamiryo, ...) (Masaki Iwana) M. Foucault / Die Ordnung des Diskurses Victoria Best & Peter Collier (Ed.) / mit Daniel Charles (book) ! Performance as a LIMES–IDEA of art introduction (book) !! chap. Performance Milton Singer (ethnologist) / cultural Dwight Conquergood / article: Kate Ince / Between the Acts: Orlan, Repetition in Performance (Esther Maria Häusler) (Gérald Personnier) M. Foucault / ... Reader Diskurs u. Medien Powerful Bodies (book) U. Krasberg / (PSi7) Ekstastetanz und (Border Machine Performance) and the social sciences performance (developed as concept) The Performative Turn in Anthropology Performance and Performativity (in: Translating Dance (PSi7) (René Schmalz) (Sabine Seume) (Kjetil Skoien) Sybille Peters / (PSi7) Towards a Theory of Claudia Liebrand / Kinematographische Performance ... (Sufi rituals) History of performance as the history of transgressing borders (M.-L. Lange) Conquergood Dwight / Poetics Play, A. Nebelung / Zwischenräume (Methode Victor Turner / The Anthropology of Powerful Bodies) !!! Julia Witworth / (PSi7) / Translating of the Claudia Jeschke / Anmerkung zum Fake / Towards a Fake of Theory Gender-Performanzen (lecture) Kinetographien (project) / Inke Arns, Mirjam Art as border crossing (P. Bianchi) Process and Power – The performative u. Ästhetik einer ökologischen Soziologie Performance J.-F. Lyotard / Das postmoderne Wissen Body: Physical Theatre Trainings, ... performativen von Tanztechnik und Tanz- Theorising the Performative (PSi7) P. Dubois / Der fotografische Akt (book) Goller, Susanne Strätling, Georg Witte Off limits (hors limites) (Maribel Königer) turn in anthropology Herbert Mead => J. Butler Elisabeth List / article: Leiblichkeit, Nietzsche schriften im 19.Jhd. Anja Musiat, Dorita Hannah / (PSi7) Writing Thomas Dreher / Aktionstheater und Counter to abbreviating and excluding discourses (with M. Foucault) Janelle G. Reinelt, et al. / Critical Theory Prof. Christoph Wulf <= P. Bourdieu performatives Selbst u. Geschlecht Performance Research Vol.1 No.1 1996 Gesture: Performing Words, or, "How to dance (article) and Performance (book) C. Wulf (article) / Die Familie als article: Kultur als Handlung D.George / Performance Epistemology music theory with words“ Paolo Bianchi (Video lounge at O.K.) / A.David Napier / Foreign Bodies – performative Gemeinschaft Gertrude Koch (C.S. Peirce) Pierangelo Maset, Hubert Sowa (Ed.) / theory of perception on 32/64 Views of the "Performative Turn" Jackie Smart / (PSi7) Processing Language Die Transformation der Kunst zum Performance Art and Symbolic C. Wulf (projects): Die Hervorbringung Homi Bhabha / article: Of Mimicry and Man Ästhetisches Dasein. Perspektiven einer architecture (B. Leitner) Article in Kunstforum vol.152 Kunst ohne Werk (Dirmoser, Nieslony) in Physical Theatre "Performative Turn“ Anthropology des Sozialen in Ritualen ... / Familien- Marvin Carlson / Performance – a critical performativen und pragmatischen Kultur technoculture discourse 25 acoustic "view" A cluster model revealing performance (and theater) to us as a system of possibilities, Ola Johansson / (PSi7) From Stage to Page Max Schumacher / (PSi7) Grotesque Food - A. Artaud (ethnological studies) Rituale / Rituale in der Schule / introduction (book) !! im öffentlichen Raum in which relations in the in-between result as though by themselves. ... (P. Bianchi) Stephen di Benedetto / (PSi7) Mutable Modes From Film to Stage dance theory dance view auditive view human voice (see below) W. Pfaff u.a. / Der sprechende Körper Geschlecht und Rituale Michael Issacharoff & Robin F. Jones / D. Böhler et al.(Ed.) Die pragmatische Wende of Perception: Approaching Performance body research Sylvia Sasse / Zur Anatomie kollektiver U. Wuggenig -> Pierangelo Maset Discourse as Performance (book) Rorty, de Certeau, ... choreography view flight show with Performative Procedures in Art, Science and Education (*1) as Visual Art film theory the emotional role of music Performance Körper in der russischen Performance David Frankel / Workshop in Performance Liturgie und Ästhetik (event Münster) 26 movement view concert approach (STWST) dromology see: gestic view for diverse rituals / creating with Sound Theatre for Social Change (PSi7) Studies Ethnography (PSi7 Mainz) Performative procedures (for a transitional period) time theories basic atmospheres through music Magic Maori, Artificial Savages and Martians: movements as depiction of (long String Quartett, fundamental human states Terry Fox, C. Marclay, (De)constructing Indigenous Identity atmosphere sound Performance is not so much a new art form as a new paradigm, dance dance (Monica Klingler) Andrea Sodomka, it stands less for a new phenomenon than for a new observation dance studies techniques of mood Sarah Marrs, performance performance performance , of familiar phenomena. (David E.R. George 1996) (Xavier Le Roy) Lifedance (Gloria McLean) movement disposition (Yvonne Rainer, Trisha Brown Joan La Barbara) (), (Christine Brodbeck: TP-founder in CH (Tanz pur)) sound sensuousness (Maria Berquet) (audio group, Performance here becomes not only a subject for study but also an interpretive , Monica Klinger, kinetic (Petra Deus, Klara Schilliger, Laura Dean) movement theater acoustic performance Jens Brand, audio grid laid upon the process of study itself, and indeed upon almost any sort of Rose Garrard, Lucinda Childs) environments (2) kinetic (Katja Fleig & Seijiro Murayama) Sam Ashley, (Company Catherine Contour) see also: course of events view (Jeanette Yankian "Aorta“) human activity, collective or individual (M. Carlson) (Nigel Rolfe) H.-J. Gilgen, performance cinematographic theater (LE): A performance exists only (Anna Halprin, Robin Poitras, see also: view of the musical score Orquestra del Caos, Gabriele von Scheidt, Silvia Buol, electroacoustic performance The great popularity of "performance" as a metaphor or analytical tool for (John Jesurun) impression of collage and ever as a flux dance articulates energy N. Möslang & Maren Strack, Genevieve Fallet) study of basic types of (Mia Zabelka) Andy Guhl, current practitioners of so wide a range of cultural studies. (M. Carlson) and montage – videographic, filmic, (Honey and Milk: Dora Kiss, ecstatic dance body in motion human movements Noah Riskin, sound narrative – intrudes before every perception. F. und Joel Mützenberg) acoustic effect Gerrit de Vries, (incl. TV view) (Robert Morris) moving (B. Nieslony, Franz West, E. Wurm) film semiotics dramatic logic (Mim Miriam King, Steve Paxton, Andrea Morein, of the body (Janos Szirtes) Richard Dunlap) Recent studies have demonstrated the usefulness of the concept of "performance" dancing bodies control Dorothea Rust, Yoshimichi Takei, lying, standing, sitting, ... Performance psychoanalysis (Lacan school) everything in dance is gesture (LE) Sculpture (Lee Chang-Shik Park) in the analysis and understanding of all these ... human operations. (M. Carlson) multimedia image projections - Mari Tanikawa, Mona Kosa, Hanna Barbara, Sound sculpture process theories 27 filmic view (John Greyson) (Mel Henderson, , meeting of real/virtual bodies Theater of sculpture in motion Nigel Charnock (Ex: DV8), Kim Hyun-Ju, (Alanna O´Kelly, Akio Suzuki, see also: tableaux vivant Kim Young-Won, Bilderwerfer (D. Aschwanden), movement research ) Junko Wada, Peter Zegveld, (Isabelle Choiniére) gestures and (Nigel Rolfe) Performance is closely linked to montage; Simon Whitehead, Hae Kyung Lee) (Skip Flicker) Harry de Wit, Toine Horvers, film movements analysis of movement live electronic musical instruments its flaw is that it is a much younger mimetic-gestic Phill Niblock, Jens Brand, The ideal performance /vs/ revolutionary performance approaches (Sonia Knox, interactive sound performance Savier Klaro, Stadtwerkstatt) step-brother to film (BN) aspects of music hyperdance (Min Tanaka) vocabulary of movement The perfect performance () performance Marcel Odenbach, kinetic possibilities of the (LE) Theater resembles a (Benoit Maubrey & Brodin – Audio Gruppe) (Benni Efra) (Dennis Oppenheim, Malgorzata Potocka, Elizabeth Chitty, body kinetic sculpture motoric movements otherwise film projection combined with montage of attractions Dan Graham, Peter Land, gestures of movement performance (Eva Hurley) Eulalia Valldosera (Collektive Al-Azaz)) not "used" comprehensive concert/ (Sol Lyfond) (Sergei Eisenstein's concept) Iimura, Ulrike Rosenbach, Dance: having the conducting (as performance movement behavior juggling with repertoire of movement () concert performance/installation How can be analyzed? ( – film maker) , , hands "in play" performance) electro- The tempo of the Aernout Mik, Douglas Davis, performance (Recombinant 9.9.99 ars electronica an open-ended medium with endless variables (Doris Balmer) () acoustic using the quality of illusion collages of events Takahiko Iimura, John Jerusun Emotion from lat. Motio = travelling as performance (Joel Hubaut) Posthof – all halls) art performance / dance performance / theater performance / etc. (Harald Busch & Erhard Hirt) film cut is brought outside oneself in dance Travel Art performance concert Aernout Mik, Malgorzata Potocka, Butoh see above (Kazuo Ohno) movement / clothing (Dilettanten- (Anet van de Elzen) into theater (LE) (Vol. 136, 137 Kunstforum) (ZAJ) private filmic actions John Wood & Paul Harrison, SU-EN Butoh Co. anger-irritation logic / (B. Maubrey) Orchester ) projecting "home movies“ camera replaces audience dance with the Internet travelling as global presence (Eva & Adele) play-along music Daring to face uncertainty and temporariness (from network to interstice - the clustering) performative theories from () Jean Otth, F. Pezold, Dennis Oppenheim, (Susanna Akerlund) fear or anger logic obsessed (Anna Bring) (restrictive presentation conditions) Lydia Schouten, Joelle Ciona, Erik () Green line walk (Die Fabrikanten) (John Cage) cultural science These aspects used to be with speed (John Tylo) (Jochen Gerz) (Dimitri Alithinos) Dettwiler, Bettina Grossenbacher & N. hanging, floating, ... between rock music On representation: performativity discourse treated under the theme of film-specific performance styles Widauer, Suzanne Joly, Jerzy Onuch, Photo: Moment catcher – Performance travelling playing in video generates (, Flatz, Jill Orr, A "net" without edges (in other words a cluster) – contents are placed in spatial proximity. performance studies performativity thrust performativity discourse communication concepts (works by Jack Smith) Private Performances Klara Schillinger & Valerian Maly, Alex Silber, (Gabriel Magos, Corinne Tache) and scenic the interference of differing Peter Brambring, Butoh, Il Carrozzone...) images of feelings (Eva Hurley) Crossings-Schema: (see below) criticism: communication (Video Documents) (2) video Maciej Toporowicz, Jaime Vallaure, Jürg Schmoll, travelling and migration collages Semantic routes are to be set by the readers (in reading) themselves. speech act theory ( „sky kiss“) (Kees Mol) music Jonas, Forti, and information theory have forgotten time rhythms (Sam Taylor-Wood) Benni Efrat, Anna Bring, Gillian Dyson, (Raúl Manrique & (L. feLugossy) (Sankai Juku) () (Jan MlCoch) Charlemagne Palestine language game theory / Praxeology 28 performativity as view performance performance Anna Winterler, Jochen Gerz, Gelatin) Claudio Fabián Pérez Miguez) (Skip Flicker) (Danny Devos – hanging in magic places) Performance in motion – travel art – performance feminist theories (J. Butler) L. Anderson. Haimsohn playing with the Film Noir genre (Paul Couillard) (Devil´s Chauffeur – Roger Ely) (Mark Steger – hanging in trees) Resistance in motion capturing moments Beckley, Kubisch pragmatism Conquergood: involving a shift Dance Noise (Sistermann, Christine Kubisch, from viewing "the world as text“ to (Robert Sot – in a wreath of plants) (Performing Resistance, Fabrizio Plessi symbolic pragmatism discourse view TV Van Gogh TV (Live and real time (Anne Iobst, Lucy Sexton) David Moss, Chie Mukai, A Poster Group by Gerhard Dirmoser and Boris Nieslony "the world as performance“ filming performers (Black Market) Video eliminates the television / Multimedia performance (Hadass Ophrat & Guy Brieler) Volkstanz, Albrecht D (ZEN) Endre Szkarosi, Michel Asso, Jannis Kounellis Version 01u.02 / 08/1999 – 04.03/2001 Linz/Cologne / A-4020 Linz Waltherstr. 2/2/5 G. Dirmoser pragmatic-hermeneutical turn (Jack Smith – Retrospective Graz 1999 Hotel pompino) Gettoattack – ) cycling all over the necessity of appearing performance under water performance (Angie Hiesl) moment art Bonnie Barnett, Leigh Hobba, Lentz, Dunlap, Tom Marioni role theory (T. Sarbin) Smith repeatedly treats his films Dance&Performance activists neighborhood (Kirsten Forkert) Luca Miti, Maxime Rioux, [email protected] / [email protected] performative turn (Bonnie Marranca, Conquergood Dwight, before an audience Expansion of Translated from German by Aileen Derieg 11/2002, [email protected] discourse analysis Fischer-Lichte, ....) for performances) ( & Charlotte Moorman) (Friederike Pezold) Marianne Schuppe, Attila Dora, others: film projection into aesthetics of speed cf. Instant Intervention Tibor Szemzö) All rights are retained by the authors (print-outs for private use are desired) cf.. pragmatic-hermeneutic turn performance as Autoportrait (Douglas Davis) touching the inside of the TV (Tache & Magos) Jon Rose , Christian Marclay Theory as/of Performance the theatrical Performance without movement ZAJ (Walter Marchetti, filmed performances () (Carlo E. Lischetti) mental model (John Latham) (seeing with the body ...) performative moment Juan Hidalgo, Performance is less a new form of art than a new paradigm, (Lit.: Georg F. Schwarzbauer) slow motion-like movements (Wilson) Dance of Transgender Performances with/as/to music Thanks to: Paolo Bianchi (PB), Wolfgang Preisinger, Attila Kosa, Eva Kosa, Performance = significant Stadtwerkstatt-TV projects Abramovic/ Ramón Barce , it stands less for a new phenomenon than for a new consideration of filming actions Architecture-Performance & Film slowness (Wolfgang Duck) (Min Tanaka) (Hunter Reynolds & (Urs-Peter Schneider) Gerhard Fröhlich, Gottfried Hattinger, Udo Wid, Peter Arlt, Georg Ritter, theoretical framework (Kurt Kren (on Otto Muehl, G. Brus)) (Gordon Matta-Clark 17 Films) as performance (4 Days of Buffalo) / Trash-TV staying on the road (PB) Esther Ferrer) familiar phenomena (David E.R. George 1996) see: Ars electronica "no one is sure of himself“ Pattina du Prey) Z´EV, Ian Smith Gabi Kepplinger, Eva Sturm, Herbert Wimberger, Josef Nemeth +, Hakan Gürses, (Walter Pamminger) (Schlingensief) dance articulates energy / dance as competitive sport (A. Périgot) part of every performance: music performativity of language Automaten TV etc. FUCKKEAD, Anne Bean Just Merrit +, Rainer Zendron, Black Market, Astrit Schmidt-Burkhardt, Alexander Sigel Performance as a concept in ethnography, Performativity as new perspective / taking movement filming partner everything in dance is gesture dance & martial art (Li Portenlänger) (Stadtwerkstatt) view of orality approaching one another (Iréne Maag & Chen Tan) Paul Burwell, Sam Ashley Special thanks to the theorists Marvin Carlson, Hubert Sowa, H.-T. Lehmann anthropology, sociology and psychology the dominance of textuality is penetrated into consideration (Carolee Schneemann's friend) multiple film projections experiments with (Schimpfluch) (Zoltan Szabo - Judoka) in theory models Anthony Cox: husband of ) (Stan Vanderbeek) TV cameras In plunging and elevation, pain Aleatoric sound and see: performative pedagogy TV projection (daily news) combined dance theater intensifies, shifts, aesthetics of duration Endre Szkárosi 1.12.1993 Sedimente 4.3.1995 – 4.3.2001 space can only be performatively (Proj.: Kinetographien) performative speech act (Alex Hay & Deborah Hay) and provocative erotic, the movement performances distinction body as projection surface with dirges (Dr. Walter Siegfried) invents movement impulses and (J. Cage, Merce Cunningham) Grundheber CAP see: performative form of insight experienced as space gestic research question is posed with Nietzsche ongoing performance: the question of Jörn Luther , Misa Savic Performative turn in theoretical discourse for films (Carolee Schneemann) performative body gestures (LE) plagiarism Krzystof Zarebski, Note: *1 (subtitle of the book "Schreiben auf Wasser") performativity of the of the physical body (analysis model for the specific performativity of the using film (Valentina Factory of the Excentric filmic vision: in multimedia and intermedia art of the "dancing god" (LE) performative knowledge (R. Schechner) Irit Bluzer, Helena Villalobos body memory Baradinone, Gelatin) cf. Life Art / Live Works (Timm Ulrichs) 60s: real bodies in real time Audio-Landscape (Wilson) social system (Lit.: Lyotard) (e.g. dance technique, handling, ... "learning with the body" genre "dialogue") stories run in the monitor cap Actor (Eisenstein) (incl. happenings, performances) "filmic vision" Mark Trayle, Bender&Nern (historical) anthropology (see: V. Appfelthaler) performative understanding (Sowa) in real space encroachment / infiltrated situation performing knowledge cf. hidden/implicit knowledge) (Kyung Ja-Na) supersedes static vision (Th. Dreher) "Time based art“ also includes musical ethnology (as method: USA => A) (Gabriele (Günther Wallraff, Karel Dudesek) Cinemasculpture video and new media theology / New Age discourse centrality of performance in the construction (Jack Smith, John Latham, Valie Export, Peter Weibel) Performance to Oßwald & time art time-based experiences (Scott Macleod) stagings (Gianni Motti) masculinity/femininity (Alan Finneran) performance behind see: the performance of the body Wolfgang (Norbert Stang) theater anthropology as cultural performance and maintenance of social relationships Smith combined film and cinema slide running projection tied to the course of time see also: culture-theoretical view infiltrating hospitals as doctor (performativity) (Anne Hody) (Pat Ferrero) Sautermeister) time as material (Karl Kaltenbach) ethnography (femininity: Sakiko Yamaoka) (Enrico Bugli) (Cabinet De Medicine) B.M. is performative projecting close-ups temporal view of performance design performance studies ethnography the performative is a Orlan´s "Reincarnation“ project: influenced by experimental films film and shadow physique of the voice in acoustically dynamic 29 socio-logical view couples as public "construct" (Judy Radul) (Sol Lyfond) (Anet van de Elzen) (Gelatin) film actors as time based cultural anthropology cultural act (J.W. Kronik) A case study for the overlap between dynamization of (Madonna Hamel) (Klaus Rinke, architectonic spatializing space perception Literature: performance as social, categories and models performers (Akiko Izumi) (B. Leitner) Literature: (... continued) sociology and performance performativity and performance filmmakers as performers (and vice versa) 26 temporal view Ralston Farina, Kunstforum Bd. 25 / Schamanen political strategy social performativity of gender B&W films as material demarcating art Ruedi Schill, performative sound sites Audrey Colby / (PSi7) Acts Apart sociological discourse (John Jesurun, Valie Export, ...) curator in the field o film performative level J. Raap / Kunst u. Schamanismus (article) social view (burning A performative moment has been important to reality (Helmut Schober) Sakiko Yamaoka, (spatial music) Carol Fischer-Sorgenfrei / (PSi7) / Animal- exotism discourse (Bettina Wagner) Peter Kalmus, of pop music Hartmut Kraft / Über innere Grenzen - economical and 1 Mill Engl. pounds) (J.Butler) gender: a category constructed through performance many art works since the 70s machine-controlled offering a "different" filmic view view of the musical score Human Transformation in Japanese Perf. tribalism debate (tribal culture) film time and event commentary on (Pawel Althamer) Michael Murin) Initiation in Schamanismus, Kunst, see also: political view (not a given social or cultural attribute) gender = a "doing“ film projection (torture) of the performance emotional impact sound, music, Ulrike Krasberg / (PSi7) Ekstasetanz und structuralism discourse (GANG ART) film diaries musical social plots (John Malpede) (Istvan Kantor) of the medium of film score, composition Religion und Psychoanalyse (book) social behavior as performance (Goffman) unfettering the fine arts see: performative levels in pop music time units for the event (Balz Raz) time as medium Performance as the transient, flowing, ... performativity Performance ... (Sufi-Ritual) (game rules of art) social message Performances action scores (cf..: view of the musical score) Performance of Healing (book) in actional arts (Proj.: Kinetographien) (Ralston Farinas) Silke Wolf / (PSi7) Transformation ritueller performance as social practice (see below) (Nilofar Akmut) see: performativity of feelings the exhibited discourse (category 03 according to M.-L. Lange) Carol Laderman (Ed.) notions of times innermusical performativity – Performanzen hexis/habitus as a series of (series "dis-positiv“ Vienna 05.2000) Film, Music & Performance process endless repetitions (Judith Barry) J.L. Moreno / Psychodrama (book) Outsiders are see: performative (Michael Murin & Peter Kalmus) (Magos, Stuart Brisley) (Endre Tót) What is staged, random and composed music as a sui generis performative, Petra Kuppers / (PSi7) Mapping Physicality: social social performative practices performative self There is no knowledge Joachim Hersinger Waldegg / in-between beings (PB) The discourse is that, for which and demonstration coincide (Akio Suzuki & Junko Wada) physically staged phenomenon Translating Difference (the self in process) without discursive praxis ephemeral art Der Künstler als Märtyrer – Skt. performance performance Theater is the Performativity of forms with which one fights (Foucault) (Prof. A. Riethmüller) Callie Sandahl / (PSi7) Speaking Communities (Focault) Postdramatic theater circular form of time Sebastian in der Kunst des 20.Jahrh. the only medium with real art of the social of materialization Performance in front of Identity as performance performance accentuate the (Giardini Pensili = Bordoni & Dalo) musical score (Kaprow) see also: mimicry of life into Existence: One Person at a time (project: Kinetographien) video projection Mary Ann Doane / Film and the see: prediction actions with job-seekers, unemployed social researcher quality is every other human per se (LE) dis-curs (running back & forth) 27 process view act over the result (LE) classic texts are also underlaid with pop Richard W. Mitchell / (PSi7) Laughing like (Oscar MacLennan & Clip Performance Masquerade (masquerade theory) persons, homeless, prisoners (STWST) (Pino Poggi) being (BN) understandings (sensation of rhythm) (LE) Anne Seagrave) action with a fuse () performance Crazy: Performing Comedy with/for (Filomeno Fusco, Victor Kégli) (Santiago Serra) (Karin Meiner & Performativity as the performance art Flow – acting Marianne Kesting / Das Happening als a performance is capable Performance art often moves Deep flow = is an ecstatic (Roman Signer) the ´Insane´ Manfred Hammes) of creating "communitas" moment as act of positing meaning view of the act outside time clips moved innerly through perception of pseudo-religiöse Opferhandlung (article) magic ritual (BN) social action (Tom Marioni) pity / in a discursive gap experience dramaturgy Kanta Kochhar-Lindgren / (PSi7) Earth Arts: (Jürgen Fritz) of touch permanently repeating itself (Ray Langenbach) music/sound/rhythms Christa Lichtenstern / Metamorphose. social actions (Roland Miller) boredom (Norbert Klassen Performance, Landscape and the Voices (approach to) ritual performances social feelings (Franz Müller) process-oriented art / process-oriented procedure direct time-images short performance (very long Vom Mythos zum Prozeßdenken (book) pragma-art Performance as the processual, flowing (Büro Haake-Brandt) insisted on it for B.M.; (Category 04 according to M.-L. Lange) sculpture (Klaus Rinke) performances are hardly prepared revenge of the Indians on of Difference actions with concrete Theatre of performance as Foucault: ... the mechanisms of (action and process (Sakiko Yamaoka) but he is the only one with ritual music Aristoteles / Katharsis-Begriff relationship performativity as creating identity as cf. strong boom of process view anymore today) European music (Art Clay) Ivy I-Chu Chang / (PSi7) Theatre as Therapy, goals (Lidl-Academy) Social Change (PSi7) social situation social sculpturing method discursive formations could be instead of contemplatio) a score) (Maria Fisahn) Theresa Smalec / (PSi7) Healing Shattered Performative Transformation (PSi7) per se (J. Beuys) (Volker Hamann) a process of repeated quotation in business administration and informatics see also: process from the Therapy as Theatre (Labin Art Express) picked up specifically in the (cf. Michael Lingner, (Bruno Hoffmann) view of artistic production threshold situations Subjects: Ron Vawter´s "Roy Cohn/ From action in-between space of scientific Eva Sturm) since about 1996 immediacy (nothing can be action music performance as knots in the social field discourses. (in the course of events view) acoustic environment Jack Smith" as a Performative Means of therapeutic discourseg to transformation pair performances aesthetic social J. Beuys' actions as Primacy of the process view of transformation See also: (Marina Abramovic & Ulay) social experiment (Kira O´Reilly) deconstructive short processes, swarm of processes taken back) / Translating and Transforming Cultural Traumas guest work (PB) sculptures in space and time liveness gestalt therapy Theological View quasi-mythical places „performativity“ of Paul de Man Pragmatism as culture studies (Manfred Vänci Stirnemann) structures of action Live character Elizabeth Köpping / (PSi7) Charismatic (category 08 according to M.-L. Lange) Discursive practices differ from non-discursive Performance takes place (H. Mucken – psychodrama / psycho-techniques (technical, institutional, economic, social, attacking social (Chicago) social "face" as highest good paradigm (cf. Gertrud Koch) see also: performance as action M. Vorfeld, (2) Healing as Transformation Stalker (as concept) political) practices performative "being at one" in the "here and now" primal scream therapy 30 magical view (honor, integrity, recognition and Performativity as the "more pleasing variation" live process design see: M.-L. Lange categorized performances Rolf Langhans) Translating Difference: Performance and (Zygmunt Piotrowski) mechanisms (V. Acconci) affects as energy live system theory Shamanism gnosis (BN) of the Zen archer or (see study Stadtwerkstatt-TV) according to action structures community suppliers and not just tolerance) /vs/ discourses are acting performance slowing down time Disabillity (PSi7) dance theory (mobilizing spiritual forces) Topicalizing Samurai warrior remaining in the present the Fluxus movement emanated from (Rolf Hinterecker) (Geert Duintjer) organizers of loss of face) practices themselves reducing energy alchemy, hermetics Ritual and Initiation „as“ relationship (G. Magos performance art 28 pragmatistic view cf. pragmatic (cf. Flow) music, among other things Ritual (2) (Anna Homler) (Raphael Montanez Ortiz) social space initiation forms of interaction forms of the course of attention (Prediction) esoteric debates / New Age discourse shamanist dismemberment (Brus) (Nam June Paik) (J. Beuys) (Brian D. Tripp) & Corinne Tache) religious themes hermeneutic turn (Inka Bernstein & (Ulrike Rosenbach) performances (Kim Suck-Hwan) (Yong-Gu Shin) images of social community live composition as process see: communication concepts view of duration: chained together 1 year Performance art with its radical Musique sonore psychology Club Hofmann) investigation of the intimate zones string installations (Nelly Agassi) (Holger G. Herrmann) as performance role view mimicry (J. Cage) ( & ) assertion of real time as time experienced (Joachim Montessuis) (Lorena Menoez & of the body social (Bilderwerfer) symbolic actions (Paul Panhuysen) (Jappe) the spiritual / the holy It is how it is – the illusion art (3 days: Linda Montano & Tom Marioni) (LE) Laying open - sacrifice - shamanism Fernando Fuentes, relationship questions (cameras, in common Mask / masking (cf.. identity) (as precursor of process-analytical works (7 years of living art: Montano) The body as magic sculptural monitor): Androgynous – Marion performative generation of emotionality Birchler & Hubbard) performance) expectations of salvation (Tour de Coulór) (Büro Haake-Brandt) (1 yr. cage, 1 yr. stamping, 1 yr. no interior space performative masquerade Shamanism and animism Leyh, U.Peter Schneider, Ruth performative generation simulation cf.. Stadtwerkstatt-TV automatism taking care of the right atmosphere and object with cathartic effect distinctions, i.e. separations mimicry through live presentation Tehching Hsieh) perception of time (Boris Nieslony, Norbert Klassen, (Z. Warpechowski) (Serge Pey) In our culture, artists, priests, Bamberg,Philippe Micol) of belonging cf.. Taxi Orange game rules thus also for the right thinking McCarthey, Joan Jonas, Franco Vaccari, () and congruencies of social Foucault's archeology is an ethnology of his own culture selling snowballs processed objects cf. Taxi Orange doctors and psychotherapists of life ritual (see left) Allan Sekula, Artur Tajber) Animism (cult of the soul) have taken over partial areas of groups (Gebauer with Bourdieu) () (Performing Resistance) material ordered in acoustic design as Media shamans (Jürgen Fritz) shamanist functions see also: intercultural exchange in performance course of process trance as script Alchemistic theater Kabalistic e.g. simulation of an office processual aesthetics long-term performances (Das Konzil, Nieslony, rhythmization of the event Cf. magical theater () (Kees Mol) you need a role (Jacques van Poppel) (GANG ART) Self- (G. Brus) references (Nelly Agassi) (BN) performance is directed performance as socially (Ingold airlines: Res Ingold) (Philippe Cuny u.a.: Protoplast) moment art (2) (Proj.: Kinetographien) Alastair MacLennan, B.M., Bodo Berheide, Robert Sot) Aesthetic alchemy (Rimbaud, Mallarmé) 700 BICAPONIA-Performances to become yourself processual unfetterings (A. Artaud) = White man (Roi Vaara) against blind faith in progress 29 anthropological view / marked role play (see below) (Abel Bankprojekt) (FEM-Warenzeichen) (Bender & Nern) (Matthias Jakisch & Elvira Santamaria, Ulrich Lepka) the incredible power of White men (T.R. Uthco: as rituals of a private shamanist religion () the "omitted" staging (LE) Theater of Cruelty (Raphael Montanez Ortiz) Shamanist performance as mimicry of business music and rhythm Dough Hall, Jody Procter, Brus, Physio-Psycho-Alchemy (German Vinogradov) (latitude, lacunas) qualities ethnological view (Ruskin Stichting, Rotraut Pape, u.a.) changes and dynamics / Yong-Gu Shin) ethnological material course of events Self-painting = surmounted Alchemy (Anna Homler) (John Sturgeon) social and religious subversive simulation dynamic way of looking dynamic processes Yellow man (Lie Wen) Shamanist journey (Thomas de Chirico) role view repeatability of staged rhythmic performance self-mutilation (G. Brus) identity (Islam) allowed to play along at psychical processes Literature: Camouflage painting (V. Kutscher) of platitudes time process of Performance as staging (see below) (Esther Hiepler) Alchemy of the kitchen Transformation (2) (PSi7) multimedia () Performer as modern shaman (Majida Khattari) rules of operations performances (Lili Fischer, ) Kunstforum Bd. 87 / Kunstgeschichte Like spotted animals (Mette Aare) (being part of the game) (Biefer/Zgraggen) becoming image (LE) Search for the (Attila Kosa) Art as site of transformation (PB) Performer as modern witch theological view see identity course co-determined with and permutations des Feuers Birth (art incube) ethnographic (Fumiko Takahashi) sacred (A. Artaud) Completely out of control role (in)security with transgender persons thread (Jordan MacKensie) music and Erika Billeter / Mythos und Ritual in der The body as canvas Transformation as aesthetic (Ion Grigorescu) performances – following traces religious view / art (performance) as substitute for religion? artist as (participating) performing Alchemistic laboratory performers do not (failure in daily "glance traffic") Concept art of the 60s - (K. Rinke) (Les Reines Prochaines: Kunst der 70er Jahre (Nikolaus Lang) behavior researcher praxis paradigm staging (2) Alchemy of the ordinary life-art-work Gotthard category (FL) Mudman art (2) M. Fuchs, Fränzl, Madörin, Fertility artist as anthropologist artist as skeptical (U. Wid, A. Fraser) play a "role" performance as mimesis (see below) (cf. praxeology Transition to Modernity (PSi7) With and about fire ... (Boris Nieslony) (Jean Odermatt) Trance states (Kim Jones) mudman's living prediction (Klaus Rinke, Muda Mathis, S. Zwick) (Victorine Müller) (Kain Karawahn, , Stadtwerkstatt, Young-Chul Shim)) (Tokio Maruyama) (Nieslony) anthropologist (PB) (BieferZgraggen) Michael Schmidt, primary theory of the moment Bonnie Eckhard, Frederick Corey / (PSi7) Trance techniques (Helmut Schober) (Young-Chul Shim) cultic contemporary investigations (FS) on Wittgenstein) (Holger G. Hermann, Thomas Ruller, Lukas Berchtold) seminars (David Thomas) Endre Tot, (James Lee Byars) Transformation through magical (Terry Fox) (Serge Pey) (Bettina Kleinhammes, Annegret, Soltau) p-theory as theories of behavior Missed Callings: Myth, Middle Age, and Panic in burning paper tent (Igor Sacharow-Ross) performance "like anthropological studies" Yasunori Shiobara, demonstrations staged procedures: costumes, masks Body dismemberment & violence / interactive processuality Memory Cosmological view Fire circles (Zorka Ságlová) flame thrower (Just Merrit) Ritual direct recourse to shamans (Kurt Fulton) Ethnolog. research into social prediction (2) ritualizing everyday actions performance as rituals of transition, of transformation Ruggero Maggio, Performance as Fire & water (János Szirtes) , (SRL), (L. Berchthold) Spiritist body fragmentation in Lee Chang-Shik Park) (cf. Gestures, Attitudes) of cultural actions events (2) M. Serres sculpture (Schmutz) conditions (Kurt Fulton & Richard Schachter) (Alastair MacLennan) (Translation TRANSITION Transformation – PSi7) Fire theater, live flame (A. Heller) Model of cannibalism session performance Udo Wid (Reindeer Werk) sound experience cultural anthropology Incinerating rare plants (Terry Fox) Fire Table(s) (Ric Allsopp) (Lygia Clark) anthropophagy seance (Rolf Langebartels, forms of culture (Roman Signer) mythic view In a burning tank under water (Harrie de Kroon) (LE) Presence of the deviant body triggering "immoral" "holy" reality performativity performance as ritual (see below) ritual as means for coping with crises artistic action structuralism (discourse) (Judith Lorena Mendez Barrios) Vollrad Kutscher) (forms of expression) the moment of the living process (Renee Kolla) Recipient in a burning gyrator (times up/Just Merrit) fascination, discomfort or anxiety because it deviates from Forms of therapy that of the body of rituals ritual actions (Thomas de Chirico) /vs/ artistic production myth discourse Burning clothing piece by piece (Barbara Sturm) ritualized performance () (vs. reproduced process) +Performance as staging Action with stone the norm due to illness, handicap or deformation make use of the gift ritual performance art (Réné Ynez) literature discourse 31 mythological view (Stephan Goedecke) Death and the Therapeutic neurotic rituals – performance techniques church service as the essence of the ritual View of the elements (Just Merrit) performance ritual ritual and emotion process and not (Moreno) probing the truth of the soul deconstructivism Smeared with earth Lying under stones beautiful shaman seances intensity of a performance (USA) exchange projects is the tie, the plea poetry of rites cultural pattern ritual (fire, earth, water, air, ...) (Yin Xia-Feng) (Karin Bille, Jürgen using the example of finished result through action - catharsis of action memory theories (Dieter Appelt) (M. Abramovic) (Lygia Clark) hysterical psychosis Forms of therapy as analytical "session" (Clegg & Guttmann) (Hanka Lee) (Katharina Trost) See: psychoanalytical view Fritz, Thilo Hain, mourning (Aktion im Moor – J.Beuys) (Reindeer Werk) Therapeutic action Walter Renner) Cf. identity view Lying naked in the water Temple sacrifice and fire rituals Butoh therapy ritual presentation (Ines Tsengas) Acting out (process and not just analysis) (Siglinde Kallnbach) Fear-angst system (intention of body art) purification ritual (Hansjörg Marti) (Dieter Appelt) (Mitsutaka Ishii) 30 therapeutic view of objects ritual mourning-depression system Ghost stories Machine: stream of fire/stream of water (minus delta t) theater is Group therapy as installation rituals logic of mourning being in the process (Ping Chong) (Erik Hobijn) Pain, death, transitoriness, rebirth Therapist as performer external and internal purification at heart a Mermaids washed ashore Creation myth ("Lovepangs" congress /4 phases of pain) sculpture (Matthias Jakisch) Galvanized into (Gideon Gechtman) (Peter Gilles) (Yuko Yamamoto) (Emil Gropoz) Cath. rituals death mass (LE) (Myriam Laplante) (Jürgen Raap) ( – her dying body) Artist as martyr Work with HIV patients disability view rites of initiation (De Chirico & Aboriginal myths Performance in the ocean the symbolic (Cf. G. Brus) Therapeutic pain & Close to nature Purification (Verena Schwab) (Jürgen Fritz) Angelika Thomas) Buddha States (Chen Chieh-Jen) (Kevin Mortensen) St.Sebastian – (Jordan McKenzie) ceremony / processions Theater as Rooted in old myths (Yong-Gu Shin) Bodies connected to trees with Performances of Death in America Performance of Healing Purifying power of acting out catharsis (Goji Hamada) Like a stone-age man pierced Theater in blessings cult action hoses (Enikö Szücs) (Andy Warhol) ritualized pain Performance as catharsis (cf.. below) process (LE) Performance as Process Mythic rituals (Jerzy Beres) sacrificial lamb therapeutic Performance and Disability (PSi7) Prerational logic of memento mori (, H. Nitsch) cultic purification ritual consecration performances mudmans Literature: Literature: (... continued) (Günter Brus) Archaic and culture () pedagogy (Alastair MacLennan) ceremony art (Karina Wellmer-Schnell) (Ralf Vormbusch) mythical image worlds Archaic elements medical self-purification Performance und Performance Art / J.-F. Lyotard (event, performativity, mythological structures Archaic, Butoh (Gérald Personnier) (event or object reminiscent (cf. Mishima) mental and physical disability (ADAW Palaf) cf. identity view Seminars (2) in imitation of in performances of death) / memorial rite Embalming of a chicken performance Kunstf. Bd. 96 G.J. Lischka language games, ....) ritualized and cf. Fakirs (Kraft/Petz) (René Schmalz (Butoh)) Wheelchair performances mudmans (James Lee Byaars: performed his death) (G. Bruckschweiger) Orgies-Mysteries Sacrificial rituals (Max Dean) Beitrag: Schneisen im Heuhaufen – J.-F. Lyotard / The Unconscious as Mise- myth-related performance Group and family myths (Krüppelschlag/Just Merrit) ritual performance (M. Abramovic): goes directly back to (Rolf Hinterecker) Ancestor cult reminiscent of Archaic forms of expression (A. Heller: laying out of self) mental derangement rituals on Hawaii (See also: rituals) Retro-performance Sex in a wheelchair (Bilderwerfer: crucifixion scenes "The lips of St. Thomas" carving, Formen von Performance-Art en-scène (in: Performance in (highly emotionally charged) (Arnulf Rainer) Death Meditations (Nina Wise) As a mummy in natural location (Liu Cheng Ying) (Grahame Davis) Theater (Charlemagne Palestine) shamans (dirt) (Moira Roth, Carolee Schneemann) archaic roots (J.Lothar Schröder) Conny Scheuer, Elisabeth Löffler) fertility rituals Marie-Luise Lange Postmodern Culture – 1977) Political remembrance of the dead (Balint) whipped, naked on cross of ice blocks Personal mythologies Sale of Roman Catholic pictures of saints Cover performances () (Kim Jones) Critical theory and performance (book) Hassan Made up like a corpse (Shaun Caton) (she stages herself as sacrifice) ceremony (religious) (Rosa Galindo, Pedro Garhel) Bedded on archaic Archaically poetic (Verena Kraft & Kurt Petz) art-therapy Performance as cultic actions (Ronaldo Ruiz) Patrice Pavis Hannah Arendt / Vita Activa (book) Far Eastern myths (Richard Schachter) gay perspective ceremonies frameworks (Dieter Appelt) (Lee Wen) Distribution of holy pictures as thanks (Mike Kelly / Paul McCarthy) (Paisan Plienbangchang) form of action in (R. Schwarzkogler) Dionysus – paradigm for a Sex with the Dead (John Duncan) Everyday stories artistic Christian liturgy of the Indians Jürgen Schilling / Aktionskunst (book) Johanna Malt / Performative Constructions for donations (Renate Bertlmann) therapeutic praxis Easter piece (crucifixion situations) rite Marvin Carlson / Performance – a critical of Meaning (article) new myth of destruction Maim dancer (Krüppel) mass (Wolfgang Duck) (Joan Jonas, mythic material () religious attitudes Tina Girouard, naked in church against (in part, cf. Ortiz, Nitsch, Lebel, Mythologization of the self Theme of death (Nonko Ono) Mourning depression system (Jerzy Berés) introduction (book) !! Dorothea von Hantelmann / Der andere (Rachel Rosenthal, Meredith Monk) story- aesthetic way , Mühl, Kaprow, Knizak, ...) (Colette) Ultimate performance: (Markus Schwaighofer) fear of abandonment system the rite (Mette Aare) Performance as act of positing meaning B. Stanton Garner / Bodied Spaces: Postmodern: (Hassan, Lyotard) Semantic, philological and Artist as "sacrifice" Standing on hammered in of praying Yolanda Segura) Schauplatz: Theatralität u. Performanz (lethal performance as model) (Gianfranco Baruchello) (e.g. Catholic liturgy) Mysticism and mythologies (are Individual telling (2) nails (Nitsch) Phenomenology and Performance in der zeitgenössischen Kunst process / performance / happening Myths of the world (Mary Noéle Dupuis) etymological instruments +Performance as interpretation (BN) not accepted in performances: (Marco Ivaristtis kills animals Performing Trauma Performance as drive analysis (P. Kochsomrong) Performances of TV-preachers Nick Kaye / and Bonnie Marranca & Gautam Dasgupta Ed. work-in-progress, incomplete, fluid mythologies (Jill Orr) (Luca Patella) A´battery A“) to provoke reactions from objects from the Catholic (cf.: Schlingensief) open, playful, optative, disjunctive, displaced, a discourse of fragments (Jonathan Meese) Mythical (PSi7) (and art analysis) (Via Lewandowsky) Performance (book) ! Conversations on Art and Performance religious ecstasy liturgy (H. Nitsch) mystical the audience) 31 content view Cf..: contemplation /vs/ ecstasy David George / On Ambiguity: Towards a Philosophie in Aktion / P. Bourdieu, Hakan Modern: Media, myths, fairy tales Performance = (Unio mystica) (cult of the new eve) religious performative quality dance play Content aspects Poetic performance religious Post-Modern Performance Theory (article) Gürses, O. Marchart, Chantal Mouffe, art object / finished work Performance as (BBB Johannes Deimling) (Jan Swiedzinski) Who still deals with of performance (arrangement) (Ruth Knecht) consciously dreaming feelings acts Laurence Senelick / Cabaret Performance W. Pircher, R. Pfaller, G. Raunig, of postmodern work fundamental characteristic Virtual suicide Catholic mass as model "major" themes? Wilson's theater is neomythical Stan Godlovitch / Musical Performance: Slavoj Zizek (book) of postmodernism (Chantal Pontbriand) (Cuco Suarez) Deconstruction performances Role of the clown (BN) of the theater Performance appears today as a (Category 11 according to M.-L. Lange or Giving what may be religious rituals as material a philosophical study Hans-T. Lehmann (LE) / Postdramatisches Dissolution of the semantic Performer as clown Reaching the density of the Inge Baxmann respectively) Content-based methods found in madness (cf.. Black Market) Revealing evil and exorcising it. procession as performance Philip Auslander / From Acting to Theater (book) ! possible philosophical paradigm; P.M.: play, game, contradiction, process, Naked, all hair shaved off obligation, honest performance! (BN) (Artaud) (Giuseppe Desiato) mythical (Wilson) This performances are targeted to: (Cf.. Stadtwerkstatt-TV study) () Total possession (in the performance) +Performance as socially marked role play a radical alternative to the modernist (Nitsch OM Theater) Performance (essay) Kathy Rosalyn / Toward a Theory of performance (D. George) The performative as primary characteristic of in a tree – no story, no plot confrontation, irritation of sense, () Vadim Liapunov, Michael Holquist / Performance Art (book) text paradigm. (George) In postmodern times "performance" is contemporary, but especially "postmodern" (end of time) disjunction, interruption and dismantling Against religious procession (aspects) Performance as social practice (Oszeus Labyrint: Mark Steger & Practical character of carrying Sense & madness Performer are (Heinz Cibulka) Towards a Philosophy of the Act (Cf. performative turn) the ideal medium and model (D. George) art production (Ulrike Transition to Modernity (PSi7) of familiar semantic contexts. Scope of action tricksters and symbols (Wolfgang Duck) academic performance (Marvin Carlson) (D. Mersch) (action, performance, Hannah Sim) out acts of meaning: Performance as Exorcism (book) (on Bakhtin et al.) Hans-Friedrich Bormann (PSi7) Philosophy It is a matter of "an upsetting of order", in between terms (BN) Rosenbach) +Performance as ritual installation, environment and event art, Non-theatricality clowns Richard Schechner / Performance Performance mental model (Lit.: Georg F. Schwarzbauer) in "action" (G. Raunig) meaning is acting/doing (Sowa) Dieter Mersch (PSi7) but also gestural painting) of the destruction of traditional rhythms and Exorcism – liberation from personal grief/suffering Theory (book) Sophia Totzeva (PSi7) Performance and Philosophy (PSi7) flows of meaning. Performance as theater of memory (see below) +Performance as mimesis Philosophical terminal (as service) (Linda Montano "Mitchell´s Death") Cruel healing Patrice Pavis (Ed.) / The Intercultural Performer with Semantic shifts due to Theater as memory space (Cf.. also: Rainer Ganahl - education complex) Legitimization (of research) Philosophy of the act (Hagakure) "Theatron" was originally the education in philosophy (Cf.. essay by Dan Graham Montage performance through theater Performance Reader (book) Cf. service view through its performativity (Lit.: Lyotard) the confrontation of concepts audience space (LE) (Odradek Siblings: on Giulio Camillos) (montage techniques) (A. Artaud) Michel Benamou / Presence and Play, (Marlene Madison Plimley) Theatron x 2 = design of the poster series Rituals as a means for dealing with crises Academic Performances (PSi7) Eva Blut – Upper Austrian Hedonism: Cabaret as performance? Performance in Postmodern Culture Philosophical database Design for V. Westwood) memoria theater 32 philosophical view As a principle, B.M. is an exploration Cf.. (Lili Fischer, Franz Prieler) Mise en Scéne (catalogue) (Mike Hentz) (Lygia Pape) Experimentally assembling a philosophy of Allegorical processions Kneipp cure & Performance of attention (3) (Donna Lewis) (Diva – Cabaret: Computer as Performative science performance art Avoidance of Performativity as the operationality (Lili Fischer) Markus Weßendorfer (theater theoretician also circumstances (BN) Marlene Madison Plimley, Mernie Le Plested, (celebration art) Attention as accuracy narrative structures theater of memory of information (Lit.: Lyotard) +Performance as ritual writes on performance) Alvin Erasgo Tolentino, Lori Weidenhammer) Turn to the performative (Antoni Miralda) art studies view Professor of philosophy as performer (Billedstofteater) (research project) (Adrian Piper) Performance as representation of facts (s.r.) act (instead of the well formed Elisabeth Schweeger cabaret performance Narratively structured performance +Performance as catharsis Philosophy lecturer message) Hans-Thiess Lehmann (lecture) / cf.. (art) historical view lectures (2) (Category 12 according to M.-L. Lange) Lecture performance (Nick Land) Philosophies and sciences Performance as presentation Philosophical terminal (2) Three-dimensional narrations Theater als Möglichkeitsraum performativity discourse Theater without These forms of action tell stories and Gray ascribes a coding effect and integrative Performance as drive analysis (Xavier Le Roy, Mike Hentz) of becoming (Proj.: Kinetographien) Performance Theory and Practice (PSi7) theater theory function to all emotions for cognitive Choreography as theater (Mark Boyle) the intentional view are based on a clear concept of staging. One-Woman-Theater Semantic routes theater studies Kinetographic (Renate Bertlmann) (Brian Catling) contents Performance as form of action in therapeutic praxis Lecture as performance Performance lecture danced theory (Jerome Bel) "presentation" (BN) (Margaret Dragu) Practical theory development on the Net dramatic discourse (Thomas Huber, Andrea Fraser) (PSi7: Hanne Sitz, Marie Luise Lange) Performance Symposia Dress as information carrier performative Theater of perception Cognitions with the same or similar art theory (John Bock) (Bazon Brock) Methods of Using New Media in performance Studies performing arts Narrative Performance (Regina Frank) hermeneutic conferences (LE) A theatricalization may be (Adriana Zamboni) Theater WuWei (Ruth Geiersberg, emotional hue tend to conjoin philosophy The council (PSi7 see articles: Maria Beatriz de Medeiros, Carol Burbank, () body inscriptions Philosophical lecture-like (Also see: networks) observed in performance art The reduplicated event Elizabeth Le Compte, deduction postmodern discourse Irina Khiginskaya, Diane Howard, Stan Dyer) Jürgen Raap, Schechner: (Vasan Sitthiket) (H. Sowa) into emotion-specific separate worlds performance (KwieKulik) Anti-mimetic theater Art jury as performance is always a farce (Mersch) theater The performance garage, (M. Schwaighofer) (in the sense of the logic of anger, nomadology discourse (Prz. Kwiek & S. Kulik) seminars (2) Performance analysis (the jury: U. Wid, Die Fabrikanten, Ron Vawter, CARKA, anxiety, mourning or joy ...) deconstructivism discourse G. Dirmoser, Neuner, et al.) 32 theater studies view control & mimetic distance (theatre) /vs/ (PSi7) performance knowledge (Serapiostheater, (Eva Fuhrer, performance Norbert Klassen, performance studies PAM: Performance Bak-Truppen, Janet Haufler, Studio Azzuro) Plurimedia physical awareness of the performative situation performance theory Transforming Analytical Discourse Wooster Group, SRL, Vereana Schwab, theater (LE) Performance appearance as an analysis method Translation between (Monica Klingler, +Performance as memory theater to Performance (PSi7: Zoltan Imre) theater view La Fura dels Baus, Jürgen Fritz, Theater of Mistake (Anthony Howell) absurd act of information (Ute Ritschel) Performance and Performance Studies Theater am Montag, ATEM Group) Norbert Klassen, performance Production of presence (LE) (Ruskin Stichting, Rotraut Pape, et al.) (PSi7 article: Deidre Mulrooney) STOP.P.T. Norbert Klassen, (Res Ingold, Boris Nieslony, See also: dance performance Stefan Kurt, Extreme theater Viennese Actionists) Absurd Theater Methods of Performance Analysis: Performance archive Charles Richardson, theater EX!T Elke Schmidt, Tilo Schwarz, Mobile theater (Dorte Holbek) Jürgen Fritz, Wolfgang Sautermeister) Performance as trans-genre or (Tadasu Takamine) Cognition and Fragmentarisation (cf.. service) movement view Matthew McGuire, Gob Squad) anti-genre within Miniature theater (Gregor Leschig) Theater as event (PSi7 articles: Zoltan Imre, T. Kubikowski, Wojciech Baluch) Notes as performance Andrea Morein) Street theater performance (Hiromi Shirai) Literature: (Karin Beck, Elsbeth Böninger & art studies Which recursive effects do changes in communication Living room on the stage Aim of the performance conference: the black drawer Norbert Klassen) poetic Performative theater action theater "Theater" was an important (Otmar Wagner, Stadtwerkstatt) Die Grube und das Pendel (article in: Theory as/of Performance (due to new media) have on "old media" such as starting point for the promoting the formation of concepts in Performer as theater studies scholar Queer Theaters (BAK-Truppen (many open elements)) (From viewing art Relikte & Sedimente / Rob La Frenais (chapter in Victoria Best & Peter Collier) theater, music, fine arts? theatre Viennese Actionists non-narrative, Encyclopedic delusion (Jürgen Fritz) (Text: Rob La Frenais) Kontextbewußte Ansätze in Kunst und performance art to a view of the (La Fura Dels Baus, La Gaia Scienza) non-discursive, Performance art as pre-art Programmatic texts: (BN) (Cf.. Symp. Steir. Herbst) Wissenschaft / G. Dirmoser (DG) Philosophical and Post-Dramatic Theater (Also see: story telling) Theater of circumstances world) non-mimetic performance (Z. Warpechowski) Philosophical, religious Reindeer Werk, Todays Place, Prediction, Gotthard Günther (on polycontextuality) metaphysical concepts Minus delta t, Büro , polarpuls Art d´Ameublement, (book: Hans-T. Lehmann (LE)) With the means of reflections Theatrically drastic Poor theater (proximity to performance) Marvin Carlson / Performance – a critical (Tokio Maruyama) Kunoldtstraße 34, Bazillus, Programmpapiere kleiner Ausstellungsraum, Dynamic theater invisible theater Theatrical Poor theater – what is left is (Zygmunt PioTrowski) Das Konzil 1981, Strategiepapiere des Fördervereins für Projektkunst, Performance and theater artists (LE) Energetic theater (Lyotard): material (Julien productions (Paul McCarthy) Paratheatrical actions = cultural investigations (Bremer, Spoerri) (Performing Resistance) (W. Pfaff) introduction (book) !! Forms of organizing and executing culture Die Stifter, ASA European, Black Market International, ...) (Black Market) Not a theater of meanings, but rather Maynard Smith – the body (Grotowski) Victoria Best & Peter Collier (Ed.) / Movement theater (LE) of intensities ... post-dramatic energetics Station House Opera) Theatrical staging The living theatre Theatrical productions (Atty Bax) Theatricality: "Grand Gesture" (Mattieu) Powerful Bodies – Performance in performatively Cultural Memory (PSi7) The Cultural Translation Project (PSi7) (Knopp-Ferro & Frank Köllges) (Günfer Cölgecen) (Julian Beck, Judith Malina, French Cultural Studies !! (Christiane König) Multimedia music theater Interactive Cyber-Theatre (PSi7: Steve Dixon) Impromptu theatrically inspired (Dan Senn) (Stuart Sherman) (Böröcz & Révész) The grand gesture as performance Kenneth Brown) Performance as a representation of circumstances negotiating Theatrical scenes (Ian Hinchliff) (Yolanda Segura) ( Angelica Schubert) Guy Debord / Rapport zur Konstruktion (Hans-Friedrich Bormann – theater hybrid performance (being flown in by helicopter, nothing else). culture (FL) LOSE COMBO) von Situationen Situative investigations (LE) A new association of (Mark Russel) (lt. Zakravsky) +Performance as theater (ARGE Kulturtheorie Linz) "performative turn" in the cultural sciences (FL) opera, performance and theater theatric performance (Adina Bar-on, Karen Finlay, Environmental Theatre Kenneth Burke Kazuhiro Nishijima) (Richard Schechner) Dwight Conquergood results Avant-gardist isms were superseded Ritual Theater (Hanna Barbara) Theater of deconstruction gestures (3) Victor Turner Culture as performance From writing culture Performativity as the the function of performance Experimental theater Object theater by ideas and contexts (PB) Context-conscious strategies: (Sam Ashley) Erika Fischer-Lichte / 01.99 Kulturen des (Turner, Milton Singer) to culture as performance constitutive feature of all cultures within a culture (M. Carlson) concept theatre Micro-theater (Adriana Zamboni) (Fischer-Lichte) surprise, alienation, distortion, ... Performativen (Sonderforschung BRD) Mental state corresponding to the situation Site-specific presentation (Mike Pearson) Performatively negotiating and Using the means of surprise de-formations Micro-drama (Johanna Householder) Erika Fischer-Lichte / Vom Text zur The culture is the body (caution, tensely aware or relaxed) cultural (Ethnologist: (Emil Gropoz) Simulating the conditions of the surroundings Performance – Der „performative turn“ establishing culture (Tadashi Suzuki) Constructivist theater Socio-cultural Milton Singer) Breadman (head bound with bread) (Hejettes Szolyazok: bathing situation beach) in den Kulturwissenschaften (FL) Cultures of The secrecy of performances (Stadtwerkstatt: weather building) Performance = Transformation cultural roots Cross-cultural transfer (PSi7) (Tatsumi Orimoto) the performative (FL) body codes of a situation (J.-F. Lyotard on (Situationist performance Cultures of the performative The idea of the situation Daniel Buren) International) Cultural Sciences (Erika Fischer-Lichte) (GANG ART) Performance in the courtroom Performance as culture-forming presentation (s.r.) Black Culture Theory Culture-forming energy Role of contextuality Experimental actions (2) (Siglinde Kallnbach, Situative situationist event Performance as situative production (Boris Nieslony) Turning away from the object: stressing Cultural Studies (discourse) cultural history view of performance (for significance) (Category 06 according to M.-L. Lange) Black Market & W. Preisinger) experiments The simultaneity of ... What is commonplace is torn from its familiar the process within a context (Jörg Lenzinger & Patrick Sidler) (High Red Center) Cultural History See: Montage Performance as situative experiment culturally engaged high & low (critical art and pop) Cf.. field terms context, subjected to incongruous examinations Situative performative Context-conscious Theories Portable park project performances +Performance as culture-forming presentation (BN) Neo-situationism Discourse Merging the concept of performativity (Bonnie Sherk) Theater of the situation (Brecht) emergence of work 01 culture theory view with the debate on cultural identities exceptional places (LE): churches, ... Situation analysis (FS) 01 contextual view Polycontextuality (BN) Postmodern Discourse (Lit.: Stefanie Menrath) Performance as a border, a margin (M. Carlson) Literature: Literature: (... continued) Literature: Literature: (... continued) Literature: Literature: Literature: (... continued) Literature: Still to be researched on the Internet: Not yet categorized: Phänomenologie der Wahrnehmung Nicholas Whybrow / (PSi7) Schauplatz Berlin Victor Turner / Das Ritual – Andreas Nebelung / Zwischenräume – Georg Franck / Ökonomie der Büro Berlin (catalogue book) Johanna Pfaff-Czarnecka / Macht RoseLee Goldberg / performance – Milan Adamciak Bruce Adir (Adair) / Jim Allen / sechs ästhetische Erfahrungen (essay Aufmerksamkeit (book) Poetik des Raumes (G. Bachelard) The performing Struktur und Antistruktur Zwei Monate experimentelles Arbeiten und rituelle Reinheit live art since the 60s (book) Arahmaiani Rahmayani / Julie Bacon Thérése Ampe-Jonas / Georges Azzaria Kunstf. Bd. 152) William Worthen / Disciplines of the Text, W. Nöth / Strukturen des Happenings ! (catalogue) Judith Butler / Hate Speech GAG Art (Catalogue) Michel Giroud J.-F. Lyotard / Das postmoderne Olimpiu Bandalac / Jozsef Bob / Maris Bustamante Artur Babiarz / Isabelle Bedou Sites of Performance (article) semiotic view: Patrice Pavis A. Nebelung / Zwischenräume (book) Susanne De Ponte / Ereignis und Wahr- Hakan Gürses (lecture) / Identität Heidegger / Beiträge zur Philosophie Wissen (book) C. Ondine Chavoya / Chen Shi Sen Nayland Blake / Waldemar Bochniarz Marvin Carlson / Places of Performance – Umberto Eco / Semiotics of Theatrical Ivo Osolsobe nehmung: eine interdisziplinäre Unter- F. Nietzsche (Vom Ereignis) Performance contra Globalisation (PSi7) Rosalyn Constantino / Raquel Mendieta Costa Letitia Bolognesi The Semiotics of Theater Architecture Performance (article) Charles Morris suchung zu den Events der Künstler- Arthur J. Sabbatini / Terrorism, Perform Susanne de Ponte / Ereignis und Wahr- Jill Lane / (PSi7) Reverend Billy: mimesis an Angel Delgado / Ricardo Dominguez Colin Campbell / Carmichael Catherine Amanda Dunsmore / Felipe Ehrenberg Flatz / Demontagen 87-91 Kurt Lewin / The Principles of Topological Keir Elam gruppe „GANG ART“ (book) Bateson, Goffman, Turner (analysing nehmung (Eine interdisziplinäre Unter- the dialectics of (not) shopping Costes Carsette / Tim Clark / Paul Cotten Károly Elekes / Maria Elena Escalona Sue Dakin / Mona Desgagné / / DLR Time/space performance/installation Psychology (book) Josette Feral Victor Turner processes of crisis) suchung zu den Events der Künstler- Erika Fischer-Lichte (FL) / Semiotik Stano Filko / Michael Fortune / Eri Furukawa Paul Dorn / Leopold Duszka-Kolcz / Sophie Fabien Goffman Marvin Carlson / Places of Performance – Michel Foucault !! / Mikophysik der Macht Dan Graham (article) / Theater, Kino, gruppe GANG ART) + Hubert Sowa Toshimasa Furukawa / Maria Elena Gaitan des Theaters Gabriele Forster / Vidya Gastaldon Dan Graham The Semiotics of Theater Architecture M. Foucault / Botschaften der Macht (Reader) Macht (in: mise en scéne) H. Szeemann / When Attitudes become Mizuho Handa & Tomoko Takahashi Joel Glassman / Daniel Grenier / Matthias Groeber Perspectives of Uncertainty: Locating the Robert Smithson / Gesammelte Schriften Jean Alter (semiotician on performance) Pierre Bourdieu / Die verborgenen Form (exhibition) Birgit & Wilhelm Hein / David Hull Ryszard Grzyb / Klaus-Peter Haase Michael Quinn / Celebrity and the Imperceptible (PSi7) Mechanismen der Macht (book) !! Kunstf. Bd. 134 / art & pop & crossover Noor Effendy Ibrahim / Patrick Jambon Plassun Harel / Alexander Harvey / Helhard Haug Semiotics of Acting Elias Canetti / Masse und Macht (book) Ed. Paolo Bianchi May Joseph / Elzbieta Kalinowska Matt Hawthorn / Saiki Hiromu Burke / Grammar of Motives Cillie Rentmeister / Frauen, Körper, Kunst Richard Shusterman / Kunst Leben Padungsak Kochsomrong / Julius Koller Peter Horobin / Joelle Keandre/ Birgit Kilp L. Wittgenstein Mikrophysik der patrarchalischen Macht INFuG / Bemerkungen zur Ereigniskunst Marleen Kos / John Kovach / Pawel Kwásniewski Marleen Kos/ Barbara Kozlowska / Jill Kroesen Aileen Lambert / Mi-Jeong Lee / Won-Hyung Lee Uli Kruass / Marcin Krzyzawowski / Claudia Leder (article) Let´s Entertain – Life´s guilty pleasures Jessica Lerner / Pia Lindman / Roshan Linsi Sung-Yon Lee / Li Qiang / Qiang Li Marianne Wex / „Weibliche“ und „männliche“ Stefanie Menrath / Performativität von Jerzej Lipcynski / Hoang Ly / Janos Markus Isaia Mabellini (Sarenco) / Victor Meertens Perception theory on Körpersprache als Folge der Identiitäten im Hip Hop Cesar Martinez / Radislav Matustik / Mauntin Shue Gruppe Meier / Christian Messier architecture (B. Leitner) patriarchalischen Machtverhältnisse Dan McKereghan / Peter Meluzin / Aldo Menendez Ronald J. Meyers / Antoni Mikolayczyk Phenomenology of (extensive picture study !!) Charles Merewether / Wathiqu al a Meri Kati Molnar / Melinda Moran / Helmut Martin-Myren 25 spatial view perception structuralism (discourse) Ottó Meszaros / Marta Minujin / Jose Munoz Frank Na / Michaele Nolte / Erik Odijk Location research (Peter Arlt, Marc Auge) semiotics / semiotics of theater Aung Myuint / Nagisa Nakasone / Yumiko Okada Catherine Parisot / Jittima Pholsawake / Micky Plüsch Theory of urban locations symbol theories of knowledge Simone Osthoff / Pagac-Oravec (Duo) Apinan Pohgananda / Wolfgang Rahs / Tim Richter View of Locations Cosmin Paulescu / Silvia Pellarolo Architectural theory / Arch. discourse system theory / system discourse Andrea Ritter / Antoinette de Robien (Robin) 24 structural/structuring view field theories Dan Perjovschi (cf. Amalia) Valentin Rottemaler / Michael Sagorny Nature locations / natural locations Phanyawatchira Khaissaeng & Surapol Performative Codes topological psychology Hiromu Saiki / Seppo Salminen Danny Devos (Cf. Land-Art as Action Art) system view view of signs Cosmin Pop / Vladimir Popovic Sarenco (Isaia Mabellini) / Ingrid Scher (Cf. Habitus) formal sciences minus delta t (Jill Orr) (Yin Xiao-Feng) outdoor Marilena Preda Sank / Antonio Prieto-Stambaugh Marcus Shira-Tilles / Mayumi Yayoi Shozo Mike Hentz self-organization theory Maria Elena Ramos / Mohammed Rezda Emil Siemeister / Suras KV Solwonk Description of a performance Werkzeug-Gruppe Places and Spaces performance Jae Rhee / Robin Rhode / Nelly Richard Christian Späte / Rüdiger Steiner / Tobias Stengel des Konzils / (... as performance: Judith Barry) Peter Ronai / Tracey Rose / Lotty Rosenfeld Wally Stevens / Wolfgang Störchle / Elke Suhr Black Market International (Joan Jonas, (System´Art Groupe: Michèle Métail, "founded" places/spaces Masano Sano / Santiphap Inkongam Eva Szanto / Ryo Takahashi / Christoph Tarnow Zygmunt Pio Trowski Matthias Jackisch) Louis Roquin) Zoltán Sebestyén / Rudolf Sikora / Lukasz Skapski Matthias Jakisch (Rolf Hinterecker) Christophe Terpent / Frank-Udo Tielmann Ulrich Lepka Performance as sign system Ewa Smigielska / Leandro Soto / Merian Soto Jarry Vis / Jonas Wille location, place, site, area, room, space (Cf. Nöth) Wojciech Stefanik / Neung-Kyung Sung Yit Mun Kwahn (artists village) / Silvia Ziranek power of words See also: Performance Performance as breaking through Takeo Suzuki / Sompong Tawee / Rie Tanaka Zyklus - Grac de la Luna / Myrna Renaud Performance location power of acts as open system structures Sean Taylor / Harumi Terao / Attila Torö Richard Harding / Shannon Rose Riley a year outdoors street art (2) Performance as semiotic text (cf. Nöth) locations of power power of themes Felix Gonzalez Torres / Carmelita Tropicana Oeykue Potuoglu-Cook / Thomas Defranzt The right place power theories Teresa Vascancellos / Evelyn Velez-Aguayo (Tehching Hsieh) (cf. Nöth) concept of performance Heather Crow / Michael Mayhew / Latifa Fakiri the power of power discourse (with Foucault) Szabolcs Veres / Piya Visuttiiprapanont Barry Edwards performative perception Every form of street action, structurelessness oriented to power theory acting in "concrete" locations (LE) Telegram style and attribution (game rules of art) Maya Wagatsuma / Susanne Walders of space street theater, street music, (Do happenings have structures?) in the works of M. Foucault and Judith Butler (Günfer Cölgecen) poetic structures broken syntax (exercises something Wang Mo-Lin / Piotr Wyrzikowski / Yasmin (Cf. ) cabaret (Word Play Group) 23 power theory view organization theory (in ) performative) critique of institutions discourse Jana Zelibska / Aida Zurinna / Vladimir Kordos private spaces on stage /vs/ See: avoiding narrative structures effectivity Jamie Hutchison reception of spatial arrangement: Investigating event structures preemptory speech culture manager debate living spaces off stage – activity participating action/embodiment (INFuG) Dirty conditions as (initiation) battle view power conditions (A. Kosa) conventional places / non-places and translated performance (H. Sowa) immediacy See also: view of destruction stylistic structures Who is allowed to besmirch whom ... (Artaud) Attack of power instances: state, (Peter Arlt, Fabrikanten) (Institute for Direct Art: See also: energetic view Performance = exercise in occupying thresholds (comedy as a stylistic structure) Mühl, Brus, Nitsch, Weibel, Kren) (Paul McCarthy) university, family, religious, ... (neither stage nor audience space) (George) (Jason Lim – Bierregen) consecrated places (cf. P. Handke) Cleanliness mania in Singapore See: experiments Performativity of the commander (his power) (Stefan Kurowski & friends) transit space airport minimally structured events See also: (Amanda Heng) with the audience increases with every execution of a command (Cooperation Project X) What was done (act) fighting machines When or where it was done (scene) Performance as negative (Lit.: Lyotard) hidden performance magic places See also: Who did it (agent) demarcation from other structures power scenarios power of circumstances / consenting disempowerment "Transformance" violence performative sound locations (s.l.) How he/she did it (agency) (from: La Fura dels Baus) dilemma in imitation (BN) institutionalized space (commentary on power & money: 1979: the move of Ocean panorama – And why (purpose) (Burke) (Jamie McMurry) Martha Wilson and Jackie Apple) a place is a voice structural characteristics of singularity, performance towards Performance as Happening (Tadeusz power position of the viewer: male dominated popular culture agreement (2) Kantor) unrepeatability (uniqueness), indeterminacy surveillant exercise Arranging the "mood" through the see also: cliches of representation the artist as exhibition piece society – social power conditions Confrontation with police Beach performance and finiteness of the performative event of power "the media generation“ media theory selection of certain places in the box (Skip Arnold, Roi Vaara, K. Dudesek) performance as (Paul McCarty) and border patrol authorities Places as (Pino Pascali) (Julia Scher) pop theory / Pop-theoret. discourse What must be questioned are: "models" as statically conceived infor-mance (Marcos Kurtyz) in-between spaces (s.u.) ephemeralness (James Lee Byars) Power wants to tame, cut back, control Pursued by the police as a foreigner ´coming out´ of performance emotions at large sporting high&low discourse Different places/spaces convey their and spatially structured explanations (e.g.: semiotic masked avengers (Karin Anarchia) and organize the discourse (Sowa) understanding the space as sign models, psychoanalytical topographies of "never show them again" seen in terms of the theory of (Helena Villalobos) into the mass culture events techno-culture discourse own specific affective messages () (discourse control through taboo) acts of power (Foucault) practically traversed execution un/conscious, spatial text terms) (Proj.: Kinetographien) discourse as site of the unfolding of power (Eric Bogosian, Michael Smith) cultural studies discourse (Lit.: M. Foucault) For Artaud, a performance must be fear-anxiety system movement/body techniques from 22 view of popular culture fashion discourse / Retro discourses Performance – senses excluded aesthetics of theft eastern martial arts traditions hedonism debate linguistic text, unique, a real experience, unrepeatable, violent hands playing anger-annoyance system (2) community A bright friendly (in the field of art) (cf. gift) new subjectivism debate Environment a game of locations staging text and and it must actually transform the (threatening gestures) fighters and lovers (see also: dance performance) room relaxes the mood suspends domination (Sport & Games) "performance text" audience and the actors into a against violence (Abramovic/Ulay) bondage performance art sporting aspects fun debate environment art (Suzanne Lazy) situations battle emotions ontology of the event spaces with different state. role of emotions (James Melchert) list of networks: (B. Nieslony) football club (association culture) power bodies (in street in power struggles Todays Place (Insa Winkler) wind machines structures of action situation structures anarchist actions giving what is to be found dance as combat sport / (Biefer/Zgraggen) new theater) view of public appearances (Ralf Filges) in crime, in war The Prediction Artist-in-Residence in a ball club happening - the artist becomes part of the text (ArtPirates) Reindeer Werk stuntman anarchic situations (Artaud) (Dough Hall) What is an appearance? (Alex Silber) Das Konzil terrorism and (Alexandre Périgot) flowing transition between - the viewer becomes part of the text (Hank Hyena) acrobatics doing away with the stage Werkzeuggruppe des Konzils performance (Stadtwerkstatt) Art without exhibition spaces – see also: performance as situative production (new and popular culture (Gillian Waering) Performance = capabilities and Minus delta t (Kunstf. Bd. 117) „ Pure Performance “ Die tödliche Doris: pop theater of "divided" space where the audience already is ASA acrobatics – f´Legussozy) (Prof. Bonnie Marranca) (Käthe Kruse, Wolfgang Müller, self-assertiveness in a East-West-Study-Project (Muda Mathis) Stunts as (ski boot advertisement: score as s.u. Aufmerksamkeitsschule Nikolaus Utermöhlen, Tabea Blumenschein) entertainment no fixed spatial structuring competitive situation performance ? skiing through deep snow) surfing flow structure Verein für Projektkunst e.V. (Rolf Hinteregger) political "appearances" ironicizing the rituals of "locale" (see also: spatial view) ASA-European combat situations In action with all one's senses, (Laurie Anderson) Performance as place-less art (s.u.) (see: view of the score) Die Fabrikanten Black market International: seen as performance contemporary music groups W. Preisinger The Current Affairs (Carlos Amorales) see "pure dance" thoughts and powers Songs about art: Boris Nieslony gymnast & dancer "Performance“ spatial aspects of the Landscape Play: (see: performance as staging) game rules G. Harringer Zygmunt Piotrowski (former) Festival of the Regions (A) Bazillus (beside oneself) combat sport & power training Party-Culture as (Yan Duyvendak) The Neoist´s art marksman (Jürgen Wolfstädter) (Molissa Fenley) in the new economy performance design ... thinking of stage and ritual (s.l.) P. Arlt Nigel Rolfe, Jürgen Fritz (Regula Knopp) Performance MATERIAL und WIRKUNG cf. extreme situations loss of gestural Norbert Klassen Icelandic Love Corporation: Being absorbed in the movement – consume critique (Montri Teomsombat) text more like a Jacques van Poppel, Roi Vaara Werkstatt Odem Flow = the Performance in language in Sigrun Hrolfsdottir, Doris Club Culture: a form of landscape semiotic Büro Berlin: Zbigniew Warpechowski Isleifsdottir, Joni Jonsdottir, Club Moral result of becoming Forgetting technique (W. Pfaff) pop music Urban Performances – Performing The City (PSi7) Moltkerei Werkstatt Athletic event (Gertrude Stein) action experiments (LE) Fritz Rahmann Tomás Ruller (former) Eirun Sigurdardottir purely "absorbed" living room theater consume critique through exaggeration Throbbing Christle (against the wall) role of emotions (Helmut Hempel) Hermann Pitz Alastair Mackay MacLennan (part-time.) Pink-Man (Manit Sriwanichpoom) performance as a configuration (Genesis P. Orridge & in in the activity Sport with extreme involvement (Barry le Va) 21 economic view / Raimund Kummer Helge Meyer u. Marco Teubner (2000) punk performances 25 architectonic view semiotics of the body (LE) Cosey Fanni Tutti & u.a.) globalization discourse of presence (the action) (BN) High Red Center (flow – a Zen feeling) (Throbbing Gristle) (...) Kunoldstraße 34 Duo as trademark liberalism discourse (Christoph Rütimann, Franklin Aalders, (Jiro Takamatsu, Genpen Sport and body work (Genesis P-Orridge) production view Augenladen Mannheim (Brigitte Bérard & Mileva Josipovic) threshold situations Christian Möller) Akasegawa, Natsuyuki Nakanishi) (Paul Harrison & John Wood) contacts with rock/pop: economy as discourse (Foucault) Le Lieu Quebec/Can attitudes (2) Wrestling with profi wrestlers punk (Pyromania) passage, transition, gate, door, network of lines of force minus delta t: (Yoko Ono – J. Lennon) (game rules of art) 24 view of the field Büro Berlin (Howard Fried) artist as trademark – translation (B. Nieslony) (cf. PSi7) (light direction with Wilson) Karel Dudesek, Mike Hentz, Stadtwerkstatt Linz (STWST) ArtPirates Life as public (Cornelius Cardew: Scratch Orchestra) funding view / Chrislo Haas, Wolfgang X-Ray-PSY = Michael Mierse, Artist Village (Singapore) Boxing match A.P.A.-Party: life making sales calls gates transitions, virtual airport Georg Ritter, T. Lehner, appearance (scater, boarder, (Throbbing Gristle (Christle)) Georgsdorf, ... Gabi Kepplinger, Gotthard Georgy Bretschneider, extremely personal forms of behavior (Arthur Cravan) (Cabaret Voltaire (ars electr.)) (F.E.M. Frauke Ellen Müller) (Mo Diener, Sergei Nikokochev) building as dancer, driver, poses, ....) and product consulting cost view / sponsor view view of the in-between (space) ("Performance Departures“) Wagner, W. Georgsdorf, Wolfgang Freund, Artist Village: (Ida Brun, Henriette Hendel-Schütz) (Robert Longo) (Urban Sax) (Elfi Sonnberger, "everything is performance“ Marcus Krips, Parzival, performance R. Zendron, Flati, Blaas, Tang Da Wu (founder), Jason Lim, The "Model" Cynic Pop-Diva (Pipilotti Rist) Martina Kornfehl, et al.) consume realism (Peter Brook, Jürgen Fritz, Fischer-Lichte) Enno Stahl, Re-Inviting the Diva (Richard Martel) Cf.: contextual view Markus Binder, Elfi Sonnberger, et al. Koh Nguang How, Lee Wen, ...) Pop-Kitsch (Friederike & Uwe) (Lisa Cieslik) political ironic See also: Performance Jo Zimmermann shopping exhibition – (Lori Blondeau) (Aiyyana Maracle) Shooting Diva (Pipilotti Rist) (Buckminster Fuller, Cf.: energetic view The Performance Show (1975) Performer as advertising medium deification of capitalism as total installation 100 meter kitchen – P.Arlt fünf ingenöre, the show must go on Re-Inventing the Diva category of the "between" as guiding category ECART Group catwalk performance up to 30 artists in each program (Nenad Bogdanovic) (Iwan Wijono) Stadtwerkstatt: time spiral tower) (Vanessa Beecroft) (Sheila James & Yasmin) Penny-peep-show conditions can people be portrayed (John Armleder, Luchini, (B. Bérard & M. Josipovic) (Rose English, Sally Potter, Clare Weston, ...) relinquishing, for an aesthetic of the performative theory of gravitation Organizational structure (Victor Turner) (Carol Sawyer) (Alvin Erasgo Tolentino) (Charlemagne Palestine, Olga Adorno, as commodities Literature: (... continued) Literature: organizations in Rychner, Raoul Marroquin) Pooh Kaye, , Dupuy) Performance contra Globalisation (PSi7) self-organization not selling (BN) Architecture-related Fashion show Cyber Space – Psychic Diva (Kira Wu) (Santiago Serra) Jean Dupuy (Ed.) / Collective conscious- Renovation as fünf ingenöre: P. Arlt, action (Stadtwerkstatt) Performance Ritual Prozeß – Handbuch performances power fields energetic field Manager training as Club Shows A further understanding of performativity: Elke Knöß, Wolfgang Grillitsch, The Ladies as performance ness. Art performances in the seventies der Aktionskunst in Europa / E. Jappe performance (A. Birchler & T. Hubbard: (Kurt Lewin) 23 view of the organizing The Theatrics of performance (John Kelly, Karen Finley, company/product instead of artist/work (George Steinmann) Martin Kaltwasser, Benjamin leeways are attitude toward the Ona B, Evelyne Egerer, (Wolfgang Flatz) sexual Efficiency = (calculable) performativity (Lyotard) Arnaud Labelle-Rojoux (artist) / Gregory Battcock & Robert Nickas / Impenetrable space - performance society (Robert Reschkowski) Anne Magnusson) (Protoplast: Philippe Cuny, Kate Isler, Foerster-Baldenius in-between spaces field of events (GANG ART) Birgit Jürgenssen, fashion show (Rainer Aring) Performance Art presentations in Alex Silber) L´Acte pour L´Art (book) ! Reconstruction as (after Kafka probability field institution performance cf. analysis of body language Performantere = "better" information: The Art of Performance – A critical performance artist Ingeborg Strahl, (Andrej Bartenev) (T.R. Uthco) shop window performance party life Carl E. Loeffler & Darlene Tong / performance architect as performer Lawrence Weiner (Pantomime) Anthology (book) ! as curator/artist including exhibition institutions clips (2) (Colette) (Luciano Castelli) It is a matter of knowing which game the opponent is playing (David Ireland) (Buckminster Fuller) (Festival der Regionen) admission fees Performance Anthology (book) ! Annabelle Melzer / and Surrealist working with and in the field (Marietheres Finkeldei) (Jean Dupuy, B. Nieslony, Roi Vaara, Seiji Shimoda & Kazuhiro Nishijima (NIPAF), the body as mannequin working with models personal performance training (Lyotard) the poetic network (BN) (Roi Vaara – walling in) (GANG ART) Henry M. Sayre / The Object of Perform. Le Lieu (Jean Claude Saint-Hilaire), Nigel Rolfe, Ray Langenbach, (Text: Bettina Rehberg) (Vanessa Beecroft) sexuality as emotional gesticulating like brokers Performance (book) ! mental existence between (Gerd Belz & Raoul Marek) (= applied performance) Performers trained in Chumpon Apisuk, Amanda Heng, Christel Burmeister, Anet van de Elzen, people as dolls Bodytainment Performance = accomplishment and Gutai The American Avant-Garde since 1970 ! Mel Gordon (Ed.) / DADA-Performance building Das Konzil (Marie Teresa Hincapie) decoy in advertising (Robert Reschkowski) with the train station architecture or stage design persons Gravitation: Norbert Klassen, Heinrich Lüber & Karin Roth, Danny McCarthy, Milos Vojtechovsky) (Stahl Stenslie) self-assertion in a Kunoldstr. 34 (erotic enticements) time tables (Sislej Xhafa) Paul Schimmel / Out of Actions (catalogue) Kunstforum Bd. 146 / Das Gartenarchiv (Andrea Saemann, G. Ritter) B.M.'s performance is a field (Vollrad Kutscher: Performance Parties) (Masaki Iwana) Büro Berlin ventriloquist doll Performance as event (see below) Performative marketing and Department Store Performance competitive situation M. Carlson / Performance. –chap. P. in (Paolo Bianchi) performance On the in-between as (BBB.Johannes Deimling – builds own networks Bodo Berheide (Gebrüder Kunst) attention techniques (Atsuko Tanaka, Kazuo Shiraga, Jiro Yoshihara, (Gabriele Oßwald & Wolfgang Sautermeister) (Michel Giroud) "Presentations“ (Soviet Union) (Anne Hoy) (seals in the department store: Performance in consume temples: stockmarket speculation with art money (Fabrikanten) Sadamasa Motonaga, Saburo Mirakami, Akira Kanayama, its historical context Kunstforum Bd. 32 / Künstler und andere Virtual performance architecture – a mental dimension (PB) (Galerie-Kollektiv Wuppertal) The attractor: the force of attraction (catalyst arts) (Das Archiv: Sabine Kaeser) (Eloy Tarcisio) W. Georgsdorf) confronting consumers with wounds/mourning Shuso (Shusu) Mukai, Shozo Shimamoto, Naoki Kanayama) Out of Actions (catalogue) – Between video/mirrors systems Werkstadt Odem Presentive Events / life = kajf performance history Sanmler (R.József Juhász – studio erte) (Rafael Montanez Ortiz) (Sue Broadhurst) Kl. Ausstellungsraum des (Muntean/Rosenblum) marketing strategies (Scott Simeral) Postmodern emotion culture (J. Gerhards): "life itself is the drug" J&W Management Consulting Performance and the Object 1949-1979 RoseLee Goldberg / Performance Art: architecturally determined a battery of the (Magnus Palsson) (Ryszard Piegza) (Chuke Stake) (Jordan McKenzie) Künstlerhauses Hamburg (Com & Com) art history ASA installs: the field (BN) hedonist goal of avoiding Economic view (Patricia Jacomella & Maria Walther) (LE) Prof. Dr. Bonnie Marranca / From to the Present (book) !! performances in-between (Gusztav Ütö & Konya Reka) (Marissa Carr) (Dziugas Katinas) Servicebüro Hamburg performative staging profiting from artists of the 3rd world Precursors of cultural history deconstruction of (Wladislaw Kazmierczak & EWA Rybska) (Louise Liliefeldt) negative emotions Performance in advertising of exposure in image, includes the call Performance Arts Journal RoseLee Goldberg / Performance : force theory view Ultimate Akademie Art-Entertainment of nakedness (Beecroft, Gelatine) performance art psychology of collecting tension / Performance as text and performance 20 (art) historical view Performance Research (A Journal of Architecture in transformation - architecture as (Cf. Foucault) (Mariola Brillowska) Performance as: for a Live Art since the 60s (book) other organizers: fashionable and The perfect pose -Futurist performance philosophy/theory of collecting chance for performance performance the in-between gradient of potential networking (BN) cf. networks (article: G. Brandstetter) Business management style "Performance Art“ Performing Arts) Vol.1 No.1 Spring 96 Joachim Dietrichs / Zum Begriff (Gesine Weise, Jürgen Wolfstädter) (Zap Art) fun `avant-garde („The worlds first Pose Band“ Minnesong (advertising) -DADA art history marginalized memory discourse (factory hall flair) (Gordon Matta-Clark) (the physical network) 22 entertainment view Paul Richards, Ron Calla) minstrel performance -Theater der Grausamkeit Performance Anthology – Source Book of Performance (book) (Sylvie Ferre, Emily Tabassi, Lukasz Guzek) (Theo di Ricco) entertainment´ (I. Keiner & S. Berchtold) reflections on performative art for a long time memory theories zones of transition (LE) charged spaces constructed enterprise theater for -Fluxus (see detail ) surrealistic performance Performance Art !! Kathy Rosalyn / Toward a Theory of B.M.: ... The immaterial center of (Jonathan Meese ) Party Performers advertising 1995 an awakening "end of history" discourse by performance permanent event locations: circus artistry Entertainment managers (Kosilo) -Situationists Thomas Dreher (Diss.) / Performance Art Performance Art (book) dismantling performance, of every encounter, contact persons from various countries/continents: (ICELANDIC LOVE CORPORATION) (UlunMichael Steinke) Moltkerei Werkstatt Cologne (E. Jappe) circus (Osamu Kuroda) (Kipper Kids, Susanne Helmes, Integrative history -Lettrists nach 1945 – Aktionstheater u. Intermedia Desolate spaces – factory halls, (Wolfgang Flatz) M. Vänci Stirnemann (), Richard Martel (), Becoming "managers" 1948: last appearance by / Corpus Delecti: the shared knowledge is: (...) Seiji Shimoda & Shozo Shimamoto (Japan), Ayah Okwabi (Africa), practical animal performance Marie Kawazu, Jürgen Raap, of performance art (): the first derelict buildings, contaminated areas Situation comedy art as commodity item with theater methods Performer as -Gutai (Japan) Artaud and Cage enters mechanical Joan Borsa / Performin interconnectedness: Performance Art of the Americas what is between the persons, between (Buber/Rosenzweig) John Held (USA), Clemente Padin (Uruquay), Warren Burt (Australia), Walther Stehling, Rainer Aring, Entertainment as (Bonnie Marranca) school to undertake a serious study (ERGO) Black Mountain College Bauhaus stage the cathartic installations of Aganetha Dyck, Lee Sang-Jin (Korea), Jozsef Juhasz (Slovakia), Artpool – Galantai (), joke (2) Hong O-Bong, Andrej Bartenev, (Gretchen Faust) advertising medium Timothy O. Benson / Conventions and Transforming spaces what is between the things, ... intercorporeality (Merleau-Ponty) magic show – life as a pigeon advertising and sales of performance as an art form (ars electronica) performance with Guy Bleuys (Belgium), Zygmunt PioTrowski (), ASA & H.J. Tauchert & circus-like Karen Finlay, Osamu Kuroda, Power seminars (as performance) central manifesto on performance art: Ann Hamilton and Susan Shantz constructions: the performative through kissing betwixt and between (Turner) (Christian Jankowski) strategy for products important art theoreticians/editors architectural elements curating as performance Inge Broska () show of Gelatin) auctions walking over fire and glass ... see: programmatic texts Performance in 18. Century (PSi7) text in DADA (Nezaket Ekici) meditative actions ecstasies of the things (Böhme) comedy as stylistic structure Clownerie soothsayer services (Mariola Brillowska) on performance art: Merzbühne theories (Kurt Schwitters) Transforming the Canon (PSi7) (Roi Vaara) strength (A. Reinthaler) (Habitus of these trainers: cf. Schlingensief) Elisabeth Jappe, Jürgen Raap, Avantgarde (PSi7) space-time force field Dance in comic clown acts Life style: that´s entertainment Paolo Bianchi, Gerhard Johann Lischka, clothing/architecture important organizations: The Living Art Museum, (Beate Ronig – story telling) important art historians on performance art: (Fischer-Lichte) tourist view of the curator (Laurie Anderson) the renaissance burning money money-critical actions important periodicals: , J.L. Schröder (PSi7), C. Doswald, factory halls /vs/ The Western Front (), The Performance Space costumes modern clowns for the homeless (exoticism and spectacle) cf. view of play and of the circus (cf. A. Heller) (repealing bourgeoisie values) (Karin Schlechter & Performance Research () / Inter (Quebec) RoseLee Goldberg, Bonnie Marranca, Justin Hoffmann, (...) White Cube (Australia), Perforum (Pfäffikon), The kitchen (NY), (Peter Callesen) comic performers J. Kistus, R. Puvogel, M. Hübl, H.-N. Jocks, (Lucy Orta) B.M. is in the arrangement of the "MA", Sol Lyfond) (High Red Center) High-Performance (Ed. Sara Wolf, Ed. Tim Miller & Hallwalls (Buffalo), Galeria Dzialan (Warsaw) of the carnival soap Victor Mazin & Olesja Turkina, Paul Schimel, of the in-between space, this nothingness, Fetishizing child Linda Burnham) / Performance Art Journal / F-A. Hettig, Ilena Pintilie Teleaga, (...) Repeats of historical performances "Hotel Pompino“ (Van gogh TV) Performance Magazine (Hg. Rob La Frenais) Theater as mobile architecture Projects Performance as (ECART) a kind of mental embarrassment. idols (Mike Kelley) performance "No one is sure of himself“ (Stadtwerkstatt TV) Studio International (London) / p-form (Seattle) raising awareness A Sociology of the Institutionalisation "opening circus" black market (see: project art) Datum (Holland) / Live Art Online (UK) / P-Form / space moods event society Performers as editor/writers/art theoreticians: of architectonic (east/west study project) of Performance Art (PSi7: Britta B. Wheeler) (important events) Switch (technology and art) / TDR – the Drama Review genealogies of performance and game culture (fun culture) party performance Jürgen Raap, Allan Kaprow, B. Nieslony, Roi Vaara, Hubert Sowa, processes (outside the realm of action) Japan. stage concepts action arts: Women & Performance: A Journal of Feminist Theory (Josef Roach) production assistant Literature: "MA" (MA Festival 1995) (Vjing, Djing, ...) 21 view of the market Johannes Lothar Schröder (PSi7), Jean Dupuy, Stefan Fricke (Fluxus theoretician), (Julian Maynard Smith) Abiding and organization art – integrating every cf. Stadtwerkstatt-TV (according to M.-L. Lange) with Schlingensief (Elisabeth Steger) Relikte + Sedimente (catalogue OK Linz) events simultaneity of Happening, Fluxus, Arnoud Labelle Rojoux, Alain-Martin Richard, Michael Murin, handling (Sowa) imaginable institution (Stadtwerkstatt, U. Wid) the art of entertainment silencing & chewing: Clive Robertson, Daniele Roussel, Tina Keane, Charles Garoian (PSi7), (...) Kunstforum Bd. 145 Künstler als Gärtner revealing the invisible permanent performance high & low (Mike Kelley) Land-Art, Computer animation of service Performative "attacks" on art theory texts (Paolo Bianchi) Reduction / of the visible (Eva & Adele) critical art and and entertainment combination view of the stage Preservation = , Performance negates the difference between memorial architectures – memory theater (Lyotard to Daniel Buren) The concept of organizing (Van Gogh TV, ...) (resolution of a Greenberg text: John Latham) Commentary on ring-shaped representation in over Kunstforum Bd. 146 Das Gartenarchiv (Giulio Camillo, Robert Fludd) celebrated void popular performance Participation Body Art, Event, being and appearance, presentation and re-presentation marks the point of transition 32 views: everything is always and simultaneously present. (Paolo Bianchi) (instead of show) Life as art – art as life. (see below) See: Club Shows (John Bock) Situation-Art Oral history performance (Gretchen A. Case) (George) between art and life (H. Sowa) event art / event culture The concert podium as Depending on the time segment, some things are (fashionably) in the foreground – Dorothea von Hantelmann Not a medium-related result. rent an museum function curators on performance art: Performative view of playing: (Fabrikanten) (A. Heller) (Gelatin) Dorfbod´n (100 Tage Prozeß Weibern OÖ) stage in new music art without history but the rest is still present .... Raum fort und fort (catalogue OK Linz) Happenings Rob La Frenais, G. Hattinger, E. Jappe, Performance is never a re-presentation, Cf. Plots / Real Performance (research: Riethmüller) of the theater Performance with representation cliche emphasizes what is oscillating and unfocused, & Events artist cannot be passed on (?) Noel Sheridan, B.Nislony, (...) Erika Linz / The warehouse theory of historical references except of itself (George) the "in-between", the framework event vulgar performance trivial performance The boat is full (Mersch) see also: performers as curators memory is wrong – Zur Performativität Artist Run Spaces Intelligent Stages (PSi7) (Chen Chieh-Jen) (LE) Energetic theater would be outside paradigm is a service (see left) (every creator a name) gallery made of clothes art theory semantischer Wissensstrukturen (lecture) +Performance as place-less art (Ulrich Frey & N. Klassen) (Valerian Maly & Klara Schillinger) (Kaori Haba) (PSi7) Performing the the realm of representation OM Theater as a (Judy Freya Sibayan) view of re-presentation morphology Events Performer as human historically Clemente Padin u.a. / transgressive idea of the gesamtkunstwerk illusionist 1995 First Annual Performance Studies Conference criticism of the institution discourse +Performance as agreement (O. Muehl to H. Nitsch) 1995 Performativity and Performance (Ed.: A..Parker & Kosofsky Sedwick) Performance instead From Representation to Action (R. Schwarzkogler) live The visual spectacle cabaret (Holunda – Performance as counter-concept curators' debate (INFuG, GANG-ART (Jan Fabre) of depicting (LE) performativity of 19 view of representation Dinah Jung / (PSi7) / Performing Fragrance spectacle culture Atelier Juxus) Collecting (for an exhibition) 1996 Vol.1 No.1 Performance Research (Journal) material debate further development of the event) performing art Service (2) 2001 7th Performance Studies Conference Mainz PSi7 to "representation" semantic Performance conflating gesamtkunstwerk art (decentered attention) as performance ritual display of difference philosophy Performance as sign system () (Isidoro Valcárcel Medina) (PSI Performance Studies International) knowledge structures Between Identity and Representation (PSi7) spectacle theater (LE) objects (BN) the performative as view of the exhibition rhizomatics experience world (Theory: Erika Linz) (Fluxus, cabaret, entertainment Performance cultures the "weak point" Performance as breaking through structures See also category 10 after M.-L. Lange: , spectacular street art view of presentation Performance as synaesthetic montage INFuG, 20 view of collecting of the Middle Ages (FL) The presentation character outweighs of representation art events greed for life performances Performance as several days of excavation transforming a museum into view of depicting +Performance as configuration of presence Synaesthetics (Art Clay) Gangart, The culture of the Middle Ages the artifact character (FL) Larry Miller, () installative collecting (s.l.) a house of God (GAAG) view of reproduction emotions of the Every form of street action (Jürgen Olbrich, view of collecting can be understood as being work (Ion Grigorescu) (cf. exhibition practice of Udo Wid) B.B.B.Johannes Deimling, (more important for the theater field) Performance as space of tension flight show mass Street theater (Osamu Kuroda), street music, Performance as permanent (Nikolaus Lang) Jürgen Kierspel, custodian view genuinely performative Transition of theater Esther Ferrer, Wolfgang Hainke, (LE) Theater, that tends to become a mute Attempts to "exhibit" performance: cf. communication view Die Fabrikanten, (Stadtwerkstatt) cabaret collection (basis for historians' fundamental to an event (LE) Prodigious Performance (PSi7) cf. archeology with Manfred Vänci Stirnemann, pyrotechnic materialism (R. Krauss) gesture – on the exhibition of processes Relicts + Sediments (OK Linz 12/1993) staged Stadtwerkstatt) cf. Futurists Thoroughly Pseudo, research) Museum and exhibition productions – +Performance as (wonderful, violent, ...) Collecting as cultural M. Foucault (the performances Varieté nerves: people want Archeological Archivist) Fricker, a phenomenon of performative cultural presentation memory (Jens Nielsen, Roman Signer) events distraction / "number principle" Boris Nieslony, Performance is anti-museal burning lens made of ice (LE) The principle of the exhibition (study by: Prof. Gaehtgens) (comp. studies by Eva Sturm) gesamtkunstwerk? shift from work Freakshow Performance as show (LE) Sculptures: Theater is here in Ruedi Schill & Monika Günther, (Paul Kos) (cf. starting schema for this poster group: On the Art of the Exhibition) (performance is the heart of the show) Performance collection as Perceived as fetish Jacques van Poppel, Material theater (Stadtwerkstatt) seizes linguistic material, in addition to to event (Renee Kolla) event (fuck head) Varieté / Vaudeville greatest proximity to fine arts (DADA, Futurism) (Oogiri) (Rakugo = Storytelling) travelling depot (as part of the collection) Ulun Michael Steinke) body, gesture, voice (Skip Arnold) Material performances use of explosive material the artist as self-exhibition (Timm Ulrichs) B.M. is an event Multimedia Shows Archives on Odyssey (minus delta t) Beyond performance no events style characteristics of mannerist (Roman Signer) (Ralf Vormbusch) (Marcos Kurtyz, Signer, Drill Hall, scientist jeopardy (Rosa Galindo, Pedro Garhel) (Peter Weibel) Group material & effect (Kunstf. Bd. 100) Literature: (Roman Signer) traditions (tendency to extremes ...) short-lived sculptures Guy Pro-Diaz, John Latham, (Udo Wid) performers with their the artist as (Allan Kaprow, (BKH Gutmann) Ivor Davies) tree explosion, Visual works by (former) performers topicalizing exhibition Philippe Dubois / Der fotografische Akt !! Clubs and meetings Collecting as a kind own museums (Jacques & exhibition object Jonathan Meese, Performance as simulated dog explosion & (Tom Puckey, Dirk Larsen, Floor van Keulen, openings Herbert Blau / performative aspects Turn from work Performative event field John Bock) of long-term artist as gardener Catherine Pineau) (Skip Arnold) as ephemeral billboard newspaper interpreting material findings as explosions at flight show Peter Baren, Urs Lüthi, Gina Pane, Sef Peeters, (Eva & Adele) (GANG ART) performance (J. Olbrich) natural disaster as performance/event (Oleg Kulik) James Lee Byars, Marina Abramovic, Albert van of photography to event (PB) installations (s.l.) a labyrinth (Marie Teresa Hincapie) (Stadtwerkstatt) stage shows "the highest form of a possible experience“ der Weide) M. Köhler / Das konstruierte Bild – fluxus (2) art of the event (Laurie Anderson (P. Hobermann), Performance installation the garden as site of the action (Mike A. Hentz) (Walter de Maria) cf. (R. Signer) chemical material performativities of zur Fotographie und Performance (book) The event takes Jon Rose, Robert Ashley, Installative instrument to the exhibited archive "The Perfect Smile“ (B. Nieslony, Jürgen O. Olbrich) rummaging in material (Tomás Ruller) energetic matter portrait made of skin and bones work aesthetic as outmoded Nigel Rolfe / Sculptures in Motion (cat.) the place of the Diamanda Galas – demarcate space or performance (Teresa Murak) growing seeds, (cf. Events) Blue Man Group) (Servie Jannsen) (Kinetographien) (Orlan) Environmental Theater (as Schechner called concept is superseded by art work (FL) Performance as (Simon Beer) Johannes Lothar Schröder / Identität, +Performance as event as collection object view of materiality is shifted into focus (FL) (LE) cress dress the "surrealistic street" of an exhibition (LE) demonstration of develop installation concept (Stefan Enderich) Archive (see also: Video archive about the aesthetic of the performative (FL) Überschreitung, Verwandlung: (James Lee Byars) sifting (Montri Teomsombat) rice dress accomplishment (s.l.) from action concept Schwarze Lade) P. (Ryszard Piegza) (LE) The aesthetic object works as a Happenings, Aktionen und Performances Performance as staged event Post Performancism (Volker Anding, Laib) view of () Behavior Tableaux - body language 19 material view / trigger, catalyst and framework von bildenden Künstlern cf. performance Costume performances (Mo Diener) important performance storage and mobilization traces (80 static poses: Scott Burton) chain reactions Performance as staging (Cees Krijnen) for a process (for the viewer) (Fischli & Weiss) Kunstforum Bd. 152 Kunst ohne Werk – as accomplishment costume show (cf. A. Heller) performance as InstallAction archive (Le Lieu) of memory content following olfactory view (smell) Botanic Ballet (Andre Bartenev) Animate and inanimate Theater is also an (Myriam Laplante) plundering social static (R. Signer) Die Transformation der Kunst vom Theater as event (Pat Oleszko, Vincent Trasov, (see left.) affects (cf. NLP) sculptural culture of sculpture art of sculpture (SE) installation rummaging (Spencer Tunick) Werkhaften zum Performativen Paul Cotton, Claude Wampler) performance as material experiments (Richard Alpert) the body (Jannis Kounellis) theater miniatures (John Bock) (Le Lieu,Simon Beer, Angie Hiesl, from the depot performativity of forms field researcher see: prostheses, hinges, models sculptural ritual Interactive costumes Animotion – performative curiosity cabinet Frozen performance Paolo Bianchi (Ed.) Fritz Rahmann) (Lili Fischer) stockings (Lorna Stewart) imitating (2) primary (Lori Weidenhammer) spatial installation of materialization olfactory stimulations (Fluxus) scenes (Jannis Kounellis, T. Warr, A. Jones / The artist´s body ! Performance as "total" installation (see left) installative situation expanded installation concept (Proj.: Kinetographien) action with body objects (Made In Eric) (Margit Leisner) antique sculptures public (Stefanie Wilhelm) (Vanessa Beecroft) Luigi Ontani) demonstrations D. Ronte, H. Schober / Von der (Alastair MacLennan) (Simon Beer) (A. Birchler & T. Hubbard) arm/head extensions: () (Franticek Klossner) Extensive arrangement taking up space, including everything. (Christine Biehler – Jürgen Fritz) economy of shattered hammer blows sculpture Performance zur Malerei performance as total picture performance as material collection (s.l.) One Minute Sculptures (Erwin Wurm / Bd.145) sculptural arrangement material performance being a still life taken from Out of actions (catalogue) – Zwischen (Fake shop – performance installation) "nature study (Franz West, ...) (S. Berchthold, I. Keiner) performative aspects Performance art = +Performance as demonstration of accomplishment performative aspects Earth works ballasts (Janusz Baldyga) (Paul Gernes) everyday life action as moving sculpture Performance und Objekt 1949-1979 (Robert Smithson) Dirtyblueclothes (Howard Fried) Bodiescapes of object art art without object image theories of (Anna Mendieta) (Tan Chen) communication ceremony celebration played installation (PSi7) "quickly changeable (Seamus Malone) morphology Philippe Dubois / Der fotografische Akt Performance as (repeatable) show (M. Dion, U. Wid) chemical experiments sculpture (Hilmar Performance as (Brian Conolly) (Ross Sinclair) conference of plants the body as material body pictural turn (discourse) Peter Simhandl / Bildertheater (book) (H.G.G.N.) organic material (Lukas Berchthold) latex performance still life sculptures" (actions Fredriksen) art (2) art (Lili Fischer) (Nancy performative sculptures Non-object Clemente Padin / Non-Object Poetry: total sculpture (Andrés Pereiro-Schmidt) => body view (Viktorine Müller) Blanchard) by Roaman Signer) performance coupled with installation statue (2) (Neide Dias de Sa) smell and taste rituals (see: Nitsch) performance action as work (s.u.) Action Art life as a celebration (invitation to the feast) public celebration (V. Acconci) (Stefanie Marshall) unconscious effect of purposeful use of smells See also: tableaux vivant work concept Robin Deacon / (PSi7) Hard Water and Relics sexual fragrances fear comes from "Still Life" (Johan Lorber/Lorbeer) performance as sculpture moving trans-formation /vs/ baroque celebrations/celebration culture: music, jugglers, performance as relic (s.l.) ob-jects (H. Nitsch, Lili Fischer, A. Kosa, ...) (Nigel Rolfe) other Objects (pheromone) The performer in the glass box constraints, sculptural installation performance sculptures formation sculpture, trumpery, fireworks, entertainment (see: sediment) in existence and dignity burning scent material (Ralf Vormbusch) sculpture (2) (Th. Werner & Visual Representation (PSi7) / Nic Leonhardt, +Performance as relict In a framework at the top with no freedom (of action) anxiety (Heinrich Lüber) J. Wüstenfeld) 18 view of the artwork extreme smells (FL) The performance B. Brandl-Risi, P.W. Marx, Vera Apfelthaler Kitsch performance as sediment (s.l.) taboo materials (PSi7) Performing of a tree (Th. Werner & (Skip Arnold) the body as object (Heinrich Lüber) Cf.: living pictures (Micha Brendel) character outweighs +Performance as billboard newspaper happening (3) (Liew Kung Yu) all existence is also a trace (blood, flesh, cot, urine, sometimes animals Fragrance Performance J. Wüstenfeld) body becomes a monument in a box performative body/light sculpture (Li Portenlänger) (tableaux vivants) smells that "move" (scent, fragrance) body in large water hose the artifact character consecrated utensils, naked bodies) (Mourad Cherait) sculptures (Atsuko Tanaka) sculpture in product view cf.: LKW Space becomes a site of traces (LE) (Robert Jelinek) Picture theater – fine artists (Pawel Althamer) +Performance as installative collection (Brus, H. Nitsch, Monty Cantsin, C. Kolig, multi-projection show the performer creates a picture – productive art (in the variation: overflowing (cf. Relicts and Sediments) C. Langenbach) of the 20th C. as theater reformers Skip, the act – is the art work motion From Appearance Thinking to Traces Thinking working with milk see also: (USCO M. Callahan) is part of the picture comparisons: absent bodies +Performance as curiosity cabinet to total life) (book: Peter Simhandl) (self-exhibition) minute pictures Living Sculpture and living art works cf. agit pop 60s Surrogate throwing food (Ottó Mezzaros) Mimicry of Life (Erwin Wurm) 2 Performers at great height on (Category 05 according to M.-L. Lange) Gunpowder Performance manned turn: person integrated in wooden A performance is supplied like a commodity. +Performance as "total" installation highly semantic spaces (Nam June Paik) theater of pictures (Cai Guo Qiang) painted with blood chairs on the wall living sculptures humans as sculptural objects frame: human as component of the sculpture The Black Market actions are still very close to this commodity (Bob Wilson, Laurie Anderson) (T.R. Uthco: Doug Hall & Jody Procter) (Y. Klein, Giuditta Tornetta) cf. intimate performances (FS) (2) Photo (Köppl / Zacek) character (BN) ASA should be more free and floating. construction of the desolate Performance with food (Paisan Plienbangchang) persons over 65 high on the wall Painting Bodies: +Performance as installation (Paul McCarthy) Body Shape (PSi7) dance with large subsequently rubbish (Surapol Phanywatchira) Performance (Angie Hiesl) Saburo Murakami, projections as theatrical human living work actions / work demonstrations The Shapes of Sensation dancing graphies (Calligraphies) rubber bands staged photography Kazuo Shiraga, Literature: material recycling: rubbish & the desolate mounds of earth, earth and sand islands productions (color, light, sound, Shozo Shimamoto, (Franz Erhard Walther) work emerges through use (Proj.: Kinetographien) (Esther Maria (B.J. Blume & Anna Blume) (Hannah Wilke, Pierre Molinier, sculptures sculptures (Paul McCarthy) (Darryl Sapien, Gutai) mirror, prisms) (Milton Cohen) , cf. also Udo Wid & E. Wurm Pia Müller-Tamm & Katharina Sykora (Ed.) Häusler) large images via illuminated (Cindy Sherman) Tatsumi Orimoto, Jared Bark, The visual versus the verbal (PSi7) Calligraphy / writing art as performance , (Hannah Frenzel) Walter Pfeiffer) (Nja Mahdaoui) Puppen Körper Automaten – rolling in material (grass, dirt, ...) windows with residents' (Gilber & George 1969) (Eva & Adele) , actionist painting (Pierre Keller) (G. Brus) (Joa Selin & C. Ranzenhofer) Phantasmen der Moderne (book) (Paul McCarthy) rolling in mud: participation (Sowa) not an observing stay, 18 view of the picture (Colette) (James Lee Byars) (Thomas Niggl) Nam June Paik, action form /vs/ (Gutai => George Matthieu) (Yasuo Sumi) Painting and Performance (R. Schwarzkogler) (Arnulf Rainer) (Timm Ulrichs 1966 „first living artwork“) (Shanna Noyes) (Sadama Montanaga) Theatralizing Ric Allsopp & Scott deLahunta / dressed in foil (Illka Juhani Takalo-Eskola) capturing a moment (Pawel Althamer) (cf. but a participating stay Paul McCarthy, work form (F. E. Walther) (Bauhaus) (Emilio Morandi) +Performance as sediment (Lambert Janssen & Urs Küng) as performance – Polaroid Clickscape by the Stadtwerkstatt) (Peter Greenawy: 100 Objects ...) (Richard Long) , painting The Connected Body ? (book) ! (Christian Boltanski) (Muntean/Rosenblum Steir. Herbst „why die?“) painting actions woman in foil (Hong O-Bong) (Tache/Magor) Performative-temporal character crashing head against , RESEARCH – Industrial culture handbook slide projections and music (Fabrice Gygi) (Egle Rakauskaite: Honigmulde) (Shigeko Kubota, action (Barbara Heinisch: +Performance as material collection wrapped in transparent film (Miriam Steinhauser) of picture genesis (Phil. Hubert Sowa) the wall (Ralf Berger) Stuart Brisley, accidental (Kjetil Skoien) (Tetsunori Kawana) Carolee Schneemann) danced pictures) kissing walls – imprints Olaf Arndt & Johannes Kockel (Ed.) / Polaroid events DressWorks: every "dress" , (Ella Tideman) (jumping cars) performative aspects Rachel Lachowicz, painting (Joel Hubaut) RRM Dieser Wahnsinn muß ein Ende Performance as counter-concept to "representation" (a´ battery a“ : Chrigg Perren, created in conjunction expressive action painting (Goji Hamada) (Leo Schatzl) Photo action with small of photography (Herbert Blau) Cheryl Donegan, face imprints haben - Maschinenperformances 91-92 Vänci Stirnemann, Fritz Franz Vogel, Posed performances as starting point: with a performance animal figures (Yukio Saegusa) event images (electronically The "happening" Nigel Rolfe Keith Boadwee, (Group: Hejettes Szomlyazok) image concepts Victoria Zappata) (Urs Lüthi) (G. Brus, O. Muehl, H. Nitsch, ars electrocia catalogues (Katja Hergenhahn) Jochen Wüstenfeld & Schneemann, painter as actor traces – foot stamps controlled) movement was R. Schwarzkogler) painting battle see also: gestures prix ars electronica catalogue books Thomas Werner McCarthy (Penis) (Günter Saree) (Hansjoachim Dietrich) essentially carried performer acts in C. Kolig (anal) gestural painting (Michael Burges) Martina Leeker (on extended perform.) performers wear black PerFORMance Ingolf Keiner pictures drawn/ painted with the Surrealistic a.p. (ecriture) painting as crucified FormAnce (2) by painters Heinrich Lüber Elsbeth Böninger see: gesturing bodies pictures brought into life Performance: striving for a a picture (Miranda Payne) (Parzival (Pörsch)) (Pollock, COBRA, Situationists, Lettrists, Martina Leeker (article) / zur Zwiespältig- costumes – like figures woman (Natascha Fiala) The "presentation" of Live art Ken Unsworth Arai Shin ichi body (Carolee Schneemann) (Gérald Personnier) common image (B.M.) (B. Nieslony) Manzoni, Klein, Spur, Egon Schrick, Barabara Heinisch) keit von performativen Künsten und from traffic signs shadow plays pictures while opening and (Claes Oldenburg, K. Rinke see: Painting Bodies (Yvette Helin) (Jim Melchert) (Gelatin) closing medieval Jim Dine, ) digitaler Technik (Anet van de Elzen) body between foils performance as highly semantic codices (PSi7 W.C. Schneider) active "work" with art objects – process of a Object theater also opens artist as engineer and behavior scientist Kerstin Evert (on Stelarc) "under pressure" image-generating action (s.l.) attracts sculptures in its wake sculptural up new theater models (Eve Bhend & (time´s up, Tim Boykett, Udo Wid) large projections of objects acts (cf. highly semantic spaces) Sculptures appear kinetic Archeology of the Future (PSi7): J. Birringer, (Hanna Frenzel) (Jerzy Beres) development Jörg Köppl, dolls as forgotten Mechanics of stimulation - stimulation dispenser (C. Kolig) (playing with the objects on a turn table) sculpturally tied cf. Tableau Vivant: between installation, kinetic Helen , Leslie Hill, Tomie Hahn, Marina like forms of action (Janusz Baldyga) body exhibited next to other sculpture (2) Gordon Monahan) people, family machine, (Diane Landry) bodies (Maria Pohland) imitating 18th C. (Joa Iselin & C. Ranzenhofer) object art and landscape Grzinic, Scott deLahunta, Jörg Sonntag, projection performance performance as entanglement with hoses artifacts (James Luna) execution machine (Kantor) iconoclasm – Living paintings art (LE) "Performance" of Yacov Sharir +Performance as work with several overhead projectors living pictures (A. Schubert & Dieter Pütz) photos of executed people: destruction of pictures (Stephen Taylor Woodrow – tennis ball machine Techno-hybrid software and processors Yvonne Gaudelius & Charles Garoian / (PSi7) (S.A.C. modeller´s club: Mark-Steffen Bremer, hanging on the wall) technically prelinguistic picture ... revealing another image layer as performance clay pigeon tossing machine tosses glowing balls appearance of geometrical, machinic digital Performances extending the self transitional objects: Machine/Meat: , Romanticism +Performance as sculpture Anna Weber, Petra Kowalenko, Ulrich Wegenast, causality machine dependency behind these images (Humer - porno-hunter) tosses glowing clay pigeons (Valentin Torrens) structuralism of postmodern dance environments infiltrated bodies (Monika Fleischmann) in the machine when the subject Stephen Thomas) (Sandor Doro – Sándor Dóró) and Identity In interaction with stills (Gelatin) (Chen Chieh-Jen) performance as picture set (Stadtwerkstatt – G. Lindorfer) (2) robot (Cunningham) tends to become thing +Performance as image-generating action what is the picture after the action M. Beatriz de Medeiros / (PSi7) Telepresence (Kjetil Skoien) in motion (Judith Haman) Diverse ars electronica projects Extended bodies unleashing identity The picture behind the picture (in front of the picture) Bio-mechanics artist in performances Machine and body extended (Artaud): automated personnel and Performance Art Performance of the machine performances (knowbotic research – simulation space) extendable bodies (Boris Nieslony) robot-like (The Shadow Machine: in the machine steel works facilities Mechanical Dances (Julian Knowles) („Wall Street Performance“ / (people as though controlled with invisible wires) Peter Courtemanche, see: machine view, TV view, performances the (linguistic) image pictorially oriented actions Theater of objects, entirely (driving through with Dancing automatons appearance Unnatural bodies Momoyo Torimitsu) (Stelarc) Ken Gregory, Carol Sawyer, acoustic view, etc. Prosthetic bodies wants action (BN) without human actors, the works train) (M. li Antúnez Roca) unleashing the body through see: Material "machine": Mechanical ballets (Jim Whiting) Alvin Erasga Tolentino) (Stelarc = Stelios Arcadiou) interactive video time-controlled household unmediated connection to the machine Archeology of the Future: theater with technical devices Bio-mechanical exercises dancing machines robot theater performance prostheses, hinges, models appliances () telematic sculptures / Intelligent Stages, Neural Systems (PSi7) digital performance and machines (SRL) (LE) Performing Internet (PSi7) (Christin Lucas) machine theater Live TV with telepresence – object theater (time´s up/Just Merrit) Re-assembling a B-Car machine sculptures implications for performance of the cf.: prix ars electronica turning bodies into machines robot community remote controlled over On the use of the performative media and electronic performance (Chip Flynn, Liz Young) as Performance performance of mechanical sculpture emerging world of cybertechnology Interactive art music machines / sound machines (Futurists) in human-free zone 1000 km (Stadtwerkstadt) in digital environments techno-body cf. also body view – robotics (Space violins: Jon Rose) (Jim Whiting) (Chris Burden) machines Cybersex computer (time´s up, Joe Jones, Scot Jenerik) Tele-Existence (Stelarc) (Chico MacMurtrie) EEG-Experiments physical view (of achievement) AI research / AI discourse Performances sound performance with construction (Matt Heckert) accident / techn. catastrophe as machine tools with a life of their own Tactile (Bruce Gilchrist, bio feedback mechanisms (The Users: Symphonies for (spin sphere – time´s up connectionism performances machines from a large building site fighting machines performance (Jean Tinguely) self-experiments with machines (Bruce Gilchrist) (see also: tool view) satisfaction and Udo Wid, Horst Prehn) sculptures scurrilous machines of Just Merrit) (Stadtwerkstatt) Dot Matrix Printers) (Leo Schatzl, Franz Xaver, SRL Happening with self-destructing machines boundaries of the human body (Just Merrit) torture devices achievement view cyberdiscourse / cybertheory view of objects machinized sculptures (Proj. Kinetographien) (Kantor) (Bruce Gilchrist u. Jonathan Bradley / Stelarc) file cabinet machine theater / Survival research laboratories (Jean Tinguely) love and death (C. Kolig) net discourse Performance as machine theater (, Bram Renstorm), Cindarella in a Dragster cf. "fake" amputation robot machine performance (Intercourse – machine: stream of fire/stream of water (curator: G. Hattinger) driving around with window-cleaning ritual machines finger-fan performance technoscience and cyberculture Peter Zegveld, Mark Heckert, Eric Werner) () 17 machine view (fictive: John Fare) 17 body extensions Istvan Kantor) controlled torture scenes (Erik Hobijn) equipment (Christoph Rütimann) (Rebecca Horn) (Linda Christanell) comic turn, carnival of mimicry puppet theater as performances most physical art laughter reveals hidden logic of joy 17 carnival view see also: identity view game moves with tremendous celebration carnival as testing bed playing with identity (Homi Bhabha) Concept of carnivalization (Rirkrit Tiravanija) role plays (s.l.) play theory of laughing: the joke fundamental fears performativity (Lit.: Lyotard) 17 playful view Performance as play for new cultural and (Lit.: Mikhail Bakhtin / Bachtin) Intensive play (flow) games (3) language game approach (Wittgenstein) art (2) free play (see: Improvisation) playing and humor Laughter becomes chaotic social structures view of playing body language jokes silliness carnival – the place view of laughter culture Deep play see also: Fluxus postmodern views in carnival laughter community (G. Brecht) exuberance ritual clowns annulment of hierarchical for working out free play with materials, objects, Meta-communication (Bateson) (Ralf Samens, anthropology (of laughter) irony and humor ironic commentaries playfulness and fun culture The human being becomes (Pueblo Indians) relationship (of noncarnival life) playfully devoted to chaos body movements, action locations Psychological frame Ben + Sam, performance is playing (Bartolomé Ferrando, Rainer Aring) (Charly Banana: gloating time of impossible view of nonsense human in playing (Marlene Madison Plimley) (Gelatin) (see: release view) Ross Sinclair, Ralf Johannes) practical clumsy performer carnival – the place connections experimental Udo Idelberger) child's view (PSi7) human jester's body with mimicking game rules (of art) playing as the essence of culture exposure (John Bock, Peter Land, (Sowa) reality as practical weaknesses for working out games (Situationists) cathartic games (see below.) joke (2) C. Schlingensief) gestures, pointing, masquerades culture as a game (Lit. Huizinga) materially unproductive, execution of life (actus) (Smelly) (cf. view of destruction) DADA (2) musical score as game rules (s.l.) rule-based, ,... gaining influence over attitudes play drive playing with frameworks playful insight playing as a joint praxis effectivity/rituals /vs/ purification respectless sense of games of fate and interpersonal relationships carnival of thinking more game than battle (cf. context view) of suspension Literature: (Tadeusz Pawlowski) entertainment/theater (cleansing) liberation from humor (Kurt Fulton) use of toys (Schlingensief) genuine /vs/ play (in comparison to theater) catharsis as (ridicule of other directions of thinking) bets and gambling (Stadtwerkstatt) (Performing Resistance) Spielregeln der Kunst (series) (R. Schechner) liberation religious and fun objects (Sigalit Landau, B. Nieslony) in relation to the performer's use of the body (see also artistic effect Eric Berne / Games People Play (Jim Pomeroy) playful action, sports view) desire for presence, physicality, reminder of what is held in sexual taboos collective consciousness Hula Hop show (essence of body art) play of locations (see above.) in relation to the role of the "viewer" Roger Caillois / Man, Play, and Games logic of joy cf. knowledge (Oliver Kochta & Frank Lüsing) pure play of the hands sensuousness, material experience common (among people) (Jean Dupuy) the mental network (BN) modified (card) games Performativity electronic game environments Johan Huizinga / Homo Ludens (book) Performance as observation sex education (AIDS) pleasurable play as passion (Verena Schwab) (Bernd Schulz) () of netgames (Miltos Manetas) Vom Ursprung der Kultur im Spiel therapy function (Hortensia Ramirez R.) the network of intentions outdated concept of effect event society Performance as spiritual exercise Theater-anthropological thesis: Bipolarity is not found bumper cars with game environment and V. Flusser (homo ludens) various articles "Shaken" by: enthusiasm, insight, aesthetics superseded by the science on and and game culture Bingo (Jahn Mauritz Löcke) Rolling art – glass balls (Stadtwerkstatt) disruption, shock modified slot machines (Stadtwerkstatt) Victor Turner / Vom Ritual Theater. Der between ritual and theater, but rather between the fascination, shock, excitement, confusion (LE) aesthetics of the performative for people (B. Nieslony) experimental parameters of effectivity (in ritual) and entertainment exposure as consequence (Kees Mol) temporary panic, table football championship (Raoul Marek) Ernst des menschlichen Spiels !! self-experiments constrained thinking: negative computer game rules (Markus Hensler) (in art) (LE) shame dizziness (Lit.: R. Caillois) Gregory Bateson / A Theory of Play and Moments of "panic and destruction", where feelings like anger, fear and computer games (Paul Demarinis) embarrassment (Peter Land) (BN) vertigo (Milica Tomic & Róza El-Hassan) The allotropic = the purest thought of Phantasy (Essay) !! Important concepts act/effect realized in being consciousness threatens to collapse (Export on G. Brus) mourning, also revulsion and constraining thinking processes dealt with (H. Sowa) chagrin alchemy; does a process of insight need (sabotage – Robert Jelinek) participative research (performative) to performance theory unmediated sensation of unbearableness shame have a specifically cheering political, social consequences 20 years or can an event create it in a vs. observational "standpoint" artist as (participative) Erving Goffman op.cit. touched, moved agitation, impotence (through directly conveying a physical stress situation) (FS) divisive, distancing effect on entrancing (see political view) second behavior scientist Mikhail Bakhtin (concepts of carnival and soiled as consequence cognition thus connotated enticing senses up-set (BN) querying key experiences every insight is only possible (U. Wid, A. Fraser, Gina Pane) dialogism) -> Julia Kristeva entertaining emotions B.M.: ... certain states of knowledge The 8 rasas (non-commonplace emotional states), disquieting inner thunderbolt (Zen) through action / Hans-Georg Gadamer / Die Aktualität des mourning cannot be held down that the audience experiences through the art of the performer (W. Pfaff) mental chagrin (B.M.) perturbing (Nam June Paik) (theatrical) research work: Schönen. Kunst als Spiel, Symbol u. Fest put into (Hans-Jörg Marti) commonplace ironicizing studies knowledge is a matter of doing (Grotowski) artistically autonomous a trance outrage legal frightening knowledge about oneself ... TOYS´N´NOISE (catalogue OK) Performance as "spiritual exercise about ballistics and others (Dr. Math.) research work (Hayley Newman) prosecution insight Performance aims to provoke dismay, fear, anger, (Irma Optimist (Luchta)) Understanding a situation real-physical investigations Bachtin (Lit.: W. Welsch) practice exercise total irritation In the arrangement of "MA", reference system of action research Performance and the idea as consequence desire, anxiety, hate (Li.: J.-F. Lyotard) means ... actively grasping (Attila Kosa) J. Piaget , L. Wittgenstein, F. Schiller (Schlingensief) illumination the in-between space, this nothingness, terms curiosity interest (G. Brus, P. Weibel) it (Sowa) Vivisection (intervention in live animal ...) Andreas Nebelung of expanded writing comfort insight as consequence B.M. is a kind of mental chagrin. system +Performance as originary human language (Ric Allsopp) censorship as (B. Nieslony) Barchorski u. Röcke (research project) / deconstructivist evolutionary research program interest logical Performance and writing consequence daydreams cf. service view art without work, Dramaturgie von Witz und Witzkultur in police stop 16 effect (consequence) view showing and essence of performance (ALMA) mental pleasure +Performance as language (Karen Finley) but with effect (PB) Sites of performative learning: Spätmittelalter u. früher Neuzeit (Ron Athey – NEA USA) performance communicating (cf. Hakan Gürses) the body's performative forms B. Nieslony: shows languages of the body, Beginning in the mid-80s, language again (Isa Perkasa) laboratory, workshop, ... performativity of reading The (photographic) Gebauer (research) / Die Aufführung der Performance as narrative consequences for the field of art consequences of performances (with Wittgenstein) the physique, the gestures, the images, becomes more important in performances (often in social picture becomes of insight Gesellschaft in Spielen cf. theater view the actions (game rules of art) increased Why performances ? energizing and performance as and political context) 19years exhibition ban trial action Performance as performative in the sharpening perception by Gebauer, Wulf / Spiel – Ritual – Geste cf. service view own way of speaking (Zorka Saglova) cf: revolutionary approaches attention (de)motivating analytical session (see below) falsifying the result trial thinking (analogous to trial action) conscious dream (see below) act of viewing Vom Ernst des Spiels (book) cf. political view and living (KUSCH) the function of performance effect of affect performance as (curse: Rudolf Heimo Eber, Text Performances Learning foreign languages as "art praxis" (Terry Fox) see: lectures within a culture (Lit.: M. Carlson) on cognition observation Perception as Joke Lanz) (Chumpon Apisuk) (R. Ganahl) cultural development (see below) tensed mind shift-ing (Waldtraut Winkler) Language Happenings Performance as construction interdisciplinary experiments performative act ! (Reindeer Work, (Dominique Tronchet) a theory of language, (Emmet Williams) of meaning (in actu and in situ) open thinking Performance art emerged from Boris Nieslony, INFuG, The ideas that are in function/meaning of performance actions the body is the focal point the analysis of forms of representation performance artist as Markus Schwaighofer, Performed Text (Secession) is part of a theory of action (Searle) (positive feelings, performance are of investigations (Ray Langenbach) perception theorist Jean Odermatt, Spoken word performance pleasurable relaxation) (B. Nieslony) actionist (Josef Bauer, Valie Export: finger poems) monologues speech theory cf. ethical view (Abramovic/Ulay) (David Thomas) George Steinmann, Performance /vs/ (Kristin Lucas) Visual versus Verbal functions (interfunctions) reflection on the social (David Cale) performativity of thinking Lili Fischer) Competence (PSi7) interdisciplinary approaches status of the painter "language planes" instead of dialogues (LE) Insight comes from emotionalization (public collective thinking) thinking as communicative performance performative verbs Language as performance in performance (Jean Le Gac) strong lecture culture in: suffering; disturbance first of thinking doubt (dialogization; productive reading performances () Performativity of (Austin, Searle) see: interdisciplinarity view Thinking is deed, leap, dance ... Hungary, Czech Republic, Croatia Fairy Tale: Performance forces the system into a debate) 16 epistemological view as rightful speaking (Foucault with Deleuze with Nietzsche ...) +Performance as formational field of experiment performative tendency of performative utterance Language new way of functioning Speech act as (Grimm's Fairy Tales: Joan Jonas) analytical chilly laboratory situation of knowledge formation artificial disclosure (FS) see: communication view There is no performance without all creative writing performance as language rationality studies (UlunMichael Steinke) art as knowledge system Performance as life-art-work (2) child's language Language Performances event analytical philosophy Literature: Preformance (John MacAloon) (Ric Allsopp) see also: (Helmut Schober, Scott Burton) (Kunstforum: Jean Odermatt "LKW Gotthard") acts of meaning production / (Stefan Güpping) Memo-theatrical epistemology Zur Wirkungssicht: cf. article by Experimental actions stammering – ritualized speaking Narratively structured performance lived mental art work (PB) (George Steinmann) performative (Heinrich Lüber) Slam Poetry dimensions of texts / meaning is acting/doing cognition sciences Marie-Luise Lange (Category 06 according to M.-L. Lange) PreFormance prelinguistic Performances on: language and (Category 12 according to M.-L. Lange) Thinking through Performance understanding (Sowa) performance as "theory event“ Jill Dolan / The Dynamics of Desire: cf. context view utterance rhythmizing language strategies for visualizing Walking and Thinking (PSi7-article: Dwight Conquergood) cognition theories Performance: its relationship to voice Exposing the physique of the voice Diva of spoken words (Toni Davidson) The "Internationale“ in literature (cf. ILIAS – E. Kosa) see: lecture performance Happenings as understanding as artistic research Sexuality and Gender in Pornography ArtPirate (PSY = (Amanda Stewart) (Jill Battson) Thinking is Walking Performance as a praxis of anonymity Restored behavior in screaming, groaning, animal sounds (LE) thinking in movement (Sowa) and Performance (article) Michael Mierse) shown 10 min tact (Susan Philipsz) radical poetry Walking as cultural act quiet research form of action (Guerilla Girls) singing sculpture (Peripatetics, INFuG, By: pseudo through and performers in animal costumes Exposition voives: The "Internationale“ with TV set (Ruedi Schill, Erich Jandl) resemblance theory Marvin Carlson / Performance – a critical (Gilbert & George) poetic text as border-crossers (Kunstf.Bd.136) ARGE Kulturtheorie, articulating identity through (M.V. Stirnemann Form ance (penguin, polar bear: Gelatine) Vito Acconci, Judith Barry, Genevieve Cadieux, Physique of the voice on pedestal (Wang Mai) speech act performance as introduction (book) !! performance as starting situation (Charles Dreyfus) (Wladislaw Kazierczak) Stefan Szczelkun) art as investigation u. Gido Dietrich) Dolls, stuffed animals as Janez Cardiff & George Bures Miller, Garry Hill, in straining, (Werner Herterich) Diagrams (thoughts, research laboratory Roger Caillois Performance as memory work Performance is Jochen Gerz, Pierre Huyghe, Kristin Oppenheim, Performance with language: (Chris Burden) self-creation (co-)players wheezing, rhythm, (Vienna Group) feelings) (John White) Lecture as Hanne Seitz (Ed.) Schreiben auf Wasser (Sabine Sonnenstein) quality (Disc.) Moniek Toebosch Is performance a language? (Joan La Barbara, emotions with regard to identity through Destruction of tradition and (Boris Nieslony) (Paul McCarthy) archaic sounds literate Ferrando Bartolome, poetry Research Performance Experimentation as Robert P. Crease / The Play of Nature - what is strange work (Arai Shin ichi) memory for the benefit of the (Natalie Eberle) (Jürgen Raap) (Gelatin) and screams (LE) voice performance Dick Higgins, Action Poetry (Marietheres Finkeldei) Experimantation as Performance identity of the now Quality singing performance Massimo Mori, Performance (Udo Wid) The strange as monster extreme self-presentation humans as players – (Jana Haimson) 15 linguistic view performance (Lori Weidenhammer) in action Word on the street-performances P. Bianchi / Kunst ohne Werk – aber mit Self-Performance-Art (PB) (Myung-Hee Seon) (see above) Brian Catling, (see below) (Kiev Stingl) playing the role of themselves speaking, singing, screaming & Tele-poetics-performances , (Andrea Thompson) Performance of thinking Wirkung (article Kunstf. Bd. 152) Exhibitionism (not accepted in The performance artist's gesture (H. Plessner) (Loidl) (Charles Dreyfus) Performativity as establishing identity (Jilia Heyward, Shelley Hirsch) Fritz Schwegler) speech or (Hermann Bohmert) H.G. Furth / Wissen als Leidenschaft gender transformation a performance: A´battery A“) of self-presentation (LE) (Michael Schmid – screaming naked) view of the voice performance with language(s) as a process of repeated citations anonymous performance Living in a bag (Giovanni Fontana, performance artists as poet, body knowledge suits (Lygia Clark) (Kim Tomczak) literary Joel Hubaut, Thomas Kellein / Fröhliche Wissenschaft (Charles Kaltenbacher) Called „I“ (Ryota Shimizu) storyteller, preacher, rapper, ... (cf. Eva Sturm) personal fears and obsessions cf. "linguistic turn“ John Giorno, performativity of thinking Helen Freshwater / (PSi7) Contagion, (Ria Pacquée) (Emil Gropoz) physical voice examination (Gundi Feyrer) poesie d´action explore alternate selves attempts to establish new concepts of art performance Bernard Heidsieck, (public thinking) +Performance as attention (Natalie Eberle) rap meets poetry Tele-narrative (Adriana Zamboni) Containment, and Censorship (article) Staging Cultural Identity (PSi7) () self-referentiality of the performance (FS) speech Fernando Aguiar, self-exploratory (Erich Jandl => (cf. Marvin Carlson) fighting for the right to be different Presentation character has Pierre-André Arcand,, invisibility of the author language as soundscape Andrea Saemann) Performance Poetry Show Bruit-TTV (Louis Oueller, Story telling techniques memorial culture +Performance as aesthetic category autobiographical logic of different performance (Amalia Perjovschi) performance Michel Giroud) return of the text outweighed artifact character music of multiple languages (Norbert Klassen) (Flati - Stadtwerkstatt) Fabrice Montal, Robert living artwork (Orlan) (Al Hansen) tied to the body (cf. NLP) performance (Rachel identities since the 60s (FL) literature Faguy, Jocelyn Robert) Performance as aesthetics of existence identity transfer work on the self (Laurie Anderson) Rosenthal, Spalding Gray, actors as theme Multilingualism (PSi7) (Valie Export) (Eleanor Antin) (Andrea Saemann) story telling (2) hovering Julia Haywards, and main figure (LE) author = work (LE) most radical form of spoken words performance Laurie Anderson) negotiating identities virtual poetic structures (Alexis Smith) attention (cf. trance) (2) expanded self-transformation: public suicide the voice comes (see also: Before there was abidance in use suicide (mirror) performance (Gabriele Oßwald & Wolfgang Sautermeister) rhetoric (Jean-Yves Frechette, exhibition of Solo-Performance directly from the soul poetic theatre) Jan Swidzinski, writing, before there was school of attention (Heidegger) (Cuco Suarez) Ultimate performance with (Steve MacCaffery, Enno Stahl, Poland: almost like losing (Mexican) the self performance Gilles Ateeu, Yves Boisvert, Hanna Barbara, story-tellers, but theatre, there were mirror (, creative tension between personality oneself: Stan Lafleur, Jean-Pierre Verheggen) emotional power of expression Adriana Zamboni) always relating to attention as raw material (1) nostalgia identity (Maricruz Penaloza) (Iole de Freitas, voice (as emotionally controlled linguistic surely performances Literature: Disguise as performance (Roddy Hunter) Serge III (Serge Oldenbourg *1), repetition and innovation (cf. "southern" cultures) real life Joan Jonas, Transgender self-image ultimate Tibor Hajas, Petr Stembera) collective component of communication) performance (Rakugo = storytelling) Eva Kosa / Ilias (masters thesis) ! the general essence of performance disintegration and new identity (initiation) (Orlan) (Yasumasa Morimura) intensifying Dan Graham) (Siverding) presence *1 Russian Roulette authorship Doro Franck (article) / in: self-attention the body as building Publicly sympathizing in authenticity performance experiments with sound An utterance is performative, if it simultaneously A performance "speaks" more directly than a presentation participation (after Sloterdijk) Relikte & Sedimente Performance as demonstration disguise (Ria Pacquée) Performing Authenticity (PSi7) cf. Theater (Perf.) characteristics of sound creation realizes what it designates portrait performances Transvestite (Urs Lüthi, Eva Sturm / Im Engpaß der Worte practical situative attention /vs/ cf. also: masks Pure Performance Performance as as genuine experience sound poems speech acts Performance: concrete use of language observation as (Irene Andessner) Jürgen Klauke) artist image self-transformation The oral apostles J. Lacan Performance as political phenomenon dandy as of existence (A. Artaud) (Carles Santos, Henri Chopin et al.) performative speech act as actions contemplative aesthetic attention (Giorgio Ciam) (Susan Mogul) (cf. self-mutilation) ritual of transition in a (Ralf Filges (Ralf Fölling)) performance (Robert Filliou) (Jeans Group: camp performance cross-dressing I am an artwork (Meredith Monk) John L. Austin / How To Do Things wih words model crisis situation (PSi7: Transition) rebirth of life (... imbedded in ritual situations, etc.) Oral tradition in Oral cultures are exemplary Performance as political strategy aesthetics of aesthetics of existence Holger Dreissig) lesbian camp performance artist identity authentic John R. Searle / Speech Acts: An Essay (role playing) Romance countries performative cultures (FL) pragmatic (M. Foucault) contemplation /vs/ (Helena Goldwater) (G.J. Lischka) cross-culture (Büro Haake-Brandt) Performance without the performer the conference as speech laboratory in the Philosophy of Language the living invented introverted screams Performance as praxis of destabilization aesthetics stressing ecstasy gay camp performance not appearing and not conducting either Performance: concrete realization of Oral traditions J. Butler identities autistic (BN) performing artists view (Siglinde Kallnbach) Conference or sermon as form the body aesthetics of the moment (cf. ZEN) (life as theater) Cross-dressed performance see: Identity (Rose Finn-Kelcey) the linguistic utterance (... voice, breath, gesture, theater as (see study: Eva u. Attila Kosa) Herbert Paul Grice, Strawson (Lynn Hershman) Theater of the Ridiculous of performance (Lili Fischer) Performance as subversion ... Existence has always already mouth, ear, eye) ... what is personal, physical in oral institution Eli Rozik / Categorization of Speech Acts aesthetics of presence (cf. ZEN) identity game ersatz performer surrendering identity every act of speaking (cf. also habitus) transformation as drag with B. Bardot been tuned (Heidegger) sing-song (Lili Fischer) sound poetry performative theories in Play and Performance Analysis Performance as communication guerilla see above see: Attitudes performative constitution in every performance (Rose Finn-Kelcey) 15 view of orality physical changes (Lena Eriksson) 14 view of the artist (Larry Wendt, L. Wittgenstein (language game theory) border situations aesthetic category (FL) see above (Nieslony) ethnology (techniques of aestheticization) (Eleanor Antin) of gender identity performances resource of attention Serge Pey, (green line walk – existence-philosophical topicalization Performance as valuative analytical philosophy Pierre Bourdieu / Was heißt sprechen? +Performance as whereabouts emotions relating to the unfamiliar (Annette Messager) Performance = J.-A. Deelder, Die Fabrikanten) Performance = intensification aesthetics without intent (PB) (Francis Francine: Drag-Performer with Myth of art as a quick trick of situation (Jaspers, Sartre, Merleau-Ponty) achievement, as configuring view of performance linguistic philosophy Die Ökonomie des sprachl. Tausches !!! the unfamiliar as monster operation performance Warhol & Smith / Mario Montez, Jack Curties: Drag- always also an Julian Blaine, Great Wall Walk (ULAY) of visual and tactile stimulations provocation aesthetics aesthetics of horror performer author view presence to action (BN) Poesie brut Jaap Blonk, rhetoric V. Flusser +Performance as life Operation as performance Performer with Warhol) drag queen / drag king Staging the Holocaust (PSi7) embodiment +Performance as act Indian Movement (Jimmie Durham, James Luna) (Wanda Golonka) (Diane Torr) Drag (Mary Noéle Dupuis) recycling (Ursula Palla) (Alberto Jean-Francois Bory, language studies / linguistics Mikhail Bakhtin / Speech Genres ... (Orlan) remodeling identity of language Masala) Jacqueline Cahen, (Brian D. Tripp) arranging morbid As human existence intervening in an immediately effective way rightful speaking – poesie structuralism J. Kristeva Performance as life-art-work Las Americas: Crossing Cultures (PSi7) Western taboo of light extinguishing Performance as memory work (see above) pictures of anonymous Diane-Jocelyne Cote, +Performance as analytical postulate Identity in process model of the accident (Allan Karpow)(Stuart Sherman) in the existence of a public body (BN) performance (BN) transgressing beauty: curiosity machine (Schmiz&Drux: Alexander Schmid, Michaela Drux) Identity & Habitus Jean Dupuy, sonore speech act theory (Austin, Searle) J. Derrida !!! event of disconcertedness par excellence people, tortured, executed Performance as celebration B.M. is an intercultural cutting the face visual drama (Andreas Techler) tableau Paul Dutton, pragmatics/interactions and Shoshana Felman / Don Juan avec Austin Western "text-fixated" culture; Performative dimension of identity constructions (Chen Chieh-Jen, Nieslony) "Something, an echo of laughter reveals hidden "Peintre Nato" acting elected affinity (Gina Pane) Smashing lightbulbs sound poetry / Cyrille Fontaine, conversation analysis Richard Baumann / Story, Performance, linking cultures in comparison, non-western „Beauty now“ vivants (2) nothing / serial murder fundamental fears theory of self-liberation Giovanni Fontana, Performance as "translation" (Orlan) visual dramaturgy Light and Girlism Performing Identities: Nation, Region, Religion (PSi7) existential and bodily "abhorrence" that results socio-linguistics and Event: Contextual Studies in Oral (Dimitri Alithinos) cultures appear as "performance“ (Vanessa Beecroft, Phosphorescence in the moment (Franticek – Klossner) Bernard Heidsieck, sonore (PSi7) absolute solitude performatively pineal gland performative speechlessness and comes before thinking bizarre piece of existence theater environmental issues phoneme Cindy Sherman, (Fried Rosenstock) Living Tableau Performing Identity: see also feminist view of dread Joel Hubaut, linguistic performance theory Narrative in the act (Ingolf Keiner) (Via Lewandowsky) (Mongkol Plienbangchang) lectures "dialogical" intercultural Yasumasa (, Pierre Molinier, , creation of Nihilistic existence Arnaud Labelle-Rojoux, literature studies Marvin Carlson / Performance; chapter Morimura, quality of perception fear-angst system (V. Acconci) childhood experiences, primal fears, (Henry Chopin) the art of performance intercultural exchange , Urs Lüthi, Adrian Piper, Patty Chang, distinctions (Ming Zhu) Cf. Butoh Jean Jacques Lebel, The performance of language performer training Matthew Barney, emotional influences of light Performance as Alberto Masala, literature discourse private performances Happening (1) audience participation Jürgen Klauke, Katharina Sieverding, (Gebauer with abandonment panic system destructive fantasies, (Christoph Mayer A) in performance (Schechner) Leigh Bowery, (in space and through the seasons) perfect corporate identity / losing one's grip exposing oneself (PSi7) Performing Trauma: Joseph MacKenzie, linguistic turn (discourse) Noam Chomsky (competence /vs/ (Jamea Lee Byars) open end the act Linda Benglis, Robert Morris, McCarthy, Bourdieu) existential meaning of angst drive analysis Butoh: search for origins intercultural race and Mariko Mori, corporate identity performer U. Rosenbach, Warhol, Leigh Bowery) possibility of ec-stasy completely (extreme performance) (BN) Rewiring Self and Society Martha & Jenny, performance) Intervention (2) Pipilotti Rist) aesthetics of the atmosphere flood of light In the Aftermath of Violence in the depths of one's Angéline Neveu, lectures (3) (Allan Kaprow, Tadeusz Kantor, (Abramovic) (Alain-Martin Richard) performance (PSi7) cultural respect (BN) multicultural Performance lightshows (Sonia Knox) loving people Tibor Papp, Jean-Jacques Lebel, Wolf Vostell, Identity (as) Performance as (Min Tanaka) own existence performance (Fabio Mauri) (openness / taking no position / ...) existential commitment Michael Rice, Al Hansen, Rauschenberg, , 13 identity view honing survival mapping sites of intercultural performance projects (Laurie Carlos) Light- light compositions performance "translation" (PSi7) into a different in performance Valeri Scherstjanoi, Nitsch, Schneemann, Knizak, K. Dewery, (PSi7) Penetrating the atmosphere – instincts (Ronaldo Ruiz) existential questions (Sowa) Situative existence existence private /vs/ Performance = intercultural dialogue (P. Jacomella & M. Walther) (Adrian Piper) Performance (Nan Hoover) area. After a P-phase, artists are (Pane, Brisley) Cesar Figueiredo, Alain Jouffrey, Zorka Saglova) flow – experience non-existence of woman (Varsha Nair) (Petra Deus) (Janos Szirtes) intercultural transformation What is art and what is "reality“? light music often active in other fields. as carrying out action Enzo Minarelli) DADA public the art of the act (Black Market) (Rolf Julius, Christian Möller) person marked as gender- existential actions – ethnicity and intercultural (Translation Transition Transformation – PSi7) (Harrie de Kroon) Light-Noise Performance being a person among Your presence performative action Judaism (G. Ritter, P. Haunschild) hermaphrodite periodic performative to the point of total see: Performance as life performance theater intercultural collaboration (PSi7) tainment (2) people (BN) is the best work Literature: (... continued) postdramatic theatre Total participation instead (Tanya Ury staging light (Fen-Ma Liuming) opening oneself up to the experience exhaustion the conference as concentration camp tatoo) the enflamed aura intensities (instead of works) Dame Magma There are no repetitions, (James Lee Byars) Ferdinand de Saussure (la langue /vs/ story of spectacle (Situationists) (Noah Riskin) Performative of intensive presence (Petra Deus) Counterpart to energy: (Ben ´D Armagnac) LKW (2) of happenings (LE) life of the act ethnic performance culture politics as (charisma) Animotion (Lori Weidenhammer) only situative presence without intentions flattening emotion – slowing down, la parole) (Guillermo Gomez-Pena, Laurie Carlos, core of performance (Stefanie Wilhelm) re-auratization aesthetic (H. Seitz) (FL) Art Attack gathering for moments telling (1) Activity – Frames of processual aesthetics (Lynn Mc Cary, (religious) rapture / ecstasy art of life see: aesthetics Senta Trömel-Plötz (Ed.) Gewalt durch meaning is taking action = "taking in Jessica Hagedorn, Robbie McCauley, Coco Fusco, (Charles Garoian) basic state of in performative art of intensity pasty appearance, flabby muscle tone, Being – as performative practical Act (Sowa) act forums mind (Kaprow) , Lorraine O´Grady, Reona Brass) (Proj.: Kinetographien) Evan Hughes, quiet voice, cold skin, dull gaze of existence Sprache (book) Poles: often related to acting/doing (Sowa) hand" calmness aesthetic of performative art Excess, the Suspension of the familiar Practicist concept of being (with Heidegger) interplay between Asian ideas Alberto Gaitan) (Foucault) J. Habermas / theory of communicative (giving existence "a hand") category of the "in-between" as guiding category (BN) The energetic sum: (PB) one's own life woman as a piece of meat moment of delirium ego boundaries, close to psychosis, feeling of total participation Politically motivated aesthetics & existence competence and performance the act imperturbability for an aesthetic of the performative aesthetic action Emergence (higher plane of being), (McCarthey) without an emotional push there is no action (Mary Noéle Dupuis) in both the ecstasy of love and (Flow) self-immolation as performance? Charles Morris (semiotician) B.M. is a principle with not conducting secondary discourses To analyze performance as the primary reality (PB) Life – an instruction art action against discrimination aesthetics of living places religious ecstasy (unio mystica) (Jan Pallach) Seppuku (Yukio Mishima) Emile Benveniste space of action incl. audience irreducibility of ethnic-cultural dimensions beings from another world displacement of the dominance of the visual (sense of sight) (David E.R. George) manual: because of cultural differences energetically putting oneself into a Levitation (canceling Performance as a model of existential reality Jerrold Katz (competence/performance) Life Performance (Karen Rahn) the practical (Mariko Mori) deep play /vs/ (2) Neurotic Rituals – in the tense and life-art as self-experiment the book of gestures (G. Gomez-Penas, James Luna, aesthetics of life practice Samurai (Charlemagne Palestine) – gravity) William Labov (sociolinguist) (Abramovic, Ulay) perception politics relaxed (Jochen Gerz) performer takes Adrian Piper, Tim Miller, Holly Huge, 12 aesthetic view / Hagakure: in praise of energy (Mishima) shallow play intensity of a hysterical psychosis (Terry Fox) Hans-Dieter Huber (Geertz) (Reindeer Werk) fundamental state of being view of real experience sleeping pills – audience has to encounter (2) Robbie McCauley) (Elvira Santamaria) Performance as an (em) bitter(ed)ness (Helga Moehrke) existentialism Johanna Malt / Performative Constructions action east art / west art see: the art of existing (Monika Günther react (Ma Liuming)/ Communitas aesthetic category visual view / light view hardness Disquieting and renewing Performance is based on the & Ruedi Schill) (primacy of action) of Meaning (article) media presence for political issues (Schlingensief) energy (Ric Allsopp) hand generated light the enflamed aura 14 existential view life art Gestures (2) sleep pieces () real action as taking strictness presence of acting artists (Sompong Thawee) existential philosophy Robert A. Fischer / Oral, multimedial "let's do some action" Performance as an aesthetic pragmatic ethics and aesthetics to exhaustion (Richard Alpert) (charisma) search for the on the drip with sleeping drugs (Holtappels) Performance as a meeting political effect subjectivism debate (article Kunstf. Bd. 152) bed in (for peace) (with Rorty, Shusterman) (H. Sowa) completely expending oneself presence aesthetics perfect Now (moment) see: life-art-works the recipient as of different cultures phenomenon (as aesthetic technology critique (Gina Pane) (McCarthy) Walter J. Ong / Orality and Literacy interrelationships of (Colette: declared the (Yoko Ono) Artaud: to be as one (James Lee Byars) haptic stimulations (Abramovic/Ulay, Minus delta t) taboo violations (2) The performative category) see above (Fake shop – (Reindeer Werk) (Denis Oppenheim) Performance is life are declared course of her life an communication with the audience (necessary) witness Cut piece configuration (of presence) neo-existentialists N. Luhmann (Fluxus) (discourse control through taboos) performance as indoctrination model Performance-Installation) condemned to be burned (Marina Abramovic: dance to present see: most sublime moments of art art work) (Sang-Jin Lee) (Yoko Ono) organic material (@Home) Davidson audience brought in one by one (Franco B.) (Ray Langenbach) and making signs from unconsciousness) (Marcos Kurtyz) garbage delivery ability to act physical presence audience and performer participate Performing Horst Wenzel (research project) / Touch and Feel Cinema (Valie Export) war victims Aura (air, breath) as what is up on the stake (Dorte Strehlow: dragging sack) in search of the The performer as avid voyeurism of performance performance animal hears (sometimes pulsing) in the same energetic space energetic observation of world war (PSi7) (Mona Hatoum) forgotten in humanness (D. Mersch) (: dances,falls, ...) Repräsentation und Kinästhetik im (V. Export, Lydia Lunch, Rachel Rosenthal, Body Contact (Schechner) censorship (Tania Bruguera) authenticity of experience recipient of an exhibition cf. identity view political theater (Stadtwerkstatt, Sándor Dóró) total overload (Stuart Brilley) psychic processes Spannungsverhältnis von Mündlichkeit ) Touches (Franz Müller) Political Performance (Tomás Ruller) for a re-politicization (Performing Identities – PSi7) extreme performance building up intensive energy fields (psychic energy) life (Adrian Piper) of performance There are as many performance cage situations und Schriftlichkeit Animal ritual see: (Text: Lischka) (Rolf Langebartels) (as topic) the untouchable (Padang Ilalang Group) (Hans-Jörg aesthetics as forms of living (Bonnie Sherk, 20 performance-meters König (research project) / Produkt- pleasure of grasping /vs/ touch prohibition (Bradley smith) contemplation /vs/ (Julie-Andree Tremblay) Intensity and energy: playing with the audience's (Kathrin Butt) Tauchert) or language games (D. Charles human as dog Gómez-Pena & Fusco) become a marathon orientierte und prozeßorientierte Ansätze (Franz West – pieces that should be experienced with the body) (Michelarcangelo De Luca) view of world view art propaganda ecstasy energy drawings of performances Vital works: Abramovic/Ulay conventional life situations attention no distance with Wittgenstein) (Oleg Kulik, (Albert van der Weide) in der Sprachwissenschaft (Giuseppe Chiari) (desire for touch) political climate: (Morgan O´Hara) energy dialogue (Mongkol Plienbangchang – Ethics is the Aesthetics of the Alexander Brener, see: uninhibited Semi-orale Kulturen des Mittelalters testing the audience's with regard to Peter Weibel) Performance with (dead) animals emotions are the central Recipient- viewer in the role of the U-kabat-Group) 11 political view / Few (ture) (Laurie Anderson) performances experiencing the greatest possible intensity: Sybille Krämer (research project) / posing with the reactions aesthetics /vs/ ethics (V. Export, Siglinde Kallnbach, Werner Klotz (snails), suppliers of energy see: attention Performer performer (in complicated performance in as goal of the performance Performanz u. Performativität in der camera (Ma Liuming) (see: borderline situations) cf. body as medium cf. Wittgenstein Via Lewandowsky, Alastair MacLennan, H. Nitsch, (energy field as centered technical installations) intercultural view R. Schwarzkogler, Otto Mühl, Zbigniew Warpechowski, intoxicated state energetic (Peter Stembera) Sprachphilosophie (La Fura dels Baus) (Performing Resistance – Vienna) politics Ethics is the aesthetics of the future It is not possible to speak attention) (Chris Burden) (V. Acconci) Mark Tomson/Thompson (work with bees), parallelisms audience in the completely surrendering to (RoseLee Goldberg with Lenin) about ethics (praxeology) escalation begins with shop for energies of all kinds Inge Broska Performance culture as naked performance by the "audience" organized political revolutionary Stadtwerkstatt (bug race), Zitronenfalter (Brook), (Morgan O´Hara) Hans-Jörg Tauchert victim role the visitors (Marina Abramovic) through private ads (Spencer Tunick) (Canada) Performance ethics = action (performative) Attila Kosa (taxidermist), Paul Kos (Trophy), one´s own body Performance as the production (Ulf Freyhoff – FreiRäumeN) hotbed of a new approaches situative production Josef Beuys (coyote, horse, dead hare), J. Kounellis (horses), see: the brutal Jürgen Olbrich (Hermes Phettberg) (Julie-Andree Tremblay) as social, political (Engelmann) of an energetic body thoroughly pseudo reception art be-holder (in actu) maneuver, sit ins manifestation manoeuvre G. Duintjer (horse), Bender&Nern (horse), cf. view of the field black strategy Core of a performative ethics and aesthetics: Arnulf Rainer (Painting Performance with Monkey), Boris Nieslony see: view of destruction passion Ulun Michael Steinke view of behavior The ritual does not distinguish performance intensification of life with all its capability for Stephan Us (dead sparrow), Elisabette Mileu (fish) Emotion as a form Reindeer Werk: unmediated reference to the between audience and postprop- expression, perception and pleasure (H. Sowa) Pascale Grau (ladybug), Bonnie Sherk, of social energy energetic view Tatjana Ilic (bird in mouth), Marco Ivaristtis, communication aesthetics Lebende Vorhersage – audience as essential performers agitprop Happening (2) life: intense, burning, The Prediction 79-82 10 recipient view / Kim Jones (Rat-Burning), Ella Tideman, infernal spectacle sociology (Bourdieu) characteristic of the agit prop agit pop On the ethics of the deed – Hagakure Markus Schwaighofer, Walter Stehling (dog), Animals Transforming Interpassivity (theory) Culture: High and Low Psychical energy (Tibor Hajas) 13 intensity view identity discourse action arts audience participation (Yukio Mishima) Ramiro Oviedo (snake), Hélio Oiticia, tactile haptic view agit-lecture lie as performative act Carolee Schneemann (snake, fish, chicken), (PSi7) (Stuart Brisley) performativity views DADA, Futurism sense of touch agitation & propaganda Interventive actions of Kaprow (chickens), Rafael M. Ortiz (chicken destruction), feeling of "power" thinking and acting important parameters of p.: postmodern views and Surrealism "Tactiles" (C. Kolig) (Marxist, Leninist) (Sonia Knox, public life Mark Boyle (insects in the throes of death), depends on the energy 09 everyday view (Dan Graham) Ethics of catharsis Learn where in intensities (BN) Experiments with the audience (Bruce Barber) Elisabeth Chitty) (Ray Langenbach) Simon Whitehead (tracking animals) identity of the subject seek mental, action social requires participation (LE); in the service of behind it (Viktorine Müller (vacuum-packed audience), (Marcel Odenbach) (U. Rosenbach) engaged the meat psychical-psychological Mike Hentz (enclosed, shackles), (organic) decay Political agitation (Marcella Bienvenue)(Chris Reinicke) movement transfer qua awakening of humanity comes from Freudian concept of sublimation = direct art (Birgit & Wilhelm Hein) performance Cf. animal performance (circus) and even physical Nikolaus Urban (locked in, stabs), (cf. projects by IRWIN) uncontrollable (Rui Huang) (Suzanne Lacy) Club Moral transformation of libidinous energy agitations V. Export (whipping), decomposition (Kosa) gorilla masks attacks on the Art as unmediated "a" battery "a" social activist emotional reactions (Danny Devos & Annemie into different types of processes Jason Lim (beer rain, flour rain), direct communication (FS) political actionism Van Kerckhoven) audience (LE) The Prediction against sexism, racism Fears for the dignity of Markus Hensler) (James Barth, Heinz Cibulka) psycho-physical politically motivated actions performance (fear, revulsion, alarm) philanthropy see: view (Mary Bauermeister) Büro Berlin (Guerilla Girls) the human being in delusion re-enacting everyday attacks nauseating material battles actionism in parliament When Abramowicz of playing ASA-European Aktivismus / Activism washing laundry with Golf War video dignity performance (Zofia Kulik, Przemyslaw Kwiek) (Rolf Hinterecker) situations Rent An Artist, Prediction presents herself to the visitors ... directness symbolic actionism (PB) Activism and Community (Chumpon Apisuk, Arahmaiani (A. Rahmayani)) (Ali al Fatlawi) attacking the audience Black Market International (PSi7) (as central quality of performance – Theater of ethical equivalency perception must turn into an (Istvan Kantor – STOP.P.T. (Heinz Baumüller) Shan – discipline of attention event aesthetics The great American (LE) emotionally (LE) presidential candidacy Monty Cantsin) in comparison with communication disgust view perversion performance as demonstration (see above) (Zygmunt Piotrowski - School of Attention) as ethics (GANG ART) experience of responsibility games unmediated Performance Networks founding political party (Schlingensief) worker (Francis Brown) through media) (Milan Kizak) Situationists, Lettrists "Polis Performance“ (Matthias Schönweger) politically intended actions mental situation terrorizing radical disgusting performances nauseating smell (Else Gabriel) IRWIN, Lidl Akademie Performance as attention (see above) performance is playing Chris Reinike resistance movement and performances (Ralf Samens) pain performances responsibility models performance as subversion (see above) (category 13 according to M.-L. Lange) Giving what is to be helplessly exposing oneself to the audience nauseating abjects Rasa Todosijevic protest movement, sit ins attention as raw material (2) (Georg Ritter) audience responsibility feminine myths (Janus Markus = J. Markus-Barbarossa) found in love (Artaud) of everyday life ritualizing "participant" (Wolfgang Flatz, Abramovic) sadistically tortured performance as destabilizing practice (see above) the general essence of performance taboo topics ecoactivist ecological political responsibility (Mechthild Barth) Re-Imaging Tableaux Vivants (staging) as actor (Hermes Phettberg) strictness attitude in common (B.M.) child abuse Art and Revolution performance performance performance (Z. Warpechowski) (Stephanie Beaudoin, emotions dealing with Guerilla Art Action Taboo (Rosa Galindo, Pedro Garhel, (P. Weibel, V. Export, O. Mühl, G. Brus (Esther Ferrer, Tarin Chaplin, Colette, Picking up the audience the taboo Group (GAAG: urban strategical interventions PIM performative indoctrination model coerced performance B. Nieslony) UNI Vienna 1968) The ethics of giving Elvira Santamaria) Kim Dawn & Christof Migone, and taking them along Jean Toche, (Shanna Noyes – Urban Canvas Art Initiative) (Ray Langenbach) see also: political view aesthetics as art theory of life shame guerilla is performative (the event as gift, Shawna Dempsey & Lorri Millan, taboo violation/taboo breach Jon Hendricks, Rachel Echenberg, into the water The gift as event must be irruptive, aesthetic discourse (Tibor Hajas, McCarthey) (Fluxus) (culturally determined) Silvianna, ....) Performance as provocation actions for the life of the earth mimesis and Nathalie Grimard, Louise Liliefeldt, (Billedsofteater) art art theory / morphology (autoperforation artists: Micha Brendel, (Else twin Gabriel, Micha Brendel, (Ulrike Rosenbach) unmotivated – Derrida) 12 ethical view Christine Martin, David McFarlane, see: anarchist approaches imitation showroom /vs/ space to act Else Gabriel, Rainer Görß, Via Lewandowsky) taboo materials Via Lewadowsky) perception theory The Other Theatre, Kathryn Walter) Extremity in (V. Export, Lorraine O´Grady: (Charlemagne Palestine) Performativity of the procedure (Robert Hartmann, (Schlingensief / What else could be violated?) performance Pro-Vocation - calling debate on the sublime Werner Reuber, Terror of violated intimacy Eva Seanto already replace (acc. to Luhmann) the (minimal public distance) the emotional Guerilla Performances) demonstrations feminist lesbian aura debate Ulrike Zilly) arrested theatrics dream illustrations (Schlingensief) rage-anger system Ulrike Rosenbach sphere hellish bodies: horror worlds: guerilla theatre (Guerilla Girls) Workers narrative performance normativity of laws (Lit.: Lyotard) revulsion theory living tableau (Eleanor Antin) Simone Forti electrical shocks, unbearable noise (LE) Feminist Actionists (, Laurel Klick, Deborah Hay performance communication aesthetics (Alex Mlynarcyk, dream theater Disrupt political Expressionistic and (Carolee Schneemann, Cheri Gaulke) Elaine Summers Ethical "performance“ Colette, (the Surrealists) self-exposure colonialism performance studies ethnography psychological interests Joan Jonas, Ann Halprin) Trisha Brown rape scenario (internet newsletter) Luigi Ontani, Tableaux being tense together (2) (Spiderwoman) (Viennese Actionists) body as material (see left) Lucinda Childs (to break the code of silence) cf. Wittgenstein Johan Lorbeer, Vivants Sadomasochistic self-poisoning (Heli Rekula) Political women's movement Alison Knowles (Ana Mendieta) Claudia Triozzi, enticement/fobbing off feminist actionism Charlotte Moorman Myriam Laplante, Performance: (originally. V. Export & U. Rosenbach) Performance art In reality of rape (Anja Ibsch) pleasure and pain Angelika Festa Faisal Abdu´Allah) cf. living environments (Sandra Orgel, Aviva Rahmani) (Mike Hentz, (Eulalia Valldosera) (Bob Flanagan, zones of dis-rupture (Kees Mol) body=social construction=transfigured nature (living pictures as in the baroque era) Karel Dudeseck, excitement Sheree Rose) /vs/ material=body=nature stimulating (Paul McCarthy) Queer performance is a celebrations of Monty Cantsin, fear situations destruction actions Translating the Body (PSi7) emotions in the battle of emotionality Padeluun, (Mike Parr) gender surfing (playing with paradigm of feminism itself everyday life emotional space / (Da Blunschi) (Mark Boyle) (category 07 according to M.-L. Lange) (W. Flatz) the sexes (Hansjörg Marti) Flatz) breast performance (Milan Knizak) space of feelings symbolically directed against civilization (Ewjenia Tsanana) gender roles) gender: a category constructed through performance (Wolf Vostell, G. Brus, O. Mühl, R. Schwarzkogler) (cf. V. Export) (ritual double genderedness – shamans) prediction (1) Performance = what (not a given social or cultural attribute) gender = a "doing“ tradition and entertainment the emotional as a man/woman dualities analysis (Elena Ferrer) moves us: goals, performativity of feelings (John Duncan) gender (in) performance freeing female potentials (Mileva Josipovic) art and life (Yuan Mor´O) fundamental position rage and hate as motivation living prediction emotion, dreams, What touches us ? gender- (T junction) Black cultural theory political discourse Legend violence as critical Performatively generating (Reindeer Werk) fears, relationships see also: identity view cultural criticism re-politicization discourse (Antoni Miralda) B.M. Micro-emotions are emotional force of performance array of instruments destruction in art tainment (1) gender & sexuality mourning feminist studies / feminist theory post-colonial discourse public celebration the tools of taking action feminist performance These views cover content/analytical perspectives or delineate content zones. celebration performance aggressive action (BN) logic of anger, rage and (Kees Mol => Nieslony) gender studies exoticism discourse (fire-eater ...) poetically destructive Feminist view (Faith Wilding, Suzanne Wilding, Valie Export, 11 feminist view Placement within these zones follows the principle: spatial proximity = (Hans-Jörg Marti) aggression Martha Rosler, Barbara Smith, Marie Beth Edelson, Linda Montano, anthropology of gender race discourse controlled subject matter proximity. art (1) performance as exorcism (see above) brutality as a Yvonne Rainer, Suzanne Lacy (Lazy) & Judy Chicago, Yoko Ono, cultural history regionalism debate nn view transition of theater to a celebration (LE) destruction in art symposion DIAS (1966, ...) The outer ring is generally more abstract than the inner area. facial muscles fundamental position Eleanor Antin, Hannah Wilke, Shrin Neshat, Amanda Heng, feminist postmodern views minorities debate (Huge Harry) (O.Muehl, H.Nitsch, P. Weibel, A.Hansen, Carolee Schneemann, Betsy Damon, Leslie Labowitz, Martha Wilson, In Foucault's terms, these could also be called archeological fields. life as a celebration (invited to the table) psychical exceptional situations postcolonial theory Eurocentrism debate EEG-measurable: hunger, (Michael Burges) Gustav Metzger, Susan Cahn, John Sexton, Lydia Schouten, Fumiko Takahashi, Diane Torr, Split Britches, ceremony Kurt Kren, Vostell, R.M. Ortiz) performances (Game Rules of Art) critical discourse discourses fear, anger, mourning, joy self-experiments with psychopharmaca Anna Deavere Smith, Nicole Croiset, Karin Anarchia, Anna Dancikova, art (1) celebration as intersection (Marina Abramovic) Taro Ito, Tina Keane, Anna Paci) advanced studies The archeology follows the axis: discursive praxis => knowledge => science. between action theater and society performance as analytical postulate (see above) method complexes In keeping with this, relevant discourse, research directions (scholarly fields) extreme situations aesthetics of destruction / deconstruction and method complexes are listed here. ceremony venting games theory complex X days birthday celebrations mental and physical burden poetry and destruction Discipline: grouped methods (of a scholarly discipline) dramatic self- Literature: (... continued) Literature: research directions (see: encounter) (Yutaka Sone) inflation of (Chris Burden) (Barbara Sturm) (Vasan Sitthiket) Literature: Literature: (... continued) Literature: (... continued) Literature: Literature: expression Theatralisierung des Politischen (article) Performance as an aesthetic category Literature: ( .... continued) discipline banquet self-expression (G. Brus, A. Rainer, mental boundaries (Stuart Brisley, Sue-Ellen Case and Jeanie K. Forte (Ed.) Jill Dolan / The Feminist Spectator Peggy Phelan / Unmarket – The Politics Texte zur Kunst Sept. 1999 9.Jg. Heft 35 Kunstforum Bd. 150 performance as celebration celebration of psycho-physical experience of primal excess (edition of a performance journal) Doris Kolesch / Ästhetik der Präsenz (Tamar Raban, Raoul Marek) V. Export) Geert Duintjer) Performing Feminisms: Feminist Critical as Critic G. Rauinig / Wien Feber Null (book) situation with guests (Otto Muehl, H. Nitsch) (H. Nitsch) of Performance (book) Notes on Camp / Susan Sontag Zeit – Existenz – Kunst celebration culture (Stadtwerkstatt) naturalism Geraldine Harris / Staging Femininities. Dwight Conquergood / Performing as a Mattenklott / Präsenzästhetiken These symbols highlight "canonized" performance directions. These directions receiving guests (Hinrich Sachs) Theory and Theatre (book) Michelene Wandor / Studies of British Sue-Ellen Case (theorist of feminist perf.) Kate Davy / Fe/male Impersonation: Peter Gorsen / Der spielbar gemachte (Werksküche: transpublic) Moral Act: Ethical Dimensions of the Mattenklott (research project) / Kultur des could also be called streams (BN), performance categories, concepts, movements, (any affair) psychical border-crossing emotional turn (following cognitive turn) Senelick Lawrence / (book) feminist performance Moira Roth / 1970s The Amazing Decade Performance and Performativity The Discourse of Camp (article) Alltag oder die Rückkehr des Ethnography of Performance (article) Coming out (Coming Out und Subkultur - media directions, performance (sub)cultures, (micro-)styles, practices, basic performances (category 01 according to M.-L. Lange) Anette Baldauf / Gender & Performativity direction nomadic artists (nomads) moods of contemplation, manifesto of tactilism Gender in Performance Lance Carlson / Performance Art as Michelene Wandor / Carry On, Expansionen (catalogue) Wiener Festw. 79 Existentialismus in der Performance Art patterns (of behavior) or performance "types". Ian Watson / (PSi7) Interculturalism and Marvin Carlson / Performance – a critical Technologien des schwulen Selbst) as mediators between art solemnity or celebration 10 emotional view existentialism (primacy of the act) Geraldine Harris / Staging Femininities Political Activism (essay) Understudies Georg F. Schwarzbauer (FS): Physische und (catalogue essay) As a supplement to these, see the non-canonized "performance terms“. rituals and emotion / Aesthetics: Eugenio Barba´s Barter introduction (book) !! Mattenklott / Erzähltes Geschlecht and everyday life => celebrations (Alain Gibertie) psychoanalysis / disgust theory Performance and Performativity Catherine Elwes / Floating Femininity: Helene Cixous Psychische Energien in der Performance Roland Barthes / La Mort de l´Auteur joy / logic of joy ritualizing emotions Practice Gerhard Johann Lischka / Momente Andrea Sieber (research project) / Zum movement "les Vivants“ Lacanism discourse Routledge Reader in Gender and Perform. A Look at Performance Art by Women Luce Irigaray Clifford Geertz, P. Bourdieu Heidegger / Existentialphilosophie ... Rosalinda Borcila / (PSi7) Citizen/Foreigner: Ästhetischer Praxis Wandel der Geschlechterdifferenz in psychoanalytical view / queer theory (PSi7) Performative Acts and Gender Constitution (essay) Julia Kristeva Mihaly Csikszentmihalyi / Das flow- Heidegger / Sein und Zeit De Certeau körpersprachlichen Inszenierungstypen reference literature red text: first sociology (Bourdieu) psychical view gender studies (essay 1988!) / Judith Butler Lynda Hart & Peggy Phelan / Acting out – Marcia K. Moen / Peirce´s Pragmatism The Body at the Border Erlebnis (also: John MacAloon) Jaspers, Sartre, Merleau-Ponty development phase (Version 01) 09 everyday view psycho-physical view Ruth Askey / Humanistic Concerns in der Liebe for the respective view / artist cultural studies psychological theories of performance Kate Davy / ... Reception, Context, and Feminist Performances (book) as a Resource for Feminism Richard Poirier / The Performing Self Staging the Holocaust (PSi7) black text: Performance (article) Nietzsche conference references (collective list) Address in Lesbian Performance Valie Export / (essay) Persona, Teresa de Lauretis / Sexual Indifference Suture – Phantasmen der Vollkommenheit Miriam Yahil-Wax / (PSi7) Where language ends subsequent development phases new subjectivism psychology / action psychology Dieter Mersch / Reauratisierung in Mishima / Hagakure - Zu einer Ethik der Tat see also Gustav Metzger The politics of black performance (book) / Proto-Performance, Politics and Lesbian Representation (catalogue and symposium publication) (modifications / expansions) privatism debate view of destruction performativer Kunst (research project) Spielarten von Authentizität (conference) / Catherine Ugwu Coco Fusco (artist) / The Other History Andrea Juno & V. Vale (Ed.) / Peter Gorsen / Körperrituale der Travestie life philosophy Kunstf. Bd. 152 O. Hruschka, A. Matzke (game rules of art) see above: therapeutic view African-American Performance (book) / of Intercultural Performance (essay) Angry Women (Kathy Acker, Susie und des Transvestismus (article) Dieter Mersch / Kategorien für eine Harald Begusch (Diss.) / CrossDressing? Performance Terms +Performance as ... (short definition) A. Bean (Ed.) Susanne Schwinghammer-Kogler / (PSi7) Bright, Wanda Coleman, Valie Export, Petra Klaus / Hardcore-Performance (article) Ästhetik „performativer Kunst“ TransSex? CoreGender? Literature: (... continued) Literature: (... continued) P.A.N. (catalogue book) Interculturalism and aesthetics or the Karen Finley, Diamanda Galas, Bell Hakan Gürses / Identität (lecture Gmunden) academic performance, akustische P, animal performance, anonymous P, architecture performance, Literature: J. Derrida / Given Time Stefanie Menrath / Performativitäten von Allan Kaprow / Step Right in , Elke Koch (research project) / Ritual und Black Market International (brochures) deconstruction of an eurocentric myth Hooks, Holly Hughes, Lydia Lunch, Dieter Mersch autobiographical performance, Bewegungsperformance, black p, breast performance, cabaret performance, Justin Hoffmann / Destruktionskunst Doris Kolesch / Ästhetik der Präsenz Identitäten im Hip Hop Literature: Environment & Happenings (book) !! Emotion.Theorie u. Begriff des Rituals am Büro Berlin (catalogue book) Norma Broude & Mary D. Garrard (Ed.) / Kerr & Malley, Linda Montano, Avital T.Warr, A. Jones / The artist´s body ! camp performance, collaborative P, costume performance, cover performance , cultural performance, Michel de Certeau !! / Kunst des Handelns Fischer-Lichte (research project) / Between Identity and Representation (PSi7) L.K.W. (catalogue) OK Linz Paul Ricoeur (application) / Lehrstuhl für Udo Kultermann / Art-Events and Bsp. der Trauer Herbert Blau / To All Appearances: The Power of Feminist Art Ronell, Sapphire, Carolee Schneemann, Orientalities: Representing National and Intra- Dauerperformance, deconstruction performance, dialogical performance, didactical P, digital P, Ästhetik des Performativen (FL) Staging Cultural Identity (PSi7) dinner performance, Echtzeitperformance, ecological performance, electroacoustic P, electronic P, Performance Art, die Kunst zu leben Philosophie des Handelns Happenings (book) ! Jens Roselt (article) / Vom Affekt zum Effekt Ideology and Performance Edith Almhofer / Performance Art – National Identities Through Art an Music (PSi7) Beauty now (catalogue) ethnic p, ethnographical P, feminist P, Fingerfächerperformance, fragrance p, Gesangsperformance, Life is art enough / Ed. Anita Beckers Kathy O´Dell / Contract with the skin - Judith Butler (injurious speech / hate speech) Randy Martin / Performance as political act Die Kunst zu leben Vera Apfelthaler / Drag, Performance und das Konserviete Welt / Eva Sturm Women and Performance (Journal) Grenzüberschreitungsperformance, gestic P, gestural P, homosexual performance, intercultural performance, Baz Kershaw / (PSi7) / Ecoactivist performance Patrice Pavis (Ed.) / The Intercultural Life is art enough / Felix Philipp Ingold Kultur als Handlung / article: Gertrud masochism, Performance art and the 1970s Slavoj Zizek Philip Auslander / (PSi7) performative Körpergedächtnis Intimperformance, Kaufhausperformance, Kommunikationsperformance, Konzeptperformance, konzeptualistische P, Linda Montano / Art in Everyday Life Koch /Texte zur Kunst 99 – 9 – Heft 35 J.L. Moreno / concept of psychodrama Kunstf. Bd. 126 / Große Gefühle (weak) The Environment as Partner in Protest Performance Reader Performing Resistance in a Commodified Körperperformance, Kurzperformance, Langzeitperformance, Latex performance, Laufstegperformance, Performance art – Die Kunst zu leben (book) Ästhetische Handlungen u. Demonstrationen Julia Kristeva (theory of the "abject“) Luc Ciompi / Die emotionalen Grundlagen des Erika Fischer Lichte (intercultural approach) Context (PSi7) lecture performance, lethal P, Light-P, life performance, machine performance, medical performance, minimal P, Samson D. Sauerbier David Jones / The Performance of the Denkens !! minstrel performance, multicultural p, myth-related performance, naked performance, narrative P, operation performance, Habermas, Apel Abject (article) Norbert Elias (sociology of emotions) party performance, permanent P, poetic P, political performance, popular p, Portrait P, posed performances, (Theory of Communicative Action) Sigmund Freud, Wilhem Reich Jürgen Gerhards / Soziologie der Emotion private performance, projection performance, pure P, real time p, research p, retro-performance, revolutionary p, Interpassivität / Ed. R. Pfaller Ritual P, Rollstuhlperformance, rhythmische P, Sauf-P, Schaufensterperformance, self-exploratory performance, shamanist P, Stehgreifperformance, Stimmperformance, Tele-Performance, Telephone-P, Text-P, Karl Gröning / Hände theatralic performance, table performance, trivial performance, ultimate P, urban p, verborgene P, unsichtbare P, Vortragsperformance, vulgar performance, Weihe-Performance, zerbrochene P, Zweierperformance poetic pilfering 01 atmosphere view performance as a field of action and Disco atmosphere 01 contextual view absurd invention of grotesque moments performance as situation musical/acoustic poetry and performance (PB) (separated from the usual function) (2) human context-aware theories experience – an all-encompassing (Frank Lüsing & Oliver Kochta) (Jaques van Poppel) (Terry Fox) atmosphere moments situative approaches situation art contextualism discourse atmosphere (Prof. Mike Pearson) serene attention sculptures see also: aesthetics of atmosphere view of the framework poetic situations responding to the context (Udo Idelberger, situation art +Performance as situative production theories of meta-communication (Peter Trachsel) using objects outside the Pier van Dijk) (atmosphere as term of aesthetics) (Roi Vaara, Peter Weibel, V. Export) (source: Marie-Luise Lange) construction in the atmosphere poetic situations in duplication usual context living sculptures +Performance as situative experiment (INFuG, Stadtwerkstatt) presentation of an atmosphere (Edward Lazikowski) (Joa Iselin & Christoph Ranzenhofer: Port Rouge) (Jaques van Poppel) and a state of mind (LE) affect and context dependent (Psychogeographical Association) situative abidement and truly situative action (Richard Martel) Performance = action, mood gauge selection of memory contents lingering associations (Sowa) climate chambers (biospheres) frames and framework conditions are strategy of duplicated framed by a defined space atmosphere – (GANG ART, granular synthesis: while simultaneously repressing Performance as transformation visitors are exposed to elementary are training fields for the situative (BN) frameworks (LE) energetic situation (Matthew Maguire) mood – Kurt Hentschläger & Ulf Langreich) memories not conforming to affect the power of the context of a situation (J.-F. Lyotard) inflection, habitus, manner sensations (heat, cold, steam, storm, ..) (Thomas Huber) (absurd actions) connection between New Music disposition (cheerful, uplifting, alarming, aggressive, ...) "framing“ has a central significance Literature: (see: orality) (Bigert & Bergström) (cf. Wettergebäude by the Stadtwerkstatt) forms of living tableau (Mimi Nakajima) Performances by concept artists and Kontextbewußte Ansätze in Kunst und generating clouds (Lone Twin – Gregg & Garry) for performance theory as context (Marcel Broodthaers, P. Weibel, ...) (Esther Ferrer – Gruppe Zaj atmosphere/mood (framing) Wissenschaft / G. Dirmoser (DG) (GANG ART) greater appreciation of frameworks of light, space and sound framing everyday life (W. Marchetti, J. Hidalgo, R. Barce)) emotionally conceived temperament, breaking through the atmosphere – Erving Goffman / Frame Analysis (book) atmospheric perception (Wilson) (cf. GANG ART) (Kam Yeon Hee (YEONEE) invisible performance Concept Theatre (LE) Conceptual art: performance as demonstration +Performance as open system constitution Setting Gregory Bateson What is art and what is "reality"? (e.g. as couple: Judy Radul) Post-dramatic theater can also be understood or an execution of those ideas (Harrie de Kroon) Performance as breaking through structures J. Derrida different locations/spaces and Performance as predicament (2) (in reference to Concept Art) as an attempt to (LE) Concrete theater – arranging the Performance: Texts and Contexts (1993) lighting each convey their own reflection on the social Performance without an conceptualize art in the sense that it offers an abstract theater without action +Performance as a transitional form of art disposition "Situation“ invitation as substitute performance Victor Turner / Frame, Flow, and affective message climate control technician performativity through new arrangement; through new practice of art audience experience of the real rather than representation. (with Heidegger) allusion as substitute (Peter Arnold) Reflection (1977) in: Performance in conjunctions (of the data of a game move) (cf. Lyotard) (Didier Bay) intimate performance (FS) Ideas conveyed verbally (by telephone) over Performance as agreement Postmodern Culture art space renovation as performance substitute several days: "spoken house“ open system of conceptual models of asking passers-by for open system of encounter (BM) Performance as agreement (see right.) (Otiose: Ailith Roberts & John Dummett) Gernot Böhme / Atmosphäre - Essays Urban intervention (40 singers in the underground) attention (Gen Murai) (R. Tiravanija) collaboration Performance without people zur neuen Ästhetik displacement a moment (Hayley Newman) (Christine Carson) Simultaneity (a form of openness as concept) – Thomas Dreher, Peter Weibel, ... "alea" or chance without boundaries: confusion (Franz Müller) it remains open, whether there is a connection or or without performer - Minimal Performances scenic montage: attention hanging in the imaginary performance (Murmeln im Mund: Harrie de Kroon) group feeling free play with materials, objects, Making art without artists (cf. BM) (cf. Trance) (John Cage) see various forms open end or merely an external simultaneity (LE) (Stuart Brisley) (James Lee Byars) (Ralf Berger) synchronously played "fields" balance body movements, action locations (e.g. naked performances through recipients: aleatoric of ecstasy (communitas) (cf. BM) (Peter Kalmus & M. Murin) parallel action (Wilson) (cf. BM) (Happening) see also: organized by Spencer Tunick) openness invention .... moments Minimal Actions abandonment: process (process view) a kind of phantom that is role of chance open practice free spaces = playing spaces conceptualistic performances (Michael Blättler) (Esther Ferrer) Polyphony instead of dialogue (LE) concept performance conceptual performances (resistances with the surrendering to no stylistic restrictions (BM) constantly changing (Moscow conceptualists: The dialogical structure gives way to the relaxed momentum performance with (Tine Kortermand Hansen) (Anna Winteler) instructions as propositions Ilya Kabakov, F. Infante, A. Monastyrskij) help of chance) openness (Alex Silber) monological and choric (LE) self-propulsion open progression Performance: a permissive, open-ended (Felix S. Huber) (Esther Ferrer) participants and audience were identical Collaborative Performances Meditations on Tenderness anonymous intervention (with 15 participants) cf. chorus theater Indeterminacy (Cage) affection (B.M.) medium with endless variables conceptual actions steered intervention view of manifestos (Jörg Lenzlinger, Patrick Sidler) of/in Performance (PSi7) conceptual way of dealing (Teodor Graur) +Performance as personal field of experimentation indeterminacy conceptual programmatic Apollonian actions performative contemplative openness Art as intervention with art (ALMA) Three people at a table – (2) social (allowing the quality of openness disturbance (INFuG) 02 conceptual view Performance as link between sections actions of love (Art Attack) the non-action each operates without parallel plot strands (LE) Group performance sums) (BN) perceiving the others Intervention (Kjetil Skoien) performance (Pierpaolo (2) (c. Hommelsheim, W. Höfinger) Intervention as support (VLIES: Rolf Konrad, Academic Performances (PSi7) (otherwise boring) Performance as gift Improvisation Performance Calzolari) measure for reality Pat Binder, Wim Kolb, connection with the free play (3) expanded actions with job-seekers, Interventionist (Matthias Schamp) staging Jörg Brandt) collective doing whole (Religio) undeliberated (Gordon W) unemployed persons, homeless, knowledge as passion performance regaining Performances without fixed concept for action (Rudolf breaking through conventional equal right of intervention complexity incompatibility as prisoners (Christoph Schlingensief) Klaffenböck) (Santiago Serra) (category 02 according to M.-L. Lange) patterns of perception and (cf. Expanded Theatre) sovereign gesture rent an artist (2) see also: revolutionary performance approaches Improvisational, arising spontaneously from Deconstruction performances (2) power of the gift pieces reception expectations patterns of staging (the precise monologue) (BN) the moment (Black Market) (category 11 according to M.-L. Lange / Inge Baxmann) Expanded Performance incompatible (BN) environmental problems and boundless play love (public, departures = spontaneous actions (scream in the concert hall) These performances seek: (category 09 according to M.-L. Lange) urban problems Neo-dadaism conventionalized valet for 1 month performative staging of his The Open Art Work (U. Eco) confrontation, irritation of sense, ... Can be understood as a practical transfer real-time performance confrontations (T.X. Harsono) biography (as researcher) (Game Rules of Art) sculptural-aleatoric disjunction, interruption and demontage staging) /vs/ of Concept Art into practice and the ( /vs/ theater ) 02 view of eros love relationships have movements of a (Xavier LeRoy) process (Andreas Techler) of familiar semantic conjunctions. unbounded public sphere principle: Black Market Intertextuality (Tina Keane) experimental, sketch-like an unfettering effect logic of joy, pleasure common desire The point is "upending order", the destruction Warburg => Nieslony, DG (decentered; abandoning (1) dialectics of behavior and love total improvisation Improvisations All genuine life is encounter. ... W. Benjamin => Nieslony 02 unbounded view demonstration of an idea one's own standpoint) of traditional rhythms and flows of meaning. (Brian Catling) polyscenic, (Stuart Brisley) (in music) = Space and time are found in the (without audience participation) (John Sturgeon & Aysha Quinn) The performer as transformer tries simultaneous, fragmented encounter (1) Performance as reference encounter. Georges Bataille Performance as a ritual to keep his senses together cf. absurd theater "purely“ performative ? Performance Simultaneity theater (Artaud) ASA: the art of the encounter (M. Buber) Carmelo Bene => Gilles Deleuze Roger Caillois of transition (FL) (PSi7: Transition) (Verena Schwab, Foundation Schwab-Hensler) improvisation Fluxus unpredictability in the settling in, destroying mimicry as appropriation of attempt Parallelbewegung Literature: conflict discussions as dialogical approaches joint anxiousness Gertrude Stein => S. Freud => Viennese Actionists / Surrealists course of communication Ritual and improvisation Transformation (ASA is transformation) diverse disciplines (BN) Trickster Postmodernism and performance (book) (Die Fabrikanten) service (Pauline Oliveros) Performance as transitional form of art (see above) (Peter Wolf) (counterpoint critic) synchronicity principle: ASA Performance => Michel Journiac Nick Kaye cf. Happening interactive ( (namer), George Brecht, Community Art Projects (PSi7) cf. also: infiltrating existing (Jacques van Poppel) (acc.to Bonnie Marranca) Marvin Carlson / Performance Bob Watts, Yoko Ono, T.Schmit, Joe Jones, exposed processuality (GANG ART, BM) (Regina Hellwig-Schmidt, Horst Konietzny, systems (Gianni Motti) artist dialogue Intertextuality (article) Yoshimasa Wada, B.Vautier, G.Chiari, J.Hidalgo, the translation R.D.Laing => Stuart Brisley Fluxus Adaption drawings Regina Frank, S.A,C. Modellers Club) associations (Raoul Marek) Michel Serres => Orlan W.Marchetti, Ayo (Ay-O), A.Köpcke, T.Kosugi, (Translation Transition Transformation – PSi7) The artist is at the Performance as a new discipline interactivity J. Berke (MA v. Laing) => DIAS Marvin Carlson / Performance – a critical (Bob Lens) (Senoner) Christiansen, Eric Andersen, W. de Ridder, Service of the Community or an interdisciplinary field. (operation readings) introduction (book) !! New type of fluxus Performance as link G. Hendricks, Milan Knizak, Dick Higgins, Phil Corner, Performance as (Francisco Inarra) commissioned intervention Joseph Roach: it is of course an view of synergies (U. Wid) Kurt Levin => V. Acconci De Sade => John Duncan Interventions / Ed. Opus International (Sara Seagull, Neal Taylor) between sections (see right) Robert Watts, Alison Knowles, Nam June Paik, breaking through structure (see above) project theater (LE) anti-discipline (the trickster as guru Editions Charlotte Moorman, , , "Services“ "artistic service“ W. Reich => Viennese Actionists (project by A. Fraser & Helmut Draxler) (Team of: dancers, of this anti-discipline) interdisciplinary works (Jiri Kovanda) Marcel Mauss => Sowa Yoga exercises: lead to (too) Friederike Hassauer / Die Kunst der Emmett Williams, Robert Filliou, Al Hansen, , W. Reich => Atelier van Lieshout +Performance as tool Larry Miller, Raphael Montanez Ortiz, Tomas Schmidt, Proto-Fluxus ( Ichiyanagi, Performance as guided tour graphics artists, musicians, interdisciplinary poet-researcher interdisciplinary projects (Marcelo Exposito) introverted concentration – rent an artist (3) Bakhtin / Bachtin ! (habitus as form of practice) W. Reich => John Duncon Entgrenzung (article) G.Baruchello, Beuys, J.Dupuy, R. Morris, C. Oldenburg, Jackson MacLow, David Tudor, (in the museum) – cf. also reading seminars (R. Ganahl) architects, ...) (INFuG: F. Kleuderlein, B. Kümmelmann, all feelings extinguished ) Hubert Sowa, Thomas Eisen) convulsivist (Reichian) +Performance as profiling facility R. Barthes / Fragmente einer Sprache C. Schneemann, D. Spoerri, W. Vostell, Zaj, (A. Fraser, C.P.Müller, lecture service (U. Wid) interdisciplinary theater (LE) (Grotowski) R. Summers, Piki Soul,Mary Bauermeister, ...) Christel Burmeister) Circumscription of otherwise disintegrating Erving Goffman ! breathing exercises cf. Tao der Liebe networks (as service) Interdisciplinarity (Schlemmer´s) Meditations on Tenderness of/in Performance care of the handicapped (as service) (as common characteristic theater languages (acting, music, Artaud => Kristeva theory of performance Post-Fluxus (Montagne Froide - creating the in-between (Christine and Irene Hohenbüchler) Pragma-art installation, light poetry, A.Artaud => Derrida ! Methods of infamy, vivisection, (PSi7) / Peggy Phelan, Della Pollock, lecture artist of performances) (BN) (BM) Paul de Man Julia Kristeva => Orlan (operation readings) Valentine Verhaege) (see: list of networks) (Pierangelo Maset) 03 interdisciplinarity view Rachel Hill, Judith Hamera cf.: support (Stan Lafleur) singing, dancing) => Foucault ! Artaud => Orlan (operation readings) implosion (BN) cf. projects by MAIS Second hand shop association Performativity of originally separated W. James network idea (Jürgen Olbrich) as art (Christine Hill) fundamental change in the approach for project art interdisciplinary fields (of knowledge): performativity through Austin ! => Sowa Judith Butler !! => Ray Langenbach S. Zizek Luce Irigaray lecture performance project-oriented art (Simon Beer) to and way of dealing with the interdisciplinarity (cf. Lyotard) technique = traditionally (Marietheres Finkeldei) international communication actions Searle ! (Ray Langenbach, Yuji Sone, +Performance as medium for communicating art Jürgen Fritz G. Bateson Ralph Ortiz => Arthur Janov objects Früher machten wir Pläne, heute sprechen effective action Ewjenia Tsanana, P. Arnold, R. Ganahl Martin Buber => B. Nieslony Networker / electronic (impulse for primal scream (Marcel Mauss / Körpertechniken) Savier Klaro, Andrea Saemann) +Performance as mediated reality wir von Projekten (PB) communication settings cf. Public Access projects Ute Meta Bauer Performance theory has to (dialogical approaches) V. Flusser M. Merleau-Ponty ! => Stelarc network work therapy) (Helena von Oldenburg) services (Stadtwerkstatt, Servus, FRO) Wochenklausur have an interdisciplinary => M. Vojtechovsky (Cesar Figueiredo, Nieslony, Council discussion: every theme needs its tools. (Fritz Schwegler) ASA Projekte: Die Gabe ALMA Service (as servant or waiter: Bruno-Peter Schärli) Hannah Arendt => B. Nieslony +Performance as value-setting achievement (BN) Padellun, Bernd von den Brincken) arrangement (Prof. Dr. Bonnie Marranca) => Nieslony P. Bourdieu, Gebauer, Wulf => H.Sowa, Kosa The toolbox is the selection of critical instruments (theory). lecture as form of action Gabe als Gesellschaftssinn the performer as waiter in the gallery (P. Cuny, Kate Isler, Alex Silber) Performance-Service-Art (Chris Burden) Davidson Heidegger ! => H. Sowa, K. Rinke Performance as gestural situative event ! => Lyotard => H. Sowa joint practice – "Werk-Zeuge " - ASA = communication pool Heidegger => Foucault, Lehmann lecture performance (Mike Hentz) performative the gift is the greatest, the oldest, art that provides services Feyerabend (language game concept) => Fabrikanten tools/instruments (in actu) ASA = interactive art ASA in Bologna: (Padellun gesture of showing tools testifying (Xavier LeRoy) Lecture-Demonstration (Gelatin - naked) Putnam Gadamer => H. Sowa Wittgenstein => James Lee Byars in use lectures (INFuG) the swingingest network that exists Rena Tangens, Raoul Marek, cleaning services work (Rirkrit Tiravanija) (Pepi Meier – furniture deconstruction) (Abramovic, W. Pfaff) (CH 2 ART AS SERVICE: the opposite of philosophical terminal (see above.) Boris Nieslony) Hintikka "learning with the body" action work with cf. exchange projects art as service offering (INFuG) M. Foucault => Ray Langenbach R. Barthes passing something on through the Daniel Hauser, Chiarenza) control is service as service Performance: art teaching as art (INFuG) adolescents (M.-L.. Lange) Hölderlin, Schelling, Nietzsche => H. Sowa Artaud => Foucault (intensive being one's own tool "direct manipulation" of the body. A performance is supplied like a commodity. documentary theater (LE) body-machine See: performative future suitcase (Hannimari Jokinen) Literature: (eliminating the difference between art and life) Foucault => P. Bianchi (LKW) theater scenic lecture (Georgsdorf, knowledge (R. Schechner) Die Kunst des Öffentlichen / article by The Black Market actions are very close to this the service is the medium service offerings view = service view attendance.) Lehner, Ritter, Binder) Shusterman, Rorty, Dilthey => H. Sowa the body as tool cf. also habitus concept teaching as performance Stella Rollig: Projektorientierte Kunst commodity character (BN) Cultural Worker services in the community F. Nietzsche => P. Bianchi (LKW) see: machine view continuous service as ability didactic communicative +Performance as communication guerilla in den 90er Jahren ASA should be much more free service as a technique of services for the recipient public production ⇒Viennese Actionists (tools with a life of their own) process-oriented forms of teaching performance (ASA) enactive aspects action (nach Habermas) Lesezimmer / Ute Meta Bauer and floating. passing something on individual service offerings ⇒Foucault (life as a ) De Certeau !! => B. Nieslony performance real work of art works Pragmatists: in fine art education as performative Performance as communication Charon – Eine Ästhetik der art as service offering (Cezary Bodznianowski) material "machine": method = tool Performance as ASA: The Art of Service as performance Charles Peirce, Rorty, Mead, Quine, (Udo Wid) method (Eva Sturm) Grenzüberschreitung / G. Raunig away from commodity concept (Bender/Nern: Firma B&N) prostheses, hinges, models action as tool communication laboratory (Nenad Bogdanovic) Kierkegaard Dewey, Dilthey, Fellmann, Shusterman performative pedagogy Bonnie Marranca (interdisciplinary ASA = art service association (cf. work view) church-service (U. Wid) Flow = optimal performance reflections on historical tools lectures (Habil: Martina Koch) communication concepts performance theory) ASA should be a pure service / (through anxiety-free situation) philosophy as tool Presentation as project groups work mobile office container losing oneself in doing 04 influential thinkers Bertolazzi, Brecht => (Verena Kraft & Kurt Petz) performance (Udo Wid) Performance art as of performance communication performance Alan D. Schrift / The Logic of the Gift performance theory Service makes ASA visible utensils performative practice L. Althusser Postdramatic theater critical pedagogy (Wulle Konsumkunst) Christel Weiler / Performance als Gabe epistemology (materials / props) (Performing Resistance) counters, tradefair booths, The praxis paradigm takes the place of Appeal Performance as question and answer communicative cf. on this: (article) dialogical approaches 03 service view / project view see: view of material praxis: different kinds of performative processes communication projects the poiesis paradigm (H. Sowa) J. Habermas (bodiless) (new) "procedure" sessions (J. Beuys) passing on framework conditions performativity as view Get together – Kunst als Teamwork (cat.) postmodern views office spaces, hotel lobbies as teacher => pupil genres are conjoined in a (Chuke Stake) (Pomodoro Bolzano – office as performance substitute (?) K. Rinke => Karel Dudesek (see insight view) are a core of learning possible presentation forms Habermas => S. Szczelkun performer in suitcase presentation (dancing, performance as pedagogic (Max de Well)) (Hinrich Sachs) Walking through society (yearbook) crossover debate B. Nieslony => ... performance, narrative theater, ...) communication as art art as communication +Performance as achievement (H. Sowa) (Yeun-Hi Pan) (Christel Burmeister) Alternative continuing education Peter Frank / Nachkriegs-Performance: cf. Servicebüro Hamburg the programmatic opening of the avant-gardist Marina Abramovic => ... participation approaches (Robert Reschkowski) creating communication spaces (pleasurable) laboratory of life B.M.: objects as performers All means are equally (cf. also theater) as performance (T junction) Das Vermischen von Kunstformen und Service cf. Büro Berlin (H. Pitz) „Dead-House-Walking“ work concept in the direction of practical, performative forms of life art as communication ritual (cf. Rirkrit Tiravanija, Die Fabrikanten) +Performance as dilemma cf. Sampler Büro Bert (Victor Snessar) role of costumes of equal worth valuable performance as value-setting avoiding Sexuality Kunstsparten (article / ars electr.) (Social Impact) OÖ (Constanza Camelot) cf. Community Service (USA) (András Böröcz & Lásszló Révész) achievement (BN) action lecture (P. Weibel) the power of communication communication (Carolee Schneemann, J. Klauke, Marion Strunk / Vom Subjekt zum Projekt cf. Depot (Vienna) difference between: (Kyupi Kyupi) (Leigh Bowery) (Gelatine) (W.Hofmann minus delta t) (VLIES) Ulay Abramvic, G. Brus, V. Export, see also: On the gradual COUM: Genesis P. Orridge & Cosey Fanni Tutti, (article Kunstf. Bd. 152) instant fabricating/making/building and Performance as symposium, round tables, cf. archive moment art value transfer agit-lecture (2) specific practice of speaking games (2) McCarthy, Frank Wedekind, Johanna Went, ad hoc performances use of addictive substances/psychedelic agents haptic experiences, skill, development of thoughts staged encounter (Adi Hoesle, Fabrikanten) community-oriented work intervention acting/living/caring (H. Sowa) (CH 2 ART AS SERVICE) Marissa Carr, Brian D. Tripp, Gelatin) Masturbation as performance cf. view of collecting (Wulle Konsumkunst) (cf. Shamans) method capabilities while speaking and showing (INFuG) question & conversation performance (forced entertainment) cf. view of the organizing institution (Werkzeuggruppe des Konzils / autoerotic performances minus delta t (office of dramaturgy and opening addresses, dialogues (Elke Krystufek, Vito Acconci, Life ist art enough cf. political view: activism permanent Black Market International) artists transported cultural transport enterprise telephone sex performance research - Vienna) Production aesthetics as outmoded view techniques view tools of performance trans-latio (Canada) Performance Performing Sex Annie Sprinkle, G.Brus) (Jürgen Olbrich) performance conference in boxes (Dudesek, (minus delta t) appearances, presentations, (Fabrikanten) interventions maneuver (Odette Le Blanc Practitioner) is superseded by the aesthetics of the (Matthias Jackisch & as social political (Annie Sprinkle) Sex oral (Harri Schemm) life situations resources view Roi Vaara) (Tonga-Expedition: scenic arrangements (INFuG) breast performance / performative (FL) 05 tool view G. Ritter, G. Wagner) Elvira Santamaria) (2) (2) strategy palm of the hand (Allucquére limited cf. Stadtwerkstatt as view of instruments Sex worker Rosanne Stone) publicity Transport Performance Art as destruction of queer permanent conference Non-intentional actions male duos: performance techniques Reisetour / Audiotour (Christian Hasucha) (Mamiko Kawabata) AOS – Art Operating System (Zürich) critical pedagogy communication LKW (Fabrikanten) (ALMA – Alfred Hofstetter & Max Markus Frei, means (media) of (radical social changes due to (W. Pilar) "dialogical“ performances (Bruno Peter Schärli, Peter Spillmann, method view (Charles R. Garoian) (Ralf Filges) art projects as communicating with people Porno-Formance the role of public spaces for Patrick Sidler & Jörg Lenzinger, performance new transport techniques performance homosexual performance: life art urban space as production (cf. project view) Hans Wermelinger) communicative practice on the street (Carol Queen) Joa Iselin & Christoph Ranzenhofer) (see: media view) durch neue Transporttechniken) (BN) nomadism gay & lesbian, transsex. prerequisite ? (art space = protected space) Recycling performance / conversation as performance (Hinrich Sachs) (Tatsumi Orimoto) gay perf., lesbian perf. Performativity: leaving traces as performance nomadic (Black Market) delivery runs as (David Drake, Tim Miller, (Andrej Dudek-Dürer) (urban view) counterexample: Methods ironized repetition of auto-aggression Lust (Eva & Adele) (KUSCH) re-valorizing team work (Lit.: Lyotard) Performer as (Gunter Demnig) Ariadne Thread performances (Cooperation Project X) performance (Padellun) Tele-Performances art as Holly Hughes, Karen Finley, media centers Festival of the Regions the performance – -of discontinuity "classical" performance Crossover & Interaction skin cuts: auto-destruction (G. Metzger) knife's (Laura Kikauka) (Geert Duintjer) cf. art as teamwork teacher: Nieslony, (Stadttwerkstatt – Checkpoint) John Fleck, Isaac Julien) theater locations -of series "pieces" (Ursula Palla) absolute freedom performance space Bricolage translation (GANG ART) (PSi7) V. Export (Klat und pac) (GANG ART) an operating system of art Abramovic, Hubbard, (Mia Zabelka) edge festival locations Urban Performances – denouncing the rites of art education is not to "be had", Gina Pane self-jeopardizing - of autonomy Zeca Ligiero, ... as transit space telephone performance Participation-Tele-Performance Performance as a special reaching a high degree of (Carola Riess) life art instead of lifestyle (PB) Performing The City (PSi7) (Kees Mol) it must occur processually (Pazini) traveling as Raul Zurita body work - of differentiated dependencies (Markus Hensler) (STWST) (Nam June Paik, Allan Kaprow) being-in-the-body through Kunst als Lebensform The Influence of Globalisation on Performance the art of travelling kind of interaction Diamela Eltit (Tibor Hajas) (Chris Burden) - of parallel movements (Thorsten Kellermann) self-injury (PSi7) Performance art = free art – "teaching" as gestural- (Kunstforum – Paolo Bianchi) performance the self at stake(FS) life and work as unit/ public "production" of art works Triggering actions becomes an - of ironic substitution The art of freedom (Z. Warpechowski) (minus delta t) prelingual image dependency intermedia approaches Flow – most unmediated (Brus, Ben Vautrier) every public act = performance (art factory / curator Hattinger) artistic task (P. Maset) situative event (cf. NLP) crossing the Atlantic in a sailboat self-injury/pain Laura Kikauka, Leo Schatzl, (also with new media) in performance art communication self-experiments: (Denis Oppenheim – (James Lee Byards) the activity of producing and ASA = methodic change philosophies and sciences (Bas Jan Ader) (Tibor Hajas, Gina Pane, Chris Burden, Sabine Zimmermann et al. (Perf. at Posthof), ... the conference as The performer is Reiseprojekte (Marianne Tralau) (Valie Export) (Tina Keane) (Barbara Konopka) body in pain sunburn) (Barry L Va – smashing against the Literature: carrying out (takes the place investigative working method of lenses (BN) of becoming (Proj.: Kinetographien) a pontifex (bridge builder) the inaccessible private performances (for photo works) (Palindrom) Petr Stembera, Jerzy Truszkowski, wall) (Norbert Stück) living in exhibition spaces for several weeks "laboratory for action" Ausbildungssicht (Scarry) Z. Warpechowski, Danny Devos, G. Brus, Marvin Carlson / Performance – a critical view of producing of the product) (LE) (R. Tiravanija) view of presentation performance (Colette, Jürgen Klauke, R. Schwarzkogler) with INTERMEDIA the finished product is always just a (Klat und pac) (Udo Wid) Collage, Montage Lust am Moment M. Abramovic, Ron Athey, Bob Flanagan, introduction (book) view of fabricating view of depiction set piece of the process (Konrad Schnitzler) pain automatically generates , Michel Journiac, H.G. Herrmann, (Jochen Gerz) (Vollrad Kutscher) creating an "aesthetic laboratory and plurimedia acts of violence against the body Living Projects Replacement of the paradigm of the production => view of reproduction 06 education view scene Media as superfluous a more active reception on the W. Kazmierczak, ...) Hubert Sowa / Nach Duchamp und (shifts more into focus again) joy of experimentation workshop situation" (M.-L. Lange) theater (LE) Performance is living intermedia () close to torture everyday behavior performance theory Turning toward paradigm of reception (Sowa) Perfect Performance accessory (BN) self-torment (not accepted: Heidegger: Kunst, verlernen (category 06 experimental actions) travel art sculpture (@Home) part of the viewer (Shi Sen Chen) dialogical approaches (James Lee Byars) view of educators (teaching) intermedia art A´battery A“) Anita Cherian / (PSi7) Performing the 60's: new spirit Experimental art (Ko DE Jonge, Niall Monro, operating system discourse 04 view of artistic production the perfect performance audience Ed Varney, Juan J. Agius) per se borderline situations risk situations: electricity, fire, dangerous real Region – Nation the author regards himself of experimentation projections in a Intermediality cf. poster sections: context approaches- transport view / view of the journey extreme situations materials, knives, drugs, extreme duration, performance this point is considered a as a producer (FS) Performance as creative field of experimentation performance "performance triptych“ (Robert Longo) (as common characteristic Transgressive bodies in art and science (1) photo (panic due to lack of oxygen: hanging, piercing, ... (cf. torture practices) superstructure for several (see right) (Kees Mol, Alastair MacLennan, Harrie de Kroon, of performances) revolutionary Performance as dilemma Geert Duintjer, Carole Schneemann, C. Palestine, (see above) performance as mediated reality performance educators performance Performative aspects in Peter Gilles) (Jan Mlcoch) action and accident bondage seeing an everyday situation and turning neighboring views lack of breath to unconsciousness (Gilles) it into a performance / performance approaches Seiji Shimoda, Richard Martel, Irma Optimist, (see: curators, photography (sensation of falling) Performance as Hayley Newman, Z. Warpechowski, see also: performance as translation performative pedagogy seminars (BKH Gutmann, Intermedia / mixed means shifting the boundaries challenging the physical 1:1 transfer (not mimicry, (expansions, transformations, renewal) "Risk behavior" as imaginable editors) (McCarthy) not mimesis) autonomous art (?) Chen Chieh Yen, Ma Liuming, B. Nieslony, perceiving oneself (mirrored) in the other Mariko Mori, M.C. Chaimovicz, Projection with speaking voice physical exceptional situations of body, pain and body – walking over basic pattern for performances Thomas Kumleh, Markus Schwaighofer, Ma Liuming, Stephen Laub) Intermedium everyday relics (Surachai Ekphalakorn) (James Coleman) (Stephan Us) spitting ice .... risk glass (Rebecca Belmore) change of paradigm => the unplanned Elvira Santamaria) teaching and learning situation with the audience Performance (Happening) uninhibited trans-formation /vs/ (Hinrich Sachs) walk and posture determined by high heels (Pino Poggi) (Chris Reinicke) confrontations (2) standing on ice (C. Schmidt- everyday objects container Siehe auch: (cf. performative turn) the conference as as the blood perfect bodies performances Chemnitzer) formation (Vanessa Beecroft, Gelatin – cleaning action) (Etant Donnes) Body boundaries (Inge Broska) (Carola Willbrand) Servicesicht enlightenment through action of the media Media performances: deformed bodies (Kees Mol) "laboratory for vernissage ritual: view of communication (Theresa Drache) body language: habitus = gait performative generation other media glued to the wall (Roi Vaara) (skin incisions, self-experiments, ....) curiosity-interest-system / anti-mimetic ... (LE) action" performative aspects of the as celebration of thanksgiving, (Lee Wen) (Hans-Jörg Tauchert) broom breaking through the (GANG ART) of belonging (to groups) / (without electronic media): skin-like clothing (Regina Frank) pleasurable innovation (pleasurable presentation of fine art initiation, stuck to the ceiling (Roi Vaara) (Qing Qing Chen) boundaries of media Monty Cantsin, Jason Lim, clothing printed with body parts (Katharina Trost) theory of pure form (LE) performativity through inventing or Code Communities 07 view of media Mike Hentz, Karel Dudeseck redesigning one's table performances channeling of new feelings and Performance of the (vernissage speeches, rite of passage Suspensions (skin hooks – Stelarc) carrying out new game rules (Lit.: Lyotard) convention with (Jean-Claude Schmidt) Padeluun, Franklin Aalders own body (Janet Haufler, B. Nieslony, cleaning thoughts revoking mimesis accompanying actions) performance (cf. Fuckhead) most sublime moments deformation body ("believable common store of Ralf Samens, Ben & Sam (Orlan) BBB Johannes Deimling, actions (orientation to painting) performance skin hooks (H.G. Herrmann) of physical presence (Denis Masi) (Tony Morgan) performance": identity) gestures, rituals and signs dances from gestures (Peter Weibel, V. Export, Etoy) view of electronic media Dziugas Katinas, Regula Kopp, (Gelatin) radical expansion of the (Pina Bausch) (Pyromania: B.N. Hiesserer) extreme body art (Wen Lee) (Li A- Roca) Mario Ohno, Seiji Shimoda) poetry with anarchic breast incisions joined with operation (see above) Performance as profiling facility concept of art Identität u. Habitus (s.r.) poesie Tischsituationen / practical body language as body language view of mediality body avant-garde needles (JOKO: Karin Jost & Regula J. Kopp) performances crossing physical boundaries Tischregeln expanded "open concept of art" multimediality performative sculpture (Beuys) body knowledge gesticulation a choreographology d´action mediality as since Nietzsche pain through connection (in nettles) (category 01 according to M.-L. Lange) (time´s up) (Ralf Filges) (Ulla Rauh) video Tischtransaktionen forms of living avant-gardist isms are performance body memory (La Ribot) is missing performativity (cf. Foucault) "emptying" and "purifying" the body transformation from showing performative and multimedia see also: mimicry of life essential body experiences (Fabrikanten, Nieslony) (H. Sowa) superseded by ideas and contexts (PB) (gen. theory of gestures) performances physical borderline states (Charlemagne Palestine) (Manfred Vänci Stirnemann, to showing body-language body language affective communication, emotional media aesthetics and performative (Sylvette Babin) furniture chopper chair destruction Boris Nieslony, Jürgen Olbrich, contagion and enslavement: art is a performance surplus (Thomas F. Fischer, Joan Jonas, practice (Mattenklott) on: (Pepi Meier) (Ralph Ortiz) Robert Fillious -> , behavior research social phenomenon with strongly affect- body archeology physical view – achievement (see also view of achievement) chemical body as language see also: Christina Kubisch, Fabrizio Plessi, (Ron Athey, Laura Aguilar, view of ideas driven components: facial expression, (Rachel Rosenthal) (Paul Demarinis) (Sang-Jin Lee) (body's capacity for "moods" Alain Gibertie) (Stuart Brisley) catatonic gesture of the physical (Gina Pane) Behavior Tableaut Marcel Odenbach, Nam June Paik, Matthew Barney, Eva u. Adele, posture, voice, gestures (Station Rose: Gary Danner & Elisa Rose) (Valie Export) (Orlan) research projects by Prof. Wulf Charlotte Moorman, Ulrike Rosenbach, Mary Kelly, Rachel Rosenthal, ...) remembering – Grotowski) (Dopamin, Performance theory position (cramp) Behavior (Stelarc) (GANG ART) (James Partaik) (Sylvette Babin) 08 body view / gustative view family rituals (Bourdieu reference) The Every Day(ly) Pantomime Pipilotti Rist, M.Bienvenue, Gershon Berkowitz, Epinephrin, (game rules of art) 05 view of innovation collective term: cf. expanded theater (G. Brus) cf.: Grand Gesture (Mark Dijkstra) ( Ballons) (The Dark Bob) (Max Frazee) Japanese body work rituals in school (PSi7) Art behavior animalist behavior Tomás Ruller, Peter Land, Matthew Barney, ....) media of movement body as medium Serotonin) (Marlene Madison Plimley) (Gordon Monahan) (Milos Vojtechovsky) body therapy (G. Pesonnier) taste, Public body (M. Abramovic) emotionalization of communication general patterns (Perry Hobermann) (Maricruz Penaloza) (Pyromania (B.N. Hiesserer)) (Reindeer Werk: Tom behavior experiments incorporating Theater of through gestures of behavior (FS) (Jürg Schmoll) (Julie-Andree see also: attitudes 09 everyday view view of art criticism Gesturing bodies: Puckey, Dirk Larsen) the performance Feldenkrais Method Gender Behavior and Codification of (Michael Buthe, Telephone Performance Tremblay) body work gestures and (Yves Klein, , of the body performer as researcher of gestures and Gestures (T junction) Jet Ferro, Video or performance (Bob Wilhite, Minus delta t) Drama in Real Life (minor accidents – with bike into the canal) movements Charles Ray, Erwin Wurm, Minimal Performances Hans Eykelboon) Discours du corps gesticulation (W. Hofmann) (2) TV (performativity) (Jan Bas Ader) Arnulf Rainer, ...) (BBB.J. Deimlinger) installation (, body works Nao Bustamante (gestus) (Rachel Echenberg) Habitual behavior multimedia approaches (Christian van de Borght) performance /vs/ , Muda Mathis, performance New Media body performance tongue traces Skip Arnold, Kees Mol (BM) (Gillian Dyson) patterns behavior (Elio Mariani) in performance art Tadasu Takamine, Kubisch + Plessi (Fuckhead) art corporel Zbigniew Warpechowski everyday performance gesticulation / signs of expression gesture bodies masculine attitudes feedback Ponton Medias: disciplining Orlan, Roi Vaara primary gestures habitual behavior (FS) (Thomas F. Fischer) Martine Aballéa, Serge Comte) (Stadtwerkstatt) living (Ilija Soskic) see above (B. Heidersberger, Marina Abramovic poses (Bruce MacLean) (Lucas Samaras) (V. Beecroft) (Stuart Brisley) (Albert Mayr) practically every imaginable physical art corporal (Franz Kaltenbäck) Performance as synaesthetic montage K. Dudesek, intensified gestures (Stelarc) Gesture Dance Harrie de Kroon Environments of action strands, aesthetic means and media closed circuit S. Vanasco, activity has been investigated (real time activity) Body art & Butoh Nikolaus Urban Leading actor in one's gestures (Schlemmer) elementary forms (2) soap (attitude – (category 10 according to M.-L. Lange) procedure M. Hentz) (Mark Steger) Jan Bas Ader, Koop own life? living pictures like in the gestic painting (see right) Gesture (French) imitated attitudes of behavior traces of a aesthetics of the living Seiji Shimoda (Gérald) ... Working with multimedia means. Semantic unity performance body art baroque era = Action gestural performance sculptures) (not rationally in the sense of a gesamtkunstwerk (cf. view) (living) body skinning Ken Unswort. Mike Parr extreme gestures cybertechnology electronic performance Robert Faguy, Ishi Mitsutaka Performance at the (Colette: celebrated her life controlled) (Stefan Berchtold & performance in designed environments) (A. Rainer, and performance Ingolf Keiner) Marco Klaassen, Ralf Berger intersection of art see also: similar to painting extremely personal forms of behavior body as material (Viktorine Müller, (Mathew Wilson, Reindeer Werk) multimedia largest scale performances digital performance (P. Weibel) father of body art: G. Brus Glyn Davies Marshall tableaux vivants (as cultural achievement) (material actions: Irene Bachmann) and everyday life Mark Alice Durant, Gestures (Kunst & Kravall: Stadtwerkstatt) robot Real time performance Bruce Nauman Ilija Soskic) body fragmentation Otto Muehl, H. Nitsch) (Barbie Cyborg (V.M.)) Ulay = Uwe Laysiepen Performance as primal (LE) Theater is first via Internet family life with children as performances High-tech-Theater in the performance (Miriam Steinhauser) Rebecca Horn Everyday life of all a form of behavior (Michael Schaowanasai) computer performance everyday gestures human language (2) Gutai: material actions Klaus Rinke, Timm Ulrichs (Marcia Tucker) and then art Interactive audio tour ("Wall Street performance“ / naked (Shirley Cameron & Roland Miller) (Gelatin) gestic performances simulated Performing Internet Computer games body Denis Oppenheim inscribed in the (Tagny Duff) Momoyo Torimitsu) (Stelarc) performances performances Matty Jankowski communication theory / NLP events (PSi7) (Paul Demarinis) body-material-interaction see also: view of orality body over 50% of communication (V. Beecroft) sculpture (1) William Wegman science on and for relocation action pedagogy / art pedagogy (Valie Export) Christine Bänninger (incorporation) is nonverbal (gestures, (2) extended (Spencer Tunick) the human being (J. Lothar Schröder) (game rules of art) 06 gestic view deconstructions (Rafael Montanez Ortiz) The dominants of drama and illusion are see in detail: machine view RIA Pacquée, Atau Tanaka gesture as guarantee facial expression, migrating to the media, whereas the transformed bodies performance art corporel Phillip Warnell, Salvo impenetrability mythology of theater theory cybernetic research body as instrument body as tool Alchemy of everyday of the statement posture) currentness of performance becomes the projected onto (Gina Pane) (Hubbard & Birchler) the profane nomadology discourse violence as critical instrument (2) (Sadie Plant) see body (Matthew Barney) Allotropy of everyday body theory new dominant of the theater (LE) dancer bodies learning the language habitual view extensions: (Stelarc) (K. Obermaier & (P. Rist, everyday chaos invitation into intimate spaces body philosophy / body sociology cf. role of nonverbal brutality as fundamental media shamans (Jürgen Fritz) body orifices of the body uplifting feeding (Stefan Halter, n.b.: separated from body view Chris Haring) Gebrüder Kunst) (Sandy MacFadden) (Barbara Smith – naked) communication with G. Bateson position (2) surveillance as performance media performances body as sound box lust greed energy-conserving Franz Gratwohl) (double bind ...) (Monty Cantsin, Jason Lim, Helinä Hukkataival, (Julia Scher) electronic media: drinking performances behaviors "how" something is communicated The postdramatic dinner performances hunger as basic sensation action-analytical Private performance – collective H.A. Schult, John Bock, Tom Murin) The Avant Guard in Action Old Boys Network, Dionysian actions (Jürgen Raap) body is a body (fasting 33 days: Ernst Len) commune (Otto Muehl) "departures" (Stadtwerkstatt) (T.R. Uthco) (Helena von Oldenburg), Bioenergetic performance Frauen und Technik, Gruber, intoxicating, ecstatic Roman orgiastic culture Dada Shave of gesture (LE) (R.M. Ortiz) fasting (R. Schwarzkogler) trash Mike Hentz, Karel Dudesek, Dionysus ritual (Etant Donnes: of gorging (Ro Ma Ma Chine: everyday mental artificiality of the everyday (Emil Gropoz) (Anna Banana & starving (K. Etschmann) trash art interactive real-time Richard Kriesche, P. Weibel, anti-minimalist Eric Hurtado, Marc Hurtado) state as What separates real life from performance? Bill Gaglione) performances (performances Cecile Noldus, Mike Hentz) Cooking/Kitchen as performance video systems Regina Frank, Hayley Newman, movement / quasi- philosophy of intoxication (H. Nitsch) (affective) point of publicly peeling vegetables: of the 80s) (Stuart Home) Pipilotti Rist, Kira Wu eat art cooking & gift (Gretchen Schiller) baroque style smelling and departure (Devora Neumark) Trash-TV and trash-aesthetics "seeing" with the body tasting rituals cooking & communication (Schlingensief) Ritualistic bodies Job as measure of life work decollage Media burn (OM Nitsch) (P. Arlt – fünf ingenöre, Kubelka, Rirkrit Tiravanija, Matthew Ngui) Can we no longer bear "direct" (non-transmitted) (see also: rituals) kitchen pieces (Attila Kosa) raising awareness of (Devora Neumark) (: reality? cooking art (Spoerri, Mario Ohno) (transpublic: transpikante banal processes happening Chip Lord, (A´battery A“) Is this "directness" a chance for performance ? body in honey, rolling in see: action physical body as Erfahrungswelten) fascination of the banal Hudson Marquez, Actionism feathers or hair raising awareness of important Doug Michaels, revolutionary painting ground (Barbara Sturm) Hell Cuisine (W. Grillitsch, E. Knöß, H. Müller) media theory / media discourse Curtis Schreier) theater of (Barbara Smith) sitting in vinegar (Julie-Andree Tremblay) (see also: celebration) as the turkey (Mechthild Barth) activities performances (Andrés Pereiro-Schmidt) () media studies subversion "getting wasted" 07 subversion view / (Tara Babel & physical investigations work as performance daily life koans (Muehl) media anthropology Viennese "total action" Andre Stitt) Extremes of doing nothing with the body (bending, falling, (Servie Janssen) (see above) Performance as Orgies-Mysteries- communication theory subversive "piss action" (Muehl) (Gebrüder Kunst) and the boundaries of media-critical view communication guerilla Theater Actionism folding, walking, hanging, leaning, ....) information theory communication systems self-control (Ken Unsworth) (Barry La Va) (cf. ceremony art / the daily, net discourse / cyber discourse smearing edibles (Chris Burden, ...) media guerilla (Bucky Grinberg) Celebration art) (Hermann Nitsch, G. Brus, (Karen Finley) (Andre Stitt) Art of walking (Tony Morgan) (Mike Pearson) plots the daily story simulation discourse ) (gettoattack) (the kipper kids – Harry Kipper) (Alexander Schmid) (Fabrikanten: walking with no intentions) (the koan) ironic way of dealing with the physical body as the (Ana Mendieta) suffering bodies (Martyrs) communication technologies sensing and sensed body Koans - daily life plots daily plots (Franz John & Merit Aton) sex, blood and flesh rituals representation and excess (Bob Flanagan, Ron Athey, taking blood (ketchup/chocolate sauce instead Eleanor Antin, ...) extract of a story (B. Nieslony) (Kristinn G. Hardarson) (Peter Gilles) dough – Theater of blood (Artaud) of blood/feces) Ritualize/fetishize/highlight the ordinary (Ray Langenbach) Performance = Production and reproduction mouth formation everyday logic, logic of joy (Paul McCarthy) corporeality of feelings (Joelle Ciona) the real organ of feeling is of corporeality (Ann Hamilton) /vs/ logic of fear, logic of ange transgressive bodies the entire body electro-welding and other logic of mourning (Hans-Jörg Ma physical body as physical body, the structure self-confirmation by licking craft elements Literature: Literature: Literature: (... continued) /vs/ body schema relinquishes itself (B/Ph.B) everyday prohibitions (1968 Literature: queer theory / gender studies the body (Angelika Thomas & De Chirico) Marvin Carlson / Performance – a critical Kunstforum Bd. 137 V. Flusser / Gesten Literature: (... continued) as body, it internalizes itself (Project: Paradise now) Dirmoser (DG) (study) Wer fliegt – Abenteuer sexuality discourse / AIDS debate (B. Johannes Blume) body view /vs/ physical body view introduction (book) !! Atlas der Künstlerreisen Karl Gröning / Hände Cyberdance – Performance u. neue is inscribed in the body the art of existing Kommunikation / Die Fabrikanten Body theory / body philosophy ritualizing the Richard Kostelnatz / On Innovative Frauen, Kunst und neue Medien / Ed. Erving Goffman / On Facework: Medien / Martina Leeker (article): ... Dirmoser (DG) (study): STWST – TV body sociology The concept of "performance“ dominates everyday (R. Schwarzkogler) Heidi Richter et al. An Analysis of Ritual Elements in Social bio-elektronische Performances The aspect of the physical body is presentation Performance(s) (book) M. Serres / Der Parasit dance theory / new body theories (Thomas F. Fischer) Ute Ritschel / Symposion 2001: Interaction (article) Ruth Schnell (article): Performance u. 08 physical body view American culture as a way of viewing everyday Marcel Mauss / Körpertechniken (article) Handbuch der Kommunikationsguerilla phenomenology of perception The aspect of the body is representation Performance art & Pädagogik Lea Vergine / Body Art and Performance interaktive Medienkunst activity (Bonnie Marranca) Hubert Klocker (Diss.) / Der Wiener Luther Blissett, Sonja Brünzels revulsion theory everyday situations Terretoires Nomades The Body as Language Sophia Totzeva / (PSi7) Differenz und Identität (Anna Dancikova) Aktionismus. Das Orgien-Mysterien- Marvin Carlson / Performance – a critical bioenergetic therapy Hanne Seitz (Ed.) / Schreiben auf Wasser Gregory Bateson / Ökologische – Medientransformation als Wiederholung Theater. Eine performancetheoretische introduction (book) !! Performative Verfahren in Kunst, Kommunikation Wolf-Dieter Ernst / (PSi7) Body Check: How Studie Philip Auslander / Performance in a sociology (Bourdieu) Wissenschaft und Bildung (book on the P. Bourdieu (Habitus/Hexis) to perform the body in mediated Culture 09 everyday view Mediatized Culture (book) cultural studies symposium: Performance u. Lehre) Gesten u. Körperinszenierungen im without getting tired? Literature: Literature: (... continued) Literature: (... continued) Bausch & Sting / Forschungsprojekt: new subjectivism Charles R. Garoian Mittelater Diane Howard, Stan Dyer / (PSi7) The explicit body in performance (book) V. Flusser / Gesten Kate Ince / Between the Acts: Orlan, Medien und Rituale privatism debate Marie-Luise Lange / Schneisen im K.-J. Pazzini Translation, Transition, and Transformation Rebecca Schneider Erving Goffman / On Facework: Performance and Performativity (in: Philippe Dubois / Der fotographische Akt life philosophy Literature: Heuhaufen – Formen von Performance Martina Koch (Habilitation) / performative in Cyberspace Powerful Bodies (book) An Analysis of Ritual Elements in Social Powerful Bodies) !!! H. Böhme, P. Matussek / Computer als (game rules of art) Marvin Carlson / Performance – a critical Kunst (article) Pädagogik Translating into Cyberspace (PSi7) Victoria Best & Peter Collier (Ed.) Interaction (article) Tracey Warr, / The artist´s Gedächtnistheater introduction (book) !! Hubert Sowa (INFuG) / Kunstpädagogik Anja Diefenbach, Barbara Büscher, Küchenlatein – Performance – Drehbuch Lea Vergine / Body Art and Performance body (book) !!! J. Fohrmann / Textur und Performanz: Atelier van Lieshout / the good, the bad + und Praxisparadigma (article) 1989 (on Lili Fischer) The Body as Language Marcel Mauss (lecture.) / Körpertechniken Medientheorien im Vergleich Steve Dixon, Martina Leeker the ugly (catalogue book) Robert Filliou / Lehren und Lernen als Barbara Büscher / (PSi7) Cybernetic On Cooking (Performance Research) Peter Gorsen / Sexualästhetik, Grenz- Jean-Luc Nancy Stadtwerkstatt in Arbeit (catalogue book) J.L. Schröder (lecture) / Blende und Prof. Hermann Schmitz – Neue Aufführungskünste Transformation in Performance. Körper Hermann Nitsch – Leben und Arbeit formen der Sinnlichkeit im 20. Jahrh. Jürgen Schilling / Aktionskunst. Traumzeit – Performance u. Medien Erving Goffman / Stigma Phänomenologie (Differenz von Körper Eva Sturm / (article) Kunstf. Bd. 152 u. Medien, (rück)gekoppelt Danielle Spera Identität von Kunst und Leben? !! Martina Leeker / (PSi7) Performativity Stefan Brecht / Queer Theatre M. Haerder & Sumie Kawai (Ed.) / Butoh und Leib) / (book) Der Leib, der Raum Alan Read (PSi7) / Theatre and Everyday Life and Notions of Media M. Merleau Ponty (entire work) Die Rebellion des Körpers und die Gefühle Davied E.R. George W. Pfaff u.a. / Der sprechende Körper W. Reich, M. Foucault, F. Nietzsche Charlie Spencer (Ed.) / a catalog of Bonnie Marranca Martina Leeker (article) / Der Körper des Queer performance Siemke Böhnisch / Gewalt auf der Bühne M. Foucault / Der Brauch der Lüste (originally.: Schauspielers/Performers „Das Leben als Kunstwerk“) als ein Medium L.B. Clark / (PSi7) The Everyday Life of Objects extreme large page shift with scrollbar