The Ukrainian Weekly 1995, No.49
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The Features of Ukrainian Media Art in a Global Context
IJCSNS International Journal of Computer Science and Network Security, VOL.21 No.4, April 2021 229 The Features of Ukrainian Media Art in a Global Context Tamara O. Hridyayeva 1†, Volodymyr A. Kohut 1††, Maryna I. Tokar2†††, Oleg O. Stanychnov2†††† and Andrii A. Helytovych3††††† 1Lviv National Academy of Arts, Lviv, Ukraine 2Kharkiv State Academy of Design and Arts, Kharkiv, Ukraine 3 Art School n.a. O. Novakivskyi, Lviv, Ukraine Summary In the context of the growing complexity and The article seeks to explore Ukrainian media art and its features in conflictogenity of media, the self-actualization of art and a global context. In particular, it performs an in-depth analysis of creativity of both an individual artist and an individual the stages of its development from video art of the 1990s, media national art is a certain existential challenge. Modern media installations of the 2000s, and to various digital and VR culture is a space in which numerous innovative technologies today. Due to historical circumstances, the experiences rapidly emerge and new opportunities for development of media art was quite rapid, as young artists sought to gain new experience in media art. Most often, their experience creativity and advanced levels of knowledge arise. was broadened through international cooperation and studying Accordingly, considering Ukrainian media art in the context abroad. The paper analyzes the presentation of Ukrainian media of its presentation on the world art platform, it seems art outside the country during 1993-2020 and distinguishes the relevant to discuss to what extent it aligns with the global main thematic areas of the artists’ work. -
The Split Within the Poale Zion's Left Wing
Serhiy Hirik SERHIY HIRIK The Split within the Poale State Research Institution Zion’s Left Wing: Two Versions “Encyclopedia Press” of Jewish National Communism1 National University of Kyiv-Mohyla Academy [email protected] Abstract The organizations of the Jewish Social Demo- cratic Workers’ Party (Poale Zion) in Ukraine and Belarus have experienced two major splits during the revolutionary events of the 1917–1920. The first of them was a classical form of the division into a left and a right wings. In 1917, the left one was formed although it did not become a separate par- ty then. In 1919, the leaders of the Poale Zion’s right wing, who were sympathetic to the authority of the Ukrainian People’s Republic, had moved to Kamianets-Podilskyi and later to Tarnów in Poland together with the leaders of the Directorate of Ukraine. Unlike them, the representatives of the par- ty’s left wing remained on the territory controlled by the Red Army. These groups received the status of a Soviet party. Thereby their activity in Soviet Ukraine and Belarus became legal. In 1919, the second split took place. The left wing of the JSDWP(PZ) was divided into two groups both considering themselves as leftist. The first one was the Jewish Communist Party (Po- ale Zion). In 1922, it has merged with the Bolsheviks. The other group has changed its name to the Jewish Communist Workers’ Party (Poale Zion) in 1923 and operated until 1928. These two parties had major ideological distinctions. We trace them in our paper basing on archival sources and the press published by these groups, as well as the documents of the Bolshe- viks and some of Ukrainian national communist parties. -
Festival D'in(Ter)Vention Z, Audio — Performance — Vidéo — Radio Art Interzone Uébec
Document generated on 09/29/2021 6:28 a.m. Inter Art actuel Interzone Festival d’in(ter)vention 7 Number 55-56, Fall 1992, Winter 1993 URI: https://id.erudit.org/iderudit/1098ac See table of contents Publisher(s) Les Éditions Intervention Explore this journal Cite this document (1992). Interzone : festival d’in(ter)vention 7. Inter, (55-56), 105–140. Tous droits réservés © Les Éditions Intervention, 1993 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ FESTIVAL D'IN(TER)VENTION Z, AUDIO — PERFORMANCE — VIDÉO — RADIO ART INTERZONE UÉBEC EDITE U R INTERZONE Festival d'ln(ter)vention 7 INTERZONE 20 au 25 octobre 1992, Québec Production : Nathalie PERREAULT, Richard MARTEL LES ARTISTES : ALGOJO) (ALGOJO : Éric LÉTOURNEAU, Martine H. CRISPO (Québec), Collaboration : Pierre-André ARCAND (Québec), Anna BANANA (Canada), Guy DURAND, Claire GRAVEL, TimBRENNAN (Angleterre), Eugene CHADBOURNE (États-Unis), Richard MARTEL, Yvan PAGEAU, DOYON/DEMERS (Québec), Bartoloméo FERRANDO (Espagne), Sonia PELLETIER, Clive ROBERTSON, Giovanni FONTANA (Italie), Jean-Yves FRECHETTE (Québec), les artistes. Louis HACHÉ (Québec), Kirsteen JUSTESEN (Danemark), Itsvan KANTOR Monty CANTSIN AMEN (Québec), Correction et révision : Cécile BOUCHARD Benoît LACHAMBRE (Québec), Sandra LOCKWOOD (Canada), Alastair MacLENNAN (Irlande), Sandy McFADDEN (Canada), Correction de l'anglais : Otto MESZAROS (Tchécoslovaquie), Jerzy ONUCH (Canada), Mono DESGAGNÉ Ahasiw K. -
Reichskommissariat Ukraine from Wikipedia, the Free Encyclopedia
Create account Log in Article Talk Read Edit View history Reichskommissariat Ukraine From Wikipedia, the free encyclopedia During World War II, Reichskommissariat Ukraine (abbreviated as RKU), was the civilian Navigation occupation regime of much of German-occupied Ukraine (which included adjacent areas of Reichskommissariat Ukraine Main page modern Belarus and pre-war Poland). Between September 1941 and March 1944, the Reichskommissariat of Germany Contents Reichskommissariat was administered by Reichskommissar Erich Koch. The ← → Featured content administration's tasks included the pacification of the region and the exploitation, for 1941–1944 Current events German benefit, of its resources and people. Adolf Hitler issued a Führer Decree defining Random article the administration of the newly occupied Eastern territories on 17 July 1941.[1] Donate to Wikipedia Before the German invasion, Ukraine was a constituent republic of the USSR, inhabited by Ukrainians with Russian, Polish, Jewish, Belarusian, German, Roma and Crimean Tatar Interaction minorities. It was a key subject of Nazi planning for the post-war expansion of the German Flag Emblem state and civilization. Help About Wikipedia Contents Community portal 1 History Recent changes 2 Geography Contact Wikipedia 3 Administration 3.1 Political figures related with the German administration of Ukraine Toolbox 3.2 Military commanders linked with the German administration of Ukraine 3.3 Administrative divisions What links here 3.3.1 Further eastward expansion Capital Rowno (Rivne) Related changes 4 Demographics Upload file Languages German (official) 5 Security Ukrainian Special pages 6 Economic exploitation Polish · Crimean Tatar Permanent link 7 German intentions Government Civil administration Page information 8 See also Reichskommissar Data item 9 References - 1941–1944 Erich Koch Cite this page 10 Further reading Historical era World War II 11 External links - Established 1941 Print/export - Disestablished 1944 [edit] Create a book History Download as PDF Population This section requires expansion. -
Russia's Islamic Diplom
Russia's Islamic Diplom Russia's Islamic Diplomacy ed. Marlene Laruelle CAP paper no. 220, June 2019 "Islam in Russia, Russia in the Islamic World" Initiative Russia’s Islamic Diplomacy Ed. Marlene Laruelle The Initiative “Islam in Russia, Russia in the Islamic World” is generously funded by the Henry Luce Foundation Cover photo: Talgat Tadjuddin, Chief Mufti of Russia and head of the Central Muslim Spiritual Board of Russia, meeting with the Armenian Catholicos Karekin II and Mufti Ismail Berdiyev, President of the Karachay-Cherkessia Spiritual Board, Moscow, December 1, 2016. Credit : Artyom Korotayev, TASS/Alamy Live News HAGFW9. Table of Contents Chapter 1. Russia and the Organization of Islamic Cooperation: Conflicting Interactions Grigory Kosach………………………………………………………………………………………………………………………………….5 Chapter 2. Always Looming: The Russian Muslim Factor in Moscow's Relations with Gulf Arab States Mark N. Katz………………………………………………………………………………………………………………………………….. 2 1 Chapter 3. Russia and the Islamic Worlds: The Case of Shia Islam Clément Therme ………………………………………………………………………………………………………………………... 25 Chapter 4. A Kadyrovization of Russian Foreign Policy in the Middle East: Autocrats in Track II Diplomacy and Other Humanitarian Activities Jean-Francois Ratelle……………………………………………………………………………………………………………………….3 1 Chapter 5. Tatarstan's Paradiplomacy with the Islamic World Guzel Yusupova……………………………………………………………………………………………………………………………….3 7 Chapter 6. Russian Islamic Religious Authorities and Their Activities at the Regional, National, and International Levels Denis Sokolov………………………………………………………………………………………………………………………………….. 41 Chapter 7. The Economics of the Hajj: The Case of Tatarstan Azat Akhunov…………………………………………………………………………………………………………………………………..4 7 Chapter 8. The Effect of the Pilgrimage to Mecca on the Socio-Political Views of Muslims in Russia’s North Caucasus Mikhail Alexseev…………………………………………………………………………………………………………………………….. 5 3 Authors’ Biographies……………………………………………………………………………………………………………….5 9 @ 2019 Central Asia Program Chapter 1. -
INTERMARUM: History, Policy, Culture. – Issue 7. ISSN 2518-7694 (Print) ISSN 2518-7708 (Online)
INTERMARUM: history, policy, culture. – Issue 7. ISSN 2518-7694 (Print) ISSN 2518-7708 (Online) UDC 94(477)″1917/1921:323 DOI 10.33287/112002 Kondratiuk Dmytro, Postgraduate Student at the Department of History of Ukraine (Zhytomyr Ivan Franko State University) [email protected] ORCID ID: https://orcid.org/0000-0001-5380-393X FORMATION AND ACTIVITIES OF LOCAL AUTHORITIES IN UKRAINE IN 1917‒1921: HISTORIOGRAPHICAL OVERVIEW Abstract The aim of the work is to analyze the range of scientific works on the problem of formation and activities of local authorities in Ukraine in 1917–1921 in domestic and foreign historiography. Research methodology. The methodology is based on the basic principles of historical knowledge. We have been able to research the scientific literature from the time of creation of local authorities in the years of the Ukrainian Revolution to the present, thanks to the principles of comprehensiveness and systematic approach, in particular. Using a specific search method, we have formed a scientific literature on the subject for analyzing to address the goals and objectives of the article. Using the typological and problem and chronological method, we have made a chronological and thematic classification of the existing historiographic base. The method of comparativism allowed us to compare the views of different researchers and to clarify the content of specific works on the problem under study. Scientific novelty. For the first time, a comprehensive review of available research has been conducted to highlight the specifics and trends of the creation and functioning of the local authorities in the era of the Ukrainian Revolution. Summarizing the disparate and fragmentary data, it was possible to determine the conceptual vision of the problem under study in the current historiography. -
The Promotion of Art and Culture in Central Eastern Europe 1St CEI
The Promotion of Art and Culture in Central Eastern Europe 1st CEI VENICE FORUM Venice, 9-10 June 2003 Main Lecture Hall, Academy of Fine Art of Venice, Dorsoduro 1050 Monday 9 June 2003: 3pm-6pm Tuesday 10 June 2003: 9.30am-1pm and 2.30pm-6pm Programme Monday 9 June 2003 Main Hall of the Academy of Fine Arts of Venice Session starts at 3pm, Working language: english 15.00 - 15.15 Registration (outdoor desk, Academy of Fine Arts courtyard) INTRODUCTION 15.15 - 16.00 Welcome speech by: -Prof. Riccardo Rabagliati - Director of Academy of Fine Arts -Amb. Harald Kreid - Director General of CEI Executive Secretariat -Dr. Enrico Tantucci - Chief Editor Trieste Contemporanea magazine SESSION 1: Assessing the role of networks & networking in the promotion of contemporary art and culture 16. 00 - 17.45 Open Debate with focus presentations on relevant experiences Sub-sections/guidelines: -Defining network e networking -Current practices in international networkorking and cooperation I_CAN, Jerzy Onuch (Director, CCA Founadtion Kiev, Ukraine) -Coproduction: available models and tools Mucsarnok, Julia Fabenyi (Director, Mucsarnok, Budapest, Hungary) -Funding opportunities and curatorial independence Report on Belarus, Inna Reut (I-Gallery, Minsk; Belarus) 17.45 - 18.00 Closing remarks for day 1 -Summary of debate -Agenda for following day -Registration of participants to Session 2 - Working Group -Info and details for the evening 20.00 Meeting in Campo San Maurizio for dinner Restaurant: DA MARIO, San Marco 2614 Tel 041 5285968 Tuesday 10 June 2003 -
Pci Brch Winter 2014 Pr
350 350 FIFTH SUITE 4621 AVENUE, WWW.POLISHCULTURE-NYC.ORG NEW 10118 YORK, NY POLISH CULTURAL INSTITUTE NEW YORK wi Nter/spriNg/2014 pci-NY wiNter / spriNg 2014 FiLM 2-9 fiLM seasoN 2014 art 10-17 PAWEŁ aLtHaMer at tHe New MuseuM Music 18-23 UNsouND FestiVaL New YorK 2014 32-35 GENeratioN '70 Literature & HuMaNities 24-29 ADaM MicHNiK at peN worLD Voices 30-31 BooKeXpo aMerica 2014 aBout us 36 PoLisH cuLturaL iNstitute New YorK LOGO FINAL C=0, M=100, Y=100, K=0 and black k=100 Pantone chip 73-1 letter from the director We ring in 2014 celebrating the success of Poland's democratic transformation, with the belief that our accomplishments thus far may inspire our neighbors and friends whom we join in solidarity, as the world joined us in solidarity, when we took our first steps toward building an open democratic society. In times of remarkably dynamic technological, political, and social change, culture and art mark the horizon that allows us to imagine a future that is both new and anchored in history. The Polish Cultural Institute New York will not remain on the sidelines, but will take up this change, inviting our followers to join us in a series of particularly interesting events for the first half of the year. The beginning of the season unveils the extraordinary presence of Polish cinema on the programs of several important New York institutions. We open in January at the New York Jewish Film Festival with director Paweł Pawlikowski’s Gdynia Film Festival winner, Ida, a work that surprised us all with its way of revealing the personal experience of the heroine who is saved from the Holocaust. -
Ukraine, L9l8-21 and Spain, 1936-39: a Comparison of Armed Anarchist Struggles in Europe
Bucknell University Bucknell Digital Commons Honors Theses Student Theses Fall 2020 Ukraine, l9l8-21 and Spain, 1936-39: A Comparison of Armed Anarchist Struggles in Europe Daniel A. Collins Bucknell University, [email protected] Follow this and additional works at: https://digitalcommons.bucknell.edu/honors_theses Part of the European History Commons Recommended Citation Collins, Daniel A., "Ukraine, l9l8-21 and Spain, 1936-39: A Comparison of Armed Anarchist Struggles in Europe" (2020). Honors Theses. 553. https://digitalcommons.bucknell.edu/honors_theses/553 This Honors Thesis is brought to you for free and open access by the Student Theses at Bucknell Digital Commons. It has been accepted for inclusion in Honors Theses by an authorized administrator of Bucknell Digital Commons. For more information, please contact [email protected]. Ukraine, 1918-21 and Spain, 1936-39: A Comparison of Armed Anarchist Struggles in Europe by Daniel A. Collins An Honors Thesis Submitted to the Honors Council For Honors in History 12/7/2020 Approved by: Adviser:_____________________________ David Del Testa Second Evaluator: _____________________ Mehmet Dosemeci iii Acknowledgements Above all others I want to thank Professor David Del Testa. From my first oddly specific question about the Austro-Hungarians on the Italian front in my first week of undergraduate, to here, three and a half years later, Professor Del Testa has been involved in all of the work I am proud of. From lectures in Coleman Hall to the Somme battlefield, Professor Del Testa has guided me on my journey to explore World War I and the Interwar Period, which rapidly became my topics of choice. -
National Narrative in Ukrainian Historical Novels from Post-Stalinist
National Narrative in Ukrainian Historical Novels from Post-Stalinist to Post-Independence Texts by Anna Carr, B.A., M.A. (National University of “Kyiv-Mohyla Academy”). A PhD thesis submitted to the Department of International Studies, Macquarie University, Sydney. November, 2015 2 Contents Acknowledgements ................................................................................................................................. 5 Summary .................................................................................................................................................. 6 Introduction ............................................................................................................................................. 8 Chapter 1. Literature Review. Contextualising the National Narrative ................................................. 13 1.1. On the Definition of the National Narrative .......................................................................... 13 1.2. Post-Colonialism and Ukrainian National Narrative ............................................................. 17 1.3. What National Narrative Is Not ............................................................................................. 20 1.3.1. National Narrative Is Not a Myth .................................................................................. 21 1.3.2. National Narrative: Between History and Memory ....................................................... 36 1.4. Conclusion ............................................................................................................................ -
Performance Art Context R
Literature: Literature: (...continued) Literature: Literature: Literature: (... continued) Literature: Literature: (... continued) Literature: Kunstf. Bd.137 / Atlas der Künstlerreisen Literature: (...continued) Literature: (... continued) Richard Kostelnatz / The Theater of Crossings (catalogue) E. Jappe / Performance Ritual Prozeß Walking through society (yearbook) ! Judith Butler !! / Bodies That Matter Victoria Best & Peter Collier (Ed.) / article: Kultur als Handlung Kunstf. Bd.136 / Ästhetik des Reisens Butoh – Die Rebellion des Körpers PERFORMANCE ART CONTEXT R. Shusterman / Kunst leben – Die Ästhetik Mixed Means. An Introduction to Zeitspielräume. Performance Musik On Ritual (Performance Research) Eugenio Barber (anthropological view) Performative Acts and Gender Constitution Powerful Bodies – Performance in French Gertrude Koch Zeit – Die vierte Dimension in der (Kazuo Ohno, Carlotta Ikeda, Tatsumi des Pragmatismus Happenings, Kinetic Environments ... ! Ästhetik / Daniel Charles Richard Schechner / Future of Ritual Camille Camillieri (athropolog. view; (article 1988!) / Judith Butler Cultural Studies !! Mieke Bal (lecture) / Performance and Mary Ann Doane / Film and the bildenden Kunst Hijikata, Min Tanaka, Anzu Furukawa, Performative Approaches in Art and Science Using the Example of "Performance Art" R. Koberg / Die Kunst des Gehens Mitsutaka Ishi, Testuro Tamura, Musical Performance (book) Stan Godlovitch Kunstforum Bd. 34 / Plastik als important for Patrice Pavis) Performativity and Performance (book) ! Geoffrey Leech / Principles -
Download 2000 7A*11D Poster (PDF)
International Festival of Performance Art 2000 October 25 to November 5 Festival Hotline 416.822.3219 Strangeways Clive Robertson (Kingston) SU-EN Butoh Co. (Sweden) Vida Simon (Montreal) Steve Venright (Toronto) BODY+BLOOD, PICTURE+SOUND <<Videodrome>> Stefanie Marshall (Toronto) Ingrid Z (Toronto) Ben Patterson (US/Germany) Stephen Rife (USA) Prognosis Miss Barbra Fisçh (Toronto) James Luna [Luiseño] Shawan Johnston (Toronto) Mischelle Kasprzak (Toronto) Flicker, Skip, Moan Mike Stevenson (Toronto) Lisa Deanne Smith (Toronto) Jubal Brown (Toronto) Karma Clarke Davis (Toronto) Performances Zöe Stonyk (Toronto) Sylvain Breton (Toronto) Lance McLean (Toronto) Public Spaces / Private Places presented by FADO John Porter (Toronto) otiose (UK) Leena Raudvee (Toronto) Jerzy Onuch (Poland/Ukraine) Pam Patterson (Toronto) Tagny Duff (Vancouver) Christine Carson (Toronto) Master Class 5 Jessica Lertvilai (Toronto) And Terril Calder (Toronto) Jill Orr (Australia) Will Kwan (Toronto) S. Higgins (Toronto) October 25 October 27 Festival Kick Off 8 pm James Lunas (Luiseño) $10 YYZ American Indian Study’s 8 pm 401 Richmond St. W. Workman Theatre, 1001 Queen St.W. book launch for Live at the End of the Century performance by otiose YYZ gallery opening. October 28 Artist Talk:James Luna 2 pm Innis College Town Hall,2 Sussex Ave. October 26 & 27 Jill Orr(Australia) Presence 8 pm Pam Patterson/ John Porter (Toronto) LeenaRaudvee (Toronto) Remember Rings 9:30 pm Passing 1 to 4 pm Art System,327 Spadina Ave. 401 Richmond St.W. Main Hallway October 26 October 30 Steve Venright (Toronto) Jerzy Onuch (Poland/Ukraine) T.V.I.Reality Check Between Us 7:30 pm for an update on current location and SU-EN Butoh Co.