The Inventory of the Richard Roud Collection #1117
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The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. Notes on the Organization of the Collection: The Richard Roud Collection has been divided by material format (e.g. manuscript, photographs, etc.). Within these divisions the collection is divided into subject categories. A few notes on this system of organization are in order: 1) Naturally, many items in the collection could be legitimately placed in more than one of the listed categories. In such cases, items were placed in files on an individual before they were placed in a file on an organization or on a more general category. For example, a promotion for a Godard film which was featured in the N. Y. Film Festival was generally be placed under "Godard" rather than "N.Y. Film Fest" or "Misc. Film Promotions." 2) In cases where RR appeared to have used non-manuscript items in the production of one of his books, those items have been placed with the relevant manuscripts under the heading "Research." 3) All correspondence has been organized chronologically rather than by topic. A list of notable correspondents and the dates of their letters has been included. Cross-references were added where they seemed to be useful. List of Abbreviations: b/w = black and white c.s. = computer script 1 , == corrections /{o. = holograph /fuimeo = fuimeograph . ·/ misc.=• m1sce• 11.. aneous p/c = photocopy t.s. = typescript Outline of the Inventory Page# I. MANUSCRIPTS 5 A. ANTONIONI,MICHELANGELO 5 B. BERLIN FILM FESTIVAL 5-6 C. BERTOLUCCI, BERTOLUCCI 6 D. BRESSON, ROBERT 6-7 E. CANNES FILM FE8TTV AL 7 F. CINEMA: A CRITICAL DICTIONARY 7-9 G. CINEMA, MISC. 9 H. DECADESNEVERSTARTONTIME 9 I. FASSBINDER, R. W. 9 J. FILM PESTS, MISC. 9-11 K. FILM NOTES, MISC. 11-12 L. GODARD, JEAN-LUC 12-13 M. LOSEY, JOSEPH 13-14 N. MUSEUM EXHIBITS and (non-film) VISUAL ARTS 14 0. NATIONAL FILM THEATRE 14-16 P. NEW YORK FILM FESTIVAL 16-18 Q. A PASSION FOR FILMS 18-19 R. RESNAIS, ALAIN 19 s. ROUD, MANUSCRIPTS ON 19 T. ROUD, MISCELLANEOUS PERSONAL AND FINANCIAL 19-20 U. THEATER 20-24 V. TRUFFAUT, FRANCOIS BIOGRAPHY 24-25 W. MISC. MANUSCRIPTS II. CORRESPONDENCE 25 A. n.d., unknown last name 25 B. n.d. 25 C. 1946-1970 25 D. 1971-1976 25 R. 1977-1979 25 F. 1980-1983 25 G. 1984-1986 25 H. 1987-1989 2 25 I. n.d.-1987 (oversized) 26-32 LTST OF NOTABLE CORRESPONDENTS III. PHOTOGRAPHS 32 A. BERNHARDT, CURTIS 32 B. BERTOLUCCI, BERNARDO 32 C. BRESSON, ROBERT 32 D. DIETRICH, MARLENE 32 E. FASSBINDER, R. W. 32 F. FEUILLADE, LOUIS 33 G. LOSEY, JOSEPH 33 H. MOMA French Film Retrospective 33-36 T. NEW YORK FTLM FESTTV AL 36 K. PASOLINI 36-39 L. MOVIE STILLS (ENGLISH LANGUAGE), MISC. 39-45 M. MOVIE STILLS (FOREIGN LANGUAGE), MISC 45 N. MOVIE STILLS, UNIDENTIFIED 45 0. NEGATIVES, MISC. 45 P. NON-MOVIE PHOTOS 45-46 Q. ROUD AND OTHERS 46 R. STJDES IV. PRINTED MATTER 46-47 A. ANTONIONI, MICHELANGELO 47-48 B. BERLIN FILM FESTIVAL 48 C. BERNARDO, BERTOLUCCI 48-49 D. BRESSON, ROBERT 49 E. BRTTANNTCA BOOK OF THE YEAR 49-52 F. CANNES FILM FESTIVAL 52 G. CTNRMA: A CRTTTCAL DTCTTONARY 52-53 H. CINEMA, FRENCH MISC. ARTICLES 53 I. CINEMA, ITALIAN MISC. ARTICLES 53-55 J. CINEMA, MISC. 55-56 K. CINEMATHEQUE FRAN<;AIS (post-Langlois) 56-57 L. FASSBINDER, R. W. 57-58 M. FIT ,M FESTS MTSC. 58 N. FILM PROMOTIONAL MATERIAL 58-59 0. GODARD, JEAN-LUC 59 P. LONDON FILM FESTIVAL 59-60 Q. LOSEY, JOSEPH 60 R. MOMA 60-61 S. MUSEUM EXHIBITS and (non-film) VISUAL ARTS 61-62 T. NATIONAL FILM THEATER 62-63 U. NEW YORK FTLM FESTTV AL 63-64 V. OPHULS, MAX 3 64 w. PASOLINI, P. P. 64 X. A PASSTON FOR FILM 64-65 Y. RESNAIS, ALAIN 65 z. ROUD, RICHARD, MISC. ARTICLES ON 65-66 AA. THEATER and CONCERTS 66 BB. MTSCELLANROUS PRTNTED MATTER V. SCRIPTS 66 A. BERTLUCCI, BERNARDO 66 B. BRESSON, ROBERT 66 C. GANCE,ABEL 66-67 D. GODARD, JEAN-LUC 67 E. KUROSAWA, AKIRA 67 F. MALLE, LOUIS 67 G. MELVILLE, JEAN-PIERRE 67 H. PASOLINI, P. P. 67 I. RESNAIS, ALAIN 67 J. ROHMER, ERIC 67 K. MTSCET J ,ANROUS VI. SCRAPBOOKS 67-69 A-.T. GUARDTAN CLTPPTNGS 1963-1988 VII. AUDIONISUAL 69-70 A. A1JDTO CASSETTE TAPES VIII. PERSONAL MEMORABILIA 70-71 A. AWARDS AND PERSONAL MEMORABILIA 71 B. SCHOOL PAPERS 71 C. MTSC. PAPERS 4 I. MANUSCRIPTS A ANTONIONI. MICHELANGELO 1. By RR Box 1 F. 1 a. Script for "People to Watch!" segment of television program "The Cinema Today" on MA by RR, Feb. 7, 1962, t.s. p/c with holo. notes, 7 p. b. 5 drafts and 2 partial drafts of "People to Watch! Antonioni," Jan.-Feb. 1962, t.s. and carbon t.s. with holo. corr., 28 p. C. Draft of an article on Antonioni (for ''People to Watch! Antonioni"?), t.s. with holo. corr., 9 p. d. Draft of an article, "Five Films," Sight and Sound, carbon t.s. with holo. corr., 8 p. e. Article draft of "More on Antonioni," c. 1980, carbon t.s. with holo. corr., 4 p. f. Notes on Antonioni films, n.d., t.s., 1 p. g. Notes on "L'Eclisse" (1962), t.s., 2 p. B. BERLIN FILM FESTIVAL 1. By RR F.2 a. Draft of article on the 1979 Berlin Film Fest, carbon t.s. with holo. notes, 2 p. b. Article on the 1983 Berlin Film Fest, telex, 2 p. c. Article on the 1983 Berlin Film Fest, telex, 2 p. d. Draft of an article on the 1988 Berlin Film Fest, c.s. with holo corr. p/c, 4 p. e. Draft of article on Berlin Film Fest, n.d., fax copy with holo. corr., 2 p. f. Article on Berlin Film Fest for The Guardian, n.d., telex, 1 p. C. BERTOLUCCI, Serna.v-,-ki 1. By RR F. 3 a. Notes on "The Partner" (1968), t.s. with holo. notes, 4 p. b. Notes on "The Spider's Stratagem" (1970), t.s. with holo. notes, 3 p. c. Notes on "The Conformist" (1970), t.s. with holo. notes and t.s., 7 p. d. Draft of an article on "1900" (1976) and a partial draft of another one, c. 1976, carbon t.s. with holo. corr., 8 p. e. Draft of an article on "La Tragedia di un uomo Ridocolo," c. 1982, t.s. with holo. notes, 2 p. f. Miscellaneous notes onBB's work, holo., 13 p. F.4 g. 3 drafts of an interview with BB, c. 1968-1970, c.s. with holo. corr. and mimeo t.s., 69 p. h. 2 drafts of an interview with BB c. 1975, t.s., 22 p. 1. 2 drafts of a BB interview, c. 1973-1975, t. s., 14 p. 5 Box 1 (cont.) J. 4 drafts of an interview with BB c. 1979, t.s. and mimeo t.s. with holo. notes, 65 p. k. Misc. interview transcript pages, t.s., 8 p. 1. Draft of article on Bertolucci, t.s. with holo. corr., 11 p. m. Notes on Bertolucci as well as Pasolini and Godard, t.s., 1 p. D. BRESSON, ROBERT 1. ByRR F. 5 a. Notes on: 1) "Un Condamne a Mort s'est Echappe" (1956), t.s., 1 p. 2) "Pickpocket" (1959), t.s. with holo. notes, 1 p. 3) Cannes and RB, c. 1962, t.s., 2 p. 4) "Quatre Nuits d'unReveur" (1971), t.s., 1 p 5) "Pickpocket" (1959), c. 1975, t.s., 2 p. 6) "Les Dames de Bois de Boulogne" (1945), t.s., 1 p. 7) "Au Hazard Balthazar," t.s., 4 p. 8) "Le Diable Probablement;' c. 1977, t.s., 2 p. b. Draft of article on the Berlin Film Fest esp. Bresson's "Le Diable Probablement," c. 1977, t.s. with holo. corr., 3 p. c. Misc. notes on RB, t.s. and holo. notes, 12 p. 2.