DOCSLIB.ORG

Feature Films

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Feature Films FEATURE FILMS NEW BERLINALE 2016 GENERATION CANNES 2016 OFFICIAL SELECTION MISS IMPOSSIBLE SPECIAL MENTION CHOUF by Karim Dridi SPECIAL SCREENING by Emilie Deleuze TIFF KIDS 2016 With: Sofian Khammes, Foued Nabba, Oussama Abdul Aal With: Léna Magnien, Patricia Mazuy, Philippe Duquesne, Catherine Hiegel, Alex Lutz Chouf: It means “look” in Arabic but it is also the name of the watchmen in the drug cartels of Marseille. Sofiane is 20. A brilliant Some would say Aurore lives a boring life. But when you are a 13 year- student, he comes back to spend his holiday in the Marseille ghetto old girl, and just like her have an uncompromising way of looking where he was born. His brother, a dealer, gets shot before his eyes. at boys, school, family or friends, life takes on the appearance of a Sofiane gives up on his studies and gets involved in the drug network, merry psychodrama. Especially with a new French teacher, the threat ready to avenge him. He quickly rises to the top and becomes the of being sent to boarding school, repeatedly falling in love and the boss’s right hand. Trapped by the system, Sofiane is dragged into a crazy idea of going on stage with a band... spiral of violence... AGAT FILMS & CIE / FRANCE / 90’ / HD / 2016 TESSALIT PRODUCTIONS - MIRAK FILMS / FRANCE / 106’ / HD / 2016 VENICE FILM FESTIVAL 2016 - LOCARNO 2016 HOME by Fien Troch ORIZZONTI - BEST DIRECTOR AWARD THE FALSE SECRETS OFFICIAL SELECTION TIFF PLATFORM 2016 by Luc Bondy With: Sebastian Van Dun, Mistral Guidotti, Loic Batog, Lena Sukjkerbuijk, Karlijn Sileghem With: Isabelle Huppert, Louis Garrel, Bulle Ogier, Yves Jacques Dorante, a penniless young man, takes on the position of steward at 17-year-old Kevin, sentenced for violent behavior, is just let out the house of Araminte, an attractive widow whom he secretly loves. of prison. To start anew, he moves in with his aunt and her family. Dorante’s former valet Dubois also works there and is planning a scheme Quickly he adapts to his new home and gets along well with his to make Araminte fall in love with Dorante. cousin Sammy, in his last year of highschool. Through Sammy and his friends, Kevin meets John. Upon discovering John’s unbearable situation with his mother, Kevin feels the urge to help his new friend. One evening fate intervenes and questions of betrayal, trust and loyalty start to direct their daily lives more then ever. IDÉALE AUDIENCE - ARTE FRANCE - ODÉON - THÉÂTRE DE L’EUROPE - PRIME TIME - VERSUS PRODUCTION / BELGIUM / 103’ / HD / 2016 MAHA PRODUCTIONS / FRANCE / 87’ / HD / 2016 TALLINN BLACK NAMUR 2016 PARIS LA BLANCHE by Lidia Terki NIGHTS FILM UPSTREAM by Marion Hänsel OFFICIAL SELECTION FESTIVAL 2016 With: Tassadit Mandi, Zahir Bouzerar, Karole Rocher FIRST FEATURES With: Sergi Lopez, Olivier Gourmet, John Lynch COMPETITION On board a little tub of a boat, Homer and Joé, both in their fifties, At the age of 70, Rekia decides to leave her village in Kabylie, to go to sail a river up to waterfalls in Croatia. Until the recent death of their Paris. All by herself, she travels across the Mediterranean sea to bring father, they did not know about each other’s existence. Yet, they are half Nour, her husband, back home. From the port of Algiers to the streets brothers. Sean, an enigmatic Irish adventurer, joins them. Upstream is of Pigalle, with nothing more than a hotel address on a piece of paper a psychological adventure where these modest and solitary men will and with the help of new, unlikely friends, she finally finds Nour in the reveal some of their secrets, their hopes and where blood ties, whether suburbs. But her hero, the war veteran, the one that has been providing they like it or not, will unite them. for his family from abroad for the past 40 years, has become a stranger. MAN’S FILMS PRODUCTIONS - SNG FILM - KINORAMA DAY FOR NIGHT PRODUCTIONS / FRANCE / 83’ / HD / 2016 BELGIUM - THE NETHERLANDS - CROATIA / HD / 2016 FEATURE FILMS LIBRARY AUDIENCE AWARD AND EUROPA KOKORO by Vanja d’Alcantara AS I OPEN MY EYES CINEMA LABEL - VENICE DAYS 2015 by Leyla Bouzid BEST FICTION FILM - DUBAI FF 2015 With: Isabelle Carré, Jun Kunimura, Niels Schneider LUX PRIZE 2016 After her brother Nathan dies, Alice leaves for Japan and finds refuge With: Baya Medhaffar, Ghalia Ben Ali in a small village by the cliffs. Nathan said he had found peace there, Tunis, summer 2010, a few months before the Revolution: Farah, 18 thanks to a man called Daisuke. As she follows her brother’s footsteps, years-old, has just graduated and her family already sees her as a in this strange place, both hostile and welcoming, it is her own story future doctor. But she doesn’t think the same way. She sings in a that she will discover. political rock band. She has a passion for life, gets drunk, discovers love and her city by night against the will of her mother Hayet, who knows Tunisia and its dangers too well. NEED PRODUCTIONS - BLUE MONDAY PRODUCTIONS - ACPAV - BLUE MONDAY PRODUCTIONS - PROPAGANDA PRODUCTIONS - PRODUCTIONS AVENIDA / BELGIUM - FRANCE - CANADA / 92’ / HD / 2016 HELICOTRONC / FRANCE - TUNISIA - BELGIUM - UAE / HD / 2015 HEATWAVE by Raphaël Jacoulot BEST ACTOR & MURDER IN PACOT by Raoul Peck TIFF 2014 AUDIENCE AWARD BERLINALE 2015 TORINO 2015 PANORAMA SPECIAL With: Jean-Pierre Darroussin, Grégory Gadebois With: Alex Descas, Ayo, Thibault Vinçon As temperatures soar in a summer heatwave, daily life in an outwardly After the terrible January 2010 earthquake in Port-au-Prince, an quiet French hamlet is disrupted by Josef Bousou, the son of a family intellectual bourgeois couple struggles to reinvent a life amid the of scrap merchants. The villagers single him out as a troublemaker, rubbles of their luxurious home. Needing money to survive, they the source of all their problems. One day, Josef is found lying dead decide to rent the remaining habitable part of the villa to foreign relief in his family’s yard... worker. He brings with him in the house an ambitious Haitian girl of modest background. Now the couple, strained by the loss of their social TS PRODUCTIONS - VERSUS PRODUCTION position, their ideals and their dreams must face this toxic intrusion. FRANCE - BELGIUM / 102’ / HD / 2015 VELVET FILM - FIGUIER PRODUCTION - APE & BJØRN / HAITI - FRANCE - NORWAY / 130’ / HD / 2014 SPECIAL MENTION OF THE PHANTOM BOY MELODY ECUMENICAL JURY / BEST by Alain Gagnol & Jean-Loup Felicioli by Bernard Bellefroid ACTRESSES - MONTREAL 2014 AUDIENCE AWARD - NAMUR 2014 Leo, an 11-year-old boy from New York, is a phantom boy: he With: Rachael Blake, Lucie Debay can become invisible and fly through walls. He befriends Alex, a police officer temporarily stuck in a wheelchair. Alex was hurt by a In order to get the money she needs to realize her dream, 28-year-old mysterious gangster threatening the city with a dangerous computer Melody accepts to carry the child of Emily, a rich English woman. To virus. Together they form an extraordinary duo, with Leo in the air and make sure everything goes well, Emily decides to welcome Melody Alex on the ground. into her home throughout the pregnancy. The bonds that emerge during this maternity create all sorts of doubts and questions. ARTÉMIS PRODUCTIONS - SAMSA FILM - LIAISON CINÉMATOGRAPHIQUE - FOLIMAGE - LUNANIME / FRANCE - BELGIUM / 84’ / 2015 / ANIMATION .MILLE ET UNE. FILMS / BELGIUM - LUXEMBOURG - FRANCE / 94’ / HD / 2014 FEATURE FILMS LIBRARY AUDIENCE AWARD FIPRESCI PRIZE VIOLETTE by Martin Provost CINEMANIA 2013 THE MINISTER UN CERTAIN REGARD - CANNES 2011 TIFF 2013 by Pierre Schoeller BEST SCREENPLAY - BEST SUPPORTING With: Emmanuelle Devos, Sandrine Kiberlain, Olivier Gourmet ACTOR - CÉSAR 2012 Born out of wedlock early in the last century, impoverished and With: Olivier Gourmet, Michel Blanc, Zabou Breitman, Laurent Stocker unloved Violette Leduc meets Simone de Beauvoir in post war Saint-Germain-des-Prés. An intense lifelong relationship develops The Minister for Transport, Bertrand Saint-Jean, is woken in the between the two women authors, based on Violette’s quest for middle of the night by his personal private secretary. A bus has freedom through writing and on Simone’s conviction that she holds crashed into a ravine. He goes there, he has no choice. Thus begins in her hands the destiny of an extraordinary writer. the odyssey of a State official through an increasingly complex and hostile world. TS PRODUCTIONS - FRANCE 3 CINEMA - CLIMAX FILMS ARCHIPEL 35 - LES FILMS DU FLEUVE - FRANCE 3 CINÉMA FRANCE - BELGIUM / 139’ / HD / 2013 FRANCE - BELGIUM / 112’ / 35 MM & HD / 2011 BERTHE MORISOT by Caroline Champetier THE LAW by Christian Faure With: Marine Delterme, Alice Butaud, Malik Zidi With: Emmanuelle Devos, Lorant Deutsch, Flore Bonaventura Paris 1865. Berthe Morisot, a young painter, discovers at the exhibit Fall 1974, French President Valéry Giscard d’Estaing puts his Health hall, Manet’s Olympia. A sulphurous portrait of a woman embracing Minister, Simone Veil, in charge of a daunting task: to carry the her body and her sexuality. A meeting with Edouard Manet quickly abortion law. During three days, she will defend her text before follows this artistic choc. A charmer, in love with women, Manet takes parliamentarians with exemplary tenacity. Diane, a young journalist, an interest to this young artist apprentice whose face inspires him... makes it the subject of her first investigation, and discovers over her explorations a considerable changing of the women’s social status. K’IEN PRODUCTIONS / FRANCE / 95’ / HD / 2012 K’IEN PRODUCTIONS / FRANCE / 90’ / HD / 2015 JUST LIKE A WOMAN by Rachid Bouchareb THE EXTERMINATING ANGELS by Jean-Claude Brisseau With: Sienna Miller, Golshifteh Farahani, Roschdy Zem With: Frederick Van Den Driessche, Maroussia Dubreuil Marylin and Mona travel across the United States.
Load more

Recommended publications
  • Download Press Notes
    Strand Releasing presents CECILE DE FRANCE - PATRICK BRUEL - LUDIVINE SAGNIER JULIE DEPARDIEU - MATHIEU AMALRIC A SECRET A FILM BY CLAUDE MILLER Based on the Philippe Grimbert novel "Un Secret" (Grasset & Fasquelle), English translation : "Memory, A Novel" (Simon and Schuster) Winner : 2008 César Award for Julie Depardieu (Best Actress in a Supporting Role) Grand Prix des Amériques, 2007 Montreal World Film Festival In French with English subtitles 35mm/1.85/Color/Dolby DTS/110 min NY/National Press Contact: LA/National Press Contact: Sophie Gluck / Sylvia Savadjian Michael Berlin / Marcus Hu Sophie Gluck & Associates Strand Releasing phone: 212.595.2432 phone: 310.836.7500 [email protected] [email protected] [email protected] [email protected] Please download photos from our website: www.strandreleasing.com/pressroom/pressroom.asp 2 CAST Tania Cécile DE FRANCE Maxime Patrick BRUEL Hannah Ludivine SAGNIER Louise Julie DEPARDIEU 37-year-old François Mathieu AMALRIC Esther Nathalie BOUTEFEU Georges Yves VERHOEVEN Commander Beraud Yves JACQUES Joseph Sam GARBARSKI 7-year-old Simon Orlando NICOLETTI 7-year-old François Valentin VIGOURT 14-year-old François Quentin DUBUIS Robert Robert PLAGNOL Hannah's mother Myriam FUKS Hannah's father Michel ISRAEL Rebecca Justine JOUXTEL Paul Timothée LAISSARD Mathilde Annie SAVARIN Sly pupil Arthur MAZET Serge Klarsfeld Eric GODON Smuggler Philippe GRIMBERT 2 3 CREW Directed by Claude MILLER Screenplay, adaptation, dialogues by Claude MILLER and Natalie CARTER Based on the Philippe
    [Show full text]
  • List of Cesar Nominations 2016
    List of 2016 César nominations! ! ! ! BEST! FILM! Dheepan, directed by Jacques Audiard! Fatima, directed by Philippe Faucon! La Loi Du Marché, directed by Stéphane Brizé! Marguerite, directed by Xavier Giannoli! Mon Roi, directed by Maiwenn! Mustang, directed by Deniz Gamze Erguven! La Tête Haute, directed by Emmanuelle Bercot! !Trois Souvenirs De Ma Jeunesse, directed by Arnaud Desplechin! ! ! BEST FIRST FILM! L’Affaire SK1, directed by Frédéric Tellier! Les Cowboys, directed by Thomas Bidegain! Mustang, directed by Deniz Gamze Erguven! Ni Le Ciel Ni La Terre, Clément Cogitore! !Nous Trois Ou Rien, directed by Kheiron! ! ! BEST DIRECTOR! Jacques Audiard, Dheepan! Stéphane Brizé, La Loi Du Marché! Xavier Giannoli, Marguerite! Deniz Gamze Ergüven, Mustang! Emmanuelle Bercot, La Tête Haute! Arnaud Desplechin, Trois Souvenirs De Ma Jeunesse! !Maïwenn, Moi Roi! ! ! BEST ACTOR! Jean-Pierre Bacri, La Vie Très Privée De Monsieur Sim! Vincent Cassell, Mon Roi! François Damiens, Les Cowboys! Gérard Depardieu, Valley Of Love! Antonythasan Jesuthasan, Dheepan! Vincent Lindon, La Loi Du Marché! !Fabrice Luchini, L’Hermine! ! ! ! BEST ACTRESS! Loubna Abidar, Much Loved! Emmanuelle Bercot, Mon Roi! Cécile de France, La Belle Saison! Catherine Deneuve, La Tête Haute! Catherine Frot, Marguerite! Isabelle Huppert, Valley Of Love! !Soria Zeroual, Fatima! ! BEST SUPPORTING ACTOR! Michel Fau, Marguerite! Louis Garrel, Mon Roi! Benoit Magimel, La Tête Haute! André Marcon, Marguerite! !Vincent Rottiers, Dheepan! ! ! BEST SUPPORTING ACTRESS! Sara Forestier,
    [Show full text]
  • Download Catalogue
    LIBRARY "Something like Diaz’s equivalent "Emotionally and visually powerful" of Jean-Luc Godard’s Alphaville" THE HALT ANG HUPA 2019 | PHILIPPINES | SCI-FI | 278 MIN. DIRECTOR LAV DIAZ CAST PIOLO PASCUAL JOEL LAMANGAN SHAINA MAGDAYAO Manilla, 2034. As a result of massive volcanic eruptions in the Celebes Sea in 2031, Southeast Asia has literally been in the dark for the last three years, zero sunlight. Madmen control countries, communities, enclaves and new bubble cities. Cataclysmic epidemics ravage the continent. Millions have died and millions more have left. "A dreamy, dreary love story packaged "A professional, polished as a murder mystery" but overly cautious directorial debut" SUMMER OF CHANGSHA LIU YU TIAN 2019 | CHINA | CRIME | 120 MIN. DIRECTOR ZU FENG China, nowadays, in the city of Changsha. A Bin is a police detective. During the investigation of a bizarre murder case, he meets Li Xue, a surgeon. As they get to know each other, A Bin happens to be more and more attracted to this mysterious woman, while both are struggling with their own love stories and sins. Could a love affair help them find redemption? ROMULUS & ROMULUS: THE FIRST KING IL PRIMO RE 2019 | ITALY, BELGIUM | EPIC ACTION | 116 MIN. DIRECTOR MATTEO ROVERE CAST ALESSANDRO BORGHI ALESSIO LAPICE FABRIZIO RONGIONE Romulus and Remus are 18-year-old shepherds twin brothers living in peace near the Tiber river. Convinced that he is bigger than gods’ will, Remus believes he is meant to become king of the city he and his brother will found. But their tragic destiny is already written… This incredible journey will lead these two brothers to creating one of the greatest empires the world has ever seen, Rome.
    [Show full text]
  • The Cutting Edge of French Cinema
    BACKWASH: THE CUTTING EDGE OF FRENCH CINEMA J’IRAI AU PARADIS CAR L’ENFER EST ICI , Xavier Durringer ( France, 1997 ) MA 6T VA CRACK-ER , Jean-Francois Richet ( France, 1997 ) LE PETIT VOLEUR , Érick Zonca ( France, 1998 ) L’HUMANITÉ , Bruno Dumont ( France, 1999 ) POLA X , Leos Carax ( France, 1999 ) RESSOURCES HUMAINES (Human Resources), Laurent Cantet ( France, 1999 ) À MA SOEUR! , Catherine Breillat ( France-Italy, 2000 ) PARIA , Nicolas Klotz ( France, 2000 ) SAINT-CYR , Patricia Mazuy ( France-Belgium, 2000 ) SELON MATTHIEU , Xavier Beauvois ( France, 2000 ) SOUS LE SABLE , François Ozon ( France-Belgium-Italy-Japan, 2000 ) ÊTRE ET AVOIR , Nicolas Philibert ( France, 2001 ) IRRÉVERSIBLE (Irreversible), Gaspar Noé ( France, 2001 ) LA CHATTE À DEUX TÊTES , Jacques Nolot ( France, 2001 ) LA VIE NOUVELLE , Philippe Grandrieux ( France, 2001 ) LE PACTE DES LOUPS , Christophe Gans ( France, 2001 ) LE STADE DE WIMBLEDON , Mathieu Amalric ( France, 2001 ) ROBERTO SUCCO , Cédric Kahn ( France-Switzerland, 2001 ) TROUBLE EVERY DAY , Claire Denis ( France-Japan, 2001 ) DANS MA PEAU , Marina De Van ( France, 2002 ) UN HOMME, UN VRAI , Jean-Marie Larrieu, Arnaud Larrieu ( France, 2002 ) CLEAN , Olivier Assayas ( France-UK-Canada, 2003 ) INNOCENCE , Lucile Hadzihalilovic ( France-UK-Belgium, 2003 ) L’ESQUIVE , Abdellatif Kechiche ( France, 2003 ) LE CONVOYEUR , Nicolas Boukhrief ( France, 2003 ) LES CORPS IMPATIENTS , Xavier Giannoli ( France, 2003 ) ROIS ET REINE , Arnaud Desplechin ( France-Belgium, 2003 ) TIRESIA , Bertrand Bonello ( France, 2003 ) DE BATTRE MON COEUR S’EST ARRÊTÉ (The Beat That My Heart Skipped), Jacques Audiard ( France, 2004 ) LES REVENANTS , Robin Campillo ( France, 2004 ) LES ANGES EXTERMINATEURS , Jean-Claude Brisseau ( France, 2005 ) VOICI VENU LE TEMPS , Alain Guiraudie ( France, 2005 ) À L’INTERIEUR , Alexandre Bustillo, Julien Maury ( France, 2006 ) AVIDA , Benoît Delépine, Gustave Kervern ( France, 2006 ) LES CHANSONS D’AMOUR , Christophe Honoré ( France, 2006 ) 24 MESURES , Jalil Lespert ( France-Canada, 2007 ) L’HISTOIRE DE RICHARD O.
    [Show full text]
  • The Inventory of the Richard Roud Collection #1117
    The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills.
    [Show full text]
  • MY KING (MON ROI) a Film by Maïwenn
    LES PRODUCTIONS DU TRESOR PRESENTS MY KING (MON ROI) A film by Maïwenn “Bercot is heartbreaking, and Cassel has never been better… it’s clear that Maïwenn has something to say — and a clear, strong style with which to express it.” – Peter Debruge, Variety France / 2015 / Drama, Romance / French 125 min / 2.40:1 / Stereo and 5.1 Surround Sound Opens in New York on August 12 at Lincoln Plaza Cinemas Opens in Los Angeles on August 26 at Laemmle Royal New York Press Contacts: Ryan Werner | Cinetic | (212) 204-7951 | [email protected] Emilie Spiegel | Cinetic | (646) 230-6847 | [email protected] Los Angeles Press Contact: Sasha Berman | Shotwell Media | (310) 450-5571 | [email protected] Film Movement Contacts: Genevieve Villaflor | PR & Promotion | (212) 941-7744 x215 | [email protected] Clemence Taillandier | Theatrical | (212) 941-7744 x301 | [email protected] SYNOPSIS Tony (Emmanuelle Bercot) is admitted to a rehabilitation center after a serious ski accident. Dependent on the medical staff and pain relievers, she takes time to look back on the turbulent ten-year relationship she experienced with Georgio (Vincent Cassel). Why did they love each other? Who is this man whom she loved so deeply? How did she allow herself to submit to this suffocating and destructive passion? For Tony, a difficult process of healing is in front of her, physical work which may finally set her free. LOGLINE Acclaimed auteur Maïwenn’s magnum opus about the real and metaphysical pain endured by a woman (Emmanuelle Bercot) who struggles to leave a destructive co-dependent relationship with a charming, yet extremely self-centered lothario (Vincent Cassel).
    [Show full text]
  • Cultural Heritage
    N°62/March 2018 EPFMA BULLETIN European Parliament Former Members Association www.formermembers.eu Cultural Heritage FMA Activities FMA Activities EP to Campus Co-operation with Programme the EUI Page 22 Page 28 2 FMA BULLETIN - 62 IN THIS ISSUE 03 Message from the President FOCUS LATEST NEWS 04 EP at work 14 European culture 31 New members viewed through the ages CURRENT AFFAIRS (Pedro Canavarro) 32 Activities In memoriam 05 1948: Start of the 15 The economic value of 33 European Constitutional Cycle cultural heritage (Manuel Porto) (Andrea Manzella) 16 The humble rural architecture 06 Democratic conventions´ of Greece (Nikolaos Sifounakis) (Nicole Fontaine) 17 Unesco (Brigitte Langenhagen) 07 United in diversity 18 Cultural property in the event (Jean-Marie Beaupuy) of armed conflict (Monica Baldi) 08 The point of view of a Former 19 Lux Film Prize (Doris Pack) Member (Ursula Braun-Moser) 09 Every five minutes... (Karin Junker) FMA ACTIVITIES A ceremony took place on 24 January 2018 at the European 10 AMAR Programme 21 Democracy Support Parliament to mark the upcoming (Emma Baroness Nicholson of International Holocaust Winterbourne) 22 EP to Campus Programme Remembrance Day on 27 January 11 Observation mission in 28 Co-operation with the EUI in memory of the victims of the Holocaust. Catalonia (Jan Dhaene) 30 FMA Annual Seminar 12 The French Federation of Cover:©iStock Houses of Europe (Martine Buron) CALL FOR CONTRIBUTIONS: The Editorial Board would like to thank all those members who took the time to contribute to this issue of the FMA Bulletin. We would like to draw your attention to the fact that the decision to include an article lies with the FMA Editorial Board and, in principle, contributions from members who are not up-to-date with the payment of the membership fee will not be included.
    [Show full text]
  • Here Was Obviously No Way to Imagine the Event Taking Place Anywhere Else
    New theatre, new dates, new profile, new partners: WELCOME TO THE 23rd AND REVAMPED VERSION OF COLCOA! COLCOA’s first edition took place in April 1997, eight Finally, the high profile and exclusive 23rd program, years after the DGA theaters were inaugurated. For 22 including North American and U.S Premieres of films years we have had the privilege to premiere French from the recent Cannes and Venice Film Festivals, is films in the most prestigious theater complex in proof that COLCOA has become a major event for Hollywood. professionals in France and in Hollywood. When the Directors Guild of America (co-creator This year, our schedule has been improved in order to of COLCOA with the MPA, La Sacem and the WGA see more films during the day and have more choices West) decided to upgrade both sound and projection between different films offered in our three theatres. As systems in their main theater last year, the FACF board an example, evening screenings in the Renoir theater made the logical decision to postpone the event from will start earlier and give you the opportunity to attend April to September. The DGA building has become part screenings in other theatres after 10:00 p.m. of the festival’s DNA and there was obviously no way to imagine the event taking place anywhere else. All our popular series are back (Film Noir Series, French NeWave 2.0, After 10, World Cinema, documentaries Today, your patience is fully rewarded. First, you will and classics, Focus on a filmmaker and on a composer, rediscover your favorite festival in a very unique and TV series) as well as our educational program, exclusive way: You will be the very first audience to supported by ELMA and offered to 3,000 high school enjoy the most optimal theatrical viewing experience in students.
    [Show full text]
  • The Beauty of the Real: What Hollywood Can
    The Beauty of the Real The Beauty of the Real What Hollywood Can Learn from Contemporary French Actresses Mick LaSalle s ta n f or d ge n e r a l b o o k s An Imprint of Stanford University Press Stanford, California Stanford University Press Stanford, California © 2012 by Mick LaSalle. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or in any information storage or retrieval system without the prior written permission of Stanford University Press. Printed in the United States of America on acid-free, archival-quality paper Library of Congress Cataloging-in-Publication Data LaSalle, Mick, author. The beauty of the real : what Hollywood can learn from contemporary French actresses / Mick LaSalle. pages cm Includes bibliographical references and index. ISBN 978-0-8047-6854-2 (cloth : alk. paper) 1. Motion picture actors and actresses--France. 2. Actresses--France. 3. Women in motion pictures. 4. Motion pictures, French--United States. I. Title. PN1998.2.L376 2012 791.43'65220944--dc23 2011049156 Designed by Bruce Lundquist Typeset at Stanford University Press in 10.5/15 Bell MT For my mother, for Joanne, for Amy and for Leba Hertz. Great women. Contents Introduction: Two Myths 1 1 Teen Rebellion 11 2 The Young Woman Alone: Isabelle Huppert, Isabelle Adjani, and Nathalie Baye 23 3 Juliette Binoche, Emmanuelle Béart, and the Temptations of Vanity 37 4 The Shame of Valeria Bruni Tedeschi 49 5 Sandrine Kiberlain 61 6 Sandrine
    [Show full text]
  • Filmographie Films De Fiction | Documentaires | Webdocumentaires
    filmographie films de fiction | documentaires | webdocumentaires *Les films présentés sont classés par ordre chronologique. La guerre d’Algérie STORA Benjamin | Imaginaires de guerre : les images dans les guerres d’Algérie et du Viêt-nam Paris : La Découverte, 2004, 266 p. (Essais ; 174) [10F 791.436 58 TO] Au travers de l’anayse des images produites par les cinémas français et américains sur les guerres d’Al- gérie et du Vietnam, Benjamin Stora décrit la construction de l’imaginaire de guerre dans ces deux pays. - Présentation éditeur Films de fiction Le Petit soldat de Jean-Luc Godard France, 1960, 1h24. Avec Michel Subor, Anna Karina, Henri-Jacques Huet [CIN 791.43 GOD] Dans son premier film politique qui s’implante au coeur de la guerre d’Algérie, en 1958, Jean-Luc Godard ra- conte le cauchemar de Bruno Forestier, petit tueur à la solde de l’OAS, qui, tout à coup et sans raison appa- rente, hésite à honorer un contrat. Ses amis le soupçonnent alors de mener un double jeu, et pour le tester, lui ordonnent d’assassiner un journaliste… - Présentation Universal Studio Canal Video Le Petit Soldat est interdit pour trois ans. « Les paroles prêtées à une protagoniste du film et par lesquelles l’action de la France en Algérie est présentée comme dépourvue d’idéal, alors que la cause de la rébellion est défendue et exaltée, constituent à elles seules, dans les circonstances actuelles, un motif d’interdiction », estime Louis Terrenoire, ministre de l’Information. Jean Luc Godard parle de son film «Le Petit soldat» Cinéastes de notre temps, 15/07/1965, 06min02s (Archives Ina) http://www.ina.fr/art-et-culture/cinema/video/I05049323/jean-luc-godard-parle-de-son-film-le-petit-soldat.fr.html Le combat dans l’île d’Alain Cavalier France, 1961, 1h44.
    [Show full text]
  • Où Va France 2 ?
    Sophie Bramly La fondatrice du site Secondsexe.com, dédié au plaisir féminin, produit une collection de courts métrages pour 1 Canal+. Portrait. PAGE 4 Mesrine A l’occasion de la sortie en salles de « L’Instinct de mort », TV&Radio retour sur le parcours Du lundi 20 octobre de l’ex-ennemi public n˚1. PAGE 23 au dimanche 26 octobre Où va France 2 ? Dirty Sexy Money Casting prestigieux pour cette série américaine politiquement incorrecte qui débarque sur Canal+. PAGE 19 L’expédition RTL La station lance une série de grands reportages sur l’état de la planète. Première Audience destination : l’Alaska. PAGE 35 en baisse et nouveaux magazines bâclés, la chaîne vit une rentrée délicate. PAGES 2 ET 3 Dessin de Sylvie Serprix ; Michel Monteaux pour « Le Monde » ; La Petite Reine ; ABC ; RTL. - CAHIER DU « MONDE » DATÉ DIMANCHE 19 - LUNDI 20 OCTOBRE 2008, Nº 19823. NE PEUT ÊTRE VENDU SÉPARÉMENT - 2 Le Monde Dimanche 19 - Lundi 20 octobre 2008 DOSSIER Une prérentrée tumultueuse pour France 2 Bousculée par la suppression de la publicité après 20 heures annoncée pour le 5 janvier 2009, la chaîne amiral de France Télévisions a enregistré en septembre sa plus faible audience. Tandis que la plupart des nouveaux magazines, mis à l’antenne dans la précipitation, n’ont pas convaincu le public RANCE 2 «à la Courbet en remplacement de Lau- 31 octobre. Au-delà, Patrice Duha- peine ». « Vendredi rent Ruquier pour animer la case mel, parle de « changements noir » pour France 2. de l’avant-« JT» ? « Service maxi- lourds » pour une émission « qui « Dérapage » dans le mum », le magazine de consom- n’a pas tenu ses promesses ».
    [Show full text]
  • A Film by André Téchiné
    ARP Sélection presents GOLDEN YEARS a film by André Téchiné France / 2017 / 103’ / 1:85 / 5.1 / French INTERNATIONAL PUBLICITY International Press WOLF Consultants T: +49 157 7474 9724 (in Cannes) M: +33 7 60 21 57 76 [email protected] DOWNLOAD PRESS MATERIALS at: www.wolf-con.com/download International Sales Celluloid Dreams 2 rue Turgot - 75009 Paris T +33 1 49 70 03 70 www.celluloid-dreams.com The true love story of Paul and Louise who get married on the eve of WWI. Injured, Paul deserts. Louise decides to hide him dressed as a woman. He soon becomes “Suzanne” a Parisian celebrity in the Roaring 20’s. When granted amnesty, he is challenged to live as a man again. A Dream Come True for Historians by Fabrice Virgili and Danièle Voldman While doing some scholarly work at the Paris police archives, we stumbled across the extraor- dinary story of Paul and Louise, two young people who fell in love in early twentieth-century Paris. When war was declared in July 1914, Paul was mobilized and sent to the front. What then followed was, to say the least, a baroque adventure that could not help but interest André Téchiné, who in 1976 directed the intriguing Barocco. The couple found separation difficult, and Paul could not take the fighting, horror and carnage. Wounded, he deserted and escaped back to Louise. And thus began their ‘golden’ years, escaping the military authorities who were hunting down failed patriots. Paul the deserter disguised himself as a woman and, for ten years, until a general amnesty was declared, Paul became Suzanne and lived as a flapper with Louise.
    [Show full text]