Mark Kermode Funders

Total Page:16

File Type:pdf, Size:1020Kb

Mark Kermode Funders 13TH BRISTOL INTERNATIONAL SHORT FILM FESTIVAL WEDNESDAy 21 – SUNDAY 25 NOVEMBER 2007 WATERSHED UK BOX OFFICE +44 (0) 117 927 5100 WWW.ENCOUNTERS-FESTIVAL.ORG.UK “THE PLACE TO DISCOVER NEW Talent” MARK KERMODE FUNDERS PRINCIPAL SPONSORS PARTNERS CONTENTS Welcome Competition Screenings Introduction 3 South West Showcase 38 – 39 Information 7 International Panorama 1 40 – 41 Calendar 8 – 9 International Panorama 2 42 International Panorama 3 43 Delegates Information International Panorama 4 44 Delegates Information 12 International Panorama 5 45 Added Attractions 13 International Panorama 6 46 Film School: The Producers Story 14 International Panorama 7 47 Animation Industry Day 15 Best of British 1 48 – 49 Best of British 2 50 Special Events & Awards Best of British 3 51 Opening Highlights 21 Emerging Talent 1 52 – 53 Persepolis Feature Preview 22 Emerging Talent 2 54 – 55 Where’s The Bunny Ronnie? 23 Children’s Jury Award 56 – 57 4:30 23 Animate Award 58 – 59 Desert Island Flicks 24 Late Lounge 60 – 61 Kodak Cinematography Masterclass 24 DepicT! Showcase 62 – 63 BAFTA Short Film Paradise 25 Special Events 26 Guest Screenings Events for Kids 27 Super-8 Cities 68 – 69 Awards 28 – 29 Singapore Showcase 70 – 71 Juries 30 – 31 BBC Three New Film Makers Award 72 – 73 Canon of UK Short Film 74 – 75 Out of Control: Freeform Filmmaking 76 – 77 NAHEMI Student Shorts 78 – 79 UK Film Council’s Digital Generation 80 – 81 Canada Calling 82 Cinema Extreme 83 Shorts from Sweden 84 The Audi Channel Reel Talent Award 85 B3 Showcase 86 BBC New Music Shorts 87 Animate Commissions 88 Short Matters!1 89 Short Matters!2 90 Information Film Index 92 Film Contacts 93 – 96 Acknowledgements & Thanks 100 1 GBRICK FP ENCOUNTER AD 9.06_3 7/9/06 11:33 am Page 1 DISCOVER GOLDBRICK HOUSE EAT IN THE CAFÉ/BAR OR RESTAURANT DRINK IN THE CHAMPAGNE & COCKTAIL BAR, LIBRARY OR STUDY café/bar . champagne & cocktail bar . restaurant . terrace . private rooms 69 Park Street, Cabot, Bristol, BS1 5PB www.goldbrickhouse.co.uk Phone 0117 945 1950 [email protected] WELCOME WELCOME PROGRAMME INTRODUCTION A very warm welcome to Bristol and to this, the The selection process is a roller coaster of emotions 13th edition of the Encounters Short Film Festival. stirred up not only by the range of work I go through but by the knowledge that I simply will not be able to fit everything Our purpose is to encourage and applaud existing and in. The breadth of short films this year is inspiring. emerging talent from wherever it may come and this year that means we are offering a unique mix of outstanding Some thoughts and observations: The Brazilians are shorts from all genres and from every corner of the globe. reinventing surrealism, What gives in Germany? their shorts are as strong and individual as their feature films. To say we were spoilt for choice in making the final That Egyptian film was so moving yet funny and economic. selection is an understatement. This year, our Polish director Anna Kazejak is one of the most talented competitions attracted over 1,750 entries - the highest filmmakers around. Simon Ellis’ new film is up there with total in the festival’s history - and came from a record 66 Michael Haneke’s Hidden. British men are delving deep countries. We can only screen a selection but we believe into the male psyche, British women are telling tough but our choices to be the absolute cream of the crop. ultimately optimistic stories. Other elements of the festival are equally international Feel free to contribute your own thoughts during and varied, with guest screenings from Asia, Europe and the festival. North America; a Film School explaining the international Art of Producing; many exciting high profile speakers Mark Cosgrove, Creative Director and guests, and what promises to be a very lively and engaging look at animation training, and the different approaches used by leading schools in the UK and further afield. Many people have worked long and hard to create Encounters 2007 and my sincere thanks go to all of the festival team, our volunteers and to everyone who gives support, particularly the funders, partners and sponsors. Without them, Encounters simply couldn’t happen. So, please, do come down to Bristol’s waterfront, soak PRE-FESTIVAL EVENT up the atmosphere and energy that surrounds short film and make the most of your chance to be part of this ENCOUNTERS PRESENTS... exciting celebration! HAPPY BIRTHDAY MORPH! WITH PETER LORD & PHILL JUPITUS Sue Lion, Managing Director Sun 18 Nov 14.00 hrs Cinema 1 90 mins Price £8 /£6.50 conc Happy Birthday Morph! Morph is 30 years old this year! See his creator Peter Lord in conversation with Morph fan and comedian Phill Jupitus, and discover the story of one of children’s television best loved animated characters. On stage chat with plenty of extracts of Morph and the wonderful world of Aardman Animations. Morph of course ‘talked’ with the irrepressible Tony Hart and had endless adventures in his art studio. A unique opportunity for young audiences and nostalgic adults to find out the true story ofM orph. 3 #SJTUPM$JUZ$FOUSF )BZNBSLFU 5IF)BZNBSLFU 5IJTSPPNGSPN POMZ BOJHIU $MFBOBOEDPNGPSUBCMFSPPNT &OTVJUFCBUISPPNXJUICBUIBOETIPXFS 3FNPUFDPOUSPM57 'BNJMZSPPNTBOEDPUTPOSFRVFTU IPVSSFDFQUJPO TPUIFSFµTBMXBZTTPNFPOFPOIBOEUPIFMQ (SFBUWBMVFRVBMJUZSFTUBVSBOUBOECBS FJUIFSXJUIJOUIFIPUFMPSSJHIUOFYUEPPS CPPLBUQSFNJFSJOODPNPSDBMM 2VPUF´'JMNµXIFOCPPLJOHUPCFFOUFSFEJOUPBQSJ[FESBX GPSBXFFLFOEBXBZGPSUXP ## 8FFLFOESPPNSBUFRVPUFE 'SJ4VO .JEXFFLSPPNSBUFJT .PO5IVST LMS256 Bristol Haymarket Ad 120x1 1 20/8/07 18:55:04 GET SUPPORT GET CONNECTED GET NOTICED Join the network that’s helping to put Bristol’s creative and media industries at the vibrant heart of the city’s fastest growing economic sector. The meeting point for ideas and enterprise. advertising | animation | design | digital | fi lm | games | mobile | photography | post-production | music | television www.bristolmedia.co.uk Bristol Media is the trading name of the Bristol Media Group Community Interest Company, registered at Companies House as company number 6124865. Registered offi ce: Bristol Media, c/o South West Screen, St Bartholomew’s Court, Lewin’s Mead, Bristol BS1 5PB. BM_Encounters_AD-1.indd 1 11/9/07 17:08:37 T: 0117 917 2300 / 01 E: [email protected] 16 NARROW QUAY BRISTOL BS1 4QA WWW.ARNOLFINI.ORG.UK WHYWOULDYOUSTAYINAHOTEL WHENYOUCOULDBEINYOUROWNAPARTMENT bags more space • your own fully tted kitchen • separate living and sleeping areas studio, 1 and 2 bed options • weekly housekeeping • stay from 1 night to 1 year full broadband access • stylish & contemporary furnishings stay for one night or even a whole year! SPACIOUSAPARTMENTS INTHEHEARTOF"RISTOL FROMxPERNIGHT CALL OR WWWSACOAPARTMENTSCOUK INFORMATION GENERAL INFORMATION BOOKING INFORMATION Venues Individual events & screenings Encounters 2007 takes place at the Watershed and Arnolfini (see map for locations). All events and screenings must be booked through Watershed Tickets £6 (£4.50 concs) unless otherwise stated Box Office. Box Office +44 (0) 117 927 5100 Ticket Prices Watershed, 1 Canon’s Road, Harbourside, Bristol BS1 5TX All events and film programmes cost £6 full / £4.50 concessions, www.watershed.co.uk unless otherwise indicated. All film programmes are Certified 15, unless otherwise stated. Tickets on sale through Watershed Box Office. Opening hours: Mon to Fri from 9am, Sat & Sun from 10am Event Start Times Times listed are the actual START TIMES of programmes. Programme Festival Passes running times listed are for the duration of the actual film programmes, most programmes also include a short introduction and sometimes a To register as a delegate, enrol for the Film School filmmaker Q&A. or Animation Talent Symposium Disabled Visitors Book online at WWW.ENCOUNTERS-FESTIVAL.ORG.UK Disabled visitors access and facilities are available at both venues. Please call venue box offices for further details. Network Delegate Price: £50 Full / £35 Concs Further Information Valid: Wed 21 – Sun 25 Nov Please see www.encounters-festival.org.uk for the full festival Benefits: Special Events for Delegates (Wed 21 - Sat 24 Nov) programme and to join our mailing list for regular updates from UK Film Council Party (Fri 23 Nov) & Closing Night Party (Sat 24 Nov) our E Bulletin. Use of Delegates Facilities throughout the festival. Staying in Bristol Film School: The Art of Producing Delegate The preferred festival hotel is the Premier Inn, The Haymarket, Bristol. Price: £ 60 To book, call +44 (0) 870 238 3307 or visit www.premierinn.com. Valid: Wed 21 Nov Please quote ‘Film’ when booking to be entered into a prize draw Benefits:T ickets to Film School Sessions. for a free two night stay in Bristol on a future date. Use of Delegates Facilities on the day. Rates: Monday -Thursday £65.00 / Friday–Sunday £54.00 Room Only Animation Talent Symposium Delegate For details of other accommodation, see www.visitbristol.co.uk or contact Bristol Tourist Information Centre on 0845 408 0474 (calls from Price: £75 Full / £45 Students & Independents the UK) or +44 870 444 0654 (calls from overseas). Valid: Thu 22 Nov Benefits: Emerging Talent 1 & 2* Keynote Address Map Symposium Discussion Wrap Drinks Reception Use of Delegates Facilities on the day. Film School & Animation Talent Symposium Delegates who wish to extend their passes to include Network Delegate accreditation can book this at the concessionary rate. *Tickets for events which are free to delegates and tickets for events which are free for all, are offered
Recommended publications
  • Filmmaker Bios, 2008
    FILMMAKER BIOS, 2008 Aneel Ahmad, Boot Polish Aneel Ahmad was born and raised from a working class family within the poverty- stricken, inner city suburbs of Manchester, Longsight, England. He has no formal training or any academic qualifications and is completely self-taught. His role models are the (late) Stanley Kubrick, Sir David Lean, Satyajit Ray and documentary filmmaker Peter Watkins. In 2003 Aneel made his first short film with North West Vision, A Man's World, as part of the Lottery-funded Virgin Shorts scheme. In 2004, Aneel progressed to the UK Film Council, Digital Shorts scheme and made his second film in association with North West Vision, Waiting for Sunrise. Aneel Ahmad's film won the UNICEF UK AWARD at Sheffield in 2005. It was short- listed for one of the film world's most distinguished awards - the Grierson Awards for documentary. Aneel has also won critical acclaim and praise for his work from some of the top industry professionals and directors such as Ridley Scott, Mike Leigh and Quentin Tarantino. Aneel's third film Boot Polish was shot in Lahore, Pakistan and has just been selected by the British Council for Film & Arts to be screened worldwide in 2007. Aneel is currently developing two British feature films and another short film to be shot in the UK in 2007/08. Chris Ahrens, D.O.P.E. (Death or Prison Eventually) Chris Ahrens, director, remembers seeing Bruce Logan bomb Black Hill at 40 miles per hour in the mid- 1970s and watched the rise and fall of world-champion skateboarders over the years.
    [Show full text]
  • Pr-Dvd-Holdings-As-Of-September-18
    CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
    [Show full text]
  • Breathtaking Stories of Extreme Filming. Read the Full Story on Page 6
    The newspaper for BBC pensioners - with highlights from Ariel Heights, Camera, Action Breathtaking stories of extreme filming. Read the full story on page 6. June 2011 • Issue 4 Yes, Prime Lord Patten Minister back takes the helm Sounds better? on stage Page 2 Page 7 Page 12 NEWS • LifE aftEr auNtiE • CLaSSifiEdS • Your LEttErS • obituariES • CroSPEro 02 uPdatE froM thE bbC Patten takes helm at BBC Trust On 3 May, Lord Patten began his appointment as chairman of the BBC Trust – with an interesting first day spent taking questions from staff in a ringmain session. Quality First) should be all about and I hope we’ll be able to discuss options with the Executive during the summer.’ 2011 pay offer It is also apparent that the new chairman is ready and willing to deal with the – an update repercussions of the less popular decisions to be taken, and those which will not always Further to requests by the unions for all be accepted gladly by the licence fee payer. staff in bands 2-11 to be awarded a pay ‘I hope we won’t be talking about closing increase which is ‘substantially above services but, whatever we are talking about inflation’, the BBC has offered a 2% doing, if the Trust and the Executive are increase – which falls far short of the agreed it is the best way of using the money Retail Prices Index (RPI) figures on which then we have to stand by the consequences. If it is intended to be based (5.2% as at that involves answering thousands of emails, April 2011).
    [Show full text]
  • BFI CELEBRATES BRITISH FILM at CANNES British Entry for Cannes 2011 Official Competition We’Ve Got to Talk About Kevin Dir
    London May 10 2011: For immediate release BFI CELEBRATES BRITISH FILM AT CANNES British entry for Cannes 2011 Official Competition We’ve Got to Talk About Kevin dir. Lynne Ramsay UK Film Centre supports delegates with packed events programme 320 British films for sale in the market A Clockwork Orange in Cannes Classics The UK film industry comes to Cannes celebrating the selection of Lynne Ramsay’s We Need to Talk About Kevin for the official competition line-up at this year’s festival, Duane Hopkins’s short film, Cigarette at Night, in the Directors’ Fortnight and the restoration of Stanley Kubrick’s A Clockwork Orange, restored by Warner Bros; in Cannes Classics. Lynne Ramsay’s We Need To Talk About Kevin starring Tilda Swinton was co-funded by the UK Film Council, whose film funding activities have now transferred to the BFI. Duane Hopkins is a director who was supported by the UK Film Council with his short Love Me and Leave Me Alone and his first feature Better Things. Actor Malcolm McDowell will be present for the screening of A Clockwork Orange. ITV Studios’ restoration of A Night to Remember will be screened in the Cinema on the Beach, complete with deckchairs. British acting talent will be seen in many films across the festival including Carey Mulligan in competition film Drive, and Tom Hiddleston & Michael Sheen in Woody Allen's opening night Midnight in Paris The UK Film Centre offers a unique range of opportunities for film professionals, with events that include Tilda Swinton, Lynne Ramsay and Luc Roeg discussing We Need to Talk About Kevin, The King’s Speech producers Iain Canning and Gareth Unwin discussing the secrets of the film’s success, BBC Film’s Christine Langan In the Spotlight and directors Nicolas Winding Refn and Shekhar Kapur in conversation.
    [Show full text]
  • Blade Runner: the Final Cut Review – a Timeless Sci-Fi Classic | Film | the Guardian 22/01/2018 15:48
    Blade Runner: The Final Cut review – a timeless sci-fi classic | Film | The Guardian 22/01/2018 15:48 Blade Runner: The Final Cut review 6 a Mark Kermode, Observertimeless film sci:fi classic critic RidleySun 5 Apr 2015 Scott’s 07.59 1982BST masterpiece, back on the big screen in this definitive version, is an overwhelming experience ’ve seen things you people wouldn’t believe…” When making the 2000 documentary On the Edge of Blade Runner, I asked Rutger Hauer why he thought Harrison Ford was so reluctant to talk about what is now considered a timeless sci-fi classic. “He’s such a dumb character,” Hauer replied “I mischievously of Ford’s android-hunter Deckard. “He gets a gun put to his head and then he fucks a dish-washer!” Ford, with his Star Wars cachet, was Blade Runner’s top-line draw, but it’s Hauer’s movie all the way, his shimmering “replicant” providing the tonal touchstone for Ridley Scott’s severally reworked masterpiece. The Dutch actor even contributed his own infinitely quotable couplet to the film’s epochal “tears in rain” scene, a moment as iconic as Casablanca’s “Here’s looking at you, kid”. As for Deckard, the stooge who falls for Sean https://www.theguardian.com/film/2015/apr/05/blade-runner-final-cut-timeless-sci-fi-classic-review Page 1 of 2 Blade Runner: The Final Cut review – a timeless sci-fi classic | Film | The Guardian 22/01/2018 15:48 Young’s artificial charms in rain-drenched 2019 LA, Scott had his own way of explaining Ford’s robotic performance, a unicorn-themed conceit drawn not from Philip K Dick’s source but born out of a simple miscommunication between screenwriters Hampton Fancher and David Peoples.
    [Show full text]
  • Final Website Delegate List 2017
    Delegate List Updated 27th August 2017 First Name Surname Company Lucy Acfield Guinness World Records Sara Acworth Zeamu Music Patrick Adam The Eggleys Lindsey Adams Daily Madness Productions Rick Adams Rick Adams Productions Folake Adigun Nickelodeon Ivan Agenjo Peekaboo Animation Metsamarja Aittokoski Sun In the Eye Productions Lisa Akhurst DNA Creative Ltd waed al ghabra Sheffield Hallam University Madawi Alahmad University of Sheffield Margret Albers Association for the Promotion of German Milly Ali Timeline Television Shazia Ali Mint Research Ltd Foz Allan Bryncoed Productions Ltd Jo Allen CBBC Ollie Alsop Serious Lunch/Eye Present Vanessa Amberleigh CBeebies Val Ames Kindle Entertainment Xiaomei An The University of Sheffiled Steven Andrew Zodiak Kids Nicola Andrews Keshet International UK Ltd Chris Andrews CA Dev Valentina Andries University of Edinburgh Tom Angell Tom Angell Ltd Laura Annis Blue Zoo Productions Laverne Antrobus Tavistock and Portman NHS Trust Rhodri ap Dyfrig S4C Will Appiah Digital Shoguns Thomas Archibald BT Ben Armstrong BBC Finn Arnesen Hasbro Studios Helen Arntsen Blue Zoo Keith Arrowsmith The Children's Media Conference Nihal Arthanayake BBC Abhi Arya Sandbox Corrina Askin Corrina Askin Films Leigh Aspin BBC Sarah Aspinall Virgin Media Martin Athanasiou I'm Hungry Studios Isabella Atkin Volunteer Tessa Atkins Small Fry Animation Lucy Atkinson BBC Jonathan Attenborough Lost My Name Ros Attille BBC Ami Aubrey The Children's Media Conference Jake Aubrey-Bentley Freelance Lauren Auty Finger Industries Tristan
    [Show full text]
  • Downloadable Text (Finkelstein and Mccleery 2006, 1)
    A Book History Study of Michael Radford’s Filmic Production William Shakespeare’s The Merchant of Venice A thesis submitted in fulfilment of the requirements for the degree of MASTER OF ARTS of RHODES UNIVERSITY by BRYONY ROSE HUMPHRIES GREEN March 2008 ABSTRACT Falling within the ambit of the Department of English Literature but with interdisciplinary scope and method, the research undertaken in this thesis examines Michael Radford’s 2004 film production William Shakespeare’s The Merchant of Venice using the Book History approach to textual study. Previously applied almost exclusively to the study of books, Book History examines the text in terms of both its medium and its content, bringing together bibliographical, literary and historical approaches to the study of books within one theoretical paradigm. My research extends this interdisciplinary approach into the filmic medium by using a modified version of Robert Darnton’s “communication circuit” to examine the process of transmission of this Shakespearean film adaptation from creation to reception. The research is not intended as a complete Book History study and even less as a comprehensive investigation of William Shakespeare’s The Merchant of Venice . Rather, it uses a Shakespearean case study to bring together the two previously discrete fields of Book History and filmic investigation. Drawing on film studies, literary concepts, cultural and media studies, modern management theory as well as reception theories and with the use of both quantitative and qualitative data, I show Book History to be an eminently useful and constructive approach to the study of film. ii ACKNOWLEDGEMENTS I want to thank the Mandela Rhodes Foundation for the funding that allowed me to undertake a Master’s degree.
    [Show full text]
  • The Uses of Animation 1
    The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator.
    [Show full text]
  • And More Comfortably Through the Real World
    ENCOUNTER 02 / 2016 The Audi Technology Magazine Technology Audi The The Audi Technology Magazine Cyberway in 3D The HERE map database moves cars even more safely and more comfortably through the real world. 02 / 2016 AND NOW Quba Libre → Page 14 Modern Talking → Page 24 Time of My Drive → Page 32 Electric Avenue → Page 50 Widespread Effect → Page 60 HERE and Now → Page 64 The Perfect Wave → Page 72 Fully Tensed → Page 82 SIMple → Page 90 Tech News → Page 92 Mission to the Moon → Page 100 ENCOUNTER Needle in the Red → Page 116 Hands On → Page 128 Flight Club → Page 134 ENCOUNTER 02 / 2016 The Audi Technology Magazine Encounter online – The magazine on the web Experience the topics and videos from this edition of Encounter online, the Audi Communications website. There are also plenty of other stories from the fields of technology, brand and environment. Thanks to responsive web design, Encounter online runs on all devices, regardless of the technology platform. audi-encounter.com Encounter – The magazine subscription Serveral times a year, Encounter presents fascinating stories from Audi’s world of technology. You can subscribe to Encounter Magazine – completely free-of-charge and with no obligation. Simply send an e-mail with your address to: [email protected] EDITORIAL Dear reader, In the age of globalization and digitalization, the auto- On the pages that follow, you can read motive industry is facing a seismic shift. As a premium about the innovations with which we are turning our manufacturer, we have the corporate and social respon- automobiles into “best companions” for their users.
    [Show full text]
  • Editorial Standards Committee Bulletin
    Editorial Standards Findings Appeals to the Trust and other editorial issues considered by the Editorial Standards Committee February 2016, issued March 2016 Getting the best out of the BBC for licence fee payers Contents Contents 1 Remit of the Editorial Standards Committee 2 Summary of findings 4 Appeal Findings 7 Panorama: GM Food - Cultivating Fe a r, BBC One, 8 June 2015 7 The Stephen Nolan Show, BBC Radio 5 Live, 3 April 2015, and more generally 25 Requests to review the Trust Unit’s decisions on appeals 31 Scotland 2015, BBC Two Scotland, 7 September 2015 31 Breakfast Show with Nick Grimshaw, BBC Radio 1, 6 August 2015 36 Appeals against the decisions of BBC Audience Services and BBC News not to correspond further with the complainant 39 Decision of BBC Audience Services not to respond further to a complaint about Israeli PM Benjamin Netanyahu's 44-second UN silence, BBC News online 40 Decision of BBC Audience Services not to respond further to a complaint about Kermode and Mayo’s Film Review, BBC Radio 5 live, 16 October 2015 44 Decision of BBC Audience Services not to respond further to a complaint about Inside Out (Yorkshire, East Yorkshire & Lincolnshire) 12 October 2015 47 Decision of BBC Audience Services not to respond further to a complaint about Today, Radio 4, 12 August 2015 52 Decision of BBC Audience Services not to respond further to a complaint about Today, BBC Radio 4, 6 October 2015 55 Admissibility decisions 58 Newsnight, BBC Two, 17 March 2015 59 Match of the Day 2, BBC One, 13 September 2015 61 In order to provide clarity for the BBC and licence fee payers it is the Trust’s policy to describe fully the content that is subject to complaints and appeals.
    [Show full text]
  • Jobs and Education
    Vol. 3 Issue 3 JuneJune1998 1998 J OBS AND E DUCATION ¥ Animation on the Internet ¥ Glenn VilppuÕs Life Drawing ¥ CanadaÕs Golden Age? ¥ Below the Radar WHO IS JARED? Plus: Jerry BeckÕs Essential Library, ASIFA and Festivals TABLE OF CONTENTS JUNE 1998 VOL.3 NO.3 4 Editor’s Notebook It’s the drawing stupid! 6 Letters: [email protected] 7 Dig This! 1001 Nights: An Animation Symphony EDUCATION & TRAINING 8 The Essential Animation Reference Library Animation historian Jerry Beck describes the ideal library of “essential” books on animation. 10 Whose Golden Age?: Canadian Animation In The 1990s Art vs. industry and the future of the independent filmmaker: Chris Robinson investigates this tricky bal- ance in the current Canadian animation climate. 15 Here’s A How de do Diary: March The first installment of Barry Purves’ production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive. 20 Survey: It Takes Three to Tango Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. School profiles are included. 1998 33 What’s In Your LunchBox? Kellie-Bea Rainey tests out Animation Toolworks’ Video LunchBox, an innovative frame-grabbing tool for animators, students, seven year-olds and potato farmers alike! INTERNETINTERNET ANIMATIONANIMATION 38 Who The Heck is Jared? Well, do you know? Wendy Jackson introduces us to this very funny little yellow fellow. 39 Below The Digital Radar Kit Laybourne muses about the evolution of independent animation and looks “below the radar” for the growth of new emerging domains of digital animation.
    [Show full text]
  • Tale of the Brave (Thomas & Friends) Free
    FREE TALE OF THE BRAVE (THOMAS & FRIENDS) PDF Reverend Wilbert Vere Awdry | 24 pages | 22 Jul 2014 | Golden Books | 9780385379168 | English | New York, NY, United States Thomas & Friends: Tale of the Brave (Video ) - IMDb From Coraline to ParaNorman check out some of our favorite family-friendly movie picks to watch this Halloween. See the full gallery. With the help of his new friend Gator, Percy learns all about being brave as Thomas spots some suspicious giant footprints at the Sodor Clay Pits. Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Director: Rob Silvestri. Added to Watchlist. Halloween Movies for the Whole Family. The Movie List. I watched it. Thomas the tank engine. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Photos Add Image Add an image Do you have any images for this title? Edit Cast Credited cast: Mark Moraghan Emily US voice Teresa Gallagher Porter US voice Kerry Shale Edit Storyline With the help of his new friend Gator, Percy learns all about being brave as Thomas spots Tale of the Brave (Thomas & Friends) suspicious giant footprints at the Sodor Clay Pits.
    [Show full text]