Cartoon Business Erlands) (Neth Echt Utr 16, 20 Ch Ar 3 M -2 21
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Lista Distribuidores Correccion
• 12 Yard Productions • Alex Bowen Producciones • 2929 Entertainment • All3media International • 3DD Enterteinment • Allegro Pictures • 9 Story Enterprises • Alley Cat Films • A&E Channel Home Video • Alliance Atlantos Releasing • Aardman • Alphablocks Limited • Abduction Films • Altadena Film • Acacia • AMC Networks (Walking Dead Only) • ACC Action Concept Cinema • American Cinema Independent • ACI • American Portrait Films • Acorn Group • Andrea Films • Acorn Media • Andres Wood Producciones • Actaeon Films • Anglia Television • Action Concept • Animal Planet Video • Action Concept • Animalia Productions • Action Concept Film and Stuntproduktion • Annapurna Productions • Action Image • Apollo Media Filmmanagement • Adness Entertainment • Arte France • After Dark Films • Artemis Films • Ager Film • Associated Television • AIM Group • Athena • Akkord Film Produktion • Atlantic 2000 • Alain Siritzky Productions • Atlantic Productions • Alameda Films • August Entertaiment • Alcine Pictures • AV Pictures • Alcon Entertainment • AWOL Animation • Berlin Amimation Film • Best Film and Video • Best Picture Show • Betty TV • B & B Company • Beyond International • Baby Cow Productions • Big Bright House of Tunes • Bandai Visual • Big Idea Entertainment • Banjiay Internartional • Big Light Productions • Bankside Films • Big Talk Productions • Bard Entertainment • Billy Graham Evangelistic Association / World Wide • Bardel Distribution • Pictures • BBC Worldwide • Bio Channel • BBL Distribution • BKN International • BBP Music Publishing c/o Black -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
PBIFF 2012 Film Announcement-1
FOR IMMEDIATE RELEASE National Press Contact: March 13, 2012 Carol Marshall Carol Marshall Public Relations, Inc. 818/760‐6450 [email protected] Local Press Contact: Profile Marketing & PR Joanne Polin [email protected] 561‐350‐8784 Hillary Reynolds [email protected] 954‐815‐1186 17th PALM BEACH INTERNATIONAL FILM FESTIVAL UNVEILS 2012 LINE‐UP * * * “ROBOT & FRANK” OPENS FESTIVAL THURSDAY, APRIL 12; CLOSES WITH “SASSY PANTS” * * * Festival Presents 40 World and U.S. Premiere Feature Films BOCA RATON, FL – The Palm Beach International Film Festival (PBIFF) announced its highly anticipated film line‐up for the 17th edition, April 12‐19, 2012, featuring 25 World Premieres, 14 U.S. Premieres and 2 North American Premieres. PBIFF (www.pbifilmfest.org) will present features, documentaries and short films from the U.S. and around the world, including Netherlands, Spain, Argentina, Tanzania, Italy, France, England, Israel, Thailand, Guinea‐Bissau, Portugal, Australia, Canada, Romania and Sweden, and will play host to filmmakers, producers, and actors to represent and discuss their films. “We are excited about this year’s program,” comments PBIFF Director Randi Emerman, “which reflects our ongoing mission to engage with the community, expanding and enhancing its knowledge of the world through the unique lens of independent film.† We encourage people to take this opportunity to enjoy these diversely international stories.ʺ Opening Night kicks off with Robot & Frank, directed by Jake Schreier. Set in the near future, Frank, a retired cat burglar, has two grown kids who are concerned he can no longer live alone.† They are tempted to place him in a nursing home until Frankʹs son chooses a different option: against the old manʹs wishes, he buys Frank a walking, talking humanoid robot programmed to improve his physical and mental health. -
Top Questions About Character Animation
Top Questions About Character Animation What are some of the exciting aspects of character animation, and how is it different than other computer animation forms? The phrase computer animation is often used as a catch-all for many computer generated effects including spinning logos, Flash programming on the Web or special effects in movies. These are not character animation. Character animation is the process of giving life to a character, whether it is a dog that can talk, a drawn person or an animated object. Character animation creates personality. How long does it take one person to create one minute of animation? This is difficult to pinpoint, but it can take one animator about 16 – 20 weeks of full-time work to produce 60 seconds of animation.1 At Pixar Animation Studios, due to their high level of quality control, animators have been known to work on two minutes of film for a year or more. How many animators typically work on an animated feature film? It depends on the studio and its needs, so anywhere from 20 – 80 animators could be working on an animated feature film. What is the biggest myth about character animation? A lot of people believe that the computer does all of the work for the animator, but the reality is that the animator is only using the computer as a tool to create detailed animation frame by frame. What are some of the most challenging aspects of character animation? Character animators work in fun, collaborative, exciting and detailed environments. They need to have a high level of patience while working with the tiny movements of a character frame by frame. -
Paris, Sustainable Sets Eu, Trip Gets the Green Light
News from European Film Commission Network ers have decided to extend the shoot in Croatia, adding locations in FRANCE and around Split to Season 4. According to Embassy Films, filming in Croatia will take place between the months of August and September. PARIS, SUSTAINABLE SETS On June 27th, Bruno Julliard, Deputy Mayor in charge of culture, and Christian Vivès, Director of Paris ERDF, signed the charter for filming CZECH REPUBLIC in Paris according to which the use of temporary electric connections is encouraged and made easier. This permits film crews to restrict the PRAGUE/INTERNATIONAL SETS use of generators, thus reducing sound and environmental disturbance. The Ridley Scott-produced Child 44, directed by Daniel Espinosa and TheCity of Paris and ERDF thus aim to facilitate the reception of film produced by Scott Free Productions, Prague’s Stillking Films, Sum- crews and preserve the quality of life of Parisians, while reducing the mit Entertainment and Worldview Entertainment, started its 75-day city’s environmental footprint. shoot in June. Featuring a stellar cast including Tom Hardy, Gary Old- ERDF, a public service company in charge of supplying electricity to man, and Noomi Rapace, the story is set in the Soviet Union during the 95% of the French metropolitan territory, has teamed up with the City Stalin era, where a disgraced Soviet military police officer investigates for the success of the Climate Plan. a series of child murders. Paris, capital of cinema, hosts more 950 film shoots in 6,000 different Another important international production starting in June in Prague locations every year. -
Case Study: the Secret Life of Pets, Minions, and Animation IT
CASE STUDY The Secret Life of Pets, Minions, and Animation IT Company Profile Illumination Mac Guff was founded in 2011 and is entirely dedicated to making animated feature films for Universal Pictures. The company is known for such global blockbusters as the Despicable Me franchise, The Lorax, Minions, The Secret Life of Pets, and Sing—all produced by Chris Meledandri’s Illumination Entertainment for Universal Pictures. Challenge Fast NAS + Petabyte-Scale Object Archive with Avere • Keeping up with archive capacity requirements and ActiveScale • Building the next-level infrastructure for growth With the astounding popularity of the animated feature films from Paris-based Illumination Mac Guff, it would seem the whole world already knows about the secret lives of pets and the villainous plots of Gru and his goggle-eyed minions. But few moviegoers—or even the studio’s own digital artists—would guess the inner workings of the production systems Solution behind the stories. And that, says Illumination Mac Guff Head of Technology Bruno Mahe, is An Avere FXT Edge filer cluster with ActiveScale™ by design. “Our primary objective in IT is to protect the artistic intention for every project. We object storage system offers a cost-effective archive do that by prioritizing support for digital artists, delivering maximum responsiveness to their workstations and providing seamless access to digital assets, regardless of the load on the solution for seamless access to petabytes of data. underlying IT infrastructure or the location of datasets.” “Avere Systems FXT Edge filers in front of our storage systems ensure highest performance Results to both desktops and the studio’s 80,000-core render farm. -
Downloading of Movies, Television Shows and Other Video Programming, Some of Which Charge a Nominal Or No Fee for Access
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE FISCAL YEAR ENDED DECEMBER 31, 2011 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE TRANSITION PERIOD FROM TO Commission file number 001-32871 COMCAST CORPORATION (Exact name of registrant as specified in its charter) PENNSYLVANIA 27-0000798 (State or other jurisdiction of (I.R.S. Employer Identification No.) incorporation or organization) One Comcast Center, Philadelphia, PA 19103-2838 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (215) 286-1700 SECURITIES REGISTERED PURSUANT TO SECTION 12(b) OF THE ACT: Title of Each Class Name of Each Exchange on which Registered Class A Common Stock, $0.01 par value NASDAQ Global Select Market Class A Special Common Stock, $0.01 par value NASDAQ Global Select Market 2.0% Exchangeable Subordinated Debentures due 2029 New York Stock Exchange 5.50% Notes due 2029 New York Stock Exchange 6.625% Notes due 2056 New York Stock Exchange 7.00% Notes due 2055 New York Stock Exchange 8.375% Guaranteed Notes due 2013 New York Stock Exchange 9.455% Guaranteed Notes due 2022 New York Stock Exchange SECURITIES REGISTERED PURSUANT TO SECTION 12(g) OF THE ACT: NONE Indicate by check mark if the Registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☒ No ☐ Indicate by check mark if the Registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. -
FLYER OCTONAUTAS.Indd
SYNOPSIS: FORMAT: The Octonauts follows a team of adventure heroes who dive into action 4 seasons completed whenever there is trouble under the sea. In a fleet of aquatic vehicles, they 5th season in production rescue amazing sea creatures, explore incredible new underwater worlds, Episodes: 116 x 11’ + 9 Specials and often save the day before returning safely to their home base, the Octopod. Buoyed by the companionship of three leading characters – Cap- tain Barnacles Bear, Lieutenant Kwazii Cat, and Medic Peso Penguin – the Octonauts are always ready to embark on an exciting new mission! TARGET: Based on the richly imaginative books by award-winning design team, 3 - 6 Meomi, the TV series combines elements of classic team adventure with dazzling CGI animation to transport preschoolers into a world they can’t ordinarily visit: the ocean. The show will arouse the curiosity and feed the imagination of preschoolers, answering questions in a journey of discovery through the world’s oceans. REPRESENTATION Spain, Italy and Portugal HIGHLIGHTS: LOS OCTONAUTAS • A global TV success airing in more than 140 countries. • A worldwide brand since 2010, a 5th season in co-production with the #1 Chinese network CCTV. • Prime time slot in 2017, major brand in Clan, broadcast com- mitment and scheduling co-ordinated amongst Clan, Ypsilon and retail. New Toy releases in 2017 and beyond 2020 • Launch in Italy September 2017 Cartoonito. Prime time broad- cast 3 times a day, key launch for the channel. • Fisher-Price Worldwide Master Toy. Spain retail launch 2017, Portugal and Italy retail launch 2018. • Launch in Portugal 2018 Canal Panda. -
AMB Dissertation for Grad Div 3-24-17
GENDER STEREOTYPES WITHIN TV SHOWS FOR PRESCHOOLERS AND THEIR EFFECTS ON CHILDREN’S STEREOTYPES A DISSERTATION SUBMITTED TO THE GRADUATE DIVISON OF THE UNIVERSITY OF HAWAI`I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN PSYCHOLOGY MAY 2017 By Ashley Morris Biddle Dissertation Committee: Ashley Maynard, Co-chairperson Kristin Pauker, Co-chairperson Yiyuan Xu Charlene Baker Cheryl Albright Keywords: gender stereotypes, children’s media i DEDICATION My dissertation is dedicated to Madison, Jordan, Abby, Hannah, Mica, Kari, Kai, Kimo, Charlie, Reid, Cade, Chappell, Hina, Sebastian, Cody, Livia, Havana, Jazz, Ellie, Kūaolama, Miliopuna, Avary, Thea, Liam, and the countless other young children who have invited me to participate in their worlds throughout the years. Your willingness to share your observations and ideas has fueled my fascination with this topic. Your hugs, smiles, and insights have buoyed me in rough waters. And to Edith, whose ever-stronger kicks motivated me during the writing of this dissertation, whose birth was the greatest post-defense gift, and whose newborn snuggles helped with the edits. You promise to be my most meaningful adventure in child development. ii ACKNOWLEDGMENTS First, I thank the members of my dissertation committee. They have not only provided substantive feedback at every step in this project, but have pushed me to think deeper about my findings and how they can be applied to the field as a whole. A special thank you to my two advisors, Ashley Maynard and Kristin Pauker, who have invested a considerable amount of time into making me the scholar I am today. -
Dossier De Presse En Compétition
DOSSIER DE PRESSE EN COMPÉTITION Searchlight Pictures et Indian Paintbrush présentent Une production American Empirical BRYAN CRANSTON SCARLETT JOHANSSON KOYU RANKIN HARVEY KEITEL EDWARD NORTON F. MURRAY ABRAHAM BOB BALABAN YOKO ONO BILL MURRAY TILDA SWINTON JEFF GOLDBLUM KEN WATANABE, KUNICHI NOMURA MARI NATSUKI AKIRA TAKAYAMA FISHER STEVENS GRETA GERWIG NIJIRO MURAKAMI FRANCES MCDORMAND LIEV SCHREIBER AKIRA ITO COURTNEY B. VANCE Un fi lm deWES ANDERSON Durée : 1h41 SORTIE LE 11 AVRIL 2018 Matériel téléchargeable sur www.foxpresse.fr Site offi ciel : http://www.foxfrance.com/ Presse online Distribution Presse CARTEL TWENTIETH CENTURY FOX MOONFLEET Constance Fontaine 241, Boulevard Péreire Matthieu Rey Tél. : 01 82 83 44 65 75017 Paris 6, Rue D’aumale 75009 Paris [email protected] Tél. : 01 58 05 57 00 Tél. : 01 53 20 01 20 Charline Meriguet matthieu-rey@moonfl eet.fr Tél. : 01 82 83 44 69 [email protected] Presse Wes Anderson Isabelle Duvoisin Tél. : 06 81 34 77 41 [email protected] 1 L’histoire En raison d’une épidémie de grippe canine, le maire de Megasaki ordonne la mise en quarantaine de tous les chiens de la ville, envoyés sur une île qui devient alors l’Ile aux Chiens. Le jeune Atari, 12 ans, vole un avion et se rend sur l’île pour rechercher son fidèle compagnon, Spots. Aidé par une bande de cinq chiens intrépides et attachants, il découvre une conspiration qui menace la ville. 2 Introduction et origines ÎLE AUX CHIENS, neuvième long métrage de D’ailleurs, L’ÎLE AUX CHIENS doit probablement autant Wes Anderson - et son deuxième film d’animation à l’héritage d’Akira Kurosawa qu’à l’histoire des films en stop motion - met en scène une véritable d’animation en stop motion. -
For a Better View Staff
FOR A BETTER VIEW STAFF presidente servizio transfer sezione maremetraggio Chiara Valenti Omero Trieste Chauffeured Service, a cura di Chiara Valenti Omero RGrent con la collaborazione di segreteria amministrativa Daniela Crismani, Francesco Martina Parenzan presentazione serate Ruzzier Zita Fusco segreteria organizzativa giuria del premio Oltre il Muro Lisa Lombardini servizio fotografico coordinamento di Davide del Nika Furlani, Jorge Muchut Degan, Ivan Gergolet, Chiara movimento copie e ricerca film Valenti Omero David McConnell, realizzazione premi Vittoria Rusalen Plexistar sezione nuove impronte a cura di Beatrice Fiorentino ufficio ospitalità immagine del festival Vittoria Rusalen Francesco Paolo Cappellotto sezione sweets4kids a cura di Tommaso Gregori ufficio stampa sigla coordinamento di Raffaella Moira Cussigh, Daniela Sartogo Francesco Paolo Cappellotto, Canci Francesco Ruzzier diario di bordo on line shorts goes hungary a cura di Riccardo Visintin stagista a cura di Tiziana Ciancetta, David McConnell Patrizia “Pepi” Gioffrè, Luca catalogo Luisa a cura di David McConnell, responsabile volontari Vittoria Rusalen Lisa Lombardini fatti un film! laboratorio di con la collaborazione di Diego videomaking per bambini e traduzioni Malabotti ragazzi BusinessFirst Trieste, David a cura di Francesco Filippi McConnell volontari Emanuele Biasiol, Emilia realmente liberi grafica coordinata, layout Burgio, Claudia Cera, Gabriella a cura di Andrea Segre catalogo e programma di sala Corrado, Andrea De Marco, coordinamento di Maurizio di Francesco