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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Bakhtinian Study
Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 A Polyphonic Reading of Asghar Farhadi's A Separation : Bakhtinian Study Abdol Hossein Joodaki 1, Maryam Eskandarzadeh 2 1. Associate Professor , Department of English Language and Literature, Lorestan University, Khorramabad, Iran [email protected] / [email protected] 2.M.A. Student, Department of English Language and Literature, Lorestan University, Khorramabad, Iran [email protected] Abstract A Separation film, written and directed by Asghar Farhadi, is a modern and provoking film worth consideration. Asghar Farhadi has always tried to depict conflict ideas and discourses throughout the society, and that's the reason why his movies always penetrate through different social classes and become epidemic; his recent film: A Separation is not an exception. In this article we have carefully examined the term “polyphony” and its application in a descriptive-analytical manner throughout the film, while explaining this term according to Bakhtin. We have tried first to answer the question “what are the components or factors of a polyphonic work and how is it embodied or manifested in the film”. Accordingly, in this article, the emphasis is on the components of polyphony, including the structure of conflict components, polyphony among social strata, change in viewpoint, heteroglossia, Intertextuality, etc. These factors are then examined and analyzed in the film. The result of this article is that the polyphonic film, with the tools it provides to the audience, leads them to a new perception of the text. Keywords : Mikhail Bakhtin, Polyphony, A separation, social classes, heteroglossia, intertextuality Volume XIII, Issue 4, 2021 Page No: 100 Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 Introduction In the present article, we will first explain the term Polyphony. -
Press Release 23/5/2018
THE KARLOVY VARY FESTIVAL TO HONOR ACADEMY AWARD-WINNING DIRECTOR BARRY LEVINSON At this year’s Karlovy Vary festival, screenwriter-producer-director Barry Levinson, who won an Academy Award for Rain Man, will accept the Crystal Globe for Outstanding Artistic Contribution to World Cinema. The Karlovy Vary festival continues its tradition of recognizing the most important personalities of world cinema, the likes of which include directors William Friedkin, Jerry Schatzberg, and Ken Loach, and screenwriter Paul Laverty. In his writing and directing capacity, Academy Award winner and five-time nominee Barry Levinson deftly combines personal stories with an often satirical look at society, and his movies have fundamentally influenced numerous young filmmakers. Barry Levinson established himself as a writer of successful television shows. With his onetime wife, Valerie Curtin, he then wrote the movie script for Norman Jewison’s courtroom drama …and justice for all (1979), which brought them an Oscar nomination. He debuted as a director with the comedy-drama Diner (1982), receiving his second Oscar nomination for the script. Ivan Král, a Czech musician based in the US, co- wrote the film music. Subsequent titles confirmed his reputation with critics and audiences: The Natural (1984) with Robert Redford, Tin Men (1987) with Richard Dreyfuss and Danny DeVito, and Good Morning, Vietnam (1987) with Robin Williams. This year marks the 30th anniversary of the legendary picture Rain Man (1988), awarded four Oscars (e.g. Best Director for Barry Levinson) and numerous other honors, including the Golden Bear at the Berlinale and the David di Donatello for Best Foreign Film. -
The Vanishing Screenplay: Jean-Claude Carrière at BFI Southbank in July 2012
12/37 The Vanishing Screenplay: Jean-Claude Carrière at BFI Southbank in July 2012 The contribution of the writer is often overlooked in cinema, yet it’s inseparable from the creative process of filmmaking. This season lauds an ‘invisible giant’ of European cinema, screenwriter Jean-Claude Carrière. He is also a novelist and essayist, cartoonist and sometime director and actor, and has recently collaborated with director Michael Haneke on the script for The White Ribbon (2009) and appeared in Abbas Kiarostami’s Certified Copy (2010). He is probably best known for his working relationship with Luis Buñuel, who both co-scripted most of the titles of the great Spanish director’s French period. Carrière’s films for Buñuel include the erotic psycho-fairytale Belle de Jour (1967), the surreal The Phantom of Liberty (1974) and the deliciously satirical The Discreet Charm of the Bourgeoisie (1972), released in cinemas nationwide on 29 June for its fortieth anniversary by Studiocanal and the ICO. It will also be screened as an extended run as part of the season. BFI Southbank is delighted to announce that Carrière will give an on-stage introduction to a preview screening of The Discreet Charm of the Bourgeoisie on Thursday 28 June. International collaborations for Carrière followed in the late-70s and 80s. These include acclaimed literary adaptations of sprawling and seemingly un- adaptable works for directors like Volker Schlöndorff (The Tin Drum, 1979), and Philip Kaufman (The Unbearable Lightness of Being, 1988) and also his dream- like rendering of Proust in Swann in Love (1984). This last film was co-written with Sir Peter Brook, whose earlier work with Carrière included The Mahabarata and presaged an extended departure from screen to stage writing. -
The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. -
Digital Apprentice
October 2019 Digital Apprentice RESPONSIBLE TO: Head of Communications WORKING HOURS: This is a fixed term 18-month post starting in January 2020 SALARY: £21,500 (LLW) The post is Monday to Friday, 10:00–18:00, with one day to be spent at City & Islington College for study towards an accredited qualification. Some additional out-of-work hours may be required. ELIGIBILITY: To be eligible for this position that is funded with support from John Lyon’s Charity ● You must currently live in one of the following London Boroughs, and have been there for at least 2 years: Barnet, Brent, Camden, Ealing, Hammersmith & Fulham, Harrow, Kensington & Chelsea, Westminster, City of London ● You must be aged 19-24 ● You must not be in education, employment or training ● You must not be educated to degree-level or have been privately-educated The National Youth Theatre of Great Britain is a world-leading youth arts organisation. Established in 1956 as the world’s first youth theatre, we have nurtured the talent of hundreds of thousands of young people creating an enviable legacy over our 62 years. We inspire, nurture and showcase exceptional performers and theatre technicians from Great Britain and Northern Ireland, commissioning brave and relevant new writing and reinterpreting classic stories for our time. We are as ambitious as the young people we serve, platforming young talent onstage and backstage in West End theatres, in stadiums world-wide and at iconic sites both home and abroad. Our world-renowned alumni include Dame Helen Mirren, Daniel Craig, Chiwetel Ejiofor, Daniel Day-Lewis, Rosamund Pike, Orlando Bloom, Andrea Riseborough, David Harewood, Adeel Akhtar, Matt Smith and Zawe Ashton. -
Orson Welles: CHIMES at MIDNIGHT (1965), 115 Min
October 18, 2016 (XXXIII:8) Orson Welles: CHIMES AT MIDNIGHT (1965), 115 min. Directed by Orson Welles Written by William Shakespeare (plays), Raphael Holinshed (book), Orson Welles (screenplay) Produced by Ángel Escolano, Emiliano Piedra, Harry Saltzman Music Angelo Francesco Lavagnino Cinematography Edmond Richard Film Editing Elena Jaumandreu , Frederick Muller, Peter Parasheles Production Design Mariano Erdoiza Set Decoration José Antonio de la Guerra Costume Design Orson Welles Cast Orson Welles…Falstaff Jeanne Moreau…Doll Tearsheet Worlds" panicked thousands of listeners. His made his Margaret Rutherford…Mistress Quickly first film Citizen Kane (1941), which tops nearly all lists John Gielgud ... Henry IV of the world's greatest films, when he was only 25. Marina Vlady ... Kate Percy Despite his reputation as an actor and master filmmaker, Walter Chiari ... Mr. Silence he maintained his memberships in the International Michael Aldridge ...Pistol Brotherhood of Magicians and the Society of American Tony Beckley ... Ned Poins and regularly practiced sleight-of-hand magic in case his Jeremy Rowe ... Prince John career came to an abrupt end. Welles occasionally Alan Webb ... Shallow performed at the annual conventions of each organization, Fernando Rey ... Worcester and was considered by fellow magicians to be extremely Keith Baxter...Prince Hal accomplished. Laurence Olivier had wanted to cast him as Norman Rodway ... Henry 'Hotspur' Percy Buckingham in Richard III (1955), his film of William José Nieto ... Northumberland Shakespeare's play "Richard III", but gave the role to Andrew Faulds ... Westmoreland Ralph Richardson, his oldest friend, because Richardson Patrick Bedford ... Bardolph (as Paddy Bedford) wanted it. In his autobiography, Olivier says he wishes he Beatrice Welles .. -
Variety Announces This Year's 10 Actors to Watch
VARIETY ANNOUNCES THIS YEAR’S 10 ACTORS TO WATCH Marks Five Years of Collaboration With The Hamptons International Film Festival Variety is pleased to announce its annual list of 10 Actors to Watch, an honor the publication has bestowed since 1998. Past honorees include many future Oscar winners and nominees such as Viola Davis, Taraji P. Henson, Octavia Spencer, Brie Larson, Lupita Nyong’o, Michael Shannon and Melissa Leo. This year’s honorees will be feted in the Oct. 4 issue of Variety, in conjunction with coverage of the Hamptons International Film Festival, which runs Oct. 6-10. This marks the fifth year Variety has collaborated with the festival to present Actors to Watch. "The Hamptons International Film Festival has had the privilege of honoring rising talent for over 15 years. We are thrilled to once again partner with Variety to recognize this group of ten diverse, talented actors for the incredible work they have done in their careers," says David Nugent, HIFF Artistic Director. "As we have seen our previous honorees blossom over the years, with just this year Brie Larson and Alicia Vikander both taking home Academy Awards, we know this class has a bright future ahead of them." Added Vice President/Executive Editor of Variety Steven Gaydos, “As the Fall film awards season approaches, there may be questions about which films will ultimately shine as prize winners, but there is no doubt that once again this year's releases feature astounding new talents filled with creative courage and unlimited potential for bright careers. -
Educational Newsletter
Educational Newsletter http://campaign.r20.constantcontact.com/render?llr=zg5n4wcab&v=001K... The content in this preview is based on the last saved version of your email - any changes made to your email that have not been saved will not be shown in this preview. February 2012 Educational Newsletter French Consulate in Boston Our Academic News In This Issue Formation pour professeurs de français Offre de formation "Réaliser une "Voyages en Francophonie" production audiovisuelle" Our 2011 Contest! Nous avons la possibilité de faire SPCD Grant intervenir à Boston un formateur du The Green Connection Centre de liaison de l'enseignement et des médias d'information (CLEMI) sur le CampusArt thème suivant : "Réaliser une production Hewmingway Grant Program audiovisuelle en classe de français langue étrangère" (détails ICI ). Elle La FEMIS pourrait accueillir une trentaine de Merrimack College Language professeurs de middle schools et high schools. La formation se Programs déroulerait sur deux fois 3 heures en "afterschool" les 27 et 28 "Voyages en Francophonie" février, ou le 28 février sur 6 heures en journée (il est possible de n'assister qu'à la première session, mais en faisant l'impasse Printemps des Poètes sur la partie pratique). Tous les frais sont pris en charge par les "A Preview of 2012 in France" services culturels de l'ambassade de France. Si cette formation Clermont-Ferrand International Short intéresse un nombre suffisant d'entre vous, nous serions Film Festival heureux de l'organiser. Dans ce cas, merci de le faire savoir rapidement à Guillaume Prigent compte tenu des délais très Providence French Film Festival courts. -
1563812647Filesdcbrochure2.Pdf
58E SEMAINE DE LA CRITIQUE LE JOYEUX MÉLANGE DES GENRES Fidèle à la mission de la Semaine de la Critique, cette 58e sélection fait le pari de la découverte à travers onze premiers et seconds longs métrages qui révèlent autant de nouveaux regards. Plusieurs cinéastes détournent les codes du genre et les mélangent pour mieux nous surprendre. Véritable sensation du dernier festival de Cannes, J’ai perdu mon corps est un film d’animation d’une grande modernité qui conjugue différents rythmes et tonalités. Avec A White, White Day, Hlynur Pálmason réalise un faux polar autour de la quête obsessionnelle de vengeance d’un mari trompé. Dans Les héros ne meurent jamais, Aude Léa Rapin joue avec les codes de la fiction et du documentaire pour questionner nos convictions de spectateurs. Quant à Lorcan Finnegan, il enferme Jesse Eisenberg dans Vivarium, huis clos fantastique nourri des angoisses des jeunes trentenaires d’aujourd’hui. D’autres cinéastes explorent la cellule familiale, véritable concentré de vie qui nous apprend aussi la mort. Litigante de Franco Lolli dresse le portrait poignant d’une femme confrontée à un moment crucial de sa vie. Dans Ceniza Negra, Sofía Quirós Ubeda insuffle du réalisme magique au récit initiatique d’une adolescente élevée par ses grands-parents. Enfin, Dwelling in the Fuchun Mountains de Gu Xiaogang suit le destin d’une famille chinoise qui s’écoule au rythme de la nature. 58TH SEMAINE DE LA CRITIQUE (CRITICS’ Week) THE JOYOUS MIX OF GENRES Cette programmation est aussi l’occasion de découvrir deux Faithful to the mission of the Critics’ Week, this 58th selection regards singuliers venus du monde arabe. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Certain Women
CERTAIN WOMEN Starring Laura Dern Kristen Stewart Michelle Williams James Le Gros Jared Harris Lily Gladstone Rene Auberjonois Written, Directed, and Edited by Kelly Reichardt Produced by Neil Kopp, Vincent Savino, Anish Savjani Executive Producers Todd Haynes, Larry Fessenden, Christopher Carroll, Nathan Kelly Contact: Falco Ink CERTAIN WOMEN Cast (in order of appearance) Laura LAURA DERN Ryan JAMES Le GROS Fuller JARED HARRIS Sheriff Rowles JOHN GETZ Gina MICHELLE WILLIAMS Guthrie SARA RODIER Albert RENE AUBERJONOIS The Rancher LILY GLADSTONE Elizabeth Travis KRISTEN STEWART Production Writer / Director / Editor KELLY REICHARDT Based on stories by MAILE MELOY Producers NEIL KOPP VINCENT SAVINO ANISH SAVJANI Executive Producers TODD HAYNES LARRY FESSENDEN CHRISTOPHER CARROLL NATHAN KELLY Director of Photography CHRISTOPHER BLAUVELT Production Designer ANTHONY GASPARRO Costume Designer APRIL NAPIER Casting MARK BENNETT GAYLE KELLER Music Composer JEFF GRACE CERTAIN WOMEN Synopsis It’s the off-season in Livingston, Montana, where lawyer Laura Wells (LAURA DERN), called away from a tryst with her married lover, finds herself defending a local laborer named Fuller (JARED HARRIS). Fuller was a victim of a workplace accident, and his ongoing medical issues have led him to hire Laura to see if she can reopen his case. He’s stubborn and won’t listen to Laura’s advice – though he seems to heed it when the same counsel comes from a male colleague. Thinking he has no other option, Fuller decides to take a security guard hostage in order to get his demands met. Laura must act as intermediary and exchange herself for the hostage, trying to convince Fuller to give himself up.