DOCSLIB.ORG

HOW to BERLINALE Una Breve Guía Para Presentar Tus Películas

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

HOW TO BERLINALE Una breve guía para presentar tus películas SECCIONES Y PROGRAMAS International Competition cuenta con unas 25 películas en la sección Oficial (dentro y fuera de la competición). Los premios son decididos por un Jurado Internacional. Contacto: [email protected] Berlinale Special y Berlinale Special Gala son programas comisariados por el director del festival. Sólo son accesibles con invitación y no acepta inscripciones. Se presentan nuevas producciones extraordinarias y películas de o sobre personalidades del mundo del cine, las cuales están estrechamente ligadas al festival. Contacto: [email protected] Panorama dentro de la Sección oficial (no competitiva) presenta nuevos trabajos de directores de renombre; muestra óperas primas y otros nuevos descubrimientos. La selección de los filmes da una visión global de las tendencias del arte cinematográfico mundial. Contacto: [email protected] Forum se centra en las nuevas tendencias en el cine mundial, formas de narración prometedoras y nuevas voces. Forum también destaca debuts de directores así como la innovación en los trabajos de jóvenes cineastas. El Forum Expanded se dedica a los límites entre cine y artes visuales. Es un programa comisariado por el Forum al que sólo se accede con invitación y no aceptan inscripciones. Contacto: [email protected] Generation abre Berlinale a los jóvenes y niños. Las competiciones de Kplus y 14plus no sólo presentan producciones realizadas especialmente para niños y jóvenes; también muestran películas dirigida a los jóvenes y a público de otras edades debido a su forma y contenido. El marketing potencial de estas películas se ve, de este modo, potenciado. Contacto: [email protected] Berlinale Shorts cuenta con cortometrajes de cineastas y artistas innovadores. Los premios son decididos por un Jurado Internacional. 1 Contacto: [email protected] Perspektive Deutsches Kino está dedicada a futuros jóvenes cineastas alemanes. Contacto: [email protected] German Cinema – LOLA@Berlinale muestra películas preseleccionadas para el German Film Award (Deustcher Filmpreis) y es una colaboración entre Berlinale, Deutsche Filmakademie e.V. y German Films. Sólo con invitación. Contacto: [email protected] Culinary Cinema presenta una selección de filmes de todas las categorías de temas culinarios y ecológicos. Es un programa especial al que se accede sólo con invitación. Contacto: [email protected] NATIVe – A journey into Indigenous Cinema muestra una selección limitada de Indigenous films de todas las categorías. Es un programa al que sólo se accede con invitación. Contacto: [email protected] 2 REQUISITOS PARA TODAS LAS INSCRIPCIONES: Inscripción online: aquí Fecha límite para la presentación : 31 de octubre de 2013 largometrajes / 15 de noviembre de 2013 cortometrajes. Cuota de inscripción : 150 € largometrajes / 60 € cortometrajes Fecha de finalización de la producción: dentro de los 12 meses anteriores al festival Estado de la Premiere** : Las premieres Mundiales o Internacionales tienen prioridad, aunque las secciones tienen distintos requisitos (consultar tabla adjunta). Las películas pueden haber sido estrenadas en salas de cine en su país de origen. Las películas alemanas tienen que ser premieres mundiales, excepto aquellas que se presenten en la sección Perspektive Deutsches Kino. Formatos aceptados para la selección : DVD, Blu-ray, QTProRes 422, subida de archivos (sólo cortometrajdes). DCP y otros formatos dentro del acuerdo. Documentación para la inscripción: Inscripción online debidamente completada, nombre y contacto de la/s productora/s, sinopsis, bio-/filmografía del director, cásting y lista de equipo técnico. El festival no presenta películas industriales o publicitarias. Es importante consultar el reglamento de cada una de las secciones antes de hacer la inscripción. http://www.berlinale.de/en/branche/_filmanmeldung/filmanmeldung_allgem/index.html 3 TABLA RESUMEN *dependiendo de la sala REQUISITOS Competition Panorama Forum Generation Berlinale Perspektive (Official (Official Shorts Deutschies Programme) Programme) Kino Tiempo de 70’ min 70’ min 60’ min Cortometrajes 30’ min max 20’ min duración 20’max incluyendo Largometrajes créditos 60’ max Categoría Películas de Películas de Películas de Películas de Películas de Películas de ficción y Ficción Ficción Ficción Ficción ficción Animación Documentales Documentales Documentales Documentales alemanas Animación Animación Animación Animación Documentales Experimental Experimental Experimental alemanes Estado Premiere Premiere Premiere Premiere Premiere No estreno en premiere Mundial/ europea europea europea Internacional salas antes del (mínimo Internacional Festival requerido) Formato DCP, 35 mm* DCP, DCP, DCP, HDCAM, DCP, HDCAM, DCP, HDCAM, final HDCAM, QT HDCAM, QT QT ProRes 422, QT ProRes QT ProRes ProRes 422, ProRes 422, 35 mm* 422, 35 mm* 422, 35 mm* 35 mm* 35 mm* Premios Golden Bear, Best First Best First Crystal Bears, Golden Bear, FGYO-Award oficiales Silver Bears, Feature, Feature, Awards of the Silver Bear, Dialogue en Best First Teddy Award, Teddy Award, Generation Teddy Award, Perspective, Feature, Teddy Panorama, Caligari International DAAD Short Made in Award Audience Award. Juries, Best Film Prize, Germany – Awards, First Feature, Berlin EFA Perspektive Heiner- Teddy Award Nominee Fellowship, Carow-Prize Best First Feature, Teddy Award **Definición del Estado de estreno: estreno mundial estreno internacional, estreno europeo: Estreno mundial: La película no se ha estrenado en ningún lugar previo al estreno en el festival. Estreno internacional: La película se ha estrenado en salas comerciales únicamente en el país de origen y en ningún lugar más. Estreno europeo: La película no ha sido presentada en ningún festival internacional europeo (como por ejemplo San Sebastián, Sitges, Valladolid o Sevilla, Rotterdam, CPH etc). La excepción son las secciones nacionales paralelas (por ejemplo la sección Zinemira dedidaca únicamente al cine Vasco en el Festival de San Sebastián) 4 .
Recommended publications
  • Bakhtinian Study

    Bakhtinian Study

    Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 A Polyphonic Reading of Asghar Farhadi's A Separation : Bakhtinian Study Abdol Hossein Joodaki 1, Maryam Eskandarzadeh 2 1. Associate Professor , Department of English Language and Literature, Lorestan University, Khorramabad, Iran [email protected] / [email protected] 2.M.A. Student, Department of English Language and Literature, Lorestan University, Khorramabad, Iran [email protected] Abstract A Separation film, written and directed by Asghar Farhadi, is a modern and provoking film worth consideration. Asghar Farhadi has always tried to depict conflict ideas and discourses throughout the society, and that's the reason why his movies always penetrate through different social classes and become epidemic; his recent film: A Separation is not an exception. In this article we have carefully examined the term “polyphony” and its application in a descriptive-analytical manner throughout the film, while explaining this term according to Bakhtin. We have tried first to answer the question “what are the components or factors of a polyphonic work and how is it embodied or manifested in the film”. Accordingly, in this article, the emphasis is on the components of polyphony, including the structure of conflict components, polyphony among social strata, change in viewpoint, heteroglossia, Intertextuality, etc. These factors are then examined and analyzed in the film. The result of this article is that the polyphonic film, with the tools it provides to the audience, leads them to a new perception of the text. Keywords : Mikhail Bakhtin, Polyphony, A separation, social classes, heteroglossia, intertextuality Volume XIII, Issue 4, 2021 Page No: 100 Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 Introduction In the present article, we will first explain the term Polyphony.
  • Press Release 23/5/2018

    Press Release 23/5/2018

    THE KARLOVY VARY FESTIVAL TO HONOR ACADEMY AWARD-WINNING DIRECTOR BARRY LEVINSON At this year’s Karlovy Vary festival, screenwriter-producer-director Barry Levinson, who won an Academy Award for Rain Man, will accept the Crystal Globe for Outstanding Artistic Contribution to World Cinema. The Karlovy Vary festival continues its tradition of recognizing the most important personalities of world cinema, the likes of which include directors William Friedkin, Jerry Schatzberg, and Ken Loach, and screenwriter Paul Laverty. In his writing and directing capacity, Academy Award winner and five-time nominee Barry Levinson deftly combines personal stories with an often satirical look at society, and his movies have fundamentally influenced numerous young filmmakers. Barry Levinson established himself as a writer of successful television shows. With his onetime wife, Valerie Curtin, he then wrote the movie script for Norman Jewison’s courtroom drama …and justice for all (1979), which brought them an Oscar nomination. He debuted as a director with the comedy-drama Diner (1982), receiving his second Oscar nomination for the script. Ivan Král, a Czech musician based in the US, co- wrote the film music. Subsequent titles confirmed his reputation with critics and audiences: The Natural (1984) with Robert Redford, Tin Men (1987) with Richard Dreyfuss and Danny DeVito, and Good Morning, Vietnam (1987) with Robin Williams. This year marks the 30th anniversary of the legendary picture Rain Man (1988), awarded four Oscars (e.g. Best Director for Barry Levinson) and numerous other honors, including the Golden Bear at the Berlinale and the David di Donatello for Best Foreign Film.
  • Sixth German Film Festival

    Sixth German Film Festival

    IN BETWEEN WORLDS – R12 Award at Cannes and was an international success, even spawning a Hollywood remake. SIXTH GERMAN FILM FESTIVAL (Zwischen Welten) Since the mid-1990s, Wenders has distinguished himself as a non- 19th – 23rd November 2014 Director: Feo Aladag, fiction filmmaker, directing several highly acclaimed documentaries, Organised by the 103 min., 2014 most notably Buena Vista Social Club (1999) and PINA (2011), both of German-Maltese Circle Festivals: Berlinale 2014 which brought him Oscar nomination. in collaboration with the Goethe Institute GOETHE-INSTITUT GOETHE-INSTITUT (in competition) Jesper, a German Armed Forces soldier THE AMERICAN FRIEND Wednesday, 19th November Venue: St James Cavalier, Valletta signs up for another mission in the (Der amerikanische Freund) “Age of Cannibals” 19.00 hrs war-torn country of Afghanistan. He 1977, 123 min. - at 17.00 hrs (“Zeit der Kannibalen”) and his squad are assigned the task (based in the novel “Ripley’s game” by of guarding a small village outpost Patricia Highsmith) Thursday, 20th November Venue: St James Cavalier, Valletta from increasing Taliban influence. Together with Tarik, their young “Finsterworld” 19.00 hrs and inexperienced interpreter, they try to win the trust of the village Jonathan, formerly a restorer, now making picture frames, lives in Hamburg. He suffers “Stations of the Cross” 21.00 hrs community and the allied Afghani militia. The difference between the (“Kreuzweg”) two worlds, however, is immense. When Tarik and his sister, Nala, from leukaemia and knows that there is no escape for him. Tom Ripley, an American are being menaced by the Taliban, Jesper comes into conflict with Friday, 21st November Venue: St James Cavalier, Valletta both his conscience and the orders he receives: should he help his art dealer, makes him a very doubtful offer: “Westen” 19.00 hrs interpreter, Tarik, in a life-threatening situation or should he follow he is to commit a murder in Paris.
  • World Cinema Amsterd Am 2

    World Cinema Amsterd Am 2

    WORLD CINEMA AMSTERDAM 2011 3 FOREWORD RAYMOND WALRAVENS 6 WORLD CINEMA AMSTERDAM JURY AWARD 7 OPENING AND CLOSING CEREMONY / AWARDS 8 WORLD CINEMA AMSTERDAM COMPETITION 18 INDIAN CINEMA: COOLLY TAKING ON HOLLYWOOD 20 THE INDIA STORY: WHY WE ARE POISED FOR TAKE-OFF 24 SOUL OF INDIA FEATURES 36 SOUL OF INDIA SHORTS 40 SPECIAL SCREENINGS (OUT OF COMPETITION) 47 WORLD CINEMA AMSTERDAM OPEN AIR 54 PREVIEW, FILM ROUTES AND HET PAROOL FILM DAY 55 PARTIES AND DJS 56 WORLD CINEMA AMSTERDAM ON TOUR 58 THANK YOU 62 INDEX FILMMAKERS A – Z 63 INDEX FILMS A – Z 64 SPONSORS AND PARTNERS WELCOME World Cinema Amsterdam 2011, which takes place WORLD CINEMA AMSTERDAM COMPETITION from 10 to 21 August, will present the best world The 2011 World Cinema Amsterdam competition cinema currently has to offer, with independently program features nine truly exceptional films, taking produced films from Latin America, Asia and Africa. us on a grandiose journey around the world with stops World Cinema Amsterdam is an initiative of in Iran, Kyrgyzstan, India, Congo, Columbia, Argentina independent art cinema Rialto, which has been (twice), Brazil and Turkey and presenting work by promoting the presentation of films and filmmakers established filmmakers as well as directorial debuts by from Africa, Asia and Latin America for many years. new, young talents. In 2006, Rialto started working towards the realization Award winners from renowned international festivals of a long-cherished dream: a self-organized festival such as Cannes and Berlin, but also other films that featuring the many pearls of world cinema. Argentine have captured our attention, will have their Dutch or cinema took center stage at the successful Nuevo Cine European premieres during the festival.
  • Centrespread Centrespread 15 OCTOBER 23-29, 2016 OCTOBER 23-29, 2016

    Centrespread Centrespread 15 OCTOBER 23-29, 2016 OCTOBER 23-29, 2016

    14 centrespread centrespread 15 OCTOBER 23-29, 2016 OCTOBER 23-29, 2016 As the maximum city’s cinephiles flock to the 18th edition of the Mumbai Film Festival (October 20-27), organised by the Mumbai Academy of Moving Image, ET Magazine looks at some of its most famous counterparts across the world and also in India Other Festivals in IndiaInddia :: G Seetharaman International Film Festivalstival of Kerala Begun in 1996, the festivalstival is believed to be betterter curated than its counterparts in thee Cannes Film Festival (Cannes, France) Venice Film Festival (Italy) country. It is organisedanised by the state governmenternment STARTED IN: 1946 STARTED IN: 1932 TOP AWARD: Palme d’Or (Golden Palm) TOP AWARD: Golden Lion and held annually in Thiruvananthapuram NOTABLE WINNERS OF TOP AWARD: Blow-Up, Taxi Driver, Apocalypse Now, Pulp Fiction, Fahrenheit 9/11 NOTABLE WINNERS OF TOP AWARD: Rashomon, Belle de jour, Au revoir les enfants, Vera Drake, Brokeback Mountain ABOUT: Undoubtedly the most prestigious of all film festivals, Cannes' top awards are second only to the Oscars in their Internationalnal FilmF Festival of India cachet. Filmmakers like Woody Allen, Wes Anderson and Pedro Almodovar have premiered their films at Cannes, which is ABOUT: Given Italy’s great filmmaking tradition — think Vittorio de Sica, as much about the business of films as their aesthetics; the distribution rights for the best of world cinema are acquired by Federico Fellini and Michelangelo Antonioni — it is no surprise that the Run jointly by the information and giants like the Weinstein Company and Sony Pictures Classics, giving them a real shot at country hosts one of the finest film festivals in the world.
  • Press Kit the CAPTAIN Film by Robert

    Press Kit the CAPTAIN Film by Robert

    Press kit THE CAPTAIN DER HAUPTMANN – Original title Written and directed by Robert Schwentke Produced by Filmgalerie 451 Saarbrücker Straße 24, 10405 Berlin Tel. +49 (0) 30 - 33 98 28 00 Fax +49 (0) 30 - 33 98 28 10 [email protected] www.filmgalerie451.de In co-production with Alfama Films and Opus Film THE CAPTAIN / DER HAUPTMANN directed by Robert Schwentke World Premiere at Toronto International Film Festival — Special Presentations Screening dates Press & Industry 1 09/07/17 3:00PM Scotiabank 14 (307) DCP 4K (D-Cinema) Public 1 09/09/17 3:15PM TIFF Bell Lightbox DCP 4K (D-Cinema) Cinema 1 (523) Public 2 09/11/17 4:15PM Scotiabank 10 (228) DCP 4K (D-Cinema) Press & Industry 2 09/13/17 11:30AM Scotiabank 8 (183) DCP 4K (D-Cinema) Public 3 09/16/17 3:30PM Scotiabank 14 (307) DCP 4K (D-Cinema) Press contact in Toronto Sunshine Sachs: Josh Haroutunian / [email protected] o: 323.822.9300 / c: 434.284.2076 Press photos Press photos you will get on our website (press) with the password: willkommen www.filmgalerie451.de World Sales Alfama Films www.alfamafilms.com Table of contents – Synopsis short – Synopsis long – Biography Robert Schwentke – Filmography Robert Schwentke – Director’s statement – Interview with director Robert Schwentke about THE CAPTAIN – Film information – Credits – About the Cast – Background information THE CAPTAIN – Willi Herold, a German life — The true story behind THE CAPTAIN – Nazi perpetrator, center-stage — by Olaf Möller 2 THE CAPTAIN / DER HAUPTMANN directed by Robert Schwentke Synopsis short In the last, desperate moments of World War II, a young German soldier fighting for survival finds a Nazi captain’s uniform.
  • Stefan Zweig Farewell to Europe

    Stefan Zweig Farewell to Europe

    Austria’s Official Entry for the Best Foreign Language Film - 89th Academy Awards® A DOR FILM, X FILME CREATIVE POOL, IDÉALE AUDIENCE, MAHA PRODUCTION STEFAN ZWEIG FAREWELL TO EUROPE A film by: Maria Schrader Starring: Josef Hader, Barbara Sukowa, Aenne Schwarz, Matthias Brandt, Charly Huebner, Stephen SInger Screenplay: Maria Schrader and Jan Schomburg press contact in US: SashaBerman at Shotwell Media 310-450-5571 [email protected] Table of Contents Short synopsis & press note …………………………………………………………………… 3 Cast ……............................................................................................................................ 4 Crew ……………………………………………………………………………………………… 6 Long Synopsis …………………………………………………………………………………… 7 Persons Index…………………………………………………………………………………….. 14 Interview with Maria Schrader ……………………………………………………………….... 17 Backround ………………………………………………………………………………………. 19 In front of the camera Josef Hader (Stefan Zweig)……………………………………...……………………………… 21 Barbara Sukowa (Friderike Zweig) ……………………………………………………………. 22 Aenne Schwarz (Lotte Zweig) …………………………….…………………………………… 23 Behind the camera Maria Schrader………………………………………….…………………………………………… 24 Jan Schomburg…………………………….………...……………………………………………….. 25 Danny Krausz ……………………………………………………………………………………… 26 Stefan Arndt …………..…………………………………………………………………….……… 27 Contacts……………..……………………………..………………………………………………… 28 ! ! ! ! ! ! ! Technical details Austria/Germany/France, 2016 Running time 106 Minutes Aspect ratio 2,39:1 Audio format 5.1 ! 2! “Each one of us, even the smallest and the most insignificant,
  • Golden Bear Throwbacks Bear: Mike Barrett

    Golden Bear Throwbacks Bear: Mike Barrett

    WVU Tech Montgomery, WV November 16, 2012 Volume 114 Issue 3 College Kid’s 12 Fun Classes Kitchen 14 on Tech’s Tech sophiadear Horizon 7 Thanksgiving Collegian Special Luis Cortell’s blue and gold army: Battle at Nationals Daniel Eisenberg final score. Seven of these goals came in C.D./Section Editor/Staff Writer the second half of play, and the game pumped up the players and got them ready for the next game in the tournament. s most every student at Tech already The second game was against Aknows by this time of the year, the SUNY- ESF, a team who was only in their head soccer coach Luis Cortell’s fighting second year in existence. This game also Golden Bear soccer team has been proved Tech’s overpowering dominance on extremely successful. The regular season the field, for this game ended with another ended with the team holding a record Tech victory, 6-0. Jackson shot and scored of 16-1-1, giving the bears an excellent another two goals, one with an assist from reputation when heading to the National Germany transfer student Dennis Furst, Tournament in Asheville, North Carolina. who also put a goal in himself 74 minutes The first game of the tournament into the game. Manzanares also put in a was against Pennsylvania College of goal, as well as Suarez and Michael Perrow, Technology. The two Technology colleges who got an assist from Braeden Collins. battled it out and at the end of the game, This game sent the fighting Golden it was evident which Tech college was Bears to the National Championship the more dominant.
  • 30. World Film Festival Montréal Winner Bavarian Film Award

    30. World Film Festival Montréal Winner Bavarian Film Award

    WINNER BAVARIAN FILM AWARD SPECIAL JURY PRIZE 2006 SÉLECTION OFFICIELLE 30. WORLD FILM FESTIVAL MONTRÉAL IN COMPETITION WORLD PREMIÉRE MONTREAL WORLD FILMFESTIVAL 2006 . FESTIVAL DES FILMS DU MONDE 2006 Screenings August 31, 2006 11:30 L’écran VISA au CINÉMA IMPÉRIAL August 31, 2006 19:00 THÉATRE MAISONNEUVE September 01, 2006 16:30 L’écran VISA au CINÉMA IMPÉRIAL PRESS Ana Radica Presse Organisation Herzog-Wilhelmstr. 27 80331 München Germany TEL. 0049.89.2366120 EMAIL [email protected] 02 TABLE OF CONTENTS PAGE 01 Short comment on „WARCHILD“ 04 02 Synopsis 05 03 Reviews 05 04 Main roles 06 05 Minor roles 07 06 Teamlist 08 07 Short summary 09 08 Directors comments 10 - 11 09 Characterization of the main fi gures 12 10 Biography Cast 13 - 16 11 Biography Crew 16 - 21 12 Shooting time, locations, technical dates 22 03 1 SHORT COMMENTS ON „WARCHILD“ Balkan Blues Trilogy II Warchild featuring Labina Mitevska and Katrin Sass (GOOD BYE, LENIN) and directed by acclaimed fi lmmaker Christian Wagner (WALLERS LAST TRIP/TRANSATLANTIS/GHETTO KIDS), presented by the prestigious 30. WORLD FILM FESTIVAL MONTRÉAL in competition. Christian Wagner‘s second part of the BALKAN BLUES TRILOGY stars Labina Mitevska and Katrin Sass. Mitevska (EUROPEAN SHOOTINGSTAR 1998) made her debut in BEFORE THE RAIN, a fi lm that won the Golden Lion at the Venice Film Festival, and has appeared in several Michael Winterbottom fi lms (WELCOME TO SARAJEVO and I WANT YOU). Katrin Sass, too, has a remarkable career to look back on. At the Berlin International Film Festival in 1982, she received the Silver Bear for her performance in ON PROBATION and she also was awarded the German Film Award for her part in HEIDE M.
  • Variety International Film Guide 1999

    Variety International Film Guide 1999

    Variety International Film Guide 1999 By Peter Cowie (ed.) London: Faber and Faber, 1998, ISBN 0-571-19411-7. 416 pp + illustration. £14.99 A review by Robert McMinn, University of Nottingham, UK This is Variety's annual snapshot of the state of the world-wide film industry, coupled with lists of useful addresses and references for national film archives, festivals, and the like. Its survey does its best to be as international as possible, with sections dedicated to 71 national industries, from Algeria to Zimbabwe. Each section is written by someone with local knowledge and local concerns, though inevitably a recurring theme is how the national industry suffers in comparison to the runaway success of the multiplex American film. So, in the United Kingdom the complaint (by Philip Kemp) is that successful films like The Full Monty and Bean are made with American money, while in Australia, we learn, local product doesn't get distribution outside large urban centres. One only needs to turn to the "World Box-Office Survey" section to see the evidence. If you could go back a couple of years and grab a small percentage point of just one film, it would be Men in Black, which features in the top ten films of almost every country listed, a phenomenal international success. The most successful British product, on this evidence, is not The Full Monty but Bean, showing that the almost-silent slapstick face-pulling comedy of Rowan Atkinson goes down well in Finland, Croatia, and Serbia alike. It's astonishing to see that, with over 1 million admissions, Bean was by far the most popular film in the Netherlands in 1997, with the all-conquering Men in Black beaten into fourth place.
  • Film Reviews Interviews Video Interviews

    Film Reviews Interviews Video Interviews

    berlinale 2019 EFM Coverage as of Feb 20, 2019 300 Photos published on facebook 34 videos published on youtube FILM REVIEWS AMAZING GRACE, A Long Delayed Aretha Franklin Film surfaces at Berlin '69 What she said: The Art of Pauline Kael review Leakage | Nasht by Suzan Iravanian (Forum): Berlinale Review The Golden Glove by Fatih Akin: Berlinale Review Sampled reviews of Jessica Forever A City Hunts for a Murderer, and a Forum film hunts for meaning Berlinale by Alex: Mid Point Festival Reviews MK2 is very proud from the reviews on the Varda doc The Ground beneath my Feet in review Sondre Fristad's First Feature The Writer at the Berlinale System Crasher in review: Amazing ! Forget about all other contenders Derek Jarman's THE GARDEN, starring Tilda Swinton, returns to Berlinale 28 years after its premiere DIE KINDER DER TOTEN - World Premiere and Q&A with Kelly Copper and Pavol Liska INTERVIEWS Xaver Böhm on O Beautiful Night: Interview at Berlinale 2019 Interview with Brazilian Director Marcus Ligocki at Berlinale Marie Kreuzer: The Ground beneath my feet The Writer: Interview with Sondre Fristad in Berlin Interview with Producer, Director Writer Stu Levy @ 2019 Berlinale Interview with Director Gustavo Steinberg for 'Tito and the Birds' (2018) Alexandr Gorchilin on his First Feature Acid VIDEO INTERVIEWS VIDEO: Dieter Kosslick recalls some nice moments on the red carpet VIDEO: Anthony Bregman describes IFP's programs suppporting independent film making VIDEO: IFP Anthony Bregman opening remarks on his producing experiences at Friday's
  • German Documentaries 2014 German Films Is the National Information and Advisory Center for the Promotion of German Films Worldwide

    German Documentaries 2014 German Films Is the National Information and Advisory Center for the Promotion of German Films Worldwide

    german documentaries 2014 German Films is the national information and advisory center for the promotion of German films worldwide. In association and cooperation with its shareholders, German Films works to promote feature, documentary, television and short films. The work of German Films concentrates on information services, as well as PR and marketing measures to increase the awareness and visibility of German films abroad. German Films also has foreign representatives in Eastern Europe, China and the USA. Shareholders are the Association of German Film Producers, the German Producers Alliance, the Association of German Film Exporters, the German Federal Film Board (FFA), the Deutsche Kinemathek, the German Documentary Association, FilmFernsehFonds Bayern, Film- und Medienstiftung NRW, Medienboard Berlin-Brandenburg, and the German Short Film Association. Range of activities • Close cooperation with major international film festivals, including Berlin, Cannes, Venice, San Sebastian, Locarno, Rome, Karlovy Vary, Montreal, Toronto, New York and Shanghai as well as with the documentary film festivals in Amsterdam, Sheffield, Toronto and Nyon • Organization of umbrella stands for German sales companies and producers at international television and film markets (Berlin, Cannes, AFM Los Angeles, Shanghai, Toronto) • Staging of Festivals of German Films and German Premieres in selected international territories • Providing advice and information for representatives of the international press and buyers from the fields of cinema, video, and