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Turkish German Muslims and Comedy Entertainment CURRENT ISSUES in ISLAM
Turkish German Muslims and Comedy Entertainment CURRENT ISSUES IN ISLAM Editiorial Board Baderin, Mashood, SOAS, University of London Fadil, Nadia, KU Leuven Goddeeris, Idesbald, KU Leuven Hashemi, Nader, University of Denver Leman, Johan, GCIS, emeritus, KU Leuven Nicaise, Ides, KU Leuven Pang, Ching Lin, University of Antwerp and KU Leuven Platti, Emilio, emeritus, KU Leuven Tayob, Abdulkader, University of Cape Town Stallaert, Christiane, University of Antwerp and KU Leuven Toğuşlu, Erkan, GCIS, KU Leuven Zemni, Sami, Universiteit Gent Turkish German Muslims and Comedy Entertainment Settling into Mainstream Culture in the 21st Century Benjamin Nickl Leuven University Press Published with the support of the Popular Culture Association of Australia and New Zealand University of Sydney and KU Leuven Fund for Fair Open Access Published in 2020 by Leuven University Press / Presses Universitaires de Louvain / Universitaire Pers Leuven. Minderbroedersstraat 4, B-3000 Leuven (Belgium). © Benjamin Nickl, 2020 This book is published under a Creative Commons Attribution Non-Commercial Non-Derivative 4.0 Licence. The licence allows you to share, copy, distribute and transmit the work for personal and non- commercial use providing author and publisher attribution is clearly stated. Attribution should include the following information: B. Nickl. 2019. Turkish German Muslims and Comedy Entertainment: Settling into Mainstream Culture in the 21st Century. Leuven, Leuven University Press. (CC BY-NC-ND 4.0) Further details about Creative Commons licences -
HOW to BERLINALE Una Breve Guía Para Presentar Tus Películas
HOW TO BERLINALE Una breve guía para presentar tus películas SECCIONES Y PROGRAMAS International Competition cuenta con unas 25 películas en la sección Oficial (dentro y fuera de la competición). Los premios son decididos por un Jurado Internacional. Contacto: [email protected] Berlinale Special y Berlinale Special Gala son programas comisariados por el director del festival. Sólo son accesibles con invitación y no acepta inscripciones. Se presentan nuevas producciones extraordinarias y películas de o sobre personalidades del mundo del cine, las cuales están estrechamente ligadas al festival. Contacto: [email protected] Panorama dentro de la Sección oficial (no competitiva) presenta nuevos trabajos de directores de renombre; muestra óperas primas y otros nuevos descubrimientos. La selección de los filmes da una visión global de las tendencias del arte cinematográfico mundial. Contacto: [email protected] Forum se centra en las nuevas tendencias en el cine mundial, formas de narración prometedoras y nuevas voces. Forum también destaca debuts de directores así como la innovación en los trabajos de jóvenes cineastas. El Forum Expanded se dedica a los límites entre cine y artes visuales. Es un programa comisariado por el Forum al que sólo se accede con invitación y no aceptan inscripciones. Contacto: [email protected] Generation abre Berlinale a los jóvenes y niños. Las competiciones de Kplus y 14plus no sólo presentan producciones realizadas especialmente para niños y jóvenes; también muestran películas dirigida a los jóvenes y a público de otras edades debido a su forma y contenido. El marketing potencial de estas películas se ve, de este modo, potenciado. Contacto: [email protected] Berlinale Shorts cuenta con cortometrajes de cineastas y artistas innovadores. -
Press Kit the CAPTAIN Film by Robert
Press kit THE CAPTAIN DER HAUPTMANN – Original title Written and directed by Robert Schwentke Produced by Filmgalerie 451 Saarbrücker Straße 24, 10405 Berlin Tel. +49 (0) 30 - 33 98 28 00 Fax +49 (0) 30 - 33 98 28 10 [email protected] www.filmgalerie451.de In co-production with Alfama Films and Opus Film THE CAPTAIN / DER HAUPTMANN directed by Robert Schwentke World Premiere at Toronto International Film Festival — Special Presentations Screening dates Press & Industry 1 09/07/17 3:00PM Scotiabank 14 (307) DCP 4K (D-Cinema) Public 1 09/09/17 3:15PM TIFF Bell Lightbox DCP 4K (D-Cinema) Cinema 1 (523) Public 2 09/11/17 4:15PM Scotiabank 10 (228) DCP 4K (D-Cinema) Press & Industry 2 09/13/17 11:30AM Scotiabank 8 (183) DCP 4K (D-Cinema) Public 3 09/16/17 3:30PM Scotiabank 14 (307) DCP 4K (D-Cinema) Press contact in Toronto Sunshine Sachs: Josh Haroutunian / [email protected] o: 323.822.9300 / c: 434.284.2076 Press photos Press photos you will get on our website (press) with the password: willkommen www.filmgalerie451.de World Sales Alfama Films www.alfamafilms.com Table of contents – Synopsis short – Synopsis long – Biography Robert Schwentke – Filmography Robert Schwentke – Director’s statement – Interview with director Robert Schwentke about THE CAPTAIN – Film information – Credits – About the Cast – Background information THE CAPTAIN – Willi Herold, a German life — The true story behind THE CAPTAIN – Nazi perpetrator, center-stage — by Olaf Möller 2 THE CAPTAIN / DER HAUPTMANN directed by Robert Schwentke Synopsis short In the last, desperate moments of World War II, a young German soldier fighting for survival finds a Nazi captain’s uniform. -
Industry Guide Focus Asia & Ttb / April 29Th - May 3Rd Ideazione E Realizzazione Organization
INDUSTRY GUIDE FOCUS ASIA & TTB / APRIL 29TH - MAY 3RD IDEAZIONE E REALIZZAZIONE ORGANIZATION CON / WITH CON IL CONTRIBUTO DI / WITH THE SUPPORT OF IN COLLABORAZIONE CON / IN COLLABORATION WITH CON LA PARTECIPAZIONE DI / WITH THE PARTICIPATION OF CON IL PATROCINIO DI / UNDER THE PATRONAGE OF FOCUS ASIA CON IL SUPPORTO DI/WITH THE SUPPORT OF IN COLLABORAZIONE CON/WITH COLLABORATION WITH INTERNATIONAL PARTNERS PROJECT MARKET PARTNERS TIES THAT BIND CON IL SUPPORTO DI/WITH THE SUPPORT OF CAMPUS CON LA PARTECIPAZIONE DI/WITH THE PARTICIPATION OF MAIN SPONSORS OFFICIAL SPONSORS FESTIVAL PARTNERS TECHNICAL PARTNERS ® MAIN MEDIA PARTNERS MEDIA PARTNERS CON / WITH FOCUS ASIA April 30/May 2, 2019 – Udine After the big success of the last edition, the Far East Film Festival is thrilled to welcome to Udine more than 200 international industry professionals taking part in FOCUS ASIA 2019! This year again, the programme will include a large number of events meant to foster professional and artistic exchanges between Asia and Europe. The All Genres Project Market will present 15 exciting projects in development coming from 10 different countries. The final line up will feature a large variety of genres and a great diversity of profiles of directors and producers, proving one of the main goals of the platform: to explore both the present and future generation of filmmakers from both continents. For the first time the market will include a Chinese focus, exposing 6 titles coming from China, Hong Kong and Taiwan. Thanks to the partnership with Trieste Science+Fiction Festival and European Film Promotion, Focus Asia 2019 will host the section Get Ready for Cannes offering to 12 international sales agents the chance to introduce their most recent line up to more than 40 buyers from Asia, Europe and North America. -
Stefan Zweig Farewell to Europe
Austria’s Official Entry for the Best Foreign Language Film - 89th Academy Awards® A DOR FILM, X FILME CREATIVE POOL, IDÉALE AUDIENCE, MAHA PRODUCTION STEFAN ZWEIG FAREWELL TO EUROPE A film by: Maria Schrader Starring: Josef Hader, Barbara Sukowa, Aenne Schwarz, Matthias Brandt, Charly Huebner, Stephen SInger Screenplay: Maria Schrader and Jan Schomburg press contact in US: SashaBerman at Shotwell Media 310-450-5571 [email protected] Table of Contents Short synopsis & press note …………………………………………………………………… 3 Cast ……............................................................................................................................ 4 Crew ……………………………………………………………………………………………… 6 Long Synopsis …………………………………………………………………………………… 7 Persons Index…………………………………………………………………………………….. 14 Interview with Maria Schrader ……………………………………………………………….... 17 Backround ………………………………………………………………………………………. 19 In front of the camera Josef Hader (Stefan Zweig)……………………………………...……………………………… 21 Barbara Sukowa (Friderike Zweig) ……………………………………………………………. 22 Aenne Schwarz (Lotte Zweig) …………………………….…………………………………… 23 Behind the camera Maria Schrader………………………………………….…………………………………………… 24 Jan Schomburg…………………………….………...……………………………………………….. 25 Danny Krausz ……………………………………………………………………………………… 26 Stefan Arndt …………..…………………………………………………………………….……… 27 Contacts……………..……………………………..………………………………………………… 28 ! ! ! ! ! ! ! Technical details Austria/Germany/France, 2016 Running time 106 Minutes Aspect ratio 2,39:1 Audio format 5.1 ! 2! “Each one of us, even the smallest and the most insignificant, -
30. World Film Festival Montréal Winner Bavarian Film Award
WINNER BAVARIAN FILM AWARD SPECIAL JURY PRIZE 2006 SÉLECTION OFFICIELLE 30. WORLD FILM FESTIVAL MONTRÉAL IN COMPETITION WORLD PREMIÉRE MONTREAL WORLD FILMFESTIVAL 2006 . FESTIVAL DES FILMS DU MONDE 2006 Screenings August 31, 2006 11:30 L’écran VISA au CINÉMA IMPÉRIAL August 31, 2006 19:00 THÉATRE MAISONNEUVE September 01, 2006 16:30 L’écran VISA au CINÉMA IMPÉRIAL PRESS Ana Radica Presse Organisation Herzog-Wilhelmstr. 27 80331 München Germany TEL. 0049.89.2366120 EMAIL [email protected] 02 TABLE OF CONTENTS PAGE 01 Short comment on „WARCHILD“ 04 02 Synopsis 05 03 Reviews 05 04 Main roles 06 05 Minor roles 07 06 Teamlist 08 07 Short summary 09 08 Directors comments 10 - 11 09 Characterization of the main fi gures 12 10 Biography Cast 13 - 16 11 Biography Crew 16 - 21 12 Shooting time, locations, technical dates 22 03 1 SHORT COMMENTS ON „WARCHILD“ Balkan Blues Trilogy II Warchild featuring Labina Mitevska and Katrin Sass (GOOD BYE, LENIN) and directed by acclaimed fi lmmaker Christian Wagner (WALLERS LAST TRIP/TRANSATLANTIS/GHETTO KIDS), presented by the prestigious 30. WORLD FILM FESTIVAL MONTRÉAL in competition. Christian Wagner‘s second part of the BALKAN BLUES TRILOGY stars Labina Mitevska and Katrin Sass. Mitevska (EUROPEAN SHOOTINGSTAR 1998) made her debut in BEFORE THE RAIN, a fi lm that won the Golden Lion at the Venice Film Festival, and has appeared in several Michael Winterbottom fi lms (WELCOME TO SARAJEVO and I WANT YOU). Katrin Sass, too, has a remarkable career to look back on. At the Berlin International Film Festival in 1982, she received the Silver Bear for her performance in ON PROBATION and she also was awarded the German Film Award for her part in HEIDE M. -
Variety International Film Guide 1999
Variety International Film Guide 1999 By Peter Cowie (ed.) London: Faber and Faber, 1998, ISBN 0-571-19411-7. 416 pp + illustration. £14.99 A review by Robert McMinn, University of Nottingham, UK This is Variety's annual snapshot of the state of the world-wide film industry, coupled with lists of useful addresses and references for national film archives, festivals, and the like. Its survey does its best to be as international as possible, with sections dedicated to 71 national industries, from Algeria to Zimbabwe. Each section is written by someone with local knowledge and local concerns, though inevitably a recurring theme is how the national industry suffers in comparison to the runaway success of the multiplex American film. So, in the United Kingdom the complaint (by Philip Kemp) is that successful films like The Full Monty and Bean are made with American money, while in Australia, we learn, local product doesn't get distribution outside large urban centres. One only needs to turn to the "World Box-Office Survey" section to see the evidence. If you could go back a couple of years and grab a small percentage point of just one film, it would be Men in Black, which features in the top ten films of almost every country listed, a phenomenal international success. The most successful British product, on this evidence, is not The Full Monty but Bean, showing that the almost-silent slapstick face-pulling comedy of Rowan Atkinson goes down well in Finland, Croatia, and Serbia alike. It's astonishing to see that, with over 1 million admissions, Bean was by far the most popular film in the Netherlands in 1997, with the all-conquering Men in Black beaten into fourth place. -
German Documentaries 2014 German Films Is the National Information and Advisory Center for the Promotion of German Films Worldwide
german documentaries 2014 German Films is the national information and advisory center for the promotion of German films worldwide. In association and cooperation with its shareholders, German Films works to promote feature, documentary, television and short films. The work of German Films concentrates on information services, as well as PR and marketing measures to increase the awareness and visibility of German films abroad. German Films also has foreign representatives in Eastern Europe, China and the USA. Shareholders are the Association of German Film Producers, the German Producers Alliance, the Association of German Film Exporters, the German Federal Film Board (FFA), the Deutsche Kinemathek, the German Documentary Association, FilmFernsehFonds Bayern, Film- und Medienstiftung NRW, Medienboard Berlin-Brandenburg, and the German Short Film Association. Range of activities • Close cooperation with major international film festivals, including Berlin, Cannes, Venice, San Sebastian, Locarno, Rome, Karlovy Vary, Montreal, Toronto, New York and Shanghai as well as with the documentary film festivals in Amsterdam, Sheffield, Toronto and Nyon • Organization of umbrella stands for German sales companies and producers at international television and film markets (Berlin, Cannes, AFM Los Angeles, Shanghai, Toronto) • Staging of Festivals of German Films and German Premieres in selected international territories • Providing advice and information for representatives of the international press and buyers from the fields of cinema, video, and -
Londonfilmevent Flyer.Indd
THE CAPTAIN DER HAUPTMANN OH BOY Credits are not contractual for any of the films mentioned in this publication. Screening schedule subject to change. Produced and published by German Films www.german-films.de • [email protected] FACE TO FACE WITH GERMAN TALENT: THE GERMAN FILM WEEKEND was curated by Tim Robey (The Telegraph) and is brought to you by Design: The Dream Factory www.thedreamfactory.eu Printing office: Gemini Print www.gemini-print.co.uk Press contact: Organic Publicity [email protected] Screening: Sunday 23 September 2018 6:00 p.m. Screening: Sunday 23 September 2018 8:30 p.m. © Filmgalerie 451 © Filmgalerie © Schiwago Film Venue: Regent Street Cinema www.regentstreetcinema.com Director Robert Schwentke Director Jan Ole Gerster Genre Drama Genre Tragicomedy Runtime 118 min Runtime 85 min Awards Jury Prize Best Cinematography San Sebastian 2017, Young Jury Award/ Awards Best Screenplay Award Munich 2012, Best Film & Audience Award, The Press Award Special Mention/The 20 Minutes of Audacity Prize Seymour Cassel Award Oldenburg 2012, Special Mention for director Les Arcs 2017, FIPRESCI Award Vilnius 2018, German Film Award 2018 Jan Ole Gerster Zurich 2012, Best Director, FIPRESCI Jury Award & (Best Sound Design) Fedeora Jury Award Bratislava 2012, Red Hering Award & Audience Award Tallinn 2012, Bavarian Film Prize 2012 (Best Actor: Tom Schilling & Best Screenplay), Special Jury Prize & Audience Award Angers 2013, LONDON PREMIERE: in UK cinemas in September, Focus Fox Grand Prix Sofia 2013, German Film Awards 2013 (Best Film: courtesy of Signature Entertainment Gold, Best Screenplay, Best Director, Best Leading Actor, Best Supporting Actor, Best Score) Chancing upon an abandoned uniform, a Wehrmacht deserter poses as a Nazi captain in the final weeks of the war, and finds himself disturbingly Niko (played by award-winning Tom Schilling from the 2017 FACE TO FACE German Films thanks its funding institutions for their support: well-suited to the job. -
German Films Quarterly 2 · 2004
German Films Quarterly 2 · 2004 AT CANNES In Competition DIE FETTEN JAHRE SIND VORBEI by Hans Weingartner FULFILLING EXPECTATIONS Interview with new FFA CEO Peter Dinges GERMAN FILM AWARD … and the nominees are … SPECIAL REPORT 50 Years Export-Union of German Cinema German Films and IN THE OFFICIAL PROGRAM OF THE In Competition In Competition (shorts) In Competition Out of Competition Die Fetten Der Tropical Salvador Jahre sind Schwimmer Malady Allende vorbei The Swimmer by Apichatpong by Patricio Guzman by Klaus Huettmann Weerasethakul The Edukators German co-producer: by Hans Weingartner Producer: German co-producer: CV Films/Berlin B & T Film/Berlin Thoke + Moebius Film/Berlin German producer: World Sales: y3/Berlin Celluloid Dreams/Paris World Sales: Celluloid Dreams/Paris Credits not contractual Co-Productions Cannes Film Festival Un Certain Regard Un Certain Regard Un Certain Regard Directors’ Fortnight Marseille Hotel Whisky Charlotte by Angela Schanelec by Jessica Hausner by Juan Pablo Rebella by Ulrike von Ribbeck & Pablo Stoll Producer: German co-producer: Producer: Schramm Film/Berlin Essential Film/Berlin German co-producer: Deutsche Film- & Fernseh- World Sales: Pandora Film/Cologne akademie (dffb)/Berlin The Coproduction Office/Paris World Sales: Bavaria Film International/ Geiselgasteig german films quarterly 2/2004 6 focus on 50 YEARS EXPORT-UNION OF GERMAN CINEMA 22 interview with Peter Dinges FULFILLING EXPECTATIONS directors’ portraits 24 THE VISIONARY A portrait of Achim von Borries 25 RISKING GREAT EMOTIONS A portrait of Vanessa Jopp 28 producers’ portrait FILMMAKING SHOULD BE FUN A portrait of Avista Film 30 actor’s portrait BORN TO ACT A portrait of Moritz Bleibtreu 32 news in production 38 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 38 DAS BLUT DER TEMPLER THE BLOOD OF THE TEMPLARS Florian Baxmeyer 39 BRUDERMORD FRATRICIDE Yilmaz Arslan 40 DIE DALTONS VS. -
Die Fremde) Phenomenon, That Is the Determining Factor
EN Foreword Textboxes offer a closer exploration of ideas and Honour crimes take place in many countries, within Her mother, speaking from within her own frame When We Leave issues raised by specific scenes in the film, and ask patriarchal communities. It is not religion but rather of reference, is the first to say: ‘You want too much’. a number of questions that invite debate about it. the patriarchal system, as a cultural and sociological She tells her daughter to ‘Stop dreaming!’ – being Europe’s cultural landscape is highly fragmented. the 23 official languages and the 27 Member States (Die Fremde) phenomenon, that is the determining factor. While a woman and a mother means making sacrifices. As dynamic as they may be, European sculptures, of the European Union during this month of May Winner of the European Parliament patriarchy is commonly found in Muslim com- But Umay’s immediate response is to challenge paintings, music, poetry, dance and literature are as part of the Festival of Europe. LUX Prize 2010 munities, these crimes cannot be laid at the door that idea. difficult to export outside their place of production. Background of Islam. The problem is an outmoded worldview As someone who has grown up in Germany, in Only a few artists and works make it abroad and find The aim is to create a European public space – a time A film by Feo Aladag that requires women and girls to submit to the contact with Western values, it is not surprising an audience outside their place of origin. and place where you, together with other European Germany, 2010; running time 119 minutes Honour crimes: bringing authority of the men in their families. -
MICHAEL HANEKE SONY WRMI 02Pressbook101909 Mise En Page 1 10/19/09 4:36 PM Page 2
SONY_WRMI_02Pressbook101909_Mise en page 1 10/19/09 4:36 PM Page 1 A film by MICHAEL HANEKE SONY_WRMI_02Pressbook101909_Mise en page 1 10/19/09 4:36 PM Page 2 East Coast Publicity West Coast Publicity Distributor IHOP BLOCK KORENBROT SONY PICTURES CLASSICS Jeff Hill Melody Korenbrot Carmelo Pirrone Jessica Uzzan Ziggy Kozlowski Lindsay Macik 853 7th Avenue, #3C 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-265-4373 tel 323-634-7001 tel 212-833-8833 tel 323-634-7030 fax 212-833-8844 fax SONY_WRMI_02Pressbook101909_Mise en page 1 10/19/09 4:36 PM Page 3 X FILME CREATIVE POOL, LES FILMS DU LOSANGE, WEGA FILM, LUCKY RED present THE WHITE RIBBON (DAS WEISSE BAND) A film by MICHAEL HANEKE A SONY PICTURES CLASSICS RELEASE US RELEASE DATE: DECEMBER 30, 2009 Germany / Austria / France / Italy • 2H25 • Black & White • Format 1.85 www.TheWhiteRibbonmovie.com SONY_WRMI_02Pressbook101909_Mise en page 1 10/19/09 4:36 PM Page 4 Q & A WITH MICHAEL HANEKE Q: What inspired you to focus your story on a village in Northern Germany just prior to World War I? A: Why do people follow an ideology? German fascism is the best-known example of ideological delusion. The grownups of 1933 and 1945 were children in the years prior to World War I. What made them susceptible to following political Pied Pipers? My film doesn’t attempt to explain German fascism. It explores the psychological preconditions of its adherents. What in people’s upbringing makes them willing to surrender their responsibilities? What in their upbringing makes them hate? Q.