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1563812647Filesdcbrochure2.Pdf 58E SEMAINE DE LA CRITIQUE LE JOYEUX MÉLANGE DES GENRES Fidèle à la mission de la Semaine de la Critique, cette 58e sélection fait le pari de la découverte à travers onze premiers et seconds longs métrages qui révèlent autant de nouveaux regards. Plusieurs cinéastes détournent les codes du genre et les mélangent pour mieux nous surprendre. Véritable sensation du dernier festival de Cannes, J’ai perdu mon corps est un film d’animation d’une grande modernité qui conjugue différents rythmes et tonalités. Avec A White, White Day, Hlynur Pálmason réalise un faux polar autour de la quête obsessionnelle de vengeance d’un mari trompé. Dans Les héros ne meurent jamais, Aude Léa Rapin joue avec les codes de la fiction et du documentaire pour questionner nos convictions de spectateurs. Quant à Lorcan Finnegan, il enferme Jesse Eisenberg dans Vivarium, huis clos fantastique nourri des angoisses des jeunes trentenaires d’aujourd’hui. D’autres cinéastes explorent la cellule familiale, véritable concentré de vie qui nous apprend aussi la mort. Litigante de Franco Lolli dresse le portrait poignant d’une femme confrontée à un moment crucial de sa vie. Dans Ceniza Negra, Sofía Quirós Ubeda insuffle du réalisme magique au récit initiatique d’une adolescente élevée par ses grands-parents. Enfin, Dwelling in the Fuchun Mountains de Gu Xiaogang suit le destin d’une famille chinoise qui s’écoule au rythme de la nature. 58TH SEMAINE DE LA CRITIQUE (CRITICS’ Week) THE JOYOUS MIX OF GENRES Cette programmation est aussi l’occasion de découvrir deux Faithful to the mission of the Critics’ Week, this 58th selection regards singuliers venus du monde arabe. Avec son surprenant takes up the challenge of discovery through eleven first and Miracle du Saint Inconnu, Alaa Eddine Aljem interroge les second feature films that reveal as many new visions. Many croyances populaires à travers un conte burlesque aux allures filmmakers divert the genre codes and mix them to better de western. Dans le puissant et hypnotique Abou Leila, Amin surprise us. A genuine sensation of the last Cannes Film Sidi-Boumédiène nous plonge dans les années noires de la Festival, “J’ai perdu mon corps” (I Lost My Body) is an animation guerre civile d’Algérie et questionne notre relation à la violence. film of great modernity which combines different rhythms and tonalities. With “A White, White Day”, Hlynur Pálmason makes a faux-polar around the obsessional quest for revenge of a Enfin, deux films se démarquent par leur bouleversante justesse cheated husband. In “Les héros ne meurent jamais” (Heroes de ton. Dans Nuestras Madres, récompensé par la Caméra Never Die), Aude Léa Rapin plays with the codes of fiction and d’or, César Diaz revient sur l’épisode tragique des disparus de documentary to question our convictions as spectators. As for la dictature militaire du Guatemala et redonne une dignité à Lorcan Finnegan, he locks up Jesse Eisenberg in “Vivarium”, tous ces visages humiliés. Pour son premier passage derrière a fantastic “huis clos” fed by the anguish of today's young la caméra, Hafsia Herzi, comédienne révélée chez Abdellatif tricenarians. Kechiche, dresse le portrait tendre et décomplexé d’une femme en quête d’amour. Né d’un besoin impérieux de filmer, Tu mérites un amour porte en lui la spontanéité et l’honnêteté des Other filmmakers explore the family cell, a real life concentrate premiers gestes de cinéma. that also teaches us death. “Litigante” by Franco Lolli paints a poignant portrait of a woman confronted to a crucial moment in her life. In “Ceniza Negra” (Land of Ashes), Sofía Quirós Ubeda infuses magical realism to the journey of initiation of an adolescent raised by her grandparents. Finally, “Dwelling in the Fuchun Mountains” by Gu Xiaogang follows one family’s destiny, rhythmed by the course of nature. Rémi Bonhomme Coordinateur général Semaine de la Critique This program is also an opportunity to discover two unique Mardi de 8 à 18 Tuesday from 8 to 6 points of views from the Arab world. With his surprising Cecilia de Arce “Unknown Saint”, Alaa Eddine Aljem questions popular beliefs through a Western-style burlesque tale. In the powerful and Court Métrage Short Film hypnotic “Abou Leila”, Amin Sidi-Boumédiène plunges us 2019 - Belgique, France, Costa Rica Belgium, France, Costa Rica | 20' into the dark years of the Algerian civil war and questions our VO espagnol ST français In Spanish with French subtitles relationship to violence. PRODUCTION: Jean-Christophe, Reymond Amaury Ovise | SCÉNARIO | SCREENPLAY: Cecilia de Arce, Patricia Mortagne | IMAGE | CINEMATOGRAPHY: Noé Bachs | Finally, two films are distinguished by their overwhelming tone MONTAGE | EDITING: Flora Volpelière | SON | SOUND: Lionel Dousset, Clément Maléo, Samuel Aïchoun | DÉCORS | PRODUCTION DESIGN: Loïc Vanelle | MUSIQUE | MUSIC: accuracy. In “Nuestras Madres” (Our Mothers), winner of the Marc Bret-Vittoz | INTERPRÈTES | CAST: Rime Nahmani, Hicham Talib, Tobias Caméra d’or, César Diaz returns to the tragic episode of the Nuytten, Big John de Paname, Rebecca Finet, Chainez Dehchar, Florian Lemaire disappeared under the military dictatorship of Guatemala and Névine, surveillante dans un Névine, a secondary school restores the dignity of all these humiliated faces. In her first collège, met tout son cœur dans monitor, is fully committed to role behind the camera, Hafsia Herzi, the actress revealed by ce petit boulot un peu ingrat entre her somewhat thankless day Abdellatif Kechiche, draws the tender and uninhibited portrait les profs, l’administration et les job, dealing with teachers, of a woman in search of love. Born of a compelling need to film, élèves. Logan, un collégien qu’elle administration and students. “Tu mérites un amour” (You Deserve a Lover) carries in it the apprécie, insiste pour récupérer Logan, a pupil she is fond of, spontaneity and honesty of cinema’s first gestures. une casquette aux objets insists on getting a cap back from trouvés. Elle ne se doute pas des lost and found. She has no idea of conséquences que son geste va the consequences of her gesture. entraîner. Cecilia de Arce est Cecilia de Arce is a director réalisatrice et scénariste and screenwriter who diplômée de l’école 3IS graduated from 3iS in 2015. Rémi Bonhomme en 2015. Son film de fin Her graduation film, “Une sur d’études, Une sur Trois, Trois”, was selected at the Programme manager est sélectionné au Festival Clermont-Ferrand Festival Semaine de la Critique de Clermont-Ferrand la the same year and won the même année et reçoit le prix Award for Best Actress. d’interprétation féminine. Grand Prix Nespresso J’ai perdu mon corps I Lost My Body Fakh The Trap Jérémy Clapin Nada Riyadh Long Métrage Feature Film Court Métrage Short Film 2019 - France | 81' 2019 - Égypte, Allemagne Egypt, Germany | 20′ VO français ST anglais In French with English subtitles VO arabe ST français In Arabic with French subtitles PRODUCTION: Marc Du Pontavice | SCÉNARIO | SCREENPLAY: Jérémy Clapin, PRODUCTION: Ayman El Amir, Eva Schellenbeck, Gregor Streiber | SCÉNARIO Guillaume Laurant | EDITING: Benjamin Massoubre | SON | SOUND: Manuel | SCREENPLAY: Nada Riyadh | IMAGE | CINEMATOGRAPHY: Ahmad Jalboush | Drouglazet, Anne-Sophie Coste, Jérôme Wiciak | DÉCORS | PRODUCTION DESIGN: MONTAGE | EDITING: Amir Ahmad | SON | SOUND: Moustafa Shaaban, Ansgar Frerich Fursy Teyssier, Jeoffrey Magellan | MUSIQUE | MUSIC: Dan Levy | INTERPRÈTES | | MUSIQUE | MUSIC: Asmaa Azouz | INTERPRÈTES | CAST: Shaza Moharam, Islam CAST: Hakim Faris, Victoire Du Bois, Patrick D’Assumçao Alaa, Nabil Nour El Din À Paris, la main tranchée d’un A cut-off hand escapes from a Loin des regards indiscrets, un Away from prying eyes, a young jeune homme s’échappe d’une dissection lab with one crucial jeune couple non marié se réfugie unmarried couple retreat to the salle de dissection, bien décidée goal: to get back to its body. As it au fin fond d’une station balnéaire depth of a desolate run-down à retrouver son corps. Au cours scrambles through the pitfalls of à l’abandon pour faire l’amour. Egyptian seaside resort, to de sa cavale semée d’embûches Paris, it remembers its life with the Le rapport de forces au sein du make love. The power dynamic à travers la ville, elle se remémore young man it was once attached couple est mis à l’épreuve quand between them is tested, when toute sa vie commune avec to… until they met Gabrielle. la fille révèle vouloir mettre un the girl reveals she wants their lui, jusqu’à sa rencontre avec terme à leur relation. relationship to end. Gabrielle. Jérémy Clapin débute sa Jérémy Clapin started as Nada Riyadh est une Nada Riyadh is an Egyptian carrière comme graphiste et a graphic designer and scénariste et réalisatrice screenwriter and director. illustrateur pour la presse et illustrator in publishing and égyptienne. Son premier Her debut documentary l’édition. Il travaille ensuite the press. He then worked court-métrage Happily Ever film “Happily Ever After” dans la publicité et réalise in advertising and directed After a été présenté pour la premiered at IDFA in 2016, plusieurs court-métrages. several short films. première fois à IDFA en 2016 and was later screened in avant d’être projeté dans more than 20 international plus de 20 festivals de films film festivals. internationaux. Prix Canal+ du court métrage The Unknown Saint Le Miracle du Saint Inconnu Ikki illa meint Sans mauvaise intention | No ill will Alaa Eddine Aljem Andrias Høgenni Long Métrage Feature Film Court Métrage Short Film 2019 - Maroc, France, Qatar Morocco, France, Qatar
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