DOCSLIB.ORG

1563812647Filesdcbrochure2.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1563812647Filesdcbrochure2.Pdf 58E SEMAINE DE LA CRITIQUE LE JOYEUX MÉLANGE DES GENRES Fidèle à la mission de la Semaine de la Critique, cette 58e sélection fait le pari de la découverte à travers onze premiers et seconds longs métrages qui révèlent autant de nouveaux regards. Plusieurs cinéastes détournent les codes du genre et les mélangent pour mieux nous surprendre. Véritable sensation du dernier festival de Cannes, J’ai perdu mon corps est un film d’animation d’une grande modernité qui conjugue différents rythmes et tonalités. Avec A White, White Day, Hlynur Pálmason réalise un faux polar autour de la quête obsessionnelle de vengeance d’un mari trompé. Dans Les héros ne meurent jamais, Aude Léa Rapin joue avec les codes de la fiction et du documentaire pour questionner nos convictions de spectateurs. Quant à Lorcan Finnegan, il enferme Jesse Eisenberg dans Vivarium, huis clos fantastique nourri des angoisses des jeunes trentenaires d’aujourd’hui. D’autres cinéastes explorent la cellule familiale, véritable concentré de vie qui nous apprend aussi la mort. Litigante de Franco Lolli dresse le portrait poignant d’une femme confrontée à un moment crucial de sa vie. Dans Ceniza Negra, Sofía Quirós Ubeda insuffle du réalisme magique au récit initiatique d’une adolescente élevée par ses grands-parents. Enfin, Dwelling in the Fuchun Mountains de Gu Xiaogang suit le destin d’une famille chinoise qui s’écoule au rythme de la nature. 58TH SEMAINE DE LA CRITIQUE (CRITICS’ Week) THE JOYOUS MIX OF GENRES Cette programmation est aussi l’occasion de découvrir deux Faithful to the mission of the Critics’ Week, this 58th selection regards singuliers venus du monde arabe. Avec son surprenant takes up the challenge of discovery through eleven first and Miracle du Saint Inconnu, Alaa Eddine Aljem interroge les second feature films that reveal as many new visions. Many croyances populaires à travers un conte burlesque aux allures filmmakers divert the genre codes and mix them to better de western. Dans le puissant et hypnotique Abou Leila, Amin surprise us. A genuine sensation of the last Cannes Film Sidi-Boumédiène nous plonge dans les années noires de la Festival, “J’ai perdu mon corps” (I Lost My Body) is an animation guerre civile d’Algérie et questionne notre relation à la violence. film of great modernity which combines different rhythms and tonalities. With “A White, White Day”, Hlynur Pálmason makes a faux-polar around the obsessional quest for revenge of a Enfin, deux films se démarquent par leur bouleversante justesse cheated husband. In “Les héros ne meurent jamais” (Heroes de ton. Dans Nuestras Madres, récompensé par la Caméra Never Die), Aude Léa Rapin plays with the codes of fiction and d’or, César Diaz revient sur l’épisode tragique des disparus de documentary to question our convictions as spectators. As for la dictature militaire du Guatemala et redonne une dignité à Lorcan Finnegan, he locks up Jesse Eisenberg in “Vivarium”, tous ces visages humiliés. Pour son premier passage derrière a fantastic “huis clos” fed by the anguish of today's young la caméra, Hafsia Herzi, comédienne révélée chez Abdellatif tricenarians. Kechiche, dresse le portrait tendre et décomplexé d’une femme en quête d’amour. Né d’un besoin impérieux de filmer, Tu mérites un amour porte en lui la spontanéité et l’honnêteté des Other filmmakers explore the family cell, a real life concentrate premiers gestes de cinéma. that also teaches us death. “Litigante” by Franco Lolli paints a poignant portrait of a woman confronted to a crucial moment in her life. In “Ceniza Negra” (Land of Ashes), Sofía Quirós Ubeda infuses magical realism to the journey of initiation of an adolescent raised by her grandparents. Finally, “Dwelling in the Fuchun Mountains” by Gu Xiaogang follows one family’s destiny, rhythmed by the course of nature. Rémi Bonhomme Coordinateur général Semaine de la Critique This program is also an opportunity to discover two unique Mardi de 8 à 18 Tuesday from 8 to 6 points of views from the Arab world. With his surprising Cecilia de Arce “Unknown Saint”, Alaa Eddine Aljem questions popular beliefs through a Western-style burlesque tale. In the powerful and Court Métrage Short Film hypnotic “Abou Leila”, Amin Sidi-Boumédiène plunges us 2019 - Belgique, France, Costa Rica Belgium, France, Costa Rica | 20' into the dark years of the Algerian civil war and questions our VO espagnol ST français In Spanish with French subtitles relationship to violence. PRODUCTION: Jean-Christophe, Reymond Amaury Ovise | SCÉNARIO | SCREENPLAY: Cecilia de Arce, Patricia Mortagne | IMAGE | CINEMATOGRAPHY: Noé Bachs | Finally, two films are distinguished by their overwhelming tone MONTAGE | EDITING: Flora Volpelière | SON | SOUND: Lionel Dousset, Clément Maléo, Samuel Aïchoun | DÉCORS | PRODUCTION DESIGN: Loïc Vanelle | MUSIQUE | MUSIC: accuracy. In “Nuestras Madres” (Our Mothers), winner of the Marc Bret-Vittoz | INTERPRÈTES | CAST: Rime Nahmani, Hicham Talib, Tobias Caméra d’or, César Diaz returns to the tragic episode of the Nuytten, Big John de Paname, Rebecca Finet, Chainez Dehchar, Florian Lemaire disappeared under the military dictatorship of Guatemala and Névine, surveillante dans un Névine, a secondary school restores the dignity of all these humiliated faces. In her first collège, met tout son cœur dans monitor, is fully committed to role behind the camera, Hafsia Herzi, the actress revealed by ce petit boulot un peu ingrat entre her somewhat thankless day Abdellatif Kechiche, draws the tender and uninhibited portrait les profs, l’administration et les job, dealing with teachers, of a woman in search of love. Born of a compelling need to film, élèves. Logan, un collégien qu’elle administration and students. “Tu mérites un amour” (You Deserve a Lover) carries in it the apprécie, insiste pour récupérer Logan, a pupil she is fond of, spontaneity and honesty of cinema’s first gestures. une casquette aux objets insists on getting a cap back from trouvés. Elle ne se doute pas des lost and found. She has no idea of conséquences que son geste va the consequences of her gesture. entraîner. Cecilia de Arce est Cecilia de Arce is a director réalisatrice et scénariste and screenwriter who diplômée de l’école 3IS graduated from 3iS in 2015. Rémi Bonhomme en 2015. Son film de fin Her graduation film, “Une sur d’études, Une sur Trois, Trois”, was selected at the Programme manager est sélectionné au Festival Clermont-Ferrand Festival Semaine de la Critique de Clermont-Ferrand la the same year and won the même année et reçoit le prix Award for Best Actress. d’interprétation féminine. Grand Prix Nespresso J’ai perdu mon corps I Lost My Body Fakh The Trap Jérémy Clapin Nada Riyadh Long Métrage Feature Film Court Métrage Short Film 2019 - France | 81' 2019 - Égypte, Allemagne Egypt, Germany | 20′ VO français ST anglais In French with English subtitles VO arabe ST français In Arabic with French subtitles PRODUCTION: Marc Du Pontavice | SCÉNARIO | SCREENPLAY: Jérémy Clapin, PRODUCTION: Ayman El Amir, Eva Schellenbeck, Gregor Streiber | SCÉNARIO Guillaume Laurant | EDITING: Benjamin Massoubre | SON | SOUND: Manuel | SCREENPLAY: Nada Riyadh | IMAGE | CINEMATOGRAPHY: Ahmad Jalboush | Drouglazet, Anne-Sophie Coste, Jérôme Wiciak | DÉCORS | PRODUCTION DESIGN: MONTAGE | EDITING: Amir Ahmad | SON | SOUND: Moustafa Shaaban, Ansgar Frerich Fursy Teyssier, Jeoffrey Magellan | MUSIQUE | MUSIC: Dan Levy | INTERPRÈTES | | MUSIQUE | MUSIC: Asmaa Azouz | INTERPRÈTES | CAST: Shaza Moharam, Islam CAST: Hakim Faris, Victoire Du Bois, Patrick D’Assumçao Alaa, Nabil Nour El Din À Paris, la main tranchée d’un A cut-off hand escapes from a Loin des regards indiscrets, un Away from prying eyes, a young jeune homme s’échappe d’une dissection lab with one crucial jeune couple non marié se réfugie unmarried couple retreat to the salle de dissection, bien décidée goal: to get back to its body. As it au fin fond d’une station balnéaire depth of a desolate run-down à retrouver son corps. Au cours scrambles through the pitfalls of à l’abandon pour faire l’amour. Egyptian seaside resort, to de sa cavale semée d’embûches Paris, it remembers its life with the Le rapport de forces au sein du make love. The power dynamic à travers la ville, elle se remémore young man it was once attached couple est mis à l’épreuve quand between them is tested, when toute sa vie commune avec to… until they met Gabrielle. la fille révèle vouloir mettre un the girl reveals she wants their lui, jusqu’à sa rencontre avec terme à leur relation. relationship to end. Gabrielle. Jérémy Clapin débute sa Jérémy Clapin started as Nada Riyadh est une Nada Riyadh is an Egyptian carrière comme graphiste et a graphic designer and scénariste et réalisatrice screenwriter and director. illustrateur pour la presse et illustrator in publishing and égyptienne. Son premier Her debut documentary l’édition. Il travaille ensuite the press. He then worked court-métrage Happily Ever film “Happily Ever After” dans la publicité et réalise in advertising and directed After a été présenté pour la premiered at IDFA in 2016, plusieurs court-métrages. several short films. première fois à IDFA en 2016 and was later screened in avant d’être projeté dans more than 20 international plus de 20 festivals de films film festivals. internationaux. Prix Canal+ du court métrage The Unknown Saint Le Miracle du Saint Inconnu Ikki illa meint Sans mauvaise intention | No ill will Alaa Eddine Aljem Andrias Høgenni Long Métrage Feature Film Court Métrage Short Film 2019 - Maroc, France, Qatar Morocco, France, Qatar
Load more

Recommended publications
  • Rhetoric and Resistance in Black Women's Autobiography
    Rhetoric and Resistance in Black Women’s Autobiography Copyright 2003 by Johnnie M. Stover. This work is licensed under a modified Creative Commons Attribution-Noncommercial-No De- rivative Works 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/. You are free to electronically copy, distribute, and transmit this work if you attribute authorship. However, all printing rights are reserved by the University Press of Florida (http://www.upf.com). Please con- tact UPF for information about how to obtain copies of the work for print distribution. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). For any reuse or distribution, you must make clear to others the license terms of this work. Any of the above conditions can be waived if you get permis- sion from the University Press of Florida. Nothing in this license impairs or restricts the author’s moral rights. Florida A&M University, Tallahassee Florida Atlantic University, Boca Raton Florida Gulf Coast University, Ft. Myers Florida International University, Miami Florida State University, Tallahassee New College of Florida University of Central Florida, Orlando University of Florida, Gainesville University of North Florida, Jacksonville University of South Florida, Tampa University of West Florida, Pensacola Rhetoric and Resistance in Black Women’s Autobiography ° Johnnie M. Stover University Press of Florida Gainesville/Tallahassee/Tampa/Boca Raton Pensacola/Orlando/Miami/Jacksonville/Ft. Myers Copyright 2003 by Johnnie M.
    [Show full text]
  • Examining Maternal Ambivalence and Refusal in Black Motherhood
    Georgia State University ScholarWorks @ Georgia State University Institute for Women's, Gender, and Sexuality Women's, Gender, and Sexuality Studies Theses Studies 5-2-2018 Our Sacrifice Shall Not Be Required: Examining Maternal Ambivalence and Refusal in Black Motherhood Candice J. Merritt Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/wsi_theses Recommended Citation Merritt, Candice J., "Our Sacrifice Shall Not Be Required: Examining Maternal Ambivalence and Refusal in Black Motherhood." Thesis, Georgia State University, 2018. https://scholarworks.gsu.edu/wsi_theses/66 This Thesis is brought to you for free and open access by the Institute for Women's, Gender, and Sexuality Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Women's, Gender, and Sexuality Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact scholarworks@gsu.edu. OUR SACRIFICE SHALL NOT BE REQUIRED: EXAMINING MATERNAL AMBIVALENCE AND REFUSAL IN BLACK MOTHERHOOD by CANDICE J. MERRITT Under the Direction of Tiffany King, PhD ABSTRACT This thesis articulates motherhood as both a liberal and black humanist formation that conditions black women to mother and attempts to untether maternity from the black female body. By centering maternal ambivalence—the desire and distaste for motherhood—in selected works by black women, this thesis argues that black motherhood is an ambivalent site for some black women. Motherhood can be a site of joy and displeasure; sacrifice and refusal; life and death. INDEX WORDS: Black Motherhood, Maternal Ambivalence, Black Feminism OUR SACRIFICE SHALL NOT BE REQUIRED: EXAMINING MATERNAL AMBIVALENCE AND REFUSAL IN BLACK MOTHERHOOD by Candice J.
    [Show full text]
  • Historical Studies Journal Historical Studies
    Historical Studies University of Colorado Denver University of Journal Spring 2017 . Volume 34 Historical StudiesHistorical Journal OCCUPATION BABIES COME OF AGE Japanese War Brides and their Children Post-World War II A Gender History HISTORIC PRESERVATION Spring 2017 Spring IN AMERICA A Brief Overview . AMERICA’S FRONTIERS 34 Volume AND BORDERLANDS A Look into Manifest Destiny and Native American Sustainability and Religion DECONSTRUCTING INTERPRETATION An Exploration of Historical Methodology and Primary Sources THE TIVOLI A Historic Preservation Marvel Historical Studies Journal Spring 2017 . Volume 34 EDITOR: Erica Fontenot, Graduate Student ASSISTANT EDITORS: Glendon Butterfield, Graduate Student Laura Hogg, Graduate Student Brittany Huner, Graduate Student Emma Lane, Graduate Student Thomas James Trump, Graduate Student Evan West, Graduate Student Thomas J. Noel, Faculty Advisor DESIGNERS: Shannon Fluckey and Kristen Morrison Integrated Marketing & Communications Auraria Higher Education Center Department of History University of Colorado Denver Kariann Yokota, Ph.D., Brandon Mills, PH.D. Department Chair 19th Century U.S. History, The United Colonial and Early U.S., Pacific Rim States and the World, Imperialism, Racial Identity Christopher Agee, Ph.D. 20th Century U.S., Urban History, Thomas J. Noel, Ph.D. Social Movements, Crime and Policing American West, Art & Architecture, Public History & Preservation, Colorado Ryan Crewe, Ph.D. Latin America, Colonial Mexico, Kelly Palmer, Ph.D. Transpacific History Modern Europe and France James E. Fell, Jr., Ph.D. Stacey Pendleton, M.A. American West, Civil War, Cold War/US, Modern Britain Environmental, Film History Carl Pletsch, Ph.D. Gabriel Finkelstein, Ph.D. Intellectual History (European and Modern Europe, Germany, American), Modern Europe History of Science, Exploration Myra Rich, Ph.D., Emerita Mark Foster, Ph.D., Emeritus U.S.
    [Show full text]
  • Film Reference Guide
    REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld.
    [Show full text]
  • At Cannes, Modhura Palit Gets India Its Moment in The
    EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE DELHI THE HINDU 20 LIFE SUNDAY, MAY 26, 2019 EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE IN BRIEF At Cannes, Modhura Palit gets India its moment in the sun The young cinematographer received a special encouragement award during the Pierre Angénieux ExcelLens in Cinematography ceremony Namrata Joshi Ms. Palit, dressed in an filmmaker Rajiv Menon, Prince in 2010, Inside Llewyn Chokri’s A Brother’s Love kerci­Porst (producer, Ger­ Cannes orange and green silk sari, is while congratulating Ms. Pa­ Davis in 2014 and Darkest and Michael Angelo Covino’s many), Lisandro Alonso (di­ India had a brief moment in the first Indian and the first lit, said that it was an honour hour in 2018). The Climb, respectively. rector, Argentina) and Lukas British, Irish climbers the sun at the Cannes Film woman to get this recogni­ to see a young Indian cine­ Meanwhile,
    [Show full text]
  • Motherhood in Science – How Children Change Our Academic Careers
    October 2020 Motherhood in Science – How children change our academic careers Experiences shared by the GYA Women in Science Working Group Nova Ahmed, Amal Amin, Shalini S. Arya, Mary Donnabelle Balela, Ghada Bassioni, Flavia Ferreira Pires, Ana M. González Ramos, Mimi Haryani Hassim, Roula Inglesi-Lotz, Mari-Vaughn V. Johnson, Sandeep Kaur-Ghumaan, Rym Kefi-Ben Atig, Seda Keskin, Sandra López-Vergès, Vanny Narita, Camila Ortolan Cervone, Milica Pešic, Anina Rich, Özge Yaka, Karin Carmit Yefet, Meron Zeleke Eresso Motherhood in Science Motherhood in Science Table of Contents Preface The modern scientist’s journey towards excellence is multidimensional and requires skills in balancing all the responsibilities consistently and in a timely Preface 3 manner. Even though progress has been achieved in recent times, when the Chapter 1: Introductory thoughts 5 academic is a “mother”, the roles toggle with different priorities involving ca- Section 1: Setting the scene of motherhood in science nowadays 8 reer, family and more. A professional mother working towards a deadline may Chapter 2: Why do we translate family and employment as competitive spheres? 8 change her role to a full-time mother once her child needs exclusive attention. Chapter 3: The “Problem that Has No Name”: giving voice to invisible Mothers-to-Be The experience of motherhood is challenging yet humbling as shared by eight- in academia 16 Chapter 4: Motherhood and science – who knew? 24 een women from the Women in Science Working Group of the Global Young Academy in this publication. Section 2: Balancing science and motherhood 29 Chapter 5: Motherhood: a journey of surprises 29 The decision of a woman to become a mother is rooted in a range of reasons Chapter 6: Following a schedule 32 Chapter 7: Motivation, persistence and harmony 35 – genetic, cultural, harmonic, societal, and others.
    [Show full text]
  • Curriculum Vitae
    Curriculum Vita ROSETTA E. ROSS, Ph.D. Spelman College 350 Spelman Lane, SW Atlanta, GA 30314 (404) 270-5527/270-5523 (fax) Education 1995 Ph.D., Religion (Religious Ethics), concentration in Christian Ethics with a focus on religion and Civil Rights activism, Emory University, Atlanta, Georgia. 1989 M.Div., Candler School of Theology, Emory University, Atlanta, Georgia. 1979 M.A., English (American Literature), with a focus on the fiction of American author Joseph Heller, Howard University, Washington, District of Columbia. 1975 B.A., English, The College of Charleston, Charleston, South Carolina Teaching Posts 2003-present Professor of Religion, Spelman College. Associate Professor of Religion, Spelman College (2003-2011). 1999-2003 McVay Associate Professor of Ethics, United Theological Seminary. 1994-1999 Assistant Professor of Ethics, Interdenominational Theological Center. Other Experience 2008-2009 Interim Associate Dean for Academic Affairs, Howard University Divinity School. Spring, 2006 Visiting Scholar, Africa University, Mutare, Zimbabwe. Fall, 2002 Exchange Faculty, Hamline University, St. Paul, Minnesota. 1996-1997 Acting Director, Black Church Studies, Candler School of Theology, Emory University. Scholarly Foci Disciplinary Studies: Religious Studies, Christian Ethics. Sub-disciplinary Topics: Ethics and Social Justice The Civil Rights Movement; Religion and Black Women’s Activism; Womanist Religious Thought; Black Women Civil Rights Activists. Black Religions and Identity Religion and African American Identity; Continental and Diasporan African Women’s Religious Identities and Engagement. Religious Studies The Academic Study of Religions; Theory and Methods in Religious Studies. Research and Publications Books and Monographs Academic African American Women in the NAACP: Religion, Social Advocacy, and Self-Regard, in preparation. Black Women and Religious Cultures, New Journal Founder and Editor, first issue, Volume 1, Issue 1, November 2020, hosted by Manifold at the University of Minnesota Press.
    [Show full text]
  • This Two-Spirit Manual Was Created out of Resources That Have Already
    1 A JOURNEY OF HEALING: TWO-SPIRIT PEOPLES JOINING THE CIRCLE HOLISTIC WELLNESS AND RESOURCE MANUAL MARCH 2009 All Nations Hope AIDS Network - March 2009 2 ALL NATIONS HOPE AIDS NETWORK (ANHAN) A Journey of Healing: Two-Spirit Peoples Joining the Circle HOLISTIC WELLNESS AND RESOURCE MANUAL FOR TWO-SPIRIT INDIVIDUALS AND SERVICE PROVIDERS The Two-Spirit Project was financed by Non-Reserve First Nation, Inuit and Métis Communities HIV/AIDS Fund. The views expressed herein are those of the authors and not necessarily those of the funding agencies or the All Nations Hope AIDS Network. Content compiled by Wesley Keewatin, Two-Spirit Project Coordinator Edited by Bev Cardinal, Project Consultant Regina, Saskatchewan March 2009 All Nations Hope AIDS Network - March 2009 3 DISCLAIMER Many teachings introduced in the Two-Spirit Project manual were not defined by which First Nation group gave the specific teaching. Each teaching is only a reference and each individual is invited to find his/her own identity within his/her own First Nation group. The teachings vary from nation to nation although there are similarities. These teachings were introduced to show the significance of the teachings and how they may apply today. It is very important for the individual to find his/her own First Nation’s teachings because it is in the relevance of the teachings that connections are made with our ancestral memory. It is with this connection that the healing journey begins for many Aboriginal people. This manual also relies heavily on external sources and materials. Every effort has been made to accurately identify and credit the primary sources of this information.
    [Show full text]
  • A N T I V I R a L
    A N T I V I R A L PRESS KIT 1 ANTIVIRAL PRESS KIT CONTENTS Short Synopsis……………………………………………………………... 2 Long Synopsis……………………………………………………………… 2 Production Notes…………………………………………………………… 5 CAST BIOGRAPHIES……………………………………………………... 11 Caleb Landry Jones Sarah Gadon Malcolm McDowell Nicholas Campbell Douglas Smith Wendy Crewson Sheila McCarthy CREATIVE TEAM BIOGRAPHIES………………………………………..16 Brandon Cronenberg writer/director Niv Fichman, producer Andrea Raffaghello, line producer Karim Hussain, director of photography Arvinder Grewal, production designer PRODUCTION COMPANY PROFILE…………………………………… 20 Rhombus Media Inc. 2 ANTIVIRAL SHORT SYNOPSIS Syd March is an employee at a clinic that sells injections of live viruses harvested from sick celebrities to obsessed fans. Biological communion – for a price. Syd also supplies illegal samples of these viruses to piracy groups, smuggling them from the clinic in his own body. When he becomes infected with the disease that kills super sensation Hannah Geist, Syd becomes a target for collectors and rabid fans. He must unravel the mystery surrounding her death before he suffers the same fate. ANTIVIRAL LONG SYNOPSIS Syd March serves the public’s obsessive desire for real intimacy with their idols. He is an employee at The Lucas Clinic - a company that sells injections of live viruses harvested from sick celebrities to obsessed fans. The clinic buys any strain - the common cold to herpes simplex - from big-name celebrities to headline grabbing murderers. It is Syd’s job to inject these viruses into paying customers. Biological communion – for a price. To maintain control over their products, the clinic copy-protects these viruses. With the use of a sophisticated interface machine known as a ReadyFace Console, the viruses are altered to be non-contagious.
    [Show full text]
  • Film Reviews Interviews Video Interviews
    berlinale 2019 EFM Coverage as of Feb 20, 2019 300 Photos published on facebook 34 videos published on youtube FILM REVIEWS AMAZING GRACE, A Long Delayed Aretha Franklin Film surfaces at Berlin '69 What she said: The Art of Pauline Kael review Leakage | Nasht by Suzan Iravanian (Forum): Berlinale Review The Golden Glove by Fatih Akin: Berlinale Review Sampled reviews of Jessica Forever A City Hunts for a Murderer, and a Forum film hunts for meaning Berlinale by Alex: Mid Point Festival Reviews MK2 is very proud from the reviews on the Varda doc The Ground beneath my Feet in review Sondre Fristad's First Feature The Writer at the Berlinale System Crasher in review: Amazing ! Forget about all other contenders Derek Jarman's THE GARDEN, starring Tilda Swinton, returns to Berlinale 28 years after its premiere DIE KINDER DER TOTEN - World Premiere and Q&A with Kelly Copper and Pavol Liska INTERVIEWS Xaver Böhm on O Beautiful Night: Interview at Berlinale 2019 Interview with Brazilian Director Marcus Ligocki at Berlinale Marie Kreuzer: The Ground beneath my feet The Writer: Interview with Sondre Fristad in Berlin Interview with Producer, Director Writer Stu Levy @ 2019 Berlinale Interview with Director Gustavo Steinberg for 'Tito and the Birds' (2018) Alexandr Gorchilin on his First Feature Acid VIDEO INTERVIEWS VIDEO: Dieter Kosslick recalls some nice moments on the red carpet VIDEO: Anthony Bregman describes IFP's programs suppporting independent film making VIDEO: IFP Anthony Bregman opening remarks on his producing experiences at Friday's
    [Show full text]
  • Building Resilience Through Partnership
    BUILDING RESILIENCE THROUGH PARTNERSHIP 2019-2020 ANNUAL REPORT TABLE OF CONTENTS 1 HIGHLIGHTS 9 ACHIEVEMENTS 11 ABOUT US 14 MESSAGES MANAGEMENT DISCUSSION 18 AND ANALYSIS INDUSTRY AND 19 ECONOMIC CONDITIONS CORPORATE 28 PLAN DELIVERY ATTRACT ADDITIONAL FUNDING 29 AND INVESTMENT EVOLVE OUR FUNDING 33 ALLOCATION APPROACH OPTIMIZE OUR 45 OPERATIONAL CAPABILITY ENHANCE THE VALUE 50 OF THE “CANADA” AND “TELEFILM” BRANDS 57 FINANCIAL REVIEW 64 RISK MANAGEMENT CORPORATE SOCIAL 66 RESPONSIBILITY 70 TALENT FUND 81 GOVERNANCE FINANCIAL 95 STATEMENTS ADDITIONAL 117 INFORMATION TELEFILM CANADA / 2019-2020 ANNUAL REPORT 1 The Canadian industry and audiences embraced female voices and HIGHLIGHTS Indigenous expression in fiscal year 2019-2020. Telefilm remained committed to greater representation in the films we support and to bringing Canadian creativity to the world. LOOKING TO THE FUTURE, our vision is for Telefilm and Canada to strengthen their role of Partner of Choice—creating and building ties, expanding opportunities and deepening impact. BRINGING CANADIAN CREATIVITY TO THE WORLD The Canada-Norway coproduction THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN, directed by KATHLEEN HEPBURN and ELLE-MÁIJÁ TAILFEATHERS, received praise around the world— premiering at the Berlin Film Festival in 2019, selected as “REMARKABLE” a New York Times Critic’s Pick and being called “remarkable” by the Los Angeles Times. The film went on to be picked up ★★★★★ by Ava DuVernay’s ARRAY releasing for U.S and international. levelFilm distributed the film in Canada, while Another World LOS ANGELES TIMES Entertainment handled Norway. TELEFILM CANADA / 2019-2020 ANNUAL REPORT 2 HIGHLIGHTS BRINGING CANADIAN CREATIVITY TO THE WORLD MONIA CHOKRI’s debut feature filmLA FEMME DE WINNER MON FRÈRE (A Brother’s Love), which she both wrote COUP DE CŒUR AWARD and directed, premiered at the Cannes Film Festival CANNES opening the Un Certain Regard section, bringing home FILM FESTIVAL the jury’s Coup de Cœur award.
    [Show full text]
  • Tin Can Infosheet
    TIN CAN - 2020, 103min, Canada As the world faces a deadly plague, a front-lines parasitologist is imprisoned in a life-suspension chamber. To escape she must destroy the last of her kind. SYNOPSIS Cold, pale, and in the dark, Fret Greyl crashes back to waking life, inside a 3' x 5’ cylindrical container. She tears off the mask fastened to her mouth and cries out for help. Others are out there, trapped in the same scenario, including her ex, John Schimdt. From her tiny cell, Fret commiserates with the other captives; together they piece together what happened. A global plague called Coral had been ravaging Earth. This invasive fungus swept from one continent to the next with incredible speed, infecting all living things. Offret had been a parasitologist, obsessed with developing new ways to control the life-form. Her work could have saved millions, but before she could complete it, she was imprisoned by an unknown abductor. We soon learn that the other captives, however, are willing participants. Each of them signed up for VASE, a life-suspending preservation program intended to slow Coral growth in those affected. And now these guinea pigs, in varying stages of the disease, await the promised cure from the future. As Offret begins to witness her neighbouring cellmates being released and executed, she sees who’s responsible: a faceless, armoured attendant who seems to run the facility. As more people are taken away, Offret tries desperately to escape. From the inside, she tears apart her container, but it’s a futile act. She’s next up.
    [Show full text]