Divine Display or Secular Science: Defining Nature at the Natural History Museum in London Author(s): Carla Yanni Source: Journal of the Society of Architectural Historians, Vol. 55, No. 3 (Sep., 1996), pp. 276-299 Published by: University of California Press on behalf of the Society of Architectural Historians Stable URL: http://www.jstor.org/stable/991149 Accessed: 21-08-2016 19:45 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Society of Architectural Historians, University of California Press are collaborating with JSTOR to digitize, preserve and extend access to Journal of the Society of Architectural Historians This content downloaded from 128.59.106.243 on Sun, 21 Aug 2016 19:45:58 UTC All use subject to http://about.jstor.org/terms Divine Display or Secular Science Defining Nature at the Natural History Museum in London Owen was the premier reconstructive anatomist in Victorian CARLA YANNI, University of New Mexico England, and he was later known as an opponent of Darwinism. His first job at the British Museum, which at the time held the Conflicting ranging from definitions nature as the unwritten of nature Book of God in to the Victorian age, natural history collections, was to secure government funds for nature as secular science, affected the architectural develop- them, and to persuade Parliament to allow the division of the ment of the Natural History Museum in London.