Mapmaking in England, Ca. 1470–1650
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Futuro Sapere
Futuro sapere “Poiché gli è offizio di uomo buono, quel bene che per la malignità de’ tempi e della fortuna tu non hai potuto operare, insegnarlo ad altri, acciocché, sendone molti capaci, alcuno di quelli, più amato dal cielo, possa operarlo” Machiavelli, Discorsi, ibro !!, introduzione !n questa sezione pubblichiamo e pubblicheremo saggi di giovani studiosi che presentano le loro ricerche in corso o gli esiti parziali del" le stesse# $’altra parte, è da sempre nello spirito della nostra rivista far circolare testi provvisori e ipotesi di lavoro ancora da sottoporre a ultime verifiche e perciò bisognose di confronti e suggerimenti. Il pensiero politico di Jacopo Aconcio Elisa Leonesi Qualche notizia introduttiva &acopo 'concio nasce a (ssana, vicino a )rento, agli inizi del *in" quecento# $opo aver intrapreso gli studi di giurisprudenza, pratica l’attività di notaio a )rento, dove assiste alla prima fase del *onci" lio# $al +,,- presta servizio presso la corte del futuro Massimiliano !! e nel +,,. diviene segretario del *ardinale *ristoforo Madruzzo, nuovo governatore dello /tato di Milano# a decisione di aderire al" la religione riformata costringe però 'concio all’esilio e, dal giugno 1557, egli soggiorna nelle città di 1urigo, 2asilea, 3inevra e /tra- sburgo# 3iunto in /vizzera, gode di un’immediata notorietà tra co" loro che circondano il *urione e il *astellione e conosce sicuramente l’Ochino, il 4ermigli, il 4ergerio e probabilmente anche elio /oci- ni# 5a contatti con i pastori zurighesi &ohannes 6olf, 37alther, /imler e 8risius -
Chartmaking in England and Its Context, 1500–1660
58 • Chartmaking in England and Its Context, 1500 –1660 Sarah Tyacke Introduction was necessary to challenge the Dutch carrying trade. In this transitional period, charts were an additional tool for The introduction of chartmaking was part of the profes- the navigator, who continued to use his own experience, sionalization of English navigation in this period, but the written notes, rutters, and human pilots when he could making of charts did not emerge inevitably. Mariners dis- acquire them, sometimes by force. Where the navigators trusted them, and their reluctance to use charts at all, of could not obtain up-to-date or even basic chart informa- any sort, continued until at least the 1580s. Before the tion from foreign sources, they had to make charts them- 1530s, chartmaking in any sense does not seem to have selves. Consequently, by the 1590s, a number of ship- been practiced by the English, or indeed the Scots, Irish, masters and other practitioners had begun to make and or Welsh.1 At that time, however, coastal views and plans sell hand-drawn charts in London. in connection with the defense of the country began to be In this chapter the focus is on charts as artifacts and made and, at the same time, measured land surveys were not on navigational methods and instruments.4 We are introduced into England by the Italians and others.2 This lack of domestic production does not mean that charts I acknowledge the assistance of Catherine Delano-Smith, Francis Her- and other navigational aids were unknown, but that they bert, Tony Campbell, Andrew Cook, and Peter Barber, who have kindly commented on the text and provided references and corrections. -
NEWSLETTER April 2008
NEWSLETTER April 2008 Registered Charity No. 326285 CONTENTS Chair’s message 1 FROM THE CHAIR 2008 Summer School 4 Reports 6 I usually like to detail for you the activities that I have undertaken on Obituary 12 your behalf as SoC Chair since the last Newsletter. As you will see News 14 from the next three items I have failed spectacularly in this matter Events 16 - predominantly because of my op and rehab time. End Note 19 I received a request to be on the AGI Conference Organising Team Application forms - for this year, as they wanted “someone who is familiar and active Wallis Award 20 in the neo-geo arena actively engaged in the working group that Summer School Bursary 21 shapes it.” Unfortunately, I had to turn it down as I couldn’t make the first meeting in November as I was in hospital. I see from the Illustrator Workshop 22 website (http://www.agi.org.uk/) that Sean Phelan is the keynote speaker. The pitch of the conference - AGI GeoCommunity ‘08 “Shaping a Changing World” - is certainly changing, and it would NEWSLETTER be interesting to hear his presentation. Sean is the founder of Mul- CONTRIBUTIONS timap, which was purchased by Microsoft in December 2007. Welcome to the April There was also an offer to represent SoC on the UKGeoForum issue of the SoC Newsletter. - which is “a group of societies and associations that represent the The Newsletter is core interests that encompass geography, mapping and the ge- published three times a ospatial information handling industry” - http://www.ukgeoforum. -
Immigration and the Common Profit: Native Cloth Workers, Flemish Exiles, and Royal Policy in Fourteenth-Century London
Journal of British Studies 55 (October 2016): 633–657. doi:10.1017/jbr.2016.75 © The North American Conference on British Studies, 2016 This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. Immigration and the Common Profit: Native Cloth Workers, Flemish Exiles, and Royal Policy in Fourteenth-Century London Bart Lambert and Milan Pajic Abstract This article reconstructs a crucial episode in the relationship between the English crown, its subjects and the kingdom’s immigrant population. It links the murder of about forty Flemings in London during the Peasants’ Revolt in June 1381 to the capital’s native cloth workers’ dissatisfaction with the government’s economic im- migration policy. We argue that, in the course of the fourteenth century, the crown de- veloped a new policy aimed at attracting skilled workers from abroad. Convinced that their activities benefited the common profit of the realm, the crown remained deaf to the concerns of London’s native weavers, who claimed that the work of exiled Flemish cloth workers in the city encroached on their privileges. Confronted for more than twenty-five years with political obstruction, the native weavers increasingly resorted to physical aggression against their Flemish counterparts, which came to a dra- matic conclusion in 1381. The dissatisfaction of London’s cloth workers and the mas- sacre of the Flemings thus had much in common with the frustrations over the royal government’s policy that had been fermenting for decades among many other groups in society: all came to the surface during the Peasants’ Revolt. -
Theoretical Roman Archaeology Conference (TRAC) 2011
Paper Information: Title: Chorography: History, Theory and Potential for Archaeological Research Author: Darrell J. Rohl Pages: 19–32 DOI: http://doi.org/10.16995/TRAC2011_19_32 Publication Date: 29 March 2012 Volume Information: Duggan, M., McIntosh, F., and Rohl, D.J (eds) 2012. TRAC 2011: Proceedings of the Twenty First Annual Theoretical Roman Archaeology Conference, Newcastle 2011. Oxford: Oxbow Books. Copyright and Hardcopy Editions: The following paper was originally published in print format by Oxbow Books for TRAC. Hard copy editions of this volume may still be available, and can be purchased direct from Oxbow at http://www.oxbowbooks.com. TRAC has now made this paper available as Open Access through an agreement with the publisher. Copyright remains with TRAC and the individual author(s), and all use or quotation of this paper and/or its contents must be acknowledged. This paper was released in digital Open Access format in March 2015. Chorography: History, Theory and Potential for Archaeological Research Darrell J. Rohl Introduction Chorography is a little-known field of theory and practice concerned with the significance of place, regional description/characterization, local history, and representation. A well- established discipline and methodology with demonstrable roots in antiquity and an important role in the development of antiquarian research, regional studies and the establishment of modern archaeology, chorography is useful for understanding the history of scholarship and may continue to provide sound theoretical principles and practical methods for new explorations of archaeological monuments and landscapes. This paper discusses the historical uses of chorography, beginning with practitioners from classical antiquity but emphasizing the uniquely British chorographic tradition of the sixteenth through eighteenth centuries. -
Biographical Appendix
Biographical Appendix The following women are mentioned in the text and notes. Abney- Hastings, Flora. 1854–1887. Daughter of 1st Baron Donington and Edith Rawdon- Hastings, Countess of Loudon. Married Henry FitzAlan Howard, 15th Duke of Norfolk, 1877. Acheson, Theodosia. 1882–1977. Daughter of 4th Earl of Gosford and Louisa Montagu (daughter of 7th Duke of Manchester and Luise von Alten). Married Hon. Alexander Cadogan, son of 5th Earl of Cadogan, 1912. Her scrapbook of country house visits is in the British Library, Add. 75295. Alten, Luise von. 1832–1911. Daughter of Karl von Alten. Married William Montagu, 7th Duke of Manchester, 1852. Secondly, married Spencer Cavendish, 8th Duke of Devonshire, 1892. Grandmother of Alexandra, Mary, and Theodosia Acheson. Annesley, Katherine. c. 1700–1736. Daughter of 3rd Earl of Anglesey and Catherine Darnley (illegitimate daughter of James II and Catherine Sedley, Countess of Dorchester). Married William Phipps, 1718. Apsley, Isabella. Daughter of Sir Allen Apsley. Married Sir William Wentworth in the late seventeenth century. Arbuthnot, Caroline. b. c. 1802. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. She did not marry. Arbuthnot, Marcia. 1804–1878. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. Married William Cholmondeley, 3rd Marquess of Cholmondeley, 1825. Aston, Barbara. 1744–1786. Daughter and co- heir of 5th Lord Faston of Forfar. Married Hon. Henry Clifford, son of 3rd Baron Clifford of Chudleigh, 1762. Bannister, Henrietta. d. 1796. Daughter of John Bannister. She married Rev. Hon. Brownlow North, son of 1st Earl of Guilford, 1771. Bassett, Anne. Daughter of Sir John Bassett and Honor Grenville. -
Firm Inventory Report ‐ July 2021
Virginia Department of Agriculture and Consumer Services Food Safety Program ‐ Firm Inventory Report ‐ August 2021 Ret = Retail Food Establishment Mfg = Manufacturer Whse = Warehouse FM = Farmers Market Fi Firm Name Firm Address Locality Ret Mfg Whse FM r 6487 Church ST Chincoteague Island, # ALB Macarons Accomack County ‐ MFG ‐ ‐ VA 23336 # Alleluia Supermarket 24387 Lankford HWY Tasley, VA 23441 Accomack County RETAIL ‐ ‐ ‐ # Becca's Cakes & More 20161 Sunnyside DR Melfa, VA 23410 Accomack County ‐ MFG ‐ ‐ 29665 Burton Shore RD Locustville, VA # Big Otter Farm (home operation) Accomack County ‐ MFG ‐ ‐ 23404 4522 Chicken City RD Chincoteague # Black Narrows Brewing Co. Accomack County RETAIL MFG ‐ ‐ Island, VA 23336 # Bloxom Mini Mart 25641 Shoremain DR Bloxom, VA 23308 Accomack County RETAIL ‐ ‐ ‐ # Bloxom Vineyard 26130 Mason RD Bloxom, VA 23308 Accomack County ‐ MFG ‐ ‐ # Blue Crab Bay Co. 29368 Atlantic DR Melfa, VA 23410 Accomack County ‐ MFG ‐ ‐ 6213 Lankford HWY New Church, VA # Bonnie's Bounty Accomack County RETAIL ‐ ‐ ‐ 23415 6506 Maddox BLVD located inside # Candylicious Accomack County RETAIL ‐ ‐ ‐ Maria's Chincoteague Island, VA 23336 # Carey Wholesales 15383 Lankford HWY Bloxom, VA 23308 Accomack County ‐ ‐ WHSE ‐ # Cheers 25188 Lankford HWY Onley, VA 23418 Accomack County RETAIL ‐ ‐ ‐ # Chincoteague Farmers'Mark 4103 Main ST Chincoteague, VA 23336 Accomack County ‐ ‐ ‐ FRM_MKT # Chincoteague Fisheries Inc 4147 Main ST Chincoteague, VA 23336 Accomack County ‐ MFG ‐ ‐ 6060 Old Mill LN Chincoteague Island, # ChincoteagueMade -
The Kingship of David II (1329-71)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Stirling Online Research Repository 1 The Kingship of David II (1329-71) Although he was an infant, and English sources would jibe that he soiled the coronation altar, David Bruce was the first king of Scots to receive full coronation and anointment. As such, his installation at Scone abbey on 24 November 1331 was another triumph for his father.1 The terms of the 1328 peace had stipulated that Edward III’s regime should help secure from Avignon both the lifting of Robert I’s excommunication and this parity of rite with the monarchies of England and France. David’s coronation must, then, have blended newly-borrowed traditions with established Scottish inaugural forms: it probably merged the introduction of the boy-king and the carrying of orb, sceptre and sword by the incumbents of ancient lines of earls, then unction and the taking of oaths to common law and church followed by a sermon by the new bishop of St Andrews, the recitation of royal genealogy in Gaelic and general homage, fealty and knighting of subjects alongside the king.2 Yet this display must also have been designed to reinforce the territorial claims of authority of the Bruce house in the presence of its allies and in-laws from the north, west and south-west of Scotland as well as the established Lowland political community. Finally, it was in part an impressive riposte to Edward II’s failed attempts to persuade the papacy of his claim for England’s kings to be anointed with the holy oil of Becket.3 1 Chronica Monasterii de Melsa, ed. -
Saint Bernard and Saint Catherine of Alexandria
National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS Italian Paintings of the Thirteenth and Fourteenth Centuries Agnolo Gaddi Florentine, c. 1350 - 1396 Saint Bernard and Saint Catherine of Alexandria with the Virgin of the Annunciation [right panel] shortly before 1387 tempera on poplar panel overall: 194.6 × 80 cm (76 5/8 × 31 1/2 in.) Inscription: across the bottom under the saints: S. BERNARDUS DOCTOR; S. K[A]TERINA VIRGO Andrew W. Mellon Collection 1937.1.4.c ENTRY This panel is part of a triptych that consists of two laterals with paired saints (this panel and Saint Andrew and Saint Benedict with the Archangel Gabriel [left panel]) and a central panel with the Madonna and Child (Madonna and Child Enthroned with Twelve Angels, and with the Blessing Christ [middle panel]). All three panels are topped with similar triangular gables with a painted medallion in the center. The reduction of a five-part Altarpiece into a simplified format with the external profile of a triptych may have been suggested to Florentine masters as a consequence of trends that appeared towards the end of the fourteenth century: a greater simplification in composition and a revival of elements of painting from the first half of the Trecento. [1] Agnolo Gaddi followed this trend in several of his works. He demonstrates this in the three panels being discussed here by his deliberate revival of motifs that had been abandoned by most Florentine painters since the mid-fourteenth century. To present the Madonna seated on a throne of Saint Bernard and Saint Catherine of Alexandria with the Virgin of the 1 Annunciation [right panel] National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS Italian Paintings of the Thirteenth and Fourteenth Centuries Giottesque type, [2] instead of concealing the structure of the throne with a gold- embroidered cloth of honor as in most paintings realized by masters in the circle of Orcagna, was a sort of archaism at this time. -
Artist & Empire Room 1 Mapping and Marking Large Print Guide
Artist & Empire 25 November 2015 – 10 April 2016 Room 1 Mapping and Marking Large Print Guide Please return after use Introduction At its height the British Empire was the largest empire in history and the most influential global power. Originating with a few overseas possessions and trading posts, it grew to encompass dominions, colonies and protectorates ruled or administered by the United Kingdom. In 1922 the Empire covered almost a quarter of the world’s total land area; by the end of the century it had diminished to just a few overseas territories. During this contraction, ‘Empire’ became a highly provocative term. Its history of war, conquest and appropriation is difficult, even painful, to address but its legacy is everywhere: not just in public monuments, but in social structures, culture and in the fault lines of contemporary global politics. Artist and Empire looks at the British Empire through the prism of art and explores some of the ways in which Empire has shaped practices and themes in British art from the early colonial period to the present day. Focusing on works in British collections by a diverse range of artists from across the world, the exhibition illustrates the complicated histories embodied by objects, inviting us to consider how their status and meaning change over time. In reflecting imperial narratives and post-colonial re-evaluations, it foregrounds the peoples, dramas and tragedies of Empire and their resonance in art today. 1 1 Mapping and Marking Charting, mapping and surveying oceans, coasts, land and resources were essential tools of Empire. Part of a wider gathering of information by the West about the world, they defined sea and trade routes, and identified territory to be claimed and colonised. -
Books Received April–June 2014
Renaissance Quarterly Books Received April–June 2014 Acres, Alfred. Renaissance Invention and the Haunted Infancy . Turnhout: Brepols, 2013. 310 pp. €100. ISBN: 978-1-905375-71-4. Adams, Jonathan. A Maritime Archaeology of Ships: Innovation and Social Change in Medieval and Early Modern Europe . Oxford: Oxbow Books, 2013. xiii + 250 pp. £29.95. ISBN: 978-1- 84217-297-1. Albertson, David. Mathematical Theologies: Nicholas of Cusa and the Legacy of Thierry of Chartres . Oxford Studies in Historical Theology. Oxford: Oxford University Press, 2014. xii + 484 pp. $74. ISBN: 978-0-19-998973-7. Anderson, Michael Alan. St. Anne in Renaissance Music: Devotion and Politics . Cambridge: Cambridge University Press, 2014. xvii + 346 pp. $99. ISBN: 978-1-107-05624-4. Baert, Barbara. Nymph: Motif, Phantom, Affect: A Contribution to the Study of Aby Warburg (1866–1929) . Studies in Iconology 1. Leuven: Peeters, 2014. 134 pp. €34. ISBN: 978-90-429- 3065-0. Balizet, Ariane M. Blood and Home in Early Modern Drama: Domestic Identity on the Renaissance Stage . Routledge Studies in Renaissance Literature and Culture 25. New York: Routledge, 2014. xii + 198 pp. $125. ISBN: 978-0-415-72065-6. Balserak, Jon. John Calvin as Sixteenth-Century Prophet . Oxford: Oxford University Press, 2014. xiii + 208 pp. $85. ISBN: 978-0-19-870325-9. Banker, James R. Piero della Francesca: Artist and Man . Oxford: Oxford University Press, 2014. xxvi + 276 pp. $39.95. ISBN: 978-0-19-960931-4. Barrie, David. Sextant: A Young Man’s Daring Sea Voyage and the Men Who Mapped the World’s Oceans . New York: William Morrow, 2014. -
The Transport System of Medieval England and Wales
THE TRANSPORT SYSTEM OF MEDIEVAL ENGLAND AND WALES - A GEOGRAPHICAL SYNTHESIS by James Frederick Edwards M.Sc., Dip.Eng.,C.Eng.,M.I.Mech.E., LRCATS A Thesis presented for the Degree of Doctor of Philosophy University of Salford Department of Geography 1987 1. CONTENTS Page, List of Tables iv List of Figures A Note on References Acknowledgements ix Abstract xi PART ONE INTRODUCTION 1 Chapter One: Setting Out 2 Chapter Two: Previous Research 11 PART TWO THE MEDIEVAL ROAD NETWORK 28 Introduction 29 Chapter Three: Cartographic Evidence 31 Chapter Four: The Evidence of Royal Itineraries 47 Chapter Five: Premonstratensian Itineraries from 62 Titchfield Abbey Chapter Six: The Significance of the Titchfield 74 Abbey Itineraries Chapter Seven: Some Further Evidence 89 Chapter Eight: The Basic Medieval Road Network 99 Conclusions 11? Page PART THREE THr NAVIGABLE MEDIEVAL WATERWAYS 115 Introduction 116 Chapter Hine: The Rivers of Horth-Fastern England 122 Chapter Ten: The Rivers of Yorkshire 142 Chapter Eleven: The Trent and the other Rivers of 180 Central Eastern England Chapter Twelve: The Rivers of the Fens 212 Chapter Thirteen: The Rivers of the Coast of East Anglia 238 Chapter Fourteen: The River Thames and Its Tributaries 265 Chapter Fifteen: The Rivers of the South Coast of England 298 Chapter Sixteen: The Rivers of South-Western England 315 Chapter Seventeen: The River Severn and Its Tributaries 330 Chapter Eighteen: The Rivers of Wales 348 Chapter Nineteen: The Rivers of North-Western England 362 Chapter Twenty: The Navigable Rivers of