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- Zhu Xi's Influence on Song and Yuan Calligraphy Weiwei Qin1 Hongwei Si1 Yun Chen1*
- Bowed Stringed Instruments
- Ming China' Anew: the Ethnocultural Space in a Diverse Empire-With Special Reference to the 'Miao Territory' Yonglin Jiang Bryn Mawr College, [email protected]
- Edward L. Shaughnessy Chinese Annals in the Western Observatory Library of Sinology
- The Cultural Interpretations of “Golden Sound and Jade Vibration”*
- A Comparative Study of the Social Function of African Algaita and Chinese Suona
- A History of Non-Western Bowed Instruments a Look Into the Eastern History of the Modern-Day Violin Sarah A
- Download Article
- The Transnational Guqin Revival in Flushing, New York
- A Supplementary Book of Chinese Music for The
- Early China MARITAL ALLIANCES and AFFINAL RELATIVES
- The Double Bass in the Chinese Symphony Orchestra and the National Orchestra
- Traditional Music in China Is Played on Solo Instruments Or in Small Ensembles of Plucked and Bowed Stringed Instruments, Flutes
- Modernization and Music in Contemporary China: Crisis, Identity, and the Politics of Style
- 1 Becoming Sages: Qin Song and Self-Cultivation in Late Imperial China
- EAST ASIA Manual
- Interpretation and Expressive Imagery in the Butterfly Lovers Violin
- Download Program Notes
- The Emergence of the Chinese Zheng: Traditional Context, Contemporary Evolution, and Cultural Identity
- An Interactive Composition for Erhu, Flute, Piano
- THE MUSIC SCHOOL of SOUTHWEST UNIVERSITY from CHONGQING, CHINA in Partnership with the SCHOOL of MUSIC, THEATRE and DANCE PRESENT
- Accepted Version (PDF 559Kb)
- Silk-Bamboo’ (Sizhu) Ensembles, with Particular Focus on Ensemble Types, Musical Instrument Symbology and Instrumental Genres
- Flora of China 22: 121–127. 2006. 24. PLEIOBLASTUS Nakai, J. Arnold
- Plucking a New Sound from History
- Extending the Sound of the Guzheng
- Dao De Qin: a Case Study of the Guqin Dashiell H
- Western Influences on the Early Chinese Qin-Zither
- Wu Man on Performing Today's Music |
- (Formerly ACMR Newslerrer) JOURNAL of the Association for CHINESE MUSIC Research 'P1lifl'~Li/F~* VOL