View Marco Polo Chinese Classics Segment Catalogue

Total Page:16

File Type:pdf, Size:1020Kb

View Marco Polo Chinese Classics Segment Catalogue MARCO POLO CHINESE CLASSICS Music that travels well Cat. No. Title Performers UPC ORCHESTRAL / CONERTOS A, Kejian: Violin Concerto, "Hung Hu" / CHEN, Gang: Fantasy on a Sinkiang Folk Takako Nishizaki, Violin / Singapore Symphony Orchestra / 8.225811 636943581124 Song Hoey Choo Lam Fung, Pipa / Takako Nishizaki, Violin / Capella Istropolitana 8.225801 CHEN, Gang: Violin Concerto, "Wang Zhaojun" / Hong Kong Philharmonic Orchestra / Stephen Gunzenhauser / 636943580127 Yip Wing-sie Takako Nishizaki, Violin / Gunma Symphony Orchestra / Henry 8.225819 CHEN, Gang / HE, Zhanhao: Butterfly Lovers Violin Concerto (The) 636943581926 Shek CHEN, Gang / HE, Zhanhao: Butterfly Lovers Violin Concerto (The) / Popular Takako Nishizaki, Violin / Seow Yit-Kin, Piano / Nagoya 8.225833 636943583326 Chinese Violin Pieces Philharmonic Orchestra / Lim Kektjiang 8.223960 CHEN / HE: Butterfly Lovers Violin Concerto (The) / A Ke: Violin Concerto Vera Tsu, Violin / Shanghai Philharmonic Orchestra / Cao Peng 4891030239609 Dong Chen, Baritone / Hsu Fei-ping, Piano / Hong Kong 8.225829 CHEN, Gang / HE, Zhanhao: The Butterfly Lovers Piano Concerto 636943582923 Philharmonic Orchestra / Kenneth Schermerhorn Wong On-yuen, Erhu / Hong Kong Philharmonic Orchestra / Yip 8.223927 CHEN, Peixun: Fantasia on Cantonese Folk Themes 0730099392723 Wing-sie 8.225831 DING, Shande: Long March Symphony Hong Kong Philharmonic Orchestra / Yoshikazu Fukumura 636943583128 Takako Nishizaki, Violin / Singapore Symphony Orchestra / 8.225814 DU, Mingxin: 10 Xinjiang Dances 636943581421 Choo Hoey Jenő Jandó, Piano / Takako Nishizaki, Violin / Hong Kong 8.225832 DU, Mingxin: Violin Concerto No. 1 / Piano Concerto No. 1 Philharmonic Orchestra / Hungarian State Symphony Orchestra 636943583227 / Chen Zuo-huang / Kenneth Jean Jenő Jandó, Piano / Takako Nishizaki, Violin / Hong Kong 8.223269 DU, Mingxin: Violin Concerto / Piano Concerto, "Spirit of Spring" Philharmonic Orchestra / Hungarian State Symphony Orchestra 0730099326926 / Chen Zuo-huang / Kenneth Jean Takako Nishizaki, Violin / Hong Kong Philharmonic Orchestra / 8.225810 DU, Mingxin: Violin Concerto / The Goddess of River Luo / Autumn Thoughts 636943581025 Kenneth Jean 8.225828 DU, Mingxin: Symphony, "The Great Wall" / Festival Overture Hong Kong Philharmonic Orchestra / Kenneth Jean 636943582824 8.225827 DU, Mingxin / WU, Zuqiang: Mermaid Suite (The) / QU, Wei: Harvest Scenes Gunma Symphony Orchestra / Lim Kektjiang 636943582725 8.225902 GU, Guanren / MA, Sheng-long: Fishermen's Song of the East China Sea Shanghai Philharmonic Orchestra / Henry Shek 4891030900202 Joseph Banowetz, Piano / China National Opera House 8.225830 HUANG, An-Lun: Piano Concerto in G Minor 636943583029 Symphony Orchestra / Zheng Xiao-ying 8.223962 LI, Weining.: Chance / QING: River of No Return Shanghai Philharmonic Orchestra / Henry Shek 4891030239623 Shanghai Philharmonic Orchestra / Shanghai Symphony 8.223950 MA, Sicong: Symphony No. 2 / Song of the Mountain Forest 0730099395021 Orchestra / Cao Peng 8.223941 ZHU, Jianer: Symphonic Fantasia / Symphony No. 4 Yu Xun-fa, Dizi / Shanghai Philharmonic Orchestra / Cao Peng 0730099394123 8.223940 ZHU, Jianer: Symphony No. 1 / Festival Overture Shanghai Philharmonic Orchestra / Cao Peng 0730099394024 8.225806 WUT, Man-chung: "Ambush on All Sides" Pipa Concerto / Popular Pipa Music Lam Fung, Pipa / Gunma Symphony Orchestra / Lim Kektjiang 636943580622 Lam Fung, Pipa / Shanghai Philharmonic Orchestra / Henry 8.225905 Ambush On All Sides - Fung Lam 636943590522 Shek CENTRAL PHILHARMONIC ORCHESTRA PLAYS POPULAR CHINESE 8.225841 Central Philharmonic Orchestra / Chen Xie-yang 636943584125 MELODIES (THE) 8.225838 CHINESE EVERGREENS Yomiuri Nippon Symphony Orchestra / Kenneth Jean+C60 636943583821 Takako Nishizaki, Violin / Polish National Radio Symphony 8.223584 Chinese Popular Hits for Piano and Orchestra: If This is Love (Takako Nishizaki) 4891030235847 Orchestra / Peter Breiner Peter Breiner, Piano / Polish National Radio Symphony 8.223585 Chinese Popular Hits for Piano and Orchestra: If This is Love 4891030235854 Orchestra MARCO POLO Chinese Classics - Segment List Page 1 of 3 MPChineseClassicsSegment2019 Cat. No. Title Performers UPC Jin Yong-ling, Shanghai Philharmonic Chorus, Shanghai 8.223614 COLOURFUL CLOUDS 4891030236141 Philharmonic Orchestra, Cao Ding COLOURFUL CLOUDS - Hong Kong Philharmonic Orchestra plays Popular 8.225803 Hong Kong Philharmonic Orchestra / Kenneth Jean 636943580325 Chinese Classics 8.225906 Dreaming of My Motherland - Vera Tsui Vera Tsui, Violin / Shanghai Philharmonic Orchestra / Cao Peng 636943590621 Joseph Banowetz, Piano / Michael Rippon, Baritone / Hong First Contemporary Chinese Composers Festival 1986: CHAN, Wing-wah • TAN, 8.225834 Kong Philharmonic Orchestra / Kenneth Schermerhorn / Jordan 636943583425 Dun • HUANG, An-lun • QU, Xiaosong • TANG, Jordan • YE, Xiaogang Tang 8.223965 JASMINE: Popular Chinese Folk Melodies Wu Ying, Piano / Shanghai Philharmonic Orchestra 4891030239654 8.225816 12 HEROINES OF IMPERIAL CHINA Hong Kong Philharmonic Orchestra / Yip Wing-sie 636943581629 8.225812 SELLING LAND FOR THE BRIDE-PRICE - More Chinese Evergreens Singapore Symphony Orchestra / Hoey Choo 636943581223 SONG OF YANG GUAN (THE) - Ancient and Modern Chinese Classics (Takako Nishizaki, Takako,violin / Singapore Symphony Orchestra / 8.225813 636943581322 Nishizaki, Singapore Symphony, Choo Hoey) Choo, Hoey 8.223959 SWORDSMEN OF CHINA Shanghai Philharmonic Orchestra / Lin You-sheng 0730099395922 8.225815 WHEN WILL YOU RETURN - Chinese and Other Asian Evergreens Singapore Symphony Orchestra / Choo Hoey 636943581520 White-Haired Girl Suite (The): MA, Ke • ZHANG, Lu • QU, Wei • LI, Huan Zhi • 8.225826 Tokyo Philharmonic Orchestra / Lim, Kektjiang 636943582626 XIANG, Yu • CHEN, Zi • LIU, Chi Lam Fung, Pipa / Seow Yit-kin, Piano / Gunma Symphony 8.225805 Yellow River Piano Concerto (The) (Popular Chinese Orchestral Music) 636943580523 Orchestra / Lim Kektjiang Kong Xiang-dong, Piano / Guangzhou Symphony Orchestra / 8.225951HDCD Yellow River Piano Concerto (The) 0636943595121 Hu Yong-yan ORCHESTRAL - TV AND FILM MUSIC Takako Nishizaki, Violin / Hong Kong Philharmonic Orchestra / 8.225835 HONG KONG TV AND MOVIE CLASSICS 636943583524 Kenneth Jean / Varujan Kojian / Henry Shek HONG KONG PHILHARMONIC PLAYS WELL-KNOWN THEME SONGS OF TV 8.225821 Hong Kong Philharmonic Orchestra / Henry Shek 636943582121 DRAMAS (THE) 8.225836 MOVIE THEMES OF THE 40S Hong Kong Philharmonic Orchestra / Yip Wing-sie 636943583623 8.225846 POPULAR HONG KONG TV AND MOVIE THEMES Hong Kong Philharmonic Orchestra / Varujan Kojian 636943584620 CHAMBER MUSIC DU, Mingxin: Village by the River / DU, Mingxin / XIAO, Yao: Nostalgia (Chinese 8.225842 Volckhausen Lee, Flute / Moya Wright, Harp 636943584224 Music for Flute and Harp) 8.225916 CHINA Cantonese Music, Vol. 1 Yu Qi-wei, Gaohu / Cantonese Music Ensemble 636943591628 8.225917 CHINA Cantonese Music, Vol. 2 Cantonese Music Ensemble / Ngai Ka-ming, Gaohu 636943591727 8.225837 CHINESE MELODIES FOR VIOLIN AND GUITAR Takako Nishizaki, Violin / Gerald Garcia, Guitar 636943583722 Fan Shang-e, Zheng / Li Xiang-ting, Guqin / Liu De-hai, Pipa / 8.225840 MUSIC OF THE SONG DYNASTY (AD 960-1279) Zhu Run-fu, Dizi / Chinese Instrumental Ensemble / Liu Ming- 636943584026 yuan, Banhu 8.225817 VIOLIN MEETS PIPA - Popular Chinese Folk Melodies Liu De-hai, Pipa / Takako Nishizaki, Violin 636943581728 Lam Fung, Pipa / Li Yue-xia, Zheng / Loo Kah-chi, Erhu / So 8.225852 4 VIRTUOSI PLAY CHINESE TRADITIONAL MUSIC 636943585221 Chun-bo, Zheng / Wong Kuen, Xiao Cheng Tak-wai, Sheng / Lam Fung, Pipa / So Chun-bo, Zheng / 8.225844 PLUM BLOSSOM MELODY - 4 Virtuosi Play Chinese Traditional Music Wong Kuen, Dizi / Wong Kuen, Xiao / Hong Kong Virtuosi Folk 636943584422 Ensemble 8.225818 POPULAR CHINESE VIOLIN PIECES Takako Nishizaki, Violin / Chan Siu-fan, Koo Kwok-kuen, Piano 636943581827 MARCO POLO Chinese Classics - Segment List Page 2 of 3 MPChineseClassicsSegment2019 Cat. No. Title Performers UPC INSTRUMENTAL - DIZI 8.225939 Lu Chun-ling: The Art of the Dizi Lu Chun-ling, Dizi / Shanghai Virtuosi / Xia Fei-yun 636943593929 8.225920 Yu Xun-fa: The Art of Dizi Yu Xun-fa, Dizi / Shanghai Virtuosi / Xia Fei-yun 636943592021 8.225904 Zhao Songting: Orchid in Spring (Dizi) Zhao Song-ting, Dizi 636943590423 INSTRUMENTAL - ERHU 8.225929 Chen Jun: Erhu Classics Chen Jun, Erhu 636943592922 8.225948HDCD Chen Jun - The Erhu Player Chen Jun, Erhu 636943594827 INSTRUMENTAL - PIANO WANG, Jianzhong: Piano Music and Arrangements (Popular Chinese Piano 8.225851 Ma Sheung-Tsz, Piano 636943585122 Pieces) Piano Recital: Koo Kwok-kuen (Popular Chinese Piano Pieces - Scenes from China 8.225848 Koo Kwok-kuen, Piano 636943584828 and Music of Wang Lisan) 8.225849 Piano Recital: Koo Kwok-kuen (Popular Chinese Piano Pieces) Koo Kwok-kuen, Piano 636943584927 INSTRUMENTAL - PIPA 8.225903 Liu De-hai: Pipa Favourites Liu De-hai, Pipa 636943590324 8.225843 Pipa Recital: Lam Fung (King Chu Doffs His Armour) Lam Fung, Pipa 636943584323 8.225824 Pipa Recital: Lam Fung (Popular Pipa Music - Hurrying to the Flower Show) Lam Fung, Pipa 636943582428 8.225839 Pipa Recital: Liu De-hai (Liu Dehai Plays Pipa Favourites) Liu De-hai, Pipa 636943583920 INSTRUMENTAL - SUONA Liu Ying, Suona / Shanghai Philharmonic Orchestra / Cao Peng 8.225924 Liu Ying: Suona Master 636943592427 / Xia Fei-yun INSTRUMENTAL - ZHENG 8.225914 Jiao Jin-hai: The Art of the Zheng, Vol. 1 Jiao Jin-hai, Zheng 636943591420 VOCAL / OPERA Geng Qi-chang, Li Wei-kang, Wang Shu-fang, Vocals / Li Chao- 8.225954HDCD YIN, Chengzong: Red Lantern 636943595428 yang Percussion Ensemble / Yin Cheng-zong, Piano 8.225820 ELLA KIANG SINGS POPULAR CHINESE FOLK SONGS Ella Kiang, Soprano / Chang Hae-won, Piano 636943582022 Opera Arias - MOZART, W.A. / GOUNOD, C.-F. (Liang Ning Sings Operatic Arias Liang Ning, Mezzo-soprano / Beijing Central Opera Orchestra / 8.225825 636943582527 by Mozart and Gounod and Chinese Classics) Zheng Xiaoying 8.225845 Vocal Recital: Lee, Bing (Lee Bing Sings Ancient and Modern Chinese Poems) Gabriel Kwok, Piano / Lee Bing, Mezzo-soprano 636943584521 MARCO POLO Chinese Classics - Segment List Page 3 of 3 MPChineseClassicsSegment2019.
Recommended publications
  • Appendix D Chinese Personal Names and Their Japanese Equivalents
    -1155 Appendix D Chinese Personal Names and Their Japanese Equivalents Note: Chinese names are romanized according to the traditional Wade-Giles system. The pinyin romanization appears in parentheses. Chinese Names Japanese Names An Ch’ing-hsü (An Qingxu) An Keisho An Lu-shan (An Lushan) An Rokuzan Chang-an (Zhangan) Shoan Chang Chieh (Zhang Jie) Cho Kai Chang Liang (Zhang Liang) Cho Ryo Chang Wen-chien (Zhang Wenjian) Cho Bunken Chao (Zhao), King Sho-o Chao Kao (Zhao Gao) Cho Ko Ch’en Chen (Chen Zhen) Chin Shin Ch’eng (Cheng), King Sei-o Cheng Hsüan (Zheng Xuan) Tei Gen Ch’eng-kuan (Chengguan) Chokan Chia-hsiang ( Jiaxiang) Kajo Chia-shang ( Jiashang) Kasho Chi-cha ( Jizha) Kisatsu Chieh ( Jie), King Ketsu-o Chieh Tzu-sui ( Jie Zisui) Kai Shisui Chien-chen ( Jianzhen) Ganjin Chih-chou (Zhizhou) Chishu Chih-i (Zhiyi) Chigi z Chih Po (Zhi Bo) Chi Haku Chih-tsang (Zhizang) Chizo Chih-tu (Zhidu) Chido Chih-yen (Zhiyan) Chigon Chih-yüan (Zhiyuan) Shion Ch’i Li-chi (Qi Liji) Ki Riki Ching-hsi ( Jingxi) Keikei Ching K’o ( Jing Ko) Kei Ka Ch’ing-liang (Qingliang) Shoryo Ching-shuang ( Jingshuang) Kyoso Chin-kang-chih ( Jingangzhi) Kongochi 1155 -1156 APPENDIX D Ch’in-tsung (Qinzong), Emperor Kinso-tei Chi-tsang ( Jizang) Kichizo Chou (Zhou), King Chu-o Chuang (Zhuang), King So-o Chuang Tzu (Zhuang Zi) Soshi Chu Fa-lan (Zhu Falan) Jiku Horan Ch’ung-hua (Chonghua) Choka Ch’u Shan-hsin (Chu Shanxin) Cho Zenshin q Chu Tao-sheng (Zhu Daosheng) Jiku Dosho Fa-ch’üan (Faquan) Hassen Fan K’uai (Fan Kuai) Han Kai y Fan Yü-ch’i (Fan Yuqi) Han Yoki Fa-pao
    [Show full text]
  • Rediscovering Frédéric Chopin's "Trois Nouvelles Études" Qiao-Shuang Xian Louisiana State University and Agricultural and Mechanical College, [email protected]
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 Rediscovering Frédéric Chopin's "Trois Nouvelles Études" Qiao-Shuang Xian Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Xian, Qiao-Shuang, "Rediscovering Frédéric Chopin's "Trois Nouvelles Études"" (2002). LSU Doctoral Dissertations. 2432. https://digitalcommons.lsu.edu/gradschool_dissertations/2432 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. REDISCOVERING FRÉDÉRIC CHOPIN’S TROIS NOUVELLES ÉTUDES A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Qiao-Shuang Xian B.M., Columbus State University, 1996 M.M., Louisiana State University, 1998 December 2002 TABLE OF CONTENTS LIST OF EXAMPLES ………………………………………………………………………. iii LIST OF FIGURES …………………………………………………………………………… v ABSTRACT …………………………………………………………………………………… vi CHAPTER 1. INTRODUCTION…………………………………………………………….. 1 The Rise of Piano Methods …………………………………………………………….. 1 The Méthode des Méthodes de piano of 1840
    [Show full text]
  • Fernando Laires
    Founded in 1964 Volume 32, Number 2 Founded in 1964 Volume 32, Number 2 Founded in 1964 Volume 32, Number 2 An officiIn AMemoriam:l publicAtion of the AmericFernandoAn liszt society, Laires inc. TABLE OF CONTENTS 3 January 1925 – 9 September 2016 1 In Memoriam: Fernando Laires In Memoriam: Fernando Laires TABLE OF CONTENTS 3 January 1925 – 9 September 2016 2 President's Message In Memoriam: Fernando Laires TABLE OF CONTENTS 3 January 1925 – 9 September 2016 31 LetterIn Memoriam: from the FernandoEditor Laires 1 42In Memoriam:"APresident's Tribute toMessage Fernando Fernando Laires Laires," by Nancy Lee Harper 2 3President's Letter from Message the Editor 5 More Tributes to Fernando Laires 3 4Letter "A fromTribute the to Editor Fernando Laires," 7 Membershipby Nancy Lee Updates, Harper Etc. 4 "A Tribute to Fernando Laires," 85by NancyInvitationMore TributesLee to Harper the to 2017 Fernando ALS FestivalLaires in Evanston/Chicago 5 7More Membership Tributes to Updates, Fernando Etc. Laires 10 "Los Angeles International Liszt Competition Overview" 7 8Membership byInvitation Éva Polgár Updates, to the 2017 Etc. ALS Festival in Evanston/Chicago 8 InvitationIn Memoriam to the 2017 ALS Festival in Evanston/Chicago 10 JALS"Los AngelesUpdate International Liszt Competition Overview" 10 "Losby Angeles Éva Polgár International Liszt 11 Competition Chapter News Overview" In Memoriam by Éva Polgár 12 Member News In MemoriamJALS Update 1511JALS FacsimileChapter Update News Frontispiece of Liszt's "Dante" Symphony Fernando Laires with his wife and fellow pianist, Nelita True, in 2005. Photo: Rochester NY Democrat & Chronicle Staff Photographer Carlos Ortiz: http://www. 11 12Chapter Member News News democratandchronicle.com/story/lifestyle/music/2016/10/02/fernando-laires-eastman-liszt- 16 Picture Page obituary/91266512, accessed on November 12, 2016.
    [Show full text]
  • Master Thesis
    MASTER THESIS Titel der Master Thesis „ A Broken Generation – The Social Implications of the One Child Policy, and its Place in China’s Human Rights Development “ verfasst von Jake Mendrik angestrebter akademischer Grad Master of Arts (MA) Wien, 2016 Studienkennzahl lt. Studienblatt: A 992 884 Universitätslehrgang: Universitätslehrgang Master of Arts in Human Rights Betreut von: Univ. -Prof. Dr. Susanne Weigelin-Schwiedrzik 1 Freedom is priceless, My life is a limited dream, I prefer to be jade broken, To save China in martyrdom. Lin Zhao (1932-1968) 2 Contents My Last Farewell Verse – A Poem ................................................................................................................................................... 2 Acknowledgements ................................................................................................................... 5 Abbreviations ............................................................................................................................ 7 Introduction ............................................................................................................................... 8 Chapter One – Origins of the One Child Policy ...................................................................... 12 Introduction ......................................................................................................................... 12 1.1 Population control in Chinese history – the eugenics movement ............................ 13 1.2 Mao’s China ...........................................................................................................
    [Show full text]
  • Protection and Transmission of Chinese Nanyin by Prof
    Protection and Transmission of Chinese Nanyin by Prof. Wang, Yaohua Fujian Normal University, China Intangible cultural heritage is the memory of human historical culture, the root of human culture, the ‘energic origin’ of the spirit of human culture and the footstone for the construction of modern human civilization. Ever since China joined the Convention for the Safeguarding of the Intangible Cultural Heritage in 2004, it has done a lot not only on cognition but also on action to contribute to the protection and transmission of intangible cultural heritage. Please allow me to expatiate these on the case of Chinese nanyin(南音, southern music). I. The precious multi-values of nanyin decide the necessity of protection and transmission for Chinese nanyin. Nanyin, also known as “nanqu” (南曲), “nanyue” (南乐), “nanguan” (南管), “xianguan” (弦管), is one of the oldest music genres with strong local characteristics. As major musical genre, it prevails in the south of Fujian – both in the cities and countryside of Quanzhou, Xiamen, Zhangzhou – and is also quite popular in Taiwan, Hongkong, Macao and the countries of Southeast Asia inhabited by Chinese immigrants from South Fujian. The music of nanyin is also found in various Fujian local operas such as Liyuan Opera (梨园戏), Gaojia Opera (高甲戏), line-leading puppet show (提线木偶戏), Dacheng Opera (打城戏) and the like, forming an essential part of their vocal melodies and instrumental music. As the intangible cultural heritage, nanyin has such values as follows. I.I. Academic value and historical value Nanyin enjoys a reputation as “a living fossil of the ancient music”, as we can trace its relevance to and inheritance of Chinese ancient music in terms of their musical phenomena and features of musical form.
    [Show full text]
  • Continuing Crackdown in Inner Mongolia
    CONTINUING CRACKDOWN IN INNER MONGOLIA Human Rights Watch/Asia (formerly Asia Watch) CONTINUING CRACKDOWN IN INNER MONGOLIA Human Rights Watch/Asia (formerly Asia Watch) Human Rights Watch New York $$$ Washington $$$ Los Angeles $$$ London Copyright 8 March 1992 by Human Rights Watch All rights reserved. Printed in the United States of America. ISBN 1-56432-059-6 Human Rights Watch/Asia (formerly Asia Watch) Human Rights Watch/Asia was established in 1985 to monitor and promote the observance of internationally recognized human rights in Asia. Sidney Jones is the executive director; Mike Jendrzejczyk is the Washington director; Robin Munro is the Hong Kong director; Therese Caouette, Patricia Gossman and Jeannine Guthrie are research associates; Cathy Yai-Wen Lee and Grace Oboma-Layat are associates; Mickey Spiegel is a research consultant. Jack Greenberg is the chair of the advisory committee and Orville Schell is vice chair. HUMAN RIGHTS WATCH Human Rights Watch conducts regular, systematic investigations of human rights abuses in some seventy countries around the world. It addresses the human rights practices of governments of all political stripes, of all geopolitical alignments, and of all ethnic and religious persuasions. In internal wars it documents violations by both governments and rebel groups. Human Rights Watch defends freedom of thought and expression, due process and equal protection of the law; it documents and denounces murders, disappearances, torture, arbitrary imprisonment, exile, censorship and other abuses of internationally recognized human rights. Human Rights Watch began in 1978 with the founding of its Helsinki division. Today, it includes five divisions covering Africa, the Americas, Asia, the Middle East, as well as the signatories of the Helsinki accords.
    [Show full text]
  • Franz Liszt 21 Selected Piano Works
    FRANZ LISZT 21 SELECTED PIANO WORKS Edited by Joseph Banowetz Foreword .........................................................3 About the Composer .............................................3 Contents Liszt as a Pianist .................................................6 About the Transcriptions ..........................................6 About This Edition ..............................................7 Suggestions for Further Reading. 8 About the Pieces in This Collection ....................................9 FRANZ LISZT: 21 SELECTED PIANO WORKS track page Ehemals, from Weihnachtsbaum, S. 186/10 ...................1 ......15 Étude, Op. 6, No. 7; S. 136/7 .............................2 ......20 Ich liebe dich, S. 542a (posth.) .............................3 ......24 Liebeslied: Widmung (easier version), S. 566 (posth.) (Robert Schumann, trans. by Liszt) ........................4 ......28 Liebesträume: 3 notturnos, S. 541 No. 2: Gestorben war ich (first version) ...................5 ......32 No. 3: O lieb, o lieb, so lang du lieben kannst ...............6 ......33 Piano Piece in A-flat Major, S. 189a (posth.) ..................7 ......40 Marche de Rákóczy–Édition populaire pour piano, S. 244/15. 8 ......42 Resignazione, S.187a (posth.) .............................9 ......50 Romance, S. 169 (posth.) .................................10 ......51 Romance oubliée, S. 527 ..................................11 ......56 Ruhig, S. 167a (posth.) ..................................12 ......58 Scherzo, S. 153 (posth.). .13 ......60 Six Consolations,
    [Show full text]
  • Three Millennia of Tonewood Knowledge in Chinese Guqin Tradition: Science, Culture, Value, and Relevance for Western Lutherie
    Savart Journal Article 1 Three millennia of tonewood knowledge in Chinese guqin tradition: science, culture, value, and relevance for Western lutherie WENJIE CAI1,2 AND HWAN-CHING TAI3 Abstract—The qin, also called guqin, is the most highly valued musical instrument in the culture of Chinese literati. Chinese people have been making guqin for over three thousand years, accumulating much lutherie knowledge under this uninterrupted tradition. In addition to being rare antiques and symbolic cultural objects, it is also widely believed that the sound of Chinese guqin improves gradually with age, maturing over hundreds of years. As such, the status and value of antique guqin in Chinese culture are comparable to those of antique Italian violins in Western culture. For guqin, the supposed acoustic improvement is generally attributed to the effects of wood aging. Ancient Chinese scholars have long discussed how and why aging improves the tone. When aged tonewood was not available, they resorted to various artificial means to accelerate wood aging, including chemical treatments. The cumulative experience of Chinese guqin makers represent a valuable source of tonewood knowledge, because they give us important clues on how to investigate long-term wood changes using modern research tools. In this review, we translated and annotated tonewood knowledge in ancient Chinese books, comparing them with conventional tonewood knowledge in Europe and recent scientific research. This retrospective analysis hopes to highlight the practical value of Chinese lutherie knowledge for 21st-century instrument makers. I. INTRODUCTION In Western musical tradition, the most valuable musical instruments belong to the violin family, especially antique instruments made in Cremona, Italy.
    [Show full text]
  • Season 2017-2018
    23 Season 2017-2018 Wednesday, November 1, at 7:30 China’s National Centre for the Performing Arts Orchestra Lü Jia Conductor Ning Feng Violin Gautier Capuçon Cello Zhao Jiping Violin Concerto No. 1 (in one movement) Chen Qigang Reflection of a Vanished Time, for cello and orchestra United States premiere Intermission Brahms Symphony No. 4 in E minor, Op. 98 I. Allegro non troppo II. Andante moderato III. Allegro giocoso—Poco meno presto—Tempo I IV. Allegro energico e passionato—Più allegro This program runs approximately 1 hour, 50 minutes. China’s National Centre for the Performing Arts Orchestra’s 2017 US Tour is proudly supported by China National Arts Fund. International Flight Sponsor: Hainan Airlines Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 24 Conductor Lü Jia is artistic director of music of the National Centre for the Performing Arts (NCPA) in Beijing, China, as well as music director and chief conductor of the NCPA Orchestra. He is also music director and chief conductor of the Macao Orchestra. He has served as music director of Verona Opera in Italy and artistic director of the Tenerife Symphony in Spain. Born into a musical family in Shanghai, he began studying piano and cello at a very young age. He later studied conducting at the Central Conservatory of Music in Beijing, under the tutelage of Zheng Xiaoying. At the age of 24 Mr. Lü entered the University of Arts in Berlin, where he continued his studies under Hans- Martin Rabenstein and Robert Wolf.
    [Show full text]
  • Plucked Stringed Instruments
    Plucked Stringed Instruments Fig. 2.1: The Pipa 18 Pipa 2 琵琶 Pipa HISTORY The grand dame of plucked stringed instruments, the pipa is one of the most expressive instruments in the Chinese orchestra (Fig. 2.1). Recent moves by some major Chinese orchestras include removing the instrument entirely from the orchestral formation due to its overpowering character and inability to blend. Its techniques, however, are applied to almost every plucked stringed instrument and its concepts have been borrowed for the reformations of various plucked stringed instruments. The term pipa used today refers to the lute-shaped instrument which comprises of four strings and a fretted soundboard of 20 to 25 frets. In the ancient Chinese dynasties of Sui and Han, the term pipa was generic for any instrument that was plucked or had a plucked string aspect to it. The word pipa is made up of two Chinese characters – 琵 pi and 琶 pa1. The words describe how the instrument is played and the sounds it produced. The forward plucking of the string using one’s right hand was termed pi, and the backward plucking of the string with the right hand was termed pa. The first recorded connotation to the word pipa was found in 刘熙 Liu Xi’s <<释名>> Shi Ming, where it was recorded as piba2. Although greatly associated with the Chinese, the pipa is not native to China; the instrument was introduced to China by Asia Minor over 2000 years ago. As the instrument is foreign, its counterparts in the forms of lutes and mandolins can still be found in Central and Western Asia.
    [Show full text]
  • Siba: Bronze Age Culture of the Gansu Corridor
    SINO-PLATONIC PAPERS Number 86 October, 1998 Siba: Bronze Age Culture of the Gansu Corridor by Jidong Yang Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino- Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out to be refereed, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form. We do, however, strongly recommend that prospective authors consult our style guidelines at www.sino-platonic.org/stylesheet.doc.
    [Show full text]
  • OMT 4-06 07Edited.Pub
    VOLUME 8, ISSUE 2 APRIL 2006 Sharon E Leskowat, Editor From Your President... Greetings OMTA Members! Edmond, student of Natalie Syring, won the Junior Woodwind Competition. So- Hurricane update: January got off to a prano Sarah Duvall of Lawton, student fast start with the MTNA South-Central of Larry Baldwin, won the Senior Vocal Division competitions held in Lafayette, Competition. Cellist Adam Lock, student LA. Upon my arrival, I delivered one 45 of Tess Remy-Schumacher from the Uni- lb. box of vocal music to Sue Steck- versity of Central Oklahoma, was the Turner, president of the Louisiana MTA. Young Artist String winner. Oklahoma Before Christmas, I also mailed a $120 students also represent our division in the Borders gift card to her to distribute to Young Artist Composition Competition. teachers as a gift from the Norman (Continued on page 3) teachers. To date, $12,500 has been donated from MTNA. South-Central Division: Oklahoma stu- dents will be representing our division in five areas of the MTNA Competitions in Austin. The OSU Trombone Quartet, stu- dents of Paul Compton were winners in the Young Artist Chamber Ensemble com- petition. Flautist Shaelynn Morefiled of See you at the 2006 OMTA State Conference June 2-3 in Lawton, Oklahoma! Conference Call: June 2-3, 2006 We are busy at work on the 2006 conference and it’s all coming together. I’m getting excited thinking about it! This issue of the OMT newsletter features the conference call. You will find the conference itinerary, photos and bios of the participants, a reg- istration form, hotel information, and so on.
    [Show full text]