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Appendix D Chinese Personal Names and Their Japanese Equivalents
-1155 Appendix D Chinese Personal Names and Their Japanese Equivalents Note: Chinese names are romanized according to the traditional Wade-Giles system. The pinyin romanization appears in parentheses. Chinese Names Japanese Names An Ch’ing-hsü (An Qingxu) An Keisho An Lu-shan (An Lushan) An Rokuzan Chang-an (Zhangan) Shoan Chang Chieh (Zhang Jie) Cho Kai Chang Liang (Zhang Liang) Cho Ryo Chang Wen-chien (Zhang Wenjian) Cho Bunken Chao (Zhao), King Sho-o Chao Kao (Zhao Gao) Cho Ko Ch’en Chen (Chen Zhen) Chin Shin Ch’eng (Cheng), King Sei-o Cheng Hsüan (Zheng Xuan) Tei Gen Ch’eng-kuan (Chengguan) Chokan Chia-hsiang ( Jiaxiang) Kajo Chia-shang ( Jiashang) Kasho Chi-cha ( Jizha) Kisatsu Chieh ( Jie), King Ketsu-o Chieh Tzu-sui ( Jie Zisui) Kai Shisui Chien-chen ( Jianzhen) Ganjin Chih-chou (Zhizhou) Chishu Chih-i (Zhiyi) Chigi z Chih Po (Zhi Bo) Chi Haku Chih-tsang (Zhizang) Chizo Chih-tu (Zhidu) Chido Chih-yen (Zhiyan) Chigon Chih-yüan (Zhiyuan) Shion Ch’i Li-chi (Qi Liji) Ki Riki Ching-hsi ( Jingxi) Keikei Ching K’o ( Jing Ko) Kei Ka Ch’ing-liang (Qingliang) Shoryo Ching-shuang ( Jingshuang) Kyoso Chin-kang-chih ( Jingangzhi) Kongochi 1155 -1156 APPENDIX D Ch’in-tsung (Qinzong), Emperor Kinso-tei Chi-tsang ( Jizang) Kichizo Chou (Zhou), King Chu-o Chuang (Zhuang), King So-o Chuang Tzu (Zhuang Zi) Soshi Chu Fa-lan (Zhu Falan) Jiku Horan Ch’ung-hua (Chonghua) Choka Ch’u Shan-hsin (Chu Shanxin) Cho Zenshin q Chu Tao-sheng (Zhu Daosheng) Jiku Dosho Fa-ch’üan (Faquan) Hassen Fan K’uai (Fan Kuai) Han Kai y Fan Yü-ch’i (Fan Yuqi) Han Yoki Fa-pao -
Rediscovering Frédéric Chopin's "Trois Nouvelles Études" Qiao-Shuang Xian Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 Rediscovering Frédéric Chopin's "Trois Nouvelles Études" Qiao-Shuang Xian Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Xian, Qiao-Shuang, "Rediscovering Frédéric Chopin's "Trois Nouvelles Études"" (2002). LSU Doctoral Dissertations. 2432. https://digitalcommons.lsu.edu/gradschool_dissertations/2432 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. REDISCOVERING FRÉDÉRIC CHOPIN’S TROIS NOUVELLES ÉTUDES A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Qiao-Shuang Xian B.M., Columbus State University, 1996 M.M., Louisiana State University, 1998 December 2002 TABLE OF CONTENTS LIST OF EXAMPLES ………………………………………………………………………. iii LIST OF FIGURES …………………………………………………………………………… v ABSTRACT …………………………………………………………………………………… vi CHAPTER 1. INTRODUCTION…………………………………………………………….. 1 The Rise of Piano Methods …………………………………………………………….. 1 The Méthode des Méthodes de piano of 1840 -
Fernando Laires
Founded in 1964 Volume 32, Number 2 Founded in 1964 Volume 32, Number 2 Founded in 1964 Volume 32, Number 2 An officiIn AMemoriam:l publicAtion of the AmericFernandoAn liszt society, Laires inc. TABLE OF CONTENTS 3 January 1925 – 9 September 2016 1 In Memoriam: Fernando Laires In Memoriam: Fernando Laires TABLE OF CONTENTS 3 January 1925 – 9 September 2016 2 President's Message In Memoriam: Fernando Laires TABLE OF CONTENTS 3 January 1925 – 9 September 2016 31 LetterIn Memoriam: from the FernandoEditor Laires 1 42In Memoriam:"APresident's Tribute toMessage Fernando Fernando Laires Laires," by Nancy Lee Harper 2 3President's Letter from Message the Editor 5 More Tributes to Fernando Laires 3 4Letter "A fromTribute the to Editor Fernando Laires," 7 Membershipby Nancy Lee Updates, Harper Etc. 4 "A Tribute to Fernando Laires," 85by NancyInvitationMore TributesLee to Harper the to 2017 Fernando ALS FestivalLaires in Evanston/Chicago 5 7More Membership Tributes to Updates, Fernando Etc. Laires 10 "Los Angeles International Liszt Competition Overview" 7 8Membership byInvitation Éva Polgár Updates, to the 2017 Etc. ALS Festival in Evanston/Chicago 8 InvitationIn Memoriam to the 2017 ALS Festival in Evanston/Chicago 10 JALS"Los AngelesUpdate International Liszt Competition Overview" 10 "Losby Angeles Éva Polgár International Liszt 11 Competition Chapter News Overview" In Memoriam by Éva Polgár 12 Member News In MemoriamJALS Update 1511JALS FacsimileChapter Update News Frontispiece of Liszt's "Dante" Symphony Fernando Laires with his wife and fellow pianist, Nelita True, in 2005. Photo: Rochester NY Democrat & Chronicle Staff Photographer Carlos Ortiz: http://www. 11 12Chapter Member News News democratandchronicle.com/story/lifestyle/music/2016/10/02/fernando-laires-eastman-liszt- 16 Picture Page obituary/91266512, accessed on November 12, 2016. -
Master Thesis
MASTER THESIS Titel der Master Thesis „ A Broken Generation – The Social Implications of the One Child Policy, and its Place in China’s Human Rights Development “ verfasst von Jake Mendrik angestrebter akademischer Grad Master of Arts (MA) Wien, 2016 Studienkennzahl lt. Studienblatt: A 992 884 Universitätslehrgang: Universitätslehrgang Master of Arts in Human Rights Betreut von: Univ. -Prof. Dr. Susanne Weigelin-Schwiedrzik 1 Freedom is priceless, My life is a limited dream, I prefer to be jade broken, To save China in martyrdom. Lin Zhao (1932-1968) 2 Contents My Last Farewell Verse – A Poem ................................................................................................................................................... 2 Acknowledgements ................................................................................................................... 5 Abbreviations ............................................................................................................................ 7 Introduction ............................................................................................................................... 8 Chapter One – Origins of the One Child Policy ...................................................................... 12 Introduction ......................................................................................................................... 12 1.1 Population control in Chinese history – the eugenics movement ............................ 13 1.2 Mao’s China ........................................................................................................... -
Protection and Transmission of Chinese Nanyin by Prof
Protection and Transmission of Chinese Nanyin by Prof. Wang, Yaohua Fujian Normal University, China Intangible cultural heritage is the memory of human historical culture, the root of human culture, the ‘energic origin’ of the spirit of human culture and the footstone for the construction of modern human civilization. Ever since China joined the Convention for the Safeguarding of the Intangible Cultural Heritage in 2004, it has done a lot not only on cognition but also on action to contribute to the protection and transmission of intangible cultural heritage. Please allow me to expatiate these on the case of Chinese nanyin(南音, southern music). I. The precious multi-values of nanyin decide the necessity of protection and transmission for Chinese nanyin. Nanyin, also known as “nanqu” (南曲), “nanyue” (南乐), “nanguan” (南管), “xianguan” (弦管), is one of the oldest music genres with strong local characteristics. As major musical genre, it prevails in the south of Fujian – both in the cities and countryside of Quanzhou, Xiamen, Zhangzhou – and is also quite popular in Taiwan, Hongkong, Macao and the countries of Southeast Asia inhabited by Chinese immigrants from South Fujian. The music of nanyin is also found in various Fujian local operas such as Liyuan Opera (梨园戏), Gaojia Opera (高甲戏), line-leading puppet show (提线木偶戏), Dacheng Opera (打城戏) and the like, forming an essential part of their vocal melodies and instrumental music. As the intangible cultural heritage, nanyin has such values as follows. I.I. Academic value and historical value Nanyin enjoys a reputation as “a living fossil of the ancient music”, as we can trace its relevance to and inheritance of Chinese ancient music in terms of their musical phenomena and features of musical form. -
Continuing Crackdown in Inner Mongolia
CONTINUING CRACKDOWN IN INNER MONGOLIA Human Rights Watch/Asia (formerly Asia Watch) CONTINUING CRACKDOWN IN INNER MONGOLIA Human Rights Watch/Asia (formerly Asia Watch) Human Rights Watch New York $$$ Washington $$$ Los Angeles $$$ London Copyright 8 March 1992 by Human Rights Watch All rights reserved. Printed in the United States of America. ISBN 1-56432-059-6 Human Rights Watch/Asia (formerly Asia Watch) Human Rights Watch/Asia was established in 1985 to monitor and promote the observance of internationally recognized human rights in Asia. Sidney Jones is the executive director; Mike Jendrzejczyk is the Washington director; Robin Munro is the Hong Kong director; Therese Caouette, Patricia Gossman and Jeannine Guthrie are research associates; Cathy Yai-Wen Lee and Grace Oboma-Layat are associates; Mickey Spiegel is a research consultant. Jack Greenberg is the chair of the advisory committee and Orville Schell is vice chair. HUMAN RIGHTS WATCH Human Rights Watch conducts regular, systematic investigations of human rights abuses in some seventy countries around the world. It addresses the human rights practices of governments of all political stripes, of all geopolitical alignments, and of all ethnic and religious persuasions. In internal wars it documents violations by both governments and rebel groups. Human Rights Watch defends freedom of thought and expression, due process and equal protection of the law; it documents and denounces murders, disappearances, torture, arbitrary imprisonment, exile, censorship and other abuses of internationally recognized human rights. Human Rights Watch began in 1978 with the founding of its Helsinki division. Today, it includes five divisions covering Africa, the Americas, Asia, the Middle East, as well as the signatories of the Helsinki accords. -
Franz Liszt 21 Selected Piano Works
FRANZ LISZT 21 SELECTED PIANO WORKS Edited by Joseph Banowetz Foreword .........................................................3 About the Composer .............................................3 Contents Liszt as a Pianist .................................................6 About the Transcriptions ..........................................6 About This Edition ..............................................7 Suggestions for Further Reading. 8 About the Pieces in This Collection ....................................9 FRANZ LISZT: 21 SELECTED PIANO WORKS track page Ehemals, from Weihnachtsbaum, S. 186/10 ...................1 ......15 Étude, Op. 6, No. 7; S. 136/7 .............................2 ......20 Ich liebe dich, S. 542a (posth.) .............................3 ......24 Liebeslied: Widmung (easier version), S. 566 (posth.) (Robert Schumann, trans. by Liszt) ........................4 ......28 Liebesträume: 3 notturnos, S. 541 No. 2: Gestorben war ich (first version) ...................5 ......32 No. 3: O lieb, o lieb, so lang du lieben kannst ...............6 ......33 Piano Piece in A-flat Major, S. 189a (posth.) ..................7 ......40 Marche de Rákóczy–Édition populaire pour piano, S. 244/15. 8 ......42 Resignazione, S.187a (posth.) .............................9 ......50 Romance, S. 169 (posth.) .................................10 ......51 Romance oubliée, S. 527 ..................................11 ......56 Ruhig, S. 167a (posth.) ..................................12 ......58 Scherzo, S. 153 (posth.). .13 ......60 Six Consolations, -
Three Millennia of Tonewood Knowledge in Chinese Guqin Tradition: Science, Culture, Value, and Relevance for Western Lutherie
Savart Journal Article 1 Three millennia of tonewood knowledge in Chinese guqin tradition: science, culture, value, and relevance for Western lutherie WENJIE CAI1,2 AND HWAN-CHING TAI3 Abstract—The qin, also called guqin, is the most highly valued musical instrument in the culture of Chinese literati. Chinese people have been making guqin for over three thousand years, accumulating much lutherie knowledge under this uninterrupted tradition. In addition to being rare antiques and symbolic cultural objects, it is also widely believed that the sound of Chinese guqin improves gradually with age, maturing over hundreds of years. As such, the status and value of antique guqin in Chinese culture are comparable to those of antique Italian violins in Western culture. For guqin, the supposed acoustic improvement is generally attributed to the effects of wood aging. Ancient Chinese scholars have long discussed how and why aging improves the tone. When aged tonewood was not available, they resorted to various artificial means to accelerate wood aging, including chemical treatments. The cumulative experience of Chinese guqin makers represent a valuable source of tonewood knowledge, because they give us important clues on how to investigate long-term wood changes using modern research tools. In this review, we translated and annotated tonewood knowledge in ancient Chinese books, comparing them with conventional tonewood knowledge in Europe and recent scientific research. This retrospective analysis hopes to highlight the practical value of Chinese lutherie knowledge for 21st-century instrument makers. I. INTRODUCTION In Western musical tradition, the most valuable musical instruments belong to the violin family, especially antique instruments made in Cremona, Italy. -
Season 2017-2018
23 Season 2017-2018 Wednesday, November 1, at 7:30 China’s National Centre for the Performing Arts Orchestra Lü Jia Conductor Ning Feng Violin Gautier Capuçon Cello Zhao Jiping Violin Concerto No. 1 (in one movement) Chen Qigang Reflection of a Vanished Time, for cello and orchestra United States premiere Intermission Brahms Symphony No. 4 in E minor, Op. 98 I. Allegro non troppo II. Andante moderato III. Allegro giocoso—Poco meno presto—Tempo I IV. Allegro energico e passionato—Più allegro This program runs approximately 1 hour, 50 minutes. China’s National Centre for the Performing Arts Orchestra’s 2017 US Tour is proudly supported by China National Arts Fund. International Flight Sponsor: Hainan Airlines Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 24 Conductor Lü Jia is artistic director of music of the National Centre for the Performing Arts (NCPA) in Beijing, China, as well as music director and chief conductor of the NCPA Orchestra. He is also music director and chief conductor of the Macao Orchestra. He has served as music director of Verona Opera in Italy and artistic director of the Tenerife Symphony in Spain. Born into a musical family in Shanghai, he began studying piano and cello at a very young age. He later studied conducting at the Central Conservatory of Music in Beijing, under the tutelage of Zheng Xiaoying. At the age of 24 Mr. Lü entered the University of Arts in Berlin, where he continued his studies under Hans- Martin Rabenstein and Robert Wolf. -
Plucked Stringed Instruments
Plucked Stringed Instruments Fig. 2.1: The Pipa 18 Pipa 2 琵琶 Pipa HISTORY The grand dame of plucked stringed instruments, the pipa is one of the most expressive instruments in the Chinese orchestra (Fig. 2.1). Recent moves by some major Chinese orchestras include removing the instrument entirely from the orchestral formation due to its overpowering character and inability to blend. Its techniques, however, are applied to almost every plucked stringed instrument and its concepts have been borrowed for the reformations of various plucked stringed instruments. The term pipa used today refers to the lute-shaped instrument which comprises of four strings and a fretted soundboard of 20 to 25 frets. In the ancient Chinese dynasties of Sui and Han, the term pipa was generic for any instrument that was plucked or had a plucked string aspect to it. The word pipa is made up of two Chinese characters – 琵 pi and 琶 pa1. The words describe how the instrument is played and the sounds it produced. The forward plucking of the string using one’s right hand was termed pi, and the backward plucking of the string with the right hand was termed pa. The first recorded connotation to the word pipa was found in 刘熙 Liu Xi’s <<释名>> Shi Ming, where it was recorded as piba2. Although greatly associated with the Chinese, the pipa is not native to China; the instrument was introduced to China by Asia Minor over 2000 years ago. As the instrument is foreign, its counterparts in the forms of lutes and mandolins can still be found in Central and Western Asia. -
Siba: Bronze Age Culture of the Gansu Corridor
SINO-PLATONIC PAPERS Number 86 October, 1998 Siba: Bronze Age Culture of the Gansu Corridor by Jidong Yang Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino- Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out to be refereed, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form. We do, however, strongly recommend that prospective authors consult our style guidelines at www.sino-platonic.org/stylesheet.doc. -
OMT 4-06 07Edited.Pub
VOLUME 8, ISSUE 2 APRIL 2006 Sharon E Leskowat, Editor From Your President... Greetings OMTA Members! Edmond, student of Natalie Syring, won the Junior Woodwind Competition. So- Hurricane update: January got off to a prano Sarah Duvall of Lawton, student fast start with the MTNA South-Central of Larry Baldwin, won the Senior Vocal Division competitions held in Lafayette, Competition. Cellist Adam Lock, student LA. Upon my arrival, I delivered one 45 of Tess Remy-Schumacher from the Uni- lb. box of vocal music to Sue Steck- versity of Central Oklahoma, was the Turner, president of the Louisiana MTA. Young Artist String winner. Oklahoma Before Christmas, I also mailed a $120 students also represent our division in the Borders gift card to her to distribute to Young Artist Composition Competition. teachers as a gift from the Norman (Continued on page 3) teachers. To date, $12,500 has been donated from MTNA. South-Central Division: Oklahoma stu- dents will be representing our division in five areas of the MTNA Competitions in Austin. The OSU Trombone Quartet, stu- dents of Paul Compton were winners in the Young Artist Chamber Ensemble com- petition. Flautist Shaelynn Morefiled of See you at the 2006 OMTA State Conference June 2-3 in Lawton, Oklahoma! Conference Call: June 2-3, 2006 We are busy at work on the 2006 conference and it’s all coming together. I’m getting excited thinking about it! This issue of the OMT newsletter features the conference call. You will find the conference itinerary, photos and bios of the participants, a reg- istration form, hotel information, and so on.