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Rediscovering Frédéric Chopin's "Trois Nouvelles Études" Qiao-Shuang Xian Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 Rediscovering Frédéric Chopin's "Trois Nouvelles Études" Qiao-Shuang Xian Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Xian, Qiao-Shuang, "Rediscovering Frédéric Chopin's "Trois Nouvelles Études"" (2002). LSU Doctoral Dissertations. 2432. https://digitalcommons.lsu.edu/gradschool_dissertations/2432 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. REDISCOVERING FRÉDÉRIC CHOPIN’S TROIS NOUVELLES ÉTUDES A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Qiao-Shuang Xian B.M., Columbus State University, 1996 M.M., Louisiana State University, 1998 December 2002 TABLE OF CONTENTS LIST OF EXAMPLES ………………………………………………………………………. iii LIST OF FIGURES …………………………………………………………………………… v ABSTRACT …………………………………………………………………………………… vi CHAPTER 1. INTRODUCTION…………………………………………………………….. 1 The Rise of Piano Methods …………………………………………………………….. 1 The Méthode des Méthodes de piano of 1840 -
Fernando Laires
Founded in 1964 Volume 32, Number 2 Founded in 1964 Volume 32, Number 2 Founded in 1964 Volume 32, Number 2 An officiIn AMemoriam:l publicAtion of the AmericFernandoAn liszt society, Laires inc. TABLE OF CONTENTS 3 January 1925 – 9 September 2016 1 In Memoriam: Fernando Laires In Memoriam: Fernando Laires TABLE OF CONTENTS 3 January 1925 – 9 September 2016 2 President's Message In Memoriam: Fernando Laires TABLE OF CONTENTS 3 January 1925 – 9 September 2016 31 LetterIn Memoriam: from the FernandoEditor Laires 1 42In Memoriam:"APresident's Tribute toMessage Fernando Fernando Laires Laires," by Nancy Lee Harper 2 3President's Letter from Message the Editor 5 More Tributes to Fernando Laires 3 4Letter "A fromTribute the to Editor Fernando Laires," 7 Membershipby Nancy Lee Updates, Harper Etc. 4 "A Tribute to Fernando Laires," 85by NancyInvitationMore TributesLee to Harper the to 2017 Fernando ALS FestivalLaires in Evanston/Chicago 5 7More Membership Tributes to Updates, Fernando Etc. Laires 10 "Los Angeles International Liszt Competition Overview" 7 8Membership byInvitation Éva Polgár Updates, to the 2017 Etc. ALS Festival in Evanston/Chicago 8 InvitationIn Memoriam to the 2017 ALS Festival in Evanston/Chicago 10 JALS"Los AngelesUpdate International Liszt Competition Overview" 10 "Losby Angeles Éva Polgár International Liszt 11 Competition Chapter News Overview" In Memoriam by Éva Polgár 12 Member News In MemoriamJALS Update 1511JALS FacsimileChapter Update News Frontispiece of Liszt's "Dante" Symphony Fernando Laires with his wife and fellow pianist, Nelita True, in 2005. Photo: Rochester NY Democrat & Chronicle Staff Photographer Carlos Ortiz: http://www. 11 12Chapter Member News News democratandchronicle.com/story/lifestyle/music/2016/10/02/fernando-laires-eastman-liszt- 16 Picture Page obituary/91266512, accessed on November 12, 2016. -
Franz Liszt 21 Selected Piano Works
FRANZ LISZT 21 SELECTED PIANO WORKS Edited by Joseph Banowetz Foreword .........................................................3 About the Composer .............................................3 Contents Liszt as a Pianist .................................................6 About the Transcriptions ..........................................6 About This Edition ..............................................7 Suggestions for Further Reading. 8 About the Pieces in This Collection ....................................9 FRANZ LISZT: 21 SELECTED PIANO WORKS track page Ehemals, from Weihnachtsbaum, S. 186/10 ...................1 ......15 Étude, Op. 6, No. 7; S. 136/7 .............................2 ......20 Ich liebe dich, S. 542a (posth.) .............................3 ......24 Liebeslied: Widmung (easier version), S. 566 (posth.) (Robert Schumann, trans. by Liszt) ........................4 ......28 Liebesträume: 3 notturnos, S. 541 No. 2: Gestorben war ich (first version) ...................5 ......32 No. 3: O lieb, o lieb, so lang du lieben kannst ...............6 ......33 Piano Piece in A-flat Major, S. 189a (posth.) ..................7 ......40 Marche de Rákóczy–Édition populaire pour piano, S. 244/15. 8 ......42 Resignazione, S.187a (posth.) .............................9 ......50 Romance, S. 169 (posth.) .................................10 ......51 Romance oubliée, S. 527 ..................................11 ......56 Ruhig, S. 167a (posth.) ..................................12 ......58 Scherzo, S. 153 (posth.). .13 ......60 Six Consolations, -
View Marco Polo Chinese Classics Segment Catalogue
MARCO POLO CHINESE CLASSICS Music that travels well Cat. No. Title Performers UPC ORCHESTRAL / CONERTOS A, Kejian: Violin Concerto, "Hung Hu" / CHEN, Gang: Fantasy on a Sinkiang Folk Takako Nishizaki, Violin / Singapore Symphony Orchestra / 8.225811 636943581124 Song Hoey Choo Lam Fung, Pipa / Takako Nishizaki, Violin / Capella Istropolitana 8.225801 CHEN, Gang: Violin Concerto, "Wang Zhaojun" / Hong Kong Philharmonic Orchestra / Stephen Gunzenhauser / 636943580127 Yip Wing-sie Takako Nishizaki, Violin / Gunma Symphony Orchestra / Henry 8.225819 CHEN, Gang / HE, Zhanhao: Butterfly Lovers Violin Concerto (The) 636943581926 Shek CHEN, Gang / HE, Zhanhao: Butterfly Lovers Violin Concerto (The) / Popular Takako Nishizaki, Violin / Seow Yit-Kin, Piano / Nagoya 8.225833 636943583326 Chinese Violin Pieces Philharmonic Orchestra / Lim Kektjiang 8.223960 CHEN / HE: Butterfly Lovers Violin Concerto (The) / A Ke: Violin Concerto Vera Tsu, Violin / Shanghai Philharmonic Orchestra / Cao Peng 4891030239609 Dong Chen, Baritone / Hsu Fei-ping, Piano / Hong Kong 8.225829 CHEN, Gang / HE, Zhanhao: The Butterfly Lovers Piano Concerto 636943582923 Philharmonic Orchestra / Kenneth Schermerhorn Wong On-yuen, Erhu / Hong Kong Philharmonic Orchestra / Yip 8.223927 CHEN, Peixun: Fantasia on Cantonese Folk Themes 0730099392723 Wing-sie 8.225831 DING, Shande: Long March Symphony Hong Kong Philharmonic Orchestra / Yoshikazu Fukumura 636943583128 Takako Nishizaki, Violin / Singapore Symphony Orchestra / 8.225814 DU, Mingxin: 10 Xinjiang Dances 636943581421 Choo Hoey -
2013 Program Booklet
Rebecca Penneys Piano Festival Inaugural Year July 21- August 4, 2013 University of South Florida, Tampa, Florida Rebecca Penneys Friends of Piano wishes to give special thanks: to Svetozar Ivanov for his kindness and artistic vision, to USF for its warm welcome, to the USF administration and staff for their support and assistance, to USF piano tuner, Glen Suyker for his expertise, to RPPF Coordinator of Student Services, Tabitha Boxerman for her tremendous help and tireless energy, to our wonderful videographer, Elizabeth Baker, and to all of the generous, enthusiastic, and devoted Piano Lovers and Donors who made this festival possible. Rebecca Penneys Piano Festival is tuition-free and is supported entirely by charitable donations made to Rebecca Penneys Friends of Piano Incorporated The family of Steinway pianos at USF was made possible by the kind assistance of the Music Gallery, Clearwater, Florida 2 FESTIVAL PROGRAMS All events are free and open to the public Burness Hall, University of South Florida Festival Concerts – 2pm July 28 Rebecca Penneys Solo Recital August 3 2 Pianos 8 Hands Extravaganza Soiree Series, Legacy Series, and Performance Classes – 7:30pm July 23 Christopher Harding: Schumann July 24 RPPF Student Performance Class July 25 Johnandrew Slominski: The Art of Transcription July 26 RPPF Student Performance Class July 29 Omri Shimron: Brahms Ballades July 30 RPPF Student Performance Class July 31 Eunmi Ko: Foray into Dreams August 1 RPPF Student Performance Class August 2 Father Sean Duggan: Beethoven Op. 106 Daily Masterclasses Father Sean Duggan, Christopher Harding, Svetozar Ivanov, John O’Conor, Rebecca Penneys, Roberta Rust, and Ray Gottlieb (Attention and Memory Specialist) Community Outreach Concerts by Festival Student Pianists July 25 Westminster Shores July 30 ASPEC July 31 University Village August 2 Allegro 3 RECITAL PROGRAMS Rebecca Penneys, piano July 28, 2013 – 2pm PROGRAM 15 Hungarian Peasant Songs…………………………..Béla Bartók (1881-1945) Rondo in D major, K. -
An Analysis of His Piano Concerto in E-Flat Major
SERGEI TANEYEV (1856-1915): AN ANALYSIS OF HIS PIANO CONCERTO IN E-FLAT MAJOR AND ITS RELATIONSHIP TO TCHAIKOVSKY’S PIANO CONCERTO NO. 1 Louise Jiayin Liu, B.A., M.A. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2007 APPROVED: Joseph Banowetz, Major Professor Jeffrey Snider, Committee Member Adam Wodnicki, Committee Member Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Liu, Louise Jiayin, Sergei Taneyev (1856-1915): An Analysis of His Piano Concerto in E- flat Major and Its Relationship to Tchaikovsky’s Piano Concerto No.1. Doctor of Musical Arts (Performance), May 2007, 38 pp., 25 examples, bibliography, 26 titles. This lecture recital seeks to prove that Sergei Taneyev’s only piano concerto is a valuable addition to the piano concerto repertoire for historical and theoretical examination. Taneyev’s biographical background proves he was one of the major figures in Russian musical life during the late nineteenth century. For one who had such an important role in music history, it is an unfortunate that his music has not been popular. Through letters to contemporary composers and friends, Taneyev’s master teacher Tchaikovsky revealed why his music and piano concerto were not as popular as they should have been. This lecture recital examines Taneyev’s compositional style and illustrates his influence in the works of his famous student Sergei Rachmaninoff through examples from Taneyev’s Piano Concerto in E-flat Major and Rachmaninoff’s Piano Concerto No. -
Critical Study of Two Piano Transcriptions by August Stradal And
CRITICAL STUDY OF TWO PIANO TRANSCRIPTIONS BY AUGUST STRADAL AND THE TRANSCRIPTIONS’ SOURCES: ALTERATIONS TO THE SCORE BASED ON HISTORICAL EVIDENCE AND ARTISTIC JUDGEMENT JUAN GUILLERMO VIZCARRA, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2015 APPROVED: Joseph Banowetz, Major Professor Steven Harlos, Committee Member Pamela Paul, Committee Member Steven Harlos, Chair of Division of Keyboard Studies Benjamin Brand, Director of Graduate Studies in the College of Music James Scott, Dean of the College of Music James D. Meernik, Acting Dean of the Toulouse Graduate School Vizcarra, Juan Guillermo. Critical Study of Two Piano Transcriptions by August Stradal and the Transcriptions’ Sources: Alterations to the Score Based on Historical Evidence and Artistic Judgment. Doctor of Musical Arts (Performance), May 2015, 35 pp., 15 musical examples, bibliography, 6 titles. The fact that a number of pianists of the past two centuries adapted, embellished, and rearranged piano works for performance, be these original works or transcriptions, has been well documented throughout history. This thought, in addition to the fact that Stradal’s scores needed revision, encouraged me to make alterations to Stradal’s transcriptions and served as a strong incentive to write the current study. In it, I will comment on the alterations performed to segments of Stradal’s piano transcriptions of Wagner’s Schluβ der letzten Aufzuges (End of the last Act) from Siegfried and Trauermusik aus dem letzten Aufzug (Siegfried’s Funeral March) from Götterdämmerung. These changes have the purpose of reflecting in the piano as closely as possible the sonorous reality of the transcriptions’ operatic sources and, by doing so, making Stradal’s arrangements more effective for performance. -
South Central Chapter the COLLEGE MUSIC SOCIETY
South Central Chapter THE COLLEGE MUSIC SOCIETY 21st Regional Conference March 9–11, 2006 Texas State University San Marcos, Texas S TEINWAY IS THE OFFICIAL PIANO of THE COLLEGE MUSIC SOCIETY’S NATIONAL CONFERENCE School of Music 601 University Drive San Marcos, TX 78666-4616 Office: 512-245-2651 Fax: 512-245-8181 March 9-11, 2006 Dear Conference Participants, We are delighted to welcome you to our campus for the 21st College Music Society (CMS) South Central Chapter Conference, held as a joint conference with the Texas Chapter of the National Association of Composers USA (NACUSA Texas). We will offer a rich program of 11 lecture-recitals, 17 research papers, nine posters, two panels, and six concerts. Among the many performances of compositions by CMS and NACUSA Texas composers, we will be able to enjoy 10 world premiere performances. We are especially delighted to welcome our Keynote Speaker, the well-known American composer Charles H. Ruggiero, who will present the keynote lecture on “Creative Collaborations: A Composer’s Perspective.” Two of his compositions will be performed by saxophonist Joseph Lulloff and pianist Jun Okada. Furthermore, an invited recital will be given by flutist Danilo Mezzadri, accompanied by pianist Faith DeBow. As part of the conference, the Annual NACUSA Texas Membership Meeting will take place on Thursday, March 9, after the evening concert. The Annual CMS South Central Membership Meeting will take place on Friday, March 10, immediately following the Conference Luncheon. Let us tell you a bit more about our university and our School: Texas State University has about 27,000 students and is the flagship of the Texas State University System, the oldest multi-campus system in Texas with currently nine institutions. -
Piano Variations by Liszt, Lutoslawski, Brahms, and Rachmaninoff on a Theme by Paganini
RICE UNIVERSITY Piano Variations by Liszt, Lutoslawski, Brahms, and Rachmaninoff on a Theme by Paganini by Wenli Zhou A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE Doctor of Musical Arts ca, Professor of Art History HOUSTON, TEXAS JANUARY 2012 ABSTRACT Piano Variations by Liszt, Lutoslawski, Brahms, and Rachmaninoff on a Theme by Paganini by Wenli Zhou Theme and Variations is arguably one of the oldest musical forms in music history. Composers have used certain themes repeatedly as thematic sources for variations. Among them, Paganini's Caprice No. 24 in A minor is certainly the best known, since the theme has inspired many composers for variations of their own. The purpose of this study is to analyze different sets of Variations on Paganini' s theme by Franz Liszt, Witold Lutoslawbski, Johannes Brahms, and Sergei Rachmaninoff, in order to examine, identify, and trace how far an original idea can be stretched by using different variations techniques and their applications. Liszt transcribed Paganini' s 24th Caprice for the piano, adding a multi-layered sound to the original Caprice. His treatment of the Paganini theme is the most literal. Lutoslawski's Paganini Variations is written for duo piano. This piece builds on Liszt's transcription technique: it stays close to the original Paganini Caprice, but at the same time overlays many 20th century compositional devices such as atonality and complex rhythmic devices. Lutoslawski carries Liszt one step further away from Paganini's original theme. In his Variations on a Theme ofPaganini, op. 35, Brahms keeps the clear structure and strong harmonic progression of the original theme, but carries his invention further away from the source than Liszt and Lutoslawski. -
Friedman Original Piano Compositions
includes WORLD PREMIÈRE RECORDINGS FRIEDMAN ORIGINAL PIANO COMPOSITIONS JOSEPH BANOWETZ IGNAZ FRIEDMAN © HNH International Ltd. 20 1 JOSEPH BANOWETZ Grammy® nominated American pianist Joseph Banowetz has been heard as recitalist and orchestral soloist on five continents, with IGNAZ FRIEDMAN (1882–1948) performances with such orchestras as the St Petersburg Philharmonic, the Moscow State ORIGINAL PIANO COMPOSITIONS Symphony, the Prague and Bratislava Radio Orchestras, the Budapest Symphony, the Barcelona Concert Society Orchestra, the JOSEPH BANOWETZ, piano New Zealand Symphony, the Beijing National Philharmonic, the Shanghai Symphony, the Hong Catalogue number: GP711 Kong Philharmonic, and the Seoul Philharmonic. Recording dates: 16-20 January 2012 In December 2007 Banowetz’s recording of Recording Venue: Holy Trinity Lutheran Church, Buffalo, New York, USA Balakirev’s works received two official Grammy® Publishers: Universal Edition (1-5,16-28), D. Rahter, Leipzig (6-10), nominations and his over thirty recordings contain Wilhelm Hansen, Musik-Forlag, Leipzig (11-15) a significant number of world premières, including Producers: Marina A. Ledin and Victor Ledin, Encore Consultants LLC Recording Engineer: Ed Thompson first recordings of Anton Rubinstein solo piano works, all eight of Rubinstein’s piano Editing Engineer: Sean Royce Martin and orchestral works, music of Sergey Taneyev (with Vladimir Ashkenazy as narrator), Mastering Engineer: Ed Thompson and compositions of Mily Balakirev, Leopold Godowsky and Paul Kletzki. Banowetz Piano: Steinway & Sons, New York, Model D is also well known as an author. His book The Pianist’s Guide to Pedalling (Indiana English Booklet Notes: Nancy Lee Harper German Booklet Notes: Cris Posslac University Press) has to date been printed in seven languages. -
Friedman Piano Transcriptions Bach • Couperin • Dalayrac • Dandrieu • Field Franck • Gluck • Grazioli • Rameau • Scarlatti
includes WORLD PREMIÈRE RECORDINGS FRIEDMAN PIANO TRANSCRIPTIONS BACH • COUPERIN • DALAYRAC • DANDRIEU • FIELD FRANCK • GLUCK • GRAZIOLI • RAMEAU • SCARLATTI JOSEPH BANOWETZ IGNAZ FRIEDMAN © HNH International Ltd. 16 1 JOSEPH BANOWETZ Grammy® nominated American pianist Joseph Banowetz has been heard as recitalist and IGNAZ FRIEDMAN (1882–1948) orchestral soloist on five continents, with performances with such orchestras as the St PIANO TRANSCRIPTIONS Petersburg Philharmonic, the Moscow State Symphony, the Prague and Bratislava Radio BACH • COUPERIN • DALAYRAC • DANDRIEU • FIELD • FRANCK Orchestras, the Budapest Symphony, the GLUCK • GRAZIOLI • RAMEAU • SCARLATTI Barcelona Concert Society Orchestra, the New Zealand Symphony, the Beijing National JOSEPH BANOWETZ, piano Philharmonic, the Shanghai Symphony, the Hong Kong Philharmonic, and the Seoul Philharmonic. In December 2007 Banowetz’s recording of Catalogue number: GP712 Balakirev’s works received two official Grammy® Recording dates: 16-20 January 2012 Recording Venue: Holy Trinity Lutheran Church, Buffalo, New York, USA nominations and his over thirty recordings Publishers: Allans Publishing Pty, Limited, Melbourne (1, 4, 6) contain a significant number of world premières, and Universal Edition (2-3, 5, 7-15) including first recordings of Anton Rubinstein Producers: Marina A. Ledin and Victor Ledin, Encore Consultants LLC solo piano works, all eight of Rubinstein’s piano and orchestral works, music of Recording Engineer: Ed Thompson Editing Engineer: Sean Royce Martin Sergey Taneyev (with Vladimir Ashkenazy as narrator), and compositions of Mily Mastering Engineer: Ed Thompson Balakirev, Leopold Godowsky and Paul Kletzki. Banowetz is also well known as an Piano: Steinway & Sons, New York, Model D author. His book The Pianist’s Guide to Pedalling (Indiana University Press) has to English Booklet Notes: Nancy Lee Harper date been printed in seven languages. -
A Stylistic and Analytical Study of the Key for Trumpet and Piano by James Wintle
A STYLISTIC AND ANALYTICAL STUDY OF THE KEY FOR TRUMPET AND PIANO BY JAMES WINTLE Young Mi Seo, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2008 APPROVED: Joseph Banowetz, Major Professor Elvia Puccinelli, Minor Professor Adam Wodnicki, Committee Member Jesse Eschbach, Chair of the Division of Keyboard Studies Graham Phipps, Director of Graduate Studies of the College of Music James C. Scott, Dean of the College of Music Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Seo, Young Mi. A Stylistic and Analytical Study of The Key for Trumpet and Piano by James Wintle. Doctor of Musical Arts (Performance), August 2008, 63 pp., 4 tables, 46 musical examples, bibliography, 64 titles. James Wintle (b.1942) is one of America’s most successful living composers. Wintle and his compositions have attracted the attention of many prominent performers and scholars over the last three decades. The Key for trumpet and piano was composed in 1988 for Chris Gekker, an outstanding trumpet player. The Key consists of four movements: a fast movement in free form, a slow lyrical movement in song form (ABA’), a dance-like movement influenced by ragtime, and a fourth movement with a slow introduction in rondo form (ABA’CA’’). The purpose of the study is to introduce the composer, James Wintle, and to present an analysis of The Key for trumpet and piano, a work which receives frequent performance. Through research and analytical approaches, the study focuses on a theoretical analysis of The Key for trumpet and piano.