DOCSLIB.ORG

Fernando Laires

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fernando Laires Founded in 1964 Volume 32, Number 2 Founded in 1964 Volume 32, Number 2 Founded in 1964 Volume 32, Number 2 An officiIn AMemoriam:l publicAtion of the AmericFernandoAn liszt society, Laires inc. TABLE OF CONTENTS 3 January 1925 – 9 September 2016 1 In Memoriam: Fernando Laires In Memoriam: Fernando Laires TABLE OF CONTENTS 3 January 1925 – 9 September 2016 2 President's Message In Memoriam: Fernando Laires TABLE OF CONTENTS 3 January 1925 – 9 September 2016 31 LetterIn Memoriam: from the FernandoEditor Laires 1 42In Memoriam:"APresident's Tribute toMessage Fernando Fernando Laires Laires," by Nancy Lee Harper 2 3President's Letter from Message the Editor 5 More Tributes to Fernando Laires 3 4Letter "A fromTribute the to Editor Fernando Laires," 7 Membershipby Nancy Lee Updates, Harper Etc. 4 "A Tribute to Fernando Laires," 85by NancyInvitationMore TributesLee to Harper the to 2017 Fernando ALS FestivalLaires in Evanston/Chicago 5 7More Membership Tributes to Updates, Fernando Etc. Laires 10 "Los Angeles International Liszt Competition Overview" 7 8Membership byInvitation Éva Polgár Updates, to the 2017 Etc. ALS Festival in Evanston/Chicago 8 InvitationIn Memoriam to the 2017 ALS Festival in Evanston/Chicago 10 JALS"Los AngelesUpdate International Liszt Competition Overview" 10 "Losby Angeles Éva Polgár International Liszt 11 Competition Chapter News Overview" In Memoriam by Éva Polgár 12 Member News In MemoriamJALS Update 1511JALS FacsimileChapter Update News Frontispiece of Liszt's "Dante" Symphony Fernando Laires with his wife and fellow pianist, Nelita True, in 2005. Photo: Rochester NY Democrat & Chronicle Staff Photographer Carlos Ortiz: http://www. 11 12Chapter Member News News democratandchronicle.com/story/lifestyle/music/2016/10/02/fernando-laires-eastman-liszt- 16 Picture Page obituary/91266512, accessed on November 12, 2016. Photo supplied by Nancy Lee 12 Member News Harper. Please see Dr. Harper's tribute to Fernando Laires on page four. and additional 15 Facsimile Frontispiece of Liszt's tributes beginning on page five. "Dante" Symphony Fernando Laires with his wife and fellow pianist, Nelita True, in 2005. Photo: Perpetuating the ideas of Rochester NY Democrat & Chronicle Staff Photographer Carlos Ortiz: http://www. 15 FacsimileFranz FrontispieceLiszt through excellence of Liszt's in democratandchronicle.com/story/lifestyle/music/2016/10/02/fernando-laires-eastman-liszt- 16"Dante" Picturemusic Symphony performance Page and scholarship Fernando Laires with his wife and fellow pianist, Nelita True, in 2005. Photo: Rochesterobituary/91266512 NY Democrat, accessed & Chronicle on NovemberStaff Photographer 12, 2016. Carlos Photo Ortiz: supplied http://www. by Nancy Lee democratandchronicle.com/story/lifestyle/music/2016/10/02/fernando-laires-eastman-liszt-Harper. Please see Dr. Harper's tribute to Fernando Laires on page four. and additional 16 Picture Page obituary/91266512tributes beginning, accessed on page on five. November 12, 2016. Photo supplied by Nancy Lee Perpetuating the ideas of Harper. Please see Dr. Harper's tribute to Fernando Laires on page four. and additional Franz Liszt through excellence in tributes beginning on page five. music performance and scholarship Perpetuating the ideas of Franz Liszt through excellence in music performance and scholarship PRESIDENT Jay Hershberger* President's Message Concordia College Music Department Moorhead, MN 56562 [email protected] VICE PRESIDENT Alexandre Dossin* University of Oregon School of Music and Dance Eugene, OR 97403-1225 [email protected] EXECUTIVE SECRETARY Justin Kolb* 1136 Hog Mountain Road Dear Fellow Lisztians, Fleischmanns, NY 12430 [email protected] I cannot think of the late Fernando Laires without reminiscing about his generous devotion to MEMBERSHIP SECRETARY students wherever he encountered them. Such was my own experience with him as a piano major Alexander Djordjevic* PO Box 1020 in Oklahoma. Fernando had traveled to the University of Tulsa to participate in the inaugural Wheaton, IL 60187-1020 Liszt Festival of the local chapter there where I was a student. Not only did I have the privilege of [email protected] hearing him play for the first time - his playing was awe-inspiring, a veritable feast of aristocratic TREASURER music making in the grand tradition - but I also was fortunate to play for him the Ballade No. 2 in Daniel Paul Horn* B minor by Liszt in the festival master class. I still have his notes, and whenever I review them the The American Liszt Society memory of that encounter comes flooding back with surprising clarity. Even more, Fernando PO Box 1020 Wheaton, IL 60187-1020 agreed to meet with me privately to visit about music making, career, and life in general. This was [email protected] above and beyond anything I could have imagined at the time, though looking back, it was part and parcel of Fernando’s commitment to passing on to the next generations his love for music and ALS JOURNAL Jonathan Kregor, Editor musicians. Mary Emery Hall Room 4240 I visited him at a private home where he was a guest during the festival. We sat in the living Cincinnati College-Conservatory room and I peppered him with questions, full of youthful enthusiasm and perhaps a fair bit PO Box 210003 Cincinnati OH 45221-0003 of naiveté. He treated me with great respect. Fernando’s answers were drawn from his own [email protected] experience with Isidor Phillip, the rich cultural environments he himself inhabited as a young man, and his own seasoned abilities as an artist/teacher of young musicians. He spoke to me ALS NEWSLETTER/WEBSITE Edward Rath, Editor/Webmaster* about the importance of the Lisztian ideal of immersing one’s self in all aspects of cultural life: 2603 Coppertree Road art, literature, poetry, architecture, theatre, and the humanities beyond the arts. He encouraged Champaign, IL 61822-7518 me to know the entire oeuvre of a composer’s output when studying an individual piece. He [email protected] offered practical advice about practicing, sight-reading, and ways to maintain one’s motivation BOARD OF DIRECTORS and discipline. He spoke about the necessity of live performances in the shaping and formation Joseph Banowetz of one’s own artistic image. His interest in me as a person was genuine, reflected in his own Paul Barnes Luiz de Moura Castro questions to me about my life, my family, and my aspirations. It was an afternoon that I have Alexander Djordjevic* never forgotten, and ten years later, when we met again, he remembered our time together that Gabriel Dobner afternoon, and he treated me as if we were old friends renewing our acquaintance after many years. Alexandre Dossin* Gila Goldstein Such was Fernando Laires. And such are the principal ideals of The American Liszt Society Jay Hershberger* that embody Fernando’s own vision as one of its chief founders. I am grateful for his tireless Daniel Horn* commitment to The American Liszt Society over the decades, as I am grateful for his successor, Geraldine Keeling Jonathan Kregor the late Thomas Mastroianni, whose own deep devotion to those same ideals was drawn in part Barbara Mellon Kolb from Fernando’s vision and dedication. In a world that seems filled with the banal, the trivial, and Justin Kolb* so much cultural ugliness, artistic organizations like The American Liszt Society play a vital role in Elyse J. Mach Ksenia Nosikova fleshing out Dostoevsky’s famous observation that beauty will save the world. Our task, as artistic Edward Rath* descendants of Fernando Laires, is to follow hard after his example. Nancy Roldán To that end, I invite all of you to attend the next ALS festival, April 28 - 30 at Northwestern Steven Spooner Helen Smith Tarchalski University in Evanston, Illinois. Festival director Dr. James Giles has assembled a marvelous Alan Walker roster of artists and scholars. This festival promises to carry on the festival tradition established by William Wellborn Fernando Laires, and reflected in so many of the recent festivals those in attendance have enjoyed. Richard Zimdars I hope to see each of you there. *Member, Executive Committee Excelsior! In Memoriam: Fernando Laires www.americanlisztsociety.net Jay Hershberger, President 2 The American Liszt Society - www.americanlisztsociety.net Letter from the Editor Happy New Year! May 2017 bring much needed peace to the world and especially in your lives! I have long admired Pablo Casals as having been a humanitarian, teacher, champion of the downtrodden, superb cellist, and author. With regard to the latter, his biography, Joys and Sorrows, is one of the most highly praised volumes when one reads reviews and reactions by contributors of all ages and from all walks of life. The title provides, I think, an immediate overview of what the reader may expect. And it encapsulates my feelings as I think of Fernando Laires. For me, however, I would reverse the words in Casals' title to read, "Sorrows and Joys": the sorrows come from the music world's loss of a great contributor to music, pedagogy, and performance, along with my personal sorrow in not having gotten to know Fernando better. He and I collaborated on an article for this newsletter, after our having met at the 2006 festival in Athens, Georgia. The joys, however, have come from reading the many comments and reminiscences that many of our members have provided for this special memorial edition of the The American Liszt Society Newsletter. It would be presumptuous for me to pick and choose various quotes from such statements, so they are included below more or less verbatim. I would, however, like to focus on one contribution, that from President Jay Hershberger in his "President's Message" on the opposite page: In a world that seems filled with the banal, the trivial, and so much cultural ugliness, artistic organizations like The American Liszt Society play a vital role in fleshing out Dostoevsky’s famous observation that beauty will save the world.
Load more

Recommended publications
  • Rediscovering Frédéric Chopin's "Trois Nouvelles Études" Qiao-Shuang Xian Louisiana State University and Agricultural and Mechanical College, [email protected]
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 Rediscovering Frédéric Chopin's "Trois Nouvelles Études" Qiao-Shuang Xian Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Xian, Qiao-Shuang, "Rediscovering Frédéric Chopin's "Trois Nouvelles Études"" (2002). LSU Doctoral Dissertations. 2432. https://digitalcommons.lsu.edu/gradschool_dissertations/2432 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. REDISCOVERING FRÉDÉRIC CHOPIN’S TROIS NOUVELLES ÉTUDES A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Qiao-Shuang Xian B.M., Columbus State University, 1996 M.M., Louisiana State University, 1998 December 2002 TABLE OF CONTENTS LIST OF EXAMPLES ………………………………………………………………………. iii LIST OF FIGURES …………………………………………………………………………… v ABSTRACT …………………………………………………………………………………… vi CHAPTER 1. INTRODUCTION…………………………………………………………….. 1 The Rise of Piano Methods …………………………………………………………….. 1 The Méthode des Méthodes de piano of 1840
    [Show full text]
  • Franz Liszt 21 Selected Piano Works
    FRANZ LISZT 21 SELECTED PIANO WORKS Edited by Joseph Banowetz Foreword .........................................................3 About the Composer .............................................3 Contents Liszt as a Pianist .................................................6 About the Transcriptions ..........................................6 About This Edition ..............................................7 Suggestions for Further Reading. 8 About the Pieces in This Collection ....................................9 FRANZ LISZT: 21 SELECTED PIANO WORKS track page Ehemals, from Weihnachtsbaum, S. 186/10 ...................1 ......15 Étude, Op. 6, No. 7; S. 136/7 .............................2 ......20 Ich liebe dich, S. 542a (posth.) .............................3 ......24 Liebeslied: Widmung (easier version), S. 566 (posth.) (Robert Schumann, trans. by Liszt) ........................4 ......28 Liebesträume: 3 notturnos, S. 541 No. 2: Gestorben war ich (first version) ...................5 ......32 No. 3: O lieb, o lieb, so lang du lieben kannst ...............6 ......33 Piano Piece in A-flat Major, S. 189a (posth.) ..................7 ......40 Marche de Rákóczy–Édition populaire pour piano, S. 244/15. 8 ......42 Resignazione, S.187a (posth.) .............................9 ......50 Romance, S. 169 (posth.) .................................10 ......51 Romance oubliée, S. 527 ..................................11 ......56 Ruhig, S. 167a (posth.) ..................................12 ......58 Scherzo, S. 153 (posth.). .13 ......60 Six Consolations,
    [Show full text]
  • State Composers and the Red Courtiers: Music, Ideology, and Politics in the Soviet 1930S
    JYVÄSKYLÄ STUDIES IN HUMANITIES 78 Simo Mikkonen State Composers and the Red Courtiers Music, Ideology, and Politics in the Soviet 1930s JYVÄSKYLÄN YLIOPISTO JYVÄSKYLÄ STUDIES IN HUMANITIES 78 Simo Mikkonen State Composers and the Red Courtiers Music, Ideology, and Politics in the Soviet 1930s Esitetään Jyväskylän yliopiston humanistisen tiedekunnan suostumuksella julkisesti tarkastettavaksi yliopiston Villa Ranan Blomstedtin salissa marraskuun 24. päivänä 2007 kello 12. Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities of the University of Jyväskylä, in the Building Villa Rana, Blomstedt Hall, on November 24, 2007 at 12 o'clock noon. UNIVERSITY OF JYVÄSKYLÄ JYVÄSKYLÄ 2007 State Composers and the Red Courtiers Music, Ideology, and Politics in the Soviet 1930s JYVÄSKYLÄ STUDIES IN HUMANITIES 78 Simo Mikkonen State Composers and the Red Courtiers Music, Ideology, and Politics in the Soviet 1930s UNIVERSITY OF JYVÄSKYLÄ JYVÄSKYLÄ 2007 Editors Seppo Zetterberg Department of History and Ethnology, University of Jyväskylä Irene Ylönen, Marja-Leena Tynkkynen Publishing Unit, University Library of Jyväskylä Jyväskylä Studies in Humanities Editorial Board Editor in Chief Heikki Hanka, Department of Art and Culture Studies, University of Jyväskylä Petri Karonen, Department of History and Ethnology, University of Jyväskylä Matti Rahkonen, Department of Languages, University of Jyväskylä Petri Toiviainen, Department of Music, University of Jyväskylä Minna-Riitta Luukka, Centre for Applied Language Studies, University of Jyväskylä Raimo Salokangas, Department of Communication, University of Jyväskylä URN:ISBN:9789513930158 ISBN 978-951-39-3015-8 (PDF) ISBN 978-951-39-2990-9 (nid.) ISSN 1459-4331 Copyright ©2007 , by University of Jyväskylä Jyväskylä University Printing House, Jyväskylä 2007 ABSTRACT Mikkonen, Simo State composers and the red courtiers.
    [Show full text]
  • View Marco Polo Chinese Classics Segment Catalogue
    MARCO POLO CHINESE CLASSICS Music that travels well Cat. No. Title Performers UPC ORCHESTRAL / CONERTOS A, Kejian: Violin Concerto, "Hung Hu" / CHEN, Gang: Fantasy on a Sinkiang Folk Takako Nishizaki, Violin / Singapore Symphony Orchestra / 8.225811 636943581124 Song Hoey Choo Lam Fung, Pipa / Takako Nishizaki, Violin / Capella Istropolitana 8.225801 CHEN, Gang: Violin Concerto, "Wang Zhaojun" / Hong Kong Philharmonic Orchestra / Stephen Gunzenhauser / 636943580127 Yip Wing-sie Takako Nishizaki, Violin / Gunma Symphony Orchestra / Henry 8.225819 CHEN, Gang / HE, Zhanhao: Butterfly Lovers Violin Concerto (The) 636943581926 Shek CHEN, Gang / HE, Zhanhao: Butterfly Lovers Violin Concerto (The) / Popular Takako Nishizaki, Violin / Seow Yit-Kin, Piano / Nagoya 8.225833 636943583326 Chinese Violin Pieces Philharmonic Orchestra / Lim Kektjiang 8.223960 CHEN / HE: Butterfly Lovers Violin Concerto (The) / A Ke: Violin Concerto Vera Tsu, Violin / Shanghai Philharmonic Orchestra / Cao Peng 4891030239609 Dong Chen, Baritone / Hsu Fei-ping, Piano / Hong Kong 8.225829 CHEN, Gang / HE, Zhanhao: The Butterfly Lovers Piano Concerto 636943582923 Philharmonic Orchestra / Kenneth Schermerhorn Wong On-yuen, Erhu / Hong Kong Philharmonic Orchestra / Yip 8.223927 CHEN, Peixun: Fantasia on Cantonese Folk Themes 0730099392723 Wing-sie 8.225831 DING, Shande: Long March Symphony Hong Kong Philharmonic Orchestra / Yoshikazu Fukumura 636943583128 Takako Nishizaki, Violin / Singapore Symphony Orchestra / 8.225814 DU, Mingxin: 10 Xinjiang Dances 636943581421 Choo Hoey
    [Show full text]
  • ANATOLY ALEXANDROV Piano Music, Volume One
    ANATOLY ALEXANDROV Piano Music, Volume One 1 Ballade, Op. 49 (1939, rev. 1958)* 9:40 Romantic Episodes, Op. 88 (1962) 19:39 15 No. 1 Moderato 1:38 Four Narratives, Op. 48 (1939)* 11:25 16 No. 2 Allegro molto 1:15 2 No. 1 Andante 3:12 17 No. 3 Sostenuto, severo 3:35 3 No. 2 ‘What the sea spoke about 18 No. 4 Andantino, molto grazioso during the storm’: e rubato 0:57 Allegro impetuoso 2:00 19 No. 5 Allegro 0:49 4 No. 3 ‘What the sea spoke of on the 20 No. 6 Adagio, cantabile 3:19 morning after the storm’: 21 No. 7 Andante 1:48 Andantino, un poco con moto 3:48 22 No. 8 Allegro giocoso 2:47 5 No. 4 ‘In memory of A. M. Dianov’: 23 No. 9 Sostenuto, lugubre 1:35 Andante, molto cantabile 2:25 24 No. 10 Tempestoso e maestoso 1:56 Piano Sonata No. 8 in B flat, Op. 50 TT 71:01 (1939–44)** 15:00 6 I Allegretto giocoso 4:21 Kyung-Ah Noh, piano 7 II Andante cantabile e pensieroso 3:24 8 III Energico. Con moto assai 7:15 *FIRST RECORDING; **FIRST RECORDING ON CD Echoes of the Theatre, Op. 60 (mid-1940s)* 14:59 9 No. 1 Aria: Adagio molto cantabile 2:27 10 No. 2 Galliarde and Pavana: Vivo 3:20 11 No. 3 Chorale and Polka: Andante 2:57 12 No. 4 Waltz: Tempo di valse tranquillo 1:32 13 No. 5 Dances in the Square and Siciliana: Quasi improvisata – Allegretto 2:24 14 No.
    [Show full text]
  • OMT 4-06 07Edited.Pub
    VOLUME 8, ISSUE 2 APRIL 2006 Sharon E Leskowat, Editor From Your President... Greetings OMTA Members! Edmond, student of Natalie Syring, won the Junior Woodwind Competition. So- Hurricane update: January got off to a prano Sarah Duvall of Lawton, student fast start with the MTNA South-Central of Larry Baldwin, won the Senior Vocal Division competitions held in Lafayette, Competition. Cellist Adam Lock, student LA. Upon my arrival, I delivered one 45 of Tess Remy-Schumacher from the Uni- lb. box of vocal music to Sue Steck- versity of Central Oklahoma, was the Turner, president of the Louisiana MTA. Young Artist String winner. Oklahoma Before Christmas, I also mailed a $120 students also represent our division in the Borders gift card to her to distribute to Young Artist Composition Competition. teachers as a gift from the Norman (Continued on page 3) teachers. To date, $12,500 has been donated from MTNA. South-Central Division: Oklahoma stu- dents will be representing our division in five areas of the MTNA Competitions in Austin. The OSU Trombone Quartet, stu- dents of Paul Compton were winners in the Young Artist Chamber Ensemble com- petition. Flautist Shaelynn Morefiled of See you at the 2006 OMTA State Conference June 2-3 in Lawton, Oklahoma! Conference Call: June 2-3, 2006 We are busy at work on the 2006 conference and it’s all coming together. I’m getting excited thinking about it! This issue of the OMT newsletter features the conference call. You will find the conference itinerary, photos and bios of the participants, a reg- istration form, hotel information, and so on.
    [Show full text]
  • 2013 Program Booklet
    Rebecca Penneys Piano Festival Inaugural Year July 21- August 4, 2013 University of South Florida, Tampa, Florida Rebecca Penneys Friends of Piano wishes to give special thanks: to Svetozar Ivanov for his kindness and artistic vision, to USF for its warm welcome, to the USF administration and staff for their support and assistance, to USF piano tuner, Glen Suyker for his expertise, to RPPF Coordinator of Student Services, Tabitha Boxerman for her tremendous help and tireless energy, to our wonderful videographer, Elizabeth Baker, and to all of the generous, enthusiastic, and devoted Piano Lovers and Donors who made this festival possible. Rebecca Penneys Piano Festival is tuition-free and is supported entirely by charitable donations made to Rebecca Penneys Friends of Piano Incorporated The family of Steinway pianos at USF was made possible by the kind assistance of the Music Gallery, Clearwater, Florida 2 FESTIVAL PROGRAMS All events are free and open to the public Burness Hall, University of South Florida Festival Concerts – 2pm July 28 Rebecca Penneys Solo Recital August 3 2 Pianos 8 Hands Extravaganza Soiree Series, Legacy Series, and Performance Classes – 7:30pm July 23 Christopher Harding: Schumann July 24 RPPF Student Performance Class July 25 Johnandrew Slominski: The Art of Transcription July 26 RPPF Student Performance Class July 29 Omri Shimron: Brahms Ballades July 30 RPPF Student Performance Class July 31 Eunmi Ko: Foray into Dreams August 1 RPPF Student Performance Class August 2 Father Sean Duggan: Beethoven Op. 106 Daily Masterclasses Father Sean Duggan, Christopher Harding, Svetozar Ivanov, John O’Conor, Rebecca Penneys, Roberta Rust, and Ray Gottlieb (Attention and Memory Specialist) Community Outreach Concerts by Festival Student Pianists July 25 Westminster Shores July 30 ASPEC July 31 University Village August 2 Allegro 3 RECITAL PROGRAMS Rebecca Penneys, piano July 28, 2013 – 2pm PROGRAM 15 Hungarian Peasant Songs…………………………..Béla Bartók (1881-1945) Rondo in D major, K.
    [Show full text]
  • An Analysis of His Piano Concerto in E-Flat Major
    SERGEI TANEYEV (1856-1915): AN ANALYSIS OF HIS PIANO CONCERTO IN E-FLAT MAJOR AND ITS RELATIONSHIP TO TCHAIKOVSKY’S PIANO CONCERTO NO. 1 Louise Jiayin Liu, B.A., M.A. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2007 APPROVED: Joseph Banowetz, Major Professor Jeffrey Snider, Committee Member Adam Wodnicki, Committee Member Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Liu, Louise Jiayin, Sergei Taneyev (1856-1915): An Analysis of His Piano Concerto in E- flat Major and Its Relationship to Tchaikovsky’s Piano Concerto No.1. Doctor of Musical Arts (Performance), May 2007, 38 pp., 25 examples, bibliography, 26 titles. This lecture recital seeks to prove that Sergei Taneyev’s only piano concerto is a valuable addition to the piano concerto repertoire for historical and theoretical examination. Taneyev’s biographical background proves he was one of the major figures in Russian musical life during the late nineteenth century. For one who had such an important role in music history, it is an unfortunate that his music has not been popular. Through letters to contemporary composers and friends, Taneyev’s master teacher Tchaikovsky revealed why his music and piano concerto were not as popular as they should have been. This lecture recital examines Taneyev’s compositional style and illustrates his influence in the works of his famous student Sergei Rachmaninoff through examples from Taneyev’s Piano Concerto in E-flat Major and Rachmaninoff’s Piano Concerto No.
    [Show full text]
  • U.S. Sheet Music Collection
    U.S. SHEET MUSIC COLLECTION SUB-GROUP I, SERIES 3, SUB-SERIES A (INSTRUMENTAL) Consists of instrumental sheet music published between 1826 and 1860. Titles are arranged in alphabetical order by surname of known composer or arranger; anonymous compositions are inserted in alphabetical order by title. ______________________________________________________________________________ Box 12 Abbot, John M. La Coralie polka schottisch. Composed for and respectfully dedicated to Miss Kate E. Stoutenburg. For solo piano. New York: J. E. Gould and Co., 1851. Abbot, John M. La reve d’amour. For solo piano. New York: William Hall & Son, 1858. 3 copies. L’Aboyar. La coquetterie polka facile. For solo piano. Boston: Oliver Ditson, 1853. Adam, Adolphe. Duke of Reichstadt’s waltz. For solo piano. New York: James L. Hewitt & Co., [s.d.]. Adam, Adolphe. Duke of Reichstadt’s waltz. For solo piano. Boston: C. Bradlee, [s.d.].. Adam, A. Hungarian flag dance. Danced by forty-eight Danseuses Viennoises at the principal theatres in Europe and the United States. For solo piano. Arranged by Edward L. White. Boston: Stephen W. Marsh, 1847. Adams, A.M. La petite surprise! For solo piano. New York: W. Dubois, [s.d.]. Adams, G. Molly put the kettle on. For solo piano. Boston: Oliver Ditson, [s.d.]. Adams, G. Scotch air. With variations as performed by Miss. R. Brown on the harp at the Boston Concerts. For solo piano or harp. New York: William Hall & Son, [s.d.]. Adams, G. Scotch air. With variations as performed by Miss R. Brown on the harp at the Boston Concerts. For solo piano or harp.
    [Show full text]
  • Critical Study of Two Piano Transcriptions by August Stradal And
    CRITICAL STUDY OF TWO PIANO TRANSCRIPTIONS BY AUGUST STRADAL AND THE TRANSCRIPTIONS’ SOURCES: ALTERATIONS TO THE SCORE BASED ON HISTORICAL EVIDENCE AND ARTISTIC JUDGEMENT JUAN GUILLERMO VIZCARRA, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2015 APPROVED: Joseph Banowetz, Major Professor Steven Harlos, Committee Member Pamela Paul, Committee Member Steven Harlos, Chair of Division of Keyboard Studies Benjamin Brand, Director of Graduate Studies in the College of Music James Scott, Dean of the College of Music James D. Meernik, Acting Dean of the Toulouse Graduate School Vizcarra, Juan Guillermo. Critical Study of Two Piano Transcriptions by August Stradal and the Transcriptions’ Sources: Alterations to the Score Based on Historical Evidence and Artistic Judgment. Doctor of Musical Arts (Performance), May 2015, 35 pp., 15 musical examples, bibliography, 6 titles. The fact that a number of pianists of the past two centuries adapted, embellished, and rearranged piano works for performance, be these original works or transcriptions, has been well documented throughout history. This thought, in addition to the fact that Stradal’s scores needed revision, encouraged me to make alterations to Stradal’s transcriptions and served as a strong incentive to write the current study. In it, I will comment on the alterations performed to segments of Stradal’s piano transcriptions of Wagner’s Schluβ der letzten Aufzuges (End of the last Act) from Siegfried and Trauermusik aus dem letzten Aufzug (Siegfried’s Funeral March) from Götterdämmerung. These changes have the purpose of reflecting in the piano as closely as possible the sonorous reality of the transcriptions’ operatic sources and, by doing so, making Stradal’s arrangements more effective for performance.
    [Show full text]
  • Cello Concerto (1990)
    RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Edited by Stephen Ellis Composers A-G RUSTAM ABDULLAYEV (b. 1947, UZBEKISTAN) Born in Khorezm. He studied composition at the Tashkent Conservatory with Rumil Vildanov and Boris Zeidman. He later became a professor of composition and orchestration of the State Conservatory of Uzbekistan as well as chairman of the Composers' Union of Uzbekistan. He has composed prolifically in most genres including opera, orchestral, chamber and vocal works. He has completed 4 additional Concertos for Piano (1991, 1993, 1994, 1995) as well as a Violin Concerto (2009). Piano Concerto No. 1 (1972) Adiba Sharipova (piano)/Z. Khaknazirov/Uzbekistan State Symphony Orchestra ( + Zakirov: Piano Concerto and Yanov-Yanovsky: Piano Concertino) MELODIYA S10 20999 001 (LP) (1984) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where his composition teacher was Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. Piano Concerto in E minor (1976) Alexander Tutunov (piano)/ Marlan Carlson/Corvallis-Oregon State University Symphony Orchestra ( + Piano Trio, Aria for Viola and Piano and 10 Romances) ALTARUS 9058 (2003) Aria for Violin and Chamber Orchestra (1973) Mikhail Shtein (violin)/Alexander Polyanko/Minsk Chamber Orchestra ( + Vagner: Clarinet Concerto and Alkhimovich: Concerto Grosso No. 2) MELODIYA S10 27829 003 (LP) (1988) MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Concertos A-G ISIDOR ACHRON (1891-1948) Piano Concerto No.
    [Show full text]
  • Új Liszt-Összkiadás ÚJ KATALÓGUS Csardas Obstinée: Page 1 of the Csardas Obstinée: 1
    New Liszt Edition UPDATED CATALOGUE Neue Liszt-Ausgabe AKTUALISIERTER KATALOG Új Liszt-Összkiadás ÚJ KATALÓGUS Csardas obstinée: page 1 of the Csardas obstinée: 1. Seite des Csardas obstinée: az autográf autograph manuscript. Music Di- Autographs. Musiksammlung der első lapja. Országos Széchényi vision of the National Széchényi Széchényi Nationalbibliothek, Könyv­­tár Zeneműtára, Budapest. Library, Budapest. Shelf mark: Ms. Budapest. Signatur: Ms. mus. 21. Jelzet: Ms. mus. 21. Eredeti méret: mus. 21. Original measurements: Origanalgröße: 34,5 × 26,5 cm. 34,5 × 26,5 cm. Országos Szé- 34,5 × 26,5 cm. Photo: National Foto: Széchényi Nationalbiblio- chényi Könyvtár reprodukció. Széchényi Library, Budapest. thek, Budapest. New Liszt Edition UPDATED CATALOGUE Neue Liszt-Ausgabe AKTUALISIERTER KATALOG Új Liszt-Összkiadás ÚJ KATALÓGUS 2011 Compiled by / Zusammengestellt von / Összeállította KACZMARCZYK Adrienne, MEZŐ Imre EDITIO MUSICA BUDAPEST The cover shows Liszt’s Chickering piano, his silver music stand (decorated with portraits of Beethoven, Schubert, Weber and Liszt himself) and the bust of Liszt by Caspar Zumbusch (1867) kept in the Ferenc Liszt Memorial Museum, Budapest. (Photo by János Gehring) Cover design by Attila Fodor Einband: Liszts Chickering-Klavier, sein silberner Notenständer (mit Portraits von Beethoven, Schubert, Weber und seiner selbst verziert) sowie seiner Büste, geschaffen von Caspar Zumbusch (1867), im Franz-Liszt-Gedenkmuseum Budapest. (Foto: János Gehring) Einbandentwurf von Attila Fodor A borítón: Liszt Chickering-zongorája, ezüst kottatartója (Beethov­­en, Schubert és Weber mell- szobráv­­al v­­alamint saját féldomborműv­­ű arcmásáv­­al díszítv­­e), és Caspar Zumbusch által készített mellszobra (1867) a budapesti Liszt Ferenc Emlékmúzeumban (Gehring János felvétele) A borítót Fodor Attila tervezte UNIVERSAL MUSIC PUBLISHING EDITIO MUSICA BUDAPEST LTD H-1370 Budapest, P.O.B.
    [Show full text]