State Composers and the Red Courtiers: Music, Ideology, and Politics in the Soviet 1930S
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Information Translation JSC Inter RAO 2014 Annual Report
1 Information translation JSC Inter RAO 2014 Annual Report Preliminarily approved by the Board of Directors of JSC Inter RAO on April 07, 2015 (Minutes No. 138 of the meeting of the Board of Directors dated April 09, 2015). Management Board Boris Kovalchuk Chairman Chief Accountant Alla Vaynilavichute 2 Table of content 1 Report overview ........................................................................................................................ 4 2 General information on Inter RAO Group .................................................................................. 8 2.1 About Inter RAO Group ..................................................................................................... 8 2.2 Group's key performance indicators ................................................................................. 14 2.3 Inter RAO Group on the energy market ........................................................................... 15 2.4 Associations and partnerships ......................................................................................... 15 3 Statement for JSC Inter RAO shareholders and other stakeholders ........................................ 18 4 Development strategy of Inter RAO Group and its implementation ......................................... 21 4.1 Strategy of the Company ................................................................................................. 21 4.2 Business model .............................................................................................................. -
Fernando Laires
Founded in 1964 Volume 32, Number 2 Founded in 1964 Volume 32, Number 2 Founded in 1964 Volume 32, Number 2 An officiIn AMemoriam:l publicAtion of the AmericFernandoAn liszt society, Laires inc. TABLE OF CONTENTS 3 January 1925 – 9 September 2016 1 In Memoriam: Fernando Laires In Memoriam: Fernando Laires TABLE OF CONTENTS 3 January 1925 – 9 September 2016 2 President's Message In Memoriam: Fernando Laires TABLE OF CONTENTS 3 January 1925 – 9 September 2016 31 LetterIn Memoriam: from the FernandoEditor Laires 1 42In Memoriam:"APresident's Tribute toMessage Fernando Fernando Laires Laires," by Nancy Lee Harper 2 3President's Letter from Message the Editor 5 More Tributes to Fernando Laires 3 4Letter "A fromTribute the to Editor Fernando Laires," 7 Membershipby Nancy Lee Updates, Harper Etc. 4 "A Tribute to Fernando Laires," 85by NancyInvitationMore TributesLee to Harper the to 2017 Fernando ALS FestivalLaires in Evanston/Chicago 5 7More Membership Tributes to Updates, Fernando Etc. Laires 10 "Los Angeles International Liszt Competition Overview" 7 8Membership byInvitation Éva Polgár Updates, to the 2017 Etc. ALS Festival in Evanston/Chicago 8 InvitationIn Memoriam to the 2017 ALS Festival in Evanston/Chicago 10 JALS"Los AngelesUpdate International Liszt Competition Overview" 10 "Losby Angeles Éva Polgár International Liszt 11 Competition Chapter News Overview" In Memoriam by Éva Polgár 12 Member News In MemoriamJALS Update 1511JALS FacsimileChapter Update News Frontispiece of Liszt's "Dante" Symphony Fernando Laires with his wife and fellow pianist, Nelita True, in 2005. Photo: Rochester NY Democrat & Chronicle Staff Photographer Carlos Ortiz: http://www. 11 12Chapter Member News News democratandchronicle.com/story/lifestyle/music/2016/10/02/fernando-laires-eastman-liszt- 16 Picture Page obituary/91266512, accessed on November 12, 2016. -
Geologists of Russian Origin in Latin America
REVISTA DEL MUSEO DE LA PLATA 2018, Volumen 3, Número 2: 223-295 Geologists of Russian origin in Latin America P. Tchoumatchenco1 , A.C. Riccardi 2 , †M. Durand Delga3 , R. Alonso 4 , 7 8 M. Wiasemsky5 , D. Boltovskoy 6 , R. Charrier , E. Minina 1Geological Institute, Bulgarian Academy of Sciences Acad. G. Bonchev Str. Bl. 24, 1113 Sofia, Bulgaria, [email protected] 2Museo de La Plata, Facultad de Ciencias Naturales y Museo, Universidad Nacional de La Plata, Argentina, [email protected] 3Passed away August19, 2012 4Universidad Nacional de Salta, Argentina, [email protected] 581, Chemin du Plan de Charlet, F-74190 Passy, France, [email protected] 6Dep. Ecologia, Genetica y Evolucion, Fac. Ciencias Exactas y Naturales, Univ. de Buenos Aires, Argentina, [email protected] 7History of Geology Group, Sociedad Geológica de Chile, Santiago de Chile, [email protected] 8State Geological Museum “V.I.Vernadsky”, Mohovaya ul. 11/11, Moscow 125009, Russian Federation, [email protected] REVISTA DEL MUSEO DE LA PLATA / 2018, Volumen 3, Número 2: 223-295 / ISSN 2545-6377 ISSN 2545-6377 UNIVERSIDAD NACIONAL DE LA PLATA - FACULTAD DE CIENCIAS NATURALES Y MUSEO Revista del Museo de La Plata 2018 Volumen 3, Número 2 (Julio-Diciembre): 223-295 Geologists of Russian origin in Latin America P. Tchoumatchenco1, A.C. Riccardi2, †M. Durand Delga3, R. Alonso4, M. Wiasemsky5, D. Boltovskoy6, R. Charrier7, E. Minina8 1 Geological Institute, Bulgarian Academy of Sciences Acad. G. Bonchev Str. Bl. 24, 1113 Sofia, Bulgaria, [email protected] 2 Museo de La Plata, Facultad de Ciencias Naturales y Museo, Universidad Nacional de La Plata, Argentina, [email protected] 3 Passed away August19, 2012 4 Universidad Nacional de Salta, Argentina, [email protected] 5 81, Chemin du Plan de Charlet, F-74190 Passy, France, [email protected] 6 Dep. -
Pavel Lisitsian Discography by Richard Kummins
Pavel Lisitsian Discography By Richard Kummins e-mail: [email protected] Rev - 17 June 2014 Composer Selection Other artists Date Lang Record # The capital city of the country (Stolitsa Agababov rodin) 1956 Rus 78 USSR 41366 (1956) LP Melodiya 14305/6 (1964) LP Melodiya M10 45467/8 (1984) CD Russian Disc 15022 (1994) MP3 RMG 1637 (2005 - Song Listen, maybe, Op 49 #2 (Paslushai, byt Anthology Vol 1) Arensky mozhet) Andrei Mitnik, piano 1951 Rus MP3 RMG 1766 (2006) 78 USSR 14626 (1947) LP Vocal Record Collector's Armenian (trad) Armenian girls (Hayotz akhchikner) Matvei Sakharov, piano 1947 Arm Society 1992 Armenian girls (Hayotz akhchikner) LP Melodiya 45465/6 (1984) Armenian (trad) (arranged by Aleksandr Dolukhanian) Matvei Sakharov, piano 1948 Arm MP3 RMG 1766 (2006) Armenian girls (Hayotz akhchikner) 1960 (San LP New York Records PL 101 Armenian (trad) (arranged by Aleksandr Dolukhanian) Maro Ajemian, piano Francisco) Arm (1960) Crane (Groong) 1960 (San LP New York Records PL 101 Armenian (trad) (arranged by Aleksandr Dolukhanian) Maro Ajemian, piano Francisco) Arm (1960) Russian Folk Instrument Orchestra - Crane (Groong) Central TV and All-Union Radio LP Melodiya 45465/6 (1984) Armenian (trad) (arranged by Aleksandr Dolukhanian) - Vladimir Fedoseyev 1968 Arm MP3 RMG 1766 (2006) LP DKS 6228 (1955) Armenian (trad) Dogwood forest (Lyut kizil usta tvoi) Matvei Sakharov, piano 1955 Arm MP3 RMG 1766 (2006) Dream (Yeraz) (arranged by Aleksandr LP Melodiya 45465/6 (1984) Armenian (trad) Dolukhanian) Matvei Sakharov, piano 1948 Arm MP3 RMG -
JAVS 32.3.Pdf
Viola V33 N1.indd 302 5/8/17 10:10 PM Journal of the American Viola Society A publication of the American Viola Society Spring 2017: Volume 33, Number 1 p. 3 From the Editor p. 5 From the President News & Notes p. 7 Announcements p. 8 The Lionel ertis-JohnT White Collection p. 11 In Memoriam: Bernie Zaslav Feature Articles p. 13 The Genesis of BenjaminYusupov’s Viola Tango Rock Concerto: Dalton Competition Winner Andrea Carolina del Pilar Sánchez Ruiz presents her research on one of the first viola concertos to be premiered in the twenty-first century. p. 27 Grigori Frid and the Viola: In Conversation with the Composer: Elena Artamonova introduces a composer whose work is little known amongst violists, providing fascinating background and connections to twentieth-century Soviet Russian music. Departments p. 37 Outreach: Carol Rodland writes about her very practical and creative “If Music Be the Food…” program, for which volunteers and musicians donate their time to help raise monetary and non-perishable food donations for Foodlink, the Feeding America Hub of Western New York. p. 39 Health and Wellness: Our new Health and Wellness Editor, Jessica Ray King, introduces her new column with some of her more recent research. On the Cover: Joyce Lin Viola 24 x 36 inches Watercolor, graphite Joyce Lin is an artist and designer studying Furniture Design at the Rhode Island School of Design and Geology at Brown University as part of the Brown/RISD Dual Degree program. Her drawing is a full-scale technical rendering of her friend’s beloved viola, first drawn on a computer-aided design (CAD) program and then traced onto paper, as an exercise in measurement and detail. -
Edinburgh International Festival 1962
WRITING ABOUT SHOSTAKOVICH Edinburgh International Festival 1962 Edinburgh Festival 1962 working cover design ay after day, the small, drab figure in the dark suit hunched forward in the front row of the gallery listening tensely. Sometimes he tapped his fingers nervously against his cheek; occasionally he nodded Dhis head rhythmically in time with the music. In the whole of his productive career, remarked Soviet Composer Dmitry Shostakovich, he had “never heard so many of my works performed in so short a period.” Time Music: The Two Dmitrys; September 14, 1962 In 1962 Shostakovich was invited to attend the Edinburgh Festival, Scotland’s annual arts festival and Europe’s largest and most prestigious. An important precursor to this invitation had been the outstanding British premiere in 1960 of the First Cello Concerto – which to an extent had helped focus the British public’s attention on Shostakovich’s evolving repertoire. Week one of the Festival saw performances of the First, Third and Fifth String Quartets; the Cello Concerto and the song-cycle Satires with Galina Vishnevskaya and Rostropovich. 31 DSCH JOURNAL No. 37 – July 2012 Edinburgh International Festival 1962 Rostropovich and Vishnevskaya in Edinburgh Week two heralded performances of the Preludes & Fugues for Piano, arias from Lady Macbeth of Mtsensk, the Sixth, Eighth and Ninth Symphonies, the Third, Fourth, Seventh and Eighth String Quartets and Shostakovich’s orches- tration of Musorgsky’s Khovanschina. Finally in week three the Fourth, Tenth and Twelfth Symphonies were per- formed along with the Violin Concerto (No. 1), the Suite from Lady Macbeth of Mtsensk, the Three Fantastic Dances, the Cello Sonata and From Jewish Folk Poetry. -
Soviet Censorship Policy from a Musician's Perspective
The View from an Open Window: Soviet Censorship Policy from a Musician’s Perspective By Danica Wong David Brodbeck, Ph.D. Departments of Music and European Studies Jayne Lewis, Ph.D. Department of English A Thesis Submitted in Partial Completion of the Certification Requirements for the Honors Program of the School of Humanities University of California, Irvine 24 May 2019 i Table of Contents Acknowledgments ii Abstract iii Introduction 1 The Music of Dmitri Shostakovich 9 Lady Macbeth of Mtsensk District 10 The Fifth Symphony 17 The Music of Sergei Prokofiev 23 Alexander Nevsky 24 Zdravitsa 30 Shostakovich, Prokofiev, and The Crisis of 1948 35 Vano Muradeli and The Great Fellowship 35 The Zhdanov Affair 38 Conclusion 41 Bibliography 44 ii Acknowledgements While this world has been marked across time by the silenced and the silencers, there have always been and continue to be the supporters who work to help others achieve their dreams and communicate what they believe to be vital in their own lives. I am fortunate enough have a background and live in a place where my voice can be heard without much opposition, but this thesis could not have been completed without the immeasurable support I received from a variety of individuals and groups. First, I must extend my utmost gratitude to my primary advisor, Dr. David Brodbeck. I did not think that I would be able to find a humanities faculty member so in tune with both history and music, but to my great surprise and delight, I found the perfect advisor for my project. -
Inter RAO Annual Report 201
JSC Inter RAO 2013 Annual Report Chairman of the Management Board Boris Yu. Kovalchuk Approved by The Annual General Meeting of Shareholders on May 25, 2014 (Minutes dated May 25, 2014 No. 14) Chief Accountant Alexandra O. Chesnokova TABLE OF CONTENTS 1. ABOUT THE REPORT _________________________________________________________________________________________________________3 7. THE COMPANY IN THE CAPITAL MARKETS _____________________________________________________________________131 2. GENERAL INFORMATION ON INTER RAO GROUP _______________________________________________________________5 8. CORPORATE SOCIAL RESPONSIBILITY __________________________________________________________________________ 137 2.1. About Inter RAO Group _______________________________________________________________________________________________5 8.1. Approach to Sustainability _______________________________________________________________________________________ 137 2.2. The Group’s key indicators ___________________________________________________________________________________________9 8.2. Human Resources Management _______________________________________________________________________________ 138 2.3. Key events_______________________________________________________________________________________________________________ 10 8.3. Occupational Health and Safety _______________________________________________________________________________ 149 8.4. Contribution to the development of the regions of the Group’s operation _______________________ 154 3. STATEMENT -
The Public Discussion of the 1936 Constitution and the Practice of Soviet Democracy
Speaking Out: The Public Discussion of the 1936 Constitution and the Practice of Soviet Democracy By Samantha Lomb B.A. in History, Shepherd University, 2006 M.A. in History, University of Pittsburgh, 2009 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 University of Pittsburgh Dietrich School of Arts and Sciences This dissertation was presented by Samantha Lomb It was defended on April 7, 2014 and approved by William Chase, PhD, Professor Larry E. Holmes, PhD, Professor Emeritus Evelyn Rawski, PhD, Professor Gregor Thum, PhD, Assistant Professor Dissertation Director: William Chase, PhD, Professor ii Copyright © by Samantha Lomb 2014 iii Speaking Out: The Public Discussion of the 1936 Constitution and the Practice of Soviet Democracy Samantha Lomb, PhD University of Pittsburgh 2014 The Stalinist Constitution was a social contract between the state and its citizens. The Central leadership expressly formulated the 1936 draft to redefine citizenship and the rights it entailed, focusing on the inclusion of former class enemies and the expansion of “soviet democracy”. The discussion of the draft was conducted in such a manner as to be all-inclusive and promote the leadership’s definition of soviet democracy. However the issues that the leadership considered paramount and the issues that the populace considered paramount were very different. They focused on issues of local and daily importance and upon fairness and traditional peasant values as opposed to the state’s focus with the work and sacrifice of building socialism. -
ANATOLY ALEXANDROV Piano Music, Volume One
ANATOLY ALEXANDROV Piano Music, Volume One 1 Ballade, Op. 49 (1939, rev. 1958)* 9:40 Romantic Episodes, Op. 88 (1962) 19:39 15 No. 1 Moderato 1:38 Four Narratives, Op. 48 (1939)* 11:25 16 No. 2 Allegro molto 1:15 2 No. 1 Andante 3:12 17 No. 3 Sostenuto, severo 3:35 3 No. 2 ‘What the sea spoke about 18 No. 4 Andantino, molto grazioso during the storm’: e rubato 0:57 Allegro impetuoso 2:00 19 No. 5 Allegro 0:49 4 No. 3 ‘What the sea spoke of on the 20 No. 6 Adagio, cantabile 3:19 morning after the storm’: 21 No. 7 Andante 1:48 Andantino, un poco con moto 3:48 22 No. 8 Allegro giocoso 2:47 5 No. 4 ‘In memory of A. M. Dianov’: 23 No. 9 Sostenuto, lugubre 1:35 Andante, molto cantabile 2:25 24 No. 10 Tempestoso e maestoso 1:56 Piano Sonata No. 8 in B flat, Op. 50 TT 71:01 (1939–44)** 15:00 6 I Allegretto giocoso 4:21 Kyung-Ah Noh, piano 7 II Andante cantabile e pensieroso 3:24 8 III Energico. Con moto assai 7:15 *FIRST RECORDING; **FIRST RECORDING ON CD Echoes of the Theatre, Op. 60 (mid-1940s)* 14:59 9 No. 1 Aria: Adagio molto cantabile 2:27 10 No. 2 Galliarde and Pavana: Vivo 3:20 11 No. 3 Chorale and Polka: Andante 2:57 12 No. 4 Waltz: Tempo di valse tranquillo 1:32 13 No. 5 Dances in the Square and Siciliana: Quasi improvisata – Allegretto 2:24 14 No. -
The Socialist Soviet Republic of Scandinavia
Ajalooline Ajakiri, 2015, 3 (153), 287–326 The Socialist Soviet Republic of Scandinavia Ainur Elmgren ABSTRACT Nationalist and regionalist geopolitical concepts were appropriated in the ser- vice of Communist world revolution by Finnish activists in Sweden, Finland, and Soviet Karelia. The influence of Social Democratic statesman and scholar of geopolitics, Väinö Voionmaa, can be traced in the negotiations that led to the foundation of an autonomous Karelian Labour Commune in 1921. Exiled Finnish revolutionaries persuaded the Bolsheviks that Karelia could become a stepping-stone towards revolution in Finland and Scandinavia. A greater So- cialist Soviet Republic of Scandinavia, united by cultural, geographical and eco- nomical factors, would monopolize the timber market and exercise economic power over Western Europe. The idea of a Scandinavian revolution was aban- doned along with the idea of world revolution in the mid-1920s. The last men- tions of a Soviet Scandinavia can be found in anti-Soviet propaganda long after the demise of its promoters in the Great Terror. Keywords: geopolitics, revolution, regionalism, nationalism, Scandinavia, So- viet Union, Karelian Labour Commune The pursuit of a “Greater Finland” is a well-known chapter in the history of Finnish nationalism. The Greater Finland project uniting the “tribal brothers” of Finland and Karelia, sometimes also the national irredenta of the border regions in Northern Sweden and Norway, the Kola Penin- sula and the Finno-Ugric minorities of Russia, was practically monopo- lized by right-wing intellectual movements after Finland’s independence in 1917 and the subsequent civil war.1 However, it had inspired politicians and scholars identifying as Socialist before, and it would continue to do so. -
Audio Media in the Service of the Totalitarian State? 2010
Repositorium für die Medienwissenschaft Dmitri Zakharine Audio Media in the Service of the Totalitarian State? 2010 https://doi.org/10.25969/mediarep/12405 Veröffentlichungsversion / published version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: Zakharine, Dmitri: Audio Media in the Service of the Totalitarian State?. In: Kirill Postoutenko (Hg.): Totalitarian Communication – Hierarchies, Codes and Messages. Bielefeld: transcript 2010, S. 157– 176. DOI: https://doi.org/10.25969/mediarep/12405. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.14361/transcript.9783839413937.157 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0 Attribution - Non Commercial - No Derivatives 4.0 License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0 Audio Media in the Service of the Totalitarian State? DMITRI ZAKHARINE State Totalitarianism or Media Totalitarianism? The question concerning the logical relationship between the structures and media of totalitarianism has been treated controversially in contem- porary scholarship. A large part of the relevant publications (represented by Hannah Arendt and Leonard Schapiro)1 defines totalitarian power primarily as the power of a charismatic leader over the unwilling major- ity and, following Aristotle’s concept of tyranny, sees the latter as rooted in structures of political order.2 A second corpus of research increas- ingly interprets totalitarianism as technological power and associates 1 | See: Hannah Arendt (1951: 465): “[. ] totalitarian government in its initial stages must behave like a tyranny and raze the boundaries of man-made law”.