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Fei Mu
Gender and the Family in Contemporary Chinese-Language Film Remakes
Bibliography
The Generational Pedigree of Chinese Directors and The
Fei Mu's Confucius
FEI Mu 費穆(1906.10.10–1951.1.30)
Tiff Bell Lightbox Celebrates a Century of Chinese Cinema with Unprecedented Film Series, Exhibitions and Special Guests
Shanghai 1920-1935, Film, Fiction, History 中国二十世纪文化史:上海 1920-1935 (电影,小说,历史) Department of History, University of California, San Diego Professor Paul G
The University of Chicago Sound Images, Acoustic
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New York University a Private University in the Public Service
The Sentimental in Chinese Cinema Since the 1990S
Chinese Film and Society: Fall 2012 NYU Shanghai 1
On the 1930S Chinese Leftist Film Movement a Thesis
ZHU Shilin 朱石麟(1899.9.1–1967.1.5) Director, Screenwriter
Spring in a Small Town Dir
UC San Diego UC San Diego Electronic Theses and Dissertations
The Trail, 2021-03-26
Filming Ideologies
Top View
In Search of Laughter in Maoist China: Chinese Comedy Film 1949-1966
College of East Asian Studies 1
A Chinese Director and His Transition from Critical Banned
In Search of Remembrance: Jia Zhangke's I Wish I Knew
Copyright Matters
Wong Kar-Wai's in the Mood for Love 11/17/09 2:06 PM
Masterpieces of Early Cinema Corrado Neri
Newsletter 26
The Emotional Cinema of Wong Kar-Wai Viktoriia Protsenko
Shanghai Film Group Corporation, Xstream Pictures (Beijing)
Film Studies (FILM) 1
FILM S142 / EALL S258 Instructor: Xueli Wang Dates: Session B June 29Th – July 31St Meeting Times: Tth 1:00-4:15Pm
American Films in China's Largest Metropolis, 1920-1950
Fei Mu and Confucius the Film in 1930S
Fei Mu's Confucius
Three Actresses of the Lianhua Film Company Anne Kerlan
UNIVERSITY of CALIFORNIA, SAN DIEGO International and Wartime Origins of the Propaganda State: the Motion Picture in China, 18
An Annotated Bibliography for Chines E Fil M Studie S